In the center of the screen, a black woman is lying on her back on a bed, with a little girl lying on top of her. They are covered with a white blanket. The woman's left hand pats the girl's back, and her right hand is placed on the girl's back. The little girl slowly sits up, and the camera pans to the left and forward, revealing the woman's face in the frame. Her head turns to the left side of the screen, and she is smiling. The little girl is kissing the woman's face, then moves up. The woman's face turns upward, and her eyes close. In the background, there is a bed and a white wall.


The man in blue on the right side of the screen slightly turns his body towards the left side of the frame, with his left hand hanging naturally and his right hand level, using his right index finger to point to the left side of the screen. On the left side of the frame, a woman in white stands facing the camera with her head slightly tilted towards the left side of the frame. While speaking, the man lowers his right hand and places it on the table, then his left hand on his hip. The girl turns her head towards the right side of the frame. In the far left of the frame, the back of a blond girl can be seen. In the center background of the scene, there are some photographs.


On the left side of the screen, there is a pair of hands holding pliers, clamping the iron plate in the middle of the brake pad in the center of the screen. Then, the hands grip the pliers tightly to clamp the iron plate. Subsequently, the pliers are moved upwards, and the hands grip the pliers tightly to clamp the iron plate, then move the pliers towards the middle of the iron plate of the brake pad.


On the left side of the screen is a foreign man wearing a black vest, turned sideways to the camera, with his body facing the right side of the frame. On the right side is a man with his upper body bare, wearing blue swimming trunks and an eye mask, also turned sideways to the camera. His body is facing left, standing with fists clenched while talking. At this moment, the man on the left side of the screen looks up at him and turns to face the camera while speaking. The camera moves to the left, and the man on the right raises both hands. The man on the left side slightly bows his head towards the right side of the frame, with his hands pressed together at chest level. The background is a lush forest with a green pool.


The video is shot with a handheld camera, showing a woman in a pink top standing facing the right side of the frame, with her right hand holding a hose that is spraying water. The image blurs due to the rapid movement of the lens; the lens quickly turns to the right side of the frame, revealing a black SUV facing the camera, with a spray of water coming from the hose on the left side of the frame and landing on the surface of the SUV; in the background on the left, a black car is parked beside a stone pillar.


Aerial shot with a handheld camera. The frame is slightly shaky. On the left side of the screen is the lower half of a person, and in the center, a right hand is gripping the car's handbrake. The camera shifts to the left, and a left hand appears on the left side of the frame, picking up from the left thigh and shaking it a few times. The right hand moves away from the handbrake. The camera pans up, revealing a steering wheel in the center of the frame. In the bottom left corner, the left hand makes gestures back and forth. Then, the right hand taps the right thigh, touches the gear lever briefly, and disappears from the right side of the screen. The left hand briefly appears on the left side, and then the camera slightly shifts to the right, revealing the right hand next to the gear lever, which wobbles slightly.


The camera focuses on a scene inside a classroom. In the frame, three people are sitting, from left to right: a girl in school uniform with her hair loose is facing towards the right side of the picture; a girl in school uniform with her hair in a ponytail is facing the camera; and a boy in a deep blue vest is facing towards the left side of the picture. The three of them are engaged in conversation, all talking. The girl on the far left opens her mouth wide and laughs. The man also looks at her and laughs. The girl in the center background looks back and forth between the two people on either side. The man in the blue vest also turns his head and speaks to the girl with a ponytail in the center of the frame.


The video footage is shot from the perspective of the front passenger seat inside a car. The car is moving forward, and at the same time, an orange sports car can be seen on the left side of the screen, sprinting ahead. The camera then moves to the right, and the profile of the man sitting in the driver's seat appears on the right side of the screen, facing to the left, with both hands gripping the steering wheel. He later turns his face towards the window.


In the lower left corner of the screen, there is a hand with two fingers resting on the desktop, then it moves out of the bottom left corner of the screen. In the center of the screen is a keyboard, and the hand reaches in from the left side of the screen, taps the keyboard once, then traces a circle in the air. Finally, both hands reach in from the left side of the screen, the left hand presses the keyboard while the right hand holding a towel wipes the keyboard at a very fast pace, repeating this action multiple times.


In the center of the screen, an elderly man wearing a white short-sleeved shirt is leaning on the sofa, facing the camera. His left arm is extended with the palm facing up, and there is a device strapped to his arm. The old man keeps looking at the device on his left arm. At this moment, the camera continuously pans up to reveal the old man's head and upper body, then slightly moves down to block the old man's head.


In the video frame, it shows a person's hands taking out a blue package from a pink heart-shaped plastic box. The left hand moves the plastic box to the left side of the frame. Using both hands, the person holds the blue package and displays it to the camera, rotating it counterclockwise. Then, they tear open the package from the top left corner and take out a naked humanoid doll with twin buns hairstyle. The background features a white table in front of a white wall, with a hemp rope placed on the table. In the upper right corner of the frame, you can see an additional blue translucent cup on the table.


The video footage is shot from a first-person top-down perspective. A hand extends from the right side of the frame, holding a piece of paper with a grid drawn on it. The hand moves towards the bottom of the frame, then leaves the frame from the right side, all while the camera continues to shake.


On the left side of the screen is a blond woman wearing a white sweater, facing towards the right of the frame. She is bending over next to a Christmas tree in the center of the screen, holding a decorative ball with both hands, attempting to hang it on the tree. She then withdraws her hands, stands up straight, and shifts her feet. In the foreground on the right side of the screen, a boy in a plaid shirt is sitting in a red toy car decorated with a pine bough on the front. His right hand is on the steering wheel, and his left hand is on the side of the car. He is turned sideways, looking towards the camera, occasionally turning the steering wheel counterclockwise. The woman in white squats down, stretching out her hands to hang the decorative ball, but withdraws them again without success. She then adjusts her hand position slightly before stretching out her hands once more to hang the ball on the Christmas tree. The boy in the plaid shirt straightens his body, tilts his head to his right shoulder, and grips the steering wheel with his left hand while his right hand slides along the steering wheel in a clockwise direction before gripping it again. After turning his body slightly towards the right foreground of the screen, he straightens up again, tilts his head to his right shoulder, and slides his right palm along the steering wheel twice in a clockwise direction before readjusting his hands and gripping the steering wheel again, talking as he does so. During this time, the woman in white withdraws her hands, raises her left hand to brush her hair back on the left side, and holds her left hand in front of her. She then places her arms on her legs, turns her head to look at the boy in the foreground on the right side of the screen, and speaks to him, her eyebrows furrowing and then relaxing.


In the lower right corner of the screen, there is a girl wearing an orange coat with her hair tied in a low ponytail. Her gaze is directed to the lower left corner of the screen, with her arms crossed over her chest. Her right thumb is pointing to the left side of the screen, while the rest of her fingers are clenched into a fist. She then turns her gaze to the man on the left side of the screen, who is leaning against the camera. As the girl speaks, she withdraws her hand and crosses her arms over her chest. Suddenly, her head tilts to the left side of the screen.


On the right side of the screen, a man in red is looking directly at the camera. His right hand is at the bottom left corner of the frame with the palm facing down. While talking, he moves his right hand towards the center and down, eventually moving it out of the frame. Suddenly, he extends his right hand from the center bottom of the screen, reaching towards the right side of the frame, palm facing right and stretching forward slightly, tilting his head a bit. Then he moves his right hand towards the left side of the screen, extending it forward two more times. Finally, he faces his right palm towards the camera, swings it towards the top left corner of the screen with his arm fully extended. The background features dark red furniture, and there is an orange table lamp on the right side of the frame.


In the center of the screen, a woman sits facing the camera, her head bowed as she looks down at the materials on the table while speaking. Her hands are folded on the table, with her right hand holding a pen against her left arm, and her left wrist is slightly raised. Her head gently sways with the movements of her speaking.


Medium shot with a fixed camera position. In the right side of the frame, in the distance, a person is facing the camera's direction, holding a torch in their left hand and speaking while looking towards the left side of the frame. In the left side of the frame, in the foreground, a camera is filming towards the direction of the man. In the bottom right corner, a person with their back to the lens is watching the camera on the left side of the frame and controlling it to slowly move slightly to the right. In the end, the person in the distance on the right side of the frame bows their head, and the person in the bottom right corner turns their head, preparing to look towards the camera's direction.


The scene shows a sports field. On the left side of the screen, a man in black clothes is looking at the camera. In the lower center of the screen, his right hand is holding a pole. There is a camera on the left side of the screen filming the man. Then, the camera zooms in, and the man's right hand moves back to the left side of the frame as he starts to speak.


On the right side of the screen is a toy yellow water basket hanging from a tree with a pink cheese inside. The camera then moves upwards, followed by a shaky movement to the right side of the screen. A finger appears from the upper left corner of the screen and touches the hanging rope on the left side of the small water basket. Subsequently, the camera shifts downwards and then moves upwards again. The finger disappears from the upper left side of the screen.


The camera is aimed directly at a large pot filled with food. A pair of hands is located in the bottom right corner of the frame, both thumbs up. Then, the right hand is placed on the handle of the pot lid and remains still, while the left hand enters the frame from the left side and gives a thumbs-up to the camera.


