{"uid": "AEBKGKE4ULWDJQSFRWRK33BOKJTA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics: Missing\nInterests: \n Unable to determine interests\nValues: \n Unable to determine values\nCommunication: \n Unable to determine communication style\nStatistics: \n Unable to determine statistics\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Children's Books->Growing Up & Facts of Life\n- Title: The Three Little Rigs\n- Subtitle: Hardcover – Picture Book, May 10, 2005\n- Price: None\n- Author: David Gordon\n- Description: From School Library Journal Grade 1-3–Three little rigs are sent off by their mama to build their own individual garages. The blue one builds his out of wood, the yellow one uses bricks, and the red one makes his out of steel. The evil wrecking ball comes and smashes the first two. The final rig, along with his brothers, enlists the help of the cranes and sends the wrecking ball, the mean magnet, and the cruel cutter to their fiery deaths in the melting pot. This fractured tale is not for the faint of heart ...[truncated]\n- Features: From the author/illustrator of Extremely Cute Animals Operating Heavy Machinery ! \"Will mesmerize tool-and-vehicle-obsessed little ones\" (ALA Booklist ). \"Kids who love trucks will enjoy this adaptation\" (School Library Journal). When the three little rigs set out to build their own garages, each one thinks that his is going to be the strongest. But then the big bad wrecking ball comes to call and threatens to smash their new homes to smithereens. The brothers learn that it’s only by bravery and teamwork th ...[truncated]\n\nReview by this user:\nClever Adaptation: This is one of the more unique adaptations of The three Little Pigs I have read. A yellow, a blue, and a red rig set out on their own. David Gordon explains what tools and materials are used by each rig to build their own garage. The blue one uses wooden planks which are knocked down by the big, bad wrecking ball. The second uses stone blocks, which are also knocked down by the big, bad wrecking ball. The third rig uses steel beams to build his garage. The wrecking ball is unable to knock it down but returns with the mean magnet and the cruel cutter. In the end, the three villains are thrown into the melting pot.
Children who are interested in building and big machines will love this book. It is engaging, clever, and informative.
The illustrations are clear, bright, and strike a perfect balance between simplicity and detail. Although the main characters are machines, Gordon manages to infuse them with expression. The double-page spreads have the feeling of a movie screen, understandable since Gordon has worked for Pixar and other companies. I think they are digitally drawn. There are number of pages with interesting perspectives and shading is used well to provide mood.
Since the child, hopefully, already knows the story, the tension is reduced. But, Gordon arouses our curiosity as to how the formidable villain will be defeated. I would’ve liked the sentence explaining why the wrecking ball wanted to destroy all the garages. In the original version, we know that the big bad Wolf is hungry.
Well recommended.
For more picture book reviews, go to bferrante.wordpress.com/\n\n--- Example 2 ---\nBook:\n- Category: Books->Children's Books\n- Title: Shape Capers\n- Subtitle: Hardcover – September 1, 2007\n- Price: 20.3\n- Author: Cathryn Falwell\n- Description: About the Author Cathryn Falwell's first book, Where's Nicky? , was published in 1991, and since then many books have followed, including the popular Turtle Splash! , which Kirkus Reviews called \"a lovely example of multidisciplinary bookmaking showing how science, art, and literature can all connect.\" She lives in Gorham, Maine.\n- Features: Shapes! Circles Squares Triangles Semicircles Rectangles What can you do with them? Anything! Everything! The only limit is your imagination. Come on! Let's go on a shape caper!\n\nReview by this user:\nfun while they learn: Mark Collins’ greatest talent lies in his illustrations. The cartoonish exaggeration will make children laugh out loud. It is the first day of holidays, and Ben is going to make the most of it. He rides his bike, hunts for sharks, paints a picture, jumps in puddles, and does far, far more. The little boy’s exuberance and delight with his experiences is clearly apparent on every page. His gentle enthusiasm for life is contagious.
The story is more of an anecdote than a plot. Ben is happy that it is the first day of summer and he isn’t going to waste a minute. He enjoys the day to the fullest and collapses happily into bed when night arrives. The rhyming text, sometimes ABAC and sometimes rhyming couplets, are well matched to the fast, fun filled pace of the child’s adventures.
There is no conflict in the story, no rising tension, no problem to solve. It is a simple romp from dawn till dusk. Not once does Ben resort to any screens for entertainment. Many of his toys and activities could be done by any child. This would be a great book to share with the child on holiday who says, “I’m bored.”\n\n--- Example 3 ---\nBook:\n- Category: Books->Children's Books->Literature & Fiction\n- Title: The Wizard\n- Subtitle: Hardcover – Illustrated, June 26, 2007\n- Price: 24.49\n- Author: Jack Prelutsky\n- Description: From Publishers Weekly On a seemingly normal suburban cul-de-sac, one house is definitely out of character—the looming tower that's home to the title character. Dressed in a green robe and peaked hat decorated with stars and moons, He's tall and thin with wrinkled skin, writes Prelutsky, a tangled beard hangs from his chin. (The verse originally appeared in the 1976 collection Nightmares: Poems to Trouble Your Sleep .) As he ponders in his wicked way/ what evil deed he'll do this day, the wizard decides to ...[truncated]\n- Features: The wizard, watchful, waits alone within his tower of cold gray stone and ponders in his wicked way what evil deeds he'll do this day. What do you think the wizard is planning to do? Conjure a magic spell? Turn a frog into a flea? Fill a cauldron with bubbling brew? You may think you know . . . but watch out. Because if the wizard is bored, he may come looking for you!\n\nReview by this user:\nGorgeous illustrations: This book is a wondrous blend of poetry and illustration. The cover draws you in immediately. A wizard, with long white hair and beard, wearing a green robe raises his arms to a magical light above. In one hand is a crooked wand. Caught in the rays is a small green frog. The picture fairly glows with magic.
The illustrations inside are not a disappointment. They are all exquisite two page illustrations. They gleam with magical charm.
The story rhymes but not in that irritating singsong way that many picture books adapt. It feels as though you are reading a book of poetry, much like one of my favorite books by Prelutsky The Dragon’s Are Singing Tonight.
It begins:
“The Wizard, watchful, waits alone
within his tower of cold gray stone
and ponders in his wicked way
what evil deeds he’ll do this day.”
A ragged crow, sitting on a cobwebbed table filled with magical paraphernalia, watches the Wizard as he gazes out his tower window onto the small town. The reader is instinctively intrigued as to what wickedness is about to unfold.
This story is basically a vignette wherein the Wizard transforms a frog into a flea into a pair of mice into a cockatoo into chalk into a silver bell and back into the bullfrog. Children may find it upsetting that at the end he dispenses of the bullfrog in a cloud of smoke. The story ends:
“Should you encounter a toad or lizard, look closely…
it may be the work of the Wizard.”
Although the story is easy to understand, I would recommend it for school-age children and up. Younger children, especially those who believe in magic, may be disturbed by the events.
School-age children who love magic and wizardry will be captivated by this beautiful book.\n\n--- Example 4 ---\nBook:\n- Category: Books->Children's Books->Growing Up & Facts of Life\n- Title: The Truly Terribly Horrible Sweater...That Grandma Knit (Blossom Street Kids Books)\n- Subtitle: Hardcover – Picture Book, September 29, 2009\n- Price: 16.99\n- Author: Debbie Macomber\n- Description: From Booklist There’s probably not a knitter alive who hasn’t presented a handmade gift and wondered whether the recipient would use it or throw it in the closet. Cameron’s sweater from Grandma Susan gets the closet treatment—and worse. Although he loves his grandmother, her birthday present, a handmade striped sweater, is a huge disappointment. His goal is to get the sweater out of his life via the dog, a rummage sale, and smears of ketchup and mustard. His plans fail though, and he finds himself wearing t ...[truncated]\n- Features: Cameron loves his grandmother. She knows just what makes him tick. That's why he can't figure out why Grandma would send him a sweater—a truly terribly horrible sweater—for his birthday. Cameron pours mustard on his sweater. He puts it on his dog (in the rain). He even tries to send it to the thrift shop. But nothing works. Now Grandma is coming for the holidays, and Cameron has to wear her gift to him. But what's he going to say when she asks what he thinks about the sweater she made? With a sure hand and ...[truncated]\n\nReview by this user:\nGenuine and touching: Cameron is very excited to receive a birthday gift from his grandmother. She always gives him the best gifts, but this time he is deeply disappointed. Inside the box is a handknit sweater striped with green, blue, orange, and yellow. Cameron is mortified and vows to never ever wear it, especially in front of his friends. He tries a series of tricks to get rid of the sweater, but doesn’t succeed.
His mother says, “Grandma Susan would have been heartbroken if anything happened to this sweater.” Finally, Cameron begins to think about his grandmother’s feelings, but not enough to wearthe sweater. When grandma comes to visit, Cameron’s mother insists that he put on the sweater.
Grandma explains the significance of each color. Green represents Cameron’s excellent soccer skills, blue represents his success at learning to ride a two wheeled bike, orange represents his favorite fruit, yellow represents how happy his birth made the family, and red represents how he is always in his grandmother’s heart. Cameron’s attitude toward the sweater changes. He vows to wear it for a very long time.
Every child has received a gift that was disappointing. This book will remind them that the thought behind the gift is more important than the present itself. It also stresses the special link between grandmothers and their grandchildren and how different generations show their love in different ways. The story will encourage living life with a sense of gratitude, one of the most important keys to happiness.
Vincent Nguyen uses branch double spread pictures to illustrate the story. That this is a happy, loving family is apparent from the expressions of the characters.\n\n--- Example 5 ---\nBook:\n- Category: Books->Children's Books->Growing Up & Facts of Life\n- Title: My Garden\n- Subtitle: Hardcover – Picture Book, February 23, 2010\n- Price: 14.39\n- Author: Kevin Henkes\n- Description: From School Library Journal Starred Review. PreSchool-Grade 2—Imagination grows and spreads from the fertile pages of this book to the minds of young readers. Henkes's familiar illustration style invites children into a most unusual garden. It never needs weeding, the flowers are ever-blooming, and colors change just by thinking of them (even into patterns). \"In my garden, rabbits wouldn't eat the lettuce because the rabbits would be chocolate and I would eat them.\" Jelly beans would grow on bushes. Tomatoe ...[truncated]\n- Features: How does your garden grow? A wondrous New York Times bestselling picture book from Caldecott medalist Kevin Henkes. A girl helps out in her mother’s garden, but in the garden of her imagination, there are chocolate rabbits, tomatoes as big as beach balls, flowers that change color, and seashells. “This intimate exploration of a child’s burgeoning imagination hits every note right. Just plain perfect.” — Kirkus (starred review) “With its adroit look at a child’s colorful imagination, My Garden is as fresh an ...[truncated]\n\nReview by this user:\nGrowing Imagination: The picture book begins in reality with a little girl helping her mother in the garden. From there the child imagines the perfect, magical garden where nothing dies, flowers change color, rabbits are chocolate, and anything you plant including jellybeans and umbrellas will grow. The child discusses flowers and vegetables. At the end, the little girl decides to indulge her fantasy and secretly plants a seashell in the garden.
This simple story would be a wonderful accompaniment to discussion on gardens, what does and does not grow, and what work is necessary to maintain a garden. It encourages imagination. What would grow in your child's fantasy garden?
The illustrations are bright, simple, and charming. Every page is filled with luxurious color. The author/illustrator, Kevin Henkes, was awarded a Caldecott Medal for another book. His boldly outlined pictures are filled with action and expression. This charming picture book would make a lovely spring, Easter, Hanamatsuri, or birthday gift.
Bonnie Ferrante - author of The Amida Tree and other picture books\n\n--- Example 6 ---\nBook:\n- Category: Books->Teen & Young Adult->Literature & Fiction\n- Title: Before I Fall\n- Subtitle: Paperback – June 1, 2021\n- Price: 9.59\n- Author: Lauren Oliver\n- Description: Review “Oliver’s debut novel is raw, emotional, and, at times, beautiful....readers will love Samantha best as she hurtles toward an end as brave as it is heartbreaking.” — Publishers Weekly (starred review) “Samantha’s attempts to save her life and right the wrongs she has caused are precisely what will draw readers into this complex story and keep them turning pages until Sam succeeds in living her last day the right way.” — Voice of Youth Advocates (VOYA) (starred review) “Oliver, in a pitch-perfect teen ...[truncated]\n- Features: Like Adam Silvera's They Both Die at the End and Colleen Hoover's It Ends with Us , Before I Fall raises thought-provoking questions about love, death, and how one person's life can affect so many others. With this stunning debut novel, New York Times bestselling author Lauren Oliver emerged as one of today's foremost authors of young adult fiction. For popular high school senior Samantha Kingston, February 12—\"Cupid Day\"—should be one big party, a day of valentines and roses and the privileges that come wi ...[truncated]\n\nReview by this user:\nredemption is possible: I almost gave up on this book after the first chapter. I really disliked the protagonist. However, I'd heard good things about it so I persisted. By the fourth chapter, I was hooked. A fabulous book about growing up, bullying, insecurity, cliques, self-image, and karma. Powerful.\n\n--- Example 7 ---\nBook:\n- Category: Books->Teen & Young Adult->Literature & Fiction\n- Title: Illegal\n- Subtitle: Hardcover – March 8, 2011\n- Price: 17.99\n- Author: Bettina Restrepo\n- Description: Review With searing realism, debut author Restrepo describes Nora's anger, desperation and loss of faith... This memorable coming-of-age story will awaken readers to the overlooked struggles of immigrants. --Kirkus - 2-15-2011Thoroughly engaging and thought-provoking... an excellent choice for a book discussion group or a class conversation starter about immigration, prejudice, or gangs --VOYA - 4 in quality and popularity From the Author I used to be an auditor at a chain of ethnic grocery stores, Fiesta M ...[truncated]\n- Features: In this timely and gripping novel, author Bettina Restrepo exposes the challenges of one girl’s unique yet universal immigrant experience. This is an eye-opening look into the harrowing journey a family takes to forge a more hopeful future. Nora is on a desperate journey far away from home. When her father leaves their beloved Mexico in search of work, Nora stays behind. She fights to make sense of her loss while living in poverty—in wait of her father’s return and a better day. When the letters and money s ...[truncated]\n\nReview by this user:\nA Heartbreaking Reality: A 13 year old girl and her mother enter the U.S. illegally to find her father who went there to work and disappeared. The family is poor because they have no water for their grapefruit grove. It doesn't go into detail about where the water went, but it seems pretty clear anyway. Nora is a sweet girl who loves her father, mother, and grandmother. They are willing to work, to learn, and to obey the law but because of the drought they are forced into living an unlawful life. A deeply moving and dignified story.
Bonnie Ferrante - Writer\n\n--- Example 8 ---\nBook:\n- Category: Books->Children's Books->Cars, Trains & Things That Go\n- Title: Everything Goes: Stop! Go!: A Book of Opposites\n- Subtitle: Board book – Picture Book, December 26, 2012\n- Price: 7.99\n- Author: Brian Biggs\n- Description: From School Library Journal PreS-These books take advantage of toddlers' affection for vehicles to introduce simple concepts. The counting book goes from 1 bus to 10 bicycles and ends with \"1 BIG traffic jam!\" The book about opposites includes familiar terms such as \"Up, Down\" and \"Stop, Go.\" The large, clear texts stand out against the brightly colored backgrounds. The silly cartoon illustrations are as lively as the texts. People of all races and ages use the vehicles. A gray-haired woman rides a chopper ...[truncated]\n- Features: Learn about opposites with cool cars, trucks, trains, and more!\n\nReview by this user:\nClear and uncluttered: This is a cute concept book, clear and uncluttered. Each pair of opposites is presented on a double page spread. The first page says slow and has a man on a bicycle. The second says fast and has a racing car. All the pictures are cartoon and brightly colored. The other concepts are up and down, small and big, many and few, off and on, old and new, loud and quiet, far and near, and of course stop and go. There are bits of humor scattered throughout.
This is a great little board book for introducing a toddler to new vocabulary. Even though the pictures are simple cartoons they have just enough detail to intrigue the child.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Brian Floca (Author)**: - Category: Books->Children's Books->Science Fiction & Fantasy\n- Title: The Frightful Story of Harry Walfish\n- Subtitle: Hardcover – January 1, 1997\n- Price: 16.95\n- Author: Brian Floca\n Brian Floca is the author and illustrator of Locomotive, winner of the Caldecott Medal; Moonshot: The Flight of Apollo 11 (revised and expanded in 2019 for the 50th anniversary of the first moon landing); Lightship; The Racecar Alphabet; and Five Trucks. His most recent book, Keeping the City Going, is a tribute to the essential workers who stayed on the streets and on the job during the Covid-19 pandemic. Brian has illustrated Avi's Poppy Stories series, Jan Greenberg and Sandra Jordan's Ballet for Martha: Making Appalachian Spring, Laura Amy Schlitz's Princess Cora and the Crocodile, Maria Gianferrari's Hawk Rising, and other titles. In addition to the Caldecott, Brian's books have received four Robert F. Sibert Honor awards for distinguished informational books, a silver medal from the Society of Illustrators, and have three times been selected for the annual New York Times Best Illustrated Books list.\n- Description: From School Library Journal Grade 2-4?On a visit to the natural history museum, Ms. Leonard-Brakthurst quietly gets her rampaging class's attention with a cautionary tale about Harry Walfish, her mischievous classmate who was once locked in the museum. Harry's initial glee changes to terror when the animals slowly come to life; fleeing wildly through the darkened halls, he ends up in the monkey room, where guards and his teacher find him at midnight, cowering in an exhibit case surrounded by animal specimens pressing on the glass. The creatures that regard Harry unblinkingly in Floca's cartoon illustrations seem more surprised and curious than menacing, and though Ms. Leonard-Brakthurst waves her arms dramatically, she tells the tale in a detached, precise way, inserting an occasional scientific name or fact, finishing with the assurance that, of course, she has only Harry's word that any of this happened. Children aren't likely to be as spooked by the episode as Ms. Leonard-Brakthurst's class is, but most will get the gently delivered point about behavior in public places.?John Peters, New York Public LibraryCopyright 1997 Reed Business Information, Inc. About the Author Brian Floca is the author and illustrator of the Caldecott Medal-winning book Locomotive . He also wrote and illustrated Lightship and Moonshot: The Flight of Apollo 11 , both Sibert Honor Books, and illustrated Avi's Poppy Stories series as well as Jan Greenberg and Sandra Jordan's Ballet for Martha: Making Appalachian Spring , also a Sibert Honor Book. Brian grew up in Texas and now lives in Brooklyn, New York. Find him online at www.brianfloca.com.\n- Features:\nGuiding her class through the Natural History Museum, Ms. Leonard-Brakthurst teaches her students about a special bird's nesting habits through an overlay of the hilarious tale of the rambunctious Harry Walfish.\n- Details:\n Publisher: Orchard Books (January 1, 1997)\n Language: English\n Hardcover: 32 pages\n ISBN 10: 0531330087\n ISBN 13: 978-0531330081\n Reading age: 5 - 9 years\n Lexile measure: 900L\n Grade level: Kindergarten - 3\n Item Weight: 1.01 pounds\n Dimensions: 9.25 x 0.25 x 10.5 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 1.0, 0.9, 0.9, 0.9, 0.9]}
{"uid": "AEENSLZS6WAJQE7GRMNHI74TIYYA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n age group: approximately 43 years old (was 42 in 2009, last response in 2010)\n occupation: former manager with 'long tenure in management' (ended ~2008), technology professional with IT experience\n other: married (references 'married man' with familiarity), long-term technology user since at least 2002\nInterests: \n Technology books and operating systems, particularly Windows versions and Photoshop Elements across multiple releases\n War literature and military narratives, especially Iraq War fiction and non-fiction ('The Last Day,' 'Our Boys')\n Sports narratives and journalism, particularly football stories ('Our Boys' about Kansas high school football)\n Crime fiction and noir literature (reviews of 'Gutshot Straight,' 'Slammer,' 'Spooner')\n Literary fiction with complex narrative structures and multiple perspectives\n Digital photography and image editing techniques and workflows\n Film and cinema, frequently referencing movies like 'Fargo,' 'Frost/Nixon,' 'The Conversation,' 'Taxi Driver'\n Business management practices and organizational behavior (performance review systems)\n Autobiographies and memoirs, particularly those blending humor with serious themes (Craig Ferguson)\n 1970s cultural and political history ('Strange Days Indeed')\n Computer hardware and system building ('Building a PC For Dummies')\n Publishing industry practices and book quality standards\nValues: \n Accuracy and currency of information: criticizes 'Building a PC' for being 'at least a hardware/software generation behind' with 'No discussions of Pentium 4 class systems'\n Completeness and thoroughness: praises books that are 'comprehensive, informative, and presented with orderly structure and excellent readability'\n Authenticity in storytelling: appreciates when authors 'write it just as he sees it' and criticizes when 'Nobody in this book does anything that surprises us'\n Practical utility over theory: values books that help users 'harness its full power' and provide 'sound advice'\n Intellectual honesty: criticizes works with 'fundamental errors' and appreciates authors who are 'brutally honest'\n Nuance and complexity: frustrated by oversimplification, noting 'things can't always be as nice as they seem' and seeking 'what changed him?'\n Respect for reader intelligence: praises authors who 'treat readers as intelligent (rather than as \"dummies\")'\n Balance in criticism: consistently notes both strengths and weaknesses, stating 'These are all overlookable shortcomings' while identifying issues\n Empathy for veterans and disabled: though critical of execution, respects books addressing 'combat-wounded veterans and respect for the disabled'\n Quality craftsmanship in writing: values 'gorgeously written' prose and 'skilled blend of humor and darkness'\n Transparency about data collection and privacy: notes Adobe's 'wide scope of data collection' should be disclosed\n Evidence-based decision making: frustrated when conclusions lack 'empirical data (rankings and scoring)'\nCommunication: \n Long-form, detailed reviews averaging 400-500 words with sophisticated analytical structure\n Frequent use of structured critique format: opening context, detailed analysis, concluding recommendations\n Liberal use of parenthetical asides and em-dashes to add nuance: '(or did they really? hmmmm...we're just not sure when the pages end)'\n Comparative recommendations: 'consider the OReilly \"PC Hardware in a Nutshell\" book instead' and 'Combine this book and David Pogue's Windows 7'\n Literary and film references to contextualize: 'I was reminded of William Macy as Jerry Lundegaard in \"Fargo\"'\n Rhetorical questions for emphasis: 'How can I be so hard-hearted to offer just one star to a well-intentioned book'\n Direct quotations from books being reviewed to support analysis: extensively quotes passages as evidence\n Balanced tone that acknowledges both merits and flaws: 'These are small shortcomings that do not detract seriously from the overall worth'\n Use of ellipses for dramatic effect or trailing thoughts: 'Cover-to-cover fun; intelligent, funny and entertaining...'\n Technical precision when discussing technology: 'tactile commander' vs 'tactical commander' correction\n Conversational yet authoritative voice: 'If you're a fan of large doses of literary conceit, go ahead and read it'\n Structured opening hooks: often begins with thematic statements or questions before diving into analysis\nStatistics: \n Average response length: approximately 400-500 words, with range from 150 to 600+ words\n Frequent opening phrases: 'In [book title],' 'If you,' 'While,' 'This is,' 'The book'\n Common transitional phrases: 'in the end,' 'less satisfying,' 'more correctly,' 'in order,' 'beyond'\n Consistent use of colon-structured sentences for elaboration and lists\n Heavy use of parenthetical clarifications and asides (averaging 3-5 per review)\n Frequent comparative constructions: 'rather than,' 'instead of,' 'more than,' 'less than'\n Regular use of conditional statements: 'If you want,' 'If this describes you,' 'If you're familiar'\n Typical sentence structure: complex sentences with multiple clauses, averaging 20-30 words per sentence\n Common critical phrases: 'falls short,' 'shortcomings,' 'deficiencies,' 'flawed by,' 'fails to'\n Recommendation patterns: often ends with 'read it for' or 'if you [condition], then [recommendation]' structure\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Literature & Fiction->Short Stories & Anthologies\n- Title: Further Interpretations of Real-life Events\n- Subtitle: Hardcover – January 1, 2012\n- Price: None\n- Author: Kevin Moffett\n- Description:\n- Features: A dazzling new story collection from brilliant, young, award-winning writer Kevin Moffett, Further Interpretations of Real-Life Events illuminates the intimate experiences of characters caught between aspiration and achievement, uncertainty and illumination, inertia and discovery, the past and the future. Channeling unexpected, eclectic voices in a collection perfectly suited to readers of Daniyal Mueenuddin, Alice Sebold, and Dave Eggers, Moffett delivers a nuanced, powerful, humorous, and moving meditatio ...[truncated]\n\nReview by this user:\nClever, spare and entertaining short stories...: ...that move at a fast pace.
Kevin Moffet's \"Further Interpretations of Real-Life Events\" is a collection of nine stories that are variously funny and sad, and all clever.
In the hierarchy of contemporary writing, short stories probably occupy the same space as essays and poetry, where they get little mainstream affection, but are followed by those who appreciate the skills applied in a unique writing craft.
Moffett presents us small casts of characters in various states of disrepair, and does so in stories that are rather spare, very fast moving and infused with subtle humor.
The title story --the first one presented in the book-- was by far my favorite. In a writing seminar within a short story, the narrator --a writer himself-- flashes back to the lessons of a fabled fiction writing teacher who influenced his craft.
If you're a fan of short fiction, or are looking for an opportunity to become one, this book is a good choice.\n\n--- Example 2 ---\nBook:\n- Category: Books->Science Fiction & Fantasy->Fantasy\n- Title: Burn for Me (Hidden Legacy, 1)\n- Subtitle: Mass Market Paperback – October 28, 2014\n- Price: 8.99\n- Author: Ilona Andrews\n- Description: Review “Ilona Andrews’ books are guaranteed good reads.” — Patricia Briggs, #1 New York Times bestselling author “With heart-pounding romance and non-stop action, this is Ilona Andrews at her best!” — Jeaniene Frost, New York Times bestselling author “Addictive, imaginative, and incredibly sexy.” — Eloisa James, New York Times bestselling author “Andrews serves up a refreshing new magical society, excellent world-building, beguiling characters, and strong storytelling...Romantic sparks and a tangled mystery ...[truncated]\n- Features: In this spellbinding first novel in #1 New York Times bestselling author Ilona Andrews’s urban fantasy Hidden Legacy series, private detective Nevada Baylor navigates her way through an alternate world where dynasties, built on inherited wealth and magic, guide the course of humanity. ?Nevada Baylor runs a small-time detective agency in Houston, Texas, busting scammers, exposing cheaters, and dealing with petty criminals. She’s very good at her job—helped by a magical ability to sense when someone tells the ...[truncated]\n\nReview by this user:\nNot my usual fare...but immensly readable...: ...I'm not normally a reader of genre fiction, and confronted the unopened pages of \"Burn For Me\" with the same level of anticipation I gave to a large serving of spinach as a 6-year old.
The result now, like then, was rather surprising. Eventually I came to appreciate that fresh spinach, cooked (or not) and properly seasoned has charms all its own. This book came was pleasantly refreshing to somebody utterly unschooled in the ways of genre fiction.
In a semi-dystopic current world, some people are skilled users of various forms of magical powers; those who have harnessed the most skill in use of these powers enjoy influence and privilege that others do not.
Private Investigator Nevada Baylor (her power: she can tell when somebody is lying; great skill for a PI, dontcha think?) and her principal antagonist (and, since this is the lead in a series, future love interest?) Mad Rogan are both in pursuit of the same \"Prime\" power wielder gone bad, Adam Pierce (whose magic is fire).
I'd like to say hilarity ensues, but there is much more than that in their present (and future) relationship.
This contains graphic novel type violence, and enough discussions of non-magical weapons and technology that most men should be able to read this without cringing (just hide the cover from your most macho friends). On the fringe are enough badasses to fill half a dozen Quentin Tarantino films.
Both the main and supporting characters are interesting enough that you do become invested in their fate. The dialog is crisp and effectively propels the story forward.
For those who aren't normally readers of genre fiction or already familiar with the husband-wife duo that created this story: keep an open mind and keep this nearby for your next downtime reading adventure. It's worth the quick reading time to explore.\n\n--- Example 3 ---\nBook:\n- Category: Books->Sports & Outdoors\n- Title: Stumbling on Wins: Two Economists Expose the Pitfalls on the Road to Victory in Professional Sports\n- Subtitle: Hardcover – January 1, 2010\n- Price: 33.0\n- Author: David J. Berri\n- Description: Review As seen on The New York Times' Freakonomics blog, ESPN.com's True Hoop, and Slate.com. \"In Stumbling on Wins , sports economists Berri (Southern Utah Univ.) and Schmidt (College of William and Mary) follow up their The Wages of Wins (with Stacey Brook, CH, Jan'07, 44-2764) with more modeling and number-crunching applications. The holy grail remains the same: understanding and improving decision making on the court, field, and ice and in the front offices of North American professional team sports. Su ...[truncated]\n- Features: The next quantum leap beyond Moneyball , this book offers powerful new insights into all human decision-making, because if sports teams are getting it wrong this badly, how do you know you're not? Sometimes the decisions that teams make are simply inexplicable. Consider: sports teams have an immense amount of detailed, quantifiable information to draw upon, more than in virtually any other industry. They have powerful incentives for making good decisions. Everyone sees the results of their choices, and the ...[truncated]\n\nReview by this user:\nProbably not a good choice for hard core fans...: ..of either sports OR statistics.
Confession: It took me two years to finish my first year of high school algebra...and I wasn't allowed to return for my sophomore year of college until finishing a second year of high school algebra in a summer session.
I avoided statistics in later studies until my curriculum left no choice. While I did far better than any of my algebra teachers might have predicted, I have no illusions about my ability to DO statistics today. I can however appreciate meaningful statistics, and I learned enough to understand when data is being parsed in a worthwhile way.
To the extent that David Berri and Martin Schmidt provide vignettes of selected sports statistics (from the NBA, NHL, MLB and NFL) this book is interesting enough. Yet the complexity of modern professional sports offers so many potential variables for analysis (not to mention those ever-present intangibles, such as weather or officiating or the utter unpredictability of team performance from one game to the next) left me to wonder:
did they pick the right stuff to analyze? I can't answer that question, but I sure keep asking it over and over. Hard core statistics and spreadsheet geeks might find themselves asking the same question. In fairness, the closing pages of this book concede the fundamental flaw in trying to force individual performance metrics (such as a pitcher's win-loss record) into a team context.
Sports fans looking for riveting prose blending sporting achievement with quantitative analysis will find meticulously documented statistical data and processes, but mostly about settled sporting business that the analysis doesn't bring to life in any novel way. If, however you've studied stats or quantitative analysis in the social sciences, you'll find yourself in familiar territory as the authors present tabular data and review their methodology. In doing so, they remove much of the possible joy for those seeking a few minutes of escape from worrisome world might expect in a \"sports\" book.\n\n--- Example 4 ---\nBook:\n- Category: Books->Reference->Writing, Research & Publishing Guides\n- Title: Presentations in Action: 80 Memorable Presentation Lessons from the Masters\n- Subtitle: Hardcover – January 1, 2011\n- Price: 5.15\n- Author: Jerry Weissman\n- Description: From the Back Cover “Jerry Weissman is the Jedi Master of presentations and effective communication. I’ve added this important and to-the-point book to my Jerry Weissman collection. Another fabulous read from the Silicon Valley legend.” Garr Reynolds , author of Presentation Zen and The Naked Presenter “Across all fields there is one common trait of leaders: the ability to persuade groups to follow. This is the field guide to persuasion, thus the field guide to successful leadership.” Scott Cook , Co-Founde ...[truncated]\n- Features: World-renowned presentation coach Jerry Weissman has spent 20 years helping top executives succeed in the most important business presentations of their lives, and he’s learned the best way to get his message across is to show his techniques in action. Weissman does just that in Presentations in Action: 80 Memorable Presentation Lessons from the Masters . He teaches how to make spectacularly successful presentations by showing exactly how great presenters have done it. Weissman dives into his library of out ...[truncated]\n\nReview by this user:\nGreat resource for anybody working in front of a crowd...: ...with or without PowerPoint.
But if you're stuck like many of us with the expectation that your presentation will be supported by the lingua franca that PowerPoint has become, this book offers even more value as a powerful weapons in your audience-taming tool kit.
Jerry Weismann's \"Presentations in Action\" offers 80 separate vignettes on presentations techniques in five broad categories:
-Content
-Graphics
-Delivery
-Q & A
-Integration
While many of these address specific PowerPoint issues (fonts, color selection, animations, graphics), a greater portion address knowledge transfer based on lessons from artists, writers, athletes, politicians, business people and the media. Most are less than three pages long, and the chunking of this information allows this book to be read in almost any order and absorbed in almost any amount of free time.
Anybody who speaks in front of others --whether a captive audience of students in a classroom, or a skeptical audience of potential customers (or investors!) who are waiting for you to *show* them-- can benefit from these lessons.
Even if you are a regular in front of groups, if you're looking for some tips to freshen up your persona: this book is an excellent resource to help improve your game.\n\n--- Example 5 ---\nBook:\n- Category: Books->Business & Money->Skills\n- Title: Pearson Business Reference and Writer's Handbook (with downloadable ebook access code)\n- Subtitle: None\n- Price: 19.41\n- Author: Roberta Moore\n- Description:\n- Features: This easy-to-use reference tool helps users quickly access the information they need to solve writing problems and improve their use of Standard English. Offering a two books-in-one approach, it includes principles for producing grammatically correct documents (business reference manual) and concrete examples of how to improve and modify writing to meet specific communications objectives (writing handbook). Its functional organization is underscored by its color-coded design, clearly distinguishing between ...[truncated]\n\nReview by this user:\nEven the most confident writers can use a little help...: ..and there's seemingly an endless supply of writing aids in a crowded market promising to help you!
I'm not suggesting this is the only writing reference to keep near your desk; if you work in a large organization, you can expect to balance the advice in this book with what your own organizational style guide prescribes.
Nicely organized into three major content areas:
-Grammar, Mechanics and Usage
-Writing Process and Style
-Document, Content, Format and Design
These are further divided into 11 sections providing the detailed discussions 8-10 major content points for each section.
A final fourth part provides an excellent index and a very user-friendly quick reference index.
The paper copy of this book is spiral bound, allowing it to lay flat when you refer to it. The inside front cover includes and outlined table of contents and the inside rear cover includes an alphabetical topical index. Both of these guides to content contain fullly detailed versions (at the front and rear of the book, respectively).
In addition to the logical four-part organization, each major part is also color coded within the book (with tabs visible on the fore and top edges. Good enough, but the shade of orange selected for the fourth part doesn't have good contrast with the white labels; this may be an issue in poor lighting or some visually-challenged readers).
Overall, the advice is sound in this book. You may have your own preferences or organizational requirements for other approaches to writing, but if you are working alone and need a solid writing reference, this is very good choice.\n\n--- Example 6 ---\nBook:\n- Category: Books->Biographies & Memoirs->Historical\n- Title: Beyond the Hundredth Meridian: John Wesley Powell and the Second Opening of the West\n- Subtitle: Paperback – Illustrated, March 1, 1992\n- Price: 15.99\n- Author: Wallace Stegner\n- Description: Review \"This book goes far beyond biography, into the nature and soul of the American West. It is Stegner at his best, assaying an entire era of our history, packing his pages with insights as shrewd as his prose.\" —Ivan Doig About the Author Wallace Stegner (1909–1993) published more than two dozen books throughout his life, including the novels Angle of Repose , which won the Pulitzer Prize; Crossing to Safety ; The Big Rock Candy Mountain ; and The Spectator Bird , which won the National Book Award. An e ...[truncated]\n- Features: From the “dean of Western writers” ( The New York Times ) and the Pulitzer Prize winning–author of Angle of Repose and Crossing to Safety , a fascinating look at the old American West and the man who prophetically warned against the dangers of settling it In Beyond the Hundredth Meridian, Wallace Stegner recounts the sucesses and frustrations of John Wesley Powell, the distinguished ethnologist and geologist who explored the Colorado River, the Grand Canyon, and the homeland of Indian tribes of the American ...[truncated]\n\nReview by this user:\nAdventure, religion, culture, politics, geography and WATER in the American west...: ...wrapped up in a lyrically written and finely researched history.
I had not read anything by Wallace Stegner for many years, until a recent trip to the Grand Canyon restored my interest in the history of its exploration. Many choices are available to discover the history of the last part of the American west to become marked as something other than \"unknown\" on government maps. In \"Beyond the Hundredth Meridian\" Stegner expands the horizon beyond the confines of the dangerous canyon walls that threatened John Wesley Powell's 1869 expedition through the Grand Canyon.
To be sure, Stegner is an excellent chronicler of the that trip down the Colorado. He captures the adventure, the danger, the great unknowns that faced Powell's crew. That voyage is the centerpiece of the first half of the book, and could stand on its own as a a tour de force of American discover.
Stegner gives us much more. He incorporates sophisticated discussions of the cultural climate, and the intersection of antebellum political mores in Washington, the fabric of relationships between the US government, native Americans, the Mormons and western settlers. He illustrates fine points of topography, geology, geography and river hydrology as he focuses on the essential element of any migration to the west: water. He explores the grand topics and the often overlooked (would \"Big Canyon\" be as good a name as \"Grand Canyon\" ? It almost got this name!).
As these lessons unfold, the book never comes across as a textbook. The writing is vibrant and often lyrical, without being overblown or self important. If you've spent any time in the parts of the United States where the rain is scarce and the vistas are vast, this book will provide an important education in the many forces that came to bear on its settlement. Even if you haven't, you'll acquire a solid foundation in the complex calculus that provides the initiative for discovery.
This quite simply a great piece of historical writing.\n\n--- Example 7 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Mystery\n- Title: Slammer\n- Subtitle: Hardcover – International Edition, November 18, 2009\n- Price: 5.97\n- Author: Allan Guthrie\n- Description: From Publishers Weekly Edgar-finalist Guthrie ( Savage Night ) explores the tenuous division between truth and desperate fiction in the mind of a rookie prison guard in this gritty thriller. In 1992, having recently relocated to Edinburgh, Scotland, with his wife, Lorna, and young daughter, Caitlin, Nick Glass manages to form an uneasy friendship with Mafia, a nearly blind inmate, whose crime was so horrific that no one will talk about it, at a prison for violent offenders nicknamed the Hilton. With abuse c ...[truncated]\n- Features: Newly minted prison officer Nicholas Glass has fallen in with the wrong crowd at \"The Hilton,\" a Scottish prison for violent offenders. The problem is, there's no right crowd. Bullied and abused by inmates and colleagues alike, Glass finds that each day is getting longer than the one before. When a group of cons use outside help to threaten his wife and daughter, he agrees to do them a 'favor'. But, as their threats escalate, and one favor leads to another, he grows ever closer to breaking point. And when G ...[truncated]\n\nReview by this user:\nDark and violent with great dialog, but ultimately average...: Nick Glass, the novice guard corrupted at the start of this story (and whose name is a foreshadowing sobriquet) is at the center of a misanthropic crew of inept guards and brutal criminals inside and out of a Scottish prison.
With the single exception of the innocence personified by Nick's young daughter, every person Allan Guthrie offers in this dark tale of a life spiraling downward is motivated by pure self-interest. Nick's wife is an adulterous alcoholic, his peers are corrupt or incompetent, and each prisoner and criminal is more menacing than than the last. Nick makes the wrong choices with every person he meets at each turn of the plot. I was reminded of William Macy as Jerry Lundegaard in \"Fargo\", who realizes far too late that if you want to play hardball with hard cases, you'd better do so early.
The graphic, personal violence comes early and often in the book, along with nearly non-stop drug use by Glass (which may explain the poor choices he keeps making!). I couldn't help imagining Quentin Tarantino as Guthrie's imaginary audience of one for this book. I like dark fiction, and believe that violence has its place in both genre and mainstream literature. In this book, Guthrie gives us so few respites from the violence that is ceases to alarm; it's just there.
The dialog in \"Slammer\" is crisp, and excellently illuminates the book's characters, creating a quick, fast-moving read. Less satisfying is the ending, which dissolves into an ambiguous world of alternate offerings of who really did what to whom...and when. As with the violence, there is also a place in fiction for ambiguity. I kept waiting for somebody in this book to surprise me, but everybody stayed true to their original persona; in the end, I cared little about the fate of any of the adults...even those who may have met horrific ends (or did they really? hmmmm...we're just not sure when the pages end). After putting his protagonist --and his readers-- through so much, readers of Slammer deserved more clarity in the conclusion.\n\n--- Example 8 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Twisted Tree\n- Subtitle: Hardcover – January 1, 2009\n- Price: 18.0\n- Author: Kent Meyers\n- Description: From Publishers Weekly Starred Review. In his beautiful and unsettling new novel, Meyers ( The Work of Wolves ) examines the effects of a murder on the residents of a small South Dakota town. In an opening sequence that is so disturbing it's difficult to read, teen Hayley Jo Zimmerman is stalked and abducted by a serial killer. The rest of the novel uses the rippling consequences of Hayley Jo's murder to explore the smaller rural tragedies in Twisted Tree, S.D.: Elise, a forlorn grocery clerk, judges everyo ...[truncated]\n- Features: Hayley Jo Zimmerman is gone. Taken. And the people of small-town Twisted Tree must come to terms with this terrible eventtheir loss, their place in it, and the secrets they all carry.In this brilliantly written novel, one girls story unfolds through the stories of those who knew her. Among them, a supermarket clerk recalls an encounter with a disturbingly thin Hayley Jo. An ex-priest remembers baptizing Hayley Jo and seeing her with her best friend, Laura, whose mother the priest once loved. And Laura ber ...[truncated]\n\nReview by this user:\nLong on literary devices and descriptive detail...short on coherence: If clever literary devices are all you need to satisfy your fiction reading needs, then go ahead. Although nominally a novel, \"Twisted Tree\" lacks a clear protagonist, lacks a central story line, and does too much to keep readers guessing.
Some of the devices seem merely stylish, like the absence of traditional quotation punctuation when characters are speaking. The cavalcade of shifting time and narrators grows wearisome, even though each has intriguing narration to offer.
In the end, I wasn't sure if this was a crime drama, a psychological thriller, a western or a whodunit. By the time the end rolled around, I was exhausted from figuring out who was talking (and where, and when).
If you're a fan of large doses of literary conceit, go ahead and read it. If you want characters or a story line that's developed in a meaningful way: this may not be for you.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Stephen Rodrick (Author)**: - Category: Books->Biographies & Memoirs->Leaders & Notable People\n- Title: The Magical Stranger: A Son's Journey into His Father's Life\n- Subtitle: Hardcover – Box set, May 14, 2013\n- Price: 14.12\n- Author: Rodrick, Stephen\n Stephen Rodrick is a contributing writer at The New York Times Magazine and also a contributing editor at Men’s Journal. His writing has been anthologized in The Best American Sports Writing, The Best American Crime Reporting, and The Best American Political Writing. He lives in Los Angeles.\n- Description: Review “In this penetrating blend of memoir and reportage, Rodrick spends nearly two years with his father’s former squadron, seeking a better understanding of the man he knew all too briefly.” — The New York Times Book Review “Fascinating . . . . An exemplary piece of modern reportage.” — Tom Bissell, Harper's “ The Magical Stranger is one of the realest and best books I’ve read in the past several years.” — Ben Fountain, author of Billy Lynn's Long Halftime Walk “ The Magical Stranger is the true story of a boy chasing a ghost and stumbling into manhood. It is heartbreaking and funny, broken and hopeful, often on the same page.” — Judd Apatow “Stephen Rodrick’s The Magical Stranger illuminates the innate ties between fathers and sons in a fresh and fascinating way. . . . Rodrick’s firsthand knowledge thoroughly transports the reader into the hearts and minds of U.S. servicemen and their families.” — Norman Ollestad, author of Crazy for the Storm “Stephen Rodrick finds words for what I thought was inexpressible: the private language of a military family that experiences the worst kind of loss and finally creates a path forward. There’s no more authentic account of a military family. Required reading for an America that is continually considering the cost of combat.” — Alison Buckholtz, author of Standing By “Stephen Rodrick exhibits courage, Catch-22 comedic flair, and unfailing emotional grasp in telling this powerful and surprising story. Anyone who wants to understand the sacrifices made by military families should read this book.” — Lily Burana, author of I Love a Man in Uniform “Stephen Rodrick’s poignant tale blends memoir, reportage, and clean, crisp, unsentimental prose to produce a book that makes you think, even at times makes you laugh, but in the end tears your heart out. A truly fabulous book.” — Robert Timberg, author of The Nightingale's Song “How does Stephen Rodrick manage to produce writing that is raw, heartbreaking, and beautifully-controlled, all at once, and on that most difficult of all topics: fathers and sons? Find out for yourself―it’s time very well spent!” — Sean Wilsey, author of Oh the Glory of It All “A wrenching, fascinating memoir, The Magical Stranger captures the elusive, sometimes crushing unease that haunts the lives of military families. It is written with the pace of a thriller and the emotional density of first-rate fiction.” — Blake Bailey, author of Cheever “This memoir of a son’s search to know his father is deeply moving, important and beautifully written. Rodrick has reminded us that the casualties of war remain long after the last mission is won.” — Danielle Trussoni, author of Falling Through the Earth “A powerful debut. . . . Candid and affecting.” — Kirkus “An engaging and immersive look at the dynamics of military units and the dual lives servicemen and women lead. . . all viewed through a crisp journalistic lens that helps Rodrick separate myth from reality.” — Publishers Weekly “Stephen Rodrick is possibly the best prose stylist alive.” — Wil S. Hylton, author of Vanished From the Back Cover On November 28, 1979, squadron commander and Navy pilot Peter Rodrick died when his plane crashed in the Indian Ocean. He was just thirty-six and had been the commanding officer of his squadron for 127 days. Eight thousand miles away on Whidbey Island, near Seattle, he left behind a grief-stricken wife, two daughters, and a thirteenyear-old son who would grow up to be a writer—one who was drawn, perhaps inevitably, to write about his father, his family, and the devastating consequences of military service. In The Magical Stranger , Stephen Rodrick explores the life and death of the man who indelibly shaped his life, even as he remained a mystery: brilliant but unknowable, sacred but absent—an apparition gone 200 days of the year for much of his young son's life—a born leader who gave his son little direction. Through adolescence and into adulthood, Rodrick struggled to grasp fully the reality of his father's death and its permanence. Peter's picture and memory haunted the family home, but his name was rarely mentioned. To better understand his father and his own experience growing up without him, Rodrick turned to today's members of his father's former squadron, spending nearly two years with VAQ-135, the \"World-Famous Black Ravens.\" His travels take him around the world, from Okinawa and Hawaii to Bahrain and the Persian Gulf—but always back to Whidbey Island, the setting of his family's own story. As he learns more about his father, he also uncovers the layers of these sailors' lives: their brides and girlfriends, friendships, dreams, disappointments—and the consequences of their choices on those they leave behind. A penetrating, thoughtful blend of memoir and reportage, The Magical Stranger is a moving reflection on the meaning of service and the power of a father's legacy. About the Author Stephen Rodrick is a contributing writer at The New York Times Magazine and also a contributing editor at Men’s Journal . His writing has been anthologized in The Best American Sports Writing, The Best American Crime Reporting, and The Best American Political Writing . He lives in Los Angeles. Read more\n- Features:\nThe Magical Stranger is a moving story of love and sacrifice, fathers and sons, heroism and duty, soldiers and the families they leave behind. On November 28, 1979, squadron commander and Navy pilot Peter Rodrick died when his plane crashed in the Indian Ocean, leaving behind a devastated wife, two daughters, and a 13-year-old son.In this powerful, beautifully written book, journalist Stephen Rodrick explores the life and death of the man who indelibly shaped his life, even as he remained a mystery. Through adolescence and into adulthood, Stephen Rodrick struggled to fully grasp the reality of his father’s death and its permanence. To better understand his father, Rodrick turned to members of his father’s former squadron, the \"World-Famous Black Ravens.\" As he learns about his father, he uncovers the layers of these sailors’ lives: their loves, friendships, dreams, disappointments—and the consequences of their choices on those they leave behind. The journey doesn’t end until November 28, 2013, when Rodrick’s first son is born 34 years to the day after his father’s mishap. A penetrating, thoughtful blend of memoir and reportage, The Magical Stranger is a moving reflection on the meaning of military service and the power of a father’s legacy.\n- Details:\n Publisher: Harper; 1st edition (May 14, 2013)\n Language: English\n Hardcover: 400 pages\n ISBN 10: 006200476X\n ISBN 13: 978-0062004765\n Item Weight: 1.2 pounds\n Dimensions: 6 x 1.25 x 9 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 0.87, 0.87, 0.86, 0.86, 0.85]}
{"uid": "AEFUZGKQWDB5DHVU7CX6MW3QGY6Q", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics: Missing\nInterests: \n International and translated literature, particularly German authors like Günter Grass ('this is the century of Guenter Grass') and French military history\n Military history and battle narratives, showing detailed knowledge of WWI writers Remarque and Jünger, and Napoleon's campaigns ('meticulously researched, in incredibly vivid detail')\n Geographic and cultural accuracy in literature, criticizing books that misrepresent locations ('And where was the author? Nowhere in sight of the real Niger')\n Literary quality and sophisticated prose, praising 'superb language and meticulous attention to detail' and authors who 'handle the English language beautifully'\n Mystery and thriller genres with innovative plotting, appreciating 'tightly written' narratives and 'excellent writing'\n Historical fiction that balances entertainment with accuracy, particularly works about Central Asia, colonial history, and WWII\n Character development and psychological depth, noting when characters are 'two-dimensional' versus 'sharply drawn'\n Publishing industry practices and literary authenticity, criticizing books 'palmed off on the public' by publishers\n Cross-cultural narratives and immigrant experiences, engaging with stories set in Pakistan, Jamaica, Philippines, and other diverse locations\n Literary awards and critical reception, referencing Prix Goncourt, Nobel Prize, and other prestigious honors\nValues: \n Prizes literary merit over commercial appeal, stating 'It must be read by everyone interested in military history' and 'I recommend this book not just as a good mystery, but as a true work of literature'\n Demands historical and factual accuracy, noting 'On page 203 Lorraine Riddock is 19 years old and has red hair. On page 212 she is in her mid-thirties and has black hair. There is absolutely no excuse for such sloppiness'\n Values authentic cultural representation over stereotypes, criticizing authors who 'tries too hard to be everything to everybody'\n Appreciates moral complexity and ambiguity in characters, praising stories where 'Whatever happens, is nobody's fault' and noting 'Doc Hata is a Walter Mitty who dreams'\n Respects intellectual honesty and depth, stating 'The author never insults our intelligence. Quite a reprieve from all those shlock writings'\n Critical of political bias in literature, noting 'Disturbing is the bias shown' when discussing explorers with controversial politics\n Values comprehensive research and attention to detail, praising 'well researched' works and 'perfect description of the town of Geneva'\n Believes in honest criticism over politeness, directly stating books are 'garbage' or to 'Forget it' when warranted\n Appreciates authors who tackle difficult subjects without preaching, noting 'The author describes this fast descent into the abyss beautifully, without getting preachy about it'\n Values originality and innovation in storytelling, praising 'Extremely innovative' plots and 'novel story line'\nCommunication: \n Uses sophisticated vocabulary and literary terminology naturally, employing terms like 'meticulously researched,' 'scathing indictments,' and 'gung-ho militarist'\n Incorporates foreign language phrases seamlessly, using German terms and demonstrating multilingual literacy\n Employs rhetorical questions for emphasis: 'And where was the author?' 'Is this the NYPD?' 'Who knows?'\n Provides specific textual evidence including page numbers: 'On page 203 Lorraine Riddock is 19 years old'\n Uses vivid, memorable titles for reviews: 'Buffalo chips,' 'Remember the Edsel!,' 'Beware the Snake Charmer,' 'The Poor Shall not Inherit the Earth'\n Balances criticism with praise, often noting 'The author handles the English language beautifully' even when finding plot issues\n Makes literary and historical comparisons to contextualize works, referencing other authors and historical events\n Uses direct, unambiguous language for negative reviews: 'WHOLLY AND ABSOLUTELY UNBELIEVABLE,' 'piece of garbage,' 'Forget it'\n Structures reviews with clear opening statements followed by supporting details and concluding judgments\n Employs humor and irony, noting 'His typewriter must have run out of apostrophes by now' and 'Anyone called Daphne knows how to do shepherd's pie'\nStatistics: \n Average review length approximately 120-150 words, with range from 80 words (shortest critiques) to 200+ words (detailed historical analyses)\n Most frequent phrases include 'the author,' 'should be,' 'the book,' 'makes no/little sense,' 'wonderful,' 'incredible,' and 'forget it'\n Consistently uses exclamation points for emphasis (2-4 per review) and question marks for rhetorical effect\n Employs em-dashes and semicolons frequently for complex sentence structures\n Uses quotation marks extensively to cite specific text or highlight ironic usage\n Typically structures reviews in 3-5 paragraph format with clear topic sentences\n Frequently includes comparative references to other works or authors (1-3 per review)\n Uses capitalization for emphasis: 'WHOLLY AND ABSOLUTELY UNBELIEVABLE,' 'NYPD'\n Incorporates specific numerical details: page numbers, dates, ages, monetary amounts for precision\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Literature & Fiction->Contemporary\n- Title: The Heart of Redness: A Novel\n- Subtitle: Hardcover – August 7, 2002\n- Price: 15.3\n- Author: Zakes Mda\n- Description: From Publishers Weekly In Mda's richly suggestive novel, a Westernized African, Camagu, becomes embroiled in a village dispute that has its roots in the 19th century. The war between the amaXhosa and the British in South Africa (known to Westerners as the Zulu Wars) was interrupted by a strange, messianic interlude in which the amaXhosa followed the self-destructive commands of the prophet Nongqawuse and were split between followers of Nongqawuse (Believers) and their opponents (Unbelievers). In the village ...[truncated]\n- Features: A startling novel by the leading writer of the new South Africa In The Heart of Redness -- shortlisted for the prestigious Commonwealth Writers Prize -- Zakes Mda sets a story of South African village life against a notorious episode from the country's past. The result is a novel of great scope and deep human feeling, of passion and reconciliation. As the novel opens Camugu, who left for America during apartheid, has returned to Johannesburg. Disillusioned by the problems of the new democracy, he follows hi ...[truncated]\n\nReview by this user:\nSouth African Life among the Natives: The story intermingles two time frames: Both share the same family and Xhosa location on the shores of the Indian Ocean. One part tells the story of the British war against the native tribe in the mid-19th century - the war now known as the Zulu war. The other part deals with the present time.
