The woman in the center of the screen has her back to the camera, turning her head forward while slowly raising both arms. The camera gradually zooms in as she raises her arms overhead and then slowly lowers them, all while her fingers dance gracefully and slowly, eventually bringing her hands back to her chest.


On the left side of the screen is a man in black, facing the right side of the frame, waving his hands in the lower part of the screen, dealing with something. The camera lifts up, and beyond the left side of the lens, there are changes in light and shadow caused by the rotation of a fan. The camera then moves to the lower right side of the screen, where you can see his hands dealing with food ingredients. The camera focuses on his hands as he holds a piece of white fish, gently swinging it up and down.


In the center of the screen, a person is sitting cross-legged on the ground, facing the camera, with their right hand pressing on their glasses and their left hand holding a hammer, tapping on the lens of the glasses. Then, the camera slowly moves upwards, and with both hands, they pick up the glasses and present the shattered lens directly to the camera.


Looking down from the camera angle, at the center of the screen is a woman facing the right side of the frame with her side to the camera. She is holding a iron rod in both hands and walking towards the kiln where glass is being fired on the right side of the screen. She then inserts the iron rod deep into the kiln, twisting it with both hands, causing the rod to spin continuously. Next, the woman takes out a piece of red-hot glass from the kiln and turns to her left, walking towards the left side of the screen. In the background on the left, a thin man takes out a piece of glass from the kiln and then walks towards the tool tray in the upper left corner of the screen, bending down to the left of the tool tray. On the left side of the background, a fat man picks up his glass and walks towards the direction of the kiln being fired on the right side of the screen.


The scene shows a kitchen bar in a family setting. On the far left of the frame are two people; the one slightly to the right is a lady wearing a blue short-sleeved shirt. Her hands are placed on the table with her palms cupping a white cup. Her body is turned towards the computer on the left side of the table, and she is smiling slightly. To the leftmost part of the frame, which is to the right of the woman, a man in a black shirt has his left hand on the woman's waist. His right hand is reaching towards the computer's touchpad on the table, operating it. The camera lens is slightly unstable, with a subtle shake. Then, the man bends down to take a closer look at the computer screen. Immediately after, he withdraws his left hand from the woman's waist to scratch his own nose, then places it on his waist. At the same time, he turns his head towards the direction of the camera, no longer looking at the computer.


The camera slowly moves to the left from behind the Christmas tree, and a man in a deep green sweater appears at the left edge of the frame. He is on the phone, and as he talks, he slowly walks forward, his body swaying slightly from side to side with each step.


The camera is shooting from a first-person perspective. The shooter's right hand holds a cone with an orange handle. The left hand's middle finger and thumb are securing a white woven object, while the index finger holds a green woolen thread connected to the woven item. The right hand is in the process of weaving the wool into the object.


In the center of the screen is a black woman wearing a gray sweater, sitting at a table with her body slightly swaying. To the left of the screen, the first man in a gray short-sleeved shirt has his hand under his chin, repeatedly rubbing it. To the right of the screen, the man in the green shirt has his left hand on his beard, scratching it back and forth. The man in the black shirt on the right has both hands on his chest, with his right hand touching the fingers of his left hand. They are sitting around a table, with a man in a gray shirt to the left of the screen, and a black woman with short hair in an orange shirt to the right of the screen.


In the center of the screen, at the far end, there is a person riding a white horse moving towards the left side of the screen. The camera slightly closes in on the white horse and slowly rotates to the left. The white horse accelerates towards the left side of the screen. In the lower left corner of the final shot, a black shadow of a person appears.


In the scene, four people are playing golf on a golf course. The adult man in the center of the picture is holding a golf club with both hands. The girl in overalls on the right side of the picture is stepping back to the right, moving out of the frame. On the left side of the picture, the adult woman and the girl in a pink short-sleeved shirt are also stepping back. The man has his right foot forward, turned sideways with his body facing left, looking back at the mother and daughter. His head is turned to face forward, looking down, while his left hand waves backward. Both hands are on the club, which he raises behind him, up to his shoulders, exerting force to swing the club until his hands are fully extended, holding the club facing to the right of the picture.


The man in the khaki shirt on the left side of the screen and the man in the blue shirt on the right side are standing by the door, engaged in conversation. The man in the khaki shirt is looking at the man on the right side of the screen, with his left hand raised, gently making gestures. Then he extends his index finger to point at the man on the right, and then retracts his left hand with a smile on his face. The man on the right nods slightly and raises his right hand to make a gesture. In the background, there is a patch of grass on the left, a green tree in the middle, and a house with a red roof on the right.


In the center right of the screen, an electric tram is driving off into the distance. On the left side of the screen, a boy is standing facing the camera, then he turns counterclockwise to look at the tram, as the camera slowly pans to the left.


The scene is captured by a camera fixed above the car, facing the rear of the car. The car is moving forward. On both sides of the roof are two red Angry Birds plush toys, and on both sides of the road are trees and houses.


The scene is shot from the first-person perspective of the driver. The vehicle is moving forward on the highway, with a separation wall on the left side of the lens outside the car. The left hand holding the steering wheel is in the foreground. The lens then turns right and zooms in, showing a vehicle on the right side of the screen slowly moving towards the left front. The vehicle of the shooter overtakes several vehicles on the right side of the lens. The lens turns left, and the black car ahead has its brake lights on, as the shooter's vehicle gradually decelerates. The lens turns right again, and then angles downward.


The center of the screen shows the display of a laptop. After clicking the blue area on the screen, a product browsing interface emerges from the bottom left corner and is displayed on the screen. Following this, the product interface on the screen begins to scroll. In the background on the right side of the screen is a book with an orange cover.


In the center of the screen, a person stretches out their right hand to pick up two records in the center of the frame. Their left hand joins to support them as the right hand moves the top record aside to glance at the record below, then replaces the top record. Afterward, the right hand picks up a record from the left side of the screen and passes it to the left hand. Then, they slide out the bottom record and place it back in the center of the frame. Next, the right hand takes a vinyl record from the record sleeve, puts the sleeve down in the center of the screen, and with both hands, they flip the record over. They then place the record on the turntable, and the right hand follows the record as it spins half a circle. The left hand adjusts a button, and the right thumb slides across the instrument in front of them.


In the right side of the screen, there is a man facing left, looking at the camera, with his right arm bent at the elbow and wrapped around his neck, holding a golf club in his right hand. He slowly moves his right hand to his chest, outside the frame, allowing the club to stand upright, then slightly bows his head before lifting it up. In the background of the scene, there is a crowd of onlookers.


The man in the center of the screen has his hands on his head, looking to the left of the frame. After blinking, he opens his mouth and looks upwards, saying a few words before looking up at the top of the screen with his hands slightly moving forward.


On the left side of the screen, there is a cartoon character with a trapezoidal head, and on the right side, there is a cartoon character with a square head, two strands of beard, wearing a red shirt, and a red and white striped tie. The cartoon character on the right side of the screen first leans forward and backward to make a statement to the camera, and finally turns to the left, opening his hands to express his opinions to the cartoon character on the left side of the screen. The cartoon character on the left side slightly leans to the right to listen to the opinions of the cartoon character on the right, first opening his mouth in surprise, and then crossing his hands over his chest, sneering secretly.


On the left side of the screen, a naked and pained man faces left, bowing his head to look down at the lower left of the screen. Both hands hold a mobile phone, with his thumbs tapping the screen. A mirror on the right side of the screen reflects the man. Both the man's body and the camera are slightly shaking. The scene appears to be in a bathroom, with a window and white curtains on the left side of the screen.


The camera shoots from above; on the left side of the screen stands a person in white clothes with green gloves on both hands. In the center of the frame, there is a white bucket filled with dirty water. The person's right hand reaches into the bucket, then rubs their hands up and down. Slowly, the individual stands up, with most of their body moving out of the frame. Meanwhile, the camera pans upwards, then moves down and up again, finally descending. The dirty water in the white bucket is seen swaying.


The center of the screen shows a section of a machine, and on the right side of the screen, a pair of hands are trying to remove the black panel on the center machine by toggling it back and forth. After failing, the hands are removed from the black panel and disappear from the right side of the screen.


The camera perspective is from the first-person view of a motorcyclist. Two uniformed police officers are standing to the left and in the center of the frame, respectively. The person filming extends their right hand and makes two consecutive forward-pointing gestures towards the police in front of them. Then, they turn their head, and the lens looks down at the motorcycle's handlebar. With their left hand gripping the left handlebar of the motorcycle, and their right hand above the right handlebar, they make a gesture as if twisting the throttle. After that, they look up at the police again.


In the center of the screen, a bird is standing on a wooden stake. It first looks to the right of the screen, then looks towards the camera and calls out. It then turns to the left of the screen, turns back to the right, and calls again. Afterward, it turns to the left of the screen once more, and then back to the right, calling out twice. The background is a grey sky, and in the lower left corner of the screen, there is a partially visible object resembling a stake.


