Mary Horowitz, a crossword puzzle writer for the Sacramento Herald, is socially awkward and considers her pet hamster her only true friend.
Her parents decide to set her up on a blind date. Mary's expectations are low, as she tells her hamster. Mary is pleasantly surprised when her date turns out to be handsome and charming Steve Miller, a cameraman for the television news network CCN. Steve does not reciprocate her feelings. After an attempt at an intimate moment fails, in part because of her awkwardness and inability to stop talking about vocabulary, Steve fakes a phone call about covering the news out of town. Trying to get Mary out of his truck, he tells her he wishes she could be there.
Mary believes him and decides to pursue him. Mary's obsession gets her fired when she creates a crossword titled "All About Steve". Following her termination, Mary decides to track Steve around the country in the hopes of winning his affection. She is encouraged by CCN news reporter Hartman Hughes, who hopes to use Mary's encyclopedic knowledge in his reports to help himself get a promotion to become an anchor. On the road, Mary annoys some bus passengers so much, the driver abandons her. She hitchhikes with a trucker named Norm, then meets and travels with a pair of protesters, Elizabeth, a ditzy but sweet and likeable girl, and Howard, who sells apples he carves into celebrities. She gradually grows close to the two.
Steve and crew end up covering a breaking news story: an old mine collapsed with numerous deaf children stuck inside. Initially, it appears that the children are rescued. Mary, who arrives on the scene, accidentally falls into the mine shaft as well while making a beeline for Steve. It turns out that not all the children have been rescued, and Mary is trapped with one left behind. Steve begins to realize that Mary, in her own unique way, is a beautiful person. Just as Mary figures a way out, the two are joined by Hartman, who is made to feel guilty by Elizabeth and Howard for getting Mary into this predicament. Mary's rescue plan works, but she lets Hartman take the credit. Mary finally realizes she does not need Steve to be happy. She states, "If you love someone, set him free; if you have to stalk him, he probably wasn't yours in the first place."
After the end credits, a competitive TV reporter, in despair that Hartman got popularity by falling into the mine while trying to save Mary, also jumps into the mine.

Question: Steve Miller is a camerarman for what company?


The novel is divided into three volumes.
Part One (Chapters 1 to 15): Gilbert Markham narrates how a mysterious widow, Mrs Helen Graham, arrives at Wildfell Hall, a nearby mansion. A source of curiosity for the small community, the reticent Mrs Graham and her young son Arthur are slowly drawn into the social circles of the village. Initially Gilbert Markham casually courts Eliza Millward, despite his mother's belief that he can do better. His interest in Eliza wanes as he comes to know Mrs Graham. In retribution Eliza spreads (and perhaps creates) scandalous rumours about Helen. With gossip flying, Gilbert is led to believe that his friend Mr Lawrence is courting Mrs Graham. At a chance meeting on a road Gilbert strikes the mounted Lawrence with a whip handle, causing him to fall from his horse. Though she is unaware of this confrontation, Helen Graham still refuses to marry Gilbert, but when he accuses her of loving Lawrence she gives him her diaries.
Part two (Chapters 16 to 44) is taken from Helen's diaries, in which she describes her marriage to Arthur Huntingdon. The handsome, witty Huntingdon is also spoilt, selfish and self-indulgent. Before marrying Helen he flirts with Annabella, and uses this to manipulate Helen and convince her to marry him. Helen, blinded by love, marries him, and resolves to reform him with gentle persuasion and good example. After the birth of their only child, however, Huntingdon becomes increasingly jealous of their son (also called Arthur), and his claims on Helen's attentions and affections.
Huntingdon's pack of dissolute friends frequently engage in drunken revels at the family's home, Grassdale, oppressing those of finer character. Both men and women are portrayed as degraded. In particular, Annabella, now Lady Lowborough, is shown to be unfaithful to her melancholy but devoted husband.
Walter Hargrave, the brother of Helen's friend Milicent Hargrave, vies for Helen's affections. While he is not as wild as his peers, he is an unwelcome admirer: Helen senses his predatory nature when they play chess. Walter tells Helen of Arthur's affair with Lady Lowborough. When his friends depart Arthur pines openly for his paramour and derides his wife.
Arthur's corruption of their son â encouraging him to drink and swear at his tender age â is the last straw for Helen. She plans to flee to save her son, but her husband learns of her plans from her diary and burns the artist's tools with which she had hoped to support herself. Eventually, with help from her brother, Mr Lawrence, Helen finds a secret refuge at Wildfell Hall.
Part Three (Chapters 45 to 53) begins after Gilbert's reading of the diaries. Helen bids Gilbert to leave her because she is not free to marry. He complies and soon learns that she has returned to Grassdale because her husband is gravely ill. Helen's ministrations are in vain, and Huntingdon's death is painful since he is fraught with terror at what awaits him. Helen cannot comfort him, for he rejects responsibility for his actions and wishes instead for her to come with him to plead for his salvation.
A year passes. Gilbert pursues a rumour of Helen's impending wedding, only to find that Mr Lawrence, with whom he has reconciled, is marrying Helen's friend Esther Hargrave. Gilbert goes to Grassdale, and discovers that Helen is now wealthy and lives at her estate in Staningley. He travels there, but is plagued by anxiety that she is now far above his station. He encounters Helen, her aunt and young Arthur by chance. The two lovers reconcile and marry.

Question: Who does Mr. Lawrence end up marrying?


Convenience store robber Herbert I. "Hi" McDunnough (Nicolas Cage) and police officer Edwina "Ed" (Holly Hunter) meet after she takes the mugshots of the recidivist. With continued visits, Hi learns that Ed's fiancĂŠ has left her. Hi proposes to her after his latest release from prison, and the two get married. They move into a desert mobile home, and Hi gets a job in a machine shop. They want to have children but Ed is infertile, and they cannot adopt because of Hi's criminal record, despite the fact that Ed is a police officer. Devastated, Ed resigns her job. The couple learns of the "Arizona Quints," sons of locally famous furniture magnate Nathan Arizona (Trey Wilson); Hi and Ed kidnap one of the five babies, whom they believe to be Nathan Junior.
Hi and Ed return home and are soon visited by Hi's cellmates, Gale and Evelle Snoats (John Goodman and William Forsythe), who have just escaped from prison. Under the brothers' influence, Hi is tempted to return to his felonious ways. Their problems get worse when Hi's supervisor, Glen (Sam McMurray), proposes wife swapping and Hi assaults him. That night, Hi decides to steal a package of diapers for the baby, but gets carried away and starts to rob the convenience store. Ed sees this and, furious, drives off without him. Hi is then forced to flee on foot from the convenience store, chased by two police officers and an armed cashier, who attempt to shoot him down, as well as a pack of neighborhood dogs, but he manages to outrun and lose them. Ed eventually picks him up, leading to a tense ride home.
At the McDunnough residence the next day, Glen approaches Hi to fire him, and reveals that he has deduced Junior's identity because of the newspaper article he read about Junior missing, and blackmails Hi, threatening to turn him over to the police unless Glen and Dot get custody of Junior. Gale and Evelle overhear this conversation and turn on Hi, tying him to a chair and taking Junior for themselves. Gale and Evelle leave with plans to rob a "hayseed" bank with Junior in tow. When Ed comes home, she frees Hi and the two arm themselves and set out together to retrieve the child. En route, Ed suggests that they should end their marriage after recovering the boy. Meanwhile, Nathan Arizona Sr. is approached by the bounty hunter Leonard Smalls (Randall "Tex" Cobb) who offers to find the child for $50,000. Nathan Sr. declines the offer, believing that Smalls himself is his son's kidnapper. Smalls decides to recover the child anyway to sell on the black market. He begins tracking Gale and Evelle and learns of their bank robbery plans.
Gale and Evelle rob a bank but leave Junior there as they make their getaway. One of the bank's anti-theft dye canisters explodes in their loot sack, blocking the car's windows and incapacitating them. At the bank, Smalls arrives for Junior just ahead of Ed and Hi. Ed grabs the baby and flees; Hi is able to fend Smalls off for a while, but eventually finds himself at Smalls' mercy when Smalls punches Hi in the face several times. As Smalls throws Hi to the ground and prepares to kill him, Hi holds up his hand to reveal that he has pulled the pin from one of the hand grenades on Smalls' vest. Smalls attempts to get rid of the grenade, but he cannot get it off in time and is blown to pieces when the grenade explodes and sets off all his weapons.
Hi and Ed sneak Junior back into the Arizona home and are confronted by Nathan Sr. After Nathan Sr. learns why they took his son, he understands the couple's predicament and decides not to turn them over to the police. He counsels them: when Hi and Ed say that they are splitting up, he advises them to sleep on it. Hi and Ed go to sleep in the same bed, and Hi has a dream about Gale and Evelle reforming after returning to prison; Glen gets his due from a Polish-American police officer after "telling one Polack joke too many"; and Nathan Jr. gets a football for Christmas from "a kindly couple who wish to remain unknown", later becoming a football star. The dream ends with an elderly couple (implied to be Hi and Ed) together enjoying a holiday visit from a large family of children and grandchildren.

Question: Who does Hi assault?


