The scene is animated. On the left side of the screen, there is a person wearing a yellow hat facing right, with their left hand placed on the table below the center of the screen and their right hand holding a piece of white paper. In the lower right corner, there is a monkey facing left, with its left hand also on the table and its right hand touching its face. The person on the left is speaking while handing the paper to the monkey on the right side of the screen. The monkey's right hand moves down, and its left hand takes the paper, placing it on the table. The person on the left stretches out their left index finger to point to the right side of the screen, while their right hand slowly retreats, and then they cross their arms over their waist, stopping the conversation. The monkey looks up to the left of the screen and speaks, slapping its right hand on the table, then turns to the right side of the screen, preparing to walk to the right. The setting is outdoors, with several houses on the left side of the screen, a tree with a tire hanging from it on the right, a blue sky above, and a grassy area below, along with a table covered in cards.


In the center of the screen, a boy is moving towards the left side of the frame with his back to the camera. His right hand swings from the right side of the screen to the left. The camera follows the boy's movement, and finally, the boy is located at the far right of the screen.


The man on the right side of the screen is bending over towards the right side of the frame, as if he is picking something up. The woman on the left side of the screen is holding a piece of clothing and saying something to the man. The man straightens up slightly and turns towards the camera, revealing his front.


Three people appear in the scene. A woman is standing on the left side of the frame, facing right, bending forward with her left hand on the top edge of the laptop in front of her and her right hand on the bottom edge. The woman then uses both hands to turn the laptop towards the camera. In the center of the frame, a man in brown clothing is sitting, and on the right side, a man in a dark shirt is sitting. Both men are looking at the woman's actions.


The scene is shot from a first-person perspective. The foreground of the frame shows several bowls with ingredients, while in the background there is a woman facing the camera with her right hand open and her left hand resting on her right. Only her upper body from the waist up and her neck down is in the frame. The camera moves backward, and the woman extends her right hand to grasp a cup handle on the left side of the foreground, bows her head to speak, then turns her head towards the right side of the frame, retracting her right hand and extending her left hand with open fingers, moving it back and forth over the bowl and plate on the right side of the frame. As the shooter moves forward, the woman eventually stops her left hand above the plate, then moves it above the bowl, and back to above the plate. Then, the woman moves her left hand out of the frame and back into the frame, extending her index finger to point at the bowl with minced meat in the lower right corner of the frame, then moves it left to point at the central plate with a whole piece of meat. After moving her left hand out of the frame from the top edge, she brings it back into the frame, and both hands extend their index fingers to point at the plate with meat on the left side of the frame, then lower them.


In the center of the screen, a man in a suit is seated sideways to the camera, facing left in a red car. The shadow of a man in a police uniform is cast on the car window, walking from the right side of the screen towards the camera to the left side. The man in the suit glances upwards to the right corner of the screen, then bows his head, sticks out his tongue, and moistens his lips before rolling down the car window. Next, he looks up again to the upper right corner of the screen and starts to speak. After glancing down briefly, he quickly looks to the right side of the screen, out of view, and hands over a slip of paper through the window with his right hand. At the same time, from the right side of the screen, a left hand holding a book and a right hand holding a pen extend out. The right hand then takes the slip of paper from the man in the suit. The suited man withdraws his hand and bows his head, licking his lips.


In the beginning, on the left side of the screen is a man with long hair and a bulky figure, turning around from facing the right side of the screen to face the very left side, the end of a train car. On the right side of the screen is a man in a striped shirt looking out of the train car. Behind him, there is a gentleman reading a newspaper. On the very right side is a woman with silver hair, dressed in a grey suit, sitting down. Then, the camera pulls back and looks down to capture the train's overall trajectory moving to the right side of the screen.


The scene is shot from a first-person perspective. First, a man in black appears on the left side of the screen, followed by a man in gray walking towards the middle of the background. The camera moves to the left and then to the right.


On the left side of the screen is a woman with tousled shoulder-length hair, wearing a striped shirt, her back turned to the camera. On the right side is a man in a suit, facing the camera. The man is looking straight ahead and continuously speaking, while the woman on the left side has one hand around the man's neck, affectionately stroking him, and then she tightens her embrace, drawing closer to his side. The man maintains his posture of looking straight ahead and speaking.


The scene in the image is captured from an overhead shot, looking down on the coastal landscape. At the top of the frame, waves are rolling in towards the bottom of the picture, while at the bottom is a brown sandy beach. In the center of the lower part of the frame, there is a black object, which is temporarily unclear, being washed by the spray of the waves. It seems that there is wind on the scene blowing the black board towards the right side of the frame. Eventually, the board opens up, which appears to be something like a paraglider, drifting towards the top of the frame. To the left of the image, a person can be seen standing on a surfboard, seemingly pulling on the black paraglider. The paraglider begins to float towards the bottom right corner of the frame, and the person on the surfboard follows it, moving towards the right side of the picture. The camera slowly zooms out, revealing more of the sea.


In the center of the screen is a woman dressed in purple, holding a yellow watering can in her right hand. Her body is slightly turned towards the right side of the frame as she occasionally looks into the camera. She is constantly talking as if explaining how to use the watering can. She keeps shaking the watering can, and her body slightly sways along with it. After a few shakes, she extends her left hand to gesture at the spout of the watering can. Then, she tilts the spout upwards, and with her right hand, she raises the can a bit higher. Her left hand continues to gesture beside the watering can. After speaking a few more words, her left hand grasps the bottom of the can, and both hands continue to shake it. Finally, her left hand supports the can while her right hand releases the handle and reaches down to the bottom of the screen to retrieve something.


On the left side of the screen, the hood of the car is open. The man on the right side of the screen is standing sideways to the camera, facing towards the left of the screen. He walks towards the car on the left, slightly bending over to support himself with his right hand on the car, while his left hand reaches into the engine of the car on the left side of the screen. He looks down at the engine and speaks, then withdraws his left hand, supports himself on the car with his left hand, and reaches into the engine with his right hand. Finally, he turns his head to glance at the camera before continuing to look at the car engine on the left side of the screen.


In the center of the screen, there is a goldfish enclosed in a transparent plastic bag filled with water. The goldfish attempts to move towards the right side of the screen but is blocked by the plastic bag. It then turns around and swims towards the left side of the screen, continuously opening its mouth wide. As the goldfish reaches the left edge of the plastic bag, it tries to move further to the left but is once again blocked. In the end, the goldfish turns its back to the camera.


The screen is divided into three parts. On the left, a man with dark hair is holding a stick in his right hand and turning to the right, with his left hand raised to waist height. The camera then shifts to a person holding a camera, who turns to the left with the equipment. The lens then turns back to the man with dark hair, who raises his right hand to a right angle with his shoulder, fingers pointing backward as he speaks. He then extends his left hand forward, makes a fist with his right hand and pulls it backward, turning his body to the left. Finally, he swings his right hand forward, turns his body to the other side, and a man in white walks by behind him, as the man with dark hair straightens up and looks upward. In the top right corner of the video, a man in a white short-sleeved shirt is facing away from the camera, grabbing and then releasing the left hand of a man in a gray suit and stepping backward, then moving forward. In the background, a man in a long shirt extends his right hand and walks forward. The scene changes again, with the man in the white short-sleeve shirt leaning to the right, lifting his right foot, while the man in the long shirt on the left leans backward, raises his left hand overhead, and steps back. In the bottom right corner, a man in a navy blue long shirt has his hands on the shoulders of a man in white. The man in the bottom right raises his right hand, bending it in front of his waist, and half-squats. The man in the navy blue long shirt then extends his right hand, and the camera quickly turns to a man holding a camera, then swiftly to a man in a navy blue short-sleeved shirt who lowers his right hand and extends his left index finger. The camera shifts again, showing the man in navy blue holding the left hand of the man in brown on the opposite side with his left hand, and his right hand on his chest, speaking with a smile. He then lowers both hands, steps backward, and claps. Immediately, the man in the navy blue shirt raises both hands to his sides and lifts his right leg, quickly turning to lift his left leg, while the man in the brown shirt leans his body backward.


In the right side of the screen, there is an old man with white hair wearing a plaid shirt speaking directly into the camera. At first, he glances down to the lower right corner of the screen, then quickly opens his eyes and looks straight ahead, with both hands gesticulating up and down in front of his chest. During the speech, his head slightly tilts to the left side of the screen, then later to the right side. Behind the old man is a movie poster, and the surrounding background is dim, mainly using green and gray as the main tones, giving a sense of stability and focus.


On the left side of the screen, a woman and a man are standing on the ground by the seaside, facing the camera. The woman is next to the man on the left side of the frame. They are both jumping and performing a classic street dance move similar to the trunk wave. First, they stand with their feet shoulder-width apart, facing outward, and their hands extended forward, while their bodies bend and stretch in a wave-like motion from top to bottom. Their heads sway with the dance, looking at the camera first, then turning to the right side of the frame. The man turns his head to the left side of the frame while the woman turns her head towards the camera. Then, both turn their heads to the right side of the frame. Following this, their dance movements become more expressive. The woman turns her head towards the camera, then swings her right elbow back and forth and opens and closes her legs repeatedly. The man first turns his head to the left side of the frame, then towards the camera. He spreads his legs apart and alternately stretches his arms behind him, while their bodies continue to bend and stretch in a wave-like motion from top to bottom. Their heads move in synchronization with the dance. Finally, the woman steps forward with her right foot and backward with her left, spreading her legs apart.


