Close-up shot, in front of the magenta walls, there are some Barbie dolls and small toys. Above in the frame, a person's hands are holding a small pink basket; the right hand grips the upper right side of the basket, while the left thumb and index finger pinch the handle above the basket. Then, the right hand slides to the right, holding the middle of the basket and then gripping the upper right side, while the left index finger points to the flower pattern in the middle of the basket. Next, with the left palm facing the camera, the index finger shakes the two blue and yellow tassels hanging from the handle of the basket. Then, the left hand moves to the left side of the frame, partially disappearing from view, and then moves to the upper left of the frame, using the thumb to shake the tassels hanging from the handle.


On the right side of the screen stands a man wearing a black shirt, and in his right hand, he holds a metal skewer with a grilled sausage attached to the end. The man is roasting the sausage over a fire pit located at the bottom of the screen. He rotates the handle of the skewer with his right hand, causing the sausage to spin as well. There is smoke continuously rising from the fire pit at the bottom of the screen.


A woman in a white dress is smiling as she dances in circles from the left to the right of the frame, holding up the skirt with both her right and left hands. In the foreground of the scene, there are some people sitting, with a man at the bottom left turning his back to the camera, his left hand following the dance movements. In the background, several people are sitting facing the camera, watching the dancing woman in front of them, and among them, the person on the right is beating a musical instrument with both hands. The camera moves from left to right following the woman.


On the right side of the screen, a man wearing a hat has his back to the camera, seemingly adding firewood to the stove in the middle of the screen. The scene changes, and a person in a white shirt raises their right hand, bows their head towards the right side of the screen, as if they are coughing. The scene switches again, at the center of the screen, a woman stretches her right hand towards the right side of the screen, crawling in from the hole on the left side of the screen, then falls back, and she looks to the right side of the screen while speaking. The camera moves to the right.


A man is sitting in the center of the screen speaking, with his left hand on the table and his right hand raised, index finger extended towards the camera, talking while frowning with his mouth open. As he speaks, his right index finger points down and is placed on the table, then he turns his head to the bottom right corner, looking outside the video, with his mouth open wide. The background is wooden with some knickknacks.


In the scene, four people are moving towards the right side of the frame, sideways to the camera, laughing and conversing. From left to right, they are a man with a pompadour, a man wearing a black hat, a man in a striped shirt, and a woman. The man with the pompadour occasionally turns his head clockwise to look at the camera, while the man in the black hat walks a distance looking at the camera before turning his head counterclockwise towards the right side of the frame. The woman is holding the left arm of the man in the striped shirt with her right hand, and the man in the striped shirt occasionally turns his head clockwise to look to the left side of the frame, laughing at the man in the black hat. In the end, the man in the striped shirt is sideways to the camera, looking to the left side of the frame.


The scene on the screen shows a swimming pool. In the center of the frame, a woman is playing in the water with a swim ring on, her back facing the camera. She has the swim ring around her abdomen, lying on her back with her hair submerged in the water. The camera slightly pans to the left, and the woman turns to her side, facing the left side of the frame, and looks at the camera while smiling after splashing the water twice with her hand, still lying on her side in the water. Following this, the woman raises her head and splashes the water twice with her hand.


The video footage shows a car engine from the side, with the car hood opening towards the top of the screen. The camera then moves to the left. The scene changes, and the center of the screen shows the rear side of a car. In the background, a white car drives from the left side of the screen to the right.


In the center of the screen, a woman in a white top is sideways to the camera, facing the right side of the frame. In the foreground, there is a white car parked at the roadside facing to the left of the screen. To the right of the background, there is a house. The woman is swinging her right arm and running quickly towards the right side of the frame. The camera follows her movement, panning to the right. In the end, the woman disappears into the darkness on the right side of the screen.


In the center of the screen, a man in black pants is walking towards the camera, his head turned to the right side of the frame, with his left hand holding a large box. To the right of the screen, a woman in jeans is also walking towards the camera, slightly bowing her head, with her left hand carrying a bag. The man turns his head towards the camera and slightly bows it down, looking at the black object in his right hand, then he turns his head back to the right side of the frame. At the same time, the woman also turns her head to the left side of the frame, swinging her right hand as she walks and talks. The man turns his head back to the camera, bowing down to look at the object in his hand. In the background, there are two houses, and a white fence on the right side of the screen.


On a broad expanse of sea under overcast skies, two people are surfing on the left and right sides of the frame respectively. As the sea water surges towards the right side of the frame, the man in white at the very left and the two people on the right side of the frame lie on their surfboards and ride over the waves, moving towards the left side of the frame. The man in white at the very left gradually disappears from view. Meanwhile, a person in black moving towards the right side of the frame from the left initially lies on the surfboard, paddling with both hands through the water, then stands up on the surfboard supported by all fours. He occasionally controls the surfboard by swinging his legs and adjusts his direction with his hands in the air. During this time, another man closer to the background also lies on his surfboard, following the waves towards the left side of the frame. Subsequently, another man closer to the foreground attempts to stand up on his surfboard while moving towards the left side of the frame but is swept and submerged by the wave. He is then seen holding his surfboard above the water surface at the lower left corner of the frame, moving towards the right. The person in black, who had been moving towards the right, also changes direction and moves towards the lower left corner of the frame, towards the left. As the camera slowly moves to the right, these people eventually all disappear from view.


The scene captures the interior of a beehive from a low angle, with many bees flying inside the beehive and in the foreground of the image. The camera slightly pans to the left, revealing more bees on the left side of the beehive interior. Suddenly, the scene changes to another setting, with a bellows placed in the center of the frame. At the bottom of the screen, the shadow of a person can be seen holding a phone up to their face. The camera slightly pans to the left again, and the shadow of the person at the bottom of the screen also moves to the left. Bees can still be seen flying in the air, with some circling around the beehive.


In the scene, a black woman is facing the camera, sitting slightly turned to the left on a sofa, bowing her head down. The camera follows her, gradually moving down, and a close-up of her hands is shown. She is gripping the edge of a brown paper bag on the ground, then she reaches both hands into it, preparing to take out the contents. Then, the camera starts to rise, showing the upper part of her body. With a smile, she picks up the item from the bag, which is a sweater. She holds the sweater in front of her, examines it carefully, then hugs it tightly to her chest, closing her eyes and shivering slightly. Afterward, she holds the sweater out in front of her and begins to unfold it. Then, she stands up.


In the center of the screen, a person in black clothes and a person in a blue shirt are having a conversation next to a map. The person in the blue shirt first points to the map in front with his right index finger, then retracts his hand. He then uses the palm of his right hand to point to the map in front, making a slicing motion before retracting his hand. He subsequently raises his right palm sideways over his head, gestures for a moment, and then brings his hand back down. Finally, while speaking, he gestures with his right hand in front of his chest and once again points to the map in front with the palm of his right hand. The person in black clothes alternates their gaze between the face of the person in the blue shirt and the direction he is pointing, occasionally nodding in confirmation.


Shooting from a first-person perspective of a boy. In the frame is a boy dressed in black, pushing a shopping cart with both hands on the right side of the screen. The camera slightly turns to the left, and at the bottom of the frame, a bag of green snacks is handed to the little boy. The boy reaches out with both hands to catch the snack and puts it into the shopping cart. Following the movement of the snacks, the little boy pushes the shopping cart towards the left side of the screen with both hands, then lets go of the cart and walks towards the left side of the frame. The camera lifts slightly upwards, focusing on the boy's face.


The woman's head is tilted to the right side of the screen, and her right middle finger is moving to the right side of the screen from under her left eye. Then, smiling, she straightens her head, tucks in her chin, and her right middle finger moves to the left side of the screen from under her right eye. Immediately after, the woman lowers her right hand, bends down to dab cosmetics from her left knee, then turns her face to the right side of the screen, looking into the mirror in front of her. Her right hand moves from the eye socket to the upper eyelid and shifts to the left side of the screen. She then tilts her head to the right side, and her right middle finger moves from the eye socket to the upper eyelid towards the right side of the screen. Following this, her right hand leaves her face, she straightens her head, smiles at the mirror, pinches her nose, and places her right hand on her chest.


In the scene is a pair of hands; the left hand is raised with an index finger, essentially holding a strand of green yarn, while the thumb and middle finger grip a piece of knitted fabric. The right hand holds a crochet hook, repeatedly turning inward towards the inside of the picture, weaving the yarn held by the left hand into the item.


The screen faces a river, and the camera quickly moves forward. There is a bridge connecting both sides of the river. The camera rapidly approaches a person on the bridge, who opens her arms towards the screen while dangling her feet in the air. In the end, as the camera continues to move forward, she exits the frame from the bottom of the screen.


The scene shows an intersection. In the middle ground, a white car is driving from the right side of the screen to the left, moving out of the frame. In the left background, a person is holding a tube and spraying something onto the ground, with white mist rising beside them. Next to the red tricycle on the right side of the screen, a man is standing and looking around. On the right middle ground sidewalk, pedestrians are coming and going. In the foreground, a man in black and a man in red are walking from the right side of the screen to the left, moving out of the frame. At the same time, on the left side, a person is riding a tricycle towards the camera, turning right at the intersection.