Architect Peter Mitchell (Tom Selleck), cartoonist Michael Kellam (Steve Guttenberg), and actor Jack Holden (Ted Danson) are happy living their lives as bachelors in their lofty New York City apartment where they have frequent parties and flings with different women. Their lives are disrupted when a baby named Mary arrives on their doorstep one day. A note with her, written by a lady named Sylvia, indicates that she is Jack's, the result of a tryst between the actor and actress. Mary arrives in his absence â he is in Turkey shooting a B movie, leaving Peter and Michael to fend for themselves in taking care of her. Prior to leaving, Jack had made arrangements with a director friend to have a "package" delivered to the apartment as a favor. Before Mary's arrival, he calls and leaves a message with Peter and Michael informing them of it and to keep it a secret per the director friend's wishes. When she arrives, they mistakenly believe she is "the package", even though there is a note from her mother.
Peter and Michael are totally befuddled on how to care for Mary, and Peter leaves to go buy whatever supplies are needed. While he is gone, Mrs. Hathaway (Cynthia Harris), the landlady, delivers a small box (which is the actual "package" containing heroin) to the apartment and Michael tosses it aside while trying to keep Mary under control. After Peter returns, they eventually figure out her proper care, right down to diaper changes, baths, and feedings.
The next day, two men (who are drug dealers) arrive at the apartment to pick up the package. Peter and Michael mistakenly give Mary to them instead, and shortly after they leave, Peter discovers the actual package. He runs downstairs to intercept them, but trips and stumbles, and the package's contents spill. He gathers it and retrieves Mary from them, but retains the heroin while allowing them to take a can of powdered milk. After the exchange, a police officer attempts to ticket them for illegal parking, but they escape. He accosts Peter and detains him in the apartment until Sgt. Melkowitz (Philip Bosco), a narcotics officer, arrives to question him and Michael about the drugs. They successfully hide them from him during the interrogation, in which they learn that Jack's friend is a drug dealer as well. He leaves with suspicions and puts them and the apartment under surveillance.
Peter and Michael are able to persuade Mrs. Hathaway to babysit Mary while they work. Once they get home, however, they find her bound and gagged and the apartment ransacked, apparently by the dealers demanding the heroin. Mary is safe, however. They continue with their care of her, adjusting to surrogate fatherhood and growing attached to her, until Jack returns.
Once Jack returns, Peter and Michael question him about the entire drug deal and Mary. He replies that he knew nothing about the heroin and initially denies everything about Mary until he reads the note from Sylvia. He then recalls the tryst that eventually led to her being born. Peter and Michael do not hesitate in taking their revenge and passing all responsibility of looking after her to him, but he quickly grows to love her.
Later, Peter discovers in the mail a news clipping of Jack's director friend being hospitalized after a mugging (presumably by the drug dealers), with a handwritten note, "Don't let this happen to you." They formulate a plan to meet and trap them when they negotiate a deal to deliver the illicit goods. With a recording of the conversation, they prove their innocence to Melkowitz and the dealers are arrested.
By now, they have fully embraced their role as Mary's guardians. However, one morning, Sylvia (Nancy Travis) arrives, asking for her back intending to take her to London to live with her family. Handing her over, they quickly find themselves miserable and desperately missing her. Deciding to stop her and Sylvia from leaving, they rush to the airport to try and persuade the latter to stay, but they arrive just as her plane is backing up from the gate. Defeated, they return home, where they find both Mary and Sylvia, who did not go to London after all. Sylvia tearfully explains she doesn't want to give up her acting career but can't do so if she has to raise Mary alone, so Peter quickly invites her and Mary to move in with them with Jack and Michael's agreement, and she agrees.

Question: Where was Sylvia and Mary while Peter was at the airport?

Back at Peters apartment as she didn't want to raise Mary alone


In 1959, the four dead bodies of the Clutter family are discovered on their Kansas farm. While reading The New York Times, Truman Capote (Philip Seymour Hoffman) is riveted by the story and calls The New Yorker magazine editor William Shawn (Bob Balaban) to tell him that he plans to document the tragedy.
Capote travels to Kansas, inviting childhood friend Nelle Harper Lee (Catherine Keener) to come along. He intends to interview those involved with the Clutter family, with Lee as his go-between and facilitator. Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation's lead detective on the case, brushes him off, but Dewey's wife Marie (Amy Ryan) is a fan of Capote's writing and persuades her husband to invite Capote and Lee to their house for dinner.
Capote's stories of movie sets and film stars captivate Marie. Over time, her husband warms up to Capote and allows him to view the photographs of the victims. The Deweys, Lee, and Capote are having dinner when the murder suspects, Perry Smith (Clifton Collins Jr.) and Richard "Dick" Hickock (Mark Pellegrino), are caught. Flattery, bribery, and a keen insight into the human condition facilitate Capote's visits to the prison where the accused are held.
Capote begins to form an attachment to Smith. He informs Shawn of his intent to expand the story into a full-length book. Following the trial and conviction, Capote gains continued access to the murderers by bribing Warden Marshall Krutch (Marshall Bell).
Capote spends the following years regularly visiting Smith and learning about his life, excepting a year-long stint when he goes to Morocco and Spain to write the "first three parts" of the book, accompanied by his romantic partner Jack Dunphy (Bruce Greenwood).
The story of Smith's life, his remorseful manner, and his emotional sincerity impress Capote, who becomes emotionally attached to him despite the gruesome murders. Capote aids Smith and Hickock by obtaining expert legal counsel for them and initiating an appeal. Still he is frustrated, as Smith declines to relate exactly what happened on the night of the murders.
Though initially an effort to provide proper representation and extend Capote's opportunity to speak with the killers, the appeals process drags on for several years. Without the court case being resolved, Capote feels he is stuck with a story without an ending, and he is unable to complete his book. Eventually he gets Smith to describe the killings and his thoughts at the time in great detail. He has what he wants from Smith, but in the process he sees a callousness and selfishness in his own actions.
Now with everything in hand, Capote still must wait for the appeals process to conclude before he feels he can publish his work. In the course of time, Lee's best-selling novel To Kill a Mockingbird is turned into a movie, but Capote is unable to share in the joy of his friend's success, too caught up in drinking through his own misery.
With the last appeal rejected, Smith pleads for Capote to return before he is executed, but Capote cannot bring himself to do so. A telegram from Smith to Harper Lee ultimately compels Capote to return to Kansas. There he is an eyewitness as Smith and Hickock are executed.
Capote talks to Lee about the horrifying experience and laments that he could not do anything to stop it. She replies, "Maybe not. The fact is you didn't want to." The final scenes show Capote looking through photos from the case and at the writings and drawings given to him by Smith. An epilogue points out that In Cold Blood turned Capote into the most famous writer in America, also noting that he never finished another book.

Question: What does Marie's husband do?

He is a detective.
Kansas bureau of investigation


Anne leaves Green Gables and her work as a teacher in Avonlea to pursue her original dream (which she gave up in Anne of Green Gables) of taking further education at Redmond College in Nova Scotia. Gilbert Blythe and Charlie Sloane enroll as well, as does Anne's friend from Queen's Academy, Priscilla Grant. During her first week of school, Anne befriends Philippa Gordon, a beautiful girl whose frivolous ways charm her. Philippa (Phil for short) also happens to be from Anne's birthplace in Bolingbroke, Nova Scotia.
The girls spend their first year in boardinghouses and decide to set up house thereafter in a lovely cottage called Patty's Place, near campus. The girls enter their second year at Redmond happily ensconced at Patty's Place, along with Queen's classmate Stella Maynard and her "Aunt Jimsie" (their chaperone), while life continues in Avonlea. Diana Barry becomes engaged to Fred Wright and Davy and Dora continue to keep Marilla busy.
Midway through their college years, Gilbert Blythe, who has always loved Anne, proposes to her but Anne rejects him; although she and Gilbert are very close, she holds sentimental fantasies about true love (all featuring a tall, dark, handsome, inscrutable hero) and does not recognize her true feelings for Gilbert. Gilbert leaves, his heart broken, and the two drift apart.
Anne's childhood friend Ruby Gillis dies of consumption very soon after finding her own true love. Anne later welcomes the courtship of Roy Gardiner, a darkly handsome Redmond student who showers her with attention and poetic gestures. However, when he proposes after two years, Anne abruptly realizes that Roy does not really belong in her life, and that she had only been in love with the idea of him as the embodiment of her romantic image of love.
Anne is so ashamed in how she treated Roy that she feels her entire Redmond experience may have been spoiled. She returns to Green Gables, a "full-fledged B.A.", but finds herself a bit lonely. Diana gives birth to her first child, and Jane Andrews, an old school friend, marries a Winnipeg millionaire. Having received an offer to be the principal of the Summerside school in the fall, Anne is keeping herself occupied over the summer when she learns that Gilbert is gravely ill with typhoid fever. With shock, Anne finally realizes how deep her true feelings for Gilbert are, and endures a white night of fear that he will leave this world without knowing that she does care. In the morning, Anne gratefully learns that Gilbert will survive. Gilbert recovers over the summer, bolstered by a letter from Phil assuring him that there is really nothing between Anne and Roy. After several visits to Green Gables, Gilbert and Anne take a late summer walk in Hester Gray's garden, and finally become engaged.

Question: What do Anne and Phillipa have in common?

They are both from Bolingbroke.
Both are from Bolingbroke Nova Scotia


Painter Claude Lantier advocates painting real subjects in real places, most notably outdoors. This is in stark contrast to the artistic establishment, where artists painted in the studio and concentrated on mythological, historical and religious subjects. His art making is revolutionary and he has a small circle of like-minded friends equally intent on shaking up the art world and challenging the establishment. His best friends are his childhood comrades Pierre Sandoz, novelist and Louis Dubuche, an architect. Like Zola, Sandoz contemplates a series of novels about a family based in science and incorporating modern people and everyday lives. Dubuche is not half as bold as Claude and, although a painter, finds music to be his passion. He chooses a more conventional course, opting for the security of a middle-class life and a bourgeois marriage. Sandoz also pursues marriage – not for love but stability and to better understand what he is writing about. The outcry in the artistic community over the sidelining of new artists in favor of popular, established, traditional artists at the annual Salon of the Académie des Beaux-Arts leads to the creation of a Salon des Refusés for the rejected artists to display their work. No painting gathers more interest or generates more criticism than Claude's. Entitled Plein Air (Open Air), it depicts a nude female figure in the front center and two female nudes in the background, with a fully dressed man, back to the viewer in the foreground. (Zola deliberately invokes Le déjeuner sur l'herbe by Édouard Manet, which provoked outcries at the actual Salon des Refusés in 1863.)
Claude moves to the country to soak up more of the 'Open Air' atmosphere he revelled in as a child and to create more masterpieces. Accompanying him is Christine Hallegrain, who served as the model for Claude's nude and they have a son. Claude is unable to paint much and grows more and more depressed. For the sake of his health, Christine convinces him to return to Paris. Claude has three paintings in three years rejected by the Salon before a spectacular view of the Île de la Cité captures his imagination. He becomes obsessed with this vision and constructs a massive canvas on which to paint his masterpiece. He is unable to project his ideas successfully or combine them into a meaningful whole. He begins adding incongruous elements (like a female nude bather), reworks and repaints until the whole enterprise collapses into disaster, then starts over. His inability to create his masterpiece deepens his depression. The slow breakup of his circle of friends contributes to his decaying mental state, as does the success of one of his confreres, a lesser talent who has co-opted the 'Open Air' school and made it a critical and financial triumph.
Christine, whom he has at last married, watches as the painting – and especially the nude – begins to destroy his soul. When their son dies, Claude is inspired to paint a picture of the dead body that is accepted by the Salon (after considerable politicking). The painting is ridiculed for its subject and its execution and Claude again turns to his huge landscape. Christine watches as he spirals further into obsession and madness. A last-ditch effort to free him from Art in general and from his wished-for masterpiece in particular has an effect but in the end Claude hangs himself from his scaffolding. The only ones of his old friends who attend his funeral are Sandoz and Bongrand, an elder statesman of the artistic community who recognized and helped nurture Claude's genius.

