Long shot, in the distance of the frame there are several white buildings. In the foreground near the white buildings, there is a patch of grass. Some pedestrians are walking from the right side of the frame to the left, between the grass and the buildings. A child is riding a bicycle, a woman is on a scooter, and some people are standing still. The camera pushes forward. Then the camera moves up to reveal two children playing with a balloon in the courtyard in front of the white buildings. The camera crosses over the second floor of the white buildings and arrives at the rooftop of the white buildings.


The camera shifts, focusing on a white car. A man in a black shirt walks sideways to the camera towards the right side of the frame, passing through it. The camera zooms in on the front of the car, and the shooter extends their left middle finger, swiping it from left to right across the gap between the car's hood and the front bumper, with the camera following the movement to the right.


On the right side of the screen, a woman in white wearing a white mask and goggles is facing the camera with her eyes closed, nods her head, then turns her head to the left side of the screen, nods twice, and then turns her head back to the camera, looking down at the bottom of the screen. The background is white.


On the left side of the screen is a woman wearing green clothes, and on the right side is a man wearing brown clothes. The woman in green is sitting upright with her legs straight on the bay window, facing the right side of the screen and looking to the left. The man in brown is sitting on the bay window, holding a pen in his right hand and facing the left side of the screen. The background of the scene is a window, with a snow-covered forest outside. In the lower left corner of the screen is the corner of a bed, and there are Christmas-style decorations on the upper left and right sides. A woman in red enters from the right side of the screen and walks towards the center of the scene. The woman in green bends her legs, turns to the left, and moves her legs from the bay window to the ground. At this moment, the woman in red turns to face the camera and looks to the left of the screen. Then she sits on the bay window, holding a glass bowl in her hand. The woman in green supports herself with her left hand on the seat and moves towards the center of the screen, closer to the woman in red. Then she raises her right hand upwards, using her index finger to point down at the glass bowl held by the woman in red. The woman in red moves the glass bowl to the right side of the screen, turning her head to the left. The man in brown leans forward, looking at the glass bowl.


At the top of the screen are the legs of two people; the person on the left is holding a skateboard and facing the camera. Then, the camera slowly moves upwards while the person on the left keeps spinning the skateboard. The person on the right touches their pocket for a moment. The man in the red clothes on the left has his left hand on the right shoulder of the woman in gray clothes on the right, both facing the camera. The woman in gray has her head turned towards the left side of the screen. The man in red looks to the left of the screen and then quickly turns back, and the woman in gray looks at the camera, slightly moving her right hand. The woman in gray slightly tilts her head back and then looks to the left of the screen, after which the man in red lowers his hand and also looks to the left. The woman in gray leans forward, and the man in red turns his head to face the camera directly. Finally, the woman in gray lowers her right hand from the skateboard, and the man in red raises his left hand to cover his eyes. The background is a blue sky with white clouds.


The camera pulls back to the left side of the screen, where a man is sitting. He raises his right hand, which then disappears from the bottom of the frame. His left hand raises and places on a metallic instrument in the center of the screen. He proceeds to turn a small part clockwise. His right hand extends with the index finger entering the frame, which is then placed on a large gear. Subsequently, his left hand goes to the left side of the metal tool, while his right hand grips the handle and turns the instrument to the right side of the screen. The palm of his right hand pushes the handle, after which both hands return to the gears. The camera pulls back further to reveal the man's face. His right hand continues to turn the large gear, then moves on to the small gear. The left hand leaves the tool, and then returns to the screen to turn the small gear, while the right hand turns the large gear. Both hands then lift away from the tool, and the left hand extends with the index finger pointing at the instrument.


In front of the lens, two men bend over with their hands on the table. There is a map on the table, and a bookshelf behind the two men. The man in the blue shirt is speaking to the man in black, who turns to look at him and then nods in confirmation. The man in the blue shirt leans back slightly and points to the map in front with his right finger.


In the far left of the screen, a woman in blue clothes is sitting on the arm of a sofa, facing the camera. On the left side of the screen, on the sofa, a plump woman is sitting facing the camera, holding a baby. She looks at the baby and talks while rocking back and forth. On the right side of the screen, a woman with a high ponytail is touching her chin with her left hand, looking towards the left side of the screen, and speaking with a smile.


In the left side of the screen, there is a man wearing a white short-sleeved shirt with his head turned towards the right side of the frame. On the right side of the screen, a man in a white dress shirt is holding the collar of the man in the white short-sleeve with his right hand, smiling, and then extends his left hand to cover his face. The man in the white short-sleeve turns his head towards the camera, revealing a smile.


A man is sitting facing left, talking, then bows his head and leans to the right, raising his right hand with the palm facing the camera. The man's gaze turns to the left, and immediately after, he lowers his right hand and continues to bow his head looking to the right. He then quickly looks up to the upper left corner before bowing his head again. The man subsequently raises his hand once more, then lowers it, and finally places both hands on his chest, smiling at the camera.


In the frame, a man is standing sideways to the camera, facing the left side of the screen. He turns his head counterclockwise to look in the direction of the camera. The camera gradually zooms out to reveal the man's full body. The man is sitting, leaning against a wooden object, dressed in white. On the back wall of the scene, there are photos hanging.


A group of people are facing the camera, standing close to one another. Some are clapping towards the camera, while others are waving to the lens. The camera then zooms out, revealing more people in the frame. Some are holding flags, and a portion of them are clapping.


The background of the scene is a meadow, and in the center of the frame is a bearded man wearing a grey short-sleeved shirt and a hat worn backwards. He is facing the camera, looking at an earthen ring in his hand. At this moment, with both hands, he is cleaning the dirt from the ring, talking while doing so, turning his head to the left, then quickly turning back.


A girl with her back to the camera, facing the upper left corner of the screen, is sitting with her knees hugged, both hands rubbing a golden ring. Then, with her left hand, she pinches the ring and turns towards the camera. The camera angle looks to the right side of the screen while speaking.


On the left side of the screen, a man in camouflage clothing is kneeling on the ground with his back to the camera, holding a strip of bullets in both hands. On the right side of the screen, another man in camouflage clothing and a hat is sitting on the ground with his back to the camera. He is holding a gun with both hands and shooting, with his arms and body trembling. The man on the left is holding the strip of bullets with his right hand, and with his left hand, he continuously passes the strip upwards towards the top of the screen. When he reaches the end of the strip, he releases his left hand, drops the bullets in his right hand, and then withdraws his hand.


In the center of the screen, a cucumber dressed in a firefighter's uniform carries a carrot out of the door. The camera then zooms in, showing a cucumber on the left walking towards the left side of the screen, while on the right, an orange dressed in a firefighter's uniform leads a strawberry walking towards the right side of the screen. The background of the scene is a building on fire. Then, they all stop and look up together.


The screen is filled with mostly white little ducks and a few black little ducks, with a slight shake of the camera, these little ducks are standing on black ground with water. Some of the little ducks stand still in place, while others turn their heads to look around, shake their heads, or flap their beaks. Some little ducks walk in different directions, weaving through the other little ducks. Some little ducks lower their heads to peck at different parts of their bodies, or peck at the water on the ground or other objects.


The video is bathed in red light, with a man in the center of the frame wearing a white tank top and a black mask covering his face. In his left hand, he holds a microphone with a black cord. Initially, his right hand is placed at his side, and his head and body rhythmically bob up and down. Then he raises his right hand, points to himself with his index finger, and lowers it. He briefly turns his head to the left and then back to the camera while momentarily moving the microphone away from his mouth and then back towards it. He then pats his chest with his right hand. At the left edge of the frame, there is a bald man wearing sunglasses, holding a microphone in his left hand and jumping along, while his right hand waves.


A man is taking a photo with his back to the camera, then he raises the lens and turns to the left, subsequently turns towards the camera direction, and walks towards the camera with his head bowed, with the camera positioned at chest level.


The center of the screen features a gray sports car with its rear facing the camera. On the right side of the screen, a hand enters and then leaves the frame. The shooter moves to the left, and the rear of the car moves from the right side of the screen.


Fixed camera close-up. The center of the screen is a close-up of a lighter's wheel. Then, the flame ignites, and the out-of-focus flame in front of the lens trembles slightly. In the end, the flame goes out.


The scene is a close-up of a woman's face facing the left side of the screen and looking down towards the bottom of the frame. The woman slightly closes her open mouth, and the camera pans down to the left. The woman then presses her lips together and opens them into an "O" shape. Subsequently, the camera pans to her right hand holding a chess piece suspended above a chessboard. The camera continues to pan down as the woman rotates the chess piece clockwise and then places it on the chessboard. After that, she releases her hand and moves it upwards towards the top edge of the screen.


Double-speed lens, the foreground on the far left of the screen is a towering minaret, and in the background, almost taking up the entire screen is a large yellow circular building. A man in blue stands with his back to the camera in the left foreground of the scene, initially photographing the building, then walking towards the arch of the background building. After entering, he turns and walks towards the right side of the screen, disappearing from view. Moments later, he reappears, walking towards the left foreground of the screen, and then vanishes again from the bottom left, near what seems to be stairs. In the bottom right corner, two people appear and walk towards the arch of the background building, entering the arch and then walking to the left side of the screen, turning around and walking to the right, and eventually disappearing from view. Subsequently, they reappear inside the arch, towards the middle right of the screen, exiting the building and walking to the left, moving outside the frame. Then, several men enter the scene one by one, walking from left to right or right to left, or sometimes turning to walk, and eventually, they all disappear from the screen.