At the center of the screen is a monkey holding a yellow oval tool in its left hand. The monkey presses the red button in the middle of the tool, spreads its arms, allowing the forearms to hang naturally, then raises its left arm so that the upper arm is perpendicular to the ground. Following this, the monkey moves its entire left arm, still holding the tool, to the right side of the screen.


The camera slowly zooms out, revealing the right half of a woman's profile entering from the left side of the screen, facing right with her eyes closed. She blows two breaths to extinguish the shorter candle on the left side of the screen. Then, she moves slightly to the right and blows once more to put out the taller candle on the left. Afterward, she moves out of the frame from the left side. The background is a light orange, with a square white stone in the center of the screen and a vase in the center foreground and to the right of the frame. In the bottom right corner is a piece of bread.


In the center of the screen, slightly to the left, a girl with loose hair is sitting facing the camera, with both hands on her thighs, smiling with her mouth open. She moves her hands up, places her left hand on the table, turns her head slightly to the left of the screen, closes her mouth, and stomps her right foot. On the left side of the screen, a man in white is sitting facing the camera, his head slightly turned towards the left of the screen, then he turns his head towards the camera. On the right side of the screen, two people are sitting facing towards the left of the screen. The background on the right side is a bookshelf.


In the scene, there are four red envelopes placed, with a sheet of paper that says "Happy Valentine's Day" in front of the envelopes. A pair of hands enters the frame from the bottom right corner, picking up the envelope in the bottom right corner. Holding the envelope in the left hand, the right hand puts the sheet of paper into the envelope, then seals the envelope, leaving it in place. The hands then move out of the frame from the bottom right corner.


A woman's body is tilted to the bottom right corner of the screen, with her right hand holding a tennis racket and her left hand holding a ball. She then raises both hands, lifting her right leg backward and bending it. The little dog jumps towards the tennis ball and turns around. Next, the woman lowers her right hand in front of her body, raises her left hand to shoulder level, and immediately strikes the tennis ball with her left hand. She then lowers both hands to her sides. The little dog dashes towards the right side of the screen in pursuit, and the camera follows the dog as it moves to the right. The woman, holding the racket in her right hand, enters the frame from the left side, her back to the camera.


A boy wearing a dark blue plaid shirt is lying on the carpet on the left side of the screen, facing the camera. In front of him is a large red bowl filled with popcorn. To the right of the popcorn is a tall glass containing some black liquid, presumably cola. The boy props himself up with his arms and continuously picks up popcorn from the bowl with his right hand and puts it into his mouth, his eyes fixed on the screen, likely watching TV. In the center of the background are a woman's legs, and to the right, the legs of a man wearing jeans and sneakers, both sitting on a deep green sofa.


The scene is a close-up of an aluminum foil bowl on a barbecue grill. On the left side of the frame, a left hand is holding a spatula, using it to scoop onion bits from the tray and transfer them into the lower aluminum foil bowl containing the sauce.


The video is filmed from a first-person perspective. On the left side of the screen is the left hand of the shooter, adorned with pink nail polish, holding a yellow rectangular sealed bag. In the background on the right is the right hand holding scissors, with only the scissors visible. At this moment, the scissors are being used to cut open one side of the bag held in the left hand.


In the center of the screen, two women in bikinis are sitting facing the right side of the screen. The woman on the left side of the screen is holding a blue and white umbrella with both hands. On the right side of the screen, a man in white clothes is bending down facing the left side of the screen to hand the phone to the woman holding the umbrella. The woman taps the phone screen a few times, and then the man takes back the phone. The woman in the red bikini on the right side of the screen is eating something while occasionally looking towards the left side of the screen. The background of the scene is filled with many blue umbrellas.


In the scene, there are many people entertaining themselves. In the center of the picture, a person wearing a black hat is bowing their head, beating the rhythm with their hands. To the left of the screen, a woman is looking to the left of the frame. The camera then slowly pans to the right, revealing a woman in a gray top in the center of the screen with a slightly awkward smile on her face. In the background of the scene, a woman in a leopard-print top is smiling and looking to the left of the picture, also beating the rhythm with her hands.


In the scene is a bird, facing left, standing on a platform in the middle of the screen. In front of it are several bananas that are almost rotten. It lowers its head, pecks at a banana, then raises its head to look towards the left side of the screen, repeating this several times. You can see that after pecking at the banana, there is still white banana flesh stuck on its beak. It tilts its head back, swallowing the white banana flesh from the side of its beak, then continues to lower its head to peck at the banana flesh. After pecking at the banana flesh, it occasionally looks towards the camera or glances around the scene. Its movements are quick and swift. Finally, it jumps to the left side of the screen and continues to peck at the banana flesh in front of it.


On the right side of the screen, there is a woman looking to the left of the screen while driving, her hands twisting the steering wheel. She then looks back at the man in the background and returns her gaze. In the center of the screen, there is a man looking towards the background. He then turns his head to look at the woman on the right side of the screen, talking as he does so, before turning his head towards the left side of the screen. At this moment, the camera switches to show a man on the left side of the screen looking to the left, talking as he raises his right hand and then lowers it, raises it again, and lowers it once more, before turning his head to look at the woman in the center of the screen. In the center, the woman looks to the right side of the screen, then turns her head to look at the man on the left, and subsequently turns back to the right to continue driving.


In the frame, a man in a black coat is sideways, facing the left-rear of the picture, while walking slowly to the left side of the frame. The camera follows him, moving slowly to the left. At this moment, one can see a person on the right side of the frame driving a red car that is turning towards the camera. The man on the left side stops, turns around, and faces away from us, looking upwards. The camera follows his gaze, moving upwards. The car on the right side drives out of the frame, and the shot of the man in the black coat blurs, focusing on the distant building. As the camera continues to lift to the upper left, the man also disappears from the lower right side of the frame.


The scene in the picture shows a group of children engaged in soccer training. To the left of the center of the picture is an adult in a white short-sleeved shirt, presumably a soccer coach, who is facing away from the camera and observing their kicking. There are many columns of plastic traffic cones used for training placed vertically in the scene, with several children in each column kicking the ball around these obstacles. The coach in white on the left side of the picture starts walking to the right, glances over, and then walks back to the left before heading right again. On the far right of the scene, there is another adult in a white T-shirt, likely another coach, who is observing and then stops a child in a red shirt to speak to him. Afterward, he calls over another child in red to talk. All these children in the picture are facing the camera, lined up to participate in soccer training.


The center of the screen shows the rear of a red car, and on the left side of the screen is a woman wearing a white short-sleeved shirt and blue jeans. The camera moves to the upper right, and at the bottom center of the screen is the side-rear view of the red car.


In the frame, there is a close-up of two people's feet, both wearing identical pairs of shoes. The person on the left side of the screen is wearing brown pants, while the person on the right side is wearing dark blue pants. The legs on the left side of the screen are constantly shaking, while the legs on the right side are relatively stable.


In the center of the screen, there is an orange basin filled with powder, and at the bottom right corner of the screen, there is a left hand gripping the edge of a bucket. Above the screen, a wooden spoon appears, stirring above the screen and moving downward while stirring, reaching the center of the screen. Then, the spoon is moved out of the screen's range from above. After that, with the palm of the left hand facing the left side of the screen, the right hand controls the basin from outside the screen's range, causing it to sway left and right, continuously colliding with the palm of the left hand.


In the center of the screen, a man in gray is facing the camera with his head down, bending over and holding a pen in his right hand, preparing to write something on the table. On the left side of the screen, a man in white is facing the camera, bending over and looking at something on the table in front of him, nodding slightly. The woman on the right side of the screen is sitting facing left, staring at what the man in gray is writing on the table, her hands interlaced with fingers, her index finger pointing to the left side of the screen, then gradually lowering her arms to rest between her legs. Then, the man in gray writes something on the table with his right hand, while the woman in green on the right side watches him write and nods slightly. Finally, the man in gray in the center of the screen finishes writing, straightens up, opens his right and left hands with palms facing each other, and looks at the man in white while speaking, then raises his right hand and lowers his left, waving them in front of his chest. The man in white nods affirmatively and turns his head to look up at the man in gray. At the same time, the woman in green leans forward slightly, crosses her hands on her knees, and continues to gaze at what the man in gray is writing.


Medium shot with a fixed camera position. On the left side of the screen, a man stands behind a cabinet, facing the camera direction and speaking. On the right side of the screen, another man faces towards the left side of the frame, watching the man on the left and speaking. The man on the left raises both hands to make a few gestures before lowering them, while looking towards the upper right corner of the screen and placing his left hand near his right shoulder.


The scene depicted is a room filled with a Christmas atmosphere. In the center of the frame, a man is half-squatting in front of a table, while on the right side of the frame, there is a woman with her arms crossed. After adjusting the position of a small bottle and an ashtray on the table, the man gives a thumbs-up with both hands. He then stands up and walks over to the woman on the right side of the frame. The woman turns around but still looks towards the table. The man looks at the woman, smiling as he speaks and gestures with his hands to both sides. In the end, the woman turns her head to look at him.


In the scene, one can see the head of a brown monkey, who is a cartoon character. His hands are resting on the edge of a cyan box in the foreground of the picture. The monkey is blinking his eyes while looking at something inside the cyan box. Then, the monkey raises both hands, opens his mouth wide, closes his eyes, and stretches lazily. While stretching, the monkey's head turns from the left side of the screen to the right, with him talking. Afterwards, the monkey lowers his hands and blinks his eyes softly while looking towards the left side of the screen.


