Tired of being rejected by the beautiful women he lusts after, Chuck Barris (Rockwell) moves to Manhattan to become an NBC page with dreams of becoming famous in television but is eventually fired. He moves back to Philadelphia and becomes Dick Clark's personal assistant on American Bandstand in 1961. He writes the successful song "Palisades Park" and becomes romantically involved with a woman named Penny Pacino (Barrymore). Chuck is given permission to pitch the concept for The Dating Game at the American Broadcasting Company (ABC); he receives $7,500 to create a television pilot for the studio. However, ABC abandons The Dating Game in favor of Hootenanny.
One night after Barris is kicked out of a bar for fighting, he is approached by CIA agent Jim Byrd (Clooney), who recruits him as an assassin. Returning from a mission in Mexico, Barris finds that Penny has become a hippie. Meanwhile, ABC decides to greenlight The Dating Game, and by 1967 the TV show is a phenomenon.
Barris takes another mission for the CIA in Helsinki, Finland, where he meets female operative Patricia Watson (Roberts). He finds more success back home when The Newlywed Game goes on air. He and Penny decide to move to Los Angeles into a house, but Barris is cautious of marriage, much to Penny's dismay. The journey in Barris's life is tied in to the story of Thomas Carlyle's main character in Sartor Resartus, Teufelsdrรถckh, and this parallel is referred to throughout the film. In 1970, Byrd convinces Barris to go on another mission in East Berlin to assassinate communist Hans Colbert (Norman Roy). Barris is introduced there to German-American agent Keeler (Rutger Hauer), whom he helps to murder Colbert. However, he is captured by the KGB and, after some weeks, freed during a West-East spies exchange.
In 1976, in Los Angeles, Barris creates The Gong Show and becomes even more famous as its host; he is also criticized for lowering the general quality of television. Meanwhile, Keeler is murdered and Byrd warns Chuck of a mole in the agency. His TV shows are canceled due to poor ratings, and Penny threatens to leave him after catching him cheating on her. One night, Barris finds Byrd sitting atop the diving board of his backyard pool. Byrd reveals to Barris why he was chosen by the CIA to become an assassin: he is the son of a serial killer and has been raised during his infancy as a girl by his mother, so he "fit the profile". Barris threatens to kill Byrd, and the film cuts to a point soon after Byrd is killed, with Barris still pointing his gun at him.
Faced with the unpleasant truth about himself, Barris begins to spiral out of control. After almost having a nervous breakdown on one of his shows, Barris shuts himself away in a New York City hotel. Penny manages to find him there and tries in vain to convince him to return to California to get married.
Barris finally leaves his room and confronts Patricia in Boston. After a cup of coffee with her, Barris falls to the floor, seemingly poisoned. Patricia then reveals that she is the mole. However, Barris actually tricked Patricia into drinking from the poisoned cup, and he himself wasn't actually poisoned at all. After her death, he returns home and begins to write his autobiography, Confessions of a Dangerous Mind. He finally decides to marry Penny. At the end of the ceremony, he notices some of the people he previously killed among the crowd. Distraught, he confesses to her his double life as a CIA agent and assassin, but she merely laughs, assuming he is joking, and he decides not to correct her. In 2002, he prepares for an interview for the film adaptation of his autobiography.

Question: Where does Barris meet Patricia Watson?


Ed Saxon (Jeff Daniels), a college professor, wakes up to find his wife has not returned home. He takes some mysterious pills, then calls one of his wife's friends, Susie (Molly Price), confusedly asking whether he should be worried. Susie suggests that he call the local hospital, but they have no record of his wife being admitted. After further consulting Susie, he decides to call the police. When Detective Derm (Gil Bellows) arrives, Derm takes pills similar to Saxon's. They check her workplace and listen to some messages on the answering machine. George Simian (Julian McMahon) has left a message, inquiring about his wife, and Derm remarks that her abandoned car was found near Simian's house. Saxon also has to deal with the college, annoyed that he didn't show up to teach his class, which leads one of his students, Sadie (Emily Bergl), to also leave a message.
Saxon suffers a series of hallucinations and blackouts, advancing time quickly. In short time, he receives increasingly irritated calls from work, which he blows off; an abusive phone call from George Simian, followed by a physical altercation; and a visit by Sadie, concerned about his unexplained absences. Saxon declines to tell Sadie about his missing wife, instead telling her that his wife is visiting her mother. Sadie collapses in the bathroom, bloodying her nose, and complains of having heard a woman scream. Saxon explains that the neighbors, who fight often, can sometimes be heard from his house, and he gives her a change of clothes. After she leaves, Derm returns, wanting to search the house for clues. Sadie's bloody shirt is discovered by Derm, who seems satisfied with Saxon's explanation. Derm also finds a diary, which Saxon didn't know his wife kept. In it, Saxon's wife expresses mixed emotions for her husband, including pity, contempt, and fear. Despite his promise to give the diary to Derm, Saxon burns the diary.
Geoffrey Costas (Zach Grenier), a psychiatrist who leads a victim support group, visits Saxon, offering him comfort. Saxon initially declines, before soliciting stronger medication, to fight off long-term insomnia. Despite the strong medication, Saxon does not seem to fall asleep, though he suffers more blackouts and apparent hallucinations. Sadie returns to his house, concerned that he has missed more classes, but Susie interrupts them. Saxon angrily brushes aside Susie's concerns and explains that Sadie is just a student. After he gets rid of Susie, Sadie expresses her feelings of loneliness and isolation, as well as admiration for Saxon's poetry. This leads to an abortive tryst, which Saxon abruptly calls off. Humiliated and confused, Sadie leaves.
Derm calls Saxon to reveal that they've discovered his wife's body. Depressed, Saxon welcomes the chance to talk to Costas again. They discuss how traumatic events can lead to inappropriate guilt, and Costas convinces Saxon to allow him to speak to the police, on his behalf. However, the police reveal that they have not discovered the wife's body, after all, leading both Costas and Derm to suspect Saxon. Saxon has further hallucinations, leading him to suspect himself, as well. Simian, who had been arrested previously for assaulting Saxon, returns to Saxon's house again, enraged and seeking to kill Saxon. Saxon instead kills Simian, and, consumed with guilt, swallows every pill that he can find. Derm, arriving at the house afterward, kneels down, in front of Saxon, while Saxon denies killing anyone. The bathtub then overflows with blood, and Saxon sees his wife playing the piano.

Question: What does Saxon do with his wife's diary?


After breaking out of jail in a small Mexican town, a ruthless criminal, nicknamed Azul, ventures off with a guitar case full of weapons and vows revenge on the local drug lord, Moco, who had had him arrested in the first place. Meanwhile, a young musician arrives in town carrying his own guitar case which contains his signature guitar. He hopes to find work in the town in order to pursue his dream of becoming a mariachi like his father.
From the confines of his heavily guarded villa on the outskirts of town, Moco sends a large group of hitmen to kill Azul. They are told to look for a man who is wearing black and carrying a guitar case, but because the Mariachi also matches this description, the hitmen mistake him for Azul and begin to pursue him. Only Moco, however, knows Azul's actual face. The Mariachi is then forced to kill four of the attackers in self-defense after being chased through the streets. As the Mariachi seeks refuge in a bar owned by a beautiful woman named Dominó, he quickly falls in love with her. Unfortunately, Moco is not only financing the bar, but also has his own romantic interest in Dominó.
When Azul visits the bar for a beer and information about Moco, he accidentally leaves with the Mariachi's guitar case. Moco's thugs capture Azul on the street but let him go when they learn that the case he is carrying contains only a guitar. A short time later, the Mariachi is captured and taken to Moco, who identifies him as the wrong man and sets him free.
Meanwhile, Azul, who has no directions to Moco's home, takes Dominó with him and orders her to take him to Moco's, or Moco will kill the mariachi. Dominó agrees in order to save the Mariachi's life. When they arrive at Moco's gated compound, Azul pretends to take Dominó hostage in order to gain entry. Moco soon realizes that Dominó has fallen for the Mariachi and, in a rage, shoots both her and Azul. Suddenly, the Mariachi arrives to find the woman he loves gunned down. Moco then shoots the Mariachi's left hand, rendering him useless as a guitar player, and proceeds to taunt and laugh at the Mariachi. Overcome with grief and rage, the Mariachi picks up Azul's gun with his right hand and kills Moco, taking revenge for Dominó's death. Moco's surviving henchmen, seeing their leader dead, walk off and leave Moco's body and the wounded Mariachi behind.
The Mariachi leaves the town on Dominó's motorbike, taking her pit bull and her letter-opener by which to remember her. His dreams to become a mariachi have been shattered, and his only protection for his future are Azul's former weapons which he takes along in the guitar case.

Question: Who does Azul take hostage?

Azul takes Domino hostage in order to trick Moco.


Sam Dawson (Sean Penn), a man with a developmental disability, is the single father of Lucy (Dakota Fanning), following their abandonment by her mother, who is revealed to be a homeless woman who "just needed a place to sleep". Despite his limitations, Sam is well-adjusted and has a supportive group of friends with developmental disabilities, as well as a kind, agoraphobic neighbor Annie (Dianne Wiest) who takes care of Lucy when Sam cannot. Though Sam provides a loving and caring environment for precocious Lucy, she soon surpasses his mental ability. Other children tease her for having a "retard" as a father, and she becomes too embarrassed to accept that she is more intellectually advanced than Sam.
On the advice of his friends, Sam approaches a high-powered lawyer, Rita Harrison (Michelle Pfeiffer), whose brusque manner, fast-paced schedule and difficult personal life have earned her a reputation as cold and unfeeling. In an attempt to prove to others that she is not heartless, Rita surprisingly agrees to take on Sam's case pro bono. As they work together to secure Sam's parental rights, Sam unwittingly helps Rita with her family problems, including encouraging her to leave her philandering husband and repairing her fractious relationship with her son. She and Sam have an emotional moment together when they reveal that they never feel good enough.
At the trial, Sam breaks down after opposing counsel convinces him that he is not capable of being a father. After the trial, Lucy resides in a foster home with Randy Carpenter (Laura Dern), but tries to convince Sam to help her run away, and continually escapes in the middle of the night to go to Sam's apartment, whereupon he immediately returns her. Ultimately, the foster family decide not to adopt her like they initially planned. They decide to return her to Sam, with an arrangement that Randy will help him raise her.
The final scene depicts a soccer game, which Sam referees and in which Lucy participates as a player. In attendance are the foster family, Sam's friendship group, and a newly single Rita with her son.

