The video shows three people standing on a hillside, with rolling mountains in the distance. On the left side of the frame, a person stands facing the camera with both hands on a cane. On the right side, two people are standing; the one on the right holds a hunting rifle and fires into the sky, then sets the rifle down. After he lowers the rifle, the person on the left adjusts a part of the rifle, and the person on the right picks up the hunting rifle again.


The scene is shot from a first-person perspective. The camera suddenly turns to the left, and a woman in black, with her back to the camera, appears from the left side of the frame, walking forward. The shooter moves forward, and then the woman turns her head towards the camera, smiling as she walks to the right side of the frame. The shooter continues to follow her, walking forward, and the camera turns to the right. The woman glances ahead and then turns her head towards the camera, her mouth open as if she's speaking. The camera shake is noticeable.


The text translates into English as follows: The scene is an animation. In the center of the screen is a brown and white spotted toy dog facing the camera, and on the right side of the screen is a black and white spotted toy dog facing to the left of the screen. Then, a brown dog appears on the left side of the screen. It moves towards the right side of the screen, bumps into the right ear of the brown and white dog in the center of the screen, and then stops at the left edge of the screen. After shaking a few times, it moves towards the right side of the screen, and continues to bump into the right ear of the brown and white dog twice, causing the brown and white dog to turn slightly towards the right side of the screen. Then the brown dog moves out of the screen from the left side. The scene changes, and on the left side of the screen, there is a gray dog wearing a green hat, which is facing the right side of the screen and swinging back and forth. At the right edge of the screen, there are two brown dogs.


In the screen shot, there is a bicycle wheel, and the camera moves downward, coming to a stop at the silver component outside the wheel for a moment before moving upward in the frame.


In the scene, a pair of hands wearing black and white gloves is holding a device, then the device is lowered, the camera moves up to reveal the blue ocean, with coral reefs below and schools of fish swimming around.


On the left side of the screen is a foreign woman with short hair, wearing a purple vest and glasses, sitting and holding the machine in the lower center of the screen with both hands. Her body is turned towards the right side of the screen. She then lowers her hands, looks up, and gazes at the woman on the right side of the screen who is wearing a gray vest and black pants with her hair down, standing sideways to the camera. The woman then slightly inclines her body towards the right side of the screen, turns her head to look at the machine in the lower center of the screen, and then turns around to face the left side of the screen. As she moves her body towards the left side of the screen, the camera also slightly shifts to the left. She raises her right hand to brush her hair back and looks at the woman on the right side of the screen who is operating the machine. The camera moves slightly to the left, and the woman in the purple vest lowers her right hand, placing both hands on her hips, and glances down at the machine in the lower right corner of the screen. The background of the scene is a wall adorned with many paintings.


A close-up shot is elevated. In the center of the frame, a woman stands facing the camera, looking to the left side of the screen; only her upper body is in the frame. She then picks up the receiver of a landline phone on the left side of the frame with her left hand, raises her head to look to the right side of the screen, and places the receiver to her left ear. After acknowledging the call, she slightly tilts her head to the left of the frame and blinks once. Finally, the woman wraps the receiver around her neck counterclockwise, then places it back to her left ear and closes her eyes.


In the scene, a group of people are sitting in chairs, facing the camera, smiling and clapping while looking to the right of the screen, then they stand up and continue to smile and clap. In the center of the frame, a blond woman in black clothing first claps while sitting, then touches her eye with her right hand as if wiping away a tear, and subsequently stands up, smiling and clapping. In the background of the scene are trees adorned with colorful lights.


In the center of the screen is a man wearing a gray coat. He first raises his right hand to push up his glasses, then lowers his right hand, and subsequently crosses his arms in front of his body, facing sideways to the camera. To the right of the screen is a bearded man wearing a black shirt, who is also facing sideways to the camera. To the left of the screen is the back of someone who is turned away from the camera.


A man in a blue vest is standing sideways to the camera, using his left hand to brush aside his bangs, smiling as he walks to the left side of the frame. In the background, a man in a white shirt stands in front of a whiteboard with his left hand by his side, facing the camera and continuously speaking to the man in the blue shirt. Then, in the foreground, the man in the blue shirt turns around, extends his right hand, and points to the right side of the frame before lowering his hand. The man in the white shirt, holding a piece of wood in his right hand, walks towards the camera.