A man wearing a black shirt is sitting at the bottom left corner of the screen, facing towards the left. His right hand reaches out from the top left of the screen, grasping a black object from an open box that is facing towards the left side of the screen, then he pushes the box and the object together towards the top right corner of the screen. His left hand enters the frame from the top right, rotating what seems to be packaging, while his right hand pulls the object towards the bottom left of the camera.


In the center and on the left side of the screen, there are two horses running from right to left, then leaving the frame on the left side. At this moment, in the center of the screen, there is a black-haired cow and a cowboy. The black cow is bent with its head facing to the right of the screen, and the cowboy is behind the cow's head, slightly bending his knees, sideways with his body facing the right of the screen. His right hand is holding the cow's horn, and his left hand is embracing the cow's head from below. He then leans back, his buttocks facing down, and as he does so, the cow's body also turns inward towards the inside of the screen, with its back to the camera. The cow then falls to the ground, its belly facing the camera. Immediately, the cow raises itself up, turning sideways to face the camera, with its front knees on the ground and its hind legs slowly straightening up. At the same time, the cowboy stands up with his back to the black cow, facing the right of the screen and walking towards the right of the screen, while the camera moves to the right.


The camera captures a downward shot as a right hand reaches into the frame from below, slowly lifting the pattern under the clothes on the table. Then, a left hand holding a hot melt glue gun enters the frame from below, squeezes a bit of hot melt glue under the pattern, and then retracts the glue gun. The video speeds up, and the right hand lifts the pattern on the left side of the frame, while the left hand successively squeezes hot melt glue under the pattern.


On the left side of the screen is a girl dressed in a white fencing uniform. The angle is low, shooting from below upwards, but only the upper half of the girl's body and a part of her chin can be seen, with the lower half of her body and her full face obscured. In the center of the screen, the girl's hands hold a black fencing helmet, then she puts the helmet on her head, and the camera follows the helmet as it slowly moves upwards. Once the girl has the helmet in place, she remains motionless, but the camera vibrates slightly back and forth.


The scene in the picture is a street, with a house in the distance. Many people are standing on the street, and some are holding signs. In front of the house, there are people walking towards the left or right of the picture.


The video starts with a woman in the center of the screen, wearing a black T-shirt and a magenta apron. She is holding a bowl of crumbled bacon, facing the camera in the kitchen. With the bowl in her right hand, she taps the rim gently with her left index finger. The camera moves forward, and the woman turns to the right, now positioned on the left side of the screen. She transfers the bowl to her left hand and picks up a wooden spatula in the center of the frame with her right hand. She uses the spatula to pour the bacon crumbs into a skillet with onions, then stirs the onions and bacon crumbs in the skillet. The background is a kitchen with dark brown cabinets and black marble countertops.


In the center of the screen, slightly to the right, two children are sitting at a white table, their bodies facing towards the left side of the frame. The child farther from the camera is wearing a brown chef's hat, while the one closer to the camera is wearing a white chef's hat. The boy with the brown chef's hat stretches out his left hand towards the camera and snatches a silver plate from in front of the boy with the white chef's hat, which is placed on the table to the left of the screen. The boy with the white chef's hat first picks up a heart-shaped silver mold with both hands from in front of him, then reaches out with his left hand to take another silver plate from the table, while his right hand tries to stop the boy with the brown hat from taking away the silver plate. His right hand slaps the silver plate that the boy with the brown chef's hat is holding onto the table. He is also muttering something. The boy with the brown chef's hat lets go of the silver plate and reaches for the silver plate in the left hand of the boy with the white chef's hat.


In the scene, two women are standing facing the camera with a kitchen in the background, its walls painted white. The woman on the left is wearing a white T-shirt, supporting herself with her right hand in front of her body, and her left hand is on her hip as she looks towards the bottom of the frame. The woman on the right, wearing a black T-shirt, is speaking. Following this, the woman in the black T-shirt slightly turns her head towards the left of the frame, her eyebrows raised. Then, the woman in the white T-shirt slightly turns her body towards the right of the frame, raises her arms to the sides, and begins to speak. Subsequently, the woman in the black T-shirt opens her mouth wide, raises her hands in front of her, and starts to clap.


The initial scene shows two people with their backs to the camera. On the left is a woman in light-colored clothing, and on the right is a man in a black jacket carrying a bag. They ascend two steps and then stop. The light in the hallway seems to brighten slightly. The woman turns her head to look at the man, as if she is speaking to him. The man's right hand is on the railing of the steps, and his gaze is fixed on the woman. After saying a few words and nodding slightly, the woman turns around again, preparing to walk up the steps, with the man following behind her. Suddenly, the camera switches to a view from the top of the steps, showing the faces of the man and the woman. At this point, the man is on the left, and the woman is on the right; they continue to ascend the steps, with the man following the woman. After reaching the top of the steps, the woman turns to the left, her head also looking to the left. Then she extends her left hand, her index finger pointing out to the left of the screen. The man follows her gesture and also looks to the left of the frame. The woman is speaking to him, and the man's right hand is on the stair railing, turning his head towards the woman, replying with a few words. In the end, both of them lean their heads forward slightly, continuing their conversation. At the bottom of the screen, two rows of white letters are always displayed, seemingly containing the content of their conversation.


A man extends his right hand from the right side of the screen to support the body of the beverage, while his left hand enters the frame from the top, extending the index finger with the thumb at the edge of the bottle mouth. The left index finger is then lifted upwards, followed by the liquid being sprayed towards the left side of the screen. Subsequently, both hands leave the beverage and exit the frame, as foam pours out from the bottle mouth, with some flowing downwards in the direction of the screen.


In the scene, a black pot can be seen, and at the top of the frame, a hand is holding a black stirring rod, stirring the contents of the pot in a counterclockwise direction. The objects in the pot are also rotating counterclockwise along with the stirring rod. Due to the rotation of the stirring rod, the pot is slightly swaying from side to side. Next, the stirring rod changes direction and begins to rotate clockwise. After two clockwise rotations, it starts to rotate counterclockwise again. In the lower right corner of the frame, a hand can be seen gripping the handle of the pot, trying to keep it as steady as possible. Finally, the hand holding the stirring rod begins to rotate clockwise once more, and then, it shakes the rod twice at the edge of the pot.


The camera quickly zooms in, focusing on a man wearing sunglasses at the center of the frame. The scene changes, and as the camera zooms in, it slightly rotates to the right side of the frame. In the bottom right corner, a brown hamster in a cage on a small swing turns its head to the right, looking towards the camera.


The video is shot from inside the car. In front of the lens, a man is standing outside the car, sideways to the camera, walking towards the left side of the screen. The camera follows his movement to the left. As this happens, the car's steering wheel appears from the left side of the frame, and a building with graffiti on the wall appears from the left side of the screen. The man in front of the lens slightly bows his head and walks into the door in front of the building.


The scene is a close-up of the hands, with the left hand on the left side of the frame picking up a piece of paper, placing it on the table, and then picking it up again. The thumb inserts into the opening and pulls out a transparent bag. The left hand holds the transparent bag and shows the text part to the camera. The left thumb moves down, and then the left hand puts down the transparent bag, picks up the lower right corner of the transparent bag, flips it to the back, and then presses it on the table, flipping open the post-it note on the transparent bag.


The scene is shot from an overhead perspective in a garden, where there are many hemispherical clusters of purple flowers, which should be lavender. They are arranged vertically in patches throughout the frame. A woman in a white top is walking down a path in the middle of the frame, heading towards the background of the scene, swinging her hands. The camera slowly moves forward and upward, revealing more lavender plants and a small patch of mixed grass in the distance.


On the left side of the screen is a man wearing a brown striped shirt, sitting and playing the guitar facing the camera, with only the lower half of his body visible. The man's left hand holds the guitar and slightly moves towards the left side of the screen, then shifts to the right side, while his right hand, holding a pick, continuously moves up and down. The fingers of his left hand also keep changing their positions on the strings, then he moves towards the right side of the screen.


Close-up shot. The camera slowly moves to the left, revealing a bed at the center of the frame. A man is lying on his back, sleeping on the left side. A woman is curled up on the right side, facing the right of the frame with her hands holding her head. The woman turns her head to look at the man, then turns to the left side of the frame and props herself up on her elbows to look at the man. She then turns back to the right side, curls up, and lies down with her hands holding her head. Finally, the woman turns to the left side of the frame while lying down to look at the man, then lies on the pillow. She first presses her left wrist against her eyes, and then covers her eyes with her left hand.


In the center of the screen, a woman in green clothing with silver curly hair is speaking to the man on the left side of the frame, who is leaning against the camera. While speaking, the woman's left hand is clenched into a fist and placed over her chest. She continues to talk, and her left hand unfolds accordingly. To the right of the screen is a man who keeps blinking and does not speak. His hands are crossed over his abdomen, and his gaze is fixed on the two people conversing on the left side of the frame. In the background, there are five people standing and watching the interaction on the left side of the screen.


