Input: Which film has the director who is older than the other, Blue Blood And Red or The Longshot?

Context:
Passage 1:
Blue Blood and Red
Blue Blood and Red is a 1916 American silent western comedy film directed by Raoul Walsh and starring George Walsh, Martin Kinney, and Doris Pawn.

Premise
After being kicked out of Harvard and thrown out by his millionaire father, a young wastrel heads west in the company of his butler.

Cast
George Walsh as Algernon DuPont
Martin Kinney as Peterkin
Doris Pawn
James A. Marcus
Jack Woods
Augustus Carney
Vester Pegg
Passage 2:
Dan Milne
Dan Milne is a British actor/director who is possibly best known for his role in EastEnders.

Career
He started his career in 1996 and made an appearance in Murder Most Horrid and as a pub poet in In a Land of Plenty. He then appeared in EastEnders as David Collins, Jane Beale's dying husband.
As a member of the Young Vic, he collaborated with Tim Supple to originate  Grimm Tales, which toured internationally, culminating in a Broadway run at the New Victory Theater. Since that time he has collaborated on more than seven major new works, including Two Men Talking, which has run for the past six years in various cities across the world. In 2013, he replaced Ken Barrie as the voice of the Reverend Timms in the children's show, Postman Pat.
Passage 3:
Paul Bartel
Paul Bartel (August 6, 1938 – May 13, 2000) was an American actor, writer and director. He was perhaps most known for his 1982 hit black comedy Eating Raoul, which he co-wrote, starred in and directed.
Bartel appeared in over 90 movies and TV episodes, including such titles as Eat My Dust (1976), Hollywood Boulevard (1976), Rock 'n' Roll High School (1979), Get Crazy (1983), Chopping Mall (1986), and Amazon Women on the Moon (1987). He frequently co-starred with friend and former Warhol girl Mary Woronov; the pair appeared in 17 films together, often as husband and wife.
Bartel also directed 11 low-budget films, many of which he also acted in or wrote. He started in 1968 with the short The Secret Cinema, a paranoid delusional fantasy of self-referential cinema.  He graduated to features in 1972 with the horror-comedy Private Parts.  He would go on to direct such cult films as Death Race 2000 (1975), Eating Raoul (1982), Lust in the Dust (1985) and Scenes from the Class Struggle in Beverly Hills (1989).

Biography
Bartel studied film and theatre at UCLA, and spent a year on a Fulbright scholarship at the Centro Sperimentale film school in Rome, before returning to the US. He fulfilled his military service by talking his way into the Army Signal Corps Pictorial Center in Long Island City and later made films for the United States Information Agency.

Early films
Bartel's first films were made in high school, primarily abstract and animated 16mm shorts, including titles such as Cinema Experimental (1954), Non Objective Film (1956), Margaret Whiting Sings "The Money Tree" (1956), and Camel Rock (1957). After making the 35mm short Italian-language film Progetti (1962) while attending the Centro Sperimentale di Cinematografia in Rome, Bartel produced The Secret Cinema (1966).  Shot on an extremely low budget in 35mm and with his own money, The Secret Cinema was the film that began his reputation as a new and unusual independent voice in narrative cinema.
He followed it with another short he wrote and directed, Naughty Nurse (1969). He co-wrote the feature Utterly Without Redeeming Social Value (1969), also starring in the lead. He worked as an actor only in Hi, Mom! (1970) directed by Brian De Palma.
Bartel's first feature as director was Private Parts (1972), a comedy horror film for MGM. It was produced by Gene Corman and Bartel was in the cast.

New World Pictures
Gene Corman's brother, Roger, ran a production company, New World Pictures, and hired Bartel to be second unit director on Big Bad Mama (1974), an action film. Bartel also played a small role.
Roger Corman gave Bartel the job of directing Death Race 2000 (1975), a satirical action comedy starring David Carradine, Sylvester Stallone and Mary Woronov. Bartel also played a small role. The film was a huge success at the box office and quickly established itself as a cult favorite.
Corman promptly offered Bartel the chance to direct a similar action film with Carradine for New World, Cannonball (1976). Bartel also worked on the script. The film is littered with cameos from people such as Joe Dante and Martin Scorsese. Bartel later said he worked for a year on Death Race 2000 for $5,000 "so when it was finished I desperately needed money. The only thing anybody wanted from me was another car picture, hence Cannonball. Corman had drummed into me the idea that if Death Race had been "harder" and "more real" it would have been more popular. Like a fool, I believed him. I am not, and never have been, very much interested in cars and racing" so he decided to load up the film with "cameos and character gimmicks that did interest me."Bartel was in much demand from other directors at New World to play small parts in their pictures: he appeared in Eat My Dust (1976) for Ron Howard, Hollywood Boulevard (1976) for Joe Dante and Alan Arkush (quite a large role, as a director, which Bartel credited for really kicking off his acting career), Mr Billions (1977) for Jonathan Kaplan (not a New World film but Bartel met Kaplan at the company), Grand Theft Auto (1977) for Howard, Piranha (1978) for Dante, and Rock 'n' Roll High School (1979) for Arkush. Outside New World he appeared in The Hustler of Muscle Beach (1980) for Kaplan and Heartbeeps (1981) for Arkush.

Eating Raoul and after
Bartel wrote a script with Richard Blackburn, Eating Raoul (1982). Bartel managed to raise the finance and starred in the film along with Woronov. Made for $230,000 (raised by  himself and his parents) it was a hit on the art house circuit, grossing $10 million, and became a cult movie.
Bartel had small roles in White Dog (1982), directed by Sam Fuller and produced by New World alumni Jon Davison, Trick or Treats (1982), Heart Like a Wheel (1983) for Kaplan, and Get Crazy (1983) for Arkush.
The success of Eating Raoul enabled Bartel to raise $3 million in finance (ten times the budget of Raoul) for a screwball comedy he had co written and wanted to direct, Not for Publication (1984). It was a box-office disaster. More successful was Lust in the Dust (1985) starring Tab Hunter and Divine.
Bartel continued to be in demand as an actor, appearing in Frankenweenie (1984), a short for Tim Burton, Into the Night (1985) for John Landis, European Vacation (1985) for Amy Heckerling, and Sesame Street Presents: Follow That Bird (1985).
Bartel directed The Longshot (1986) based on a script by Tim Conway who starred. Bartel said he was a "director for hire" on the project. "My sensibility was on some level antipathetic to what Tim Conway wanted. I was trying to find interesting things under the surface, and he just wanted more surface."He appeared in an episode of Fame directed by Arkush, and reprised his Raoul character in Chopping Mall (1986) for Jim Wynorski produced by Julie Corman (Wynorski says Bartel and Woronov adlibbed their roles). He appeared in "The Jar", an episode of Alfred Hitchcock Presents directed by Burton, as well as the film Killer Party (1986).
He directed two episodes of Amazing Stories, both from his own scripts, both featuring him as an actor: "Secret Cinema" (a remake of his short film of the same name) and "Gershwin's Trunk".
He had roles in Munchies (1987) (produced by Roger Corman), Amazon Women on the Moon (1987) (in a segment directed by Dante), an episode of Crime Story, Baja Oklahoma (1988), and Shakedown (1988).
Bartel co wrote but did not direct Mortuary Academy (1988); he and Woronov also played small roles. He was an executive producer on Out of the Dark (1988), in which he had a small role. He had a role in Caddyshack II (1988) directed by Arkush.Bartel directed Scenes from the Class Struggle in Beverly Hills (1989), based on a story of his.He wrote a sequel to Eating Raoul called Bland Ambition, where Paul and Mary wind up running for Governor of California. It was about 10 days from the start of filming when Vestron withdrew its financial backing.Bartel appeared in Pucker Up and Bark Like a Dog (1989), Far Out Man (1990), Gremlins 2: The New Batch (1990) (for Dante), Dan Turner, Hollywood Detective (1990), an episode L.A. Law directed by Arkush, Liquid Dreams (1991), and Desire and Hell at Sunset Motel (1991).
Bartel had a large supporting role in The Pope Must Diet (1991), directed by Peter Richardson of The Comic Strip, and was in The Living End (1992) from Gregg Araki, Soulmates (1992), and Posse (1993).
A musical adaptation of Eating Raoul premiered off Broadway in 1992.Bartel appeared in some episodes of The Comic Strip Presents..., even directing one ("Demonella"). He was in Acting on Impulse, Tales of the City and Grief (1993).
Bartel's last feature as director was Shelf Life (1993). Based on a play and done for a low budget, it struggled to find distribution.