A close-up shot captures the trunk of a creature. The camera pulls back. The scene changes, and a long shot frames a groundhog. The groundhog is positioned slightly to the left of center in the frame, facing the camera and looking to the right, motionless. Suddenly, a wisp of smoke appears behind the groundhog, and then the groundhog vanishes into the grass. The camera then pulls back further.


At the center of the screen is a bundle of crumpled cloth. Off-screen, a person slowly pulls it apart to both sides. Then, the cloth is lifted and lowered again. The camera slightly moves downward towards the bottom of the screen, and the cloth in front of the lens is smoothed out in the opposite direction of the camera.


In the scene, a person is facing the screen with their body, holding the lid of a white box in their right hand, while their left hand is pointing and tapping on the lid. Then they pinch a square white object on the inside of the lid, release it, and continue to move their hand downward in a fist before opening it again. The left hand then presses down on an object on the right side of the box, slightly depressing it. After that, the left hand moves to the left side of the screen, reaches inside the box lid, and repeatedly presses the white object on the inside of the lid. In the background, there is an aquarium with fish swimming back and forth and a constantly trembling water surface.


In the left side of the screen, a man wearing a brown shirt with dark brown short hair is facing a blond woman, who is on the right side of the screen with her back to the camera. The man is smiling slightly, shaking his head subtly with his eyes closed as he speaks. He then bows his head, and later looks up at the woman in the foreground, shaking his head slightly and furrowing his brow while maintaining a smile. In the background, neon lights are illuminated and there are people walking around.


The camera captures a close-up of a person from the shoulders up. In the frame, a woman facing the lens looks at a phone propped up on a ring light to the right of the screen. While speaking, she makes gestures with her hands in front of her body. She then looks down at the bottom of the frame and slightly raises her head to look back at the phone, continuing to gesture while speaking. Next, she raises both hands, smiling, and slightly waves her palms towards the camera. With her eyes closed, she turns her head to the right of the screen and gently shakes her head. Then, she turns her head back to face the lens, looks at the phone, and spreads her hands to the sides, still smiling and speaking.


The center of the screen features a pot. At the beginning of the video, the left hand lifts the lid of the pot, revealing red-colored food and a wooden spoon inside. Immediately, a hand holding the wooden spoon starts stirring the contents of the pot, and the camera adjusts its focus to zoom in.


In the scene, there is a pair of hands from a top-down perspective. The left hand's fingers are pressing down on one end of the poker cards, while the right hand's index finger and thumb are holding the other end of the poker cards. The hand bends the poker cards upwards towards the left side of the screen. Then, the index finger releases the cards one by one until the poker cards return to their original position. Finally, with the right index finger, the hand flips through the poker cards from the bottom up, starting from one end.


On the left side of the screen, a white male is sitting in front of the computer with his back to the camera. On the right side of the screen, a black male is sitting in front of the computer with his back to the camera as well. He turns his head counterclockwise to look at the white male, extending his left hand to point at the black male's computer. Then, he retracts his hand and places it on his headphones.


The shot is a close-up of the side profile of an old tape recorder, with the turntable and drive belt in constant motion. As the camera slowly pulls back, more of the subject appears in the frame. On the right side of the screen, some glassware appears, one of which contains orange liquid. The camera continues to zoom out, revealing a woman with an afro hairstyle wearing black and white striped clothing and headphones, appearing on the right side of the frame. She is sideways to the camera, facing the old tape recorder. Her left hand is on top, with both hands overlapping on her lap, and she gives a slight smile at the corner of her mouth that doesn't fade.


In the center of the screen is a black car. In the foreground, a man places a sponge on the table and takes a step back to the left. The camera then pans to the left, revealing another man who spreads his hands and says something to the camera. Afterwards, the camera pans right again, and this man says something else while facing the car. Finally, the camera pans right once more, the man disappears from view, and on the right side of the screen, a faucet sprays water onto the car.


The camera slowly moves in the opposite direction of the lens, gliding along the rocks, until the pine trees disappear from the frame. On the left, water flows down from the top of the screen. The shot zooms in on the yellow trees and continues to move forward, until most of the yellow trees vanish from the frame, and the shadowed area expands.


A right hand enters the frame from the left side, palm facing oneself, with the fingers rotating towards the left side of the frame. Then, the right hand reaches into a machine hole at the center of the frame. The back of a man enters the frame from the left side, followed by the man's right hand extending out from the machine and disappearing from view, while the fingertips of his left hand are bent and pressed against the machine.


In the center of the screen is a cartoon image of an avocado, with its left hand placed under its chin in a thoughtful pose. There is a clip on its nose and its eyes are moving left and right. The background is a brown wall with a brown door panel embedded in it. Surrounding the cartoon image, mathematical formulas and graphics appear one after another. Then, all the formulas and graphics disappear, the cartoon image lowers its left hand, revealing a enlightened smile, and a light bulb appears in the upper right corner of the screen.


In the right side of the screen, there is a man kneeling on the ground, his hands folded together, his eyes looking towards the upper left corner of the screen, and he is speaking.


In the scene, a man dressed in camouflage military uniform is seen placing a yellow sticker on a piece of paper on the table below the screen. In the background to the left of the frame, three men are sitting. Subsequently, the man in camouflage steps back to the right, and the camera zooms in. In the center of the frame, a man wearing a hat is clapping vigorously. He glances to the left side of the screen, where another person can be seen clapping with force as well. At the far right of the screen, a man is seen with his mouth open, looking to the right side of the frame.


The screen has no obvious dynamic information; it is skipped as required.


Four men stand at the four corners of a coffin in a cyan-colored room, with a white painting and a wooden stand with white paper on the left side of the scene. The four men turn towards the coffin, bend down, and lift it up. The two men on the left side of the scene support the bottom of the coffin with one hand and use the other elbow facing left, their hands resting on the side of the coffin closest to the left side of the frame. The man closest to the camera supports the coffin with his right hand and steadies it with his left, while the man closest to the wall supports it with his left hand and guides it with his right. On the right side of the scene, the man closest to the camera holds the bottom of the coffin with his left hand and supports the side closest to the right of the frame with his right hand. The white-haired man on the wall side supports the bottom of the coffin with his left hand, with his right hand hanging naturally. The four men, holding the coffin, look to the left of the scene and move towards the left. This is a slow-motion sequence where the camera makes a slight counterclockwise rotation around the coffin as the center, while moving forward to the right.


In the scene, one can see a person's hands knitting a small green plush object. In the right palm, there is a small metal hook with an orange handle. The left hand's fingers are wrapped around a green thread, and both hands are holding this small green plush object. Next, the right hand inserts the tip of the metal hook in their hand into the edge of the green object and then hooks out a thread from inside. Both hands repeat this action with skilled proficiency.


In the scene, a man with his upper body naked is slightly turned towards the left side of the picture. His left hand is holding the receiver of a white landline phone as he is making a call. His head is slightly bowed down, and then suddenly he looks up towards the right side of the frame. His body also slightly turns to face the front of the picture. His gaze is very evasive as he looks back to the left side of the frame. The amplitude of his body's swaying becomes larger and larger. Then he brings the receiver up to his face, turning his head to the right to look at the receiver, before putting it back to his ear.


The camera shoots from above; on the left side of the screen is a man wearing a dark gray top and pants, extending his right hand towards the right side of the frame. Only the lower half of his body is visible in the shot. In the center of the screen is an orange car. He suddenly moves to the left of the frame and then shifts back to the right, clenching his right hand into a fist. The scene changes, and the man is seen holding an orange car mirror with both hands. Then, with his right hand, he turns the mirror downwards towards the bottom of the screen. His left hand moves to the right side of the frame, grasping the bottom of the mirror, and then shakes it to the right. Following this, he repeatedly grips the bottom of the mirror and shakes it to the right side of the screen.


In the scene, a woman is sitting on a stool with her body leaning on the desk. The perspective is from the side of her upper body. Her left arm is stretched out on the table, with her head resting on her left arm, facing the camera directly. Her right hand is holding glasses between her fingers, and she is looking at the glasses while continuously shaking them up and down. The camera then zooms in on the woman's face, after which she turns her head towards the desk, closes her eyes, leans her forehead against her left hand, and her right hand presses on the glasses, causing them to spring up.


At the center of the screen is a pot with soup and some meat inside. A hand holding a pair of tongs extends into the frame from the upper left corner, placing a piece of meat into the pot and then releasing the tongs. The tongs then stir the contents of the pot a few times before picking up a large piece of meat, suspending it in the air for a moment, moving it away from the left side of the screen. Immediately after, the hand reaches in again, using the tongs to pick up something from inside the pot.


In the center of the screen sits a woman in a black coat with her hands crossed over her chest, facing the camera and smiling as she looks to the right of the screen, then turns her head to look to the left of the screen with her hands interlaced on the table. To the left of the screen sits a woman in an orange top. She faces the camera, smiling as she looks to the right of the screen with her hands on a book on the table. Then she starts to speak, bowing her head to flip through the book with her left hand, making gestures with her right hand, covering and then reopening the book with her left hand before finally closing it again. To the right of the screen sits a woman in a gray top, with her right leg crossed over her left, supporting her head with her left hand, and holding a pen in her right hand as she thinks before placing her hand on the table. To the right is a whiteboard, and in the background, there are three windows.