The scene is in the first person perspective. As the shooting begins, there is a passerby walking to the left on the left side of the screen. Walking on the edge of a bridge's sidewalk, the woman in the frame looks to the right, behind her, towards the traffic lane while the screen moves to the left, and she is about to cross to the opposite side of the sidewalk. Shortly after, on the left side of the screen, a man with a white bag on his back can be seen walking from the right side of the frame to the left, towards the distance. In the distance, five people can be seen standing on the bridge looking to the right of the screen, towards the scenery in the distance. The background in the distance consists of trees and water beneath the bridge, as the screen continues to move to the left. High-rise buildings and trees can be seen in front of the camera...


The man in black knelt down on one knee, his right hand pressing the man in brown face-down onto the ground. Then, he took a step back to the right and stood up, looking down at the man on the ground. He bent over, elbows bent, both fists clenched, excitedly shouting. He then straightened up laughing, slightly leaning back, before stepping over the body of the man in brown, striding to the left side of the frame. Facing the camera, he bent over and with his right hand grabbed the left shoulder of the man in brown, flipping him over to the left side of the frame. Halfway through the roll, the man in brown propped himself up with his right elbow and pushed against the abdomen of the man in black with his left hand, sitting up and stabbing the man in black in the abdomen with a knife in his right hand. The man in black grabbed the abdomen of the man in brown with his left hand and covered the wound with his right. The man in brown stood up, pressing against the knife, and pushed the man in black away from the camera, bending over. The man in black bent down in pain, and he stopped the man in brown, punching him in the head with his right hand. He then knelt down on one knee to the right of the frame, bending over. After being hit in the head, the man in brown turned to the left side of the frame, almost falling face-first towards the camera, then placed both hands on the ground to the right of the camera, and the knife slipped from his hand, sliding to the bottom left corner of the frame. After steadying himself, the man in brown stood up, turned his back to the camera, and then ran to the left side of the frame and out of sight.


In the center of the screen, a colorful toy train track is placed on the yellow floor tiles. In the middle of the orange track, a gray monster is standing facing the camera. In front of the monster, there is a blue toy building and a section of red and white tracks. A green toy car with its back to the camera is parked on the red part of the track. On the right side of the screen, a black boy wearing a blue shirt and black pants is sitting on the floor with his legs crossed, his left hand reaching towards the center of the screen. He then presses the button at the end of the track, causing the green toy car to rapidly rush away from the camera, colliding with the blue toy building. Following this, a light blue toy bridge drops down from the top of the blue building, its end resting on the red and white tracks. The boy then moves his left hand to pick up the green toy car that fell in front of the blue building, placing it on the red and white tracks before retracting his right hand. He then picks up a golden toy car from the right side of the screen and gently manipulates it.


The scene is in first-person perspective, with the shooter walking forward. A woman in a white top walks into the frame from the left, walking away from the camera towards the left side of the frame and then exiting from the left. She re-enters the frame from the left, the camera moves to the left, and the woman stands to the left of the center, facing the right side of the frame. The camera moves to the right, and the woman leaves the frame from the left side. The camera moves left again, and the woman returns to the left side of the frame, looking in the opposite direction of the camera, then turns her head towards the camera's direction, facing left, and moves away from the frame in the direction of the camera. From the right side of the frame, a right index finger points towards the center of the frame, then leaves the frame from the lower right. It raises again on the right side of the frame, pointing towards the center.


In the initial left side of the screen, you can see the back of a person wearing a black T-shirt. Part of his body is outside the frame and cannot be seen. On the right side of the screen is a person wearing light blue clothes. They are standing in front of a background that resembles a terrain map. The person on the right is speaking, with his index fingers and thumbs pinched together, making a gesture similar to an OK sign. As he speaks, his hands slightly sway back and forth to emphasize his words. Then he slowly lowers his hands to the level of his stomach, still maintaining the previous gesture. His body is slightly inclined forward as he watches the person in front of him, who has his back to the camera, continuously speaking. Suddenly, the camera changes, now showing the front face of the person who was previously facing away from the camera. He is facing the man on the right, staring at him. The person in light blue on the right can now only be seen from the back. He is still making gestures with his hands, although at this moment only his left hand can be seen swinging back and forth. The person in the black shirt on the left looks to the right, seemingly at the person in light blue who is making gestures on their terrain map in the background.


The scene is of a city road, with numerous vehicles traveling back and forth in the vertical lanes, both in the foreground and background of the image. In the foreground, there is a horizontal bridge on which many cars are moving from left to right or from right to left. The video is time-lapsed, making the cars appear as fast-moving dots. The camera pans to the left, revealing the left side of the bridge. As the camera moves, another vertical road appears on the left side of the screen, with many vehicles traveling back and forth from the foreground to the background of the image.


The main subject of the image is a woman lying on a yoga mat, wearing a mask and positioned at a diagonal from the top right to the bottom left. She has an elastic ball sandwiched between her legs, with her limbs positioned towards the center of her torso. Her hands receive the elastic ball, then her legs lower, and she raises the ball overhead with both hands. Her limbs move towards the center again, and her legs catch the elastic ball, repeating this action continuously.


The camera initially focuses on two rows of hanging clothes, then shifts slightly to the upper left of the frame, revealing the cash register in the background. The camera moves back to the original focus on the two rows of clothes. A person's left hand can be seen extending with the index finger wagging at the bottom of the frame, seemingly pointing at the two rows of clothes. In the background of the frame, a person's head can be seen moving from the center to the left side of the frame and eventually moving out of the frame from the left. The camera continues to shake slightly, moving to the left side of the frame, showing people working and walking in the background. The camera shifts to the right again, refocusing on the two rows of clothes.


The video is shot in the first person, with the camera sitting on a motorcycle parked at the side of the road. In the top right corner of the frame, there is a police car. At this moment, the camera moves to the left, and a policeman appears on the left side of the screen, hands on hips, facing the camera. The person filming extends their left hand into the frame and is communicating with the police officer, accompanied by gestures. The police officer is speaking, his left hand stretched out, pointing to the right side of the screen. The camera slightly turns to the right, and a person walks into the top right corner of the frame.


In the scene, there are two people. On the left is a girl with long golden hair, wearing a white shirt and black-framed glasses. She is holding a black tablet in her right hand, and her left hand is partially visible on the tablet. She is smiling and looking down at the tablet with her head slightly tilted towards the camera. Her left hand is swinging, moving towards the lower left corner of the tablet. The girl's head bows down, and then her left hand moves upwards, while her head tilts slightly to the right side of the frame. Then her left hand drops, and her fingers curl up in front of her body. She bows her head, then turns her head to the right side of the frame, glancing at the man beside her. She then turns her head back to face the camera, smiling and speaking, and shakes her head. The man on the left side of the frame has short black hair, wears white glasses, and is dressed in a black suit. He is holding a tablet in his left hand, looking down with a smile. His left thumb seems to be operating on the tablet as he speaks. Then he turns his head to the left side of the frame to look at the girl, and subsequently turns back to face the camera. The background is indoors, and on the left side of the frame is a window.


In the scene, one can see a person holding a sword in their hand, with their body facing towards the right side of the screen. The camera slowly zooms in on him, revealing his right hand waving the sword, drawing circles with the blade on both sides of his body. Then, he turns his head to look towards the left side of the screen, placing the sword in his right hand at the lower left part of the frame, partially going off-screen, while his left hand is raised, level with his chest. He turns his head towards the screen, staring directly into the camera, which continues to zoom in, all the way to his face.


In the foreground of the scene is a woman dressed in bizarre attire, with her right hand holding a candle lamp raised in front of her, partially obscuring her face. Her right hand, holding the candle lamp, slowly moves towards the right side of the picture, revealing her face. Her face is painted with red and white makeup, looking very strange. Her gaze follows the candle lamp as it moves to the right side of the scene. Her left hand is adorned with makeup resembling a skeleton, with her fingers spread open, raised on her right side. Her left hand slowly moves towards her own body and eventually presses against her chest. Her gaze remains fixed on the candle lamp, her expression one of intoxication. Throughout this process, she slowly tilts her head to the left, seemingly deliberately. Behind her, several people are sitting in the background, appearing to observe her actions.


In the center of the screen, four people are riding horses towards the camera. They pass a bend at the bottom of the screen and head down a path that extends to the upper right corner of the frame. After making the turn, the four continue to ride on horses, moving until they are obscured by the vegetation on the right side of the road. The camera also moves upwards and to the left as they progress.


The background of the screen features a body of water with greenery. In the middle of the scene, a brown monkey is looking towards the lower right side of the screen, talking and smiling, then tilting its head back.


The camera is shooting from a first-person perspective. In the frame, a pair of hands is holding half of a pink circular package, which is filled with a blue, muddy substance, and in the middle of it, there is a black arc with a missing piece inserted. The left hand rotates the pink lid to the side, while the right hand takes out the black object, revealing that the black arc is fixed inside the blue, muddy substance. The right hand pinches the ring at the open end and takes it out from the blue solid. Hidden within the blue solid is a segment of a white, cylindrical shape. Then, the left hand places the blue solid on the white table below, and both hands hold the ends of the black arc.


The scene is shot from a first-person perspective. In the center of the screen, inside the front of a car, the gear on the left side of the screen and the one in the center are rotating. Then, a left hand enters the frame from the left side, using the thumb and index finger to lift up a hose in the center of the screen, and then pinches it down. Afterwards, the left hand moves out of the frame from the bottom left corner, and the camera zooms out.