Final years
Bartel appeared in Twin Sitters (1993), The Usual Suspects (1995), and The Jerky Boys (1995). He had a rare star role in The Wacky Adventures of Dr. Boris and Nurse Shirley (1995) but was normally seen in minor parts: Naomi & Wynonna: Love Can Build a Bridge (1995), Not Like Us (1995) for Corman's new company Concorde Pictures, A Bucket of Blood (1995) also for Concorde, Number One Fan (1995), Red Ribbon Blues (1996), Joe's Apartment (1996), Escape from L.A. (1996), and Basquiat (1996).
He directed 2 episodes of Clueless, "We Shall Overpack" and "Cher Inc". He also appeared in both.
He was in Prey of the Jaguar (1996), The Elevator (1996), Lewis & Clark & George (1997), Boston Common, Skeletons (1997), The Inheritance (1997), Chicago Hope, The Devil's Child (1997), Billy's Hollywood Screen Kiss (1998), More Tales of the City, Race, Vengeance Unlimited, Dreamers, Hard Time: The Premonition, episodes of Ally McBeal and Snoops directed by Arkush, Good vs Evil, Zoo (1999), Hamlet (2000), Dinner and a Movie (2001) and Perfect Fit (2001).

Personal life
Bartel was openly gay; this influenced his career choice, as he found himself more accepted and afforded more opportunities within the independent film industry than he would have in Hollywood.In 1979, he was a member of the jury at the 29th Berlin International Film Festival.

Death
Bartel died May 13, 2000, of a heart attack two weeks after liver cancer surgery; he was 61 years old. His final screen appearance was a posthumous role as "Dad" alongside Mary Woronov ("Mom") in the 2001 independent film Perfect Fit.

Legacy
The Belgian horror movie Calvaire paid a tribute to the late Bartel – the mad innkeeper character is named "Paul Bartel".
Two of Bartel's early directorial efforts, Progetti and The Secret Cinema, were restored by the Academy Film Archive.

Filmography
Passage 4:
Scotty Fox
Scott Fox is a pornographic film director who is a member of the AVN Hall of Fame.

Awards
1992 AVN Award – Best Director, Video (The Cockateer)
1995 AVN Hall of Fame inductee
Passage 5:
Raoul Walsh
Raoul Walsh (born Albert Edward Walsh; March 11, 1887 – December 31, 1980) was an American film director, actor, founding member of the Academy of Motion Picture Arts and Sciences (AMPAS), and the brother of silent screen actor George Walsh. He was known for portraying John Wilkes Booth in the silent film The Birth of a Nation (1915) and for directing such films as the widescreen epic The Big Trail (1930) starring John Wayne in his first leading role, The Roaring Twenties starring James Cagney and Humphrey Bogart, High Sierra (1941) starring Ida Lupino and Humphrey Bogart, and White Heat (1949) starring James Cagney and Edmond O'Brien. He directed his last film in 1964. His work has been noted as influences on directors such as Rainer Werner Fassbinder, Jack Hill, and Martin Scorsese.

Biography
Walsh was born in New York as Albert Edward Walsh to Elizabeth T. Bruff, the daughter of Irish Catholic immigrants, and Thomas W. Walsh, an Englishman. Walsh was part of Omega Gamma Delta in high school, as was his younger brother. Growing up in New York, Walsh was also a friend of the Barrymore family. John Barrymore recalled spending time reading in the Walsh family library as a youth. Later in life, Walsh lived in Palm Springs, California. He was buried at Assumption Cemetery Simi Valley, Ventura County, California.

Film career
Walsh was educated at Seton Hall College. He began acting in 1909, first as a stage actor in New York City and later as a film actor. In  1913 he changed his name to Raoul Walsh. In 1914 he became an assistant to D. W. Griffith and made his first full-length feature film, The Life of General Villa, shot on location in Mexico with Pancho Villa playing the lead, and with actual ongoing battles filmed in progress as well as battle recreations.  Walsh played John Wilkes Booth in Griffith's epic The Birth of a Nation (1915) and also served as an assistant director. This movie was followed by the critically acclaimed Regeneration in 1915, the earliest feature gangster film, shot on location in Manhattan's Bowery district.
Walsh served as an officer in the United States Army during World War I. He later directed The Thief of Bagdad (1924), starring Douglas Fairbanks and Anna May Wong, and Laurence Stallings' What Price Glory? (1926), starring Victor McLaglen and Dolores del Río.

In Sadie Thompson (1928), starring Gloria Swanson as a prostitute seeking a new life in Samoa, Walsh starred as Swanson's boyfriend in his first acting role since 1915; he also directed the film. He was then hired to direct and star in In Old Arizona, a film about O. Henry's character the Cisco Kid. While on location for that film Walsh was in a car crash when a jackrabbit jumped through the windshield as he was driving through the desert; he lost his right eye as a result. He gave up the part and never acted again. Warner Baxter won an Oscar for the role Walsh was originally slated to play. Walsh would wear an eyepatch for the rest of his life.