Camugu comes from Johannesburg and tries to fit into the somewhat primitive village of Oorloha. He lands in the middle of the fight that has been going on for 150 years. In those days, the teenage prophetess Nongqawuse Told the tribe that all cattle had be killed and the harvest destroyed. Thus the tribe was split between Believers and Unbelievers, each group blaming the other for whatever went wrong. And so the verbal fighting goes back and forth.
Xhosa used to be a real tribe, but nowadays only the language survives as part of the Bantu languages. That accounts for the click sounds that are mentioned. The Zulu war did take place, of course, and the prophesy also happened. The story is interwoven with the local history.
The narrative has won prizes and has been called \"brilliant' and loaded with genuine mythic power. Unfortunately, I can't see it that way. The story drags on and on without there being much of a concrete action. The two time periods are so intermingled as to confuse the reader who constantly has to check the names to place it correctly. Untranslated local words and expressions can be used to good effect, but here they are overdone. And the story itself is not new, not exciting, and utterly predictable.\n\n--- Example 2 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: The Gangster We Are All Looking For\n- Subtitle: Hardcover – May 6, 2003\n- Price: 27.97\n- Author: Thi Diem Thúy Lê\n- Description: From Publishers Weekly Le's first novel is a bracing, unvarnished, elliptical account of a Vietnamese refugee family, in America but not yet of it, hobbled by an unfamiliar environment and their own troubled relationships. It's narrated by the family's young daughter, newly arrived in San Diego with her father after being sponsored by a well-meaning but condescending American family. Her mother soon joins them, and the family endures an itinerant existence of low-wage jobs and cheap rental apartments. Other ...[truncated]\n- Features: A momentous literary debut: the life of a Vietnamese family in America luminously observed through the knowing eyes of a child. In 1978 six refugees—a girl, her father, and four “uncles”—are pulled from the sea to begin a new life in San Diego. In the child’s imagination, the world of itchy dresses and run-down apartments is transmuted into an unearthly realm: she sees everything intensely, hears the distress calls of inanimate objects and waits for her mother to join her. But life loses none of its strange ...[truncated]\n\nReview by this user:\nNew Life in a Foreign Land: A six-year old girl, born and raised in Viet Nam, escapes together with her father and winds up in San Diego. She tells her story of growing up in a foreign land. But she still remembers her daydreams from the land of her birth. She remembers that she had a little brother who drowned. And grandparents who stayed behind, while her mother could join them a few years later.
There are connections such as their life near the water, both in Viet Nam and in San Diego. There is repetition within the life of the refugees, such as the various fences, first in Viet Nam, then in the detention camp in Saigon, and finally in the housing complex in San Diego. The mother tries very hard to become an \"American\" without really knowing what that involves. The father works as a handyman and later as a gardener. But the foreign land breaks him in spirit and body. The little girl grows up and leaves to live on the east coast.
Obviously, the book has a large content of biographical remembrances. But it is never written in a maudlin tone, although the family shatters on these foreign shores. And though it is nobodies fault. The dreams of the orderly past among family and friends are just too strong and repetitive.
It is a wonderful story, told with a great heart and without complaints.\n\n--- Example 3 ---\nBook:\n- Category: Books->Literature & Fiction->Literary\n- Title: The Right Hand of Sleep\n- Subtitle: Hardcover – April 17, 2001\n- Price: 14.9\n- Author: John Wray\n- Description: From Publishers Weekly The ghost hovering over this assured and astonishingly mature first novel is that of Joseph Roth, the great interwar Austrian novelist. Perhaps this reflects Wray's own double origin, as the son of an Austrian father and an American mother. Oskar Voxlauer, Wray's Austrian protagonist, was a teenage deserter from the Austro-Hungarian army in WWI. As the novel begins, he is returning to his native village, Niessen bei Villach, in 1938, after a 19-year stay in the Ukraine. His Russian lo ...[truncated]\n- Features: Oskar Voxlauer is in flight from his past—from his bourgeois Austrian upbringing; from horrific memories of fighting on the Italian front in 1917 as a teenage recruit; and from the twenty years he has spent in the Ukraine watching his socialist ideals crumble and the life of the woman he loved slowly waste away. Alone, he finally decides to return to the Austrian village of his birth, where his mother is waiting to greet a son she hasn’t seen since he was a boy.But the year is 1938, and despite Oskar’s atte ...[truncated]\n\nReview by this user:\nA Cloud over Austria: Oskar Voxlauer is born in 1902 in the Austrian province of Carinthia. At age 16, he is drafted and sent to the Isonzo battlefront in the Dolomites. He deserts and wanders east, coming to a stop in the Ukraine. There, he spends the next twenty years on a communist colchose before returning to his small village in Carinthia. Together with Else, he moves to a lonely cottage where he works as a game keeper. It is now 1938.
Germany is under Nazi rule, and the clouds drift towards Austria. The first messenger is Kurt, Else's cousin, who just returned from a two-year stay in Berlin. We now get the first run-ins between the former Bolshevik and the Nazi. More and more events come to a head. Austria becomes part of Germany, and Kurt shows up in the uniform of a SS officer. Else, guarding her own secrets, is placed in the middle between the two combattans.
Wray wrote a magnificent book, not painting Oskar all good, nor Kurt all bad. It is a most plausible story that shows in clear and absolutely accurate detail what actually happened in those days. It is a textbook of history enveloped in a gripping story. That Wray makes mistakes in the naming of the SS ranks can easily be forgiven.
This is a book for the younger generation to learn from, and for the older generation to rediscover. But I do wonder if there was a purpose to placing the action in Carinthia, probably the only western region nowadays under the government of a dedicated Nazi (Joerg Haider).\n\n--- Example 4 ---\nBook:\n- Category: Books->Literature & Fiction->Classics\n- Title: Embers\n- Subtitle: Hardcover – September 25, 2001\n- Price: 28.83\n- Author: Carol Brown Janeway\n- Description: Amazon.com Review In Sándor Márai's Embers , two old men, once the best of friends, meet after a 41-year break in their relationship. They dine together, taking the same places at the table that they had assumed on the last meal they shared, then sit beside each other in front of a dying fire, one of them nearly silent, the other one, his host, slowly and deliberately tracing the course of their dead friendship. This sensitive, long-considered elaboration of one man's lifelong grievance is as gripping as an ...[truncated]\n- Features: The rediscovery of a masterpiece of Central European literature originally published in Budapest in 1942 and un-known to modern readers until last year. An extraordinary novel about a triangular relationship, about love, friendship, and fidelity, about betrayal, pride, and true nobility. In a castle at the foot of the Carpathian Mountains, an old aristocrat waits to greet the friend he has not seen for forty-one years. In the course of this one night, from dinner until dawn, the two men will fight a duel of ...[truncated]\n\nReview by this user:\nWhat is the sense of life?: Henrik, the general, and Konrad, the artist, are both 75 years old. On his castle in Hungary, Henrik has waited for 41 years for the only and closest friend of his youth, Konrad, to return. And now Konrad has arrived. The book gives us the dialog between the two men, starting with friendship, truth, loyalty and honesty. Then comes the split: there are truths that are not reality. Reality is that Konrad as a young man, was very poor and had to seek support from Henrik's family. One day, he suddenly leaves and now returns after 41 years to answer his friend's questions. The dialog now changes from friendship to passion, to envy, and finally to hate.
What is the sense of life? The author describes in direct language how this sense can change - depending on truth and reality. He shows the fascinating bridge from friendship to hate. Henrik's truths are turned inside out. Instead of reality he now sees the truth.
I wonder whether the author, who travelled much and committed suicide at age 89, entered autobiographical notes into his narrative.\n\n--- Example 5 ---\nBook:\n- Category: Books->Literature & Fiction->Contemporary\n- Title: Monstruary\n- Subtitle: Hardcover – March 6, 2001\n- Price: 4.95\n- Description:\n- Features: Julián Ríos's sensual and stylish Loves That Bind was acclaimed as \"a literary tour de force\" by the Washington Post Book World . Now, in Monstruary , the author is back to his old tricks, using dazzling wordplay and masterful allusions to give us a sensual exploration of art, literature, and the shadowy realms of the human spirit.Ríos takes us into the eerie existence of the painter Victor Mons, who has created a series of works titled Monstruary , a menagerie of personal demons summoned from the disturbin ...[truncated]\n\n\nReview by this user:\nDazzling nonsequiturs: An incredible assemblage of characters. A multitude of hints and hidden meanings. It seems to me that the author wants to show off his extensive knowledge of the arts and literature. In that way the book is a quiz about the reader's education, giving him an "aha" moment every time he recognizes one of the characters. And that is just about it - there is no story line to the book. The author is just playing around.\n\n--- Example 6 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Mystery\n- Title: Death in Holy Orders (Adam Dalgliesh Mystery Series #11)\n- Subtitle: Hardcover – April 10, 2001\n- Price: 13.99\n- Author: P. D. James\n- Description: Amazon.com Review Despite challenges from Ruth Rendell and (more recently) Minette Walters, P.D. James's position as Britain's Queen of Crime remains largely unassailable. Although a certain reaction has set in to her reputation (and there are those who claim her poetry-loving copper Adam Dalgliesh doesn't correspond to any of his counterparts in the real world), her detractors can scarcely deny her astonishing literary gifts. More than any other writer, she has elevated the detective story into the realms ...[truncated]\n- Features: The setting itself is elemental P. D. James: the bleak coast of East Anglia, where atop a sweep of low cliffs stands the small theological college of St. Anselm’s. On the shore not far away, smothered beneath a fall of sand, lies the body of one of the school’s young ordinands. He is the son of Sir Alred Treves, a hugely successful and flamboyant businessman who is accustomed to getting what he wants—and in this case what he wants is Commander Adam Dalgliesh to investigate his son’s death. Although there se ...[truncated]\n\nReview by this user:\nUnholy Doings: Baroness James was 81 years old when she wrote this book. Maybe it takes that long in the course of human events to learn about the small and large vicissitudes of life, to notice the world around you, to fathom the human soul. That is what the author presents to us in such superb form. There are lines that are pure poetry and paragraphs that fully explain a human being.
Commander Dalgliesh investigates at St. Anselm, a college affiliated with the Church of England. Donald Treeves, one of the ordinands, is dead on the beach. In quick sequence follow the sister of Father John Betterton and Archdeacon Crampton. And St. Anselm is about to be closed down. Who will benefit from it? Will the many red herrings lead to a feast of perceived truth?
This is a wonderful novel. But it is not a great mystery. There are many occurrences that are left hanging. And the final denouement does not make that much sense , either.\n\n--- Example 7 ---\nBook:\n- Category: Books->Literature & Fiction->Contemporary\n- Title: Norwegian Wood\n- Subtitle: Paperback – Student Calendar, September 12, 2000\n- Price: 9.99\n- Author: Haruki Murakami\n- Description: Amazon.com Review In 1987, when Norwegian Wood was first published in Japan, it promptly sold more than 4 million copies and transformed Haruki Murakami into a pop-culture icon. The horrified author fled his native land for Europe and the United States, returning only in 1995, by which time the celebrity spotlight had found some fresher targets. And now he's finally authorized a translation for the English-speaking audience, turning to the estimable Jay Rubin, who did a fine job with his big-canvas producti ...[truncated]\n- Features: From the bestselling author of Kafka on the Shore: A magnificent coming-of-age story steeped in nostalgia, “a masterly novel” ( The New York Times Book Review ) blending the music, the mood, and the ethos that were the sixties with a young man’s hopeless and heroic first love. Toru, a serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. As Naoko retreats further into h ...[truncated]\n\nReview by this user:\nMurakami Revisited: Toru is a student who cannot come to grips with his life. He loves Naoko, who is even more unbalanced than Toru. Naoko winds up in some obscure institution. Toru is ready to fall apart, but is rescued at the last moment by a real-life woman.
No doubt the story is written beautifully and, standing on its own, should be recommended. But: If you ever read any of Mr. Murakami's other books, then you know the contents of this book without reading it. After a while, it gets to be monotonous.\n\n--- Example 8 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: The Dying Animal\n- Subtitle: Paperback – July 9, 2002\n- Price: 14.7\n- Author: Philip Roth\n- Description: Review “A disturbing masterpiece.” —The New York Review of Books “Sorrowful, sexy, elegant ... [A] distinguished addition to Roth’s increasingly remarkable literary career.” — San Francisco Chronicle “Roth is a mesmerizing writer, whose very language has the vitality of a living organism.” — The Los Angeles Times “No one can come close to Roth’s comic genius and breadth of moral imperative.” — The Boston Globe From the Inside Flap No matter how much you know, no matter how much you think, no matter how much ...[truncated]\n- Features: The unforgettable story of an affair between a star lecturer at a New York college and the beautiful daughter of Cuban exiles—and the quagmire of sexual jealousy and loss that ensues—from the renowned Pulitzer Prize–winning author of American Pastoral . “[A] disturbing masterpiece.” — The New York Review of Books No matter how much you know, no matter how much you think, no matter how much you plot and you connive and you plan, you’re not superior to sex. With these words our most unflaggingly energetic and ...[truncated]\n\nReview by this user:\nThe Old Man with the4 Breast Fetish: There seems to be just one main theme for Vidal - one he comes back to again and again: SEX.
As the author ages, so does the protagonist professor David Kepesh, age seventy and telling a story of eight years ago. At the center of the story is Consuela Castillo, of Cuban descent and then 24 years old. She has the most perfect female form, magnificent large breasts, an almost translucent white skin and black hair. She is just simply perfect, also in everything she does. This liaison lasts about a good year, stopping abruptly.
Some years later, Kepesh gets a call from Consuela, who needs his help and understanding. She has breast cancer, already lost her hair and will now lose one of her breasts.
Roth mainly writes about the juxtaposition of old age and youth. He finds that youth has its advantages, but they are not guaranteed. Consuela's youth and perfection are being destroyed, while Kepesh lives on. There is a lesson hidden here somewhere, and the lesson has to do with old age surviving. And that beauty is not reliable.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Anthony Bourdain (Author)**: - Category: Books->Biographies & Memoirs->Professionals & Academics\n- Title: Kitchen Confidential: Adventures in the Culinary Underbelly\n- Subtitle: None\n- Price: 13.81\n- Author: Anthony Bourdain\n Chef, author, and raconteur Anthony Bourdain is best known for traveling the globe on his TV show Anthony Bourdain: Parts Unknown. Somewhat notoriously, he has established himself as a professional gadfly, bête noir, advocate, social critic, and pork enthusiast, recognized for his caustic sense of humor worldwide. He is as unsparing of those things he hates, as he is evangelical about his passions. Bourdain is the author of the New York Times bestselling Kitchen Confidential and Medium Raw; A Cook’s Tour; the collection The Nasty Bits; the novels Bone in the Throat and Gone Bamboo; the biography Typhoid Mary: An Urban Historical; two graphic novels, Get Jiro! and Get Jiro!: Blood and Sushi and his latest New York Times bestselling cookbook Appetites. He has written for The New Yorker, The New York Times, The Times of London, Bon Appetit, Gourmet, Vanity Fair, Lucky Peach and many other publications. In 2013, Bourdain launched his own publishing line with Ecco, Anthony Bourdain Books, an imprint of HarperCollins. He is the host of the Emmy and Peabody Award-winning docuseries Anthony Bourdain: Parts Unknown on CNN, and before that hosted Emmy award-winning No Reservations and The Layover on Travel Channel, and The Taste on ABC.\n- Description: Amazon.com Review Most diners believe that their sublime sliver of seared foie gras, topped with an ethereal buckwheat blini and a drizzle of piquant huckleberry sauce, was created by a culinary artist of the highest order, a sensitive, highly refined executive chef. The truth is more brutal. More likely, writes Anthony Bourdain in Kitchen Confidential , that elegant three-star concoction is the collaborative effort of a team of \"wacked-out moral degenerates, dope fiends, refugees, a thuggish assortment of drunks, sneak thieves, sluts, and psychopaths,\" in all likelihood pierced or tattooed and incapable of uttering a sentence without an expletive or a foreign phrase. Such is the muscular view of the culinary trenches from one who's been groveling in them, with obvious sadomasochistic pleasure, for more than 20 years. CIA-trained Bourdain, currently the executive chef of the celebrated Les Halles, wrote two culinary mysteries before his first (and infamous) New Yorker essay launched this frank confessional about the lusty and larcenous real lives of cooks and restaurateurs. He is obscenely eloquent, unapologetically opinionated, and a damn fine storyteller--a Jack Kerouac of the kitchen. Those without the stomach for this kind of joyride should note his opening caveat: \"There will be horror stories. Heavy drinking, drugs, screwing in the dry-goods area, unappetizing industry-wide practices. Talking about why you probably shouldn't order fish on a Monday, why those who favor well-done get the scrapings from the bottom of the barrel, and why seafood frittata is not a wise brunch selection.... But I'm simply not going to deceive anybody about the life as I've seen it.\" --Sumi Hahn Review \"...the kind of book you read in one sitting, then rush about annoying your coworkers by declaiming whole passages.\" -- USA Today \"Utterly riveting, swaggering with stylish machismo and precise ear for kitchen patois.\" -- New York Magazine \"You'll laugh, you'll cry...you're gonna love it.\" -- Denver Post A gonzo memoir of whats really going on behind those swinging doors.... Kitchen Confidential by Anthony Bourdain is unique. -- Newsweek Hysterical.... Bourdain gleefully rips through the scenery to reveal private backstage horrors. -- New York Times Book Review About the Author Anthony Bourdain is the executive chef at Brasserie Les Halles in New York, and he is the host of the series No Reservations on the Travel Channel. He is the author of A Cook's Tour , Les Halles Cookbook , and the novels Bone in the Throat and Gone Bamboo . Read more\n- Features:\nWhen Chef Anthony Bourdain wrote \"Don't Eat Before You Read This\" in The New Yorker, he spared no one's appetite, revealing what goes on behind the kitchen door. In Kitchen Confidential, he expanded that appetizer into a deliciously funny, delectable shocking banquet that lays out his 25 years of sex, drugs, and haute cuisine. From his first oyster in the Gironde to the kitchen of the Rainbow Room atop Rockefeller Center, from the restaurants of Tokyo to the drug dealers of the East Village, from the mobsters to the rats, Bourdain's brilliantly written, wild-but-true tales make the belly ache with laughter.\n- Details:\n Publisher: Harper Perennial; 1st Ecco Ed edition (May 1, 2001)\n Language: English\n Paperback: 320 pages\n ISBN 10: 0060934913\n ISBN 13: 978-0060934910\n Item Weight: 9.8 ounces\n Dimensions: 5.31 x 0.72 x 8 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 0.95, 0.95, 0.93, 0.9, 0.9]}
{"uid": "AEHYRNVSVD5L3RTNSKNVX5GTIQPA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n age group: 30s-40s (parent of tweens aged 10-11 in 2012)\n gender: Female\n location: United States\n nationality: American\n other: Married with two sons (ages 10-11 in 2012), homeowner, husband works in construction\nInterests: \n Paranormal romance with unique twists on vampire and fairy mythology, as seen in enthusiasm for 'Piper's Fury brings some new ideas to the table' and 'very unique and different take on fairies' in Wings\n Contemporary romance with emotional depth, particularly stories involving 'danger and romance' and 'touching and unexpected love story' elements\n Young adult fiction featuring realistic teen experiences, actively seeking 'YA books that have male main characters' for her tween sons\n Mystery and thriller novels with strong female protagonists, enjoying 'fun and entertaining read' quality in series like Lucky Stiff\n Character-driven narratives where 'characters are so well defined' and feel like 'real people with real problems'\n Books addressing serious topics like body image, teen pregnancy, and family dysfunction in 'thoughtful' and 'approachable' ways\n Stories with multiple perspectives, appreciating when 'story is written from not just [one] point of view but each of the four teens'\n Practical non-fiction for home management, finding books with 'lots of great ideas' and 'useful' tips that can be referenced repeatedly\nValues: \n Authentic character development over time, expressing frustration when protagonists 'make the same stupid mistakes book after book' without growth\n Realistic emotional processing, troubled by characters who 'just falls for this man mere weeks after her husband dies' without proper grieving\n Age-appropriate content awareness, noting books 'will go in the list of books available to them in a few years' when sons are older\n Non-judgmental exploration of difficult topics, appreciating 'important that teens know and understand that there are people out there who will help'\n Emotional authenticity in storytelling, valuing books that are 'full of many different emotions, I laugh and I cried and felt a lot all the way through'\n Practical usefulness and reference value, keeping books 'on my shelf for a long time' because 'I can reference it time and again'\n Family relationships and support systems, appreciating stories showing 'there are adults who will be there as support'\n Avoiding assumptions about others, endorsing the message 'You don't know everyone's story so don't make assumptions'\nCommunication: \n Conversational and accessible writing style using first-person perspective with phrases like 'I really enjoyed,' 'I found,' and 'I think'\n Structured review format typically opening with initial expectations, moving through plot analysis, and concluding with ratings like '4.5 of 5 stars'\n Personal connection to material, relating stories to own experiences: 'As a mother, I could completely understand where Auto was in her life'\n Balanced criticism using transitional phrases like 'The only thing that really bothered me' and 'One issue I have had with this series'\n Informal expressions and colloquialisms including 'All in all,' 'Let's get into the story a bit,' 'Quite fun actually,' and 'for sure'\n Consistent paragraph breaks for readability, typically 3-5 paragraphs per review with clear topic separation\n Direct recommendations to readers: 'I recommend this book for a fun quick read' and 'if you enjoy family stories...you're going to want to pick this book up'\n Honest acknowledgment of personal biases: 'I find myself having a really difficult time with writing a fair and unbiased opinion because the views in this book are just so different from my own beliefs'\nStatistics: \n Average review length approximately 300-400 words, with minimum around 150 words and maximum exceeding 500 words\n Frequently used phrases include 'I really enjoyed' (appears in 8+ reviews), 'All in all' (appears in 6+ reviews), 'I loved' (appears in 5+ reviews)\n Consistent use of rating systems, often concluding with numerical ratings like '4.5 of 5 stars' or '4 out of 5 roses'\n Typical review structure: 3-5 paragraphs with opening reaction, plot summary, character analysis, and concluding recommendation\n High frequency of first-person pronouns and possessive adjectives ('I,' 'my,' 'me') indicating personal engagement with material\n Regular use of qualifying language like 'I think,' 'for sure,' 'kind of,' and 'pretty much' to soften statements\n Balanced positive-to-critical ratio, typically highlighting 2-3 positive aspects before introducing 1-2 criticisms per review\n Consistent paragraph breaks and formatting, never using bullet points or numbered lists, maintaining prose narrative style throughout\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Teen & Young Adult->Science Fiction & Fantasy\n- Title: Dreamless\n- Subtitle: Hardcover – May 30, 2012\n- Price: 8.75\n- Author: Josephine Angelini\n- Description: From School Library Journal Gr 9 Up-This paranormal sequel to Starcrossed (HarperCollins, 2011) continues demigod Helen's quest to descend into the Underworld to try to defeat the Furies and end thousands of years of endless killing among her kin. In this world, Helen and her demigod cousins are descended from one of Four Houses, and the Furies make them all enemies of one another. Despite the fact that Helen and Lucas were from enemy Houses and wanted to kill each other in Starcrossed, they fell in love an ...[truncated]\n- Features: StarHearts, as fans of Josephine Angelini call themselves, will stay up all night reading Dreamless, the second book in the bestselling Starcrossed series. The saga mixes mythology, romance, action, and intrigue in a completely original way. Dreamless continues the story of Helen Hamilton, a shy girl living on Nantucket Island whose desire for an ordinary life was thwarted when she discovered she is a Scion, a descendant of a Greek god and a mortal. Each Scion has a power, and Helen's is the ability to trav ...[truncated]\n\nReview by this user:\nAnother good installment: Dreamless, the second installment in the Starcrossed Series, started a bit slow for the first 75 pages or so, at least in my opinion. It look me a very long time to get into the story, but once I did it really grabbed a hold of me and I just needed to know what was going to happen with Helen. This is by far one of the most unique takes I have read on Greek Mythology and for the most part I really like it. I do get challenged at points where I just cannot seem to figure out which Gods or Goddesses are being discussed. I like the tension between Helen and Lucas. I cannot imagine finding out the person you are most attracted to is family and you need to stop having those feelings. What really surprised me about Dreamless is the introduction of the love triangle between Helen, Lucas and Orion. Orion shows up in the Underworld with Helen one night sent my her mother to help her save the Scions and hopefully save herself along the way.
Josephine Angelini is an outstanding story teller. It cannot be easy to take a traditional mythology and make it modern and relevant for teens today. I think that this is what draws me to this series the most. Dreamless, once it picked up was equal to if not better than Starcrossed. Now to wait another year for book 3, I don't know that I can wait that long.\n\n--- Example 2 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Skinny: A Novel\n- Subtitle: Paperback – April 26, 2011\n- Price: 14.99\n- Author: Diana Spechler\n- Description: From Publishers Weekly Instead of relating to her charges at a teenage weight-loss camp, 20-something Gray Lachmann studies them through the same empathy-free eyes with which she views herself in Spechler's shallow second novel (after Who by Fire). Feeling culpable in her father's death, Gray leaves New York and takes a job at Camp Carolina for the summer, hoping to lose the pounds she gained bingeing in her guilt and grief, and to also meet Eden, the girl she believes to be her stepsister, discovered via a ...[truncated]\n- Features: “ Skinny will be my go-to recommendation all year for anyone who wants smart, endearing,beautifully written women's fiction.\" —Allison Winn Scotch, New York Times bestselling author of TheOne That I Want and Time of My Life \"Spechler…transcends melodrama and clichewith striking sensitivity and delicate touch.\" — Boston Globe To escape thegrief she feels following her father’s death, twenty-six year old Brooklynite Gray Lachmann becomesa counselor at a summer camp for overweight children, where she discovers ...[truncated]\n\nReview by this user:\nSo relateable: I really enjoyed this book. I picked it up and to be completely honest did not want to put it down. I could completely relate the Gray - eating issues seems to be running crazy in our society and I for one have been affected. This book take a very bold stand and the connections between food and pain both emotional and physical. It is a very hard topic to write well and Diana Spechler does an outstanding job of putting into words what some many women and teens face day in and day out. I really enjoyed that the way that this was done was not necessarily through traditional relationships but partly through Grey giving up her entire life in New York City to be a counselor at a \"fat camp\" after she thinks that she finds out her father had another daughter after he dies suddenly. She leaves behind a boyfriend but quickly falls for another guy at camp. She also had some trouble with a wicked girl at camp. It never ceases to amaze me how twisted a character can be in a book and bring me right back to times in my history that I would rather forget. I loved the different characters in this book. They all had their own challenges. It made the book very well rounded. The end was a bit abrupt for me, mostly due to the fact that I wanted more. I wanted to see where things were going to go.\n\n--- Example 3 ---\nBook:\n- Category: Books->Teen & Young Adult->Literature & Fiction\n- Title: Divergent\n- Subtitle: Hardcover – Box set, May 2, 2011\n- Price: 11.08\n- Author: Veronica Roth\n- Description: Amazon.com Review A Q&A with Author Veronica Roth Q: What advice would you offer to young aspiring writers, who long to live a success story like your own? Roth: One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn’t rely on it, because it’s not guaranteed and it’s not permanent and it’s not sufficient. So work hard, fall in love with the writing—the characters, the story, the words, the theme ...[truncated]\n- Features: This first book in Veronica Roth's #1 New York Times bestselling Divergent trilogy is the novel the inspired the major motion picture starring Shailene Woodley, Theo James, and Kate Winslet. This dystopian series set in a futuristic Chicago has captured the hearts of millions of teen and adult readers. Perfect for fans of the Hunger Games and Maze Runner series, Divergent and its sequels, Insurgent and Allegiant, are the gripping story of a dystopian world transformed by courage, self-sacrifice, and love. F ...[truncated]\n\nReview by this user:\nMy Favorite Book of 2011: After hearing Veronica Roth talk about her book at The Dark Days of Supernatural Event in June, I was super excited to read this book. Listening to an author talk about their process and how they went about gathering ideas and writing the books always seems to pull me into the story more.
The story itself is about a young girl, Beatrice who about to go through the selection process to select her faction. She does not want to let her family down but she knows that she cannot stay with them. This is especially true when she goes through her test and finds out that she is something called divergent, but cannot tell anyone this. She leaves her family and goes through an almost crazy initiation. She meets Tris and begins to struggle with who her friends are and who is against her. It also seems that there is a bigger problem out there and she doesn't know what it is.
Veronica Roth build an outstanding world for this series. I was impressed with the complexity of the different areas of town, some very familiar as present Chicago, but always with a twist. I like her ability to take familiar things and make them different to fit what she needs at that point in the story. For a debut author, this story was extremely well written without many gaps in story line or character development. Relationships were a bit difficult because there was no relating to those of different factions. I did feel in part that Beatrice did not \"mourn\" the loss of her family like I expected rather just jumped into her training head on.
My favorite story element in the story was the factions. What an interesting way to take what we view as driving morals and turn them into a way to govern people. I thought that this was a really creative take.\n\n--- Example 4 ---\nBook:\n- Category: Books->Teen & Young Adult->Science Fiction & Fantasy\n- Title: The Selection (The Selection, 1)\n- Subtitle: Hardcover – April 24, 2012\n- Price: None\n- Author: Kiera Cass\n- Description: Review “An engrossing tale reminiscent of Shannon Hale’s Princess Academy and Ally Condie’s Matched. Fairy-tale lovers will lose themselves in America’s alternate reality and wish that the next glamorous sequel were waiting for them.” — School Library Journal “Cass’s immensely readable debut novel is a less drastic Hunger Games, with elaborate fashion and trappings. The fast-paced action will have readers gasping for the upcoming sequel.” — Booklist “A cross between The Hunger Games (minus the bloodsport) a ...[truncated]\n- Features: Fall in love—from the very beginning. Discover the first book in the captivating, #1 New York Times bestselling Selection series. Prepare to be swept into a world of breathless fairy-tale romance, swoonworthy characters, glittering gowns, and fierce intrigue perfect for readers who loved Divergent, Delirium , or The Wrath & the Dawn. For thirty-five girls, the Selection is the chance of a lifetime. The opportunity to escape a rigid caste system, live in a palace, and compete for the heart of gorgeous Prince ...[truncated]\n\nReview by this user:\nHunger Game crossed with the Bachelor: First let me say that the cover for The Selection was a bit deceiving and mislead me as to what the book was really about. It is a beautiful cover don't get me wrong but it lead me to believe that this was a big beauty contest and it turned out to be so much more. I felt that The Selection was a cross between The Hunger Games and The Bachelor, but leaning much more toward The Bachelor. The idea of their being castes and seeing the differences between them reminded me a lot of The Hunger Games but this was not the major part of the story. The majority of the story was set in the castle where Prince Maxon spending time with the Ladies individually and as a whole group. There is a lot of catty behavior and craziness between the Ladies. While this was an enjoyable part of the story, I really enjoyed the time that America spends with Prince Maxon and the understanding they come to that she will be his friend, ally if you will, in this selection process since she is still in love with her next door neighbor back home, Aspen, who is a caste level below her and therefore not acceptable to marry. But things begin to change along the way and America's feelings start to change about Maxon. There are many other interesting things going in the country and the Ladies are there for selection and many things happen in the country that Maxon is not aware of, first and foremost that there are many people out there who do not have food to eat.
I really enjoyed this book and felt like it flew by. I was very frustrated when I got to the last page because it ended in such a cliffhanger! America becomes one of the Elite, in this selection one of the last 6 Ladies in the Selection process of finding a new princess. The writing style was quickwitted and fun. All of the girls had very different personalities and Kiera Cass did a great job of developing each person so that they have clear personalities. This is a great book to check out for a quick summer read.\n\n--- Example 5 ---\nBook:\n- Category: Books->Literature & Fiction->Women's Fiction\n- Title: On the Island\n- Subtitle: Paperback – January 1, 2012\n- Price: 17.0\n- Author: Tracey Garvis Graves\n- Description: Review Praise for On the Island and Tracy Garvis Graves “[Garvis Graves is] the patron saint of independent authors.”— Kirkus Reviews “If you like Lost , Castaway and Fifty Shades of Grey , this initially self-published and now New York Times bestseller will float your boat.”—Genevieve Fox, Daily Mail (London) “An addictive hybrid: The Beach meets Robinson Crusoe meets Room .”—Julia Llewellyn, The Telegraph “The breakout hit.”—Susan Maguire, Booklist About the Author Tracey Garvis Graves is the New York Tim ...[truncated]\n- Features: In this runaway New York Times bestseller, a harrowing near-death experience brings together an English teacher and her student as they struggle to survive on a desert island. Sixteen-year-old T.J. Callahan has no desire to go anywhere. With his cancer in remission, all he wants is to get back to his normal life. But his parents insist that he spend the summer catching up on the school he missed while he was sick.Anna Emerson is a thirty-year-old English teacher who has been worn down by the cold Chicago wi ...[truncated]\n\nReview by this user:\nVery Surprised: I was a bit skeptical about On the Island when I first read the blurb. I was really just not sure that I was going to be able to connect with the characters, I mean a 30 year old woman and a 16 year old boy, it just felt very unlikely. So I was very surprised when it captured my attention and I didn't want to put the book down. It starts with Anna, a tutor, leaving with her pupil, T.J., headed to a foreign island for the summer. T.J. is recovering from cancer was was behind in school so his parents hire Anna to help get him caught up over the summer. The trip to meet the family keeps being delayed and they catch a seaplane that is not originally on the plan just to get there after more than 24 hours of travel. Their pilot suffers a heart attack and they crash into the ocean. After a very dramatic scene of survival, they find themselves alone on a island with nothing. Some of their belongs wash up on short but after one plane flies over there is nothing. The story of their life on the island is outstanding. The writing is believable and powerful. It takes a while before the romance starts between them and it starts in a very believable way and grows from there. There is some problems with the timeline as to how long they are actually on the island but by my count it is about three and a half year. You can only imagine how hard it would be to survive that long and the hope that you would lose along the way. I was left wondering how or when they would be discovered and it was in a way that I never expected. I was so surprised but that is for you to find out when you pick this book up. Once they are rescued and go back home they both say they will stay together but life is not that easy. There is a lot of press and Anna takes a lot of press for her relationship with T.J. For a while this separates them but there has to be a chance that love will prevail.
As a debut book, this was much better than what I have come to expect from first time authors. I know that Tracey Garvis Graves went through a lot to get her book in print to learn more check out her story.\n\n--- Example 6 ---\nBook:\n- Category: Books->Children's Books->Growing Up & Facts of Life\n- Title: Impossible\n- Subtitle: Paperback – Bargain Price, August 11, 2009\n- Price: 9.83\n- Author: Nancy Werlin\n- Description: Review Werlin earns high marks for the tales graceful interplay between wild magic and contemporary reality. Booklist , starred review This unique story flows smoothly and evenly, and the well-drawn characters and subtle hints of magic early on allow readers to enter willingly into the world of fantasy. School Library Journal , starred review Modern logic and methodology mesh splendidly with fairy lore. . . The conclusion is startingly wholesome, comfortable and complete. . . the melding of magic ...[truncated]\n- Features: A beautifully wrought modern fairy tale from master storyteller and award-winning author Nancy Werlin Inspired by the classic folk ballad “Scarborough Fair,” this is a wonderfully riveting novel of suspense, romance, and fantasy. Lucy is seventeen when she discovers that she is the latest recipient of a generations-old family curse that requires her to complete three seemingly impossible tasks or risk falling into madness and passing the curse on to the next generation. Unlike her ancestors, though, Lucy ha ...[truncated]\n\nReview by this user:\nSurprising: I did not do anything but look at this cover before I starting reading the book. Normally, I read the book jacket but I just didn't with this book so I had no idea what to expect. Right from the get go, I was drawn to Lucy Scarborough, who is going through the difficult teen years. To add to this already difficult time, she has been raised by an adoptive family as her mother has mental illness and she pops in and out of Lucy's life causing much stress.
Much to Lucy's distress, her mother Miranda, shows up just as she is getting ready to leave for prom singing the dreaded \"Scarborough Fair\" and talking of curses. Lucy ends up getting it all together and still goes to Prom but the unimaginable happens and she is raped by her date, who dies in a car accident that very same night. I was please that this book was kept at a very G-rating and any sexual reference were very light. Soon Lucy realizes that even though she took the morning after drug to prevent pregnancy, she is indeed pregnant and that maybe her mothers talk of this curse is not all crazy.
The remainder of the book goes through all of the challenges she is faced with to try to stop this seemly impossible curse to break. Lucy does not want to go crazy like her mother but how can she stop the curse?
I really enjoyed this book. At times, it was very hard for me to put down because I just had to know what was going to happen next. That being said there were times that there was just too much going on in the book, too many directions. Overall, I think that this book had a lot of interesting lore in it and was well written. The players in the game were likable and easy to get to know. The style of writing was clear and written at a level that almost any reader can enjoy.\n\n--- Example 7 ---\nBook:\n- Category: Books->Teen & Young Adult->Literature & Fiction\n- Title: Along for the Ride\n- Subtitle: Paperback – Illustrated, April 5, 2011\n- Price: 9.74\n- Author: Sarah Dessen\n- Description: Review \"Beautifully captures that sense of summer as a golden threshold between past regrets and future unknowns.\" - The Washington Post About the Author Sarah Dessen is the #1 New York Times bestselling author of over a dozen novels for teens, which have received numerous awards and rave reviews, and have sold millions of copies worldwide. She is the recipient of the 2017 Margaret A. Edwards Award from the American Library Association. Sarah lives in North Carolina with her family. Visit her online at sar ...[truncated]\n- Features: Soon to be a Netflix film!From the award-winning and New York Times bestselling author of Once and For All Nights have always been Auden’s time, her chance to escape everything that’s going on around her. Then she meets Eli, a fellow insomniac, and he becomes her nocturnal tour guide. Now, with an endless supply of summer nights between them, almost anything can happen. . . . “As with all Dessen’s books, [this] is a must-have” — VOYA , starred review Sarah Dessen is the winner of the Margaret A. Edwards Awa ...[truncated]\n\nReview by this user:\nGreat Summer Read: This the first Sarah Dessen book I had read and I must say that I am thrilled to find an author this good. I picked up this book this morning and could not put it down. The story of a young woman, Auden, who has always been a little adult focused on her future and the new and life changing experiences she goes through when she visits her dad, step-mother and new baby stepsister in Colby. I can totally relate to Auden and her lack of social experience. I could understand her feelings and the choices she made because it is exactly what I would have done. I love the town of Colby and the girls that Auden meets there. They take her in even if she did make a huge mistake of making out with Jake the first night she is in town. That very same night she see a boy doing tricks on the boardwalk but doesn't know who he is. Auden learns that his name is Eli and he is going through a difficult time since the summer before his best friend, Abe, died in a car accident where he was the driver.
This is a wonderful story of a girl chance to take control of her life and really live. There is a perfect amount of detail in the story and many different story lines moving at the same time. I enjoyed that the story was not just a romance but really that of finding friendship, family, yourself and love all at the same time. It is a story of taking chances and growing.\n\n--- Example 8 ---\nBook:\n- Category: Books->Teen & Young Adult->Literature & Fiction\n- Title: Anna and the French Kiss\n- Subtitle: Paperback – Deckle Edge, August 4, 2011\n- Price: 9.34\n- Author: Stephanie Perkins\n- Description: About the Author Stephanie Perkins (www.stephanieperkins.com) lives in Asheville, North Carolina. Excerpt. © Reprinted by permission. All rights reserved. chapter one Here is everything I know about France: Madeline and Amélie and Moulin Rouge . The Eiffel Tower and the Arc de Triomphe, although I have no idea what the function of either actually is. Napoleon, Marie Antoinette, and a lot of kings named Louis. I’m not sure what they did either, but I think it has something to do with the French Revolution, w ...[truncated]\n- Features: “Stephanie Perkins’s characters fall in love the way we all want to, in real time and for good.” -Rainbow Rowell, #1 New York Times bestselling author Anna can’t wait for her senior year in Atlanta, where she has a great job, a loyal best friend, and a crush on the verge of becoming more. So she’s less than thrilled when her father unexpectedly ships her off to boarding school in Paris—until she meets Étienne St. Clair, the perfect boy. The only problem? He's taken, and Anna might be, too, if anything comes ...[truncated]\n\nReview by this user:\nGreat Contemporary!: First, let me say that I has so much anticipation to read Anna and the French Kiss. I had read review after review and they all had wonderful things to say. I was a bit nervous that for some reason I was not going to like it, but I had nothing to worry about. I loved this book. Stephanie Perkins did a wonderful job with not only the story line but really building full and complete characters. With as many as there are in this book, I was pleased to see the level on detail on each and everyone one of them.
What would seemly be an amazing opportunity to be away from your parents for your senior year of high school was a disaster for Anna but though meeting a group of friends right of the bat it is getting easier day by day for Anna. Though she does not realize it right away she is falling for St Clair and she does not know how to handle it - he is taken and she has a guy she really wants back home.
One of my favorite parts of this book is Anna's love for movies and the descriptions of the movie theaters in France. I loved this touch and it made Anna such a deep character.
