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diff --git a/Cases/architectural_cinematics_001/code_video.mp4 b/Cases/architectural_cinematics_001/code_video.mp4
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+Inside a grand Art Deco railway terminal, dark polished columns, brass trim and hanging chandeliers frame a vaulted concourse. Track past the nearest column and benches, then turn into a longer view down the hall toward the clock and distant entrance. The columns should pass convincingly across the foreground while the tiled floor and window bays retain their positions. Render the stone and metal with the photographic finish of the reference.
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+Daylight fills a hillside library through a tall glazed wall overlooking trees. Move along the upper landing beside timber bookshelves, allowing the railing to cross the foreground before looking across the terraced reading platforms and tables below. Keep the stairs, shelf rows and window divisions spatially connected. The shot should feel like an observer exploring a real library, with gentle changes of perspective rather than a detached building overview.
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+A shaded arch opens onto an earthen courtyard hotel with warm plaster walls, recessed doorways and a small reflecting basin. Glide out toward the basin, pass its thick stone edge and continue beneath another arcade toward a dark wooden door. Sunlight and shade reveal the depth of the arches as nearby columns briefly occlude the courtyard. Maintain the same quiet arrangement of pottery, planting and surrounding rooms throughout the move.
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+Follow a stone path through a lush botanical conservatory, with palm fronds close to the lens and planting beds on either side. As the viewpoint curves beside the central foliage, lift the view toward the radial ribs of the glass dome and the entrance beyond. Preserve the layered canopy and the changing overlap of leaves, trunks and glazing. Soft daylight should reveal an expansive inhabited garden, not a tabletop model.
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+A quiet timber chapel stretches toward a modest altar and a tall slit of daylight. Advance between the bench rows, passing the entrance-side wall and repeated wooden ribs before turning slightly toward the altar window. Keep the benches and structural rhythm stable as they slide past at different depths. The atmosphere is restrained and contemplative, with natural wood grain, pale walls and soft illumination rather than a dramatic lighting change.
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+Warm indirect light washes the stone vaults of a subterranean spa. Travel along the dry walkway between shallow reflecting pools, moving beneath successive arches toward the recessed chamber ahead. The pool edges and wall niches should remain continuous as the closest masonry leaves the frame. Use the reference's travertine texture and subdued reflections; the architecture stays still while the uninterrupted forward movement reveals its depth.
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+Begin in the shaded timber corridor of a tropical courtyard house. Pass the open doorway into a furnished living area, then turn toward the planted courtyard and the small pool beside it. Sofas, low tables and roof supports pass through the foreground before the water and garden become the main view. Keep the indoor floor, exterior paving and roof overhangs coherently joined, with the reference's warm wood and natural daylight.
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+A retro-futuristic planetarium foyer contains curved seating, a circular ticket counter and a deep entrance lined with concentric metallic ribs. Move away from the near wall, skirt the counter and approach the arched opening so its nested rings grow across the frame. Retain the geometric ceiling lights and their quiet, stationary illumination. The camera reveals the foyer's scale through the counter and doorway, without changing the room or cutting to another view.
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diff --git a/Cases/architectural_cinematics_009/code_video.mp4 b/Cases/architectural_cinematics_009/code_video.mp4
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+From beside a stone fireplace in a mountain visitor center, glide past the lounge furniture toward a panoramic wall of glass. Timber posts cross the view as the composition opens onto layered forest and mountain peaks. Keep the interior chairs, hearth and benches fixed, with the distant landscape maintaining consistent depth behind the windows. The transition from the warm hearth to the cool outdoor vista should follow one measured camera move.
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+A pale Scandinavian living room is arranged around a textured sofa, a round coffee table and a broad window. Start close to the foreground plant, pass the sofa and curve around the table before looking toward the window and adjacent armchair. Preserve the furniture spacing as nearby leaves briefly interrupt the view. Daylight, soft upholstery and light timber surfaces give the moving shot a calm domestic character.
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+Explore a kitchen centered on a white marble island, with dark cabinets, round stools and pendant lights. Begin near countertop height, sweep along the island edge and let the stools pass close to the lens. Rise into a wider three-quarter view that reconnects the island with the surrounding cabinetry. Keep the countertop objects and hanging fixtures stationary; their changing scale and overlap should come from the supplied camera movement.
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+Tall wooden shelving encloses a two-level historic library, its central reading tables lit by green-shaded lamps. The view emerges between the shelves, crosses the reading area and rises toward the balcony rail, opening a broader view of the upper gallery. Maintain the placement of tables, lights and shelves as the viewpoint climbs. Warm wood and localized lamp light should remain consistent across the continuous reveal.
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+Sunset glows behind a furnished rooftop terrace with planters, lounge seating and a light pergola. Slide out from behind the nearest planter, pass through the seating arrangement and crane above the railing until the city skyline dominates the view. Keep the terrace furniture fixed and the sunlit buildings at a coherent distance. The shot moves from an intimate foreground obstruction to an open urban panorama without a cut.
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+Enter a compact apartment beside its kitchenette and built-in storage. Sweep past the counter and fold-down table toward the window, then turn back across the seating area to show how the small room fits together. The furniture remains in its displayed configuration; nothing folds or rearranges during the clip. Use natural interior perspective and the reference's timber, cabinetry and soft furnishings to make the limited space feel convincing.
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+A converted industrial loft combines furniture clusters with tall glazing, exposed ducts and a deep steel-truss roof. Enter below a low crossbeam, move past the living and dining areas, then lift the view into the overhead structure. Preserve the locations of the furniture, windows and hanging lights while the upper beams increasingly fill the composition. Cool ambient light and warmer interior accents should connect the inhabited floor to the lofty ceiling.
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+Desks, office chairs and glazed meeting areas occupy a bright creative workspace beneath an exposed roof grid. Weave between the desk clusters, pass the open meeting enclosure and rise beside the staircase, bringing its rail and upper landing into the foreground. Keep the office layout unchanged as glass partitions alternately reveal and overlap the spaces beyond. Follow the smooth, continuous progression of the supplied shot.
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+A luxurious hotel lobby is organized around sofas, tall columns, a reception desk and a large suspended chandelier. Begin low beside the seating, crane upward toward the chandelier and curve through the upper volume before descending toward reception. The same columns, stairs and balcony rails must remain connected from every angle. Let polished surfaces and warm fixtures retain their photographic character through this energetic but uninterrupted change of height.
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+Enter a densely furnished industrial workshop through its partly open doorway. Slide close to hanging tools and storage shelves, circle the central workbench and dip past a suspended lamp before opening into a wider view of the room. Keep every bench, tool and container in its original place, including objects temporarily hidden by the foreground. The movement should make the cramped depth readable without cutting or passing through solid equipment.
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+A double-height concrete loft contains a low sofa, floor-to-ceiling windows and an open wooden staircase leading to the mezzanine. Approach from near floor level, curve around the sofa and rise alongside the stair, ending with the living area and upper gallery visible together. Preserve the floating tread arrangement, railing and window geometry throughout. Daylight and realistic concrete, timber and upholstery should remain coherent as the camera changes elevation.
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+A contemporary house surrounds an open courtyard with one central tree. Move from the shaded passage into the courtyard, curve around the trunk and continue through the glazing line into the opposite living wing. Finish among the seating and wall details while keeping the route back to the courtyard understandable. Maintain the same tree, rooms and furnishings, using their overlap to convey the indoor-outdoor connection in a single flowing shot.
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+A table-tennis player in a teal shirt, black shorts and white trainers strikes a small yellow ball beside a blue table in a wood-floored practice hall. The shot freezes just after contact, leaving a visible gap between ball and red-and-black paddle, the player's elbow bent and sweat droplets suspended above him. Only the camera moves, circling from behind the paddle side through a frontal three-quarter view toward the opposite side of the table. Player, ball and droplets remain fixed in space throughout the hold; the net, dark wall panels and nearby bench stay still. Time resumes with the ball traveling across the net and the player's arm following through.
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+On a sunny beach court beside calm blue water and palm trees, a barefoot volleyball defender in a teal sleeveless top and dark shorts springs upward beside the net. Both hands meet the blue, yellow and white ball overhead. Time stops with his legs folded behind him and a small spray of sand hanging below. The camera alone arcs from a view along the net to a lower frontal angle and onward to an oblique view from the other side. His pose, the ball and every sand grain stay motionless against the fixed court and coastline. Motion returns: the ball deflects away and he lands on the sand with bent knees.
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+A skateboarder wearing a backward orange cap, teal T-shirt, loose dark trousers and white shoes crouches and pops a low kickflip in a sunlit paved plaza. He hangs above the turning board with knees tucked and arms spread; both shoes are clear of the deck, whose underside, trucks and wheels are visible. The trick freezes completely, including the scattered fragments around the board. A low camera sweep moves from his front-side toward the opposite rear three-quarter view, revealing benches, planters, railings and blocky buildings without any movement of the suspended rider or board. At the end, the flip resumes, the grip surface turns upward, his feet reconnect and the wheels touch down.
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+A russet squirrel with tufted ears and a large bushy tail crouches on a mossy branch in a misty woodland, then leaps across a short gap toward another sturdy branch. At the apex, its outstretched forepaws, trailing hind legs and high curved tail become perfectly still, along with loose leaf fragments around it. The camera orbits from a side profile toward a near-frontal three-quarter view, changing the overlap of the two branches while the squirrel remains at the same airborne position. Trees, rocks and the leaf-covered ground stay fixed. Time releases and the squirrel completes the short leap, crouching on the receiving branch with its tail still raised.
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+Above a dark padded performance table, two hands extending from black sleeves with white cuffs spring a deck from the upper hand toward the open lower palm. Pale-edged cards with teal patterned backs form a curved, separated cascade. The flow halts completely: each card holds its position and tilt, both hands remain still, and tiny surrounding specks hang in place. The camera swings from a frontal oblique angle around toward the side, exposing the gaps and depth of the suspended ribbon against a dark paneled backdrop. No cards advance during this orbit. In the closing beat, the cascade flows again and gathers into a compact stack in the lower hand.
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+A rhythmic gymnast with her hair in a bun and a jeweled teal leotard rises into a split leap on a pale indoor performance floor. Her raised ribbon wand leads into large, overlapping rainbow loops beside her. At the leap's peak, the gymnast and the entire ribbon stop in midair, holding the same split and loop shapes rather than drifting in slow motion. The camera arcs from an oblique side view through a frontal view to the opposite three-quarter angle, revealing the loops' depth. Time resumes as she lowers her legs and descends toward the floor while the ribbon continues curling.
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+On a rain-soaked city sidewalk at night, a short-haired woman in a belted tan coat, dark trousers and boots opens a dark umbrella above her head. Warm shop windows reflect across the wet paving. As the canopy spreads wide, droplets lift from its rim and time stops: her stance, the umbrella ribs and the surrounding rain remain fixed. A human-height camera sweep moves from one three-quarter view through the front to the other side, shifting the storefronts behind the suspended drops. Rain falls again in the closing beat as the open canopy settles overhead.
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+Standing on a round blue stage against a dark backdrop, a smiling performer in a red dinner jacket, white shirt, black bow tie and dark trousers fires a handheld party popper. Bright paper flecks and curled streamers burst upward into a loose cloud above his head. The burst freezes at its peak, with the performer, popper and every piece of confetti suspended together. The camera sweeps from a frontal three-quarter angle toward a lower side view, revealing the layered cloud without advancing its fall. Motion returns; the paper showers down around his shoes as his arms ease downward.
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+Two masked fencers in white protective uniforms face each other on a raised metallic piste bordered by guardrails and empty blue arena seats. One extends into a deep lunge as their thin blades cross, producing a small spray of sparks. Both fencers stop at contact, their feet planted and their extended arms, crossed blades and sparks held motionless. Starting behind one competitor, the camera sweeps around the pair through a broad side view toward the opposite end of the strip, keeping both bodies visible. Time restarts as they draw back from the lunge and separate their blades into upright guards.
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+A blond-haired breakdancer in a teal jacket with a yellow front panel, dark trousers and white sneakers springs from a low crouch into an inverted aerial rotation. He performs inside a white-edged circular dance area in a brick courtyard with dark windows, benches and potted plants. At the airborne peak, his splayed legs, downward-reaching arm, jacket folds and scattered dust freeze completely. The camera arcs from an oblique side view around to the opposite three-quarter angle while he stays suspended above the same patch of ground. He then rotates downward and finishes low to the floor, bracing the landing with one hand.
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+A short-haired badminton player in a red sleeveless top, navy shorts and white shoes springs upward on a green indoor court bordered by wooden flooring and empty blue seats. His racket reaches overhead toward the shuttle, with one leg bent behind him. At the airborne smash moment, the player, racket, shuttle and scattered sweat droplets become completely stationary in the court, without drifting or changing pose. Only the camera arcs around him, moving from a front-side view through his side toward a low rear three-quarter view. Motion then returns: his racket follows through, the shuttle moves away and he drops back toward the court.
