Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting the step-by-step creation of a cheerful character wearing round glasses.All images follow a minimalist sketch style, progressing from foundational shapes to refined linework. The character maintains a consistent cheerful expression and round glasses across stages, with evolving details in facial structure, hair, and clothing. [TOP]-[LEFT]:A light gray circular outline forms the head base, with intersecting horizontal and vertical guidelines marking facial symmetry. Soft, loose strokes suggest the character's posture direction. [TOP]-[RIGHT]:A defined oval jawline extends from the base circle, with curved ears and a dynamic hairstyle sketched in flowing, uneven lines. Light shading hints at volume and movement in the hair. [BOTTOM]-[LEFT]:Large expressive eyes with visible pupils and a wide, upturned mouth convey cheerfulness. Circular glasses frame the eyes precisely, with lens reflections added. Collar lines suggest casual clothing. [BOTTOM]-[RIGHT]:Crisp, confident linework enhances hair texture and clothing folds. Glasses gain subtle thickness and shine, while facial features are sharpened. Final touches include eyelash details and a patterned shirt collar.

This illustration showcases the gradual creation of a cheerful character wearing glasses. The process unfolds as follows: Sketch the Basic Head Shape – Start with a circle and add facial guidelines to position the features.Define the Face and Hair – Outline the jawline, ears, and sketch the character’s hairstyle.  Add Facial Features and Accessories – Draw the eyes, mouth, and round glasses, capturing an expressive look. Refine and Finalize – Complete the details on the clothing, refine the hair, and strengthen the linework for a polished finish.

The style and weight of the linework should be consistent across all stages, progressing smoothly from rough sketches to refined outlines.

If color is introduced, the color palette should be consistent, with changes only reflecting the refinement stage (e.g., grayscale in early sketches progressing to full color in the final image).

The background should remain simple and unobtrusive throughout the process, avoiding unnecessary details that could distract from the character's development.

Distinctive features of the character, such as the glasses shape, hairstyle, and general facial structure, must be maintained and recognizable across all stages of the drawing process.

The character's expression (e.g., cheerful) should be consistently conveyed, even in the initial sketch stages, ensuring a recognizable emotional state throughout the creation process.

The proportions of the character's head, face, and features must remain consistent as the drawing progresses, preventing distortion or inconsistencies in the character's anatomy.

Each image must logically follow the previous one in the specified sequence (Sketch, Define, Add Features, Refine), showing clear progression in detail and completion.

As the process moves forward, the anatomical correctness of the character should gradually improve, with adjustments to the jawline, ear position, and other features to match a realistic or stylized representation.

The order in which features are added (e.g., eyes before detailed clothing) must be consistently adhered to in each image, reflecting the stated creation process.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting the progressive creation of a serene lakeside sunset scene.All images share a lakeside sunset theme with consistent elements: a golden-lit lake, trees with warm orange hues, and a boat. The style transitions from rough sketching to refined realism, maintaining harmony in color palette and composition. [TOP]-[LEFT]:A minimalist sketch outlines the lake's curved shoreline, distant tree silhouettes, and a basic boat shape near the water. The composition focuses on foundational shapes with faint pencil-like strokes, devoid of color or shading. [TOP]-[RIGHT]:Soft washes of color fill the scene: pale blue for the sky transitioning to warm yellow near the horizon, muted teal for the lake, and faint orange tint on tree clusters. The sunlight begins as a hazy golden disc low in the sky, casting initial reflections on the water. [BOTTOM]-[LEFT]:Enhanced details emerge with layered tree foliage in deeper orange and amber tones. The sky intensifies into gradient bands of peach and coral, mirrored clearly on the lake's surface. The boat gains basic wooden texture, anchored near rippling water edges. [BOTTOM]-[RIGHT]:Finalized lighting highlights golden sun rays filtering through trees, casting elongated shadows. Ripples radiate from the boat, blending with vivid sunset reflections. The boat displays weathered planks and rope details, integrating seamlessly into the luminous, dimensional landscape.

The final artwork depicts a serene lakeside sunset, with the lake reflecting the golden sunset, surrounded by trees bathed in an orange glow, and a small boat on the shore. The main steps include: first, sketching the basic outline of the lake and trees; then adding initial colors to the sky and water, with the sunlight gradually emerging; next, enriching the details of the trees, the sky turning orange, and reflections appearing on the lake; finally, refining the light and shadow effects, adding the boat and ripples on the water, making the scene more vivid and three-dimensional. The model's goal is to generate these intermediate steps in sequence, with each step showing a gradual increase in detail.

The transition of colors, from initial lighter tones to richer sunset hues (orange, gold, and reds), should be gradual and consistent across all images, accurately reflecting the progression of sunset development.

The level of detail, especially in elements like trees, reflections, and water ripples, should progressively increase from one image to the next, showing a clear and logical evolution towards the final artwork.

The rendering style (e.g., painterly, photorealistic) should remain uniform across all images to ensure visual coherence and avoid jarring transitions between steps. For example, if the final image is painterly, the initial sketches should hint at that style.

The primary elements of the scene, such as the lake's shape, the arrangement of trees, and the location of the boat (once introduced), should remain consistent in their relative positions and overall forms across all images to maintain a sense of continuity.

The position and intensity of the light source (the setting sun) should be consistently represented across images, influencing the shadows and highlights in a believable and progressive manner as the scene develops. The direction of the light should not change dramatically.

Each image should represent a logical progression from the previous one, clearly showcasing the described steps—sketching, initial coloring, detail enrichment, and final refinement—in the correct sequence and appropriate order. Each picture should build logically on the previous picture, showing the gradual evolution of the scene.

Atmospheric effects, such as the clarity of the air and the presence of mist or haze (if any), should remain consistent across the images, enhancing the realism and coherence of the sunset scene evolution. The atmospheric perspective, if present, should be logical.

The reflections on the lake should accurately mirror the sky and surrounding environment, with progressively more detail and realism as the sunset develops, reflecting the increased detail in the sky and surrounding environment.

The introduction of new objects, like the boat, should occur at the appropriate step in the process. For example, the boat should not appear in the initial sketch and color stages but rather during detail enrichment or final refinement.


Prompt: FOUR-PANEL Images with a 2x2 grid layout a bustling market scene with stalls of colorful goods, red-roofed buildings, and lively crowds.All images depict the same market setting, progressing from sketch to refined details. Shared elements include stalls with fruits/vegetables, narrow alleys, red-roofed buildings, and gradual enhancement of colors, textures, and lighting. [TOP]-[LEFT]:A rough sketch of the market layout with loose outlines of stalls, basic shapes of buildings, and faint indications of human figures. The composition emphasizes spatial arrangement, with minimal shading or detail. [TOP]-[RIGHT]:Flat base tones applied to structures and objects, showing warm terracotta hues on roofs and muted shadows along alleys. People are represented as simplified silhouettes, and stalls gain basic color blocks for fruits and fabrics. [BOTTOM]-[LEFT]:Vivid colors layered on stalls, with distinct fruits and vegetables stacked in baskets. Crowds gain clearer clothing patterns and postures, while architectural details like window frames and roof tiles emerge subtly. [BOTTOM]-[RIGHT]:Textured brick walls, weathered wooden stalls, and individual facial expressions on vendors and shoppers. Sunlight casts dynamic shadows, reflecting on wet streets and enhancing the vibrancy of produce and fabrics.

This artwork ultimately portrays a bustling market scene, with colorful fruits and vegetables piled on stalls, people moving through narrow alleys, and old red-roofed buildings in the background. The steps are: first, sketch the layout of the market and the outlines of the stalls; then add basic tones and shadows to the buildings and people; next, enrich the details of the goods, more colors appear on the stalls, and the people's figures become clearer; finally, refine the textures of the distant buildings, expressions of the people, and the sunlight reflecting on the streets. The model should generate these steps progressively, ensuring the details increase as the process unfolds.

The introduction of color should follow a logical progression across images, starting with basic tones and gradually enriching to the vibrant hues of fruits, vegetables, and clothing, mirroring the defined process.

The level of detail should increase steadily across the generated images, with early stages showing simple outlines and forms, and later stages exhibiting refined textures and intricate elements, aligning with the process-driven instruction.

The overall rendering style (e.g., painterly, photorealistic, illustrative) should remain consistent across all stages, even as details and colors are added, ensuring a cohesive visual style throughout the generation process.

The general layout and composition should remain relatively stable across the images, with only the level of detail and color saturation changing, to maintain a sense of progression and avoid drastic changes to the scene's overall structure.

The style of the buildings, particularly the old red-roofed structures, should maintain a consistent architectural identity across all images, even as details and textures are added to them.

The basic structure and placement of the market stalls should remain consistent across the images, with only the goods displayed and level of detail changing, to ensure that the progression focuses on detail enrichment rather than structural alterations.

The general forms and placements of the people within the market should remain consistent across the images, even as their details and expressions become clearer, helping to maintain the flow of the bustling market scene.

The shadows and lighting should evolve logically across the images, reflecting the increasing detail in the scene. Early images should have basic shadows, while later images should show more refined sunlight reflections and cast shadows, aligning with the described progression of detail enrichment.

The initial placement of key objects (stalls, buildings, and people) should be maintained consistently throughout the sequence, even as details are added. Avoid introducing new objects or significantly changing their positions in later stages.