In the scene, a woman with her back to the camera is holding a man who is facing the camera, smiling, and looking to the right of the frame. They are both standing on the beach, swaying together. The man is also embracing the woman, with his right hand on her waist and his left hand gently moving over her back as he bows his head. Then, the man looks up at the woman and places both hands on her sides. The woman extends her right hand and raises it slightly, turning her head to look at the man. They continue to sway together. The woman raises her right hand and places it on the man's left shoulder, while her left hand is raised high. The man releases his hold on the woman with both hands, spreads his arms to the sides, and smiles widely as he speaks. Then, they turn to the side, with the woman now on the left side of the frame, facing right, and the man in the center, facing left. They continue to sway together as the man talks to the woman, who bends and then straightens her left wrist.


The camera turns, revealing a blond little boy standing in the center of the frame, his back to the camera as he looks out the window at the scenery. Outside is the city street view filled with tall buildings. The camera moves forward, coming to the boy's head, and the boy looks up.


In the scene, a woman is sitting in a bathtub, taking a bath with her back to us. Her body is slightly turned towards the left side of the frame, her head turned to the right side of her body, and her left hand is reaching out of the water and placed on the edge of the bathtub.


In the scene, it is evident that the shot is taken from the side. In the center of the frame is a computer keyboard and the CPU. On the left side of the frame are a pair of hands. At the beginning of the scene, the right hand is holding a cone, and the right hand is holding down the spacebar of the keyboard. The right hand uses the cone to pry the spacebar upwards, while the left hand pulls the spacebar upwards. The right hand then taps underneath the spacebar with the tip of the cone, and taps again at the original position of the spacebar. The left hand aligns the spacebar with its original position, and the right hand taps a few more times above the spacebar.


In the frame, there is a man and a woman. The man is on the far left of the screen, and the woman is in the center. Both are facing the right side of the screen, looking at the woman inside the screen. The woman in the center of the frame, wearing orange clothes, nods towards the screen and then turns her head towards the camera to look at the man on the left side of the frame. On the right side of the screen, the woman inside the screen is also continuously moving her lips.


On the left side of the screen, a bald man wearing a white shirt faces the right side of the screen and takes a small step to the right. He is surrounded by many students, most of whom are looking towards the right side of the screen. The background of the scene is a classroom.


On the left side of the screen, a man in a white short-sleeved shirt has his hands behind his neck and is standing, facing right, talking. He then lowers his hands. In the center of the screen, two women are sitting on chairs talking. The woman slightly to the left in the center of the screen is sideways to the camera, facing right, and folding her hands. The woman slightly to the right in the center of the screen is facing the camera, her right hand flipping through a book on the desk, and she tosses her head back. On the right side of the screen, a man in a navy blue vest is standing, facing left, and walking towards the left side of the screen. The camera follows and moves to the left; the man in the white short-sleeved shirt raises his right hand to make a gesture to the man and then lowers it. The man in the navy blue vest prepares to turn towards the camera.


The camera moves down, and in the center of the frame is a dropped car door, with the side of the car in the background. The camera then moves around the rear of the car, facing the other side of the body, where the driver's side door is open. The camera then pans to the left around the man in the frame, who is crouching on the ground, leaning into the car, repairing it.


In the center of the screen, there is a man in white clothes looking ahead with his eyes, swinging his hands raised on both sides of his body as he walks towards the camera. He then takes two steps forward in a jump. On the left side of the screen, there is a man in black clothes looking towards the center of the frame, raising his right hand to wave his fingers, bending his body to the right, and then retracting his right hand.


In the center of the screen, a boat is heading to the right side of the frame, creating splashes, before disappearing off the right side of the screen. The camera moves forward, with rolling waves, and the upper part of the screen is a red and yellow sky, while the lower part is the sea. On the horizon at the center of the screen, there is a sun.


This is a set of accelerated shots where the camera looks down on a person applying paint to a painting. A left hand holding a patterned plastic sheet moves out of the frame towards the bottom left corner, while the right hand holding a brush moves towards the left side of the painting, dipping it into the white paint in the can on the left side of the frame, and then tapping it on the desktop. The left hand then enters the frame from the bottom with the plastic sheet, covering the lower part of the painting, as the right hand spreads the paint on the plastic sheet. The left hand moves towards the right side of the painting, covering the area near the right side of the canvas, while the right hand applies white paint to the plastic sheet. The left hand then moves the plastic sheet upwards, and the right hand moves the brush up and down to apply the paint, then the left hand moves the plastic sheet up again, and the right hand continues to brush the paint up and down on the plastic sheet. The right hand then moves towards the left side of the painting, dipping the brush into the white paint on the desktop, and continues to brush the paint on the plastic sheet. Both hands then leave the frame from either side, with the right hand moving from the bottom towards the left side of the painting, dipping into the paint in the jar in the bottom left corner. The left hand, holding the plastic sheet, enters the frame from the lower left, and both hands move towards the top right corner of the painting, covering the area near the top right with the plastic sheet. The right hand then brushes the paint once more, the left hand raises towards the camera, and the right hand leaves the frame from the right side.


The video is shot from a top-down perspective. At the center of the screen, a left hand is gripping an electric toy car in the lower center of the frame, then moves towards the bottom left corner of the screen and leaves the frame. In the upper right corner of the screen are a person's lower legs.


On the right side of the screen, a man wearing a white top and black pants is facing to the left of the frame, with his right arm stretched forward, pointing to the left side of the screen. His left arm swings naturally as he runs forward. He then turns his head towards the camera before turning it back again. Following this, he retracts his right arm and takes an item from his left hand with his right hand, slows down his pace, and continues to move towards the left side of the screen. During the video recording, the camera continuously moves to the left. In the background, there is a grey wall, and further back are buildings in grey and white.


The flag is seen in the center of the screen, fluttering towards the left as it moves with the wind. Then, the camera moves upwards in the frame, and as the scene changes, the flag disappears. The camera then rotates counterclockwise towards the right side of the screen.


On the right side of the screen, you can see a person's hands dealing with a lot of slime in the background of the image. The slime comes in green, purple, pink, and blue. Both hands are holding the green slime, pulling it upwards in the screen, and then the hands press the green slime against a wall in the background, on top of the purple slime. The hands also use their fingers to poke at the pile of slime a few times.


The video footage is shot from a top-down perspective. In the center of the screen is a table filled with upside-down red cups. At the bottom of the screen, a cup is being grasped by a hand, and in the upper right corner, another cup is also being held by a hand. Both cups are lifted up simultaneously. Beneath the red cup that is picked up in the upper right corner, there is a green canned object, and a hand reaches out from the top of the screen to grasp the green canned item.


The man on the left side of the screen is facing the camera, looking towards the center of the frame and speaking. While speaking, he slightly shakes his head and suddenly raises his right hand upwards, dropping it quickly to his chest level. His shoulders slightly rise and fall. The background is a white window.


In the center of the screen, there is a man wearing a wig looking to the left side of the screen, speaking solemnly to the left. He then uses his right hand to flick his hair. On the far left side of the screen, there is a girl with yellow hair who looks to the right at the man in the center, engaging in a conversation with him. Afterward, the man responds to her and turns to face the camera. He then looks back to the left side of the screen. The woman on the left side of the screen keeps looking at the man the whole time. The background of the scene is a wall adorned with photographs.


The entire screen is divided into two halves, left and right. On the left screen, a man in a blue shirt is sitting and continuously talking to the camera. On the right screen, a man in white clothes with a blue target on his right hand hits an object on the left side of the back screen. Then the camera switches to a man in black clothes on the left side of the frame, with his hands ready to strike in front of his chest. The camera switches again, showing the man in black on the left side of the screen and the man in white on the right side. The man in black advances and kicks the blue target tied to the right hand of the white-clothed man. After the kick, he steps back two steps, and when he extends his leg again, the camera switches once more, showing him kicking the blue target on the right hand of the man in white. He then switches to his fists, advancing and continuously punching the abdomen of the man in white.


On the left side of the screen is a man wearing a black shirt looking towards the right side of the frame. Behind his left is a woman in a black shirt also looking towards the right side of the frame. The woman in black is holding a iron rod in her hand, with a piece of meat skewered on it, pointing towards the right side of the screen. On the right side of the frame are two leopards standing behind a wire fence. The leopard on the far right is moving out of the frame from the bottom, while the one on the right is eating the meat on the rod. The camera then zooms in on the people on the left side of the frame. In the background on the left side, there is a woman in white clothes, smiling and looking towards the right side of the screen.