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+In a sunny sand arena enclosed by white fencing, a chestnut horse with a dark mane carries a rider wearing a black helmet, navy jacket, white breeches and tall black boots. A white saddle pad shows beneath the saddle. They approach the red-and-white and teal-and-white rails and lift into a jump. At the apex, horse and rider stop in place above the obstacle, folded legs, tack and sparse airborne sand all fixed in the world. The camera sweeps from their side across a frontal view to the opposite front quarter. Time resumes as the horse moves beyond the rails and begins extending its legs downward, still airborne at the end.
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+Beside a glowing brick oven, a mustached chef in a white toque and jacket with a dark green apron lifts a pale pizza-dough disc from his hands. Wooden worktables, bowls, hanging pans and an arched window surround him. The dough rises overhead, then freezes with its uneven rim tilted and flour specks hanging around it. Nothing in the kitchen advances during this hold: the dough does not spin, the flour does not fall, and the chef's raised arms remain still. The viewpoint curves from his side through a frontal view to the other side, revealing the dough's underside. The toss then continues downward toward his waiting hands.
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+Two raised sticks come down onto the broad pale head of a red-brown drum on a black stand, throwing blue and golden powder into the air. The short-haired drummer wears a fitted black shirt, dark trousers and black shoes on a dark curtained stage. Just after impact, the entire powder crown hangs motionless; his body, sticks and drumhead are equally frozen at fixed positions on the stage. A low side view arcs toward the front and onward to a front-quarter angle, revealing the suspended particles against steady blue and amber illumination. When time restarts, powder drops around the stand while he lifts the sticks in recovery.
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+Sunlight from tall windows crosses a wooden gym floor with rings, parallel bars and blue mats. A gymnast with her hair in a bun, wearing a burgundy long-sleeved leotard with white trim, advances from the springboard toward a tan vaulting table. She tips into an inverted position above it, straight legs together and arms reaching down toward the padded top. This elevated moment freezes completely, including the small chalk cloud near her hands. Her body and the chalk stay anchored above the same table as the camera circles from the approach-side view around to the mat side. Movement resumes with her rotating upright and descending toward the blue landing mat.
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+A juggler in a white shirt, dark green waistcoat, red bow tie and dark trousers works three orange, green and yellow clubs above a circular wooden stage. Dark green curtains and a tall golden arch frame the performance. After the opening throws, the performer and the separated clubs freeze completely, each club retaining its position and tilt. The camera sweeps from a frontal three-quarter view across the front toward a lower side view, revealing the spacing between the suspended clubs. At the end, the hands and clubs move again as the juggling pattern continues.
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+On a rustic market counter beneath a striped awning, a woven basket tips toward a broad wooden tray on the stone paving below. Red apples, oranges, two pale green pears and loose leaves spill out, then stop in midair at different heights. The tilted basket remains supported by the counter; neither fruit nor leaves drift during the hold. A descending camera arc passes from the opening counter-height view through a frontal view to the opposite low three-quarter angle. Motion returns and the fruit drops into the tray, collecting across its wooden base, with the basket upright on the counter in the closing view.
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+Across a sunny park lawn, a tan dog with dark ears, pale paws and a blue collar runs after a red frisbee and springs into the air. Trees, a footpath and a bench surround the grassy clearing. The leap locks in place with the disc still just ahead of the open mouth: the dog's limbs, tail, frisbee and scattered airborne flecks remain motionless. Starting at the sideline, the camera drops beneath the dog and swings around to look along its path from behind. Time releases in this rear view, and the dog continues forward and descends toward the grass.
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+Beneath a flower-covered arch at an outdoor wedding, a bride in a white gown and veil kisses a groom in a black suit. Guests beside rows of wooden chairs raise their arms as petals and colorful confetti scatter above the aisle. The celebration pauses with the couple, raised guest gestures, veil and airborne pieces all fixed in place. From the frontal aisle view, the camera advances past the guests and rises into a high oblique view over the couple and arch, while the entire gathering remains still. The final beat releases the suspended confetti and petals to continue falling around the couple.
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+A brown horse carries an armored knight toward a barred wooden gate in a crenellated stone wall. The rider wears an orange tabard and plumed helmet, with a red shield bearing a yellow cross and a long lance. Arrows descend as the horse charges across the muddy approach. Suddenly horse, rider, arrows and kicked-up mud stop together. Only the camera moves, sweeping close past the horse's head and flank among the suspended shafts before reaching a rear three-quarter view. The charge then resumes toward the gate, ending with a burst of dust and fragments at the entrance.
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+Ride inside a small minecart in first person, with bare hands extending from dark green sleeves to grip its worn metal front rim. Rails curve through a rocky cavern beneath timber supports and warm hanging lanterns. Nearby posts and jagged rocks slide past as the cart rounds the bend, then rolls onto a narrow bridge with rope side rails above a dark drop. Ahead, a stone-lined tunnel frames a bright daylight opening. The viewpoint travels with the cart into this warmer passage, keeping the hands, cart rim and track visible as the exit grows larger.
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+A dark-haired adventurer in a green jacket, brown trousers and boots, carrying a metal canister backpack, runs across an elevated stone walkway in a clockwork courtyard. From a high third-person view, follow his jump onto a broad teal platform edged with brass gear teeth. He lands, steadies himself on the turning disc, then leaps to the stone ledge on the right and continues along it. The view tracks right with him, retaining both gaps and the water below. Black iron railings, red banners, exposed gears and a huge clock face fill the pale stone tower behind the crossing.
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+Beneath blue-green water, a sandy route leads through a massive rock arch covered in orange branching coral, purple growths and yellow tube sponges. Swim forward from the diver's first-person perspective, with dark gloves occasionally rising into the lower edge of the view during swimming strokes. After passing under the arch, leave a rusted shipwreck railing on the left and angle gently toward a turquoise-lit opening among rounded boulders. Small fish, rising bubbles and shafts of sunlight surround the route. The cave entrance draws closer, its pointed interior formations becoming clearer, while the diver's body remains out of view.
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+Cyan and magenta lights reflect across the dark floor of a narrow service alley lined with metal shutters, pipes and loading crates. A rider wearing a white helmet, orange-and-black jacket, dark trousers and a backpack with a glowing cyan strip glides ahead on a compact white hoverboard. Seen from a low rear three-quarter angle, the rider leans through a gentle turn and threads between two crates, knees flexed and feet planted on the board. The board makes a short hop across a yellow-and-black cable cover, then continues down the alley with cyan light glowing underneath. The camera follows behind throughout.
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+Black-gloved hands grasp a large brass wheel beside a closed, dark segmented door in a warmly lit stone chamber. From this first-person viewpoint, watch the hands work around the wheel as it turns and the exposed gears above the doorway rotate. The heavy door rises, revealing a pale stone corridor beyond its lower edge. Once the opening is clear, the hands drop away and the view advances through the doorway, leaving the wheel behind on the left. Repeating rounded arches and wall lanterns lead toward daylight at the far end of the passage; no external view of the player appears.
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+A snowboarder in an orange jacket, dark trousers and helmet, with a teal backpack, descends a broad snowy slope beneath jagged white mountains. A third-person camera follows from behind and slightly to the side, keeping the whole rider and board visible. With knees bent and arms extended, the rider carves past an orange course banner and then a teal one among snow-covered pines. Late in the run, the board briefly lifts over a low crest before settling back onto the snow and continuing downhill, leaving a faint trail.
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+From a seated first-person viewpoint, an orange kayak glides along turquoise water between towering, layered sandstone canyon walls. Bare hands extending from dark sleeves grip a black double-bladed paddle above the pointed bow and its round hatch. The paddle begins level, tilts for a stroke on one side, returns across the bow, then dips on the opposite side before leveling again. The kayak advances past a projecting rock face on the left toward a sunlit gap, with small green shrubs clinging to the cliffs and gentle rocking in the forward-facing view.
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+In a sunlit stone courtyard, a dark-haired adventurer wearing shoulder armor and a long burgundy cape carries a glowing cyan orb toward a short, round pedestal. Seen in third person from a gently drifting three-quarter view, the adventurer approaches from the left, lowers the orb into the gold-rimmed socket and withdraws their hands. The paired, gold-trimmed doors beneath a stone arch then swing apart as the adventurer steps back. A cool teal passage and a luminous diamond-shaped object become visible beyond the doorway, while wall torches and ivy frame the entrance.
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+A first-person view from inside a mech cockpit advances out of a gray industrial hangar into daylight. The pilot's bare hands remain wrapped around two black control grips, flanking a small dashboard with cyan gauges. Thick dark window struts and yellow mechanical braces stay in the foreground as the open hangar doorway grows larger and its striped threshold passes beneath the view. With a slight walking bob, the cockpit moves into a service yard lined with low industrial buildings, lane markings, lamps and an orange gantry crane, facing distant hills.
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+A helmeted operator in olive tactical gear advances through a dusty, tan-walled bombsite with a rifle raised. The third-person camera starts behind his full body beside a blue barrel, then follows closely past cross-braced wooden crates toward a ribbed gray barrier. An opponent's head appears above farther cover in front of a dark doorway marked by a red A. As the view tightens over the operator's shoulder, he aims across the barrier beside an orange barrel. Brief pale impact puffs and dark marks appear on the nearby right wall; the final view holds close behind his cover.
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+A blue-helmeted combatant in a dark suit with reflective bands, orange gloves and a compact backpack rides a bright yellow vertical zipline inside a shadowy industrial tower. Seen from outside the character, the camera rises and circles the shaft, passing dark metal floors, yellow safety rails and cool strip lights. The rider releases the line near an upper landing and moves sideways onto a metal walkway beside a waist-high barrier. The camera follows this departure, leaving the yellow line to one side as the figure settles on the platform.
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+Beside a tilted gravity cannon, a white-armored, helmeted fighter stands on a dark platform above a deep canyon of reddish rock and tall concrete structures. Large metal hoops surround the cannon's luminous blue-white rails. The fighter moves into the launcher and shoots out over the gap, stretched along a high arcing flight path with bright trails behind. A third-person camera travels alongside and opens out to reveal the destination, then closes in as the figure descends onto a circular illuminated landing pad and regains an upright stance.
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+From my own viewpoint, I race along a moving train's metal roof through a sunlit, rocky canyon. Bare hands and dark teal sleeves bob in front of me as open roof hatches and yellow-edged panels pass beneath the view. Red-brown cliffs and trackside poles slide backward. Near a break in the roof, the viewpoint lifts and both arms reach forward toward a hanging cable beneath a yellow gantry, then lower as the roof comes back underneath. The train carries the view straight through a stone tunnel entrance into darkness punctuated by small wall lights.
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+Terracotta rooftops lead toward a pale stone church and bell tower under a clear blue sky. In first person, my bare hands and white-sleeved forearms extend ahead as I rush toward the end of the roof. The view pitches and banks across to a pale tiled ledge beside the church, with ochre and brick-colored buildings crowding the surroundings. From the ledge, I tip forward into a steep downward plunge toward a hay-filled cart in the paved street. My arms remain visible during the fall, and golden straw fills the view at the end.
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+Mist hangs between tall conifers along a dark forest path scattered with rocks and low plants. My open left hand fills the lower-left foreground while my right hand grips a broad silver sword with a straight crossguard. A winged griffin approaches between the trees. I raise my left palm, and concentric golden rings flare in front of it as the creature comes close. The sword sweeps upward across the view while pale feathers scatter past the lens. The first-person camera stays near the same spot with a brief reactive jolt, ending with the blade raised and the forest ahead.
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+From a first-person viewpoint, dark-sleeved forearms and hands hold a katana with a gold guard against a snowy forest at night. Tall bare trunks and thin, snow-lined branches frame a winding track. The blade lifts upright as a red-and-black humanoid figure approaches between the trees. A turn of the viewpoint accompanies a broad sword sweep, and a luminous blue dragon-shaped ribbon of water curls overhead, its pale ribs and spray tracing the arc. The figure recedes into the trees as the water trail fades and the sword settles across the foreground.
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+A low first-person view peers along a rain-soaked forest road beside a jeep, with a bare hand and forearm visible at the bottom of the frame. Dense trees and spiky roadside plants surround a large green T. rex with a pale belly, short forearms and a long tail. A brief flash brightens the road and reveals its standing body before darkness returns. The dinosaur leans forward and brings its head close to the nearly stationary viewpoint, opening its jaws to expose pointed white teeth and a red mouth while heavy rain continues.