Question: What is Sam's disability?

He has a developmental disability.
developmental


Stoddard’s novel traces the education and development of a young female in American middle-class society. The protagonist, Cassandra Morgeson, is educated by a series of journeys she makes throughout her youth and early adulthood. Each new setting represents a different stage in her intellectual development.
Cassandra is born in Surrey, a small New England town. Surrey is quiet and isolated, granting a young woman little intellectual stimulation. Cassandra escapes the boredom of domestic life through stories of adventure and exploration. Surrey instills in Cassandra a restlessness that drives her quest for knowledge and experience.
At the age of thirteen, Cassandra’s parents send her to live with her grandfather in Barmouth. Excessively religious, Grandfather Warren takes it upon himself to put Cassandra in her place. She is both intellectually and emotionally starved in Barmouth. Her life becomes narrowed down to home, school and church. In school, all the students dress alike and wear their hair in the same fashion. She learns an important lesson in conformity (peer pressure).
When Cassandra turns eighteen she is invited to stay with some cousins in Rosville. Rosville offers her a glimpse of city life. She attends numerous balls, whist parties and shopping sprees in Boston. She also falls in love with her cousin Charles. Charles’s dark sensuality and power awakens Cassandra’s sexuality, which is an integral part in her self-discovery. Cassandra quickly finds herself caught up in a passionate, adulterous love affair. Their affair is cut short in a tragic accident that costs Charles his life. Cassandra escapes with a scar across her face, which remains with her as a constant reminder of the affair.
Cassandra then travels to Belem, a city of wealth and nobility. She stays in the home of her friend, Ben Somers. In Belem she is forced to confront the social injustice of class. Here she falls for Ben’s brother, Desmond. Desmond sees into Cassandra’s heart through the scar on her face. He finds in Cassandra a reason to reform himself and conquer his alcoholism. He promises himself to her and then goes off to Spain to cure his addiction.
Upon her return to Surrey, Cassandra discovers that her mother has died. As the eldest and most capable daughter, the role of lady of the house is passed down to her. She becomes responsible for managing the household and taking care of her younger sister, Veronica. Cassandra resents her inherited role and envisions the rest of her days spent in monotony and misery. Her sister, Veronica, marries the wealthy but alcoholic Ben Somers. Two years after they are married, Ben dies of alcoholism, leaving Veronica to look after their child who “…never cries, never moves, except when it is moved” (252). Some critics see this child as a physical representation of how Veronica’s search for independence and autonomy has been stunted by her marriage. In the close of the novel “her eyes go no more in quest of something beyond” (252).
Cassandra marries the newly reformed Desmond. Her quest for self-definition does not end with marriage though. Cassandra narrates the closing pages of the novel from her desk. She is in the process of writing her life story. Writing allows Cassandra to take an active role in defining herself. Her novel helps her to assert her autonomy and achieve her goal of self-possession.

Question: Who does Cassandra fall in love with in Rosville?


A security guard is running through a subway station, he eventually enters a room he cannot escape from and starts begging his reflection in a mirror for his life. Suddenly, his reflection cuts its throat with a mirror shard, killing the "real" security guard.
Ben Carson (Kiefer Sutherland), a suspended police detective, begins his first day as a night security guard at the Mayflower, a luxury department store that was gutted by a fire and shuttered five years prior. The building still contains numerous mirrors from the store.
On Ben's first night of patrol he finds a mirror that appears to be covered with handprints, but only on the reflected side of the glass. He sees an open door in the reflection while it is actually closed. Over time, Ben begins to see more intense visions, which he initially shrugs off as hallucinations. He soon finds the wallet of Gary Lewis, the previous night guard (who died at the beginning of the film). Inside is a note that says "Esseker". After viewing Garyâs crime photos Ben is convinced that the mirrors make people do things to themselves that they are not actually doing.
Meanwhile, Ben's sister, Angie (Amy Smart) is killed by her reflection as it grips its jaw and slowly pull its mouth apart, causing her to bleed profusely. Ben is distraught when he finds her body. In anger, he attempts to destroy the mirrors at the Mayflower, but they are impervious to damage. He demands to know what the mirrors want, and cracks appear on one of the mirrors, spelling out the word "ESSEKER".
Ben enters the flooded basement of the Mayflower and finds a small sign stating "Psychiatric Studies" and "St. Matthew's Hospital" underneath. He moves to the site of the leak and begins pulling at the tiles and brick of the wall and finds a room with a chair surrounded by mirrors beyond it, a Psychomanteum. Realizing that the Mayflower was built on the site of an earlier hospital, Ben asks his police friend Larry (Jason Flemyng) to help him locate the patient-employee manifest for the hospital. Larry finds the name Anna Esseker, a patient of the psychiatric hospital. She was twelve years old at the time and died in a mass suicide.
Ben looks through Anna's file, and finds an Authorization and Consent form that negated her Death Certificate, stating that she had been discharged from the hospital two days before the suicide and is led to believe that Anna is still alive. Meanwhile, Ben's wife Amy (Paula Patton) discovers her son Mikey's (Cameron Boyce) reflection acting differently from the real Mikey. In a panic she calls Ben, who immediately returns home. Together they cover every reflective surface in the house with green paint.
Ben locates Anna Esseker's childhood home, and discovers that as a child she was violent and uncontrollable, and diagnosed with severe schizophrenia. She was taken in by a doctor from St. Matthewâs Hospital, who believed that she was suffering from a rare personality disorder. His treatment was to confine Anna to a chair surrounded by mirrors, believing this would cure her disorder by forcing her to confront her own reflection. Ben is told by her brother that when she returned, apparently cured, strange things started to happen with the mirrors in their home. As a result, her family sent her to a convent, Saint Augustine's Monastery, where mirrors are forbidden.
Ben visits the convent, and finds Anna (Mary Beth Peil), who explains that she was actually possessed by a demon, which was drawn from her and became trapped in the mirrors. She explains that it collects the souls of those it kills and if she were to return it would make it possible for the demon to be brought back into the mortal world. She refuses to go back.
Meanwhile, Amy discovers that Mikey is missing at home and a thin reflective layer of water is completely covering the floor. After putting her daughter in a safe closet, she finds Michael using a chef knife to scrape the paint from the mirrors. Amy tries to stop him but he escapes, obviously possessed.
Having threatened her at gunpoint, Ben returns with Anna to the Mayflower and straps her into the chair in the Psychomanteum. Back at Ben's house Mikey is suddenly pulled through the water on the floor by his reflection and begins to drown. At the Psychomanteum the lights begin to flicker and the building begins to shake as the demons in the mirrors are released. They repossess Anna and all the mirrors in the Mayflower explode. Simultaneously, Mikey is released from the demon's grip and Amy is able to pull him to safety. Ben is then attacked by the repossessed Anna. He manages to kill her by igniting a nearby gas line, setting off a huge explosion. The old building collapses, killing the demon, and trapping Ben under the ceiling as he rushes toward the exit.
Ben pulls himself out of the rubble and stumbles out of the building. Policemen and firemen are everywhere in the street, and a body is seen being taken in a bag by paramedics, but nobody notices Ben. He looks at the older security guard's name tag, and sees it is written backwards, realizing everything is in reverse (like in a mirror). He comes upon a mirrored surface in the city and fails to see his own reflection as he reaches out to touch it. He realizes that he is now trapped in the mirror world: in the living world his hand appears as a handprint on the glass surface.

Question: What covers the floor when Miky goes missing?

A thin layer of water
a layer of reflective water


Arthur Bishop (Charles Bronson) is a "mechanic"âa top hit man (assassin). He works exclusively for a secret international organization, which has very strict rules. Bishop is very sophisticated, as he regularly listens to classical music, has an art collection, and is a connoisseur of fine wines. However, he is forced to live alone - he cannot show emotions or trust people. Bishop is under constant emotional pressure, so much so that he is prescribed medication for depression, and one day he is temporarily hospitalized when he loses consciousness as a result of the stress. Bishop pays a call girl (Jill Ireland) for an ongoing girlfriend experience to have a simulated romantic (social and sexual) relationship, including her writing him fake love letters.
When Bishop is assigned one of the organization's heads, "Big Harry" McKenna (Keenan Wynn), he shoots at Big Harry, while making him think that the shots are being fired by a hidden sniper. Harry, who Bishop knows has a weak heart, runs up a steep incline, which triggers a heart attack. Bishop then finishes Harry off by smothering him.
At Big Harry's funeral, Bishop meets Harry's narcissistic, ruthless and ambitious son Steve (Jan-Michael Vincent). Steve is intrigued by Bishop and seeks to find out more about him. Bishop is also intrigued, as he realizes that Steve has a personality suited for being a hit man, and plays along. As part of his training, Bishop teaches Steve that "every person has a weakness, and that once this weakness is found, the target is easy to kill." But Bishop failed to get his superiors' prior consent for the arrangement. Following a messy assassination conducted by Bishop and Steve, the organization warns Bishop that his irresponsible choice to involve Steve has been interpreted as selfish behavior.
The organization then gives Bishop an urgent mission, this time in Italy. Once again, Bishop involves Steve in the new plan, but just before they leave Bishop happens to find among Steve's belongings a file containing a lot of information about Bishop. This file is very similar to the files Bishop prepared for his targets. Nevertheless, Bishop allows Steve to go with him to Italy.
In Italy, Bishop and Steve approach a boat where their intended victim is supposed to be, but it becomes apparent that this was a trap and they are the real targets. Bishop and Steve are ambushed, but they manage to kill all their would-be assassins.
His apprenticeship apparently complete, Steve shares a celebratory bottle of wine with Bishop, having coated the latter's glass with brucine, a colorless and deadly alkaloid. When Bishop realizes that he has been poisoned, he asks Steve if it was because Bishop had killed Steve's father. Steve responds that he had not realized his father was murdered. Steve taunts Bishop, saying "you told me that everyone has a jelly spot--yours was that you couldn't cut it alone." Steve goes on to reveal that he was not acting on orders to kill Bishop.
Steve returns to Bishop's home to pick up the Ford Mustang he had left there. He finds a note affixed to the rear-view mirror, which reads: "Steve, if you're read this it means I didn't make it back. It also means you've broken a filament controlling a 13-second delay trigger. End of game. Bang! You're dead." As Steve frantically reaches for the door handle, the car explodes.