In the center of the screen, slightly to the left, there is a man in white riding a donkey. His left hand holds the reins, and his right hand wields a stick, which he uses to strike the donkey from behind as he walks towards the right side of the screen, glancing at the camera with his eyes. The scene then cuts, and on the left side of the screen, the same man is seen riding the donkey, heading towards the center of the camera, his body bouncing and his head swaying from side to side. He then turns his head to glance to the right of the screen, takes a few steps, and stops, looking down to the left of the screen. He turns his head to look to the right of the screen once more. He then dismounts from the donkey and stands to the right of the center of the screen. With his right hand holding the stick placed on the saddle, he looks at the donkey's head on the left side of the screen, talking as he twice turns his head to the right and then back, before breaking into a smile and nodding. He then removes his right hand from the saddle, transfers the donkey's reins to his right hand from his left, and prepares to lead the donkey to the right side of the screen.


In the center of the scene, two people are lying in the snow, kissing. On the left side of the frame, a man dressed in a brown shirt is lying on his side with his left leg bent, his head extending towards the right side of the picture, his left hand supporting the ground, and his right hand on the waist of the woman on the right side of the frame. The woman on the right is wearing a black shirt, her left hand supporting the man's arm on the left side of the picture, and her right hand on the ground. After kissing, the man slightly lifts his head and body, and the two smile at each other. The camera slowly moves down, with snowflakes floating down towards the bottom of the frame.


A child stands in the center of the frame, pushing a small cart in front of them towards the camera's direction. Then, the boy turns to the right side of the frame. After the lens blurs, it quickly refocuses, and then zooms in on the child. The child turns to the right side of the frame again, sticks out their tongue, and smiles. The camera continues to zoom in on the child.


In the frame, a man in white clothes is seen sideways turning to the right of the screen, facing the camera and looking down at a table to his lower right. While typing on the keyboard, which is placed on the table in front of him, just right of the lower edge of the frame, he lifts his head to look at the computer screen on the table to his right and says something before bowing his head down again. The camera moves down to the left, and the man in white turns his head towards the camera, reaching his right hand out to a cup placed in the center-right of the frame below and looks at it. At the same time, he glances at the computer screen and then back at the cup. The camera moves up to the right, and the man in white looks back at the computer screen, picks up the cup, brings it to his mouth, and tilts his head back to drink water with his eyes closed. To the right of the frame, a man in yellow clothes is holding a notebook with his left hand and passes it to an outstretched left hand on the left side of the frame. The man in yellow then sits down and exits the frame from the right. The left hand that received the notebook leaves the frame from the left. Meanwhile, the man in white bows his head, opens his eyes, looks at the cup in his hand, and places it on the table in the lower right part of the frame. He then turns his head to glance at the left side of the frame before looking back at the computer screen and placing his right hand on the keyboard. He bows his head to type, licks his lips, and lifts his head again to look at the computer screen.


The man in the picture is wearing an orange shirt and orange sunglasses, speaking to the camera. His hands are palm-down with fingers crossed over his chest, and his left thumb occasionally pops up. As he keeps talking, his head keeps shaking. Subtitles appear at the bottom right of the screen: ERIC ROBERTS, actor, the best of the best.


The camera slightly shakes, on the golf course, a man wearing a blue baseball cap turns his body towards the right side of the screen, both hands raised holding a golf club, his head slightly lifted looking towards the upper right of the frame, then he takes a step back to the left side of the screen, lowering the golf club with both hands.


In the scene, a first-person perspective captures a row of photography equipment. A man wearing a black cap enters the frame from the left side and moves towards the right-rear of the scene. He looks down at the camera equipment close to the lens. Another man in black, at the left-rear of the frame, moves to the right with his back to the camera and eventually disappears off the left side of the frame. The camera turns to the right, revealing a blond woman in black clothing, who appears from the right side of the scene.


The shooter walks forward, approaches a door, pushes it open and enters the room. Then, they turn to the left, and a lit desk lamp appears in the frame. The camera then lifts up, revealing another lit lamp in the scene, with an open blind on the left side of the frame. The camera turns to the right, and the interior of the room comes into view. In the center of the frame, there is an open door connecting to another room. To the left of the frame, there is a green sofa. The shooter then steps back slightly, and the camera turns to the right, then lifts up, revealing a black television in the center of the frame.


The camera shakes, and at the center of the frame is a woman wearing a white short-sleeved shirt and a red apron. She bends over to grasp the lid standing to the right of the center of the frame and presses it down onto the box. Her hands then slide on the lid. The camera moves backward.


On the left side of the screen is a woman wearing a blue top and dark blue pants, with a scarf around her neck and a white hat on her head, leaning against the wall and facing the camera. In the center of the screen is a woman in a patterned shirt and skirt with a hat on, looking towards the lower right corner of the frame. The camera slightly sways to the right side of the screen, where a black person in blue clothing is seen walking towards the woman in the center of the frame with their back to the camera. Then, the woman in the center turns her head and walks out towards the door on the right side of the screen, followed by the black person who also walks out through the door on the right side of the frame.


At the bottom of the screen is a highway, with many cars quickly driving towards the foreground of the screen. On the left side of the close-up, many vehicles also rush out, heading towards the foreground of the screen. The camera pans to the right, where a darker colored highway is seen. Finally, the camera quickly turns right, moves forward for a bit, and then swiftly shifts to the right. In the center of the screen is an orange sky with clouds.


In the top right corner of the screen, a man in jeans is crouching, holding a rope in his right hand. Finally, with his left hand, he starts to pull the rope, and his right hand tugs the right side of the screen, also releasing the grip.


A woman in formal attire appears in the video, speaking to a black woman, then she extends both hands, pinching her thumbs and index fingers together to make an opening gesture outward, accompanied by a slight forward lean of her body and animated eyebrow movements. Following this, she raises her hands, still pinching her thumbs and index fingers, and swipes them under her chin, making an exaggerated expression.


This is a video taken in the garden, with two black buckets in the center of the frame, wrapped in a pair of pants covered in mud. In the background, there are many flowers and plants. The person filming is exerting effort to stuff the black buckets into the legs of the pants. You can see the filmer holding the edge of the black bucket with their left hand, while the right hand lifts the pants up, pushing the bucket into the pants. Then, the right hand reaches into the bucket, pressing it down forcefully, successfully inserting the black bucket into the leg of the pants. Following this, the filmer adjusts the position of the two buckets in the legs of the pants and lifts the waistband of the pants with their right hand.


In the center of the screen, there is a boy in a school uniform facing the camera, with his body turned towards the right side of the screen. At the left edge of the screen, there is a girl facing the right side of the screen. To the left, there is a girl in a school uniform facing the right side of the screen, and to the right, there is a boy in a school uniform vest facing left, smiling. The boy in the center of the screen turns to face the right and speaks, raising his right hand to wave towards the right side of the screen before bringing it back down. He then tilts his head to the left, stretching his right hand towards the bottom right corner of the screen. He then turns to face the camera, raises his right hand above the screen, lowers it, turns to face the right side of the screen again, tilts his head back, raises his right hand once more, and finally lowers his right hand, grinning towards the right side of the screen. The boy in the vest on the right side of the screen raises both hands and grins towards the left at this moment. The girl at the left edge of the screen also raises her left hand and stretches her right hand from the left edge to the right, then extends her left finger to point towards the center of the screen.


A man stands in the center of the frame, with his hands on the outer edge of the box in front of his body, moving from the sides of the box towards the front. Then, his left hand presses down on the box, while his right hand opens towards the left side of the frame and overlaps with the left hand. Both hands then separate and are placed on the box. Subsequently, both hands open from the front of the box to the sides, circling back to the front of the body. The right hand reaches out and is placed on the front side of the box, repeating the movement towards the front. Then, both hands open from the front of the box to the sides, circling back to the front of the body. Next, both hands are placed on the two corners of the box in front of the body. The man then lifts the box by turning it counterclockwise, with the top of the box facing the camera. The left hand quickly waves in front of the box and then returns to the right side of the box, moving up and down.


The camera shoots from above, with a small dog facing directly into the lens at the center of the screen. The camera moves forward and to the left, and a hand holding the black clothes that the dog is wearing appears on the left side of the screen, at which point the dog's head is turned towards the right side of the frame. The camera pulls back, and the dog moves to the upper left corner of the screen. Then, the camera quickly moves forward, positioning the dog at the top center of the screen, while the hand holding the dog's black clothes on the left side of the screen moves upwards and exits the frame. Finally, the hand appears in the upper left corner and moves down, eventually moving out of the screen.


On the left side of the screen is a man wearing a black short-sleeved shirt, with his hands crossed over his chest, sitting in the passenger seat, tilting his head back, then bowing it down, and speaking while tilting his head back. On the right side of the screen is a man wearing a black vest in the driver's seat, with his left hand on the steering wheel, looking towards the left side of the screen while speaking, then turning to face the man on the left side of the screen, and subsequently looking to the right side of the screen.


The scene is a close-up shot of the hands; the left hand holds the fabric, while the right hand holds the needle, hooking it to the right side of the frame. The right index finger then retracts to rest on the handle of the needle, after which the needle tip continuously wraps around the coil at the center of the screen.


The screen shows a dark body of water, with a black net in the top right corner and part of the boat visible in the bottom right. The camera moves to the left side of the screen, where there is a fishing line extending from the top right to the bottom left of the frame. At the top of the screen, a fish has bitten the line and is struggling continuously, splashing water everywhere. Then, a net appears from the bottom right, extending towards the top left of the screen. It first pulls to the bottom right, then the fish is netted and struggles violently. The net moves towards the right side of the screen, and the camera also shifts to the right.