In the early days of sound with Fox, Walsh directed the first widescreen spectacle, The Big Trail (1930), an epic wagon train western shot on location, across the West. The movie starred John Wayne, then unknown, whom Walsh discovered as prop man named Marion Morrison, and he was renamed after the Revolutionary War general Mad Anthony Wayne; Walsh happened to be reading a book about him at the time. Walsh directed The Bowery (1933), featuring Wallace Beery, George Raft, Fay Wray and Pert Kelton; the energetic movie recounts the story of Steve Brodie (Raft), supposedly the first man to jump off the Brooklyn Bridge and live to brag about it.
An undistinguished period followed with Paramount Pictures from 1935 to 1939, but Walsh's career rose to new heights after he moved to Warner Brothers, with The Roaring Twenties (1939), featuring James Cagney and Humphrey Bogart; Dark Command (1940), with John Wayne and Roy Rogers (at Republic Pictures); They Drive By Night (1940), with George Raft, Ann Sheridan, Ida Lupino and Bogart; High Sierra (1941), with Lupino and Bogart again; They Died with Their Boots On (1941), with Errol Flynn as Custer; The Strawberry Blonde (1941), with Cagney and Olivia de Havilland; Manpower (1941), with Edward G. Robinson, Marlene Dietrich and George Raft; and White Heat (1949), with Cagney. Walsh's contract at Warners expired in 1953.
He directed several films afterwards, including three with Clark Gable: The Tall Men (1955), The King and Four Queens (1956) and Band of Angels (1957). Walsh retired in 1964. He died of a heart attack in 1980.

Outside interests
Raoul Walsh was a breeder and owner of Thoroughbred racehorses. For a time, his brother George Walsh trained his stable of horses. Their horse Sunset Trail competed in the 1937 Kentucky Derby won by War Admiral who went on to win the U.S. Triple Crown. Sunset Trail finished sixteenth in a field of twenty runners.Some of Walsh's film-related material and personal papers are contained in the Wesleyan University Cinema Archives.

Selected filmography
Miscellaneous
The Conqueror (writer, 1917)
The Big Trail (story contributor, uncredited, 1930)
Captain Horatio Hornblower R.N. (producer, uncredited, 1951)
The Lawless Breed (producer, uncredited, 1953)
Esther and the King (screenplay, 1960)
The Men Who Made the Movies: Raoul Walsh (TV documentary)
Himself (1973)

Notes
Passage 6:
Logan Sandler
Logan Sandler is an American writer and director who is best known for his first feature film Live Cargo.

Early life and education
Sandler graduated from SFTV within Loyola Marymount University's Film School in 2011 with a B.A. in Film Production, and three years later, while earning an M.F.A. from AFI in Film Directing, he developed his first feature film, Live Cargo. He developed the script with the late Seth Winston and co-writer Thymaya Payne. In 2015, Sandler was awarded the Institute's Franklin J. Schaffner Fellow Award for his short film, Tracks.

Career
Sandler's senior thesis, All It Will Ever Be premiered at the Bermuda International Film Festival in 2012. Sandler's second short film Tracks screened at various festival around the world, including AFI FEST, Marfa Film Fest, Cambridge Film Festival, and the Miami International Film Festival. The film won the Lexus Audience Award for Best Short film at the Miami International Film Festival and best actor for Keith Stanfield at the 24 FPS International Film Festival.Sandler's debut feature film Live Cargo was filmed in the Bahamas, and premiered at the Tribeca Film Festival in 2016. The film stars Dree Hemingway, Keith Stanfield, and Robert Wisdom. In addition to the 2016 Tribeca Film Festival, Live Cargo had its European premiere at the Warsaw International Film Festival, then went on to screen at the American Film Festival in Poland, the São Paulo International Film Festival, the Denver Film Festival, the Key West Film Festival, the Torino Film Festival, the Bahamas International Film Festival, and AFI FEST.Sandler has collaborated with Stanfield on music videos, co-directing the group MOORS’ single Gas. The music video premiered on Vice’s music channel Noisey.IONCINEMA.com chose Sandler as their IONCINEPHILE of the Month for April 2017, a feature that focuses on an emerging filmmaker from the world of cinema. When asked about his favorite films of his formative years Sandler said, "I fell in love with Jean Luc Godard’s Contempt and Weekend. I was blown away by Agnes Varda’s Cleo from 5 to 7. Michelangelo Antonioni’s films really struck a chord with me as well. After seeing L’Avventura and Blowup, I went online and ordered every film of his I could find. The Passenger’s penultimate shot blew me away. I watched that 7 minute shot over and over. It’s probably my favorite shot in the history of cinema."

Critical reception
Angelica Jade Bastien for Roger Ebert wrote of the film, "In 'Live Cargo,' director/co-writer Logan Sandler strives to tell a story that finds poetry in the commonplace by shirking narrative conventions."Chuck Wilson for The Village Voice wrote, "The well-acted Live Cargo, which also features Robert Wisdom and Sam Dillon, is at its best when it observes character acting silently against landscape, as when Nadine goes snorkeling and uses a spear gun to jab at sharks, a juxtaposition of natural beauty and human fury typical of Sandler’s poetic approach.” Wilson as well called Sandler "a filmmaker to watch."Katie Walsh in her IndieWire review wrote, ”Anchored by a quartet of equally strong and understated performances, LIVE CARGO proves itself to be a singularly artful film of great emotional heft.”  Walsh gave the film an A - grade.Stephen Saito for The Moveable Fest in his review and interview wrote, "While there’s intrigue aplenty as anxieties rise higher than the tide, the assured hand of director Logan Sandler, who co-wrote the script with Thymaya Payne, guides 'Live Cargo' admirably as a thriller that may appear immediately as monochrome but shifts quickly into varying degrees of grey.”H. Nelson Tracey of Cinemacy wrote that Sandler's, “Live Cargo is an unforgettable debut and a promise of greater heights to come.”Justin Lowe of the Hollywood Reporter in his review stated, “A pronounced sense of style and place suffuses the entire film, boding well for Sandler’s future projects.”

Awards/Nominations
Passage 7:
Blue Blood (2014 film)
Blue Blood (Portuguese: Sangue azul) is a 2014 Brazilian drama film directed by Lírio Ferreira. It was screened in the Panorama section of the 65th Berlin International Film Festival.

Cast
Daniel de Oliveira
Caroline Abras
Sandra Coverloni
Rômulo Braga
Passage 8:
Ben Palmer
Ben Palmer (born 1976) is a British film and television director.
His television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020). Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015).

Biography
Palmer was born and raised in Penny Bridge, Barrow-in-Furness. He attended Chetwynde School.His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis. Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively.

Filmography
Bo' Selecta! (2002–06)
Comedy Lab (2004–2010)
Bo! in the USA (2006)
The Inbetweeners (2009–2010)
The Inbetweeners Movie (2011)
Comedy Showcase (2012)
Milton Jones's House of Rooms (2012)
Them from That Thing (2012)
Bad Sugar (2012)
Chickens (2013)
London Irish (2013)
Man Up (2015)
SunTrap (2015)
BBC Comedy Feeds (2016)
Nigel Farage Gets His Life Back (2016)
Back (2017)
Comedy Playhouse (2017)
Urban Myths (2017–19)
Click & Collect (2018)
Semi-Detached (2019)
Breeders (2020)
Passage 9:
Elliot Silverstein
Elliot Silverstein (born August 3, 1927) is a retired American film and television director. He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977). His television work includes four episodes of The Twilight Zone (1961–1964).