In the scene is the head display of an electric bicycle. A person's left hand is on the left side of the frame, holding the bike. The left thumb moves to the right side of the frame, indicating a spot in the lower left corner of the screen, then moves to the left side of the frame and presses a button near the top of the screen. The pattern in the lower left corner of the screen changes, and this step is repeated, causing the pattern on the screen to change again. The camera zooms in, and a right hand moves towards the upper left front of the lens, the index finger pointing to the location in the lower left corner of the screen, then leaves the frame from the left side. The left thumb presses the button near the top of the screen again, and the pattern in the lower left corner changes. Then the left index finger extends, pointing to the location in the lower left corner of the screen, taps the same spot, and then moves along a similar arc on the screen from the left to the right. The left hand then moves to the left side of the frame, and then to the right, with the index finger pointing to the yellow indicator light on the right side of the screen. In the background of the scene are green shrubs and a road extending to the upper right front of the camera.


The woman in the middle sits down and lowers her left hand. The woman with short black hair on the left turns her head to look at the camera and smiles, showing her teeth. At the same time, the woman with straight brown hair on the right leans forward towards the camera. Then, the woman with short black hair turns her body and head back to the left side of the frame, with her mouth closed.


Several yellow beans are shot from the lower right corner of the screen towards the yellow fruit in the upper left corner and the brown fruit in the center of the screen. One yellow fruit is knocked out of the frame, while the other two spin in opposite directions, one clockwise and the other counterclockwise. A yellow bean is also lodged into the half-shell of the brown fruit at the top of the screen, causing it to rotate counterclockwise.


In the foreground on the right, a woman wearing a red apron is sideways, facing left in the picture, standing in the kitchen. The camera moves upwards to the right, and the woman in the red apron has her head turned towards the left background, looking at the cabinets filled with various kitchenware. She then turns her head towards the left foreground, out of sight, and finally looks directly into the camera. Throughout this time, she is talking and wiping her hands with a blue towel she is holding.


In the scene, two women can be seen standing in front of a colorful wall. In the middle background, there is also a transparent glass, behind which is a room with the light on. On the left side of the picture is a woman wearing a brown coat, and on the right side is a woman in a white coat. The woman in the white coat is reaching out with her right hand to hold the brown scarf of the woman in the brown coat, and she is examining the scarf from side to side. The woman in the brown coat is smiling, her head slightly tilted up, and then slowly looks down at her own scarf. The woman in the white coat lets go of the brown coat woman's scarf and then reaches out again, pointing to a place on the scarf. The woman in the brown coat raises the scarf with her left hand, showing it to the woman in the white coat, who takes the scarf in both hands and continues to examine it carefully. The woman in the brown coat smiles, shaking her head from side to side, and finally looks back at her own scarf again, while the woman in the white coat continues to observe.


The man in the gray short-sleeved shirt on the right side of the screen is looking to the left and right, his body leaning against the wall at the bottom of the frame. His left hand is resting on the wall, while his right hand is playing with the watch strap on his left wrist. At the same time, the man in black standing on the left side of the screen is facing the right, leaning out to look into the distance. Then, the man in gray turns his head to look at him, and after the man in black glances back, he turns around and walks towards the lower left corner of the frame.


The girl on the right side of the screen is sitting on the sofa, facing the left side of the screen, looking down to the left, and then slightly raises her head to adjust her posture. The boy in the center of the screen is sitting on the sofa, facing the left side of the screen, turns his head to look at the girl as he speaks, glances down at the lower left corner of the screen, and then continues to look at the girl before finally looking towards the left side of the screen. The camera slowly pans down to the lower left corner, revealing a computer in the lower left corner of the screen.


The scene is captured from an overhead angle. In the upper part of the frame, you can see the heads of two little girls. Both have extended their right hands to the left side of the frame, as if they are preparing to pick up some covered red cups in the center of the image. On the right side of the frame, a woman in purple clothing can be seen picking up a cup from the table, holding the rim towards herself, and speaking towards the left side of the frame. The girl in a blue dress at the top of the frame also enters the frame from the left, holding a red cup from outside the left side of the picture.


In the lower right part of the screen, two men with brown hair wearing gray shirts and yellow scarves are standing facing the camera. The man on the right is holding a long rifle. Behind them is a hillside covered with vegetation. In the middle of the top of the screen, a man in blue clothes is facing the camera, holding something in his right hand as he jumps down from the hillside. He stretches out both arms to embrace the necks of the two men in gray shirts, knocking them forward, and all three of them fall to the ground. The man in blue rolls his body towards the camera, and the rifle in the hands of the man with the gun is flung to the right side of the screen. The camera follows their movements.


On the left side of the screen is a man in white clothes holding a camera, facing sideways to the right of the frame. On the left side, there is also a black woman in a red swimsuit walking towards the right of the screen. In the lower right corner, there are two women in swimsuits lying on the beach, facing left. On the right side, a woman in a green swimsuit and sunglasses is holding a man in a white shirt and orange glasses, both looking at the center of the screen. At the top right, there are several black people in green swimsuits talking to each other. At this moment, a black woman in a blue swimsuit appears on the left side, walking towards the right of the screen. The woman closest to the camera in the lower right corner raises her left hand to comb her hair. In the middle of the screen, a woman in a green swimsuit and sunglasses is bending down, walking from the right towards the center, and then stretching out both hands to hold the camera placed on the beach in the middle of the frame. On the left side, a man with a bare upper body and blue swim trunks hands over the keys to the man in a blue tank top and red shorts who is facing away from the camera and then leaves. On the right side, a woman in a black tank top and holding a phone in her right hand is walking towards the left. Then, the man in white clothes on the left side stands up, reaches into his pocket with his right hand, and takes out a phone while looking down. At the same time, the man on the left side, far from the camera, walks towards the right. The camera pulls back slightly. The background of the scene is a crowded beach.


In the center of the screen is a close-up of a woman wearing a blue top from the neck down to above the thigh. She is standing facing the camera with her hands behind her back, with a stone wall in the background. Then she extends her hands, rubs her palms together, and separates them to clap twice. Finally, she moves her hands apart and places them to the sides of her body.


The video scene is animated. Initially, in the center of the screen, there is an animated character with an orange body dressed in a firefighter suit and another character with a green body, both in firefighter suits, facing the camera's direction and looking to the left of the screen. To the right of the scene, a carrot and a strawberry are both smiling, with their hands stretched out towards the left of the screen. Then, the scene changes, and in the center, there is a female animated character in the shape of a white egg, standing on a lotus root. To the right, a hand reaches out and places a male animated character in the shape of a white egg onto the lotus root.


The focus of the foreground in the picture is four girls huddled together, their heads close together. Their hands are placed on the body of the person next to them as they jump up excitedly, laughing heartily. Then, their hands are lowered from the sides of the people next to them. Finally, one of the women exits the frame on the right, while the other three women leave the frame on the left. They then raise their hands to clap, followed by high-fiving each other. In the background of the scene, four women in blue clothes can be seen. They are conversing with each other, and one of the women is holding a basketball, playing with it in her hands while talking to the others.


The scene shows a somewhat bald patch of grass, the camera quickly lifts up, and a house appears in the frame. On the right side of the screen, a white vehicle is parked. At the same time, the shooter quickly walks forward, and the camera shakes slightly with the shooter's movement.


In the scene, a group of sheep are lined up, with their backs to the camera, walking along a small path through the bushes towards the distance. The camera follows the sheep as they move forward, and in the distance, a large flock of sheep appears. The sheep in front of the camera walk towards the distant flock. As the sheep in front of the lens emerge from the bushes, the camera lifts upwards in height.


On the right side of the screen, a man is sitting in front of a computer on the left side of the screen, facing to the left with his side to the camera. He picks up the wine glass on the right side of the foreground with his right hand, moves it towards the back of the screen, then shifts it to the left, and takes a sip of wine while moving it to the right side of the screen. Afterward, he shakes the wine left in the glass.


In the center of the screen, a pair of hands extending from the right side of the frame come close together, continuously rubbing and pinching the tea leaves between the fingertips. As they do so, the tea leaves fall towards the back of the lens. Once all the tea leaves have fallen, the fingers slightly open.


In the center of the screen is a hand painted with pink nail polish holding a toy model of a small cake. To the right of the screen, another hand is holding a black puppy with a pink bow, moving back and forth towards the left of the screen before moving to the right. Then, it swings and rotates towards the center of the screen. The left hand holding the toy model also gradually moves to the right of the screen, then moves back to the left, and the puppy on the right side of the screen gradually moves downwards. On the left side of the background is a puppy wearing a hat facing towards the right of the screen. The background itself features some boxes, and on the right side of the background is a white puppy facing towards the left of the screen.