Question: What does Bishop find amongst Steve's belongings prior to their trip to Italy?

A file containing information about Bishop.

Information about himself, like he would have regarding a target.


The story takes place on a sailing ship in the Gulf of Siam (now the Gulf of Thailand), at the start of a voyage with cargo for Britain. The date is probably in the 1880s (when Conrad was at sea himself). In common with many of Conrad's stories, it is narrated in the first person. The narrator is the ship's young captain, and he is unfamiliar with both his ship and his crew, having joined the ship only a fortnight earlier. He is unsure of his ability to exert his authority over the officers and crew who have been together for some time, and makes the point several times that he is the "stranger" on board.
After being towed down-river (presumably from Bangkok) by a steam tug, the ship is left at anchor near a group of small barren islands a few miles off shore, waiting for wind to begin its voyage. An incoming ship is anchored similarly a couple of miles away, awaiting a tug to go upriver.
That night, the captain, being restless, unusually takes the watch. As the only man on deck in the small hours, he sees that a man has swum up to the ship's side. The naked swimmer is hesitant to talk or come on board, but seems pleased to discover he is speaking to the captain. Once on board he and the captain find a natural rapport, almost as if he, Leggatt, were the captain's other self; especially as the captain has now fetched some of his own clothes that Leggatt is now wearing.
Still on deck, Leggatt explains that he was the First Mate of the other ship, but under arrest for murdering a crew member. The victim was a disobedient bully. During a storm which nearly sank their ship on their voyage here, Leggatt was physically wrestling with the man to make him to pull a rope when a freak wave threw them both against a bulwark and the man was killed. Leggatt, a "stranger" on the other ship just as our captain was on this, would certainly face the gallows on landing. However, he had escaped his locked cabin and had swum between islands to reach the narrator's ship.
This is the point at which our captain could, and by all the rules should, arrest Leggatt. But instead he leads him to concealment in his cabin. The captain has no plan yet, and the situation is one of extreme difficulty, with his cabin regularly serviced by his steward, the problem of food, a ship's captain's movements being conspicuous to all, and a long voyage ahead. In the morning the captain of Leggatt's ship arrives by boat to enquire if the escapee has been sighted. Our captain, not a natural liar, manages to bluff through, but is left terrified as to what his own officers make of his strained behaviour.
With rising wind the ship gets under way, and there starts a routine of the captain helping Leggatt evade the dutiful visits of the steward to the captain's cabin. Leggatt comes close to discovery several times, almost like a stage farce. All the while, the captain is tormented by any small sign that any of his crew suspect (or even might have discovered) the secret. The captain and Leggatt evolve a plan; Leggatt, being a good swimmer, will drop into the sea and swim ashore further down the Gulf of Siam while the ship is sailed as close in to land as possible. This is done, although the risky manoeuver under the captain's direct command nearly puts the ship onto the rocks, testing his seamanship and horrifying the crew. He succeeds, and leads the ship away.

Question: What body of water does Leggatt jump into?


The Titus Brothers Contractors company have won a government contract in Peru to blast a tunnel through a mountain and connect two isolated railroad lines. The deadline is approaching, and the contractors have hit a literal wall: excessively hard rock which defies conventional blasting techniques. The company is under pressure to finish, or else the contract will default to their rivals, Blakeson & Grinder. Mr. Job Titus has heard of Tom Swift and Tom's giant cannon, which is used in protecting the Panama Canal, and wants to hire Tom to develop a special blasting powder to help them finish the excavation.
Mr. Damon, Tom's very good friend, arrives in the middle of this conversation, and is unaware of the situation. By coincidence, Mr. Damon is invested in a business which procures cinchona bark from Peru, but production has all but ceased, prompting Mr. Damon to invite Tom to accompany him to Peru and discover the source of the problem.
Tom, Mr. Damon and Mr. Titus (along with Koku, Tom's giant) embark for Peru. On the way, they encounter Professor Swyington Bumper, who is on a lifelong quest to locate the lost city of Pelone. Professor Bumper returns to Peru each season, and has thus far been unsuccessful. When Professor Bumper discovers that Tom is headed to the same general area, Rimac, Professor Bumper decides to join the company.

Question: What does Professor Bumper do upon meeting Tom?

Professor Bumper decides to join Tom's company en route to Rimac.


In Lagrange, Ohio, Curtis LaForche (Michael Shannon) has apocalyptic dreams, and visual and auditory hallucinations; of rain "like fresh motor oil", swarms of menacing black birds, and being harmed by people close to him. He hides all of this from his wife, Samantha (Jessica Chastain), and their deaf daughter Hannah (Tova Stewart). He instead channels his anxieties into a compulsive obsession to build a storm shelter in his backyard; however, his increasingly strange behavior -- including a tendency to cut ties with anyone in his life that has harmed him only in his dreams -- strains his relationship with his family, friends, employer, and the close-knit town. Curtis grudgingly sees a counselor at a free clinic, with whom he talks about his family's psychological history (his mother (Kathy Baker) suffers from paranoid schizophrenia that surfaced in her at about the same age that Curtis is now).
In order to get the expanded storm shelter done, Curtis breaks work rules by using equipment from his construction job at his house, and gets a home improvement loan he can ill afford to start building the shelter - all without telling his wife. Sam becomes angry when she discovers the project. After Curtis takes more than the prescribed dose of a sedative and suffers a seizure, Sam calls an ambulance. He recovers, then finally explains the truth to her, including his dreams.
Curtis begins to miss more work, causing tensions with his boss, as he and Sam make preparations for the cochlear implant surgery Hannah is to undergo in six weeks' time. Having been informed of the borrowed work equipment, Curtis's boss fires him and gives him only two weeks' worth of medical insurance benefits, after placing Dewart (Shea Whigham) (the close friend and co-worker whom Curtis asked to help him start construction of the shelter) on two weeks' unpaid administrative leave.
Curtis buys gas masks for his family, and extends his previous employer's health insurance policy for a few extra weeks. Finding that his counselor at the free clinic has suddenly transferred and been replaced with a new one, he walks out. Tensions linger between Curtis and Sam over his loss of a job/income at such a crucial time for their family. Sam gets Curtis to see an actual psychiatrist, and demands that they attend a social function so she can restore some sense of normalcy to their strained, increasingly isolated life. At a Lions Club community gathering, a bitter Dewart (who has been spreading a whispering campaign about Curtis being crazy) angrily provokes and punches Curtis. Curtis loses his temper and unleashes a frightening verbal tirade upon everyone at the Lions Club dinner. He prophetically shouts that a devastating storm is coming, insisting that none of them are prepared.
Later, a tornado warning sends him and his family into the shelter. After they awaken, Curtis reluctantly removes his gas mask, prompted by Samantha. They go to open the shelter doors, but he still hears a storm outside. His wife implores him, insisting that there's no storm and that he needs to open the door. After a tense standoff, Curtis throws open the doors into the blinding sun; a strong-but-bearable storm has passed, and neighbors are cleaning up broken tree limbs and other yard debris as power company trucks restore electricity along the street.
A psychiatrist advises the couple to go through with their planned, annual beach vacation; but that Curtis will need to get psychiatric care in a facility away from his family upon their return. At Myrtle Beach, while Curtis is building sand castles with Hannah, she signs the word "storm". As Samantha exits their beachhouse, the thick, oily rain that Curtis spoke of begins to fall, staining her outstretched hand. Sam looks up to a bigger version of the ominous storm clouds Curtis had seen, massing over the ocean; tornado-like waterspouts reach down to the ocean's surface, and the tide pulls back as a tsunami looms in the distance. Curtis and Sam exchange knowing glances.

Question: What is Dewart helping Curtis build?