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+On the battlements of a round stone tower, a green-clad adventurer stands beside a yellow flag overlooking a sunlit valley. His cap, pale trousers, brown boots and round shield remain visible in the wide third-person view. He leaves the tower and glides out beneath a broad yellow-green paraglider, arms raised to its handles and legs hanging below. The camera follows from behind as the tower slips out of sight, revealing a winding blue river, scattered conifers, rocky outcrops and pale mountains. Ahead, a turreted castle rises above the trees as the glide continues toward it.
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+Two red railway carriages with yellow trim and dark roofs travel along an exposed track above bright blue water, beside a grassy shore dotted with trees. A dark-haired man in a beige shirt, blue trousers and brown shoes carries a rectangular brown pack on his back. Seen from an elevated third-person angle, he advances across the nearer roof, launches over the space between carriages and lands on the roof ahead. He steadies himself and continues forward as the camera tracks alongside, keeping his full body and the separated carriage roofs readable against the passing shoreline.
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+High above a walled city of tightly packed red-roofed buildings, a soldier circles a towering humanoid giant at neck and shoulder height. His dark green cape trails behind his bent body; boots, hip-mounted maneuvering equipment, outstretched arms and long blades remain visible. Thin cables stretch toward the giant as the soldier swings around it, passing from its back toward its face and around again. The third-person aerial camera travels with the maneuver, changing the view across the giant's broad shoulders and the streets far below. Pale steam billows around the head while brief bright streaks follow the soldier's path.
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+A polished steel ball travels along a raised dark metal track toward a tall wooden crate standing at the edge of a broad platform in a plain workshop. Its impact against the crate's upper side tips the diagonally braced box outward. The crate rotates past the platform edge and drops onto its side in the lower rimmed catch area, with the ball falling beside it. Both come to rest there. The camera moves right and closer with the fall, shifting attention from the starting track to the fallen crate while keeping the platform edge visible.
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+Six lightweight panels hang from crossbars between black rails above a long, wood-edged blue lane. Their colors progress from blue and teal through pale green to yellow and orange. A glossy red ball with a cream band rolls in from the left, pushing through the panels in sequence. Each contacted flap swings up around its top edge, then swings back as the ball advances, leaving a diminishing ripple of movement behind it. The ball reaches the right-hand end while the flaps return toward their hanging positions. A steady elevated three-quarter view shows the entire apparatus against a neutral background.
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+On a wooden base, a sloping metal track leads toward a small green bucket supported on a horizontal axle above a shallow silver tray. Several brightly colored balls sit inside the bucket. A steel ball rolls down the track and strikes the attached wooden lever, turning the bucket forward. As its opening tilts toward the tray, the colored balls tumble out, bounce and roll across the tray toward its far side. The steel striker drops separately onto the wooden base beside the supports. The camera eases closer and around the apparatus, keeping the tipped bucket and receiving tray in view.
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+Colored marbles descend into a broad white funnel with a dark green rim and brass-colored edging, raised on slim black legs over a wooden base. They bounce against the sloping bowl and roll inward, gathering briefly around the central opening before falling through its short clear throat. Below, a transparent cup catches them; the marbles bounce inside and collect on its pale bottom as the funnel empties. From an already elevated oblique angle, the camera gently shifts around and closer to the stand, keeping both the funnel opening and the accumulating marbles in the cup visible.
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+A steel ball waits in a short open metal guide above a four-paddle wheel on a dark green A-frame stand. The wooden paddles extend from a metal hub with a clearly exposed horizontal axle. Released from the guide, the ball drops onto a paddle, sending the wheel turning and deflecting the ball into the low rectangular tray to the right. The ball rolls to the tray's far end while the paddles continue turning after the impact. A gradual move closer and slightly sideways brings the axle, moving paddles and captured ball forward in the view against the plain workshop backdrop.
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+Inside a windowed workshop, a polished steel wrecking ball hangs from a taut cable on a dark overhead frame beside a freestanding wall of tan blocks. The ball swings in from the left and strikes the wall, opening a gap as displaced blocks tumble onto the gray test platform. Portions of the wall remain upright on either side while the fallen pieces settle around its base. The suspended ball swings back from the opening. A gentle sideways camera move keeps the cable, collision and partially standing wall together in an uninterrupted oblique view.
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+Six shiny silver cans form a compact three-tier pyramid on a light wooden tabletop, with a red rubber ball approaching from the near left. The ball strikes the lower cans, displacing their supports and tipping cans out of the stack. Several tumble onto their sides, while a smaller central stack and an isolated upright can remain. The red ball appears beyond the scattered cans to the right; the ending holds on this partially toppled arrangement rather than a complete collapse. The elevated oblique camera moves closer and reframes around the impact before holding on the aftermath.
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+A wooden frame surrounds a dark upright Galton board with staggered rows of short tan pegs and narrow collection bins along the bottom. Brightly colored marbles gather between two angled guides at the top, then drop into the peg field. Successive contacts send them left or right along separate descending paths, spreading the cluster across the board before the marbles reach the lower compartments. The apparatus stays still throughout. A steady, slightly oblique full-board view keeps the release area, projecting pegs and accumulating marbles visible together, ending with marbles distributed among the bins.
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+A raised metal chute with dark green sidewalls slopes down into a shallow receiving tray. A cluster of angular gray and beige rocks starts at its upper end, above a yellow wedge fixed near the middle. Released together, the rocks slide and tumble downhill, turning and separating as they collide with one another and pass around the wedge. They gather into a low pile in the bottom tray, leaving the upper slope clear. The elevated three-quarter camera drifts gently sideways while keeping the entire chute, fixed deflector and final pile in view.
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+Nine hardback books in red, green, mustard, navy, olive, burgundy, tan, teal and orange stand with small gaps on a wooden desk, ending at a loose metal bookend. The leftmost red book begins to lean into its neighbor. Each contact closes the next gap and tips another book, carrying the collapse along the row toward the bookend. The books finish as an overlapping sloping stack, with the displaced bookend beneath the far end. A continuous low oblique view holds the whole row, making the covers, page edges and successive contacts visible.
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+An elevated three-quarter view looks down on a dark teal circular test tray marked with concentric rings, surrounded by a silver catch basin and clear outer guard. Seven small colored blocks start at different distances from the center. As the tray turns, the blocks travel around with its surface before drifting outward along differing paths. Several reach the edge; the blue block slips into the outer basin while others gather near the perimeter. The full apparatus remains in view, including its short legs, stationary surrounding basin and the height difference between the rotating surface and catch area.
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+A silver-rimmed polygonal drum with a transparent front turns slowly on a horizontal axle above a dark rectangular base. Inside, a small cluster of glossy red, yellow, blue, green and cream beads gathers at the bottom. The rotating chamber carries beads a short way up its right interior wall; they roll back down and tumble over one another, repeatedly rearranging the pile without escaping. An uninterrupted oblique view shows the front window, chamber depth, exposed central axle and stationary support frame while keeping the tumbling beads readable.
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+Two metallic cylindrical weights, teal and copper, drop onto a level gray balance beam mounted on a dark central stand with a brass-colored pivot. The teal weight lands nearer the pivot on the left, while the copper weight loads the outer right side. The unequal loading lowers the right end and raises the left. Copper slides off first and rolls onto its side on the floor; teal follows down the sloping beam and comes to rest upright beside it. The beam remains tilted against its right stop. A continuous oblique frontal view keeps both weights, the pivot and floor-level landing area visible.
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+A reflective steel sphere descends toward the silver top of a yellow-edged square platform supported by four exposed coil springs above a teal safety base. Contact pushes the platform downward, shortening the springs; their rebound lifts the platform and sends the sphere briefly upward. Smaller bounces follow as the platform rises and falls, then the sphere settles near its center and the motion diminishes. The camera gradually moves closer from a three-quarter view, retaining the entire base and revealing the changing spring lengths, corner guide rods and ball-to-platform contact against a plain gray background.
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+A fixed frontal laboratory view shows three upright brass hoops side by side within a rectangular silver frame against a dark background. Each hoop stands on a black-footed support and contains paired straight silver rails descending from a different height on its right circumference to a catcher at its lowest point. Small dark annular carriages remain captive on these rails, showing only a subtle, greatly slowed progression downward. The hoops, supports, catchers and horizontal brass crossbar stay motionless. The carriages follow the straight rails, not the circular rims; the shot does not show a dramatic full drop or a clearly completed simultaneous arrival.
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+Five polished steel balls hang on equal-length paired wires beneath a black crossbar between silver uprights on a laboratory tabletop. In a fixed, slightly oblique frontal view, the leftmost ball starts raised to the left, swings into the touching row and stops as the rightmost ball swings outward. When that ball returns, the leftmost swings away again, repeating the alternating transfer. This is an ideal Newton's cradle: the middle three balls remain stationary and touching throughout, with only the outer two swinging. The suspension points, rectangular frame and black feet remain fixed.
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+A transparent semicircular glass block rests on short metal supports above a black laboratory base. A small laser source moves slowly around its curved edge, aiming a yellow beam toward the center of the flat face. The camera holds an elevated oblique view as the changing incidence redirects the light. Initially, a refracted ray emerges through the flat face and extends across the base toward the foreground. As the angle increases, that outgoing branch turns toward the surface and disappears, leaving the internally reflected branch directed back through the glass toward the left. The glass block and its supports remain stationary.
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+A countertop blender stands on a pale circular stone platform against a soft gray studio background. Its empty glass jar has a black lid and curved black handle, above a brushed-silver motor housing with rubber feet and a ridged control dial. The dial turns and the exposed metal blades rotate inside the stationary jar, easing to rest near the end. An elevated three-quarter view initially includes the complete appliance. The camera approaches in a shallow arc toward the handle side, bringing the lower jar, blade hub, black mounting collar and dial into close view as the lid leaves the frame.
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+Warm beige surroundings frame a rounded brushed-steel two-slot toaster, with black feet, a side lever and a circular browning dial. At first, only the crusts of two lowered bread slices protrude from the recessed slots. The lever lifts and both slices pop up together, then settle with their lower ends still inside the toaster. Starting with the entire appliance in three-quarter view, the camera curves toward the control end and rises, increasingly looking down between the two slices. The final framing emphasizes their golden faces, brown crusts and separate metal-rimmed slots, with the lower housing partly cropped.
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+Olive-green binoculars rest on a round charcoal pedestal in a dark studio. Ribbed rubber armor surrounds the paired barrels, with black eyecups behind them and deep blue-green objective lenses catching rectangular highlights. Both barrels are fully visible in the opening three-quarter composition. A smooth sweep across the objectives passes through a nearly frontal view and continues to the opposite side, changing the overlap of the lens rims. The camera then advances into an elevated close view along the central hinge toward the knurled focusing wheel, cropping the objectives along the lower edge while the binoculars remain supported on the pedestal.
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+A brass pocket compass gleams against dark slate, its thick ridged case initially covered by a nearly closed circular lid. The lid swings upward on its rear hinge, exposing an ivory face beneath clear glass, fine radial ticks and a red-and-silver needle on a central brass bearing. The needle briefly wavers before settling. The camera arcs around the opening compass while keeping the whole case and raised lid in view, then approaches from above at an oblique angle. By the end, the dial and layered metallic rim dominate the image and the upright lid extends beyond the top edge.
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+A deep-green lacquer fountain pen lies diagonally on small supports in a shallow black presentation tray, accented by gold bands and a matching gold-clipped cap. The opening view includes the entire capped pen. Its cap turns slightly and slides away along the barrel's axis, exposing a black grip and pointed gold nib, then shifts alongside the pen with its length parallel to the barrel. The camera briefly opens the composition during the separation before tracking toward the writing end. A tight final view reveals the nib's slit and breather hole, grip ridges and trim rings, with the detached cap above them.
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+A folded navy umbrella stands upright on a small black circular stand against a softly lit gray studio background. Its silver shaft and black curved handle are visible beneath the narrow gathered canopy. The runner rises and the metal ribs spread, opening the fabric into a broad dome that stays open. Initially show the entire umbrella and stand, then move closer around the shaft and upward toward the canopy. The handle and base leave the frame as the view settles beneath the open umbrella, revealing the silver stretchers, rib connections and dark fabric panels in close detail.
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+Deep burgundy enamel and silver metal catch soft highlights on a desktop stapler resting on a dark surface. A small stack of pale paper projects from beneath its front, beside the inset metal anvil. From a low three-quarter view of the whole stapler, the camera glides closer along its side toward a more side-on, slightly elevated angle. The upper handle lowers about the rear hinge and lifts again while the base stays planted. Finish with most of the stapler still visible, emphasizing the hinge, exposed magazine and paper at the front rather than isolating a tiny mechanical detail.
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+On a pale circular pedestal, a compact deep-green instant camera has a large black lens with silver rings, a rectangular flash and a small dark viewfinder. The opening three-quarter composition includes the whole body against a warm beige studio backdrop. As the viewpoint arcs across the front and moves closer toward the lower face, a white-bordered photograph slides out through the slot below the lens. Its pale center remains blank, and the print stops with its rear edge still supported by the camera. End on the projecting photograph, slot and lower lens trim, with the top of the body cropped away.
