On the left side of the screen, there is a toy bridge. On the right side, there is a green plastic ground with a green high-heeled shoe, a pink foam board, and a cake shaped from plastic. In the top right corner, there is a cylindrical swing. Inside the swing, there is a green square object that swings back and forth with the swing, and rocks inside it.


On the table, there are several toy cars; behind them, there is a small building made of building blocks. A hand reaches out from the left side of the frame to adjust the car on the left, and then places a white and purple toy car on the slide of the building in the background. The toy car slides down from the slide and falls into a tank of water, floating on the surface. At this point, we notice that the white and purple toy car has completely turned purple in the water. The shooter then takes the car out of the water; the body of the car is now entirely purple, with yellow sides. Finally, the shooter places the car back on the table.


The video is in black and white. In the right side of the frame, a man wearing black gloves is holding a wine glass in his right hand, standing behind a table and speaking to the man in a black suit who has his back to the camera on the left side of the frame. In the center of the frame, a long-haired woman with a flower on her head initially looks at the man with the black gloves on the right, then turns around and walks towards the right background of the frame. After the woman walks away, the man with black gloves on the right puts down the wine glass in his right hand, points his left index finger at the man in the black suit on the left side of the frame, slightly moves to the woman's position on the left side of the frame, and supports his hands on the table to continue speaking. Then he widens his eyes, leans forward, and stretches his neck as if to scare the man in the black suit. In the background of the frame, many people are conversing, and the long-haired woman with the flower on her head, who just walked away, is now standing facing the right side of the frame.


The woman on the left side of the screen is wearing a dark top, sitting on a patterned sofa, facing the camera, and looking to the right side of the frame. Her left hand is on her leg, and her right hand holds a piece of food, then she laughs heartily, remembering to look up to the right, towards the man on the right side of the picture. The man on the right is half-sitting on the armrest of the sofa on the right side of the frame, facing the camera, with his left hand on his leg, leaning forward to pick up food from the plate with his right hand, then sitting up straight, with his left hand under the food, ready to taste it. The woman on the right is wearing a red skirt, sitting on the sofa, facing the camera, smiling and nodding, with both hands on her legs, looking first to the lower left of the frame, then towards the right side of the picture. The scene is indoors, with a painting in the center-left part of the frame. There are Christmas decorations around.


In the center of the screen, a pink anime character is standing facing the camera, swaying their body from side to side, looking down at the screen with an open mouth smile, and rhythmically beating a drum in front of them with both hands. Then, the anime character smiles with squinted eyes and taps the drum twice with their left hand.


The little girl on the right side of the screen is looking at the computer screen on the left, pressing the fret with her left hand, gently plucking the strings with her right hand, then looking up and saying something, glancing down at the fret again and then looking back at the computer to say something.


In the center of the black background, there are two overlapping photos. The entire image is slowly rotating clockwise, slightly enlarged. The lower photo is mostly obscured by the upper photo. The upper photo gradually becomes clear at the very center of the scene. The photo shows three people posing in front of a stone pillar, facing the camera. Starting from the left side of the frame, they are a man wearing a brown jacket and shorts, a black child in a denim shirt and white skirt, and an elderly man with white hair and a beard, wearing a shirt jacket. The camera slowly zooms in on the photo while rotating slightly counterclockwise.


Animation clip. In the center of the screen, a turntable cartoon character faces the camera, slightly moves upwards first, then bows its head and wiggles the two tentacles in front of it. The gears on the turntable keep rotating.


In the center of the screen is a woman tilting her face towards the left side of the frame, with both hands holding a large clump of mud up to her nose. The woman sniffs the mud, then puts it down, and subsequently sniffs it again. She then turns her face towards the camera with an expression of disgust.


In the lower right corner of the screen, a person's hands are holding a black board. The hands move upwards towards the top of the screen, with the right hand moving out of the frame. Then, the left hand lifts the board upwards. The background consists of many parts, and in the upper left corner, there is a white light facing towards the right side of the screen.


The man looks down at the ground, lowering his hands from face level, and speaks with his mouth wide open. Then he looks to the left, shaking his head from side to side while talking. Afterward, he straightens his head and leans his upper body to the right, slightly tossing his head to the left, and then leans to the right again.


In the scene, there are three people. On the far right, a woman is facing away from us. On the far left, there is a man wearing a plaid coat, who seems to be sitting in a vehicle, holding the reins in his hand. Behind this man, in the center of the picture, there is another man in a black suit holding a bouquet of flowers, facing the camera. The woman on the right side of the picture lifts a suitcase with her right hand and hands it to the man in the plaid coat. In her left hand, she holds a piece of clothing and a book. The man in the plaid coat on the left side of the picture stands up and receives the suitcase with his left hand and passes it to the man in black behind him. He keeps his eyes on the woman on the right side of the picture. After passing the suitcase, the woman on the right side of the picture begins to get into the vehicle.


On the left side of the screen is a person dressed in a khaki suit, sitting slightly turned towards the right side of the frame, with their right hand in the upper left of the screen. Then they move their right hand down to the lower left of the frame, followed by moving it further down, revealing the right side of their face in the upper left of the screen. Then they place their right hand on their right leg, extend their left hand towards the center of the background, and lean forward to the right side of the frame. Next, they retract their left hand and take a step back to the left side of the frame. The scene changes, and the person is now holding something black in their right hand, while their left hand is retracting from the center of the background. They then put down the black object with their right hand and bow their head. The scene switches again, with the right hand holding a tool, and the left hand releases it from one end, then the right hand moves towards the center of the background.


In the center of the screen, slightly to the right, there lies an open notebook with a blue card on it. On the left side of the screen, a right hand appears, placing a gray-white pen in the crevice of the notebook, then disappearing from the left side of the screen. The page of the notebook gently shakes. Next, in the lower left corner of the screen, a right hand appears, holding a black pen and continues to place it in the crevice of the book on the right side of the screen, near the steel pen, then it disappears from the left side of the screen. There is also a booklet with text on the cover on the left side of the screen, both items are on a gray cloth.


The camera shoots from above, and the center of the screen shows the interior of a car. In the upper right corner, a man in military green clothing has both hands towards the center of the screen, with his left hand gripping a part of the car and his right hand holding a utility knife, continuously rotating it towards both sides of the frame.


In the center of the screen, there is an elderly man wearing a black shirt with white whiskers and temples that have turned gray. His body is facing the camera directly, but his head is turned to the left, and his eyes are looking to the left as well. He seems to be speaking, and after he finishes, he nods slightly.


The man in the center of the screen looks down at the Rubik's Cube in his left hand, then slightly nods his head and twists the Rubik's Cube with both his right and left hands. Along the way, his right hand leaves the Rubik's Cube, and he examines it with his left hand. Afterwards, both hands twist the Rubik's Cube together again, and the cube is solved. He alternates between his left and right hands to rotate the Rubik's Cube a few times for observation, then holds the cube with his left hand and looks towards the camera.


In the center right of the screen, a man wearing a black shirt with his back to the camera is walking down a snowy slope towards the distance. The camera shakes and slightly moves downwards. In the background, there are many animals similar to ducks standing on the ice, some of which are walking towards the right side of the screen. There are also many grayish-yellow trees in the background, with buildings on the right side.


A couple with a child are walking towards the camera. The father, holding a blanket, is walking on the right side of the frame, while the mother, holding a green toy in her left hand, is walking on the left side. The child is playing with a red toy behind them. The camera follows their movements and backs up. The father glances back at the child, then turns to face the mother on the left side of the frame, handing her a part of the blanket. After the mother puts the toy on the ground, she takes the blanket from the father. The couple step back, spreading the blanket, and then give it a shake with both hands before placing it on the ground. At this moment, the child hits the middle of the blanket with the red toy in their hand. The couple support themselves with their hands in front of their bodies and then kneel down on either side of the edge of the blanket. The mother picks up the toy from the ground with her right hand and opens it. The child kneels on the blanket and gives the toy in their hand to the father.


The scene is captured from an overhead shot, showing many people standing at the edge of a river. Some are sitting on the lawn, conversing, while others are walking along the edge of the lawn. In the center of the screen, there is a horizontal road with many cars traveling from the left to the right side of the frame. The camera is slowly panning to the right, revealing more of the scene on the left side of the frame. One can see a large bridge on the left, with numerous cars traveling back and forth on it.


In the center of the screen, slightly to the left, a woman in a pink coat is standing on the beach. In the background of the scene, the waves are beating against the shore. She has her hands clasped together in front of her chest, gripping the collar of her coat, facing to the right of the picture. She then turns her head to look to the left of the frame, and subsequently turns back to face the camera directly. She changes her posture to cross her arms over her chest, and then her body also turns towards the camera. Her gaze shifts briefly to the right of the picture before she looks directly into the lens again.