Question: What happens to Claude at the end of the story?


Sir Leicester Dedlock and his wife Lady Honoria live on his estate at Chesney Wold. Unknown to Sir Leicester, Lady Dedlock had a lover, Captain Hawdon, before she married â and had a daughter by him. Lady Dedlock believes her daughter is dead.
The daughter, Esther, is in fact alive, and being raised by Miss Barbary, Lady Dedlock's sister. Esther does not know Miss Barbary is her aunt. After Miss Barbary dies, John Jarndyce becomes Esther's guardian and assigns the Chancery lawyer "Conversation" Kenge to take charge of her future. After attending school for six years, Esther moves in with him at Bleak House.
Jarndyce simultaneously assumes custody of two other wards, Richard Carstone and Ada Clare (Esther's cousins). They are beneficiaries in one of the wills at issue in Jarndyce and Jarndyce; their guardian is a beneficiary under another will, and the two wills conflict. Richard and Ada soon fall in love, but though Mr. Jarndyce doesn't oppose the match, he stipulates that Richard must first choose a profession. Richard first tries a career in medicine, and Esther meets Mr. Allan Woodcourt at the house of Richard's tutor. When Richard mentions the prospect of gaining from the resolution of Jarndyce and Jarndyce, John Jarndyce beseeches him never to put faith in what he calls "the family curse".
Meanwhile, Lady Dedlock is also a beneficiary under one of the wills. Early in the book, while listening to the reading of an affidavit by the family solicitor Mr. Tulkinghorn, she recognises the handwriting on the copy. The sight affects her so much she almost faints, which Tulkinghorn notices and investigates. He traces the copyist, a pauper known only as "Nemo," in London. Nemo has recently died, and the only person to identify him is a street-sweeper, a poor homeless boy named Jo, who lives in Tom-All-Alone's.
Lady Dedlock is also investigating, disguised as her maid, Hortense. She pays Jo to take her to Nemo's grave. Meanwhile, Tulkinghorn is concerned Lady Dedlock's secret could threaten the interests of Sir Leicester, and watches her constantly, even enlisting her maid to spy on her. He also enlists Inspector Bucket to run Jo out of town, so that there are no loose ends that might connect Nemo to the Dedlocks.
Esther sees Lady Dedlock at church and talks with her later at Chesney Wold â though neither woman recognises their connection. Later, Lady Dedlock does discover that Esther is her child. However Esther has become sick (possibly with smallpox, since it permanently disfigures her) after nursing the homeless boy Jo. Lady Dedlock waits until she has recovered before telling her the truth. Though Esther and Lady Dedlock are happy to be reunited, Lady Dedlock tells Esther they must never acknowledge their connection again.
On her recovery, Esther finds that Richard, having failed at several professions, has disobeyed his guardian and is trying to push Jarndyce and Jarndyce to conclusion in his and Ada's favour. In the process, Richard loses all his money and declines in health. He and Ada have secretly married, and Ada is pregnant. Esther has her own romance when Mr. Woodcourt returns to England, having survived a shipwreck, and continues to seek her company despite her disfigurement. Unfortunately, Esther has already agreed to marry her guardian, John Jarndyce.
Hortense and Tulkinghorn discover the truth about Lady Dedlock's past. After a confrontation with Tulkinghorn, Lady Dedlock flees her home, leaving a note apologising for her conduct. Tulkinghorn dismisses Hortense, who is no longer of any use to him. Feeling abandoned and betrayed, Hortense kills Tulkinghorn and seeks to frame Lady Dedlock for his murder. Sir Leicester, discovering his lawyer's death and his wife's flight, suffers a catastrophic stroke, but he manages to communicate that he forgives his wife and wants her to return.
Inspector Bucket, who has previously investigated several matters related to Jarndyce and Jarndyce, accepts Sir Leicester's commission to find Lady Dedlock. At first he suspects Lady Dedlock of the murder, but is able to clear her of suspicion after discovering Hortense's guilt, and asks Esther's help to find her. Lady Dedlock has no way to know of her husband's forgiveness or that she has been cleared of suspicion, and she wanders the country in cold weather before dying at the cemetery of her former lover Captain Hawdon (Nemo). Esther and Bucket find her there.
Progress in Jarndyce and Jarndyce seem to take a turn for the better when a later will is found, which revokes all previous wills and leaves the bulk of the estate to Richard and Ada. Meanwhile, John Jarndyce cancels his engagement to Esther, who becomes engaged to Mr. Woodcourt. They go to Chancery to find Richard. On their arrival, they learn that the case of Jarndyce and Jarndyce is finally over, but the costs of litigation have entirely consumed the estate. Richard collapses, and Mr. Woodcourt diagnoses him as being in the last stages of tuberculosis. Richard apologises to John Jarndyce and dies. Jarndyce takes in Ada and her child, a boy whom she names Richard. Esther and Woodcourt marry and live in a Yorkshire house which Jarndyce gives to them. The couple later raise two daughters.
Many of the novel's subplots focus on minor characters. One such subplot is the hard life and happy, though difficult, marriage of Caddy Jellyby and Prince Turveydrop. Another plot focuses on George Rouncewell's rediscovery of his family and his reunion with his mother and brother.

Question: What is Tulkinghorn concerned about?

Lady Dedlock's secret could be a threat to the interests of Sir. Leicester.

that lady dedlock's secret may compromise sir leicester


Disillusioned knight Antonius Block (Max von Sydow) and his nihilistic squire Jöns (Gunnar Björnstrand) return after fighting in the Crusades and find Sweden being ravaged by the plague. On the beach immediately after their arrival, the knight encounters Death (Bengt Ekerot), personified as a pale, black-cowled figure resembling a monk. The knight, in the middle of a chess game he has been playing alone, challenges Death to a chess match, believing that he can forestall his demise as long as the game continues. Death agrees, and they start a new game.
The other characters in the story, except for Jof in the end, do not see Death, and when the chess board comes out at various times in the story, they believe the knight is continuing his habit of playing alone.
The knight with his squire heads for his castle. Along the way, they pass some actors, Jof (Nils Poppe) and his wife Mia (Bibi Andersson), with their infant son, Mikael, and their actor-manager, Skat (Erik Strandmark). Jof is also a juggler and has visions of Jesus and Mary, but Mia is skeptical of them.
The knight and squire enter a church where a fresco of the Dance of Death is being painted. The squire draws a small figure representing himself. The knight goes to the confessional where he is joined by Death in the robe of a priest, to whom he admits that his life has been futile and without meaning, but that he wants to perform "one meaningful deed." Upon revealing the chess strategy that will save his life, the knight discovers that the priest is Death, who promises to remember the tactics. Leaving the church, the knight speaks to a young woman (Maud Hansson) who has been condemned to be burned at the stake for consorting with the devil.
Shortly thereafter, the squire searches an abandoned village for water. He saves a servant girl (Gunnel Lindblom) from being raped by a man robbing a corpse. He recognizes the man as Raval (Bertil Anderberg), a theologian, who 10 years prior had convinced the knight to leave his wife and join a crusade to the Holy Land. The squire promises to brand the theologian on the face if they meet again. The servant girl joins the squire. The trio ride into town, where the actors met earlier are performing. The actor-manager introduces the other actors to the crowd, then is enticed by Lisa (Inga Gill), the blacksmith's wife, away for a tryst. They run off together. The actors performance is interrupted by the arrival of a procession of flagellants.
At a public house, the juggler meets Raval who forces him to dance on the tables like a bear. The squire appears and, true to his word, slices the theologian's face. The knight enjoys a country picnic of milk and wild strawberries gathered by the wife of the juggler. The knight says: "I'll carry this memory between my hands as if it were bowl filled to the brim with fresh milk...And it will be an adequate sign – it will be enough for me." He invites the actors to his castle, where they will be safer from the plague.
Along the way, they come across the actor-manager and the blacksmith's wife in the forest. Dissatisfied with him, she returns to her husband. After the others leave, the actor-manager climbs a tree for the night. Death cuts down the tree, informing the actor that his time is up.
They pass the condemned young woman again. The knight asks the woman again to summon Satan, so he can ask him about God. The girl claims already to have done so, but the knight cannot see him, only her terror. He gives her herbs to take away her pain.
The theologian reappears. Dying of the plague, he pleads for water. The servant girl attempts to bring him some, but the squire stops her. The juggler tells his wife that he can see the knight playing chess with Death, and decides to flee with his family while Death is preoccupied.
After hearing Death state "No one escapes me" the knight knocks the chess pieces over, distracting Death while the family slips away. Death places the pieces back on the board, then wins the game on the next move. He announces that when they meet again, the knight's time—and that of all those traveling with him—will be up. Before departing, Death asks if the knight has accomplished his one "meaningful deed" yet; The Knight replies that he has.
The knight is reunited with his wife, Karin (Inga Landgré), the sole occupant of his castle, all the servants having fled. The party shares one "last supper" before Death comes for them. The knight prays to God, "Have mercy on us, because we are small and frightened and ignorant."
Meanwhile, the little family sits out a storm, which the juggler interprets to be "the Angel of Death and he's very big." The next morning, the juggler, with his second sight, sees the knight and his followers being led away over the hills in a solemn dance of death.

Question: Raval forced the juggler to do what?

Dance on the tabled like a bear.
Dance on the tables at a public house.