In New York City, four men armed with submachine guns and using code names (Mr. Blue, Mr. Green, Mr. Grey, and Mr. Brown), wearing similar trenchcoat, glasses and mustache disguises, board the Downtown-bound 6 subway train at different station stops (Green at 59th Street, Grey at 51st Street, Brown at Grand Central, and Blue at 28th Street). The men take seventeen passengers and the conductor hostage, isolate them in the train's first car and then separate the car from the rest of the train.
Meanwhile, Zachary Garber (Walter Matthau), a cynical and curmudgeonly yet light-hearted New York City Transit Authority police lieutenant, is leading a tour of New York's subway command center when it is interrupted by Blue's radio announcement that "your train has been taken". Blue (Robert Shaw), the leader of the hijackers, reveals their demands: a ransom of $1 million, to be delivered within one hour, or else they'll kill one passenger per minute after that.
Garber, the sarcastic lieutenant Rico Patrone (Jerry Stiller), and other transit workers cooperate while trying to guess how the criminals intend to get away. The supervisor at Grand Central decides to confront the hijackers himself. As he approaches the train, Grey (Hector Elizondo) shoots him dead. Various clues surface for Garber: Blue has an English accent, while Green (Martin Balsam) has a cold and periodically sneezes over the radio, to which Garber says "Gesundheit." Garber surmises that as the hijackers are able to operate the train, one is probably a disgruntled transit worker. He also learns that one of the hostages is an undercover police officer.
The mayor finally agrees to pay the ransom. Conversations between the hijackers reveal that Blue was a mercenary in Africa and Green was a motorman caught in a drugs bust. There is also an undercurrent of tension between Blue and Grey; Blue confides to Green that he believes Grey is "mad" and potentially trouble. Garber requests additional time from Blue, believing that the process of gathering the money and transporting it to the train within the hour is practically impossible. Blue refuses to grant any extra time but eventually agrees to a slight change of the conditions of the deadline; the money must now at least reach the 28th Street station nearest the train by the 3:13pm deadline rather than the train itself. During the tense wait for the money, a police officer exchanges gunfire with the hijackers. In retaliation, Blue kills the conductor. The police dispatch a squad car with the ransom money, but it crashes. Garber daringly bluffs to buy time, telling the hijackers that the money has been delivered, delayed only by the walk down the tunnel. A reluctant Blue agrees to wait.
A police motorcycle delivers the ransom and then it is delivered on foot. With the money finally in hand, Blue gives Garber their next demands: that electric power be restored to the subway line, that all signals in the path of the train be set to green, and all police officers be cleared from the tunnel. Having overridden the train's dead-man's switch, a safety device requiring a motorman to continually press down on the throttle or else the train will stop, the hijackers get off the train and set it in motion. As the train starts to move, the undercover officer jumps off and hides. The car begins to travel faster and faster, as no one is controlling its speed.
While following the runaway train above ground, Garber becomes convinced that it is a diversion and that the hijackers must have left it. In the tunnel, the hijackers begin their escape into the emergency exit; however, Grey refuses to leave his gun behind, resulting in a stand-off with Blue, who shoots him dead. The undercover officer manages to kill Brown (Earl Hindman) with one shot. Green escapes onto the street, while Blue shoots at the officer until he wounds him. Garber arrives and, drawing on Blue, orders him to surrender. Told that New York no longer has the death penalty, Blue electrocutes himself by stepping onto the third rail. Meanwhile, the runaway car finally encounters a red signal upon the approach to the South Ferry loop and grinds to a halt; the remaining hostages are safe.
The three dead hijackers are identified, and it is clear that none had piloted trains, so Garber concludes that the remaining hijacker must be the former transit employee. Working their way through a list of former motormen "discharged for cause", Garber and Patrone pay a visit to Harold Longman (Green), who bluffs his way through the officers' questioning. The officers find Longman's alibi weak, but start out the door, until Longman sneezes and Garber says "Gesundheit." Garber re-opens the door, and his expression indicates that he has found the final hijacker.

Question: How many passengers were taken hostage in the train?


The story is told in eight major parts, called Scenes.
Scene One begins in 1846, at Combe-Raven in West Somerset, the country residence of the wealthy Vanstone family: Andrew Vanstone, his wife, and their two daughters. Norah, age 26, is happy and quiet; Magdalen, 18, is beautiful but volatile and willful. They live in peace and contentment, looked after by their governess, Miss Garth.
Through amateur theatricals, Magdalen discovers she is a talented actress and falls in love with Frank Clare, the idle but handsome son of a neighbour, who is also in the play. They want to be married, and their fathers agree. Although Frank fails at every career he reluctantly tries, and his father is not wealthy, Magdalen's fortune will easily support the young couple.
But before they marry, Mr. Vanstone is killed in a train crash and Mrs. Vanstone dies in childbirth. The girls discover from the lawyer, Mr. Pendril, that their parents have only been married for a few months, and their wedding invalidated the will which left everything to the daughters.
Since the daughters are illegitimate, they have no name, no rights, and no property. Combe-Raven and the entire family fortune are inherited by Andrew's older brother, Michael Vanstone, who has been bitterly estranged from the family for many years. He refuses to provide any support for the orphaned young women. With the help only of their governess Miss Garth, they set out to make their own way in the world.
Scene Two is set in York, where Magdalen enlists the help of Captain Wragge, a distant relative of her mother's and a professional swindler. He helps get Magdalen started on the stage in return for a share of the proceeds. His wife Matilda, whom he married for an expected inheritance, is physically huge and kindly but mentally slow; she has to be supervised like a child.
Scene Three is in Vauxhall Walk, Lambeth. Magdalen, having earned some money, forsakes the stage and plots to get her inheritance back. Michael Vanstone has died; his only son Noel is sickly and looked after by his housekeeper, Virginie Lecount, a shrewd woman who hopes to inherit his money. Magdalen goes to Lambeth disguised as Miss Garth to see how the land lies, but Mrs. Lecount sees through her disguise and cuts a bit of cloth from the hem of her brown alpaca dress as a keepsake.
Scene Four is in Aldborough, Suffolk, where Magdalen tries to carry out her plot to regain her inheritance by marrying Noel Vanstone under an assumed name, with Captain and Mrs. Wragge posing as her uncle and aunt. Wragge and Lecount plot and attempt to outdo each other. In the end, Lecount is sent on a false errand to Zurich, and Magdalen and Noel are married. Captain Wragge arranges the marriage on condition that he will never have to see Magdalen again once it has happened.
Scene Five is in Baliol Cottage, Dumfries. Noel is alone, as his wife has left to visit her sister in London. Mrs. Lecount is back from Zurich and explains who his wife really is, with the help of the cut bit of cloth from the brown alpaca dress. Noel, at her direction, rewrites his will, cutting off his wife and leaving a legacy to Lecount and everything else to Admiral Bartram, his cousin. He encloses a secret letter, asking Admiral Bartram that the money be passed to young George Bartram, but only on the condition that he marry someone not a widow within six months, thus ensuring that Magdalen cannot marry George for the money. The strain of this scheming is too much for Noel, and he dies from a weak heart.
Scene Six is in St John's Wood where Magdalen has lodgings. Estranged from Norah and from Miss Garth, who she thinks betrayed her husband's whereabouts to Lecount, she hatches a plot to disguise herself as a maid and infiltrate into Admiral Bartram's house to look for the Secret Trust document. Her own maid Louisa helps to train her in return for Magdalen's giving her the money to marry her fiance, the father of her illegitimate child, and move to Australia.
Scene Seven is at St. Crux, the Bartram country house. Magdalen, working under Louisa's name as a parlour maid for Admiral Bartram, searches through the house for the Secret Trust. Eventually she manages it by following Admiral Bartram as he sleepwalks, but she is discovered and thrown out of the house.
The last scene is set in a poor lodging house, Aaron's Building. Magdalen is ill and destitute, about to be carried off to hospital or the workhouse, when a handsome man appears and rescues her. It is Captain Kirke, a sailor who had seen and become enamored of her at Aldborough. Meanwhile, Norah has married George Bartram, thus placing the inheritance back into the Vanstone family. Magdalen, in her illness and recovery, vows to be a better person and never again undertake any malice. Kirke and Magdalen profess their love for one another.

Question: How does the family inheritance get returned to the Van Stone family?

Norah marries George Bartram
Norah marries George Bartram


A little girl named Lucie lives on a farm called Little-town. She is a good little girl, but has lost three pocket handkerchiefs and a pinafore. She questions Tabby Kitten and Sally Henny-penny about them, but they know nothing (especially since Tabby Kitten licks her paw, and Sally Henny-penny flaps back into the barn clucking, "I go barefoot, barefoot, barefoot!" neither of which is very helpful). Lucie mounts a stile and spies some white cloths lying in the grass high on a hill behind the farm. She scrambles up the hill along a steep path-way which ends under a big rock. She finds a little door in the hillside, and hears someone singing behind it:
Lily-white and clean, oh!
With little frills between, oh!
Smooth and hot – red rusty spot
Never here be seen, oh!
She knocks. A frightened voice cries out, "Who's that?" Lucie opens the door, and discovers a low-ceilinged kitchen. Everything is tiny, even the pots and pans. At the table stands a short, stout person wearing a tucked-up print gown, an apron, and a striped petticoat. She is ironing. Her little black nose goes sniffle, sniffle, snuffle, and her eyes go twinkle, twinkle, and beneath her little white cap are prickles! She is Mrs. Tiggy-winkle, the animals' laundress and "an excellent clear-starcher". She keeps busy with her work. She has found Lucy's lost things, and launders them for her. She also shows Lucie items belonging to Mrs. Tiggywinkle's animal customers. They have tea together though Lucie keeps away from Mrs. Tiggywinkle due to the prickles.
The laundered clothing is tied up in bundles and Lucie's handkerchiefs are neatly folded into her clean pinafore. They set off together down the path to return the fresh laundry to the little animals and birds in the neighbourhood. At the bottom of the hill, Lucie mounts the stile and turns to thank Mrs. Tiggy-winkle. "But what a very odd thing!" Mrs. Tiggy-winkle is "running running running up the hill". Her cap, shawl, and print gown are nowhere to be seen. How small and brown she has grown – and covered with prickles! "Why! Mrs. Tiggy-winkle [is] nothing but a HEDGEHOG!"
The narrator tells the reader that some thought Lucie had fallen asleep on the stile and dreamed the encounter, but if so, then how could she have three clean handkerchiefs and a laundered pinafore? "Besides," the narrator assures the reader, "I have seen that door into the back of the hill called Catbells – and besides I am very well acquainted with dear Mrs. Tiggy-winkle!"

Question: Who does Lucie question about what she has lost?