In the scene, there are three people from left to right: a woman in a hat, a girl in blue and white clothes, and a girl in pink clothes. The girl in blue and white clothes shakes her head from side to side, closes her mouth, slightly bows her head, looks to the lower right of the scene, holds a fork in her left hand, and supports the food under the fork with her right hand. The woman in a hat on the left side of the screen stands facing the camera, looking to the right of the scene. The camera turns to the right, and the person in pink clothes faces the camera, looking down, holding a fork in their right hand, and then glances at the camera, leaning towards it. Both the girl in blue and white and the one in pink simultaneously put the food on their forks into their mouths. Chewing the food in their mouths, the girl in blue and white bows her head, while the person in pink turns to the left of the scene, then turns their head to look at the camera, making a surprised expression, and then compose themselves, turning left again, lifting their head, and turning to the right to happily make eye contact with the girl in blue and white on the right side of the scene. The woman in pink turns to the camera again, her mouth opening into an O shape, expressing joy, then bows her head, talking, and looks up at the camera once more. The girl in blue and white turns to the camera, opens her mouth, and bows her head towards the camera. The woman in the hat raises her left elbow upwards. In the background of the scene is an open kitchen, with a sink and an oven in the center and a double-door refrigerator on the left.


A woman is sitting on the left side of the canvas, facing the upper right corner of the scene. She holds a brush in her right hand and is painting an object in front of her. The object and its base are turning to the right side of the canvas. Then, the woman raises her right hand and moves the brush towards the upper left corner of the canvas, before lowering her right hand and bending down to continue painting.


The background of the screen is a three-dimensional space that is being pushed forward. There are three photos in the scene, and the three images rotate as the background moves. The photo on the left rotates clockwise around the center of the screen, while the one on the upper right rotates counterclockwise around the center. In the photo on the left, there are three people reading books. From left to right, they are a short-haired man in a blue short-sleeved shirt, a woman in a white short-sleeved shirt with a pattern, and a little boy in a white short-sleeved shirt with his back to the camera. On the right side of the screen, there are two photos arranged vertically. In the upper photo, a man dressed in motorcycle gear and wearing a helmet is looking down in a room filled with many books. The lower photo is a black and white image, showing many bookshelves and books, several computers, and a man with black short hair in a white shirt. Then, the camera switches, and a man with white hair dressed in a floral shirt is facing the camera, with a bookshelf in the background filled with many books.


The camera focuses inside an oven where a piece of brown meat is placed, with white smoke rising around it. Then, a person enters from the right side of the screen. He places a silver foil bowl in his right hand under the lower layer of the meat. Next, the man's body moves out of the frame from the right side, and only his hands are seen closing the door of the oven and fastening a silver buckle on the oven door before his hands also disappear from the right side of the screen.


The scene presented is a top-down shot. At the center is a tightly closed door. A long-haired woman in a plaid skirt runs from the bottom right corner of the screen to the door, uses her right hand to unlock the door, and her left hand to pull open the left half of the door, followed by her right hand opening the right half. As the door opens, the screen gradually brightens, and half of a blurred bow and arrow appears on the left side of the screen. A man in a blue shirt with a red shoulder bag on his right shoulder stands at the doorway. His left and right hands are holding the bag, one above the other. The man and woman then talk face to face. After the woman nods slightly, she raises her left hand flat towards the inside of the house, indicating for the man to come in. The man crosses the threshold with a smile, which then fades as he looks around nervously. At this moment, the woman, walking ahead of the man, glances back at him. The man smiles at the woman before continuing to look around. Then, both of them walk out of the screen from the bottom right corner. The background is a dimly lit room, with light shining in from outside, slightly brightening the interior.


In the scene is a black man, holding a potted plant with his left hand to the side, while his right hand grips the root of the plant and pulls it outward. He then supports the bottom of the pot with his left hand and slowly extracts the plant and its soil, raising it to his face. The black man smiles as he looks at the plant, gently touching the bottom of the soil with his left hand. The camera gradually moves away, and on the left side of the screen, a woman with curly hair is seen supporting the bottom of the pot with her left hand, while her right hand grips the root of the plant and pulls outward, attempting to extract the potted plant.


An elderly man with greying hair and a white beard, dressed in a blue shirt, is sitting on the right side of the frame. His hands are placed palm-up in front of his abdomen, then he spreads his fingers, turns his palms to face each other and moves them to his chest, then back to his abdomen where he crosses and overlaps his hands before lowering them. He then raises his hands again, spreading them open and closing them, all the while talking continuously. The camera then switches to a wide-angle view, and he performs the same spreading and closing motion once more. Now it is clearly visible that he is sitting in a beige chair with red armrests. To his left, there is a large red wooden table, which holds two lamps and some books and papers. He is speaking to a man in the bottom left corner of the frame, who is wearing a red and black striped tie, a white shirt, a black suit jacket, and glasses. In the background further back are several identical tables, lamps, and chairs. On the left side of the background, there is also a row of red bookshelves. On the right, there are two small rooms with transparent doors, through which the interior can be seen vaguely.


The video was shot by a camera installed on the top of the vehicle. As the car moves forward, the top of the garage appears at the top of the screen, and on both sides of the screen are two standing Angry Birds plush toys.


In the scene is a toy with tracks in orange and blue, and a humanoid object on the toy is facing the camera. A yellow toy car is placed on the red component in the lower left corner of the frame. To the right of the scene, a person in black pants is sitting cross-legged on the ground, extending their right hand from the upper right of the frame towards the center and western parts of the camera, with the index finger pressing the red button on the component. The red button is pressed by the person on the right side of the frame, causing the yellow toy car to spring up and hit the humanoid object on the toy, and the camera lifts upwards. The head of the object and some toy cars fall to the ground along with the yellow toy car, and the right arm of the humanoid object bounces up and down. The camera moves backward and then upward, still facing the ground. The right hand of the person on the right side of the frame raises and moves towards the camera, while the left hand appears from the right side of the frame, reaching out to the toy car on the ground on the left side. Then, the left hand picks up the yellow toy car and moves it towards the lower right of the frame, placing the toy car in the middle at the bottom of the scene. On the ground in the center of the frame, different toy cars are neatly arranged in a square.


In the center of the screen, there is a woman with her left side facing the camera. Her eyes are looking upward as she raises both hands to search for something placed above. She then looks down at her feet, gives a small jump, and continues searching. After that, she lowers her head and puts her left hand down.


This is a long-time-lapse shot that moves with time. The stars in the background sky slowly move from the upper left side of the frame to the lower right side. At the same time, clouds enter the lens from the upper left of the frame and quickly exit from the lower right, the color of the background gradually brightens, transitioning from night to day.


In the black and white scene, a large indoor banquet is displayed, with two men in the center of the frame walking from right to left towards the camera. The man on the left is dressed in a dark suit, with his arms spread, talking to the man on the right. The man on the right is wearing a light-colored suit, walking expressionlessly. The camera follows their steps, panning to the left. At this point, the man in the dark suit lowers his arms and embraces the right hand of the man in the light suit with a pleading gesture, bending over to talk to him. The two stop in front of a black door, with the man in the dark suit continuing to speak. When the man in the light suit turns to look at him, the man in the dark suit extends his right index finger to point at the man in the light suit. He then places both hands on the arms of the man in the light suit and continues speaking. The man in the light suit uses both hands to free himself from the grip of the man in the dark suit, but the man in the dark suit seizes the right hand of the man in the light suit with his left hand, pointing at him with his right index finger, and finally raises his right finger to point at the head of the man in the light suit. After the man in the light suit knocks away the right hand of the man in the dark suit with his own right hand, he turns and walks towards the stairs on the left side of the frame. The man in the dark suit stands still, watching the man in the light suit walk away, then leans back against the wall. At the bottom of the screen, their conversation is subtitled in real-time with white English text.


In the right side of the screen, there is a man raising a long rifle with his right hand, turning his head to the right, and handing the long rifle to another man in the center of the screen who is holding a small gun in his left hand aimed at the left side of the screen. On the right side of the screen, there is a blurred man with his back to the camera, who shakes a few times, turns to the left, and walks towards the left side of the screen. In the background on the left side, there is a blurred crowd.


In the frame, a woman in a blue patterned top with a head full of silver hair is speaking. She slightly tilts her head to the right and then quickly straightens it. During her speech, she raises her hands level with her chest and then lowers them, subsequently slightly lifting her right hand and then putting it down again. Her head gently sways with the rhythm of her speaking. The background is a blurred indoor scene, where wooden structures and green plants can be faintly seen.


In the airplane cabin, a black man carrying a bag in his left hand and a suitcase in his right hand is facing to the right of the screen, standing behind the person in front. He takes a step to the right of the screen and then waits on the spot. Finally, he exits the frame from the right. At this moment, several passengers following the black man appear from the left side of the screen and move to the right. Some travelers quickly walk from the left to the right in front of the camera.


I love the center with two people: one in a white shirt with a crew cut, and another in a black shirt with long hair. The man in the black shirt has his palms open and placed on both sides of his body, making a defensive stance directly towards the camera. The man in the white shirt is dribbling the ball with both hands, his body sideways to the camera, facing the right side of the frame. He alternates dribbling with both hands, bouncing and jumping to move his feet towards the right side of the frame. Then, with his back to the man in black, he faces the camera directly and continues to dribble with both hands crossed, moving towards the right side of the frame. At this point, the man in black has his body sideways to the camera, facing the right side of the frame. Then, the man in white dribbles the ball again, walking towards the left side of the frame, with the man in black defending him from behind all along. In the end, the man in white disappears from the left side of the frame.