In the left part of the screen, a woman is sitting facing right, while in the right part of the screen, a man is sitting facing left with his right arm raised upwards, his right hand supporting the woman's left shoulder. At the same time, his left hand is in the lower middle of the screen, holding the woman's right hand. Leaning towards the left of the screen, the man raises his left hand, holding the woman's right hand to chest level. His right hand moves from the woman's left shoulder to her right hand's back, and he turns towards the camera. He then releases his left hand and places it above the woman's right hand. As the man moves, he is speaking, while the woman looks towards the bottom right corner of the screen. When the man stops talking, the woman begins to speak, and the man slightly turns towards the camera, continuing to look towards the left of the screen. The camera zooms in on the couple; the woman looks towards the bottom right corner and then at the camera. The man slightly straightens up towards the right of the screen, releases his right hand, and moves around behind the woman from the center to the left of the screen, getting closer to her. His right hand embraces her right shoulder, and his right cheek is pressed against her right temple. The man continues to speak as the camera zooms in further, focusing on both of their faces, both looking at the camera. The man turns his head towards the right of the screen, his right hand fingers slightly loosen, and then grip the woman's shoulder again. The woman looks down and then raises her eyes to the camera, her lips moving. In the background, there are spiral bands continuously sliding from the top right to the bottom right corner of the screen, or from the top left to the bottom right, or dropping from the top to the bottom of the screen.


In the center left of the screen stands a man with short black hair, his back to the camera, dressed in a white shirt and blue jeans. His left arm is stretched out and his right arm is bent. To his left front, a man with black short hair and a deep blue shirt, also in jeans, is falling towards the left side of the screen. At this moment, a woman with an afro hairstyle and an orange tube top dress jumps out from the left side of the screen. She is standing with both feet on the ground, her left arm raised, palm facing the camera, and her right arm bent at her side. The man in white takes a few steps forward, left leg in front, right leg behind, and throws a right punch towards the woman. His left hand is in a fist by his side, body bent. The woman raises her right hand to block, and the man throws a left punch. She bends both arms in front of her chest and leans back to dodge. The man throws a right punch, and the woman blocks with her right hand open. He throws another left punch, and she blocks with her left hand open. Then, her right leg kicks backwards towards an unseen area to the left of the screen, her head also turning to the left, her right elbow bent backwards. The man continues to attack, and after the woman blocks, she grabs his right hand with her left and starts to punch him in the chest with her right fist. After two hits, she switches to using her right elbow to strike his chest, moving towards the right side of the screen at the same time. The man is held and is forced to retreat repeatedly until most of his body is out of the frame. The woman continues her offensive. At this point, a man in dark clothing enters from the left side of the screen and raises his right foot to kick the man in white. The woman remains in offensive mode, her head turned towards the camera. The camera follows the two as they move from left to right. The background is a room with brown carpeting and brown walls, with brown curtains drawn closed.


In the scene, there are three dolls. At the far left of the scene, there is a dog with a green hat looking towards the right side of the picture. In the center of the scene is a dog with a blue hat facing the camera, looking towards the bottom left corner of the picture. On the right side of the scene is a dog with a brown hat facing the camera. In the bottom left corner, there is a yellow toy car that first moves slowly towards the center of the scene, then retreats a short distance to the left side of the picture.


The video is shot from a top-down first-person perspective. In the center of the frame, a dog is curled up on the bed, looking up towards the camera. At the bottom of the frame, a hand reaches out and is holding the belly of the small dog. The scene then changes, and the hand is now a fist, rubbing the dog's neck.


On a street, on the left side of the scene, there is a woman wearing a brown sweatshirt. She is supporting the ladder with both hands and looking at the woman in front of her who is wearing a purple sweatshirt. After saying something, she glances up at the top of the ladder and then begins to climb it. The woman in the purple sweatshirt, with both hands on the ladder, first looks down at the bottom of the ladder, then turns to look at the woman in the brown sweatshirt, and smiles. As the woman in the brown sweatshirt climbs the ladder, the woman in the purple sweatshirt also follows her gaze upwards.


Close-up hand-held shot. In the center of the frame, a man is walking towards the left side of the screen. The man looks to the left side of the frame and first taps the handrail with his right hand, then touches the bridge's framework. To the right of the frame, a child takes a step towards the camera, then turns his head to look towards the left side of the screen. In the distance on the right, a woman is facing the camera with her hands crossed, slightly shifting her position, and she looks to the right and then to the left before finally looking down at her own feet.


The scene is an animation featuring a cartoon character in the form of a green cube at the center. He slightly turns towards the left side of the screen, bows his head, and then looks up with his hands tightly clenched over his chest. While speaking, he extends his right hand towards the left side of the screen with his palm facing upwards, then retracts his right hand. Following this, he turns towards the camera, glancing downwards to the right of the screen with both hands still clenched, and then looks towards the upper left corner of the screen, raising both hands upwards. The background is an old, run-down house.


A golf ball drops to the ground from the upper side of the screen. The camera switches, and in the center of the frame, a man in white clothes is standing facing the camera, holding a bag in his hand. On the left side of the screen, a man in black clothes is standing sideways to the camera, facing the left side of the screen, with both hands holding a golf club. He swings and hits the golf ball, which moves upwards and then falls to the ground. The camera follows the trajectory of the golf ball, moving up and then down, as the ball moves to the right side of the screen. The man in white takes a golf club from his bag with his left hand, and then receives it with his right hand, moving towards the camera with the bag. The man in black, holding the golf club with his left hand, puts it down, turns his head clockwise, looks down, and then, with both hands on the golf club, gently pushes the ball, which moves towards the camera. On the right side of the screen, two people are moving forward, facing the camera.


The video is shot from a first-person perspective. In the center of the frame, on the left side is a person wearing black clothes, and on the right side is a person wearing red clothes. The two are facing each other and hugging, then they let go. The person on the left side of the frame is facing the camera.


A woman with short hair, dressed in red, stands in the left background of the frame, looking to the right of the screen, smiling as she says something. The blond woman on the right side of the frame looks to the left, her back to the camera. They seem to be in a clothing store, with a table full of clothes between them. The camera cuts to a front view of the blond woman, who reveals a delighted smile, then composed herself and said something, lifting her hand from the table in front of her as she turns around to face back. At this point, in the left foreground of the frame, the woman in red has her back to the camera, looking to the right of the screen. The camera then cuts back to a front view of the woman in red; the woman in the foreground on the right side of the frame smiles with her teeth showing, her fingers interlaced in front of her chest, looking towards the lower right corner of the screen, glancing briefly to the right, then walking towards the lower right corner. The woman in red in the background glances to the right of the screen, smiles slightly, and shakes her head slightly, then looks down at the tablet in her hand, swiping up the page with her right hand.


In the center of the screen, a woman in a black coat is facing right, with her hands on her chest, head down, walking towards the right of the screen. To the right of the screen, a person in a gray top is touching the right hand of another person in a green coat on the left side of the screen with their right hand, then extends their thumb to point to the right of the screen as the camera moves to the right. In the lower left corner, a left hand appears, the woman in the black coat looks up, smiles at the camera, raises her right hand to wave at the camera, and says something before continuing to walk to the right of the screen. There are many pedestrians on the left side and in the background, walking towards the left or right of the screen. The scene is outdoors, with many shops in the background and a fence at the bottom of the screen.


The scene is animated, with many anthropomorphic small animals on the screen. In the center, a lion facing the left side of the screen is standing and drumming, then jumps to the right side of the screen, hands on hips. At the same time, the blue elephant on the left side of the screen is facing the right side, suddenly turns to the left, hands on hips. The pink small animal, slightly to the left of the center, is facing the right side of the screen and starts to drum with its hands. The white animal on the right side of the screen is facing the camera, swaying its body left and right. The camera zooms out, and there are also some animals dancing in the bottom left and right corners of the screen. The top of the screen is a deep blue sky, and at the top are green mountains.


The scene begins with a long shot of a house on a hillside. A carriage is seen moving from the left side of the screen towards the house on the right. The scene cuts, and from outside a semi-circular glass wall, we look inside. On the left side of the screen, a man in a black shirt is sitting at a table, writing something. On the right side, a woman in a dress is standing facing right, looking out the window. At this moment, outside the glass wall, the carriage that was previously seen passes from the right side of the screen to the left. The woman continues to watch the carriage and turns her body to the left as it moves. She then turns her body around, facing the man on the left side of the screen, and smiles while saying something. She then sits down on the stool in front of the table.


In the center of the screen are two people sitting on a motorcycle, their bodies facing the right side of the frame. The person on the right side of the frame, wearing white clothes, has two blue bags on their head. The person leaning towards the left side of the frame is wearing a blue headscarf and embracing the person on the right side, with their back to the camera. Then, the motorcycle drives out of the frame to the right, carrying the people. To the left of the background is another red motorcycle, and in the bottom right corner of the screen, there is a person in black clothes inside a blue box.


In the center of the screen, a man in a pink shirt is standing facing the right side of the frame, bending over with both hands holding a long, slender tool. Then he slightly straightens up, revealing that what he is holding is a shovel. He raises the shovel and then moves it downward. The background is a lawn, and the upper part of the screen is a blue sky with white clouds.


On the right side of the screen, people wearing white and yellow clothes are walking towards the left of the screen. It shows a downhill slope, followed by a small uphill. When they reach the middle of the screen, the person in white turns back and stops, looking to the right of the screen, while the person in yellow stops and looks to the left of the screen. The background is a continuous range of mountain peaks.