On the left side of the screen, a blond woman is leaning her head to the left, facing the right side of the screen, sitting on the sofa and smiling. Her right hand lifts her hair by her right ear and then intertwines with her right hand, placed on her lap. A black-haired man is holding a plate of desserts with both hands, bowing his head and walking from the center background towards the left side of the screen. He then turns towards the camera, walking towards the right foreground of the middle of the screen. When he reaches the left rear of the blond woman, he tilts his head towards the woman on the left side of the screen, raises his eyebrows, and smiles. The blond woman turns to the right side of the screen and glances at him. At the same time, the black-haired man looks down at the bottom of the screen, bends over, and lowers the plate of desserts he is holding to the blond woman's front. The blond woman extends her right hand and picks up a dessert from the plate.


The scene is a top-down shot capturing a person in blue clothing climbing a tree with a rope. His facial expression shows great effort as his two hands grip a rope that enters the frame from the right. He uses both hands to pull himself up towards the camera. He glances up at the lens briefly. Then, he moves his body towards the bottom of the frame and exits the frame from below, leaving only his left hand visible, still holding onto the rope. The hand swings the rope back and forth before letting go and bracing itself on the trunk of a large tree on the right side of the frame.


The camera quickly moves to the right, and the little monkey in the center of the frame lifts his body, looks up with his eyes, places his hands in front of him, and faces towards the left side of the screen. Then he bends his body towards the left side of the frame, his hands moving downward and out of the shot. He closes his eyes, his expression one of disappointment. Next, he opens his eyes, lifts his head, and looks towards the left side of the screen while speaking. Then he turns his body towards the right side of the frame and walks towards the right, disappearing off-screen to the right. At the same time, in another scene, the view moves from the left to the right until it covers the original scene. Now, this little monkey is kneeling on the yellow floor, his hands in front of him holding a wooden object that he moves downward to place on the wooden stick in front of him. He then releases the wooden object with both hands, smiling, and uses his right hand to pat the wooden object. Around him, the waves are moving towards the lower left side of the screen.


The black-clad man on the left side of the screen is standing facing the camera with his eyes closed, smiling. The white-clad man on the right side is standing facing left, with his left arm bent and his right hand on his chest. The black-clad man takes a step back to the right, glancing towards the bottom left corner of the screen, his body leaning towards the left. The white-clad man turns his head to the left and lowers his hands. Then, the black-clad man takes a step to the left, turns his body towards the right, lowers his gaze, and steps back to the left, sinking down, extending his right hand to place it in front of the white-clad man's right shoulder, pushing him slightly to the right. The white-clad man also sinks down, becoming visible on the right side of the screen. The black-clad man starts laughing with his head thrown back, moving to the right, facing the camera directly, his left hand gripping his right arm, eyes closed. The white-clad man takes a step to the left, extends his right hand, palm facing the camera, his head turned with the back of his head towards the lens. The black-clad man continues to retreat, his body facing towards the left side of the screen. Suddenly, he stops smiling, swings his hands, and bows his head. The background is blurred, featuring a lake and a green lawn.


The camera shoots from above, focusing on a skillet in front of the lens, in which there are several pieces of meat. A person on the left side of the frame is standing facing the right side of the screen, only the lower half of their body is visible. Then, with their right hand, they use tongs to pick up a few pieces of meat from the box held in their left hand and put them into the skillet. They fiddle with the meat in the skillet, and subsequently add two more batches of meat into the skillet, stirring the meat again, leaving white traces on the bottom of the skillet.


The video is shot from a first-person perspective. The camera first focuses on a yellow mat in the center of the frame, then moves up to face a woman in a pink short-sleeved shirt. The woman first faces the camera, then bows her head and says something, after which the camera quickly turns back to the mat before returning to the woman. The background of the scene is in a white room.


In the center of the screen is a segment of zucchini placed on a wooden cutting board. A pair of hands from above is slicing the zucchini, with the right hand holding a kitchen knife and the left hand supporting the zucchini, repeating the action of slicing. The hands also have blue-green nail polish on them.


A pear and an avocado are in the center of the scene, facing the camera. The pear is holding the curtains with its right hand and is pulling up the avocado with its left hand, both standing on the table. The avocado places both hands on its chest, takes a deep breath, and then looks at the pear and smiles. The pear pulls the curtains to the right, turning the curtain rod horizontally, and reveals a smile. The avocado also helps by holding the curtain rod with both hands. The pear talks with a smile, and then grits its teeth and lifts the curtain rod to the left side of the frame.


On the left side of the screen, there is a man in a black short-sleeved shirt facing right, wearing glasses. He raises his right hand to scratch his forehead. In the center of the screen, there is a man in a pink short-sleeved shirt leaning against a white wall, who slightly raises his left hand while speaking. On the right side of the screen, there is a man in a white and gray striped shirt with his back to the camera, only showing the upper part of the left side of his body. In the distance on the left side, there are dense tree canopies, and on the right side, there are some buildings.


In the scene, a pot with a lid can be seen. From the bottom left corner of the screen, a hand wearing white gloves enters the frame. In the top right corner, another hand, not wearing gloves, can be faintly seen. The hand with the white glove first reaches for the handle above the pot lid, then moves back to the bottom left corner of the screen. Both hands are adjusting the position of the pot, each gripping one side of the handle, slightly rotating the pot. Then both hands move out of the frame, and from the middle of the screen, some flashes emerge, including blue, white, and yellow, spreading from the center to the surroundings.


On the left side of the screen, a man in black clothes is holding a mobile phone in his right hand, making a call. He looks towards the bottom left corner of the screen, then he looks ahead and nods his head to the right side of the screen while speaking. He has a smile on his face. Finally, he turns his head to look towards the right side of the screen and quickly faces the camera. The background is blurred, and faint figures of people walking can be seen.


The video is shot from a first-person perspective. In the center of the frame is a toy wrapped in packaging paper, and at the bottom of the screen are a pair of hands, with the right hand holding the toy and the left hand tearing the packaging paper.


A man talking on the phone is centered in the frame, holding a mobile phone in his right hand. Leaning down, he picks up a piece of paper with his left hand from below, his gaze fixed on the paper as he speaks into the phone. After hearing a response, he drops the smile from his face, his gaze shifts away from the paper, and his brow furrows. Then, he looks back down at the paper and continues speaking into the phone.


The video is a close-up shot of the hands from a first-person perspective looking down. The left hand, on the left side of the screen, is holding a green woven pouch, with the index finger extended upwards, dangling a piece of string. The right hand is holding a tool with a hook, moving it back and forth. The background of the scene is a purple table surface.


The camera shoots from above, focusing on the roof of a toy car. The hands of the person above the frame reach in from the top, with the left hand holding the front of the toy car and the right hand cradling the rear, lifting the toy car. The camera pulls back and moves upwards, revealing the person sitting on the sofa at the top of the frame, with their feet entering the frame from above. The person then stands up, holding the toy car, and walks towards the right side of the frame.


In the background, on the right, a man in a black shirt is crouching in the corner with his body facing the camera and his hands on his legs. Behind him is a low wall. His left hand raises to his face to touch his nose, while his right hand holds a pair of glasses. At this moment, a man in a gray and white striped shirt walks in from the left side of the frame and sits down next to the man. He weighs the protruding step on the wall with both hands, supporting himself with his right hand on the step and his left hand on the man in black. The man in black on the right side of the screen turns his head to the left. The man in the gray and white striped shirt on the left side of the screen places his hands together in front of him and turns his head to the right, staring at the man in black. The man in black, holding the glasses, faces the man on the left side of the screen and keeps talking. After he finishes speaking, he turns his head back towards the camera, and at the same time, he puts on his glasses with his right hand. The man on the left side of the screen places his hands on his lap with legs extended, and then he starts to talk as well, occasionally pushing the man in black on the right side of the screen with his left hand, while his right hand taps his chest and then returns to his right leg.


In the center right of the screen, two women are facing the camera, chatting as they walk towards it. The curly-haired woman on the far right is looking at the blond woman in the center of the screen and talking, raising her left hand and placing it in front of her body, pointing to the left side of the screen. Then she raises her right hand, with both palms facing upwards, and wiggles them in front of her. After that, she slightly clenches her fists and lowers her hands. She glances to the right side of the screen and then continues to look at the blond woman in the center. The blond woman in the center, looking at the curly-haired woman on the right side of the screen, has her hands clasped in front of her, then opens them and shakes them once, before clasping her hands again in front of her, and finally opening them again.


In the center-left part of the screen, a brown-haired little girl wearing a yellow top and a brown skirt is standing in an old house. She faces the camera with an open wooden door behind her leading to another room. Her mouth is slightly open, her hands are on her waist, and she looks frightened. She slowly steps back, glances over her right shoulder, and then looks back at the camera. Following this, she grips the doorframe on the left side of the screen with her right hand, then turns backward to the right, her hands spread out, touching the doorframe before quickly running into the other room. In the middle of the background, a woman in a light blue top and dark blue skirt stands with her back to the camera next to a boiler. Noticing the little girl running towards her, she quickly turns around to the right and runs towards the little girl. At this moment, a man in a brown coat enters the frame from the right side.


In the center of the screen is a wind-dried pair of denim shorts. A blond woman in a pink floral shirt is sitting in the lower left corner of the frame. With her right hand, she holds a brush, applying black paint to the shorts, while her left hand rotates the turntable at the bottom of the pants. Below the shorts is a layer of plastic sheeting placed on a low table. The background is a lawn, and at the top of the screen, several vases can be seen in the distance.