On the left side of the screen, a man in white clothing facing the camera bows his head to read a book. On the right side, a woman in a white school uniform looks at him and puts down the book she was holding with both hands, saying something to him. In the distance on the right side, a man in a gray shirt is watching the two of them. In the bottom right corner of the screen is a table with books placed on it.


The male in the red shirt is looking at the bottom left corner of the screen, walking towards the camera from the right side of the frame, with his arms slightly swinging upwards in the direction of the top of the screen, then lowering them. The camera pans to the left, and the man's head tilts to the left side of the screen, lifting his eyebrows and then lowering them. He raises both hands to the left side of the screen, opening them with palms facing left, then lowers his hands to his sides. The man then turns to the left side of the screen, takes a step back to the right, looks at the bottom left corner, stretches his right hand to the left side of the screen, and grabs the back of the chair below the frame, subsequently moving the chair to the right side of the screen. He then turns towards the camera, sits down on the chair on the right side of the screen, and speaks to the left side of the screen with a smile. The camera pans down with his movements, and the man leans towards the left side of the camera, his head tilted to the left, looking at the bottom left corner. Then his upper body slightly moves to the right side of the screen, followed by extending his right hand to the left side of the screen, furrowing his brow, and picking up a piece of paper from the table with his right hand. In the bottom left corner of the foreground, a blond woman has been facing away from the camera the entire time.


A woman appears on the screen facing the camera, looking at the man in the red striped short sleeves on the right side of the frame. The man is standing sideways to the camera, with his body facing the left side of the screen. He stretches out his right hand, using his index and ring fingers to point at the yellow object in front of him, while the other fingers are holding a piece of paper. The woman then glances at the yellow object. Following this, the man points to his eyes with both hands, then extends his hands and speaks to the woman. The woman looks at him and nods.


In the scene, a man with brown curly hair wearing a white shirt and brown vest is lying on the ground. He is lying on his back with his legs bent, straining to lift his head, and supporting himself on the ground with both hands; his right hand is straight and his left hand is bent. He is struggling to get up, his buttocks just lifting off the ground, when a man in orange pants, a light orange leather jacket, and a black hat enters the frame from the left. He uses his right hand to pull up the right arm of the brown-vested man, helping him to stand up. The man in the black hat then grabs his left arm and pushes him backwards; both men are now facing away from the camera. The man in the brown vest stumbles towards the crowd behind, where he is grabbed by the collar by a man in red pants, who pulls him towards himself. The man in red pants, with his left hand still holding onto the brown-vested man, reaches for handcuffs with his right hand from his waist. In the background, a group of people stands and watches. The scene cuts to the man in red pants handcuffing the man in the brown vest, holding his collar with his right hand and grabbing the clothing of a bald man next to him with his left hand. He is pulling both of them closer to the camera on the left side. After letting go, two ropes extend from the two men and are held by the man in red pants. The man in the black hat, after pushing the man in the brown vest, also walks towards the crowd. In the next scene, he spreads his arms wide, facing the crowd, and takes a few steps forward as if asking them to leave. Then he puts his hands on his hips, turns his head to the right towards the man in red pants, says something, and then turns back and walks in front of them towards the left into the camera. The group of people is now in front of the camera, facing away from it, and then they disperse.


On the left side of the screen, a woman in a yellow skirt and a man in a blue shirt are standing back-to-back to the camera, holding hands and walking towards the background. The image is somewhat blurred, and the book the man is holding is swinging. The camera shifts to the left, at which point the couple is in the middle of the screen. The woman's Bichon Frise, which she is leading, enters the frame on the left side and walks towards the background alongside the woman. The woman turns her head slightly to speak to the man, and he turns to look at her with a smile as he talks, then turns back to look at the stairs in the background. When they reach the bottom of the stairs in the background, the Bichon Frise quickly runs up the stairs first, while the man and woman walk behind, preparing to ascend the stairs.


A yellow object flies in from the left side of the screen and lands in the center, dropping into the red water and then floating back to the surface. A cartoon character of an avocado flies in from the left side of the screen and lands above the yellow object in the center of the screen.


On the right side of the screen, there is a blond boy who is first blocked by a figure walking towards the left side of the frame in the foreground, then becomes completely clear. He is holding a glass bottle in his left hand, looking down to the right side of the screen, then puts the glass bottle down, turns his head, and stares directly into the camera. His mouth remains puffed up. In the blurred background, two people can be seen sitting on the left side of the screen, holding something in their hands.


The main subject of the image is a plant, around which a greenish-yellow snake with a white belly is coiled. The snake has curled its head back and is sticking out its tongue to the left side of the picture. Then, it gradually explores out of the frame to the lower right side. Due to the movement of the snake, the entire plant is continuously shaking up and down and from side to side.


The scene is a close-up shot of the hands. The left hand enters the frame from the top right corner, holding a toy car and moving towards the center of the frame. It places the toy car down, and the camera zooms in. Then, the left hand reaches towards the bottom of the frame and disappears from view. The camera zooms out, and the left hand reappears holding a new orange toy car, flipping it around to face the camera. The front of the car faces the camera. Next, both hands are positioned on either side of the body, facing the bottom left corner of the frame. Each hand holds a toy car and moves them towards the center of the body. Then, both hands holding a white and a red toy car place them at the rear of the green and gold toy cars in the center of the frame. The left hand then places a golden toy car in front of the body, while the right hand puts a yellow sports car to the right of the orange sports car in the center of the frame. Following this, the other sports cars are arranged and combined one by one.


The video shows a keyboard from a side view. At the bottom of the screen, a hand is holding a screwdriver leaning on the keyboard, waving the screwdriver left and right, then pointing to a section of the keyboard with the screwdriver, and subsequently continuing to wave the screwdriver repeatedly.


In the center of the screen, a curly-haired lady in a hoodie looks to the right of the screen and speaks, then turns her head to glance at the left side of the screen before looking back to the right. She then turns around and runs towards a dark door on the left side of the screen, and the camera follows her movement by panning to the left. The scene switches to outside the door after the curly-haired lady exits, where she looks down and closes the door, slightly turning her head to the left side of the screen, glances at the camera, and then puts on the hood of her hoodie before turning around and quickly walking away to the distance, with the camera following her movement forward. The camera cuts back to a front view of the curly-haired lady, who quickly walks towards the camera, pulling out a yellow trash bin with her right hand in front of the lens, then turns around and walks away quickly, with the camera first panning down and then slightly up.


The scene captures a group of antelopes on the dry, yellow grassland. In the middle of the frame, away from the camera, three antelopes are running towards the camera. Three antelopes near the camera, standing on the right side of the frame, are moving towards the left side of the picture. The camera switches to a close-up of the three antelopes; two on the left side of the frame are facing the camera, while the one on the right side has its body turned towards the right side of the frame. Then, a large antelope on the far left of the frame walks towards the right side, at which point another antelope walks into the frame from the left and also heads towards the right side. The antelope on the right side also starts walking to the right. Next, the large antelope stops, turns its body towards the camera, and looks into the lens.


When the man was speaking, he leaned back, and his left hand, which was placed on his right thigh, pulled back slightly. Then, his left hand lifted from the thigh, and his right hand from the sofa. Both palms faced down with fingers spread open. His thighs lifted slightly from the sofa. Next, the man leaned forward, his palms facing each other. His right hand was placed on the sofa, while his left hand extended with the index finger pointing down and the thumb up. Immediately after, his left hand was placed on his right lower leg as he continued to lean forward.


The scene in the video is a brick-paved corridor with various small shops on both sides, prominently featuring the shop with the "ORTIZ" sign. Inside the store, a man in a white shirt is bustling around preparing food. The people around are moving quickly, and their blurred outlines indicate that the playback speed of the video has been increased, creating an atmosphere of constant busyness and flow.


The main subject of the scene is a family of three, sitting on the sofa on the left side of the picture, facing the right side of the frame. From left to right, there is the father, the child, and the mother. The father first points with his finger to the computer screen on the lower right of the picture to show it to the child, then he and the mother both wave their hands to greet. Afterward, the mother embraces the child with both hands, and the child also reaches out to greet. Subsequently, the child puts his left finger into his mouth.


In the scene, we can see two people walking by the roadside. On the left side of the screen, a woman in a floral dress is walking from the right to the left, turning her head towards the man on the right side of the screen, and stretching out her left hand to hold the man's hand. In the center of the screen, a man in a blue shirt extends his right hand to hold the woman's hand and walks towards the left side of the screen with her. The camera also slowly shifts to the left with their steps. A black car briefly blocks the view of the two people as it passes through the middle of the road. The woman has a bag on her right shoulder, and her right hand is constantly resting on the strap of the bag. At this point, they reach a crosswalk and start to cross the road. The man is looking towards the left side of the screen as he walks, while the woman turns her head to the right, continuously looking at the man. As they reach the middle of the road, the couple slows down. The man also turns his head to the right side of his body and looks at the woman, then says something. At this moment, the woman extends her forearm outward, likely indicating something to her right. Then, both of them look towards the right side of their direction of advancement.


The scene is captured from an overhead angle. In the center of the frame sits a woman, whose head can be seen from the top. At the right edge of the frame, a person with long hair is visible. She is dressed in white and her left hand is extended into the frame, holding a hair clip. Following the sitting woman's hair from the top, a section is separated, and then this person reaches out with her right hand to grasp the freshly separated portion of hair and secures it with the clip in her left hand.