I high recommend this book. It is a great fun loving read. I know I didn't want to put it down.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Raymond E Feist (Author)**: - Category: Books->Science Fiction & Fantasy->Fantasy\n- Title: A Kingdom Besieged: Book One of the Chaoswar Saga\n- Subtitle: None\n- Price: None\n- Author: Raymond E. Feist\n Raymond E. Feist's previous novels include the first volume in the Darkwar Saga, Flight of the Nighthawks, as well as the Conclave of Shadows: Talon of the Silver Hawk, King of Foxes, and Exile's Return; Magician; Silverthorn; Faerie Tale; Prince of the Blood; and The King's Buccaneer; as well as the four books of the New York Times bestselling Serpentwar Saga: Shadow of a Dark Queen, Rise of a Merchant Prince, Rage of a Demon King, and Shards of a Broken Crown; and the three books of his Riftwar Legacy: Krondor: The Betrayal, Krondor: The Assassins, and Krondor: Tear of the Gods. Feist lives in Southern California.\n- Description: Review “Originality and wit a rollicking tale Feist’s narrative skill, ingenuity at creating systems of magic, and eye for plausible militaryscenarios stand him in good stead. His many fans will be pleased.” (Booklist)“Sheer readability.” (San Francisco Chronicle)“[Feist] introduces a new dimension to his universe and added new depth to recurring characters while creating fascinating new heroes and villains. With a fast pace and clean, crisp storytelling, this fantasy saga belongs in most libraries.” (Library Journal)“A promising start to what looks like a strong, dire trilogy of fantastic adventure.” (San Diego Union-Tribune)“Fast action, appealing characters, and a splendid setting will delight readers of fantasy and leave them eager for the next battle.” (Kirkus Reviews)“A massive, entertaining tale.” (Fort Lauderdale Sun-Sentinel)“There’s an evil sparkle here, brighter and hotter than any of Feist’s works since the Magician trilogy. The Dasati and their world are sumptuously realised . . . It’s an entertaining, at times intoxicating mixture.” (SF Site)“Feist brings a new world alive.” (The Oregonian (Portland))“Originality and wit... A rollicking tale... [Feist’s] narrative skill, ingenuity at creating systems of magic, and eye for plausible military scenarios stand him in good stead. His many fans will be pleased.” (Booklist)“Feist has a natural talent for keeping the reader turning pages.” (Chicago-Sun Times)“[A] compelling and profoundly moving tale… an invaluable addition to a beloved canon.” (barnesandnoble.com)“This tale of shape-shifting magicians, human sacrifice, man-eating demons, and a little young love will satisfy Feist’s fans, and the ending will leave them waiting for another volume.” (Publishers Weekly)“Action and intrigue and evocative writing . . . Feist brings a new world alive.” (The Oregonian (Portland))“A sensitive coming-of-age tale in which brutality and camaraderie are equally present, Feist’s newest saga has a freshness of vision that suggests it will avoid the staleness that often eats away at multi-volume epics.” (Publishers Weekly)“An epic reading experience . . . Unpretentious, fast-paced . . . Shadow of a Dark Queen works admirably.” (San Diego Union-Tribune)“A story of redemption and heroism featuring an unlikely hero . . . This classic fantasy should find a welcome audience among the author’s fans.” (Library Journal)“A great read and a wonderful addition to Feist’s collection.” (SF Site)“An action-packed story of intrigue and betrayal.” (Library Journal)“A fine yarn . . . vivid . . . suspenseful . . . The action is nonstop. (Booklist)“As usual, Feist brings this off wonderfully.” (Science Fiction Chronicle)“Another crowd-pleaser for Feist to add to his already impressive resume.” (Publishers Weekly on King of Foxes)“CLASSIC.” (Chicago Tribune)“Feist has the universe firmly under his control, and the adventure is grand[.]” (Contra Costa Times)“Feist’s fans will look forward to the saga’s final episode.” (Publishers Weekly)“Feist is at his best.” (Science Fiction Chronicle)“Originality and wit . . . A rollicking tale . . . Feist’s narrative skill, ingenuity at creating systems of magic, and eye for plausible military scenarios stand him in good stead. His many fans will be pleased.” (Booklist)“In the forefront of contemporary fantasy adventure.” (Library Journal)“FUN . . . A place to start for those yet to discover Feist’s fantasy worlds.” (Locus)“Fine entertainment . . . Feist works his signature magic . . . an absorbing and carefully crafted adventure with pleasing density of plotting, good characterization . . . this is populist Dickens out of Tolkien, and it works.” (Sydney Morning Herald)“Sure to please Feist fans and win new ones.” (Publishers Weekly)“Splendid . . . fast action, appealing characters . . . (It) will delight readers of fantasy.” (Kirkus Reviews)“Shows Feist in top form.” (Adelaide Advertiser)“This simple, charming fairy tale will appeal to adult fans of the Riftwar books as well as mature teens who don’t mind a bit of romance in their sword-and-sorcery.” (Publishers Weekly)“This is a series that gets better as it goes along.” (Science Fiction Chronicle)“With his storytelling mastery and ear for colorful language and nuance, the author of numerous books set in the dual worlds of Midkemia and Kelewan here launches a series that takes his fantasy universe into a whole new phase. ” (Library Journal)“The prose is smooth, the plot is exactly what you’d expect and the characters do exactly what Feist tells them . . . File under guilty pleasure.” (The Guardian)“The most interesting character in the saga to date, Kaspar . . . another complicated and compelling protagonist . . . [W]ill have Feist fans eagerly awaiting the next installment.” (Publishers Weekly)“Well-paced storytelling by a veteran entertainer.” (Kirkus Reviews) From the Back Cover After nearly thirty years and more than two dozen novels, Raymond E. Feist's Riftwar Cycle has become one of the most iconic, beloved, and enduring sagas in modern fantasy. The Riftwars—including the original Riftwar, the Serpentwar, the Darkwar, and the Demonwar—were epic battles between Good and Evil whose ramifications have echoed through generations. The latest entry in the epic, A Kingdom Besieged , ushers in the most fearsome threat the Kingdom has yet faced—the Chaoswar—a magic apocalypse with cataclysmic results. A Kingdom Besieged Years ago, the Empire of Great Kesh failed in its attempt to conquer Krondor after the Serpentwar, thanks to the bravery, cunning, and magic of the sorcerer Pug and the Conclave of Shadows. Since then, peace has benefitted both nations, and the Kingdom has been free from the threat of another Keshian invasion. Yet now, the dark clouds of war gather again. . . . From the Far Coast in the west to the frontier with the Eastern Kingdoms, rumors, uncertainty, and political instability are rampant. Spies have gone missing—some were murdered while others have turned traitor. Factions are rising, powerful legions from the Keshian Confederacy have been mobilized, and an attack on the kingdoms of the Isles and Roldem is all but certain. As the men of the Western Realm begin to mount a defense, Martin conDoin, the middle son of Lord Henry, Duke of Crydee, finds himself leading the charge against the invaders—like his legendary ancestor, Prince Arutha, who stood firm to the death against the Tsurani invasion. But Arutha had an entire army at his command. Martin has just a ragtag force comprised of a few old men and young boys. As Kesh's invading hordes once again descend upon the Kingdom, no one is safe—not experienced masters of intrigue Lord James Dasher Jamison and the beguiling and deadly Lady Franciezka; not the brave warrior Knight-Adamant Sandreena and a new generation of loyal yet untested defenders; not even the great Pug himself, the most powerful magician the world of Midkemia has ever known. A threat far more terrifying has arisen, an evil whose burgeoning power portends Midkemia's demise. And soon even the Kingdom's enchanted defender will find himself questioning everything he's ever held abiding, true, and treasured . . . including the loyalty and desires of his beloved son, Magnus. About the Author Raymond E. Feist is the multiple New York Times bestselling author or coauthor of thirty previous books—all but one of which are Riftwar Cycle novels. He lives in San Diego. Read more\n- Features:\n“Feist has the universe firmly under his control.”— Contra Costa Times “Feist has a natural talent for keeping the reader turning pages.”— Chicago-Sun Times Midkemia’s fifth and final Riftwar—the devastating Chaoswar—explodes in the opening volume of Raymond E. Feist’s spectacular new epic fantasy trilogy of magic, conflict, and world-shattering peril. A Kingdom Besieged is a breathtaking adventure that brings back Pug—first introduced in Feist’s classic debut novel, Magician , and now Midkemia’s most powerful sorcerer—who faces a major magical cataclysm that forces him to question everything he’s ever held as true and dear…including the loyalty of his beloved son Magnus. The Chaoswar promises to be the crowning achievement in the three decades-long career of a New York Times bestselling master fantasist who rules the sword and sorcery universe along with Terry Goodkind, George R. R. Martin, and Terry Brooks.\n- Details:\n Publisher: Harper Voyager; First Edition (April 12, 2011)\n Language: English\n Hardcover: 368 pages\n ISBN 10: 0061468398\n ISBN 13: 978-0061468391\n Item Weight: 1.15 pounds\n Dimensions: 6 x 1.17 x 9 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 0.85, 0.83, 0.8, 0.8, 0.8]}
{"uid": "AENPSOK4BPFS3G6PLEDPRDSLP5KA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics: Missing\nInterests: \n Western fiction with particular devotion to Lewis B. Patten as 'my favorite Western writer'\n J.D. Hardin's Doc Weatherbee and Raider Pinkerton detective series, calling them 'guilty pleasures'\n Spy and espionage fiction including Earl Drake novels, Mission: Impossible, and Man from U.N.C.L.E. adaptations\n World War II thriller novels, particularly Basil Heatter's works which they compare favorably to 'The Guns of Navarone'\n Hard Case Crime series publications, hoping 'Hard Case Crime will be around for a long time'\n Historical aspects of the Old West including 'copper barons' in Butte, Montana and 'vigilante justice'\n 1960s television adaptations and their novelizations, showing familiarity with 'the old sixties TV show'\n Used bookstores and collecting older genre fiction, mentioning purchases 'from an old book store in Pittsburgh'\n Railroad-themed Westerns and detective fiction like the Faraday Security Service series\n Comparative literary analysis, referencing authors like Elmore Leonard, John MacDonald's Travis McGee, and Alistair MacLean\n Series fiction evaluation, tracking quality across multiple entries and identifying when 'the formula was becoming tired'\n Mining town settings and Western frontier locations in fiction\nValues: \n Prioritizes fast-paced, engaging narratives that can be 'read in one sitting' or 'finished in a single night'\n Appreciates originality over formulaic plotting, criticizing when stories are 'too formulaic' or 'dull and predictable'\n Values vivid writing style and sharp characterization over stock characters and flat personalities\n Shows social consciousness, noting themes of 'contemporary poverty and the incredible struggle to raise oneself into a better life'\n Believes quality entertainment can address serious themes like 'the havenots do not really stand a chance'\n Appreciates historical authenticity and lesser-known historical settings like 'the ugliness and political corruption of Butte, Montana'\n Values character development and 'coming of age' stories that succeed as both adventure and personal growth narratives\n Demonstrates loyalty to favorite authors while remaining critically objective about individual works\n Appreciates humor when it emerges naturally, praising 'great unforced humor from the relationships'\n Values publishers who preserve older works, praising Hard Case Crime for bringing 'great older and more contemporary crime stories to today's readers'\n Balances entertainment value with literary quality, acknowledging 'guilty pleasures' while noting their shortcomings\n Prefers substantive plots over excessive content, noting 'too much sex in these books' as a detraction\nCommunication: \n Consistently uses HTML break tags (
) to structure reviews into clear paragraphs\n Employs comparative analysis extensively, referencing other authors and works as benchmarks\n Provides clear recommendations using phrases like 'highly recommended,' 'not recommended,' or 'worth your time'\n Opens reviews with contextual framing such as 'Just finished this book' or 'I had read a few of the books in this series'\n Balances plot summary with critical evaluation without revealing major spoilers\n Uses conversational yet authoritative tone suggesting deep genre expertise\n Frequently offers alternative reading suggestions, directing readers to 'try [specific title]' for better examples\n Employs qualifying language like 'somewhat,' 'fairly,' 'perhaps,' and 'I think' to nuance opinions\n Structures reviews in 3-5 paragraph format with introduction, analysis, and conclusion\n Makes literary and cultural references to demonstrate broader reading context\n Uses specific evidence from texts including character names, plot points, and settings\n Maintains consistent rating patterns with detailed justification for scores\nStatistics: \n Average review length approximately 120-150 words with range from 50 to 200 words\n Most frequent phrases include 'highly recommended,' 'worth your time,' 'fast-moving,' 'well written,' and 'I finished it in'\n Consistently uses 'I think,' 'I like,' and 'I found' to frame personal opinions\n Employs qualifiers 'somewhat,' 'fairly,' 'perhaps' regularly to moderate statements\n Typical rating distribution: predominantly 4-star reviews with occasional 2-3 and 5-star ratings\n Sentence structure varies between short declarative statements and longer analytical compound sentences\n Reviews posted consistently over 6-month period from June to November 2010\n Frequently references specific book titles and author names, demonstrating extensive genre knowledge\n Uses comparative constructions regularly: 'better than,' 'not as good as,' 'reminds me of'\n Verified purchases noted in approximately 60% of reviews\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: San Juan Shootout (J.d. Hardin)\n- Subtitle: Mass Market Paperback – June 1, 1984\n- Price: 5.32\n- Description:\n- Features: Bullets are flying over San Juan silver! Hired to protect an eccentric inventor from Ute Indians, money-hungry desperadoes, and his own passion for pleasure, Doc and Raider come to the San Juan Silver Mines--the riches and most dangerous in the West. The Pinkerton duo soon have their hands full. But despite the gunslinging necessary to get the job done, they still manage to quench the burning desires of a European soprano, a miner's daughter, and an enigmatic lady of the night...\n\nReview by this user:\nGood plot and subplots in this one.: Doc and Raider arrive in the mining town of Mineral Point, Colorado to find inventor Arcady Harrison who has disappeared in the mining fields, and is working on an invention to revolutionize silver mining. Soon after they find their man, Doc and Raider are caught up in the schemes of a corrupt assayer,an ignorant BIA agent and two cunning Indians all with their own agendas.
It's a fast-moving story with a colorful cast of villains, who might have come out of an Elmore Leonard novel.
I was hooked after chapter one, and finished it in a single night.
If you're going to read the \"adult Westerns,\" stick with this series featuring Doc and Raider. I think these books are better than either the Longarm or the Gunsmith stories you may have seen.
A good entry in this series. Recommended.\n\n--- Example 2 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Tombstone in Deadwood\n- Subtitle: Mass Market Paperback – November 1, 1984\n- Price: 9.57\n- Description:\n- Features: PBK\n\nReview by this user:\nPass On It: Very little plot. Humdrum characters.
One of the worst in this series.
Skip it\n\n--- Example 3 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Apache Trail (J. D. Hardin, No. 48)\n- Subtitle: Mass Market Paperback – May 1, 1985\n- Price: 7.03\n- Author: J. D. Hardin\n- Description:\n- Features: After Raider is shanghaied into the U.S. Army, Doc sets out alone to rescue the son of the Arizona governor from the Apaches\n\nReview by this user:\nOn The Apache Trail...: I've read and enjoyed several books in this series by J.D. Hardin, but this novel is one of the mediocre books in a long running series.
Frankly, there's just nothing new or exciting about the story.
If you want a well-written Western, check out books by Lewis Patten or Cameron Judd.
\"Apache Trail\" is not recommended.\n\n--- Example 4 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Train Ride to Hell (J. D. Hardin, No. 71)\n- Subtitle: Mass Market Paperback – April 1, 1987\n- Price: from 2.50\n- Description:\n- Features:\n\nReview by this user:\nSomewhat weak compared with other books in this series...: Pinkerton operatives Doc Weatherbee and Raider escort a group of Russian nobility on a hunting trip, and are pursued by a criminal gang from Russia, who intend to kill the royal family.
It's not a bad read, but this team of ghost writers has certainly done better in past novels.
I think the series was canceled after this entry. Perhaps the authors had run out of ideas for Doc and Raider stories.
Try \"The Swindler's Trail\" or \"The Pecos Dollars\" or \"San Juan Shootout\" for some lively story telling.\n\n--- Example 5 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Death's Deal (Raider, No. 6)\n- Subtitle: Mass Market Paperback – December 1, 1987\n- Price: 6.98\n- Author: J. D. Hardin\n- Description:\n- Features: Raider faces one outlaw after another while leading a group of inexperienced Easterners playing at being cowhands in a cattle drive along the Oregon Trail\n\nReview by this user:\nA very good solo Raider entry: \"Death's Deal\" is a fine entry in the solo Raider Western novel series. This series of books focused on the character of Raider, working alone for the Pinkertons after Doc Weatherbee leaves the agency.
Most of the plot is taken up with a grueling cattle drive, which brings out the courage and cowardice, good and evil of everybody involved. The major villain is more of a contemporary sociopath than the standard Western bad guy.
The solo Raider books just don't have the quality of the earlier Hardin series, but this one is excellent.
Highly recommended.\n\n--- Example 6 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: The Cheyenne Fraud (Raider, No. 8)\n- Subtitle: Mass Market Paperback – February 1, 1988\n- Price: 6.2\n- Author: J. D. Hardin\n- Description:\n- Features: Raider has to track down Gerhard Steinbrenner, a dangerous and cunning counterfeiter from Europe\n\nReview by this user:\nProbably Holly's best book.: Probably Joan Hunter Holly's finest book.
In the future, mankind has been programmed to feel no emotion. The few that can feel emotion are caught and put through a brutal re-education process.
Danig is determined to keep and raise a young boy slated to be eventually eliminated. The suspenseful plot moves at the right pace. The re-education scenes are frightening.
Highly recommended\n\n--- Example 7 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Border Law (Raider, 34)\n- Subtitle: Mass Market Paperback – April 1, 1990\n- Price: 9.97\n- Description:\n- Features: Eager to teach his fast-gunned operative about how the law operates, Mr. Pinkerton makes Raider the temporary sheriff of Laredo, and Raider is hard-pressed not to use his gun to solve every petty disturbance in the town\n\nReview by this user:\nRecommended.: Raider takes on a sheriff's badge in Laredo, Texas in order to capture a Mexican bandit leader. However, there is more skullduggery in town which leads him to believe that El Lobo is not the problem.
Well written story with action and suspense and the plot takes some unpredictable turns.
Recommended.\n\n--- Example 8 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: The Gallows Land\n- Subtitle: Mass Market Paperback – May 1, 2001\n- Price: 12.5\n- Author: Bill Pronzini\n- Description: About the Author Bill Pronzini has authored or edited dozens of books in the mystery and western genres. He currently resides in California, with his wife, Marcia Muller.\n- Features: Roy Boone, a grief-striken widower, follows a mysterious woman who may have killed her abusive husband with the pistol she had stolen from Roy. Reprint.\n\nReview by this user:\nIf you've read all of Ed Gorman's Westerns...: If you enjoy the western novels of Ed Gorman, this book will certainly hold your interest.
Think of this book as a Old West noir story.
Recommended\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Betty Webb (Author), Jonathan Harrington (Author), Terence Faherty (Author), Nancy Baker Jacobs (Author)**: - Category: Books->Mystery, Thriller & Suspense->Mystery\n- Title: Desperate Journeys: An Anthology (Wwl Mystery, 491)\n- Subtitle: Mass Market Paperback – April 23, 2004\n- Price: 12.44\n- Author: Nancy Baker Jacobs\n Nancy Baker Jacobs is the award-winning author of 13 crime novels, including the Devon MacDonald private eye series; FLASH POINT (featuring arson investigator Susan Delancey) and STAR STRUCK (introducing “Hollywood Star” reporter Quinn Collins), both first installments in new mystery series; STAR SEARCH (a Quinn Collins novella); and seven suspense novels. Her latest suspense offering, RICOCHET, was chosen by the Mystery Writers of America as a finalist for the Mary Higgins Clark Award. As Nancy C. Baker, she’s also written six nonfiction books on subjects ranging from black market adoption to breast cancer. Nancy Baker Jacobs has worked as a private detective, a university professor and administrator, and a journalist. She lives on California’s Monterey Peninsula.\n- Description: \n- Features:\nDesperate Journeys by Betty Webb\\Terence Faherty\\Jonathan Harrington\\Nancy Baker Jacobs released on Apr 23, 2004 is available now for purchase.\n- Details:\n Publisher: WWL Mystery; Original edition (April 23, 2004)\n Language: English\n Mass Market Paperback: 384 pages\n ISBN 10: 0373264917\n ISBN 13: 978-0373264919\n Item Weight: 6.4 ounces\n Dimensions: 4.19 x 1.01 x 6.63 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 1.0, 1.0, 0.97, 0.9, 0.9]}
{"uid": "AEW6562N3JURITICBRTMOQFVZVDA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n age group: Approximately 61 years old (calculated from stating they read 'A Tree Grows in Brooklyn' at age 14, loved it 46 years later in 2014, with last review in 2015)\n other: Married (mentions 'paying attention to the husband'); has owned cats for 40 years; appears to be an avid, lifelong reader\nInterests: \n Historical fiction set in various time periods (early 1900s Brooklyn, 18th-century Russia, WWII Europe, Tudor England, Belle Époque Paris)\n Literary mysteries and thrillers with 'who done it?' elements, as seen in praise for 'Secrets of Eden' and 'The Gravity of Birds'\n Coming-of-age narratives, particularly enjoying 'A Tree Grows in Brooklyn' as 'a story of love, fortitude, endurance and courage'\n Books exploring slavery and civil rights, calling 'The Invention of Wings' a 'must-read' about 'the evils of slavery'\n Stories with strong female protagonists and complex sister relationships, praising 'riveting tale of the power of sisterly love, jealousy and hate'\n Historical novels with 'clever point of view' techniques, appreciating when stories are told through servants or fictional narrators\n Books about the craft of writing, finding Stephen King's 'On Writing' both 'fun and informative'\n Cat care and behavior, calling 'Think Like a Cat' an 'excellent reference work' after owning cats for 40 years\n Works that combine multiple genres, enjoying 'a literary mystery' and 'fictional biography'\n Books with intricate plots featuring 'twists, turns and intrigue' and 'rich, textured' narratives\n Stories set in specific historical periods with attention to 'period details' and authentic atmosphere\n Reading companion works together, finding it 'fascinating to read' 'The Sun Also Rises' alongside 'The Paris Wife'\nValues: \n Appreciates well-researched historical accuracy, praising books 'steeped in history' and those with 'period details'\n Values character development over plot mechanics, criticizing 'one-dimensional' characters while praising 'fully-developed, three-dimensional characters'\n Believes in the power of literature to illuminate social issues, calling books about slavery and war 'must-reads'\n Respects craftsmanship in writing, distinguishing between 'great literature' and 'extraordinary storytelling'\n Appreciates books that explore moral complexity, praising works about 'goodness' coexisting with 'the evils of war'\n Values emotional authenticity, praising 'heartbreaking and riveting' stories and 'deeply moving' narratives\n Believes in the importance of sisterly bonds and female relationships, highlighting themes of 'sisterly love'\n Appreciates innovative narrative techniques, praising 'creative and thoroughly imaginative way to write history'\n Values perseverance and courage in the face of hardship, praising stories of 'endurance and courage'\n Believes books should provide both entertainment and substance, distinguishing 'beach books' from more serious literature\n Respects authors who tackle difficult subjects with 'compassion and tact'\n Values books that 'give you faith in the power of the human spirit'\nCommunication: \n Uses enthusiastic exclamations frequently, opening reviews with 'Wow! Wow! Wow!' and 'Wow! What a book!'\n Employs vivid metaphors and similes, comparing reading to 'the literary equivalent of eating a whole candy bar'\n Structures reviews with bold, descriptive titles that summarize main themes\n Consistently ends reviews with 'Highly recommended' or similar endorsements\n Uses conversational asides in parentheses, such as '(fill in the blank--cooking dinner, paying attention to the husband, going to bed)'\n Provides specific page counts or Kindle locations to indicate book length, noting '1,000 pages (or just over 17,324 locations for Kindle fans)'\n Balances criticism with praise, noting both 'riveting' and 'boring' sections in the same review\n Uses rhetorical questions for engagement, asking 'Wonder how evil sisters can be to one another?'\n Employs informal language mixed with literary references, mentioning 'Jane Austen, Gabriel García Márquez and William Faulkner'\n Provides reading recommendations and context, suggesting 'read \"The Tea Rose\" first' or reading companion books together\n Uses HTML formatting like
tags and " for quotation marks in reviews\n Writes in a teaching tone, explaining literary terms like 'fictional biography (my phrase)' and providing historical context\nStatistics: \n Average review length approximately 150-200 words, with detailed reviews reaching 250+ words\n Minimum review length around 100 words (cat book review), maximum around 280 words (historical fiction reviews)\n Frequently uses exclamation points for emphasis, often multiple in succession ('Wow! Wow! Wow!')\n Common phrases include 'Highly recommended,' 'must-read,' 'can't-put-it-down,' and 'what a read'\n Consistently provides star ratings of 4-5 stars, with only one 1-star review (for 'Midnight in Europe')\n Uses structured format with bold titles followed by detailed commentary\n Employs varied sentence structure, mixing short emphatic statements ('Boring! Boring! Boring!') with longer, complex sentences\n Frequently references specific time periods and historical contexts in reviews\n Often compares books to other works or suggests reading multiple books together\n Uses personal anecdotes sparingly but effectively, mentioning 'I remember my mother reading this book' and 'the first time I read this'\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: A Man Called Ove: A Novel\n- Subtitle: Paperback – May 5, 2015\n- Price: 11.09\n- Author: Fredrik Backman\n- Description: Review “A charming debut…You’ll laugh, you’ll cry, you’ll feel new sympathy for the curmudgeons in your life. You’ll also want to move to Scandinavia, where everything’s cuter.” ― People \"In turns moving and funny. . . I wager that you’ll soon fall in love with Ove and be deeply moved by his situation, and after spending time with him, may perhaps gaze at the world around you with a little more empathy than when you turned the first page.\" -- Eric Larson“Even the most serious reader of fiction needs light r ...[truncated]\n- Features: Now a major motion picture A Man Called Otto starring Tom Hanks! #1 New York Times bestseller—more than 3 million copies sold! Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him “the bitter neighbor from hell.” But must Ove be bitter just because he doesn’t walk around with a smile plastered to his face all the time? Behind the cranky exterior th ...[truncated]\n\nReview by this user:\nA 10-Star Book! Read. It. Now.: I want to give this book 10 stars. Five is not enough. What happens when a grumpy old man who is intent on killing himself when he believes his life no longer has meaning meets a group of characters who thwarts his every suicidal move--unintentionally, of course? What happens is hilarious. And heart-warming. And poignant. What happens is love. And the power of community.
Ove is 58 and finished with living. And then new neighbors move in--a very unlikely bunch that moves into Ove's heart, too. Yes, it's a feel-good story, but what could be syrupy sentimentality is muted by the quirky, snarky humor and the result is you will laugh out loud more than once. I promise.
This is a 10-star book. Read it. Now. And be prepared to laugh and cry and go buy a Saab. (You'll get that last one when you read the book.)\n\n--- Example 2 ---\nBook:\n- Category: Books->Children's Books->Animals\n- Title: Olivia the Spy\n- Subtitle: Hardcover – Picture Book, April 4, 2017\n- Price: 15.32\n- Author: Ian Falconer\n- Description: From School Library Journal PreS-Gr 2—Olivia, the long-eared, precocious pig in striped pajamas, decides to become a spy in order to hear her mother's many complaints about her behavior. Unfortunately, she misunderstands a half-overheard conversation and lets her imagination get the best of her, convincing herself that her parents intend to send her to prison. With a trembling lip, Olivia prepares for the worst, only to find herself at the ballet (a different sort of \"institution,\" it seems). Falconer's tra ...[truncated]\n- Features: Everyone’s favorite pig is about to have a birthday…but will her penchant for eavesdropping lead to more than presents? Olivia’s birthday is days away. Plans must be made. Who makes plans? Moms! Who simply must know the plans? Olivia, who is NOT above eavesdropping. But when she not-so-accidentally-but-kinda overhears her mom talking about her not-so-squeaky-clean-and-possibly-very-bad-behavior, Olivia’s imagination runs wild…because it sounds like not only will there be no birthday, but Mom might just be s ...[truncated]\n\nReview by this user:\nA Delightful Story With Extraordinary Illustrations: Oh, what a delightful book for your favorite precocious child! Olivia eavesdrops on her parents—in her mind she is spying—but only hears part of a conversation that leaves her reeling in confusion and fright. Her parents want to surprise her with a special outing, but because she doesn't have all the facts, her imagination runs wild.
Written and beautifully illustrated by Ian Falconer, this book is a treasure to read. There are funny, subtle messages in the text and illustrations that will keep the adult readers smiling and entertained, too.
I read this aloud to a first-grade class, and they were enthralled—that's the only word to describe it. They listened attentively to the story and paid close attention to the detail in the extraordinary illustrations. Best of all, they asked some very astute questions when I was finished reading.
Bonus: Most children who read this book will learn several new vocabulary words that are fully and creatively explained by the author. And that's a lesson in and of itself. As I told the first-graders, if you hear or read a word you don't know, ask someone what it means. This is the best way to expand vocabulary.\n\n--- Example 3 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Water for Elephants: A Novel\n- Subtitle: Paperback – April 9, 2007\n- Price: 8.39\n- Author: Sara Gruen\n- Description: Review \"[An] arresting new novel. . . . At its finest, Water for Elephants resembles stealth hits like 'The Giant's House,' by Elizabeth McCracken, or 'The Lovely Bones,' by Alice Sebold, books that combine outrageously whimsical premises with crowd-pleasing romanticism. . . . Black-and-white photographs of real American circus scenes from the first half of the century are interspersed throughout the novel, and they brilliantly evoke the dignified power contained in the quieter moments of this unusual broth ...[truncated]\n- Features: Over 10,000,000 copies in print worldwide #1 New York Times Bestseller A Los Angeles Times Bestseller A Wall Street Journal Bestseller A Newsday Favorite Book of 2006 A USA Today Bestseller A Major Motion Picture starring Reese Witherspoon, Robert Pattinson, and Christoph Waltz Jacob Janowski’s luck had run out--orphaned and penniless, he had no direction until he landed on a rickety train that was home to the Benzini Brothers Most Spectacular Show on Earth. A veterinary student just shy of a degree, he was ...[truncated]\n\nReview by this user:\nA Page-Turner You Won't Want to Stop Reading: The Depression. A B-list circus. A beautiful, but flawed performer. A hero. Shady characters. And an elephant? Yeah, not my kind of book. But...wait! It is my kind of book as it turns out. "Water for Elephants" is the story of Jacob Jankowski, a Cornell-educated veterinarian, who jumps a circus train in the 1930s and embarks on the adventure of his life.
It's not often an author is skilled enough to write a page-turner of a tale with characters who seem so real and full-bodied. But Sara Gruen does it extraordinarily well. Filled with vivid descriptions, realistic dialogue that moves the plot and even a few (very!) sexy scenes, this book is one you should save for a long plane ride or an afternoon under a beach umbrella. It's too good to have to stop reading just because your family is expecting you to make dinner.\n\n--- Example 4 ---\nBook:\n- Category: Books->Literature & Fiction->Dramas & Plays\n- Title: The Promise: A Novel\n- Subtitle: Paperback – May 5, 2015\n- Price: 13.94\n- Author: Ann Weisgarber\n- Description: Review Shortlisted for the Walter Scott Prize for Historical Fiction Finalist for the Spur Award for Best Western Historical Fiction Finalist for the Ohioana Book Award for Fiction “This second engaging novel from Weisgarber . . . has shades of Willa Cather, Sinclair Lewis, and Conrad Richter, and the prose has a streak of formality that gives the book a period flavor, but Catherine’s first-person narration (and later that of Nan Ogden, the housekeeper at Catherine’s new home) is also appealingly immediate. ...[truncated]\n- Features: Over 50,000 sold! From the author of The Personal History of Rachel DuPree (soon to be a major motion picture)! Shades of Willa Cather, Sinclair Lewis, and Conrad Richter.”— Publishers Weekly , starred review Young pianist Catherine Wainwright flees the fashionable town of Dayton, Ohio, in the wake of a terrible scandal. Heartbroken and facing destitution, she finds herself striking up correspondence with a childhood admirer, the recently widowed Oscar Williams. In desperation, she agrees to marry him, but ...[truncated]\n\nReview by this user:\nJust One More Page...You Won't Be Able to Stop Reading This Book: Riveting. Captivating. Spellbinding. Entrancing. Get the idea? This short, can't-put-it-down novel by Ann Weisgarber will grab you at page one and not let go. This is the kind of book that will make you forgo sleep, housework and other responsibilities. Just one more page. (Yeah, right...like you could stop after just one more page.)
It's 1900. Catherine Wainwright of Dayton, Ohio has been caught in a horrific scandal of such magnificent proportions that she is shunned by proper society and forced to flee. Even her mother is appalled by her only child's behavior. So Catherine writes a letter to Oscar, a boy she knew as a young girl--a working class boy who left Dayton to build a new life in Galveston, Texas. Oscar had always admired her from afar. It just so happens that Oscar, now a widower with a 5-year-old son, needs a wife. And Catherine needs to escape. A train ride across the country, a quickie wedding by a judge, and the two strangers begin their new life together in Oscar's tiny house on the island of Galveston.
The story is told in the first person alternating between Catherine and Nan Ogden, who was a dear friend of Oscar's first wife and who now keeps house for Oscar and his son. There are a series of storms. The inner storms that Catherine and Oscar suffer individually, the storm of the first days of their hasty marriage, the storm going on inside Nan and finally the biggest storm of all: The September 8, 1900 hurricane that is still the worst natural disaster ever to hit the United States.
Just one more page...and you'll finish this book, wiping tears from your eyes.\n\n--- Example 5 ---\nBook:\n- Category: Books->Reference->Writing, Research & Publishing Guides\n- Title: On Writing: A Memoir Of The Craft (A Memoir of the Craft (Reissue))\n- Subtitle: Kindle Edition\n- Price: 12.99\n- Author: Stephen King\n- Description: Review \"A one-of-a-kind classic.\" — The Wall Street Journal \"This is a special book, animated by a unique intelligence, and filled with useful truth.\" —Michael Chabon \" On Writing had more useful and observant things to say about the craft than any book since Strunk and White's The Elements of Style .\" —Roger Ebert “The best book on writing. Ever.” — The Plain Dealer (Cleveland) About the Author Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes ...[truncated]\n- Features: Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King ONE OF TIME MAGAZINE’S TOP 100 NONFICTION BOOKS OF ALL TIME Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work. “Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing . Part memoir, part master class by one of the bestsell ...[truncated]\n\nReview by this user:\nA Glimpse of How the Wizard Works Behind the Curtain: How can you not love a book with a second preface that opens with this sentence: "This is a short book because most books about writing are filled b******t." (Yes, there are not only two prefaces, but three! Hey, why not?) Written in easy, conversational style, superauthor Stephen King explains how he does it.
About half the book is autobiographical (King's reaction when he finds out that the paperback version of "Carrie" sold for $400,000--this while he is living with his wife and three kids in a shabby four-room apartment--is worth the price of the book alone), while the rest tells his views on the art and craft of putting words on paper and making a story out of it. It's a fun and informative read. I recommend it for anyone who dreams of writing fiction or any diehard Stephen King fan who wants to get just a glimpse of how the wizard works behind the curtain.\n\n--- Example 6 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: A Tree Grows in Brooklyn (Perennial Classics)\n- Subtitle: Kindle Edition\n- Price: 13.99\n- Author: Betty Smith\n- Description: Review “One of the most dearly beloved and one of the finest books of our day.” Review “Betty Smith was a born storyteller.” -- USA Today “One of the books of the century.” -- New York Public Library“A profoundly moving novel, and an honest and true one. It cuts right to the heart of life. . . . If you miss A Tree Grows in Brooklyn you will deny yourself a rich experience.” -- New York Times “ A Tree Grows in Brooklyn deserves to be thought of as one of the greatest American novels.” -- The New Yorker “One ...[truncated]\n- Features: A PBS Great American Read Top 100 Pick The beloved American classic about a young girl's coming-of-age at the turn of the twentieth century. From the moment she entered the world, Francie Nolan needed to be made of stern stuff, for the often harsh life of Williamsburg demanded fortitude, precocity, and strength of spirit. Often scorned by neighbors for her family’s erratic and eccentric behavior—such as her father Johnny’s taste for alcohol and Aunt Sissy’s habit of marrying serially without the formality o ...[truncated]\n\nReview by this user:\nA Story of Love, Endurance and Courage: The first time I read this wonderful book I was 14. I loved it then, and I love it now--some 46 years later. This classic coming-of-age story by Betty Smith doubles as a historical novel, as it explores not only the angst, agony and joy of growing up, but also the squalor and grit of real poverty in the early 1900s in the tenements of Brooklyn, New York. This is a story of love, fortitude, endurance and courage in the face of unspeakable hardship. It will give you faith in the power of the human spirit!\n\n--- Example 7 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: The Constant Princess (The Plantagenet and Tudor Novels Book 4)\n- Subtitle: Kindle Edition\n- Price: None\n- Author: Philippa Gregory\n- Description: Review \"In her addictive new novel, [Gregory] turns her eye to Katherine of Aragon, a princess who became Queen of England -- all by dint of a well-kept secret.\" -- Marie Claire \"Gregory's story is as ambitious as its main character....\" -- Entertainment Weekly \"Gregory makes the broad sweep of history vibrant and intimate.\" -- Kirkus Reviews “The queen of royal fiction.” -- USA Today \"Sexy ... Scandalous ... Smart.\" -- Redbook magazine “Philippa Gregory turns real-life historical royalty into royally ...[truncated]\n- Features: From #1 New York Times bestselling author and “queen of royal fiction” ( USA TODAY ) Philippa Gregory comes the remarkable story of Katherine of Aragon, Princess of Spain, daughter of two great monarchs, and eventual Queen of England when she marries the infamous King Henry VIII. Daughter of Queen Isabella and King Ferdinand of Spain, Katherine has been fated her whole life to marry Prince Arthur of England. When they meet and are married, the match becomes as passionate as it is politically expedient. The ...[truncated]\n\nReview by this user:\nOh, How Delicious!: Oh, how delicious! This is historical FICTION. Emphasis on the word "fiction." While it is a historical account of Catalina, princess of Spain who becomes Katherine of Aragon, Henry VIII's first wife and queen of England, there is liberal artistic license taken.
The facts are the bones of the book; the fiction is the flesh. And author Philippa Gregory, who is one of the leading novelists about this time period, melds the two brilliantly. The book alternates between a third-person story and the first-person thoughts of Catalina/Katherine.
This is the first in a series of novels about the Tudors. The story continues in the next book, "The Other Boleyn Girl," when the Bolelyn family (first Mary and then her sister, Anne) so devastatingly disrupt the marriage of the King Henry VIII and Katherine of Aragon and set in motion the birth of the Church of England.
If you enjoy the stories of the Tudors--I find it all quite enthralling--then this is a must-read.\n\n--- Example 8 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: The Boleyn Inheritance: A Novel (The Plantagenet and Tudor Novels Book 5)\n- Subtitle: Kindle Edition\n- Price: 13.99\n- Author: Philippa Gregory\n- Description: Review \"Fascinating...harrowing....If only...history books were written so vividly.\" -- Entertainment Weekly \"The queen of royal fiction.\" -- USA Today About the Author Philippa Gregory is the author of many New York Times bestselling novels, including The Other Boleyn Girl , and is a recognized authority on women’s history. Many of her works have been adapted for the screen including The Other Boleyn Girl . She graduated from the University of Sussex and received a PhD from the University of Edinburgh, ...[truncated]\n- Features: From “the queen of royal fiction” ( USA TODAY ) comes this New York Times bestseller featuring three very different women whose fates are each bound by a bloody curse: the legacy of the Boleyn family. After the death of his third wife, Jane Seymour, King Henry VIII of England decides to take a new wife, but this time, not for love. The Boleyn Inheritance follows three women whose lives are forever changed because of the king’s decision, as they must balance precariously in an already shaky Tudor Court. Ann ...[truncated]\n\nReview by this user:\nA Riveting Story Written With a Touch of Literary Genius: When it comes to historical fiction, I do think the most fascinating time period is the reign of King Henry VIII during the first half of the 16th century. Why? It was such a soap opera! Everything was done to excess—eating, drinking, gossiping, playing and most of all extraordinarily bad behavior. This book, part of the Plantagenet and Tudor Novels series by Philippa Gregory, tells the story of the fourth and fifth wives of old King Henry.
No. 4 was Anne of Cleaves, the only one of his six wives to escape the marriage with her life intact. Henry despised her for many reasons, and only months after what he quickly considered a sham marriage, he caught the eye of 15-year-old Katherine Howard, portrayed in this book as a ditzy, greedy, vain and vapid little girl.
While this fictional story that is faithful to the historical facts may read like a soap opera in the extreme, Philippa Gregory has written this book with a touch of literary genius. Each chapter is told in the first person by one of three people: Anne of Cleaves, Katherine Howard or Jane Boleyn, who served both Anne and Katherine as a lady-in-waiting and was the sister-in-law of the doomed Anne Boleyn. Gregory so deftly and vividly distinguishes each of these three women's personalities and voices that chapter titles are almost not needed. Read a few sentences, and you will know who is the narrator. It is an extraordinary writing feat that adds abundant richness to an already gripping narrative. And face it, that's tough to do when anyone who studied European history in high school already knows the tragic, gruesome and terror-filled ending.
A valuable lesson to learn from this period of history: King Henry VIII may have received the crown humbly in 1509, but he turned into a tyrannical monarch who assumed he had the right to absolute power. He truly believed that whatever he did, no matter how horrific, violent or cruel, was the will of God. There were no checks and balances on his power. To silence his enemies, he killed them—thousands and thousands of them. He stole. He lied (a lot). He was duplicitous. He terrified an entire country. He proved that absolute power absolutely corrupts.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Kate Morton (Author) Format: Kindle Edition**: - Category: Books->Literature & Fiction->Genre Fiction\n- Title: The Forgotten Garden: A Novel\n- Subtitle: Kindle Edition\n- Price: 13.99\n- Author: Kate Morton\n KATE MORTON is an award-winning, Sunday Times and New York Times bestselling author. Her novels - The House at Riverton, The Forgotten Garden, The Distant Hours, The Secret Keeper, The Lake House, The Clockmaker's Daughter and Homecoming - are published in over 45 countries, in 38 languages, and have all been number one bestsellers around the world. Kate Morton grew up in the mountains of southeast Queensland and now lives with her family in London and Australia. She has degrees in dramatic art and English literature, and harboured dreams of joining the Royal Shakespeare Company until she realised that it was words she loved more than performing. Kate still feels a pang of longing each time she goes to the theatre and the house lights dim. \"I fell deeply in love with books as a child and believe that reading is freedom; that to read is to live a thousand lives in one; that fiction is a magical conversation between two people - you and me - in which our minds meet across time and space. I love books that conjure a world around me, bringing their characters and settings to life, so that the real world disappears and all that matters, from beginning to end, is turning one more page.\" www.katemorton.com www.facebook.com/KateMortonAuthor https://instagram.com/katemortonauthor Keep up-to-date on Kate Morton's books and events by joining her mailing list: www.katemorton.com/mailing-list\n- Description: Review “A long, lush, perfectly escapist read.” — The Daily News (NY) (The Daily News)“Morton whisks the reader into scene after vivid scene, sometimes frightening us, often perplexing us, and always providing us with a great deal of entertainment.” — Star Telegram (Fort Worth, TX) (Ft. Worth Star Telegram) About the Author Kate Morton is the award-winning, New York Times bestselling author of The House at Riverton , The Forgotten Garden , The Distant Hours , The Secret Keeper , The Lake House , and The Clockmaker’s Daughter . Her books are published in thirty-eight languages and have been #1 bestsellers worldwide. Born and raised in Australia, she holds degrees in dramatic art and English literature, and now lives with her family in London and Australia. Visit her online at KateMorton.com or on Facebook and Instagram at @KateMortonAuthor. From the Back Cover A foundling, an old book of dark fairy tales, a secret garden, a maze, an aristocratic family, a love denied, a mystery - The Forgotten Garden is a captivating, atmospheric and compulsively readable story of the past, ghosts, family and memories from best-selling author Kate Morton.Thirty-eight year old Cassandra is lost, alone and grieving. Her much loved grandmother, Nell, has just died and Cassandra, her life already shaken by a tragic accident ten years ago, feels like she has lost everything known and dear to her. But an unexpected and mysterious bequest from Nell turns Cassandra's life upside down and ends up challenging everything she thought she knew about herself and her family. Inheriting a book of dark and intriguing fairytales written by Eliza Makepeace Rutherford - the Victorian authoress who disappeared mysteriously in the early twentieth century - as well as a cliff-top cottage on the other side of the world, Cassandra takes her courage in both hands to follow in the footsteps of Nell, on a quest to find out the truth about their history, their family and their past; little knowing that in the process, she will also discover a new life for herself. --This text refers to an alternate kindle_edition edition. Amazon.com Review Amazon Best of the Month, April 2009 : Like Frances Hodgson Burnett's beloved classic The Secret Garden , Kate Morton's The Forgotten Garden takes root in your imagination and grows into something enchanting--from a little girl with no memories left alone on a ship to Australia, to a fog-soaked London river bend where orphans comfort themselves with stories of Jack the Ripper, to a Cornish sea heaving against wind-whipped cliffs, crowned by an airless manor house where an overgrown hedge maze ends in the walled garden of a cottage left to rot. This hidden bit of earth revives barren hearts, while the mysterious Authoress's fairy tales (every bit as magical and sinister as Grimm's) whisper truths and ignite the imaginary lives of children. As Morton draws you through a thicket of secrets that spans generations, her story could cross into fairy tale territory if her characters weren't clothed in such complex flesh, their judgment blurred by the heady stench of emotions (envy, lust, pride, love) that furtively flourished in the glasshouse of Edwardian society. While most ache for a spotless mind's eternal sunshine, the Authoress meets the past as \"a cruel mistress with whom we must all learn to dance,\" and her stories gift children with this vital muscle memory. -- Mari Malcolm Read an excerpt and the reading group guide for The Forgotten Garden . Amazon Exclusive: A Conversation with Author Kate Morton Q: The Forgotten Garden has some marvelous parallels with Frances Hodgson Burnett 's The Secret Garden , and Burnett even makes an appearance in your book as a guest at a garden party. Did her book inspire portions of your story? A: The Secret Garden was one of my favourite books when I was a little girl. Along with stories like The Faraway Tree and The Lion, the Witch, and the Wardrobe , it's one of many classic childhood tales in which children escape from the adult world to a place in which their imagination is allowed free rein. However, it wasn't my intention to reference The Secret Garden when I first started writing. In fact, The Forgotten Garden (which was called The Authoress until the final draft!) began with a family story: when she was 21, my grandmother's father told her that she wasn't his biological child. Nana was so deeply affected by this knowledge that she told no one until she was a very old lady and finally confided in her three daughters. When I learned Nana's secret, I was struck by how fragile a person's sense of self is and knew that one day I would write a story about someone who experienced a similar life-changing confession. When I began to write about Nell, I knew that her mystery was going to lead her to an English cottage, but the other details were hazy. It was while I was auditioning English locations for my book that I came across mention of the Lost Gardens of Heligan in Cornwall. My interest was piqued, and I began reading everything I could find about this place: a grand country estate with astounding gardens that had been locked and forgotten after its gardening staff were killed during the first world war and the owners moved away. When it was rediscovered in the late 20th century, nature had reclaimed the estate, but the bones of the garden lay deep beneath the overgrowth. This story really fired my imagination and I knew that I'd not only found my location--Cornwall--but that I would also need a forgotten garden in my story! I was also eager to play with 19th-century gothic conventions in The Forgotten Garden . I adore books like Jane Eyre and Wuthering Heights , and I wanted a gloomy old house, wicked aunts, secretive servants, hidden identities, mysterious whisperings--the lot. But when my garden grew walls, I suddenly remembered The Secret Garden , and with my theme of fairy tales and storytellers and the vital role that such things play in a child's imagination, I couldn't resist introducing parallels (including a walk-on role for Frances Hodgson Burnett). It was a way of referencing my own childhood influences-- Enid Blyton and the Famous Five get a couple of nods throughout, too!--and was a lot of fun. \n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 0.97, 0.92, 0.9, 0.9, 0.87]}
{"uid": "AEYWNQK6VWYKZWULQJXJVWL4LQQA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n age group: late 20s to mid-30s (based on being stationed in Iraq in 2004 and officer status)\n location: United States\n occupation: U.S. Army officer (explicitly states 'current US Army officers should read this book' and mentions being 'stationed in Iraq')\n nationality: American\n other: Military veteran with Iraq War deployment experience; Clemson University sports fan\nInterests: \n World War II military history, particularly D-Day operations, Eastern Front combat, and Pacific Theater campaigns\n Post-WWII war crimes trials and military tribunals, as evidenced by detailed review of Dachau trials book\n Modern military operations and Iraq War firsthand accounts, having read blogs 'while stationed in Iraq'\n Naval warfare history including convoy operations and Civil War commerce raiding\n Strategic bombing campaigns and their effectiveness, with critical analysis of morale bombing theories\n Military leadership philosophy and command decision-making processes at various levels\n Tactical doctrine and operational planning, particularly armored warfare and urban combat\n Historical methodology and archival research quality in military histories\n Sports broadcasting and Clemson University athletics, particularly football and basketball\n Proper military terminology, rank structure, and organizational understanding in historical writing\n Memoirs and firsthand accounts from soldiers and commanders across different conflicts\n The intersection of military history with broader political and social contexts\nValues: \n Historical accuracy and factual precision, frequently criticizing books for errors like 'the tide was rising one foot every 8 minutes, when the tidal range on Omaha on D-Day was 18 feet'\n Scholarly rigor and comprehensive research, praising works with 'thorough archival research in the United States, Britain, and Germany'\n Proper military context and understanding, noting frustration when authors 'constantly refers to General Lucien Truscott as Lieutenant Colonel'\n Balanced critical analysis that acknowledges both strengths and weaknesses, consistently providing 'fair job with both tasks but excels at neither' type assessments\n Skepticism toward unverified claims, as shown in detailed debunking of 'The Long Walk' as 'probably not a true story'\n Respect for military service and sacrifice while maintaining objectivity, praising 'professional competence of the American soldiers'\n Importance of proper organization and structure in historical writing, criticizing 'poorly organized' and 'disorganized' narratives\n Value of firsthand accounts and primary sources over secondary interpretations\n Appreciation for maps and visual aids in military histories, noting 'no military history book can have too many maps'\n Recognition that flawed works can still have value if they cover neglected topics\n Belief that military professionals should study historical leadership lessons, recommending books 'for all current U.S. Army officers'\n Intellectual honesty about limitations and gaps in historical knowledge\nCommunication: \n Writes lengthy, detailed reviews averaging 500-700 words with some exceeding 1000 words, providing comprehensive analysis\n Employs consistent structure: opening thesis statement, detailed analysis, specific criticisms, and concluding recommendation\n Uses formal but accessible academic tone with phrases like 'this book is a worthwhile read' and 'despite these weaknesses'\n Integrates military terminology naturally including acronyms like 'SHAEF,' 'REMFs,' 'FOB,' and 'UNAMIR'\n Provides specific textual evidence including page numbers ('two paragraphs on page 381 of 390 pages') and direct quotations\n Organizes thoughts into distinct, well-structured paragraphs with clear topic sentences and supporting details\n Balances praise and criticism systematically, typically acknowledging strengths before detailing weaknesses\n Uses comparative analysis, referencing other works like 'In the spirit of Cornelius Ryan's \"The Longest Day\"'\n Employs transitional phrases like 'Despite these shortcomings,' 'Although,' 'However,' and 'Furthermore' to guide readers\n Includes personal anecdotes when relevant, such as 'I ran across the blog while stationed in Iraq'\n Uses rhetorical questions to engage readers: 'But if you're only looking for an overview...?'\n Maintains professional objectivity even when strongly disagreeing with authors or their conclusions\nStatistics: \n Average review length approximately 550 words, with minimum around 150 words ('A Sailor's Admiral') and maximum over 1200 words ('To Destroy a City')\n Frequently uses evaluative phrases: 'well-researched' (3 times), 'poorly written' (2 times), 'worthwhile read' (4 times), 'does a good/fair job' (5 times)\n Consistently employs 'I would recommend' or 'I recommend' construction in conclusions (8 of 13 reviews)\n Uses 'Despite these' or 'Despite this' to introduce balanced criticism in 6 reviews\n Employs military acronyms and terminology in 9 of 13 reviews, demonstrating professional military background\n Structures reviews with 4-8 paragraphs typically, with clear topical organization\n Uses comparative references to other books or authors in 7 reviews to provide context\n Includes specific page citations or numerical details in 8 reviews to support critiques\n Rates books 3-5 stars with mode of 4 stars, showing critical but generally positive assessment tendency\n Uses parenthetical asides frequently to add context or clarification without disrupting main narrative flow\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Christian Books & Bibles->Christian Living\n- Title: Simply Christian\n- Subtitle: None\n- Price: 18.15\n- Author: N. T. Wright\n- Description: Review “Readers will welcome such ready access to one of the fine teachers of the church.” (Walter Brueggemann)“Simply Christian is an amazing testimony to the vitality…of the Christian faith—and to the skill of N. T. Wright.” (Will Willimon, Bishop, North Alabama Conference, United Methodist Church)“[No one] has done more to clarify what [...] Christianity looks like in our day than Tom Wright.” (John Ortberg, teaching pastor, Menlo Park Presbyterian Church)“Fresh, engaging, and highly readable…Simply Chri ...[truncated]\n- Features: “Wright offers us a genial, intelligent view of Christianity, and [ Simply Christian ] invites us to compare his work with C.S. Lewis’s classic in the same vein, Mere Christianity .” — Washington Post Though originally published in 2006, N.T. Wright’s Simply Christian has already reached the status of a classic of biblical scholarship. Wright, Bishop of Durham for the Church of England, has been called “the world’s leading New Testament scholar” by Newsweek , and Simply Christian an “outstanding” treatise o ...[truncated]\n\nReview by this user:\nSimply and Well Put: Bishop N. T. Wright's \"Simply Christian\" is an elegant and readable explanation of the basic tenets of the Christian faith. In the spirit of C.S. Lewis's \"Mere Christianity,\" this book attempts to and succeeds in describing the role of God and Jesus Christ in our lives.