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+A dark-green mechanical typewriter sits on a brown wooden desk, its cream circular keys arranged beneath an exposed fan of metal typebars. A blank sheet rises from the platen, with dark ribbon spools on either side and a return lever extending to the left. Begin above one front corner with the complete machine visible. The camera sweeps through a centered view of the keyboard and approaches the opposite side, ending in an oblique close-up across the keys, ribbon and typebar basket toward the paper roller. The changing angle reveals the mechanism without turning the typewriter itself or adding text to the paper.
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+A cream-enamel sewing machine stands on a pale studio surface, with black control dials, a large dark handwheel and a tan thread spool on top. Guided thread descends toward the needle above a teal fabric strip that passes beneath the metal presser foot and drapes over the front edge of the base. Show the complete machine from a three-quarter angle before sweeping toward its open throat and pushing in. The final close view looks down across the fabric and silver feed plate, concentrating on the needle, presser foot and fine thread line while the larger body moves outside the framing.
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+A compact dark green steel safe stands on a pale floor against a neutral studio backdrop. Its inset door carries a silver combination dial and three-spoke handle, with two substantial hinges on the right. Begin with the whole closed cabinet in a three-quarter view. The handle turns and the door swings outward to the right, exposing the empty gray interior and metal bolts along the door edge. As it opens, the camera curves closer toward the doorway, ending in a tight view of the hinge, projecting bolt and thick door frame. The cabinet stays planted throughout this continuous move.
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+Low, cool lighting outlines a thin silver-gray laptop resting closed on a dark desk. Start near desk height with the full device visible, then slide close along its beveled edge as the lid rises. Sweep over the broad trackpad and dark keyboard, revealing the illuminated display with blue and purple circular graphics. The camera changes angle across these details before retreating upward and backward into a complete three-quarter view of the open laptop and surrounding desktop. Keep the base stationary while the lid opens; no hands enter and no typing occurs.
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+Warm amber light falls across a compact black speaker with rounded corners, a tan woven grille and a small gold-colored badge, resting on a pale stone pedestal. From a close three-quarter view, move nearer until the grille pattern and circular drivers behind it fill the frame. Rise and curve over the front edge to reveal the row of round control buttons on top, then return toward a frontal view and pull back. The final wider composition includes the whole speaker, pedestal and a small potted plant against the dark, warmly lit backdrop. The speaker remains in place with no buttons being pressed.
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+Begin inches from a black caster beneath a blue hard-shell suitcase with yellow trim. The suitcase stands upright in a dim, cool-toned terminal-like space with tall glass panels. Track upward from the wheel across the raised vertical shell ribs to the rounded top corner and recessed handle. As the twin telescoping rails rise, curve around the yellow-accented grip, then retreat to reveal the full suitcase with its handle extended. Finish with the product standing on the dark floor amid fine curved and dashed light markings. The case stays in the same position; it does not roll across the room.
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+An extreme close-up of the bridge and six metallic strings opens this view of a glossy red electric guitar with a cream pickguard. Glide along the strings past the paired pickups, then arc to an oblique angle that reveals the body's curved edge, thickness and projecting tremolo arm. Continue upward along the dark fretted neck to the pale wooden headstock and tuning pegs. Finally, pull well back to show the entire upright instrument on its stand against a nearly black studio background with a faint circular blue light behind it. The guitar remains still and unplayed as the camera travels.
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+A compact white projector rests on small black feet on a pale neutral surface. Its rounded casing has vertical side vents, a small top control and a black front panel with a protruding circular lens beside a narrow grille. From a side three-quarter composition showing the whole unit, the camera follows a low, gentle arc toward a nearly frontal view. The initially dark lens develops a pale blue-white glow while the projector stays still. End with the illuminated lens and front grille clearly visible, without projected pictures or a pronounced beam in the air.
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+A black vinyl record turns steadily on a turntable with warm wooden sides and a dark top plate. Its cream center label has an orange segment that visibly changes orientation as the disc rotates. Begin close above the record edge and gold-colored cartridge, with the silver tonearm stretching across the composition. Glide backward along the arm toward its pivot and rise into a wider oblique view, gradually revealing the rectangular base against the subdued dark surroundings. The tonearm and stylus remain in their playing position throughout; the shot ends with the complete turntable in view.
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+Seen at a close oblique angle, a dark game controller lies face up on a light neutral surface, its rounded grips and raised controls filling much of the frame. Two analog sticks, a cross-shaped directional pad, four small face buttons, a central rectangular pad and chunky shoulder controls remain distinct. The camera glides around the curved grip while pulling away, moving through a side-biased view into a wider, more balanced view of the complete controller. Subtle highlights trace the shell and darker grip inserts. Nothing is pressed or manipulated, and no hands, logos or readable text appear.
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+A white VR headset stands alone against a muted blue-gray studio surface and background. The opening view faces its broad dark visor, with two small circular front details and a black strap arching above the shell. In one continuous orbit, the camera travels around the side, exposing the white strap supports and open headband before reaching the rear opening. The black face cushion frames two recessed blue-tinted lenses, which become the focus of the final nearly straight-on rear view. The headset remains motionless and intact as the viewpoint changes, with no wearer or display activation.
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+Start tightly in front of the round black gimbal camera suspended beneath a silver-and-black quadcopter, with its body and outstretched arms extending beyond the frame. The camera retreats on a gently curving path and climbs, bringing the landing legs, four extended arms and four propeller assemblies into view. Finish at a high oblique angle that shows the complete drone and its shadow on the pale ground. The rounded silver upper shell and dark underside stay consistent throughout this close-to-wide reveal. All propellers remain still, the arms are already unfolded, and the drone never takes off.
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+A single cobalt-and-safety-yellow humanoid inspection robot walks along a concrete walkway at an open water-treatment facility. Circular settling tanks lie below the safety rails, with valve wheels, pipe bridges and utility buildings beyond. Starting beside the near valve station, it follows the broad path beside a tank, bends gently right and stops next to the pump shelter, remaining inside the railings. Its articulated knees bend through alternating planted steps, with opposite arm swing and the pace shown in the video. The camera drifts subtly across the walkway in one continuous wide view, retaining the supplied framing and the robot's consistent design.
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+A single cobalt-and-safety-yellow quadruped inspection robot walks along a concrete walkway at an open water-treatment facility. Circular settling tanks lie below the safety rails, with valve wheels, pipe bridges and utility buildings beyond. Starting beside the near valve station, it follows the broad path beside a tank, bends gently right and stops next to the pump shelter, remaining inside the railings. Its four jointed legs alternate between planted support and lifted forward steps at the video's pace. The camera drifts subtly across the walkway in one continuous wide view, retaining the supplied framing and the robot's consistent design.
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+An ivory-and-leaf-green humanoid robot with dark joint housings and small optical sensors moves through a bright fruit-packing hall. Timber roof beams span stationary apple conveyors and shallow wooden crates; an open doorway reveals the orchard. The robot leaves the intake crates, walks along the broad conveyor-side aisle, corrects gently left around the low crate corner and stops at the quality-control station. Alternating footfalls, knee flexion and counter-swinging arms follow the supplied movement and contact timing. A restrained continuous camera glide inside the hall keeps the route, full body and workstation visible, without changing the robot's appearance.
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+An ivory-and-leaf-green quadruped robot with dark joint housings and small optical sensors moves through a bright fruit-packing hall. Timber roof beams span stationary apple conveyors and shallow wooden crates; an open doorway reveals the orchard. The robot leaves the intake crates, walks along the broad conveyor-side aisle, corrects gently left around the low crate corner and stops at the quality-control station. Its four articulated legs lift and plant in a coordinated walking gait, following the supplied movement and contact timing. A restrained continuous camera glide inside the hall keeps the route, full body and workstation visible, without changing the robot's appearance.
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+A silver-and-vermilion humanoid robot crosses a tall hydroelectric turbine hall beneath overhead crane beams. Two large circular generator housings, tall windows, pipework and wall-side control cabinets define the industrial interior. From the near service aisle, the robot curves along the exposed side of one stationary generator and stops beside its control cabinet. Protective shells and a compact sensor head remain consistent as the legs take alternating grounded steps with flexing knees and coordinated arm swing. Match the video's short route and arrival timing. The wide interior camera makes only a slight continuous drift, leaving the machinery and walking robot readable.
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+A silver-and-vermilion quadruped robot crosses a tall hydroelectric turbine hall beneath overhead crane beams. Two large circular generator housings, tall windows, pipework and wall-side control cabinets define the industrial interior. From the near service aisle, the robot curves along the exposed side of one stationary generator and stops beside its control cabinet. Protective shells and a compact sensor head remain consistent as its four mechanical legs lift, advance and plant in a coordinated gait. Match the video's short route and arrival timing. The wide interior camera makes only a slight continuous drift, leaving the machinery and walking robot readable.
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diff --git a/Cases/robotics_simulation_004_pairA/code_video.mp4 b/Cases/robotics_simulation_004_pairA/code_video.mp4
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+A pearl-white-and-muted-violet humanoid survey robot walks through a skylit art-conservation atelier. Low restoration tables, framed paintings on easels, plaster sculpture casts, task lamps and organized cabinets stay in place. Leaving the equipment cabinet, it passes beside the restoration table, turns shallowly right clear of the easel and settles at the survey position facing the sculpture stand. Its protective panels and restrained sensor housings retain their reference appearance. Knees bend and arms counter-swing through alternating planted steps at the supplied pace. Preserve the gentle continuous interior camera drift and the changing view of the robot beside the foreground sculpture.
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+A pearl-white-and-muted-violet quadruped survey robot walks through a skylit art-conservation atelier. Low restoration tables, framed paintings on easels, plaster sculpture casts, task lamps and organized cabinets stay in place. Leaving the equipment cabinet, it passes beside the restoration table, turns shallowly right clear of the easel and settles at the survey position facing the sculpture stand. Its protective panels and restrained sensor housings retain their reference appearance. Four jointed legs alternate lifted strides with planted support at the supplied pace. Preserve the gentle continuous interior camera drift and the changing view of the robot beside the foreground sculpture.
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+A charcoal-and-orange humanoid patrol robot traverses the interior of a mountain cable-car terminal. Timber and steel roof framing, fixed overhead guide machinery and a stationary gondola beyond the safety rail stand against wide windows and distant mountains. The robot walks from the boarding-hall entrance along the broad level lane, curves around a low equipment enclosure and stops at the service alcove, away from the platform edge. Visible joint mechanisms articulate through alternating foot contacts, knee bends and opposing arm swings. Keep its compact range sensors and body design unchanged. The supplied uninterrupted camera view drifts slightly inside the terminal rather than circling the robot.
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+A charcoal-and-orange quadruped patrol robot traverses the interior of a mountain cable-car terminal. Timber and steel roof framing, fixed overhead guide machinery and a stationary gondola beyond the safety rail stand against wide windows and distant mountains. The robot walks from the boarding-hall entrance along the broad level lane, curves around a low equipment enclosure and stops at the service alcove, away from the platform edge. Its four jointed legs step in coordination, lifting swing feet while support feet remain planted. Keep its compact range sensors and body design unchanged. The supplied uninterrupted camera view drifts slightly inside the terminal rather than circling the robot.
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diff --git a/Cases/robotics_simulation_006_pairA/code_video.mp4 b/Cases/robotics_simulation_006_pairA/code_video.mp4
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+An ivory-and-teal humanoid robot navigates a data-center service hall with dark server racks, colored status lights, overhead cable trays and pale floor tiles. It starts in the near aisle, walks along the left side of the offset rack island, turns through the open rear passage and stops at the diagnostic cabinet. The same articulated body takes alternating planted steps, with bending knees and counter-swinging arms matching the video's speed and turns. The camera glides forward through the aisle on the supplied path, looking slightly down into the passage as the robot recedes toward the cabinet. Racks and equipment remain stationary throughout.
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+An ivory-and-teal quadruped robot navigates a data-center service hall with dark server racks, colored status lights, overhead cable trays and pale floor tiles. It starts in the near aisle, walks along the left side of the offset rack island, turns through the open rear passage and stops at the diagnostic cabinet. The same four-legged body uses coordinated stepping, planting support feet and raising swing feet to match the video's speed and turns. The camera glides forward through the aisle on the supplied path, looking slightly down into the passage as the robot recedes toward the cabinet. Racks and equipment remain stationary throughout.
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diff --git a/Cases/robotics_simulation_007_pairA/code_video.mp4 b/Cases/robotics_simulation_007_pairA/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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+An orange-and-dark-gray humanoid survey robot advances into a broad underground tunnel. Warm inspection lamps illuminate irregular rock walls, support frames, a parked equipment cart and the survey instrument ahead. From the near opening, the robot offsets smoothly to pass the cart on its right, returns toward the tunnel center and stops in front of the instrument. Alternating leg strides include clear foot plants, flexing knees and opposite arm swing, with the supplied heading and pace. The camera travels steadily into the tunnel in one continuous shot, preserving the video's changing cart occlusion and full-body framing. The robot retains its original mechanical form.