In the scene is a large lecture setting, with a stage on the left side of the screen featuring a speaking desk covered with a blue tablecloth. There are two people sitting behind the desk speaking into microphones. In front of the camera, a large crowd is seated in chairs listening to the two speakers. The camera then zooms out and pans to the right, revealing more people sitting in chairs listening to the speech, with occasional camera flashes illuminating the crowd.


A hand enters from the left side of the screen, holding a pen between the thumb and index finger, pointing to the center of the screen. Initially, the pen is used to point at the screen, moving horizontally from the left to the right. Then, the hand holding the pen moves upwards to the left, and subsequently shifts in a diagonal direction from the upper left corner to the lower right corner. After that, the arm on the left side of the screen bends to the left, retracting the arm back from the left side of the frame.


In the center of the screen, there is a black keyboard, and in the top right corner, the lit screen of a computer can be seen. On the left side of the screen, a person's hand is seen manipulating the keys on the keyboard. Then, the person's right hand holding a small tool appears from the bottom of the screen, extending it towards the keys of the keyboard. It seems as if they are using the tool to pry up the keys on the keyboard, and then with their left hand, they remove the dislodged key from the left side of the screen. This action is repeated, gradually removing the last two rows of alphabetic keys on the keyboard.


On the left side of the screen, there is a woman facing the camera, holding a mobile phone in her right hand, and looking at the phone with her eyes. She then turns her head to look at the man in the center of the screen and goes to kiss the man's mouth. In the center of the screen, there is a man looking at the woman on the left side of the screen with his eyes, and he leans forward to kiss the woman's mouth.


The main subjects of the scene are two girls. The one on the right is wearing a yellow outfit and a hat, while the one on the left is wearing a gray coat. They are both engaged in painting, facing the camera. The girl on the right looks up at the template three times before bowing her head down to continue, and the girl on the left begins to draw with the side of her pen at another spot on the paper. At the end, the girl on the right looks up surprisingly to share something with her companion, at which point the girl on the left also glances up at her.


Camera shot from above, at the center of the screen, a woman in blue and a woman in black are seen side-on to the camera, moving towards the right side of the screen. To the left of the center, a woman stands with her back to the camera, her right finger pointing to the right side of the screen. On the left side of the screen, a woman with a bag slung over her right shoulder is standing sideways to the camera, facing towards the right of the screen, with the bag hanging around her neck. On the right side of the screen, a woman holding a child is standing sideways to the camera, moving towards the left side of the screen. In the background, a group of people are standing and moving around.


This is a video from a variety show. In the center of the screen, there are two men standing. One is wearing a blue shirt and has his right hand resting on the desk, looking to the right of the screen. On the left side of the screen, there is a man in a white shirt also looking to the right. On the right side of the screen, there is a blond woman supporting herself on the desk with her right hand, lifting her left hand to her face, then swaying her body and turning towards the right of the screen. In the background of the scene, we can see a woman in a white shirt looking at the blond woman on the right side of the screen.


A close-up shot from a fixed position shows a black man being interviewed. The man is seated in the center-left of the frame, facing the camera. He looks towards the lower left corner of the screen, first slightly spreading his hands, then crossing his arms over his chest. Subsequently, the man looks towards the camera, intertwines his fingers and opens his thumbs to make a gesture, glancing briefly to the right side of the frame. In the end, he points to himself with both thumbs.


On the left side of the screen, a man in a light blue shirt and a gray apron is standing facing the camera and looking towards the right side of the frame where a woman in a red shirt with her back to the camera is located. The background is a wall with many shelves, on which there are numerous jars and bottles, and there are also some signs and Christmas decorations on the wall. The man in the light blue shirt shook his head and turned it counterclockwise to look towards the right background at a woman in a dark blue vest. Then he turned his head back to look at the woman in the red shirt and made a gesture with his right hand. He then turned around and walked towards the right side of the screen, reaching the side of the woman in the dark blue vest. At the same time, the woman in the red shirt rotated clockwise, and the camera panned to the right and focused on her. She slightly turned her body to face the camera and looked towards the right side of the frame at a man in a black shirt with his back to the camera, engaging in conversation with him while making gestures.


The scene is shot in first person view inside a supermarket with a rack of clothing. The camera moves down to show black and white coats of the same style. The shooter moves forward and slightly turns to the right, aiming the lens at a gray garment. The left hand stretches out in front of the lens to the left, lifting the sleeve on the left side of the frame, while stepping backward and panning the camera down. The shooter releases the sleeve in the left hand, walks forward again, and stretches the left hand from the lower left corner of the frame towards the front of the lens, picking up the tag of the gray clothing. The camera zooms in on the tag, which shows the price of the garment. In the background of the scene, people are walking around the supermarket, some pushing shopping carts.


In the frame is a POS machine being held by someone, with its side facing the camera. The right hand holding the POS machine comes into the frame from the right side. The POS machine sways slightly to the left and right, causing its left side to elevate a bit. Then, a hand holding a bank card appears in the top left corner of the frame, placing the card on the left side of the POS machine, presumably on the card reader, and quickly moves out of the frame from the top left corner. Another hand enters the frame from the right side again, with the index finger extended, pointing to the left side of the frame. It moves from the bottom left corner of the frame, across to the top right corner, and then exits from the bottom left corner. In the end, the camera remains focused on the side of the POS machine.


The center of the screen features Keanu Reeves, dressed in a black suit, black shirt, and dark blue tie. His left hand points to the right side of the screen and then retracts. The person keeps walking forward, forcing the camera to continuously back up. Behind, there are many iron railings, and the gate of the iron railing has a combination lock. Behind the door is a pile of clutter. Slowly, flames can be seen rising suddenly or gradually growing larger behind the man on the left side of the screen. A bald man is sitting on the ground, facing the camera and looking at the fire inside. Throughout the video, Keanu Reeves walks forward with a resolute gaze, not looking anywhere else. This should be a scene from a movie he's acting in. Suddenly, the scene changes, and the actor Scott Adkins is seen wearing a deep blue Polo shirt, facing the camera as if being interviewed. His eyes are very listless, looking down at the lower right corner of the screen. The background is a white door with transparent glass.


This is a black and white image where a man is supporting his right hand against the wall with his head leaning on his right arm. A woman with short hair approaches the man leaning against the wall, grabbing his arms with both hands. They look at each other while speaking. The woman looks up from below and then back down at the man's face, while the man's right hand is placed on her neck.


In the center of the screen are two airplanes flying towards the left side of the screen. The background is a mountainous area with low houses. The camera follows the movement to the left side of the screen. The two airplanes gradually separate to the top and bottom of the screen. Then the camera zooms out, at which point the two airplanes start to fly towards the right side of the screen. The camera follows the movement to the right. The airplane at the top of the screen is flying much faster than the one at the bottom, now on the right side, and it reaches the right side of the screen.


The main content of the video is shot from a camera position next to the character. At the beginning, the view is of a vast grassland, which then switches to a man sitting on the grass, wearing a baseball cap, speaking to the camera. He then points to the grassland behind him with his right hand, gesticulating with his hands while talking, occasionally looking back at the grassland and then turning to face the camera. In the last few seconds, the man stretches his right hand to the right and then extends his index finger to point in the direction of the grassland. To his right in the frame is a gun mounted on a stand, with the barrel aimed towards the grassland.


Four young boys and girls are standing in the middle of the picture. The blond girl on the left is facing the camera, with her right hand on the book on the table, her left hand on her hip, her body leaning against the desk, and she is slightly turned towards the right side of the picture. The boy in the white shirt on the left is facing the camera, taking a step forward, his legs half-crouched, his mouth wide open, exaggeratedly clapping. The girl with brown hair is looking in the direction of the boy in the shirt, holding the strap of her schoolbag with her left hand, swinging her right arm, stepping back, and facing towards the left side of the picture. The boy in the blue vest on the right is sideways to the camera, facing towards the left side of the picture, his left hand on his hip, laughing heartily at the crowd. In the middle of the background, there is also a girl sitting at the desk, bending over to read a book.


In the middle right of the screen, a person's hand is cutting scallions. He holds the knife in his right hand, with his index finger pressing on the back of the knife, and holds the scallions with his left hand. The left hand moves downward to the left following the action of cutting scallions, and the camera also slowly pans down slightly.


In the center of the screen, there is a man holding two bottles in his right hand and a storage bag in his left hand. The man places the storage bag on the table, then puts the bottles in his right hand into the storage bag, and subsequently picks up a white bottle from the table with his right hand.


Camera shot from above, a woman is positioned on the right side of the frame, using a sewing machine to stitch fabric. The woman picks up a purple fabric strip with her right hand and straightens the gray fringe with her left hand. She then aligns the purple fabric strip, the fringe, and the black fabric one by one with both hands, holding the lower end with her right hand. She then pulls the fabric upwards with her left hand and sews a small section of the fabric with the sewing machine. Afterward, the woman adjusts the purple fabric strip with her left hand once more.