The camera moves to the left. On the right side of the screen, a man in a white shirt with a black jacket swings his hands at his sides as he walks towards the left of the screen. His left hand is on his chest and he is looking towards the left side of the frame. On the left side of the screen, a man in black flared pants suddenly appears. The scene seems to be on a rooftop.


On the left side of the screen, two people are practicing boxing. The person on the left attacks the left hand of the person on the right with their left hand, and then the person on the left attacks the right hand of the person on the right with their right hand. This action is repeated several times.


On the left side of the screen, a man wearing a white shirt is riding a horse, holding the reins with his left hand and bending his right hand slightly. He faces the camera and looks to the right of the screen while speaking. He turns his head to the left side of the screen to glance at his right hand, then looks back to the right side. His body slightly trembles with the horse. On the right side of the screen, another man wearing a red shirt is also riding a horse. He supports his right wrist with his left hand, looking to the left side of the screen and occasionally bowing his head. Then both men pick up the reins, and they, along with the horses, run towards the right side of the screen. The background consists of trees, and the setting is outdoors.


There are two black girls in the scene, both wearing the same white top, with the same hairstyle, and looking very similar. They are facing each other; the girl on the left is facing the right side of the screen, while the girl on the right is facing the left side of the screen. The two girls are jumping up and down in place with their arms stretched out, shaking their bodies. At this moment, the girl on the right of the screen has spun clockwise by one circle, and the girl on the left quickly follows with a clockwise spin as well. In the end, the woman on the left side of the screen is facing directly towards the audience, while the woman on the right side has her body turned towards the left, facing the screen.


The person on the right side of the screen is standing in front of a table, sideways to the camera, facing left. They extend their left hand to place the blender's base to the left side of the screen. Then, holding the lower part of the blender's container with their left hand, they slowly move it towards the camera from a distance. With their right hand, they turn the lid counterclockwise to open it and place the blender container in front of the camera. Subsequently, they take the lid to the sink in the distance to wash it. The camera switches, and a girl stands in front of the lens. She smooths her hair behind her right ear with her right hand, turns around, and steps back to the left side of the screen. Then, she re-enters the frame from the left, sideways to the camera, facing the right side of the screen. She looks down at the bed below the screen, pointing at the bed with her left hand while speaking.


The shot is of a short-haired woman from the upper body, with the woman walking towards the camera's direction as the lens retreats. The woman is talking on the phone while speaking. On the right side of the screen, a man trying on clothes appears, along with a woman in a hat helping him adjust the details. The camera then pulls back slightly, and the woman frowns for a moment before making a gesture of refusal towards the right side of the screen, while a man in white clothes holding a piece of clothing appears on the right side. The man then turns around, preparing to leave.


The camera is facing the steering wheel of the main driver's seat, positioned inside the car at the main driver's location. In the lower right corner of the screen, a man is sitting in the main driver's seat, his left hand caressing the steering wheel, then moving counterclockwise to the bottom of the steering wheel. The man's feet are on the car's pedals. The scene then moves to the right. You can see the man holding the gearshift lever with his right hand and pushing it forward to the topmost position, then releasing it with his right hand. The camera subsequently moves to the lower left, revealing the man's feet on the pedals in the center of the screen.


In the scene, there are many people standing at a place resembling an entrance station. In the center of the picture, a person with a prosthetic right leg is facing away from the camera, carrying something with their left hand and pulling a suitcase with their right hand, walking towards the distance. On the left side of the screen, a person is holding two items with their left hand and a blue object with their right hand, walking towards the left side of the frame first, then towards the background. On the right side of the scene, a man in a dark short-sleeved shirt is squatting facing the left side of the picture, his left hand opening a bag on the ground in front of him, while his right hand is preparing to put a white object into the bag. The scene contains many railings and fences, with three arched canopies above. The scene is rather dimly lit, and there is a gray and white icon in the upper left corner of the image.


In the center of the screen, there is a woman in black clothes standing sideways on the bus. She looks out the window on the right side of the screen, observing the pedestrians and scenery outside. Finally, she stretches out her right hand to press the door button and uses her left hand to hold the handrail in front of the door as she steps out of the bus. Subsequently, pedestrians continuously board the bus from the right side of the screen.


In the middle right-bottom part of the video, there is a piece of fabric soaking in a white square tub filled with mud slurry. Off-camera to the left, a person wearing orange gloves, only their hands visible, is arranging the fabric in the tub to ensure the mud is evenly spread across the fabric. In the background, one can see some potted plants and dishes filled with pebbles.


In the upper part of the screen is a continuous range of yellow high mountains, while in the lower part is a yellow grassland scattered with forests and low houses. Three airplanes are flying in different directions in the sky. Subsequently, the camera pans to the right side of the screen. The white airplane at the top exits the frame from the left side, while the other two airplanes fly towards the right side of the screen, gradually approaching the camera. The camera continues to pan to the right, and the white airplane on the left side of the screen keeps moving closer to the red airplane on the right side. Just as it is about to catch up, another faster red airplane enters from the left side of the frame and quickly overtakes the first two airplanes. Then, the three airplanes fly towards the camera together.


On the right side of the screen, a person is standing sideways to the camera, facing towards the left side of the screen. Their left hand is placing a green food item into a plate on the left side of the screen. The camera moves down and forward, focusing on the pot in the center of the screen containing yellow liquid. The camera zooms out and moves upwards, revealing a gas stove on the left side of the screen and a cupboard on the right side.


In the scene, a man and a woman are sitting opposite each other. The woman on the left is wearing a dark top, facing the camera on the right side, smiling and looking to the right of the picture, with both hands placed on the table in the middle of the frame, occasionally nodding. The man on the right is wearing a gray top, facing the camera on the left side, looking to the left of the picture and speaking, with both hands on the table, holding a plastic bottle in his right hand, and occasionally shaking his head. Then the man starts to smile, putting his left leg over his right leg, and his right hand occasionally lifts the bottle, both hands grasping the bottle, then his left hand spreads out, and then he grabs the bottle again, after which his left hand releases to make a gesture, while his right hand lifts the bottle. The woman on the left extends both hands to the right of the picture, placing them on the table. In the background, there is a fence with square holes and plants.


In the center of the screen is a man in black, in front of a house, with his body turned sideways to us. He is rapidly running to the right, and the camera quickly follows his steps to the right, keeping the man in the center of the frame. The man runs past several houses and finally stops at a green door, ready to enter, with both hands on the door, preparing to open it.


In the upper left corner of the screen is the left hand placed on the black cloth, and on the right side of the screen is the right hand on the black cloth. The right hand moves towards the center of the screen, while the left hand moves down to the lower left of the screen. The right hand on the right side of the screen grasps one end of the black cloth, and as the camera moves down, the left hand supports the black cloth at the center of the screen. The right hand presses down on the black cloth and strokes it, while the left hand flips over the black cloth, with the left hand above the black cloth and the right hand grasping the black cloth from below. Then, the left hand moves to the lower right corner of the screen, with the index finger pointing at the black cloth.


In the scene, three people are sitting on the sofa. The little girl on the left side of the picture is lying sideways on the sofa, facing the right side of the picture with her right hand dangling at her waist. The man on the right side of the picture is facing the left side, supporting himself on the sofa with both hands. He leans over the woman in the center of the picture to give the little girl a kiss on her right cheek, then straightens up and sits on the sofa, smiling and looking down at the girl on the left side of the picture. The little girl raises her right hand to touch her nose, looking towards the right side of the picture, and then lowers her right hand. The woman in the center is sitting facing the camera, holding a red gift box in her right hand on her lap. When the man kisses the girl, she turns her head to look at the girl on the left side of the picture, then looks at the man on the right side. With her left hand, she pats the man's back a few times, then wraps her arm around his neck, leaning her body towards the man on the right side. She raises her head to give the man a kiss on his right cheek and then turns to look at the girl on the left side of the picture.


In the lower left corner of the screen, there is an out-of-focus head of a man facing right. In the center is a woman with her head facing right, slightly bowed, with her right hand holding a cigarette in front of her mouth. She opens her mouth to take a drag, simultaneously changing her right hand to hold the cigarette between her thumb and index finger, and looks down. Then she moves the cigarette downward out of the frame, closes her eyes, and slowly tilts her head back, exhaling through her mouth. After that, she opens her eyes, turns her head towards the camera, and finally turns back to the right.


In the center of the screen, a woman in blue clothes is supporting herself on the ground with both hands and feet, her toes pointed, her head facing and looking to the right of the screen. To the right of the screen, a man in a white shirt has his back to the camera, his head facing to the left of the screen, also supporting himself on the ground with both hands. The woman in the center of the screen extends her right hand to touch the left shoulder of the man on the right, while the man on the right extends his right hand to touch the left shoulder of the woman on the left. Then, they each retract their right and left hands, after which the woman in the center extends her left hand to touch the man's right shoulder, and the man extends his left hand to touch the woman's right shoulder, then they lower their respective hands, before repeating the sequence of actions. The camera slowly moves down towards the bottom of the screen; the scene is indoors with a brown and blue floor. There are decorations on the left wall.