On the left side of the screen, a sailboat floats at the shore with splashing waves. The background features a blue sky, white clouds, green trees, and lush green grass. In the upper left corner, a flag and the sail flutter in the wind. Below the flag, a woman in white stands on a lookout platform, facing the camera directly, with her left hand gripping the flagpole and her right hand holding a telescope as she turns her head to look towards the left side of the screen. She then turns around to face away from the camera, her head turning towards the right side of the screen while still holding the telescope. Meanwhile, the fishing hook and line at the front of the sailboat are shot towards the lower right corner of the screen into the water, causing a splash.


In the scene, a man wearing a gray hat is holding a little boy in his arms, with his body facing towards the right side of the frame. The camera slightly tilts upwards, as the man turns his head towards the camera, talking, and then looks to the right side of the frame. The little boy lifts his head to look around, and the man bends his head down as the camera moves downwards.


On the left side of the screen, a bare-chested man in red shorts stands facing the camera. On the right side, another bare-chested man in black shorts stands sideways to the camera, facing left, and extends his left arm while quickly raising his left leg to kick the face of the man in red shorts. The man in red shorts, after being kicked, turns counterclockwise to stand sideways to the camera, facing right. The man in black shorts swings his arms and turns clockwise before quickly raising his right leg to kick the face of the man in red shorts while facing the camera. In the background, there are many seated audience members facing the camera, some of whom are cheering. The scene then switches to slow motion, now showing the front of the man in red shorts, who is located on the left side of the screen and falling towards the lower left. Behind him, the man in black shorts stands facing the camera on the left side of the screen, with his hands on his hips, legs apart, and looking at the man in red shorts. In the background, there are several referees sitting at the judging table, facing the camera. The camera then switches to another slow-motion scene where the man in black shorts, on the right side of the screen, raises his arms and jumps up, rotating his body clockwise and lifting his right leg. At this moment, a man in red shorts with a black belt stands facing the camera on the right side of the screen. The camera then cuts to a front view of the man in black shorts, who is in the lower right-center of the screen, lifting both arms in the air and raising his right leg to kick towards the left-bottom direction at a man in red shorts with a black belt, who has his back to the camera.


The video is shot from a first-person perspective, angling from the back seat towards the passenger seat on the right side of the frame. The male on the right side of the screen takes out an identification card, points at something on it while speaking, then turns his head towards the camera briefly, before continuing to talk.


The focus of the scene is a man wearing a black leather jacket and a black hoodie. He can be seen from the side. He is walking from the left side of the screen to the right side. The camera follows his movement with a smooth pan to the right, keeping him in the middle of the frame. In the foreground, many people can be seen going about their own business. There is an elderly woman in blue clothing with golden hair, who is looking up with her right hand raised to shield the sun; and an elderly man in dark green clothing with white hair looking upwards, his left hand at his mouth as he speaks to the woman in front of him who is turned away from the camera. The man in the focus of the scene walks slowly, occasionally turning his head towards the camera, looking upwards at something unknown in the frame.


The camera pans to the left side of the screen and pulls out to the lower left corner. The woman in the center of the frame raises both hands with palms up to the level of her chest, takes a deep breath, blinks quickly, then flips her hands over with palms facing down and lowers them. At the same time, she opens her mouth to exhale. The camera follows the movement of her descending hands downward.


In the right side of the screen, a pair of hands opens a bag on the table, then places a conical object from inside the bag onto the table, and the hands withdraw. The woman in the center of the screen watches the process of the conical object being taken out, and then her hands slightly lift up.


On the left side of the screen, a woman stands sideways to the camera, facing the right side of the frame. She holds a blue basin in her right hand, which contains green vegetables. She looks to the right side of the screen and speaks, while her left hand waves a green leaf. She flings the green leaf towards the man on the right side of the frame. On the right side, the man stands sideways to the camera, facing the left side of the frame, engaged in conversation with the woman on the left. When the woman waves the green leaf at him, he turns his head counterclockwise and laughs heartily towards the camera. In the background, a man in red stands sideways to the camera, facing the left side of the frame, with his head turned towards the camera. A woman in white and a woman in black walk a few steps forward with their backs to the camera and then turn their heads counterclockwise to look towards the camera.


In the foreground on the right side of the screen, a woman in a blue plaid shirt is sideways to the camera with her body facing towards the left of the screen. In the background on the left, a woman in a spotted shirt is facing the camera directly. The woman in the blue plaid shirt raises her right hand to sign in sign language, while the woman in the spotted shirt uses both hands to sign and then places them on her chest, overlapping. The woman in the blue plaid shirt continues to sign and raises her left hand to sign along with her right hand. Then, she stops using her left hand and continues to sign with her right hand only. The camera slowly zooms in, and the woman in the spotted shirt raises her right hand to sign in sign language.


The protagonist raises his right hand to flick the sword towards the left side of the screen, then makes a counterclockwise circle motion on the left side of the screen. He follows by swinging it to the right side of the screen, and raises his left hand to point to the top right corner of the screen. Lifting his right hand, with the sword point facing down, the camera zooms in and pans down. After this, the protagonist retrieves both hands to the side of his body, then extends them again in the previous direction, with his left hand stretching out the index and middle fingers. He then retracts his left hand, and with his right hand, he makes a circular motion towards the right side of the screen before extending it horizontally towards the camera. He raises his left hand again, extending the index and middle fingers.


The man in the center of the screen looks down at the ground, then walks towards the camera. He glances up at the lens and then raises his head, before smiling and walking towards the right side of the screen, disappearing from view, as the camera blurs accordingly.


A woman stands to the right of the frame. The camera moves up, showing the woman holding a bottle in her left hand and a test tube in her right. Her right hand raises from a container at the bottom of the frame, taking liquid from the bottle in her left hand and dripping it into the container at the bottom of the frame. The action is repeated as the woman speaks simultaneously, occasionally looking up at the camera. She then uses her right hand to twist the cap of the bottle in her left hand and places it on the platform in the center of the frame. Next, she extends her right hand to pick up a sandglass-shaped tool on the left side of the frame and passes it to her left hand. With her right hand, she picks up an oval tool. After the tools in both hands are put together, she rotates the oval tool counterclockwise with her right hand.


In the scene, there are three people, presumably a mother and her two children. At the center of the picture is a mother wearing blue and white vertical stripes, with her body facing the camera. There seems to be some cream on her nose as she smiles towards the child on the right side of the frame. On the right side of the picture is a little girl dressed in blue and white horizontal stripes, also facing the camera, with both fists clenched and laughing as she turns her head towards her mother on the left. On the far left of the picture is a little boy wearing a white T-shirt, who supports his right arm on the table in front of him, his body turned to the side with his head tilted as he looks at his mother. The woman in the middle smiles and turns her head to face the camera, looking down at her hands with her palms up. Then she turns her head towards the little boy on the left side of the frame, at which point the boy tilts his head even more, with the top of his head now facing the camera. At this moment, the woman brings her palms together and suddenly starts to make a hideous face, then blows air towards the boy's face, and breaks into a smile. The boy also gradually straightens his body.


In the scene, a woman in a white top holds a fishing rod and stands by the river. In the background of the image, a row of large trees can be seen on the opposite bank. The woman then casts the fishing rod out onto the river surface, and the camera slowly moves to the left, capturing the side of the woman's face.


A fixed medium shot. In the center of the frame, a man first looks down, moves his right arm, and then looks in the direction of the camera. After opening his mouth a few times in a flustered manner, the man moves upwards in the frame while the camera simultaneously zooms out.


The video was shot by a person holding the camera. The first thing that appears in the frame is a white sedan slowly driving through an open-air parking lot, with a male driver wearing a black shirt. The sedan drives from the right side of the screen to the left, then makes a right turn with its back to the camera. As the car is about to complete the right turn, three people appear on the left side of the frame. The person on the far right is wearing a black shirt, blue jeans, and black sunglasses, and is gesturing with their left hand towards the white car while talking to the two people on their left. From the shadows on the ground, it can be seen that the shooter is walking forward while holding the camera, and moves the lens to the right, revealing parked cars in the parking lot as well as buildings, trees, and utility poles in the distance.


The scene shows a top-down shot, with a little boy in a black short-sleeved shirt on the right side of the frame. His body is turned sideways to the camera, and he is facing the left side of the screen, reaching for an item on the shelf. He stretches out his right hand to a yellow box, and then his left hand also comes out to assist him. In the end, both hands leave the shelf and are placed in front of his body.


On the left side of the screen, a man in a black coat is sitting facing the camera, looking to the left of the frame. Suddenly, he turns his head slightly to the right of the screen, raises his left hand to chest level, palm facing himself, and then drops it outward and downward. Next, he looks to the left of the frame, extends his left hand to his chest, palm still facing himself, and drops it outward and downward again. Then, he looks to the right of the screen, extends his left hand, and moves his palm facing himself back and forth several times, looking to the far right of the frame. The background is a white cupboard filled with various items.


Two people are walking towards the distance of the lens on the field after snowfall, and a small animal overtakes the two, running towards the distant lens. The camera centers on the two people in the frame, moving forward with them while rotating counterclockwise.