Career
Elliot Silverstein was the director of six feature films in the mid-twentieth century. The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin.
The other Silverstein films, in chronological order, are The Happening, A Man Called Horse,  Nightmare Honeymoon, The Car, and Flashfire.
Other work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt.
While Silverstein was not a prolific director, his films were often decorated. Cat Ballou, for instance, earned one Oscar and was nominated for four more. His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America.

Awards
In 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou.
He was also nominated for the Golden Berlin Bear.In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou).
In 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris.In 1985, he won the Robert B. Aldrich Achievement Award from the Directors Guild of America.
In 1990, he was awarded the DGA Honorary Life Member Award.

Personal life
Silverstein has been married three times, each ending in divorce. His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968. His second marriage was to Alana King. During his first marriage, he was the step-father of David Cassidy.
He currently lives in North Hollywood, Los Angeles. Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects.

Filmography
Tales from the Crypt (TV Series) (1991–94)
Picket Fences (TV Series) (1993)
Rich Men, Single Women (TV Movie) (1990)
Fight for Life (TV Movie) (1987)
Night of Courage (TV Movie) (1987)
Betrayed by Innocence (TV Movie) (1986)
The Firm (TV Series) (1982–1983)
The Car (1977)
Nightmare Honeymoon (1974)
A Man Called Horse (1970)
The Happening (1967)
Cat Ballou (1965)
Kraft Suspense Theatre (TV Series) (1963–64)
The Defenders (TV Series) (1962–64)
Arrest and Trial (TV Series) (1964)
The Doctors and the Nurses (TV Series) (1962–64)
Twilight Zone (TV Series) (1961–64)
Breaking Point (TV Series) (1963)
Dr. Kildare (TV Series) (1961–63)
The Dick Powell Theatre (TV Series) (1962)
Belle Sommers (TV Movie) (1962)
Naked City (TV Series) (1961–62)
Have Gun - Will Travel (TV Series) (1961)
Route 66 (TV Series) (1960–61)
Checkmate (TV Series) (1961)
The Westerner (TV Series) (1960)
Assignment: Underwater (TV Series) (1960)
Black Saddle (TV Series) (1960)
Suspicion (TV Series) (1958)
Omnibus (TV Series) (1954–56)
Passage 10:
The Longshot
The Longshot is a 1986 American comedy film directed by Paul Bartel and starring Tim Conway.

Plot
Four friends enjoy betting on horses at the race track. Someone tells them that he's got something to give his horse to make it run faster, and they can win a lot of money if they bet. Dooley tries to romance Nicki Dixon to get the money, but he finds out she's a lunatic who tries to kill him when he reminds her of her ex. Later, they borrow an envelope of money from the mob, who expect them to pay back within a week. They find out that the man who gave them the tip was a fraud, but Dooley remembered someone saying that the horse would run fast if he saw red. He ran out to the track, waved a red dress and the horse won the race.

Cast
Tim Conway as Dooley
Harvey Korman as Lou
Jack Weston as Elton
Ted Wass as Stump
Stella Stevens as Nicki Dixon
Anne Meara as Madge
George DiCenzo as DeFranco
Jorge Cervera as Santiago
Jonathan Winters as Tyler
Frank Bonner as Realtor
Eddie Deezen as Parking Attendant
Nick Dimitri as Track Cop
Garry Goodrow as Josh
Edie McClurg as Donna
Joseph Ruskin as Fusco

Theme Song
"The Longshot", the film's title track, is performed by Irene Cara.

Answer: Blue Blood And Red


Input: What is the place of birth of the director of film Clowning Around?

Context:
Passage 1:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.
He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.
Passage 2:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors  in November 2019.  Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur.

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv.
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners.  She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007.

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities.
Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television.
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem.

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 3:
George Whaley (actor)
George Whaley (19 June 1934 – 6 August 2019) was an Australian actor, director and writer, known for his work across theatre and film. He was born in Castlemaine, Victoria, Australia. He wrote and directed the mini-series The Harp in the South and it; sequel Poor Man's Orange, as well as Dad and Dave: On Our Selection.
He directed the film Dancing, produced by David Elfick,  which was shown at the Melbourne International Film Festival in 1980.George Whaley was National Institute of Dramatic Art’s Head of Acting from 1976 to 1981, taking over from Alexander Hay. Apart from his directing work he acted in films such as Stork (1971), Alvin Purple (1973), Bliss (1985), The Crossing (1990), Turtle Beach (1992) and Daydream Believer (1992), and numerous serials including Homicide, Division 4, The Flying Doctors, A Country Practice and All Saints.
Passage 4:
Clowning Around
Clowning Around is a 1991 Australian children's series later edited into a family film that was shot on location in Perth, Western Australia and Paris, France. It was based on the novel Clowning Sim by David Martin.The film was produced by independent film company Barron Entertainment Films in Western Australia and educational film company WonderWorks in the United States, was directed by George Whaley. It was distributed by Australian Broadcasting Corporation. It featured Australian actors such as Clayton Williamson, Noni Hazelhurst, Ernie Dingo, Rebecca Smart, and Jill Perryman, and also featured veteran American actor Van Johnson along with French actor Jean-Michel Dagory.
This series was followed up with a sequel entitled Clowning Around 2, which was released in 1993.

Plot
Simon Gunner, is a star-struck foster kid who aspires to become a circus clown. With the help of veteran funster Jack Merrick, Simon ultimately fulfills his goal.

Cast
Clayton Williamson as Simon Gunner
Annie Byron as Una Crealy
Jean-Michel Dagory as Anatole Tolin
Ernie Dingo as Jack Merrick
Van Johnson as Mr. Ranthow
Rebecca Smart as Linda Crealy
Noni Hazlehurst as Sarah Gunner
Jill Perryman as Miss Gabhurst
Steve Jodrell as Skipper Crealy
Heath Ledger as orphan (uncredited)
Passage 5:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions.
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language."   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.

== Notes ==
Passage 6:
Ian Barry (director)
Ian Barry is an Australian director of film and TV.

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 7:
Jesse E. Hobson
Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation.

Early life and education
Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children.

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948.
Passage 8:
Peter Levin
Peter Levin is an American director of film, television and theatre.

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.
Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.
Passage 9:
Jason Moore (director)
Jason Moore (born October 22, 1970) is an American director of film, theatre and television.

Life and career
Jason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003.  He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John "JJ" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie.

Filmography
Films

Pitch Perfect (2012)
Sisters (2015)
Shotgun Wedding (2022)Television

Soundtrack writer

Pitch Perfect 2 (2015) (Also executive producer)
The Voice (2015) (1 episode)
Passage 10:
S. N. Mathur
S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab.

Answer: Castlemaine, Victoria, Australia


Input: When is Henrietta Maria Of Brandenburg-Schwedt's father's birthday?

Context:
Passage 1:
Frederick Henry, Margrave of Brandenburg-Schwedt
Frederick Henry, Margrave of Brandenburg-Schwedt (21 August 1709, in Schwedt – 12 December 1788, in Schwedt) was the last owner of the Prussian secundogeniture of Brandenburg-Schwedt.