Four people appear on the screen. Two stand in front of the camera; the man in white has his back to the lens, while the man in a cowboy hat is sideways to the camera. Two people are riding horses in the distance. The man with the cowboy hat, to the left in the foreground, looks at the man in white to his right and speaks to him. The camera switches, focusing on the man in white, who smiles while looking at the man in dark clothes on the horse. He then starts speaking and waves his left hand, subsequently touching his chest with his left hand. After that, he glances twice to the direction of the camera's right side. The man with the cowboy hat then walks up to him. After they make eye contact, the man in white nods slightly. The man with the cowboy hat gives the man in white a once-over, then reaches out with his right hand to stroke his head and finally places his hand on the back of his head. In the end, he lifts him up by his hair, causing the man in white to show a look of surprise.


The man in the blue shirt on the right side of the screen is bowing his head with his hands crossed over his chest. While speaking, he lifts his head, which is tilted to the left side of the screen. He pauses and nods, looking to the left side of the screen, then raises his eyebrows and presses his lips together while looking into the camera. He then turns to the right, turning his back to the camera. Suddenly, he turns to the left again, revealing the left side of his profile. The camera quickly pans to the left, and he turns his head as well, continuing to face away from the camera in the center of the screen. Suddenly, the screen pans to the right again, and his back is seen on the left side of the screen as it gradually zooms in on the right half. He shakes his head from side to side and nods again. The background features a wooden blind and a table with a photo.


The camera focuses on a display screen on a person's left wrist. The person's right hand moves up from the bottom of the frame towards the display screen, with the thumb and index finger pressing down on both sides of the screen. The screen changes to an interface with many circular icons. Then, the right hand releases the screen and moves out of the frame from the bottom. The screen returns to the watch interface.


On the left side of the screen, the woman in pink clothes squats down to dodge the right foot of the woman in white on the right side of the screen sweeping towards the left. Then, the woman in pink on the left extends her left hand to block the left fist of the woman on the right. The woman in pink on the left throws a right hook, and the woman in white moves her head to dodge it and extends her right hand to block the punch from the woman in pink. The woman in pink raises both hands and kicks out with her left foot, and the woman in white bends over to spin and dodge. The scene changes, and the foreground features a railing, with the woman in pink still on the left side of the screen and the woman in white on the right. The woman in white kicks out with her right foot and then swings her right fist forward, but the woman in pink bends over to dodge it. Then, the woman in pink uses her left hand to parry the elbow strike from the woman in white's right hand.


Several people are seen sitting in a conference room. A black woman stands in front of the camera, at which point the black man wearing a hat behind her raises his right hand under his face. The black woman then turns around to look at the people sitting behind, extends her right hand to point, and then lowers her hand and turns back.


A lady with long hair is walking along the shore, facing to the right of the picture. She is holding a bouquet of flowers in her right hand, and has rotated counterclockwise to the left. She then bows her head and walks towards the camera, at which point the camera slightly moves upwards. The girl looks up at the camera, bends over, and smiles at the lens. She then steps back, raises both hands, and the camera gradually pulls away.


In the center of the screen, slightly to the left, a man in a striped shirt is facing the right side of the screen, standing with his hands on his hips. To the right of the center is a man in a yellow shirt looking to the left side of the screen, lifting his left hand to point to the left side of the screen as he talks about the man on the left, then raises his left hand to point at the ceiling.


In the middle bottom of the screen is a molehill. A mole pokes its head out towards the left side of the screen, facing the camera sideways, then slightly turns towards the camera, before retreating back into the hole towards the bottom right of the screen and disappearing from view. In the background of the scene is a meadow, with a car parked in the middle, a forest on the left side, and trees with several houses on the right side.


In the scene, one can see a person's hands handling a piece of black fabric. The right hand is holding the upper edge of the black fabric, while the left hand extends its index finger and moves it back and forth along the sewing line on the upper edge of the black fabric. Then both hands release the black fabric; the left hand moves out of the frame from the bottom, and the right hand places an object from its grasp onto the table in the upper right corner of the screen. Following this, both hands pick up the black fabric from the left side of the frame, moving it towards the bottom of the screen. The camera pans to the right, revealing that the person is now holding the black fabric against their chest, embracing it in front of themselves.


A woman in a white checkered dress suddenly enters the frame from the right side, her body facing to the left, and falls onto a stool. Her upper body lies on the stool, slightly lifting herself up, and then she twists her head towards the right side of the frame, facing behind her.


In the frame, a man is located on the right side, talking out loud, with his right arm embracing a dog facing leftward. The man's left hand is holding a camera, which is positioned to capture the dog's back. The man's right elbow is moving up and down, causing the dog to bounce accordingly. After turning its head to the right, the dog turns back to the left to look at the camera, as the lens slightly moves to the right.


There is a man in black standing on the right side of the screen. His body is turned towards the left side of the frame as he speaks. Then he raises his right hand and touches his left cheek before lowering it, being blocked by his body. His face turns towards the camera, then looks to the left rear of the screen. He then turns his face back towards the camera and continues speaking.


In the initial scene, only a vast sea is visible, with a shadow on the right side of the foreground, which seems to be a person, somewhat blurred. In the background, to the far right, there is a small hill. Then the camera pans to the right, revealing two people in the frame. On the left is a person with dark skin, who seems to be the shadow on the right side of the screen earlier. She is wearing a necklace and facing the camera with her gaze looking down. On the right side of the screen is a woman in a white T-shirt, who is looking towards the left side of the frame. As the camera pans down, we see that the person with dark skin on the left is holding a yellow object in her right hand, bringing it to her front, which seems to be food. The person on the right can be seen with both hands placed on the legs of the black-skinned person on the left. The two of them are sitting in a boat at the moment, both turning their gaze to look at the small hill in the distance.


In the frame, a person wearing a green skirt with a pink hair band tied around their long hair starts off with their back to the camera. They then turn to their left to face the camera with their arms spread wide. They subsequently turn towards the right side of the frame, and the camera slowly moves upwards to reveal their face, which is adorned with several small daisies of varying sizes. They are facing the right side of the screen. Then, their body turns to face the camera directly, followed by a turn towards the left side of the frame. Their head then turns directly towards the left side of the screen, with their body slightly turning backwards, their left shoulder raised. The head turns towards the camera, the eyes look down, and the mouth is slightly open. The head tilts to the right side of the frame, the body turns towards the camera, and then towards the right side of the screen, with the head still facing the camera. They then slightly turn their head to the left side of the screen, the body turns towards the camera again, and once more towards the left side of the frame, as the camera quickly moves downwards. The background is white.


Over-the-shoulder hand-held shot. In the center of the frame, a man wearing a hat faces the direction of the camera. With his left hand, he holds an object and extends it towards the black-haired woman on the right side of the frame. After saying something, he retracts his left hand to his front. Both hands hold the device and he looks intently at it. At the same time, a man in a black short-sleeved shirt appears in the distance on the right side of the frame. He moves a few steps towards the camera's direction before stopping, and his gaze switches back and forth between the left and bottom of the frame. He then takes a few steps towards the left side of the frame. Finally, the man in the hat turns counterclockwise and walks away from the camera's direction, while the black-haired woman on the right side of the frame turns her head towards the left.


The video is shot from a first-person perspective looking down, with a red flower shaking in the wind at the center of the screen. Then, a left hand reaches out from the left side of the frame to the base of the flower, gently rubbing a petal with the thumb before withdrawing the hand. The camera then slightly turns to the right. The background of the scene consists of some grass.


The camera captures a static shot of a road and the grassland by the roadside. Then, a car appears from the upper left edge of the frame, facing away from the lens, and drives in the opposite direction of the camera along the road, moving from left to right across the frame. It then disappears behind the plants in the upper right foreground of the shot, and reappears at the upper right edge of the frame before finally disappearing from the upper right edge.


The camera should be handheld, moving quickly forward with a slight shake. The center of the frame is a person carrying grass on their back, with their left hand hanging by their side and their right hand raised to support the grass. They walk towards the camera and then disappear to the right side of the frame. The camera then continues to move along a vertical suspension bridge. On both sides of the frame and in the distance are green fields, with tree-covered mountains in the far background. The sky above is densely covered with dark clouds.


The scene is shot from inside a car with a camera, the lens stabilizes after some shaking. To the left of the screen is a white car, and in the center distance, several cars can be seen driving away from the camera in the opposite direction. To the left of the screen, several cars are approaching the camera's direction. The camera zooms in on a black sports car, and in the center of the screen, a yellow and black sports car is driving away from the camera.


In the center right of the screen, a boy standing in the room faces the left side of the frame with his side to the camera. He receives a large bowl with both hands from a smiling woman in the center of the frame who is facing the camera and looking down. The boy also looks down at the bowl. The camera begins to pan to the right, and the boy takes a step towards the camera, facing it directly, while looking towards an oven on the right side of the frame. He holds the bowl in his right hand and extends his left hand to open the oven door, stepping back to the left of the frame. At the same time, the woman places her right hand on the table to the left of the frame and looks towards the oven. Then, the boy slightly turns to the side, facing right, and places the bowl in his right hand into the oven. He withdraws his right hand and covers the oven with both hands. Finally, the boy turns around to face away from the camera.