With supplies of petroleum nearly exhausted in the near future following a major energy crisis and a global nuclear war, ex-Main Force Patrol officer "Mad" Max Rockatansky (Mel Gibson) roams the now-depopulated and desolate desert in his scarred, black supercharged V-8 Pursuit Special several years after the events of the first film, scavenging for food, water, and fuel. His only companions are an Australian Cattle Dog and a rare functioning firearm — a sawn-off shotgun — for which ammunition is very scarce.
While trying to escape a group of gang members – led by a crazed motorcycle rider named Wez (Vernon Wells) - Max manages to crash two of the gang member's vehicles and injure Wez; recognising his defeat, Wez flees. After collecting some fuel from the destroyed cars and checking a nearby Mack semi, Max inspects a nearby autogyro for fuel. Its pilot, the Gyro Captain (Bruce Spence), ambushes Max and manages to capture him briefly before being overpowered. In exchange for his own life, the pilot guides Max to a small oil refinery nearby. Max arrives to see the facility is under siege by a gang of marauders riding a motley collection of cars and motorbikes. The gang leader, known as "Lord Humungus" (Kjell Nilsson), tries to convince the refinery's defenders to surrender the facility in exchange for safe passage out of the area.
A group of defenders attempts to break out of the compound, but the marauders capture, torture, and kill all but one of them, who is rescued by Max. Max makes a deal with the mortally-wounded sole survivor: he will bring him back to the compound in exchange for a tank of fuel. The man dies shortly after they enter the facility, and the facility leader, Pappagallo (Michael Preston), reneges on the deal, saying it died when the survivor died. His group is on the verge of killing Max when the marauders return, and Humungus repeats his offer. When the Feral Kid (Emil Minty) kills Wez's male companion, Wez becomes enraged, urging his leader to take the compound; Humungus wrestles Wez into submission, but placates Wez by revealing he has no intention of letting any of the settlers leave. Max offers Pappagallo a different deal: he will retrieve the abandoned Mack semi-truck, which is capable of hauling the tanker trailer that the facility inhabitants use to store the fuel they refine, in exchange for freedom, his vehicle, and as much fuel as he can take with him. The group accepts, but keeps Max's car to ensure his co-operation. Max sneaks out, locating the Gyro Captain (dragging the branch he is chained to) and conscripts him to help find the truck using his gyrocopter.
After finding the truck, Max drives it back to the compound, evading Humungus's men. The defenders want Max to escape with the group, but Max opts to collect his petrol and leave. However, his attempt to break through the siege fails: Wez gives chase in Humungus's nitrous oxide-equipped car and runs Max off the road, wrecking his vehicle and severely injuring him. The marauders kill Max's dog with a crossbow, then attempt to siphon the fuel from the Pursuit Special's tanks, but trigger an explosive booby trap, which kills some of the attackers. Left for dead, Max is rescued by the Gyro Captain as he is trying to crawl back to the refinery.
With no other means of escape and with the refinery's defenders preparing to depart, Max insists on driving the repaired truck. He leaves the compound in the heavily-armoured truck, accompanied by the Feral Kid he has befriended and by other inhabitants aboard as defenders. Pappagallo escorts him out in a captured marauder vehicle. Humungus and most of his warriors pursue the tanker, leaving the remaining inhabitants free to flee the compound in a ramshackle caravan and buses, blowing up the refinery as they leave. Pappagallo and the other defenders of the tanker, as well as numerous marauders, are killed during the chase and the Gyro Captain is shot down. Max and the Feral Kid find themselves alone, pursued by the marauders. Wez manages to board the truck and attack Max, but a head-on collision with Humungus's car kills both Wez and Humungus. Max loses control of the tanker and it rolls off the road. As the injured Max carries the Feral Kid from the wrecked tanker, he sees not petrol, but sand, leaking from the tank.
The truck and its trailer are thus exposed as a decoy, allowing the other settlers to escape with the precious fuel in oil drums inside their vehicles. With Pappagallo dead, the Gyro Captain succeeds him as their chief and leads the settlers to the coast, where they establish the "Great Northern Tribe". Max remains alone in the desert, once again becoming a drifter. Years later, the Feral Kid, now the Northern Tribe's new leader (voice by Harold Baigent), reminisces about the legend of the mythical "Road Warrior" (Max) who now exists only in distant memory.

Question: What do the Marauders kill the Ex-Main force patrol officer's dog with?


On a wet rainy night in Chicago, police officer Sharon Pogue (Jennifer Lopez) is at the scene of a serious traffic accident holding the hand of one of the victims, pleading that he hold on and not give up. One year later, Sharon is frustrated with the men she dates, and has become estranged from her family for having her father arrested for beating her mother Josephine (Sonia Braga). Her father and brother, Larry (Jeremy Sisto), have never forgiven her, and her anger is affecting her police work.
A man known only as "Catch" (Jim Caviezel) wanders the streets of Chicago in a trance-like state, doing good deeds for strangers and neighbors. One day he sees Sharon at a diner and watches her from across the street, and she notices him watching her. Just then a car pulls up and blasts the diner with machine gun fire, and Sharon and her partner chase after the criminals. Sharon catches up with one criminal and in the ensuing struggle, he gets her gun and shoots her twice in the chest. Seeing that she is protected by her bulletproof vest, he prepares to shoot her in the head, but Catch jumps the man and knocks the gun away, saving her life. That night, Sharon and Catch meet at a tavern and have a drink. A grateful Sharon tries to learn more about Catch, but he does not talk about himself. Sharon invites him to her apartment, and after some awkward moments between the two, they share a kiss. Catch abruptly stops and leaves the apartment, leaving Sharon confused.
The next evening Sharon finds a dandelion taped to her mailbox with Catch's phone number. She calls and awkwardly invites him to breakfast at a coffee shop the next morning. When Sharon wakes up, she has second thoughts and calls Catch to cancel their breakfast date. Catch is already at the coffee shop and never gets the message. Upset at being stood up, he goes to Sharon's apartment and criticizes her for not showing up for her "appointment", and then storms out. Sharon follows him to his nearly empty apartment. Surprised at the living conditions, she demands to know more about him, but Catch refuses to reveal anything about his past. He only says that he is starting "from scratch".
Following the advice of his mother-in-law, Catch calls Sharon and apologizes, and the two continue seeing each other. They go on a lakeside picnic in a state park and share a romantic swim, after which they make passionate love on the shore. In the coming days, Catch is there to comfort her after a family confrontation. His positive influence begins to show in her police work. One night they go to a blues club, and after the band has played a number, Catch notices a trumpet sitting on the bandstand. He picks up the trumpet and starts to play a soulful version of the tune "Nature Boy". As they're leaving, the owner approaches him, calling him "Steve Lambert", and asking where's he's been. Catch denies even knowing the man and walks away.
The next day, Sharon investigates the name Steven Lambert in the police files and discovers that he is the man whose hand she held at the site of a traffic accident a year earlier, and that Catch's wife and child died in the accident. She goes to the house he abandoned after the accident and learns that he was a jazz musician and that the accident occurred on his son's birthday, causing Catch to create a mental block. Wanting to help Catch heal from his emotional wounds, she tries to talk to him about the accident and takes him to the cemetery to see the graves of his family, but he gets very upset and walks away. Sharon visits Catch's mother-in-law looking for some way of helping the man she loves, and she encourages patience and tells her that Catch will find his way in his own time.
At her parents' wedding vow renewal ceremony, Sharon tries talking to her father but he tells her that he feels like he doesn't have a daughter. As Sharon starts to leave, she stops and tells the videographer a wonderful story about her father playing with her and her brother when they were children. She is deeply moved by this memory. Her father overhears it and is also emotionally affected, but when Sharon looks at him, he turns away. Meanwhile, Catch finally goes to the cemetery and talks to his deceased wife and child, explaining how he remembers all the wonderful moments they shared. As Sharon leaves the reception, she sees Catch waiting by her car. They embrace and profess their love for each other. As they prepare to leave, Catch tells her that he'll drive.

Question: What was the place that was shot up?


Jack Manfred (Clive Owen) is an aspiring writer going nowhere fast. To make ends meet and against his better judgment, he takes a job as a croupier. The interview was set up by his father, a small-time hustler back home in South Africa.
Jack finds himself drawn into the casino world, and the job gradually takes over his life. He goes drinking with Matt (Paul Reynolds), a croupier whom he knows is cheating the casino. He sleeps with a fellow croupier named Bella (Kate Hardie) in contravention of casino policy. His relationship with girlfriend Marion (Gina McKee) begins to deteriorate when he lets her read part of his book about a cold, unfeeling croupier who enjoys seeing gamblers lose — a character transparently based on Jack himself. Bella confronts Jack at his apartment, accuses him of getting her fired and tells Marion about the one-night stand.
One gambler, Jani (Alex Kingston), tries to befriend Jack — another serious violation of casino rules. Jani shows him bruises saying she got them from gambling creditors and asks Jack to be the inside man for a planned robbery at the casino. All he has to do is raise the alarm when a gambler cheats at his table. Jack eventually agrees and accepts a £10,000 advance with an additional £10,000 if all goes well. In doing so, Jack notices that Jani's injuries were faked.
Marion reconciles with Jack but discovers that he is involved in something criminal and tries to foil it. On the night of the robbery, Jack raises the alarm anyway and gets beaten by the gambler as a distraction while others try to grab the money. They fail, and Jack and Marion have an argument but she stays with him.
When a late-night knock at the door comes, Jack assumes it to be the casino robbers demanding the return of their advance money. Instead, it is a policeman, who informs him that Marion has been killed in an apparent hit-and-run.
Jack finishes his book and gets it published anonymously. It is a big success, but he doesn't change anything about his life, continuing to work as a croupier and live in his basement flat, not even buying the new car he wanted.
Jack goes on with his life and gets another call, this one from Jani, who congratulates him on playing his part in the attempted robbery and implies that she benefited significantly. Then she puts his father on the phone, and he implies that he set up the croupier job for Jack in order to arrange for the attempted robbery, and he benefited as well.
Stunned but amused, Jack hangs up. Just then, Bella appears from the bedroom and kisses him.

Question: What happens to Marion when the cops show up at Jack's house?