Early life
His was the son of Margrave Philip William, son of Philip William, Margrave of Brandenburg-Schwedt and his wife Sophia Dorothea of Schleswig-Holstein-Sonderburg-Glücksburg. His mother was Princess Johanna Charlotte of Anhalt-Dessau, daughter of Prince John George II of Anhalt-Dessau and Princess Henriette Catherine of Nassau.

Life
After his father's death in 1711, his mother put Frederick Henry under the guardianship of his uncle Frederick I, and after Frederick I's death in 1713, under the guardianship of his cousin Frederick William I.  In 1711, Frederick Henry was made the chief of the Infantry Regiment No. 12.  However, he showed little interest in military affairs.  In 1733, King Frederick William I was so incensed with the disorder in Frederick Henry's regiment that he was jailed for several weeks.  Frederick the Great held little respect for Frederick Henry's abilities and did not employ him.  In 1741, Frederick Henry traded the Infantry Regiment No. 12 for the Infantry Regiment No. 42, but again, he cared little for his duties, and he left its business to the respective commanders.
When his brother Frederick William died in 1771, Frederick Henry inherited the Lordship of Schwedt-Wildenbruch.  As "Margrave of Brandenburg-Schwedt", he was a patron of the arts, especially theater.  In 1755 he acquired the Prinzessinnenpalais in Berlin and in 1785, he contracted the actress Henriette Hendel-Schutz to perform in his Court Theater.
He married his first cousin Leopoldine Marie of Anhalt-Dessau, a daughter of Prince Leopold I of Anhalt-Dessau, nicknamed the old Dessauer.  After the birth of two daughters, he and his wife quarreled so often and so violently, that he banned her to Kolberg for the rest of her life.
Between 1760 and 1762, the mathematician Leonhard Euler sent numerous letters in French about mathematical and philosophical subjects to his daughter Frederike. These letters were published between 1769 and 1773 under the title "Letters to a German Princess" and were printed in Leipzig and St. Petersburg. The French edition alone enjoyed 12 printings. It was the Age of Enlightenment and Euler tried to explain physical issues and in particular their philosophical background in a generally understandable manner. Frederick Henry may have employed Euler as her teacher.When he died in 1788, the junior line of Brandenburg-Schwedt died out and the secundogeniture fell back to the Electorate.  His daughters and nieces received a pension.

Daughters
Louise of Brandenburg-Schwedt (10 August 1750 – 21 December 1811) married Prince (later Duke) Leopold III of Anhalt-Dessau (1740-1817)
Friederike Charlotte of Brandenburg-Schwedt (18 August 1745 – 23 January 1808), the last Abbess of Herford Abbey
Passage 2:
Princess Anna Elisabeth Louise of Brandenburg-Schwedt
Princess and Margravine Anna Elisabeth Louise of Brandenburg-Schwedt (German: Luise; 22 April 1738 – 10 February 1820) was a Prussian princess by marriage to her uncle Prince Augustus Ferdinand of Prussia. She was a daughter of Margrave Frederick William of Brandenburg-Schwedt and Princess Sophia Dorothea of Prussia.

Early life
Anna Elisabeth Louise was one of five children born to Margrave Frederick William of Brandenburg-Schwedt and Sophia Dorothea of Prussia. Her siblings included Sophia Dorothea, Duchess of Württemberg, and Philippine, Landgravine of Hesse-Cassel.
Her father was a son of Philip William, Margrave of Brandenburg-Schwedt and Princess Johanna Charlotte of Anhalt-Dessau.
Her mother was a daughter of Frederick William I of Prussia and Sophia Dorothea of Hanover. Through her mother, Anna Elisabeth Louise was a niece of Frederick the Great.

Princess of Prussia
On 27 September 1755 in Charlottenburg Palace, Berlin, Anna Elisabeth Louise married her uncle Prince Augustus Ferdinand of Prussia, a younger brother of her mother, Sophia Dorothea. He was eight years older than she and was a younger son of Frederick William I of Prussia and Sophia Dorothea of Hanover (herself the only daughter of George I of Great Britain).

The biological father of her daughter Louise, who was born in 1770, may have been Count Friedrich Wilhelm Carl von Schmettau. Louise was described as nice, witty and kind. The Swedish Princess Hedwig Elizabeth Charlotte described her at the time of her visit in 1798: In the afternoon, we visited this Princess, who lives at Bellevue in the outskirts of Berlin. It is a little villa, very suitable for a private person but far from royal. The reception here was quite dissimilar from the one at my aunt. Princess Ferdinand is stiff and made it obvious that she wished to impress us. I was of course polite, but after I had noticed, that she took on a condescending tone and wished to embarrass me, I replied the same way and displayed the same haughtiness. The Princess is no longer young, has surely been beautiful, looks like an aristocratic Frenchwoman but not like a Princess, for she has nothing royal about her. I do not think she is that clever, but she can make a pleasant conversation and is quite confident, as one becomes through a long habit of socializing in the grand world.
Anna Elisabeth Louise was one of the few members of the royal house to remain in Berlin during the French occupation in 1806. While most of the royal family left, reportedly because of the anti-Napoleonic criticism they had expressed, and the members of the royal court either followed them or left the capital for their country estates, Elisabeth Louise remained with her spouse and Princess Wilhelmina of Hesse-Kassel because of "their great age", as did Princess Augusta of Prussia, who was pregnant at the time.One visitor to her in 1813–14 commented that, "I never saw such a formal, stiff, disagreeable old woman - vieille cour outree, and she frightened me to death. I was glad to get away...".

Death
Augustus Ferdinand died in Berlin on 2 May 1813. Elisabeth Louise died seven years later, on 22 February 1820. She is buried in Berlin Cathedral.

Issue
On 27 September 1755 in Charlottenburg Palace, Berlin, Anna Elisabeth Louise married her uncle Prince Augustus Ferdinand of Prussia
The couple had seven children:

Friederike Elisabeth Dorothea Henriette Amalie, Princess of Prussia (1761–1773)
Friedrich Heinrich Emil Karl, Prince of Prussia (1769–1773)
Friederike Dorothea Louise Philippine, Princess of Prussia (1770–1836), married to Prince Antoni Radziwiłł
Heinrich Friedrich Carl Ludwig (1771–1790)
Friedrich Ludwig Christian (1772–1806)
Friedrich Paul Heinrich August, Prince of Prussia (1776)
Friedrich Wilhelm Heinrich August, Prince of Prussia (1779–1843)

Ancestry
Passage 3:
Frederick William, Margrave of Brandenburg-Schwedt
Frederick William of Brandenburg-Schwedt (17 November 1700 – 4 March 1771) was a German nobleman. In his lifetime, from 1711 to 1771, he held the titles Prince in Prussia and Margrave of Brandenburg, with the style Royal Highness. He was made a knight of the Order of the Black Eagle.
In the 19th century he was retrospectively known by the title Margrave of Brandenburg-Schwedt, in order to differentiate his branch of the Hohenzollern dynasty.  He was the second owner of the Prussian secundogeniture of Brandenburg-Schwedt. His parents were Philip William, Margrave of Brandenburg-Schwedt, and Princess Johanna Charlotte of Anhalt-Dessau. He was the nephew of King Frederick I of Prussia.