Two men are visible from the chest up in a room. The camera angles upward and moves to the right and then up. The man with loose hair on the left side of the screen initially tilts his head to the left shoulder, then faces forward to look at the camera, and subsequently turns his body to the right of the screen while moving towards the left. The camera moves to the left, and the man with loose hair slightly sways his body, while the man on the right side of the screen, with his hair combed back, looks at the camera without moving. Subsequently, as the camera moves to the right and up, the man with loose hair slightly lifts his head to look at the camera, and the man with combed-back hair looks to the lower left of the screen, still motionless.


A woman, facing to the left of the screen, straightens up from a bent-over position, extending both hands overhead. She then tilts her head back to the right of the screen before turning to her right. She first lowers her right hand and then her left hand to her left side. Subsequently, she raises her right hand to her right side, making a wave-like motion up and down. Then she raises her left hand to her right side, extending both arms and turning towards the camera. She then turns to face forward, looking to the left of the screen, with her arms bent towards her chest, elbows out to the sides of her body, and her hands separated with all five fingers in front of her. On the left side of the screen is her reflection on the glass, which mirrors all of her actions.


On the left side of the screen is a monkey wearing a red baseball cap and a red scarf, with its hands behind its back, looking upwards to the right corner of the screen. There is also a black cartoon boy in a green outfit, wearing a red scarf and a red baseball cap, carrying a backpack, facing the bottom right of the screen. In his left hand, he holds a green notebook, and with his right hand, he is writing with a pen. In the center of the screen is a tall cartoon man in a yellow outfit, wearing a yellow hat and a red scarf, looking at the bottom right corner of the screen. His left hand is holding a small green notebook. At the bottom right are two black cartoon children in green clothes, wearing green sling bags, red scarves, and red baseball caps, facing away from the camera and looking towards the top left of the screen. In the scene, the tall man in the center folds his notebook with his left hand and puts it in his pants pocket, then starts walking towards the right side of the screen. Following this, the monkey on the left also begins to walk to the right side of the screen. The little boy looks up at the tall man in the upper right corner, while the children at the bottom right turn their heads to look towards the right side and also start walking to the right. The background of the scene is an orchard planted with many blueberry trees.


The man in red on the left side of the screen sits down in the excavator seat on the left side of the screen. He then uses both hands to pull down the safety guard on the carriage to his abdomen. He immediately uses his left hand to turn the key in the upper left of the screen, and with his right hand, he reaches towards the upper middle of the screen and then withdraws it. The left hand continues to turn the key in the upper middle of the screen. He then grabs the safety guard with both hands. In the background, the tail end of the excavator on the left side starts to emit smoke, and the excavator body begins to rise slowly.


The text translates into English as follows: The scene is an animation segment. On the left side of the screen, there is an avocado-shaped animated character wearing sunglasses, sitting on a flamingo-shaped swim ring on the left side of the screen, facing upwards to the right. Then she sits up straight, facing the right side of the screen, raises her right hand to remove her sunglasses, and looks towards the right side of the screen. On the right side of the screen, another avocado-shaped animated character floats up. He is wearing a diving mask and holding a gold coin in his right hand. Then he lifts the diving mask with his left hand and opens his mouth wide.


The camera captures four people and a table edge with an inverted red plastic cup from a top-down angle. All four people are facing downward in the frame, standing next to the table. The person in dark blue clothing stretches their right hand towards the bottom left corner of the frame, lifting the cup in the bottom left corner towards the camera, while their left arm is bent towards the camera. Then, the person in dark blue turns their head towards the left side of the frame, and subsequently pulls back their right hand holding the cup towards the top of the frame, stepping back towards the upper left corner. The person in a striped skirt reaches their left hand to the right side of the frame, picking up a cup in the upper right corner of the frame towards the camera, revealing the food under the cup, and then withdraws their right hand towards the bottom left of the frame. The person in a blue and white skirt moves their body towards the bottom of the frame, then steps back to their original position towards the top of the frame, and then extends their right hand towards the bottom right corner of the frame, lifting the food placed on the table near the upper right corner towards the camera. Later, the person in the striped skirt stretches their left hand towards the bottom left corner of the camera, picking up the food in the bottom left corner, then moves their right hand towards the upper left of the frame, while extending their left hand downwards. The person in a denim skirt places their hands crossed over their abdomen, then raises their hands out of the frame, and subsequently their left hand enters the frame from the right side, placing it on the table.