In the center of the screen is a foreign man curled up in dark blue long sleeves and blue pants, with both hands grasping a rope above the screen while looking to the right of the image. To the right of the screen is a towering tree. The man pulls on the rope with both hands towards the top of the screen, then stands up using the rope while his body is suspended, with his left leg pushing against the tree on the right side of the screen, looking down to the right. He then moves his left hand down to grasp the rope, shifting his body downwards until he is sitting, and then looks to the left of the screen to speak, with his hands spread open and placed on his thighs. He then looks up to the top right of the screen, turns his head to look back at the center of the image, swings his open hands before placing them back between his thighs, and gives a slight shrug. The background of the screen is a lush green forest.


In the scene, a woman is submerged in the water, with her hands spread open on both sides of her body, facing the camera as she exhales, forming bubbles that rise to the top of the screen. Then the woman swims towards the camera from below.


In the center of the screen, slightly to the right, a man in a black shirt is facing the camera from the side, walking towards the left of the screen. He speaks seriously with a stern expression, holding a mobile phone to his right ear with his right hand, while his left hand taps on the table twice before stroking the left edge of the table. He then swings his left hand to the left side of the screen. The scene is indoors, with tables, chairs, and cabinets. There is a window on the right side of the screen.


In the frame, a person is sitting behind a table, facing the camera. His left hand is open with fingers spread out, placed on the paper on the right side of the screen. His right hand holds a pen, resting on the paper in front of him. Then he slightly lifts his head, looking down at the paper on the right side of the frame. The camera slowly rotates clockwise to the left with him at the center. He withdraws his left hand and places it on the paper in front of him, glances at the paper on the right side of the screen, and then turns his head to look at the paper in front. With the pen in his right hand ready to write, the camera slightly rotates counterclockwise to the right.


In the center of the screen, there is a man sitting sideways on a stool near the door, facing to the left of the screen. The camera moves slightly to the right, and on the left side of the screen, there is a woman in a white vest bending towards the right of the screen, picking up a shoe with her left hand, and speaking towards the direction of the camera. At the same time, the man turns his head to look out the door. On the right side of the screen, there is the profile of a woman with curly hair tied up, who is looking into the door.


In the scene, a person in blue clothing is seen in the upper right background of the frame, holding a coin in their right hand and placing it on the table. Their left hand, positioned in the upper center of the frame in the foreground, is rotating a small top counterclockwise. Then, the left hand leaves the frame from the top and re-enters, placing the top on the middle of the table at the right edge of the frame. The right hand slightly lifts, and the left hand slightly opens. Then, another person in white clothing extends their hand from the left side of the frame. As the top gradually stops spinning, the person in blue moves both hands to the right side of the frame, causing the top to fall on the table. The hand of the person in white enters the frame from the left edge and is placed on the table in the upper left corner before lifting up again. Suddenly, the person in blue quickly stretches both hands to the left side of the frame. The camera pans to the left, and then the left hand presses several coins and moves them to the right side of the frame. The right hand also moves to the right, with the camera panning to the right. Next, the right hand lifts and then lowers, moving the coins to the right side of the frame. Both hands are then raised simultaneously and moved to the right, and then to the left. The left hand presses the coins and moves them towards the right side of the frame, while the right hand drops the coins it holds, and then the left hand lifts up.


A woman is standing with her back to the camera, holding a toy in her right hand and walking away from the lens. She then turns her head to the left side of the frame, places the toy in front of her with her right hand, and immediately raises her left hand, extending her middle finger to smooth her hair back to behind her left ear towards the camera side.


In the frame is a close-up of a man wearing deep blue clothes. His body is facing the camera while his head is turned to the side of the screen. With both hands raised on the left side, he is holding a golf club, which is placed on the right side of the frame. Next, he lowers his hands, and the golf club moves downward, disappearing below the frame. He then slightly turns his body to the left side of the screen and moves towards the right side of the frame, as the camera pans to the right.


A man and a woman appear on the screen. The woman on the left side of the screen first extends her hands and places them on her chest, then she uses both hands to point to the right side of the screen. At the same time, the man on the right side also raises his hands. Then, the two people alternately point back and forth to the left and right sides of the screen with both hands. Behind them, there is a Christmas tree.


The video scene is a movie shooting set. In the center of the frame is an old white man in a black coat, standing sideways to the camera, facing rightward in the direction of the screen. He is communicating with the man in a gray suit on the right side of the frame. On the left side of the screen, a crew member wearing a hat supports a sound recording device with his right hand. On the right side, a staff member in short sleeves has his back to the camera and is adjusting the equipment with his right hand. The camera zooms in on the center of the frame, where a black man extends his right hand towards the white old man, then withdraws it and walks towards the right side of the screen, occasionally looking back at the white old man. The man's right hand pulls a black woman into view from the right side of the screen, and they walk towards the left side. Behind them, a black boy and a black girl follow. The black man introduces the black woman to the white old man.


In the center left of the screen, a ship is sailing on the misty sea towards the left side of the screen, leaving a white wake on the water's surface. The background features a coastline. The camera follows the ship as it moves to the left, and a coastal building subsequently appears in the bottom left corner of the frame, gradually disappearing from the right side of the screen as the camera continues to shift left. The ship persists in its journey to the left, and some objects resembling lamp posts emerge at the bottom of the screen.


The camera shakes, and on the right side of the screen, a man and a woman are in a house with a silver sheet metal exterior. The camera zooms in, and the man in the foreground turns his body to the left side of the screen, bending down to pick up a white bowl with his right hand, and passes it to the outstretched right hand of the person on the right side of the foreground. The latter, holding the white bowl, disappears in the lower right corner of the screen, and the camera pulls back accordingly. The man in the foreground gives a thumbs-up with his right hand to the person who received the white bowl. The woman in white in the background initially stands with her legs crossed, facing the camera, then straightens her legs and extends her right hand towards the foreground before lowering it.


In the background on the right side of the screen, a woman is sitting with her back to the camera. On the left side of the screen, some equipment is placed. On the right side, a person is holding something in their right hand, putting it into the equipment on the left side of the screen, and then leaving the frame from the right side.


In the scene, a group of people are using a conveyor belt to transport pumpkins from the field to a truck. To the left of the center, there is a green conveyor belt connected to the truck. In the central part of the image, five people are bent over, placing pumpkins from the ground onto the conveyor belt. In the bottom right corner, a person in a black shirt is bent over, picking up two pumpkins from the ground. Above the center of the scene, one person is standing on the truck, farthest from the camera, putting the pumpkins from the conveyor belt into wooden crates on the truck.


A bee moves towards the camera on the pistil, then turns to the left side of the frame, subsequently turns to the right, and flies to the right. The camera then moves to the right, and the bee disappears from the frame. Throughout the video, the camera is shaky.


On the left side of the screen, an elderly woman in red clothing with her back to the camera reveals the right half of her body, using a brush in her right hand to brush a pair of upright blue shorts in the center of the screen, with a green lawn serving as the background.


On the left side of the screen is the profile of a woman in black clothing. The woman turns towards the camera, moving to the left of the frame, with her hands at her chest and her back to the camera, playing with the ends of her hair. She then turns towards the camera, fidgeting with her hands at her chest. On the right side of the screen is a mirror that reflects the woman's face with a smile. She turns to the mirror, plays with her hair ends, and stands sideways to the mirror before turning towards it again and then turning her back to the mirror.


The main subject of the image is a black male covered in tattoos. He is in the center of the frame, facing to the right, and has raised his right hand, swinging it forcefully. Then, he raises both hands, extending his index and thumbs, moving his forearms inward and downward before pulling up his pants twice. For the third time, he extends both hands, clenched into fists, swinging them, and finally stretches out his left hand, swinging it inward with great effort. He seems to be talking continuously, as if he is complaining about something.


On the left side of the screen is a woman in a coat, facing right. On the right side is a woman in a suit, looking to the left. The woman on the right turns her head to the right, picks up an item from the table below the screen with both hands, then moves her right hand with the item upward, and puts it into her mouth. The two women are talking. The right hand of the woman in the suit moves downward and is placed on the table. At this moment, a woman in an apron carrying a plate enters the screen from the right, walks towards the center, stops in the center, moves her hands downward, and places the plate on the table. The woman in the suit stretches her left hand towards the left side of the screen, at which point the woman in the apron walks to the right and leaves the frame. Then, the woman in the suit withdraws her left hand to the right, raises her right hand, and supports her chin. The background of the scene is a staircase extending from the upper left corner to the lower right corner of the screen.


At the center of the screen is a man running towards the camera, then he turns his head to the left side of the screen and looks back. His body rotates backwards to the left, facing the left rear. On the left side of the background is a window, with a person holding a gun on the windowsill. On the right side of the background is a door, with a person hiding behind it. They are looking towards the direction of the camera.


In the scene, a man dressed in burgundy is slightly reclining in a chair, speaking to the camera, and during the conversation, he glances to the left side of the screen. In the background, there is a black round table. The camera switches, and in the scene, on a plot of land, a man with a rooster-like hairstyle and a small goatee is closing his eyes.


The scene starts with a close-up of the right hand, which is striking a handpan drum. The camera slowly moves upwards, revealing the top of the handpan drum and the left hand striking the other side of the drum.