Tabby and Sally
Sally-Henny Penny and Tabby kitten


The narrator is a London businessman who withdraws to the countryside to write a play, by which he hopes to alleviate his financial problems. Bedford rents a small countryside house in Lympne, in Kent, where he wants to work in peace. He is bothered every afternoon, however, at precisely the same time, by a passer-by making odd noises. After two weeks Bedford accosts the man, who proves to be a reclusive physicist named Mr. Cavor. Bedford befriends Cavor when he learns he is developing a new material, cavorite, which can negate the force of gravity.
When a sheet of cavorite is prematurely processed, it makes the air above it weightless and shoots off into space. Bedford sees in the commercial production of cavorite a possible source of "wealth enough to work any sort of social revolution we fancied; we might own and order the whole world". Cavour hits upon the idea of a spherical spaceship made of "steel, lined with glass", and with sliding "windows or blinds" made of cavorite by which it can be steered, and persuades a reluctant Bedford to undertake a voyage to the moon; Cavor is certain there is no life there.
On the way to the moon, they experience weightlessness, which Bedford finds "exceedingly restful". On the surface of the moon the two men discover a desolate landscape, but as the sun rises, the thin, frozen atmosphere vaporizes and strange plants begin to grow with extraordinary rapidity. Bedford and Cavor leave the capsule, but in romping about get lost in the rapidly growing jungle. They hear for the first time a mysterious booming coming from beneath their feet. They encounter "great beasts", "monsters of mere fatness", that they dub "mooncalves", and five-foot-high "Selenites" tending them. At first they hide and crawl about, but growing hungry partake of some "monstrous coralline growths" of fungus that inebriate them. They wander drunkenly until they encounter a party of six extraterrestrials, who capture them. The insectoid lunar natives (referred to as "Selenites", after Selene, the moon goddess) are part of a complex and technologically sophisticated society that lives underground, but this is revealed only in radio communications received from Cavor after Bedford's return to earth.
Bedford and Cavor break out of captivity beneath the surface of the moon and flee, killing several Selenites. In their flight they discover that gold is common on the moon. In their attempt to find their way back to the surface and to their sphere, they come upon some Selenites carving up mooncalves but fight their way past. Back on the surface, they split up to search for their spaceship. Bedford finds it but returns to Earth without Cavor, who injured himself in a fall and was recaptured by the Selenites, as Bedford learns from a hastily scribbled note he left behind.
Chapter 19, "Mr. Bedford in Infinite Space", plays no role in the plot but is a remarkable set piece in which the narrator describes experiencing a quasi-mystical "pervading doubt of my own identity. . . the doubts within me could still argue: 'It is not you that is reading, it is Bedfordâbut you are not Bedford, you know. That's just where the mistake comes in.' 'Counfound it!' I cried, 'and if I am not Bedford, what am I? But in that direction no light was forthcoming, though the strangest fancies came drifting into my brain, queer remote suspicions like shadow seem from far away... Do you know I had an idea that really I was something quite outside not only the world, but all worlds, and out of space and time, and that this poor Bedford was just a peephole through which I looked at life..."
By good fortune, the narrator lands in the sea off the coast of Britain, near the seaside town of Littlestone, not far from his point of departure. His fortune is made by some gold he brings back, but he loses the sphere when a curious boy named Tommy Simmons climbs into the unattended sphere and shoots off into space. Bedford writes and publishes his story in The Strand Magazine, then learns that "Mr. Julius Wendigee, a Dutch electrician, who has been experimenting with certain apparatus akin to the apparatus used by Mr. Tesla in America", has picked up fragments of radio communications from Cavor sent from inside the moon. During a period of relative freedom Cavor has taught two Selenites English and learned much about lunar society.
Cavor's account explains that Selenites exist in thousands of forms and find fulfillment in carrying out the specific social function for which they have been brought up: specialization is the essence of Selenite society. "With knowledge the Selenites grew and changed; mankind stored their knowledge about them and remained brutesâequipped," remarks the Grand Lunar, when he finally meets Cavor and hears about life on Earth. Unfortunately, Cavor reveals humanity's propensity for war; the lunar leader and those listening to the interview are "stricken with amazement". Bedford infers that it is for this reason that Cavor has been prevented from further broadcasting to Earth. Cavor's transmissions are cut off as he is trying to describe how to make cavorite. His final fate is unknown, but Bedford is sure that "we shall neverâŚ receive another message from the moon".

Question: Why doesn't Mr. Cavor return to earth?

He is captured by Selenites.
It's not known


The story centers on a country lawyer, Edward Wilkins, and his daughter Ellinor. Edward has an artistic and literary personality, unsuited to his social position as the son of a successful lawyer who takes over his father's practice in the provincial town of Hamley. His legal representation of the local gentry and nobility leads him to try fitting into their social circles, only to be mocked and treated with derision. He develops a drinking problem and spends more money than he can afford to in his attempts to be an equal to his clients. His bad habits lead to problems in his business, and Edward is forced to take on a junior partner named Mr. Dunster.
At the same time, Ellinor becomes engaged to a young upcoming country gentleman named Ralph Corbet. Corbet initiates the engagement partly through love of Ellinor and partly because of a promise of money from Edward. Edward continues to drink and overspend, leading to a confrontation with Mr. Dunster. In the heat of the argument, Edward strikes Mr. Dunster, killing him. Ellinor and a family servant named Dixon help Edward to bury the body in their flower garden.
Ellinor soon tells Ralph that a possible disgrace hangs over her. Ralph questions Edward about this, and Edward insults him in a drunken tirade. Ralph dissolves his engagement to Ellinor because of this, and because he regrets forming an engagement to someone who offers no opportunity of helping him advance in society. He later marries into the nobility and becomes a judge. Edward drinks himself to death and Ellinor moves to a distant town, East Chester, after the Wilkins's home Ford Bank is rented out in order to provide Ellinor with a living. Dixon remains as a servant to watch over the home and property where the body is buried. The secret goes unknown for about 15 years until the body is dug up during the construction of a railroad. Dixon is arrested for the murder and later convicted by Ralph, who acts as the judge in the case. Ellinor then tells Ralph the truth, and Dixon is pardoned. She returns to East Chester and marries a local clergyman, Canon Livingstone, who she had known in her youth, and has two children with him.

Question: What was the final outcome for Dixon after Ellinor tells Ralph the truth about the murder?

Dixon is pardoned for the murder of Mr. Dunster after Elinor tells the truth.


In the present day, Time Agents Ross and Gordon come with settlers to the water-dominated planet, Hawaika, to search remains of the alien Baldies from the distant past. Intelligent dolphins assist them. While setting up their time gate, a storm destroys it and strands them widely in the unknown past.
The dolphins and humans can communicate, and Ross learns Gordon is hostage in a castle through a native, Loketh. Ross and Loketh are captured by seafaring Rovers, then join them. They liberate a Rover island captured by the Baldies. Ross convinces a coalition of natives the Baldies are playing them against one another. Ross finds Ashe at last, in the company of the mystic and advanced Foanna, who turn out to be only three, the last of their race. The Foanna set a trap for the Baldies, using their castle as bait, but they cannot win against the whole force without increasing their numbers. Ross and Ashe agree to a process mentally joining them with the Foanna. A second encounter with the Baldies, they win. In a final encounter, Ross is teleported to a Baldy ship like the one familiar to him from Galactic Derelict, and sets its course to a random destination. The main Baldy installation is simultaneously attacked and the Baldies driven off the planet.

Question: What happened to the Baldies?

They are driven off the planet.
a storm destroyed their time gate


This Conan story is set in mythical Hyborian versions of IndiaâPakistan (then united) and Afghanistan (Vendhya and Ghulistan respectively).
The death of Bunda Chand, King of Vendhya, via a curse channeled to his soul through a lock of his hair leads to the ascension of his sister, Devi Yasmina, who vows to get revenge on his killers, the Black Seers of Yimsha. Conan, meanwhile, has become chief of a tribe of Afghuli hillmen. Seven of his men have been captured by the Vendhyans and Yasmina intends to use them as collateral to force Conan to kill the Seers. However, Conan infiltrates the border fort where they are held and kidnaps the Devi instead (with the intent of exchanging her for the seven men). The problems are complicated by Kerim Shah, an agent of King Yezdigerd of Turan, who arranged Bunda Chand's death in order to lead an army through the mountains and invade in the subsequent confusion and turmoil. His contact with the Black Seers, Khemsa, has fallen in love with the Devi's maid Gitara. They decide to strike out on their own, kill the seven hillmen and pursue Conan and Yasmina to kill them both as well.
Conan escapes into the Afghuli villages of the Zaibar Pass and Himelian Mountains (Hyborian equivalents of the Khyber pass and Himalayas). Yar Afzal, chief of the Wazuli village, is killed by Khemsa and the people turn against Conan, yet he manages to escape again with Yasmina. Khemsa again catches up with the pair but his attack is interrupted by four Rakhshas from Yimsha. His original masters kill Khemsa and Gitara, stun Conan and kidnap Yasmina. Khemsa survives a fall from the mountain-side long enough to give Conan a warning and a magic girdle. Shortly after, Kerim Shah and a group of Irakzai (Iraqis), also intent on capturing the Devi for King Yezdigerd, encounter Conan. They join together to rescue Yasmina, both open about their private reasons for doing so, and approach the mountain of Yimsha. Most of the men are killed in the attempt but, following Khemsa's warnings, Conan succeeds in killing the Black Seers and rescuing Yasmina.
As they escape they encounter the Turanian army of King Yezdigerd in conflict with Conan's former hillmen (who blame him for the death of the seven captives). Despite their attitude, Conan feels obliged to assist but cannot abandon the Devi. This problem is resolved when a Vendhyan army, invading the mountains to rescue their Queen, arrives. Together, Conan with his Afghulis and Yasmina with her cavalry, they destroy the Turanian army. Conan leaves with the hillmen and the Devi returns to her country.
Though they are strongly attracted to each other, the affair between Conan and Yasmina never gets beyond some kissing. Their respective roles pull them in opposite directions - she the Queen of Vendhiya, he the leader of roving hillemen engaged in constant robbery against her domain. In the original Howard stories, they never meet again. In the 1957 Return of Conan BjĂśrn Nyberg and L. Sprague de Camp let Conan and Yasmina meet again for one night of intensive love-making, many years later - when he is already King of Aquilonia and there is no more a conflict of interest.

Question: Where do the Black Seers who kidnapped Queen Devi Yasmina live?