In the center of the screen, slightly to the left, there is a woman facing right who occasionally turns to speak to the camera. Her right hand holds the top of a sprayer, and then both hands twist the top into the lower part. After that, she picks up the yellow sprayer with both hands and shakes it a few times. In the distance on the right side of the screen, there is a small house, and there are some green plants on both sides of the screen.


In the frame, a left hand continuously holds a red-and-white striped elongated doll, displaying it close to the camera. The thumb keeps pressing on the red bow part of the doll, then the hand moves upwards to the top of the doll.


In the center of the screen, a man is lying on the sofa with his right hand holding an iPad and his left hand holding a coffee cup. He leans against the armrest of the sofa to adjust his position before lying back down, slightly adjusting the iPad with his right hand. As the camera gradually moves upwards, the man's face comes into view in the center of the screen. His eyes are fixed on the iPad, and he raises the coffee cup with his left hand, preparing to take a sip.


The first thing that appears on the screen is a pizza in a plate, and in the upper right corner of the screen, there is a woman in black clothes facing the camera, reaching out with her left hand to take the pizza. Then the camera pulls back, revealing that the background is in a mall. The woman smiles and keeps her gaze on the pizza, then extends her right hand to hold the pizza as well. In the next scene, a Caucasian man is holding a selfie stick, looking into the lens and talking while walking through the mall. In the lower left corner of the screen, a woman with black hair wearing a black coat and a white top appears. As the camera moves, it reveals a few people sitting at dining tables in the background.


In the scene, there are two men. On the left side of the screen is a man wearing a pink shirt, whose body is turned away from the camera with his right hand holding a document. On the right side is a man in a blue shirt, whose gaze is fixed on the document in the hand of the man in the pink shirt. He involuntarily steps forward, slightly shaking his head, and seems to be muttering something under his breath.


A group of people gathered in a square, holding various flags and banners that were slightly fluttering. In the bottom left corner of the scene, people kept walking into the frame, making the scene appear very lively and crowded. In the background were some ancient buildings and statues, and around the area, there were also people in police uniforms maintaining order.


In the scene, there are two girls standing on a wooden floor. The girl on the left is wearing a magenta vest with her hands crossed over her chest, walking to the right. The camera slightly moves up to reveal her face as she glances at the lens, then looks down to the left. She is chewing something and then says a sentence, shaking her hands from side to side, continuing to refuse. The girl on the right is wearing a dark blue top, facing left in the direction of the picture, smiling as she adjusts her pants. Then she raises her right forearm to her mouth and coughs twice. There are some odds and ends on the wooden floor. In the upper left corner of the frame, a patch of grass can be seen, with concrete in the middle.


In the scene, there are two people both wearing smiles. On the left is a Caucasian man dressed in a Santa Claus costume, wearing a Santa hat, and turning sideways to face the camera while looking at the person on the right. He is holding a blue paper box in his hand. On the right is a person dressed in green with a Santa hat, also turning sideways to face the camera while looking at the person on the left. At this moment, the boy on the left looks down at the box in his hand and tears off a layer of protective film from the box with his right hand. The boy on the right extends his right hand and uses his index finger to point at the box.


A man sitting on the left side looking towards the right and speaking, occasionally shaking his head from side to side, then leaning his head forward, followed by the camera zooming in on the upper part of the man's shoulders, with his head tilted to the right, occasionally leaning his body to the right as well. Immediately after, he straightens up with a smile, leans forward, rocks his body back and forth, and then returns to an upright position.


This is a photo that continuously zooms in slowly. The background of the photo is a street, with a yellow taxi in the lower part, revealing the upper half. On the right side of the frame is Spider-Man, who is looking to the left with his right hand raised, supporting the rear window of the taxi. On the left side of the frame is a man in black clothes and a gray vest, with his arms crossed over his chest, and both his body and gaze are turned towards the right.