Marion was killed in a hit-and-run.
Marion is hit and killed by a driver


In a Californian forest, a group of alien botanists land in a spacecraft, collecting flora samples. When government agents appear on the scene, they flee in their spaceship, leaving one of their own behind in their haste. At a suburban home, a ten-year-old fatherless boy named Elliot, is trying to spend time with his brother, Michael, and his friends. As he returns from picking up a pizza, he discovers that something is hiding in their tool shed. The creature promptly flees upon being discovered. Despite his family's disbelief, Elliot leaves Reese's Pieces candy to lure the creature to his bedroom. Before he goes to sleep, he realizes it is imitating his movements. He feigns illness the next morning to stay home from school and play with it. Later that day, Michael and their five-year-old sister, Gertie, meet it. They decide to keep it hidden from their mother, Mary. When they ask it about its origin, it levitates several balls to represent its solar system and then demonstrates its powers by reviving a dead chrysanthemum.
At school the next day, Elliot begins to experience a psychic connection with the alien, including exhibiting signs of intoxication (because it is at his home, drinking beer), and he begins freeing all the frogs in his biology class. As the alien watches John Wayne hug Maureen O'Hara in The Quiet Man on TV, Elliot hugs a girl he likes. He is then sent to the principal's office.
The alien learns to speak English by repeating what Gertie says as she watches Sesame Street and, at Elliot's urging, dubs itself "E.T." He reads a comic strip where Buck Rogers, stranded, calls for help by building a makeshift communication device and is inspired to try it himself. E.T. receives Elliot's help in building a device to "phone home" by using a Speak & Spell toy. Michael notices that his health is declining and that Elliot is referring to himself as "we."
On Halloween, Michael and Elliot dress E.T. as a ghost so they can sneak him out of the house. Elliot and E.T. ride the former's bike to the forest, where E.T. makes a successful call home. The next morning, Elliot wakes up in the field, only to find E.T. gone, so he returns home to his distressed family. Michael searches for and finds E.T. dying next to a culvert, being investigated by a raccoon. Michael takes him home to Elliot, who is also dying. Mary becomes frightened when she discovers her son's illness and the dying E.T., just as government agents invade the house. Scientists set up a medical facility there, quarantining Elliot and E.T. Their link disappears and E.T. then appears to die while Elliot recovers. A grief-stricken Elliot is left alone with the motionless E.T. when he notices a dead chrysanthemum, the plant E.T. had previously revived, coming back to life. E.T. reanimates and reveals that his people are returning. Elliot and Michael steal a van that E.T. had been loaded into and a chase ensues, with Steve's friends joining them as they attempt to evade the authorities by bike. Suddenly facing a police roadblock, they escape as E.T. uses telekinesis to lift them into the air and toward the forest.
Standing near the spaceship, E.T.'s heart glows as he prepares to return home. Mary, Gertie, and "Keys", a government agent, show up. E.T. says goodbye to Michael and Gertie, as she presents him with the chrysanthemum that he had revived. Before boarding the spaceship, he tells Elliot "I'll be right here," pointing his glowing finger to his forehead. He then picks up the chrysanthemum, boards the spaceship, and it takes off, leaving a rainbow in the sky as everyone watches it leave.

Question: Why do the extra terrestrials leave one of their kind behind?

Because they had to rush out of there and he was left behind by accident.


On 6 October 1971, American soldier Jacob Singer is with the 1st Air Cavalry Division, deployed in a village in the Mekong Delta during the Vietnam War, when his close-knit unit comes under attack. As many of Jacob’s comrades are killed or wounded, others exhibit abnormal behavior, including catatonia and a bloody seizure. A terrified Jacob flees into the jungle, only to be bayoneted in the gut.
Jacob awakens in 1975, on a New York City Subway, with the novel The Stranger. Despite having a PhD, Jacob works as a postal clerk and lives in a rundown apartment in Brooklyn with his seductive girlfriend, Jezzie. Jacob misses his wife and their three sons, especially the youngest, Gabe, who died before the war. He is increasingly beset by disturbing experiences, including inexplicably locked subway exits, faceless vibrating people, a car trying to run him down, a nurse with grotesque teeth on the top of her head, and a bat-like monster penetrating Jezzie at a party, where Jacob collapses with a dangerous fever.
The comrade who had gone catatonic, Paul, contacts him to reveal having had similar terrifying experiences, but is immediately killed when his car explodes. Commiserating after the funeral, the platoon-mates confess that all but one have also been living a nightmare. Jacob explains that the army must have done something to them, and they hire a lawyer to investigate. The lawyer backs out after reading military files documenting that the soldiers were never in combat and were discharged for psychological reasons. Jacob’s comrades also back out, looking scared, as Jacob demands they tell him who got to them. Jacob himself is later thrown into a car with intimidating men in suits who tell him to stop nosing around in military business, but he is able to jump from the moving car. Taken to the hospital, he finds himself strapped to a stretcher being wheeled over bloody body parts, past demented, disfigured inmates. Trapped with doctors wielding barbaric metal instruments, he is told he is already dead, but denies it.
He is taken out of the hospital by his friend Louis, who quotes the 14th century Christian mystic Meister Eckhart:
Eckhart saw Hell too. He said: “The only thing that burns in Hell is the part of you that won’t let go of life, your memories, your attachments. They burn them all away. But they’re not punishing you”, he said. “They’re freeing your soul. So, if you’re frightened of dying and ... you’re holding on, you’ll see devils tearing your life away. But if you’ve made your peace, then the devils are really angels, freeing you from the earth.”
Jacob is approached by a distressed Michael Newman, the man who treated his wound in a medevac helicopter in Vietnam and who dragged him away from Paul’s burning car. Newman tells a story of having been a chemist with the Army’s chemical warfare division in Saigon. He designed “the Ladder”, a drug that massively increased aggression, taking people straight to their most primal urges. A dose was secretly given to Jacob’s unit, who then turned on each other in a homicidal frenzy.
At various times Jacob experiences the aftermath of his attack, such as being found gutted in the jungle and being evacuated under fire. At one point he awakens in his home before the war with his wife and all three sons, telling his wife he had a dream he was living with another woman, Jezzie. Eventually he re-experiences the traumatic moment, where it is a fellow American soldier who bayonets him.
Finally given knowledge of what happened to him and why, in a calmer place, Jacob returns to his family's apartment. He sorts through his mementos, including his combat dog tags and honorable discharge. He is surprised to see his son Gabe at the foot of the stairwell, who takes him by the hand and leads him up the steps into a bright light. In a wartime triage tent, military doctors declare Jacob dead after “putting up quite a fight”. He has an expression of peace on his face, implying that he is finally dead.

Question: The experimental drug "The Ladder" which was given to Jacob's platoon induces what effect?

It greatly increased aggression against others.


Nicky Rogan has written several plays and has achieved success. It is now opening night of his latest effort, and all around him assure him that this one will be the best yet. But as opening hour approaches, Rogan falls prey to doubts and fears, egged on by another playwright whose last work was trashed by the local newspaper's new drama critic, Steven Schwimmer. He eventually lets those fears drive him to adopt a resolve to kill the critic (who he assumes will also trash his play), and he procures a handgun with which to perform the deed.
Instead of attending the play's opening night Rogan spends the time in a bar, accompanied by a lady cab driver and her grandson; earlier in the evening the lady misidentified Rogan as a local small-time hoodlum, and Rogan does not correct her misidentification.
They watch the most crucial Game 6 of the World Series playoff between the Boston Red Sox and the New York Mets. The Sox had won 3 games and could clinch the title by winning Game 6, but Rogan, a lifelong Sox fan, knows how easily they can lose when they should win. He spends the evening waiting for the inevitable, even though the Sox are ahead most of the time. When the inevitable does occur (due to an unexpected pair of errors at the end of the final inning), he snaps, and heads out to take out his rage on the newspaper critic.
He not only finds the critic, but finds him in the early stages of deflowering the playwright's daughter. He begins firing wildly, but is finally calmed when he learns that the critic is equally devastated by the Sox's loss. They end up together, watching an interminable rerun of the final error on a small television set in the critic's apartment.

Question: Where does Rogan go during opening night of his latest play?


Raised on the prosperous farm of Hugo Jocelyn, descendant of a French knight, Innocent has always believed herself to be Jocelyn's illegitimate daughter by his fiancee before her death. She is an idealistic woman, inspired by the romanticism of the medieval French literature preserved by her ancestor; indeed, she feels she knows "Sieur Amadis" personally.
As an infant, Innocent was dumped at the farm during a violent storm, by a stranger who explained he had to keep going but feared endangering the child. He promised to return, but never did, instead sending money every six months. Jocelyn reveals this in a deathbed confession.
After his death, Innocent receives a visit from her birth mother, Lady Blythe. A shallow and pretentious noblewoman, she explains that Innocent was the result of a fling she'd had with artist Pierce Armitage. He was probably the one who left her at the farm.
Innocent departs for London, planning to earn her living by writing and "make a name" for herself, since she has none by birthright. She has one book already written; it's wildly successful, and she writes another. In the usual Corellian coincidences, Innocent's landlady had had a serious relationship with Pierce Armitage, and Lord Blythe had been his friend at school. Lady Blythe confesses all, then dies. In Italy, Lord Blythe discovers Armitage alive and tells him of Innocent; Armitage at once prepares to claim his daughter legally.
However, Innocent has been lured into a romance with a modern-day Amadis Jocelyn, descendant of her "Sieur Amadis"' brother. She mistakes his flirtations and romantic gestures for real love, but he thinks of it as a mere fling. When he casts her out, Innocent is heartbroken, and returns to her farm to die.

Question: How often did the Stranger send money to Innocent?


Ex-fighter pilot and taxi driver Ted Striker (Robert Hays) became traumatized during an unnamed war, leading to a pathological fear of flying. As a result, he is unable to hold a responsible job. His wartime girlfriend, Elaine Dickinson (Julie Hagerty), now a flight attendant, leaves him. Striker nervously boards a Boeing 707 (Trans American Flight 209) from Los Angeles to Chicago on which she is serving, hoping to win her back, but she rebuffs him.
After dinner is served, many of the passengers fall ill, and fellow passenger Dr. Rumack (Leslie Nielsen) deduces that the passengers have contracted food poisoning from the fish. The cockpit crew, including pilot Clarence Oveur (Peter Graves) and co-pilot Roger Murdock (Kareem Abdul-Jabbar), have also been affected, leaving no one to fly the plane. Elaine contacts the Chicago control tower for help, and is instructed by tower supervisor Steve McCroskey (Lloyd Bridges) to activate the plane's autopilot, a large inflatable pilot doll (listed as "Otto" in the end credits), which will get them to Chicago, but will not be able to land the plane. Rumack convinces Striker to fly the plane, though Striker feels unable to handle the pressure and the unfamiliar aircraft.
McCroskey knows that he must get someone else to help take the plane down and calls Rex Kramer (Robert Stack), Striker's commanding officer in the war. Despite their hostile relationship, he is the best choice to instruct Striker. As the plane nears Chicago, Striker is overcome by stress and manages to land the plane only after a pep talk from Dr. Rumack. With Kramer's advice, Striker is able to land the plane safely with only minor injuries to some passengers. Striker's courage rekindles Elaine's love for him, and the two share a kiss. "Otto" takes off in the evacuated plane after inflating a female companion.