In the scene, four children are standing. The little girl on the left side of the picture is wearing a blue and white striped dress, facing the camera, and looking to the right of the picture as she speaks. In the center of the picture, a child wearing a hat faces the camera, slightly bowing his head to look down to the right of the picture. The left hand holds a transparent bowl, and the right hand is holding a red object. On the right side of the picture, a girl with straight hair faces the camera and looks to the left of the picture. At the far right, there is another girl with curly hair, smiling and looking to the left of the picture, partially obscured by the girl with straight hair. The girl on the left lowers her head to look down at the picture, holding a red object in her right hand, and then also holding a transparent bowl in her left hand. She occasionally looks to the right of the picture and then back at the camera. She slightly bends down and then straightens up, looking to the right of the picture and continuing to speak, then raises both hands to her chest, shaking her left hand. The child with the hat moves his gaze back and forth, then smiles, placing his left hand on the bowl, and both hands holding the red object. The girl with straight hair talks occasionally, her head moving back and forth, then raises her left hand to play with her hair, opening her mouth wide to make a pained expression, and then crossing her arms over her chest. The camera slightly shakes, and there are tables and chairs to the left in the background, and a painting and a television to the right of the picture.


The camera gradually zooms in, and a pair of hands in the center of the frame hold a ketchup bottle, squeezing ketchup onto the fried egg in the central plate. After squeezing some, the left hand leaves the ketchup bottle, and the right hand takes the ketchup out of the frame. Then, the ketchup bottle reappears from the top right of the screen, and the left hand approaches the ketchup bottle, squeezing some ketchup onto the empty space in the center of the plate.


In the center of the screen is a man wearing a windbreaker, facing the camera sideways and looking to the left. In the left background of the scene is a car with its hood already open. At this moment, the man in the center of the screen walks to the left, exiting the frame. Finally, the camera tilts slightly to the bottom left corner.


The man in the light blue shirt is standing facing the man on the left wearing a dark gray shirt and speaking. His left arm is bent at the waist, with the fingertips pointing to the left. As he speaks, he occasionally moves his hand in circles inward. His head moves towards the direction of the large screen and then quickly snaps back. In the background, there are two video cameras, a set of tripods, and a large screen displaying a map.


In the center of the screen, you can see a man sitting to the right of a huge camera, with both hands supporting the bottom of the camera and his eyes fixed on the monitor part of the camera. The lens begins to rotate to the left, and finally comes to a stop. There are three people in the frame. On the far right is a man in black, with his body facing to the left of the screen. In the center, close to the lens, is a person with a black and green backpack, facing away from the lens. At a slightly farther distance from the lens, almost in the same position as the first man, is a woman in black and white clothing, facing to the left of the screen. This woman has been talking continuously and occasionally turns her body slightly towards the direction of the lens. Finally, she turns her head to the right of the screen to speak to the man. The man initially tosses his head towards the direction of the lens and raises his left hand to his chest, then turns his head to the left to engage in conversation with the woman.


A man is sitting on the right side of the screen speaking, with his gaze and face turned to the left side of the frame. His right hand, which is resting on the armrest, slightly lifts off and extends the thumb, index, and middle fingers, flicking them up and down before looking towards the camera. He occasionally nods and then turns his face towards the camera direction. Afterward, he lowers his fingertips, then tilts his head to the left side of the frame, quickly pulling back his right hand to join it with his left, interlacing his fingers. His gaze remains to the left. Following this, he separates his hands, with the right hand continuing to rest on the left armrest, while the left hand slightly moves inward.


On the left side of the screen is a man who turns his head to glance at the scene. With both hands, he splits a corn in half, then places it on the table to the right using his left hand. He continues to split the remaining corn into two sections with both hands. Afterward, he picks up the corn he initially split and holds all three sections in his left hand, while his right hand reaches towards the bottom left corner of the screen. On the right side of the screen is another man who looks at the man on the left, smiles, and picks up a plastic bag from the table with both hands. He walks towards the center of the screen and then bends over towards the lower center of the scene. In the central background, there is smoke rising continuously.


In the scene, a man is sitting with his hands on his thighs. He speaks with a furrowed brow. During the process of speaking, his hands leave his thighs, then his right hand naturally falls, and his left hand flips towards the camera's direction before falling back onto his thigh.


The man in the flowered shirt on the left is facing the camera, looking to the right, says something, then bows down and leans to the left to enter the aircraft cabin door. On the right, from left to right, are a man in a yellow shirt and a man in a black shirt. They both look to the left, then the man in the black shirt turns his head to the right briefly, and then the man in the yellow shirt raises his left arm to pat the man in black on the lower back. The man in the black shirt turns to the right to face the man in the yellow shirt.


A man wearing a blue helmet runs across the left side of the screen, and then the scene shifts to show many men in blue shirts dancing in front of the camera, as if celebrating something. As the video continues, the people on both sides of the screen walk towards the camera, while in the center, a man keeps swaying his body without stopping.


The girl on the right side of the screen is smiling at the camera, holding a piece of bread in her right hand, and pretending the bread is a sword as she swings it towards the boy on the left side of the frame. The boy blocks the "sword" with a piece of bread in his right hand in front of his body. The girl then takes a step back and slightly raises her left hand, walking towards the left, swinging the bread downward, and then upward. At this moment, the camera moves to the left, and the girl finally slightly bends over, stabbing the boy with the top of the bread. She then slightly turns and steps back, glancing at the camera. The camera slightly moves to the right and zooms in. When the girl stabs the boy with the bread, the boy opens his mouth and yells briefly.


In the scene, there are three people. In the lower left corner of the screen is a woman with her back to the camera. On the right side of the screen is a man in formal attire, facing to the left of the screen, who has raised his right hand and seems to be saying something. Then he raises his left hand as well, and they make a gesture together. In the center-left of the screen is a woman looking to the left of the frame. She raises her left hand, makes a fist, and supports her chin with it while nodding. Her gaze and the hair at the back of her head sway from side to side.


In the center of the screen, a woman is lying on her side on a bed, her face turned to the left with her right arm as a pillow, facing away from the camera. She then rolls over to lie flat on her back, facing the camera with her mouth slightly open, her head tilted towards her right hand, which is balled into a fist supporting her right cheek. Afterwards, she opens her eyes, closes her mouth, blinks twice, and her gaze shifts to the left side of the screen.


On the right side of the screen is a man wearing a grey half-sleeve shirt, bending over with both hands holding a water gun at the center of the screen, spraying it towards the tire on the left side of the screen. He sprays from left to right, then from right to left, and subsequently moves to the right, exiting the frame. The man in the grey half-sleeve shirt enters the frame from the right, walking towards the center of the screen, and stops on the right side, standing with his hands on his hips.


In the scene are two people. In the center-left part of the picture is a man wearing a black and white checked shirt, and in the center-right part is a woman in a white shirt. Both are facing towards the left side of the picture, looking at the drawing in the man's hand. The woman's left hand and the man's right hand are making gestures on the drawing. The woman is speaking to the man, and he has moved his right hand from the drawing to its edge, holding it, while she slightly withdraws her hand. The man raises his right hand again, pointing at the drawing, and the woman completely lowers her hand to her side, simply staring at the drawing and talking to the man. Then the man turns to the left side of the picture, and the woman follows suit, both looking at the upper part of a wall to the left of the scene. The man makes a gesture with his right hand on the upper part of the wall, tracing an arc in the air with his palm, and the woman nods slightly as she follows his hand with her gaze. Their eyes remain fixed on the upper left corner of the picture, the upper part of the wall. The man lowers his right hand, continuing to hold the edge of the drawing, and turns his head to the right side of the picture, looking at the woman. The woman still stares straight at the upper part of the wall, then bows her head, looking at the man and the drawing in his hand, still nodding slightly and speaking. Again, their gaze falls on the drawing in the man's hand. The woman leans her head towards the man, pressing against his shoulder, and continues to point at the drawing with her left hand, saying something.


The scene is a close-up shot of a hand knitting wool. The left index finger is hooked, holding the wool yarn, while the thumb and middle finger grip the other end of the yarn. The right hand holds a crochet hook, with the thumb and middle finger grasping the knitted section. The left hand pulls on one end of the wool yarn, adjusting its position.


On the left side of the screen is a pair of hands holding an open smartphone. Then, using the right thumb, the photos are swiped left four times, followed by a swipe right once, and finally approximately eight swipes to the left. A black silhouette walks from the left side of the background towards the right side of the screen and disappears.


On the right side of the screen, a man in a beige coat is holding a blue cup in his right hand and swinging his left hand as he walks towards the right side of the screen. He first bows his head slightly, then turns to the left side of the screen, looking down to the left, and then disappears on the right side of the screen. In the center of the screen, it is first blocked by a black pillar, then a woman in black leather with grey pants gradually appears from the center of the screen, lying on the dark brown sofa on the left side of the screen. Her legs are facing the left side of the screen, with her left leg mostly extended and her right leg bent. Her left hand is half-propped on the sofa, while her right hand is holding a black phone, looking at it with her right hand slightly shaking. The camera moves and rotates to the right side of the screen. The scene is indoors, with a white wall on the left side of the screen and white doors and black windows on the right side.