The scene is captured from a fixed upward angle on the ground. On the left side of the screen, a man in gray clothing leading a black dog is walking towards the camera's direction, exiting the frame from the left edge. On the left side of the screen, a woman in black, a man in white, and a woman in gray are also walking towards the camera's direction. The man in white turns his head to face the left side of the screen. A car drives into the frame from the right edge. In the background on the right side, there are three tourists by the bridge, with one sitting on the railing.


The video is shot in first person from the left hand, with a gray sedan in the center of the frame, being filmed from the left rear of the car. At this point, the camera turns to the right, and the center of the frame is the car's rear windshield, then a right hand is extended to point at the side of the car. The camera turns left, pointing from the back of the car to the front. Then, as the lens turns to the right again, the hand reaches into the frame and quickly withdraws.


In the background of the scene, on the left, a train engine first appears, followed by the train moving towards the right foreground of the screen. The train maintains a uniform speed, traveling sideways to the camera, with many windows on each carriage. In the center of the foreground, there is a sign facing away from the camera. In the background, there are many telegraph poles and wires.


In the left foreground of the scene is part of the silhouette of a man in black, with his right side of the face towards the camera. His left arm is extended, and in the center of the frame, his palm is facing down, pinching something. Below the center of the frame is an open cardboard box. Gently twisting his fingers, the man suddenly reveals a little girl who pops out of the box, waving both hands at the camera. The man then retracts his left hand back. The little girl waves her hands up and down, opening her mouth. The camera slowly moves to the left, and the man stretches both hands towards the box, moving them up and down, causing the little girl to dive back into the box. The man withdraws his hands, slightly lifting and then lowering his right hand. The little girl emerges from the box again, jumps up once, her body leaning towards the left side of the frame, her hands gripping the edge of the box, and then she squats down as the man steps back. Suddenly, the girl stands up again, and the man extends both hands forward once more, then retracts them. The girl spins back into the box, moving towards the right side of the frame. In the background, many cardboard boxes are stacked.


In the background of the scene, the man in the flowered shirt turns clockwise several times and stops in front of the door at the center of the scene. With his back to the camera, he grasps the door handle with his right hand, opens the door, steps out, and closes it behind him. To the right of the foreground, a man in a gray shirt sits on the sofa facing the camera, speaking with his eyes closed, his hands moving back and forth across his chest. On the left side of the close-up, a man in a white shirt sits on the sofa facing the right side of the scene and nods slightly. The background is a living room.


In the center of the screen, a woman stands sideways to the camera, facing the right side of the frame. She looks in the direction of the camera, bowing her head to look at the table, with her right hand pinching some powder. She turns counterclockwise towards the right side of the frame, moving her hand in a counterclockwise trajectory to sprinkle the powder into the pot. She then turns clockwise, pinching more powder with her right hand, and once again turns counterclockwise towards the right side of the frame, moving her hand in a counterclockwise trajectory to sprinkle the powder into the pot. With her left hand, she pulls open a drawer, and with her right hand, she takes out a steel fork from it. She closes the drawer with her left hand, turns clockwise, and faces the camera directly, moving a few steps towards the camera's direction.


The scene is shot from a first-person perspective inside a living room, with a corridor in the middle background. At this moment, the camera moves down to reveal a blond child wearing only a diaper being held in the arms. Then, the child stands up, turns his back to the camera, and walks towards the back of the scene. Upon reaching a door, he turns to the left and enters the corridor.


In the frame, a woman facing the camera raises her right hand, holding a camera in the center of the close-up in front of her. Her left thumb and ring finger grip the camera lens, while her left index finger is placed on the lens and rotates it clockwise to adjust the zoom ring. The lens shifts to the left, and the woman moves her right index finger, causing the lens to shift upwards to the right. The woman then rotates the focusing ring counterclockwise with her left hand, and the lens shifts to the right before quickly moving left again. The woman's body lifts and then drops towards the top of the frame, while her left hand slightly releases and then regrasps the camera lens. The lens rotates counterclockwise with the woman at the center, and then focuses on the left side of the woman's face in the middle of the frame. She is looking in the direction of the camera while using her left hand to rotate the camera lens counterclockwise.


At the center of the screen is a girl with curly hair and a gray top, standing motionless in place, facing the camera. To her right and left, there are people setting off fireworks. The fireworks emit a red glow, illuminating the surroundings. To the left of the center of the screen, a black man is walking towards the front of the camera holding a tire in his right hand. This person is holding the tire in front of his body with his right hand and shouting while walking towards the camera, blocking the girl at the center of the screen. There are many other people running around in the smoke-filled scene. In the background, someone is carrying a square iron grid and running from the left side of the screen to the right.


The foreground of the scene features a mold for grilling octopus. To the right in the background, there is a person holding a steel skewer in their left hand on the right side of the frame, and another skewer in their right hand above the frame, prodding the octopus in the center of the scene. They are swinging both hands slightly to the sides on the right and above the frame. Then, they first poke the octopus in the center of the scene into a ball, after which they move both hands to the left side of the frame, using the skewer in their right hand to flip the octopus on the left side of the scene. Subsequently, they stir the octopus in the back left of the scene with the two skewers.


The camera shoots from above at a saucepan with brown sauce inside. A stirrer enters the frame from above, stirring the sauce back and forth in the pan, then shakes it counterclockwise and stirs the sauce left and right. Subsequently, the stirrer lifts slightly, stirs the sauce once more, and then moves out of the frame from above. At this point, the camera moves forward, capturing the sauce from a close-up angle. The stirrer re-enters the frame from above, stirring the sauce, and the camera pulls back quickly, zooming out.


In the center of the screen, a man stands sideways to the camera, facing the glass on the left side of the frame. He slightly inclines his body towards the glass and breathes onto it. Then, he stands up straight and uses both hands to draw a heart on the glass. Behind the glass, a girl stands with her hands clasped together in front of her chest, her face full of happiness as she watches the man through the glass. When the man draws the heart, the woman laughs heartily, and then both of them lean forward to give each other a kiss through the glass.


The background of the scene is set in a classroom, with three people in the center of the frame. On the left is a girl wearing a white school uniform, standing, holding a trophy in her hand, and facing the camera. In the middle is a boy dressed in a dark blue school uniform, sitting, with his side to the camera. In the right background is a blond girl in a white school uniform, sitting, and facing the camera. At this moment, the boy in the center of the frame turns his head to look at the camera, while the girl on the left turns to the right, looking at the middle boy, slapping her thigh with both hands in a dissatisfied manner, and both are still talking. The girl on the right slightly turns her head to look at the girl on the left.


In the bottom left corner of the screen, a person in white clothing leads another person wearing a blue headscarf on an electric scooter, gradually moving away from the camera towards the left side of the screen. Finally, at the uphill section, the electric scooter comes to a stop; the person with the headscarf gets off and pushes the scooter forward. In the end, the electric scooter starts up again, turning towards the right side of the screen. There are many plants on both sides of the screen. As they just start uphill, a bird hops away to the right side of the screen. In the bottom right corner, there is a blue box with a person in black clothing using sign language to describe the scene.


The screen first shows the upper body of a man's profile, with the man facing left towards the edge of the screen. The camera then moves to the left, and the man walks out of the frame from the right side. A pair of women appear in the frame; the adult woman on the left is facing the camera directly with her body slightly inclined towards the right side of the screen, looking down at a little girl who is drawing. The little girl leans her head forward towards the camera, looking down with her right hand holding a pen to draw, and later she lifts her head and picks up another pen with her right hand. The camera moves down to the right, revealing the man's side upper body; he stretches out his left hand to pick up a pen, then withdraws his hand to the right side of the table, while the woman on the right picks up two pens and pushes them away from the camera's direction. At the same time, the camera moves to the right, leaving only the man in the frame, with his right elbow resting on the table and his left hand gripping a paintbrush. After the camera moves up and then to the left, the man exits the frame from the right side, the girl opens her mouth to reveal a smile, and the woman gradually tilts her head towards her left shoulder.


In the center of the screen, a bee is perched on a purple flower. The abdomen of the bee faces towards the right side of the frame. The plants sway left and right with the wind, and the bee flaps its wings, leaving the flower in front of it. It hovers in the air for a while before settling back onto the flower.


Close-up shot from a fixed position. In the center of the frame is a right foot. This foot first steps deeply on the brake, then repeatedly taps the brake lightly, and finally rests the foot on the brake pedal.


In the scene, there is a man smiling and sitting on the right side of the frame. He looks down to the left side of the frame where there are candles, holding one in his left hand. He lights three candles in sequence from left to right, saying something along the way. After lighting the candles, he lowers his right hand, looks at the woman on the left, nods once, and then says a few words. The woman on the left side of the frame is sitting in a chair facing the camera. She watches the man on the right side of the frame as he speaks, with her head occasionally bobbing up and down with the movements of speaking. The camera continuously pans to the left.


In the center of the screen, a girl stands sideways to the camera, facing towards the left of the frame. The girl walks towards the left of the screen, continuously glancing to her left as she goes. The camera follows the girl's movement and shifts to the left.


In front of a slope overgrown with weeds, a person dressed in brown denim is putting on a black hat. He enters from the left side of the frame, using his left hand to hold the brim of the hat as he places it on his head, while his right hand grasps the string to secure the hat. He is walking towards the right side of the frame, with the camera slowly following his movement. As he reaches the center of the frame, his left hand releases from the hat and joins his right hand to pull the string. When he reaches the right side of the frame, he stretches out his right hand to adjust his hat on his head before disappearing from view on the right side.