The way details are added should make sense within the context of the market scene. For example, colors on the stalls should correspond to the type of goods displayed, and facial expressions should reflect the interactions within a bustling market environment.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting the progressive creation of a vibrant neon-lit city night scene.All images share a dynamic night-time urban theme with neon lights, flowing cars, and glowing skyscrapers, rendered in a cohesive semi-realistic style that evolves from sketch to polished details. [TOP]-[LEFT]:A rough sketch outlining angular skyscraper silhouettes, empty street lanes, and faint cloud shapes against a dark sky. Lines suggest perspective and basic composition without shading or color. [TOP]-[RIGHT]:Base flat colors applied to buildings in cool dark tones, with warm yellow-orange streetlights casting soft reflections on wet roads. Shadows define building depths, and faint neon glows hint at future signage. [BOTTOM]-[LEFT]:Detailed neon signs glowing in pink and cyan on building facades, headlight trails streaking across roads, and blurred pedestrian silhouettes on sidewalks. Rooftop floodlights create gradient halos in the sky. [BOTTOM]-[RIGHT]:Vivid neon reflections shimmering on rain-puddled streets, star-like windows illuminating building textures, and rich indigo-purple gradients in the sky blending with wispy clouds. Motion blur emphasizes car speed.

The final piece is a vibrant city night scene, with neon lights shining, cars flowing through the streets, and tall buildings lit up against a dark sky with a few scattered clouds. The process starts with sketching the city's outline; then add basic colors and shadows to the buildings, with initial light reflections on the streets; next, enrich the lighting details of the buildings, and the figures of pedestrians and cars become clearer; finally, refine the light reflections and sky tones, making the city feel more dynamic and atmospheric. The model should follow these steps, gradually enhancing the scene's details.

The progression of color palettes should remain consistent across the sequence of images. Starting with basic, muted colors in the early sketches, gradually evolving to more vibrant and saturated neon hues in the final image, reflecting the city's nighttime atmosphere.

The lighting effects should gradually increase in complexity and realism across the images. Starting from basic shadows and initial light reflections to the final, refined neon light reflections and atmospheric effects, ensuring the light sources and their impact on the environment are logically consistent.

The level of detail should increase progressively throughout the image sequence. Starting with a basic outline of the city, gradually adding more details to the buildings, cars, and pedestrians, ensuring a smooth and coherent transition from sketch to final rendering.

The depiction of atmospheric effects, such as the dark sky, scattered clouds, and light pollution, should be coherent and evolve logically across the sequence. Early images should establish the basic atmosphere, with later images refining and enhancing these elements for a more dynamic and immersive feel.

The architectural style and shapes of the buildings should remain consistent across all images, even as detail is added. Landmark buildings should maintain recognizable features throughout the progression.

The street layout, perspective, and overall composition of the scene should remain consistent from the initial sketch to the final image, ensuring the spatial relationships between elements are preserved.

The general density and distribution of vehicles and pedestrians should be maintained and increased across the images. Although the detail increases so should the numbers of cars and pedestrians.

The placement and intensity of light sources (e.g., neon signs, car headlights, streetlights) should be logically consistent across the image sequence. Light reflections and shadows should correspond to these light sources and become more refined with each step.

The overall time of day implied in the images should remain consistent – a night scene. The darkness of the sky and the use of artificial lighting should reinforce this consistency throughout the image generation process.

Each stage of the image generation process should logically build upon the previous stage. Details added in later stages should seamlessly integrate with the existing elements, enhancing the overall realism and coherence of the scene.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting the progressive development of a serene winter village scene with snow-covered rooftops, trees, chimneys with smoke, distant mountains, and soft clouds.All images maintain a consistent winter theme, featuring a village with snow-laden structures, rising chimney smoke, and a calm atmosphere. The sequence transitions from foundational shapes to refined details while preserving harmony in composition and color palette. [TOP]-[LEFT]:Outline of geometric shapes forming houses with sloped roofs, bare tree trunks, and faint mountain silhouettes. Minimal details, focusing on structure and spatial arrangement under a pale sky with faint cloud hints. [TOP]-[RIGHT]:Soft washes of cool-toned colors defining snow layers and gradients in the sky. Wispy smoke trails emerge from chimneys, blending into the atmosphere. Basic shadows suggest light direction, with muted mountain tones. [BOTTOM]-[LEFT]:Textured roof shingles, window frames, and tree bark details added. Darker shadows contrast with crisp snow highlights, enhancing depth. Smoke gains subtle volume, and distant village structures gain faint outlines. [BOTTOM]-[RIGHT]:Golden glow accents chimney smoke edges, suggesting sunlight. Distant mountains show faint forest textures, and clouds exhibit layered softness with gentle gradients. Snow sparkles with delicate highlights, finalizing the tranquil ambiance.

The final painting shows a winter village scene, with snow covering rooftops and trees, smoke rising from chimneys, distant mountains faintly visible, and soft clouds in the sky. The steps start by outlining the basic shapes of the houses and trees; then add soft tones for the snow and sky, and smoke begins to appear from chimneys; next, enrich the details of the houses, with shadows and reflections on the snow becoming more defined; finally, refine the light effects of the smoke, the distant village becomes clearer, and the clouds in the sky gain more depth. The model must generate each step sequentially, showcasing the serenity and details of a winter scene.

The color palette should transition smoothly across images, starting with muted, foundational tones in early stages and gradually introducing richer, more defined colors and contrasts as the painting progresses towards the final winter scene. The overall transition needs to be cohesive. It should match the style.

The level of detail should increase sequentially, from basic shapes with minimal texture in the initial outline stages to finely rendered textures for snow, wood, and foliage, and refined light and shadow effects in the final images.

Although the level of detail increases, the underlying visual texture (e.g., watercolor, oil painting, digital painting) should remain consistent throughout the generation process, avoiding jarring shifts in style or medium.

The use of atmospheric perspective, such as blurring distant elements like mountains and softening colors, should be consistently applied and enhanced across the images to maintain depth and realism.

The fundamental shapes of key elements like houses, trees, mountains, and clouds should remain consistent across stages. Although details are added, the underlying form must be recognizable and evolve logically.

The architectural style of the village buildings (e.g., rustic, traditional, modern) should be consistent across all images, ensuring the village maintains a unified identity as the painting progresses.

If specific landmarks or unique features (e.g., a particular tree shape, a distinct chimney) are present, they must be recognizable and maintained across all developmental stages of the painting.

The manner in which snow covers objects should evolve naturally. Early stages might show a light dusting, increasing to thicker accumulation on rooftops and branches in later stages.

The generation process must adhere to a logical sequence, where initial outlines and broad color washes precede the addition of fine details, shadows, and light effects. The order must mirror a realistic painting process.

The direction and intensity of the light source (presumably the sun) should remain consistent across the images, ensuring that shadows and highlights are logically placed and intensify over time.

Smoke should logically emanate from chimneys and increase in density and complexity as the painting progresses, simulating the natural behavior of smoke rising into the cold winter air.

Elements like snow reflection, cloud formation, and mountain visibility should gradually develop as the scene is rendered, demonstrating a progressive understanding of how environmental elements interact with light and atmosphere.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting sequential steps in melting chocolate using a double-boiler method.All images maintain a realistic style with warm, inviting tones, featuring consistent kitchen tools (bowl, pot, spatula) and chocolate texture. Backgrounds are clean and minimalist to emphasize the process. [TOP]-[LEFT]:A close-up of hands breaking a bar of dark chocolate into small, even pieces arranged in a stainless steel bowl. The chocolate has a glossy texture, and the bowl rests on a marble countertop under soft ambient lighting. Fragments of chocolate wrapper lie neatly nearby. [TOP]-[RIGHT]:A pot filled with simmering water emits gentle steam, supporting a heatproof bowl containing chocolate pieces. The chocolate begins to melt at the edges, with subtle glossy sheen. The scene emphasizes controlled heat, with a wooden spoon resting beside the bowl on a woven trivet. [BOTTOM]-[LEFT]:A hand uses a spatula to smoothly stir melted chocolate in a bowl, showcasing its silky, lump-free consistency. The chocolate flows thickly, reflecting light with a rich brown hue. Steam rises faintly from the pot beneath, hinting at ongoing indirect heat. [BOTTOM]-[RIGHT]:A stream of melted chocolate pours from the bowl into a silicone mold shaped like small rectangles. The chocolate flows steadily, glistening under warm light. The mold sits on a rustic wooden tray, with a few scattered cocoa beans in the background for thematic accent.

Please provide a detailed guide on melting chocolate, including 4 steps. For each step, generate an image.

All images should maintain a consistent level of detail and sharpness, ensuring that the chocolate and utensils are clearly visible in each step of the melting process.

The color temperature should remain consistent across all images to accurately depict the appearance of the chocolate as it changes during the melting process. Avoid drastic shifts in color that could misrepresent the chocolate's state.

The framing and composition should be similar across images, focusing on the chocolate and melting setup. Maintaining a consistent camera angle and subject distance helps viewers track the process easily.

The same bowl, saucepan, and chocolate type (e.g., dark, milk, white) should be consistently depicted across all four steps, unless the instruction specifically indicates a change in ingredients or equipment.

If some tools are depicted in certain steps (e.g., spatula, thermometer), they should be depicted in a coherent way. The same spatula must be used for mixing from one step to the next.

The images should logically depict the melting process from solid chocolate to fully melted, ensuring each step builds upon the previous one without skipping stages or reversing the process (e.g., not showing solid chocolate after a melted stage).

The visual representation of the chocolate's state (solid, partially melted, fully melted) should accurately reflect the description provided for each step. If the description mentions 'partially melted,' the image should visually show some solid and some melted portions.

Avoid including unrelated items or actions that are not part of the melting process. For instance, do not show garnishes or other ingredients that are not involved in the core melting steps.