In the center of the screen, a book lies open with its top facing towards the left side of the frame, placed on a yellow spotted surface. In the upper left corner, an infant's left hand reaches out towards the book. In the lower left corner, a left hand holding a white piece of paper is placed on the corner of the book. On the right side, a child's right hand extends an index finger, palm facing upwards, resting on the book. Following this, the infant's left hand presses on the top edge of the book, while the child's right hand waves downwards towards the bottom of the frame and then exits from the upper right corner of the view. Then, the child's right hand re-enters the frame as the infant's left hand withdraws from the upper left corner. Subsequently, the book is gently lifted three times. Finally, the child's right hand rests on the book while simultaneously extending the left hand to press down on the other side of the book.


The camera moves forward to focus on a stingray on the surface of the seabed covered with seaweed, then the camera rises to capture an overhead shot of the stingray, with its head towards the upper right of the screen and its tail extending to the lower left. Then, its pectoral fins flutter like the edge of a lotus leaf as it turns counterclockwise. The camera lifts, and at the top right edge of the frame, another stingray swims towards the camera and to the left of the screen. The camera rises and moves to the left, revealing the bottom of a boat in the foreground at the top of the frame. The stingray swimming over turns towards the right and stops in the middle left lower part of the underwater scene, while the stingray that has been at the bottom turns its head upwards. The camera moves back slightly and shakes, as the two stingrays flap their pectoral fins.


The man on the right side of the screen is standing facing the camera with his hands in front of his body, looking at the lens while speaking. He then turns to face the left side of the screen, looking and speaking towards the left, slightly moving to the left. He raises his right hand to make gestures while speaking, with his head slightly swaying. In the background, some passersby are walking around. The person in front of the camera is facing away from the lens, only revealing part of their head.


The scene is a yellow-green paddy field, with a person standing on a boat to the right of the frame, facing the camera and holding a long pole with both hands, which they use to paddle the boat in the water. First, they push the pole towards the upper left corner of the frame, behind the boat's stern, causing the boat to move towards the lower right of the frame. Then they lift the pole and place it into the water on the other side of the boat. The camera first pans to the right and then moves upwards. The person again pushes the pole towards the upper left corner of the frame, behind the boat's stern, and the boat moves towards the lower right. Then they lift the pole and move it to the right side of the frame before dipping it back into the water to paddle once more. The bow of the boat turns towards the camera. The camera gradually zooms out, and a drone flies into the frame on the right and slowly moves to the left, then rises and leaves the frame from the top. Meanwhile, the person on the boat picks up the pole again and places it into the water on the other side of the boat to paddle. The camera pans slightly to the left and then down a bit. The person on the boat uses the pole to paddle towards the left side of the frame, causing the boat to move to the right. The camera pans to the right, then up a little, and then pans right again. The person on the boat continues to paddle towards the left side of the frame, and the boat keeps moving to the right. Then they switch the pole to the other side of the boat and continue to paddle towards the left, as the boat moves further to the right, and the camera pans to the right once more.


On the left side of the screen, a man in a dark top is sitting, facing the camera with his head tilted to the right side of the frame. He furrows his brow and bows his head, using both hands to remove his black glasses, then looks up to the right side of the screen. He then covers his face with both hands, running his fingers across his nose bridge with a hint of a smile. Next, he supports his face with his left hand while his right hand extends with the index finger pointing upwards, slightly raising his eyebrows. He then turns his head to the left side of the screen, facing the camera, his gaze looking to the left side of the frame, with both hands supporting his face. In the upper left corner of the screen and on the right side, parts of people are visible. The setting is indoors, and there is a panda doll in the upper right corner of the screen.


A person is walking on the green grass, wearing black striped pants that are tightly pressed against his legs by the wind. He slowly lifts his legs and walks forward. In the background of the scene, a cow can be seen lowering its head to graze.


In the new scene, there is a person with brown curly hair, wearing a black and white top, facing the camera, looking to the left of the lens with their eyes, talking while doing so, and then moving their head to the right by a certain distance. Then, the camera zooms in on the man's face, and the man first bows his head to speak, then looks up and to the left of the lens.


In the scene, a man can be seen facing the camera, standing behind a white table. His hands are busy arranging green objects inside a white box on the table. He gently presses down the edges of the green objects. Then, he places both hands on the edge of the white box and lifts it up at an angle to the camera. His left hand releases the edge of the white box and reaches for two green objects placed inside, which seem to be inflated. His hand moves between the two green objects and finally rests on a semi-transparent jar in the middle of the box. After adjusting the position of the jar, his left hand leaves the box and moves around it. Finally, the left hand goes back into the box, adjusts the position of the semi-transparent jar in the middle, and presses the green objects on both sides. After arranging the contents of the box, he sets the box down flat on the table, his hands leaving the edge of the box, and he picks up a transparent protective film from the back of the box, ready to cover it on top.


The video is shot with a handheld camera. In the frame, there are two rows of clothes hanging on a grey rack. The camera quickly moves down, causing the clothes hanging on the top row to exit the frame from the top. On the left side of the frame, there is a row of pink tops hanging on the rack; in the center of the frame, there is a row of green tops; and on the right side of the frame, there are pants of different colors. Then, the camera slightly rotates to the left of the frame, followed by a rotation to the right.


The man stands on the left side of the frame, and the woman stands on the right side. The man speaks to the camera, then turns his head to look at the woman, who looks down and smiles. She then turns around to face away from the lens before turning towards the left side of the frame, while the man's head turns in the direction of the camera.


The scene is a wide-angle shot of a grassy slope, with a small path extending from the upper left of the frame to the lower right. The camera continuously zooms in, revealing two people riding horses, one after the other, galloping towards the right side of the frame.


This is a top-down shot of a green lawn covered with small white flowers, with a large circular mirror placed in the middle-left of the frame. The camera slowly zooms in, and on the left side of the frame, a character in a red skirt is swaying with the wind. Her fair left hand slowly spreads open on the mirror, gently tapping the surface towards the right and upper part of the frame, reflecting the green grass and her movements.


On-board demoted lens. The car with the lens is driving on a winding mountain road, with cars continuously driving towards the lens from the opposite lane on the left side of the screen. The car with the lens is traveling in the fast lane and successively overtakes a black sedan and a white truck.


The video shows the shooter holding a camera for filming. In the center of the frame, there is a woman wearing a black top. Next to her head lies a small golden dog. At first, the woman looks towards the camera. The dog is lying on its side on the left side of the frame, then the woman says something to the camera, followed by kissing the dog's body, and then looks back at the camera and says something else, and also pats the dog with her right hand. Afterwards, the woman gets up and looks towards the bottom left corner of the frame. The background of the scene is a blue wall.


A woman is facing to the right of the screen, sitting backwards on a chair, looking down at the bottom of the screen with her elbows resting on the back of the chair. She then overlaps her hands and bends her arms upwards. She turns her head to look to the left of the screen, and then raises her head to the right, looking into the camera. Next, she places her palms facing each other, crosses her fingers, and rotates her wrists to the left of the screen. After that, her right hand moves downward, pressing against the palm of her left hand.


On the right side of the screen, a male whose face is not shown has his right hand on his chest and his left hand holding a mobile phone, then he turns his body away from the camera's direction. The background of the scene is a supermarket checkout counter, with a cash register in the center of the screen, and some candies on the left side of the screen.


On the left side of the screen, there is a man crouching with his back to the camera. He uses both hands to fix a tower-like device under the car body in the background of the scene. Then, he turns his head towards the camera and raises his head to speak, before turning his head back to face away from the camera. He extends his right hand towards the center of the screen, palm facing upwards, and makes a lifting motion twice towards the car body. He then turns his head towards the lower right of the screen, withdraws his hand, and turns his head back to face away from the camera again. Finally, the man stands up and exits the frame from the left side.


In the scene is a man and a woman; on the left side is a man wearing a brown shirt. His eyes are staring straight at the woman on the right. The woman on the right has long golden hair and is dressed in black. The woman is smiling happily with her hands folded in front of her, her eyes looking to the left side of the screen. Then she turns her head to look at the man in front of her, and this man is now smiling broadly, his gaze fixed on the blond woman. His right hand slowly raises up and touches the blond woman's face, and in return, the blond woman's right hand also raises up to rest on the neck of the man in the brown shirt. The camera suddenly changes angle, focusing on their profiles as their faces slowly move closer together, their mouths meeting in a smiling kiss. Their bodies slowly move, but their mouths do not part from each other. The camera slowly pans to the left, towards the back of the man's head, continuing to focus on their kissing action.


Animation clip. In the center of the screen, an alien figure is lying on a recliner, facing to the side of the screen, continuously swinging his feet. Then, on the right side of the screen, another alien figure appears, says something to the camera, takes a step back away from the camera, and points at the camera with both hands. Finally, the alien figure punches forward with the right hand towards the camera, then drops both hands.


The center of the flowered face is an old man wearing a white shirt, with white hair and a white beard. His head is tilted to the right, but he is looking to the left as if saying something. There is a slight tremor in his head. The camera slowly zooms in on his face.