On the right side of the screen, a curly-haired lady in a formal dress raises her right hand to her forehead and leans towards a sofa on the left side of the screen. She lies back on the sofa, displaying a look of exhaustion. Ribbons continuously float down from above. The curly-haired lady sits up, uses her left hand to brush away the ribbons falling on her head, then turns towards the left side of the screen and speaks to the gentleman sitting on the sofa. Afterward, she raises her left hand to her head briefly. The gentleman on the left side of the screen is dressed in a formal suit and wearing a mask. After the curly-haired lady collapses on the sofa, he removes the mask with his right hand from above his head, facing the right side of the screen, engaging in conversation with the curly-haired lady. At this moment, the camera cuts to a close-up of the curly-haired lady. She raises her left hand and looks towards the right side of the screen, then slowly stands up, lowering her left hand gradually as she rises. Subtitles are displayed simultaneously at the bottom of the screen in white English font.


The video scene is set at a baseball game. The pitcher stands with his right leg straight and his left leg raised, both hands gripping the baseball as he twists his body to throw it towards the catcher in the center background of the scene. In the center background, the batter is sideways to the camera, both hands holding the baseball bat as he hits the baseball, sending it out of the frame. At the same time, the catcher in the center background is crouching on the ground, extending his left hand to catch the ball. Rows of spectators are seated in the background, looking up and cheering as the baseball flies out of the frame.


The main subject of the image is a little girl who is facing the camera with her right hand holding the bow of a violin. Her left hand is holding something and she is rubbing the bowstrings with it. She rubs back and forth with force, glancing down to the right of the camera and smiling briefly, muttering a sentence.


On the left side of the screen, a person is pushing a small cart backwards with their back to the camera and leaves the frame from the left side. Another person holding car keys enters the frame from the lower left, presses something, and then leaves the frame from the lower left. In the center of the screen, a red car is parked on the ground with its back to the camera.


In the scene, there is a ship with a red, white, and blue hull moving from the left to the right of the frame. There are obvious white waves churning at the stern of the ship. During its journey, the hull tilts slightly towards the camera before straightening up. At the beginning, a group of seagulls is gathered on the left side of the screen, circling in the air. Several of them fly into the frame from the top left, and a few from the right side. They all move to the right along with the ship. The background consists of the sea and a pier, with a lighthouse flashing a yellow light in the left background.


The scene is in black and white. In the center of the frame, a man facing the camera is holding a woman with her back to the camera. Both are falling backward onto the bed behind them, facing each other. The man is flipped onto the bed with his feet sticking up in the air, suspended. The woman falls on top of the man first and then rolls slightly to the right side of the bed, with her legs wrapped around the man's left leg, which is also suspended.


This is a workplace scene. The main character is on the left side of the frame, wearing a black coat with a white lining, and the sleeves are rolled up to the elbows. On the left hand's index finger is a large gold ring. The woman is holding a black pen in her right hand and is writing on a white sheet of paper with text on the white table. After finishing, she uses her right hand to put the pen on the right side of the frame, picks up the top sheet of paper, and places it on the left side of the frame. Then she picks up the remaining papers horizontally and holds them in front of her, neatens them on the table, and puts them on the left side of the frame. The camera then moves slightly to the left, revealing the woman's black hair. You can see that the woman starts typing on the laptop on the right side of the screen, with a black USB flash drive inserted on the right side of the computer.


In the center of the screen, there is a woman facing the camera with her eyes looking upward in the frame, talking while slightly twisting her body, and then slightly bending forward with her eyes looking towards the top of the screen. In the background on the left side of the screen, there is a man facing the camera with a smile on his face, looking into the lens.


In the foreground of the scene, there is a roll of thread placed on the table. In the background, a person is sitting in front of the table, picking up a piece of thread with their right hand, moving it upward in the scene, and then letting go, allowing the thread to fall freely onto the table.


The scene displayed on the screen shows a man in a room with a guitar placed horizontally across his lap. The camera slowly moves to the right, revealing the man's right hand strumming the strings while his left hand moves back and forth on the strings. Behind the man, there are several floor-to-ceiling windows, and next to him are two small tables, each with two table lamps.


In the scene, a short-haired man wearing glasses and a blue shirt is sitting in front of a computer, facing right towards the edge of the frame. He is speaking to an image, gesturing with his hands. He first looks at the camera, then at the computer, back at the camera, and then at the computer again as he operates it. The scene switches to a zoomed-in image.


The scene is captured by a camera inside a car, which is driving to the right of the screen. At the center of the screen is the right side of a red sports car, which is driving forward to the right of the screen.


The screen starts with the camera following a person walking quickly forward. His back is turned to us as he strides ahead. Suddenly, he stops, reaches his right hand forward, and pulls a curtain from left to right, revealing a part of a door. Then, he raises his hand high to the side and fiddles with something above. Next, he gently pushes the door open a crack. Lowering his head slightly, he peers through the crack, allowing a switch to the perspective from the crack. A man with a crew cut, facing to the left of the screen, takes something out from the pocket on his chest with both hands. Immediately after, he places his hands on the wall above his forehead and seems to be fiddling with something. The camera slightly shifts to the left, blocking the view, then quickly moves back to the right to the perspective of the crack. The scene switches again, revealing that the person from the beginning has been watching the crack intently the entire time, with his back turned.


In the scene, three horses have their backs to the camera. In the center of the frame, there is a partial view of a person in a yellow shirt from the back. On the right side of the frame, two people are tending to the horses; they walk towards the right side of the frame and then disappear. On the left side of the frame, a person in a red shirt walks out. He touches the back of the horse on the left side of the frame with his left hand, glances to the right side of the frame, then walks towards the left, and after another glance to the right, he turns his head back and continues walking. In the middle of the frame, with his back to the camera, the man in the yellow shirt ties the reins to the wood and also walks towards the left side of the frame, alongside the man in the red shirt. Both have their backs to the camera. There are many people walking around, and there are buildings on both sides of the frame. The camera follows the two men as they move to the left and then slightly shakes.


In the center of the screen, you can see a woman wearing a black top. To her right, on a platform, a small white dog with black spots is lying down. The woman is bowing her head, looking at the dog. The woman takes two steps back to the left side of the screen, and the camera slightly zooms out, revealing more of the scene. The dog is on the platform, bowing its head and looking at the ground to the left side of the screen. The woman continues to retreat to the left-rear of the screen, and the dog jumps down from the platform to the ground and walks towards the left side of the screen.


In the center of the screen, a woman looks into the camera, slowly draping her left arm over the edge of the bathtub. Then she blinks slowly, turning her right elbow towards the camera, as her left arm sinks down. Her left hand slides down the side of the bathtub from the center of the screen to the right edge of the frame, her body turning towards the right side of the screen as well. She then lies down in the bathtub, facing the right side of the screen, closing her eyes and pulling her right hand back into the tub. The camera slowly moves to the right, and she extends her leg towards the right side of the frame.


In the scene, a group of people are moving in different directions on the road in front of a fruit stand. On the left side of the frame, a man in a black and white checked shirt stands with his back to the camera, his left hand on his hip and his right arm bent, raised to his side. On the right side of the frame, a woman wearing a gray headscarf and a black robe faces to the left, taking a step forward and looking down at the ground. Then, three people enter from the right side of the frame, with the person farthest from the camera wearing a white printed headscarf, the person in the middle wearing a pink headscarf and a blue top, and the person closest to the camera wearing a red top. Finally, the view is completely obscured by the person in the blue top and the person in the red top.


On the left side of the screen, a man faces the camera, raises his hands and then lowers them, his eyes on the woman in the foreground on the right side of the screen, who has her back to the camera, as he talks. The camera then moves to the right, and the man approaches the woman in the foreground, using both hands to hold her cheeks, and he kisses her right cheek with his mouth, followed by kissing her left cheek.


A middle-aged black man wearing glasses is sitting at the left of the frame, facing the camera, with a pen in his right hand writing something on a notebook on the table in front of him, while his left hand gently taps the notebook a few times. He is looking towards the long-haired woman on the right side of the picture, who is staring at the notebook, nodding as she listens.


On the left side of the screen is the upper body of a man, with his face not visible in the frame. His left hand holds the fretboard, while his right hand cradles the body of the instrument and grips a pick. The man adjusts his right hand gesture to grip the fretboard, then he raises the pick with his right hand to pluck the strings from top to bottom. Afterward, he adjusts the position of his left hand and plucks the strings again with his right hand from top to bottom.


The main subject of the image is a black male, who is walking down the stairs on the right side of the screen. His arms swing naturally, and his head initially tilts to the right to glance before turning back to face forward with a resolute gaze.


The scene is shot from a first-person perspective. In the center of the screen is the front of a white car with its hood open. The camera moves forward, and on the left side of the screen, a person's left hand appears, pointing towards the center of the screen, then moves down and out of the frame. Then, this hand reappears from the bottom of the screen and moves upwards, before moving down from the center of the left side of the screen and out of view. The camera moves backward, and in the bottom left corner, a man in white is facing the right side of the screen, with his right knee on the ground. He stands up and then walks towards the right side of the foreground, moving out of the frame from the right side. The hand appears again in the bottom left corner, pointing to the center of the screen below. At the same time, the man in white appears in the bottom right corner, kneeling down facing the left side of the screen. A person wearing a red hat walks in from the center of the right side of the screen, squats down facing the camera, and the man in white takes something from the person in the red hat.