The mountain of Yimsha
The mountain of Yimsha


John Dolittle, MD, is a respected physician and quiet bachelor living with his spinster sister in the small English village of Puddleby-on-the-Marsh. His love of animals grows over the years and his household menagerie eventually scares off his human clientele, leading to loss of wealth. But after learning the secret of speaking to all animals from his parrot Polynesia, he takes up veterinary practice.
His fortunes rise and fall again after a crocodile takes up residence, leading to his sister leaving in disgust with the intention of getting married, but his fame in the animal kingdom spreads throughout the world. He is conscripted into voyaging to Africa to cure a monkey epidemic just as he faces bankruptcy. He has to borrow supplies and a ship, and sails with a crew of his favourite animals, but is shipwrecked upon arriving to Africa. On the way to the monkey kingdom, his band is arrested by the king of Jolliginki, a victim of European exploitation who wants no white men traveling in his country.
The band barely escapes by ruse, but makes it to the monkey kingdom where things are dire indeed as a result of the raging epidemic. He vaccinates the well monkeys and nurses the sick back to health. In appreciation, the monkeys find a pushmi-pullyu, a shy two-headed gazelle-unicorn cross, whose rarity may bring Dr. Dolittle money back home.
On the return trip, they again are captured in Jolliginki. This time they escape with the help of Prince Bumpo, who gives them a ship in exchange for Dolittle's bleaching Bumpo's face white, his greatest desire being to act as a European fairy-tale prince. Dolittle's crew then have a couple of run-ins with pirates, leading to Dolittle's winning a pirate ship loaded with treasures and rescuing a boy whose uncle was abandoned on a rock island. After reuniting the two, Dolittle finally makes it home and tours with the pushmi-pullyu in a circus until he makes enough money to retire to his beloved home in Puddleby.The original edition of the book included language and plot elements that are considered racist by present-day standards, though probably not intended as malicious by the writer. Black African characters are clearly intended by the writer to be sympathetic, but their depiction reflects the paternalistic mindset of colonialism still prevailing in Britain at the time of writing, not to mention the racism in Lofting's adopted United States. Editions starting the 1960s removed some terms for black people which had come to be regarded as offensive. (Exactly when these revisions appeared is difficult to determine, as the changes are not explicitly noted.)
Later editions changed the plot as well, and noted these changes in a new preface for the book. The original edition had a plot line where Bumpo, the African prince, wishes he were white, so that he can marry the Sleeping Beauty. The Doctor, who is imprisoned by the prince's father, grants his wish in exchange for escape by bleaching him. In the original text, this process is accompanied by a strong smell of "burning brown paper". In American editions, there seems to have been a half-hearted attempt at weakening this by changing the bleaching agent to white covering cream; in still later editions, the poor prince Bumpo's ambitions are either changed via hypnosis or he wishes to be a lion. In the later case, he is given a potion that causes his hair to grow out into an impressive mane around his head. Ultimately, he is not excised entirely.
In a 1978 edition, only one sentence is removed from this section: "For the Prince's face had turned as white as snow, and his eyes, which had been mud-colored, were a manly gray!" Since the previous statement was that "all the animals cried out in surprise", the removal of this is rather jarring.

Question: Why did Dr. Dolittle travel to Africa?

To cure a monkey epidemic
To cure an monkey epidemic


In 1950s Christchurch, New Zealand, a 14-year-old girl from a working-class family, Pauline Parker (Lynskey), befriends the more affluent English 15-year-old Juliet Hulme (Winslet) when Juliet transfers to Pauline's school. They bond over a shared history of severe childhood disease and isolating hospitalizations, and over time develop an intense friendship. Pauline admires Juliet's outspoken arrogance and beauty. Together they paint, write stories, make Plasticine figurines, and eventually create a fantasy kingdom called Borovnia. It is the setting of the adventure novels they write together, which they hope to have published and eventually made into films in Hollywood. Over time it begins to be as real to them as the real world. Pauline's relationship with her mother, Honora, becomes increasingly hostile and the two fight constantly. This angry atmosphere is in contrast to the peaceful intellectual life Juliet shares with her family. Pauline spends most of her time at the Hulmes', where she feels accepted. Juliet introduces Pauline to the idea of "the Fourth World", a Heaven without Christians where music and art are celebrated. Juliet believes she will go there when she dies. Certain actors and musicians are "saints" in this afterlife.
During a day trip to Port Levy, Juliet's parents announce that they are going away and plan to leave Juliet behind. Her fear of being left alone makes her hysterical, culminating in her first direct experience of the Fourth World, perceiving it as a land where all is beautiful and she is safe. She asks Pauline to come with her, and the world that Juliet sees becomes visible to Pauline, too. This is presented as a shared spiritual vision, a confirmation of their "Fourth World" belief, that influences the girls' predominant reality and affects their perception of events in the everyday world.
Juliet is diagnosed with tuberculosis and is sent to a clinic. Again her parents leave the country, leaving her alone and desperately missing Pauline. Pauline is desolate without her, and the two begin an intense correspondence, writing not only as themselves, but in the roles of the royal couple of Borovnia. During this time Pauline begins a sexual relationship with a lodger, which makes Juliet jealous. For both of them, their fantasy life becomes a useful escape when under stress in the real world, and the two engage in increasingly violent, even murderous, fantasies about people who oppress them. After four months, Juliet is released from the clinic and their relationship intensifies. Juliet's father blames the intensity of the relationship on Pauline and speaks to her parents, who take her to a doctor. The doctor suspects that Pauline is homosexual, and considers this a cause of her increasing anger at her mother as well as her dramatic weight loss.
Juliet catches her mother having an affair with one of her psychiatric clients and threatens to tell her father, but her mother tells her he knows. Shortly afterward, the two announce their intention to divorce, upsetting Juliet. Soon it is decided that the family will leave Christchurch, with Juliet to be left with a relative in South Africa. She becomes increasingly hysterical at the thought of leaving Pauline, and the two girls plan to run away together. When that plan becomes impossible, the two begin to talk about murdering Pauline's mother as they see her as the primary obstacle to their being together. As the date of Juliet's departure nears, it is decided that the two girls should spend the last three weeks together at Juliet's house. At the end of that time, Pauline returns home and the two finalize plans for the murder. Honora plans a day for the three of them at Victoria Park, and the girls decide this will be the day. Juliet puts a broken piece of brick into a stocking and they go off to the park. After having tea, the three walk down the path and when Honora bends over to pick up a pink charm the girls have put there, Juliet and Pauline bludgeon her to death.
In a postscript, it is revealed that the next day Pauline's diary was found in which the plan for the murder had been outlined which led to Pauline and Juliet getting arrested. The two are tried, convicted, and sentenced to prison. It is a condition of their eventual release that they never meet again.

Question: When Juliet and Pauline find out that they will be permanently separated what is their original plan?

To run away together.
They wanted to run away together.


"Once, long ago", the ancient Lord of Darkness (Tim Curry) laments his isolation in the shadows before sensing the presence of two unicorns who safeguard the Power of Light; where upon Darkness instructs Blix (Alice Playten) and his fellow goblins Pox (Peter O'Farrell) and Blunder (Kiran Shah) to kill the unicorns and bring him their horns to free himself. Meanwhile, Princess Lily (Mia Sara), a mischievous and vibrant girl goes alone to the forest to meet her love interest Jack (Tom Cruise), an adventurous forest dweller who teaches her the languages of animals before showing her the unicorns as he promised he would someday do. Against Jack's pleas, Lily approaches the stallion to stroke him, making him distracted and the perfect target for a poisoned dart from Blix's blowpipe. Once hit, the unicorns bolt, and Lily makes light of Jack's fears and sets him a challenge by throwing her ring into a pond, declaring that she will marry whoever finds it.
Jack, proving his love to Lily, dives into the pond to retrieve it. As the stallion dies from the poison and the goblins seize his horn, the forest and the pond freeze, setting the mortal realm into an apocalyptic winter. Lily runs off in terror before Jack can break the surface of the frozen pond. Taking refuge in a frozen cottage, Lily overhears the goblins talking about their slaying of the unicorn and testing the alicorn's magical powers. She follows them to a rendevouz with Darkness, who orders them to hunt down the mare. In a fit of overconfidence, Blunder challenges Darkness with the stallion's horn in hand, but is instead restrained and taken away.
In the forest, Jack encounters the elf Honeythorn Gump (David Bennent, voiced by Alice Playten). Joined by Gump, the fairy Oona (Annabelle Lanyon), and the dwarves Brown Tom and Screwball (Cork Hubbert and Billy Barty), Jack searches for Lily before coming across the lifeless stallion and his mate. Knowing that the horn must be recovered and returned to the stallion, Jack is led by Gump and the others to a cache of ancient weapons while Brown Tom guards the mare. Lily, attempting to make amends for her role in the stallion's death, is captured alongside the mare after Brown Tom is knocked out. Learning what has transpired, Jack and his group enter the ancient temple in the marshes where Darkness resides. Though Jack deals with the swamp hag Meg Mucklebones (Robert Picardo), he and his group fall into a pit trap that takes them to dungeon. There they encounter Blunder, revealed to be a disguised elf, before he is dragged off by the ogre chefs to be cooked into a pie. Oona saves Jack and the others, and they resume searching for Lily and the mare.
Having fallen in love with Lily, Darkness tempts her; and Lily agrees to wed him on the condition that she kills the mare in the upcoming ritual. Overhearing their conversation, Jack and Gump learn that Darkness can be destroyed by daylight. While saving Blunder, the group take giant metal platters to reflect the sunlight to the chamber where the mare is to be sacrificed. As the ritual begins, Lily frees the unicorn, but is knocked out by Darkness. Jack fights Darkness while the others relay the light of the setting sun. Once hit by the light, Darkness is expelled to the edge of a cliff, but, using the unicorn's horn to hold on, he defiantly states to Jack that evil lurks in everyone and that they will never truly defeat him. Jack strikes Darkness' hand, releasing the unicorn's horn, and Darkness is expelled into the stars. As Gump returns the stallion's horn, returning him to life, Jack retrieves the ring from the pond and returns it to Lily, reviving her.

Question: How does Lily challenge Jack?