The scene displayed shows the side of a baseball field, with a baseball player dressed in white at the center of the screen, energetically running along a dirt path from the center towards the right side of the frame. Facing the camera, he raises his cap with his right hand, then tosses it into the air while jumping around. The camera follows him as he pivots to the right, and finally, he jumps into the midst of a group of teammates. Kneeling on the ground, he is surrounded by many players in the same uniform, slapping him on the back.


The scene is a close-up shot of the hands, with both hands holding a green box appearing in the foreground. Then, the left hand reaches into the opening of the box and grasps a doll, after which it picks up the box by the rope on the top. The right hand releases the box, and the box swings back and forth.


In the scene, there are four little girls from left to right: the zebra-striped girl, the girl with the blue hat, the girl with the butterfly top, and the girl in the pink skirt. All four are standing facing the camera. The zebra-striped girl has her arms open wide to the sides of her body, her mouth open as if speaking. The girl with the blue hat turns her head to look at her, while the girl in the pink skirt claps and then extends her right finger to the lower left corner of the scene along with the girl in the blue hat. The girl with the blue hat picks up an object with her right hand and transfers it to her left hand, which she extends towards the camera to show it, while her right hand extends with the index finger pointing. The girl in the pink skirt has her hands crossed over her chest, and the zebra-striped girl has her hands bent at her sides, flapping up and down as she jumps up. Following this, the girl in the pink skirt places her hands over her mouth, and the girl with the butterfly top opens her mouth wide.


The middle of the screen is split into left and right halves, with black screens above and below. On the left split-screen, on the left side of the frame, there is a man wearing a dark top facing the camera from the side, looking to the right of the screen and speaking, with his head slightly moving. On the right side of the screen is a monitor displaying an image. The scene changes, and the left split-screen becomes a static portrait of a person. The right split-screen shows a three-dimensional topographic map with mountains and water. The camera moves upwards in the frame, then the screen fades out, and several rows of white text appear.


The man on the left has his face turned towards the right side of the screen, talking. He raises his left arm, first making a circular motion with his palm facing the camera in front of the screen in a clockwise direction, then he repeats the motion with the back of his hand facing the camera. At the same time, his head looks upwards in the frame. Then, he turns his head back to the right side of the screen and lowers his hand. In the end, he looks upwards again, raises his left arm, and makes a motion with his palm facing the camera in front of the screen.


The video consists of animated elements, with green trees and green grass as the background. In the center of the screen, a yellow giraffe holds a blue object with both hands and walks towards the foreground, swaying slightly from side to side. The camera follows by moving backward. Suddenly, a series of musical notes floats in from the lower right corner of the screen and moves towards the left side of the frame. The giraffe stops, places both hands to the sides of its body, and turns its head to look towards the right side of the screen.


Medium shot from a fixed camera angle, looking upwards, with three people lying on the rafters having a conversation. The man on the left side of the screen is sideways to the camera, first looking towards the camera's direction, then turning to look towards the right side of the screen. The person in the center of the frame is facing the camera, first looking towards the person on the right side of the screen, and placing his right hand on the gun in front of him. He then slowly withdraws his right hand, says a few words, and glances towards the camera's direction as a sign before finally making a "two" gesture with his right hand towards the man on the right side of the screen, says a sentence, and then looks towards the camera. The man on the right side of the screen is holding a hunting rifle with both hands, his right hand gripping the stock. After the person in the center of the frame places his right hand on the gun in front of him, he looks towards the left side of the screen, says a few words, then glances towards the camera's direction again and looks back to the left side of the screen.


The scene shows an over-the-shoulder perspective of a black man wearing earrings. In the center-left part of the frame is a girl wearing headphones, facing the direction of the camera. In front of her, closer to the foreground, is a black man. The man first raises his left hand holding a phone, then points to the left side of the frame with his right finger. The girl looks in the direction he is pointing. Then, the man raises his left hand holding the phone again. Next to the man, on the right side of the frame, another man raises his left hand to push the chest and shoulder of the boy on the far right of the frame. The boy looks at him and smiles.


After zooming in, the center of a red flower has a bee collecting nectar from the middle yellow stamen; the lens trembles slightly. A bee crawls from the top right petal towards the middle yellow stamen, while another bee flies out from the bottom of the frame, heading towards the middle, then flying to the left side of the frame and disappearing towards the top left corner.