In the center of the screen is the partial silhouette of a blond woman in white clothes, with her hands reaching down towards the bottom of the frame. To the left of the background is a cabinet with items placed on it. As the camera moves down, a black figure lying down with their back to the top of the screen appears in the frame. He is wearing black pants and has his upper body exposed. The blond woman's hands are pressing on the black man's waist. The camera moves further to the lower left, and the black man's head enters the frame from the bottom right, with four glass fire cups placed on his back. The black man has curly hair, twisted into dreadlocks.


Close-up shot from a fixed position with a slight shake of the lens. In the center of the frame, a boy is sitting facing the camera, supporting his chin with his left hand, gazing at a plate of chess pieces on the table in front of him. The boy then raises his right hand, picks up the white knight, moves it back and forth slightly while thinking, and then places it in another position before withdrawing his right hand.


On the right side of the screen, a curly-haired woman stands at the door of the room, while on the left side is a blue tiled wall with a black leather jacket hanging on it. The woman is turning to the left and looking towards the camera, putting on a gray and white jacket. Then, she turns clockwise to the right, stretches out her right hand to take something from the shelf on the right, and then turns back and walks towards the camera. She looks to the left with a serious expression, then passes through a laser-striped door and twists her head back with her lips pursed. Then she opens her mouth and looks to the left with her eyes, at which point there are many small yellow and blue lights in her background.


On the right side of the screen, a man in black pants, who appears to be Bruce Lee, faces the camera from his left side, looking towards the man in white pants on the left side of the screen. Bruce Lee on the right raises his left hand and kicks his right foot towards the left side of the screen, striking the other person's leg first, then the abdomen, and follows with three consecutive kicks to the chin. The person on the left side of the screen faces right, their body falling backwards towards the left side of the screen. Bruce Lee on the right assumes a signature pose, with his left hand slightly bent, his right hand fisted at his side, standing in a horse stance with his legs, and his gaze towards the left side of the screen. At the bottom left corner of the screen, three rows of white text appear.


On the right side of the screen is a man facing left, with his left hand behind his back and his right hand holding a phone. He is engaged in a conversation on the phone, looking down to the left of the screen. At this moment, a woman enters from the left side of the screen. She looks towards the man on the right, supporting herself on the wall with both hands, then takes a step towards the right side of the screen, slightly extending her left hand to the right. The man looks up and towards the woman on the left side of the screen, then looks back down to the left. The woman then lowers her hand.


The scene captured is the reflection in the left outside rearview mirror of the vehicle. The vehicle of the photographer is heading straight to the right of the frame. In the mirror, a vehicle covered with a brown cloth is following the photographer's vehicle, moving in the same direction. The scenery on the left side of the frame is receding to the left, and the photographer's vehicle has overtaken a red car on the left side of the frame. In the lower left corner of the mirror image, a car is turning towards the camera. In the background of the mirror image, the traffic at the intersection is coming and going on both sides of the frame. On the right side of the mirror background, there is a row of utility poles and streetlights.


In the scene, a large-wheeled vehicle is pulling a harvester towards the camera's direction. The background of the image features a blue sky, trees, and fields. As the camera moves backwards, the large-wheeled vehicle proceeds towards the right side of the frame and in the direction of the camera. Then, the camera pans counterclockwise around the large-wheeled vehicle and the harvester to their other side, at which point they are moving towards the left side of the frame. The camera continues to rotate, and finally, when the camera has circled behind the large-wheeled vehicle and the harvester, they are seen moving to the right side of the frame and in the opposite direction of the camera.


The scene is in black and white. In the center of the frame stands a man in gray, his body slightly turned towards the left of the screen. On the left side of the frame stands a man in black, facing the right side of the screen. The man in gray first raises his left hand and then lowers it to his abdomen, his body swaying slightly to the left. He then moves both hands up and down three times. Following this, the man in gray places his left hand under his right, and with the right hand holding a stick, he swings it back and forth in front of himself while turning his body slightly towards the man in black. The man in gray continues to wave his hands while his body keeps swaying from side to side. Suddenly, he drops his hands, swings his left hand forward, and then raises his right hand, pressing the stick in his right hand against his chin, while his left hand keeps swinging back and forth. Then, he turns his body towards the camera, his right hand still swinging, and points the stick in his right hand to the right side of the screen. The scene changes abruptly, and the camera focuses on the lattice door of a cupboard. The man in gray walks from the left side of the frame to the center, his back to the camera.


In the center left of the screen is a man in white clothes facing the camera with a smile. To the right of the center is a woman with a blue tie, shouting towards the left side of the screen. The man on the left is smiling and reaching out to stop her.


The scene captured is a segment of the wild at deep night. In the center, a man in a gray and blue shirt is facing the camera. He stretches out his right hand and bends his left arm, both pointing to the left side of the screen. On the right side of the frame, a man wearing a lighted hard hat is adjusting his clothes with his left hand. Then, the man in the blue shirt walks up to the camera, both hands pointing to the lower left corner of the screen, with his head turned in the same direction. He then looks to the right side of the frame, with both hands pointing to the lower right corner. Following this, the man in the red shirt adjusts his hat and uses his left hand to rub his eyes. In the lower left corner of the screen, there are several branches placed, and in the center towards the left, there is a bonfire.


On the left side of the screen, there is a boy wearing a red and black coat, with a Santa hat on his head and a gift box in his hand. He is slightly bowing his head, looking at the gift box in his hand while facing the camera. On the left side of the screen, there are two people, both turned sideways to the camera, looking to the left. The boy on the right is wearing a Santa suit and his right hand is touching his right cheek. The boy on the left is wearing green clothes and a Santa hat. The boy on the right lowers his right hand, turns his head to look at the camera, and seems to be speaking with hand gestures. Following this, both boys on the right side extend their right hands to touch the gift box on the left side of the screen, retracting them and then extending them again.


The scene is shot from an overhead view of a town. The camera gradually zooms in and moves towards the right background. A roundabout appears from the upper left of the screen, with four main roads extending from it, each with two lanes. Many cars can be seen driving in opposite directions on the two lanes. As the camera continues to move, the roundabout disappears from the left side of the screen, revealing many side roads with cars driving on them as well.


The woman on the left side of the screen, wearing a pink headscarf, faces the camera with her right profile and smiles while looking to the right of the frame as she speaks. The woman on the right side of the screen is dressed in white, faces the camera, and smiles while looking to the right of the frame. Then both women laugh heartily, and the woman on the right raises her eyebrows as she speaks. The wind blows their headscarves, and in the background, green leaves are being blown towards the right side of the screen.


A man is sitting on the left speaking, with both hands palm down on his chest, fingers spread out. He then raises his hands to eyebrow level, palms facing the camera, and subsequently lowers them again. Tilting his head to the left, he briefly closes his eyes and sighs. He then brings his hands together on his chest, before lowering them again. He looks to the left and continues speaking, then tilts his head to the right, looks to the right, and slightly shakes his head.


In the scene, there are four girls. The girl on the far left is wearing a striped shirt. She has her hands on the table, her mouth open wide, talking to the camera. She then turns her head to the right side of the screen and bows her head down. At the end of the video, she screams excitedly while looking to the right side of the screen and at the camera. The second girl from the left is wearing a black short-sleeved shirt. Her hands are in front of her, and at the end of the video, she jumps up happily. The third girl from the left is wearing a white and blue printed shirt. She reaches out with her right hand to the table on the far left of the screen to pick up a cup in the middle, then looks at the camera and starts to shout. On the far right is a girl in a pink shirt, holding a red cup in her right hand and a can in her left hand, with her body facing to the left of the screen. At the end of the video, the camera focuses on the girl in the black short-sleeved shirt.


In the center of the screen, with his back to us, is a black man wearing a white tank top. In front of him, partially obscured, is a man in a black tank top. The two are playing basketball. The black man in the white tank top, with his back to us, is bent over, swaying from side to side as he dribbles the ball. The man in the black tank top has his arms spread out in front of him, defending. At this moment, the camera pans to the right, and a woman in a light blue sports tank top enters the frame. She stands on the court with her right hand extended. The two people on the left side of the screen stop playing basketball, and the black man in the white tank top throws the ball to the woman on the right side of the frame. The woman on the right catches the basketball with both hands. At this point, the black man in the white tank top is no longer visible on the left side of the screen, and this woman begins to dribble the ball with her right hand on the ground.


On the left side of the screen, a woman with loose hair stands facing the camera and looks down to the lower left of the frame. On the right side, a woman with a ponytail is sideways to the camera, facing left with a book in her hand. In between the two women, at the lower left of the screen, seven children sit on a bench facing the camera. The woman with loose hair walks towards the lower left of the frame and bends down to extend her left hand to the girl on the far left. The girl in black turns her head towards the camera, lifts her bottom, then sits down and opens her mouth to smile. The boy in the orange T-shirt laughs and shakes the bench with his hand. The camera zooms in and pans down, the girl in overalls swings her legs and then opens her mouth wide, and the woman with loose hair straightens her upper body.