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diff --git a/Cases/robotics_simulation_007_pairB/code_video.mp4 b/Cases/robotics_simulation_007_pairB/code_video.mp4
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+An orange-and-dark-gray quadruped survey robot advances into a broad underground tunnel. Warm inspection lamps illuminate irregular rock walls, support frames, a parked equipment cart and the survey instrument ahead. From the near opening, the robot offsets smoothly to pass the cart on its right, returns toward the tunnel center and stops in front of the instrument. Its four articulated legs maintain a coordinated gait with planted support feet and lifted swing feet, matching the supplied heading and pace. The camera travels steadily into the tunnel in one continuous shot, preserving the video's changing cart occlusion and full-body framing. The robot retains its original mechanical form.
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diff --git a/Cases/robotics_simulation_008_pairA/code_video.mp4 b/Cases/robotics_simulation_008_pairA/code_video.mp4
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+A white-and-navy humanoid patrol robot walks across the timber planks of a seaside observation pier. Metal railings border the level deck; a bench and compact equipment crate interrupt the route, with calm ocean and distant harbor silhouettes beyond. Beginning at the near entrance, it arcs inland around the bench and crate, straightens along the pier and stops beside the monitoring bollard. Its bipedal gait combines alternating foot plants, bent knees and arm counter-swing at the video's pace. Follow the supplied continuous camera travel along the deck, preserving the downward-looking three-quarter framing, ocean horizon and changing foreground relationships rather than adding an orbit.
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+A white-and-navy quadruped patrol robot walks across the timber planks of a seaside observation pier. Metal railings border the level deck; a bench and compact equipment crate interrupt the route, with calm ocean and distant harbor silhouettes beyond. Beginning at the near entrance, it arcs inland around the bench and crate, straightens along the pier and stops beside the monitoring bollard. Its four-legged gait alternates planted support with lifted, advancing feet at the video's pace. Follow the supplied continuous camera travel along the deck, preserving the downward-looking three-quarter framing, ocean horizon and changing foreground relationships rather than adding an orbit.
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+A dark-blue-and-silver humanoid service robot walks through an empty stadium concourse beneath overhead trusses. Tiers of seats behind railings, broad floor bands and a freestanding concession kiosk lead toward a service gate. Starting near the camera, it skirts the kiosk on the left, turns smoothly right into the service approach and stops at the gate. Its knees and arms articulate naturally through alternating planted steps; preserve the reference design and the video's turn and arrival timing. The continuous camera advances through the concourse as the kiosk passes toward the right foreground, maintaining the supplied view of the robot and destination.
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+A pale-green-and-ivory humanoid inspection robot follows a timber boardwalk through a bamboo garden. Dense bamboo, stone planters and a shallow still water channel surround the level walking surface. The robot enters along the near boardwalk, curves around a planter, crosses the broad deck over the water and stops at the small pavilion entrance. Alternating planted steps, knee bends and counter-swinging arms follow the supplied route and contact timing. The camera moves continuously around the garden-side path toward the pavilion, retaining the video's oblique view down onto the deck. Keep the robot's identity, quiet foliage and water unchanged throughout.
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+version https://git-lfs.github.com/spec/v1
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+A pale-green-and-ivory quadruped inspection robot follows a timber boardwalk through a bamboo garden. Dense bamboo, stone planters and a shallow still water channel surround the level walking surface. The robot enters along the near boardwalk, curves around a planter, crosses the broad deck over the water and stops at the small pavilion entrance. Its four articulated legs lift and plant in coordination, following the supplied route and contact timing. The camera moves continuously around the garden-side path toward the pavilion, retaining the video's oblique view down onto the deck. Keep the robot's identity, quiet foliage and water unchanged throughout.
diff --git a/Cases/robotics_simulation_010_pairB/reference.png b/Cases/robotics_simulation_010_pairB/reference.png
new file mode 100644
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diff --git a/Cases/robotics_simulation_011_pairA/code_video.mp4 b/Cases/robotics_simulation_011_pairA/code_video.mp4
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+A sand-and-turquoise humanoid survey robot patrols a sunlit archaeological courtyard. Low rails surround a recessed excavation with exposed stone foundations; tools rest on a worktable beneath canvas shade structures. From the near site gate, the robot follows the broad left perimeter, bends around the far rail corner and stops at the survey station, staying outside the dig. Its alternating foot plants, flexing knees and opposing arm swings match the supplied traversal. The camera moves continuously around the courtyard perimeter, shifting from a frontal oblique view toward the robot's side and back while revealing the excavation. Preserve this framing, the reference robot and the stationary site.
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new file mode 100644
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+A sand-and-turquoise quadruped survey robot patrols a sunlit archaeological courtyard. Low rails surround a recessed excavation with exposed stone foundations; tools rest on a worktable beneath canvas shade structures. From the near site gate, the robot follows the broad left perimeter, bends around the far rail corner and stops at the survey station, staying outside the dig. Its four jointed legs coordinate planted support and lifted strides to match the supplied traversal. The camera moves continuously around the courtyard perimeter, shifting from a frontal oblique view toward the robot's side and back while revealing the excavation. Preserve this framing, the reference robot and the stationary site.
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diff --git a/Cases/robotics_simulation_012_pairA/code_video.mp4 b/Cases/robotics_simulation_012_pairA/code_video.mp4
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+An ivory-and-burgundy humanoid inspection robot walks along a broad gravel lane in a vineyard courtyard. Grape trellises border the path, wooden harvest bins form a central island and a small stone equipment shed stands against rolling hills. Entering from the near lane, the robot curves to the right of the bins, straightens between the trellises and stops beside the shed. It takes alternating grounded steps with bent knees and arm counter-swing, matching the video's pace and arrival. The continuous oblique camera glide advances toward the shed as the bins pass to the left, retaining the supplied perspective and the robot's appearance.
diff --git a/Cases/robotics_simulation_012_pairA/reference.png b/Cases/robotics_simulation_012_pairA/reference.png
new file mode 100644
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diff --git a/Cases/robotics_simulation_012_pairB/code_video.mp4 b/Cases/robotics_simulation_012_pairB/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/robotics_simulation_012_pairB/prompt.txt b/Cases/robotics_simulation_012_pairB/prompt.txt
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+An ivory-and-burgundy quadruped inspection robot walks along a broad gravel lane in a vineyard courtyard. Grape trellises border the path, wooden harvest bins form a central island and a small stone equipment shed stands against rolling hills. Entering from the near lane, the robot curves to the right of the bins, straightens between the trellises and stops beside the shed. Its four articulated legs alternate planted support with lifted strides, matching the video's pace and arrival. The continuous oblique camera glide advances toward the shed as the bins pass to the left, retaining the supplied perspective and the robot's appearance.
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diff --git a/Cases/robotics_simulation_013_pairA/code_video.mp4 b/Cases/robotics_simulation_013_pairA/code_video.mp4
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diff --git a/Cases/robotics_simulation_013_pairA/prompt.txt b/Cases/robotics_simulation_013_pairA/prompt.txt
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+A silver-and-cobalt humanoid maintenance robot walks inside a space-habitat bay under normal artificial gravity. Curved structural ribs, fixed life-support cabinets and a planet visible through a large window surround the central equipment island. Starting in the near bay, it passes the island on the left, corrects gently right and stops before the circular airlock. Its feet remain grounded through alternating steps, flexing knees and coordinated arm swing rather than floating. Match the supplied speed and heading. The camera glides forward through the bay with a changing oblique view toward the airlock, preserving the continuous framing, stable lighting and the robot's identity.
diff --git a/Cases/robotics_simulation_013_pairA/reference.png b/Cases/robotics_simulation_013_pairA/reference.png
new file mode 100644
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diff --git a/Cases/robotics_simulation_013_pairB/code_video.mp4 b/Cases/robotics_simulation_013_pairB/code_video.mp4
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+++ b/Cases/robotics_simulation_013_pairB/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/robotics_simulation_013_pairB/prompt.txt b/Cases/robotics_simulation_013_pairB/prompt.txt
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+A silver-and-cobalt quadruped maintenance robot walks inside a space-habitat bay under normal artificial gravity. Curved structural ribs, fixed life-support cabinets and a planet visible through a large window surround the central equipment island. Starting in the near bay, it passes the island on the left, corrects gently right and stops before the circular airlock. Its four articulated legs coordinate planted support and raised swing feet rather than floating. Match the supplied speed and heading. The camera glides forward through the bay with a changing oblique view toward the airlock, preserving the continuous framing, stable lighting and the robot's identity.
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new file mode 100644
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diff --git a/Cases/robotics_simulation_014_pairA/code_video.mp4 b/Cases/robotics_simulation_014_pairA/code_video.mp4
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+A cream-and-orange humanoid service robot threads through a colorful textile workshop with stationary looms, fabric rolls, hanging cloth panels and timber roof beams. From the near aisle it curves around the right side of the central work island, clears the fabric-roll rack and stops at the far quality-control desk. Alternating footfalls, bending knees and counter-swinging arms carry the same robot along the supplied route and speed profile. The uninterrupted camera moves through the room, changing from a frontal view to a side and rear view as the worktable and roll rack enter the foreground. Preserve these occlusions and the flat, pale floor.
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new file mode 100644
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+A cream-and-orange quadruped service robot threads through a colorful textile workshop with stationary looms, fabric rolls, hanging cloth panels and timber roof beams. From the near aisle it curves around the right side of the central work island, clears the fabric-roll rack and stops at the far quality-control desk. Coordinated four-leg stepping, with planted support feet and lifted swing feet, carries the same robot along the supplied route and speed profile. The uninterrupted camera moves through the room, changing from a frontal view to a side and rear view as the worktable and roll rack enter the foreground. Preserve these occlusions and the flat, pale floor.
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new file mode 100644
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diff --git a/Cases/robotics_simulation_015_pairA/code_video.mp4 b/Cases/robotics_simulation_015_pairA/code_video.mp4
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+A white-and-aqua humanoid inspection robot patrols the dry tiled deck of a bright indoor swimming pool. Lane ropes cross the recessed blue basin beneath roof trusses, while benches sit back from the walking route. Leaving the near deck entrance, the robot follows the wide left poolside, rounds the far corner and stops at the maintenance door, keeping clear of the water's edge. Its articulated legs plant alternating steps with knee flexion and opposite arm swing. The camera travels continuously along the poolside with the supplied oblique, downward-looking framing. Preserve the robot's design, arrival timing, still water and stationary surroundings.
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new file mode 100644
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diff --git a/Cases/robotics_simulation_015_pairB/code_video.mp4 b/Cases/robotics_simulation_015_pairB/code_video.mp4
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+A white-and-aqua quadruped inspection robot patrols the dry tiled deck of a bright indoor swimming pool. Lane ropes cross the recessed blue basin beneath roof trusses, while benches sit back from the walking route. Leaving the near deck entrance, the robot follows the wide left poolside, rounds the far corner and stops at the maintenance door, keeping clear of the water's edge. Its four articulated legs alternate planted support and lifted forward steps. The camera travels continuously along the poolside with the supplied oblique, downward-looking framing. Preserve the robot's design, arrival timing, still water and stationary surroundings.
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+A yellow-and-black humanoid robot walks down a warehouse aisle between tall shelves loaded with boxes. A pallet partly obstructs the center, and a yellow target zone marks the destination. The robot enters from the near end, shifts left around the pallet, returns to the aisle center and reaches the target. Its knees flex and arms counter-swing through alternating planted steps, following the supplied route and speed profile. Keep the same robot throughout. The continuous elevated three-quarter tracking view advances along the aisle, retaining the video's framing, shelf parallax and view of the target as the robot arrives.
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+A yellow-and-black quadruped robot walks down a warehouse aisle between tall shelves loaded with boxes. A pallet partly obstructs the center, and a yellow target zone marks the destination. The robot enters from the near end, shifts left around the pallet, returns to the aisle center and reaches the target. Four articulated legs alternate planted support with lifted strides, following the supplied route and speed profile. Keep the same robot throughout. The continuous elevated three-quarter tracking view advances along the aisle, retaining the video's framing, shelf parallax and view of the target as the robot arrives.
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+A compact humanoid robot with dark panels and orange joints crosses an apartment living room with wooden flooring, a gray sofa, a coffee table on a rug, a floor lamp and dining chairs. It enters beside the sofa, curves around the coffee table, passes between two chairs and stops near the balcony door. Preserve its reference proportions and alternating bipedal walk, with planted feet, knee bends and opposing arm swing at the video's pace. The camera tracks smoothly sideways in a single slightly elevated wide shot, keeping the furniture layout and the brief chair occlusions consistent with the supplied clip.