In the scene, there stands an old man and a small monkey. The old man on the left side of the picture is wearing a yellow straw hat, turned sideways to the canvas. With both hands raised on the left, he holds a pair of scissors, looking up and trimming a branch. After cutting the first branch, his hands move slightly downward before lifting up again to cut the second branch. On the right side of the picture, the monkey is standing sideways towards the left, with a smile on its face. It then jumps up, grabs the branch above with its left hand, and swings its body to the left side of the canvas, then to the right. It stretches out its right hand, snatching the old man's hat off, and lands on the ground. The old man, after having his hat removed, has a look of terror on his face. The little monkey turns its body towards the picture, its right hands placing the hat on its head, and runs off to the right front of the canvas while holding the hat in place. The old man turns his body towards the camera, releases the scissors with his left hand, reaching out to the right side of the picture, while his right hand grips the scissors, letting the handle hang by his side.


The main subject of the scene is a person wearing a hat with their left hand in their pocket and their right hand resting on the seat of their bicycle. They are walking slowly, step by step, towards the distant end, while the camera trembles slightly with each step they take.


In the scene, two men can be seen. One is on the right side of the screen, wearing a light blue shirt, sitting in the driver's seat of a red tractor with both hands on the steering wheel. In the center of the screen stands a man in a white shirt, facing the right side of the screen and looking at the blue-shirted man's hands. The man in the white shirt is holding a black board. As he slightly turns his body towards the camera, the board is in front of him. The man in the blue shirt is speaking, with his left hand on the steering wheel and his right hand seems to be indicating on the dashboard, as if clicking. The man in the white shirt slightly bows his head, looking at the blue-shirted man's hands, and listening attentively to the explanation from the man in the blue shirt.


In the frame is the lower half of a man dressed in a suit, carrying a briefcase in his left hand and his right hand in his pocket. He is walking from the back of the frame towards the front, while the camera pans backward.


This is a top-down perspective. In the center of the frame is a white little boy wearing a yellow tiger costume, looking at the camera with a big smile. His left hand is extended towards the right side of the picture in front of his body, while his right hand grasps the left wrist and lifts it up before letting it down. In the lower left corner of the frame is a girl in a white patterned skirt, looking at the camera and smiling, with both hands holding onto the seat belt on the right side of her head.


In this video segment, the camera looks down on a bustling city street, capturing a variety of vehicles and pedestrians moving about. On both sides of the street, motorcycles and cars travel closely, among which several large buses and trucks can be seen. Pedestrians cross at the zebra crossings, while some motorcycles wait for the traffic lights to change. On both sides of the street, the signs of shops stand out, and people are active in front of the stores, adding to the lively atmosphere of urban life.


In the center of the screen is a toy set with a small car and a track. On the right side of the screen, a little boy is sitting. The boy uses his left hand to press a button in the center of the screen, causing a toy car to rush upwards and collide with other cars, scattering them on the ground. The camera pulls back to a wider shot, and the boy's hand can be seen moving a car to the distance. At the bottom of the screen, a row of small cars enters the frame, and the boy's hand reaches the bottom right corner, adjusting the positions of several cars.


There are three people in the picture. The girl with a ponytail is standing on the left side of the frame, facing the right side and saying something about loving and protecting. In the distance on the left side, a man in white is facing the camera and smiling. On the right side, a man in a tank top has turned around to face the man in white, raising his right index finger to point at him. At the same time, the man in white walks towards the camera with his head down, the ponytailed girl disappears from the left side of the frame, and then the man in the tank top lowers his right hand while the man in white shrugs his shoulders upwards.


On the left side of the screen, a woman in green clothing is holding a black tube facing the right side of the screen. At this point, the video is accelerated. Then, the video returns to its original speed, and the woman pulls the tube back. Following that, the video accelerates again, and she continuously cleans the end of the tube with her left hand, turning the camera slightly before turning it back.


A man wearing a brown hat is looking down at the camera with his hands in his pants pockets, occasionally glancing to the left of the frame. At this moment, four people on horses appear from the top of the frame. The man in the brown hat walks to the right of the frame and stands facing left. The horse riders gallop from the left side of the frame to the bottom, each looking at the man in the brown hat. After the horse riders disappear, the man in the brown hat maintains the same pose, continuing to face the camera downhill.


On the left side of the screen, a woman facing sideways to the camera has her legs stretched out to the right of the screen with her hands holding onto two rope handles, sitting on a piece of equipment on the ground. She pulls the handles to the left with both hands, causing her body and the equipment she's sitting on to shift to the right. Then, she extends her arms to the right, and her body and the equipment move to the left. At the same time, in the background on the left, a man who is slightly turned to the right and facing the camera, with his head down looking at the woman, glances up and looks towards the woman on the right. He takes a step to the right and turns to face the camera directly, then turns around and walks towards the left edge of the screen. The woman again pulls the handles with both hands, slightly moving her body and the equipment to the right.


In the center of the screen, a woman is sideways to the camera, facing the right side of the frame, with her right half-sitting on the table. Her right hand holds a pen, writing on the paper on the table. As the camera moves up, the woman is seen holding a laptop with her left hand, and her right hand is clicking on the keyboard. Then, she turns her head clockwise to face the camera directly, looks down, and subsequently turns her head counterclockwise, sideways to the camera, gazing to the right side of the frame.


In the scene, a man in black clothes and blue jeans can be seen lying horizontally between two railings. Standing to the right of the frame is a man in a black and white jacket, who is looking at the man lying horizontally. He gives the man's buttocks a pat with his hand. The man lying down falls and then stands up straight, at the left side of the frame, with his right hand resting on the white mast on the left side of the screen. He then lowers his hand and gives a high-five to the man in the black and white jacket on the right. The two men's hands are clasped together as if they are talking about something, both looking towards the left side of the screen. Then, they release each other's hands and turn to face each other again, facing the center of the screen. The man on the left side of the frame now claps his hands together. The man on the left side of the frame claps his hands together again. Then he extends his right hand to the man on the right. The man on the right also takes out a bag of something unknown from his own bag, his expression is serious, and then he passes the bag to the man on the left. They both look around. Finally, the man on the right gently pats the stomach of the man on the left with his right hand and then prepares to walk away to the back and to the right. The man on the left side of the frame opens his black shirt, seemingly preparing to put the bag inside.


The boy visible on the right side of the screen has his left hand in the center of the frame and is playing with a toy. His finger is pressing the yellow button to launch the red car within the track. The red car moves upward along the runway, collides with the toy, and knocks off parts from it. The camera moves backward and upward, revealing more of the boy's body on the right side of the screen. The boy's hand moves towards the camera, and then the lens turns downward, showing several rows of toy cars in the foreground. The boy's left hand moves to the right side of the screen, placing the red toy car he's holding to the right of the yellow toy car. He then opens his palm, covering the other toy cars, as the camera moves to the left.


In the scene, two people can be seen. In the center-left part of the frame is a woman wearing a white top. In the center-right part of the frame is a man also wearing a white shirt. Both are sitting on a brown sofa, facing the camera. The woman has her legs crossed on the sofa, with a cat sitting in the middle of her legs. She is stroking the cat with her right hand, supporting her head with her left hand, and her arm is resting on the shoulder of the man beside her. The man, on the other hand, is looking down at the screen of a laptop placed on his lap, with both hands manipulating the keyboard of the laptop. He occasionally turns his head slightly to the left side of the frame, speaking to the woman. The woman has slightly adjusted her posture and is smiling, also looking at the screen of the laptop. Suddenly, the woman laughs out loud, and the man's expression also changes slightly. In the end, the woman turns her head to the right side of the frame, looking at the man's face.


The camera captures a top-down view where a person is holding a small knitted pouch in their left hand, with their left index finger hooked around a green thread. Their right hand holds a crochet hook, moving it to the left side of the frame, then to the right, hooking the thread and knitting the pouch.


A woman is facing to the right of the screen, bending her right arm upwards, and supporting her body with her left hand on the ground. Her right knee is bent, and she rotates from the right side of the screen to the left, pulling her body to face left. Her left leg is flat on the ground with the knee facing to the right of the screen. She sits up facing the left side of the screen, raises both hands overhead, turning them to the left side of the screen. Then she rotates her wrists to face her palms towards herself. Her left leg rotates towards the left side of the screen, propping herself up in the bottom left corner. She then leans forward to the left side of the screen, turning her head towards the camera, and rotating her arms so that her palms face down, placed above her left shin. The camera pans to the left along with the woman's body movement.


A woman in a yellow dress with a red shoulder bag is standing on a viewing platform taking photos, with towering mountains in the background. Initially, she raises both hands with the camera, with her right foot forward, seriously taking a photo towards the left side of the frame. Then she takes a step back with her right foot, lowering her hands to shoot. In the end, she raises her hands again, turns the camera down, and continues to take photos. The camera moves around the woman, transitioning from her left side to her right, capturing the mountains, rivers, the setting sun, and the higher viewing platform, among other things.


First-person perspective, the camera pans up to reveal a group of white spherical flowers within the frame, with some willow branches dangling overhead. To the right of the screen, a white sculpture stands silently. The camera then slightly retreats and pans to the left, bringing the white spherical flowers into better view, while the willow branches above sway in the wind. The cameraperson then walks towards the statue, extending their left hand with the index finger pointing at the sculpture, while also holding a book in their hand.


In the foreground of the scene, there are three men facing the right side of the frame, walking towards the right. The man in the blue shirt keeps smiling and talking, while the man in the dark shirt on the far right of the frame disappears to the right. In the background, three people are walking side by side towards the right of the frame, facing right. The man in the light blue shirt takes out his phone from his pants pocket with his right hand and looks at it, and black-bordered white text appears at the bottom of the frame. The setting is outdoor, with many pedestrians in the background, as well as a larger and smaller person riding a bicycle towards the right of the frame. There are also many drawings on the beach in the background.