This is a large clothing market where many people are seen shopping in the mall. In the foreground of the scene, a woman holding a child in her left arm is walking from the right side of the frame towards the left background. At this moment, a woman in a pink top also appears from the right side of the frame and walks to the center of the scene. On the left side, there are many people selecting merchandise, while on the right side, there are many clothes displayed. Additionally, there are neatly arranged boxes at the bottom right of the frame.


On the left side of the screen, there is a wooden table with a plate holding sausages and a fork, a white cup containing a beverage, and a plate of food resembling a sandwich. A person in a black coat is located on the right side of the screen, holding a small piece of sausage in their right hand and a napkin in their left hand towards the left side of the screen, repeatedly wiping the sausage in their right hand. Then, the left hand moves to the bottom right corner of the screen, while the right hand moves down to dip into the sauce in the plate located at the bottom left of the screen, then raises the right hand upwards. The left hand moves towards the upper middle of the screen, wiping the ring and little fingers of the right hand, and then returns to the bottom right corner of the screen. The camera moves upwards, revealing the head of the person in black at the top right of the screen, facing the camera.


In the frame is a close-up shot. The camera pans to the right, showing a person sitting in front of a table with both hands placed on the table, slowly tearing petals. While tearing the petals, the camera slightly moves left and right. Holding a petal in his hand, he first tears off a small piece, then continues to tear the remaining larger part a few more times, finally opening his fingers to let the torn petal fall onto the table. After he finishes tearing the petal in his hand, his left hand reaches towards the camera, ready to take other petals from the table.


A close-up shot is elevated. The scene is a kitchen. In the center right of the frame, two women stand next to a cabinet. The woman with red hair is facing the right side of the frame, sideways to the camera, while the woman with blonde hair faces the camera directly. The woman with red hair first puts down what's in her right hand, then uses her right index finger to tap twice on the rotating mixing machine in front of her. The woman with blonde hair is holding a bottle, pinching the sides of the bottle with both hands, adding something to the bowl being stirred by the machine. She then uses her left hand to grip the bottom of the bottle, increasing the pouring angle. The camera shifts to the left, focusing on the two women.


In the scene, there are three women sitting on a sofa drinking. On the left side of the picture is a woman wearing black stockings, holding a wine glass in her right hand. In the center of the picture is a woman wearing a necklace, holding a wine glass in her left hand. On the right side of the picture is a woman in a gold skirt, holding a wine glass in her right hand. The woman with the necklace first looks at the woman in black stockings, then turns her head to look at the woman in the gold skirt. At the same time, the woman in the gold skirt shifts her gaze from the woman in black stockings to the woman with the necklace. The woman in black stockings keeps looking at the woman in the gold skirt. The three women raise their glasses to clink, then bring the glasses back in front of themselves.


The woman on the right side of the screen is sideways to the camera, facing towards the left of the screen. On the left side of the screen, there is a transparent box. The woman is looking down at the box, with her right hand resting on the upper edge of the box, and her left hand reaching inside, grabbing the blue slime within and pulling it upwards towards the top of the screen. At this moment, the camera zooms in and looks down into the box. The woman raises her right hand towards the top of the screen.


First-person perspective shot, the black-clad figure in the center of the frame uses their right hand to pick up a blue toy from the upper left corner of the screen and holds it out in front of the dog below the frame, to which the dog extends its head towards the upper part of the screen. In the upper left corner, there is a pair of feet belonging to another customer taking steps towards the lower right of the frame.


In the center of the screen, a woman faces sideways to the camera, turning towards the left side of the frame. Her palms are pressed together, holding a bouquet of flowers against her forehead as she blinks and bows her head. She then slightly opens her eyes and looks up, separating her forehead from her hands. Then, she closes her eyes again, bows her head, and presses her hands against her forehead, blinking continuously. Throughout this process, the camera begins to pan to the right in a counterclockwise circle.


The video is in black and white. On the right side of the screen, a young woman in a princess dress is standing facing right, with her left hand on her head touching her hair. Her right hand is placed on her abdomen on the skirt. Behind her, on the left side of the screen, a maid is crouching with both hands on the young woman's waist, arranging her skirt. Then, the young woman turns from the right side of the screen to face the camera, and speaking with an expression of surprise, she lowers her left hand from her head, takes a few steps towards the camera, and then places her hands folded on her chest. The camera switches to three people standing at the door, on the left, a bearded man is holding a bouquet of flowers in his left hand and has his right hand behind his back, looking at the two people closer to the door on the right side of the screen. In the middle, there is a woman in a floral V-neck dress speaking to the left side of the screen. On the right, a man in a suit and tie has his right hand in front of him and initially speaks towards the left side of the screen, then turns his head towards the right side of the screen.


The scene is set in a kitchen. In the center of the screen, a man wearing a yellow hat and yellow clothes looks towards the lower left side of the table where there are four silhouettes of people. He raises his right hand, showing a look of surprise, then raises both hands to speak. Afterwards, he covers his ears with both hands and shouts, leaning towards the right side of the screen, closing his eyes in pain as he squats down. He then runs off to the right side of the screen and disappears.


The scene shows an old man and a child sitting on a window sill, with their bodies slightly inclined to the right side of the frame. Both are facing the camera. The old man on the left has his hands shaped into circles in front of the boy's eyes on the right, and they both look into the distance. Both of their faces are beaming with smiles. Suddenly, the old man looks down at the little boy, then turns his head to the upper left of the frame, and promptly turns back to gaze into the distance of the scene.


On the left side of the screen, a boy wearing a red shirt looks to the left of the frame, then slightly turns his head to the right, looking towards the bottom left corner. As the camera moves slightly to the left, and then back, the face of an older woman, from her chin upwards, facing the camera, gradually appears completely from the right side of the frame. Behind the woman to her left, the boy in the red shirt stretches his hand to the left, slightly bending over and bowing his head. At the same time, the woman first looks to the left and says something, then turns to look at the right side of the camera, using her left hand to smooth her forehead hair from right to left. The camera shifts slightly to the right with the woman's movements, and the boy in the bottom left corner stands up straight, facing the bottom left corner, and walks towards the woman in the foreground. He then turns his head to the right to face the camera, looking towards the bottom left corner.


The camera is fixed on the car, shooting as the car moves forward. On the left side of the screen, a black sports car, and on the right side, a green sports car, are both moving forward. The black sports car moves towards the right side of the screen and positions itself behind the green sports car. The green sports car then signals a left turn and moves towards the left side of the screen. After the black sports car has moved to the right side and the green car to the left, the black sports car accelerates forward in the direction of the screen. Then, the black sports car's red taillights come on, and the green sports car signals a right turn. Subsequently, the black sports car signals a left turn, and both cars have their red taillights illuminated.


On the left side of the screen, an airplane is flying in the air, moving towards the right side of the screen. The camera follows the airplane as it moves. Then the camera stops, and the airplane continues to fly towards the right side of the screen, eventually leaving the frame from the right.


On the right side of the screen, a woman with long, curly, light yellow hair, wearing a gray and white checked suit jacket, stands facing the camera indoors among various white decorated trees. She is holding a black folder in her hands, looking to the left of the screen and speaking to someone off-screen. In the background, a woman in a black formal dress with long hair is talking as she walks from the right side of the screen to the left, beside a bald man wearing a dark red shirt. The two of them then have a conversation in front of a table. Following this, a woman in black clothing and pearl earrings appears in the foreground on the left side of the screen. She has her back to the camera, facing the woman on the right and listening to her speak. The woman on the right speaks with a serious expression, nodding slightly.


The video footage is played in fast-forward, shot from a first-person top-down perspective. In the center of the frame is a right hand holding one end of a green woven object. To the left of the screen, a left hand is gripping the other end of the green woven object. Both hands continuously flip the green woven object over. Then, the right hand smooths the green woven object from the left side of the screen towards the right until it reaches the other end of the object, after which it releases the green woven object.


The man in the blue vest on the right side of the screen has his left hand on his hip and his right finger pointing to the man with the green bag on the left side of the screen, walking towards the left side of the frame. The blond woman on the left side of the screen has her right arm wrapped around her abdomen, and with her left hand supporting her face, she smiles and then lowers her right hand to her chest. On the right side of the screen, a man holding a stick in his left hand to support himself on the ground and his right hand on the table looks towards the left side of the frame.


In the scene, a white cruise ship is moving from the right side of the screen to the left, with white waves churning at its stern and then dissipating. The sea waves are beating from the right side of the screen to the left, creating ripples.


In the scene, a person wearing jeans is facing the camera with a guitar in hand. The frame only shows from the chest down of this person. The person's left hand is sliding up and down the neck of the guitar, while the right thumb and index finger are plucking the strings with a pick. At the same time, the person's left leg is bending and straightening rhythmically. Finally, the camera starts to pan to the right, and the person gradually disappears from the left side of the frame, leaving only a pile of messy grass on the ground.


The scene begins with a low-angle shot, with a woman in a baseball uniform and large earrings appearing in the bottom left corner of the frame. She walks forward with determined steps, against a background of clear blue skies. The camera then swings from the woman's right to her back, showing her walking ahead and turning her head from side to side as if searching for something. Next, a curly-haired man in a blue jacket appears from the left side of the frame, while at the same time, a black man in a black coat emerges from the right, with both men following the woman. The woman then turns to face the two men, spreading her arms to speak to them. During her speech, she first looks at the man in the blue jacket, then turns her head to look at the black man. The background is filled with tall city buildings, giving the whole scene a very modern and urbanized feel.