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+A compact quadruped robot with dark panels and orange joints crosses an apartment living room with wooden flooring, a gray sofa, a coffee table on a rug, a floor lamp and dining chairs. It enters beside the sofa, curves around the coffee table, passes between two chairs and stops near the balcony door. Preserve its reference proportions and coordinated four-legged walk, with planted support feet and raised swing feet at the video's pace. The camera tracks smoothly sideways in a single slightly elevated wide shot, keeping the furniture layout and the brief chair occlusions consistent with the supplied clip.
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+A silver humanoid robot with dark joints follows a marked concrete course in an outdoor robotics test yard. Two orange cones, a shallow ramp with yellow edges and a metal gate define the route within the perimeter fence. It walks between the cones, climbs and descends the ramp, then continues toward the gate. Alternating steps, knee bends and opposite arm swing follow the supplied pace, with foot contact adapting to the sloping deck. Keep the robot's body and proportions consistent. The elevated front-side camera tracks steadily beside the course, preserving the video's downward angle, continuous motion and framing as the obstacles pass.
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+A single white-and-dark humanoid robot walks through a robotics laboratory lined with instrument-covered workbenches, wheeled stools and glass doors. Its articulated body and proportions match the reference throughout the shot. It follows the supplied S-shaped route around the main bench and stools toward the glass exit, using alternating planted steps, flexing knees and coordinated opposite arm swing. Preserve the video's speed, heading changes and contact timing. The continuous wide camera view glides gently across the lab from a slightly elevated angle, keeping the bench and approaching exit in their supplied relationship. Equipment and furnishings stay fixed; no additional route markings or objects appear.
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+An L-shaped timber checkout counter stands in a compact bookstore, its perpendicular return projecting toward the foreground on the right. A small monitor and books rest on the work surface. Tall wooden bookcases surround a dark green stockroom door, with warm sconces and pendant lamps above the pale plank floor. The camera sweeps rightward in a shallow arc across the open checkout area, revealing the counter's inside corner and projecting return. The counter, shelves and books hold their positions throughout.
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+A tall broad-leaved plant in a round pale planter stands in the center of a bright hotel lobby. Floor-to-ceiling glazing along the left wall casts long shadows over the stone tiles. Rust-colored lounge chairs sit by the windows, while a reception desk backed by vertical timber panels occupies the rear wall beneath a slatted canopy. A level camera glides left and gradually closer to the central planter, maintaining a wide view of reception. The plant and surrounding furnishings remain motionless.
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+A low green upholstered bench stands alone in the central furnishing area of a bright hotel lobby. Long window shadows cross the stone tiles beneath it. Rust-colored lounge chairs sit beside the full-height glazing on the left; a reception desk, vertical timber wall panels and a slatted canopy fill the rear of the room. The camera glides left and gradually closer at a steady height, keeping the bench and reception in view. The bench stays in place for the whole shot.
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+Two open timber shelves display plates, bowls and cups above a white tiled kitchen backsplash. Below them, a white worktop runs across sage-green cupboards to a black oven. A sink and brass-colored tap sit under the wood-trimmed window, with a small plant nearby and a towel hanging from a lower cupboard. The camera makes a gentle rightward pass with a shallow inward curve, keeping the shelves and sink together in view. The dishes remain exposed and every cupboard and furnishing stays still.
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+A closed timber wall cabinet hangs above a white tiled kitchen backsplash, its plain doors concealing the contents throughout the shot. A white worktop spans sage-green lower cupboards and a black oven. Beneath the wood-trimmed window are a sink, a brass-colored tap and a small plant; a towel hangs below. The camera passes gently to the right along a shallow inward curve, presenting the cabinet and sink in the same broad composition. No doors open and none of the kitchen objects move.
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+A framed abstract painting with orange-red, dark teal and pale geometric shapes hangs on the left wall of a quiet gallery. A white ring sculpture and a dark looping sculpture stand on separate square plinths, with a low wooden bench between them and an open doorway at the rear right. Black track lights illuminate the pale walls and tiled floor. The camera edges left and forward, keeping both intersecting walls visible. The painting stays on the left wall and all exhibits remain fixed.
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+A framed abstract painting with orange-red, dark teal and pale geometric shapes hangs on the rear wall of a quiet gallery, beside a dark looping sculpture. The left wall is bare above a white ring sculpture on a square plinth. A low wooden bench occupies the foreground, and an open doorway stands at the rear right. Black track lights wash the pale walls. The camera edges left and forward while holding both walls in view; the painting and sculptures remain in their established positions.
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+Inside a long glass greenhouse, a low rectangular timber bed of compact leafy plants sits beside the left edge of the paved aisle. Other planted beds line both sides beneath green metal framing, with irrigation pipes and taps along the glazing. Sunlight throws a grid of roof shadows across the walkway and soil. The camera advances slowly down the aisle with a slight leftward drift, showing the low bed in the foreground and the far glass doors beyond. The foliage and planting beds remain still.
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+A tall wooden trellis covered with climbing foliage rises from a narrow timber planter beside the left edge of a greenhouse aisle. Lower planted beds extend along both sides under the green metal-and-glass roof. Irrigation pipes follow the glazing, and sunlight casts a lattice of shadows across the paving and soil. The camera advances slowly toward the far glass doors with a slight leftward drift, bringing the trellis closer in the foreground. Its vines and all surrounding plants remain stationary.
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+A long wooden reading table with a few books stands lengthwise along the library's long axis, centered on a large green rug. Tall bookcases wrap around the back and right walls, while broad windows and green armchairs line the left. Globe pendants hang beneath dark ceiling beams, and sunlight stripes the rug and wood floor. The camera drifts left and slightly forward from an oblique room view, making the table's lengthwise alignment clear. The books and furniture stay in place.
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+A workshop's broad roller shutter is fully raised, revealing a paved yard and the windows and doors of the building opposite. Green tool cabinets and timber worktops flank the opening. A pegboard of hand tools, a stool, a task lamp and a drill press sit beneath bright overhead strip lights. The camera glides right and forward across the concrete floor, bringing the doorway into a more frontal view. The shutter stays open and all workshop equipment remains motionless.
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+A double bed with white bedding, navy pillows and a blue runner faces the large nighttime window across a hotel room. Its dark upholstered headboard rests against the wall opposite the window. A bordered rug covers the wood floor, with bedside lamps, nightstands and a potted plant completing the quiet interior. From a high oblique angle, the camera approaches diagonally and descends while gradually tightening the framing, ending close to the bed and window. The bed holds this orientation for the entire shot.
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+Four wooden dining tables flank a dark green runner in a small restaurant, including a fully set table at the farther left position. Plates, glasses and flower vases sit among wooden chairs with green seats. Pendant lamps hang below dark ceiling beams; framed prints, right-hand windows and bottles along the rear counter enrich the room. The camera travels steadily forward down the central aisle, lowering slightly and tightening its view as the nearest tables pass out of frame. All dining furniture stays fixed.
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+Three set dining tables furnish a small restaurant, leaving an open patch of timber floor at the farther left table position beside the dark green aisle runner. Wooden chairs with green seats surround the remaining tables, which hold plates, glasses and flowers. Dark beams, pendant lamps, framed prints, right-hand windows and a rear counter lined with bottles frame the interior. The camera advances down the aisle, lowering slightly and tightening its view until the open left area is prominent. Furniture remains still throughout.
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+A blue car is parked in the left bay of an underground garage, facing the driving aisle beside a gray vehicle; a dark red car occupies a bay farther right. White parking lines and a large directional arrow mark the concrete floor beneath fluorescent lights, exposed red pipes and striped columns. The camera glides forward and right, gradually descending and narrowing the view as it approaches the parked row. The blue car remains in the left bay, and no vehicle moves.
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+A blue car sits in the right parking bay of an underground garage, facing the driving aisle beside a dark red car. A gray vehicle remains on the left, with empty marked bays between the vehicles. Fluorescent lights illuminate concrete surfaces, exposed red ceiling pipes, striped columns and a large floor arrow. The camera glides forward and right while gradually descending and narrowing its view toward the parked row. The blue car occupies the right bay from the outset and stays completely still.
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+A straight staircase of wooden treads and dark metal rails rises through the center of an industrial loft to an upper landing. Exposed red brick, tall gridded windows and black ceiling beams surround the pale plank floor, with low cabinets and brown seating along the right side. The camera advances diagonally from a wide oblique view, rising and gradually tightening the framing on the staircase and landing. The staircase remains central and rigid; the surrounding furniture and architecture stay unchanged.
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+An ivory four-wheel cultivation rover carries a slim humidity-sensor mast and a fixed sample tray through the mushroom room in the reference. From the sanitation doorway, it rolls into the outer aisle on the left when facing the rear sampling station. It passes both low mushroom beds on that side, then bends inward behind them and straightens toward the sampling dock. Its wheels remain grounded and its tray clears the beds. Wall racks, pale mushroom caps, overhead ducts and utility lights stay in place as the supplied eye-level camera gently advances into the room without following the rover's turns.
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+In the reference mushroom-growing room, one ivory four-wheel rover with a humidity mast and sample tray leaves the sanitation doorway for the rear sampling dock. It follows the middle S-shaped aisle: passing to the left of the first offset growing bed when facing the dock, bending across the gap, then passing to the right of the farther bed before curving back onto the straight dock approach. The rover rolls smoothly with the mast and tray clear of the mushrooms. Retain the wall racks, ducts and lighting, and the video's continuous eye-level advance through the room rather than a camera that follows each turn.
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diff --git a/Cases/trajectory_variation_002_pairA/code_video.mp4 b/Cases/trajectory_variation_002_pairA/code_video.mp4
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+++ b/Cases/trajectory_variation_002_pairA/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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+A blue-and-orange four-wheel tool cart leaves the storage bay in the reference tram shed. Turning toward the parked tram, it rolls between the tram and the two low tool carts, rounds their far end and straightens toward the maintenance workbench. Its organized tools stay fixed behind the short bumper. The tram, flush rails, wall tools and roof trusses remain still. Retain the supplied continuous human-height camera view with its restrained sideways drift rather than tracking the cart.
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+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_002_pairB/code_video.mp4 b/Cases/trajectory_variation_002_pairB/code_video.mp4
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+++ b/Cases/trajectory_variation_002_pairB/code_video.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_002_pairB/prompt.txt b/Cases/trajectory_variation_002_pairB/prompt.txt
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+One blue-and-orange four-wheel tool cart leaves the storage bay in a tram maintenance shed, its tools fixed behind a short safety bumper. It curves away from the stationary tram into the wall-side aisle, passing both low tool carts on the open foreground side. A shallow inward bend near their far end brings it onto the straight approach to the maintenance workbench, where it stops. Match the reference shed's rails, roof trusses and equipment, with tires rolling on the flat floor. Preserve the supplied wide, human-height shot and slight lateral camera drift throughout.
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new file mode 100644
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+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_003_pairA/code_video.mp4 b/Cases/trajectory_variation_003_pairA/code_video.mp4
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+++ b/Cases/trajectory_variation_003_pairA/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_003_pairA/prompt.txt b/Cases/trajectory_variation_003_pairA/prompt.txt
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+++ b/Cases/trajectory_variation_003_pairA/prompt.txt
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+Beneath the timber awnings of the reference craft market, a cream-and-terracotta six-wheel delivery rover carries a secured stack of woven baskets. It leaves the market entrance, bends into the stall-side perimeter aisle to the left when facing the receiving counter, and passes outside both central display tables. Beyond the tables it curves inward and rolls straight to the artisan counter. Keep the pottery, baskets and stalls still, with the rover's load firmly attached through the turns. The supplied eye-level camera travels along the market's open side in one continuous shot, allowing the rover to recede beside the stalls.
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+++ b/Cases/trajectory_variation_003_pairA/reference.png
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+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_003_pairB/code_video.mp4 b/Cases/trajectory_variation_003_pairB/code_video.mp4
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--- /dev/null
+++ b/Cases/trajectory_variation_003_pairB/code_video.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_003_pairB/prompt.txt b/Cases/trajectory_variation_003_pairB/prompt.txt
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+A cream-and-terracotta delivery rover on six wheels transports a fixed stack of woven baskets through the covered craft market. Starting at the entrance, it takes the open-side perimeter aisle to the right when facing the artisan receiving counter. Its broad curve passes outside the central display tables, widens near the farther table, then turns inward for a straight arrival at the counter. Wheels stay on the pale paving and the baskets do not shift. Retain the reference's timber canopy, pottery stalls and street surroundings while matching the video's continuous eye-level camera travel along the open side, including the rover's close passage.