She throws her ring into the pond and offers a prize for finding it.


One of the wealthiest and most cultured residents of the famed Algonquin Avenue in Buffland (a city intended to be Cleveland), Captain Arthur Farnham is a Civil War veteran and widower—his wife died of illness while accompanying him at a remote frontier post. Since he left the army, he has sought to involve himself in municipal affairs, but fails though political naiveté. The victorious party has allowed him the position of chairman of the library board. In that capacity, he is approached by Maud Matchin, daughter of carpenter Saul Matchin, a man content with his lot. His daughter is not, and seeks employment at the library as a means of bettering herself. Farnham agrees to put her case, but is defeated by a majority on the board, who have their own candidate. She finds herself attracted to Farnham, who is more interested in Alice Belding, daughter of his wealthy widow neighbor.
Saul Matchin had hoped that his daughter would become a house servant, but having attended high school, she feels herself too good for that. She is admired by Saul's assistant Sam Sleeny, who lives with the Matchins, a match favored by her father. Sleeny is busy repairing Farnham's outbuildings, and is made jealous by interactions between the captain and Maud. Seeing Sleeny's discontent, Andrew Jackson Offitt (true name Ananias), a locksmith and "professional reformer", tries to get him to join the Bread-winners, a labor organization. Sleeny is happy with his employment, "Old Saul Matchin and me come to an agreement about time and pay, and both of us was suited. Ef he's got his heel into me, I don't feel it," but due to his unhappiness over Maud, is easy game for Offitt, who gets him to join, and to pay the dues that are Offitt's visible means of support.
Maud has become convinced that she is in love with Farnham, and declares it to him. It is not reciprocated, and the scene is witnessed both by Mrs. Belding and by Sleeny. The widow believes Farnham when he states he had given Maud no encouragement, but her daughter, when her mother incautiously tells her of the incident, does not. When Farnham seeks to marry Alice, she turns him down and asks him never to renew the subject.
Offitt's membership has tired of endless talk, and plans a general strike, a fact of which Farnham is informed by Mr. Temple, a salty-talking vice president of a rolling mill. An element among the strikers also plans to loot houses along Algonquin Avenue, including Farnham's. The strike begins, paralyzing Buffland's commerce, though it is initially nonviolent. Neither the mayor nor the chief of police, when approached by Farnham, are willing to guard Algonquin Avenue. Farnham proceeds to organize Civil War veterans, and purchases weapons to arm them. After Farnham's force rescues the mayor from being attacked, he deputizes them as special police—on condition there is no expense to the city.
Meanwhile, Maud tells her father she will never marry Sleeny. She is wooed by Bott, who is a spiritualist and a Bread-winner, and also by Offitt. Neither meets success, though Offitt dexterously prevents her from actually saying no, and through flattery and stories of his alleged past piques her interest.
By the end of the second day of the strike, which has spread to Buffland's rival city of Clearfield [in the serialization, "Clevealo"], the mood among the laborers has turned ugly. Temple warns that the attacks on Algonquin Avenue are imminent, and aids Farnham's force in turning back assaults on the captain's house and on the Belding residence. Bott and Sleeny are captured by the force; the former is sent to prison but Farnham has pity on Sleeny as a good workman, and the carpenter serves only a few days. The settlement of the strike in Clearfield takes the wind out of the Buffland action, and soon most are back at work, though some agitators are dismissed.
Offitt, despite being one of the leaders of the assault on the Belding house, has escaped blame and befriends the sullen Sleeny on his release. Upon learning that some workers pay their landlord, Farnham, in the evening of the rent day at his home, Offitt comes up with a scheme—rob and murder Farnham and let Sleeny take the blame as Offitt elopes with Maud. Accordingly, Offitt sneaks into Farnham's house with Sleeny's hammer, but just as he is striking the fatal blow, Alice Belding, who can see what is going on from her house through an opera glass, screams, distracting Offitt enough so that Farnham is hurt by the blow, but not killed. Offitt hurries away with the money, and proceeds to frame Sleeny. After realizing Offitt's treachery, Sleeny escapes jail and kills him. The stolen money is found on Offitt's body, clearing Sleeny in the assault on Farnham, but the carpenter must still stand trial for the killing of Offitt, in which he is aided by partisan testimony from Maud. A sympathetic jury ignores the law to find him not guilty. Sleeny wins Maud's hand in marriage, and Farnham and Alice Belding are to be wed.

Question: What are Offitt's visible means of support?


Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.

Question: What type of poison does Salieri use?


The opening panels of the story are set in the Duckburg museum, where Scrooge McDuck is opening a museum exhibit featuring the greatest wonders he has collected during his travels around the world (most of them direct tributes to classic Barks stories).
As Scrooge is bragging to his nephews, Donald Duck and Huey, Dewey and Louie (who all familiar with the artifacts, having taken part in the expeditions for them), Flintheart Glomgold, who is about to open his own exhibit, overhears Scrooge and the conversation between the two rivals turns into a bragging match as to who is the greatest adventurer and treasure-seeker. Scrooge challenges Glomgold to think of something he could find; Glomgold is momentarily nonplussed, then catches sight of Scrooge’s exhibit of Inca artifacts and points out that while Scrooge found the original gold mines of the Incas, he never found the golden artifacts that had been extracted from the mines. Soon Scrooge and his nephews are off on a race with Glomgold to see who can find, and claim the "greater Incan treasure".
The first clue comes as soon as Glomgold has left, as Donald picks up an Incan vase that was knocked over during the bragging match. They find a metal plaque baked inside, providing a map to a temple of Manco Capac in the Andes mountains. Unfortunately, Glomgold is eavesdropping.
Arriving at a village near Cuzco, Scrooge hires a plane to fly them to its location. The pilot of the plane turns out to be Glomgold, who relieves them of the plaque at gunpoint and then parachutes out. Scrooge tries to regain control of the plane and, in a comic episode, inadvertently rips out the belly of the plane while flying too low, dumping his nephews onto the valley floor, still in their seats. As the plane flies off, Glomgold approaches and informs the ducks that Scrooge has frightened away the porters he hired, so they will have to do.
A week later, Glomgold and his reluctant helpers reach a remote mountain, on the summit of which is the temple, built around a large volcanic fumarole (hence, the plaque’s description, the "life breath" of Manco Capac). Glomgold enters the temple’s treasure chamber and is beside himself with glee to discover an enormous store of golden Inca artifacts. Then Scrooge appears, calmly informing Glomgold that he crash-landed the plane on the mountaintop several days ago, and has already filed his claim on the gold using the plane’s radio.
It seems the Scrooge has won, but Huey, Dewey, and Louie are confused about one thing: the plaque makes reference to an Incan "treasure" being moved to the temple, but it actually predates the time of the conquistadors, which is naturally when the gold would have been moved there. Realising there must be another Incan treasure in the temple, Glomgold investigates further and discovers the "Eye" of Manco Capac: an enormous, disc-shaped sunburst festooned with enormous gemstones. Since Scrooge claimed the gold, and not the temple, and there’s no gold on the sunburst, that makes it Glomgold’s.
As Scrooge and Glomgold begin to argue about whose treasure is of greater value, Glomgold begins taking it down from its wall mounting, but it falls and rolls down the temple steps and into the fumarole. It wedges into the hole convex side down, creating a perfect seal. As the volcanic gases build up an enormous pressure, Scrooge notices that the back of the sunburst is sheathed in gold, starting another furious argument between him and Glomgold, and causing them to wedge the sunburst down even more firmly. Before the others can stop them, the pressure mounts and the entire mountaintop, temple and all, is suddenly blown into the sky like a cork from a bottle. The ducks are able to use a tapestry as a makeshift parachute before the temple lands squarely in a nearly bottomless volcanic lake, next to the village they originally started from. The massive splash of water irrigates the villagers’ crop fields, relieving them from the effects of recent drought.
All of the treasure is now completely irretrievable. As the dispirited ducks begin their journey back to civilisation, Scrooge is seen emerging from the village and mentions that he has agreed to build a pumping station for the village so that they will never be troubled by drought again. Glomgold scorns Scrooge's generosity, until Scrooge reveals that in return, the villagers have agreed to sell him the lake for one peso — which makes Scrooge the rightful owner of both the temple and all of the treasure inside it. Even though he cannot retrieve it, Scrooge is now the clear legal owner of all of the treasure — and thus the winner of the contest.

Question: What are both Scrooge and Glomgold in search of finding?


This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellidaâs mental health, has invited up Arnholm, Boletteâs former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.

Question: How many daughters does Doctor Wangel have?