In the center of the screen is a white box containing blue viscous substance. On the left side of the screen are a pair of hands from a top-down perspective. The left hand grips the edge of the box and pushes it to the right side of the screen, while the right hand scoops up a handful of the blue viscous substance and lifts it. Both hands continuously pull up the blue viscous substance towards the top of the screen.


Holding a close-up shot. The lens slightly shakes. In the center of the frame is an automobile tire, and on the left side of the frame, a left index finger is pointing at the rim, continuously drawing circles in a clockwise direction. To the left of the frame, a person takes a half step back.


In a pool filled with pink, red, and black balls, these hands now stretch out from the bottom left corner of the frame, continuously throwing and flipping sponge balls up to the top right of the screen. The camera slightly moves upwards to the right.


The man on the left side of the screen is speaking to the camera with his hands constantly waving. The man on the right side of the screen is holding a machine gun and slowly rising from the water. The camera angle shifts to the right, revealing three men in military uniform; the man on the left side of the frame turns his head to look behind the camera, and his smile gradually fades. The man in the center of the right side of the screen changes his expression from a smile to surprise, and the man on the far right of the screen sees his smile gradually disappearing. The right side of the screen changes, showing the man in the water holding the machine gun and shooting from the left side of the screen to the right. Jets of air are expelled from the muzzle, and the spent shell casings fall into the water in a parabolic trajectory. The man's body trembles in sync with the frequency of the machine gun's bullets being fired. The camera angle shifts to the right again, where two men on the left side of the screen are hugging each other and turning to dodge the bullets, while the man on the right side of the screen is holding a rifle and fighting back.


Long shot, stable and unchanged. In the frame, there are many people walking on a large white bridge. The bridge is adorned with a golden canvas bearing the white words "WE'RE FUCKEO" and some patterns. To the left of the screen is a hospital building. Then, the camera switches to a street with many people walking and a few cars. Many people are holding white flags, which bear the same patterns as those on the bridge.


The scene is in black and white. In the foreground on the right, a man with curly hair wearing a checkered shirt has his left hand on his chin and his right hand holding something, repeatedly scraping the beard on his chin. He starts by scraping from side to side, then back and forth, placing his left hand on his neck and patting it, then moving it back under his left ear, all while talking continuously. In the background on the left, a man dressed in gray clothes and black pants, wearing a beret, is sitting with both hands on his chest, holding a small knife in his right hand and a slender stick in his left, seemingly peeling something. He looks up at the man on the right side of the frame, then bows his head down again. The background is a wooden cabin filled with various items.


The video is filmed at a car repair shop. In the center of the frame is a car with its hood open. On the left side of the frame is a white male, wearing a black short-sleeved shirt, with both hands on the front of the car, facing the camera. In the background on the right, someone is working on the car. The man on the left is speaking. The camera slowly moves towards the car, and the man turns his head to the right to look at the car's engine, then quickly turns back to face the camera, continuously explaining. The frame keeps zooming in, and part of the white man's face moves out of the frame. The center of the screen shows the engine.


In the center of the screen, a little boy stands sideways to the camera, his face turned towards the right of the lens. The camera gradually moves down, revealing a hand on the boy's back, dusting off sand for him. The hand first pats the middle of the boy's back, then moves to pat the left side of his back. Afterwards, it pats the upper part of the boy's back and the nape of his neck. Finally, as the camera gradually moves up, the right hand pats the boy's right shoulder, while the left hand supports the boy's left shoulder.


In the center of the screen, four people are sitting on red steps, facing the camera. From left to right, a man in gray shorts sits with his legs apart, hands on his thighs, smiling and looking to the right of the frame. Next is a woman in a white sundress, smiling and looking down to the right of the frame, with her left hand holding a basketball on her lap and her right hand raised to her chest, with legs straight and crossed. Following is a man in a gray shirt, smiling and looking down to the left of the frame, with his hands on his thighs and legs apart. Then there is a woman in a white jacket, looking down to the left of the frame, with her hands on her right thigh and her right leg crossed over her left. The second woman extends her right hand to the right of the frame, and the third man reaches out with his left hand to place it on top of the second woman's hand. Then, the first man extends his left hand to the right of the frame to rest on the third man's hand, and the fourth woman smiles as she stretches her right hand to the left of the frame, placing it on the first man's hand. The four people rock their overlapping hands up and down while talking, then swing their stacked hands upwards in the frame, with the fourth woman also throwing her hands up. The second woman extends her left palm straight and looks to the left of the frame. Then, the first, second, and fourth people place their raised hands on their laps, while the third person prepares to lower their hand, and the fourth person raises their left hand to touch their head. The camera slightly shakes, the ground is also red, the steps consist of two levels, and in the background, there are trees and streetlights. To the left of the background, a person walks to the left of the frame and disappears.


The video shows a top-down view of a pair of hands, with the left hand holding a white woven object and the right hand holding a crochet hook and a clip. The right hand then fastens the clip onto the white woven object, after which it continues to knit.


The camera shoots from above, with the center of the screen featuring a green fabric. The left hand on the left side of the screen is holding the fabric, while the right hand on the right side of the screen holds a crochet hook and is hooking towards the upper left of the screen. Then, both hands move upwards in the frame, and reappear from above. At this point, a blue small needle is hanging from the green fabric in the center of the screen. The right hand with the crochet hook continues to hook back and forth towards the upper left of the screen and to the right side of the frame.


In the center of the screen, there is an old-fashioned camera that is first fixed facing the right side of the screen, and then it rotates towards the left side of the screen. To the right of the background, there is a group of extras dressed as skeletons who first stand still in place, and then start to sway their bodies left and right when the camera is aimed towards the right side of the screen.


A man stands on the left side of the frame, and the camera quickly pans to the right. A woman stands in the center of the frame, facing the camera with a smile. She moves the faucet to the front of her body with her right hand, while her left hand retreats to her left side. She looks down at the faucet, then snaps her fingers with both hands, thumbs up, while speaking. She then moves to her right, bringing her hands in towards her body, lowering her right hand, and waving her left hand in front of her. She extends her left index finger and quickly drops it, after which she shrugs her shoulders. She then raises both hands open to her sides, immediately followed by her left hand forming a fist in front of her body, while her right hand reaches out to grasp the faucet.


Full slow motion, the camera continuously zooms in on the man to the left of the center of the screen and the woman to the right. The two stand facing each other. The woman reaches out with her left hand to remove something from the man's neck, then she sweeps her hair behind her left ear, and then tilts her head slightly in the opposite direction of the camera before closing her eyes and brushing her left side hair with her left hand. She then opens her eyes and keeps looking at the man, who slightly bows his head and adjusts his sweater at the neck with both hands. At this moment, the man, who has been looking at the woman, glances to the left side of the screen and then continues to gaze at the woman. The woman once again uses her left hand to brush her hair on the left side and moves her head, then the man extends his right hand to the back of her head and strokes her hair. The woman reaches out with her left hand again to sweep her hair behind her left ear.


In the scene, there is a group of people on the lawn in the background and the road in the foreground. On the left side of the frame, there is a little girl with her back to the camera, wearing pink clothes, a red hat, and long hair. Her left hand is by her side, and her right hand is stretched out as she squats down, seemingly picking something up. As the camera moves to the right, she plucks a flower from the lawn with her right hand and moves it to the left. Then she bends forward to the right side of the frame, revealing the flower in her left hand. Her right hand reaches down, and she seems to look up at the woman in front before disappearing to the left of the frame. On the right side of the frame, a woman in a red skirt faces the camera, squatting down with both hands extended to the left of the frame, holding a flower in her right hand. Her left hand reaches to the left front, bending down to pick up a flower and place it on her right hand. She then shakes her body and continues to extend her left hand, pointing with her finger before pulling her left arm back to the right. On the left side of the frame, a child in green clothes is blocked by the pink-clothed little girl. He is also squatting on the ground, looking down, with a flower in his left hand. As the camera moves to the right, a woman in yellow clothes squats behind the woman in red. Her head is turned to the right side of the frame, facing two little girls. She raises her hands, displaying the flowers, and seems to be talking. In the background on the left, a little girl in white stands up, holding flowers in both hands, and walks towards the right side of the frame. She comes to the woman in yellow, extends her left hand to show her the flowers, and then walks to the left with the flowers in both hands, touching her hair with her left hand. A girl in a red vest stands next to the woman in yellow, with her back to the camera, lowering her left hand to her side. A girl in a denim outfit appears from the background, walking to the right side of the frame with her head down, holding a flower in her right hand. She then turns and walks to the left, coming to the side of the woman in yellow.


In the scene, there are many pigeons standing. In the foreground of the picture are smaller, gray and white pigeons with black feathers on their heads. In the background of the scene, there are more larger white pigeons. The pigeons are walking around, some bowing their heads, pecking at things on the ground with their beaks. Others are flapping their wings in place, and in the background, there are also new pigeons flapping their wings and flying into the group of pigeons. Then, a large group of pigeons in the foreground of the scene take off, spread their wings and fly into the sky, disappearing from view. As the pigeons take flight, a large volume of water, presumably a tidal wave of seawater, rushes into the foreground on the left side of the scene, reaching the feet of the pigeons. The pigeons that did not take flight continue to walk back and forth in the background.