Life
Frederick William was known as a brutal man because of his short temper, severity, and coarse manners. He was born at Oranienbaum Castle (modern-day Oranienbaum-Wörlitz, Wittenberg), and was educated and raised by his uncle, King Frederick I, and then by his cousin, King Frederick William I. His character closely resembled that of his second royal guardian, who like himself, hated idleness and was a terror to all loungers. The clergy were especial objects of his ridicule and persecution. His cane was as much feared as that of his royal namesake.He made the fashionable Grand Tour, travelling to Geneva 1715, and in 1716 to Italy. He returned in 1719 to Prussia, where he received the Order of the Black Eagle from Frederick William I. On 15 June 1723 he was made a Prussian major-general. On 10 July 1737 he was appointed lieutenant-general.The existence of the Schwedt branch of the Hohenzollern dynasty, descended as they were from Frederick I's father and being 'princes of the blood', posed a theoretical threat to the Prussian kings.  Frederick William I tried to neutralise this threat by keeping his cousins close, bringing the Schwedt brothers into his own household, acting as their guardian, and later marrying Frederick William to his daughter. Following the margrave's reaching adulthood the king was so fearful of any covert political activity on his cousin's part that he sent spies to Schwedt to find out who met with Frederick William and his brother.Margrave Frederick William pursued a lavish programme of building in Schwedt, both in the palace and town, and he actively purchased land and estates to augment his inheritance; this aggrandisement resulted in the king eventually forbidding him from making any more such purchases. In contrast to his father's policy Frederick II sought to distance himself from his Schwedt cousins, humiliating them at every chance. He made them unwelcome at his court, undermined the margrave's authority in his own dominions by encouraging complaints and lawsuits by his tenants and neighbours and, most effectively, he marginalised the position of the Schwedt brothers within the Prussian army.  Margrave Frederick William was removed from command in the army, a denigration the king also extended to his own brothers.Frederick William was 19 years older than his wife Sophia Dorothea of Prussia, who was his first cousin once removed.  The marriage, in 1734, was at the express wish of King Frederick William, against the wishes of his daughter; the bride was given away by her brother the future Frederick II, as the king was unwell. The relationship of the couple was not happy. Sophia often fled to the protection of her brother King Frederick. The latter did not stop at friendly admonitions, but sent General Meir to Schwedt with unlimited authority to protect the margravine from insult. Eventually they lived in separate places: Sophia lived in the castle Montplaisir, and the Margrave lived in the castle of Schwedt. Apparently they were only reconciled when the margravine was in her terminal illness; she died in her husband's arms.On 4 March 1771, Frederick William died at Wildenbruch Castle, when the heavy cold he was suffering from worsened. The Margrave acknowledged one illegitimate son, the only one of his male offspring to survive infancy. Due to his lack of surviving legitimate male issue, his lands and title were inherited by his younger brother Frederick Henry (ruled 1771–1788).

Issue
In 1734, the Margrave married Sophia Dorothea of Prussia and they had five children.
Sophia Dorothea (18 December 1736 – 9 March 1798); married Frederick II Eugene, Duke of Württemberg
Elisabeth Louise (22 April 1738 – 10 February 1820); married her uncle Prince Augustus Ferdinand of Prussia
George Philip (10 September 1741 – 28 April 1742)
Philippine (10 October 1745 – 1 May 1800); married Frederick II, Landgrave of Hesse-Kassel (or Hesse-Cassel)
George Frederick (3 May 1749 – 13 August 1751)He also fathered an illegitimate son named Georg Wilhelm von Jägersfeld (1725–1797).

Genealogy
Frederick William belonged to a junior branch of the House of Hohenzollern; the senior branch were the Counts of Hohenzollern-Sigmaringen. The junior line produced electors of Brandenburg and kings and emperors of Prussia and Germany. Frederick William was a descendant of Burkhard I, Count of Zollern. Through his daughter Sophia Dorothea he is an ancestor of Mary of Teck (Queen Mary), the wife of George V, and therefore an ancestor of the present British royal family.

Ancestry
See also
Frederick William, Elector of Brandenburg

Notes
Passage 4:
Charles Frederick Albert, Margrave of Brandenburg-Schwedt
Karl Friedrich Albrecht, Margrave of Brandenburg-Schwedt (10 June 1705 – 22 June 1762), a grandson of Frederick William of Brandenburg (the Great Elector) and son of Margrave Albert Frederick of Brandenburg-Schwedt, was a Prussian military officer and the Herrenmeister (grand master) of the Order of Saint John (Bailiwick of Brandenburg).

Life
Charles of Brandenburg-Schwedt was born in Berlin. He joined the Prussian Army at an early age and distinguished himself during the First Silesian War at the capture of Głogów, at the Battle of Mollwitz and the Battle of Chotusitz. He took command in Upper Silesia in the spring of 1745, to the special satisfaction of his cousin, King Frederick II of Prussia.
During the Seven Years' War Margrave Charles again held independent commands, as Frederick II had confidence in him, and he distinguished himself at the Battle of Hochkirch and the Battle of Torgau. In both battles, as at Mollwitz, he was wounded.
The General German Biography (ADB) describes him as a noble, philanthropic character and lover of the arts and sciences.
For 31 years he governed the knights, the Bailiwick of Brandenburg, and its fiefs as Grand Master of the Order of St. John, having been installed at Sonnenburg in 1731. He died in Breslau.

Issue
Charles Frederick Albert was never married, but had one daughter with his mistress, Dorothea Regina Wuthner (who was raised to the nobility on 14 January 1744 as "Frau von Carlowitz"):

Caroline Regina von Carlowitz (Soldin, 12 December 1731 – Berlin, 16 September 1755), married in Berlin on 16 June 1747 to Count Albrecht Christian von Schönburg-Hinterglauchau (22 January 1720 – 9 March 1799), Charles's adjutant. They had three children:Countess Ernestine Caroline Wilhelmine Albertine of Schönburg-Hinterglauchau (6 June 1748 – 21 March 1810); married in Berlin on 2 November 1770 to Count Frederick Louis Finck von Finckenstein (18 February 1745 – 18 April 1818).
Count Frederick William Charles Ernest of Schönburg-Hinterglauchau (9 January 1751 – 17 June 1751).
Count Christian William Charles Frederick Ernest of Schönburg-Hinterglauchau (14 June 1752 – 9 March 1770).In 1744, Charles was engaged to marry Maria Amalia of Hesse-Cassel (1721–1744), but she died before they could wed.  Upon his death in 1762, lacking legitimate heirs, his estate reverted to the crown.  After the Treaty of Hubertusburg, Frederick II granted these fortunes to the two officers for whom he had particular gratitude: Hans Sigismund von Lestwitz received the estate of Friedland, and Joachim Bernhard von Prittwitz, who had led the king from the battlefield in the Kunersdorf, received the estate at Quillitz.  Theodore Fontane gave this circumstance a special mention, by quoting a proverb:   "Lestwitz a sauvé l'etat, Prittwitz a sauvé le roi." (Lestwitz saved the state, Prittwitz the king.) The staff officers of the Lestwitz regiment received a golden medal.