On the right side of the screen, a silver car is sideways to the camera, moving towards the right side of the screen, and leaving the frame on the right. On the left side of the screen, a black car is sideways to the camera, moving towards the right side of the screen and leaving the frame on the right. In the background on the right side, several people are sideways to the camera, turning clockwise towards the left side of the screen, moving away from the camera with their backs facing forward. There are also several people sideways to the camera, moving towards the left side of the screen. The camera slowly moves to the left, showing a person holding a bag in their right hand, sideways to the camera, moving towards the left side of the screen and leaving the frame on the left. Another person carrying an orange bag is sideways to the camera, moving towards the left side of the screen.


The scene is an animation. On the left side of the screen, a man wearing a yellow hat is standing, facing the right side of the screen and talking. His left hand is hanging down, and his right hand is on his hip. Then he blinks, extends his left hand with the index finger pointing up to the right side of the screen. He then lowers his left hand, swings both hands, and walks towards the right side of the screen. On the right side of the screen, there are two children wearing red hats, both facing left and looking to the right. The little girl is sitting on a tree stump, supporting herself with her left hand on the stump, while the little boy has his hands crossed over his chest, leaning against a piece of wood. Both are shaking their heads. The setting is outdoors, with variously shaped trees above and a yellow ground with weeds growing below.


On the right side of the screen, a man raises his right hand and waves his elbow, looking towards the left side of the screen. He is speaking with his mouth, and after waving his elbow again and glancing at the screen, he looks at the man on the left side of the screen. After waving a few times continuously, he spreads both hands open on either side of his body, then lowers them, raises his right hand again to wave his elbow, and looks at the screen while pointing at the image on the screen.


A man in a floral shirt stands in front of the car, positioned in the center of the frame, facing the camera, with his right hand extended, holding the hand of the woman in front of him. The woman stands to the left of the frame, her back to the camera, with her right hand extended, being held by the man. The man releases the woman's hand and speaks to her. The woman lowers her hand and takes a half step back with her right foot.


A curly-haired woman wraps her hands around the man's neck, while the man encircles her waist with both arms. They gaze at each other, starting from the left side of the frame and spinning in circles all the way to the right, then rotating back from the right to the left.


The scene is set at night. On the left side of the canvas is a man whose body is facing the right side of the painting. He is bending over with both hands holding a hoe, digging soil by a river. After a few digs, he straightens up, supporting the hoe with his right hand, and then begins to walk towards the right side of the canvas. After taking a few steps, he reaches the center of the painting, then bends over again, bringing the hoe forward, and both hands start to grip the handle to begin digging the soil repeatedly in one spot. The background is a riverbank, with several boats in the distance on the left side of the canvas.


On the right side of the screen, there is a car with a group of people loaded at the back. A man in a white vest is raising his right hand and waving. At this moment, the scene cuts to the right side of the screen where someone is thrown out of the car and tumbles through the air. Then the scene switches again to the right side where a man is looking towards the center of the screen with something spoken from his mouth. It then cuts to a scene where a man looks up. Once more, the scene changes to show a person in blue clothes jumping on the left side of the screen.


There are three people standing in the picture. The girl on the far left has golden hair and her body is turned towards the right side of the frame. Her hands are raised and she is smiling, with her left hand reaching out to the boy on the far right. The boy in the middle, wearing a white shirt, raises his right hand and points his index finger at the boy on the far right, then withdraws his right hand and turns his body towards the left side of the frame. The boy on the far right, wearing a deep blue vest, is facing towards the left side of the picture and speaking to the girl. The girl lowers her hands, turns her body towards the camera, then drops her arms, and places her hands crossed in front of her. She turns her head towards the left side of the frame, then quickly looks to the right, releases her hands, places her right arm at her side, and rocks her body slightly as she laughs heartily. The boy in the blue vest raises his left hand to comb through his hair, then raises it again and rubs his eyes with his little finger before moving his left hand down. The boy in the white shirt now places his right hand on the table to the left and back of the frame, while his left hand moves a stick up and down.


In the center of the screen, a man facing right is playing an electric guitar, with his right hand sweeping up and down the strings. His head is not in the frame. The camera moves to the left and zooms in, then pans upwards, revealing the upper half of the man's body. The man is wearing a denim jacket and yellow glasses, and while singing, he sways his body from side to side. He turns his head to the right of the screen and looks down to the right, then turns again to look at the center of the screen, and then turns to the right to look down, before frowning and turning to the left side of the screen. The background is dark, with some small bulbs and long strip lights.


This is a set of fast-paced shots with a bed placed against the wall in the foreground. A cat is located in the upper left corner of the frame, lying on the bed facing the camera. A person in a green shirt has their back to the camera, holding a purple sheet and walking towards the front right of the lens. The person in the green shirt turns towards the front left of the camera, shakes open the purple sheet on the bed, and the cat on the bed turns to the right side of the frame, pulling down the sheet. Then, with its head facing the right side of the frame, the cat lies on its side on the bed, facing the camera. The person in the green shirt shakes the sheet towards the upper left of the frame, and the cat moves to the left side of the frame, lying on the bed close to the left edge, with its head facing the right side of the frame and its back to the left side of the camera. Afterward, the cat stretches its body towards the left side of the frame, lying on its side with its back to the camera. The person in the green shirt kneels on the bed towards the upper left of the frame, then bends forward towards the camera, supporting themselves with their left hand, as if trying to put the sheet over a corner of the mattress in the middle of the frame. The cat gets up, walks along the wall on the left side of the frame towards the camera, and the person in the green shirt climbs down from the bed on the right side, then bends over towards the front right of the camera to put the sheet over the corner of the mattress in the front right. The cat walks to the upper middle of the frame and is then pushed against the upper right side of the frame by an arm, lying on its side with its head facing the right side of the frame. The person in the green shirt turns towards the left side of the frame and walks towards the bottom of the camera.


In the center of the screen is a blue frame, and on the left side of the screen is a pot of vegetables. A person's hands are lifting the pot of vegetables, tilting it to pour into the blue basket. The hand tilts the pot of vegetables more and more steeply until the contents are completely emptied into the blue basket. Many white clouds rise in the screen, which should be caused by the steam from the hot vegetables. In the end, the blue basket is completely obscured by the white steam.


In the scene, you can see four girls, and from left to right, they are: the girl wearing pink and white spotted pants, the girl in gray pants, the girl in a gray top, and the girl in a purple top. Initially, each of them is holding a cucumber slice in each hand. Then, they each apply the cucumber slices to their eyes. The camera slowly pans to the left, revealing that all four girls have placed cucumber slices on their eyes. The three girls on the right have lowered their hands in front of them. The girl on the far left, after adjusting the cucumber slice on her eyes, also lowers her hands to her lap. They are all slightly tilting their heads back and smiling. The girl in the purple clothes occasionally raises her right hand to adjust the cucumber slice on her eyes.


A man in a green long-sleeved shirt, pushing a shopping cart, walks out from the left side of the screen. He looks at the shelves in the background of the image and walks out of the frame to the right. The background of the scene is several rows of beverage shelves.


On the left side of the screen is a tree, and on the right side is a black door. The door is opened from the inside, and a woman in white clothing steps out sideways through the door. She holds a piece of dark green clothing in her left hand and supports the door with her right hand, closing it. Her body faces to the right of the screen, her head towards the camera, and her eyes look to the left side of the frame.


The background of the scene is a wall. In the center of the screen is a white boy wearing a black short-sleeved shirt, facing the camera with both hands on his chest, speaking excitedly with hand gestures to accompany his words. At this moment, a boy in a dark blue short-sleeved shirt walks in from the left side of the frame, turns to face the camera, and looks at the boy in the center of the screen with a smile.


The hippopotamus stands in the center of the frame, opening and closing its mouth, facing the camera, lowering its head and raising its right hand, gradually extending its fingers before closing its eyes, and then placing its right hand on its chest before opening its eyes again.


On the right side of the screen, an anime character wearing an orange safety helmet raises their left hand to their mouth, with their eyes looking to the right of the screen. The background of the scene is filled with firefighting equipment, and on the left side is a fire hose pipeline. The camera moves towards the right side of the screen, and a thought bubble of the anime character appears in the upper right corner. In the bubble, on the right side, an anime character in orange pants is holding a water hose with both hands, spraying water at the lower left side of the bubble. On the left side of the bubble, there is a table with a cluster of flames. Due to the recoil of the water, the anime character in orange pants is hit and breaks through the right side of the window, flying out. The anime character with the orange safety helmet has closed their eyes.


On the left side of the screen, a woman is standing on the ice facing the camera, looking at a child who is also standing on the ice with their back to the camera. The child's left hand is holding the woman's right hand. In the center-left part of the screen, a man is standing on the ice facing the camera, holding the child's right hand with his left hand. The man is bent over, looking up at the child. The three people form a circle, and the camera revolves around them counterclockwise. The woman bends down to take the girl's left hand, while the man slightly straightens his upper body. At the same time, the man takes a step backward with his right foot away from the camera, followed by a step backward with his left foot. The woman looks up at the child, and then the three people, hand in hand, begin to skate counterclockwise.