In the scene, there are three people. The man on the far left in the middle ground is wearing a black hat, a black jacket, and khaki clothes. He glances to the left of the scene and is speaking to the man on the far right in the foreground. In the center of the background is a man with golden curly hair, dressed in black and wearing a yellow bow tie. He faces the camera, holding a pistol aimed at the man on the far left of the scene. On the far right in the foreground is a man with short golden hair, dressed in khaki. He is looking at the man on the far left of the scene with his back to the camera. The camera cuts, revealing the front of the blond man on the right side of the scene. On the left side is the man wearing a hat, and the blond man is slightly tilting his head to look at the man with the hat.


A woman stands in the center of the frame, her face turned to the left side of the picture, wearing a bitter smile on her face, with her shoulders shrugged up, while the camera pans to the left side of the frame, causing the woman's head to tilt backward slightly.


A woman is sitting cross-legged on a mat, facing to the left of the screen. She raises a cup with her left hand, then both hands hold the cup as she drinks from it, looking to the left of the screen. She then slowly puts the cup down, smacks her lips, and supports the bottom of the cup with the palm of her left hand, while her right hand remains on the cup. Lowering her head, she looks down towards the bottom of the screen. She then lowers her right hand, raises her head, and looks to the left of the camera, before turning her head with a smile towards the right of the screen. Her right hand once again supports the cup, while her left hand lowers the cup. At the top of the foreground of the picture, there are decorations swinging back and forth.


Two women are standing in front of a wallpapered wall adorned with green plants. The woman in a pink skirt is standing facing the camera, with her hands placed on the round table below the frame, looking to the right of the picture. The woman in purple on the right side of the frame is standing sideways to the camera, facing left, holding a plate with a lit candle on a cake, and she is smiling while looking to the left of the picture. The woman in pink smiles, glances at the cake in the picture, then continues to look to the right of the frame, her smile fading. The woman in purple turns her head towards the camera, looking to the left outside of the frame, then turns towards the left of the picture, her profile facing the camera, and looks at the cake in her hands, closing her eyes and slightly bending towards the left of the frame to blow out the candle. The woman in the pink skirt glances at the cake, continues to look to the right of the frame, and smiles again. The woman in purple straightens up towards the right of the frame, moving the cake closer to her, towards the right. The woman in pink lowers her eyelids and looks at the cake. The camera pivots counterclockwise with the woman in pink at the center, and then rotates clockwise.


In the scene, several people with backpacks are gathered next to a ladder propped up on the wall at the center of the frame. One woman in a black top has her back to the camera and her head turned towards the right side of the frame, walking in the opposite direction of the camera. In the middle of the frame, a woman in a green coat has her back to the camera and is climbing up the ladder. The camera follows her upward movement. On the left side of the frame, a man in a red coat has his back to the camera and is facing left, holding a ladder and backing through the crowd towards the right side of the frame.


The camera moves to the upper right, showing two girls standing in the frame. The older girl in the center faces the camera, raises her right hand to greet the camera, and her left arm is around the younger girl on the right side of the frame. The younger girl raises her right hand to rest on the older girl's right shoulder. The camera then moves down, showing the younger girl lying on the ground, propped up on her hands in front of her, while the older girl kneels on the ground, looking up at the camera. The younger girl kicks her right foot up, and the older girl, still kneeling, moves behind the younger girl, lifting her feet with both hands, then setting them down. She then looks to the left of the frame and says something. Afterward, the older girl kneels behind the younger girl, bending down to look at her, and finally, the older girl lifts the younger girl's feet with both hands, allowing the younger girl to flip over towards the camera.


The camera focuses on the upper body of a girl. At the beginning, her body is facing to the right of the screen, and she is laughing brightly towards the camera. She then uses her left hand to flick her hair. Next, she stands with her hands on her hips, facing to the left of the frame. The camera zooms in on the girl's face, and she still smiles, twisting her shoulders to give the camera a playful kiss.


A woman with curly hair tied in a ponytail stands sideways facing left, positioned slightly to the left of the center of the picture. She is taking off her black leather jacket to give it to the bald man with a light blue shirt behind her, frequently turning her head back to look. The man reaches out to take her jacket and glances at the woman before stepping back to the right, exiting the frame. The woman then starts walking towards the camera, first facing right and surveying the surroundings, then turning her head to the left, and again turning to the right, looking up and down, continuously assessing her environment. At this moment, the man appears from the right and looks at the woman as he walks from right to left. The woman again turns her head to the left, and when the man finally walks behind her, he is completely obscured by the woman. The background is a room with bright lighting.


In the frame is a man wearing an orange shirt; he is sitting slightly to the right of the center of the screen. Initially, his right hand is on his chin as if he is feeling something, and then he lowers his right hand. He continuously speaks while looking into the camera with a neutral expression. Occasionally, his gaze moves to the left side of the screen, looking at something unknown outside the screen's left side. He also raises his right hand to make gestures, which can be seen at the bottom of the screen; his palm is open, the five fingers are spread apart, the palm facing upwards, moving and shaking towards both sides of the screen.


In the scene, a stream of water flows from the top of the screen down into the water below, creating numerous bubbles in the water. The bubbles continuously rise to the surface. Then, the scene shifts, and an outdoor brook appears in the frame. In the image, you can see a small stream falling from the rocks, with the water continuously flowing downward, creating white spray. In the background of the scene, you can see that the leaves on the surrounding trees have turned brown.


A woman runs into the frame from the bottom right, wearing an orange skirt and sporting orange-blonde hair. She runs towards the door at the center of the screen, raises both hands, grips the doorframe, and forces the door open a crack, sticking her head through to look outside. Then, she quickly closes the door, turns, and runs out of the frame to the left. The camera pans left, focuses on and zooms in on the window, where a man in blue clothing and a yellow scarf is facing the camera, popping his head out from behind a wooden pillar, his gaze directed to the left. After a moment, he retreats to the left and disappears behind the pillar.


In the scene, a woman in a green cardigan is initially seen with her back to the camera. Her upper body turns from the right side to face another woman in front of the lens and speaks to her. The woman in the green cardigan has her left hand resting on the decorative table, while her right index finger points to a Christmas decoration on the table. Behind her, a banner with the words "Happy Hanukkah" hangs above the table, adorned with blue and silver Christmas balls, alongside red and gold decorative balls. Subsequently, the woman in the green cardigan speaks while looking up towards the ceiling and then turns her body back. In the background, festive decorations and a cozy indoor setup can be seen.


In the center of the screen is a pink cushion. From left to right on the right side of the screen are a patterned cushion, a large-flowered cushion, and a brown flowered cushion. They twist and move towards the camera. Suddenly, the patterned cushion falls to the ground, and the person behind the large-flowered cushion stumbles, revealing their left leg from behind the cushion before quickly hiding it back and moving to the front. The patterned cushion struggles to stand up a third of the way. The background is a earth-colored desert, with a blue sky above and a few clouds.


In the foreground of the scene, a person is playing an electronic keyboard. In the upper part of the image, which is very blurry, one can see someone playing the drum set. The camera is placed very low, right next to the electronic keyboard, allowing for a clear view of these hands playing the instrument rhythmically and joyfully.


The video was taken by a camera installed on the car. In the right foreground, there is a red sports car. The lens then turns left and then right, passing a road sign overhead, with many mountains in the distance of the video.


In the scene, a bald man is standing in front of the car, his hands and body trembling. The camera switches, and a white-haired woman is seen holding a gun in her left hand pointed at the camera, with her right arm around the neck of a man in black. The two quickly spin clockwise to turn their backs on the camera. In the background of the scene, a man in a long coat is firing at the camera. The white-haired woman's legs buckle, and she and the man in black fall to the ground together. She fires several shots towards the camera. The camera switches again, showing the man in the long coat being shot, his body twitching. Another switch, and the white-haired woman is seen lying on the ground with a frown, her left hand still holding the pistol aimed at the camera.


The screen is divided into two shots, left and right. The left shot is from a subjective perspective driving along the road. In the right shot, a man is walking towards the direction of the camera. Behind him, there is a sign, and on the road behind the sign, a car passes by. He first holds the camera with both hands, then looks down at the camera briefly, and subsequently takes two steps while holding the camera with his right hand. The scene changes, and the man is seen sitting in the car, picking up a bag and placing it on the seat next to him.


In the scene is a tightrope walking acrobatic performance. The man in green clothes is holding a long stick with both hands, riding a unicycle with his feet while balancing on the rope in the air. Two women, also dressed in green, are on either side of the man, holding onto his body with one hand and placing one foot on the side of the unicycle, with their other limbs spread outward. A man dressed in a chef's outfit is crouching on the shoulders of the man in green. The acrobats are sitting sideways to the camera, facing the left side of the picture, riding the unicycle forward.


At the bottom of the screen, three people are sitting, with the two boys on the right side of the screen looking up to the upper right corner of the screen. At the top of the screen, there is a little girl walking from the top of the screen towards the bottom. The camera also moves to the right and down as the little girl moves. The background is filled with many people who seem to be participating in an outdoor activity.