The scene is focused on a mobile phone, with the shooter sitting in a car that is moving forward. You can see a person's right hand holding the phone. On the phone, you can see a hand picking up a slice of cake that has already been cut and placed on a plate, then moving out of the frame from the left side of the phone screen.


The scene of fishing is captured from a first-person perspective in the video. In the lower right corner of the screen, a hand quickly moves down out of the frame, followed by the fishing rod on the right side of the screen swiftly lifting up. The camera turns to the right, at which point, a hand holding another fishing rod, farther from the camera, appears from the right side of the frame. A third fishing rod appears from the right side of the screen, positioned in the background on the right, and moves to the right. The left hand holding the fishing rod then appears from the left side of the frame, moving the rod downward. The left hand holding the rod also moves down, and the thumb presses on the fishing line in the roller, which is located on the right side of the screen. Another fishing rod, farther from the camera, quickly moves up out of the frame on the right. The camera turns to the left, and the third fishing rod disappears from the right side of the frame. The left hand holding the fishing rod on the left side of the screen moves towards the left and vanishes from the left side of the frame. The camera continues to turn left, and the right hand appears from the bottom of the screen, grasping the fishing rod and moving it upwards.


The camera shoots from above at a box filled with various yellow squares, opening towards the upper left of the screen. A hand places a rolled-up black thread on the box to the right of the screen, and then this hand leaves the frame from the right side. The camera zooms in on the black coil to the right of the screen. Inside the yellow squares on the screen are a variety of colorful components.


In the scene, two people are walking away from the camera into the distance. The person on the right side of the screen spreads their hands, then retracts them and spreads them out again, and turns their head to look at the person in the center of the frame. The person in the center has been walking forward the whole time. The camera follows their movements and pans forward.


The camera shoots from above, centering the frame on two people standing face-to-face, sideways to the camera. The person slightly to the left of the center turns their head clockwise, while the person slightly to the right of the center turns their head counterclockwise. They both look up towards the camera's direction. The person to the left of the center extends their right index finger to point at the camera's direction, and the person to the right of the center does the same. Then, the person to the left of the center turns their head counterclockwise, and the person to the right of the center turns their head clockwise, facing each other and looking at one another.


Close-up shot, an elderly woman dressed in a floral top stands to the left of the frame, facing right. In her right hand, she holds a paintbrush, applying color to a sculpture shaped like a pair of blue denim shorts in the center of the frame. Her left hand grips the drawing board under the sculpture, occasionally moving her upper body. She then turns her head to look off-screen to the lower left, her right hand holding the brush extended off-screen to the lower left to dip into the paint, with her mouth moving as if speaking. After dipping the brush, she continues to apply color to the sculpture, occasionally using her left hand to rotate the drawing board on which the sculpture is placed. The background features some greenery and hanging shell wind chimes.


In the lower half of the screen, there is a curved green pigment on the white surface. Orange pigment appears from the right side of the screen, falling from the top to the white surface, intersecting with the green pigment, and then disappearing from the left side of the screen. It reappears from the left side and disappears from the right side. The camera moves backward as the pigment falls, with the pigment appearing back and forth, landing on the white surface. As the camera moves, there are moments when the pigment landing on the white surface is not visible. The orange pigment stops for a moment and then continues to fall. At the end of the scene, it is not visible where the pigment lands.


A man dressed in navy blue rides a horse from left to right, moving his hands up and down on the reins, maintaining a course towards the right side of the camera and entering the woods. The scene then cuts to a man in a white shirt riding a white horse into view. He moves the reins up and down with his left hand, while his right hand, bent at the waist, follows the horse's movements and shakes up and down. Finally, the scene switches to a man in a dark vest also on horseback; with his right hand on the reins, he raises his left hand overhead and then brings it down to the rein position before lifting it up again, all while opening his mouth wide and speaking with a furrowed brow. In the end, both hands are on the reins.


In the center of the screen, slightly to the left, is an elderly white man with a white beard and grey long hair. He faces the camera, talking with his mouth. He first looks to the left of the screen, then down, and subsequently raises his left hand to shoulder height. Following this, his left hand extends to the right side of the screen in rhythm with his speech before returning to his chest and then falling. Afterward, he extends his left index finger, circles it in front of his body, and points to the right side of the screen.


The camera moves to the right, and a man in a burgundy shirt turns his head to look to the right of the screen. His left hand is holding an e-cigarette, bringing it closer to his mouth. Subsequently, the camera is blocked by a man in a gray shirt, who turns his body to the left. The man in the burgundy shirt reappears on the left side of the screen, smiling as he looks towards the camera. The camera continues to move to the right, revealing a man in a white shirt in the background looking at the camera, with many people gathered in the background, facing sideways to the camera.


The camera is aimed at an open car door. On the left side of the frame, a person is sitting sideways on the car seat with their legs outside. In their left hand, they hold a screwdriver, and in their right hand, they grip a small screw. The person then uses their right hand to clamp the screwdriver, and subsequently places both the screw and the screwdriver inside the car. Then, with their left index finger, they open the car door switch, holding it with their right hand. After that, the left hand removes the cover around the door switch, and then places the cover underneath the car seat. Following this, with their right hand holding the screwdriver, they wedge the screwdriver into the gap between the door and the door handle, at which point their left hand is supporting the door handle.


The video scene is animated, showing a child in green clothes running into the frame from the left, followed by another child carrying a green bag in their right hand. The two boys sequentially leap over the shrubbery and leave the scene.


On the left side of the screen is the upper body of a man, with his left hand holding down the fretboard and his right hand embracing the guitar. The right hand holds a pick and continuously plucks the strings from top to bottom, while also pressing different positions on the fretboard.


A person's right hand holds a pair of tongs, holding a pancake. This person moves the pancake towards the right side of the screen, then transfers the tongs from their right hand to their left hand, flipping the pancake. Then, with the left hand holding the pancake, they move it closer to the stove on the left side of the screen. Afterwards, they transfer the tongs back to their right hand and proceed to rotate the pancake towards the bottom left corner of the lens while baking it. Then, they lift the pancake upwards in the screen. In the middle foreground of the screen is a skewer of grilled meat, and on the right side of the background is a person facing towards the left side of the screen. The camera gradually loses focus on the pancake and instead focuses on the skewer of meat in the center of the screen.


In the scene, two people can be seen. On the left side of the screen, there is an elderly man wearing a white striped shirt sitting in front of a table, facing towards the right side of the screen. On the right side of the screen, there is a man wearing an orange apron, facing towards the left side of the screen, holding a broom in his hand. The man in the orange apron is making gestures in front of him, speaking to the elderly man on the left side of the screen. As he talks, he leans his head slightly towards the left side of the screen, and the elderly man in the scene stares directly at him.


On the left side of the screen, a man wearing a black hat is smiling and walking towards the right side of the screen. On the right side of the screen, a woman in a denim jacket has her left hand linked with the right hand of a man wearing pink shorts. Both are facing the right side of the screen and walking to the right. Then, they turn back to the left side of the screen. The man in pink shorts stretches his left hand towards the lower left of the screen, and the woman also raises her right hand. Below the screen, changing black-bordered white text appears. Next, the man with the black hat places his left hand over the woman's right hand, and the three of them walk together towards the right side of the screen. The camera also moves to the right, and many paintings appear at the top of the screen. There are many people sitting around the screen, as well as pedestrians walking. At the top is a beach, and at the bottom is a green lawn.


On the left side of the screen, the left hand holds the plastic in the center of the frame, while on the right side, the right hand holds a yellow ornament in the center of the frame. The right hand moves upwards to the right of the screen, pouring out a yellow object from the plastic bag, which the left hand catches. The yellow object slides down from the right side of the screen; the left hand pinches it up from the right side of the frame and moves it to the left side of the screen.


On the left side of the screen, part of a person wearing green clothes can be seen; on the right side, a pair of hands holding a bottle are raised to the upper right corner of the screen. The right hand grips a small handle of the bottle, tilting it slightly to pour the liquid inside onto a piece of food below the screen. The liquid is flowing evenly towards the food at the bottom of the screen, and the camera pans down to focus on that piece of food. You can see the liquid slowly flowing across the top of the food, with the column of liquid moving left and right on the upper part of the food, trying to distribute the liquid as evenly as possible. Then, it flows along the edge of the food towards the bottom, dripping onto the white plate below.


On the right side of the screen stands an elderly man dressed in a black suit, facing a white board on the left side of the screen. The white board has writing on it and several sheets are hung from it. The man's left hand is in the foreground, holding a pen. Then he extends his right hand, index finger pointing forward, indicating the whiteboard. He is speaking with a smile, then withdraws his hand, using his right hand to pick up the pen held in his left hand. He extends the pen towards the whiteboard again, pointing on the screen, and then retracts his right hand once more, using his left hand to press the cap of the pen he is holding in his right hand. He turns his head to look towards the right side of the screen. The camera slightly zooms in and out as the man performs actions, then slightly pans to the right side of the screen. In the end, the man turns his head back to the whiteboard, continuing to look at it.


The camera slowly moves to the left, then a group of people in splendid attire walk away from the camera in pairs through the archway at the top of the screen. Then, a woman on the left and a man on the right, holding hands, appear from the bottom right corner of the screen with their backs to the camera, and they cross the traffic to walk towards the archway. In the center of the screen, the car stops, and the doorman on the right side opens the front car door with his right hand. A woman steps out of the car towards the camera, then turns around with her back to the camera. The scene then cuts to a bustling dance hall with many people dancing, and a blond man walks from the right side of the screen to the left.