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+++ b/Cases/trajectory_variation_003_pairB/reference.png
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+version https://git-lfs.github.com/spec/v1
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+size 2241961
diff --git a/Cases/trajectory_variation_004_pairA/code_video.mp4 b/Cases/trajectory_variation_004_pairA/code_video.mp4
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+++ b/Cases/trajectory_variation_004_pairA/code_video.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_004_pairA/prompt.txt b/Cases/trajectory_variation_004_pairA/prompt.txt
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+++ b/Cases/trajectory_variation_004_pairA/prompt.txt
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+A navy-and-brass maintenance rover with four wheels, a cable spool and a sensor pod drives along the brick canal-lock promenade. From the service entrance it veers toward the canal, follows the waterside lane between the railing and the low equipment island, then curves away from the water onto the straight approach to the far control kiosk. The spool stays fixed and the tires remain on the paved apron, inside the protective railing. Preserve the reference's lock gates, boats and brick buildings. Use the video's gentle forward camera glide at human height, maintaining an uninterrupted view along the promenade.
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+++ b/Cases/trajectory_variation_004_pairA/reference.png
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+version https://git-lfs.github.com/spec/v1
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+size 2570859
diff --git a/Cases/trajectory_variation_004_pairB/code_video.mp4 b/Cases/trajectory_variation_004_pairB/code_video.mp4
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--- /dev/null
+++ b/Cases/trajectory_variation_004_pairB/code_video.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_004_pairB/prompt.txt b/Cases/trajectory_variation_004_pairB/prompt.txt
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+On the reference canal-lock promenade, a navy-and-brass four-wheel rover carries its cable spool and sensor pod from the service entrance to the control kiosk. It steers toward the brick buildings, passes outside the equipment island on the building side, then bends inward for a straight arrival. The fixed spool stays secure as the wheels roll over the dry paving. Retain the buildings, boats and lock gates, with the supplied camera's gentle forward glide at human height.
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+++ b/Cases/trajectory_variation_004_pairB/reference.png
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+version https://git-lfs.github.com/spec/v1
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+size 2570859
diff --git a/Cases/trajectory_variation_005_pairA/code_video.mp4 b/Cases/trajectory_variation_005_pairA/code_video.mp4
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--- /dev/null
+++ b/Cases/trajectory_variation_005_pairA/code_video.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
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+Inside the brewery fermentation hall, a silver-and-deep-green sample rover carries capped bottles in a small protective rack. It rolls from the access doorway into the outer aisle on the left when facing the analysis bench, passing both staggered keg pallets on that side. After clearing the farther pallet, it curves inward and straightens toward the rear bench. Keep all four wheels in contact with the floor and the bottle rack steady. The reference's stainless tanks, ceiling pipes and broad windows remain fixed while the video's eye-level camera advances along the side of the hall in one continuous move.
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+++ b/Cases/trajectory_variation_005_pairA/reference.png
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+version https://git-lfs.github.com/spec/v1
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+size 2118239
diff --git a/Cases/trajectory_variation_005_pairB/code_video.mp4 b/Cases/trajectory_variation_005_pairB/code_video.mp4
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--- /dev/null
+++ b/Cases/trajectory_variation_005_pairB/code_video.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
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+A four-wheel silver-and-deep-green rover delivers a rack of capped samples across the reference brewery hall. Leaving the access doorway, it bends to the right of the nearer keg pallet when facing the rear analysis bench, then crosses the broad gap between the staggered pallets. It passes to the left of the farther pallet and eases onto the straight bench approach. Preserve this central dogleg, the rolling wheel contact and the fixed bottle rack. Tall stainless tanks and overhead pipes stay in place; retain the video's uninterrupted eye-level advance along the hall rather than a camera that weaves with the rover.
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diff --git a/Cases/trajectory_variation_006_pairA/code_video.mp4 b/Cases/trajectory_variation_006_pairA/code_video.mp4
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--- /dev/null
+++ b/Cases/trajectory_variation_006_pairA/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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+One turquoise six-wheel field rover travels across the coastal research boardwalk, carrying a sealed equipment box, fixed sampling arm and stereo-camera mast. From the near junction it turns onto the seaward walkway, passing between the low sampling basins and the railing beside the open water. It rounds the far end of the basins and turns inward onto the straight charging-station approach. Keep its rugged wheels on the dry timber deck and its equipment attached. Preserve the reference's rocky shore, instrument posts and railings, with the supplied camera advancing steadily along the boardwalk at eye level.
diff --git a/Cases/trajectory_variation_006_pairA/reference.png b/Cases/trajectory_variation_006_pairA/reference.png
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+version https://git-lfs.github.com/spec/v1
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diff --git a/Cases/trajectory_variation_006_pairB/code_video.mp4 b/Cases/trajectory_variation_006_pairB/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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+The turquoise field rover in the reference leaves the boardwalk junction for the far instrument charging station. Its six wheels carry it around the shoreward side of the sampling-basin island, through the dry corridor nearest the rocky shoreline. Beyond the basins it curves back toward the center and straightens for the final docking approach. The sampling arm, equipment box and stereo-camera mast remain fixed to the rover as it turns. Keep the coastal setting and safety rails unchanged, and reproduce the video's continuous eye-level advance along the deck without steering the camera around the rover's course.
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diff --git a/Cases/trajectory_variation_007_pairA/code_video.mp4 b/Cases/trajectory_variation_007_pairA/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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+A cream-and-copper autonomous carrier brings two baskets of tea leaves from the intake doorway to the receiving bay beside the loading desk. It takes the broad outer aisle between the drying racks and the wall-mounted processing drums, passing both rack islands on their left when looking toward the desk. After the second rack it bends inward for the rear receiving approach. Its four wheels roll continuously and the baskets stay secured above the bumper. Retain the reference hall's timber roof, woven trays and clerestory light, along with the supplied eye-level camera glide down the hall's other side.
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+In the timber-roofed tea hall, a cream-and-copper four-wheel carrier moves from the intake doorway to the receiving bay beside the rear loading desk. It enters the central aisle beside the first drying rack, bends through the gap between the offset racks, then passes along the second rack's other side. The resulting gentle S leads into a final inward turn toward the desk. Preserve the reference carrier's sensor head, bumper and two fixed tea baskets, with ample rack clearance and rolling contact. Keep the drying trays and processing drums stationary as the video's continuous eye-level camera advances along the hall.
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+A robotic camera dolly rolls from the equipment staging area to the parking recess at the back of the reference soundstage. It curves around the low mock platform's backdrop-storage end, on the left when facing the rear wall, then crosses along the platform's far edge before turning into the straight parking approach. Four turning wheels support a short pedestal and a detailed cinema camera whose mounting stays fixed. Preserve the rigging, practical lights and perimeter cable reels. The observer camera makes the supplied slight forward and sideways glide in one continuous shot; it is separate from the camera mounted on the dolly.
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+One four-wheel robotic camera dolly crosses the enclosed soundstage, with its cinema camera, lens and handles fixed to a short support pedestal. From the near staging area it swings around the low mock platform's right end when facing the rear wall, on the side away from the rolled-backdrop rack. This wide outer curve continues beyond the platform before narrowing into the straight approach to the rear parking recess. Keep the wheels grounded and all studio equipment in its reference placement. Match the supplied observer camera's modest forward and sideways glide, without following the dolly or changing the mounted camera's pose.
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diff --git a/Cases/trajectory_variation_009_pairA/code_video.mp4 b/Cases/trajectory_variation_009_pairA/code_video.mp4
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+A mustard-yellow quadruped inspection robot walks from the observatory service entrance to the telescope-control docking pad. It takes the arc behind the telescope support, along the side away from the observer, briefly passing behind its upright legs before emerging toward the control console. It then straightens for the docking pad and settles its feet. Preserve the robot's articulated joints and compact optical head, and the reference dome, telescope, low cabinets and mixed warm and cool lighting. Keep the supplied camera fixed at its human-height three-quarter viewpoint for the entire continuous shot, including the natural support occlusions.
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+Under the reference observatory dome, a mustard-yellow quadruped walks from the service entrance across the foreground, rounding the telescope support on its observer-facing side. It bends toward the control console, straightens onto the docking pad and settles its feet. Preserve the optical head, connected joints and grounded turning gait. The telescope, cabinets and lights remain stationary. The supplied human-height three-quarter camera is fixed throughout this continuous shot; do not add tracking or an orbit.
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diff --git a/Cases/trajectory_variation_010_pairA/code_video.mp4 b/Cases/trajectory_variation_010_pairA/code_video.mp4
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+An orange three-wheel electric service tug carries a secured coil of mooring rope across the ferry vehicle deck. Starting at the loading-ramp threshold, it turns into the port-side outer lane, passing both empty cargo pallets on the side nearest the sea-facing openings. Beyond them it curves inward and aligns with the bulkhead service recess. Keep its steering fork and tires moving naturally, with the rope fixed on the rear platform. Preserve the reference's steel beams, pipes, safety equipment and distant shoreline. Follow the supplied continuous human-height camera glide and gradual turn toward the recess, not the tug's individual bends.
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+A compact orange three-wheel tug travels from the ferry's loading-ramp threshold to the far bulkhead service recess, carrying a fixed coil of mooring rope. It threads the broad central aisle between the staggered pallets: bending to the right of the first pallet when facing the recess, crossing the gap, then passing to the left of the second before straightening for arrival. Its tires stay on the steel deck and the load clears both pallets. Retain the reference beams, side openings and safety fittings, with the video's uninterrupted human-height camera glide and turn toward the rear service area.
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diff --git a/Cases/trajectory_variation_011_pairA/code_video.mp4 b/Cases/trajectory_variation_011_pairA/code_video.mp4
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+A teal-and-ivory quadruped inspection robot enters the sunlit greenhouse and walks to the service cabinet at the far end. Facing that cabinet from the entrance, it turns left across the near crossover and follows the outer corridor between the glass wall and the left planting bed. It rounds the bed's far end, crosses inward and straightens toward the cabinet. Match its articulated gait and foot contacts, including brief foliage occlusions. Keep the reference's dense plants, irrigation pipes and metal framing fixed. The supplied eye-level camera advances down the central aisle, not along the robot's perimeter route.
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+In the reference glass greenhouse, one teal-and-ivory mechanical quadruped travels from the central entrance to the far service cabinet. Facing the cabinet, it turns right at the near ends of the planting beds, walks along the outside of the right-hand bed between foliage and glass, then bends inward through the far crossover for a straight arrival at the cabinet. Preserve the small sensor head, grounded steps and natural concealment by leaves. The continuous camera moves forward through the middle aisle while the planting beds, framing and irrigation equipment remain stationary.
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+An orange autonomous baggage cart carries two fixed suitcases from the concourse entrance to a stop immediately in front of the airport gate counter. It takes the window-side corridor, passing between the connected seating island and the glazing overlooking the stationary aircraft, then curves around the seats' far end toward the counter. Its four wheels roll and turn without the luggage shifting. Preserve the reference lounge's seating, ceiling beams and exterior view. Match the video's continuous lateral camera travel across the gate end of the lounge and its gradual reframing of the counter.
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+One orange four-wheel baggage cart moves through the reference airport lounge with two suitcases secured on its platform. From the concourse entrance it follows the interior-wall side of the connected seating island, away from the aircraft-view windows. It passes the seats, rounds their gate-end corner and curves into the stopping area directly before the gate counter. Keep the cart and luggage recognizable through the turns and partial seat occlusions. The lounge furnishings and aircraft remain still while the supplied human-height camera travels sideways across the gate end and gradually turns toward the counter in a single shot.
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+A small cream-and-blue delivery robot with a rectangular book tray rolls from the library's entrance aisle to the center of the return desk. It takes the perimeter lane between the freestanding bookcase island and the wall bookcases, on the left when facing the desk from the entrance. After passing the last island bookcase, it bends across the rear aisle and aligns with the desk. Preserve its rolling wheel contact and the reference's books, reading furniture and warm two-height hall. Follow the supplied camera's continuous movement along the wall-side aisle, including the robot's close passage and the final turn toward the desk.
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+The cream-and-blue wheeled book-delivery robot leaves the near entrance aisle of the reference library and heads for the middle of the rear return desk. It follows the perimeter on the reading-table side of the central bookcases, to the right when looking from entrance to desk. Passing behind the bookcases from the observer's viewpoint, it reappears beyond the last shelf and curves inward for its final approach. Keep the rectangular tray and wheeled body consistent, with natural shelf occlusions. Preserve the warm hall and furnishings while the supplied camera travels continuously down the wall-bookcase side and turns toward the return desk.
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+A yellow quadruped maintenance robot with black mechanical joints walks from the aquarium entrance to the far maintenance alcove. It curves around the oval tank on the side away from the observer, passing behind the blue glass and aquatic displays before emerging beyond the tank. The arc then narrows into the central approach to the alcove. Match its stepping contacts, body turns and partial concealment through the tank. Preserve the reference's blue lighting, floor reflections and structural columns. The continuous human-height camera glides along the visitor aisle and turns from the entrance toward the service end without orbiting the robot.