On the left side of the screen, there is a person standing, wearing a hat in khaki and gray, facing the right side of the camera, looking down to the lower right corner of the screen, with their left hand touching the brown net on the desktop below the screen, and their right hand hanging down. On the right side of the screen, there are three men each sitting on black chairs, facing the camera, looking towards the center of the screen and smiling, with their hands together on their legs. The person on the left side of the screen retracts their left hand, and the scene skips a part, but remains the same, with the man looking to the lower right of the screen and speaking, extending his left hand towards the lower right corner, touching the brown net, and then preparing to retract his left hand again. The camera slightly shakes, the left side of the screen is a whiteboard, below it is a brown desktop, which has many items placed on top, the floor is dark, and the walls are beige.


On the left, the blond woman opens her eyes wide. On the right, the blond woman holds a tray with both hands and looks ahead. In the back on the left, the short-haired woman looks in the direction of the camera, raises her right hand to her chin, and supports it with her left hand, which is bent. Then, the man in the middle, wearing glasses, starts to speak, stretching out his left index finger with the thumb up, and quickly lowering it. At the same time, the man with dark hair on the right turns towards the man in the middle, and finally turns back to look ahead.


Holding the lens to shoot. The center of the screen is a room, where at the back of the room, a person bends down facing the camera to stroke a dog lying on the ground. Then this person stands up and signals to the camera direction by swinging their right hand. The dog lying on the ground immediately gets up and runs towards the camera. After reaching the door of the room, it jumps over the railing.


In the video frame, in the center at the beginning, there is a man wearing a black vest who is standing sideways to the camera with his head turned to the right side of the screen. His eyes are covered with a black cloth. He uses both hands to move the cloth from his eyes up towards his forehead. As he lifts the black cloth upwards, there is another man in black short sleeves to the right at the back. Initially, he is facing the camera, smiling and looking at the man in the center of the screen. The background of the scene is an outdoor road.


In the center of the screen, a black woman with an afro hairstyle is facing left, sitting on a brown sofa. She touches her chest with her left hand while speaking. To the left of the screen, a black man is lying down, looking at the woman and speaking while laughing. The woman extends her left hand and touches the man's abdomen, moving up to his chest. The man sits up and embraces the woman while sitting on the sofa, and the woman's head bobs from side to side. The background features several windows.


The camera focuses on the woman's face; she is sitting on the left side of the frame speaking. While talking, she occasionally blinks, nods, and looks to the right of the screen. She raises her eyebrows and then lowers them, subsequently leaning forward, smiling as she continues to speak, and then straightening her body back, slightly swaying her head from side to side.


The scene is shot from a first-person perspective, and you can see the shooter's hands making gestures in the foreground of the frame, possibly talking to the police officer on the left side of the screen. The police officer has his hands on his chest, pulling at his own vest, looking at the camera. The camera is slightly shaky, and you can see a police car on the right side of the screen, with the lights on top flashing continuously.


Close-up shot, in the center of the screen, there is an open small iron box placed on a white table. On the left side of the frame, a person's left hand is holding several small toys, while on the right side, their right hand is holding a green cylindrical toy. Both hands, holding the toys, are reaching towards the small iron box. Subsequently, both hands move the small iron box towards the center of the foreground. The left hand takes out several small toys from the iron box, and the right hand puts the green cylindrical toy in the hand into the box. Then, the right hand takes the toys that the left hand has taken out of the iron box and places them on the table to the right of the screen. The left hand reaches towards the iron box and then slightly moves away.


A close-up shot from a fixed camera position. The scene in the frame is a classroom, with several girls sitting at desks in the distance. To the left of the frame, in the foreground, two men stand facing the camera. The man in the white shirt first looks to the right of the frame, then bows his head and presses his temples with both index and little fingers. The man in a vest has his right hand on the left shoulder of the man in the white shirt. He first looks at the man in the white shirt, then turns his head to the right of the frame, glances back at the man in the white shirt, and finally looks to the right of the frame, pointing with his left index finger in that direction. In the center of the frame, at a distance, a woman looks at the two men, holding a trophy with both hands and speaking. To the right of the frame, a woman first looks disdainfully to the right, then turns her gaze to the two men and touches her chin with her left hand, before moving her neck with that hand.


In the center of the screen, a black vertical line divides the screen into two halves. In the left half, a woman in a purple shirt raises her right hand with a microphone to her mouth, speaking while looking towards the right of the screen, then turning her head to the left. At the same time, in the right half of the screen, a man in a purple shirt raises his right hand with a microphone to his mouth, speaking, and then raises his left hand.


The camera follows the man on the left side of the screen as he moves to the left. The lens focuses on the top of the man's head and his right profile. The man first looks to the right of the screen, then swings his hands and steps backward towards the left of the screen. He then turns to the left of the frame, touching his nose with his right hand. On the ground are many yellow objects, which could be fallen leaves.


On the left side of the screen, a man wearing sunglasses is facing the right side of the screen and walking towards it. The camera also moves to the right side of the screen. Then, on the right side of the screen, a woman in yellow clothes and a man in a red hat appear, both facing the camera. The man with sunglasses continues to walk to the right side of the screen, then looks at the camera and raises his right hand. Many vehicles are parked around the screen, and there is a red sign in the lower right corner.


In the center of the screen, there is a woman sitting in front of a dining table, holding a hamburger with both hands and staring at it, then lifting the hamburger to face the camera. On the left side of the screen, there is a man looking towards the right of the frame at the woman, and then he bows his head to take a bite of the hamburger in his hand. The camera moves downward. The woman speaks towards the camera, and the man raises his right hand to wipe his mouth with a napkin, and then takes another bite of the hamburger. The woman extends her right hand, spreads her palm towards the camera, and points to the bottom of the screen.


The scene is shot from an overhead perspective of a bedroom. In the foreground, there is a bed. In the bottom right corner of the frame, a person wearing a yellow short-sleeved shirt is facing the camera and uses their right hand to move the camera. They then walk out of the frame to the right of the camera. In the scene, their back view shows them walking to the other side of the bed. On the far left of the frame is a white cabinet.


In the lower left of the screen is a red, flowing liquid. In the center background of the scene is a window with orange curtains. On the right side of the screen, a cartoon character in the shape of an avocado is kneeling on a small table, extending its right hand towards the left of the screen and looking in that direction. The camera zooms in, and at this moment, the avocado character is about to tip over towards the bottom of the screen. Then, he looks down, and again extends his right hand towards the left of the screen. The camera also moves slightly to the left of the screen.


The screen is in a first-person perspective. As the shooter moves forward, there is a thumb and index finger holding a phone on the left side of the screen. On the phone screen, which shows a monitoring view, a child is playing and rolling over towards the bottom of the screen, slightly to the left of the center.


A close-up shot from a fixed position shows a man writing. The man is on the left side of the frame, facing right, with his side profile to the camera. His right hand is placed on the table in front of him, and he is wearing a bracelet on his right hand. To the right of the frame, in front of the bracelet, there is a headphone. The man's left hand holds a pen, draws a horizontal line, and then moves the pen away, following which he draws two more horizontal lines in quick succession. In the top right corner of the frame, a person in blue clothing picks up a pen with their right hand.


In the center of the screen, slightly to the left, is a man in a yellow suit with his hands on his hips, facing and standing, looking towards the center bottom of the screen. In the center of the screen is a monkey facing the camera, standing up straight, opening its mouth, and looking towards the right side of the screen. To the right of the center is a person in a white chef's uniform with hands crossed in front of the abdomen, facing the camera and standing, then letting go of their hands to the sides of the body, opening their arms, and looking down while speaking.


In the close-up left side of the screen is a person's left hand holding the head of a green plush turtle toy. On the right side of the screen, a dog is lying down facing left, with its mouth holding the toy. This hand moves forward and then pats the toy down, the camera zooms out, and at the same time, the dog bites the middle part of the toy again. Finally, it bites the head of the turtle and lifts it up, then moves its head left and right.


The video is a time-lapse video with a shaky camera. On the right side of the frame, a person in a red shirt is adjusting the lens, then moves it downward, and subsequently upward to fix it in place before walking towards the background. The person in red uses both hands to lift the purple blanket at the bottom of the frame, then arranges it with their hands, and then lies down on the bed to tidy up, with their back to the camera. They then stand on the right side of the frame to make further adjustments, lie down on the bed again to smooth out the blanket, and proceed to place two pillows from the bottom left corner of the frame onto the headboard on the right side of the screen one after the other. Then, the person in red prepares to walk towards the left side of the camera. The scene is indoors, with a white wall at the top of the frame, a window and curtains on the right, and a bed at the bottom of the frame.


This is an animated video, with a little monkey wearing a red hat at the center of the screen. It is standing in the forest, with some branches scattered at its feet. The little monkey on the screen opens its mouth wide, appearing to say something, and its head is turning from side to side.


In the scene, the little baby is sitting in a car seat, happily looking at the camera with his tongue swirling around in his mouth and his eyes smiling at the lens. Then, a hand enters from the left side of the frame and strokes the baby's right hand several times before gently touching the baby's belly. The baby laughs, and in the end, his expression changes from a smile to a neutral one as he looks at the camera.


The video starts with the camera focusing on the steering wheel of a car, then slowly and uniformly moves out from the car's cockpit door. During this time, a person's left hand extends into the frame from the right, pointing to the direction of the cockpit door. Subsequently, a Caucasian male wearing a black T-shirt and blue jeans enters the frame from the left. He bends down and extends his left hand to adjust something on the driver's seat. Finally, he stands up, faces the camera, and stretches out his right hand to try to close the cockpit door.