Wright starts off by examining mankind's yearning for justice, spirituality, and beauty, and then proceeds to explain how the existence of God explains these yearnings. Wright describes how God interacts with our world, refuting those who claim that God is distant and hands-off or that the meaning of life is in self-exploration and self-fulfillment. He then builds on this to portray an over-arching picture of Christianity.
This is an excellent short discussion of the Christian faith. Anyone wanting to understand their own faith better or interested in exploring a personal relationship with God should read this book.\n\n--- Example 2 ---\nBook:\n- Category: Books->Politics & Social Sciences->Politics & Government\n- Title: Somebody's Gotta Say It\n- Subtitle: Hardcover – February 20, 2007\n- Price: 5.59\n- Author: Neal Boortz\n- Description: About the Author The host of radio's The Neal Boortz Show , syndicated in nearly two hundred national markets, Neal Boortz is the author (with Congressman John Linder) of the New York Times bestsellers The FairTax Book and FairTax: The Truth , and author of The Terrible Truth About Liberals . He has been nominated twice for the National Association of Broadcasters' Marconi Award and divides his time between Atlanta, Georgia, and Naples, Florida. Excerpt. © Reprinted by permission. All rights reserved. Someb ...[truncated]\n- Features: I've come to the conclusion that roughly 50 percent of the adults in this country are simply too ignorant and functionally incompetent to be living in a free society. You might think I'm off base, but every day around half the people in this country go out of their way to prove me right.—from Somebody's Gotta Say It Think you've got it all figured out? Think again. Neal Boortz—the Talkmaster, the High Priest of the Church of the Painful Truth—has been edifying, infuriating, and entertaining talk radio audie ...[truncated]\n\nReview by this user:\nSomebody's Gotta Say It -- and Neal Boortz Did: Neal Boortz's \"Somebody's Gotta Say It\" is an entertaining look at Neal Boortz's world of political philosophy and social commentary, sprinkled with a dose of personal stories from Boortz's personal life. For those who don't know, Neal Boortz is an extremely successful conservative/libertarian talk show host out of Atlanta whose radio show is syndicated across the country.
Neal brings his on-air personality to the page in this book, and he doesn't mince words or worry about offending anyone. Neal gives his views on government, abortion, religion, individuality, government schools, and many other topics. The book is also sprinkled with amusing emails from listeners (or former listeners, as many claim in their emails that \"I'm not going to listen to you anymore\"). This book is a light, easy read - not deep political philosophy - but Neal's insight still shows throughout the book.
Whether you're a huge fan of Boortz or an occasional listener, whether you disagree with him or agree with him, whether you take him seriously or just like to laugh at his antics, this book is an easy and entertaining look into the mind of Neal Boortz and would make a good read for anyone who has any interest in current politics and has enough of a sense of humor to enjoy Boortz's style.\n\n--- Example 3 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Red Sky in Morning\n- Subtitle: Paperback – July 28, 2009\n- Price: 6.87\n- Author: Patrick Culhane\n- Description: Review “A compelling and shameful piece of American history...gripping...(a) glimpse into a largely unknown period and a segment of the Greatest Generation that deserved more respect then and still does.” (Associated Press)“No one can twist through a maze with the intensity and suspense of Max Allan Collins.” (Clive Cussler, praise for Black Hats)“Collins masterfully blends fact and fiction into a compelling tale that transcends the historical thriller.” (Jeffrey Deaver)“No one can twist through a maze with ...[truncated]\n- Features: A World War's being fought in 1943, and Lieutenant Peter Maxwell wants in on it. But his assignment to the Liberty Hill Victory is not what he had in mind. An ammo ship commanded by racist officers and crewed by largely untrained and inexperienced African American sailors, it is a volatile floating powder keg in more ways than one. In the wake of a deadly explosion and subsequent mutiny in San Francisco's Port Chicago, the Liberty Hill Victory puts out to sea—as Maxwell and his new ally, former Chicago \"Bla ...[truncated]\n\nReview by this user:\nClichéd and predictable: Patrick Culhane`s \"Red Sky in Morning\" is an historical novel set on the West Coast and in the Pacific in World War II. Culhane tells the story, based partly on his father's wartime experiences, of a junior Navy officer's service aboard an ammunition resupply ship crewed by black crewmembers.
Unfortunately, Culhane fails to tell an interesting and convincing story. The love story is canned and irrelevant to the main plot. The main characters are clichéd with a small-town Midwestern football star as the protagonist. His circle of friends includes a Jewish Hollywood writer, a rich East Coast Ivy Leaguer, and a police officer. The captain is of course prejudiced and over-bearing. And the story of prejudice, homosexuality, and crime on the ship is predictable and not very engaging.
Finally, this book fails to make the reader feel that this story takes place on a World War II US Navy ship. Unlike Wouk's \"Caine Mutiny,\" the atmosphere of \"Red Sky in Morning\" is unconvincing and never evokes the feel of a wartime ship. In the end, I found little redeeming in this novel.\n\n--- Example 4 ---\nBook:\n- Category: Books->Politics & Social Sciences->Politics & Government\n- Title: War and Decision: Inside the Pentagon at the Dawn of the War on Terrorism\n- Subtitle: Hardcover – March 1, 2008\n- Price: 5.47\n- Author: Douglas J. Feith\n- Description: Review “Indispensable. . . . The best account to date of how the administration debated, decided, organized and executed its military responses to the attacks of Sept. 11, 2001. Much of what makes War and Decision so compelling is that it is, in effect, a revisionist history.” (Bret Stephens, Wall Street Journal)“Extraordinarily frank and persuasive. . . . [O]ur first in-depth look at the inside of the Bush administration’s national security top leadership from one who was there. [Feith] has been criticized ...[truncated]\n- Features: In the years since the attacks of September 11, 2001, journalists, commentators, and others have published accounts of the Bush Administration's war on terrorism. But no senior Pentagon official has offered an inside view of those years, or has challenged the prevailing narrative of that war—until now. Douglas J. Feith, the head of the Pentagon's Policy organization, was a key member of Donald Rumsfeld's inner circle as the Administration weighed how to protect the nation from another 9/11. In War and Decis ...[truncated]\n\nReview by this user:\nThe Pentagon Strikes Back: Douglas Feith's memoir \"War & Decision: Inside the Pentagon at the Dawn of the War on Terrorism\" is a fascinating and enlightening account of Feith's stint as Undersecretary of Defense for Policy in Rumsfeld's Pentagon from 2001 through 2005. Feith provides a candid look at the inter-agency process in the US government as it responded to the 9/11 attacks and then prepared for and fought wars in Afghanistan and Iraq. Feith's account challenges the conventional wisdom of the media's stories during this timeframe and responds to many of the other books about this period that have been released. Because of this, \"War and Decision\" is one of the most important books, if not the most important book, yet to come out on the government's response to 9/11 and the beginning of the Global War on Terror.
Feith is a policy wonk, and he writes about the inter-agency policy disagreements in the US government (mostly between Defense, State, and sometimes CIA). He tries to set the record straight on many things that, according to him, have been mis-reported in the media and in recent books (especially Tenet's memoir, Bremer's memoir, Woodward's books, \"Cobra II,\" and \"Fiasco\"), including: Pentagon planning for post-war Iraq, his office's Special Plans Group, the Future of Iraq project, and the Free Iraqi Forces. And to help set the record straight, the book includes over a dozen declassified policy memos and briefing slides in the appendices to back up his assertions. Feith's website also includes a larger collection of official documents supporting his assertions.
Feith's biggest criticisms are of the State Department (especially David Armitage) and the CIA, although he is at times critical of Condoleezza Rice as the National Security Advisor. He lays broadside after broadside at State's failures, including how it pushed its own agenda, it failed to follow the President's directives, it failed to truly support the Global War on Terror, how Powell insisted on stressing WMD stockpiles as the reason to attack Iraq, and how State completely repudiated the Iraqi exiles (especially Chalabi) as potential leaders in post-Saddam Iraq. Feith attacks the CIA for their bad analysis of Iraqi capabilities and stockpiles - especially for not being up-front about their limited intelligence - and for their politicization of intelligence by CIA members who didn't support the President's policies. He argues that all of these missteps, especially State's and CIA's repudiation of the Iraqi exile leaders, contributed greatly to the problems the US had during the early occupation of Iraq. And he slams these agencies for their failure to cooperate, for the poorly functioning inter-agency process, and for their willingness to use media leaks to push their own agenda.
Because Feith was a deputy (the #3 man at the Pentagon, under Rumsfeld and Wolfowitz) who did not work on every issue, he does not cover everything in this book. He tries to stick to issues that he had first-hand knowledge of and relied heavily on his own notes and documents. At times, he readily admits when there are holes in his knowledge because he was not privy to some meetings or issues. Because his focus was policy and not operations, he did not participate in much of the actual planning for the invasion of Iraq, so he barely mentions the issue that many critics of the Iraq war planning have laid at Rumsfeld's feet: inadequate forces during the invasion and during the immediate aftermath. Feith also barely addresses many of the issues surrounding the interrogation/torture policies at Guantanamo Bay, although according to many press reports he was involved in formulating this policy.
Feith stubbornly stands by many of his positions, admits errors on some, and admirably corrects the public record on many others. He believes that the US would have been much more successful in Iraq if we had worked closer with the Iraqi exiles (especially Chalabi) and had turned Iraq over to a transitional government within a couple of months of Saddam's overthrow. He believes that Bremer's disbanding of the Iraqi Army was the correct move, although he criticizes most of Bremer's later moves. He is a fervent admirer of his old boss Rumsfeld, although he didn't always agree with Rumsfeld's decisions. Feith also supported most of President Bush's policies but criticized the Administration for not always getting its message out - he says that ultimately the Global War on Terrorism will look better to historians than it does now because the Administration has not done a good job selling its successes.
This book is a surprisingly easy read considering it was written by a policy wonk, and it is clear that Feith is a brilliant thinker. While you may not be convinced by all of his arguments (I wasn't), you can appreciate that many of the Pentagon's policy positions weren't as caricatured in the press and by some writers since. Instead, they were all well thought-out, practical policies and positions, not radical proposals by a bunch of neocons who hijacked the American government. This book is a must read for anyone who wants to learn more about our government's real actions in the early years of the Global War on Terror.\n\n--- Example 5 ---\nBook:\n- Category: Books->History->Americas\n- Title: Legends , Lies & Cherished Myths of World History\n- Subtitle: Paperback – Illustrated, January 1, 1990\n- Price: 12.31\n- Author: Richard Shenkman\n- Description: From the Back Cover Whistleblowing historian Richard Shenkman skewers the nonsense we were all taught about the world’s revolutions, religions, heroes, and inventors in a whirlwind tour of history. Queen Victoria may have usually worn black, but she loved to drink and party. The English were conned during World War II. Winston Churchill’s famous “finest hour” radio broadcast was not delivered by Winston Churchill but by Norman Shelley, an actor hired to be Churchill’s stand-in. Marie Antoinette did not say, ...[truncated]\n- Features: “Was there really a valiant little Dutch boy, a protesting Lady Godiva, a fiddling Nero, or a prudish Queen Victoria? No, says Shenkman ….No person, event, or thing is safe from Shenkman’s corrections.” — Booklist Founder of George Mason University’s History News Network and bestselling author of Presidential Ambition and One Night Stands with American History , Rick Shenkman is an historian, a rebel, and a myth debunker par excellence. In Legends, Lies & Cherished Myths of World History , he explodes some ...[truncated]\n\nReview by this user:\nBad History + So-So Humor = Not Worth Reading: Richard Shenkman's \"Legends , Lies & Cherished Myths of World History\" is an entertaining and light-hearted attempt at dispelling popular misconceptions about world history. However, because Shenkman is more interested in debunking than educating, it is also full of contrarian viewpoints and odd interpretations, and ultimately this book falls flat on its face.
Too many of the \"myths\" that he \"debunks\" are done so based on faulty reasoning, minority viewpoints, or skewed perspectives. For instance, he argues that the Munich Agreement wasn't really \"appeasement\" because Britain wasn't prepared to go to war. To support that, he describes in depth the state of the British military. However, in doing so, he completely ignores the French military (which at the time was stronger than the German military); and he ignores his own arguments later in the book about how weak the German military was even in 1940. He also \"breaks the news\" that the German Army used 2.7 million horses in World War II. But anyone with any knowledge of the Eastern Front in World War II knows that the Germans relied heavily on horse transport, so this isn't an earth-shattering revelation.
One other episode reveals the weakness of this book. When discussing Lord Nelson, Shenkman takes delight in reporting that he had an adulterous affair. Again, this is another one of those \"secrets\" that almost everyone knows about. He also points out that Nelson died while standing upright on his quarterdeck during the Battle of Trafalgar, an act that Shenkman describes as \"Stupid.\" But Shenkman gives no context to Nelson's actions and fails to tell the reader that a captain's (or admiral's) expected place of duty was on his quarterdeck, standing upright to inspire his men; had Nelson refused to do something so \"stupid,\" he never would have even been a captain, let alone the most famous and beloved British hero of the century.
Shenkman also discusses some of the historic aspects of Christianity and Judaism. Unfortunately, he wanders into some controversial theological discussions, which further weakens the book.
At times, this book reads like a Dave Barry column or book, which, while funny at times, isn't necessarily a compliment in a book that is supposedly informative. Often, he says that the myths and lies arose when \"some historians decided\" or \"some textbook writers got together and said,\" which doesn't really explain how these myths and misconceptions arose. Shenkman delights in poking holes in the conventional wisdom, but unfortunately his history is weak or biased at times and the book isn't very informative. The book's humor is its only redeeming quality.\n\n--- Example 6 ---\nBook:\n- Category: Books->Biographies & Memoirs->Leaders & Notable People\n- Title: Patton: Genius for War, A\n- Subtitle: None\n- Price: 19.15\n- Author: Carlo D'Este\n- Description: Review \"A major biography of the famous battlefield general by a superb historian of the Army where Patton rose to fame and fell into infamy.\" — Washington Post Book World \"Remarkably good. . . . D'Este presents a picture that neither beautifies nor damns his subject. This is revisionism at its very best.\" — New York Times Book Review \"An instant classic. Never before has General George S. Patton, Jr. sprung back to life in all his heroic and complicated glory as in this first-rate biography.\" — Douglas Bri ...[truncated]\n- Features: \"Biography at its very best. Literate and meaty, incisive and balanced, detailed without being pedantic. Mr. D'Este's Patton takes its rightful place as the definitive biography of this American warrior.\" —Dallas Morning News A comprehensive biography of General George Patton draws on hitherto unavailable letters, diaries, and memoirs, uncovering many new facts to create an insightful and definitive portrait of an American military hero. Fifty years after his death, General George S. Patton Jr. remains one ...[truncated]\n\nReview by this user:\nComprehensive and Even-Handed: Carlo D'Este's \"Patton: A Genius for War\" is the definitive biography of one of America's most well-known generals. George Patton was both a military genius and an unmatched personality, and D'Este successfully shows the many facets of Patton in this long (800-page) biography.
D'Este draws both from primary sources (quoting extensively from Patton's letters, especially those to his wife) and second sources, often quoting an earlier Patton biography. One of D'Este's themes is how Patton's undiagnosed dyslexia affected him through his life - and how he was able to learn so much despite his dyslexia - so the long quotations from Patton's letters are especially illuminating. These also shed light on how Patton's moods could go from being deadly serious to light-hearted to downtrodden so easily, and how fragile his ego really was.
One of the strengths of this book is that D'Este puts the historical Patton in the context of the public Patton - the Patton that is known (mostly) from the 1970 movie. D'Este explicitly discusses some scenes in the movie and undercuts many of the myths that resulted from the movie - for example, D'Este believes that Patton and Montgomery admired each other as professionals, did not have a bitter personal rivalry, and only in the last few months of the war in Europe did Patton really begin to dislike Montgomery. D'Este is also very critical of Bradley, who despised Patton and was able to, as the primary military advisor on the movie \"Patton,\" to unfairly inflate his own role as the reasonable of the pair at Patton's expense.
This is a great, comprehensive biography of Patton, but it does have some flaws. At times, D'Este borrows too much from previous Patton biographies and other histories, and, despite its length and depth, glosses over some incidents that deserved more - such as the battle of Troina and the controversial relief of Terry Allen in Sicily. D'Este also, despite clearly being an admirer of Patton, fails to appreciate and explain Patton's technical understanding of war and Patton's understanding that good staff work and good planning are required to turn Patton's \"L'audace, l'audance, toujours l'audace!\" into military success. And finally, at times D'Este jumps around in time to keep his narrative theme going.
For anyone interested in an in-depth, even-handed look at the man Patton, this is the best biography of the most famous and controversial general in the 20th century.\n\n--- Example 7 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Dereliction of Duty: Johnson, McNamara, the Joint Chiefs of Staff, and the Lies That Led to Vietnam\n- Subtitle: Paperback – May 8, 1998\n- Price: None\n- Author: H. R. McMaster\n- Description: Review \"Lately [Chairman of the Joint Chiefs General] Shelton has been closely reading a book called Dereliction of Duty. Its thesis: that the Joint Chiefs of Staff lost the Vietnam War by failing to stand up to civilian leadership.\"-- \"Newsweek \"Four star generals do not normally consult the writings of junior field grade officers for advice about career decisions. But it was widely reported that when Air Force Chief of Staff General Ronald Fogelman decided to resign in 1997, he did so at least in part on ...[truncated]\n- Features: \"The war in Vietnam was not lost in the field, nor was it lost on the front pages of the New York Times or the college campuses. It was lost in Washington, D.C.\" —H. R. McMaster (from the Conclusion) Dereliction Of Duty is a stunning analysis of how and why the United States became involved in an all-out and disastrous war in Southeast Asia. Fully and convincingly researched, based on transcripts and personal accounts of crucial meetings, confrontations and decisions, it is the only book that fully re-crea ...[truncated]\n\nReview by this user:\nHow we stumbled into the Vietnam War: H.R. McMaster's \"Dereliction of Duty\" is an excellent account of the Johnson Administration's run-up to - and failures preparing for - the Vietnam War. McMaster (a U.S. Army major when he wrote the book, now a colonel) details the decisions and actions of President Johnson, Secretary of Defense McNamara, the Joint Chiefs of Staff, and other presidential advisors from 1963 to 1965.
McMaster methodically recounts this story in painstaking detail, describing almost every meeting or memorandum produced on the escalation of Vietnam. McMaster used declassified national security files, oral histories, and personal interviews to tell this story.
McMaster's thesis is that all of the individuals involved failed in their duties and made critical mistakes leading America into the Vietnam War. These were all brilliant, but misguided, people. The politicians did not trust the military, were too concerned with the politics and the Great Society, and believed that the enemy would respond to \"graduated pressure\" in Vietnam by backing down, instead of escalating, the fighting in South Vietnam. McNamara and his \"whiz kids\" brought a new mode of thought to the Pentagon and were more interested in systems analysis and body counts than on listening to the military's voice.
On the other hand, the Joint Chiefs of Staff were often too divided by inter-service rivalries. During his tenure as Chairman of the Joint Chiefs of Staff, Taylor, a great general during WWII, did all he could to push the President's agenda and prevent the rest of the Joint Chiefs of Staff from delivering pointed military advice to the President. The Joint Chiefs of Staff failed to make their voice heard and, once it was clear that America was going into Vietnam, failed to offer viable strategies to succeed in Vietnam.
But the biggest failure was that no one in the administration had a vision or cogent plan to win in Vietnam - they just stumbled into the conflict.
In telling this story, McMaster effectively repeats his thesis and calls attention to every failure by every participant. He almost beats the reader over the head by repeatedly pointing out each mistake. This is a fantastic work and should be read by anyone interested in American history, American politics, or military history. Colonel McMaster's successful Army career has continued since he wrote this book 10 years ago, but I wish he had continued telling this story through the entire war.\n\n--- Example 8 ---\nBook:\n- Category: Books->Biographies & Memoirs->Historical\n- Title: Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe\n- Subtitle: Paperback – Deckle Edge, November 2, 2004\n- Price: 21.4\n- Author: Laurence Bergreen\n- Description: Review “A marvelous piece of scholarship” (New Zealand Herald) From the Back Cover Ferdinand Magellan's daring circumnavigation of the globe in the sixteenth century was a three-year odyssey filled with sex, violence, and amazing adventure. Now in Over the Edge of the World , prize-winning biographer and journalist Laurence Bergreen entwines a variety of candid, firsthand accounts, bringing to life this groundbreaking and majestic tale of discovery that changed both the way explorers would henceforth naviga ...[truncated]\n- Features: The riveting story of Ferdinand Magellan’s historic 60,000-mile ocean voyage “Prodigious research, sure-footed prose and vivid descriptions make for a thoroughly satisfying account... it is all here in the wondrous detail, a first-rate historical page turner.”— New York Times Book Review Ferdinand Magellan's daring circumnavigation of the globe in the sixteenth century was a three-year odyssey filled with sex, violence, and amazing adventure. Now in Over the Edge of the World , prize-winning biographer and ...[truncated]\n\nReview by this user:\nHow Narrative History Should be Written: Laurence Bergreen's \"Over the Edge of the World\" is a great example of how narrative history should be written. He takes a very interesting but overlooked story and breathes life into it.
In most history books Magellan's first circumnavigation merits a few sentences or paragraphs, but that brief mention conceals the rich story underneath. Magellan was a Portuguese man who sailed under the Spanish flag, and of the five ships that began the voyage, only one completed the circumnavigation. Magellan died during the voyage, but not before facing two mutinies and countless other hazards.
Bergreen does an excellent job telling this story. He explains the nautical terms and shipboard conditions of the early 16th century, and he puts the story into its proper political and cultural context - in a time when the Inquisition was still a powerful force in Spain and the Age of Exploration was changing Europe. My primary criticism is that the book should have many more maps; it only included one map (displayed twice) of the entire world inside each cover. My only other criticism, as others have pointed out in the reviews, is that Bergreen sometimes seems not to understand -- or explain -- concepts like the International Date Line.
This history book reads like a novel. Bergreen brings out the human suffering, triumph, and failings during this voyage. It is a great read for anyone with any interest in history.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Tore Janson (Author)**: - Category: Books->Reference->Words, Language & Grammar\n- Title: Speak: A Short History of Languages\n- Subtitle: None\n- Price: 4.84\n- Author: Tore Janson\n Discover more of the author’s books, see similar authors, read author blogs and more\n- Description: Review `Review from previous edition Don't be deceived by the small format, the catchy title, or the attractive cover - this is a serious work, which will pay close attention.of the development and transformation of languages' www.worldwidewords.org About the Author Tore Janson was born in 1936 in Stockholm, Sweden. He studied Classics at Stockholm University and received his Ph.D. in Latin in 1964. He has held various teaching and research positions at the University of California, Los Angeles; Stockholm University; the Swedish Research Council for Humanitiesand Social Sciences; and at Göteborg University, where he has been first Professor of Latin, and then Professor of African Languages. He has published several books and a large number of articles in the fields of Latin, general linguistics, phonetics, and African languages.\n- Features:\nThis book is a history of human speech from prehistory to the present. It charts the rise of some languages and the fall of others, explaining why some survive and others die. It shows how languages change their sounds and meanings, and how the history of languages is closely linked to thehistory of peoples. Writing in a lively, readable style, distinguished Swedish scholar Tore Janson makes no assumptions about previous knowledge. He takes the reader on a voyage of exploration through the changing patterns of the world's languages, from ancient China to ancient Egypt, imperial Rome to imperialBritain, Sappho's Lesbos to contemporary Africa. He discovers the links between the histories of societies and their languages; he shows how language evolved from primitive calls; he considers the question of whether one language can be more advanced than another. The author describes the history ofwriting and the impact of changing technology. He ends by assessing the prospects for English world domination and predicting the languages of the distant future. Five historical maps illustrate this fascinating history of our defining characteristic and most valuable asset.\n- Details:\n Publisher: Oxford University Press (January 15, 2004)\n Language: English\n Paperback: 312 pages\n ISBN 10: 0199263418\n ISBN 13: 978-0199263417\n Item Weight: 9.6 ounces\n Dimensions: 4.75 x 0.75 x 6.5 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 0.875, 0.84, 0.825, 0.825, 0.8]}
{"uid": "AFNWU5HAI43A5EDADJMI4Y2ZS2TA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics: Missing\nInterests: \n Paranormal romance featuring vampires and werewolves ('I'm a vampire/werewolf junkie')\n Erotic and steamy romance novels with explicit sexual content ('Not for the faint of heart. Make sure you have someone close by when you get finished reading this book')\n Historical romance set in Regency England and medieval periods (reviews of Kleypas, Balogh, Hunter)\n Romance series and connected books (Cynster, Bedwyn, GhostWalker, Undead series)\n Alpha male heroes ('If you like Alpha male heros this one is for you', 'I loved the hero')\n Authors like Lisa Kleypas, Angela Knight, Emma Holly, Lora Leigh, and Jaid Black\n Well-developed, non-annoying female protagonists (criticizes 'shrill, annoying heroine' and 'whining' characters)\n Books with strong villains and mystery elements ('the villian is really bad', 'the villian could be stronger')\n Romance anthologies and novellas by favorite authors\n Contemporary romance when done well, though prefers historicals ('maybe she should stay away from contemporary novels')\n Traditional romance without paranormal elements when well-executed ('This is not a book filled with sex, zany characters, or anything paranormal')\n Books with satisfying, well-paced endings rather than rushed conclusions\nValues: \n Prioritizes strong character development over plot ('Her characters scream at you from the page', 'The Characters and story could have been so much better')\n Dislikes annoying, whining, or overly passive female protagonists ('The heroine was very annoying', 'shrill, annoying heroine')\n Values consistency in series quality and criticizes authors who decline ('Laurens is running out of steam', 'The first book was wonderful the rest were a waste of trees')\n Appreciates emotional intensity and realism in romance ('This is intense and real. You will care about these two')\n Prefers longer books with adequate development ('Much too short', 'I wish this book was longer', 'the ending was a little less rushed')\n Expects strong, credible villains in suspense plots ('the villian could be stronger', 'weak villian')\n Values explicit sexual content and chemistry between protagonists ('steamy sex scenes', 'Hot, Hot, Hot', 'sexy and hot')\n Appreciates well-written dialogue and character interactions ('the dialogue sparkles')\n Dislikes beta males and prefers dominant alpha heroes ('add a beta male who is too nice')\n Values books as keepers worth rereading versus disposable reads ('this is definately not a keeper', 'I gave this away without a whimper')\n Expects satisfying resolutions and dislikes obvious or rushed endings ('add an obvious ending', 'wrapped up a little too quickly')\n Appreciates when authors take risks but execute them well\nCommunication: \n Uses emphatic repetition for emphasis ('Hot, Hot, Hot' appears in multiple reviews)\n Provides direct, actionable recommendations ('You must buy this book', 'I think you should add this to your cart', 'Don't get me wrong')\n Employs comparative language across books and series ('Much Better than first book', 'Much too short', 'Almost perfect')\n Gives selective reading advice within anthologies ('Skip the Hamilton offering', 'Skip over Maggie Shayne and Freehan's stories')\n Uses casual, conversational tone with contractions and informal language ('Wow', 'Boy does she have a future!')\n References physical interactions with books ('throwing the book against the wall', 'I gave this away without a whimper')\n Creates evaluative review titles that summarize opinion ('Running out of steam', 'Finally got it right', 'What happened?')\n Balances criticism with praise ('This book was wonderful, the only real problem is...')\n Uses exclamation points frequently to convey enthusiasm or frustration\n Writes concise reviews focused on key strengths and weaknesses\n Employs rhetorical questions for emphasis ('what was she thinking?')\n Provides specific author and character name references to demonstrate familiarity with genre\nStatistics: \n Average review length: approximately 45-55 words\n Review length range: minimum 25 words, maximum 85 words\n Most frequent words: 'book', 'hot', 'much', 'better', 'annoying', 'wonderful', 'short', 'ending'\n Most frequent phrases: 'too short', 'much better', 'the ending', 'the heroine', 'this book'\n Uses exclamation points in 14 of 17 reviews for emphasis\n Employs comparative structures frequently ('better than', 'worse than', 'not nearly as')\n Sentence structure varies between short declarative statements (5-8 words) and compound sentences (15-25 words)\n Typically includes 3-5 sentences per review with clear topic progression\n Uses colons and dashes for elaboration and emphasis\n Review titles average 2-4 words and are consistently evaluative\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: Touched by Darkness (Sentinel, Book 1)\n- Subtitle: Mass Market Paperback – January 2, 2007\n- Price: 5.98\n- Author: Catherine Spangler\n- Description:\n- Features: Fleeing the powerful reach of a supernatural underworld, Dr. Kara Cantrell seeks refuge with her child in the tiny town of Zorro, Texas, but when dark forces threaten her new life, she is forced to turn to Damien Morgan, a seductive man with superhuman abilities with whom she shares a mystical link. Original.\n\nReview by this user:\nNot as good as they say: I've read her other books and was pleasantly surprised by those. I'm disappointed by this book. I felt she didn't spend enoough time creating the world. She didn't spend enough time creating the characters motivations. It felt rushed to cash in on the current paranormal craze. The only good news was at least there weren't any whiny vampires.\n\n--- Example 2 ---\nBook:\n- Category: Books->Science Fiction & Fantasy->Fantasy\n- Title: Master of Dragons (Mageverse, Book 8)\n- Subtitle: Mass Market Paperback – June 5, 2007\n- Price: 9.99\n- Author: Angela Knight\n- Description: Review \"If you like alpha heroes, wild rides, and pages that sizzle in your hand, you're going to love her, too!\" -- J.R. Ward\"The future belongs to Knight!\" -- Emma HollyThe Series that leaves \"Readers Always Begging for More.\" About the Author Angela Knight is the USA Today bestselling author of the Mageverse series and the Warlord series for Berkley Books. She has also written for Red Sage, Changeling Press, Loose Id and Ellora's Cave. Besides her novels, Angela’s publishing career includes a stint as a ...[truncated]\n- Features: The last time fairy princess Nineva Morrow engaged in magic, evil forces rendered her an orphan-isolated and incapable of trusting in anyone's survival. But after years of hiding on Earth, she'll use her powers once more-and attract more knights than she can handle\n\nReview by this user:\nA great read: Loved the book. Stunned by the ending. Don't miss this one.\n\n--- Example 3 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: Wild Thing\n- Subtitle: Paperback – Bargain Price, May 1, 2007\n- Price: None\n- Author: Marjorie M. Liu\n- Description: About the Author Maggie Shayne is a national bestselling author who has appeared on the USA Today and Waldenbooks bestseller lists. When she's not writing, she spends her time exploring the mysteries of the cosmos, reading Tarot, collecting crystals, and studying the customs and rituals of long-forgotten civilizations. She lives in upstate New York.Marjorie M. Liu is an attorney who has lived and worked throughout Asia. She hails from both coasts, but currently resides in the Midwest, where she writes full- ...[truncated]\n- Features: New York Times bestselling authors Maggie Shayne and Marjorie Liu join two hot talents in an anthology of all-new sexy paranormal romance. New York Times bestselling authors Maggie Shayne and Marjorie M. Liu, and sizzling newcomers Alyssa Day and Meljean Brook discover the wild instinct in everyone with four all-new stories of feral heat. Fans will get swept away by the passions in the unfathomable depths of Atlantis; they'll follow the shadows that stalk both the living and the undead in a world of vampire ...[truncated]\n\nReview by this user:\nWay to weird: The first and last story were actually interesting. The rest were just a little too weird. Borrow this one\n\n--- Example 4 ---\nBook:\n- Category: Books->Science Fiction & Fantasy->Fantasy\n- Title: Visions of Heat (Psy-Changelings, Book 2)\n- Subtitle: Mass Market Paperback – March 6, 2007\n- Price: 7.99\n- Author: Nalini Singh\n- Description: Review \"A Must Read for all of My Fans.\" -- Christine Feehan About the Author New York Times and USA Today bestselling author Nalini Singh lives and works in beautiful New Zealand, and is passionate about writing. She also loves chatting to readers. You can find her on Twitter (@nalinisingh) and Facebook (facebook.com/authornalinisingh), and via her website: nalinisingh.com Nalini's Newsletter : Goes out monthly and includes exclusives for subscribers, including free short stories, sneak peeks, deleted scen ...[truncated]\n- Features: A Psy/Changeling novel from the New York Times bestselling author of Shards of Hope, Shield of Winter, and Heart of Obsidian...\"the alpha author of paranormal romance\" (Booklist). Used to cold silence, Faith NightStar is suddenly being tormented by dark visions of blood and murder. A bad sign for anyone, but worse for Faith, an F-Psy with the highly sought after ability to predict the future. Then the visions show her something even more dangerous—aching need…exquisite pleasure. But so powerful is her sight ...[truncated]\n\nReview by this user:\nI loved it: I would have given it a higher grade except I kept getting confused with all of the foreshadowing of the next books. I also didn't read the first book in the series. But, this was a good solid read, strong characters, great alpha male hero and great development of the heroine. Don't miss this one.\n\n--- Example 5 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: New Moon (The Moon Series, Book 6)\n- Subtitle: Mass Market Paperback – March 6, 2007\n- Price: 20.0\n- Author: Rebecca York\n- Description: From Booklist Logan Marshall is out for a run in his werewolf form when he is caught in a vicious trap that saps not only his strength but also his intellect and consciousness. He is saved by a female werewolf who cajoles him into changing form and frees him from the mysterious trap, which had actually been laid to trap her. Female werewolves don't exist in Logan's world (a world that could be our own), but Rinna is from a parallel universe. That world descended into feudalism and came to be ruled by the cr ...[truncated]\n- Features: When werewolf Logan Marshall is rescued by an extraordinary creature, a beautiful shapeshifter from another dimension, he becomes ensnared in her seductive trap as he helps her save herself--and Earth--from the wrath of her greatest enemy. Original.\n\nReview by this user:\nWho rates these books so high?: Sometimes I wonder who is writing the glowing reviews. I've read her other books, no I didn't write a review for them. The series ran out of steam two books ago.Give it up. I couldn't even finish this one. I skipped through trying to find something to enjoy in this book, it was impossible. I even skipped to the end and was even more disappointed. Borrow this one if you must read it.\n\n--- Example 6 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: Caressed By Ice (Psy-Changelings, Book 3)\n- Subtitle: None\n- Price: None\n- Author: Nalini Singh\n- Description: Review Praise for Slave to Sensation: \"Awesome!\"Third in the PSY trilogy from \"a major new talent.\" About the Author New York Times and USA Today bestselling author Nalini Singh lives and works in beautiful New Zealand, and is passionate about writing. She also loves chatting to readers. You can find her on Twitter (@nalinisingh) and Facebook (facebook.com/authornalinisingh), and via her website: nalinisingh.com Nalini's Newsletter : Goes out monthly and includes exclusives for subscribers, including free s ...[truncated]\n- Features: The author of Shards of Hope and Shield of Winter presents a Psy/Changeling novel in which two people who know evil intimately must unlock the good within their icy hearts… As an Arrow, an elite soldier in the Psy Council ranks, Judd Lauren was forced to do terrible things in the name of his people. Now a defector, his dark abilities have made him the most deadly of assassins—cold, pitiless, unfeeling. Until he meets Brenna… Brenna Shane Kincaid was an innocent before she was abducted—and had her mind viola ...[truncated]\n\nReview by this user:\nAlmost as good as the other 2: Another damaged heroine. It seems like this is becoming a pattern. I actually liked the book, but felt it went on a little long. I can't wait for the next one.\n\n--- Example 7 ---\nBook:\n- Category: Books->Science Fiction & Fantasy->Science Fiction\n- Title: Warrior: The Time Hunters\n- Subtitle: Mass Market Paperback – July 1, 2008\n- Price: 3.34\n- Author: Angela Knight\n- Description: Review \"A rising star in the paranormal pantheon.\"\"If you like...pages that sizzle in your hand, you're going to love Angela Knight!\" -- J.R. Ward About the Author Angela Knight is the USA Today bestselling author of the Mageverse series and the Warlord series for Berkley Books. She has also written for Red Sage, Changeling Press, Loose Id and Ellora's Cave. Besides her novels, Angela’s publishing career includes a stint as a comic book writer and ten years as a newspaper reporter. Several of her stories wo ...[truncated]\n- Features: The NEW YORK TIMES BESTSELLING AUTHOR launches the new Time Hunters series. In the 24th century, anyone can leap through time at will. To police the time jumpers, the Temporal Enforcement Agency has established a precinct in time. Galar Arvid is a genetically altered warlord and agent who’s been sent back to 2008 to save a pretty Atlanta artist from a Xeran time traveler who intends to kill her for profit. What Galar doesn’t count on is the powerful desire Jessica Kelly ignites in him. But could a romance b ...[truncated]\n\nReview by this user:\nPretty good - but not ready for another series: I actually liked this book. It was well done with plenty of action, suspense and sex. My only real problem is that I'm tired of sequels. Don't miss this one.\n\n--- Example 8 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Hostage to Pleasure (Psy-Changelings, Book 5)\n- Subtitle: Mass Market Paperback – September 2, 2008\n- Price: 7.99\n- Author: Nalini Singh\n- Description: Review Praise for Nalini Singh and her Psy-Changeling Novels “The alpha author of paranormal romance.”— Booklist “Nalini Singh is a master storyteller.”—Maya Banks, #1 New York Times & USA Today bestselling author “Nalini is brilliant.”— USA Today “Complex psychological changes are balanced by deep love...Outstanding.”— Publishers Weekly About the Author New York Times and USA Today bestselling author Nalini Singh lives and works in beautiful New Zealand, and is passionate about writing. She also loves chat ...[truncated]\n- Features: A rebel Psy scientist finds herself at the mercy of a changeling who has sworn vengeance against her kind in this thrilling romance in Nalini Singh’s New York Times bestselling series. Separated from her son and forced to create a neural implant that will mean the effective enslavement of her psychically gifted race, Ashaya Aleine is the perfect Psy—cool, calm, emotionless...at least on the surface. Inside, she’s fighting a desperate battle to save her son and escape the vicious cold of the PsyNet. Yet when ...[truncated]\n\nReview by this user:\nLoved Dorian: Another great entry into the series. I loved the relationship between Keenan and Noor. Don't miss this one - you'll like the strength both characters show and the support from their changeling family.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Stephanie Laurens (Author)**: - Category: Books->Literature & Fiction->Genre Fiction\n- Title: Mastered By Love (Bastion Club, 8)\n- Subtitle: Mass Market Paperback – Illustrated, July 28, 2009\n- Price: 8.99\n- Author: Stephanie Laurens\n #1 New York Times bestselling author Stephanie Laurens began writing romances as an escape from the dry world of professional science. Her hobby quickly became a career when her first novel was accepted for publication, and with entirely becoming alacrity, she gave up writing about facts in favor of writing fiction. Laurens's novels are set in the time period of the British Regency, and her settings range from Scotland to India. Laurens has published fifty works of historical romance, including 29 New York Times bestsellers. All her works are continuously available in print and digital formats in English worldwide, and have been translated into many other languages. An international bestseller, among other accolades Laurens has received the Romance Writers of America prestigious RITA Award for Best Romance Novella 2008, for The Fall of Rogue Gerrard. Her continuing novels featuring the Cynster family are widely regarded as classics of the genre. Other series include the Bastion Club Novels and the Black Cobra Quartet. Following is a brief autobiography of Stephanie's life before becoming a romance novelist: My early life was not all that ordinary - I was born in Ceylon (now Sri Lanka) many years ago, at a time when the recently independent British colony still behaved socially very much like an outpost of the British Raj. So I know what \"tiffin\" is. It was a strange society - one that has now died - but I still remember snippets. At age 5, my family upped stakes and moved permanently to Melbourne, Australia, where they've remained ever since. I did all my schooling in Melbourne, finished university with a Ph.D. in Biochemistry, then moved on, together with my husband, acquired along the way, to London. Of course, we didn't just hop on a plane and fly. No. We took what proved to be one of the last true overland journeys from Katmandu to London - through northern India and the Ganges valley, up into Kashmir to laze on houseboats on the lake at Srinigar, then through Pakistan and on up the Khyber Pass into Afghanistan (pre-destruction). From Kabul, we continued west, across Iran (then still with the Shah), down to Isfahan, then up to the Caspian Sea, then all the way across Turkey to the ages-old fascination of Istanbul. I still have the most vivid memories of Afghanistan, Iran and Turkey - the most wonderfully dramatic and lonely scenery - places where Nature really impinged on your consciousness. After wandering across Europe, we eventually reached London, after what will undoubtedly rank as the journey of our lives. In London, I took up a position as a research scientist - and my husband did, too. We lived in a lovely little cottage - a 16th century woodcutter's cottage, complete with 16th century tiles (you can tell by the wooden pegs that hold them on), built onto an oast house (those places with conical roofs where they used to dry hops), surrounded on all sides by the lush green fields of rural Kent. Of course, next door was the protected remains of a 1st century Roman villa, and down the lane was a 14th century castle, still owned by the original family. The main house was now mostly Queen Anne in style, but with some Tudor buildings still remaining. We spent 4 wonderful years living in England, touring England, France, Spain, Portugal and northern Italy, entirely off the beaten track. Provincial France became a favorite haunt; Portugal was a different sort of paradise. On our return to Australia, we both continued on with scientific research - in my case, in the cancer research field. I remained in cancer research, rising through the ranks to heading my own laboratory...until fate took a hand. I had read romances since I was 13 - when my mother borrowed Georgette Heyer's romances from a workmate, and I read them after her. These Old Shades was the first one I read - I was hooked for life. In England, I'd had the opportunity to stock up with Regency romances that were never available in the US or Australia - I still have shelves of them. After our return to Australia, one day I literally ran out of books to read. I wanted a new Regency romance - but there were none in the stores. In desperation, I decided to write one - something I'd always had a hankering to do, but never done. So I did. I just sat down and wrote the story, writing at night and on weekends, primarily to entertain myself. To my surprise, being one of those people who always have craft projects lying around unfinished for years, I actually finished the book - mainly, I suspect, because I wanted to know the end. But there it was - and it didn't seem too bad. Perhaps.... That first manuscript became TANGLED REINS, my first romance - a British Regency romance published by Mills & Boon. Subsequently, I wrote 7 more Regency romances for Mills & Boon. Somewhere along the line, I faced the fact that the life of a research scientist, certainly at the level I had now reached, had palled. Stress levels were too high. But I now had something else I could do - I could write romances. So I \"retired\" from scientific life, to more relaxed and fulfilling endeavors, and at much the same time, crossed the Atlantic publishing-wise, and, after some uncertain times, eventually signed on with Avon. The rest, as they say, is history! For information on upcoming releases and updates on novels yet to come, visit Stephanie's website at www.stephanielaurens.com or connect with her on Facebook www.facebook.com/AuthorStephanieLaurens If you'd like to get regular information about upcoming releases or giveaways, sign up for her newsletter at http://www.stephanielaurens.com/newsletter-signup/\n- Description: Review “Erotically specific yet emotionally touching and infinitely romantic, this electrically charged, danger-tinged romance deliciously concludes Laurens’s Bastion Club series.” — Library Journal About the Author #1 New York Times bestselling author Stephanie Laurens began writing as an escape from the dry world of professional science, a hobby that quickly became a career. Her novels set in Regency England have captivated readers around the globe, making her one of the romance world's most beloved and popular authors.\n- Features:\nThe men of the Bastion Club proved their bravery secretly fighting for their country. Now their leader faces that most dangerous mission of all: finding a bride. As the mysterious leader of the Bastion Club known as \"Dalziel,\" Royce Varisey, tenth Duke of Wolverstone, served his country for decades, facing dangers untold. But as the holder of one of England's most august noble titles, he must now take on that gravest duty of all: marriage. Yet the young ladies the grand dames would have him consider are predictably boring. Far more tempting is his castle's willful and determinedly aloof chatelaine, Minerva Chesterton. Beneath her serene façade lies a woman of smoldering sensuality, one who will fill his days with comfort and his nights with sheer pleasure. Determined to claim her, he embarks on a seduction to prove his mastery over every inch of her body . . . and every piece of her heart.\n- Details:\n Publisher: Avon; Illustrated edition (July 28, 2009)\n Language: English\n Mass Market Paperback: 480 pages\n ISBN 10: 0061246379\n ISBN 13: 978-0061246371\n Item Weight: 8.5 ounces\n Dimensions: 4.19 x 0.96 x 6.75 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 0.98, 0.9]}
{"uid": "AFP2LK7QVYMV4ZK6CFOWHS7KUJ2A", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics: Missing\nInterests: \n Unable to determine interests\nValues: \n Unable to determine values\nCommunication: \n Unable to determine communication style\nStatistics: \n Unable to determine statistics\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Literature & Fiction->Poetry\n- Title: Attributed to the Harrow Painter (Kuhl House Poets)\n- Subtitle: Paperback – November 1, 2017\n- Price: 18.0\n- Description: Review \"Meandering around the edges of the beginning of someone's mid-life, Attributed to the Harrow Painter dips back to lost teenage friends, traumas, accommodations, pleasures and losses and forward as the father of a young child, to the inevitable future. There's the New York diaspora, and there are the blue jays?and backyards of skull-fuck cold Kansas. Where are you most alive? Like Dana Ward and Ariana Reines, Nick Twemlow writes brainy poetry that's as dispersed as real life without losing heart. I f ...[truncated]\n- Features: Attributed to the Harrow Painter reckons with fatherhood, the violence of nostalgia, poetry, and the commodity world of visual art as the poems here frantically cycle through responses to the speaker’s son’s remark on a painting by Julian Schnabel that it “looks like garbage.” What does it mean to be a minor artist, the poems wonder, like the Greek pot painter named in the book’s title, who is described by one critic as “indeed a minor talent, not withstanding the undeniable charm of some of his works”? Wha ...[truncated]\n\nReview by this user:\nC seems much like mine Ms: Attributed to the Harrow Painter by Nick Twemlow is one of the Kuhl House poets' publications from University of Iowa Press. The Kuhl House series is dedicated to contemporary poets who write outside the usual traditions. Twemlow’s work includes Palm Trees, and his poems have appeared in Court Green, jubilat, Lana Turner, and the Paris Review. He co-edits Canarium Books and is a senior editor at the Iowa Review. He teaches at Coe College and lives in Iowa City, Iowa.
The collection starts with a poem the poet taking his son to a museum and asking the child's opinion of Schnabel’s The Death of Fashion to which the child gives a very expected opinion. The Harrow Painter, likewise a painter but in ancient Greece, is described as minor, but with some charm. That is the life of most. We travel a fairly linear path with some peaks and valleys. Twemlow travels back in his mind and poetry to the high and lower points of life. In particular, his English teacher Mr. C seems much like mine Ms. H in brutality. There are good times with friends and of course experimentation with drugs in his younger days. The poet is holding the future in his hands (his son) and looking at how he arrived at the present, but with an eye still, too, on the future for his son.
Although this collection isn't traditional in form, it is much closer than works like Eric Linsker's La Far. The lines are short but the poems are long. There is a stream of consciousness flow in the poems but it is very structured. Alliteration and a strong rhythm are felt throughout all the lines. The reader can easily get caught up in the rhythm of the writing. A very good collection of experimental poetry that is not too far from traditional poetry or even lyrics.\n\n--- Example 2 ---\nBook:\n- Category: Books->Literature & Fiction->Poetry\n- Title: High Ground Coward (Iowa Poetry Prize)\n- Subtitle: Paperback – April 15, 2018\n- Price: 19.95\n- Description: Review “Alicia Mountain looks at every tiny thing very closely, and in doing that conveys the big picture of a vast inner life with marvelous clarity and depth. Her voice is intimate, brash, always precise, heartbreaking in both its vulnerability and its authority. These poems are carried away by both lust and intelligence. This poet understands desire: its expression lets loose while giving form. This book doesn’t detour, it goes right to and through the overpowered, relentless heart of its speaker and the ...[truncated]\n- Features: Alicia Mountain’s urgent and astonishing debut collection maps a new queer landscape through terrain alive and sensual, defiant and inviting. With a voice that beckons while it howls, Mountain nimbly traverses lyric, confessional, and narrative modes, leaving groundbreaking tracks for us to follow. High Ground Coward offers fists full of soil, leftovers for breakfast, road trip as ritual, twins of lovers and twins of ourselves. This world blooms with hunger-inducing detail, its speakers asking us to conside ...[truncated]\n\nReview by this user:\nThere is a stream of consciousness in the work that seems organic and organized like a messy desk: High Ground Coward by Alicia Mountain is the Iowa Poetry Prize winner for 2017. Mountain is a poet and Ph.D. candidate at the University of Denver. Her work has been published or is forthcoming in Prairie Schooner, Pleiades, Witness, Zone 3, Colorado Review, and elsewhere. Mountain's work was nominated for a 2016 Pushcart Prize. She won an Academy of American Poets College Prize in 2014 and was a 2015 Idyllwild Fellow. She received her MFA from the University of Montana in Missoula.