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diff --git a/Cases/trajectory_variation_014_pairB/code_video.mp4 b/Cases/trajectory_variation_014_pairB/code_video.mp4
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+In the blue-lit aquarium hall, one yellow mechanical quadruped leaves the entrance and takes the observer-facing side of the central oval tank. It walks across the near visitor aisle, curves around the tank's outer end and bends back toward the maintenance alcove, finishing along the central arrival lane. Preserve the black joints and grounded gait as the robot passes close to the camera. The tank, aquatic silhouettes, columns and reflective floor retain their reference appearance. Match the supplied continuous camera glide along the aisle and turn toward the alcove, letting the robot cross the view rather than introducing a follow camera.
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diff --git a/Cases/trajectory_variation_015_pairA/code_video.mp4 b/Cases/trajectory_variation_015_pairA/code_video.mp4
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+A compact white inventory rover with four wheels and a tall slim scanning mast crosses the reference supermarket. From the near central floor area, it takes the left perimeter of the produce island when facing the rear inventory dock, moving along the side farther from the opening camera. It passes behind the fruit display, rounds its rear corner and curves inward onto the straight dock approach. Preserve rolling contact, the upright mast and natural display occlusions. The fruit, shelving and checker-pattern floor accents remain fixed as the supplied eye-level camera advances through the other aisle and turns toward the dock.
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diff --git a/Cases/trajectory_variation_015_pairB/code_video.mp4 b/Cases/trajectory_variation_015_pairB/code_video.mp4
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+One white four-wheel inventory robot, recognizable by its tall scanning mast, travels from the supermarket's near central floor area to the rear inventory dock. Looking toward the dock, it passes along the produce island's right perimeter, through the aisle on the opening camera's side of the fruit display. It rolls close across the foreground, clears the rear corner and bends inward for a straight arrival. Keep the mast steady, wheels grounded and all reference produce and shelving in place. Retain the video's continuous eye-level aisle travel and gradual turn toward the dock, including the close passage without adding subject tracking.
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diff --git a/Cases/trajectory_variation_016_pairA/code_video.mp4 b/Cases/trajectory_variation_016_pairA/code_video.mp4
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+version https://git-lfs.github.com/spec/v1
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+An orange quadruped inspection robot with a small top-mounted lidar starts in the central area beyond two parked cars. It walks around the outside of the dark-blue car, remaining in the clear lane beside the parked-car block, then rounds the wheel-stop end and turns into the marked standing area at the charging cabinet. Preserve the articulated gait, turning clearance and final planted stance. Keep the reference garage's silver car, blue car, columns, pipes and safety markings stationary. Match the supplied camera's retreat from the cars, sideways shift and gradual turn toward the cabinet in one continuous shot.
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diff --git a/Cases/trajectory_variation_016_pairB/code_video.mp4 b/Cases/trajectory_variation_016_pairB/code_video.mp4
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+The orange mechanical quadruped in the reference garage leaves the central starting area beyond the two parked cars and takes the outer lane beside the silver car. It emerges around that car's wheel-stop end, crosses the open apron in front of the parked-car block, and turns into the marked standing area at the charging cabinet. Its small lidar stays attached and its feet step and settle naturally. Neither car nor any garage fitting moves. Preserve the video's continuous camera retreat, lateral shift and turn toward the charger, including the robot's passage across the open floor.
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diff --git a/Cases/trajectory_variation_017_pairA/code_video.mp4 b/Cases/trajectory_variation_017_pairA/code_video.mp4
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+An ivory quadruped with dark joints and subtle green lights walks from the courtyard doorway around the fountain's left semicircle, measured facing the far archway. It stays between the basin and the benches and planters, then curves inward to stop at the archway's central threshold. Preserve its grounded steps and the reference courtyard's warm stone paving and furnishings. The continuous eye-level camera follows the video's gentle curved advance into the courtyard, retaining natural fountain occlusions rather than following the robot.
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+version https://git-lfs.github.com/spec/v1
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+In the reference Mediterranean courtyard, one ivory mechanical quadruped heads from the near doorway to the center of the far archway. It takes the fountain's right-hand semicircle as seen looking from doorway to archway, staying in the broad paved ring inside the benches and planters. After rounding the basin it bends back toward the archway threshold and settles into its final stance. Preserve the dark joints, subtle green lights and alternating foot contacts. Keep the fountain and courtyard furnishings fixed while reproducing the video's continuous, gently curving eye-level camera advance into the courtyard.
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diff --git a/Cases/trajectory_variation_018_pairA/code_video.mp4 b/Cases/trajectory_variation_018_pairA/code_video.mp4
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+A blue six-wheel inspection rover with rugged tires and a small sensor mast drives from the solar farm's maintenance entrance to the inverter cabinet. Looking from the entrance toward the inverter, it turns into the left service lane and follows the full outer length of the tilted panel racks, on their far side from the opening viewpoint. It rounds the far end and curves inward for the cabinet approach. Match the rolling wheels and partial panel occlusions, retaining the reference racks, supports and desert background. The continuous eye-level camera travels along the open outer shoulder and turns toward the inverter.
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+The blue six-wheel rover in the reference crosses the desert solar-farm maintenance area, starting at the near entrance and ending at the inverter cabinet. It bends into the right-hand service lane when facing the inverter, on the open sandy side of the panel island nearest the initial observer. It drives the length of the racks, clears their far end and turns inward onto the final cabinet approach. Preserve its mast, rugged rolling tires and clearance from the panel supports. Keep the racks and distant mountains unchanged as the supplied eye-level camera advances along the outer shoulder and reframes the inverter.
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+A dark-teal quadruped inspection robot with orange protective panels walks from the process yard's safety-gate opening to the rear instrument panel. It takes the left corridor when facing the panel from the gate, passing around the tank island's far side from the opening observer. The cylindrical tanks briefly hide it before it emerges beyond the pipes and curves inward toward the panel. Match its planted-foot gait and final stop, keeping the reference tanks, valves, overhead supports and railings stationary. Preserve the video's continuous human-height camera glide and sideways adjustment toward the instrument panel, including the natural tank occlusions.
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+One dark-teal mechanical quadruped with orange armor leaves the industrial yard's central safety gate for the rear instrument panel. Looking from gate to panel, it follows the right outer corridor around the cylindrical tanks, on the open side facing the initial observer. It walks across the foreground beside the tank base, rounds the far corner and bends inward to stop at the panel. Preserve its articulated steps and clearance from valves, pipes and railings. The reference yard remains unchanged while the supplied human-height camera glides toward the service end with its gradual lateral adjustment, not a new robot-following move.
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+A silver-white quadruped robot dog starts before the curved reception desk in the reference hospital lobby. It first walks across the forecourt toward the front of the round seating island, then makes a broad clockwise teardrop, coming back across the foreground toward reception. Only then does it enter the narrow aisle between the desk and seating, round the island's reception side and cross behind it. It reappears on the elevator side and straightens to stop at the selected elevator. Preserve its planted-foot gait, turns and seating occlusion. Keep the white seating, planter and lighting fixed, with the video's gentle continuous camera translation and no added route graphic.
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diff --git a/Cases/trajectory_variation_020_pairB/code_video.mp4 b/Cases/trajectory_variation_020_pairB/code_video.mp4
new file mode 100644
index 0000000000000000000000000000000000000000..f11458c96d97bf7684dac359d4194cfcae16c226
--- /dev/null
+++ b/Cases/trajectory_variation_020_pairB/code_video.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:80275d78f43c202085f37564fb0ba52bb63dcf9ff0da4d34bc379cbd40de7b50
+size 1007199
diff --git a/Cases/trajectory_variation_020_pairB/prompt.txt b/Cases/trajectory_variation_020_pairB/prompt.txt
new file mode 100644
index 0000000000000000000000000000000000000000..f31ce8d51b102cd1bbbde9179f6338a77563e054
--- /dev/null
+++ b/Cases/trajectory_variation_020_pairB/prompt.txt
@@ -0,0 +1 @@
+A silver-white quadruped robot dog leaves the area before the curved reception desk and crosses in front of the hospital lobby's round seating island. It enters the open aisle on the island's elevator side, away from reception, and makes a rounded loop in the adjacent floor bay: heading rearward, curling outward, returning toward the foreground, then turning inward to rejoin the aisle beside the seating. It proceeds rearward again and straightens for a planted stop at the selected elevator. Retain the reference robot, white seating, planter and lighting, matching the video's gait and loop timing under its gently translating continuous camera. Do not add a path overlay.
diff --git a/Cases/trajectory_variation_020_pairB/reference.png b/Cases/trajectory_variation_020_pairB/reference.png
new file mode 100644
index 0000000000000000000000000000000000000000..36ddd319259c60afb168f059adf7eb985a4ef1ea
--- /dev/null
+++ b/Cases/trajectory_variation_020_pairB/reference.png
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:42e45891259776c0bb673ed5878ad0bb5dec8e86302507c98e655a17338265f6
+size 2277310
diff --git a/LICENSE.md b/LICENSE.md
new file mode 100644
index 0000000000000000000000000000000000000000..66899d323a729bb83e9b071117dbfd4c95a7e557
--- /dev/null
+++ b/LICENSE.md
@@ -0,0 +1,228 @@
+# Licensing
+
+The following licenses apply by component. They are not interchangeable licenses for the entire repository.
+
+| Component | License |
+|---|---|
+| All data under `Cases/`, including proxy videos, reference images and prompts | [Creative Commons Attribution 4.0 International (CC BY 4.0)](https://creativecommons.org/licenses/by/4.0/legalcode.en) |
+| Project-authored documentation, including the README and the explanatory text in this file | [Apache License 2.0](https://www.apache.org/licenses/LICENSE-2.0) |
+
+## Data attribution
+
+When sharing or adapting the data, credit the **CodeVideoBench and CodeVideoBench-v2 contributors**, include a link to [CodeVideoBench-v2](https://huggingface.co/datasets/code-video-model/CodeVideoBench-v2) and the [CC BY 4.0 license](https://creativecommons.org/licenses/by/4.0/), and identify modifications. Retain applicable existing attribution notices.
+
+The data license continues the licensing scope of [CodeVideoBench](https://huggingface.co/datasets/code-video-model/CodeVideoBench/blob/main/LICENSE.md). The documentation license follows the [CodeVideoModel project](https://github.com/code-video-model/CodeVideoModel/blob/main/LICENSE).
+
+## Scope and third-party rights
+
+These grants extend only to rights the contributors can license. They do not grant rights to separately owned characters, trademarks, logos or other third-party material, and do not imply endorsement.
+
+This repository does not distribute Three.js or Rapier source packages, executable scene programs, or model weights. If obtained separately, those components remain subject to their own licenses; no additional rights to them are granted here.
+
+## Apache License 2.0 (documentation)
+
+The complete standard Apache License 2.0 text is reproduced below. It applies to the project-authored documentation, not to the `Cases/` data.
+
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diff --git a/README.md b/README.md
new file mode 100644
index 0000000000000000000000000000000000000000..c38eb2815ab116a86a30f2f7647c4ea5c599c784
--- /dev/null
+++ b/README.md
@@ -0,0 +1,54 @@
+---
+pretty_name: CodeVideoBench-Plus
+license: other
+license_name: codevideobench-plus-mixed-licenses
+license_link: LICENSE.md
+language:
+- en
+tags:
+- video
+- image
+- threejs
+- controllable-video-generation
+---
+
+# CodeVideoBench-Plus
+
+CodeVideoBench-Plus follows the benchmark design of [CodeVideoBench](https://huggingface.co/datasets/code-video-model/CodeVideoBench) and provides **220 video cases across eight application domains**. Each case includes a Three.js code video, a reference image, and a prompt.
+
+## Contents
+
+```text
+Cases/
+  <case_id>/
+    code_video.mp4
+    prompt.txt
+    reference.png
+```
+
+## Applications
+
+| Application | Cases |
+|---|---:|
+| Architectural Cinematics | 20 |
+| Bullet Time | 20 |
+| Gaming | 20 |
+| Physical Grounding | 20 |
+| Product Cinematography | 20 |
+| Robotics Simulation | 40 |
+| Scene / World Editing | 40 |
+| Trajectory Variation | 40 |
+| **Total** | **220** |
+
+## Download
+
+```bash
+hf download code-video-model/CodeVideoBench-Plus \
+  --repo-type dataset --local-dir CodeVideoBench-Plus
+```
+
+For the generation pipeline, see [CodeVideoModel](https://github.com/code-video-model/CodeVideoModel).
+
+## License
+
+Data in `Cases/` is licensed under **CC BY 4.0**. Third-party dependencies retain their original licenses. See [LICENSE.md](LICENSE.md) for scope and attribution.