Background environment or setting should remain coherent across all images, avoiding random changes to table surfaces, lighting, or surrounding objects to reduce distraction and ensure focus on the process.


Prompt: FOUR-PANEL Images with a 2x2 grid layout A step-by-step guide demonstrating the process of chopping an onion, focusing on hand movements and onion transformation.All images feature a clean kitchen cutting board, a chef’s hand holding a sharp knife, and a yellow onion. The style is realistic with muted backgrounds to emphasize clarity and instructional intent. [TOP]-[LEFT]:A hand holds a knife vertically, slicing off the onion’s root and stem ends. The onion sits firmly on a wooden cutting board, with discarded skin fragments nearby. Lighting highlights precision in the cut. [TOP]-[RIGHT]:The halved onion rests flat on the board, its layered interior exposed. The hand peels away the papery outer skin, revealing translucent inner layers. Focus on the texture contrast between skin and flesh. [BOTTOM]-[LEFT]:The knife makes vertical cuts from root to stem, stopping before the base to keep layers connected. Fingers curl inward for safety, with sliced segments slightly fanned out to show uniformity. [BOTTOM]-[RIGHT]:The knife sweeps horizontally through the vertically sliced onion, creating small diced pieces. Scattered onion cubes lie near the cutting board, emphasizing the final result of efficient technique.

Please provide 4 steps for chopping an onion. For each step, generate an image.

All images should maintain a uniform visual style, whether photorealistic, illustrative, or stylized, to ensure a cohesive look across the entire onion-chopping sequence.

The camera angle and distance should be generally consistent across all images, providing a unified viewpoint of the onion and the chopping process.

The color palette and lighting conditions should be similar in all images, maintaining visual harmony and avoiding jarring shifts in mood or tone.

The type, size, and appearance (color, shape, visible layers) of the onion should remain consistent across all four images, indicating that it is the same onion being processed.

The type and style of knife used for chopping should remain consistent across all four images, ensuring a uniform approach to the task.

The cutting board's material, color, and size should be consistently depicted to establish a stable environment.

The images should clearly depict a logical progression of the onion-chopping process, with each image showing a distinct step following the previous one.

The descriptions accompanying each image should accurately reflect the visual depiction of the chopping step shown in that image.

The four steps depicted should represent a reasonable and complete sequence for chopping an onion, covering the essential actions involved (e.g., halving, scoring, dicing). The chopping style should remain consistent, like not introducing slicing into dicing.

The images should accurately represent real-world physics, particularly the interaction between the knife, onion, and cutting board during the chopping process. For example, the onion shouldn't appear to float or be cut in unnatural ways.


Prompt: FOUR-PANEL Images with a 2x2 grid layout documenting the cooking process of Baked Aubergine and Eggs in sequential steps.All images share a cohesive kitchen environment with warm lighting, fresh ingredients, and cooking utensils. The visual style combines realism with appetizing food photography aesthetics, maintaining consistent plating and ingredient continuity. [TOP]-[LEFT]:Fresh aubergines being sliced on a wooden cutting board, with a chef's knife and olive oil bottle visible. Sunlight streams through a kitchen window, highlighting the vegetable's glossy purple skin and pale inner flesh. A bowl of spices sits nearby, suggesting preparation for seasoning. [TOP]-[RIGHT]:Aubergine slices arranged on a baking tray in a preheated oven, golden edges beginning to caramelize. Oven mitts rest on the countertop while steam rises faintly from the tray. Herbs like rosemary and thyme are scattered around the pan, emphasizing aromatic roasting. [BOTTOM]-[LEFT]:A cast-iron skillet containing roasted aubergine slices, with eggs being cracked into hollowed vegetable centers. A hand pours beaten egg mixture over the arrangement, garnished with paprika and pepper. Melted cheese bubbles slightly at the edges, indicating heat application. [BOTTOM]-[RIGHT]:Final dish presented on a rustic table setting: baked aubergine cups with perfectly set eggs, topped with fresh parsley and chili flakes. Side ingredients like toasted bread and a small salad complete the composition, steam rising gently from the hot meal.

What are 4 steps to make Baked Aubergine and Eggs. For each step, generate an image.

The color palette used for depicting the aubergine, eggs, and other ingredients should remain consistent across all images, maintaining visual appeal and realism. Variations should only reflect the natural changes occurring during the cooking process (e.g., browning).

Lighting and rendering styles should be uniform across all images, ensuring that the texture and appearance of the ingredients and cooking vessels are consistent, thus giving a cohesive visual impression of the cooking process.

The visual style used to represent key ingredients (aubergine, eggs, cheese, sauce, etc.) should be consistent across all images. The level of detail, rendering quality, and visual texture should remain uniform.

The order of images and descriptions must logically reflect the correct steps in the recipe, with each image displaying the state of the dish after completing the previous step.

Ingredients introduced in earlier steps must be visibly present and correctly integrated in subsequent images. For instance, if aubergine slices are placed in a dish in image 1, they should be visible in images 2, 3, and 4.

Each image should clearly show progression in the cooking process, such as raw ingredients in early stages transitioning to cooked and baked in later stages. Visual cues (e.g., browning, melting cheese) should accurately reflect the cooking state described.

The portrayed cooking process in each image must align with standard cooking techniques for baked aubergine and eggs. For example, if a layer of cheese is mentioned, it should be visually apparent on the aubergine and eggs.

The form and presentation of the main ingredients (aubergine and eggs) should be consistently recognizable across all steps. Even as the dish cooks, the identity of the ingredients should be maintained.

If specific utensils or dishes (e.g., baking dish, knife) are depicted, their appearance should remain consistent across images to provide visual continuity.

Any visual decoration, such as cheese or pepper sprinkling must not disappear randomly; it must keep track of its decoration and be present in later images.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting sequential steps in preparing a bacon sandwich with clear focus on ingredients and cooking actions.All images use a vibrant, realistic style with warm tones to emphasize appetizing food. Ingredients like bacon, bread, and kitchen tools remain visually consistent, with clean backgrounds to highlight the cooking process. [TOP]-[LEFT]:Thick slices of bacon sizzling in a cast-iron skillet, rendered fat glistening under warm lighting. Crispy edges and steam rising subtly, with raw strips transitioning to golden-brown. A spatula rests nearby, suggesting active cooking. [TOP]-[RIGHT]:Two slices of artisanal bread placed in a toaster, glowing orange coils visible. One slice pops up slightly, showing a toasted golden surface. A butter knife and butter dish sit on a countertop, hinting at preparation. [BOTTOM]-[LEFT]:Assembling the sandwich: toasted bread spread with mayonnaise on a plate, layered with crisp bacon strips. Condiments like lettuce leaves and tomato slices add freshness. Hands in the frame arrange ingredients neatly. [BOTTOM]-[RIGHT]:A finished bacon sandwich cut diagonally, oozing melted butter and bacon juices. Garnished with a pickle spear and herbs on a rustic wooden plate. Steam rises faintly, enhancing the inviting, hearty presentation.

Please provide a detailed guide on how to make a bacon sandwich, including 4 key steps. For each step, generate an image.

All images should maintain a consistent visual style (e.g., photorealistic, cartoonish, painterly) to ensure a unified aesthetic across the entire cooking process illustration.

The color saturation, brightness, and overall tone should be consistent across all four images to maintain visual harmony and avoid jarring shifts in the visual narrative.

The backgrounds should be simple and not distract from the main subject (the cooking process). The level of background detail should remain consistent across images.

The bacon slices, bread type, and any other included ingredients (e.g., lettuce, tomato) should consistently appear in the same form and quality across all images, depicting the same ingredients being used throughout the process.

If any utensils (e.g., spatula, knife, pan) are depicted, they should consistently appear with the same design and condition across all images, reflecting the same tools being used throughout the sandwich preparation.

The images should accurately reflect the logical sequence of making a bacon sandwich. Image 1 must clearly depict the initial step, and the following images must progressively show the next steps in order.

Each image should logically follow from the previous one. For example, if bacon is cooking in image 2, image 3 should depict the cooked bacon or its immediate next step (e.g., being placed on bread).

Each image should represent a physically plausible step in the cooking process. For example, the bacon should appear cooked appropriately, and ingredients should be combined in a logical manner (e.g., not putting the cooked bacon back into the raw package).

Ingredients should transition logically. For instance, raw bacon should appear raw, cooked bacon should appear cooked, and the bread should appear toasted or untoasted as appropriate to the given step.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting the step-by-step process of cutting an avocado with a knife.All images maintain a realistic, instructional style with a clean, bright kitchen backdrop. The avocado and knife remain consistent in appearance, emphasizing clarity and sequential progression. [TOP]-[LEFT]:A whole avocado rests on a cutting board, gripped firmly by one hand. A knife slices horizontally around the avocado's middle, showcasing the initial cut. The avocado's skin is textured, and the knife glints under soft lighting. [TOP]-[RIGHT]:Two hands twist the avocado halves apart after splitting. One half holds the pit attached, while the other reveals smooth, vibrant green flesh. The knife lies nearby, and the cutting board remains clean and unobtrusive. [BOTTOM]-[LEFT]:A knife strikes the pit embedded in one avocado half, angled to demonstrate safe removal. The blade lodges into the pit slightly, with fingers carefully positioned away from the edge. The flesh remains pristine and glossy. [BOTTOM]-[RIGHT]:Sliced avocado flesh in a crisscross pattern within its skin, scooped gently with a spoon into neat cubes. The cubes are uniform, arranged on the cutting board, with the empty skin and knife placed to the side for completion.

Provide a detailed guide on cutting an avocado in 4 steps. For each step, generate an image.