In the scene, a person's right hand is gently resting on the wire mesh, continuously moving towards the left side of the frame, and the camera is panning to the left along with the person's movement.


In the scene, on a fighting stage, a man with long hair and a man with short hair are fighting. The camera follows the two men as they move, shooting from a high angle and then a straight angle. The man with long hair does a backflip facing to the right of the screen, while the man with short hair does a backflip facing to the left of the screen. Then, the man with long hair tries to strike the man with short hair with his right knee, but the short-haired man blocks with both hands and steps back a few paces. He then does a counter-clockwise spin and tries to hit the long-haired man with his left leg. The long-haired man supports himself with his right hand on the ground and does a side flip to dodge. The man with short hair follows up with a right leg sweep, hitting the long-haired man in the face. The long-haired man stumbles towards the direction of the camera. The scene cuts to a man with short hair sitting down, his right hand touching his chin, head tilted to the left side of the screen, looking on.


The image shows a production line for making buns. At the far left of the image, there is a hand wearing transparent gloves. The machine produces buns one by one, and the conveyor belt rhythmically moves forward, transporting the buns. The hand on the left side of the image takes away the bun at the end with the rhythm of the conveyor belt.


The man in the center of the screen supports himself with both hands on the ground, his right leg bent upward, with his right foot placed flat on the grass. He looks to the right of the scene, then lifts his hands from the ground, slowly rising from a crouching position to stand up with both legs and his upper body. Still slightly bent at the back, the pendant around his neck swings back and forth in the direction of the man. The upper part of his body slightly heaves as he starts to breathe heavily.


In the scene, a blonde woman wearing a purple top and a yellow skirt is walking from left to right, sideways to the camera. The camera follows her movement until she approaches a man in a white shirt standing next to a white horse, facing to the right. The woman extends her right hand to pat the man's right shoulder and says something. The man, who is arranging items on the horse's back, sighs and then speaks. He glances at the woman before continuing to sort things out, then turns clockwise to face the camera directly and turns his head towards the woman. The woman also turns clockwise, points to the left with her right hand, and speaks. The man occasionally raises his right hand to respond while speaking. Then, the man turns to the horse, grabs the reins, and starts walking towards the camera, with the woman following him. The camera pans to follow the movement of the two. The man turns around to look at the woman and speaks, while the woman faces the camera, looks at the man, replies, and then turns to walk to the left. The man looks back and takes two steps to the left, then stops and looks into the distance. The horse moves, and the man bows his head before continuing to walk to the left. In the end, he leads the horse out of the frame from the left side.


In the frame, there is a man with his upper body naked walking from right to left. He walks with his head down to a blue gaming chair, looking at something in his hand with a smile on his face. With his right hand, he pours out the contents of his hand, while his left hand is waiting underneath. Several white items fall into his left hand. Then, he raises his head to look at the camera, suddenly stretching both hands forward, leaving a trail of afterimages with his body.


On the left side of the screen, one person is wearing a navy suit, and on the right side, another person is wearing a black suit. Both are sitting at a table, which has charts and a computer on it. The person in the black suit is pulling back their left hand to the right side of the screen and then gripping their right arm. The person in the navy suit moves their left hand towards the camera, placing it on the chart, and then moves it again towards the camera, pointing with the index and middle fingers at a spot on the chart. They then retract their left hand to the edge of the table, shift their body towards the right side of the screen, move it back to the left, and then move their left hand towards the camera again, placing the index, middle, and ring fingers on the chart. The camera zooms in on the chart, slightly moving to the left.


On the left side of the screen is the body of a man wearing a black shirt, with his left hand holding a transparent bowl covered with a white cloth, and his right hand is using a fork to scoop food from the stainless steel pot at the bottom of the screen into the transparent bowl in his left hand. While his right hand is once again scooping food from the stainless steel pot at the bottom of the screen into the transparent bowl in his left hand, the camera zooms in. Subsequently, the man turns to the left side of the screen, and the camera rotates to the left direction of the screen.


In the center of the screen, on a patch of grass, a little boy is riding a bicycle facing the camera. He moves his feet away from the grass, lifts his left leg, and places his feet on the pedals, starting to cycle. To the right of the center, a woman in white is holding onto the bicycle next to him. The boy rides towards the camera, turns his head to look at his right arm, and then scratches his upper arm with his left hand. The woman in white also turns her head to glance at the boy. The bicycle gradually shifts to the right side of the screen, with the woman in white holding onto it and following the boy.


In the background on the left is a man dressed in maroon with red stripes, his right hand on his waist and his left hand touching his beard as he faces to the right of the picture, engaged in conversation. On the right side of the scene is a police officer whose left hand is gripping his collar, and in his right hand, he holds a mobile phone. His body faces the camera, but his head is turned to the left as he talks to the man. The police officer is smiling and seems to have just said something, causing the man in the red clothes on the left to suddenly throw his head back and laugh heartily.


In the frame, a hand is holding a pair of chopsticks, pinching a piece of egg and minced meat. The hand turns towards the back of the scene, then rotates towards the front of the frame, with a noticeable shake of the camera.


On the left side of the screen, a man with white short hair and wearing blue clothes is sitting, facing the camera. He is in conversation with the man on the right side of the screen, gesticulating with his hands while speaking. The man on the right is dressed in red, with his back to the camera, nodding as he talks. There are several photos placed on the cupboard in the background of the scene. The camera switches, and the front of the man in the red clothes appears in the frame. He is wearing a yellow vest and sitting in front of a bookshelf, facing the camera.


On the right side of the screen, a blonde woman with a necklace opens her eyes wide and her mouth to form an "oh" shape. In the foreground of the picture, another blonde woman with her back to the camera walks towards the woman with the necklace, placing her hands on the right side of the necklace wearer and embracing her. On the left side of the screen, a man in a red sweater who was initially facing the camera slightly glances at them hugging, then opens his mouth slightly before turning back to face the camera direction.


The camera moves to the right side of the screen and zooms out. On the right side of the screen, there is a person wearing a white top and fluorescent yellow gloves on both hands. With the right hand, they are holding cutlery, which they later put down on the stove in the middle of the screen. Afterwards, they pick up the white cup in the center of the screen with both hands and take a drink from it by the upper right corner of the frame.


In the picture is a woman, wearing a burgundy top. Leaning sideways on a brown sofa, she is facing the right side of the screen. A laptop is placed on her legs, and with her right hand, she is clicking something on the laptop's touchpad. In her left hand, she is holding a white cup at her chest, with a slight smile on her face. Then she raises the cup in her left hand to her lips, taking a sip of the water inside. Her eyes are fixed intently on the computer screen. Her right hand continues to move on the laptop's touchpad.


In the scene is a frying pan with a flat bottom, the handle of which is facing towards the left side of the frame. A right hand is seen on the right side of the image, supporting the underside of the frying pan. Then, a left hand enters from the left side of the frame, grasping the front end of the handle. Both hands slightly move to show the frying pan to the camera.


In the scene, there is a woman wearing a white top, and her expression shows that she is slightly angry. She then slightly turns her body to the left, speaking towards the left side of the frame. Her right hand is slightly raised, and she subsequently turns to the right; her hair covers her face. With her left hand, she angrily throws a black notebook to the ground.


The scene is a street scene at night. In the background, there is a large screen with several sub-screens, all showing different things: a scene from a movie, a person speaking with a script in hand, and the moment of cups clinking. A person in white clothes enters from the right side of the screen, walking away from the camera towards the background of the scene. A double-decker bus emerges from behind the building on the right side of the screen, driving from the right to the left side of the screen, slightly turning before eventually driving out of the left side of the frame. The woman in white who entered from the right side also eventually turns to her right, disappearing behind the buildings on the right side of the screen.


The scene is shot from inside a moving vehicle, looking out the window. The car at the center of the frame is wrapped in black and light-colored cloth, driving towards the right side of the screen. In the background are green trees, and the camera slightly moves to the right of the frame.


The video is shot from a first-person perspective looking down, with a painting placed horizontally in the center of the frame. At the bottom center of the frame, the left hand holds the cap of a pen, pressing it against the painting, while the right hand holds a marker, outlining the words on the right side of the canvas. In the end, both hands move away from the bottom of the frame.


The camera is slightly tilted upwards, and on the left side of the frame is a woman wearing a white top and blue jeans with long hair. Her gaze is directed to the lower right of the screen. Her right hand shakes towards the left side of the frame, then both hands are raised to the upper left to fix her hair and then let it down. She then walks towards a red car on the right side of the frame. Her body is turned to the right, her left hand is placed on the car from a distance, her right hand is raised to her ear, her right leg is kicked up, and she looks to the right of the screen. The camera also slightly moves to the right of the frame. The background is a forest.


In the center of the screen, a man faces the camera, looking at a pair of hands that appear in the lower left corner of the screen. He is talking and smiling while clapping, and at the same time, the hands in the lower left corner are also clapping. Then, the man tilts his head to the left side of the screen, stops clapping, and places his palms inward on his chest, pointing at himself. Meanwhile, the hands on the left side of the screen also stop clapping, and with the index finger pointing at the man and the thumb upright, they make a gesture like a gun. After a brief pause, the two people start clapping again.