Question: Who is Elaine Dickson?

Ted's former girlfriend, now a flight attendant


The novel opens with the introduction of its title characters. The heroine is "the superb Virginia St. John," a celebrated beauty, famous for being famous. At the age of thirty she is the newlywed wife of an English bishop. The hero (the term has to be applied satirically) is Prof. Paul Darnley, a prominent intellectual:
"He had written three volumes on the origin of life, which he had spent seven years in looking for in hay and cheese; he had written five volumes on the entozoa of the pig, and two volumes of lectures, as a corollary to these, on the sublimity of human heroism and the whole duty of man. He was renowned all over Europe and America as a complete embodiment of enlightened modern thinking. He criticised everything; he took nothing on trust, except the unspeakable sublimity of the human race and its august terrestrial destinies."
Both characters are traveling abroad the steamship Australasian, sailing from Melbourne to London; Virginia is on her way to Chausible Island to meet her new husband, while Paul is journeying home to his elderly wife, whom he has been avoiding for the past eighteen months. (Mrs. Prof. Darnley has an irrational determination to convince her atheist and materialist husband of the existence of Hell.) On the voyage, Paul lectures on his value system, which is essentially Comte's "Religion of Humanity," and manages to convince many passengers and crew of the truth of his outlook (though Virginia does not listen to him).
An approaching storm inspires the crew to load the ship's cutter with survival supplies, including tinned meats and cases of champagne. The storm passes, but the ship's boiler suddenly explodes; the Australasian quickly sinks with the loss of almost all on board.
Yet Paul and Virginia manage to reach a nearby island in the cutter. (Shipwreck on a deserted island, as a start for a new and better society, is a staple in the utopian genre â as in the Spensonia books of Thomas Spence, among other possible examples.) Paul finds a deserted house built from wreckage; it is a comfortable and neatly furnished cottage, and the two survivors move in. Virginia is deeply distraught over their recent tragedy â but her state of mind improves when she realizes that the largest trunk in her luggage is on the cutter. The tinned meats and champagne also come in handy.
Two other survivors appear: an English clergyman who has been converted to Positivism by Paul, and an elderly woman. The latter soon dies, giving Paul and the clergyman opportunity to debate the meaning of her death from the Positivist viewpoint. Paul keeps himself busy searching for the missing link. Liberated from the trammels of traditional culture and belief, Paul confidently expects instant attainment of the sublime happiness that is the natural state of free human beings.
The clergyman proves to be an inconvenient convert, however; he spends his time getting drunk and trying to kiss Virginia, and Paul's intellectual arguments have little influence on him. Physical intimidation is more effective, since the clergyman is both a "coward" and a "weakling." When the drunken clergyman falls off a cliff, Paul meditates on the utilitarian aspects of his death. Paul eventually converts Virginia; she gives up her religious faith, and replaces it with a sexual desire for Paul â which the intellectual Paul finds very uncomfortable. In her new commitment to "glorious truth," Virginia snoops through all of Paul's private papers, and discovers his secret: he himself was once a clergyman.
By the final chapter of the story, Paul is reduced to baying at the moon. His howls attract the notice of another couple. The woman turns out to be Paul's wife, who has come searching for her errant husband. And the man is Virginia's husband the Bishop. It happens that the island on which Paul and Virginia landed is none other than Chausible Island, her destination, and the cottage they've been occupying was prepared by the Bishop for Virginia. At the end of the book, Paul discovers that his wife has attained her goal, and that he now believes in Hell.

Question: What do Paul and the clergyman do when the old woman on the island dies?

They debate the meaning of her death from a Positivist viewpoint


In an upscale New York City mansion, wealthy and popular teenager Kathryn Merteuil (Gellar) is discussing her prep school with Mrs. Caldwell (Christine Baranski) and Mrs. Caldwell's daughter Cecile (Selma Blair). Kathryn promises Mrs. Caldwell that she will look out for the sheltered and na誰ve Cecile. Kathryn's step-brother Sebastian (Phillippe) enters the room, whereupon Mrs. Caldwell reacts to him coldly and leaves with Cecile. Kathryn reveals to him that her real intention is to use Cecile to take revenge on her ex-lover Court Reynolds, who had dumped her for Cecile. Kathryn asks Sebastian to seduce Cecile; he refuses as he is planning to seduce Annette Hargrove (Witherspoon), the virgin daughter of their school's new headmaster. Annette is a 'paradigm of chastity and virtue' who recently wrote a published essay about saving herself for marriage and has been temporarily staying with Sebastian's aunt. The two make a wager: if Sebastian fails to bed Annette, Kathryn gets Sebastian's vintage Jaguar XK140; if he succeeds, Kathryn will have sex with him. It is mentioned that Sebastian keeps a journal detailing his conquests.
Sebastian's first attempt to seduce Annette fails, as she had already been told of his reputation as a womanizer. He vents to his friend, Blaine Tuttle (Joshua Jackson). Blaine suggests that the informant might be Annette's ex-boyfriend and closeted jock, Greg McConnell (Eric Mabius), revealing to Sebastian that Greg tried to make a pass at him. He uses that to seduce Greg while being secretly filmed by Sebastian. Sebastian confronts Greg with the photographs, but he denies warning Annette. Greg is pressured into investigating who did, and Sebastian also orders him to present him in a good light to Annette. Later, while gushing about Sebastian to Annette, Greg discovers that the culprit is Cecile's mother, Mrs. Caldwell. Wanting revenge on the Caldwells, Sebastian agrees to seduce Cecile.
Meanwhile, Cecile's music teacher, Ronald Clifford (Sean Patrick Thomas), is in love with her. Cecile confesses this to Kathryn. Kathryn tells Mrs. Caldwell about Ronald and Cecile's romance and Mrs. Caldwell orders Cecile to end it. Sebastian, in turn, calls Cecile to his house, ostensibly to give her a letter from Ronald. There he blackmails Cecile in order to perform oral sex on her. The next day, Cecile confides in Kathryn, who advises her to learn from Sebastian so that she can make Ronald happy in bed.
Sebastian begins to fall in love with Annette, who returns his feelings but still resists him. Sebastian calls her a hypocrite because she claims to be waiting for her one true love, but when her one true love chooses to love her back, she resists. She relents, but Sebastian refuses her, confused about his feelings colliding with his stolid sexuality. Annette flees to the estate of her friend's parents. Sebastian tracks her down, professes his love, and makes love to her. As he has won the bet, Kathryn offers herself to Sebastian the next day, but he refuses; he now only wants Annette. Kathryn taunts him and threatens to ruin Annette's reputation, so Sebastian pretends indifference to Annette and coldly breaks up with her.
After Sebastian tells Kathryn that he has broken up with Annette and arranged for Cecile and Ronald to be together, Kathryn reveals that she has known all along that he was truly in love with Annette and manipulated him into giving her up. Sebastian angrily dismisses Kathryn, saying he no longer wants her, and she then rejects him. Sebastian leaves to confront Annette, and Kathryn calls Ronald, telling him that Sebastian slept with Cecile and lying to him that Sebastian hit her. Annette refuses Sebastian's apologies; he sends her his journal, in which he has detailed all of Kathryn's manipulative schemes as well as their bet, and written the true feelings he had for Annette all along. As he heads home, Ronald intercepts him on the street, starting a fight. Annette runs out and tries to stop it, but is accidentally thrown into the way of traffic. Sebastian pushes her to safety, and is hit by a cab. Before he dies, Sebastian and Annette profess their love for each other. Watching this, Ronald realizes that Kathryn lied to him and used him to hurt Sebastian.
At Sebastian's funeral, Cecile distributes copies of his journal, made into a book by Annette, titled Cruel Intentions. Kathryn is humiliated and rejected by her former friends, and her reputation is ruined when cocaine is discovered in her rosary. In the final scene, Annette drives away in Sebastian's car with his journal at her side as she remembers the moments they shared.

Question: Where does Cecile distribute copies of Sebastian's journal?


In 1910, the last year of Leo Tolstoy's life, his disciples, led by Vladimir Chertkov, manoeuvre against his wife, Sofya, for control over Tolstoy's works after his death. The main setting is the Tolstoy country estate of Yasnaya Polyana. Tolstoy and Sofya have had a long, passionate marriage, but his spiritual ideals and asceticism (he is opposed, for example, to private property) are at odds with her more aristocratic and conventionally religious views.
Contention focuses on a new will that the "Tolstoians" are attempting to persuade him to sign. It would place all of his copyrights into the public domain, supposedly leaving his family without adequate support. The maneuvering is seen through the eyes of Tolstoy's new secretary, Valentin Bulgakov, who finds himself mediating between the two sides. He also has a love affair with one of the Tolstoians, Masha.
Ultimately, Tolstoy signs the new will and travels to an undisclosed location where he can continue his work undisturbed. After his departure, Sofya unsuccessfully attempts suicide. During the journey, Tolstoy falls ill. The film ends with his death near the Astapovo train station where Sofya is allowed by their daughter to see him just moments before his death. The closing credits state that five years after his death the Russian senate reverted the copyrights of Tolstoy's work to Sofya.

Question: Where does Tolstoy die?

At a train station.
Near the Astapovo train station.