This collection presents aspects from the poet's life. The landscape of Montana comes to stimulating life, especially in the winter. Spring comes but it is in conjunction with a relationship. There is a stream of consciousness in the work that seems organic and organized like a messy desk. It is all there and you know where everything is located but it is not in clearly labeled folders. The urgency of he voice adds to the natural flow of information. At times it seems a bit chaotic but never out of control. There still is a fuzziness that comes with words:
My father had no sons.
My mother sends my wife her love.
In all of this, forgiveness
assumes sin and I’m not sorry.
~ The Book is a Hungry Darkness
Much is implied but without the detail that a second person would assign to the same information. Like modernist's stream of consciousness put the reader inside a narrative brain, Mountain removes much of the narrative and puts the reader inside her mind without a guide. The careful reader will not be lost. "Little Rectangular Earths" and "Elysian / Echo" let the reader into a mind with naked thoughts.
There is a mix of memories road trips, childhood, trains, jobs, friends, and lovers in the work take on an almost dream-like quality. The imagery is constant and vivid as in "Closing Costs" although at times fragmented as memories or images of memories often are.
This collection of poems for slow enjoyment; take your time. Images need to build and collect. Although this collection may not be for everyone, it does offer intensity that is absent from much of modern poetry.\n\n--- Example 3 ---\nBook:\n- Category: Books->Literature & Fiction->Poetry\n- Title: The Fix (Iowa Poetry Prize)\n- Subtitle: Paperback – April 15, 2018\n- Price: 19.95\n- Author: Lisa Wells\n- Description: Review “Full and luscious as a grape before wine-making or a moon before love-making, the poems in The Fix live in a roadside space that’s earthy, sensual, erotic, and wild. Lisa Wells writes by feel, shaping, kneading, and bending the line the way a potter builds a ceramic vessel from the bottom up, coiling around a central idea until it’s solid, visible, and ready to be marveled at.”—D. A. Powell “ The Fix is ruthless, sleepless, vigilant, obsessive: a profound work of mystery and matter, of power and ple ...[truncated]\n- Features: Proceeding from Hélène Cixous’s charge to “kill the false woman who is preventing the live one from breathing,” The Fix forges that woman’s reckoning with her violent past, with her sexuality, and with a future unmoored from the trappings of domestic life. These poems of lyric beauty and unflinching candor negotiate the terrain of contradictory desire—often to darkly comedic effect. In encounters with strangers in dive bars and on highway shoulders, and through ekphrastic engagement with visionaries like Wi ...[truncated]\n\nReview by this user:\nComplex yet beautifully written collection of poetry certainly able to hold the ...: An incredible selection of poetry that almost defies description. Vivid in both descriptions and distractions the poet takes the reader on a wild ride from the shoulder of the road to the backroom of a club. Animalistic and sometimes violent the journey continues unabated.
Sometimes the words turn simple:
A seed sleeps till you put it in the ground.
A seed is a box water opens
~ Resurrections II
Other times the words tend to run deep and the meanings blur. The is captured particularly well in ”State of a Fair” blending meanings and playing both on words and events to create a double vision branching in different directions.
Complex yet beautifully written collection of poetry certainly able to hold the attention and admiration of the reader. A well-done collection deserving of the Iowa Poetry Prize.\n\n--- Example 4 ---\nBook:\n- Category: Books->Literature & Fiction->History & Criticism\n- Title: Paracritical Hinge: Essay, Talks, Notes, Interviews (Contemp North American Poetry)\n- Subtitle: Paperback – March 15, 2018\n- Price: 45.0\n- Description: Review “Mackey’s new volume is more even than the ‘paracriticism’ of its title; it is a hinge linking practices, linking a poetic critique with a metamusical aesthetic. Fiction and criticism conjoin in the passages drawing from Mackey’s serial fiction even as the interviews proffer a poetics.”—Aldon Nielsen, Penn State University “Mackey’s voice emanates from the perspective available to a contemporary African American, jazz influenced, on-the-postmodern-cusp intellectual poet. His voice is well defined: he ...[truncated]\n- Features: Paracritical Hinge is a collection of varied yet interrelated pieces highlighting Nathaniel Mackey’s multifaceted work as writer and critic. It embraces topics ranging from Walt Whitman’s interest in phrenology to the marginalization of African American experimental writing; from Kamau Brathwaite’s “calibanistic” language practices to Federico García Lorca’s flamenco aesthetic of duende and its continuing repercussions; from H. D.’s desert measure and coastal way of knowing to the altered spatial dispositio ...[truncated]\n\nReview by this user:\nHe also discusses writers and arts in his work like Amiri Baraka and John Coltrane: Paracritical Hinge: Essay, Talks, Notes, Interviews by Nathaniel Mackey Mackey is an American poet, novelist, anthologist, literary critic, and editor. He is the Reynolds Price Professor of Creative Writing at Duke University and a Chancellor of The Academy of American Poets. Mackey is currently teaching a poetry workshop at Duke University. He has been editor and publisher of Hambone since 1982 and he won the National Book Award for Poetry in 2006. In 2014, he was awarded the Ruth Lilly Poetry Prize, and in 2015 he won Yale's Bollingen Prize for American Poetry.
Paracritical Hinge refers to the pivotal point of the combination of poetry, fiction, and art. Mackey examines several subjects including an interesting examination of phenology, the poetry of the Vietnam War, and jazz. He also discusses writers and arts in his work like Amiri Baraka and John Coltrane.
This is clearly a work for those familiar with Mackey and his work. The reading is not easy especially for one whose field of study and interest are not strongly connected to Mackey's. The writing in the body of the work is complex with plenty of names and themes that are understood to be known. I had to skip through the introduction because it was over my head. I found it a little odd that I could follow along in sections where I had an understanding of the subject matter but was lost in the introduction that was supposed to introduce the subject and ease me into it. A difficult but rewarding work that clearly is not for everyone.\n\n--- Example 5 ---\nBook:\n- Category: Books->Literature & Fiction->History & Criticism\n- Title: Technomodern Poetics: The American Literary Avant-Garde at the Start of the Information Age (New American Canon)\n- Subtitle: Paperback – October 1, 2018\n- Price: 75.0\n- Description: Review “Todd Tietchen’s powerfully transformative account of the post–World War II avant-garde lets us understand and appreciate the technological imagination of some of the period’s most provocative writers and artists. By reading the Beats and other figures for their surprisingly canny engagements with a culture of information—across material practices, historical contexts, and aesthetic innovations—Tietchen reminds us that we still have a lot to learn about how Jack Kerouac, Allen Ginsberg, Frank O’Hara, ...[truncated]\n- Features: After the second World War, the term “technology” came to signify both the anxieties of possible annihilation in a rapidly changing world and the exhilaration of accelerating cultural change. Technomodern Poetics examines how some of the most well-known writers of the era described the tensions between technical, literary, and media cultures at the dawn of the Digital Age. Poets and writers such as Allen Ginsberg, Charles Olson, Jack Kerouac, and Frank O’Hara, among others, anthologized in Donald Allen’s ic ...[truncated]\n\nReview by this user:\n\"There are forms of oppression and domination which become invisible - the new normal.\": The digital humanities risk becoming just an extension of the corporate-driven technocracy endemic to neoliberalism.
~ Alan Liu
Technomodern Poetics: The American Literary Avant-Garde at the Start of the Information Age by Todd T Tietchen is the examination of the change of American poetry in the post-WWII period. Tietchen is associate professor of English at the University of Massachusetts, Lowell. He is the author of The Cubalogues: Beat Writers in Revolutionary Havana. He holds a Ph.D. in English from the University of Washington.
I find poetics to be a difficult subject but love poetry. Poetry is like watching the night sky and taking it all in. One does not need to understand astrophysics to enjoy the night sky. Poetics is the astrophysics of poetry. It is the reason and the why of poetry. It is why poetry is written in the form that it is in. My experience with poetics has not been very successful. I decided to give it a try again with a period that I am familiar with in other ways.
Charles Olson's \"The Kingfishers\" is used to set Tietchen's thesis. It is a poem that breaks the conservative mold of American poetry. It ignores traditional rhyme, line length, and creates packets of information for the reader. He presents the failings or the collapse of Western civilization. The poem closes with:
I pose you your question:
shall you uncover honey / where maggots are?
I hunt among stones
Civilization has rotted away and the Olson the \"archeologist of morning\" uses words as tools to move things. Morning could mean the new day or more probably its homonym.
What caused the sudden change in American poetry. No doubt mechanized warfare of the WWII and the atomic bomb being dropped on Japan had a role in the shift. Also, technology also presented a different way as ENIAC was used to study artillery trajectory and used to explore the possibility of the hydrogen bomb. Technology had taken a dark turn. Throughout the book, Tietchen builds on the idea of intrusive technology and associates it with fascism. People were expected to fit into a neat mold much like traditional American poetry. Kerouac's short story \"cityCityCITY\" is also used as an example of the coming dystopia.
If one thinks the ideas presented may be far-fetched one just needs to look elsewhere in society at the time. Science fiction and horror movies of the 1950s tended to make a hero out of the strong individual and a villain of the collective. In Cold War politics, the Soviet Union was the machine and its people simply cogs in that machine. America and the West were about the individual unless he or she caused waves or moved outside the lines. The illusion or freedom or comparative freedom was the ideal. Today cell phones can track your position anywhere there is cell service, yet people happily volunteer and pay for this potential loss of privacy. The internet opened a world of information to the public, but everything you look at or read can be tracked. Your library searches can also be monitored. You are free to look, but if you look at some things, you might have to answer a few questions.
Technomodern Poetics examine the roots of dystopia through technology. Earlier writers wrote on paper and typed out their final copies. In the postmodernist age, the typewriter became the primary tool. Kerouac typed directly to a scroll to create a primitive instantaneous recording of the author's thoughts. O'Hara wrote his poems on lunch walks. There was an attempt to instantly capture the ideas of the writer. Poet's at the time moved outside of the lines. Ginsberg and Lenore Kandel would face obscenity trials for their work. Technology could be used to create and to control. Today writers are free to self-publish their works. Reviewers can criticize and review works but are trapped inside of lines.
What I type here are my thoughts and work and can reach an unlimited audience, but I do not have control of the information. If I stay within rules established by WordPress, if I do not violate the terms of service with my internet provider, if I do not break any laws or advocate the overthrow of the government, if I color between the established lines I am free to do what I want. If the lines remain wide, we do not notice the cage around us. Technology, in commerce and politics, is what can close those lines. The poets and artists of the post-war period saw this, and it scared them; today we seem to be numb to it. One must remember the words of Michel Foucault, \"There are forms of oppression and domination which become invisible - the new normal.\"\n\n--- Example 6 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Buddhism for Western Children (Iowa Review Series in Fiction)\n- Subtitle: Paperback – October 1, 2018\n- Price: None\n- Description: Review “ Buddhism for Western Children is insane. It’s a weird, fun, and horrifying dream. Allio’s sentences are stunning (e.g. Concerning the air: “It’s so fresh it seems carbonated.”) and the end is home to the best plot twist of 2018. I said it. Read the book and tell me I'm wrong.”— NewPages ― NewPages Published On: 2018-12-03“An enigmatic and fervent read.” ― Kirkus Reviews Review “An incisive look at what it means to be a child dragged along in the undercurrent of one’s parents’ fervor for enlightenme ...[truncated]\n- Features: Set on the coast of Maine and in the high desert of New Mexico in the late 1970s through the early 80s, Buddhism for Western Children is a universal and timeless story of a boy who must escape subjugation, tell his story, and reclaim his soul. In search of community and transcendence, ten-year-old Daniel’s family is swept into the thrall of a potent and manipulative guru. To his followers, Avadhoot Master King Ivanovich is a living god, a charismatic leader who may reveal enlightenment as he mesmerizes, an ...[truncated]\n\nReview by this user:\nBuddhism for Western Children is rewarding on several levels.: Buddhism for Western Children by Kirstin Allio is a novel about ten-year-old Daniel and his family and life following a guru. Allio is the author of Clothed, Female Figure and Garner, which was a finalist for the LA Times Book Prize for first fiction. Her honors include the National Book Foundation’s 5 Under 35 Award and a PEN/O. Henry Prize.
The story is told through the eyes of Daniel, a ten-year-old boy, and their family's quest into spirituality. The guru and living god is Avadhoot Master King Ivanovich a Russian who plays piano and speaks to his followers in crude poetry. The confusion about the attraction to cults is reflected in the writing. The prose is excellent, a bit surreal and sometimes confusing. It seems to signal that the difference in what is seen and heard inside the cult and what the outsider (reader) sees and hears. The guru seems to speak to a deeper level to his followers and what the reader sees seems somewhat crass.
Allio weaves together a story of the cult mindset, the perseverance of the young mind, absurdity, and beautifully written lyrical poetry. Her writing style is enough to draw in the reader looking to escape the modern simplistic prose that defines today's society. The style and fluidity of this book are reminiscent to Modernism and even the writing style of Virginia Woolf. Buddhism for Western Children is rewarding on several levels.\n\n--- Example 7 ---\nBook:\n- Category: Books->Literature & Fiction->Poetry\n- Title: Transaction Histories (Kuhl House Poets)\n- Subtitle: Paperback – September 10, 2018\n- Price: 17.36\n- Description: Review “The prospect of a book filled with prose poems is admittedly better than the prospect of a book filled with thumbtacks, but not by much. So it is greatly to Stonecipher’s credit that Transaction Histories is a delight: a mordant yet romantic survey of art, love, hunger and plastic owls in which seemingly unrelated observations are meticulously knit together to form a resonant whole. The method here is generally to put a figure or phrase in play — for example, a little girl who “turned out to have ju ...[truncated]\n- Features: Reveling in the paradox of the formal prose poem, Donna Stonecipher’s Transaction Histories gathers together six series of poems that explore the disobedient incongruities of aesthetics and emotions. Stonecipher’s carefully sculpted forms and exacting language are held in tension with an unruly imagination to provoke a vision of experience densely layered with bodies impinging upon and altering each other, engaging in transactions that unfold in poetically complex and emotionally startling ways. By turns wr ...[truncated]\n\nReview by this user:\nAn enjoyable and thought-provoking collection of modern poetry. : Transaction Histories by Donna Stonecipher is a series of six poems of several sections. Stonecipher is the author of three books of poems, most recently The Cosmopolitan (2008, winner of the National Poetry Series). She graduated from the University of Iowa Writers' Workshop, with an MFA in 2001. She completed her Ph.D. in English and Creative Writing at the University of Georgia.
Transaction Histories delivers an exciting collection of observations and bits of news. The color blue and water in all its forms are present and run through the entire collection. The sea, rivers, snow, coastlines, and an infinity pool are all represented. Water is the ban of developers as nothing can be built on it. Later we are reminded of the plastic island in the Pacific the size of Texas, and it is countered with:
The plastic owls had been manufactured to scare away other
birds, as if wisdom itself were frightening — and indeed it was.
The language is crisp and filled with images:
In the photograph there were long rows of hooded horses, their eyes like great dark
romantic marbles glistening out into the unromantic crowds.
The images reflect back and forth through the poems and form connections to the past. Views change as a gardener, artist, and a veterinarian discuss the best places to live. This is countered later by travelers who arrive in a foreign city looking to eat and find the same selection of restaurants they had at home, except with the if one found one's self at a particular restaurant in India.
Time changes values of items:
Even as we sat watching the sunset, somewhere a lamp was turning into an antique somewhere a sofa was converting from bad taste to good taste.
It also changes what people value:
A lot of people seemed to like to go to the New York Public Library, establish themselves at a desk surrounded by books, and spend all afternoon stroking their smartphones.
Stonecipher takes the reader on a journey from Persian carpets, to the (loosely translated) Encyclopedia of Bad Taste, and Snow. Between each section is are two short poems call \"Landscape\" and \"Portrait\" which offer a view of art from the past and waste from the present. A stark contrast between the past and present. The past and present and people and things come together to compliment and contract each other. An enjoyable and thought-provoking collection of modern poetry.
Available September 10, 2018\n\n--- Example 8 ---\nBook:\n- Category: Books->Literature & Fiction->Poetry\n- Title: Form from Form (Kuhl House Poets)\n- Subtitle: Paperback – September 10, 2018\n- Price: 19.95\n- Description: Review “Rich in imagery and complex in form, Bolin delivers an interesting adventure in words that glimpse beyond the shadows on the wall”— Evilcyclist’s Bookshelf Review “Chris Bolin has an expert sense of the line and a very keen feel for the poetic image, constructing poems that move with a calm and stately radiance. In its austere tableaux and impersonal but poetically authoritative language, Bolin’s work brings to mind Saint-John Perse’s Anabasis , creating an overall and haunting impression of mankind ...[truncated]\n- Features: “Was it a crater or a sinkhole?” asks a voice in one of the mysterious, wonderstruck poems in Christopher Bolin’s Form from Form, whose cadences modulate with the energies of form-making, deformation, and elusive reformation. Natural forms and forms of human manufacture, forms of absence and those of urgent desire construct and deconstruct each other in Bolin’s singular music, which blends unnerving plainness and obliqueness, the childlike and the alien. As their sites drift from workers’ camps to city squa ...[truncated]\n\nReview by this user:\nRich in imagery and complex in form: Form from Form by Christopher Bolin is the poet's second collection of poetry. Bolin teaches writing at the College of St. Benedict and St. John’s University. He is also the author of Ascension Theory.
Kuhl House Poets releases collections in fall and it is described by the University of Iowa Press as:
This provocative series reawakens readers to a fresh consideration of the possibilities of language and feeling by publishing work that is formally and verbally inventive, adventurous work that takes its own path outside established routes of either traditions or experimental poetry.
Form From Form perfectly fits this description. The Kuhl House releases are usually more difficult poetry and usually supply several moments of revelation. Form From Form made me think from first seeing the title. It is usually form that follows function. Reading through I began to think that if form derives from form might this not be like Plato allegory? The poet is describing form while viewing the ideal in an attempt to relay perfection in our imperfect words. Bolin's work certainly did provide several instances when he perfectly captured a moment.
The work is rich with imagery:
The viewers in the triptych shadows breaking into sequences
of expressions—
into tableaus
of arriving
a thousand years too late to save them from themselves
~Crowd Control
\"Manuscript\" plays heavily on the ovine. From the vellum, to the recording of the word of The Lamb, to the \"smoothing the tufted pages of the beast\" the path is clearly marked and followed. The poet moves from fishermen to factories and might even touch upon the uncertainty principle. Rich in imagery and complex in form Bolin delivers an interesting adventure in words that glimpse beyond the shadows on the wall.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: James Miller (Author)**: - Category: Books->Politics & Social Sciences->Politics & Government\n- Title: Can Democracy Work?: A Short History of a Radical Idea, from Ancient Athens to Our World\n- Subtitle: None\n- Price: None\n- Author: James Miller\n Discover more of the author’s books, see similar authors, read author blogs and more\n- Description: Review \"What makes the book compelling is its focus on colorful thinkers, activists, and political leaders who lived and breathed the democratic moment throughout history, from Pericles and Socrates in ancient Athens to Woodrow Wilson and Vladimir Lenin in the early twentieth century. Miller shows that democracy’s ascent is best seen not as a gradual unfolding of a political principle driven by reason and moral destiny but rather as a grand roller coaster ride of struggle, revolution, and backlash. Today’s populist outbursts look quite ordinary alongside this history.\" ―G. John Ikenberry, Foreign Affairs \"The strength of this book lies . . . in the exquisite portraits it paints of characters who stand behind the immortalized Pericles, Robespierre, and Thomas Jefferson . . . [Miller] forces the reader to sit up and realize that history isn’t a definitive grayed parchment beyond reproach, but actually a living force constantly capable of new interpretation and meaning in our current world. . . Like the ekklesia in Athens, the constituent assembly in Versailles, and the soviet in Petrograd – Can Democracy Work? offers insightful context on how our own body politic will survive these turbulent times.\" ―John Colin Marston, The Christian Science Monitor “This is a bold, eloquent, and utterly convincing history of what democracy has meant and should mean―from the Assembly of ancient Greece to the anti-Trump resistance. James Miller has produced one of the wisest reflections on the glories and limits of popular rule I have ever read.\" ―Michael Kazin, author of The Populist Persuasion: An American History “Democracy has always been at the center of James Miller’s career, whether he was investigating the sublime theories of the Enlightenment or the street politics of the 1960s. Now, at the very moment of democracy’s apparent endangerment, one of its best friends offers up the most capacious and inspiring history of it ever composed. From the Greeks to the present, Miller’s light touch and profound insight join each other on every page to make this a truly indispensable work for the present crisis.” ―Samuel Moyn, author of Not Enough: Human Rights in an Unequal World “No one is better qualified to wrestle with the riddle of democracy than James Miller, which is why I have been eagerly awaiting this brilliant and necessary book. Can Democracy Work? is an eloquent, clear-eyed account of democracy’s myriad challenges. This concise and compelling history deserves to be read and debated by all who still dare to dream of a society of equals. These pages left me feeling better prepared and reinvigorated to work toward a more democratic future.” ―Astra Taylor, director of What is Democracy? and author of The People’s Platform “James Miller, who has illuminated democracy's radical possibilities, now offers some sharp reflections on how those possibilities have fared over the centuries. At a moment when the very meaning of the word is up for grabs, Miller brings us back to philosophical essentials as forged by contingency, contradiction, and human folly. Refreshing and unsettling, here is some political intelligence in a dark and confusing time.” ―Sean Wilentz, author of The Rise of American Democracy “Distinguished historian of ideas James Miller’s short history of democracy and its different meanings is both compulsive and compulsory reading for our sometimes shockingly disenchanted times. Ever optimistic, Miller remains enamored of his native United States’s striking experiment in cosmopolitan self-governance, and stands proudly and persuasively tall for liberal―and democratic―ideals.” ―Paul Cartledge, author of Democracy: A Life “This sharp, spirited, engaged intellectual history of democracy, including its recent and often loose coupling with liberalism, combines an appraisal of both inherent and situational pitfalls with an appreciation of redemptive possibilities. If democracy is protean, what matters, this rich work teaches, is the quality of our normative choices and institutional imagination.” ―Ira I. Katznelson, author of Fear Itself: The New Deal and the Origins of Our Time \". . . An attractively broad and accessible account of democracy from the Greeks to the present day. . .[guides] readers through the mass of difficult material with enviable clarity . . . [offers] impressive new evidence and analyses.\" ―David A. Bell, New York Review of Books \"Engaging ....I’m particularly drawn to Miller’s investigation of a concept that most of us think we understand. As Miller demonstrates, “democracy” deserves a second look.\" ―Stan Persky, Dooney's Cafe About the Author James Miller is a professor of politics and the chair of liberal studies at the New School for Social Research. He is the author of The Passion of Michel Foucault and Flowers in the Dustbin: The Rise of Rock & Roll, 1947–1977 , among other books. He lives in New York City.\n- Features:\n\"Of all the books on democracy in recent years one of the best is James Miller’s Can Democracy Work? . . . Miller provides an intelligent journey through the turbulent past of this great human experiment in whether we can actually govern ourselves.\" ―David Blight, The Guardian A new history of the world’s most embattled idea Today, democracy is the world’s only broadly accepted political system, and yet it has become synonymous with disappointment and crisis. How did it come to this? In Can Democracy Work? James Miller, the author of the classic history of 1960s protest Democracy Is in the Streets , offers a lively, surprising, and urgent history of the democratic idea from its first stirrings to the present. As he shows, democracy has always been rife with inner tensions. The ancient Greeks preferred to choose leaders by lottery and regarded elections as inherently corrupt and undemocratic. The French revolutionaries sought to incarnate the popular will, but many of them came to see the people as the enemy. And in the United States, the franchise would be extended to some even as it was taken from others. Amid the wars and revolutions of the twentieth century, communists, liberals, and nationalists all sought to claim the ideals of democracy for themselves―even as they manifestly failed to realize them.Ranging from the theaters of Athens to the tents of Occupy Wall Street, Can Democracy Work? is an entertaining and insightful guide to our most cherished―and vexed―ideal.\n- Details:\n Publisher: Farrar, Straus and Giroux (September 18, 2018)\n Language: English\n Hardcover: 320 pages\n ISBN 10: 0374137641\n ISBN 13: 978-0374137649\n Item Weight: 12.8 ounces\n Dimensions: 6.42 x 1.25 x 9.12 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 1.0, 1.0, 0.9, 0.9, 0.9]}
{"uid": "AFPI42ZYG6R6CJSAUXFSEHY4QFQA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n age group: approximately 55 years old (was 22 in 1973, writing last review in 2006)\n occupation: training specialist (mentioned 'As a training specialist, it was one of my main sources for writing a domestic violence prevention training program')\n nationality: American (references American politics extensively, mentions 'our country', discusses U.S. military service context)\n other: likely has military background (references 'living amongst Germans of all backgrounds, and having travelled extensively through their forests above several tons of tracked aluminum' suggesting tank service in Germany)\nInterests: \n Political analysis and media criticism, particularly focused on Bush administration policies and conservative media figures like O'Reilly, Hannity, Limbaugh, and Coulter\n Military history and war literature, especially Vietnam War accounts ('We Were Soldiers Once...And Young') and WWII-era novels\n Classic literature and masterful storytelling, praising authors like Herman Wouk and Leon Uris as 'storytellers of classic stature'\n Social justice issues, particularly domestic violence prevention (developed training programs and extensively reviewed related literature)\n Constitutional law and presidential accountability, reviewing books on impeachment and executive power abuses\n National security and homeland defense, analyzing terrorism preparedness and intelligence failures\n Media bias and press accountability, extensively documenting how 'our main stream media (MSM) are scared to death of a conservative backlash'\n Corporate corruption and political influence, praising books that expose 'companies that have raped the public and their employees because of their own greed'\n Historical fiction that blends reality with narrative, appreciating works 'where you are unsure where fiction leaves off and reality begins'\n Leadership studies, contrasting effective versus ineffective military command in combat situations\nValues: \n Strong commitment to truth and factual accuracy, repeatedly praising books that are 'scrupulously researched' and provide extensive documentation\n Deep skepticism of conservative politics and media, stating 'neocons who worship at the holy grail of unrestrained capitalism, have little to say about this book'\n Belief in government accountability and constitutional limits on executive power, supporting impeachment proceedings based on 'high crimes and misdemeanors'\n Advocacy for vulnerable populations, particularly domestic violence victims, noting 'women are safer at night in the park than in their own homes'\n Appreciation for intellectual rigor and evidence-based arguments, consistently challenging reviewers to 'catalogue all claims to facts, and then, see how many errors you can find'\n Patriotic concern for national security combined with criticism of administration failures, arguing 'American apathy and complacency are the terrorists' greatest allies'\n Value for sacrifice and service, honoring military personnel while criticizing political leadership that 'squandered a unique moment of national unity'\n Belief in press responsibility to challenge power, criticizing media that 'rolled over for Bush' and 'hit the snooze button of lethargy and apathy'\n Respect for compassionate conservatism when genuine, but contempt for hypocrisy, noting O'Reilly 'decries opposition to tax cuts that would benefit the top one percent' while having a '$20 million dollar contract'\n Commitment to protecting democratic institutions and civil liberties against erosion by 'unlawful detentions of American citizens, kidnappings, torture, and constitutional abuse'\nCommunication: \n Writes extensive, detailed reviews averaging 400-600 words with sophisticated structure and multiple paragraphs\n Uses creative, attention-grabbing titles like 'They didn't have a zero star rating' and 'I was a Reviewer Once... And Young'\n Employs sarcasm and humor effectively when criticizing political opponents, suggesting Bush's book as 'a Christmas gift for a person you only pretend to like'\n Incorporates rhetorical questions to engage readers: 'Do I still have the book? Yes. Would I ever pick it up, and read it again? Yes.'\n Provides specific evidence and citations, noting 'Waldman catalogues so many facts and attributions per page' with 'footnotes and appendices and nexus searches'\n Uses vivid metaphors and analogies, describing information as 'wide as Texas and just as dry' or comparing security to 'sitting on a time bomb'\n Balances criticism with fairness, acknowledging 'Risen at least has the guts to put the accountability where it belongs'\n Includes personal anecdotes to establish credibility, mentioning 'As a training specialist' or 'I first opened this book late one summer evening at the age of twenty-two'\n Uses emphatic formatting with capitalization and italics for emphasis, though not excessively\n Concludes reviews with memorable summary statements like 'And that's no lie' or 'It is a book of revelations'\n Demonstrates self-awareness and humility, admitting 'I can only conclude that I lack the intellectual depth for this' when a book didn't engage them\nStatistics: \n Average review length approximately 450-550 words, with political book reviews typically longer (600+ words) than fiction reviews (300-400 words)\n Frequently uses phrases like 'I highly recommend', 'this book makes clear', 'the author demonstrates', appearing in nearly every review\n Consistently structures reviews with introduction, detailed analysis, and memorable conclusion\n Uses parenthetical asides frequently to add context or commentary, averaging 2-4 per review\n Employs rhetorical questions regularly, typically 1-3 per review for engagement\n Minimum review length around 150 words (for 'The Spartans'), maximum exceeds 700 words (for 'Lapdogs' and 'State of War')\n Varies sentence structure effectively between short, punchy statements ('And that's no lie.') and complex, multi-clause sentences\n Uses specific numbers and statistics when available to strengthen arguments ('95% of the cases are men abusing women', '834,000 men per year are abused')\n Frequently references other books and authors for comparison and recommendation, demonstrating broad reading background\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Reference->Writing, Research & Publishing Guides\n- Title: Up Front\n- Subtitle: Hardcover – December 1, 2000\n- Price: 19.23\n- Author: Bill Mauldin\n- Description: From Library Journal Speaking of Americana . With the memory of the war as fresh as the ink on the pages, Mauldin's text and drawings of the American dogface GI in combat became a classic the minute it rolled off the press in 1945 and remains an essential title for libraries. This edition contains a new foreword by Stephen Ambrose. Copyright 2001 Reed Business Information, Inc. Review The best book about war and life in an army...a classic of both prose and pictures. -- R.C. Harvey, The Comics Buyers Guide, ...[truncated]\n- Features: The definitive biography of the greatest cartoonist of the Greatest Generation. \"The real war,\" said Walt Whitman, \"will never get in the books.\" During World War II, the truest glimpse most Americans got of the \"real war\" came through the flashing black lines of twenty-two-year-old infantry sergeant Bill Mauldin. Week after week, Mauldin defied army censors, German artillery, and Patton's pledge to \"throw his ass in jail\" to deliver his wildly popular cartoon, \"Up Front,\" to the pages of Stars and Stripes ...[truncated]\n\nReview by this user:\nIn Memory of Our Fallen and Our Gold Star Mothers: It's a gift, the ability to draw, to have perspective, to create, to be able to portray human misery as humor, for a reader to see the image and words and turn to laughter. Bill Mauldin had this gift that gained prominence in a time of war where talents rise to their greatest heights or sink to their lowest depths.
Truth is portrayed in humor or the humor isn't funny. Sergeant Bill Mauldin, an infantryman, barely twenty, and serving in Italy picks up a pencil and anything he can draw on, and begins to sketch two characters named Willy and Joe, two, brave, disheveled, irreverent, likeable and crusty infantry soldiers that give meaning to the names infantrymen were referred to as: ground-pounders, dogfaces, legs, and grunts. Mauldin portrays their grim and grimy existence with fatalistic pictures and captions--or grunts. One called "Breakfast in Bed" finds one of them waking up under a cow's udders, or the one where both are in a rain-filled foxhole and Willie touches Joe's shoulder saying, "Joe, yesterday ya saved my life an' I swore I'd pay ya back. Here's my last pair o' dry socks," or with rain pelting down on a scrawny dog facing the opening of their make-shift shelter, one of them says: "Let'im in. I wanna see a critter I kin feel sorry fer." My all-time favorite is a drunk German staggering toward a hidden Willie and Joe, holding a bottle of schnapps, unaware that he is wandering into American lines: "Don't startle `im, Joe. It's almost full."
These cartoons show the comradeship that soldiers developed for each other that would last a lifetime. Each man knew each other better than his own family or spouse ever would, and they could see the good and the bad in everything. They would carry a wounded lieutenant back to safety because he wasn't a "salutin' demon," or curse the Germans as vile, evil Nazis for scuttling a large keg of cognac before their retreat. These soldiers were miserable without being despondent. They were scared without being cowardly. They complained about their predicaments, but carried out their mission as American soldiers always do--attacking silently. The viewer cannot help but feeling empathy and admiration for soldiers who sometimes spent thirty months "in the line."
Mauldin goes further than just making us laugh at the miserable existence of two men trying to stay alive. His real success is that his humor defines the very best and most humane in the human character when it is engaged in its most destructive behavior. It is also timeless. Seventy years later, civilians and servicemen can still see the gallows humor in Willie and Joe's death-defying predicaments.
"Up Front" is Mauldin's account, of what he was doing when he created a particular drawing, why he made sure to include medics, engineers, chaplains, and even Tommies. The writing is matter of fact, well-written, and interesting, but without fascination. That was saved for the cartoons. The author is explaining each one in his text. It's the drawings and the captions that make this book a winner and a conversation piece.
Bill Mauldin died January 22, 2003. Willie and Joe occupying a foxhole filled with water and several cubic feet of complaints live on.
Think about this the next time you put on a pair of clean, dry socks, and marvel at the simple pleasure of just how good they feel.
May 26, 2008 Memorial Day (observed)
In Memory of the Fallen and all our Gold Star Mothers--especially today.\n\n--- Example 2 ---\nBook:\n- Category: Books->Politics & Social Sciences->Politics & Government\n- Title: War And The American Presidency\n- Subtitle: Hardcover – Illustrated, January 1, 2004\n- Price: 1.99\n- Author: Arthur Meier Schlesinger\n- Description: From Booklist Pulitzer Prize-winning presidential historian Schlesinger is perhaps best known for his study of the Kennedy presidency, A Thousand Days: John F. Kennedy in the White House (1965), and it is his reputation that will likely attract readers otherwise turned off by the vociferous glut of books, pro and con, about the Bush administration. Their interest will be well rewarded, for this selection is a notch better than most. Rather than comparing the current president's character with that of his pr ...[truncated]\n- Features: The two-time Pulitzer Prize-winning historian explores the war in Iraq, the presidency of George W. Bush, and the future of democracy warning readers about the dangers of America's policy shift from containment to preventive war, discussing Bush's revival of the \"imperial presidency,\" and urging for continued patriotism in the face of dissent. 70,000 first printing.\n\nReview by this user:\nWhat We Needed to Know in 2002.: \"In 1998, Donald Rumsfeld, [Paul] Wolfowitz, [Richard] Perle were among the eighteen signers of an open letter to President Clinton arguing that regime change in Iraq 'needs to become the aim of American foreign policy'.\" This quote from world-respected author and one-man political think tank, Arthur Schesinger shows that these individuals were looking for an excuse that 9/11 gave them, to invade Iraq. They began beating the tocsins of war shortly after to create their vision of a middle eastern democracy under a pax americana.
Arthur Schlesinger points out in detail how the Bush administration pressured the CIA for raw intelligence from which they would make an interpretation, how the reasons for invading Iraq kept changing, and how the White House kept contradicting previous statements. The reader can only come to the conclusion that the Bush Doctrine is an utter failure, the invasion of Iraq was not to fight terrorism but to satisfy a right-wing vision, that we were lied to about an association between Saddam Hussein and Osama bin-Laden, that we lied to about WMD. Even after this collaboration and weapons failed to materialize, Schlesinger states \"the Bush administration is left with liberation, which it had once deemed an insufficient justification for putting American lives at risk.\"
I found the first three chapters captivating, but I gave this four stars because of a need to keep a dictionary by my side. The author's vocabulary far exceeds mine, and those of fewer words may find this annoying or challenging. I was also annoyed by the author's use of French without translation: \"Nous Sommes Tous Americains.\" (We are all Americans.) In some places, I had to stop and absorb his insight--a more worthwhile pursuit.
But, if you are looking for a powerful and persuasive argument against our government and its actions, Arthur Schlesinger gives it to you. Read it, and soak it up. Finally, remember the words of George Bush:
\"There was no viable exit strategy....Going in and occupying Iraq, thus unilaterally exceeding the United Nations mandate, would have destroyed the precedent of international response to aggression that we hoped to establish.\"
That was from George Herbert Walker Bush (41)!\n\n--- Example 3 ---\nBook:\n- Category: Books->New, Used & Rental Textbooks->Humanities\n- Title: The Conscience of a Liberal\n- Subtitle: None\n- Price: 8.48\n- Author: Paul Krugman\n- Description: From Publishers Weekly Starred Review. Economist and New York Times columnist Krugman's stimulating manifesto aims to galvanize today's progressives the way Barry Goldwater's The Conscience of a Conservative did right-wingers in 1964. Krugman's great theme is economic equality and the liberal politics that support it. America's post-war middle-class society was not the automatic product of a free-market economy, he writes, but was created... by the policies of the Roosevelt Administration. By strengthening ...[truncated]\n- Features: This wholly original new work by the best-selling author of The Great Unraveling challenges America to reclaim the values that made it great. With this major new volume, Paul Krugman, today's most widely read economist, studies the past eighty years of American history, from the reforms that tamed the harsh inequality of the Gilded Age to the unraveling of that achievement and the reemergence of immense economic and political inequality since the 1970s. Seeking to understand both what happened to middle-cla ...[truncated]\n\nReview by this user:\nWorth Every Penny: As baby boomers, we grew up with products \"Made in the USA\" and scoffed at trinkets from Japan. Our parents enjoyed life-long employment, health care, affordable education, Social Security and pensions that made the golden years more golden. This is what author Paul Krugman describes in his new book \"Conscience of a Liberal.\" He calls this the \"Great Compression\" where the politics of equality was borne from the New Deal in which Franklin Delano Roosevelt defied the laws of Adam Smith and his invisible hand, and redistributed the wealth of a nation, effectively killing the \"Gilded Age\" where society was comprised of the very wealthy and the poor.
FDR's New Deal saw the minimum wage becoming half of the average wage earner, the rise of unions, and the mansions of the nation's wealthiest becoming museum attractions. This was the creation of the middle class that was vehemently opposed by Republicans who believed that government intervention would turn the country communist and ruin the economy. It didn't.
By the time Dwight Eisenhower, Republican, became president most in the party had made their peace with the New Deal and only a fringe of an extremist element, known as movement conservatives, still opposed it.
These conservatives made a brief, unsuccessful surge with the nomination of Barry Goldwater in 1964. They got a break when Democrats embraced civil rights, which broke the Solid South away from them. Racism and the wrath of the angry white male were exploited, and the message of Ronald Reagan could not be missed when he launched his campaign in Philadelphia, MS. Sound familiar?
Through skillful marketing of ideas, conservatives were able to exploit racism and frame themselves as strong on defense, tough on crime, and opponents of big government and taxes, even though they lacked the record to support any of these assertions. Once again, we returned to a Gilded Age with a rising disparity between the have's and the have nots, and a declining middle class. Middle class income is less than it was under President Lyndon Johnson, and bankruptcies and mortgage foreclosures have increased because of crushing medical debt and jobs being shipped overseas.
And this is where Paul Krugman claims that conservatism is running on its last pint of gas. With record low unemployment and a booming economy, Americans are still uncertain about the their future and their prospects. They have had no tax relief, no job security, income failing to keep pace with cost of living increases, rising health care insurance costs, no end to an unpopular war, rising education costs, and companies repudiating their pension promises. With forty-five million Americans having no health insurance and sixteen million being under-insured, conservatives are no longer able to convince them that they are better off with tax relief going to the richest companies, while they are trying to dismantle Medicare and Social Security, in other words, the New Deal.
In spite of the current widening gap, Krugman sees an optimistic future, a demise of movement conservatism and a return to the politics of equality through universal health care. He points out that this is not socialized medicine but socialized insurance. The government program, Medicare operates efficiently with smaller administrative costs than major insurance companies, which have considerably higher operating expenses. The author's second point is that while racism still exists, it is not as deep as it was twenty years ago, and can no longer be exploited by movement conservatives. Equally important, he believes that Americans will eventually see that conservatism is of no advantage to them, only to the corporations and the wealthy.
Writing in a style and vocabulary that will not require the reader to carry a dictionary, this award-winning columnist and economist provides an interesting background of American populism, political history of America in the 20th century, and the remedy for the current politics of inequality.
It was a thoroughly enjoyable reading experience. It is worth every penny.\n\n--- Example 4 ---\nBook:\n- Category: Books->New, Used & Rental Textbooks->Social Sciences\n- Title: The Cost of Rights: Why Liberty Depends on Taxes\n- Subtitle: None\n- Price: 12.91\n- Author: Cass R. Sunstein\n- Description: Review A brilliant and refreshing look into the conditions necessary for the protection of rights, The Cost of Rights is essential to understanding how individual liberty depends fundamentally on social cooperation and government action. -- George Soros, author of The Crisis of Global Capitalism A compelling analysis of the intellectual failures of libertarianism and a much-needed appeal for a better kind of liberalism. -- Bruce Ackerman, Yale University A totally different and important look at our basic r ...[truncated]\n- Features: To \"fight for your rights,\" or anyone else's, is not just to debate principles but to haggle over budgets. The simple insight that all legally enforceable rights cost money reminds us that freedom is not violated by a government that taxes and spends, but requires it―and requires a citizenry vigilant about how money is allocated. Drawing from these practical, commonsense notions, The Cost of Rights provides a useful corrective to the all-or-nothing feel of much political debate nowadays ( The Economist ).\n\nReview by this user:\nGive Me Liberty, Taxes, and Government: If you're not supposed to judge a book by its cover, perhaps you should also not judge a book by its title. While this title seems like a natural cure for somnambulism, next to sex and death, I found the content very interesting.
Since our founding, many Americans have believed that taxes have robbed us of our freedom, that it is big government imposing its will on a grudging public, and that taxes and liberties are antithetical. Authors, Stephen Holmes and Cass Sunstein make a simple counter proposition: liberty depends on taxes. Liberty costs money. Without money their could be no freedom and without a government there would be no one to ensure that our rights were preserved. Government is not some outside force that dominates our political and social fabric. The authors contend that government is the most effective means for \"a politically organized society [to] pursue its common objectives, including the shared aim of securing the protection of legal rights for all.\"
Even negative liberties, a term which means that the government imposes restraining forces upon itself in dealing with its citizens, cost money e.g. the recent ruling in which religious extremists are allowed to desecrate the funeral services and burial of our servicemen and women, required a government intervention such as the Supreme Court, and may still require government intervention, such as polic, in protecting mourners or those who taunt them out of misguided religious zeal. Again, all these liberties are costs that we accept. The authors find even negative rights are positive.
If the cost of certain liberties are too much as some citizens claim, then they are unwilling for their taxes to be used to pay for them, or the citizen-government will simply decide that these costs are too high. A case in point is the rich kid who gets into trouble, whose parents can retain topnotch lawyers for the defense of their son. This cannot be said of the kid from the ghetto who is arrested. Can the government pay for the each and every citizen getting a reputable lawyer for every defendant? Maybe, but do they want to? No. That liberty or right is a price government finds too much.
The citizen might object to paying taxes for healthcare for the poor, while already paying taxes for veterans, who are wounded, injured, or just old. In fact taxes for welfare actually began after the Civil War in providing prostheses and medical attention to the veterans.
Liberties are choices, and the choices depend on the money available to enforce them. Each tax does not have to be listed as a taxable item in the Constitution for the taxes to be valid and legal, as some misguided interpretations of the document suggest. That argument is most common on \"hot button\" issues such as prayer in public. One side might claim that it is freedom of speech demanding government support while the other side believes it is imposing a religious belief and violates their freedom.
The book is divided into four sections: why a penniless state cannot protect rights; why rights cannot be absolutes; why rights entail responsibilities, understanding rights as a bargain, and the public character of private freedoms. These sections have chapters of their own.
Twice now in a short time, I have found a valuable source for a segment of the public that needs it the most, will probably not because of one of the authors' name--Cass Sunstein. He is vilified on right wing radio and Fox TV even though his scholarship in the law is evident in his multiple publications. The authors are not advocating a particular political stance. They are dispassionate in their description of the relationship between liberties and taxes. Their simple claim is that liberty does not survive without a government or taxes.
As Thomas Jefferson wrote in the Declaration of Independence, \"...to secure these rights, Governments are instituted among Men.\"\n\n--- Example 5 ---\nBook:\n- Category: Books->Business & Money->Business Culture\n- Title: Who Moved My Cheese\n- Subtitle: Hardcover – Big Book, September 8, 1998\n- Price: 12.48\n- Author: Spencer Johnson\n- Description: Amazon.com Review Change can be a blessing or a curse, depending on your perspective. The message of Who Moved My Cheese? is that all can come to see it as a blessing, if they understand the nature of cheese and the role it plays in their lives. Who Moved My Cheese? is a parable that takes place in a maze. Four beings live in that maze: Sniff and Scurry are mice--nonanalytical and nonjudgmental, they just want cheese and are willing to do whatever it takes to get it. Hem and Haw are \"littlepeople,\" mouse-si ...[truncated]\n- Features: THE #1 INTERNATIONAL BESTSELLER WITH OVER 28 MILLION COPIES IN PRINT!A timeless business classic, Who Moved My Cheese? uses a simple parable to reveal profound truths about dealing with change so that you can enjoy less stress and more success in your work and in your life. It would be all so easy if you had a map to the Maze. If the same old routines worked. If they'd just stop moving \"The Cheese.\" But things keep changing... Most people are fearful of change, both personal and professional, because they d ...[truncated]\n\nReview by this user:\nAn Oldy But Not a Moldy: \"Who Moved My Cheese?\" is one of those afternoon reads that is supposed to facilitate introspection, and make you a happier, more productive, and more \"employed\" person in the marketplace.
It starts out with people meeting at a high school reunion going over their expectations, discoveries, disappointments and satisfactions. One of them explains how he read a story about four characters and found a little of each of them in himself. That introduces the reader to two mice, Sniff and Scurry, and two little people, Hem and Haw who seem to have an infinite supply of cheese at Station C in their maze, until one day...
The book examines how each character reacts to crises in his life, the crises of change, the actions they take to adapt to change or the mechanisms employed to resist it. We get a glimpse of the thinking of two characters in particular, and the discoveries they make about themselves. We, the readers are invited to make those same discoveries about our thinking to our outside stimuli and how we react, adapt or maladapt.
There is no harm in reading such a self-help book. It is not dripping with cheer and self-confidence, nor is the approach slick or cheesy. (Sorry). I often doubt the efficacy of such messages unless they are read over and over again on a fairly continual basis simply because self-examination is ultimately forgiving and very, well, you might say, subjective.
There is a fair amount of wisdom in 93 pages of large print.
It's an oldy but not a moldy. It has a bite and is very sharp.
As the late Viktor Frankl said: \"When we are no longer able to change a situation - we are challenged to change ourselves.\"\n\n--- Example 6 ---\nBook:\n- Category: Books->Literature & Fiction->Action & Adventure\n- Title: Red Storm Rising: A Suspense Thriller\n- Subtitle: Mass Market Paperback – July 1, 1987\n- Price: None\n- Author: Tom Clancy\n- Description: Review Praise for Red Storm Rising “Exciting...fast and furious.”— USA Today “A rattling good yarn...lots of action.”— The New York Times Praise for Tom Clancy “He constantly taps the current world situation for its imminent dangers and spins them into an engrossing tale.”— The New York Times Book Review “A brilliant describer of events.”— The Washington Post “No one can equal his talent for making military electronics and engineering intelligible and exciting...He remains the best!”— Houston Chronicle Abou ...[truncated]\n- Features: From the author of the Jack Ryan series comes an electrifying #1 New York Times bestseller—a standalone military thriller that envisions World War 3... A chillingly authentic vision of modern war, Red Storm Rising is as powerful as it is ambitious. Using the latest advancements in military technology, the world's superpowers battle on land, sea, and air for ultimate global control. It is a story you will never forget. Hard-hitting. Suspenseful. And frighteningly real. “Harrowing...tense...a chilling ring of ...[truncated]\n\nReview by this user:\nA Storm Worth Weathering: \"Red Storm Rising\" is the only Tom Clancy novel without its arch hero, Jack Ryan. It is the fictional account of warfare in Europe between the Warsaw Pact forces and NATO. From Iceland where the Soviets open their attack, to Alfeld, Germany, to the sub-hunting in the Atlantic, Clancy demonstrates detailed knowledge of military tactics, weapons and language that add realism to this in-depth account of a Soviet bid for military hegemony in Europe.
You get a hint of the battle to come when a cynical French Military Liaison Officer monitoring a Soviet exercise in East Germany notices with some skepticism that the Soviets are lost again which plays to the NATO stereotype that the Soviets couldn't possibly find their way with signs in a non-Cyrillic alphabet. You know the invasion is coming.
As often happens in warfare, coincidence prevails over the best of planning, and a young air force lieutenant whose only military specialty is weather forecasting, ends up leading two marines. They will play a pivotal role in NATO's retaliation. Another main character is an army sergeant who takes over a tank platoon after his platoon leader's tank is destroyed by a one in a million artillery shell that rips through some of the thinnest armor of a tank---the top. There is also the destroyer commander who duels a Soviet submarine. The story will go back and forth to these characters and others fighting the campaign from many fronts.
My disappointment in this book comes from the sin of pride or esprit de corps. Having spent seven to eight months of the year for three years, in German training centers, towns, and forests planning scenario after scenario of preventing a Soviet incursion into Germany, I was almost insulted there was no mention of the two cavalry regiments that provided early warning for V Corps and VII Corps, the 11th and 2nd Cavalry Regiments, respectively. These units directly blocked the two most likely armor avenues of approach from the east. (Naturally, I was in one of them). And my first question was \"Where the hell's Alfeld?\"
But the novel is well-written despite my personal feelings, and it is a pleasure to read one that has all the military information correct. I was quite impressed with what he knew about armor. The story kept my interest, and the author had the ability to change the venue just as I was getting very interested in it. It was on the order of \"stay tuned when we return 40 pages from now.\"
The Soviet Union may be gone, but there is still a good story here worth reading. It's a storm worth weathering.