The center of the screen features a black leather wallet, and in the lower left corner of the screen, a hand is holding the wallet at the center of the scene. The hand in the lower left corner first moves the wallet towards the bottom left corner of the screen, then brings it back towards the center of the scene, and finally, a hand extends from the right side of the screen to take the wallet.


The scene is captured from a low angle perspective. The man on the left side of the screen is dressed in black, looking down to the left of the frame. His left hand holds a green bowl, and his right hand holds a spoon, with his mouth chewing. The man on the right side of the screen is wearing a brown shirt, his left hand half-raised to his chest, looking towards the left of the frame as he speaks. Then, the man on the left looks towards the right of the frame. The man on the right picks up a brown object with his right hand, then holds it with both hands, and subsequently raises it with his right hand while the left hand takes the object, lowering both hands. The man on the left, with his right hand holding the spoon, scoops up food from the green bowl and eats it twice. The man on the right raises a brown, circular object in his right hand, and the man on the left raises his eyebrows, his right hand holding the green bowl, and his left hand taking the circular object, then preparing to walk towards the left of the frame. The setting is indoors, with light-colored walls, and there is a black object on the right side of the screen.


In the frame, a girl wearing a long skirt faces the camera, holding up the sides of her skirt with both hands, as she runs towards the camera's direction. The camera follows her movement and backs up. In the end, the girl stops in front of the lens, slightly opening her mouth to catch her breath.


In the frame, a person is facing the camera, sitting cross-legged on a wooden cabinet leaning against the wall. There is a green leaf placed on her lap. Subsequently, her left hand drops down towards the camera, slowly moving along the leaf towards the right edge of the screen. After moving to the top of the frame, she then moves her left hand down along the same edge. Following this, she places her left hand on her left leg.


On the left side of the screen, a woman with long curly hair is sitting facing the right side of the frame, wearing a white shirt with blue and white checkered collar and cuffs. She rests her left elbow on a yellow table and then moves her head once towards the camera to adjust her hair; in the center of the screen, a woman with a ponytail hairstyle is sitting facing the camera, also wearing a white shirt with blue and white checkered collar and cuffs. Her hands are placed on the yellow table in front of her, her head tilted slightly to the right side of the frame, smiling as she looks at a man wearing a deep blue vest; on the right side of the screen, a man dressed in a white shirt with a blue and white checkered collar, a deep blue vest, and blue and white checkered pants is sitting facing left. His right arm is bent, raised towards the left side of the frame as he begins to speak; then he withdraws his right arm to rest on his right leg, leaning forward and turning towards the camera. He then straightens up, his head turning left again, continuing to speak, while his right hand raises up, palm open, facing the camera; in the bottom left corner, there is a black triangular stand holding a stack of papers in different colors.


On the left side of the screen is a man wearing a black shirt looking to the right of the screen and speaking, then suddenly he leans in towards the screen. On the right side of the screen is a man wearing a pink shirt looking in the direction of the camera, then looking to the left side of the screen, bowing his head down to look at the bottom of the screen, and again looking to the left side of the screen, using his right hand to flick the front of his shirt at chest level.


On the left side of the screen is a man in a black coat, his hands tightly gripping a brown glove. On the right side is a Christmas tree adorned with decorations. The man on the left is slightly tilting his head, his eyes fixedly staring at the right side of the screen. Then he removes the glove from his left hand, turns around, opens the door, and walks out, disappearing from the left side of the screen. Suddenly, an elderly man with gray-white hair wearing an orange coat enters from the right side of the screen. He follows the black-clad man who just left from the left side of the screen, exiting the room from the left side.


In the scene, the foreground shows part of a car, while in the background, a woman wearing a red headscarf and a black mask is seen swaying from side to side, excitedly shouting at the car. The camera switches, and a black person is standing facing left, with their eyes wide open and mouth agape.


In the center of the screen, a curly-haired woman looks towards the upper left of the frame, then shakes slightly to the right before slowly rising to her feet. Suddenly, a hand appears from the top of the screen and slowly descends, disappearing into the frame. The woman's body faces to the right of the screen, sideways to the camera, but her head is directly facing the camera, looking upwards, speaking while gently shaking her head to the left, with a smile on her face. In the end, she is positioned on the right side of the screen. The background is blurred.


The camera shake is obvious. The man standing in the center foreground of the frame is looking to the right-rear of the scene, while his body is facing to the right of the frame. In the right-rear of the scene, a man in orange clothing is seen with his back to the camera, both hands grasping a door as he opens it. Following this, a group of people surge in from inside the door. The camera quickly zooms in on a man in a grey suit, facing to the left of the frame with both hands on the doorframe.


This is an animation segment. Against a background of transforming horizontal lines in blue and light blue, a purple bird faces the camera, spreads its wings to both sides of the screen while looking into the lens. Then, the purple bird lowers its wings, blinks, and turns its head to the left side of the screen, looking down to the left. The camera zooms out, and a green bird appears on the left side of the screen. It faces the right side of the screen, looking up to the right, with its left wing holding a yellow single-ball ice cream cone towards the right side of the screen, while its right wing is raised towards the lower left. The purple bird takes the ice cream cone with its right wing and laughs. The green bird immediately lowers its wings.


On the left side of the screen, a little boy is sitting in the car, facing the right side of the screen with his side to the camera. He is bent over eating something. The camera quickly moves to the right, and in the center of the screen, a little girl is sitting, facing the right side of the screen with her side to the camera. She is holding an ice cream in both hands, and she turns her head clockwise to look at the camera, making a thumbs-up gesture with her left hand.


In the center of the screen is a man wearing a chef's hat, supporting his face with his right hand while speaking. Immediately after, he raises his right hand and points to the left side of the screen while talking. Following this, he spreads both hands and lowers them to the sides of the screen, and then looks towards the lower left corner of the screen.


In the scene, a woman is sitting by the side of the pool with her legs stretched out to the left side of the frame. Her body is leaning forward, and her hands are touching her feet. She lifts her head and looks directly to the left of the picture. Then, she straightens up, slowly retracting her hands. After that, she bends down again, reaching her hands towards her feet, likely doing warm-up exercises before getting into the water.


The main subject of the scene is a woman, who is located on the left side of the frame, while on the right side is a man. He is stroking his beard, and his actions remain largely unchanged from beginning to end. The woman seems to be narrating something, her hand trembled slightly in front of her chest, her body and head inclining forward, then both hands are slightly extended forward. There is a movement of turning her head to the left, and her hands are extended towards where she is looking.


In this scene, inside an older model vehicle, some outdated machines can be seen in the frame. Then, the shooter's left hand reaches out to take out a black machine from the car. The camera shakes a bit, and the car's hazard lights can be seen. The top of the machine is visible in the frame. The shooter then slightly tilts the machine forward, revealing the connected wiring harness.


The camera is positioned inside the car at the driver's seat, with a close-up shot of the steering wheel and hands. Then, the left hand grips the steering wheel and turns clockwise to the right side of the frame, before quickly returning to the left side of the frame. After that, it grips the steering wheel again and turns counterclockwise to the left side of the frame, and then back to the left. After this, the left hand raises, index finger extended, pointing in the opposite direction of the camera. Subsequently, the left hand moves out of the frame and quickly re-enters, gripping the top right corner of the steering wheel and turning it clockwise, occasionally moving out of the frame.


In the center of the screen, there is a white horse seen from a side view. It is on a green grassy area, lowering its head to eat the grass. Its head occasionally turns, and its tail swings towards the left.


In the scene, waves are continuously surging from right to left. The camera lens keeps retreating backwards, and in the center of the lens, there is a person lying on a surfboard, facing the camera, using both arms to paddle swiftly through the water. Then, they push themselves up on the surfboard with their arms and jump out towards the left side of the screen with both feet straining.


The woman blinks and raises her right hand to turn the page to the right of the screen, while slightly lifting her chin, her face turning to the right of the frame. She then lowers her right hand, her gaze shifting to the bottom right corner of the screen, tucks in her chin, and her head moves from side to side.


In the frame, three people can be seen. From left to right, they are: a woman in a black top, a man in a black short-sleeved shirt, and a man in a white short-sleeved shirt. Initially, on the right side of the frame, the man in the white short-sleeve has his left hand on his neck. As the video progresses, his left hand is lowered. The man in the black short-sleeve initially looks into the camera, then raises his left hand, slightly turns his body towards the right side of the frame, and extends his hand towards the person in white on the right side of the frame. His mouth is moving as if he is introducing the man in the white short-sleeve, and his gaze remains fixed on the camera. On the left side of the frame, the woman in black has been staring at the man in the black shirt the entire time.


The scene is shot from a first-person perspective. At the beginning, the shooter holds a black wallet in their left hand and places it in the center of the yellow-green table. Then, they pick up the wallet with their left hand, while their right hand moves from the bottom right corner of the screen towards the wallet.