A man dressed in elaborate court attire and a woman in a formal dress stand facing each other. The camera is first positioned to the right rear of the woman; after the man pushes the woman away, she slowly straightens her body. The man bows his head, his expression serious, staring at the woman's face as he speaks. Subsequently, the camera switches to the left rear of the man, and the woman slightly lifts her head, gazing at the man's face, listening to him speak, with her chest slightly heaving. In the background, a group of people can be seen playing and frolicking. The camera cuts back to the right rear of the woman again, with the man's head slightly inclined forward, his expression stern, his mouth corners turned down, as he continues to speak. Throughout the process, the expressions of both are complex, and the scene is filled with a tense atmosphere.


In the scene is a mechanical device that is being opened. Then, a hand wearing black clothes appears on the left side of the screen, wedging a gun into the mechanical device, which promptly closes.


The man on the left side of the screen is sideways to the camera, facing the right side of the frame. He holds a bowl filled with leaves in his left hand in front of his body while slightly raising his right hand. The woman on the right side of the screen stands at the door, facing the left side of the frame. She raises both hands above the bowl and picks up a leaf, then tears off a piece of it. Holding the leaf in her left hand, she turns and walks into the door on the right side of the frame. She raises her right hand, points at the man on the left side of the screen with her right index finger, and wags her right hand. At this moment, the camera slightly moves forward.


The scene shows the entrance of a garage. In the center of the frame is the rear end of a black car, with red plants on the right side of the frame. The car moves to the left side of the frame and then onto an empty space, where the rear of the car rotates towards the left background of the scene. The camera first moves to the left, then rotates towards the left side of the frame, and finally, the black car's front end faces the camera, appearing in the center of the frame.


The camera shoots from a low angle. On the left side of the screen is a woman in a short-sleeved shirt, holding a mobile phone in her hands, with her face obscured by a yellow smiley sticker. On the right side is a black man wearing a yellow floral shirt and a black baseball cap worn backwards. He holds a bottle of mineral water in his left hand, looking at the woman's phone in the lower left corner of the screen. As he talks, he shakes the bottle in his hand. Then, the woman extends her right hand to pass the phone to the man on the right side of the screen. The man catches the bottle with his right hand, reaches out with his left hand to take the phone, looks down at it, and then puts it into his trouser pocket below the screen. He continues to hold the water bottle and speaks to the woman, then glances to the right of the screen. The woman, in turn, rocks her body back and forth towards both sides of the screen. The background is beneath a building.


In the center of the screen, slightly to the right, an airplane is flying towards the left side of the screen. The camera shifts to the left, and then the airplane's wings tilt slightly before the camera zooms out. The camera stops moving, and the airplane continues to fly towards the distant left side of the screen. Another airplane appears in the upper right corner, also heading towards the distant left side of the screen. The top of the screen is a clear blue sky, while the bottom shows the Gobi Desert with some vehicles parked on the ground.


A woman stands and stares directly into the camera, then turns her head to look away, and turns back to face the camera directly. After repeating this action, she starts to speak. The camera zooms in on the woman's face as she nods and talks to the camera. She then quickly turns around, facing away, and swiftly turns back, raising her right hand with the index and thumb extended, imitating a gun shooting gesture.


In the lower left corner of the screen, there is a pair of hands; the left hand is holding a part while the right hand turns clockwise and moves downward, moving out of the frame from the bottom. The left hand continues to slightly shake, then extends the part towards the right side of the screen. The right hand enters the frame from the bottom, grabs the part, and the left hand releases it, moving downward and out of the frame. The right hand takes the part and moves towards the right side of the screen, placing the part on the right side of the machine in the center of the screen. A head enters the frame from the right side, blocking half of the lens, then moves to the left, and then moves to the right again. The right hand shakes the part, and the left hand enters the frame from the top. Both hands are installing the part; the head moves to the left side of the screen, then to the right. The right hand holds the part and separates it from the machine, then reattaches it to the machine.


In the center of the screen is an item wrapped in layers of aluminum foil, placed on a cutting board on the table. There is a person wearing a black shirt and white pants standing behind the table, facing the camera, with only their hands and abdomen visible. They are using both hands to tear open the aluminum foil packaging, then taking the torn foil and moving it out of the frame to the right, continuing to carefully tear the next layer of packaging. On the far left of the screen, a glass bowl containing a dark liquid can be seen, along with a bottle of seasoning placed on the table.


The main subject of the scene is a man wearing a dark blue shirt with greying hair and beard. He is sitting facing the camera, continuously talking. His hands are placed at chest level, his arms spread apart, with fingers pointing towards the camera, moving up and down with the rhythm of his speech. To the right of the frame is a stationary guitar.


The camera moves to the bottom left corner of the screen. In the lower right part of the screen, a white puppy enters the frame. A person opens the door at the center of the screen, and the door rotates clockwise towards the left side of the screen. The puppy, with its back to the camera, enters the door and moves towards the right side of the screen.


The girl on the left side of the screen, close to the camera, is wearing a magenta top. She stands on a platform, bending her legs, and stretches her left hand to the right side of the screen, holding the raised left hand of the man in the center of the frame, who is farther from the camera. The girl's left leg moves downward, then her left hand releases the man's hand and is placed in the foreground of the screen. Her right hand supports her in the bottom left corner of the frame as her body moves towards the right side of the screen. She then moves her right leg downward, followed by her body, lowering her head with her mouth open. Then she speaks, turning her face to the right side of the screen. Her body blocks the man standing in the center of the frame. At this moment, the man closest to the camera, at the bottom right of the screen, nods and speaks. Next, the woman raises her hands and moves backward, then places her hands in front of the camera again.


On the right side of the screen is a man wearing a black vest, holding a black camera in his right hand, and embracing a dog with his right arm, looking to the left of the screen as he speaks, swinging the dog back and forth. The dog looks to the left of the screen and then towards the direction of the camera.


In the scene, there is a man and a woman. The woman is on the left side of the frame, facing right, with her face obscured by a smiling emoji, and her head is slightly trembling. On the right side of the frame, the man is leaning with both hands on the white car hood behind him, engaged in conversation with the woman on the left.


The camera moves forward, closing in on the man in grey clothing; his body is facing towards the left side of the frame. The woman in red on the right side of the screen disappears to the right, as the woman in black enters the frame from the left. The man in grey spreads his arms to the sides of his body while speaking, then moves to the left, blocking the woman in black. A woman in a red vest appears in the background on the right, carrying a pumpkin from a steel frame and placing it into a wooden box on the right side of the screen. The camera moves to the left, and the man in grey then bends over, while the woman in black reappears in the background. The woman in the red vest disappears to the right of the frame.


On the left side of the screen, a man in a black fedora approaches slowly from the distance. On the right side, a black man looks up at the man in the fedora. As the man in the fedora nears the black man, he speaks to him and stops in his tracks.


The scene is a close-up shot of the hands, with both hands holding the ends of a black wallet. Then, the black wallet is placed on a flat surface at the center of the screen. The hands withdraw from the frame, followed by the left hand and then the right hand entering successively, gripping the ends of the wallet and picking it up.


Close-up shot with a fixed camera position, showing many orange or green pear-shaped glass vessels, with a white string hanging from the side of each vessel. The camera then moves to the left, causing all the glass vessels in the frame to shift towards the right side of the screen.


A man in a gray sweatshirt holding a plush toy looks to the left of the frame. The camera then pans to the left, and the man in the gray top moves to the left as well, walking up to a sitting woman. He extends his right hand to give her the toy, looking at the woman. She reaches out to accept the plush toy, looks up at the man, and smiles.


The camera captures the scene from a top-down perspective. In the frame, a boy is riding a bicycle towards the camera, facing the lens. As he rides, he leans towards the left side of the screen, and the camera follows him downward.


The camera focuses on a sea surface where a large wave is currently forming. In the center right part of the frame, a man in a red shirt can be seen surfing on a surfboard atop this wave. The man rides the surge of the waves, gliding his surfboard to the left side of the screen. He paddles up to the crest of the wave, spins himself and the surfboard around once, and then continues to glide to the left side of the frame. He repeats this action of riding up to the wave's peak, spinning around, and then continuing to slide to the left. His hands come up to maintain balance during the spin, and then he bends down again, crouching to lower his center of gravity. The camera also continuously tracks the man, panning left, to keep him in the middle right part of the frame.


A long-shot with a backlit angle taken from a low perspective. In the center bottom part of the screen, there is an airplane flying towards the right side of the frame. The camera slowly pans to follow the airplane. In the foreground of the lens, there are several high-voltage wires. The airplane continues to fly until it eventually leaves the frame from the bottom right corner.