In 1987, wealthy New York investment banker Patrick Bateman's life revolves around dining at trendy restaurants while keeping up appearances for his fiancĂŠe Evelyn and for his circle of wealthy and shallow associates, most of whom he dislikes. Bateman describes the material accoutrements of his lifestyle, including his daily morning exercise and beautification routine. He also discusses his music collection, with performers such as Huey Lewis and the News, Phil Collins, and Whitney Houston. His focus on a lavish lifestyle is also evident by his taste in expensive designer clothing and his luxurious apartment.
Bateman and his associates flaunt their business cards in a display of vanity. Enraged by the superiority of co-worker Paul Allen's card, Bateman murders a homeless man and kills the man's dog. At a Christmas party, Bateman makes plans to have dinner with Paul, with Paul mistaking Bateman for another coworker, Marcus Halberstram. Bateman gets Paul drunk and lures him back to his apartment. While playing "Hip to Be Square" on the stereo, explaining to Paul his opinion and interpretation of the song, and while wearing a rain coat, Bateman ambushes Paul and murders him with an axe. He disposes of Paul's body, then goes to Paul's apartment to stage the situation so that others believe Paul has run off to London.
Bateman is later interviewed about Paul's disappearance in his office by private detective Donald Kimball, hired by Paul's family. During the night, Bateman takes two prostitutes, whom he names Christie and Sabrina, to his apartment and explains to them the improvement he saw in the band Genesis after they moved away from progressive rock toward a more pop rock sound beginning with the album Duke. After they have sex, Bateman tells them to stay, while taking out instruments he uses for torture. In the next scene, the prostitutes leave his apartment bruised and bloodied.
The next day, Bateman's colleague Luis Carruthers reveals his new business card. Bateman tries to kill Luis in the restroom of an expensive restaurant, but cannot bring himself to strangle him. Luis mistakes the attempted murder for a sexual advance and declares his love for Bateman, who flees in disgust. After murdering a model, Bateman invites his secretary, Jean, to dinner, suggesting she meet him at his apartment for drinks beforehand. When Jean arrives, Bateman, unbeknownst to her, holds a nailgun to the back of her head while the two converse. When he receives an answering machine message from his fiancĂŠe, he asks Jean to leave. Kimball meets Bateman for lunch and tells him he is not under suspicion.
Bateman has a threesome with his friend Elizabeth and Christie at Paul's apartment. Bateman kills Elizabeth during sex, and Christie runs, discovering multiple female corpses as she searches for an exit. She is chased by a naked Bateman wielding a chainsaw, and as she is running down the stairs of Paul's apartment building, is killed by the chainsaw which Bateman drops from several levels above her.
Bateman breaks off his engagement with Evelyn. That night, as he uses an ATM, he finds a stray kitten; the ATM displays the text "feed me a stray cat". As he prepares to shoot the cat, a woman sees him and tries to stop him; he shoots her and lets the cat go free. A police chase ensues, but Bateman destroys the police cars by shooting their gas tanks. Fleeing to his office, Bateman enters the wrong office building, where he murders a security guard and a janitor. In his office, Bateman calls his lawyer Harold and frantically leaves a lengthy confession on Harold's answering machine.
The following morning, Bateman visits Paul's apartment, expecting it to be full of decomposing bodies and in the middle of a police investigation, but it is vacant and for sale. The real estate broker tells him to leave. As Bateman goes to meet with his colleagues and lawyer for lunch, Jean finds detailed drawings of murder, mutilation, and rape in Bateman's office journal to her disgust and sympathy.
Bateman sees Harold at a restaurant and tries to convince him that he is a serial killer relating to the phone message he left the other night. Harold mistakes Patrick for another colleague and laughs off the phone message confession as a joke, saying he had dinner with Paul in London days earlier. A confused Bateman returns to his friends and in a final voice-over narration, he realizes he will continue to escape the punishment he deserves, that there has been no catharsis, and that his confession has meant nothing.

Question: What does Bateman do to the prostitutes after having sex with them?

Beats and tortures them
He tortures them.


All of the stories within The Adventures of Sherlock Holmes are told in a first-person narrative from the point of view of Dr. Watson, as is the case for all but four of the Sherlock Holmes stories. The Oxford Dictionary of National Biography entry for Doyle suggests that the short stories contained in The Adventures of Sherlock Holmes tend to point out social injustices, such as "a king's betrayal of an opera singer, a stepfather's deception of his ward as a fictitious lover, an aristocratic crook's exploitation of a failing pawnbroker, a beggar's extensive estate in Kent." It suggests that, in contrast, Holmes is portrayed as offering a fresh and fair approach in an unjust world of "official incompetence and aristocratic privilege". The Adventures of Sherlock Holmes contains many of Doyle's favourite Sherlock Holmes stories. In 1927, he submitted a list of what he believed were his twelve best Sherlock Holmes stories to The Strand Magazine. Among those he listed were "The Adventure of the Speckled Band" (as his favourite), "The Red-Headed League" (second), "A Scandal in Bohemia" (fifth) and "The Five Orange Pips" (seventh). The book was banned in the Soviet Union in 1929 because of its alleged "occultism", but the book gained popularity in a black market of similarly banned books, and the restriction was lifted in 1940.

Question: What year did Doyle submit a list of best stories?


Anna Khitrova, a British-Russian midwife at a London hospital, finds a Russian-language diary on the body of Tatiana, a 14-year-old girl who dies in childbirth. She also finds a card for the Trans-Siberian Restaurant, which is owned by Semyon, an old vor in the Russian Mafia. Anna thus sets out to track down the girl's family so that she can find a home for the baby girl, having meetings with Semyon, whom she initially regards as friendly. Anna's mother Helen does not discourage her, but Anna's Russian uncle and self-described former KGB officer, Stepan, whom Anna asks for help with the translation of the diary, urges caution. Through translation of the diary, Anna comes to learn that Semyon and his ignorant, unstable son Kirill had abused the girl, addicted her to heroin, forced her into prostitution, and raped her. Ultimately, Anna realizes that the baby was fathered by Semyon (in several scenes it is made clear that Kirill is impotent and never had sex with Tatiana).
Kirill's driver is Nikolai Luzhin, who also serves as the family "cleaner", dumping murdered bodies in the River Thames. Through Nikolai, Semyon, fearing prosecution, promises to give the location of the girl's family to Anna if she hands back the diary. Nikolai takes the diary but does not give a location, instead urging Anna to keep the baby in London. Semyon distrusts Anna's uncle Stepan and orders Nikolai to kill him. Nikolai accepts and soon Stepan goes missing. As Nikolai's star rises within the vory, an impressed Semyon sponsors him as a full member, due in part to Nikolai's protection of Semyon's incompetent son, who authorized a hit on a rival Chechen vory leader with the help of a Kurdish associate, Azim. The hit was ill-advised and not approved by Semyon. Two Chechen hitmen soon arrive in London seeking vengeance and kill Azim's mentally handicapped nephew who also took part in the hit. Semyon hatches a plan to trick Nikolai into temporarily taking Kirill's place during a meeting at the baths with Azim. The Chechens attack, thinking Nikolai is Kirill, but Nikolai kills them both, ending up in the hospital with severe wounds.
It is revealed that Nikolai is actually an FSB agent who has infiltrated the gang, working under license by the British Government and a senior police officer. As part of his undercover duties, Nikolai was able to read Tatiana's diary before Semyon destroyed it and hatched a plan to have Semyon arrested for statutory rape, with a paternity test of Tatiana's baby as evidence. Stepan is also safe, hiding in a 5-star hotel in Edinburgh for protection. Semyon orders Kirill to kidnap the baby girl and kill her. But as Kirill sits by the Thames working up the courage to throw the child in, Nikolai and Anna find him and persuade him to give the baby back. Nikolai and Kirill embrace as Nikolai tells him that his father is finished and they are now the bosses. Nikolai and Anna kiss and part for the last time. Nikolai succeeds Semyon as boss of the organization and Anna gains custody of Tatiana's baby, whom she names Christine.

Question: What is the name of Tatiana's baby?


The book centers around the life of Otto, the son of German warlord Baron Conrad. Otto's mother, Baroness Matilda, has died in premature labour, brought on by the sight of the Baron's battle wounds, prompting Conrad to take his newborn son to be raised in a nearby monastery. When Otto reaches the age of eleven his father returns to claim him from the gentle monks, taking him back to live in Castle Drachenhausen, ("Dragons' House", in German) the ancestral mountaintop fortress from which the Baron launches his attacks. Here Otto learns of and is horrified by his father's life as a robber baron, and particularly the revelation of how Conrad killed a defeated, surrendering enemy, Baron Frederick, a rival robber baron who with his men was defending a column of merchants in return for the tribute they were paying him.
Shortly thereafter Baron Conrad obeys a summons to the Imperial Court, taking the vast majority of his men-at-arms with him as an impressive escort but leaving Castle Drachenhausen practically undefended as a result. The late Baron Frederick's heir, his nephew Baron Henry, then attacks the castle, burning it to the ground, and taking Otto captive to his own fortress, Castle Trutzdrachen ("Dragon-scorner," in German). In the dungeon of his castle, Baron Henry explains to Otto that he has sworn a solemn oath that any member of Baron Conrad's House who fell into his hands would never be able to strike a blow like the one which killed his uncle, Baron Frederick. Because Otto is so young, the Baron keeps this oath by cutting off his right hand instead of killing him, and as an afterthought has a healer sent to tend to him. While Otto is feverish from the pain of his wound, he is comforted by Baron Henry's eight-year-old daughter, Pauline, who visits his cell.
Otto's father Baron Conrad then returns and rescues him with the help of a few remaining loyal followers. Baron Henry and his men give chase and Otto's father kills Baron Henry in single combat but dies in the process, choosing to sacrifice his life so that his son can escape. Otto flees to the monastery where he grew up, and is given refuge there. After Otto regains his health the Abbot accompanies him to an audience with the Emperor, who promises restitution and takes responsibility for Otto's future upbringing.
Otto becomes a respected statesman, marries his former captor's daughter Pauline, and is known for his wise counsel and peaceful nature, his amputated swordhand being replaced by an artificial and immobile one made of silver. The Emperor has Castle Drachenhausen rebuilt for the couple, and over the gatehouse is carved the motto "Manus Argentea Quam Manus Ferrea Melior Est", which translated from Latin means "A hand of silver is better than a hand of iron".

Question: What was Otto's replacement hand made of?