Toujours Pret!\n\n--- Example 7 ---\nBook:\n- Category: Books->Humor & Entertainment->Humor\n- Title: Anguished English: An Anthology of Accidental Assaults upon Our Language\n- Subtitle: None\n- Price: 8.99\n- Author: Richard Lederer\n- Description: From the Publisher Anguished English is the impossibly funny anthology of accidental assaults upon our language. From bloopers and blunders to Signs of the Times to Mixed Up Metaphors...from Two-Headed Headlines to Mangling Modifiers, here is an outrageous treasury of assaults upon our common language that will leave you roaring with delight and laughter. From the Inside Flap Anguished English is the impossibly funny anthology of accidental assaults upon our language. From bloopers and blunders to Signs of ...[truncated]\n- Features: “Richard Lederer is the true king of language comedy. Anguished English is the funniest book I have ever read.”—Sidney Sheldon Anguished English is the impossibly funny anthology of accidental assaults upon our language. From bloopers and blunders to Signs of the Times to Mixed Up Metaphors . . . from Two-Headed Headlines to Mangling Modifiers, here is an outrageous treasury of assaults upon our common language that will leave you roaring with delight and laughter.\n\nReview by this user:\nBuy Now at Amazon Which is On Sale for Only $7.95: This book contains headlines, malapropisms, school essays, parental notes to teachers, lawyer-witness dialogues, signs and other assaults on the English language that provide hours of chuckles and retelling to those who have not read it.
When you read a want ad that says: \"Mixing bowl set designed to please a cook with round bottom for efficient beating,\" or the headline \"Stiff Opposition Expected to Casketless Funeral Plan,\" you have to laugh.
It also reminds me of what a boss once told me: You can always deny what you said; you can never deny what you wrote.
This book is \"overpriced, and worth every penny of it.\"
You can buy this at Amazon which is on sale for $7.95.\n\n--- Example 8 ---\nBook:\n- Category: Books->Biographies & Memoirs->Community & Culture\n- Title: Wake-Up Call: The Political Education of a 9/11 Widow\n- Subtitle: Hardcover – September 6, 2006\n- Price: 13.23\n- Author: Kristen Breitweiser\n- Description: From Publishers Weekly In September of 2001, Breitweiser had a tumor in her breast, was suffering from colitis and lupus and recovering from the death of her mother from cancer of the mouth. Then terrorists crashed into the World Trade Center, killing her beloved husband and hundreds more. Devastated, the New Jersey stay-at-home mom became an activist, channeling her pain and rage into learning everything she could about the U.S. government's role in the attacks—an excruciating journey that is carefully chr ...[truncated]\n- Features: Breitweiser, one of the nation's leading 9/11 activists, was a Republican and a suburban mother and housewife until her husband was killed in the September 11th terrorist attacks. The attack galvanized Breitweiser politically, and, along with three other 9/11 widows, she fought for the creation of the 9/11 Commission in the face of strong opposition from President Bush and many other top government officials. In this account, she describes her recovery from the nightmare of the attacks, and discusses cover- ...[truncated]\n\nReview by this user:\nA Cup of Public Caffeine: On September 11, 2001, Ron Breitweiser called his wife to tell her that there was an explosion in the other twin tower; he saw people jumping out of the windows to their deaths. He told her not to worry, he was all right. That was the last time she would ever talk to her husband. Kristen Breitweiser's life was about to literally collapse.
This is a well-written, poignant, heart-felt story of a woman who first blew off the man with whom she would later fall in love, and to whom she remained attached at the hip until his death. Infant daughter, golden retriever, home in the country and near the shore, and devoted husband transformed from an elysium dream to a stygian nightmare in one day.
After her shock, Kristen wanted answers. Why was legislation passed preventing airlines from being sued by victims? Why did the Bush administration oppose an independent commission, refuse to allow the commission to have subpoena power, limit the duration of the commission, stonewall on providing documents, refuse to allow the president to give sworn testimony, place restrictions on testimony of other White House staffers, spend $50,000,000 to investigate the loss of the Columbia Shuttle, but initially offer only $3,000,000 to investigate the greatest attack in US history? (An investigation into the attack on Pearl Harbor began twelve days after.)
This is Kristen Breitweiser's odyssey from New Jersey housewife to activist and advocate. She and three other widows a.k.a the \"Jersey Girls,\" endured snide editorials from conservative rags, governmental lethargy, promises kept and broken, and stonewalling. They made innumerable trips to Washington D.C. for change and they were changed in the process, from Bush-supporting republicans to those holding an administration's secretive feet to the fire.
My only disappointment came when this classy, lawyer-educated widow felt a need to pen an afterword to a neurotic, spoiled brat who craves attention in any form, named Ann Coulter. But even in this 2nd person account, Breitweiser stayed on the high road. Then again, against Coulter that doesn't require much effort.
Please read the book. It truly is a wake-up call.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: David H. Voelker (Author), Peter Z. Orton (Author), Scott Adams (Author)**: - Category: Books->Science & Math->Mathematics\n- Title: CliffsQuickReview Statistics\n- Subtitle: 1st Edition\n- Price: 10.99\n- Author: Peter Z. Orton\n Discover more of the author’s books, see similar authors, read author blogs and more\n- Description: About the Author David Voelker (Ph.D. in Communication Research, Stanford University) is a respected educator, speaker and research consultant in Silicon Valley. He conducted some of the first research on interrelationships between popular music preferences in the seventies, anticipating the Internet's music recommendation services. Peter Orton is Program Director of Global Curriculum Technology for IBM, designing leadership development Web sites, videos, and online simulators for IBM'ers globally. Orton lives in North Carolina with his wife and daughter. Scott Adams is earning his Ph.D. in physics at Vanderbilt University. His main interest is in molecular biophysics, especially electrophysiology.\n- Features:\nCliffsQuickReview course guides cover the essentials of your toughest classes. Get a firm grip on core concepts and key material, and test your newfound knowledge with review questions. CliffsQuickReview Statistics introduces you to the fascinating world of statistics — a powerful tool used for finding patterns in data and inferring important connections between events in the real world. Many people find statistics confusing and intimidating; however, whether you're new to statistics or need to review for an important test, this reference will easily help clarify some of the elements of statistical reasoning and analysis. As you work your way through this review, you'll be ready to tackle such concepts as Graphical displays and numerical measures Graphical displays and numerical measures Probability and sampling Probability and sampling Principles of testing and univariate inferential tests Principles of testing and univariate inferential tests Bivariate relationshipsCliffsQuickReview Statistics can act as a supplement to your textbook and to classroom lectures. Use this reference in any way that fits your personal style for study and review — you decide what works best with your needs. You can read the book from cover to cover or just look for the information you want and put it back on the shelf for later. Here are just a few ways you can search for topics:Use the free Pocket Guide full of essential informationGet a glimpse of what you’ll gain from a chapter by reading through the Chapter Check-In at the beginning of each chapterUse the Chapter Checkout at the end of each chapter to gauge your grasp of the important information you need to knowTest your knowledge more completely in the CQR Review and look for additional sources of information in the CQR Resource CenterUse the glossary to find key terms fastWith titles available for all the most popular high school and college courses, CliffsQuickReview guides are a comprehensive resource that can help you get the best possible grades. Bivariate relationships CliffsQuickReview Statistics can act as a supplement to your textbook and to classroom lectures. Use this reference in any way that fits your personal style for study and review — you decide what works best with your needs. You can read the book from cover to cover or just look for the information you want and put it back on the shelf for later. Here are just a few ways you can search for topics: Use the free Pocket Guide full of essential information Use the free Pocket Guide full of essential information Get a glimpse of what you’ll gain from a chapter by reading through the Chapter Check-In at the beginning of each chapter Get a glimpse of what you’ll gain from a chapter by reading through the Chapter Check-In at the beginning of each chapter Use the Chapter Checkout at the end of each chapter to gauge your grasp of the important information you need to know Use the Chapter Checkout at the end of each chapter to gauge your grasp of the important information you need to know Test your knowledge more completely in the CQR Review and look for additional sources of information in the CQR Resource Center Test your knowledge more completely in the CQR Review and look for additional sources of information in the CQR Resource Center Use the glossary to find key terms fastWith titles available for all the most popular high school and college courses, CliffsQuickReview guides are a comprehensive resource that can help you get the best possible grades. Use the glossary to find key terms fast With titles available for all the most popular high school and college courses, CliffsQuickReview guides are a comprehensive resource that can help you get the best possible grades.\n- Details:\n Publisher: Cliffs Notes; 1st edition (June 15, 2001)\n Language: English\n Paperback: 160 pages\n ISBN 10: 0764563882\n ISBN 13: 978-0764563881\n Item Weight: 5.7 ounces\n Dimensions: 5.3 x 0.32 x 8.3 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 0.9, 0.9, 0.9, 0.9, 0.87]}
{"uid": "AFPLS3D2NTYNP2SLQPY3DFMC74GA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n occupation: Former teacher and small publisher\nInterests: \n Military history and memoirs, particularly praising 'THE reference for anyone needing facts on the USCG' and calling WWII letters 'invaluable to those researching WWII'\n American political and social history, finding books that offer 'SHOCKINGLY FRESH VIEW OF HISTORY' and 'close up view of American history at a time when our country was in turmoil'\n Educational policy and school reform, stating 'As a former teacher I can tell you, while the picture it paints is not pretty, it is factual'\n Literary craft and writing excellence, declaring Chandler 'THE GREATEST WRITER OF THE TWENTIETH CENTURY' and advising 'WANT TO KNOW HOW TO WRITE. READ CHANDLER'\n Adventure and travel memoirs, praising books where 'we can still feel it, see it, smell it, understand it' like the Pacific Crest Trail narrative\n Conservative political thought, praising 'CONSERVATIVE POWERHOUSE' books and 'THE SILENT MAJORITY SPEAKS'\n Publishing industry insider knowledge, noting 'AS A SMALL PUBLISHER MYSELF I FOUND IT FASCINATING'\n Mathematics education, calling a book 'a wealth of material for math teachers' and 'a must have for teachers looking to inspire'\nValues: \n Prizes authenticity and truth-telling, repeatedly praising authors who 'does not flinch from showing all sides of the conflict with all their warts plainly visible'\n Values honesty over polish, stating 'be prepared for truth' and praising 'so completely honest about himself that we can't help but like him'\n Appreciates challenging conventional wisdom, praising a book as 'a sucker punch to the gut of conventional wisdom'\n Holds conservative political views, harshly criticizing Terry Gross with 'HONK IF SHE MAKES YOU GAG TOO' and praising books about 'THE SILENT MAJORITY'\n Expresses cultural conservatism, lamenting 'a culture idolizing the grotesque and aberrant' and criticizing 'how America has changed---and not always for the better'\n Values substance over trendiness, dismissing Iraq war blog as 'THE FRUIT OF PUBLISHERS' STAMPEDE TO PRINT IRAQ BLOGS' that 'never would have seen print' otherwise\n Believes in learning from experience, praising those who 'have worked within the system and seen its failings firsthand'\n Appreciates literary excellence combined with entertainment, praising works with 'SUBSTANCE AND PROFUNDITY AND A HECK OF A GOOD YARN'\nCommunication: \n Uses emphatic ALL CAPS frequently for titles and emphasis, as in 'HISTORY AT ITS BEST' and 'THE GREATEST WRITER OF THE TWENTIETH CENTURY'\n Employs punchy, attention-grabbing headlines like 'HONK IF SHE MAKES YOU GAG TOO' and 'A VACATION WITHOUT LEAVING YOUR EASY CHAIR'\n Writes concise reviews typically 30-60 words, packing strong opinions into brief space\n Uses vivid sensory language, describing books that 'smells, tastes, feels like the island paradise' or are 'funny and sad and moving'\n Not hesitant to express harsh criticism, calling Terry Gross's style 'whiney' and 'fawning' with 'rudeness to those of whom she does not'\n Positions self as knowledgeable insider, stating 'As a former teacher' and 'AS A SMALL PUBLISHER MYSELF'\n Employs dramatic punctuation including dashes, ellipses, and multiple periods for effect\n Uses direct, declarative sentences mixed with explanatory clauses, creating rhythm between short punches and longer elaborations\nStatistics: \n Average response length approximately 45-50 words, with range from 15 words (shortest) to 100 words (longest)\n Frequent use of superlatives: 'best,' 'greatest,' 'must,' 'perfect,' appearing in nearly every review\n Common phrases include 'this book,' 'read it,' 'truth,' 'history,' 'great,' used repeatedly across reviews\n Heavy capitalization pattern: approximately 30% of reviews contain ALL CAPS titles or emphatic phrases\n Sentence structure varies between very short declarative statements (5-8 words) and longer compound sentences (20-30 words)\n Consistent use of colons in titles to separate headline from elaboration (e.g., 'HISTORY AT ITS BEST: This book is...')\n Frequent use of triple dashes (---) and ellipses (...) for dramatic pauses, appearing in about 40% of responses\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category:\n- Title: The rogue of publishers' row;: Confessions of a publisher (A Banner Book)\n- Subtitle: None\n- Price: 4.95\n- Author: Edward Uhlan\n- Description:\n- Features:\n\nReview by this user:\nVANITY PUBLISHER SPEAKS: GREAT BOOK BY THE BLACK SHEEP OF THE PUBLISHING CLAN. AS A SMALL PUBLISHER MYSELF I FOUND IT FASCINATING READING ABOUT THE EXPERIENCES OF A MAN IN MY BUSINESS HALF A CENTURY EARLIER. A CANDID LOOK AT A SEAMY BUSINESS.\n\n--- Example 2 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: Alas, Babylon\n- Subtitle: Paperback – July 5, 2005\n- Price: 12.79\n- Author: Pat Frank\n- Description: Review “An extraordinary real picture of human beings numbed by catastrophe but still driven by the unconquerable determination of living creatures to keep on being alive.” — The New Yorker “Ingenious. . . . Provocative.” — New York Times “An enthralling and vivid story of the follies and failures of people, their courage and cruelty, their treachery and triumphs. Mr. Frank is a magnificent writer.” — Chicago Sunday Tribune “A warm, continuously interesting story of what can happen to a group of ordinary pe ...[truncated]\n- Features: “An extraordinary real picture of human beings numbed by catastrophe but still driven by the unconquerable determination of living creatures to keep on being alive.” — The New Yorker The classic apocalyptic novel by Pat Frank, first published in 1959 at the height of the Cold War, with an introduction by award-winning science fiction writer and scientist David Brin. “Alas, Babylon.” Those fateful words heralded the end. When the unthinkable nightmare of nuclear holocaust ravaged the United States, it was in ...[truncated]\n\nReview by this user:\nTo Kill a Mockingbird with Strontium 90: Seriously, if you enjoyed To Kill A Mockingbird, you will enjoy this novel. It captures the same place, a few decades later, and the writing is homey, honest and subtly powerful, as all novels had to be before all limits were removed from writing, before lazy writing became the thing, before writing became more about the writer than the story.
The novel seems to be touting increased nuclear armaments for the US, and that I missed in a first reading decades ago. Where the film: [[ASIN:B00004XPPE Fail-safe (Special Edition)]] emphasized the humanity of the Soviets, this seems to vilify them. Odd, coming from a writer of this caliber, but no surprise, given the times.
What is so refreshing about this story is that no one in it is a superman, an ex-CIA or special ops, or mercenary with deadly hand to hand skills. This is a story about 'reglar' folks, like you or I, with all our weaknesses and strengths. It's very much more realistic and because it is, we care more about the people in it.
If you're a young person raised on TV and films with three-quarter second cuts, you will find it boring in places. Sorry, no zombies here and few 'splosions. No one dismembers anyone with a chainsaw. Just people like you and those you know trying to do right and succeeding or failing after the power goes out. Here, too, are people doing terrible things no zombie would ever do, the fact that they are just people making it more horrific yet.
They don't write em like this anymore, and it's too bad, because we lost a lot when we allowed writing to get crass and lazy.\n\n--- Example 3 ---\nBook:\n- Category: Books->Biographies & Memoirs->Community & Culture\n- Title: The Egg and I\n- Subtitle: Paperback – June 24, 2008\n- Price: 11.29\n- Author: Betty MacDonald\n- Description: Review “For all the allegedly gloomy moments, The Egg and I is an astoundingly light-hearted book. The MacDonalds, one gathers, had both youth and gumption on their side, to say nothing of an abounding humor that bounced them over the direst crises. — New York Times “I first read Betty MacDonald’s The Egg and I in 1946, on my return to England after the war, and it made me so homesick for the USA that I cried. I read it again around 1950, and laughed myself silly. Re-reading it now, I not only think it’s a ...[truncated]\n- Features: “A work of real comic genius. . . . A wonderful, funny, warm, honest book, and, to use a much overused word, a classic.” –Michael Korda, author of Country Matters When Betty MacDonald married a marine and moved to a small chicken farm on the Olympic Peninsula in Washington State, she was largely unprepared for the rigors of life in the wild. With no running water, no electricity, a house in need of constant repair, and days that ran from four in the morning to nine at night, the MacDonalds had barely a mome ...[truncated]\n\nReview by this user:\nA BOOK OF WONDERS AND TRUTH: This book is a great one for anyone who recognizes truth when they read it. It's comfortable as an old slipper and funny and sad and real---just like life.\n\n--- Example 4 ---\nBook:\n- Category: Books->Literature & Fiction->Action & Adventure\n- Title: Prey\n- Subtitle: Mass Market Paperback – November 11, 2003\n- Price: 9.97\n- Author: Michael Crichton\n- Description: Review “TERRIFYING…IRRESISTIBLY SUSPENSEFUL.” — New York Times Book Review “INTRICATE PLOTTING AND FLAWLESS PACING…you won’t be able to put it down.” — Time magazine “CRACKLING…MYSTERIOUS….” — Entertainment Weekly “Just what his fans expect: A WILD, SCARY RIDE…” — Detroit Free Press “Another PAGE-TURNING TRIUMPH” — Charlotte Observer “INCREDIBLY SCARY and relentless” — Minneapolis Star Tribune “PREY WILL KEEP YOU TURNING PAGES” — Chattanooga Times “RELENTLESSLY ENTERTAINING” — Raleigh News & Observer “… a h ...[truncated]\n- Features: In the Nevada desert, an experiment has gone horriblywrong. A cloud of nanoparticles -- micro-robots -- has escaped from the laboratory. This cloud is self-sustaining and self-reproducing. It is intelligent and learns from experience. For all practical purposes, it is alive. It has been programmed as a predator. It is evolvingswiftly, becoming more deadly with each passing hour. Every attempt to destroy it has failed. And we are the prey.\n\nReview by this user:\nROBOT DANCE: You may turn the pages, but you will not care about either the robotlike heroine or hero in this mechanical dance of a novel. The hero, if you can call him that, is more concerned with the price of diapers and feeding the baby than he is that his wife has become a stranger who slaps the baby.
When the story finally progresses from shopping and changing diapers to fighting the little monsters, the plot loses all originality and becomes a cut and paste from other books and film. Sad.
That this is what passes for popular bestselling fiction is a good reason not to read it.\n\n--- Example 5 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: The Playboy Book of Science Fiction\n- Subtitle: Hardcover – January 1, 1998\n- Price: 6.59\n- Description: Amazon.com Review Despite (or perhaps because of) its once taboo subject matter, Playboy magazine has garnered a reputation as a market for daring, innovative short fiction since its inception in 1953. In particular, science fiction authors used Playboy as a forum for stories in which they explored literary themes and adult situations that would have rendered them unpublishable by mainstream SF magazines then aimed at teenagers. Alice K. Turner, Playboy 's fiction editor, has collected a remarkable set of s ...[truncated]\n- Features: A unique and intriguing collection of short stories from such contributors as Arthur C. Clark, Ray Bradbury, and Ursula K. LeGuin covers such topics as the Golden Age, New Wave, Cyberpunk, and Virtual Sex.\n\nReview by this user:\nnothing to get hot under the collar about: If you positively prick with perspiration at the possibility of perusing popular pablum previously published in close propinquity with the plentifully pulchritudinous pussycats of Playboy, please procure this book presently. If, on the other hand, you just want to read some damned good stories, then pass on this also ran and get instead: [[ASIN:1892391201 Her Smoke Rose Up Forever]]. Triptree will blow you away.\n\n--- Example 6 ---\nBook:\n- Category: Books->History->Americas\n- Title: The Only Thing Worth Dying For: How Eleven Green Berets Fought for a New Afghanistan (P.S.)\n- Subtitle: Paperback – January 4, 2011\n- Price: 11.39\n- Author: Eric Blehm\n- Description: Review “ The Only Thing Worth Dying For is not only brilliant, it’s the one book you must read if you have any hope of understanding what our fine American soldiers are up against in Afghanistan.” — Former Congressman Charlie Wilson “A skillfully reported and masterfully written account of one of the most crucial moments of the War Against Terror. Blehm reminds us of the perils, the triumphs and the sacrifices made in the name of freedom.” — Bob Woodruff, ABC News correspondent “Through careful reporting an ...[truncated]\n- Features: \"The one book you must read if you have any hope of understanding what our fine American soldiers are up against in Afghanistan.” —Former Congressman Charlie Wilson From the author of the award-winning THE LAST SEASON, the untold story of the U.S. Army Special Forces team that conquered the Taliban against overwhelming odds while protecting Hamid Karzai, viewed at the time as the country’s best hope for a successful, democratically-elected leader. On a moonless night just weeks after September 11, 2001, a U ...[truncated]\n\nReview by this user:\nIgnorant kids, easily conditioned to hate and murder whomever inconveniences the corporate state.: Wouldn't it be marvelous? Wouldn't it be wonderful? if there really were noble reasons to murder other human beings? Wouldn't it feel good to believe that the hairdos on FOX and the fat man on AM radio always tell us the truth about why things happen and why we must send our kids to murder other kids? I would love to believe it, too, but unfortunately facts get in the way. So, keep your blinders on. Avoid reading those not on the CIA's payroll. Keep thinking with your emotions and keep believing that war is anything but a corporate cash cow.
Oh, but what of those noble self-sacrificing kids who fight and die for the selfless cause of bringing democracy to benighted lands, and, of course, to defend our democracy at home? What of them? They're kids. Kids can be conditioned to believe and do anything. Are their lives somehow more valuable than the millions they've slaughtered? Think so if it feels good.
Meanwhile, on to the next noble slaughter, on to the next profitable quarterly report for the defense industry, and on to the next round of our civil liberties sacrificed in the name of preserving our freedom. Oh, the glory!\n\n--- Example 7 ---\nBook:\n- Category: Books->Politics & Social Sciences->Social Sciences\n- Title: Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture\n- Subtitle: Hardcover – January 25, 2011\n- Price: 14.18\n- Author: Peggy Orenstein\n- Description: Amazon.com Review Product Description The acclaimed author of the groundbreaking bestseller Schoolgirls reveals the dark side of pink and pretty: the rise of the girlie-girl, she warns, is not that innocent. Pink and pretty or predatory and hardened, sexualized girlhood influences our daughters from infancy onward, telling them that how a girl looks matters more than who she is. Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast a ...[truncated]\n- Features: The acclaimed author of the groundbreaking bestseller Schoolgirls reveals the dark side of pink and pretty: the rise of the girlie-girl, she warns, is not that innocent. Pink and pretty or predatory and hardened, sexualized girlhood influences our daughters from infancy onward, telling them that how a girl looks matters more than who she is. Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as a source—the source—of female empowe ...[truncated]\n\nReview by this user:\nSuperb parody of modern culture and publishing: At first, hearing this author on NPR, I admit I was confused. It seemed hard to believe that this chatty, woman lacking any creds at all was on the radio talking about what was obviously just her opinion, her thoughts, her concerns, none of which seemed worthy of consideration by anyone outside her group of friends. Could this be for real? Has our culture really become that shallow?
Could a book that avoids any serious discussion of the decadence and degradation of our culture and instead obsesses about the color pink, about the nature/nurture of girls, about Disney princesses, about what the waitress at IHOP said, about the author's five-year-old's tantrums really be published by Harper and discussed on NPR as if it were weighty and profound stuff?
Then I got it. It's a spoof. It's a parody of culture and big publishing, both of whom have become parodies of themselves---funny and true. Publishing, broadcasting and our culture really has become as empty as this book, and this book has captured the ethos of chatty fatuousness to perfection. Kudos!\n\n--- Example 8 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Zombie: A Novel\n- Subtitle: Paperback – Illustrated, September 15, 2009\n- Price: 15.79\n- Author: Joyce Carol Oates\n- Description: From the Back Cover Meet Quentin P. He is a problem for his professor father and his loving mother, though of course they do not believe the charge (sexual molestation of a minor) that got him in that bit of trouble. He is a challenge for his court-appointed psychiatrist, who nonetheless is encouraged by the increasingly affirmative quality of his dreams and his openness in discussing them. He is a thoroughly sweet young man for his wealthy grandmother, who gives him more and more, and can deny him less and ...[truncated]\n- Features: Zombie is a classic novel of dark obsession from the extraordinary Joyce Carol Oates. A brilliant, unflinching journey into the mind of a serial killer, Zombie views the world through the eyes of Quentin P., newly paroled sex offender, as he chillingly evolves from rapist to mass murderer. Joyce Carol Oates—the prolific author of so many extraordinary bestsellers, including The Gravediggers Daughter, Blonde, and The Falls —demonstrates why she ranks among America’s most respected and accomplished literary a ...[truncated]\n\nReview by this user:\nTitle as cynical selling tool for yet more JCO literary gutter slime: This came up in a zombie search and how cynical is that? What possible relevance does this title have to the subject matter?
That aside, this is literary darling JCO at her most repulsive, depressing, life-denying best. Considering suicide? This will push you over the edge.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Joe Haldeman (Author)**: - Category: Books->Science Fiction & Fantasy->Science Fiction\n- Title: The Forever War\n- Subtitle: None\n- Price: 10.29\n- Description: \n- Features:\nThe monumental Hugo and Nebula award winning SF classic-- Featuring a new introduction by John Scalzi The Earth's leaders have drawn a line in the interstellar sand--despite the fact that the fierce alien enemy they would oppose is inscrutable, unconquerable, and very far away. A reluctant conscript drafted into an elite Military unit, Private William Mandella has been propelled through space and time to fight in the distant thousand-year conflict; to perform his duties and do whatever it takes to survive the ordeal and return home. But \"home\" may be even more terrifying than battle, because, thanks to the time dilation caused by space travel, Mandella is aging months while the Earth he left behind is aging centuries...\n- Details:\n\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 0.87, 0.87, 0.8, 0.8, 0.8]}
{"uid": "AFSVVD5IGZMEHEGBRY5AAU2A5N6Q", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics: Missing\nInterests: \n Thriller and mystery series with recurring characters, as evidenced by enthusiasm for Sam Kovac/Nikki Liska series (\"I hope she keeps up this series. I truly enjoy Sam and Nikki\")\n Romantic historical fiction, particularly Regency-era romances by Mary Balogh (\"If you enjoy romantic historicals, you can't go wrong here\")\n Collaborative author works, especially Iris and Roy Johansen (\"Never thought I would enjoy a collaboration between a mother and son but was I ever wrong\")\n FBI thriller series featuring established characters like Sherlock and Savich (\"Can't seem too get enough of Sherlock and Savich\")\n Series continuity and character development across multiple books (\"I also enjoyed reading about the lives of your people from other books\")\n Fast-paced, action-driven narratives (\"Full of action and suspense to keep you turning the page\")\n Stories with strong female protagonists like Kendra Michaels and Catherine Ling\n Mystery novels with complex plotting and character relationships (\"Good plot, great characters, just plain great\")\n Anthology collections, though prefers when all stories meet quality standards (rated anthology 2 stars when only one story appealed)\n Stories that balance multiple character storylines while maintaining series focus\nValues: \n Loyalty to favorite authors and willingness to follow their entire body of work (\"I'll be looking forward to hearing of the lives involved in this series\")\n Appreciation for authors who maintain series quality and consistency (\"Keep them coming and I'll keep reading\")\n Direct communication with authors through reviews, frequently addressing them personally (\"Thank you Ms. Laurens,\" \"Brava to Ms. Balogh\")\n Preference for complete, satisfying stories over short works (\"Much to short to grab you. Not the usual from the Johansens\")\n Value for character-driven narratives where recurring characters evolve (\"Love to know what happens with Hannah and Kirov\")\n Expectation that series maintain their core premise (\"what happened to the girls solving murders together?\")\n Willingness to provide constructive criticism while remaining supportive (\"Don't get me wrong, I like the stories... but let's get back on track\")\n Appreciation for authors' natural talent and storytelling ability (\"your writing and story telling ability is simply wonderful!\")\n Belief in giving authors benefit of doubt and continuing with series despite occasional disappointments\n Strong emotional investment in fictional characters and their relationships (\"Hopefully they'll be included in another wonderful story\")\n Preference for quality over quantity in anthology collections (\"Had it not been for Nora Robert's contribution to this book, I would have rated it with no stars\")\nCommunication: \n Enthusiastic tone with frequent use of exclamation points throughout reviews (\"Wonderful!!\", \"Excellent!\", \"So good!\")\n Direct address to authors, treating reviews as personal communication (\"Ms. Balogh, your writing and story telling ability is simply wonderful!\")\n Short, punchy sentences that convey immediate reactions (\"Just wonderful!!\", \"Great!\", \"Scary\")\n Use of informal, conversational language and colloquialisms (\"Oh well\", \"Dash it\")\n Repetitive encouraging phrases across multiple reviews (\"Keep them coming\" appears in at least 6 reviews)\n Tendency to use \"Brava\" or \"Bravo\" to praise authors, showing appreciation for their craft\n Minimal plot synopsis, focusing instead on emotional response and overall quality assessment\n Frequent use of ellipses to create conversational pauses (\"I expected something different...not the same story but it was...Oh well\")\n Pattern of starting reviews with single-word or short-phrase titles that match the tone (\"Wonderful!!\", \"Excellent\", \"Good story\")\n Willingness to defend authors against other negative reviewers (\"To the woman who reviewed this in 2005...if you knew anything about natural talent\")\n Consistent expression of hope for future installments (\"Can't wait for the next Kendra story\")\nStatistics: \n Average response length approximately 45-55 words, with most reviews being concise and focused\n Minimum response length around 20 words (\"Simple read: Much to short to grab you...\")\n Maximum response length approximately 100 words (Mary Balogh reviews tend to be longest)\n Most frequent phrases include \"Keep them coming\" (6+ instances), \"great story\" (5+ instances), \"wonderful\" (4+ instances)\n Exclamation points appear in nearly every review, often multiple times per review\n Consistent 5-star ratings in 10 of 14 examples, showing generally positive reading experiences\n Direct author address appears in approximately 60% of reviews\n Use of first-person perspective throughout (\"I hope,\" \"I enjoy,\" \"I can't believe\")\n Sentence structure varies between short declarative statements and longer compound sentences with multiple clauses\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Ocean Prey (A Prey Novel Book 31)\n- Subtitle: None\n- Price: 2.99\n- Author: John Sandford\n- Description: Review “Entertaining. . . Fans will enjoy seeing the two old buddies and their cohorts wading into dangerous [sic] waters.”— Publishers Weekly About the Author John Sandford is the pseudonym for the Pulitzer Prize-winning journalist John Camp. He is the author of twenty-nine Prey novels; four Kidd novels; twelve Virgil Flowers novels; three YA novels coauthored with his wife, Michele Cook; and three other books. --This text refers to the paperback edition. Excerpt. © Reprinted by permission. All rights rese ...[truncated]\n- Features: Fan-favorite heroes Lucas Davenport and Virgil Flowers join forces on a deadly maritime case in the remarkable new novel from #1 New York Times -bestselling author John Sandford. An off-duty Coast Guardsman is fishing with his family when he calls in some suspicious behavior from a nearby boat. It's a snazzy craft, slick and outfitted with extra horsepower, and is zipping along until it slows to pick up a surfaced diver . . . a diver who was apparently alone, without his own boat, in the middle of the ocean ...[truncated]\n\nReview by this user:\nGood but disappointed: Kept me on the edge of my seat. Was the Bob thing necessary just to bring Virgil in or Devlin? I don't think so! So disappointed. That's why the 3 stars. Was it good...yes. Anything with Lucas is good or better. Just can't get over Bob. Sorry.\n\n--- Example 2 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: 21st Birthday (A Women's Murder Club Thriller)\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: James Patterson\n- Description: About the Author James Patterson is the world's bestselling author. The creator of Alex Cross, he has produced more enduring fictional heroes than any other novelist alive. He lives in Florida with his family. Maxine Paetro is a novelist who has collaborated with James Patterson on the bestselling Women's Murder Club, Private, and Confessions series; Woman of God ; and other stand-alone novels. She lives with her husband, John, in New York. --This text refers to the paperback edition.\n- Features: In this thrilling novel from a #1 New York Times bestselling author, Detective Lindsay Boxer takes a vow to protect a young woman from a serial killer long enough to see her twenty-first birthday. When young wife and mother Tara Burke goes missing with her baby girl, all eyes are on her husband, Lucas. He paints her not as a missing person but a wayward wife—until a gruesome piece of evidence turns the investigation criminal. While Chronicle reporter Cindy Thomas pursues the story and M.E. Claire Washburn ...[truncated]\n\nReview by this user:\nGood: Good read from Patterson and Paetro. Good team. I've liked the stories of the Women's Murder Club from the beginning. I like these characters and the plot of this book. Looking forward to reading more from these authors.\n\n--- Example 3 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Conard County: Traces of Murder (Conard County: The Next Generation Book 45)\n- Subtitle: Kindle Edition\n- Price: 4.99\n- Author: Rachel Lee\n- Description: About the Author Rachel Lee was hooked on writing by the age of twelve, and practiced her craft as she moved from place to place all over the United States. This New York Times bestselling author now resides in Florida and has the joy of writing full-time. --This text refers to an alternate kindle_edition edition.\n- Features: New York Times Bestselling Author She’s about to face danger…the kind she never trained for. Neither elite soldier Hillary Kristiansen nor US Special Ops member Trace Mullen knew that a trip to the cemetery to mourn their shared friends’ deaths would result in an investigation. But as they bond over their grief, they find themselves determined to prove that the deaths were not mere tragedies—they were murders. In the process, they’ll expose a cover-up…and fight for their lives when an illicit arms dealer se ...[truncated]\n\nReview by this user:\nGood: Always a good read from Lee. I really enjoyed these characters and the plot. A bit different from previous stories which I enjoyed as well. Looking forward to reading the next installment.\n\n--- Example 4 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Forgotten in Death: An Eve Dallas Novel\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: J.D. Robb\n- Description: Review \" Forgotten in Death shows how a pro does it.\" - NPR \"The book’s real pleasure lies in watching Eve stride into danger and triumph over evil. That Roarke is happy to support his wife’s desire to go out and kick butt adds to the appeal. Series fans will be delighted.\" - Publishers Weekly \"Robb continues to deliver expertly paced, cleverly plotted, and snappily witty suspense.\" - Booklist \" Forgotten in Death draws you in quickly and keeps you glued to the pages...it's hard to believe how each one gets ...[truncated]\n- Features: In the latest novel in the #1 New York Times bestselling series, homicide detective Eve Dallas sifts through the wreckage of the past to find a killer. The body was left in a dumpster like so much trash, the victim a woman of no fixed address, known for offering paper flowers in return for spare change—and for keeping the cops informed of any infractions she witnessed on the street. But the notebook where she scribbled her intel on litterers and other such offenders is nowhere to be found.Then Eve is summon ...[truncated]\n\nReview by this user:\nExcellent: Is there ever a bad read from Robb/Roberts? Not a chance. I love Eve, Roarke and the crew. The plot was diabolical, fantastic, edge of my seat. She is by far my favorite author. I'm pretty sure I own every book she has written and will continue to buy them as long as she writes and I am able to read. Can't wait to read the next book.\n\n--- Example 5 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: High Stakes\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: Iris Johansen\n- Description: Review \"There's no one like Iris Johansen!\"― Tess Gerritsen, New York Times bestselling author \"A master storyteller, Iris Johansen brings characters to life like no other.\"― Robert Dugoni, New York Times bestselling author \"Dive into the explosive world of Iris Johansen, where villains get exactly what they deserve and the good guys--eventually--win the day. That's a world I want to live in!\"― Tami Hoag, #1 New York Times bestselling author \"Johansen keeps readers on the edge of their seats.\"― Booklist \"Ju ...[truncated]\n- Features: All bets are off as #1 New York Times bestselling author Iris Johansen introduces gambler Logan Tanner, a man with a secret past that’s about to come back to haunt him. Logan Tanner lives the exhilarating life of a professional gambler, taking risks with nerves of steel. From casinos in Macau to Monte Carlo to Milan, he’s racked up a fortune and become a living legend. But all the glitz and glamor hide a dark and violent past as an extractor—a world that comes rushing back to him when the beautiful and inn ...[truncated]\n\nReview by this user:\nGood: Good read. It's always a good read from Johansen. I really liked these characters and the plot. Edge of your seat story. Looking forward to reading the next book by this author.\n\n--- Example 6 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Mystery\n- Title: Rumors and Rose Quartz: A Paranormal Cozy Mystery (Crystal Cove Cozy Mysteries Book 5)\n- Subtitle: Kindle Edition\n- Price: 0.0\n- Author: Cindy Stark\n- Description:\n- Features: Check out the series that readers are calling “Suspenseful, Magical, and Flirty”. Finally, Opal is in sync with Lucas, and as a couple, they’ve teamed up for the neighboring town’s sand sculpting contest. The competition will be gritty, but Opal thinks their Siren’s Island sculpture just might sail to the top and win.She wishes her newfound happiness could extend to everyone else in her life, too. But that’s not likely to happen with a paranormal hunting grandpa who can be crabby and outspoken, and with her ...[truncated]\n\nReview by this user:\nExcellent: I just love this series! Love Opal and Lucas as a couple. Really liked the plot and can't wait to read the next installment of this series.\n\n--- Example 7 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: The Wartime Matchmakers\n- Subtitle: Kindle Edition\n- Price: 3.99\n- Author: Lauren Smith\n- Description:\n- Features: When the world went to war . . . they fought for love. England, 1939 : The world is on the brink of war when Elizabeth Mowbray breaks her engagement with a tea planter in India and returns home to the English countryside. Desperate to escape a stifling life under her parents’ roof, she moves to London seeking adventure and excitement.With German forces sweeping across Europe, she has little hope of finding steady, fulfilling employment as England readies itself for war. A chance encounter with Henrietta, Br ...[truncated]\n\nReview by this user:\nExcellent: I truly enjoyed this book. To say it was riveting doesn't give it enough praise. What these real women went through during this time was miraculous to say the least while helping other people. I really liked these characters and the plot of this story. I am so looking forward to reading more from this talented storyteller.\n\n--- Example 8 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Desperation in Death: An Eve Dallas Novel\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: J.D. Robb\n- Description: Review Praise for Forgotten in Death \" Forgotten in Death shows how a pro does it.\" - NPR \"The book’s real pleasure lies in watching Eve stride into danger and triumph over evil. That Roarke is happy to support his wife’s desire to go out and kick butt adds to the appeal. Series fans will be delighted.\" - Publishers Weekly \"Robb continues to deliver expertly paced, cleverly plotted, and snappily witty suspense.\" - Booklist \" Forgotten in Death draws you in quickly and keeps you glued to the pages...it's har ...[truncated]\n- Features: The #1 New York Times bestselling author presents a gripping new thriller that pits homicide detective Eve Dallas against a conspiracy of exploitation and evil… New York, 2061: The place called the Pleasure Academy is a living nightmare where abducted girls are trapped, trained for a life of abject service while their souls are slowly but surely destroyed. Dorian, a thirteen-year-old runaway who’d been imprisoned there, might never have made it out if not for her fellow inmate Mina, who’d hatched the escape ...[truncated]\n\nReview by this user:\nExcellent: I am so glad there are two \"In Death\" books a year. Wish there were more but glad I get to delve into her other works which are also excellent. I'm not doing a synopsis, never do. I love Eve, Roarke and the gang, and the plot was edge of your seat, again. I don't know how she does it, book after book. By far, the best author that I read. Can't wait to read more from this talented storyteller.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Jayne Ann Krentz (Author) Format: Kindle Edition**: - Category: Books->Mystery, Thriller & Suspense->Mystery\n- Title: Eclipse Bay\n- Subtitle: Kindle Edition\n- Price: 8.99\n- Author: Jayne Ann Krentz\n The author of over 50 New York Times bestsellers, JAYNE ANN KRENTZ writes romantic-suspense in three different worlds: Contemporary (as Jayne Ann Krentz), historical (as Amanda Quick) and futuristic (as Jayne Castle). There are over 35 million copies of her books in print.\n- Description: About the Author Jayne Ann Krentz is the author of more than fifty New York Times bestsellers. She has written contemporary romantic suspense novels under that name, as well as futuristic and historical romance novels under the pseudonyms Jayne Castle and Amanda Quick, respectively. There are more than 35 million copies of her books in print. From AudioFile Hannah Harte and Rafe Madison are breaking the family feud between the Hartes and Madisons. But when they inherit a mansion called Dreamscape in Eclipse Bay from Great Aunt Irene, they have separate ideas about its future. Narrator Joyce Bean gives this 1999 romance her all as she switches from sexy, smoky-voiced Rafe to determined, no-nonsense Hannah. Eight years away from the Bay have not cooled their tempers or their ardor as they squabble over Dreamscape. Bean ratchets up the tension when someone tries to kill Hannah, and the couple's squabbles turn to partnership when Dreamscape is threatened. Sparks fly and tempers flare as Bean guides this romantic mystery. M.B.K. © AudioFile 2009, Portland, Maine --This text refers to an out of print or unavailable edition of this title. From Publishers Weekly Jove has led Krentz (aka Amanda Quick) to a paperback romance trilogy about love and family in seaside places. This first volume sets up the feud between the Hartes and the no-account but very sexy Madison clan. Hannah Harte, a well-organized wedding planner, reencounters raffish Rafe Madison, a self-made chef and newly made multimillionaire stock trader. Their previous meeting occurred eight years earlier, on the Oregon coast, when Hannah supplied an alibi that kept Rafe out of jail. Even though everyone knows that Hartes and Madisons never mix, Hannah's eccentric aunt Isabel has left her home, Dreamscape, to both Hannah and Rafe. As the hostile pair attempt to turn Dreamscape into an inn, and to solve an old murder mystery, Krentz sets fire to their incipient attraction. With her usual entertaining mix of quaint folk, sex and mystery, Krentz takes to these new waters like the smart fish she is. (June) Copyright 2000 Reed Business Information, Inc. --This text refers to the mass_market edition. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1 Portland, OregonThe present . . . The long, pearl-studded train of the creamy candlelight-satin wedding gown cascaded in graceful folds behind the bride as she glided to a halt in front of the altar. She smiled demurely at the groom through a gossamer cloud of veil. The organ music trailed off. A respectful hush fell. The minister cleared his throat. \"Well, that's it for me,\" Hannah murmured to her assistant as they retreated to the portico in front of the church. \"I'm out of here. You can handle the receiving line. The limo is ready. Keep an eye on the four-year-old nephew. He'll probably make another grab for the bride's train when she walks back down the aisle. See you at the reception.\" \"It's so perfect.\" Carla Groves seized a tissue and dabbed at her eyes. She peeked back into the church. \"The flowers, the candles. Everything. The bride looks as if she just stepped out of a fantasy.\" \"I don't know how to tell you this, Carla, but you aren't going to last long in this business if you weep every time you send a bride up the aisle.\" \"But she's so beautiful. Practically glowing.\" \"Uh-huh.\" Hannah snapped the lock on her briefcase. \"Looks even better this time than she did the last time. Probably because her budget was much larger. She did very well in the divorce settlement, you know. Had a great lawyer.\" Carla rolled her eyes. \"You're such a cynic, Hannah.\" \"No, I'm not. I agree with you. Jennifer Ballinger does make a lovely bride. And a very profitable one for Weddings by Harte. This is her second marriage with us, and I have every expectation that in a couple of years she'll come back to this firm for her third. Nothing like a repeat customer, I always say.\" At five-thirty that evening, Hannah stepped out of the elevator into a corridor decorated in shades of tasteful beige and walked down the hall toward the door of her apartment. Her footsteps were hushed by the thick, pale carpeting, but the door of the suite next to hers opened before she reached it. Winston rushed out to greet her with as much enthusiasm as a properly bred Schnauzer considered appropriate to exhibit upon such occasions. As always, the sight of the small, elegant, salt-and-pepper dog hurrying toward her lowered Hannah's stress level by several degrees. She smiled as she crouched to scratch Winston behind the ears. He gave a discreetly muffled whine, quivered with pleasure, and licked her hand. \"Hello, pal. Sorry I'm late. Been a long day.\" Winston looked up at her through a fringe of long, silvery lashes, understanding in his intelligent eyes. Mrs. Blankenship struck her head around the edge of the door. \"Oh, there you are, dear. Winston was starting to get a trifle anxious. How did the wedding go?\" \"Nothing out of the ordinary. The usual number of snafus at the reception. The caterer turned up with a cheese tart instead of the asparagus canapes that the bride had selected. The photographer helped himself to a couple of glasses of champagne and started to flirt with the bartender. The flower girl came very close to getting into a food fight with the four-year-old nephew.\" \"Just the usual, then.\" Mrs. Blankenship nodded wisely. She always loved to hear about the weddings. \"But I'm sure you nipped all the potential disasters in the bud behind the scenes.\" \"That's what I get paid to do.\" Hannah leaned down to pat Winston, who bounced around her high heels. \"I think the bride was satisfied. As far as she was concerned, everything went off as if the whole thing had been staged by a computer.\" Mrs. Blankenship pursed her lips. \"I don't think that's an appropriate image, dear. The thought of a computer-generated wedding is really quite dreadful. It sounds so cold. Weddings are supposed to evoke all sorts of wonderful emotions, after all.\" \"Trust me, Mrs. Blankenship, behind the scenes, a well-managed wedding has a lot in common with a launch of the space shuttle.\" \"You know, dear, I hate to mention this, but you've become increasingly cynical ever since you ended your engagement last year. It's so sad to see a young, healthy, vibrant woman like you turn jaded. Maybe you took on too much when you signed up for all those evening classes at the college.\" \"Mrs. Blankenship-\" \"You've been working much too hard for the past year. Perhaps you need a vacation. Go someplace where you can relax and regain your interest in your business and your social life.\" \"I have no social life to revive, Mrs. Blankenship. And as for my career, nothing will ever make me starry-eyed about my business. The only weddings that I actually enjoy doing are those in which I know for a fact that the couple met through my sister's agency. At least I can feel reasonably confident that those marriages have a good chance of lasting.\" \"Yes, your sister does have a knack for matchmaking, doesn't she?\" Mrs. Blankenship got a dreamy expression in her eyes. \"She obviously has a wonderful sense of intuition when it comes to that sort of thing.\" \"I hate to disillusion you, Mrs. Blankenship, but Lillian uses a computer, not her intuition.\" Hannah dug her keys out of her massive shoulder bag. \"Does Winston need a walk right away?\" \"No, dear, we just got back from our walkies,\" Mrs. Blankenship said. \"Great.\" Hannah went to her own door and unlocked it, Winston trotting eagerly at her heels. \"Thanks again, Mrs. Blankenship.\" \"Anytime, dear.\" Mrs. Blankenship paused. \"You know, you really should consider taking some time off. Your busy season is finished. You could slip away for a while.\" \"Funny you should mention that, Mrs. Blankenship. I was just thinking the same thing.\" Mrs. Blankenship beamed. \"I'm so glad to hear that. You really haven't been quite the same since your engagement ended.\" \"Several people have mentioned that.\" Hannah opened her door. \"One theory is that I have been possessed by an alien entity.\" \"I beg your pardon?\" \"Never mind. Good night, Mrs. Blankenship.\" \"Good night, dear.\" Hannah stepped into the small hallway, waited until Winston came inside, and then swiftly shut the door. She flipped on the lights. \"Give me a minute to change, Winston. Then I'll find us both something to eat.\" In the bedroom she stripped off the jacket and skirt of her blue business suit, then pulled on a pair of black leggings and a cozy cowl-necked tunic and slipped into a pair of ballet-style flats. Pausing for a moment in front of the mirror, she brushed her hair behind her ears and anchored it with a narrow band. When she was ready, she padded back down the hall into the kitchen and dug one of the expensive, specially formulated dog bones out of a box for Winston. The Schnauzer took it very politely from her fingers. \"Enjoy.\" Winston needed no further urging. He set to work on the bone vigorously. Hannah opened the refrigerator and meditated on the sparse contents for a moment. After a while she removed a hunk of sheep's-milk feta cheese and a nearly empty bottle of Chardonnay. She arranged her small haul on a tray and carried it into the second bedroom, where she maintained a home office. Winston followed, the remains of his bone wedged firmly between his jaws. Sinking down onto the high-backed chair, Hannah propped her feet on the corner of the desk and munched a cracker with some of the cheese on it. Winston took up his customary position on the floor beside the desk chair. Muted crunching sounds ensued.\"Brace yourself, Winston.\" Hannah reached for the phone. \"I'm going to check my messages. Who knows what excitement awaits us?\" The automated answering service surrendered three offerings. The first was from a florist, reporting that the orchids Hannah had ordered for the Cooke-Anderson wedding were going to cost more than expected.\"I told the client that they would be expensive.