All images should maintain a clear focus on the avocado and the knife, ensuring that these elements are sharply defined and easy to identify across all steps.

The color and lighting should consistently represent the avocado's ripeness and texture, enhancing its visual appeal and making the cutting process appear natural and appetizing.

The camera angle and composition should be similar across all images, ideally maintaining a consistent overhead or close-up view to facilitate easy comparison and understanding of each step.

The avocado should maintain a consistent size, shape, and color (indicating a similar level of ripeness) across all four images to ensure that the depicted process is coherent and logical.

The type of knife (e.g., paring knife, chef's knife) and its condition (e.g., cleanliness, sharpness) should remain consistent throughout the image sequence to avoid confusion and maintain a realistic portrayal of the cutting process.

The actions depicted in the images must logically follow a step-by-step process of cutting an avocado, with each image clearly showing the next sequential action (e.g., cutting around the pit, twisting the halves, removing the pit, slicing the flesh).

The physical state of the avocado should reflect the progression of the cutting process. For example, it should start whole, then be cut in half, then have the pit removed, and finally be sliced or diced.

The way the knife is used and its interaction with the avocado should be physically plausible and consistent with common culinary practices. The knife should appear to be effectively cutting or manipulating the avocado in each step.

If there are any surrounding elements in the images (e.g., cutting board, hand), their presence and state should consistently support the avocado cutting process without introducing illogical or distracting changes.


Prompt: FOUR-PANEL Images with a 2x2 grid layout illustrating sequential steps of preparing Kimchi Fried Rice in a vibrant cooking style.All images maintain a cohesive kitchen setting with warm lighting, a consistent color palette emphasizing red and golden tones from kimchi and rice, and a focus on hands actively engaged in cooking. [TOP]-[LEFT]:A wooden cutting board with fresh kimchi, diced vegetables, and a bowl of steamed rice. Hands hold a knife mid-chop, emphasizing preparation. Ingredients are neatly arranged, with a rustic pan visible in the background. [TOP]-[RIGHT]:A sizzling skillet with kimchi and rice being stir-fried, steam rising dynamically. A spatula lifts the mixture, showing caramelized edges. Ingredients like gochujang and sesame oil are placed nearby, enhancing the narrative of flavor-building. [BOTTOM]-[LEFT]:A cracked egg frying atop the kimchi rice in the skillet, yolk glistening. Chopsticks hover nearby, ready to mix. The scene highlights texture contrast between crispy rice and the runny egg, with steam adding motion. [BOTTOM]-[RIGHT]:A serving bowl of finished Kimchi Fried Rice garnished with green onions and sesame seeds. Chopsticks rest beside the bowl, and a spoon scoops a portion, showcasing the dish’s vibrant colors and inviting presentation.

Please provide 4 steps for making Kimchi Fried Rice. For each step, generate an image.

Maintain a consistent visual style across all images, such as a specific food photography aesthetic (e.g., bright and airy, rustic, minimalist) to ensure visual appeal and thematic alignment.

Ingredients should be presented in a similar manner across images. For instance, if diced onions are shown in one step, they should maintain a consistent dicing style and proportion in subsequent steps.

The choice of plates, bowls, cookware, and utensils should remain consistent across all images to reinforce a unified cooking narrative and avoid visual distractions.

Ensure that key ingredients integral to Kimchi Fried Rice (e.g., kimchi, rice, gochujang) are consistently visible and identifiable across all images, maintaining the dish's core identity.

The final dish color and tone should appear similar between the images, indicating a consistent level of spice, redness, and cooking time. Slight variations are acceptable, but significant differences (e.g., a very dark vs. light rice) should be avoided.

Each image should depict a logical progression in the cooking process, such that one can clearly identify the starting materials and the stage of cooking by the end of each step.

The image sequence must follow a logical cooking order. For example, rice is cooked before frying with kimchi, and the egg is added at a relevant stage (e.g., fried separately or incorporated during frying).

Each image should clearly represent the action described in its corresponding caption. For instance, if the caption describes 'stir-frying kimchi,' the image should visually demonstrate the stir-frying process.

The state of the ingredients should accurately reflect the cooking stage. Raw ingredients should appear raw initially, and cooked ingredients should look cooked in later stages. This includes changes in texture, color, and appearance due to cooking.


Prompt: FOUR-PANEL Images with a 2x2 grid layout transforming fish skin into a bacon-like product through sequential preparation stages.All images maintain a realistic culinary aesthetic, focusing on fish skin at different processing phases. Shared elements include kitchen tools, seasoning ingredients, and a cohesive color palette emphasizing earthy tones. [TOP]-[LEFT]:Fresh fish skin laid flat on a wooden cutting board, glistening with moisture. A sharp fillet knife and bowl of water sit nearby, emphasizing the initial preparation phase. The skin’s natural texture is visible, with scales partially removed. [TOP]-[RIGHT]:Fish skin coated evenly with a spice mix of smoked paprika, salt, and brown sugar. A small bowl of the seasoning blend and sprigs of thyme rest beside the skin, highlighting the marinating process. The spices create a vibrant contrast against the skin’s surface. [BOTTOM]-[LEFT]:Seasoned fish skin placed on a wire rack inside a dehydrator or oven, lightly curled at the edges. Warm lighting accentuates the drying phase, with faint smoke wisps suggesting a smoky flavor infusion. The texture appears firmer and slightly translucent. [BOTTOM]-[RIGHT]:Crispy fish skin bacon sizzling in a cast-iron skillet, golden-brown and glistening with oil. Fragrant steam rises, and the edges curl upward, emphasizing its crunchy texture. A pair of tongs holds a piece mid-air, showcasing the final edible result.

Can you provide a step-by-step guide with images and descriptions for 4 steps in turning fish skin into "bacon"? Please include an image for each step.

The texture (e.g., crispness, smoothness, roughness) of the fish skin 'bacon' should be consistent across all four images, reflecting the transformation as it cooks and crisps.

The color progression should be visually consistent and representative of the cooking process, moving from raw fish skin color to golden-brown 'bacon' color evenly across images.

The lighting in all images should be consistent, ensuring that variations in color and texture are due to the cooking process and not changes in lighting conditions.

Framing and composition elements (e.g., the angle of the fish skin, the amount of the cooking surface visible) should be similar to provide visual continuity and aid in understanding the process flow.

The type and cut of the fish skin should appear consistent across the images. Ensure the fish skin starts as the same type in initial step and that the visible characteristics (e.g., scale texture, thickness) remain consistent as it's transformed into 'bacon'.

The physical properties of the fish skin (e.g., thickness, shape) should be consistent from the first image to the final image, reflecting its transformation during cooking.

The sequence of images should logically follow the cooking process. Each step must clearly represent a progression toward the final 'bacon' product, with no steps skipped or out of order.

The descriptions accompanying each image must accurately reflect the state of the fish skin in that particular step of the cooking process. The visible changes should match the textual explanation.

The visual transformation should be realistic given the described cooking process. Ensure the changes in the fish skin's appearance—such as color and texture—are plausible for the cooking method implied.

The images should depict the COMPLETE cooking process, from raw fish skin to final state of fish skin 'bacon'.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting a step-by-step process of making refrigerator dill pickles in a clean kitchen environment.All images share a bright, fresh aesthetic with consistent kitchen elements, including cucumbers, glass jars, dill sprigs, and vinegar. The style is realistic with vibrant colors to emphasize cleanliness and appetizing preparation stages. [TOP]-[LEFT]:Fresh cucumbers, dill sprigs, garlic cloves, and spices arranged neatly on a wooden countertop. A glass jar sits nearby, with measuring cups containing white vinegar and salt visible in the background, evoking a preparatory stage. [TOP]-[RIGHT]:A stainless steel pot simmering on a stovetop, releasing steam as brine (water, vinegar, salt) boils. A wooden spoon rests against the pot’s edge, with dill seeds and peppercorns scattered lightly on the counter for context. [BOTTOM]-[LEFT]:Hands carefully layering cucumber slices, fresh dill, and garlic cloves inside a transparent glass jar. A ladle pours warm brine into the jar, capturing the liquid’s golden hue and herb dispersion. [BOTTOM]-[RIGHT]:Sealed jars of pickles placed on a refrigerator shelf, surrounded by condiments like mustard and butter. Soft light filters through the fridge, highlighting condensation on the jars and crisp green cucumbers within.

Please provide 4 steps for making refrigerator dill pickles. For each step, generate an image.

The color scheme should be consistent across all images, reflecting the natural colors of cucumbers, dill, and pickling brine (typically greens, yellows, and clear liquids).

The lighting conditions should be similar across all images, maintaining a consistent level of brightness and shadow distribution.  This ensures the pickling process appears to occur under similar environmental conditions.

Each image should maintain a similar level of detail and focus. All images should clearly depict the elements of the process, such as cucumbers, dill, pickling spices, and jars.

Key ingredients (cucumbers, dill, garlic, pickling spices) should appear consistent in size, shape, and presentation across all images. For instance, cucumbers should consistently be portrayed as whole or sliced depending on the step being illustrated.

The type of jars, cutting boards, and knives or other utensils used should be visually consistent across all images. Using the same type of jar for all stages of the process will promote coherence.

The relative size of objects (e.g., cucumbers vs. jars) should remain consistent across images to accurately represent the scale of the preparation process.

The images should clearly and logically illustrate the sequential steps of the pickling process: preparation of ingredients, assembling ingredients in jars, pouring brine, and the final product. Each image should build on the previous one.

Each image should accurately depict the visual aspects of the specific step.  For example, if one step involves pouring brine, the image should show the brine being poured into a jar containing cucumbers and dill.