In the frame, a woman wearing a deep red vest is sitting in a chair facing the camera. Behind her is a white wall with picture frames hanging, and the edge of a bookshelf can be seen on the left side of the image. She is wearing headphones and gesticulating while speaking. Initially, her hands are close together with palms facing each other and fingertips pointing towards the camera. Then, she repeatedly moves her hands away and back together. Next, she places her hands near her temples and bows her head before reaching out towards the camera. She shakes her head and looks to the lower right of the frame, then glances back at the camera, picks up something resembling a spoon, and puts it down again. Finally, she looks at the camera and continues speaking with a smile. In the lower right corner of the screen are four small circular icons, and in the upper right corner is a black rectangular box with white text.


In the center left of the screen, a black woman is sitting in a red convertible, facing the camera with her head tilted to the right side of the frame. In the center right of the screen, a woman in blue is standing facing left, her right hand holding money at the level of the black woman's shoulder, looking down at something. The black woman takes the money with her right hand, counts it with both hands, and the woman in blue glances to the left of the frame, then turns her head to look to the right, her left hand moving from slightly raised to hanging down. The black woman glances at her in the upper right corner, pinching the money with both hands. The woman in blue turns her head again to look at the black woman and withdraws her right hand. In the background, there is a green trash bin in the center of the distant view of the screen.


A car driving to the right side of the screen has a continuously changing exterior view. A blond woman in a pink coat is sitting in the driver's seat, near the center of the background, holding the steering wheel. A man in black is sitting in the front passenger seat on the left side of the foreground, looking at the blond woman in the background, then turning his head to look at the right side of the screen. After the woman glances at the man in black, she turns her head to look at the right side of the screen. The man looks to his left at the woman, then smiles and shakes his head, raising both hands to make a gesture before looking back at the woman. The woman also turns her head to meet his gaze briefly before turning back to look at the right side of the screen.


The camera shoots from a low angle, showing the short-haired boy on the left side of the screen and the black boy on the right side making the "rock, paper, scissors" gesture. The black boy covers the short-haired boy's "rock" with "paper". At this moment, the camera pans to the upper right, focusing on the black boy. The black boy opens his mouth, smiling and looking to the left side of the screen, then he taps forward with his right hand and brings it back to his chest. He then turns his head to look briefly to the lower right of the screen before continuing to look to the left. The camera keeps moving forward, maintaining the low angle shot, and the black boy briefly throws up his hands before raising his right hand to slap towards the left side.


A woman with brownish-blond hair in a bright room leans slightly towards the camera, looking at the bottom left corner of the frame. Her arms move towards the left side of the screen, with her right arm continuing to move leftward. The woman turns her head to glance briefly to the left side of the frame, then turns back to face the camera, looking down at the bottom of the lens. Subsequently, her right arm moves towards the right side of the screen, followed by her body turning towards the camera, with her right hand also moving to the right side of the frame. The camera pans down, and the woman's face disappears from the top of the frame. A table in front of the woman appears at the bottom of the screen. Her right hand places a wooden piece in the bottom left corner of the frame, then moves to the left side, resting on the table. Her left hand moves towards the front of the camera, bracing on the edge of the table, as her body shifts to the right side of the frame, balancing her weight on her left hand.


A little boy sits at the center of the picture, his body facing towards the left side of the frame. As the camera moves up, the boy raises his right hand with a card, kisses it quickly, and then lowers it swiftly. He then raises his right hand again, bringing the card close to his right shoulder and moving it back and forth near his mouth.


The center of the screen shows the upper body of a man in gray clothes sitting in the driver's seat of a car. His body is facing the right side of the screen, with his left hand on the steering wheel and his right hand turning the key below the steering wheel. He seems to be saying something, then repeatedly attempts to turn the key to the right, but it doesn't budge. The man then turns his head to the left side of the screen, looking into the distance towards the camera. At this moment, a white car enters the frame from the left side and quickly moves to the right, exiting the frame on the right side. The man then turns his head to the right, looking towards the right side of the screen. In the background on the left side of the screen are some roadside buildings and yards, and on the right side, there is the open hood of a car.


In the video, there is a close-up shot of a pair of hands knitting wool; the left hand holds an unfinished white knitted piece, while the right hand grips a brown crochet hook that is pushed through the knitting; then both hands move upwards to the right of the screen, and subsequently move back to the center-right of the frame; the left index finger moves the wool downwards to the right of the screen and quickly returns it, while the right hand manipulates the crochet hook, wrapping it around the wool, and then moves horizontally to the right, pulling the wool through the already knitted loops, after which the hook is pushed through the white knitting and moves upwards, catching the wool and pulling it through the knitting; in the background is a purple desktop.


This is a set of accelerated shots taken from an overhead perspective of a person coloring. In the center of the frame is a painting board with half of its background color applied. In the middle left of the frame, there is a can of paint, and on the right side, there are two more cans of paint, all three being shades of blue. A person is supporting the lower left corner of the painting with their left hand, while their right hand moves from the left side of the frame to the right, applying color as it goes. Then, they start coloring from the lower right corner of the painting upwards, subsequently filling in the top of the painting and then moving down to fill in the white areas. They continue by applying color from the top left of the frame downwards. Then, the person slightly lifts the painting board towards the right side of the frame with their left hand, while the right hand moves up and down along the left edge of the painting, smearing the paint as it gradually moves downward. The right hand leaves the bottom of the frame, while the left hand continues to hold the painting, placing it onto the desktop.


The scene shows a pool surrounded by buildings, with many people standing on the corridors in the left and right backgrounds of the picture. The corridors are supported by multiple pillars, and some people are walking towards the right side of the frame, while others are walking towards the front of the camera. The scene changes to another angle, capturing the same building and pool. There are people walking on the corridors on the left background and the right side of the frame, and some are posing for photos. The camera turns to the upper left, showing the second floor on the left side of the frame, which is composed of arched glass windows facing to the right. In the lower right foreground, someone is walking on the second-floor bridge towards the right side of the frame and then turns towards the camera, approaching the railing. Above the background are other houses with brick and stone structures.


The screen starts with the camera moving to the right, then a white boat enters the frame from the lower right, heading towards the left side of the screen. White spray trails behind the boat. As it reaches the left side of the screen, it slows down. At this point, the camera rotates to the right and slightly tilts upwards, rotating and moving forward to the right. It then stops rotating and continues to move forward to the right. The white boat disappears from the lower left corner of the frame. Below the screen, you can see a street with people and vehicles moving. The foreground is the sea surface, with various sized ships anchored at the shore. The background is a city with rows of buildings, and in the distance are layers of overlapping mountains.


In the scene are six children sitting at their desks having a class. They are facing to the right of the picture, eagerly raising their hands one after another. The camera slowly moves to the left, and the little boy in black on the upper left quietly lowers his hand.


The woman on the right side of the screen is standing on the podium, holding a microphone in her right hand and placing her left hand with an open palm in front of her body, speaking towards the right side of the screen. Then the woman turns around to face the left side of the screen, glances to the left side of the screen, points her left hand towards the left side of the screen, and subsequently turns to look towards the right side of the screen, with her left hand still pointing towards the left side. In the bottom right corner of the screen, a woman in black is standing with her back to the camera.


The camera moves from right to left. The first background to appear is a light brown wooden wall, with a long black, white, and brown patterned sofa below. A man with his upper body naked and wearing black pants is facing right, bending over to dodge an object, his eyes looking down to the left. Then he gradually straightens up, raises his right hand, and runs to the left. The camera also moves to the lower left, following him, as the sofa in the background gradually moves out of frame, and the man runs out of the picture to the left. Now coming into view is a rectangular table of the same color and texture as the wall, on which there are items such as a purple pot and an hourglass. To the right of the table is a purple folding stool, and below is a dark brown, fluffy carpet. A young woman in a black bathrobe sits up from the carpet, picks up a pillow with a black grid pattern on a white background with her right hand, and with a smile, throws the pillow to the left.


On the left side of the screen, there is a man wearing a black hat who is standing sideways to the camera, facing towards the right of the screen, looking at the woman on the right side of the frame. The woman's body is facing towards the direction of the camera. The man is speaking to the woman.


A man's right hand enters the frame from the lower left corner and is placed on the gear lever in the center of the frame, then another woman's left hand enters from the right side and is placed on top of the man's right hand.


In the frame, a man dressed in a gray suit is sitting, facing the camera directly. In his left hand, he holds the receiver of a landline phone, and in his mouth, he clutches a white cigarette. Then, he places the receiver of his left hand against his face, beside his ear. His right hand's index finger is extended, pressing down on the dial keys of the landline on the table in front of him. The camera pans down, now clearly showing the man's dialing action. He presses the numbers, then rotates the dial on the landline, repeating this several times to make a call. Then, his right hand moves out of the frame from the top. His right hand re-enters the frame from the top, now holding a cigarette, presumably the one he had in his mouth earlier. He shakes the cigarette over the ashtray on the table a few times before picking it up again. The camera slowly pans up, focusing on the man's face. The man rubs his nose with his right hand, which holds the cigarette, then sets it down again. His left hand still holds the landline, with the receiver to his ear.


On the right side of the screen is a pear cartoon character, and to its right is an avocado cartoon character. The pear cartoon character is holding a iron rod, putting it down, standing up to look at the avocado, swinging its right hand, then turning around to jump on the iron rod, raising both arms and walking towards the left side of the screen. The avocado scratches its head with its left hand, walks towards the center of the screen, stands on the iron rod with its left leg, and opens its hands.