In the scene, a road can be seen, with a zebra crossing in the middle of the screen, which is patchy and white. Initially, on the left side of the screen, there is a person riding a motorcycle, and on the right side of the background, there is also a person riding a motorcycle with another person on the back. Both motorcycles are moving from the right side of the screen to the left side and eventually exit the frame. Then, on the right side of the screen, a person riding a white motorcycle enters, also with another person on the back. The motorcycle is moving faster than the previous two and is traveling from the right side of the screen to the left. On the left side of the foreground, a cyclist also enters, riding from the left side of the screen to the right, and eventually disappears on the right side of the screen. The white motorcycle with the passenger also eventually disappears on the left side of the screen. At the end of the video, in the foreground, a car drives from left to right across the screen. It moves at a faster speed, passing by in a flash.


A hand holding a tool enters the frame from the right edge, aims the tool at the screw in the center top of the frame, presses it down, and then rotates the handle of the tool towards the right side of the screen.


The man in white on the left first turns his back to the camera, then bends over as if he's startled by a loud noise. He then maintains the bent position, looks back from the right, and slowly straightens his upper body. The camera slowly moves to the right, zooms in on the bottom right corner, and then zooms back to the man. The man slightly pouts his lips and raises his eyebrows.


On the right side of the screen stands a middle-aged man in a white shirt, yellow vest, and a red tie with a beard. He is looking to the left of the screen as he speaks, then slightly tilts his head towards the left side of the frame. A black man in a white suit stumbles in from the left side of the screen, holding his nose with his right hand as he approaches the middle-aged man, appearing to be injured. He stands to the left, next to the middle-aged man, looking at the middle-aged man on the right side of the screen, and lowers his right hand from his nose. The middle-aged man extends his right hand to examine the black man's wound on his face, then sits down in a chair.


The scene is shot from a first-person perspective, with the shooter sitting in a car, filming a group of pedestrians crossing the street through the car's windshield. The lens transitions from blurry to clear, gradually zooming in and focusing on the people walking back and forth across the zebra crossing. The video seems to be sped up, as the group of people are walking very quickly.


The video shows footage of a silver car taken with a handheld camera; in the frame, a silver car with black patterns is parked indoors, facing to the right of the screen; the camera then pans to the right, revealing the side of the silver car; subsequently, the camera continues to pan right and then rotates counterclockwise by a certain angle, showcasing the front end of the silver car; the camera then starts to pan left while turning counterclockwise by a certain angle, revealing an open door in the background. At the rear end of the car, the camera rotates clockwise by a certain angle while moving closer to the tail, descending to the ground to display the car's rear.


At the top of the screen, there is a row of people walking along a downhill path towards the bottom of the screen. White text appears in the lower right corner. The screen is flickering, and on the left side of the screen, there is a white vertical line moving towards the left side of the screen. The scene is outdoors, with desolate small hills in the distance. At the bottom of the screen, there is a barbed wire fence extending to the upper left corner of the screen. In the upper left corner, there are icons with blue background and white letters as well as black background and white letters.


In the center of the screen, two people are fighting. The person on the left raises their right foot and knocks the person on the right to the ground. Then they press down on the chest of the person on the right with their left foot. The person on the left retracts their foot, turns towards the background of the screen, and starts fighting with a man in the background. They lift the person from the background onto their shoulder and then slam the person on their shoulder into the cardboard boxes in the background.


The scene is shot from a first-person perspective. A left hand reaches in from the left side of the frame to the center upper part, grasping the neck of the wine bottle above the frame, turning the label towards the camera. The bottle is then slightly moved to the left of the frame and placed back in its original position, and the hand releases the bottle. After that, the shooter walks backwards.


The scene shows a man and a woman in a room. The man is lying on the sofa, smiling and looking at the woman. The woman is sitting on the floor next to the table in front of the sofa, picking up a cup with her right hand while the man raises and then lowers his right hand. After taking a sip, the woman puts down the cup and then turns her head to look at the man.


The scene is shot in first person, showing a supermarket filled with many items. The camera moves forward, with the following view: to the left, a woman in black clothing with her hair in a ponytail is speaking towards the left of the frame; in the center, two women also in black with ponytails have their backs to the camera; to the right, a woman in a black top with a floral pattern and dark blue pants, wearing glasses, has her hands on the shelf facing towards the left of the frame. The camera moves towards the right, at which point the woman on the far left raises her left hand to cover her mouth, the woman in the center takes a step towards the left, and the woman on the right is now holding a piece of paper in her right hand. To the right in the background, there is a group of men carrying goods.


Holding a close-up shot. The lens is slightly shaking. In the center of the frame is a right hand holding a bottle cap. There are seasonings in the bottle cap, and the right hand is slightly shaking to sprinkle the seasonings from the bottle cap, onto the meat ingredients below in the frame.


In the scene, a woman is moving towards the camera with her left foot on a skateboard. She stumbles slightly along the way, looks directly into the lens, and then bows her head down. The camera moves down, showing her left foot stepping on one corner of the skateboard. She bends over and holds the other end of the skateboard with her left hand, placing it vertically to the left side of her body. The camera moves up, and she gives a coquettish look towards the lens. Then, she turns clockwise with her back to the camera and walks forward.


The scene is shot from a first-person perspective. First, a large group of people walk from the left side of the screen towards the center. Then, the camera turns to the right, and the man in black in front of the lens waves to the right side of the screen. Following that, another person in black behind him talks to the person in gray clothes with a brown hat who appears on the right side of the screen. Then, he turns back and points to the left side of the screen with his right hand, gesturing and saying something while doing so.


A woman in a black top and a red plaid apron stands in the center of the frame, looking ahead, with both hands clapping in front of her chest. After quickly glancing in the direction of the camera, she retracts her gaze and continues to clap repeatedly.


In the center of the screen, a man wearing a hat stands facing the camera with his hands in his pants pockets, looking to the right of the screen where a man in the foreground is smiling and speaking. Then, he turns his head clockwise, lowering it to look at the man in a vest on the left side of the screen. On the left side of the screen, a man in a black vest sits sideways to the camera, lifting his right leg, tilting his head to the right, and looking down at his foot with both hands reaching towards it. Next, he slightly shifts his body to the left of the screen, raises his head, and turns it counterclockwise to look towards the right side of the screen. On the right side of the screen, a man with long hair stands sideways to the camera, facing left, with his hands placed at his abdominal area.


The woman on the left lights a lighter with her right hand and places it in the center of the picture. The man on the right knocks the woman's hand away with his left hand and walks from right to left. The woman turns around and walks to the left as well, placing her left hand on the man's right shoulder.


In the center of the screen, slightly to the left, there is a man and a woman. The woman is facing the direction of the camera, while the man is facing towards the right side of the screen. The woman is holding something in her right hand and has extended her left finger to point to the right side of the screen before looking at the man. The man also extends his left finger to point to the right side of the screen.


In the center of the screen, there is a white basin. On the left side of the screen, the upper body of a person, excluding the head, is seen with their back to the camera. They are holding a pair of jeans with both hands inside a booth. The hands are pressing the jeans into the bottom of the basin, continuously rubbing them.


On the left side of the screen is a white girl wearing a black and white striped shirt. She faces the left side of the screen, raises her hands, then turns towards the camera and lowers her hands, with her mouth wide open, looking down at the bottom of the screen. To her right, in the center-left part of the screen, a boy dressed in dark blue looks to the left of the screen, then turns around to face the camera and looks down at the ground. On the left side of the screen is a white girl wearing a black and white striped shirt, who faces the left side of the screen, raises her hands, then turns towards the camera and lowers her hands, with her mouth wide open, looking down. To her right, in the center-left part of the screen, the boy in dark blue looks to the left of the screen and then turns towards the camera, looking at the ground.


A man walking in from the right side of the screen with a bag slung over his left shoulder is heading towards the center of the frame. He lowers his right hand from his mouth and turns his head towards the camera, looking at the equipment by the roadside. On the left side of the screen, there are a few people twisting their bodies inside a fence, and a person in white is preparing to step out of the fence.


In the scene, a man with black hair wearing a blue shirt and a man with black clothes and brown hair are both lying on the ground. The man in the blue shirt has his legs up and his face is directly facing the camera. He quickly rolls over and stands up with his back to the camera, facing the man in black. The man in black is holding a gun in his right hand. The man in the blue shirt runs forward a few steps, jumps up, and kicks the man in black with his right foot, with both hands overhead. The man in black is kicked to the right, and the man in blue grabs his shoulder with his left hand, dives towards him, and kicks him again with his right foot, followed by a kick with his left foot. The man in black bends over with his head down, and the man in blue also bends down, striking the back of the man in black with his right arm, knocking him to the ground. At this moment, another man in black with a gun appears from the left side of the screen. The man in blue turns around, and the scene switches to a top-down perspective. The man in blue jumps up, kicks the gun out of the man in black's right hand with his left foot, approaches, and kicks him with his right foot. The other man in black falls sideways to the right. The background is dense vegetation.


The camera lens slowly moves upwards to the left, and a woman in white enters the frame from the left side. The background is clear, but the woman's face is blurred. The camera continues to move left, and the woman also turns herself counterclockwise slightly, facing the camera with her left side. The focus of the lens changes, blurring the background, while the part of the face closer to the lens becomes clear.


The camera is fixed on Si Ji's body, with the upper part of the steering wheel at the center of the screen as the car moves forward. On both sides of the road are walls and trees. In the center of the screen, to the right of the arm, a green car moves in the opposite direction of the camera. On the left side of the screen, the thumb presses a button.