The overall arrangement of the ingredients and utensils in each scene should make logical sense given the step being illustrated. Avoid placing objects in unrealistic or confusing positions.


Prompt: FOUR-PANEL Images with a 2x2 grid layout documenting the process of making cherry jam through sequential steps.All images maintain a cohesive culinary theme with a warm, inviting kitchen setting. Shared elements include fresh cherries, cookware, and a consistent color palette of red and amber tones to emphasize the jam-making progression. [TOP]-[LEFT]:Fresh cherries being washed and pitted in a stainless steel bowl, with a small pile of cherry pits nearby. Sunlight streams through a window, highlighting the vibrant red fruit and clean kitchen tools on a wooden countertop. [TOP]-[RIGHT]:A pot simmering on a stovetop, filled with cherries, sugar, and lemon juice. Bubbles rise gently, steam wisps curling upward. A wooden spoon rests nearby, and the background shows a recipe book open to a jam-making page. [BOTTOM]-[LEFT]:A spoon lifted from the pot, dripping thick jam that forms a slow cascade. The texture is glossy, and a plate with a jam sample shows a wrinkled surface when tilted, indicating proper consistency. The stove’s heat is subtly visible via a glowing burner. [BOTTOM]-[RIGHT]:Sterilized glass jars filled with hot cherry jam, sealed with lids. A cloth-wrapped funnel sits beside them, and golden light reflects off the jars’ surfaces. A label reading 'Homemade Cherry Jam' is partially visible, ready to be applied.

Could you provide a detailed guide on making cherry jam, including 4 key steps? For each step, please include an illustrative image.

All images should utilize a consistent style (e.g., photorealistic, illustrative) that reflects a coherent visual presentation of the cooking process. This encompasses aspects such as color vibrancy, level of detail, and rendering techniques.

The color palette across all four images should be visually consistent, maintaining similar saturation and temperature to ensure that the cherry jam and ingredients look consistently represented (e.g., vibrant red cherries, consistent color of sugar, and pots).

The framing and composition within each image should be similar, focusing on the key ingredients or steps of the jam-making process. This might include similar camera angles, depth of field, and object placement within the frame. Make sure the visual storytelling is coherent.

The images should logically follow each other in the cherry jam-making process, showing the progression from preparing ingredients to the final jam. This includes the state and appearance of the ingredients and equipment across each step.

The depiction of ingredients (cherries, sugar, etc.) and equipment (pots, jars, etc.) should remain consistent across all images, ensuring that they are recognizable and appropriately used within each step.

Each image must accurately reflect its corresponding step in the cherry jam recipe. For instance, an image depicting boiling should actually show visible signs of boiling, and an image showing the sealing process should accurately represent appropriate sealing methods.

The amount of ingredients or final product shown should be coherent with the previous and subsequent steps.

The type and appearance of cherries depicted (size, color, shape) should remain consistent across all images. Changes should only reflect the stage of preparation (e.g., whole cherries initially, chopped or cooked cherries later).

Essential objects like the pot, stirring spoon, and jars should maintain a recognizable and consistent appearance across the different images to keep the scene coherent. This includes characteristics such as material, shape, and size.

The final product should be coherent with all the previous steps.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting an apple's gravitational descent from a tree to the ground.All images maintain a realistic style with consistent lighting, a lush tree, and visible gravitational motion. The sequence follows natural physics, progressing from detachment to ground impact. [TOP]-[LEFT]:A ripe red apple hangs from a tree branch surrounded by green leaves. The stem is partially detached, with subtle tension suggesting imminent falling. Sunlight filters through foliage, casting dappled shadows on the apple's glossy surface. [TOP]-[RIGHT]:The apple detaches fully, captured mid-air just below the branch. A faint motion blur emphasizes downward acceleration. Falling leaves frame the scene, and the tree trunk is partially visible in the background. [BOTTOM]-[LEFT]:The apple descends rapidly, now halfway to the ground. Strong motion blur lines accentuate speed, while the background shows blurred grass and distant tree roots. The apple rotates slightly, reflecting dynamic movement. [BOTTOM]-[RIGHT]:The apple strikes the ground with a subtle dust puff, its surface slightly dented. A few blades of bent grass surround it, and the tree's shadow stretches across the soil. The stem lies separated beside the apple.

Please generate a scene of an apple falling from a tree, containing 4 images arranged in chronological order, showing the process of the apple detaching from the tree and contacting the ground. All images must follow the physical law of gravity.

The apple's size, shape, color (e.g., red, green), and presence of any distinguishing marks (e.g., bruises, stems) should remain consistent across all four images to ensure it is the same object throughout the sequence.

The tree species (e.g., apple tree), overall size, shape, and major branch structures should remain the same across all images. Minor variations in leaf placement are acceptable, but the core identity of the tree must be maintained.

The image should maintain a consistent rendering style such as photo-realistic or painting style, across the sequence. For example, it is should not be photorealistic in the first image and then impressionistic in the next image.

The level of detail and style used to render the environment (e.g., grass, sky, surrounding objects) should be consistent across all four images to maintain a visually cohesive scene.

The lighting direction, intensity, and color temperature should be consistent across the images to maintain visual coherence and realism. Consider the time of day or light source.

The apple's trajectory must demonstrate a consistent downward acceleration towards the ground, realistically depicting the influence of gravity. The speed should increase gradually as the apple falls.

The images must clearly depict the correct chronological order: 1) Apple attached to the tree. 2) Apple detaching from the tree branch. 3) Apple falling through the air. 4) Apple impacting the ground.

Upon contact with the ground, the image should logically depict the apple either coming to a stop or bouncing slightly, following basic collision physics principles.

The background environment (e.g., other trees, landscape features) should remain generally static and logically consistent across the four images to maintain spatial coherence. The background should not shift randomly.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting a ball rolling off a table and falling to the ground in a physics-based sequence.All images maintain a realistic style with consistent lighting and perspective, showing sequential stages of motion adhering to gravity and inertia. The table and ball design remain uniform, with a neutral background to emphasize motion clarity. [TOP]-[LEFT]:A smooth red ball balances precariously at the edge of a wooden table, tilted slightly forward with faint motion blur on its lower curve. The table's surface shows subtle grain details, and shadows hint at ambient overhead lighting. [TOP]-[RIGHT]:The ball tilts further, its front half now suspended mid-air while the back edge still touches the table. Falling motion is suggested through directional blur, with the wooden surface receding in perspective. Shadow begins stretching downward. [BOTTOM]-[LEFT]:The ball falls freely, captured mid-descent below the table's edge. Its trajectory angles downward naturally, with elongated motion blur and a crisp shadow forming on the floor. The table's legs frame the composition. [BOTTOM]-[RIGHT]:The ball makes contact with a tiled floor, slightly deformed from impact with faint dust particles suggesting bounce. Shadow pools sharply beneath it, while the empty table edge remains visible above, completing the action sequence.

Please generate a scene of a ball rolling off a table, containing 4 images arranged in chronological order, showing the ball rolling from the edge of the table and landing on the ground. All images must follow the physical laws of inertia and gravity.

The size, color, texture, and any unique markings of the ball must remain constant across all four images to ensure it is the same object depicted throughout the sequence.

The table's material, color, height, and any visible surface details (e.g., scratches, patterns) should be consistent across all images to establish continuity of the environment.

The camera angle and composition (e.g., distance from the table, field of view) should be similar across the images to provide a coherent visual narrative of the ball's movement.

The lighting conditions (e.g., light source direction, intensity, shadows) should remain consistent across the images to maintain a unified visual atmosphere.

The background elements, including any walls, floors, or objects, should remain consistent in style, detail, and position throughout the sequence to provide a stable and believable environment.

The ball's trajectory must accurately reflect the laws of physics, showing a smooth arc as it falls off the table, and its speed should increase as it descends due to gravity.

The ball should initially move forward with the velocity it had while on the table, gradually changing direction due to gravity, and the sequence must not show any sudden or unrealistic changes in motion.

The point where the ball lands on the ground should be logically consistent with its trajectory and the table's height, and any bounce should be depicted realistically, decreasing in height with each bounce, or no bounce at all to align with ball's type.


Prompt: FOUR-PANEL Images with a 2x2 grid layout a stone skipping across water in sequential motion stages.All images adhere to realistic physics, emphasizing surface tension and reaction forces. The water surface reflects natural ripples and splashes, with consistent lighting and perspective to maintain chronological continuity. [TOP]-[LEFT]:A hand releasing a flat stone at a low angle over calm water. The stone makes initial contact with the surface, creating a small upward splash and concentric ripples radiating outward. Water droplets are suspended mid-air, capturing the moment of impact. [TOP]-[RIGHT]:The stone rebounds upward after the first skip, tilted slightly forward. A shallow depression forms on the water surface, surrounded by overlapping circular waves. Spray arcs behind the stone, illustrating directional momentum and energy transfer. [BOTTOM]-[LEFT]:The stone skims horizontally during mid-sequence, barely touching the water. Minimal splashes occur, with faint ripples expanding symmetrically. The stone's rotation is visible, and its trajectory remains parallel to the surface. [BOTTOM]-[RIGHT]:The stone loses velocity, dipping deeper into the water with a final, elongated splash. Ripples from previous skips intersect in the background, while the stone begins to sink, creating a V-shaped wake trailing behind it.

Please generate a scene of a person skipping a stone across water, containing 4 images arranged in chronological order, showing the stone bouncing across the water surface. All images must follow the physical laws of surface tension and reaction forces.