Notes
Passage 5:
Charles Philip of Brandenburg-Schwedt
Margrave Charles Philip of Brandenburg-Schwedt (5 January 1673 in Sparnberg – 23 July 1695 in Casale Monferrato) was a Hohenzollern prince and a titular Margrave of Brandenburg-Schwedt. Near the end of his life he became Grand Master of the Order of Saint John (Bailiwick of Brandenburg).

Life
Charles Philip was the third surviving son of the "Great Elector", Frederick William of Brandenburg (1620–1688) from his second marriage with Sophia Dorothea (1636–1689), the daughter of Philip, Duke of Schleswig-Holstein-Sonderburg-Glücksburg.In 1693, Charles Philip proved himself at the Battle of Neerwinden and was promoted to Lieutenant General by his brother Frederick I. He participated in the War of the Palatine Succession at the head of an auxiliary contingent.  He joined the main force of Victor Amadeus II of Sardinia in Turin.In Turin, he met Countess Caterina di Salmour (1670-1719), widow of Giovanni Gabaleone, Count di Salmour and daughter of Geofredo Alberico Balbiani, Marchese di Colcavagno by his wife, Marta-Maria Benso di Cavour, heiress of Isolabella. On the afternoon of 29 May 1695 three officers of Brandenburg's army, Col. Ludwig von Blumenthal, Lt. Col. von Hackeborn and Col. von Stille learned that Charles Philipp had lodged in the recently ruined Palace of Venaria, near Turin, where he was about to marry the Countess di Salmour in secret. They hurried towards La Venaria. As they neared the château, the Margrave’s Master of the Horse met them on the road and confirmed the rumour. The Margrave had invited a small gathering to his secret wedding, including three women who were friends of the Countess, her brother Flaminio Balbiano, and some local Torino notables; on the German side were a Prince of Hesse-Cassel and a Captain Beaupré, currently serving in Brandenburg’s army. The local priest Fr. Galli was summoned, and before him and in the presence of Abbot Alexander del Marro and the Chevalier Parella, they declared their determination to marry. But the priest refused to co-operate on the grounds that they were not his parishioners. The Abbot and Captain Beaupré fought; Staff intervened and the Margrave then fell upon the Master of Horse with drawn sword, who fled.Riding on, the three colonels came upon the Margrave, heading for the Countess’ house in Turin in his carriage with his escort. They joined the cavalcade, and when they reached the destination the Prince’s advisors implored him not to carry on. Neither the Elector of Brandenburg, nor the Duke of Savoy recognized the marriage. To avoid diplomatic complications, Duke Victor Amadeus imprisoned Caterina in a convent. The Curia supported Charles Philip's claim that the marriage was legal, in the hope that he would convert to Catholicism.  While the issue was still being debated, Charles Philip died of a fever or (it was said) of a broken heart. He was buried in the Hohenzollern family crypt in Berlin Cathedral.
Two years later, Rome ruled that the marriage was valid.  The Elector still did not recognize it.
In 1707, Caterina married the Saxon general Count August Christoph von Wackerbarth.
Passage 6:
Margrave Albert Frederick of Brandenburg-Schwedt
Albert Frederick, Prince of Prussia, Margrave of Brandenburg-Schwedt (24 January 1672 – 21 June 1731), was a Lieutenant General in the army of the Electorate of Brandenburg-Prussia and Grand Master of the Order of Saint John. In his lifetime he held the courtesy title of Margrave of Brandenburg. His elder brother Philip William held the town and lands of Schwedt.

Life
Albert Frederick was born in Berlin, a son of Elector Frederick William of Brandenburg and his second wife Sophia Dorothea.  His brother Philip William was from 1692 to 1711 Governor of Magdeburg.  Albrecht Frederick joined the Prussian army as a volunteer in 1689, at the beginning of the War of the Palatine Succession against France.  On 10 May 1692 he became head of a cavalry regiment and on 14 March 1693, he was promoted to major general. In 1694 he participated in the campaign in Italy and was on 9 March 1695, he was promoted to lieutenant general.  The Margrave became in 1696 Grand Master of the Order of Saint John (Bailiwick of Brandenburg) and, on 17 January 1701, one of the first knights of the Order of the Black Eagle.
Beginning 14 February 1702 he fought against France as head of an infantry regiment in the War of Spanish Succession as the commander of the Prussian corps in the Netherlands.  In November of that year he had to leave this post because of illness.  In 1706, he was appointed governor in Pomerania. He died at Friedrichsfelde Palace, aged 59.

Marriage and issue
On 31 October 1703 Albert Frederick married with Princess Maria Dorothea Ketteler of Courland (1684–1743), daughter of Frederick Casimir, Duke of Courland. They had the following children:

Frederick of Brandenburg-Schwedt (1704–1707)
Charles Frederick Albert, Margrave of Brandenburg-Schwedt (1705–1762)
Anna Sophie Charlotte of Brandenburg-Schwedt (1706–1751); married in 1723 Wilhelm Heinrich, Duke of Saxe-Eisenach (1691–1741)
Luise Wilhelmine of Brandenburg-Schwedt (1709–1726)
Frederick of Brandenburg-Schwedt (1710–1741), died in the Battle of Mollwitz as a Prussian colonel
Sophie Friederike Albertine of Brandenburg-Schwedt (1712–1750); married in 1733 Victor Frederick, Prince of Anhalt-Bernburg (1700–1765)
Frederick William (1715–1744).
Passage 7:
Henrietta Maria of Brandenburg-Schwedt
Henriette Maria of Brandenburg-Schwedt (2 March 1702 probably in Berlin – 7 May 1782 in Köpenick), was a granddaughter of the "Great Elector" Frederick William of Brandenburg.  She was the daughter of Philip William, Margrave of Brandenburg-Schwedt (1669-1711), the eldest son of the elector's second marriage with Sophia Dorothea of Schleswig-Holstein-Sonderburg-Glücksburg.  Her mother was Johanna Charlotte (1682-1750), the daughter of Prince John George II, Prince of Anhalt-Dessau.

Life
She married on 8 December 1716 in Berlin to Hereditary Prince Frederick Louis of Württemberg (1698-1731), the only son of Duke Eberhard Louis of Württemberg.  The marriage produced two children:

Eberhard Frederick (1718-1719)
Louise Frederica (1721-1791), married Frederick II, Duke of Mecklenburg-Schwerin.Henrietta Maria died on 7 May 1782, aged 81, and was buried in the crypt below the church of Köpenick Palace, where she had spent her years of widowhood.  Her daughter arranged for a black marble plate in the crypt to commemorate her mother.  In the 1960s, the coffin was cremated, with permission of the Hohenzollern family, and the formerly open-ended crypt (as described by Fontane) was walled off.  Her urn was buried below the black marble plate.
Passage 8:
Margrave Frederick William of Brandenburg-Schwedt (1715–1744)
Frederick William of Brandenburg-Schwedt (18 March 1715 – 12 September 1744 in Prague) was a Prussian Major General and commander of the Guards on Foot.  He was the son of Margrave Albert Frederick of Brandenburg-Schwedt and his wife Maria Dorothea of Courland (1684-1743). In his lifetime he held the courtesy title of Margrave of Brandenburg. His first cousin of the same name (Frederick William) was of the senior line and held the town and lands of Schwedt.