In the center of the screen, there are about eight or nine people standing in a row, moving forward and downward along the conveyor belt. People continuously jump off the end of the conveyor belt to the left or right of the screen and then walk to the left or right of the screen. On the left side of the screen, a person in white pants walks to the left and then stops. On the right side, an adult with a child moves to the right, while a child on an orange skateboard falls in the snow. The camera follows the conveyor belt as it moves forward; the scene is outdoors in the snow, with a transparent glass conveyor belt in the middle.


A woman wearing a blue headscarf is sitting on the ground, first bowing her head, then lifting it, crouching through the flowers from the pitch-black cottage towards the camera. Then she looks to the right, nods, glances to the left, and then straightens up and walks to the right, raising her right hand to lean on the shopping cart on the right. At the same time, a woman in a black headscarf is pushing the shopping cart on the right. The two of them push the cart down to the left. The woman in black raises her right hand to cover her mouth, looks to the right and speaks, while the woman in blue looks to the left. Then they both push the cart out of the frame from the lower right corner.


In the scene, there are four dogs and a person wearing flip-flops standing on the left side of the frame. Apart from a large black dog sitting in front of the person, the other three dogs are moving towards the upper left corner of the frame. Then, the person stretches out their left hand to cover the mouth of the large black dog. The camera moves to the right, and the person disappears from the left side of the frame. Subsequently, a hand holding a ball appears in the lower left corner of the frame and then disappears at the bottom of the frame. The large black dog runs towards the bottom of the frame and vanishes from view. At the same time, the person appears from the upper left corner and moves towards the right side of the frame. Then, the large black dog and the other small dogs appear in the center of the frame, with the number of dogs increasing to six. A right hand quickly appears on the left side of the frame holding a phone to take a photo and then quickly disappears from the scene. Afterward, the other dogs move away in different directions, and the large black dog sits in the center of the frame looking at the camera.


The top half of the screen is blue sky. In the lower middle part of the screen, a small road extends to the left-middle position of the frame. To the lower left is farmland, and to the lower right are a beach and the sea. The camera slowly rises and then pivots downward for an overhead shot, before continuing to ascend slowly. There are people riding bicycles and cars moving slowly along the road in the opposite direction of the camera and towards the upper left of the screen. On the left side of the frame, a person crosses the road from the side and walks towards the left of the screen. There are many people on the beach and in the sea. The camera stops rising and slowly moves forward.


In the scene, there is a couple sitting by the piano, chatting. The man on the right side of the picture is leaning against the back of the chair, facing the woman on the left side of the picture. He is holding the back of the chair with his left hand and then reaches out to take the right hand of the woman on the left side of the picture. He bows his head to look and caresses the woman's right hand with both hands. The woman on the left side of the picture is sitting on the chair, turning to look at the man on the right side while speaking. Her left hand is placed on the piano, and then she adjusts her position. Her right hand makes gestures to accompany her speaking. Both hands are then raised to her chest, palms facing down, and she flattens them twice before bringing her palms together and shaking them up and down once. Finally, she lowers her hands, leaving her left hand on the piano, while her right hand is being held by the man.


In the center of the screen, a boy with his hands in his pockets faces the camera, speaking to the girl on the right side of the frame in front of the camera. The girl is only visible with her long hair in the scene. In the background on the left side of the screen, a boy is sideways to the camera, bowing his head as if searching for something. Then, the boy on the left side of the screen bends over, attempting to pick up something from the ground.


In the scene, there are many people standing, and further away from the camera, there are many policemen lined up in several rows, facing the camera. In the foreground of the picture, there are also many people who seem to be conducting some kind of parade activity. A group of people is walking from the left side of the screen to the right side. Then, a woman in a black vest enters from the right side of the screen, holding a megaphone in her right hand up to her mouth, her mouth open wide as she speaks. When she reaches the middle of the camera, she faces the camera, then turns around and walks towards the right side of the screen. Many people are gathered here, watching the policemen who are facing the camera.


A red car appears on the right side of the screen, quickly driving towards the lower left corner of the screen and disappearing from the left side of the frame. A lot of dust is kicked up behind the car. The camera moves to the left side of the screen, revealing a horizontal road in the center of the frame, with two triangular cones on each side of the road. In the distance, there are many machines, buildings, and continuous mountains.


The video is taken from the cartoon "Curious George" with a forest as the background. On the left side of the foreground, a man in a green shirt is squatting facing the right side of the foreground, holding a blue object in front of him with both hands, then sliding it with his left hand, furrowing and raising his eyebrows. To the left of the foreground, slightly farther from the camera, a man in a yellow shirt is squatting towards the right side of the foreground, with his hands on his knees, watching the blue object in the hands of the green-shirted man beside him. On the right side of the foreground, little monkey George is squatting on a stone facing the left side of the screen, looking out of sight to the right. He turns his head to look at the man in the yellow shirt on the left side of the screen, and the yellow-shirted man straightens up his upper body, looking at George.


The scene is focused on a man's waist as he holds a holster on the left side of the frame with his left hand, and with his right hand, he places a revolver into the holster. The camera pans to the upper right, and he raises his right hand to put on a brown cowboy hat, which he places on his head. At this moment, the camera pans to the left, and the man's face appears from the left side of the frame. After putting on the hat, the man looks to the left side of the screen.


Five children are running towards the camera from the left side of the screen. The leading child is holding a water bottle in his right hand. He runs up to the camera and places the water bottle on a wooden post of the railing. Then he bends down, crouches, and crawls under the iron mesh. The second child follows suit, bending down and crawling under the iron mesh as well.


In the center of the screen, a pair of hands is holding a camera. The scene then moves to the right, revealing the owner of the hands. The man is standing sideways to the camera, facing to the left of the screen, slightly bowing his head to look at the camera. He then looks up briefly to the left of the screen, before bowing his head again to look at the camera, turning it upright, and taking a serious photo.


The scene shows four people sitting on the beach. In the lower left corner, a woman in white extends her left hand towards the central plate of food, then transfers the food to a plate on the right while leaning forward. The girl in stripes raises her right hand to feed herself, while the man in a white shirt to the right looks at the man in stripes and quickly turns his head back to the food, taking some with his left hand and bringing it to his mouth. The man in stripes to the right lowers his right hand and turns his head towards the man in the white shirt. Then, the woman in white on the left side of the screen holds the food, straightens her body, and the girl in stripes bends down and extends her right hand to take food. The man in the white shirt turns to speak to the man in stripes, who leans forward, extending his right hand towards the food plate. The girl in stripes then leans back and looks in the direction of the man in stripes. The man in stripes retracts his right hand and brings the food to his mouth, while the woman in white chews her food, her left hand moving backwards.


In front of the lens, a small monkey looks towards the upper left of the screen, holding the hand of a man in yellow clothes as they run towards the distance of the lens. At this moment, the man in yellow appears from the left side of the screen, first running towards the front right of the lens, then taking a step to the right side of the screen, and together with the small monkey, they turn and run towards the front left of the lens. The background of the scene is a small house, with a door in the distance of the lens. On the left side of the screen, there is a green sofa and a table, and on the right side, there are windows and a red sofa.


On the left side of the screen, a man is standing bent over, facing the camera. His left hand supports the car door, causing it to rotate clockwise and open. His right hand is touching the door, moving first from the top of the screen to the bottom, and then from the left side of the screen to the right, pointing to a silver circle on the door. As the camera shifts to the right, the man disappears from the left side of the screen, revealing the interior structure of the car.


The video is a close-up of the hands from a first-person perspective looking down. The left hand, on the left side of the screen, is holding a black wallet, which it rotates towards the camera and then back again. Then the right hand takes hold of the wallet, the left hand releases it, and subsequently, the left hand grasps the wallet again while the right hand lets go.


In the video, there is a top-down shot. At the very top of the frame, you can see part of the bodies of four people. The four people are standing behind a table that is filled with red plastic cups. The person on the far left can only be seen partially, with just their hand visible. The second person from the left, dressed in blue, has their hands crossed over their chest. The two people on the far right each have their hands crossed and are holding a red plastic cup.


The scene in the picture shows an ongoing baseball game. In the distance from the camera, a catcher wearing a black vest is clapping with both hands in front of him. Then he bows his head and adjusts his black glove on his left hand. Closer to the camera, there is a pitcher wearing a white shirt; his right hand first holds the ball with his back to the camera, then he brings the ball to the front, ready to pitch. The batter in blue, upon seeing the pitcher in white bring the ball forward, raises his bat higher and shakes it up and down, preparing to hit the ball. The catcher moves to the right side of the screen, adjusting his position to prepare for catching the ball. Finally, the pitcher lifts his left leg, takes a step backward into the background of the scene, then raises his right hand and throws the ball towards the catcher. At that moment, the batter in blue swings his bat, hitting the baseball and sending it flying out of the top right corner of the screen. Everyone looks up towards the top right corner of the scene.


On the right side of the screen, there are three washing machines lined up facing to the left of the screen. In front of the washing machines that are closer to the foreground, there are laundry baskets placed. The camera zooms in, and on the left side of the background, an animated character in the shape of an avocado is seen carrying a magenta laundry basket full of clothes with both hands, walking towards the washing machine on the right side of the background. Then, it bends over to pour the clothes from the laundry basket into the washing machine, opening its mouth and then closing it.