The appearance of the water surface (e.g., ripples, reflections, overall texture) should be consistent across all four images, evolving realistically as the stone interacts with it. Changes in water appearance should be driven by the stone's interaction.

The lighting and shadow effects on the water and the stone should remain consistent across the sequence, reflecting a uniform light source throughout the skipping motion.

Camera angle and point of view should stay coherent in a manner that accurately reflects the stone skipping across the water. If the angle changes, it should transition smoothly and logically between images.

The physical characteristics of the stone, such as its shape, size, and texture, must remain consistent across all images to ensure it is identifiable as the same stone throughout the sequence.

The person's form and posture should change naturally and logically in time, accurately reflect throwing the stone, and provide a sense of motion across all four images.

The stone's trajectory (angle of entry, number of skips, distance of each skip) must follow physically plausible paths, decreasing in distance and height with each bounce due to energy loss.

Each impact of the stone with the water should generate realistic splashes and ripples that propagate outwards, with splash size and form consistent with impact force and angle.

The sequence must depict the gradual dissipation of kinetic energy from the stone as it skips, reflected in decreasing bounce height and distance until it eventually sinks or stops skipping. All energy transitions must appear natural.

The water's reaction to the stone should be physically plausible, with the surface deforming appropriately upon impact, leading to visible and accurate ripples that expand outward from the point of contact. The forces should match up with what would logically occur.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting a car accelerating down a slope in sequential motion stages.All images follow realistic physics with consistent slope terrain and lighting. The car maintains identical design, color, and proportions, emphasizing progressive speed through motion blur and environmental interaction. [TOP]-[LEFT]:A car positioned at the top of a steep, rocky slope, wheels slightly tilted forward as it begins descending. Minimal motion blur suggests initial acceleration. Dust particles hover near the rear tires, with shadows cast sharply under midday sunlight. [TOP]-[RIGHT]:The car midway down the slope, body angled downward as momentum increases. Moderate motion blur streaks the wheels and background. Rocks dislodged by the tires tumble alongside, and the suspension compresses visibly under gravitational force. [BOTTOM]-[LEFT]:The car nearing the slope's base, speed maximized with pronounced motion blur around the chassis and spinning wheels. A cloud of dust trails behind, partially obscuring the terrain. The front suspension extends slightly as the vehicle briefly becomes airborne over a bump. [BOTTOM]-[RIGHT]:The car at the slope's bottom, wheels firmly gripping flat ground as it decelerates abruptly. Heavy dust billows around the tires from skidding. The suspension rebounds, and the background shows distant trees under the same clear sky, anchoring continuity.

Please generate a scene of a car accelerating down a slope, containing 4 images arranged in chronological order, showing the car sliding from the top to the bottom of the slope. All images must follow the physical laws of gravity and friction.

The make, model, and color of the car should remain identical across all four images to ensure that it is the same vehicle depicted throughout the sequence.

Damages and dirt on the car must be consistently presented. For example, if a scratch appears in image 2, it should remain visible and in the same location in images 3 and 4.

Maintain a consistent camera perspective relative to the car and the slope across the four images, or ensure changes are clearly motivated by the car's movement. Focus on a particular direction to create a dynamic progression.

The surrounding environment (e.g., type of slope surface, presence of trees, sky condition) should be consistent to establish a unified setting for the car's descent. Style of rendering and color scheme should be consistent.

The car's acceleration should demonstrably increase as it moves down the slope, realistically reflecting gravitational forces. The speed must change based on the angle and length of the slope.

The car's movement should be affected by friction, causing a gradual increase in speed down the slope rather than an immediate burst. The animation should appear continuous, with appropriate levels of momentum demonstrated as the car reaches the bottom.

The path the car takes down the slope should be logical and consistent across images. If the car starts on a certain path, it should consistently follow it unless otherwise influenced by external factors (e.g., bumps, terrain).

The degree of the slope must remain consistent across all images. It is necessary to correctly show the car's position relative to other components in the images. For instance, if the car is halfway down the slope in the second image, it should be logically farther down in the third and fourth images.


Prompt: FOUR-PANEL Images with a 2x2 grid layout visualizing electromagnetic fields propagating around electric charges.All images use a scientific illustration style with glowing lines and gradients to represent fields, maintaining consistency in color schemes (electric blues and purples) and dynamic flow patterns to emphasize propagation. [TOP]-[LEFT]:A solitary electric charge centered in the frame, emitting concentric electromagnetic waves resembling ripples. The waves radiate outward with decreasing intensity, represented by glowing blue lines against a dark background. Arrows along the waves indicate directional energy flow. [TOP]-[RIGHT]:The electromagnetic waves expand further into space, covering a wider radius. The field lines appear more diffuse but retain coherent curvature, with faint gradients suggesting energy dissipation. Subtle interference patterns form at the wavefronts. [BOTTOM]-[LEFT]:Three charges arranged asymmetrically, their overlapping electromagnetic fields creating intricate lattice-like patterns. Field lines bend and converge between charges, with areas of intensified glow indicating constructive interference and darker zones showing cancellation. [BOTTOM]-[RIGHT]:A macro-scale view of interconnected electromagnetic field structures, with propagation paths illustrated as undulating bands of light. Streamlines demonstrate energy transfer trajectories, while translucent layers suggest varying field strengths across spatial dimensions.

Generate four images that show how electromagnetic fields propagate around a charge. The first image depicts a single charge with electromagnetic waves radiating around it. The second image shows how these waves gradually expand to a larger area. The third image illustrates the interaction between multiple charges, forming a complex electromagnetic field structure. The fourth image presents the overall structure of these fields and their propagation paths through space.

All images should maintain a consistent rendering style, whether it's a purely scientific visualization, a physically accurate rendering, or a stylized representation, to provide a unified visual language for electromagnetic field propagation.

A uniform color scheme should be used to represent the intensity or properties of the electromagnetic fields (e.g., using warmer colors for higher field strength) across all images, enabling visual understanding of field characteristics.

The representation of charges (e.g., positive and negative charges) should remain consistent across all images, using standard symbols or visual cues to indicate their polarity and magnitude accurately.

The method of visualizing electromagnetic waves (e.g., using field lines, color gradients, or vector fields) should be consistent across all images to ensure that viewers can easily track and understand the wave's propagation pattern.

The depiction of wave propagation should accurately reflect the physical laws of electromagnetism, showing waves expanding spherically from charges and interacting according to established principles (e.g., superposition).

The interaction between electromagnetic fields generated by multiple charges should be depicted in a logically consistent manner, demonstrating how fields add constructively or destructively to form a unified field structure.

The spatial relationships between charges and their resulting electromagnetic fields must be consistent across images, correctly illustrating the fields' dependence on the positions and magnitudes of the charges.


Prompt: FOUR-PANEL Images with a 2x2 grid layout illustrating the motion of a pendulum across four sequential phases.All images depict a pendulum with a metallic bob and a thin chain, set against a minimalistic background. The style is clean and scientific, emphasizing fluid motion and adherence to physics principles like energy conservation. [TOP]-[LEFT]:A pendulum suspended at its highest leftward point, the chain taut and forming a sharp angle. The bob is momentarily motionless, casting a crisp shadow under uniform lighting. The scene conveys potential energy at its peak. [TOP]-[RIGHT]:The pendulum swings downward, mid-arc, with motion blur suggesting acceleration. The chain tilts dynamically, and the bob's trajectory aligns with gravity's pull. Shadows stretch slightly to reinforce directional movement. [BOTTOM]-[LEFT]:The pendulum reaches the lowest point of its arc, the chain perfectly vertical. The bob appears slightly blurred to indicate maximum kinetic speed, with no visible tilt. Shadows are compact and sharp beneath the bob. [BOTTOM]-[RIGHT]:The pendulum ascends to the highest rightward point, mirroring the initial angle but on the opposite side. The bob slows visibly, with faint motion lines hinting at deceleration. Shadows elongate again, emphasizing the symmetry of the swing.

Please generate a sequence of four images illustrating a pendulum's motion. The first image shows the pendulum at its highest point before release. The second image captures it swinging downward, accelerating due to gravity. The third image shows it reaching its lowest point, moving at maximum speed. The fourth image depicts the pendulum swinging to the opposite side before reversing its motion, following the laws of conservation of energy and simple harmonic motion.

The level of detail, realism, or artistic style (e.g., photorealistic, painterly) should be uniform across all four images to maintain a consistent visual experience.

The lighting conditions (e.g., direction, intensity, and type of light) should remain consistent across the images, helping to visually link the pendulum's progression.

The background environment (e.g., color, textures, and objects present) should remain consistent across the four images to provide a stable spatial context for the pendulum's motion.

The pendulum's physical characteristics (e.g., shape, size, color, and material) must remain consistent across all images to ensure it is perceived as the same object throughout the sequence.

The pendulum's pivot point or the element from which it hangs should remain in a fixed position and identical in appearance across all four images to preserve the setup of the experiment.

The visual representation of the pendulum's acceleration should accurately reflect the effects of gravity. The speed should increase as it swings downwards and decrease as it rises.

The image sequence should logically depict the pendulum's transformation of potential energy (at highest point) into kinetic energy (at lowest point) and back again.

The pendulum's movement should consistently follow a curved, arc-like trajectory, reflecting the constraints of its suspension point and the influence of gravity.