The film takes place in 1936, at the height of the Great Depression. Johnny Hooker, a grifter in Joliet, Illinois, cons $11,000 in cash ($187,600 today) in a pigeon drop from an unsuspecting victim with the aid of his partners Luther Coleman and Joe Erie. Buoyed by the windfall, Luther announces his retirement and advises Hooker to seek out an old friend, Henry Gondorff, in Chicago to teach him "the big con". Unfortunately, their victim was a numbers racket courier for vicious crime boss Doyle Lonnegan. Corrupt Joliet police Lieutenant William Snyder confronts Hooker, revealing Lonnegan's involvement and demanding part of Hooker’s cut. Having already spent his share, Hooker pays Snyder in counterfeit bills. Lonnegan's men murder both the courier and Luther, and Hooker flees for his life to Chicago.
Hooker finds Henry Gondorff, a once-great con-man now hiding from the FBI, and asks for his help in taking on the dangerous Lonnegan. Gondorff is initially reluctant, but he relents and recruits a core team of experienced con men to con Lonnegan. They decide to resurrect an elaborate and supposedly obsolete scam known as "the wire", using a larger crew of con artists to create a phony off-track betting parlor. Aboard the opulent 20th Century Limited, Gondorff, posing as boorish Chicago bookie Shaw, buys into Lonnegan's private, high-stakes poker game. Shaw infuriates Lonnegan with his obnoxious behavior, then out-cheats him to win $15,000. Hooker, posing as Shaw's disgruntled employee, Kelly, is sent to collect the winnings and instead convinces Lonnegan that he wants to take over Shaw's operation. Kelly reveals that he has a partner named Les Harmon (actually con man Kid Twist) in the Chicago Western Union office, who will allow them to win bets on horse races by past-posting.
Meanwhile, Snyder has tracked Hooker to Chicago, but his pursuit is thwarted when he is summoned by undercover FBI agents led by Agent Polk, who orders him to assist in their plan to arrest Gondorff using Hooker. At the same time, Lonnegan has grown frustrated with the inability of his men to find and kill Hooker. Unaware that Kelly is Hooker, he demands that Salino, his best assassin, be given the job. A mysterious figure with black leather gloves is then seen following and observing Hooker.
Kelly's connection appears effective, as Harmon provides Lonnegan with the winner of one horse race and the trifecta of another race. Lonnegan agrees to finance a $500,000 ($8,526,000 today) bet at Shaw's parlor to break Shaw and gain revenge. Shortly thereafter, Snyder captures Hooker and brings him before FBI Agent Polk. Polk forces Hooker to betray Gondorff by threatening to incarcerate Luther Coleman's widow.
The night before the sting, Hooker sleeps with Loretta, a waitress from a local restaurant. As Hooker leaves the building the next morning, he sees Loretta walking toward him. The black-gloved man appears behind Hooker and shoots her dead – she was Lonnegan's hired killer, Loretta Salino, and the gunman was hired by Gondorff to protect Hooker.
Armed with Harmon’s tip to "place it on Lucky Dan", Lonnegan makes the $500,000 bet at Shaw’s parlor on Lucky Dan to win. As the race begins, Harmon arrives and expresses shock at Lonnegan's bet, explaining that when he said "place it" he meant, literally, that Lucky Dan would "place" (i.e., finish second). In a panic, Lonnegan rushes the teller window and demands his money back. As this happens, Agent Polk, Lt. Snyder, and a half dozen FBI officers storm the parlor. Polk confronts Gondorff, then tells Hooker he is free to go. Gondorff, reacting to the betrayal, shoots Hooker in the back. Polk then shoots Gondorff and orders Snyder to get the ostensibly respectable Lonnegan away from the crime scene. With Lonnegan and Snyder safely away, Hooker and Gondorff rise amid cheers and laughter. Agent Polk is actually Hickey, a con man, running a con atop Gondorff's con to divert Snyder and provide a solid "blow off". As the con men strip the room of its contents, Hooker refuses his share of the money, saying "I'd only blow it", and walks away with Gondorff.

Question: How big is the bet Lonnegan places at Shaw's betting parlor?

Five hundred thousand dollars.
The bet is $500,00.


The hero of Framley Parsonage, Mark Robarts, is a young vicar, settled in the village of Framley in Barsetshire with his wife and children. The living has come into his hands through Lady Lufton, the mother of his childhood friend Ludovic, Lord Lufton. Mark has ambitions to further his career and begins to seek connections in the county's high society. He is soon preyed upon by local Whig Member of Parliament Mr Sowerby to guarantee a substantial loan, which Mark in a moment of weakness agrees to do, even though he does not have the means and knows Sowerby to be a notorious debtor. The consequences of this blunder play a major role in the plot, with Mark eventually being publicly humiliated when bailiffs arrive and begin to take an inventory of the Robarts' furniture. At the last moment, Lord Lufton forces a loan on the reluctant Mark.
Another plot line deals with the romance between Mark's sister Lucy and Lord Lufton. The couple are deeply in love and the young man proposes, but Lady Lufton is against the marriage. She would prefer that her son instead choose the coldly beautiful Griselda Grantly, daughter of Archdeacon Grantly, and fears that Lucy is too "insignificant" for such a high position. Lucy herself recognises the great gulf between their social positions and declines the proposal. When Lord Lufton persists, she agrees only on condition that Lady Lufton ask her to accept her son. Lucy's conduct and charity (especially towards the family of poor priest Josiah Crawley) weaken her ladyship's resolve. In addition, Griselda becomes engaged to Lord Dumbello. But it is the determination of Lord Lufton that in the end vanquishes his doting mother.
The book ends with Lucy and Ludovic's marriage as well as three other marriages. Two of these involve the daughters of Bishop Proudie and Archdeacon Grantly. The rivalry between Mrs Proudie and Mrs Grantly over their matrimonial ambitions forms a significant comic subplot, with the latter triumphant. The other marriage is that of the outspoken heiress, Martha Dunstable, to Doctor Thorne, the eponymous hero of the preceding novel in the series.

Question: How is Mark publically humiliated?

Bailiffs arrive at his home and take inventory of his furninishing.

Bailiffs arrive and begin to take inventory of the Robarts' furniture


Working with his three friends at their new software development company Skullbocks, Stanford graduate Milo Hoffman is contacted by CEO Gary Winston of NURV (Never Underestimate Radical Vision) for a very attractive programming position: a fat paycheck, an almost-unrestrained working environment, and extensive creative control over his work. Accepting Winston's offer, Hoffman and his girlfriend, Alice Poulson, move to NURV headquarters in Portland, Oregon.
Despite development of the flagship product (Synapse, a worldwide media distribution network) being well on schedule, Hoffman soon becomes suspicious of the excellent source code Winston personally provides to him, seemingly when needed most, while refusing to divulge the code's origin.
After his best friend, Teddy Chin, is murdered, Hoffman discovers that NURV is stealing the code they need from programmers around the world—including Chin—and then killing them to cover their tracks. Hoffman learns that not only does NURV employ an extensive surveillance system to observe and steal code, the company has infiltrated the Justice Department and most of the mainstream media. Even his girlfriend is a plant, an ex-con hired by the company to manipulate him.
While searching through a secret NURV database containing surveillance dossiers on employees, he finds that the company has information of a very personal nature about a friend and co-worker, Lisa Calighan. When he reveals to her that the company has this information, she agrees to help him expose NURV's crimes to the world. Coordinating with Brian Bissel, one of Hoffman's friends from his old startup, they plan to use a local public-access television station to hijack Synapse and broadcast their charges against NURV to the world. However, Calighan turns out to be a double agent, foils Hoffman's plan, and turns him over to Winston.
Hoffman had already confronted Poulson and convinced her to side with him against Winston and NURV. When it became clear that Hoffman had not succeeded, a backup plan is put into motion by Poulson, the fourth member of Skullbocks, and the incorruptible internal security firm hired by NURV. As Winston prepares to kill Hoffman, the second team successfully usurps one of NURV's own work centers—"Building 21"—and transmits the incriminating evidence as well as the Synapse code. Calighan, Winston and his entourage are publicly arrested for their crimes. After parting ways with the redeemed Poulson, Hoffman rejoins Skullbocks.

Question: Who moves to Portland with Hoffman?

Alice Poulson, his girlfriend
His girlfriend Alice


The play is set in a duchy in France, but most of the action takes place in a location called the Forest of Arden. This may be intended as the Ardennes, a forested region covering an area located in southeast Belgium, western Luxembourg and northeastern France, or Arden, Warwickshire, near Shakespeare's home town, which was the ancestral origin of his mother's familyâwho incidentally were called Arden.
Frederick has usurped the Duchy and exiled his older brother, Duke Senior. Duke Senior's daughter, Rosalind, has been permitted to remain at court because she is the closest friend and cousin of Frederick's only child, Celia. Orlando, a young gentleman of the kingdom who at first sight has fallen in love with Rosalind, is forced to flee his home after being persecuted by his older brother, Oliver. Frederick becomes angry and banishes Rosalind from court. Celia and Rosalind decide to flee together accompanied by the court clown, Touchstone, with Rosalind disguised as a young man and Celia disguised as a poor lady.
Rosalind, now disguised as Ganymede ("Jove's own page"), and Celia, now disguised as Aliena (Latin for "stranger"), arrive in the Arcadian Forest of Arden, where the exiled Duke now lives with some supporters, including "the melancholy Jaques," a malcontent figure, who is introduced to us weeping over the slaughter of a deer. "Ganymede" and "Aliena" do not immediately encounter the Duke and his companions, as they meet up with Corin, an impoverished tenant, and offer to buy his master's crude cottage.
Orlando and his servant Adam, meanwhile, find the Duke and his men and are soon living with them and posting simplistic love poems for Rosalind on the trees. (The role of Adam may have been played by Shakespeare, though this story is said to be apocryphal.) Rosalind, also in love with Orlando, meets him as Ganymede and pretends to counsel him to cure him of being in love. Ganymede says that "he" will take Rosalind's place and that "he" and Orlando can act out their relationship.
The shepherdess, Phoebe, with whom Silvius is in love, has fallen in love with Ganymede (Rosalind in disguise), though "Ganymede" continually shows that "he" is not interested in Phoebe. Touchstone, meanwhile, has fallen in love with the dull-witted shepherdess, Audrey, and tries to woo her, but eventually is forced to be married first. William, another shepherd, attempts to marry Audrey as well, but is stopped by Touchstone, who threatens to kill him "a hundred and fifty ways".
Finally, Silvius, Phoebe, Ganymede, and Orlando are brought together in an argument with each other over who will get whom. Ganymede says he will solve the problem, having Orlando promise to marry Rosalind, and Phoebe promise to marry Silvius if she cannot marry Ganymede.
Orlando sees Oliver in the forest and rescues him from a lioness, causing Oliver to repent for mistreating Orlando. Oliver meets Aliena (Celia's false identity) and falls in love with her, and they agree to marry. Orlando and Rosalind, Oliver and Celia, Silvius and Phoebe, and Touchstone and Audrey all are married in the final scene, after which they discover that Frederick also has repented his faults, deciding to restore his legitimate brother to the dukedom and adopt a religious life. Jaques, ever melancholic, declines their invitation to return to the court preferring to stay in the forest and to adopt a religious life as well. Rosalind speaks an epilogue to the audience, commending the play to both men and women in the audience.

Question: Who does Oliver marry in the end?