The camera moves along a brown grid pattern as a transparent partition door slides from left to right. A man in a dark vest walks towards the camera from the distance. As he walks, he continuously looks to the right, holding a cigarette in his mouth, with a rifle in his right hand and a walkie-talkie. As he approaches the partition door, he transfers the rifle to his left hand and raises the walkie-talkie to his mouth with his right hand. The cigarette in his mouth moves up and down with his actions, as if he is speaking into the walkie-talkie. As he reaches the side of the partition door, his gaze shifts slightly downward, facing the camera, and his body turns slightly to the right. His left hand, holding the gun, approaches the partition wall, as if he is about to open the door. In the background to the man's left, there are several glass windows in the distance, with a figure standing behind one of them. Close to the left, there is also a window with a figure placed behind it. Beside the windows, there are several chairs and a table extending into the distance of the room. To his right are red square pillars and two conical pillars adorned with square stone decorations.


A man sits in front of the camera with his hands stretched out, elbows resting on his knees. He first looks to the right of the camera, then looks at the camera, and finally looks to the right of the camera again. Throughout this time, he is continuously speaking. Behind the man, there is a model.


On the right side of the screen, a woman is sitting on a wooden fence with her back to the camera. Her face is turned towards the left side of the screen. She picks up a wild grass with her left hand and pulls it out, then throws it away with her left hand. She then supports herself on the fence with both hands behind her, and her left hand grasps another wild grass at the front end, while her right hand plucks off a piece. Afterwards, she throws it away with her right hand, at the same time turning her head to the right side of the screen and raising her left hand to her forehead to shield the sunlight as she looks into the distance.


The scene is captured from a fixed third-person perspective with a time-lapse view of the street. There are constantly people walking from the left side of the screen to the right, or from the right side to the left. Some people also stop in the middle of the street to watch.


The main subjects of the scene are two men. The man on the left is saying something to the man on the right. He raises both hands to his chest, forming a gesture that is narrow at the bottom and wide at the top, describing something. Then he spreads his hands open in front of his chest. The camera then switches to the man on the right, who has closed his eyes.


In the picture, you can see three people. From left to right, they are a woman in a black top with white spots, a little girl with a hair clip, and a boy in a black shirt. The woman and the boy in the black shirt have both extended their arms to embrace each other. In the end, the woman holds the boy in her arms, temporarily obscuring the little girl. Only a glimpse of the girl's hair and hair clip can be seen from behind the boy. The boy's gaze is fixed on the lower left corner of the picture.


On the right side of the screen, a man with his back to the camera shakes off his right arm that was being held, then leaves the frame to the right. The camera then moves to the left, revealing two girls in the center of the frame. A black girl is embracing a girl in a red dress, who struggles continuously towards the right side of the screen. The camera shakes with the movements of the two girls. Then, the girl in the red dress breaks free from the embrace, dashes towards the closed door on the right side of the screen, but is pulled back and dragged to the right by the black girl. After a cut, the black girl in the center of the frame faces right, sideways to the camera, pushing the girl in the red dress to the right, all the way to the wall. Finally, the camera switches again, showing the girl in the red dress slightly turned to the left, her face twisted in anger, before she forcefully lunges towards the left side of the screen.


In the center of the screen, an elderly man dressed in a Santa suit is facing the camera with his head bowed, looking at his right hand continuously tapping on a board held in his left hand, and simultaneously nodding along in constant agreement. The camera is slightly rotating and moving to the right.


This is a slow-motion shot featuring three baseball players on a baseball field. The person in blue is facing the camera, kneeling on one knee with the right leg, raising the left hand towards the camera with the elbow bending towards the right side of the frame. The person in black is facing the camera, maintaining a wide stance in a semi-squatting position, with the right hand on the right knee and the left forearm resting on the left leg towards the bottom left corner of the screen. The person in white has their body turned towards the left side of the frame, facing the camera, with both hands gripping a baseball bat raised in front of the camera, the bat pointing towards the top right of the frame, and the legs slightly bent. A baseball is flying towards the front of the camera from the lower left corner of the screen. Then, the player in white lifts their left foot, turns towards the camera and swings the bat, lands the left foot, and hits the baseball towards the top right corner of the frame. At the same time, the person in blue extends their left hand towards the camera, flips it upwards, and then clenches the left hand.


In the right side of the screen, it seems as if a hand is holding the lens, so part of it is displayed within the frame. The main subject on the right is a woman who has stood up facing the stove on the left. She is holding the handle of a transparent cup with her right hand and looking down towards the lower left corner of the stove.


The video shows three people surfing, with a wave approaching the camera. The person on the left of the frame is holding onto the surfboard and is then knocked over by the wave into the sea. The person in the middle of the frame is standing in the seawater, holding a camera to take a photo, and is subsequently submerged by the wave. At the same time, the person on the right of the frame is lying on the surfboard, surfing, and is immediately engulfed by the wave.


The camera pulls out to the bottom left corner of the screen, while a hand enters from the top of the frame, holding a piece of fruit and placing it on the cake. It then exits the screen, as another hand holding a piece of fruit enters from the top left corner of the frame and places it on the cake. The hand then uses its middle finger to press down on the fruit slice, followed by the index finger, and subsequently moves the adjacent fruit slice to the right side of the screen. Finally, this hand exits the frame.


In the scene, there are eight people in the classroom. The woman in the brown suit on the left side of the frame raises her right hand with the palm facing rightward, waves her hand, takes a step back to the right, and then places both hands in front of her. The boy on the right side of the frame, wearing a white shirt, is holding the green backpack strap with his right hand and swinging his left hand at his side as he walks towards the camera. The camera slightly turns to the left and then to the right. Then, the boy in the white shirt walks towards the left side of the frame, stops beside the woman in the brown suit, turns his body towards the camera, and smiles. He then turns his body to the right. The girl with blonde hair on the right side of the frame walks towards the right, then stops, turns around to face the camera with her hands in front of her, and smiles.


Camera shot from above, with supermarket carts piled up on both sides of the frame in a row. In the center of the frame is a little boy with his back to the camera, wearing a black short-sleeved shirt and dark blue pants. He is pushing a small cart with both hands towards the upper left of the frame. After colliding with the large green cart in the upper left, he moves slightly towards the lower right of the frame.


On the right side of the screen is a white woman wearing a red apron, facing to the left of the screen. The camera moves to the lower left, her hands are wearing yellow gloves, and her right hand is gripping the fingertips of her left hand. After lifting her right hand, she puts it down. The center of the screen is covered with various tools and equipment.


The video shows a first-person perspective of a car accelerating. The car is driving straight on the lane, with vehicles on both sides quickly flashing past the screen. Then the scene cuts, and the camera angles downward, showing a woman in red holding a child standing on the right side of the frame.


In the scene, many people are standing with their backs to the camera. On the right side of the frame, a man is sideways to the camera, moving towards the left side of the screen, holding a woman in his arms. The camera zooms in and moves to the left, as the man leaves the frame on the left side. The camera shifts to the right, and in the upper right corner of the screen, a camera approaches in the direction of the lens.


A man sitting on the left side of the screen starts speaking while looking towards the bottom left corner, outside of the video. He then raises his right forearm, with his palm facing inwards and his fingers pointing at himself, while his gaze shifts to the bottom right corner of the screen as he speaks. Afterward, he shrugs his shoulders, turns his head to the left, and his gaze returns to the bottom left corner. Finally, he turns his head back to the right.


This is an animation sequence. The camera slowly zooms in on a green right hand holding a combination lock, with a vertical chain hanging below the lock. The left hand's index finger extends from the left side of the screen to the right, successively turning the dial down, and at the bottom of the screen, the lock's bolt falls. Then, the left hand moves away to the left side of the screen. The chain is removed from the bolt at the bottom of the screen, and the right hand holding the combination lock moves towards the bottom right corner of the screen. The right hand completely exits the frame. The background of the scene is a dim, empty room.


A blond girl is in the center of the frame, facing sideways to the camera, walking towards the right side of the screen, with the camera following her movement. The person filming stretches out their left hand, with the four fingers together, pokes the girl twice, then turns the hand towards themselves and pokes once. At the same time, the girl looks in the direction of the camera and speaks to the person filming, raising her right finger to point at the filmer.


The man supports his chin with his left hand and looks to the right as he starts to speak. Then, he closes his eyes and slightly turns his face towards the camera, lifting his head a little from his left hand. Next, he speaks while looking into the camera and nods, with his left index finger resting on his chin. Immediately after, he loosely balls his left hand into a fist and places it against his left cheekbone. The man continues to speak, occasionally nodding up and down. He then swallows, looks down at the ground, and then back at the camera.


In the center of the screen is a stone platform, on which there is some food. To the right of the screen, there is a girl facing sideways, looking to the left at the food with her hands each holding a piece of bread. She places the bread in her left hand onto the stone platform, then breaks off a piece from the bread in her right hand with her left hand. She then puts the bread from her left hand back onto the stone platform and puts the piece from her right hand into her mouth.


In the frame, a palm of a hand is slapped towards the lens, very blurry, and then the scene quickly cuts. In the forefront on the right side of the screen are two small cars with their headlights on. Then, the camera moves towards the left side of the screen, as if the camera is on one of the cars. The vehicle on the right side of the screen gradually exits from the right, and the plants on the left side of the screen also retreat. During this process, the light from the street lamps is occasionally blocked by the plants, creating a flickering effect.