The pendulum's maximum height on each swing should gradually decrease due to energy loss from friction and air resistance. The images should reflect that the pendulum does not violate the laws of physics by swinging higher than the initial height.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting a rocket progressing through sequential stages of launch and orbital insertion.All images feature a consistent rocket design with sleek white body and red accents, set against a cohesive realistic style emphasizing physics principles like thrust and gravity. The progression maintains continuity in motion and environmental context. [TOP]-[LEFT]:A rocket stands vertically on a daytime launch pad, surrounded by billowing smoke and fiery plumes from ignited engines. The base glows orange-red from intense heat, with support structures visible nearby. The sky is clear with scattered clouds, emphasizing the anticipation of liftoff. [TOP]-[RIGHT]:The rocket ascends rapidly, angled slightly upward with a massive column of exhaust gases blasting downward, creating a visible shockwave and dust dispersion. The engines emit a bright blue-orange flame, contrasting against the fading launch pad in the background. [BOTTOM]-[LEFT]:Mid-flight, the rocket’s first stage booster detaches, releasing a burst of separation thrusters. The main engine continues firing as the booster falls away, trailing smoke. Thin atmospheric haze surrounds the scene, with Earth’s curvature faintly visible below. [BOTTOM]-[RIGHT]:The rocket floats in orbit, surrounded by the blackness of space dotted with stars. The engines are inactive, with the spacecraft stabilized in zero gravity. Earth’s horizon glows blue below, illustrating the balance between gravitational pull and orbital motion.

Generate four images illustrating the motion of a rocket launch. The first image shows the rocket on the launch pad, engines igniting. The second image depicts the rocket accelerating upwards, with exhaust gases pushing against the ground. The third image shows the rocket detaching from the first stage booster in mid-flight. The fourth image captures the rocket reaching orbit, floating in space according to Newton’s third law and gravitational force balance.

The visual properties of the rocket's exhaust plume (color, density, shape) should evolve realistically across the images, reflecting the changing atmospheric conditions and engine power levels from ignition to space. Plume should be visually consistent based on speed and atmospheric influence.

Any intentional artistic choices, like lens flares or motion blur, should be applied consistently across all images to maintain a unified aesthetic and avoid visual discordance. Maintain consistent background artifacts.

The rendering of atmospheric effects, such as haze or distant visibility, should logically change with altitude and viewing angle across the images. From launch to orbit, atmospheric density and color should align with changes in altitude, and camera distance.

The rocket's physical appearance (shape, color scheme, markings) should remain consistent across all stages of the launch sequence, allowing easy identification of the specific rocket being depicted. Details such as the nose cone shape or the specific livery should be identifiable across all frames.

The design and separation mechanism of the first-stage booster should be depicted accurately and consistently across images 2 and 3. The physical appearance of the booster, including any markings or damage from the initial launch, should be retained during separation.

The motion of the rocket must visibly adhere to Newtonian physics. The upward thrust in images 2 and 3 should result in a corresponding downward force depicted by exhaust gases. In image 4, the rocket's trajectory and orientation should reflect the balance between gravitational forces and orbital velocity.

The depiction of stage separation must accurately portray the expected physics. The direction and momentum of the separated booster and the continuing rocket stage in image 3 should be logically consistent, without violating principles of conservation of momentum.

The depiction of the rocket in orbit in image 4 must correctly represent orbital mechanics. The visual background (stars, Earth curvature) should correspond to a plausible orbital altitude and orientation, reflecting the gravitational environment.

Relative scale of rocket to landscape (Image 1), rocket to Earth in space (Image 4) must be consistent in scale and distance relative to camera perspective and angles. Should be consistent with altitude and launch site in images 1 and 4.


Prompt: FOUR-PANEL Images with a 2x2 grid layout illustrating electromagnetic induction through a coil and magnet interaction.All images maintain a scientific diagram style with a consistent coil design, magnet appearance, and current visualization. The background is minimalistic to emphasize the physics principles, adhering to Faraday’s law. [TOP]-[LEFT]:A stationary vertical coil with evenly spaced loops, positioned centrally. The magnet rests motionless near the coil’s top end. No current is visible, with arrows absent along the coil. A neutral color palette highlights the absence of activity. [TOP]-[RIGHT]:The magnet moves downward toward the coil’s upper opening, with motion lines indicating its trajectory. A bright arrow along the coil’s loops points clockwise, symbolizing induced current. Subtle glowing lines emphasize energy transfer. [BOTTOM]-[LEFT]:The magnet is centered inside the coil mid-passage. The current arrow reverses direction counterclockwise, marked by a contrasting color. The coil’s loops are slightly distorted to suggest magnetic field interaction during movement. [BOTTOM]-[RIGHT]:The magnet exits the coil’s lower end, moving downward with fading motion lines. A dim, dashed arrow along the coil points counterclockwise, decreasing in intensity. The scene conveys dissipation of current as distance increases.

Generate four images illustrating the principle of electromagnetism with a coil and a moving magnet. The first image shows a stationary coil with no current. The second image depicts a magnet moving toward the coil, generating an induced current. The third image shows the magnet passing through the coil, reversing the current’s direction. The fourth image presents the magnet moving away, with the current fading, demonstrating Faraday’s law of electromagnetic induction.

All images should adhere to a consistent visual style (e.g., realistic rendering, diagrammatic representation) to maintain clarity and avoid confusion about the scientific concept being illustrated. This includes consistent choices in color, line quality, and level of detail.

If colors are used to represent specific properties (e.g., magnetic field lines, current direction), these color codes must be consistent across all images. For instance, red might always indicate current flowing in one direction, and blue in the opposite direction.

The level of abstraction should be consistent. For example, if one image shows a detailed depiction of the coil's wire windings, the other images should maintain a similar level of detail in their depictions of the coil.

The coil's physical attributes (e.g., number of windings, diameter, material) must remain constant across all images. Any changes should be visually negligible to ensure continuity in depicting the experimental setup.

The magnet's attributes (e.g., shape, size, polarity) should be consistent throughout the sequence. If the magnet's color is used to represent polarity, it must remain constant.

The direction of the induced current, as indicated by arrows or other visual cues, must accurately reflect Faraday's Law at each stage of the magnet's movement (approaching, passing through, moving away). The current should only be present when the magnetic field is changing relative to the coil.

If magnetic field lines are depicted, they must accurately illustrate the field's shape and direction based on the magnet's position and polarity. The field lines should change realistically as the magnet moves relative to the coil, impacting the coil as expected.

The images must present a logical and sequential progression of events demonstrating Faraday's Law. The order of the images should clearly illustrate the cause-and-effect relationship between the magnet's motion and the induced current in the coil. The fading of the current when the magnet is moving away should also be accurately depicted.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting a feather and a stone falling under different environmental conditions.All images use a clean, diagrammatic style with scientific labeling, maintaining consistent visual representations of the feather (light, fluffy texture) and stone (smooth, dense shape). A neutral gradient background distinguishes vacuum (dark, starless space) from air (light blue with subtle wind lines). [TOP]-[LEFT]:Two objects - a feather and a stone - fall parallel in a vacuum environment. Identical downward velocity arrows emphasize synchronized motion. A dark, empty backdrop with 'Vacuum' labeled in crisp typography. Measurement markers on the side show equal speed increments. [TOP]-[RIGHT]:The feather and stone descend through air, surrounded by upward drag force arrows. The feather tilts slightly with larger resistance arrows, while the stone falls straighter with smaller drag indicators. Faint airflow lines swirl around the feather, contrasting the stone's cleaner trajectory. [BOTTOM]-[LEFT]:The feather now floats horizontally with balanced upward drag and downward gravity arrows, indicating terminal velocity. The stone continues accelerating downward, its velocity arrow lengthening. Speed markers contrast their differing rates, with air resistance symbols dynamically fading around the stone. [BOTTOM]-[RIGHT]:Final positions: In vacuum, both objects rest together at the base. With air, the stone lies far below the feather. Subtle impact lines under each object, with a split composition dividing vacuum (left) and air (right) outcomes. Miniature force diagrams overlay the landing points.

Generate four images showing how an object moves in a vacuum versus in air resistance. The first image shows two objects of different masses released in a vacuum, falling at the same speed. The second image presents the same objects falling in the presence of air, with a feather experiencing more resistance than a stone. The third image shows the feather reaching terminal velocity while the stone continues accelerating. The fourth image captures the final moment where both objects land, demonstrating Galileo's principle of free fall and drag forces.

All images should maintain a uniform style in rendering the objects (feather and stone) and the surrounding environment (vacuum or air), whether photorealistic, illustrative, or abstract, to avoid visual discrepancies.

The color scheme used to represent the objects and environments (e.g., a neutral background for vacuum, a gradient for air) should be consistent across all images to visually differentiate and unify the scenarios.

If using any graphical elements like motion lines or arrows to represent speed or forces, those elements' style (thickness, color, transparency) should remain consistent across the images to aid understanding.

The physical attributes of the objects (feather and stone), such as shape, size, and texture, should be clearly identifiable and consistent across all four images to maintain their unique identities.

The proportional mass and size difference between the feather and the stone should be maintained consistently across all images to reinforce the concept of varying resistance.

The visual trajectory of each object must be clear and distinct, accurately depicting its fall and any changes in speed or direction, to effectively illustrate its movement.

Each image must accurately reflect the physical laws being demonstrated. In a vacuum, objects should fall at the same rate; in air, the feather should experience significant resistance.

The depiction of the feather reaching terminal velocity should be visually clear, showing it ceasing to accelerate while the stone continues to gain speed, demonstrating the impact of air resistance.

The objects' behavior must logically align with the environment (vacuum or air) depicted. For instance, in a vacuum, the objects should move downward without deviation; in air, the feather's movement should be influenced by drag.