In 1945, at his daughter Connie's wedding, Vito Corleone hears requests in his role as the Godfather, the Don of a New York crime family. Vito's youngest son, Michael, who was a Marine during World War II, introduces his girlfriend, Kay Adams, to his family at the reception. Johnny Fontane, a famous singer and godson to Vito, seeks Vito's help in securing a movie role; Vito dispatches his consigliere, Tom Hagen, to Los Angeles to talk the obnoxious studio head, Jack Woltz, into giving Johnny the part. Woltz refuses until he wakes up in bed with the severed head of his prized stallion.
Shortly before Christmas, drug baron Virgil "The Turk" Sollozzo, backed by the Tattaglia crime family, asks Vito for investment in his narcotics business and protection through his political connections. Wary of involvement in a dangerous new trade that risks alienating political insiders, Vito declines. Suspicious, Vito sends his enforcer, Luca Brasi, to spy on them. Sollozzo has Vito gunned down in the street, then kidnaps Hagen. With Corleone first-born Sonny in command, Hagen is pressured to persuade Sonny to accept Sollozzo's deal, then released. The family receives fish wrapped in Brasi's bullet-proof vest, indicating that Luca "sleeps with the fishes". Vito survives, and at the hospital Michael thwarts another attempt on his father; Michael's jaw is broken by NYPD Captain Marc McCluskey, Sollozzo's bodyguard. Sonny retaliates with a hit on Tattaglia's son. Michael plots to murder Sollozzo and McCluskey: on the pretext of settling the dispute, Michael agrees to meet them in a Bronx restaurant. There, retrieving a planted handgun, he kills both men.
Despite a clampdown by the authorities, the Five Families erupt in open warfare and Vito's sons fear for their safety. Michael takes refuge in Sicily, and his brother, Fredo, is sheltered by the Corleone's Las Vegas casino partner, Moe Greene. Sonny attacks his brother-in-law Carlo on the street for abusing his sister and threatens to kill him if it happens again. When it does, Sonny speeds to their home, but is ambushed at a highway toll booth and riddled with submachine gun fire. While in Sicily, Michael meets and marries Apollonia Vitelli, but a car bomb intended for him takes her life.
Devastated by Sonny's death, Vito moves to end the feuds. Realizing that the Tattaglias are controlled by the now-dominant Don Emilio Barzini, Vito assures the Five Families that he will withdraw his opposition to their heroin business and forgo avenging his son's murder. His safety guaranteed, Michael returns home to enter the family business and marry Kay, who gives birth to two children by the early 1950s.
With his father at the end of his career and his brother too weak, Michael takes the family reins, promising his wife the business will be legitimate within five years. To that end, he insists Hagen relocate to Las Vegas and relinquish his role to Vito because Tom is not a "wartime consigliere"; Vito agrees Tom should "have no part in what will happen" in the coming battles with rival families. When Michael travels to Las Vegas to buy out Greene's stake in the family's casinos, their partner derides the Corleones for being run out of New York; Michael is dismayed to see that Fredo has fallen under Greene's sway.
Vito suffers a fatal heart attack. At the funeral, Tessio, a Corleone capo, asks Michael to meet with Don Barzini, signalling the betrayal that Vito had forewarned. The meeting is set for the same day as the christening of Connieâs baby. While Michael stands at the altar as the child's godfather, Corleone assassins murder the other New York dons and Moe Greene. Tessio is executed for his treachery; Michael extracts Carloâs confession to his complicity in setting up Sonny's murder for Barzini. After Clemenza, a Corleone capo, garrotes Carlo with a wire, Connie accuses Michael of the murder, telling Kay that Michael ordered all the killings. Kay is relieved when Michael finally denies it, but when the capos arrive, they address her husband as Don Corleone. She watches fearfully as they close the door on her.

Question: Why is Luca Brasi sent to spy on Virgil "The Turk" Sollozzo?

He asked Vito for investment in his narcotics business and for protection with his political connections.

He suspects that he's involved in the narcotics trade, and Vito doesn't want any parts of that


Writing as a narrator describing events from his own past, Beerbohm presents himself as a moderately successful young English essayist and writer during the 1890s. He then purports to relate the tragic history of a friend and colleague of his named Enoch Soames. Soames is a contemporary of the younger Beerbohm; a fellow-Englishman of secure but moderate means, living off an inherited annuity, and an utterly obscure, forgettable, miserable, and unknown aspiring poet. Over the course of the story, he is the author and publisher of a succession of unsuccessful books of poems. His appearance is described as "dim" and leaving little impression, except for his persistent habit of always wearing a particular grey waterproof cape and soft black hat.
On the afternoon of 3 June 1897, Soames and Beerbohm are having lunch in the Soho-based "Restaurant du Vingtieme Siecle". Soames is self-obsessed and deeply depressed; consumed with the belief that he is an unrecognised great author of literature and poetry, unhappy about his current obscurity and failure, and keenly curious about his "certain" fate of posthumous fame. Despairing and desperate for assurance of the eventual recognition of his works and talent, Soames agrees to a contract offered by the Devil, who introduces himself from a neighbouring table. In exchange for the future possession of his soul, Soames will be transported exactly 100 years forward in time; to spend one afternoon (from 2:10 PM to 7 PM) in the Reading Room of the British Museum, a world-renowned centre for bibliographic research, to discover what judgement posterity will make on himself and his works. After the allotted time has expired, Soames will be returned to their present date and location, but at the same time of evening as his departure from the future; and the Devil will then collect his payment.
After the agreement is made, Soames vanishes; then reappears in the café at the designated hour, where Beerbohm has returned to meet him.
Soames description of the world of future is, like himself, vague and nondescript; while there he had focussed primarily on his own concerns. He tells Beerbohm that the only mention he could find of himself was in a single scholarly article, of which Soames produces a facsimile-copy. It is printed in English, but in a phonetic spelling and with modified pronunciation; both of which had apparently evolved during the intervening century. The article discusses a fictional story written by one Max Beerbohm "in wich e pautraid an immajnari karrakter kauld "Enoch Soames"—a thurd-rait poit hoo beleevz imself a grate jeneus an maix a bargin with th Devvl in auder ter no wot posterriti thinx ov im!" ("in which he portrayed an imaginary character called "Enoch Soames"—a third-rate poet who believes himself a great genius and makes a bargain with the Devil to know what posterity thinks of him!"). With characteristic delicacy, Beerbohm quotes the author as saying "It is a somewhat labud sattire" and adds "And 'labud'—what on earth was that? (To this day I have never made out that word.)" ("labud" here means laboured).
Beerbohm, shocked, denies that he would ever write such a thing. While the two are debating this point, the Devil returns.
Before being taken to Hell, Soames scornfully requests that Beerbohm at least try to make people believe that he, Soames, actually existed. Beerbohm concludes his narrative by calling down the author of the scholarly article in question for shoddy work; he notes that T.K Nupton must not have finished reading Beerbohm's story, otherwise he would have noticed Soames's (through Beerbohm) flawless predictions about the future and realised the story was not fiction.
Beerbohm then notes Soames had mentioned that his presence in the reading room caused a great stir, and writes "I assure you that in no period could Soames be anything but dim. The fact that people are going to stare at him, and follow him around, and seem afraid of him, can be explained only on the hypothesis that they will somehow have been prepared for his ghostly visitation. They will have been awfully waiting to see whether he really would come. And when he does come, the effect will of course be – awful."

Question: What does Beerbohm say is the one habit that makes Soames noticable?

He always wears the same gray cape and soft black hat


The beautiful young Theodora Fitzgerald belongs to a family of noble lineage whose fortunes have waned and who have lived in near poverty for most of her life. The book begins with her arranged marriage to Josiah Brown, a nouveau-riche Australian in his fifties. The marriage was contracted for convenience: Josiah simply wants a pretty and aristocratic wife to improve his standing in society, and the Fitzgerald family are in need of Brown's financial resources. Theodora only agrees to the marriage for the sake of her father and sisters.
Immediately after the wedding, Josiah falls ill. Theodora proves a dutiful and capable wife, and attends to her husband's every need, though she is secretly very unhappy. After a year of marriage, Josiah is well enough to visit Paris, where Theodora sees her father, Dominic, again for the first time since her wedding. She is thrilled to observe that at least he is receiving all the benefits she'd hoped to bring from her sacrifice: he now runs in aristocratic circles and is courting a wealthy American widow, Mrs. McBride. Theodora attends several social outings with her father, and at one dinner is introduced to Hector, Lord Bracondale. Theodora and Hector hit things off splendidly, and soon fall in love. Mrs. McBride is aware of Theodora's unhappy marriage, and seeing the situation she sympathetically arranges for Hector and Theodora to spend time together as often as possible. One day while Theodora and Hector are being chauffeured back to Paris after an outing at Versailles, the two indulge in a romantic encounter in the back of the car. Full of guilt thereafter, the two conclude they must behave themselves from now on and must no longer pursue each other romantically; they will, however, continue to be friendly to one another any time future social obligations might cause them to meet.
Hector at this point is terribly in love with Theodora, and though he tries his best to live by his promise to her, he still goes out of his way to see her and to secure invitations to all the same gatherings that she attends. He fantasizes about marrying her and makes sure to introduce her to his mother and to his sister. However, Theodora's status as a newcomer into society, and the obvious favor that Hector pays her over other eligible women who desire his hand, causes ire and jealousy to be directed her way. Rumors begin to spread, and several people believe Hector and Theodora to be lovers. Morella Winmarleigh, a spurned candidate for Hector's hand, particularly sets out destroy Theodora. She maliciously switches a letter Theodora had written to Hector with another letter meant for Josiah. Meanwhile, without anyone else's knowledge, Theodora and Hector have concluded that they cannot attempt to remain friends any longerâtheir love is too strongâand so they must agree to never see each other again.
The next day, Josiah receives Theodora's letter meant for Hector: the contents amount to Theodora asking Hector never to see her again, even though the two of them could be very happy together, because it is her duty to instead attend to the happiness of her husband Josiah. Josiah realizes for the first time how he has stood in the way of Theodora's happiness, and resolves to do his best to make her happy from now on. He forwards the letter to Hector and requests he never allow Theodora to learn of the mix-up. The next several months pass with Theodora and Josiah both trying their best to make the other happy, even while both are secretly miserable. Both begin to suffer from ill health. Ultimately, Josiah dies; eighteen months later, Mrs. McBride (now married to Dominic Fitzgerald) throws a picnic at Versailles to which both Theodora and Hector are invited. The book ends with the couple reunited, in a state of "passionate love and delirious happiness."

Question: How did the Browns feel about their own marriage?

both were very dedicated to it but unhappy