In the center of the screen, there is an auto part. On the right side of the screen, there are a pair of side-view hands, with the left hand supporting the part and the right hand picking up the part. Both hands hold the ends of the part and press it down from the top into the empty groove of the auto part. Afterward, they pick up the protruding part and install it into the correct position.


The video is shot with a handheld camera. On the left side of the frame, a woman in a black coat and black pants is standing facing the right side of the screen with her hands raised in front, holding a phone. She is looking down at the phone. In the center-right part of the frame, a boy in a black shirt is squatting on the ground with his face turned towards the camera and his left hand extended. In the background are two rows of shelves filled with merchandise. The camera then pans down to the right, and the boy turns his head to look at the purple merchandise on the right side of the screen, and he also stretches out his right hand, using both hands to grip the sides of the purple item in an attempt to take it out. Subsequently, the boy grips the top of the purple item with both hands, causing it to tilt forward, and eventually, the top of the purple item is completely removed from the shelf.


The first scene of the video shows a tool in front of a blue background, and the second scene features a green cartoon character with a square head, slanted eyebrows, wearing a red shirt with a yellow collar and a red and white striped tie. The cartoon character faces the camera, talking and swaying back and forth while continuously making hand gestures.


In the scene, five people can be seen standing on a small cliff by the sea, with their backs to the camera, looking out at the sea in the background. From left to right, they are: a man in a white shirt, a man in a red shirt, a man in a white shirt, a woman in a pink shirt, and a man in a white shirt carrying a guitar. Initially, the woman in the white shirt raises her hat in her left hand and jumps in place. Then, she slowly lowers the hat in her left hand and places it in front of her. The man in the red shirt and the woman in the pink top are looking at the sea in the background together. The man in the red shirt stretches out his left hand, pointing to a spot in the sea. The man in the white shirt is also looking in the direction pointed out by the man in the red shirt. The man with the guitar is turning his head to look at the upper left corner of the picture. Next, both the woman and the man in the white shirts take two steps forward, looking towards where the man in the red shirt is pointing, and the man with the guitar also turns his head to look in that direction. The woman in the white shirt presses her hand to her head, and the woman in the pink shirt also places her hand on her forehead, possibly to shield the sun. Finally, the woman in the pink shirt also reaches out forward, pointing to a spot in the sea.


The scene shows a very fast-speed time-lapse shot, with the center of the frame featuring a white cabinet. To the right of the frame, a person in yellow clothing is supporting the cabinet with their left hand, while their right hand holds a green rag, wiping the white cabinet.


The lens is focused on a cluster of white, misty object in the background of the screen. Initially suspended in the air and spinning, it is slowly moving towards the ground, and its volume is also increasing. In the foreground, many people are standing on a carriage, with two horses in front pulling it. One after another, more people enter the scene from the bottom, sitting on carriages, heading towards the direction of that cloud. All the people in the foreground are facing the mist, looking up at it.


The camera is shot from a first-person perspective. At the beginning, the lens moves backward and upward with a noticeable shake, aiming to film the car door. A pair of hands appear on the right side of the screen; the right hand is holding the upper edge of a metal plate, while the left hand is visible in the lower right corner of the frame. The camera turns to the upper right, the left hand disappears from the lower right corner, and a man facing left appears on the right side of the screen. He raises his right hand, holding a wire on a metal plate, and looks down while shaking his right hand. The camera moves downward, the man's face disappears at the top of the frame, and his right hand continues to shake, pulling the wire from the metal plate, with the camera trending to turn right.


In the scene are the sides of many people's feet. Initially, many people are walking towards the left side of the frame. Then, a pair of feet wearing out-of-focus white sandals appears from the left side of the foreground, pausing briefly before slowly walking towards the right side of the frame and disappearing from view. Another pair of feet in white sandals appears from the left side of the foreground, walking towards the right side of the frame and vanishing from sight. Finally, a pair of feet in black sandals walks across the foreground, moving from the left to the right side of the frame and disappearing. In the background, most of the feet are walking from the right to the left side of the frame, and they are also moving more slowly.


On the left side of the screen is a camera, and on the right side, close to the lens, is a woman in black sweatshirt and pants with her hair in a ponytail, sideways, looking towards the left of the screen. She is holding a clapperboard with both hands, and while speaking, she turns her head to hit the clapperboard. Then, with her right hand holding the clapperboard, she swings it upwards to the right of the screen, glances towards the left of the frame, and then turns around and walks away towards the right of the screen. In the center of the screen is a black woman wearing a green top and a floral skirt with a yellow headscarf, who looks towards the left of the screen, then bows down towards the middle-bottom of the screen, extending her right hand, and slightly straightens up afterwards. In the background on the left are black people sleeping under blankets, and on the back wall, there are some fabrics and scarves hanging. On the right side of the background, there are two wooden chairs with basins placed on them.


On the left side of the screen, a girl with black hair wearing a blue hooded sweatshirt and a gray coat is looking down at a black electric scooter in the center of the screen. Her left hand keeps shaking the handle of the scooter while her right hand leans on the back seat. Her feet are continuously stamping down, then she looks up to the right side of the screen with a serious expression. She then looks down, lifts the back of the scooter, and continues stamping, after which she looks to the left side of the screen with a joyful smile and speaks. Lowering her head, she pushes the scooter to the right side of the screen, then mounts it by straddling it. She bites her lower lip, and with both hands on the handlebars, she looks to the right side of the screen. In the background, there is a forest and a shallow blue net with a gray ground. The electric scooter has keys hanging from it, and at the back, there is a wooden block with a blue plastic basket on it.


The camera pulls back, showing the woman in the passenger seat brushing her hair back from over her right shoulder. She then raises her right hand, placing her fingers on the edge of the car, and looks down with her eyes drooping. At the same time, the man's head turns to the right side of the screen. The woman then stretches her hand outside the car, and the camera subsequently shifts to the left. Inside the car, the man is seen operating the steering wheel, and the car moves to the right side of the screen. The camera finally pans to the rear of the car.


The scene is a close-up shot of a hand. A hand enters the frame from the left side, points inside the hole, and then moves laterally across both sides of the frame with the palm facing down, repeating the action.


Medium close-up shot, on the left side of the screen in the distance is the upper body of an Asian man, who is facing the camera with his head down. On the right side of the screen is a close-up of a Black man's face, who is turned sideways towards the camera, facing the left side of the screen. The Asian man starts to speak, and the Black man looks up at him. The Asian man glances to the left side of the screen and smiles, then looks back at the Black man. The Black man first bows his head, then looks back at the Asian man and laughs. The Black man starts to speak, and the camera focuses on his face.


The video is an animation, and the scene takes place inside a house. On the right side of the screen is a man wearing yellow clothes, turned sideways to the camera, looking to the left, and he is on the phone. In the center background, there is a door half open, and a monkey is opening the door. As the man walks forward and turns his head to see the monkey leaving, the monkey greets the man first, then the man greets the monkey, and the monkey turns around, closes the door, and leaves. Then, the scene cuts to the kitchen, where the man in the yellow clothes walks out from the right side of the screen, towards the center, still on the phone. Then, the man in yellow looks down, notices the teapot lid, picks it up with his hand, glances at it, and puts it down. He squats down and disappears from the frame, then his left hand reaches out and places it on the counter, and he stands up, still on the phone.


The camera focuses on the upper half of a man's face as he is reading; his head is tilted to the left side of the frame. The foreground is blurred with books. He lowers his left hand from behind his head towards the camera, then flips the page to the right side of the frame. The lens focuses on the books in the foreground, and the man's head turns slightly to the right side of the frame. The camera refocuses on the upper half of his face again as he looks towards the bottom right corner of the frame, still reading.


Four people are standing on the left side of the screen. From the left side of the screen to the right, they are: the person in grey shoes, the child in jeans, the child in black shorts, and the child in plaid pants. The camera moves down, and the child in jeans lifts his left leg towards the camera, the child in black shorts turns around and lifts his right leg towards the right side of the screen, the child in plaid pants moves towards the center of the screen, and then the child in jeans lowers his left leg.


In the distance, slightly to the left, there are three small dogs. At the beginning, the leftmost dog in the picture is a brown dog standing, looking to the right side of the screen with its perspective. Then, to its right, there are two more dogs playing and roughhousing. They roll and play from the left side of the screen towards the far left. On the right side of the video, you can see a wooden fence made along the road on the left side of the screen. The background is an open outdoor road, with barren high mountains in the back.


In the right side of the screen stands a long-haired man in a white shirt facing towards the left side of the screen. His right hand first rests on the chair, then, after lowering it, he raises his right hand to point towards the left side of the screen and says something. After lowering it again, he raises it slightly to continue speaking, while the camera shifts slightly to the left. In the center of the screen is a woman standing and looking down at a book. On the left side of the screen, a sitting woman first faces the left side of the screen, then turns her head to look towards the man on the right side. The background of the scene is a bookshelf.


In the scene, a white-haired man with his arms and hands open in the air is sitting on a sofa talking. During the conversation, he gestures with both hands, lowering, raising, lowering, raising, and then lowering them again, accompanied by movements of his body back and forth. The background of the scene is a room with a round table, chairs, etc. The camera switches, and in the red scene, two people are walking on a mountain.