There is a blurry shadow on the far left of the lens, which stretches its hand towards the right side of the screen and quickly retracts back to the left. The girl in the red coat is lying on the bed, with her right leg bent at the left side of the screen, her foot on the bed. In the center of the frame, the girl is holding a glass bottle with water at the bottom, her right hand supporting the upper part of the bottle, her index finger pressing against the mouth of the bottle, which is slightly tilted to the right. Her left hand is slightly clenched, cupping the bottom of the bottle. On the far right of the frame, the girl's head is lying on a pillow, initially looking towards the bottom left corner of the screen, presumably observing the bottle in her hand. She then turns her head to the right, revealing her full face to the camera, and looks towards the top left corner, her lips opening and closing as she blinks.


The scene is shot in first person, with the camera quickly panning slightly to the left and then moving to the right. Three children are lying on a bed. The boy in black clothes at the center of the frame looks at the camera and then points to the left side of the screen with his right hand, drops it, and points to the left side of the screen again. The girl on the right side of the frame looks to the left and then back at the camera, while the boy on the left side looks to the left and then back at the camera, smiling and speaking. Immediately after, the camera quickly shifts to the left.


On the left side of the screen, a man in black is sitting in a chair, with his lower body visible, his body turned to the right side of the screen. His hands are playing the keys of an electronic organ, and his right leg seems to be pressing the pedal of the electronic organ. The camera is slightly shaking.


The main subjects of the scene are two people. The woman on the left is facing to the right, and the man on the right is facing to the left. The woman is holding a pen in her right hand, pointing at the man. Similarly, the man is holding a pen in his left hand, making gestures towards the notes on the whiteboard between them, as the two are engaged in an intense argument. Later, the woman makes a gesture of spreading her hands and extends her right hand to point behind the man, indicating that she wants the man to leave.


In the center of the screen, there is a man wearing clothing with a bicycle pattern. In his left hand, he is holding a dish of food, while with his right hand, he holds a fork lifting a piece of food dipped in sauce, presenting and explaining it to the camera. To the left of the screen is a flower bed. In the background of the scene, there are some pedestrians walking from left to right.


The camera shoots a circular pool from above. In the lower part of the frame, two people are moving towards the right side of the screen, with one person sitting in a yellow object. Surrounding the pool is a ring of lawn and cement ground. A crowd is gathered around the pool, with some people walking around its perimeter. On the left side of the frame, there is a pattern of plants on the lawn, and on the right side, a road extends upwards to the right, out of the frame. The camera slowly pans to the left.


In the center of the screen, a black man is facing left, sitting in the driver's seat of a black car, with both hands on the steering wheel, looking to the left of the screen. He turns his head down to the upper right corner of the screen, looking in that direction. The lower half of a person in black clothing enters the frame from the right side, their right hand on their waist, extending their index finger quickly and then retracting it. The black man nods, and the person in black on the right raises their hand briefly and then lowers it, finally pointing upwards again, as the scene shifts to the right. The black man nods and then bows his head, facing left, with his eyes closed.


On the left side of the screen, there is a woman with her right cheek facing the camera, her eyes looking to the right of the screen. She then turns her head to the right while speaking. In the background on the right side of the screen, there is a man with his right side facing the camera. He raises his left hand to stroke his beard and slightly rotates his body.


In the center of the close-up shot, there is a player in white. His body is turned towards the camera, facing to the left of the screen. His arms are bent, with hands placed on either side of his waist. His right leg is raised, and he has bounced once on his left foot on the ground, then his right foot touches down, and he turns to face away from the camera. To the left of the close-up, there is a player in blue taking a step while facing to the left of the screen. He turns his head towards the camera, then turns his head back to the left of the screen and turns around to face the camera. Then, the player in blue raises his hands to the sides of his abdomen and catches the ball with his left hand, which is wearing a glove, bows his head, and then turns his head to the right of the screen. In the background of the shot, there are many standing spectators.


The scene is shot from an overhead angle, showing a table with objects on it. In the center of the frame is a stack of pancakes placed on a kitchen paper towel. The camera moves to the upper left corner of the screen, where there is a plate of cooked filling, with a spatula placed upwards over the plate. To the left of the plate is a blue dining plate. The camera then moves to the lower right corner of the screen and then to the left side. In the lower left corner, there is a bowl of noodles.


A girl dressed in gray is sitting on the left side of the screen, her back leaning against a white railing on the left, with a blue school bag placed to her right. Her gaze is fixed intently to the right, and her mouth is moving as if she is chewing something. Her hands are placed in front of her body, between her legs. Then her gaze shifts slightly to the side, her head turns slightly, and it can be seen that her right hand is also moving. As the video progresses, we can see that her right hand is tearing a piece of bread; she has torn off a piece and then looks down at it. She shakes the crumbs of bread between her legs and then raises it with her right hand to her mouth. Her gaze is once again fixed tightly to the right. She bites off half of the bread and then lowers her right hand, placing it back between her legs. Her mouth continues to chew the food as she sticks out her tongue to lick her lips.


In the scene, a woman in a white top and black pants is lying face down on a mattress. To the right of the frame, a woman in a beige top is facing sideways, extending both hands to the shoulders of the woman in white and massaging them. After a while, she retracts her hands and places them on both sides of the woman's head.


In the center of the screen, a curly-haired lady in a light-colored dress is walking down the stairs facing the camera, holding a black bag with both hands in front of her waist. After descending the stairs, she takes two steps and then stops to talk to a waiter on the left side of the screen. The waiter on the left side of the screen is facing the right side, bending over to arrange items on the table with both hands. After the curly-haired lady speaks to him, the waiter withdraws his hands to the table and turns his head to look at the curly-haired lady as they converse. On the right side of the screen, there is a boy in a suit sitting with his back to the camera.


The camera moves down to focus on a pot, then cuts to an overhead view of the pot, which contains small crayfish being cooked. In the upper right corner of the screen, a person uses a ladle to pour corn into the pot below the frame, then dips the ladle into the pot, pressing the corn into the broth, and after a few presses, moves the ladle out of the frame from above. Finally, a person on the right side of the screen pours a bag of shrimp into the pot from the top of the frame.


In the center of the screen, a person's right hand holds an electric grinder, slightly swaying as they grind the steel pillar on the right side of the lens, with sparks flying towards the left side of the lens. Afterwards, the electric grinder slips from the steel pillar, and this hand picks up the electric grinder again to continue grinding on the steel pillar. Then, he adjusts his hand, turning his tiger's mouth towards the right side of the screen, and subsequently lifts the electric grinder.


A woman stands with her back to the camera, as a feather floats down from the top of the frame and lands on her left shoulder. She looks down, then turns her head to the left side of the frame to glance at the original feather. The camera zooms in and rotates counterclockwise to the left side of the frame, and the woman lifts her gaze towards the camera. After this, she looks down at her left shoulder, blows the feather away, and it floats towards the bottom left corner of the frame. The woman turns her head to the right side of her body, her eyes looking towards the ground.


The scene is shot from a first-person perspective and is blurry. In the frame, there is a woman in red standing facing the left side of the screen. As the camera moves forward, the woman turns towards the lens and gradually becomes clearer. She looks at the camera and smiles, nodding slightly while her body sways gently from side to side. The background is a dimly lit room, and in the upper left corner of the distant frame, there is a window.


This is a low-angle flat shot where the first thing to enter the frame is a bare lower leg, with the foot wearing a pair of brown ankle-high chunky boots. Her right foot enters from the left side of the frame, landing in the middle on brown forested ground. Following that, the left foot, also clad in the same style of boot, quickly passes out of the frame from the left side of the body. At the same time, the character's right foot pushes off the ground, leaping into the air, with the toes kicking up dust as they leave the ground, heading towards the left side of the frame. To the right of the foreground are trees and a green plant, with a blurred background. In the center is a thicker tree, surrounded by thinner trees.


In the center of the screen, a narrow passage, a woman in a hat is running towards the camera with great effort. When she reaches the front of the lens, she turns to the right side of the screen and runs out from the black railing on the right. Behind her, in the center passage of the screen, a man in a white vest is also running towards the camera with great effort. While running, he also makes a grasping gesture with his arms stretched forward. Then he too turns to the right side of the screen and exits through the railing on the right.


In the center of the screen is a man in black clothes holding a microphone with his left hand while speaking. To the left of the screen is a man in green clothes looking towards the right side of the frame. To the right of the screen is a man in a grey suit looking downwards.


In the frame, a woman stands sideways to the camera, facing right, with her hands holding a child who is also sideways to the camera and facing left. Both look up to the upper right of the screen. The camera slowly pans upwards as the woman takes a step towards the camera with her left foot, squatting down with a smile. Then, she straightens up and throws the child into the air with both hands, looking at the child in the air. She catches the falling child and slightly squats down. The camera pans down, and then the woman straightens up again, throwing the child into the air with both hands, looking at the child, and then catches the falling child and slightly squats down once more.


Shot handheld, with a slight shake of the lens. In the left background of the frame, a man in blue with out-of-focus figure is pointing to the right side of the screen. In the center foreground, a person is sitting with their back to the camera. The camera shakes to the direction of the man's finger, where on the right side of the frame, a man in yellow stands up from a group of sitting people and walks towards the left side of the screen, with some of the sitting people raising their hands to cheer and encourage. The camera follows the man in yellow, who stops next to the man in blue, slightly to the left of the center of the frame. He first nods at the man in blue, then looks at the sitting crowd, nods once as a sign, and then extends his right index finger to point ahead. Behind the man in yellow, on the right side of the frame, there is a potted green plant.