The sequence of images should accurately depict the temporal progression of the experiment, showing the objects falling from the release point to the moment of impact, illustrating the entire process from start to finish.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting a rocket launch sequence demonstrating Newton’s third law of motion.All images maintain a realistic scientific illustration style, with consistent rocket design, launch pad structure, and color schemes. The progression visually emphasizes the relationship between action (expelled gases) and reaction (rocket motion). [TOP]-[LEFT]:A sleek white-and-silver rocket stands stationary on a reinforced launch pad under a clear blue sky. No visible exhaust or motion is present, with the rocket's weight evenly distributed. The surrounding environment appears calm, with subtle shadows emphasizing stability and equilibrium. [TOP]-[RIGHT]:Bright orange flames erupt from the rocket's engines, creating a violent downward jet of superheated gases. Smoke billows outward in swirling patterns at the base, while the rocket remains grounded but begins to vibrate slightly. The force vectors are implied through the explosive energy direction. [BOTTOM]-[LEFT]:The rocket ascends vertically with intense thrust from the engines, plumes of fire extending downward. Arcing pressure waves ripple through the exhaust column, while upward momentum is emphasized through rising position and compressed landing pad structures below. [BOTTOM]-[RIGHT]:The rocket climbs powerfully into a gradient sky transitioning to darker blues, trailing a concentrated exhaust stream. Equal-but-opposite force interaction is shown through precise alignment between downward gas expulsion and upward acceleration, with atmospheric haze suggesting increasing altitude.

Generate four images illustrating Newton’s third law using a rocket launch. The first image shows a stationary rocket on the launch pad with no force applied. The second image depicts the rocket engines igniting, expelling gases downward. The third image shows the rocket lifting off, with an equal and opposite force pushing it upward. The fourth image presents the rocket ascending into the sky, demonstrating the principle of action and reaction.

All images should maintain a consistent rendering style (e.g., photorealistic, illustrative, or stylized). If one image is highly detailed, the others should be similarly detailed to avoid jarring visual discrepancies.

The color palette used to depict the rocket, flames, and sky should be consistent across all four images. Environmental factors like atmospheric haze or smoke trails should also be visually aligned.

The camera angle and overall composition should be consistent to maintain a cohesive visual narrative. If the first image uses a wide shot, subsequent images should also consider using similar framing for key elements.

The rocket's physical appearance (shape, size, color scheme, markings) must remain consistent across all four images, ensuring it is recognizable as the same object throughout the sequence.

The launch pad and immediate surrounding environment should maintain a similar visual identity across images, including the presence and appearance of support structures or ground details visible in the initial setup.

The appearance of the flames and exhaust plume should be consistent in terms of color, shape, and intensity, relative to the depicted stage of the rocket launch.

The depiction of forces should align with Newton's Third Law in each image. The equal and opposite force relationship between the expelled gases and the rocket's upward motion must be visually clear and scientifically accurate. The absence of force in the initial image should also be evident.

The sequential depiction of the rocket launch must follow a logical progression. Ignition precedes liftoff, which in turn precedes ascent. The amount of thrust and speed should logically increase with each stage.

The effects of the rocket launch on the environment (e.g., sound waves, vibrations, heat) should be implied logically through visual cues such as smoke diffusion or air distortion, if applicable, maintaining plausibility across the series.

The thrust/exhaust direction and the subsequent motion of the rocket must be in opposite directions (downward gas expulsion causing upward motion) consistent with physical laws.


Prompt: FOUR-PANEL Images with a 2x2 grid layout depicting key stages of the universe's expansion in a cosmic art style.All images share a dark cosmic backdrop with vibrant, luminous colors, illustrating sequential cosmic evolution while maintaining scientific inspiration and visual continuity in celestial elements. [TOP]-[LEFT]:A glowing, intensely radiant singularity surrounded by swirling energy waves in a dark void. The dense point emits faint particles and light streaks, symbolizing latent cosmic forces. Colors transition from white-hot at the center to deep purples and blues at the edges, conveying compression and potential energy. [TOP]-[RIGHT]:A vibrant explosion of radiant matter and energy bursting outward in chaotic, dynamic patterns. Fiery oranges, yellows, and reds dominate the expanding shockwaves, with fragmented particles and wispy trails illustrating rapid motion. The composition radiates from a central point, emphasizing explosive energy release. [BOTTOM]-[LEFT]:A structured arrangement of nascent spiral and elliptical galaxies drifting apart in a cooler color palette. Each galaxy glows with star clusters and nebulae in blues, pinks, and whites, connected by faint filamentary structures. The perspective emphasizes increasing distance between celestial bodies. [BOTTOM]-[RIGHT]:A vast, deep-field view of countless galaxies dispersed across an expansive void. Distant galaxies appear smaller and reddish, while closer ones retain vivid hues, demonstrating spatial scaling. Subtle light trails and faint glows between galaxies hint at ongoing expansion dynamics.

Generate four images illustrating the expansion of the universe. The first image presents a small, dense point representing the initial singularity before the Big Bang. The second image shows an explosion of matter and energy as the universe rapidly expands. The third image captures galaxies forming and moving apart. The fourth image presents a vast universe with galaxies continuing to separate, demonstrating the cosmological principle of universal expansion.

All images should use a consistent style for representing astrophysical phenomena, whether it's a realistic, artistic, or abstract portrayal, to maintain visual coherence across the expansion sequence.

If colors are used to represent density, energy levels, or time, ensure these color associations remain consistent across all four images. For example, hotter, denser regions should consistently appear in the same color.

Maintain a consistent approach to dimensionality (2D vs. 3D representation) and perspective across the images. If the initial singularity is shown in 3D, the subsequent expansion phases should also be represented with the same dimensionality.

The initial singularity should be consistently represented as an extremely small, dense point or volume across images where it is referenced, maintaining its symbolic representation as the origin.

Although galaxies will evolve and separate, their initial distribution patterns (if any are depicted in the second and third images) should provide a logical precursor to their distribution in the final image. Avoid abrupt changes in galaxy type or density without clear evolutionary context.

The images should clearly depict a progressive expansion: the rate of expansion should be visually apparent and consistent with the conceptual understanding of the accelerating universe. Galaxies should be closer together in earlier images and more dispersed in later ones.

The total amount of matter/energy (represented through the number or intensity of visual elements) should remain qualitatively consistent throughout the expansion. Mass should not appear to spontaneously vanish or multiply significantly without a clear cosmological explanation (e.g., pair production, matter-antimatter annihilation). The form changes, but the 'amount' should be plausible

The scaling between images should be logical, accurately representing the immense expansion of the universe. For example, if the first image represents a tiny point, the fourth image must illustrate a significant expansion relative to that original point. The relative sizes of features (e.g., galaxies) to the overall expansion should be consistent.


Prompt: FOUR-PANEL Images with a 2x2 grid layout an ice skater demonstrating angular momentum conservation through arm movements during a spin.All images feature a realistic ice skater in a consistent ice rink setting, with a focus on body posture and rotational speed changes to illustrate angular momentum principles. The skater wears a sleek athletic outfit, and the background includes subtle ice texture and distant audience outlines. [TOP]-[LEFT]:The skater spins with arms fully extended outward, legs slightly apart. The rotation is slow, capturing deliberate motion. Ice particles scatter faintly around the skates, and the skater's face shows calm focus. The background includes blurred rink barriers and soft lighting. [TOP]-[RIGHT]:The skater begins pulling arms inward toward the chest, legs tightening together. The rotation visibly accelerates, creating a slight motion blur in the torso. The skater's expression shifts to concentration, with fabric folds in the outfit hinting at centrifugal force. [BOTTOM]-[LEFT]:The skater spins rapidly with arms tightly folded against the body and legs perfectly aligned. The motion blur intensifies around the edges, emphasizing speed. The ice beneath appears smooth from rapid rotations, with sharp contrasts in lighting to highlight velocity. [BOTTOM]-[RIGHT]:The skater gradually extends arms outward again, legs slightly separating. The rotation slows comparably to the first stage, with visible tension in the limbs. Ice shavings spiral outward from the skates, and the skater's expression transitions to controlled effort.

Generate four images illustrating the conservation of angular momentum using an ice skater. The first image shows the skater extending their arms while spinning slowly. The second image presents the skater pulling their arms inward, increasing rotation speed. The third image captures the skater spinning at maximum speed with arms fully retracted. The fourth image shows the skater extending their arms again, slowing down, demonstrating angular momentum conservation.

The rendering style (e.g., photorealistic, illustrative, stylized) should be consistent across all four images to maintain visual harmony and a unified aesthetic.

The background detail and focus level should remain consistent. If the background is blurred to emphasize the skater in one image, it should be similarly treated in the others. Avoid inconsistent background styles that detract from the main subject.

The skater's physical attributes (e.g., clothing, hair style, facial features) must remain consistent across all four images to ensure it's the same individual demonstrating the principle. This includes avoiding changes in age, gender, or significant alterations to their appearance.

The appearance of the skates and the ice surface should remain consistent across all images. The type of skates, color, and the texture of the ice (e.g., smooth, slightly rough) should not change to maintain a sense of continuity and realism.

The skater's poses must accurately reflect the physics of angular momentum conservation. Arms extended equals slower rotation; arms retracted equals faster rotation. The images should logically show a smooth transition between these states, avoiding physically implausible postures.

The direction of the skater's spin (clockwise or counter-clockwise) should remain consistent across all four images to avoid contradicting the motion sequence. A change in spin direction would violate the fundamental principle being demonstrated.

The surrounding environment should remain consistent. Changes in the presence of people, objects, or the characteristics of ice skating rink are not permitted. This is to isolate the effect of the skater's movements as the primary source of variation in the images.