\" The second message was from her brother, Nick, letting her know that he had just mailed the manuscript of the most recent addition to his successful suspense series to the editor. \"I'm taking Carson to Disneyland, and then we're going on down to Phoenix to see Sullivan and Rachel. Probably be gone for most of the month. You know how to reach me if you need me.\" \"It's about time he married again,\" Hannah said to Winston. \"Amelia has been gone for three years now. He and little Carson have been alone long enough.\" Winston jiggled his brows. \"Yes, I know. I'm a fine one to talk.\" She punched the key for the last message . . . and nearly fell off her chair when she heard Rafe Madison's unmistakable, bottom-of-the-sea voice. Her heels came down off the desk with a small thud. She sucked in a half-strangled breath and sat forward abruptly. The Chardonnay sloshed wildly in the glass. Several drops went over the rim and hit Winston between his ears. He looked up from his bone with a puzzled expression. \"Sorry, Winston.\" She grabbed a napkin and blotted the wine off the top of his head. \"I was a little stunned there for a second, but I don't think I'm going to faint or anything.\" She tossed the napkin into the wastebasket, inhaled slowly, and took a steadying swallow of wine. She had not heard his voice in eight years, and although this time around it was only a recording, it had the same impact on her tonight as it had the last time. Small flashes of electrical energy snapped through her nerve endings. Her stomach seemed to float in midair. \"This is Rafe Madison . . .\" The last conversation she'd had with him flitted through her mind. Good luck with that five-year plan of yours. I hope things work out the way you want. She wondered if he'd ever gotten his act together. \". . . Got the message you sent through your lawyer. The answer is no. Looks like we've got a few things to talk about, and I don't plan to do it through our attorneys. See you in Eclipse Bay.\" \"No?\" The old memories went up in smoke and the present came crashing back. She stabbed the replay key.\". . . The answer is no. . . . See you in Eclipse Bay.\" She had not misunderstood. His answer to her offer was loud and clear. \"I think I've got a problem, Winston.\" She dropped the bombshell on her sister the following morning. \"What do you mean, he refuses to sell?\" Lillian demanded on the other end of the line. \"That house belonged to our great-aunt, not his. He can't refuse to sell.\" Hannah listened to the muffled sounds of a printer in the background. Lillian was hard at work. She ran her matchmaking firm, Private Arrangements, out of an office in a high-rise located only a few blocks away from the one in which Hannah and Winston lived. \"You were there when Isabel's will was read,\" Hannah reminded her wearily. \"She left the house equally to Rafe and me. The lawyer says he can do whatever he wants to do with his half.\" \"Hmm. Maybe you didn't offer him enough money.\" \"The negotiations didn't even get that far. I just sent a message to him through the lawyer telling him that I would be willing to buy out his half of the house. I expected him to come back with a price.\" \"What on earth do you suppose he plans to do with half of Dreamscape?\" Lillian mused. \"Who knows?\" Hannah frowned at the array of wedding photos that decorated her office wall. \"But I have plans for Dreamscape, and I'm certainly not going to let him stand in my way.\" \"You're going to meet with him in Eclipse Bay, aren't you?\" \"Doesn't look like I've got much choice. I want Dreamscape. Somehow I've got to talk him out of his share of the place.\" \"We haven't heard much about Rafe in recent years. Just that he got married and divorced.\" Hannah thought about her midnight conversation with Rafe. The men in my family aren't much good when it comes to marriage. . . . Figure the odds are against me getting lucky . . . \"Divorce is a Madison family tradition,\" she said quietly. \"Unfortunately, it's a very common tradition for a lot of families these days.\" Lillian made a tut-tut sound. \"I don't know why so many people refuse to see the obvious. Marriage is a partnership. It should be entered into the same way one would go into any serious business arrangement. All the factors should be examined from every angle before a commitment is made.\" \"Lillian-\" \"There's a staggering amount of scientific evidence that suggests that couples who are properly matched using modern psychological tests and personality inventories are far more likely to succeed at marriage than those who let their emotions-\" \"Enough, Lillian. I've heard your professional pitch before, remember?\" \"Sorry. You know me. I get a little carried away sometimes.\" Lillian hesitated. \"About Rafe Madison-\" \"What about him?\" \"Think he's changed?\" \"How should I know?\" Hannah rose, phone in hand, and went to the window. \"Wonder if he achieved his big career objective?\" \"Didn't know he had one.\" \"Oh, he had one, all right.\" Hannah studied the view of the bridge-studded Willamette River. \"His great ambition was to stay out of jail.\" \"Given the direction in which everyone seemed to think he was headed eight years ago, that would have been a major accomplishment.\" \"I'm sure we would have heard if he had gone to prison.\" Hannah tightened her grip on the phone. \"That kind of news would have been hot gossip in Eclipse Bay.\" \"Ah, but as far as we know, he hasn't been back to Eclipse Bay very often since Kaitlin Sadler died. According to Mom and Dad, he makes a couple of short weekend visits to see his grandfather every few months and that's it. How would anyone know if he'd done time?\" \"I think he was too smart to end up in prison,\" Hannah said. \"Smart does not always equate with common sense. We're both in the marriage business. We see smart people do dumb things every day.\" \"True.\" Lillian paused. \"You're still serious about your plans for Dreamscape?\" \"Very.\" \"I was afraid of that. My advice is don't let Rafe know you've got your heart set on turning Dreamscape into an inn.\" \"Why not?\" Lillian made an exasperated sound. \"Use your head. If he figures out just how badly you want the place, he'll hold out for a whopping price for his half.\" \"I'll be careful how much I say. I'm a Harte, remember? I can be cool.\" \"Do that,\" Lillian said dryly. \"You know, something tells me that it's a good thing that Mom and Dad went on that monthlong cruise. If they knew that you were getting ready to go toe-to-toe with Rafe Madison over Dreamscape, they'd descend on Eclipse Bay like avenging angels.\" \"Speaking of family interference, I'm counting on you to keep quiet about my decision to go to Eclipse Bay for a while. I want some time to work things out with Rafe. That won't be possible if I'm inundated with helpful Hartes.\" \"I'll keep quiet,\" Lillian sighed. \"I still can't imagine what Aunt Isabel was thinking. Ever since Rafe used you as his alibi for the night Kaitlin Sadler died, she was obsessed with the notion that the two of you were the Romeo and Juliet of the Harte-Madison feud.\" \"Rafe didn't use me as his alibi,\" Hannah said. \"I was his alibi.\" \"There's a difference?\" \"Oh, yes,\" Hannah said. \"There's a difference.\" --This text refers to the mass_market edition. Amazon.com Review Setting: Eclipse Bay, Oregon, present day Sensuality Rating: 6 Multimillion-selling author Jayne Ann Krentz weaves a classic tale of a rich girl and the town's bad boy who grows up to be very, very good. Eight years have passed since Hannah Harte laid eyes on Rafe Madison--eight years since Hannah risked her reputation by providing Rafe's alibi for a murder he did not commit. Drawn back together by a strange bequest, Hannah and Rafe must first try to figure out how to share their dreams for the old seaside manor they've inherited and then determine who's willing to try anything, even murder, to stop them. Hannah is astonished to find that the rebellious Rafe, who once loved living up to his family's unsavory reputation, has shed his bad boy ways and become quite a success. And Rafe is equally disturbed to realize that the naive girl he met on a beach one night long ago is all grown up--and how! The first in a new trilogy from perennial favorite Krentz is a tantalizing reminder of the attraction of opposites. Readers will be waiting with bated breath for the sequels. --Alison Trinkle --This text refers to the mass_market edition. Read more\n- Features:\nFIRST IN THE STUNNING TRILOGY Eclipse Bay has grown and flourished amongst the sharp cliffs and hidden coves of the rugged Oregon coast. But this small town is also filled with secrets as treacherous as the landscape and rivalries as fierce as an ocean storm. Their grandfathers hated each other. Their fathers hated each other. But they don’t hate each other. Not at all.... Hannah Harte remembers the long-ago night on the beach that revealed Rafe as more than just “that disreputable Madison boy.” And Rafe remembers the heroic gesture that proved Hannah’s fierce spirit was stronger than any feud—and saved him from near-certain imprisonment. Now—reunited by a surprising inheritance after years of living their separate lives—Rafe and Hannah return to Eclipse Bay, and the hostilities that still divide, and bind, their families. And they are discovering something that is at once delightful and deeply disturbing....\n- Details:\n Publisher: Berkley (June 1, 2000)\n Publication date: June 1, 2000\n Language: English\n File size: 1437 KB\n Text to Speech: Enabled\n Screen Reader: Supported\n Enhanced typesetting: Enabled\n X Ray: Enabled\n Word Wise: Enabled\n Sticky notes: On Kindle Scribe\n Print length: 353 pages\n Page numbers source ISBN: 0515128015\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 1.0]}
{"uid": "AFVWIYJTNBHM7VTTE3XRWDTGW7BA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n occupation: Likely music instructor or serious amateur musician (mentions being 'an adult intermediate player' and references teaching/students)\nInterests: \n Clarinet performance and instruction, particularly intermediate to advanced level materials\n Bass clarinet technique and repertoire, expressing joy that 'exercises in here are fun and full of techniques a joy to practise'\n Music education methodology, especially the Rubank and Student Instrumental Course series which they have 'the entire series' of\n Scale practice and technical exercises, reviewing multiple books specifically for 'scale practise' and 'technique'\n Historical fiction with cultural/artistic themes, particularly enjoying 'The Painted Girls' after seeing the statue in Philadelphia museum\n Musical ensemble playing, appreciating materials 'good for all levels of students' and 'to work on with groups'\n Cross-stitch and craft patterns, reviewing a 'Clarinet Cross Stitch Pattern'\n Religious/sacred music, reviewing hymn collections and 'Sacred Trios'\n Historical narratives with emotional depth, praising novels that are 'well written and holds ones interest'\n Music practice organization and pedagogy, though critical of practice log books lacking 'room for a instructor to write in it'\n Duet and ensemble repertoire for clarinet, mentioning 'wonderful for...playing duets or solos'\n Art history and museum culture, mentioning having 'seen this statue in the museum in philadelphia and fell in love with it'\nValues: \n Educational utility and practical application, consistently asking if materials are 'helpful' and 'useful...everyday several times a day'\n Making practice enjoyable and engaging, appreciating when 'practise exciting' and materials are 'not at all boring'\n Clear organization and usability, criticizing when materials are 'confusing at first till you get into how it is set up'\n Comprehensive skill development, valuing materials 'useful not only for beginners but advanced players as well'\n Quality of musical selections, noting when 'the music it self is great full of challenges but fullfilling when accomplished'\n Historical accuracy and authenticity in narratives, praising 'historic facts for the area involved' and when 'people were real'\n Emotional depth and human compassion in storytelling, valuing novels with 'compassion human understanding'\n Practical design features, wanting 'spiral bound would be much easier to handle' and criticizing similar-looking book covers\n Instructor-student interaction support, disappointed when there's 'no room for notes from instructor'\n Variety in repertoire, expressing disappointment when 'songs a few are familar then the rest are un heard of'\n Technical rigor balanced with musicality, appreciating 'difficult passages are extremely wonderful to play'\n Value for investment, noting when purchases were 'very wise purchase and has helped me immensly'\nCommunication: \n Casual, conversational tone with frequent grammatical irregularities and missing capitalization throughout reviews\n Extensive use of ellipses (...) to connect thoughts and create pauses, appearing in nearly every review\n Enthusiastic and positive language with repeated use of 'wonderful,' 'excellent,' 'amazing,' and 'very helpful'\n Run-on sentence structure, often connecting multiple ideas with 'and' or 'but' without proper punctuation\n Specific, practical feedback about usability issues like 'difficult to find the song number on the page or cd'\n Personal narrative elements, sharing experiences like 'i had seen this statue in the museum in philadelphia'\n Balanced criticism that acknowledges both strengths and weaknesses, using phrases like 'the only problem is' or 'despite this'\n Direct recommendations to readers, frequently stating 'would recommend' or 'not sure i really liked'\n Emphasis through repetition and intensifiers, using 'very,' 'so,' 'much more,' and 'extremely' frequently\n Informal contractions and colloquialisms, writing 'thru' instead of 'through' and casual phrasing\n First-person perspective throughout, consistently using 'i' to share personal experiences and opinions\n Brief, punchy review titles that summarize content, like 'excellent book' or 'clarinet technic'\nStatistics: \n Average response length approximately 45-55 words, with range from 20 words (shortest) to 85 words (longest)\n Most frequent words include 'very' (appears 15+ times), 'helpful,' 'wonderful,' 'technique,' 'good,' and 'book'\n Consistent use of ellipses (...) appearing in 15 out of 17 reviews as a stylistic connector\n Predominantly simple and compound sentence structures with minimal complex subordination\n High frequency of evaluative adjectives: 'excellent,' 'amazing,' 'great,' 'fun,' 'useful,' 'difficult'\n Regular use of qualifiers and intensifiers: 'so,' 'very,' 'much,' 'extremely,' 'well'\n Minimal use of proper capitalization, with most reviews starting sentences in lowercase\n Frequent use of first-person pronouns ('i,' 'me,' 'my') averaging 2-3 times per review\n Consistent pattern of stating opinion followed by specific evidence or example from the product\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Arts & Photography->Music\n- Title: Flex-Ability Pops -- Solo-Duet-Trio-Quartet with Optional Accompaniment: Horn in F (Flex-Ability Series)\n- Subtitle: Paperback – February 1, 2002\n- Price: from 0.50\n- Description:\n- Features: The Flex-Ability series, arranged by Victor López, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1(only whole, half, dotted half, and quarter notes and rests). The songs are: La Bamba * When the Saints Go Marching In ...[truncated]\n\nReview by this user:\nvery nice: fun duets to play use these at lessons\n\n--- Example 2 ---\nBook:\n- Category: Books->Arts & Photography->Music\n- Title: Student Instrumental Course, Level 2: Studies and Melodious Etudes for Clarinet\n- Subtitle: Paperback – Illustrated, March 1, 2002\n- Price: None\n- Description:\n- Features: The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.\n\nReview by this user:\nclarinet etudes: wonderful etudes exciting to play they could improve by changing the covers just a little they look so much like the technique and lesson books that i keep pulling out the wrong one....\n\n--- Example 3 ---\nBook:\n- Category: Books->Arts & Photography->Graphic Design\n- Title: The Look: An Around-The-World Fashion Coloring Book\n- Subtitle: Paperback – October 6, 2015\n- Price: 13.56\n- Description: About the Author Suwa studied fashion at the Parsons School of Design and worked as a fashion designer for Michael Kors and Tommy Hilfiger. She now lives in South Korea, where she’s worked as an art director and lecturer. Her previous publications include Shaping Your Creativity and the creative-therapy coloring book Hers .\n- Features: It’s haute couleur : Coloring meets high-end fashion in a chic fantasy tour of the world’s style capitals. The clothes, the hair, the accessories, the poses, the attitude, the look––a fantasy tour of chic life on the street’s of the world’s fashion capitals, with lifelike drawings of women and men, young and old, wearing beautiful, stylish outfits. Animal prints and fedoras in Milan. Bold pattern-mixing on Fifth Avenue in New York City. Window-shopping in Paris’s Sixth, strolling along Shanghai’s Bund. Play ...[truncated]\n\nReview by this user:\nFive Stars: nice pictues enjoyable to color\n\n--- Example 4 ---\nBook:\n- Category: Books->Children's Books->Activities, Crafts & Games\n- Title: Norman Rockwell Coloring Book\n- Subtitle: Paperback – May 31, 2009\n- Price: 8.95\n- Author: Pomegranate\n- Description:\n- Features: Norman Rockwell was an American painter who lived from 1894 to 1978. Have you ever heard the expression 'A picture is worth a thousand words'? Well, Norman Rockwell's paintings are good examples of that. As you look at them, you will discover that each one tells a story. You'll find out more and more about the people he painted--where they live, what they like to do, and what kind of trouble they get into--the longer you gaze at the pictures. You can even imagine what they are thinking! From 1916 to 1962, N ...[truncated]\n\nReview by this user:\nFive Stars: love this book\n\n--- Example 5 ---\nBook:\n- Category: Books->Arts & Photography->Music\n- Title: Sacred Trios for All (From the Renaissance to the Romantic Periods) (Sacred Instrumental Ensembles)\n- Subtitle: Paperback – February 1, 1998\n- Price: 7.99\n- Description:\n- Features: This trio collection of 17 keyboard, vocal and instrumental pieces covering the Renaissance to the Romantic periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes sacred music fun! Contains: Angus Dei (Missa Lhomme Arme) (Des Prez) * All And Some (Anonymous) * Amazing Grace (Newton) * Balm In Gilead (Anonymous) * Cantate Domino (\"\"O Sing Unto Th ...[truncated]\n\nReview by this user:\nsacred trios: not sure i really liked this book the songs a few are familar then the rest are un heard of and not really inspiring for me....the music self is not too difficult and kind of short not sure...not my type\n\n--- Example 6 ---\nBook:\n- Category: Books->Arts & Photography->Music\n- Title: I Recommend: B-flat Clarinet\n- Subtitle: Paperback – March 1, 1985\n- Price: 7.99\n- Description:\n- Features: A complete warm-up technique book containing units on lip slurs, chorales, major scales and scale studies, minor scales, chromatic scales, arpeggios, interval studies, articulation and dynamic studies, rhythm studies, and rudiment review. Written by James D. Ployhar, with individual tuning suggestions and warm-up exercises by additional experts on each instrument.\n\nReview by this user:\nFive Stars: bought both bass and b flat clarinet use them daily\n\n--- Example 7 ---\nBook:\n- Category: Books->Arts & Photography->Music\n- Title: I Recommend: B-flat Cornet (Trumpet)\n- Subtitle: Paperback – March 1, 1985\n- Price: 7.99\n- Description:\n- Features: A complete warm-up technique book containing units on lip slurs, chorales, major scales and scale studies, minor scales, chromatic scales, arpeggios, interval studies, articulation and dynamic studies, rhythm studies, and rudiment review. Written by James D. Ployhar, with individual tuning suggestions and warm-up exercises by additional experts on each instrument.\n\nReview by this user:\nexcellent book: very useful and use it everyday several times a day good scales in easy to follow manner book stays open well on music rack special exercises in rhythm very helpful..useful not only for beginners but advanced players as well\n\n--- Example 8 ---\nBook:\n- Category: Books->Arts & Photography->Music\n- Title: Trios for All: B-flat Clarinet, Bass Clarinet (For All Series)\n- Subtitle: Paperback – March 1, 1985\n- Price: 10.53\n- Description:\n- Features: A variety of combinations of instruments can play trios with these books. With the exception of the basses, any three like-instruments such as three flutes, three clarinets, three cornets, three trombones, three bassoons, and so on can play together in three-part harmony. Numerous mixed-instruments such as violin, trumpet, and tuba also may perform all of the trios in these books. Basses must play the bottom line only, but the music is arranged so that they have the melody from time to time. Any number of i ...[truncated]\n\nReview by this user:\ntrios for all: very good item for all levels of students and nice list of titles to work on with groups or just to run thru as exercises for technique with instructor\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Johanna Basford (Author)**: - Category: Books->Crafts, Hobbies & Home->Crafts & Hobbies\n- Title: Lost Ocean: An Inky Adventure and Coloring Book for Adults\n- Subtitle: Paperback – Coloring Book, October 27, 2015\n- Price: 14.95\n- Author: Johanna Basford\n I'm on a mission to inspire the world to be creative! Tumble down the rabbit hole and find yourself in my inky black and white Wonderland... I'm an illustrator and ink evangelist who prefers pens and pencils to pixels. I create intricate, hand drawn illustrations that adorn colouring books, coffee cups, trainers, walls, beer bottles and even walls! My creativity is cultivated by a curious imagination and a delight in the fantastic. Much of my work has roots in the flora and fauna that surrounded me growing up on my parent's fish farm in rural Scotland. Every piece I create starts life as a simple pencil sketch, evolving into a rambling pen and ink drawing usually spanning several sheets of paper. I love the tactile nature of the materials I use and the joy of smudgy fingerprints. My delicate hand inked designs intend to charm and delight, inviting you to peer closer and discover the hidden intricacies. For me, computer generated graphics can feel cold and soulless whereas hand drawing captures a sense of energy and character which no pixel can ever replicate. I'm on a mission to vanquish the vector and champion the (wobbly) hand drawn line.\n- Description: Review PRAISE FOR JOHANNA BASFORD'S COLORING BOOKS \"The colorists have a queen, and her name is Johanna Basford.\" — New York Magazine \"Consider trading in your yoga mat for a set of markers and peruse the gorgeous gardens of Basford's imagination.\" — Huffington Post \"Artist Johanna Basford is at the forefront of the grown up coloring trend. Her whimsical artwork just makes us want to drop all our responsibilities and color forever.\" — Hello Giggles \"This is a breathtakingly beautiful coloring book, full of detail, whimsy, and possibilities. Inspiration invades at the turn of the first page and is guaranteed to capture the imagination and attention of any artist young and old.\" — The Children's Book Review About the Author Johanna Basford is an illustrator and ink evangelist who prefers pens and pencils to pixels. Her intricate, hand-drawn illustrations are loved the world over by those who have colored in (sometimes more than once) her bestselling books Johanna's Christmas , Magical Jungle , Lost Ocean , Secret Garden , and Enchanted Forest . Johanna is a graduate of Duncan of Jordanstone College of Art and Design in Dundee. She likes sugar mice, floral teacups, peonies, and bumblebees. Visit her online at johannabasford.com.\n- Features:\nFrom the creator of the worldwide bestsellers Secret Garden and Enchanted Forest , a beautiful new coloring book that takes you on a magical journey beneath the waves. With this coloring book for adults, Johanna Basford invites color-inners of all ages to discover an enchanting underwater world hidden in the depths of the sea. Through intricate pen and ink illustrations to complete, color, and embellish, readers will meet shoals of exotic fish, curious octopuses, and delicately penned seahorses. Visit coral reefs and barnacle-studded shipwrecks, discover intricate shells and pirate treasure. Secret Garden and Enchanted Forest fans and newcomers alike will welcome this creative journey into an inky new world. For Lost Ocean , Johanna picked a crisp ivory paper that accentuates and complements your chosen color palette. The smooth, untextured pages allow for beautiful blending or gradient techniques with colored pencils or are perfect for pens, allowing the nib to glide evenly over the surface without feathering. Filled with stunningly detailed illustrations, Lost Ocean is a blissful and relaxing at-home activity for people of all ages.\n- Details:\n Publisher: Penguin Life; Clr Csm edition (October 27, 2015)\n Language: English\n Paperback: 80 pages\n ISBN 10: 0143108999\n ISBN 13: 978-0143108993\n Reading age: 8 years and up\n Item Weight: 1.1 pounds\n Dimensions: 9.9 x 9.9 x 0.5 inches\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 1.0]}
{"uid": "AFXYRVZVMY2JKI6LQC7F5IFBSZCA", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n gender: Female (explicitly states 'As a female reader I was very satisfied with the conclusion' in response to Killer Within)\nInterests: \n Thriller and mystery novels with strong suspense elements ('Suspenseful, good characters to care about,' 'Very good mystery!')\n Character-driven narratives where 'Character development in a book is very important to me. I need to care about the characters'\n Witty and engaging dialogue ('Loved the dialog between Justin and Annie,' 'Loved the dialogue,' 'witty dialog')\n Fast-paced storytelling ('Fast paced. Written with wit,' 'fast paced, witty dialog')\n Series fiction, particularly following recurring characters like Virgil Flowers and Lucas Davenport ('Never disappointed with the Virgil Flowers books,' 'I hope Sandford goes on and on with the series')\n Dark and violent content ('violence, disgusting descriptions,' 'Enough violence and gore to keep me interested')\n Psychological thrillers exploring criminal minds ('King really gets inside the crazy mind of Morris Bellamy')\n Stories with mystery elements and plot twists ('A few surprises along the way,' 'You're not sure what the main character is up to for quite a while')\n Rock and roll references in narratives ('rock and roll references. Who could want anything more')\n Crime fiction with realistic settings and characters ('very believable main character')\n Stories featuring strong female characters who demonstrate agency ('At least the female was able to save herself')\n Books that balance excitement with emotional depth ('Exciting from beginning to end,' 'Didn't want the story to end, but wanted to have the mystery solved')\nValues: \n Strong character development and relatability ('D D is down to earth and easy to relate to,' 'great characters to care about')\n Female empowerment and self-sufficiency ('At least the female was able to save herself,' satisfied when female characters demonstrate agency)\n Authenticity in depicting everyday struggles ('She has the usual female dilemmas of trying to juggle her job and family relationships')\n Quality dialogue and character interactions ('Loved the dialog between Justin and Annie,' 'witty dialog')\n Emotional engagement with stories ('Didn't want the story to end,' 'I enjoyed the characters')\n Complexity in narratives, though willing to accept simpler plots occasionally ('I'm used to reading more complex novels' but still enjoyed the book)\n Author craftsmanship and writing skill ('King has always been able to do that and has again,' 'Lehane certainly has a way with words')\n Suspense and tension in storytelling ('I couldn't put it down. Awesome book')\n Psychological depth in character portrayal ('King really gets inside the crazy mind of Morris Bellamy. Makes you wonder about King's mind')\n Series continuity and character development across books ('Glad to see that Hodges is healthy and happy')\n Balance between entertainment and substance ('Exciting while making you happy you don't live like the characters')\n Hope for future installments in beloved series ('Hope he writes a similar book soon,' 'I hope Sandford goes on and on with the series')\nCommunication: \n Enthusiastic and exclamatory style with frequent use of exclamation points ('absolutely awesome!,' 'Holy crap,' 'Effin Flowers rides again!')\n Conversational and casual tone with colloquialisms ('Who knew Stephen King could nail the suspense novel,' 'Who could want anything more')\n Direct address to authors ('Please don't take offense Mr. King,' 'Hope he writes a similar book soon')\n Use of HTML formatting tags like
for line breaks in longer reviews\n Brief, punchy titles followed by elaboration ('thoroughly enjoyable:,' 'very enjoyable:,' 'Good but not great:')\n Frequent use of contractions and informal language ('You'll have to read the book,' 'I'm really liking John Sanford')\n Emphasis through capitalization and punctuation ('AND a definite chance for another adventure')\n Personal reflection and self-awareness ('Makes you wonder about King's mind, doesn't it')\n Encouraging tone toward other potential readers ('Go ahead and read it, already,' 'You won't be disappointed with this book')\n Mix of plot discussion and personal reaction without major spoilers\n Varied sentence structure from short fragments to longer complex sentences\n Honest critique when disappointed while remaining constructive ('Good but not great,' 'I read the book fairly quickly to get to the end')\nStatistics: \n Average response length approximately 50-60 words, with range from 20 words (shortest) to 100 words (longest)\n Most frequent phrases include 'fast paced,' 'great characters,' 'witty dialog/dialogue,' 'very enjoyable,' and 'couldn't put it down'\n Consistent use of superlatives: 'absolutely awesome,' 'very good,' 'thoroughly enjoyable,' 'Awesome book'\n High frequency of exclamation points, averaging 2-4 per response to convey enthusiasm\n Typical response structure: 3-5 sentences with opening statement, supporting details, and closing thought\n Common word patterns: 'loved/enjoyed' + specific element (dialogue, characters, etc.)\n Frequent use of first-person perspective ('I enjoyed,' 'I was,' 'I hope')\n Regular mention of author names and character names, showing engagement with the literary world\n Varied sentence length from brief 5-word sentences to complex 25+ word constructions\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Silent Prey (The Prey Series Book 4)\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: John Sandford\n- Description: Review Praise for John Sandford’s Prey Novels “Relentlessly swift...genuinely suspenseful...excellent.”— Los Angeles Times “Sandford is a writer in control of his craft.”— Chicago Sun-Times “Excellent...compelling...everything works.”— USA Today “Grip-you-by-the-throat thrills...a hell of a ride.”— Houston Chronicle “Crackling, page-turning tension...great scary fun.”— The New York Daily News “Enough pulse-pounding, page-turning excitement to keep you up way past bedtime.” —Minneapolis Star Tribune “One of ...[truncated]\n- Features: Make noise for a new Prey package and new author introduction! Dr. Mike Bekker, a psychotic pathologist, is back on the streets, doing what he does best—murdering one helpless victim after another. Lucas Davenport knows he should have killed Bekker when he had the chance. Now he has a second opportunity—and the time to hesitate is through.\n\nReview by this user:\nNot my favorite.: I guess I like Lucas and Virgil in their own environment. Not too keen on the secondary story line. Now on to book number five.\n\n--- Example 2 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Invisible Prey (The Prey Series Book 17)\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: John Sandford\n- Description: Review Praise for John Sandford’s Prey Novels “Relentlessly swift...genuinely suspenseful...excellent.”— Los Angeles Times “Sandford is a writer in control of his craft.”— Chicago Sun-Times “Excellent...compelling...everything works.”— USA Today “Grip-you-by-the-throat thrills...a hell of a ride.”— Houston Chronicle “Crackling, page-turning tension...great scary fun.”— The New York Daily News “Enough pulse-pounding, page-turning excitement to keep you up way past bedtime.” —Minneapolis Star Tribune “One of ...[truncated]\n- Features: “A crackling addition to [the] Prey series” ( Entertainment Weekly ) from #1 New York Times bestselling author John Sandford. In a wealthy Minneapolis neighborhood, two elderly women are bludgeoned to death. They are apparent victims of a random robbery, though nothing of value appears to have been stolen. But when Lucas Davenport looks deeper, he fears that the victims weren’t so random, and the items stolen were far from invaluable.As a pattern emerges it leads Lucas to…certainly not where he expected. Wh ...[truncated]\n\nReview by this user:\nLoved it.: I'm trying to take my time reading through the Prey series, but I'm having trouble staying away from the next installment. Awesome good and bad characters in exciting stories. I don't want to go through all the novels too quickly. What author would I read next?\n\n--- Example 3 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Intensity: A Novel\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: Dean Koontz\n- Description: Review \"The most viscerally exciting thriller of the year.\"— Publishers Weekly \"Intensity chills the reader to the core and establishes Koontz as a master.\"—Associated Press From the Paperback edition. From Library Journal Chyna Shepherd, at 26, is very much alone in the world. Growing up with a hippie mother, Chyna's bleak childhood was filled with fear and confusion. While visiting the home of her best and only friend Laura, Chyna miraculously survives the brutal and senseless murders of Laura and her ent ...[truncated]\n- Features: #1 NEW YORK TIMES BESTSELLER • This ebook edition contains a special preview of Dean Koontz’s The Silent Corner . Past midnight, Chyna Shepard, twenty-six, gazes out a moonlit window, unable to sleep on her first night in the Napa Valley home of her best friend’s family. Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed “homicidal adventurer,” Vess lives only to satisfy all appetites as they arise, to immerse him ...[truncated]\n\nReview by this user:\nAlmost a five star.: Well-written but a little too much description of the experiences in the flashbacks. I was however very happy to read a story where the female's ingenuity and determination enabled her to persevere through seemingly insurmountable odds.\n\n--- Example 4 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Hostage: A Novel\n- Subtitle: Kindle Edition\n- Price: 7.99\n- Author: Robert Crais\n- Description: Excerpt. © Reprinted by permission. All rights reserved. PROLOGUE *† *† * The man in the house was going to kill himself. When the man threw his phone into the yard, Talley knew that he had accepted his own death. After six years as a crisis negotiator with the Los Angeles Police Department's SWAT team, Sergeant Jeff Talley knew that people in crisis often spoke in symbols. This symbol was clear: Talk was over. Talley feared that the man would die by his own hand, or do something to force the police to kill ...[truncated]\n- Features: The bestselling author of Demolition Angel and L.A. Requiem returns with his most intense and intricate thriller yet. As the Los Angeles Times said, Robert Crais is “a crime writer operating at the top of his game.” His complex heroes and heroines, his mastery of noir atmosphere, and his brilliant, taut plots have catapulted him into the front rank of a new breed of thriller writers. Hostage proves his earlier success was no fluke. It’s an unstoppable read. An ex-con with delusions of grandeur and his taga ...[truncated]\n\nReview by this user:\nOne of the best novels I've ever read!: Robert Crais must be a genius. Layer upon layer of plot and characters. I read this book in 3 sittings. Couldn't wait to see what happened next. I've really enjoyed everything I've read from this author.\n\n--- Example 5 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Tell No One: A Novel\n- Subtitle: Kindle Edition\n- Price: 6.99\n- Author: Harlan Coben\n- Description: From Publishers Weekly Every writer likes to stretch his legs, and here Coben, author of seven acclaimed Myron Bolitar mysteries (Darkest Fear, etc.), stretches his. He doesn't quite kick his reputation aside in the process. This thriller, Coben's first non-Bolitar novel, is a breezy enough read, but it's not up to snuff. It's got a nifty setup, though. David Beck and Elizabeth Parker, just-married childhood sweethearts, are vacationing at the Beck family retreat when Beck is knocked unconscious and Elizabe ...[truncated]\n- Features: For Dr. David Beck, the loss was shattering. And every day for the past eight years, he has relived the horror of what happened. The gleaming lake. The pale moonlight. The piercing screams. The night his wife was taken. The last night he saw her alive. Everyone tells him it's time to move on, to forget the past once and for all. But for David Beck, there can be no closure. A message has appeared on his computer, a phrase only he and his dead wife know. Suddenly Beck is taunted with the impossible—that somew ...[truncated]\n\nReview by this user:\nComplex yet rewarding.: Very interesting mix of love story and crime story. Good character development even though there were quite a few characters. Cohen writes compelling novels. I'll continue reading his works.\n\n--- Example 6 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: The First Rule (Elvis Cole and Joe Pike Book 13)\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: Robert Crais\n- Description: Review “Is it possible for a crime novel to be both ultra-violent and elegant? If so, then The First Rule is a prime example. The mayhem is graphic and unflinching, but the prose and story line are as sleek and efficient as a beautifully crafted piece of machinery.”— The Seattle Times “[ The First Rule ] will satisfy longtime fans and make new ones...well-written action sequences and snappy dialogue.”— Los Angeles Times “Crais follows a straightforward, no-nonsense tradition that marks him as a direct desce ...[truncated]\n- Features: Joe Pike and his partner Elvis Cole must solve the murder of an old friend and his entire family in this gripping thriller from #1 New York Times bestselling author Robert Crais. When Frank Meyer and his family are executed during a home invasion, the police begin investigating the secret life they're sure Meyer had. Joe Pike's on a hunt of his own: to clear his friend's name, and to punish the people who murdered him. What starts out as a simple trail gets twisted fast by old grudges, double crosses, blood ...[truncated]\n\nReview by this user:\nJoe Pike Rules!!: Okay this was exciting, brutal, complex, and surprisingly gentle. Don't want to give anything away, but I was surprised to see how well the tough guys handled a fragile object they needed to take care of. Great story.\n\n--- Example 7 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Naked Prey (The Prey Series Book 14)\n- Subtitle: Kindle Edition\n- Price: 9.99\n- Author: John Sandford\n- Description: Amazon.com Review When twelve-year-old muskrat trapper Letty West stumbles on the naked bodies of Jane Warr and Deon Cash, deep in the snowy woods of northern Minnesota, it's more than another bizarre episode in her already unusual life, as Lucas Davenport discovers in this new outing in Sandford's popular series featuring the midwestern lawman who moonlights as a computer game designer. Lucas has a new wife, a new baby, and a new job as a political troubleshooter for his old boss Rose Marie Roux, but the b ...[truncated]\n- Features: The #1 New York Times bestselling Lucas Davenport novel from John Sandford. Two people are found hanging naked from a tree in the woods of northern Minnesota. What makes the situation particularly sensitive is the bodies are of a black man and a white woman. Lynching is the word everyone’s trying not to say, but as Lucas Davenport begins to discover, the murders are not at all what they appear to be. And there is worse to come—much, much worse. “All but impossible to put down.”— The Washington Post “Fast pa ...[truncated]\n\nReview by this user:\nAnother couldn't-put-it-down wild ride from Sandford.: Exciting story about characters you really cared about or found upsetting. Loved the entire book. I'll keep reading the series without a doubt.\n\n--- Example 8 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Shaken (Jacqueline \"Jack\" Daniels Mysteries) Book 7\n- Subtitle: Kindle Edition\n- Price: None\n- Description:\n- Features: Chicago cop Jacqueline \"Jack\" Daniels has chased, and caught, dozens of dangerous criminals over the course of her career. But she's about to meet her match.When Jack wakes up in a storage locker, bound and gagged, she knows with chilling certainty who her abductor is.He's called \"Mr. K.\" More than two hundred homicides have been attributed to him. His victims have died in the most horrible ways imaginable. He's the essence of evil. Some think he's just an urban legend. But he's real. Jack has tangled with ...[truncated]\n\n\nReview by this user:\nExcellent- loved the flashbacks.: This novel filled us in on Jack's early days on the force. And set up the reason the current bad guys were out to get her. I'll definitely keep reading. A question- how does this male author get the female thinking process right?? Pretty amazing.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Robert Crais (Author) Format: Kindle Edition**: - Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: The Sentry (Elvis Cole and Joe Pike Book 14)\n- Subtitle: Kindle Edition\n- Price: 8.99\n- Author: Robert Crais\n Robert Crais is the author of the bestselling Cole & Pike novels. A native of Louisiana, Crais moved to Hollywood in the late 70s where he began a successful career in television, writing scripts for such major series as Cagney & Lacey, Miami Vice and Hill Street Blues. In the mid 80s, following his success with the TV buddy genre, Crais created a series of crime novels based around the characters Cole & Pike. In addition, Crais has also written several bestselling standalone thrillers. Robert Crais lives in LA with his wife and family. Here are the Elvis Cole novels in series order: The Monkey's Raincoat Stalking the Angel Lullaby Town Free Fall Voodoo River Sunset Express Indigo Slam L. A. Requiem The Last Detective The Forgotten Man The Watchman Chasing Darkness Stand-alone novels: Demolition Angel Hostage The Two Minute Rule The First Rule\n- Description: Review “The action...is intense and the body count in high.”— Los Angeles Times “[An] expertly tuned plot.”— Entertainment Weekly “A wild ride...fast-paced, engaging.”— Houston Press “Jaw-dropping plot twists...page-turning suspense.”—Associated Press“A testosterone-fueled caper.”— Booklist “Impressive...Heartbreaking ironies, frustrated desires, and violent nonstop action make this a standout. Crais just keeps getting better.”— Publishers Weekly About the Author Robert Crais is the #1 New York Times bestselling author of more than twenty novels, many of them featuring private investigator Elvis Cole and his laconic ex-cop partner, Joe Pike. Before writing his first novel, Crais spent several years writing scripts for such major television series as Hill Street Blues , Cagney & Lacey , Miami Vice , Quincy , Baretta , and L.A. Law . He received an Emmy nomination for his work on Hill Street Blues , and one of his standalone novels, Hostage , was made into a movie starring Bruce Willis. His novels have been translated into forty-two languages and are bestsellers around the world. A native of Louisiana, he lives in Los Angeles. From AudioFile Start listening and prepare to be unavailable to your other life. Luke Daniels is a terrific Joe Pike. His whispery yet masculine portrayal of Joe couldn't feel more perfect for this ex-Delta Force, ex-mercenary, ex-cop really good guy with a single-mindedness of purpose that seems hardly human. Joe has accidentally taken on the burden of protecting a beautiful young woman who is not at all what she seems. Daniels maintains all the appropriate excitement and action with his superior voice and pacing. A minor criticism is that it's hard to credit his New Orleans drawl, especially that of the female lead. It's confusing as to whether she's black or white. Nonetheless, this is another great listen from Crais. M.C. © AudioFile 2011, Portland, Maine --This text refers to an alternate kindle_edition edition. Excerpt. © Reprinted by permission. All rights reserved. New Orleans2005 Monday, 4:28 a.m., the narrow French Quarter room was smoky with cheap candles that smelled of honey. Daniel stared through broken shutters and shivering glass up the length of the alley, catching a thin slice of Jackson Square through curtains of gale-force rain that swirled through New Orleans like mad bats riding the storm. Daniel had never seen rain fall up before. Daniel loved these damned hurricanes. He folded back the shutters, then opened the window. Rain hit him good. It tasted of salt and smelled of dead fish and weeds. The cat-five wind clawed through New Orleans at better than a hundred miles an hour, but back here in the alley—in a cheap one-room apartment over a po'boy shop—the wind was no stronger than an arrogant breeze. The power in this part of the Quarter had gone out almost an hour ago; hence, the candles Daniel found in the manager's office. Emergency lighting fed by battery packs lit a few nearby buildings, giving a creepy blue glow to the shimmering walls. Most everyone in the surrounding buildings had gone. Not everyone, but most. The stubborn, the helpless, and the stupid had stayed. Like Daniel's friend, Tolley. Tolley had stayed. Stupid. And now here they were in an empty building surrounded by empty buildings in an outrageous storm that had forced more than a million people out of the city, but Daniel kinda dug it. All this noise and all this emptiness, no one to hear Tolley scream. Daniel turned from the window, arching his eyebrows. \"You smell that? That's what zombies smell like, brought up from the death with an unnatural life. You get to see a zombie?\" Tolley was between answers right now, being tied to the bed with thirty feet of nylon cord. His head just kinda hung there, all swollen and broken, though he was still breathing. Every once in a while he would lurch and shiver. Daniel didn't let Tolley's lack of responsiveness stop him. Daniel sauntered over to the bed. Cleo and Tobey shuffled out of the way, letting him pass. Daniel had a syringe pack in his bag, along with some poppers, meth, and other choice pharmaceuticals. He took out the kit, shot up Tolley with some crystal, then waited for it to take effect. Outside, something exploded with a muffled whump that wasn't quite lost in the wind. Power transformer, probably, giving up the ghost, or maybe a wall falling over. Tolley's eyes flickered amid a sudden fury of blinks, then dialed into focus. He tried to pull away when he saw Daniel, but, really, where could he go? Daniel said, all serious, \"I asked you, you seen a zombie? They got'm here in this place, I know for a fact.\" Tolley shook his head, which kinda pissed Daniel off. On his way to New Orleans six days earlier, having been sent to find Tolley based upon an absolutely spot-on lead, Daniel decided this was his one pure and good chance to see a zombie. Daniel could not abide a zombie, and found their existence offensive. The dead should stay dead, and not rise to walk again, all shamblin' and vile and slack. He didn't care for vampires, either, but zombies just rubbed him the wrong way. Daniel had it on good authority that New Orleans held quite a few zombies, and maybe a vampire or two. \"Don't be like that, Tolliver. New Orleans is supposed to have zombies, don't it, what with all this hoodoo and shit you got here, them zombies from Haiti? You musta seen something Tolley's eyes were bright with meth, the one eye, the left, a glossy red ball what with the burst veins. Daniel wiped the rain from his face, and felt all tired. \"Where is she?\" \"I swear I doan know.\" \"You kill her? That what you been tryin' to say?\" \"No!\" \"She tell you where they goin'?\" \"I don't know nuthin' about—\" Daniel hammered his fist straight down on Tolley's chest, and scooped up the Asp. The Asp was a collapsible steel rod almost two feet long. Daniel brought it down hard, lashing Tolley's chest, belly, thighs, and shins with a furious beating. Tolley screamed and jerked at his binds, but no one was left to hear. Daniel let him have it for a long time, then tossed aside the Asp and returned to the window. Tobey and Cleo scrambled out of his way. \"I wanna see a goddamned zombie. A zombie, vampire, something to make this fuckin' trip worthwhile.\" The rain blew in hard, hot and salty as blood. Daniel didn't care. Here he was, come all this way, and not a zombie to be found. Anything was good, Daniel missed out. A life of miserable disappointments. He looked at Tobey and Cleo. They were difficult to see in the flickery light, all blurry and smudged, but he could make them out well enough. \"Bet I could kill me a zombie, one on one, straight up, and I'd like to try. You think I could kill me a zombie?\" Neither Tobey nor Cleo answered. \"I ain't shittin', I could take me a zombie. Take me a vampire, too, only here we are and I gotta waste my time with this lame shit. I'd rather be huntin' zombies.\" He pointed at Tolley. \"Hey, boy.\" Daniel returned to the bed and shook Tolley awake. \"You think I could take me a zombie, head up, one on one?\" The red eye rolled, and blood leaked from the shattered mouth. A mushy hiss escaped, so Daniel leaned closer. Sounded like the fucker was finally openin' up. \"Say what?\" Tolley's mouth worked as he tried to speak. Daniel smiled encouragingly. \"You hear that wind? I was a bat, I'd spread my wings and ride that sumbitch for all she was worth. Where'd they go, boy? I know she tol' ya. You tell me where they went so I can get outta here. Just say it. You're almost there. Give me a hand, and I'm out your hair.\" Tolley's lips worked, and Daniel knew he was about to give it, but then what little air he had left hissed out. \"You say west? They was headed west? Over to Texas?\" Tolley was dead. Daniel stared at the body for a moment, then drew his gun and put five bullets into Tolliver James's chest. Nasty explosions that anyone staying behind would have heard even with the lion wind. Daniel didn't give a damn. If someone came running, Daniel figured to shoot them, too, but nobody came—no police, no neighbors, no nobody. Everyone with two squirts of brain juice was hunkered down tight, trying to survive. Daniel reloaded, tucked away his gun, then took out the satellite phone. The cell stations were out all over the city, but the sat phone worked great. He checked the time, hit the speed dial, then waited for a link. It always took a few seconds. In that time, he stood taller, straightened himself, and resumed his normal manner. When the connection was made, Daniel reported. \"Tolliver James is dead. He didn't provide anything useful.\" Daniel listened for a moment before responding. \"No, sir, they're gone. That much is confirmed. James was a good bet, but I don't believe she told him anything.\" He listened again, this time for quite a while. \"No, sir, that is not altogether true. There are three or four people here I'd still like to talk to, but the storm has turned this place to shit. They've almost certainly evacuated. I just don't know. It will take me a while to locate them.\" More chatter from the other side, but then they were finished. \"Yes, sir, I understand. You get yours, I get mine. I won't let you down.\" A last word from the master. \"Yes, sir. Thank you. I'll keep you informed.\" Daniel shut the phone and put it away. \"Asshole.\" He returned to the window, and let the rain lash him. Everything was wet now: shirt, pants, shoes, hair, all the way down to his bones. He leaned out, better to see the Square. A fifty-five-gallon oil drum tumbled past the alley's mouth, end over end, followed by a bicycle, swept along on its side, and then a shattered sheet of plywood flipping and soaring like a playing card tossed out like trash. Daniel shouted into the wind as loud as he could. \"C'mon and get me, you fuckin' zombies! Show your true and unnatural colors.\" Daniel threw back his head and howled. He barked like a dog, then howled again before turning back to the room to pack up his gear. Tobey and Cleo were gone. Tolliver had hidden eight thousand dollars under the mattress, still vacu-packed in plastic, which Daniel found when he first searched the room. Probably a gift from the girl. Daniel stashed the money in his bag, checked to make sure Tolliver had no pulse, then went to the little bathroom where he'd left Tolliver's lady friend after he strangled her, nice and neat in the tub. A little black stream of ants had already found her, not even a day. Cleo said, \"Gotta get going, Daniel. Stop fuckin' around.\" Tobey said, \"Go where, a storm like this? Makes sense to stay.\" Daniel decided Tobey was right. Tobey was the smart one, and usually right, even if Daniel couldn't always see him. \"Okay, I guess I should wait till the worst is over.\" Tobey said, \"Wait.\" Cleo said, \"Wait, wait.\" Like echoes fading away. Daniel returned to the window. He leaned out into the rain again, watching the mouth of the alley in case a zombie rattled past. \"C'mon, goddamnit, lemme see one. One freaky-ass zombie is all I ask.\" If a zombie appeared, Daniel planned to jump out the window after it and rip its putrid, unnatural flesh to pieces with his teeth. He was, after all, a werewolf, which was why he was such a good hunter and killer. Werewolves feared nothing. Daniel tipped back his head and howled to match the wind, then doused the candles and sat with the bodies, waiting for the storm to pass. When it ended, Daniel would find their trail, and track them, and he would not quit until they were his. No matter how long it took or how far they ran. This was why the men down south used him for these jobs and paid him so well. Werewolves caught their prey. Los AngelesNow The wind did not wake him. It was the dream. He heard the buffeting wind before he opened his eyes, but the dream was what woke him on that dark early morning. A cat was his witness. Hunkered at the end of the bed, ears down, a low growl in its chest, a ragged black cat was staring at him when Elvis Cole opened his eyes. Its warrior face was angry, and, in that moment, Cole knew they had shared the nightmare. Cole woke on the bed in his loft bathed in soft moonlight, feeling his A-frame shudder as the wind tried to push it from its perch high in the Hollywood Hills. A freak weather system in the Midwest was pulling fifty- to seventy-knot winds from the sea that had hammered Los Angeles for days. Cole sat up, awake now and wanting to shake off the dream—an ugly nightmare that left him feeling unsettled and depressed. The cat's ears stayed down. Cole held out his hand, but the cat poured off the bed like a pool of black ink. Cole said, \"Me, too.\" He checked the time. Habit. Three-twelve in the a.m. He reached toward the nightstand to check his gun—habit—but stopped himself when he realized what he was doing. \"C'mon, what's the point?\" The gun was there because it was always there, sometimes needed but most times not. Living alone with only an angry cat for company, there seemed no reason to move it. Now, at three-twelve in the middle of a wind-torched night, it was a reminder of what he had lost. Cole realized he was trembling, and pushed out of bed. The dream scared him. Muzzle flash so bright it sparkled his eyes; the charcoal smell of smokeless powder; a glittery red mist that dappled his skin; shattered sunglasses that arced through the air—images so vivid they shocked him awake. Now he shook as his body burned off the fear. The back of Cole's house was an A-shaped glass steeple, giving him a view of the canyon behind his house and a diamond-dust glimpse of the city beyond. Now, the canyon was blue with bright moonlight. The sleeping houses below were surrounded by blue-and-gray trees that shivered and danced in the St. Vitus wind. Cole wondered if someone down there had awakened like him. He wondered if they had suffered a similar nightmare—seeing their best friend shot to death in the dark. Violence was part of him. Elvis Cole did not want it, seek it, or enjoy it, but maybe these were only things he told himself in cold moments like now. The nature of his life had cost him the woman he loved and the little boy he had grown to love, and left him alone in this house with nothing but an angry cat for company and a pistol that did not need to be put away. Now here was this dream that left his skin crawling—so real it felt like a premonition. He looked at the phone and told himself no—no, that's silly, it's stupid, it's three in the morning. Cole made the call. One ring, and his call was answered. At three in the morning. \"Pike.\" \"Hey, man.\" Cole didn't know what to say after that, feeling so stupid. \"You good?\" Pike said, \"Good. You?\" \"Yeah. Sorry, man, it's late.\" \"You okay?\" \"Yeah. Just a bad feeling is all.\" They lapsed into a silence Cole found embarrassing, but it was Pike who spoke first. \"You need me, I'm there.\" \"It's the wind. This wind is crazy.\" \"Uh-huh.\" \"Watch yourself.\" He told Pike he would call again soon, then put down the phone. Cole felt no relief after the call. He told himself he should, but he didn't. The dream should have faded, but it did not. Talking to Pike now made it feel even more real. You need me, I'm there. How many times had Joe Pike placed himself in harm's way to save him? They had fought the good fight together, and won, and sometimes lost. They had shot people who had harmed or were doing harm, and been shot, and Joe Pike had saved Cole's life more than a few times like an archangel from Heaven. Yet here was the dream and the dream did not fade— Muzzle flashes in a dingy room. A woman's shadow cast on the wall. Dark glasses spinning into space. Joe Pike falling through a terrible red mist. Cole crept downstairs through the dark house and stepped out onto his deck. Leaves and debris stung his face like sand on a windswept beach. Lights from the houses below glittered like fallen stars. In low moments on nights like this when Elvis Cole thought of the woman and the boy, he told himself the violence in his life had cost him everything, but he knew that was not true. As lonely as he sometimes felt, he still had more to lose. He could lose his best friend. Or himself. --This text refers to the hardcover edition. From Bookmarks Magazine There’s no doubt that Elvis Cole is a winning character. But critics agreed that Joe Pike, who first abandoned his role as second fiddle to Cole in The Watchman , is a worthy main protagonist in his own right. Stoic, cool, self-possessed, and relentless, Pike not only complements his partner but gives the series greater depth and flavor. Most reviewers felt that The Sentry , like previous novels in the series, has a confident plot, fast-paced action, an insider’s view of a multifaceted Los Angeles, and enough suspense to keep turning the pages. Only a couple faulted the plot and some contrived villains. Though it’s best to start at the beginning of the series, The Sentry is a good place to get to know Pike better, as well as an excellent entry in the series. --This text refers to the hardcover edition. Amazon.com Review T. Jefferson Parker and Robert Crais: Author One-on-One In this Amazon exclusive, we brought together blockbuster authors T. Jefferson Parker and Robert Crais and asked them to interview each other. T. Jefferson Parker is one of only three writers to be awarded the Edgar Award for Best Novel more than once and the bestselling author of numerous novels, including Iron River . Parker lives with his family in Southern California. Read on to see T. Jefferson Parker's questions for Robert Crais, or turn the tables to see what Crais asked Parker. Parker: You’ve got a new novel coming out in January of 2011. I haven’t read it yet, so can you tell me a bit about it? Crais: It's a Joe Pike novel. Wasn't supposed to be, so I was taken by surprise, but that's the way Pike is. I planned to follow my last book, The First Rule , with an Elvis Cole novel, but I saw Pike meet a woman in Venice, California, a few moments after Pike saved her uncle from a robbery. Ideas for books come to me that way--I'll see an image. The way Pike looked at her, I knew right away I had to follow their story. So it's a love story, but not your usual love story--it's a Joe Pike love story. As the Kirkus review said, \"Prepare the body bags.\" Parker: Did you have any surprises as you wrote the book? Crais: A character named Daniel. Daniel is a hit man who is after the woman Pike is falling for. He is not your typical hit man. Daniel is very strange dude, and the creepiest character I've ever created. When I wrote his first scene, I sat back, and said, whoa, where did this guy come from? Parker: You write terrific heroes and terrific villains. How do you get inside their heads, learn their methods and tricks? Crais: The answer would scare you. Really. Parker: Can you describe a typical work day? Crais: It's pretty boring. I get up, go for a hike or work out because I like to get the exercise out of the way, then I sit down to work. The work requires discipline because there are so many distractions. Though, honestly, I can't think of a better way to spend my time than hanging out with Joe Pike and Elvis Cole and even strange and dangerous characters like Daniel. Parker: Okay, when all the work is done (is it ever?) what do you do for plain-old, flat-out fun? Crais: Anything outside. Hiking, scuba diving, flying. As a writer, I spend most of my time inside, staring at my computer. When the work is finished, I want OUT. It's like being paroled. (Photo of T. Jefferson Parker © Rebecca Lawson) (Photo of Robert Crais © exleyfotoinc) --This text refers to the hardcover edition. From Booklist It’s a routine Southern California day when former cop and sometime mercenary Joe Pike intervenes to break up the gang shakedown of a sandwich shop. The shop is run by Dru Rayne and her uncle, Wilson, two refugees from Katrina starting a new life. The chemistry between Pike and Dru is immediate, prompting him to keep an eye on the store; the gang leader, Venice Trece, will surely return to deliver revenge. But as Pike and his sidekick, private detective Elvis Cole, soon learn, nothing about Dru and Wilson adds up. Even as he’s negotiating a truce with the duplicitous leader of the gang, Pike learns that Dru is likely not the innocent she seems. The latest Pike novel is a testosterone-fueled caper with tough guys doing hard things to bad people, but it doesn’t pack the emotional wallop of Crais’ best work. High-Demand Backstory: Crais’ last Joe Pike novel reached number two on the New York Times best-seller list; longtime fans may find this one not quite up to the author’s high standards, but the demand will still be there. --Wes Lukowsky --This text refers to the hardcover edition. Read more\n- Features:\nPrivate investigators Joe Pike and Elvis Cole get double-crossed in this twisty, gripping New York Times bestseller that will have readers on the edge of their seats. When gangbangers shake down the modest owner of a Los Angeles eatery, Joe Pike intervenes. For all intents and purposes, Pike saved Wilson Smith's life. But for reasons of their own, Smith and his lovely niece, Dru, are curiously resentful. It's only when Pike's feelings for the woman deepen that he and his partner, Elvis Cole, discover that Dru and her uncle are not at all who they seem, and everything Pike has learned about them is a lie. But it's much more than a deception. It's a trap. And with every new twist it's proving to be a killer.\n- Details:\n Publisher: G.P. Putnam's Sons; 1st edition (January 11, 2011)\n Publication date: January 11, 2011\n Language: English\n File size: 997 KB\n Text to Speech: Enabled\n Screen Reader: Supported\n Enhanced typesetting: Enabled\n X Ray: Enabled\n Word Wise: Enabled\n Sticky notes: On Kindle Scribe\n Print length: 418 pages\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 1.0]}