The scene shows a black man running on a small path in the park with his back to the camera. He jogs along the park path continuously, and the camera follows his running direction until he stops.


In the lower left corner of the screen is a man wearing orange clothes and sunglasses, while in the upper right corner is a man in black clothes with a gray-haired man wearing a seatbelt. Their bodies are facing the camera, looking towards the upper right of the screen. The two are sitting in car seats, talking to each other. The woman in orange turns her head to the upper right of the screen, then turns to the lower left, and then turns again to the upper right and then to the lower left. The man in black slightly turns his head to the lower right corner, his right hand extending upwards from the center of the screen, with his index finger pointing to the upper left of the screen. The woman in orange turns her head to the upper right, then turns it back to the lower left. The background of the screen features blue sky and white clouds on the left, and a receding landscape on the right, moving away from the camera.


On the left side of the screen is the upper body of a woman with her hair in a plaited bun, and on the right side is the upper body of a man wearing a gray hoodie. The man's right hand keeps poking towards the camera, and the video shows the man's left hand holding a camera, filming them. They keep walking towards the direction of the camera.


On the left side of the screen is an uncle wearing black clothes, with his left hand holding a mechanical component which he examines carefully, and his right hand holding an electric drill. He then turns and walks to the left side of the screen, the camera moves to the right side of the screen, focusing on a silver and black mechanical device. Subsequently, the uncle enters the frame from the left side and screws a nut onto the screw below the black part of the mechanical device. After that, he leaves the screen again from the left side, and the camera continues to slowly move to the right, capturing the mechanical device.


In the frame is a man wearing a brown shirt, walking towards the camera with a smile. He turns his head from left to right, but because he is wearing sunglasses, it is impossible to determine what his gaze is like. As the man approaches the camera, the camera also slowly retreats, initially keeping the man in the center of the frame. Then the camera stops panning, and the man walks to the left side of the frame, grinning widely to reveal more teeth. The man gradually walks to the left side of the screen.


The main subjects of the lens are a man and a woman. The man is in the foreground of the image, while the woman is in the background, both slowly walking from the right side of the frame to the left. The man's back is leaning against an object, with his legs bent sliding down. After seeing the woman, he supports himself with both hands to help himself stand up again.


On a boat, on the left side of the screen, a man is bent over with both hands on a backpack, holding a black pipe. On the right side, a man wearing a black long-sleeved diving suit is sitting on a white chair, his left hand on his lap and his right hand holding something in a red bag. The camera suddenly cuts in close to a chest-up shot of the man on the right, who is now crouching with heavy diving gear on his back, while the man on the left is assisting him with his equipment using both hands. The scene changes again, now the man on the left is bowing his head, adjusting his own gear with his right hand, while the man on the right is sitting facing the camera, his head turned towards the left side of the screen, using his right hand to fiddle with a black pipe. The camera switches once more, and the background is now a blue sea, with a gray beach in the distance. The man who was on the right side of the screen is now sitting at the edge of a white platform in the center of the frame, his left hand supporting the back of his head, his right hand covering his face with an oxygen tank, and his feet, clad in fins, are pointing upwards and backwards.


The camera captures a downward shot, with a background resembling a beach. In the center of the background, there is a cluster of flames continuously rising upwards. At the bottom of the frame, a man carrying some sort of equipment is seen, with his head facing the camera, steadily ascending towards it. His head is tilted back and to the right side of the frame, his mouth open wide, with a distorted expression. He then looks upwards, his mouth agape as if shouting, and with his body arched, he falls to the right side of the background, disappearing from view at the right side of the frame.


On the right side of the screen, a man in white clothes is facing left with both hands holding a basketball, running towards the left side of the screen. The camera follows and moves to the left as well. As he runs to the middle of the screen where the hoop is, the man jumps up, releases the ball with his left hand and slides it downward, while his right hand throws the ball towards the hoop above the screen. After the man lands and looks up, the ball goes through the hoop and drops down. The man looks to the left of the screen and jogs over, with the camera slightly shaking. The ball falls to the ground at the bottom of the screen and then bounces to the left. The man turns towards the right side of the screen, preparing to run for the ball on the right, with his hands continuously swinging. The scene is set on a basketball court, with the action in slow motion. There are many shadows on the left side of the screen, and the background includes a green fence, trees, and buildings.


In the center of the screen is a long-haired woman wearing a bright yellow dress and a light brown fur coat, looking to the right of the frame. To the right in the center is a black woman with short hair, dressed in a gold sequin dress and a black fur coat, looking to the left of the frame with one hand holding a high-heeled shoe. They are walking side by side towards the camera from the opposite side of the lens, strolling down a street with a neon light background and a stone railing on the left. The woman in the yellow dress is looking at the black woman, who is talking continuously and then sticks out her tongue. The woman in the yellow dress smiles brightly after seeing this. The black woman then retracts her tongue and continues talking, occasionally waving the shoe in her right hand as a gesture. They both then look to the scene outside the right side of the frame, turn towards the right of the screen, and seem to be very surprised. The woman in the yellow dress is walking in front, and they stop after taking a few steps to the right of the screen. The black woman behind slightly bends down for a glance and then stands up straight, occasionally adjusting her posture as if she is putting on a shoe. The woman in the yellow dress opens the bag she is holding in her left hand, takes out a mobile phone with her right hand, looks down at the phone, presses it for a moment, and then raises it to her right ear as if making a phone call, before putting the phone down and looking down again. The black woman takes a step forward to stand next to her and then steps back to her original position.


In the center of the screen is a small toy with a blue slide. In the upper left corner of the screen, a hand is holding a small white toy car and placing it at the entrance of the slide for a while, then releasing it upwards. The toy car slides quickly down the slide towards the small blue water tank on the right side of the screen, falls into it. Then, the hand moves to the right, supporting the slide and shifting the small toy to the left, before moving it back to the right, reaching into the water tank to touch the toy car. The background is on a green table.


In the scene, three women are all sitting. The woman with brown hair at the center of the picture has her head tilted to the left side of the frame, with her right hand placed on her chin. At the same time, the woman with short black hair on the left side picks up a document with her right hand and flips through another document with her left hand. The woman with curly hair on the left extends her left hand to take out a document to look at. Then, the woman with brown hair lowers her right hand, and the curly-haired woman extends her right hand, holding the documents with both hands. The woman with black short hair puts down the document in her right hand, while the black-haired woman places her right hand on the table. The woman with brown hair looks at the computer, and the woman with black short hair turns the page upwards with her right hand.


The scene is in slow motion, showing three people. At the far right of the frame stands a man, bald, wearing a blue shirt and a dark blue vest, with white facial hair and glasses. He is facing left, sideways to the camera, with his left arm raised and open, reaching out to the girl on the far left of the frame. His index finger is extended, and he is bending forward, speaking, with his index finger moving up and down. The girl on the far left is sitting at a table, with her hands crossed over her chest, head down, her expression rebellious. She turns her head to look upwards to the right of the frame, glancing at the man, then rolls her eyes and turns her head to the left, moving her arm upwards. The man's finger stops as the camera zooms in on him. The girl helplessly turns her head to the right, lips pursed, looking upwards to the right. Then the man's left hand moves to his left, his head turning in the same direction, extending his index finger again. He turns his head back to the front, then moves his left hand back to his body and points to his right, towards the girl on the far left of the frame, tapping once before stopping. Then he separates his hands, raises them in front of his body with palms up, turns his head to the left, speaking with a disdainful expression, arms spread wide. He turns his head to the right again, crosses his hands over his chest once more, shakes his head, turns to the left, shakes his head again, and looks back up to the right of the frame as the camera follows his finger to zoom in on the girl. Sitting towards the center-right of the frame is another girl with dyed short hair, wearing a gray long-sleeved top. Her hands are on the table in front of her, with a pen in her right hand and her left hand on the table, using the pen to color on a book. She raises her hand slightly and moves her left hand a bit as the man's left hand moves to his left. She turns her head to the left of the frame, seemingly looking at the girl next to her, her lips pouting. Then she turns her head to the right, blocked by the man's arm, and her left hand moves slightly towards her body while her right hand moves. They are gathered around a wooden table in front of them. The background is indoors, with four windows


In the center of the screen, slightly to the left, a woman in a white dress is standing with her hands resting on the table, looking down and smiling as she speaks. Behind her, there are four people sitting, talking and laughing, looking downward.


The camera should be inside a car, driving on a highway towards the background. On the right side of the screen, there are many oncoming vehicles heading towards the camera, eventually moving out of the frame on the right side. During the drive, there will be some barriers in the middle of the road, with flashing lights on them. On the left side of the screen, a white van will enter, driving from the left side of the screen towards the background, and eventually overtakes the video car. It then changes lanes and drives in front of the video car, heading towards the background.


In the scene, there is a white male checking the front trunk of a Tesla car. The man is standing on the left side of the frame. He first presses down on the car's hood with both hands, then uses his right hand to lift a cloth covering the front trunk. After that, he reaches into the front trunk with his right hand, bending over to look inside.