In the center of the screen, a man lying face up, wearing black shorts, his body tilted, is holding a volleyball with both hands. He straightens his arms to rise up, allowing the volleyball to touch his instep, then slowly lies back down as the ball touches the sand. He repeats this action, finally lying flat on the sand. The camera slowly pans to the right. The background is a stretch of beach.


At the bottom of the screen is a pile of toy parts. The left hand on the left side of the screen picks up a gray toy part, while the right hand on the right side picks up a red toy part and flips it over. Both hands then assemble the two toy parts together, and both hands have purple-red nail polish applied.


The man's face is on the right side of the screen looking into the lens, then the man raises his right hand to move the camera. The camera moves down, the man's face and hand disappear from the frame, and the man's legs appear in the shot.


A child is lying on their side on the left side of the frame, facing the camera. The camera then pans to the left, and the child closes their eyes. Subsequently, the camera pans to the right, and the child opens their eyes and looks at the camera.


The entire screen is divided into two parts, left and right. The left side shows the scenery of mountains and rivers, while on the right side, three people are walking in the seawater with their backs to the camera.


In the scene is a cat sitting in a cluster of flowers. Facing the camera, its eyes glance to the left side of the frame, with its head slightly bowed down to the right. It then raises its head, eyes wide open, before turning to face the camera directly. Afterward, it tilts its head to the right side of the frame, then to the left, and finally slightly lifts its head upwards.


On the open land outdoors, on the right side of the image, a red agricultural machinery similar to a rice threshing machine is operating. In the center-left part of the image, a red cylindrical component extending to the left side of the picture is spinning rapidly. At the lower center, facing towards the background, there is an opening from which very fine dust particles are scattered to the left side of the image, with these dust particles falling onto the land on the left side of the picture.


A close-up shot from above. In the foreground is a table with three cups placed on it, and in the bottom right corner of the frame, there is a small white plate. On the left side of the frame, a person is holding a pot and slowly pouring a yellow liquid into the cup on the left side of the screen. In the out-of-focus area on the left side of the frame, you can see the person's left hand wedged between their legs. After filling the cup, this person picks up the pot and takes a step towards the right side of the frame.


In the scene, a lady is sitting behind a table, supporting the side of a piece of paper with her left hand, and with her right hand, she takes a pen and washes it in a jar on the table. Then she lifts it up to scrape off the excess ink on the edge of the jar, and finally, she makes a stroke on the paper. The camera revolves counterclockwise to the right, with the lady at the center.


On the left side of the screen, there is a rugby player lying on their side, facing the camera and sliding towards the right side of the screen. Another player is standing on the left side of the screen. Then, the camera cuts to the center of the screen where a girl, showing her shoulders and above, is facing the camera with her eyes closed, seemingly complaining about something, and then opens her eyes towards the upper left corner of the screen. Behind her, someone is walking away from the camera.


In this video clip, on the right side of the screen is a blond woman wearing a red coat, who is talking to a man dressed in a gray coat with a crew cut. The camera initially shoots from the man's right rear, showing the woman pausing and looking at the man with a smile while speaking, then continuing to talk with a raised eyebrow and a quick drop motion, along with a slight shake of her head. As she speaks, a man wearing a black, white, and blue color-blocked sweater and a black jacket walks from the right to the left in the background until he exits the frame. The camera switches to a side view of the man and woman. The woman continues to speak while the man crosses his hands, with his left elbow on the table, his right hand holding the left hand's four fingers, and his head slightly bowed, staring at the ground. At this moment, a man in an army green coat walks from left to right in the background until he is out of the frame. At the same time, another woman wearing a red Santa hat and a pink top is seen in the background bending down to arrange things on the bar counter. After the woman finishes speaking, she looks directly at the man. The man starts to talk, accompanying the action with a slight shake of his head and raised eyebrows. He straightens up, his left hand slipping out from his right hand and raising it level, with a slight inhalation motion. Then, the man lowers his hands, continues speaking, and looks up at the woman in the red coat. The entire scene is decorated with Christmas trimmings, and the warm lighting and festive atmosphere add a cozy feeling to the frame.


The video was taken by a person riding a motorcycle. In the lower left corner of the frame, his hands and the motorcycle's handlebar are visible, with a phone fixed on the handlebar. This person rides the motorcycle through an intersection. In the upper left corner of the frame, many vehicles can be seen coming from across the road. In the upper right corner, a black car merges into the same lane as the motorcycle. As the camera passes this car, it turns right to follow the vehicle, then briefly turns left before turning right again, facing the car. The person riding the motorcycle stretches out his right hand and waves at the car. The car slightly overtakes the motorcycle, and the camera continues to follow the car's movement.


On the left side of the screen is a black man dressed in a deep blue baseball uniform speaking. He is facing the camera with both hands palm-up, continuously moving them up and down in front of his chest. He opens and closes his hands outward, then opens them again. The background of the scene is a static poster and several cameras.


There is a little monkey lying on a red sofa, sleeping. With the breathing of the little monkey, its body rocks rhythmically. Then, the camera shakes, and the little monkey is still lying down asleep, but the background has changed to an outdoor scene. A large tree appears on the right side of the frame. The little monkey then wakes up in surprise, eyes wide open, mouth agape, looking to the right side of the screen.


The video is shot with a handheld camera, with the lens shaking while rotating to the left. Then, a calico cat enters the frame from the left side. It faces the camera while sitting on a white table, with its body slightly tilted to the right of the screen. It then turns its head slightly to the right, looking straight ahead. Next, it quickly turns its head to the left of the screen and starts licking its fur. Following this, the camera swiftly rotates to the right, and the calico cat exits the frame from the left side.


A group of men in black, holding guns, walk towards the camera, which moves backwards to follow their movements. The man in the center, wearing sunglasses, first looks to the right, then towards the left, outside of the camera's frame. The camera angle switches to a perspective looking up at the man with sunglasses. He is on the left side of the screen, slightly tilting his head up to look towards the right side of the frame, with his mouth opening and closing. Then he raises his right hand, extending his index finger to point upwards towards the camera, while turning his face towards the camera's direction. With his left hand, he makes a sweeping gesture to the right side of the screen, his mouth opening wide before closing it.


A man in a black wetsuit is seen on the right side of the frame, floating in the sea facing the camera, with both hands holding a white surfboard on the left side of the frame. He then turns his head to the left side of the frame. The frame skips a few frames, and the man looks towards the bottom left corner, then turns to the left side of the frame, and subsequently turns towards the camera while speaking, straightening up and lowering his left hand towards the right side of the frame. In the background on the right, waves crash against black rocks, spraying foam. The camera zooms in, then zooms out and turns to the left. Waves rush towards the camera, with the man lying on the surfboard to the left side of the frame, hands placed on either side of the board, smiling and looking to the left side of the frame, then turning his head to the right, looking towards the upper left front of the camera, and then turning his head to the right again.


In the upper left corner of the screen, a shark moves towards the right side of the screen and exits the frame from the upper right. The camera moves down, and a pinkish-yellow fish moves from the bottom of the screen to the top. Once the fish is at the center of the screen, it remains still. Then, it turns counterclockwise and faces the left side of the screen, moving in that direction. In the background, a school of fish is swimming.


A man is facing to the right and speaking, then the camera switches, and a woman in white with her back to the camera quickly turns to the left, looking to her left with her right index finger extended at chest level, speaking excitedly. She takes a step forward, talking with her right index finger upright and shaking it back and forth. Then she places both hands on her chest and takes a step back. She then tilts her head to the right, points to the right with her right hand, and crosses her arms over her chest, continuing to speak while nodding her head to her right shoulder repeatedly. Later, she shrugs her shoulders, shakes her head, and looks up to the right, then turns her head to the left with her arms spread out. Finally, the camera cuts back to the man, who has been staring to the right the entire time.


The video is in black and white. The man on the left side of the screen is wearing a long-sleeved shirt and a Santa hat, looking down at the gift he is holding in his hands. On the right side of the screen, another man dressed in a long-sleeved shirt and a Santa hat is reaching out with his right hand towards the left side of the frame, placing it on the gift, and picking up a piece of paper towards the upper right corner of the screen. At the same time, the camera moves towards the right side of the frame. The man on the left side looks towards the right side of the screen, where a man dressed in a Santa suit appears, and both he and the man in the center of the frame look towards the left side together.


A man in black is facing the camera, lying on his side with his head to the right of the frame, appearing to be in pain with his mouth open, groaning. His right hand is holding his abdomen. On the left side of the frame, a woman bends over to the right, using both hands to pull open the collar of the lying man. She then supports the man's left shoulder with both hands, turns to the left side of the frame, stands up, and leaves from the left. The woman on the right supports the man's chin with her left hand and his right shoulder with her right hand, bowing her head towards the camera, looking down at the bottom of the frame. Then she looks to the left of the frame, turns to the right, and continues to look down at the lying man with her head bowed, moving her right hand to his chest. The camera cuts to a male smoking with his face to the camera. A woman walks from the bottom left of the frame to the right, the camera slightly panning to the right. She turns to the left side of the frame, looking at the man smoking on the left and saying something. The man moves his right hand away from the cigarette, says something to the camera, and then continues smoking, looking down at the bottom of the frame. The woman glances to her right, then back at the man, and turns to the right side of the frame, then to the left, running out of the frame from the bottom left corner. The camera turns to the right, showing the man holding medicine in his mouth, his right hand on the wreckage below the frame, walking towards the right. The camera lifts slightly, the man turns to face the camera, looks at the bottom left corner of the frame, and after standing up straight, he holds the cigarette in his mouth with his right hand.