{"uid": "AFZSSBDMFG5EAEED4LZV5DZ4KFEQ", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics: Missing\nInterests: \n American political biographies, particularly early-to-mid 20th century senators and cabinet members (Borah, Church, Dirksen, Fulbright, McClellan, Stanton, Root, Ickes)\n Civil War era history and figures, as shown by reading 'Lincoln's Autocrat' about Edwin Stanton\n Organized crime history, purchasing 'Sam the Cigar: A Biography of Sam Giancana'\n Pulp magazine history and detective fiction, reading 'The Dime Detectives' and colonial mystery stories\n Media history and influential publishers, reading comprehensive biography of Henry Luce\n Historical context of political decisions, noting 'The author is true to the time period which is mid 1700's'\n Legal and constitutional history, though preferring accessible treatments over dense case law analysis\n Contemporary psychological thrillers and crime fiction, though with mixed results ('Black Chalk,' 'Murder Boy')\n Short story collections and anthologies, recommending 'The Hardboiled Dicks' and comparing novel to short story versions\n American Presidents Series books, stating 'I bought the book because I have all the others in the APS series'\n Renaissance history and political philosophy, reading about Machiavelli despite finding it challenging\n International relations and foreign policy history, particularly Cold War era perspectives\nValues: \n Strongly opposes hagiography in biographies, criticizing 'Saint Dirksen' as 'hero worship was at times nauseating' and 'The world did not revolve around Senator Dirksen'\n Appreciates balanced biographical treatment, praising 'To me, this seemed to be a balanced biography' and 'presents the subject fairly including missteps as well as accomplishments'\n Values readability and engaging narrative style over academic density, noting 'Some authors deliver dates and events so dryly it is the equivalent of eating sawdust'\n Prefers concise, well-edited works, complaining when 'The book is in large print and double spaced. The book could easily have been 50 pages'\n Appreciates when authors acknowledge their biases, noting 'The author does not convey his viewpoints until the epilogue'\n Values fair play in mystery fiction, criticizing stories where 'The mysteries could not be solved by the reader as information was only available to the characters'\n Respects thorough research and documentation, praising 'The tremendous research, clarity' and 'meticulously researched'\n Appreciates historical context and period accuracy, noting 'The author is true to the time period'\n Values honesty in reviewing, willing to say 'This book might be for some but I did not like it' while acknowledging others' positive reviews\n Prefers practical, accessible history over overly academic approaches, unable to finish book that 'would be great for lawyers or law student interested in old case law'\n Appreciates authors who can balance idealism with political realities, noting Church's 'tendency to compromise'\n Values comprehensive coverage without excessive length, noting 'It was too long for my tastes but I would not know where I would cut out'\nCommunication: \n Uses conversational, straightforward language with occasional humor, such as 'will not end sentence in a preposition' and calling a biography 'Saint Dirksen'\n Provides specific details about book format and length, noting 'The book is listed at 140 pages. Some pages only have the page number on the page'\n Employs quotation marks for irony and emphasis, particularly when criticizing ('good ol Ev,' 'Saint')\n Structures reviews systematically: content description, readability assessment, personal reaction, and recommendation\n Uses colloquial expressions and informal language ('meh,' 'My eyes glazed over,' 'Take your chances')\n Acknowledges subjectivity while respecting others' opinions: 'The book may be for some people but was not a fit for me'\n Provides comparative analysis, noting 'The stories are reminiscent of Holmes and Watson and Nero Wolf and Archie Goodwin'\n Uses metaphors and vivid descriptions: 'eating sawdust,' 'pages fly by,' 'highlight reel'\n Admits personal limitations honestly: 'This is the first book in years that I could not finish'\n Offers practical reading advice: 'Great for short reading spurts as the book can be put down after reading one story'\n Balances criticism with praise, typically finding something positive even in negative reviews\n Uses star ratings consistently with detailed explanations for the rating given\nStatistics: \n Review length ranges from approximately 50 words (shortest) to 200 words (longest), with most reviews averaging 100-150 words\n Frequently uses phrases: 'excellent biography,' 'balanced,' 'readable,' 'recommended,' 'not for me,' 'good read'\n Consistently comments on book length and pacing in nearly every review\n Often mentions specific page counts and physical book characteristics\n Uses 'I' statements frequently to express personal reactions and preferences\n Employs comparative language: 'reminiscent of,' 'typical of,' 'similar to'\n Rating distribution spans 2-5 stars, with most reviews being 3-5 stars and detailed explanations for all ratings\n Frequently uses conditional language: 'might be,' 'could be,' 'would be,' showing measured judgment\n Common sentence structures alternate between short declarative statements and longer analytical sentences\n Regularly acknowledges purchase decisions and reading motivations, such as 'I bought the book because I have all the others in the APS series'\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Biographies & Memoirs->Regional U.S.\n- Title: Dirksen of Illinois: Senatorial Statesman\n- Subtitle: Hardcover – January 1, 1985\n- Price: 6.96\n- Author: Edward L. Schapsmeier\n- Description:\n- Features:\n\nReview by this user:\n\"Saint\" Dirksen: "Saint" Dirksen of Illinois should have been the title. This book is a hagiography of the highest order. The hero worship was at times nauseating. The subject of the book was an influential Senator albeit of the minority party for his career. He did accomplish much in spite of being in the minority. He was not however as big a player as the author depicts. The world did not revolve around Senator Dirksen or "good ol Ev" as the author refers to him.\n\n--- Example 2 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: The Fourth Durango\n- Subtitle: None\n- Price: 20.99\n- Author: Ross Thomas\n- Description: Review \"A suspense story laced with wry wit. ... Thomas builds suspense and character almost casually, once again proving himself a master of the crime thriller.\" - Publishers Weekly\"A new Ross Thomas turns me back into a reader who forgets what day it is.\" - The Cincinnati Enquirer\"An entertaining book that can be pleasantly devoured in a sitting or returned to in satisfied anticipation.\" - Los Angeles Times\"We already know how witty Mr. Thomas can be about entrepreneurial greed and political chicanery... ...[truncated]\n- Features: The Fourth Durango is not your ordinary Durango. It's not in Spain, or Mexico, and it's not a ski town in the Colorado Rockies, although Durangos do exist in all of those places. This Durango has an industry, albeit a rather odd one-it is a hideout business, a place where people pay to find sanctuary from former friends and associates who are either trying to kill them, or have them killed. Into this Durango comes a former chief justice of a state supreme court, followed by son-in-law Kelly Vines to act as ...[truncated]\n\nReview by this user:\nI am new to this author: I am new to this author but he has captivated me.\n\n--- Example 3 ---\nBook:\n- Category: Books->History->Americas\n- Title: The Westies: Inside New York's Irish Mob\n- Subtitle: None\n- Price: 19.0\n- Author: T. J. English\n- Description: Review “Must reading…will shock even the most hardened readers.” ― Playboy “Sterling social history…the author's skillful reporting makes the most of his subject.” ― The New Yorker “Raw, earthy and heavily flavored with New York vernacular…[T.J. English] knows the people he writes about and never sets himself above them.” ― San Francisco Chronicle “Masterfully told, gracefully written…the true story of the most violent men this nation has ever seen. Al Capone would have cringed…you want to cheer at he end… ...[truncated]\n- Features: From T. J. English, the New York Times bestselling author of The Corporation: An Epic Story of the Cuban American Underworld , The Westies: Inside New York’s Irish Mob is the true account of the vicious gang that ruled Hell’s Kitchen from the 1960s through the 1980s. Even among the Mob, the Westies were feared. Starting with a partnership between two sadistic thugs, Jimmy Coonan and Mickey Featherstone, the gang rose out of the inferno of Hell’s Kitchen, a decaying tenderloin slice of New York City’s West S ...[truncated]\n\nReview by this user:\ngood: interesting reading\n\n--- Example 4 ---\nBook:\n- Category: Books->Biographies & Memoirs->Arts & Literature\n- Title: Handsome Johnny: The Life and Death of Johnny Rosselli: Gentleman Gangster, Hollywood Producer, CIA Assassin\n- Subtitle: Hardcover – November 13, 2018\n- Price: 20.97\n- Author: Lee Server\n- Description: Review Praise for Handsome Johnny : “No one knew more about the mob, Hollywood and Las Vegas than Johnny Rosselli, and Lee Server got it all in Handsome Johnny .” ―Nicholas Pileggi, author/screenwriter of Goodfellas and Casino \"No one slices and dices true tales like Lee Server. In Handsome Johnny, he cracks the vault of time to reveal long-buried secrets. Maybe even this country’s biggest secret...Fast-paced, insightful, bold, witty, and masterfully told.\" ―James Gladstone, Executive V.P. Lionsgate Enterta ...[truncated]\n- Features: A rich biography of the legendary figure at the center of the century’s darkest secrets: an untold story of golden age Hollywood, modern Las Vegas, JFK-era scandal and international intrigue from Lee Server, the New York Times bestselling author of Ava Gardner: Love is Nothing … A singular figure in the annals of the American underworld, Johnny Rosselli’s career flourished for an extraordinary fifty years, from the bloody years of bootlegging in the Roaring Twenties--the last protégé of Al Capone―to the mod ...[truncated]\n\nReview by this user:\nreal life drama: good book\n\n--- Example 5 ---\nBook:\n- Category: Books->Biographies & Memoirs->Professionals & Academics\n- Title: The Wit and Wisdom of Yogi Berra\n- Subtitle: Paperback – January 1, 1989\n- Price: 8.45\n- Author: Phil Pepe\n- Description:\n- Features:\n\nReview by this user:\nnice book: phil pepe {author} stated he would not ay anything against yogi and he kept his word. Esy when there really is not anything to say bad about the man. it was enjoyable especially the \"yogi-isms\".\n\n--- Example 6 ---\nBook:\n- Category: Books->Arts & Photography->History & Criticism\n- Title: One Last Little Peek, 1980-1995: The Final Strips, the Special Hits, the Inside Tips\n- Subtitle: Paperback – January 1, 1995\n- Price: 8.88\n- Author: Berkeley Breathed\n- Description: Amazon.com Review Berekeley Breathed's favorite Outland strips from 1980 to 1995. As he himself says about his often bizarre sense of humor, \"what seems funny to a sleep-deprived brain at 4:00 A.M. often reads as merely hallucinogenic when laid down on the sober newsprint of a newspaper comic page. This may explain my initial popularity on college campuses around the country.\"\n- Features: The final collection of cartoons from the \"Outland\" series features previously uncollected color strips, a selection of the artist's favorites, and some selections from \"Bloom County\"\n\nReview by this user:\ngreat: opus rocks\n\n--- Example 7 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Last Words\n- Subtitle: Paperback – July 5, 2016\n- Price: 13.2\n- Author: Michael Koryta\n- Description: Review ACCLAIM FOR THOSE WHO WISH ME DEAD :\"Warning: Michael Koryta's wonderful, riveting, and harrowing Those Who Wish Me Dead may just move you to tears. Enjoy at your own risk.\"― Harlan Coben , #1 bestselling author of Missing You and Six Years About the Author Michael Koryta (pronounced ko-ree-ta) is the New York Times bestselling author of nine novels, including The Prophet . His last three novels, The Ridge , The Cypress House , and So Cold the River were all New York Times notable books and nominated ...[truncated]\n- Features: Markus Novak just wants to come home. An investigator for a Florida-based Death Row defense firm, Novak's life derailed when his wife, Lauren, was killed in the midst of a case the two were working together. Two years later, her murderer is still at large, and Novak's attempts to learn the truth about her death through less-than-legal means and jailhouse bargaining have put his job on the line. Now he's been all but banished, sent to Garrison, Indiana to assess a cold case that he's certain his boss has no ...[truncated]\n\nReview by this user:\ngood: had aleady read it but forgot and bought again. reread it good\n\n--- Example 8 ---\nBook:\n- Category: Books->Literature & Fiction->United States\n- Title: Down the River unto the Sea\n- Subtitle: Paperback – February 26, 2019\n- Price: 10.49\n- Author: Walter Mosley\n- Description: Review \"Walter Mosley is back with a whole new character to love. . . . As gorgeous a novel as anything he's ever written. And with Joe King Oliver I'm betting, and hoping, he's given us a character we haven't see the last of.\"― Richard Lipez , Washington Post \"Gritty . . . The plot soars . . . Few mystery writers can examine issues of race--how it divides and binds people--as clearly and unflinchingly as Walter Mosley.\"― Oline Cogdill , Associated Press \"Great stuff . . . The vibrant characters and pulsati ...[truncated]\n- Features: Winner of the Edgar Award for Best Novel of the Year: bestselling author Walter Mosley \"is back with a whole new character to love...As gorgeous a novel as anything he's ever written\" ( Washington Post ). Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by th ...[truncated]\n\nReview by this user:\ninteresting: a new author for me. new character for author, liked it.\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: S.S. Rafferty (Author)**: - Category: \n- Title: Fatal Flourishes\n- Subtitle: Paperback – January 1, 1979\n- Price: 5.21\n- Description: \n- Features:\n\n- Details:\n Publisher: AVON; First Paperback Edition (January 1, 1979)\n Language: English\n Paperback: 311 pages\n ISBN 10: 0380417723\n ISBN 13: 978-0380417728\n Item Weight: 6.4 ounces\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 0.975, 0.9, 0.9, 0.9, 0.9]}
{"uid": "AGDJBU7AENWOHFDWJQID5M2FARVQ", "writer_prompt": "You are an expert at characterising how a specific human writes online book reviews.\n\nYou will be shown 8 examples of reviews written by ONE user, each preceded by the book's metadata. Your job is to write a rubric that captures this user's distinctive style, voice, content focus, and writing patterns -- so that a separate evaluator can use the rubric to judge whether a new candidate review looks like something this user would actually write.\n\nThe user's persona:\n<|The Start of Persona|>\nDemographics:\n age group: 50+ years old (self-identified as 'older people' in 2014 response)\n gender: Likely female (purchases books for husband, identifies with female protagonists)\n other: Married (mentions husband multiple times in responses about purchased books)\nInterests: \n Romantic suspense novels, particularly enjoying the mixture of 'suspense and romance' as stated in Deathscape review\n Western romance stories, mentioning 'I love western romances and this was one of the best yet' in Tom's Angel review\n Books set in the American South, specifically appreciating 'Love the fact she writes about the south' in Forbidden Territory review\n Stories featuring Native Americans, stating 'Like books with the Indians in the story' in Medicine Man's Affair review\n Series books by specific authors including Delores Fossen, Julie Miller, HelenKay Dimon, and Robin Perini\n Mystery and suspense elements, frequently mentioning 'excitement' and 'trying to discover who the killer is'\n Clean romance without explicit content, repeatedly thanking authors for 'keeping it clean'\n Stories about survival and overcoming adversity, appreciating 'touching and exciting story' elements\n Books with strong character development, often commenting 'Loved the characters' and finding them 'very believable'\n Happy endings in romantic stories, explicitly stating 'I love happy endings!' in Deathscape review\n Action-packed plots with law enforcement themes (Marshals, SWAT, FBI characters)\n Stories involving witness protection and undercover operations\nValues: \n Strongly values 'clean' content in books, frequently thanking authors for 'keeping it clean' and avoiding explicit scenes\n Appreciates stories that 'leave some things to your imagination' rather than graphic descriptions\n Values happy endings and positive resolutions, stating 'Very glad it did...because I love happy endings!'\n Expresses consistent gratitude to authors, regularly including 'Thanks to the author' in reviews\n Values emotional authenticity, noting 'you could feel the emotions' and characters were 'so real' in Hijacked review\n Appreciates stories that promote reflection, mentioning 'made me stop and think about how to treat people' in Hijacked\n Values excitement and action in storytelling while maintaining moral boundaries\n Believes in supporting authors through positive reviews and recommendations to others\n Values well-written stories with good flow, noting 'the story flowed & the characters were very believable'\n Appreciates stories about love and family, particularly parent-child relationships\n Values stories about strong women overcoming difficult circumstances\n Believes older people deserve romantic stories too, stating 'some of us older people still need love and excitement'\nCommunication: \n Uses enthusiastic tone with frequent exclamation marks, often multiple in succession ('!!!!!' or '!!!')\n Consistently opens reviews with 'Gave five stars' followed by 'would have given more if available'\n Employs ellipses frequently ('...') for pauses or emphasis between thoughts\n Uses informal, conversational language with phrases like 'Thanks!' and 'promise!!!'\n Regularly includes 'Will recommend to everyone' or similar recommendation statements\n Mentions specific character names and plot elements to show engagement with the story\n Uses simple, direct sentence structures, sometimes with grammatical inconsistencies or run-on sentences\n Expresses opinions with qualifiers like 'I think,' 'I suppose,' and 'I am sure'\n Frequently uses superlatives like 'wonderful,' 'great,' 'excellent,' 'amazing,' and 'loved'\n Includes personal context when relevant, such as purchasing books for husband\n Uses capitalization for emphasis occasionally ('THANKS')\n Writes brief reviews for items purchased for others, longer detailed reviews for books personally read\nStatistics: \n Average response length approximately 60-80 words, with range from 20 words (brief purchases) to 120 words (detailed reviews)\n Most frequent phrases: 'Gave five stars' (appears in 10+ responses), 'would have given more if available' (8+ times), 'Thanks to the author' (7+ times)\n Uses 'enjoyed' or 'enjoyed this' in nearly every review (15+ occurrences)\n Exclamation marks appear in 95% of responses, often 3-5 per review\n Word 'loved' appears in approximately 60% of responses\n Recommendation statements ('Will recommend to everyone') appear in 80% of detailed reviews\n Uses ellipses ('...') an average of 2-4 times per response\n Consistently mentions author names in reviews, appearing in 90% of book reviews\n Adjectives 'wonderful,' 'great,' and 'exciting' appear in 70% of responses\n Average sentence length is 12-15 words, with frequent use of compound sentences connected by 'and'\n<|The End of Persona|>\n\nThe user's past reviews:\n--- Example 1 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Wyoming Christmas Ransom (Carsons & Delaneys Book 3)\n- Subtitle: Kindle Edition\n- Price: 4.99\n- Description:\n- Features: A killer has been hiding for two years.This Christmas, he’s ready to finish what he started. He didn’t need her to care, so why did Wyoming loner Will Cooper’s world implode when Gracie Delaney quit helping him solve his estranged wife’s murder? Despite her ties to a rival family, the beautiful coroner had been the stubborn recluse’s one link to humanity—and his last chance to clear the cloud hanging over him. But when Will and Gracie become the killer’s next target, reviving their platonic partnership is t ...[truncated]\n\n\nReview by this user:\nWyoming Christmas Ranson: Five stars---this was an excellent read--Nicole Helm does a fantastic job with the storylines & the characters in each of her books---no exception this time!! The intrigue keeps you glued to the pages to see what happens next & the romance is tastefully done & I don't remember any curse words--if any-- very few enjoyed the story very much & highly recommend to everyone!! The series has been great!!\n\n--- Example 2 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Bulletproof Christmas (Crisis: Cattle Barge Book 6)\n- Subtitle: Kindle Edition\n- Price: 6.99\n- Author: Barb Han\n- Description: About the Author USA TODAY Bestselling Author Barb Han lives in Texas with her adventurous family and beloved dogs. Reviewers have called her books \"heartfelt\" and \"exciting.\" When not writing or reading, she can be found exploring Manhattan, on a mountain, or swimming in her backyard. --This text refers to an alternate kindle_edition edition.\n- Features: Where there’s a will…there’s murder.Crisis: Cattle Barge reaches its exciting Christmas finale! When the Butlers gather for the Christmas reading of their murdered father’s will, tracker Rory Scott is focused on finding the killer targeting his ex, Cadence Butler. He’s shocked to find the ranch heiress pregnant…with his twins. Wild spirit Rory has never “done” love, but keeping Cadence safe on the run threatens to tame his untamable heart. Crisis: Cattle Barge\n\nReview by this user:\nBulletproof Christmas (Crisis: Cattle Barge): Five stars---Barn Han has done an outstanding job with this series!! This was the last story of the series & was an outstanding story--- I loved that the Butlers all found love & happiness for their lives---such a great series & I highly recommend it to everyone!!\n\n--- Example 3 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Colton's Fugitive Family (The Coltons of Red Ridge Book 12)\n- Subtitle: Kindle Edition\n- Price: 4.99\n- Author: Jennifer Morey\n- Description: About the Author Two-time RITA nominee and Golden Quill winner, Jennifer Morey writes her happy endings in Denver, Colorado. Aside from writing great contemporary and page-turning romantic suspense, she has a geology degree and consults compliance with the International Traffic in Arms Regulations. She loves movies, her three dogs, and her honey--not necessarily in that order! You may contact her through her website, www.jennifermorey.com --This text refers to an out of print or unavailable edition of this ...[truncated]\n- Features: Will the deadly Groom Killer finally be caught? The final chapter of The Coltons of Red Ridge On the run since her ex-fiancé’s murder, Demi Colton risks everything to protect herself—and her newborn son. But now Demi’s heart comes under fire when Lucas Gage, a fellow bounty hunter, steps in to prove her innocence. Can they snare the real culprit while outmaneuvering death at every turn?\n\nReview by this user:\nColton' s Fugitive Family: Five stars---I thoroughly enjoyed this series/ books---this book was exceptional!! The characters and the storylines were wonderful in each book---the last book brought all the characters together to a very happy ending! I highly recommend this series to everyone!!\n\n--- Example 4 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Lock 'N' Load (Federal K-9 Book 1)\n- Subtitle: Kindle Edition\n- Price: 0.0\n- Author: Tee O'Fallon\n- Description: Review \"This was a new author to me and the cover and the synopsis of the book drew me in but after that with the turn of the first page I was hooked. This book has it all. Great edge of the seat plot , a male lead that is smoking hot, smart female character, a dog to die for and a host of guy friends that will star in their own books I hope. Great start to a series. I could not put it down. I even shed a few tears at the end. Really good read.\" - Daphne C., Goodreads\"Lock N Load is a terrific romantic sus ...[truncated]\n- Features: Crack CIA analyst Trista Gold is a whiz with the computer, but not so much with people. She hides behind her job, analyzing Top Secret code and making recommendations on national security. She doesn’t need a man in her life. But she will, very soon... CIA K-9 officer Sgt. Matt Connors suspects that beneath Trista’s uptight appearance, there’s a sexy woman itching to cut loose. But he doesn’t dare act on his attraction. He’s a loner and always will be. Keeping away from Trista is a must-do directive. Until h ...[truncated]\n\nReview by this user:\nLocked 'N' Loaded (Federal K-9): Four stars---this was a very good read---the fours stars are because of the bad language. Tee Falon did a great job with the story & the characters---I will probably read more of this author's writings. Recommended for very mature readers!!\n\n--- Example 5 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Lawman with a Cause (The Lawmen of McCall Canyon Book 3)\n- Subtitle: Kindle Edition\n- Price: 0.0\n- Author: Delores Fossen\n- Description: Review \"An explosive, danger-filled story that kept me guessing and my heart pounding... Another rapid-fire, edgy, and explosive romantic suspense tale from an author who knows how to keep readers hooked on the tale and wanting for more.\"-Books & Spoons\"The author has written an inticate plot filled with many interesting characters. Delores Fossen always manages to write lots of fascinating intrigue into her stories. She is one of my favorite romantic sususpense authors.\"-Harlequin Junkie --This text refers ...[truncated]\n- Features: Her life depends on his protectionHis heart depends on her survival Sheriff Egan McCall hasn’t forgiven Jordan Gentry for her role in the death of his fiancée. But when Jordan is attacked, Egan comes to her rescue and discovers a serial killer is targeting recipients of his late fiancée’s organs. Then Egan’s protective instincts—and long-buried feelings—kick in. Wearing a badge means his priority is stopping a murderer and safeguarding a target. If only he could also ignore the sizzling attraction between t ...[truncated]\n\nReview by this user:\nLawman with a Cause: Five stars---always enjoy books written by Delores Fossen---she does such a great job with each of her storylines & her characters (they seem so real)!! Looking forward to the next book she writes. Have thoroughly enjoyed her books for several years---always filled with intrigue & romance---always highly recommend her books!!\n\n--- Example 6 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Under the Cowboy's Protection (The Lawmen of McCall Canyon Book 4)\n- Subtitle: Kindle Edition\n- Price: 0.0\n- Author: Delores Fossen\n- Description: About the Author USA Today bestselling author, Delores Fossen, has sold over 70 novels with millions of copies of her books in print worldwide. She's received the Booksellers' Best Award, the Romantic Times Reviewers' Choice Award and was a finalist for the prestigious Rita ®. In addition, she's had nearly a hundred short stories and articles published in national magazines. You can contact the author through her webpage at www.deloresfossen.com --This text refers to an out of print or unavailable edition o ...[truncated]\n- Features: He’ll need help from his ex-lover To bring a killer to justice. A young mother is murdered and her newborn is kidnapped. Now Sheriff Raleigh Lawton must enlist the help of the only witness: his ex-lover, Deputy Thea Morris. As the investigation—and their undeniable attraction—heats up, the killer dangerously raises the stakes. With Thea in the crosshairs, Raleigh will risk everything to save her. Because this cowboy’s heart can’t survive losing her again.\n\nReview by this user:\nUnder the Cowboy's Protection (The Lawme.....: Five stars---Delores Fossen is one of my favorite authors!! She always does an outstanding job with the story & the characters. I thoroughly enjoyed this story/series----highly recommended to all!!\n\n--- Example 7 ---\nBook:\n- Category: Books->Literature & Fiction->Genre Fiction\n- Title: Unexpected Gift\n- Subtitle: Kindle Edition\n- Price: 1.99\n- Author: Delores Fossen\n- Description:\n- Features: In this classic Christmas tale from USA TODAY bestselling author Delores Fossen, an Air Force Captain returns home…and discovers he’s now a daddy… After a yearlong deployment, Air Force Captain Gabe Brenner returns to Texas a hero. And brings with him a Christmas message to deliver to his best friend’s sister, Kelly Coburn. But seeing Kelly again brings back all the old feelings—and reminds him of the one-night stand they shared just before he left. Still, a camera crew is there to capture every moment of h ...[truncated]\n\nReview by this user:\nUnexpected Gift: Five stars---I have always loved the stories Delores Fossen writes--- shevalwats does an oitsttanding job with the characters & the storylines in her books!!! Great love story with a very happg ending!! Highly enjoyable reading for everyone!!\n\n--- Example 8 ---\nBook:\n- Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: Hostage at Hawk's Landing (Badge of Justice Book 4)\n- Subtitle: Kindle Edition\n- Price: None\n- Author: Rita Herron\n- Description: About the Author Award-winning author Rita Herron wrote her first book when she was twelve, but didn’t think real people grew up to be writers. Now she writes so she doesn’t have to get a real job. A former kindergarten teacher and workshop leader, she traded storytelling to kids for writing romance. She lives in Georgia with her own romance hero. She loves to hear from readers, so please visit her website, www.ritaherron.com. --This text refers to an alternate kindle_edition edition.\n- Features: Danger brought them together. Will the truth tear them apart? Desperate to learn what caused his estranged father’s death, Dexter Hawk finds himself drawn to a woman from his past. Melissa Gentry lost her family years ago. Now a shoot-out at work has put her own life in danger. With Dex suddenly back, asking for her help, Melissa realizes once again she has everything to lose. Because a man like Dex cannot be replaced…or forgotten. Badge of Justice\n\nReview by this user:\nHostage at Hawk's Landing (Badge of Justice): Five stars---Rita Herron is one of my favorite authors---she always does a great job with the writing & the characters!! This was a great story & series---I highly recommend this book/series to everyone!!!\n\nThe specific book this user is about to review:\n<|The Start of Book|>\n**User Amazon store: Lena Diaz (Author) Format: Kindle Edition**: - Category: Books->Mystery, Thriller & Suspense->Thrillers & Suspense\n- Title: The Marshal's Witness\n- Subtitle: Kindle Edition\n- Price: 4.99\n- Author: Lena Diaz\n Romantic suspense author, Lena Diaz, is a four time winner of the Daphne du Maurier Award of Excellence in Mystery and Suspense. She's also a former Romance Writers of America Golden Heart® finalist and has won numerous other awards. With 27 novels published, Lena is bound to have a series or stand-alone story that will entertain and thrill you. To be notified of her newest releases, follow her on Amazon, and sign up for her newsletter by pasting this URL into your browser: http://lenadiaz.com/contact.html#newsletter.\n- Description: Excerpt. © Reprinted by permission. All rights reserved. One juror. That's all it had taken to set a murderer free.Jessica Delaney flattened her hands against the conference-room window of the White Plains Federal courthouse, watching the mockery playing out two stories below. Mistrial. The word left a bitter taste in her mouth. What would that juror have done if his friend had been brutally murdered in front of him? Or if his life had become the nightmare Jessica's had become, living in fear that her former boss would discover where the government was keeping her during the year-long trial?She'd been foolish to think her testimony could make a difference, that a twenty-eight year-old accountant could put the head of the most powerful crime family in New York away, when others had tried and failed before her. She'd given up everything—her home, her friends, her job—to become the government's star witness. For what? DeGaullo was free, and she was about to go into hiding.For the rest of her life.Her hands tightened into fists as Richard DeGaullo waded through the crowd of reporters, smiling and waving like a foreign dignitary instead of a man who'd viciously executed a young mother, leaving two small children behind to mourn her death.He jogged down the steps, his perfectly pressed suit jacket flapping in the wind as the first fat raindrops from an afternoon storm splattered against Jessica's window. Freedom waited for DeGaullo in the form of a black stretch limo snugged up against the curb.The driver opened the rear door. Jessica sucked in her breath when DeGaullo turned and looked up, as if he knew she was watching. He raised his hand in a jaunty salute, flashed a cocky grin, then slid inside the car.A loud knock sounded behind Jessica, making her start in surprise. She turned around to see a man she didn't know, standing in the open doorway. The briefcase he held looked like a child's toy in his large hand, and the top of his head barely cleared the door frame.Jessica's gaze darted past him to the marshals in the hallway. William Gavin, the marshal who led her security detail, gave her a reassuring nod before closing the door, cocooning her in with the stranger.A polite greeting died on Jessica's lips as the man strode toward her, his angular face tightening into lines of disapproval. With his coal-black suit emphasizing his massive shoulders, he looked like an avenging angel, or a demon, swooping down to punish her for her sins. She tensed against the urge to flinch away when he stopped in front of her.\"Move away from the window.\" He gently but firmly pushed her away from the glass. The look in his dark blue eyes, as he scanned the courtyard below, reminded her of a hawk sighting its prey. Seemingly satisfied, he flipped the blinds closed and crossed the tiny room to the table in the corner.He pulled out a chair and raised an expectant brow. Jessica reluctantly obeyed his unspoken command, taking the seat he offered. She stiffened when he leaned down, his lips next to her ear.\"Never stand in front of a window, especially with the light behind you,\" he said. \"Don't make it easy for him.\"She shivered at the feel of his warm breath whispering across her skin, and the deadly warning in his words—words that rang true after seeing DeGaullo wave at her. Since the stranger seemed to be waiting for a response, she nodded.He moved to the chair across from her and set his briefcase on the table.\"I was told the glass is bulletproof.\" Jessica immediately regretted her statement when she realized how defensive she sounded.The stranger's dark brows arched but he didn't bother to look at her. He was more concerned with the papers in his briefcase.Jessica pressed her lips together and took the opportunity to study him. Tiny lines bracketed his mouth. On someone else they would have been laugh lines, but she couldn't picture this man laughing. His eyes were guarded, as if he'd seen too much, and the tragedies in his life had stamped themselves onto his soul.He took three pieces of paper out of his briefcase and placed them on the table in front of her. \"Nothing's bulletproof if you have the right weapon, the right motivation.\" His deep voice echoed through the small space. \"Your former boss has plenty of both.\" He reached a tanned hand into his suit jacket, pulled out a pen, and tossed it across the table.Jessica managed to snatch the pen before it could fall onto the floor. \"Who are you?\" She slapped the pen down on the table.\"Deputy U.S. Marshal Ryan Jackson.\"Jessica's face flushed as she recognized the arrogant disdain on his stern features. He didn't approve of her, and he didn't try to hide it. Jessica curled her fists in her lap. She was so sick of being judged by people who didn't even know her. The last year had been a trial in more ways than one, sitting in the courtroom every day, feeling the weight of the jurors' stares, their contempt.As if her own guilt wasn't enough.She leaned forward and waved her hand at the papers.\"What's all this?\"\"Official acknowledgement of the WitSec rules before you take on your new identity.\"\"WitSec?\"\"Witness Security.\"\"Marshal Cole always calls it Witness Protection,\" she murmured absently as she skimmed the pages. \"Why isn't he here to take care of this? He's the one I usually work with when there's any paperwork to be done.\"\"He's unavailable.\" Without giving her a chance to ask any more questions, Ryan pointed to one of the pages. \"This is your acknowledgement of the first rule of the program. Never contact anyone from your previous life. No snail mail, email, text messages and especially no phone calls.\"\"I know the rules.\" She scrawled her signature beneath the statement.\"Rule number two,\" he said, as if she hadn't spoken, \"never go anywhere you've ever lived or even visited in the past. Five, ten years from now, you still can't go back. Ever.\"Hearing those words in Ryan Jackson's ominous tone made the second rule sound even worse than she'd remembered. This was the last time she'd ever see the beloved city where she'd spent most of her adult life.Who would have thought she'd miss the smell of exhaust as the rows of taxi cabs jostled for position every morning, or the constant flood of tourists getting in her way on the sidewalk? She would definitely miss the aroma of fresh-baked bread wafting out of cafes, and the thick, juicy cheeseburgers at Junior's, with cheesecake for dessert—plain, the way it was supposed to be.After today, nothing would ever be the same again.Her hand shook as she signed on the dotted line.Ryan's gaze flicked up to her face.Jessica blinked, fighting back an unexpected rush of tears. She wasn't about to cry in front of a stranger, especially a stranger as cold as the one across from her.He watched her intently as he recited the last rule. \"Never tell anyone about your past. Break any of these rules and the government can toss you out of the program. More importantly, break any of these rules and your life will be in danger. No one has ever been killed in WitSec, as long as they followed these three rules.\"His dark eyes narrowed at her. \"People who break these rules die. Do you understand?\"Her stomach did a little flip and a deep sense of dread crept over her. The fear that always simmered beneath the surface threatened to take hold. But with Ryan watching her so closely, as if he expected her to break down at any moment, she straightened her shoulders and tried not to let him see how much his words had affected her.\"I understood the rules the first five times I heard them.\" She signed the last page with a flourish and raised a brow. \"Are we done?\"She tossed the pen across the table, forcing him to grab it before it fell on the floor.The corner of his mouth tilted up in a grin, surprising her. \"Not quite.\"He shoved the pen and papers into the briefcase, his expression sobering, as if he realized he'd let his guard down. \"You've memorized your new identity?\"\"Marshal Cole has grilled me for months to prepare me. I'm not likely to forget.\"\"Convince me. What's your name?\"She tapped her foot, irritated that she had to go through the same routine again. \"Jessica Adams.\"\"Address?\"\"New Orleans, Louisiana.\" He raised a brow.She blew out a frustrated breath and rattled off the address—a house number and a street that meant nothing to her, but that were more ingrained in her memory now than her real New York City address had ever been.He fired off questions about her fake bio, her new social security number, the names and birthdates of her pretend family. For the first time in her life, she was grateful that the foster families who'd shuffled her back and forth had always kept her at a distance, as if they were afraid her bad genes were contagious. If she'd had a real family, people who loved her and were loved in return, she didn't think she could give them up and leave them behind.Ryan shoved back from the table and rose to his feet.\"Ready?\"Was she ready? Ready to move a thousand miles away to a place she'd never been, a place she'd never wanted to be? Was she ready to have her past erased as if she'd never existed, living in fear that Richard DeGaullo would find her and punish her for betraying him?Her stomach twisted into knots. She wanted to cling to her chair and hide, but that wasn't an option. All she could do now was face her future, however uncertain it might be.\"I'm ready.\" She stood and wiped her sweaty palms on her slacks, and followed him to the door.He paused with his hand on the knob, his mouth curving up into the first genuine smile he'd shown since entering the room. \"You're going to be okay, Jessica Adams.\"And with that, he was gone, striding down the hallway, leaving her with her usual contingent of marshals.\"Ready, Jessica?\" William echoed Ryan's earlier words.She tore her gaze away from Ryan's retreating back, stunned by how his smile had completely transformed his features, giving her a glimpse of the lighthearted man he must have once been. She cleared her tightening throat.\"Ready.\"The four marshals flanked her on all sides as they headed down the hallway toward the back stairs. One of the marshals moved to let another man pass and gave him a curt nod. Jessica frowned, surprised the marshal had let the stranger get so close to her. He must have been someone the marshal knew and trusted.Thoughts of the stranger evaporated as Jessica descended the stairs, getting closer and closer to the bottom. By the time her feet touched the last step, her instincts were screaming at her to run, hide—anything but walk toward the exit at the end of the hall.Her heart pounded in rhythm with her steps. Twenty feet to the door.Nineteen.Eighteen. Too fast. Slow down. Please, slow down. Far too soon they stood at the back door. Had she said she was ready? She was wrong. She wasn't ready.Her pulse leaped in her throat. Soon she'd be completely, utterly alone, without marshals guarding her twenty-four-seven. Her safety would depend on a web of lies and documentation, her fate in the hands of some paper pusher she'd never met.Panic tightened her chest. She jumped when one of the marshals opened the door and it slammed against the wall, caught by a blast of surprisingly chilly wind for early September. The oak trees lining the street swayed, their branches clicking together like tiny drummers foretelling her doom.With William urging her forward, she had no choice but to move. She couldn't cling to the door and cower in fear.She stepped outside.A gust of wind and rain blasted her, whipping her hair around her face. The light sprinkle that had started earlier was now a steady downpour, pelting the small group as they hurried across the concrete to the street that ran along the back of the courthouse. A black cargo van waited fifty feet away at the curb. Uniformed policemen lined the sidewalk.Thunder cracked overhead, making Jessica jump. Lightning flashed, filling the air with the smell of something burning, reminding Jessica of gunfire the night her friend was killed—the flash, the smell.The spray of blood as Natalie fell to the floor, DeGaullo standing over her.The van's open door was dark and menacing in the maelstrom of wind and rain. Jessica couldn't breathe. Her lungs squeezed in her chest. Was this how Natalie had felt as she died? Please, I don't want to die. Thunder boomed again and the rain became a deluge. Three of the marshals ran ahead to the van, positioning themselves to watch for anyone approaching. Jessica froze, unable to take another step. She was too exposed, too vulnerable, the safety of the van too far away.\"Come on,\" William urged. \"We're almost there.\" He pushed her forward.She stumbled, gasping for air.Someone shouted, but the words were snatched away by the wind. Jessica whirled toward the sound. Ryan Jackson stood in the open courthouse doorway. He dropped his briefcase and sprinted toward her, his arms and legs pumping like an Olympic runner. He might have shouted her name, but she wasn't sure.William cursed and grabbed her shoulders. Another shout, a metallic click, an explosion of light and sound. A wall of searing heat slammed into Jessica. She tumbled through the air, her screams mingling with the screams of others as the concrete rushed up to meet her. A sickening thud, burning, tearing agony, then…nothing. --This text refers to an out of print or unavailable edition of this title. About the Author Lena's heart belongs to the rolling hills of her homestate of Kentucky. But you're more likely to see her near the ocean these days in northeast Florida where she resides with her hubby and two children. A former Romance Writers of America's Golden Heart® finalist, she's also a four-time winner of the Daphne du Maurier award and a Publisher's Weekly Bestseller. When not writing, she can be found sprucing up her flower beds or planning her next DIY project. --This text refers to an out of print or unavailable edition of this title. Review \"Diaz leads readers on a merry chase, with hit men jumping out from every corner.\" ~ 4 STARS, Pat Cooper, RT Book Review\"This is a fabulous WitSec romantic suspense with a great late twist that will stun readers because the clues are there. The chase storyline engages the audience, as mobsters diligently hunt the accountant and the Fed.\" ~ Harriet Klausner, Genre Go Round Reviews --This text refers to an out of print or unavailable edition of this title. Read more\n- Features:\nEveryone has secrets. Hers may get them killed. Breaking protocol and going on the run with a protected witness wasn't in U.S. Marshal Ryan Jackson's plans. And even though Jessica Delaney's testimony nearly put away a crime boss, Ryan can't afford to trust her. Still, the duty-dedicated marshal will do whatever it takes to protect Jessica and uncover the mole leaking her new identity. But staying seconds ahead of the ruthless killers on their trail is easier than keeping himself safe from Jessica's unexpected vulnerability and irresistible determination.Now, as the net around them tightens, Ryan's deepest loss may be the one danger he never anticipated.\n- Details:\n Publisher: Harlequin Intrigue; Original edition (February 1, 2013)\n Publication date: February 1, 2013\n Language: English\n File size: 536 KB\n Text to Speech: Enabled\n Screen Reader: Supported\n Enhanced typesetting: Enabled\n X Ray: Not Enabled\n Word Wise: Enabled\n Sticky notes: On Kindle Scribe\n Print length: 217 pages\n<|The End of Book|>\n\nFirst, PREDICT the substantive review THIS user would most likely write about THIS book, using their persona + past reviews + this book's context. Then turn that prediction into a rubric.\n\nWrite 8-12 numbered criteria that a judge will use to check whether a CANDIDATE review COVERS THE KEY POINTS this user would actually make about THIS book. Ground every criterion in the user's likely CONTENT, not surface style:\n- Their likely OVERALL STANCE / verdict on this book (would they like or dislike it, and why), inferred from their taste and this book's genre/premise/themes.\n- The SPECIFIC aspects they would most likely comment on here -- name concrete elements from THIS book (particular plot points, characters, themes, pacing, craft, comparisons) that a reader like this user reacts to.\n- Their characteristic OPINIONS / reactions (what they would praise or criticize here) and the direction/strength of sentiment.\n- Any content they habitually include (recommendation, audience, warnings, comparisons).\n\nWrite the criteria to match HOW the candidate will be graded (coverage of the user's real review minus a penalty for extra content):\n- Each criterion should reward COVERING a specific likely key point, checkable in a short review.\n- Make them DISCRIMINATING: a candidate that writes a generic or merely on-topic review WITHOUT the user's specific likely take must score LOW; only a candidate that hits the user's actual likely points and stance scores HIGH.\n- Include at least one criterion that PENALIZES speculative, hedging, off-target, or padded content not central to what this user would say.\n- Do NOT reward surface formatting.\n\nOutput ONLY the rubric:\n\n1. \n...\n", "num_candidates": 255, "top_gold_scores": [1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 1.0, 1.0]}