Life
In May 1719, when he was only four years old, he was awarded the Order of the Black Eagle.
From 1734, he participated as a volunteer in the campaigns of the Prussian army.  During the War of the Austrian Succession, he was wounded in the Battle of Mollwitz.  His elder brother Frederick fell during this battle.
In 1740, the Guard on Foot were formed from the Infantry Regiment Nr. 15, and Frederick William was the first colonel of the new unit.  On May 16, 1743, he was promoted to major general and made commander of the Guard.
During the Siege of Prague in 1744, he commanded the trenches.  The king was present when he was killed by a cannonball.  His body was transferred to Berlin and he was buried in the Hohenzollern crypt in Berlin Cathedral.

Footnotes
Passage 9:
Philip William, Margrave of Brandenburg-Schwedt
Philip William, Prince in Prussia (German: Philipp Wilhelm von Brandenburg-Schwedt; May 19, 1669, castle of Königsberg – December 19, 1711, castle of Schwedt) was a Prussian Prince,  was the first owner of the Prussian secundogeniture of Brandenburg-Schwedt and was governor of Magdeburg from 1692 to 1711.

Biography
Philip William was the eldest son of the Great Elector and his second wife, Princess Sophia Dorothea of Schleswig-Holstein-Sonderburg-Glücksburg. One of her major endeavours was to ensure the financial security of her sons, mostly by the purchase of land. Shortly after the birth of Philip William, he was invested with his mother's dominion of Schwedt, later, the Brandenburg-Prussian government added the lands of Wildenbruch. Both dominions were improved by Princess Dorothea's care and investments. Following the death of his mother, Philip, in an accord of dating to 3 March 1692, reached agreement with his half-brother, the Elector Friedrich III, about income and lands left to him by the Great Elector, including the lordship, without sovereignty, of Halberstadt. Philip received for himself and his descendants guaranteed appanages generating an income of 24,000 thalers each year. Added revenue came in to the amount of 22,000 thalers from the rule of Schwedt, plus military salaries of about 20,000 thalers, so that with a total income of 66,000 crowns he was enabled to hold court, in some style, himself.
He held, like all the male members of his house, the courtesy title, Margrave of Brandenburg. After the coronation of his elder brother, Frederick, he became Prince in Prussia, Margrave of Brandenburg with the style Royal Highness. The nomenclature "Brandenburg-Schwedt" came into use in the 19th century, posthumously, to distinguish the lords of Schwedt from the main line of the Hohenzollerns. Philip William was the ancestor of the Schwedt branch of the Royal House of Hohenzollern. On 25 January 1699 Philip Wilhelm married Princess Johanna Charlotte of Anhalt-Dessau (1682–1750), daughter of John George II, Prince of Anhalt-Dessau. As a widow she became Abbess of the Imperial Abbey of Herford.
Philipp Wilhelm served as a general in the campaigns against France and was promoted in 1697 to Inspector-General of the artillery. His half-brother, Prince Elector Friedrich III (later King Frederick I of Prussia), also gave him the proprietorship of several regiments. During his time as governor of Magdeburg, he was raised by the University of Halle (Saale) to the post of "Rector magnificentissimus”.
Philip's Berlin residence, the Margrave Weilersche Palace, was later used by Kaiser Wilhelm I. He was buried in the Berlin Cathedral, where most of the senior members of the House of Hohenzollern are buried.
Since Philip's eldest son, Frederick William, was a minor at his death, the King of Prussia (Frederick I and Frederick William I) took over guardianship. With the death of his granddaughter, Anna Elisabeth Luise, the collateral line of Brandenburg-Schwedt became extinct in 1820.

Issue
Frederick William, Margrave of Brandenburg-Schwedt (1700–1771); married in 1734 Princess Sophia Dorothea of Prussia (1719–1765).
Margravine Friederike Dorothea Henriette of Brandenburg-Schwedt (1700–1701).
Margravine Henrietta Maria of Brandenburg-Schwedt (1702–1782); married in 1716 Hereditary Prince Frederick Louis of Württemberg (1698–1731).
George William of Brandenburg-Schwedt (* / † 1704).
Frederick Henry, Margrave of Brandenburg-Schwedt (1709–1788); married in 1739 Princess Leopoldine Marie of Anhalt-Dessau (1716–1782).
Margravine Charlotte of Brandenburg-Schwedt (1710–1712).

Ancestry
Passage 10:
Marie Amalie of Brandenburg
Maria Amalia of Brandenburg-Schwedt (26 November 1670 in Cölln – 17 November 1739 at Bertholdsburg Castle in Schleusingen) was a princess from the Brandenburg-Schwedt line of the House of Hohenzollern and by marriage a Duchess of Saxe-Zeitz.

Family
She was the daughter of the "Great Elector" Frederick William of Brandenburg from his second marriage with Sophia Dorothea of Schleswig-Holstein-Sonderburg-Glücksburg, daughter of Duke Philip of Schleswig-Holstein-Sonderburg-Glücksburg.

Life
In 1709, while she was a duchess, she visited the William Fountain, a medicinal spring in Schleusingen.  She promoted the development of Schleusingen as a spa.
She died in 1739, at the age of 68, at the castle in Schleusingen that had earlier served as the seat of the Counts of Henneberg-Schleusingen.  She had received this castle as her widow seat.  Via her daughter, she was related to the Landgraviate family in Hesse and on that basis, she was buried in the royal crypt in the Martinskirche, Kassel.

Marriage and issue
Her first marriage was on 20 August 1687 in Potsdam with Prince Charles of Mecklenburg-Güstrow, the son of the Duke Gustav Adolph of Mecklenburg-Güstrow and Magdalene Sibylle of Holstein-Gottorp.  They had one child, who was born on 15 March 1688 and died later that day.  Her husband also died that day.
She married her second husband on 25 June 1689 in Potsdam.  He was Duke Maurice William of Saxe-Zeitz, the son of Duke Maurice of Saxe-Zeitz and Dorothea Maria of Saxe-Weimar.  She survived him by 21 years.  They had the following children:

Frederick William (Moritzburg, 26 March 1690 – Moritzburg, 15 May 1690).
Dorothea Wilhelmine (Moritzburg, 20 March 1691 – Kassel, 17 March 1743), married on 27 September 1717 to Landgrave William VIII of Hesse-Kassel.
Karoline Amalie (Moritzburg, 24 May 1693 – Moritzburg, 5 September 1694).
Sophie Charlotte (Moritzburg, 25 April 1695 – Moritzburg, 18 June 1696).
Frederick Augustus (Moritzburg, 12 August 1700 – Halle, 17 February 1710)./

External links
Publications by or about Marie Amalie of Brandenburg at VD 17
Johann Hübner's ...Three hundred and thirty three and Genealogical Tables, Table 171

Answer: May 19, 1669