A person is riding a motorcycle and turning left, and the small bucket hanging behind the motorcycle sways gently with the turn. The camera follows the motorcycle as it moves to the left, and the person's hair is also gently swayed by the wind.


In the scene, several people are engaged in volleyball. The woman closest to the camera is holding the volleyball with her left hand and running from right to left. She tosses the volleyball with her left hand, takes two more steps, and then jumps up with great effort, extending her left hand in front of her face, raising her right hand high behind her head, and then swings it to the left, forcefully hitting the volleyball over the net. In the initial part of the scene, at a slightly farther distance from the camera, another woman also lifts the volleyball with her left hand towards her front body. Even farther, a man jumps up, swinging both arms to hit the volleyball. The camera remains locked on the woman closest to the camera, moving towards the left.


On the left side of the screen, there is a woman holding the steering wheel of a car with both hands, her head turned away from the camera. The woman then turns her head to face the right side of the screen, subsequently bows her head, and reaches her right hand down towards the bottom of the screen, while the camera pans to the right.


On the left side of the screen, a woman in yellow clothing is standing sideways to the camera, facing towards the right side of the frame. She is making eye contact with the woman in white on the right side of the screen, and both are smiling. The woman in yellow takes out a piece of paper in the shape of a heart and gives it to the woman in white. The woman in white receives the heart-shaped paper with both hands, holding it to her chest, and then turns her head clockwise to look at the shadow in the background of the scene.


The video is shot from a first-person perspective, with the screen of an iPad in the center of the frame. The camera zooms in on the iPad screen, and a finger extends from the right side of the frame, pointing to the cover of an e-book in the upper left corner of the screen.


The scene is animated. On the right side of the screen, a man in yellow clothes is sitting on the bed in the center of the screen, facing the camera, looking to the right of the screen as he speaks. His left hand is half-raised, and his right hand is supporting the bed. Then, the man leans towards the left side of the screen, both hands grasping a red and white blanket, before laying his head on a white pillow. He then turns to the right side of the screen, reaching his right hand out to grasp a corner of the blanket on the right side of the screen. The background wall is grey and yellow, and there is a bedside table on the right side of the screen, which has a lamp and a globe on it.


In the center of the screen, a woman in a yellow top faces the camera, looking to the left of the frame, her body swaying back and forth. Her right hand, which is placed in front of her chest, moves downward and disappears from view. Her left hand holds a necklace around her neck and moves it back and forth. Then the woman turns her head and looks directly into the camera. Subsequently, her left hand is also lowered and disappears below the screen. The woman then turns her body to the right of the frame, looking to the left, with her hands on her hips. She then turns her body to the left of the frame, facing the camera directly, and raises her right hand to touch her hair. The camera first moves upward, then slightly shakes. The background is a grey wall.


The camera captures a downward shot as a right hand holding a tool enters the frame from the upper left corner. It retrieves a green-dyed egg from a bowl located slightly above the center of the frame. The egg is then placed in the lower left corner of the screen to drain. At this moment, the left hand enters the frame from above, stands the egg up, and both hands subsequently leave the frame from above.


On the left side of the screen, there is a stainless steel basin. The person's left and right hands on the right side of the screen are washing corn on the left side of the screen, shaking it downward to drain the water. The right hand holds the corn and moves to the right side of the screen, while the left hand stays in the center of the screen. Water is flowing in the upper left corner of the screen.


In the center of the screen, a couple is walking towards the corner of the lens. The man on the left slightly bows his head, smiling at the woman on the right, then turns his head towards the camera, stretching his neck to the right, his upper body close to the right shoulder of the woman. With his eyes closed, his mouth opens and closes, then he opens his eyes and leans to the left, slightly turning towards the woman on the right with a smile, and again presses his upper body against her right arm. The woman on the right first looks down at the ground, then turns her head to the left, looking at the man on the left. In the background, a couple in dark clothing jogs down the stairs and runs out of the frame to the right. The woman on the right smiles as she looks at the man on the left, then leans her body to the left, slightly tilting her head to the right, revealing an even broader smile. Behind the woman, a woman in light clothing and a man with light hair pass from right to left. The woman turns her body to the right towards the camera, then leans to the left, looking at the bottom right corner of the screen, still smiling. In the top right corner of the background, a woman with a large skirt and a man in dark clothing walk from right to left. The camera pans backward with the couple in the foreground, placing the two conversing people in the center of the frame.


On the right side of the screen, a person is squatting down with their right knee on the ground, facing the camera. Their right hand is reaching towards a tool box in the lower middle of the screen and searching through it. Then, the right hand takes out a screwdriver from the tool box and raises it up. The camera follows the movement of the hand, panning upwards to the right of the screen. At this moment, the person is facing the camera, looking towards the corner of a piece of furniture on the right side of the screen. Their left hand is supporting this corner, while their right hand, holding the screwdriver, is screwing in a counterclockwise direction.


In the scene, there are many animals resembling ducks standing on the ice surface. Some are slowly walking towards the left or right side of the screen. Above is a blue sky with white clouds, and below is a horizontal ice surface with snow-covered ground. In the background, there are many trees. The camera slightly shakes and then zooms in, focusing on the animals. On the left side of the screen, a person wearing a blue and black top is partially visible.


There are five people in the picture. The girl standing on the far left has long golden hair and is facing the camera with a smile on her face. Her left hand is swung to her side, and then her eyes look to the right of the frame. The smile on her face disappears as she raises her left hand to point in the direction of the camera while speaking. Then, she lowers her left hand, turns her face to the right of the picture, takes a step back with her left leg, and supports herself with her right hand on the edge of the table on the left side of the frame. To the right, a man in a dark vest is standing towards the left of the picture, holding up a trophy with both hands as if he is speaking. The girl in the center-left of the frame, with long black hair, is holding onto the straps of her backpack with both hands, takes a step forward, facing right, and extends both hands towards the man in the dark blue vest. Then, she lowers her hands, and the man in the dark blue vest raises the trophy upwards, extending it towards the girl with black hair, who raises her left hand with her palm facing up. In the background, in the center, a boy bends towards the left of the picture, seemingly searching for something inside the table drawer. He then straightens up, takes a step forward, and places his hands in front of his body.


The scene is shot from a first-person perspective. At the right edge of the frame, a girl in blue is facing the camera, crouching down, and smiling. To the right of the frame, a girl in pink is crouching down, bending over, facing the right side of the frame with her hands on the ground, then looks at the camera. The camera pans to the left, revealing a little baby in pink clothes sitting on the left side of the frame. She is holding a blue toy in her right hand and looking at the camera, then pinches the blue toy with her left hand, turns her head towards the right side of the frame, and raises both hands above her head.


In the scene, two men can be seen. On the left side of the frame is a man wearing a yellow vest, and on the right side is a man dressed in gray. The two of them are talking to each other. The man in the yellow vest raises his left hand and places it over his chest, looking at the man in gray as he speaks. The man in gray nods his head while responding to the man in yellow. Then, the man in yellow moves his left hand away from his chest, stretching out five fingers with his palm facing the man in gray, and continues to speak.


The scene is animated. At the lower foreground of the screen, there are four birdlike creatures similar to pigeons in a yellowish-green cage, looking towards the center of the screen with their mouths opening and closing continuously, and slightly swaying their bodies. In the center of the background, a man wearing a yellow hat is bending over, facing the camera, looking down at the screen and speaking. He is holding a monkey in both hands. The monkey is also facing the camera, looking to the lower left of the screen. Then the man hands the monkey towards the camera, the monkey opens its mouth, and its hands are placed on the mesh. To the right of the background, there are buildings.


In the center of the screen is a person submerged in the water, quickly rising towards the top of the screen, while continuously expelling air from their mouth. The ripples in the water on the screen spread towards the upper right, and then the scene changes, with the camera focusing on the surface of the water, where the man emerges, lifting his right hand high above his head, with blurred pedestrians in the background. Sunlight shines diagonally from the upper left corner of the screen to the lower right corner.


In the scene, many police officers are facing the right side of the screen, looking up to the upper right corner of the screen. Some have their hands crossed over their chests, others have their hands crossed over their stomachs, and still others have their hands hanging naturally by their sides. Additionally, a police officer is walking from the left side of the screen to the middle of the scene.


On the left side of the screen, a man in white has his right side facing the camera, with his head turned to the right side of the frame, looking towards the bottom right corner of the screen. In the bottom right corner, a man in black is facing the camera directly, with his head tilted towards the right side of the frame. The man in white raises his right hand, pointing to the right side of the screen and quickly withdraws it, while the man in black extends his left hand towards the right side of the frame, simultaneously raising his right hand to chest level. The man in black, holding a bunch of scallions in his left hand, moves towards the left side of the screen, turning his body to the left, and his right hand also grabs the scallions. The man in white extends his right hand to the right side of the screen, grasping the bottom of the bunch of scallions. A man in gray takes out a scallion with his right hand and hands it to the man's left hand, then turns his head to the right side of the frame, and with the scallion in his right hand, turns towards the right side of the screen. The man in white holds the scallions with his left hand and takes a knife from the left side of the screen with his right hand, bowing his head and chopping back and forth. The man in black, while talking, takes out a green pepper with his right hand, turning his head and body towards the left side of the frame. The background is a white wall, on which some kitchen utensils are hanging.