In the upper left part of the screen, a woman in black is sitting next to a table, facing the camera directly. Her left hand is placed on the edge of the table, and her right hand holds a pen on the table. In the upper right part of the screen, a man in black is standing next to the table, facing the camera directly with both hands placed on the table. The woman raises her right hand and places it on the touchpad of a laptop in the lower right part of the screen, which is open and facing towards the upper left of the screen. She then raises her right hand again and points to the laptop's screen with the pen in her hand. After that, she retracts her right hand to the center of the screen, then raises it again, spreading her fingers in the air to make a gesture, and finally places her hand back in the center of the screen on the table.


In the scene, the woman is sitting on the right side facing the camera. She lowers her raised right hand to the table in front of her chest, just like her left hand. Throughout the process, the woman keeps talking with her head tilted to the right, looking at the computer screen on the left. Next, she raises her right hand, opens her fingers, rotates them counterclockwise, and then returns to the original position. Afterward, her gaze shifts to the right and then back again. Finally, she looks at the man in uniform in front of her, simultaneously raising her right palm from the inside out towards the man, before finally placing it back on the table. In the background, there are some wooden furniture and books.


In the right side of the screen, a man is standing facing the camera, clapping. He is smiling and speaking. On the left side of the screen, a woman is sitting sideways to the camera, facing right, clapping. In the right side of the screen, close to the camera, three girls are sitting with their backs to the camera, clapping.


In the scene, a woman in white clothing is visible from the nose down and above the chest. At this moment, she is still using her left hand to hold a white comb and comb her hair on the right side. With a blank expression, after combing a few times, she lifts the comb in front of her body. Then, her right hand comes up and moves back and forth on the teeth of the comb.


A woman in a black sundress is on the right side of the frame, facing left with her head bowed down. The camera moves in a close-up from the top of her upper body down to her lower body. During the camera movement, her right hand holding a stack of money is visible. Until the camera focuses on her left hand, adorned with a gold bracelet, now showing her taking a black phone from a black bag at the center of the frame and placing it on her chest. To the left of the frame, there is a pile of money in various denominations.


The little girl at the center of the screen looks towards the upper left corner of the frame, with her hands dancing. On the right side of the screen, a woman holds a spoon in her right hand, spreading tomato sauce evenly on a pizza. Meanwhile, the little girl lowers her hands, leaning her left hand on the edge of the table. The camera then moves up, and the little girl looks towards the left side of the frame.


In the center of the screen is a woman wearing a dark top. She first bows her head slightly, then turns to the left and bends over. Afterward, she straightens up and looks into the camera to explain. Following this, she turns to the right, bends down, and places an item from her right hand into the cabinet. To the left of the screen is a kitchen counter, with a door in the background at the center of the screen. To the right is a wall, on which a clock is hanging.


A woman stands in the center of the frame, facing the camera, and picks up a piece of vegetable from the basin in front of her with her left hand. She then looks up at the man on the right side of the frame. The man's right hand enters the frame, with his left side of the face towards the camera. The woman then starts speaking, moving the leaf up and down with her left hand.


In the scene, a little boy is sitting on a bed, holding a huge black guitar, with his left hand on the neck of the guitar and his right hand strumming the strings on the body. He has a joyful expression on his face. The camera is angled from the feet of the little boy, facing him, and then slowly rotates to the right to provide a side view of the boy. Throughout this process, the camera moves very slowly. Finally, the camera comes to rest at the side of the little boy's body, at which point the little boy is facing the left side of the screen, and his posture has not changed significantly.


On the left side of the screen is a male in a black short-sleeved shirt bending his body away from the camera, with both hands pulling on a black elastic band, moving towards the bottom left corner of the screen. He then releases the elastic band, which quickly moves towards the left side of the screen. He steps back to the right side of the screen and smiles. On the left side of the screen is a person in brown clothing standing with their back to the camera, pulling on the elastic band. The camera moves backward, revealing a male in a black hoodie standing in the center of the screen, pulling on the elastic band. After the elastic band is released, he looks at the camera.


The camera captures a close-up of a person's hands playing the piano; the top left corner of the screen shows the person's hands, while the bottom right corner features the piano. The camera mainly follows the movement of the person's right hand, first moving to the right, then slightly to the left, subsequently panning leftward, and continuing to move leftward.


In the center of the screen is the bold white text "con GEORGE EASTMAN". On the left side of the screen is a monk wearing an orange robe, walking to the right. Immediately following, a man with black short hair, wearing a blue shirt and black pants, appears on the left side of the screen. They walk to the right for a distance, and the text changes to "KRUNG SRIVILAI". Then they stop, the monk raises his left hand, and the text changes to "GORDON MITCHEL". The monk points forward to a certain place, seemingly talking and giving directions to the man. The text changes to "LOREDANA FARNESE", and he raises his left arm straight up and down. The man nods twice, then steps down one step with his left foot, and the text changes to "BRUNO ARIE". He steps down two steps with his right foot, then squats down and bows at the monk's right foot. The text changes to "KAM WON LON", he raises his upper body, puts his hands together above his forehead, looks up at the monk, then stands up and continues to walk down the steps. The text changes to "NUCCIA CARDTNALE", he pauses, then continues to walk forward, "MAURO MANINATRIZTO". The monk pauses, then turns around and continues to walk to the right, then turns back and walks up the steps to the open red door on the right side of the screen. The text changes to "GIOVANNA MAINARDI". As the man walks, he looks up at the green leaves above the screen, and the text changes to "regia FRANCO LATTANZI". He pauses, then continues to walk forward to the right. The background is a temple with white walls and a golden roof, and the eaves have red lines.


In the scene, a man wearing sunglasses is looking to the right side of the frame and speaking. His right hand is raised over his head, with the right index finger pointing upwards and forwards. Then, his right hand drops to the height of his temple. Finally, after his right hand falls naturally, with the back of his hand facing the camera, he makes the gesture of an "eight" and raises it to the height of his mouth. The camera switches, dividing the screen into two halves. On the left side of the screen, the man with sunglasses has his right thumb and index finger forming the "eight" gesture. On the right side of the screen, a man with brown hair is tilting his head to look at a pillar and touching it with his hand.


In the center of the screen, a little boy wearing a blue patterned shirt is sitting on a chair, facing the camera. He first looks down to the lower left of the screen, then towards the middle lower part of the foreground. His left hand is placed on the table, while his right hand picks up a spoon from the plate on the left side of the frame. He briefly opens his mouth and then closes it, looking down as he stirs the spoon counterclockwise in the white cup in front of him, and then looks towards the middle lower part of the foreground again. To the right of the screen, a woman wearing a shirt with yellow, white, and blue is partially visible, facing the camera from the side, looking at the boy in the center of the screen and speaking to him. Her left hand is on the table, and her right hand stirs the cup in the center foreground of the screen in a clockwise direction. Then, a man's face appears on the right side of the screen. The camera pans to the right, revealing white doors and windows on the left and center of the screen, with plants and a red wall on the right side.


In the frame, both hands are holding a black wallet facing the camera. At first, the left hand pinches the lower left corner of the wallet, while the right hand rests on the upper right corner. Then, both thumbs attempt to open the wallet but give up, the right hand releases, and the left hand continues to pinch the lower left corner of the wallet. The right hand then grips the upper and lower right corners of the wallet, releases again, and finally, the thumbs hold the bottom of the wallet, while the index fingers grip the top.


In the scene, two people can be seen standing face to face. On the left side of the picture is a woman in a white coat, and on the right side is a woman in a patient's gown. The woman in the patient's gown is extending her right hand, and the woman in the white coat has extended both hands to hold the right hand of the woman in the patient's gown. It seems as if she is massaging the woman in the patient's gown with her thumb. The woman in the patient's gown has her mouth open wide, appearing quite surprised, while the woman in the white coat has a smile on her face. They are both staring at their hands. The woman in the patient's gown has closed her mouth and is now slightly smiling with her lips parted.


The scene is a coastal line with a top-down perspective, filled with many pleasure boats. The camera slowly rotates clockwise around the center of the frame while gradually pulling up. The cruise ships in the sea are heading in different directions, leaving white spray in their wake.


At the center of the screen is a man in white clothes and blue pants skateboarding to the right side of the frame. The background features a wall with graffiti. The camera moves to the right at the back, showing the man skateboarding uphill towards the top right corner of the screen. Then, the skateboard lifts up and comes back down to the ground as he continues to move towards the back right. The camera quickly shifts to the right. The man's skateboard glides uphill on the right side of the frame, while at the back, a man in light-colored pants and bare-chested is riding a skateboard towards the right side of the screen. Then, the man in white clothes jumps upwards and then to the left side of the frame. At this moment, the background blurs, showing black railings and white buildings.


The video footage was taken in a supermarket. On the left side of the frame, there is a little boy wearing a black short-sleeved shirt. In the middle background of the frame, there is a woman pushing a shopping cart with both hands towards the direction of the camera. As the camera zooms out, the little boy turns his head to glance at the woman, then he pushes the shopping cart towards the direction of the camera.