Mid-shot with a fixed camera position. The lens slightly shakes. In the center left of the frame stands a man facing the camera with a guitar on his back, while to the right of center sits a woman facing right, her back to the camera, in front of a piano, looking at it. The man bends down first and plays two notes on the piano in front of the woman with his left hand, to which she nods. Then the man stands up, bows his head, and plays the guitar, turning his head to look in the direction of the camera, while his left hand continuously presses the same piano keys. In the end, the woman closes her eyes and turns her head towards the piano. Both their attire and the scene's decor have a distinct Day of the Dead Mexican style.


In the video, a person is seen crocheting on a purple surface, with only their hands visible in the frame. The person's left hand is holding the finished crocheted part between the thumb and middle finger, while the index finger wraps the yarn and lifts it up. The right hand holds an orange crochet hook, wrapping the yarn around the hook and pulling it through the loops of the crocheted piece.


In the scene is an animated character with a trapezoidal green head, facing the screen and looking to the right side of the frame. Then its eyes widen, revealing a look of surprise, and it nods its head afterward. It raises its head briefly towards the upper left of the screen, and with its left hand below the frame, it makes a "hook" gesture by spreading the thumb and index finger near its chin.


On the left side of the screen is a white male wearing a gray top, facing the camera and speaking. His left arm is extended to the right side of the screen, with his left hand holding a yellow sponge, facing right. He then retracts his left arm, moves towards the center of the screen, faces the camera, and pinches the sponge between the forefinger and thumb of both hands, walking towards the camera. Later, he grabs the sponge with all five fingers of both hands, grips it with his right hand, slaps and scrubs the sponge with his left hand, looking in the opposite direction of the camera. His right hand reaches towards the car in the direction opposite to the camera, then returns to face the camera. The right hand grasps the sponge while the left hand rubs it above the surface. He then bows his head, spreads his hands wide, moves towards the right at the back, and finally the camera moves upwards.


In the initial scene, there is a slightly ajar door, and through the small crack, one can see a person in white standing outside. This man gently pushes the door open with his right hand. He stands by the doorframe, his right hand on the door, his eyes fixed on the left side of the screen, as if looking at something outside the frame. Then, the camera suddenly switches to another scene, this time featuring a man and a woman. The man seems to be sitting down on the left side of the screen, dressed in black. The woman, dressed in white, stands to the right of the man, looking down at him. The man stretches out both hands with his fingers spread wide. The woman tightly grips something in her hand, which is not clear. The man reaches his hands towards the woman, placing them on either side of her arms, making a pleading expression as if saying something to her. He then slowly lowers his right hand while his left hand remains on the woman's arm, and she continues to look down at the man. Finally, the camera switches back to the first man, still in the same position, as he pushes the door open, preparing to walk inside. He walks to the left, entering the room. At this moment, his right hand, which is on the door, does not let go. He still gaze intently at the left side of the screen while speaking. Throughout the video, the bottom part of the screen always displays two rows of words in white letters, seemingly the dialogue spoken by the people in the scene.


In the center of the screen, there is a woman who stands up, looks down at the bottom of the screen with her eyes, then turns around backwards, and walks towards the background of the scene.


On the right side of the screen, a person's hands, with the left hand holding the strap and the right hand pressing the button, fastens the button. After that, the hands separately lift the corners of the clothing on the left and center of the screen, then smooth them down, and finally leave the frame.


On the left side of the screen, there is a man whose body is turned towards the right side of the frame. He is looking down, holding a stack of cards in his hand, and with both hands, he rotates the cards to highlight a blue one. The camera moves downward to the right, focusing the view on the man's right hand, which is extended to the right side of the screen. At this moment, another left hand reaches in from the bottom of the screen, pinching a blue card from the stack and slightly rotating it to the right. Then, a right hand reaches in from the right side of the screen and takes the card, pulling it outward.


The left hand on the left side of the screen moves to the top of the frame, adjusting the sewing machine off-screen. The right hand in the top right corner of the screen stretches out the index and middle fingers to press down on the black cloth on the sewing machine, then moves out of the frame towards the top right corner. Then, both hands move to the center of the screen to hold the black cloth. The camera zooms out, and the woman's mouth appears from the right edge of the screen. Both her left and right hands move to the right side of the frame, palms open, moving towards the bottom of the screen and the top right corner, respectively. Then, the left hand holds down the black cloth on the sewing machine while the right hand reaches under the sewing machine. Both hands then move towards the bottom left and top right corners of the screen, grasping the two edges of the sewing machine, and then retracting back to the center of the frame. The left hand presses down on the black cloth, and the right hand is placed under the sewing machine. The right hand drops down, and the woman bends slightly forward towards the bottom left of the screen. The left hand spreads the black cloth towards the left side of the frame, while the right hand pinches the fabric and releases it, moving to the right side of the screen after placing it under the sewing machine. The left hand holds down the black cloth and moves out of the frame towards the bottom.


The scene shows an entrance vestibule, with a large standing mirror on the left side of the frame. Through the mirror on the left, a man in a blue shirt can be seen just entering, carrying three bags in his left hand. He starts walking forward to the shoe cabinet. At this moment, the man's actual body appears on the right side of the frame. His right hand takes one bag from his left and places it on the shoe cabinet. Then, his left hand puts the remaining two bags on the shoe cabinet as well. The man then turns and walks towards the right side of the frame, disappearing from view, and his figure is no longer visible in the mirror either.


In the top left corner of the screen, a blurry gyroscope spinning clockwise appears in a white and green color scheme, moving down along the left edge. A hand holding it moves to the upper right part of the screen, then downward and forward to the center of the screen. The palm is facing upward, and the gyroscope falls off. The lens sharpens, and the hand slightly turns to face the camera, then moves up and down slightly. The hand trembles slightly before moving slightly towards the left side of the screen, while the gyroscope maintains its clockwise rotation.


The camera slowly retreats, and more and more smoke appears in the frame, obscuring the distant mountains. At the same time, the smoke continuously moves in the opposite direction of the lens, revealing more of the sky in the shot.


A sea lion swims from the bottom right to the top left corner out of the frame underwater, then another sea lion enters the frame from the top left corner, lifts its head above the water, and swims out of the frame towards the bottom right. Finally, another sea lion swims from the deeper water, from the bottom right to the top left corner out of the frame.


In the scene, a round piece of white food is placed on a light brown cutting board. A pair of hands enter from the top of the frame, with the left hand holding down the top of the white food, and the right hand holding a knife placed at the edge of the white food. The right hand cuts a slice of the white food from top to bottom, then moves the knife back up and cuts the second slice from top to bottom.


The video shows a fast-forwarded scene with a keyboard in a side view in the center of the screen. On the left side of the frame, a left hand is continuously installing keycaps onto the keyboard. Meanwhile, the right hand picks up a screwdriver and presses it towards the keyboard. Subsequently, the video changes to normal speed, showing the left hand installing keycaps onto the keyboard.


In the picture is a middle-aged man wearing a white shirt, sitting slightly to the left of the center. A wooden guitar is placed across his body, on his abdomen, and he is holding it with both hands. His left hand is pressing the guitar frets, while his right hand plucks the strings, maintaining a certain rhythm, with his left hand occasionally changing the fret. He sways his body, occasionally raises his eyebrows, and nods his head. His expression is very focused, his eyes fixed intently on the guitar strings on his left hand.


A close-up shot from a fixed position captures the right profile of a person. In the center of the frame, a man is holding a mobile phone with his left hand and making a call. As he talks, he first looks in the direction of the camera, then towards the right side of the frame. He then touches the right side of his nose twice with his right hand, before looking down. Finally, he glances briefly to the left side of the frame before looking down again.


In the scene, a man wearing a pink short-sleeved shirt enters from the left side of the frame. His head is bowed down, looking at the pink clothing on his left shoulder, then he quickly rips it off with his left hand and disappears below the frame. He then re-enters the frame from the bottom, rubbing the garment with both hands, and then disappears down again. Next, the man enters the frame from below, holding the clothing in his left hand, turns his body towards the left side of the frame, raises his left hand to throw the clothing towards the left side of the frame. Then, turning his body towards the camera, he moves down with his arms crossed, leaning against the doorframe on the right side of the frame, and smiles.


A man is seen riding a horse along a muddy path, approaching the camera. As he reaches the camera, he turns the horse to the left while looking back to the right, towards the direction he came from, which is the far distance at the right-rear of the screen. The camera pans up to the left following the man, who, along with the horse, has their back to the camera. The man gives the horse a few forceful slaps on the neck with his right hand, and the horse swiftly runs uphill from the bottom left to the top right corner, exiting the frame. The camera pans down to the right, and after a few seconds, a group of four men appears from the distance on the right side of the screen. They ride towards the center of the lens, following the path of the first man. The two men in black at the front, upon reaching the camera's position, turn to look to the left side of the screen. The camera follows by panning up to the left, revealing the four men turning their horses to the left side of the frame. The two men in black ride side by side, closely followed by the man in yellow, with the man in maroon bringing up the rear. They ride uphill from the bottom left to the top right corner and exit the frame. The camera then slightly pans to the left twice more.