The camera pans to the left, and on the left side of the screen is a woman in a blue and white shirt, bending over and laughing towards the right side of the frame, with her left hand on the side of her head. She stands up, and her right hand points to the sky as she tilts her head back. On the right side of the screen is a man in a white shirt facing left, with his hands in his pockets, laughing. He then turns to face the camera.


The man holding a child on the left side of the screen is facing towards the right side of the frame. The child is facing the camera, lifting their left hand, while the man's right hand holds up the child's left hand. Then, he lowers his right hand and both hands start to clap. The people around them are some clapping towards the camera, while others are looking towards the right side of the screen.


The camera slightly shakes, and the back of a man wearing a white shirt is dimly visible in the foreground on the left. He raises his left hand to make a gesture, then lowers it again. In the background, in the center and on the right, three men are sitting side by side on chairs, all looking towards the man in the white shirt on the left side of the foreground. The man in the center of the background, wearing a gray coat, initially has his arms hanging by his sides, then his right arm is across his waist, with his left forearm raised and his elbow resting on his right hand at the waist, while his left hand holds a pen close to his mouth. The man on the far right in a black shirt has his arms crossed in front of his body, opens his mouth to say something, and slightly shakes his head back and forth. The man with a beard on the far right of the background tilts his head towards the right side of the frame, slightly nods, and holds a mobile phone in his right hand. His left hand raises to adjust his glasses, then he bows his head and rubs his nose with his index finger. The man in the white shirt raises his right hand, holding a pen, to make another gesture.


The scene shows a large lake, with some not particularly high mountains in the distance. In the foreground of the picture, a yacht can be seen sailing towards the background of the scene. It maintains a steady speed, and white waves are generated on both sides and behind the boat. Suddenly, the camera cuts to an overhead view of the yacht, looking down and following the boat as it moves forward. Two people, a man and a woman, can be seen on the yacht, standing next to each other, presumably chatting and occasionally pointing upwards in the direction of the scene. The woman sits on a stool on the yacht midway through, then stands up again. Finally, the camera angle switches once more, looking down at an angle on the yacht, which is now at the bottom left corner of the screen, still moving forward.


In the frame, a man standing facing the camera holds a gun with both hands in front of his body. The camera pans upwards from below, revealing the man's face. The man slowly turns his head clockwise until his head is turned to the side, facing the left side of the screen.


The man takes off the stethoscope, tilting his head to the right side of the frame. He raises both hands holding the stethoscope over his head and places it in front of his body. Then, he grasps the metallic part with his right hand, followed by his left hand, opening both hands to the sides of the frame, positioning the stethoscope near his ears. He immediately drops his right hand, his left hand leaves the stethoscope, and he looks to the left of the frame before quickly bowing his head down. He then raises his right hand and lowers his left, causing the left hand to disappear from the frame. His right hand holds the end of the stethoscope, raised to his shoulder, as his gaze shifts to the left side of the frame, with his body slightly turned towards that direction.


In the center of the screen is the upper body of a black woman. She holds a mobile phone with her left hand and leans it against her leg, while her right hand stretches out towards the bottom left corner of the frame, with her hands crossed. As the camera moves upwards, the black woman withdraws her right hand, turns her body sideways to the camera, facing towards the left side of the screen, holding the phone with both hands, and looks down at the phone.


The camera slowly advances towards the castle, tilting slightly upwards, until most of the water's reflection disappears from the frame. The row trees on both sides continuously fade away as the camera moves, revealing the height of the castle within the shot.


At the edge of a muddy slope among the bushes, a man in the scene is knocked over onto the ground by another man on the right side of the frame. After falling, with his head facing the background and his feet towards the foreground, he rolls over once on the muddy ground towards the left side of the frame. In the end, he lies flat on the ground with his arms stretched straight above his head.


In the scene, there is a dense crowd standing on both sides of the street. The crowd on the left and the right are facing each other with their umbrellas open. There are several waitstaff in red clothing holding umbrellas surrounding a black car at the center of the picture. The car door is open, and a man is preparing to get out of the car.


The camera captures a sleeping kitten from a first-person perspective, with the kitten's face turned towards the right side of the frame. As the lens moves forward, the kitten's ears flutter slightly, followed by the camera shaking to film the kitten.


In the frame, a man wearing a hat on his clothes is sitting on the sofa looking to the lower left of the screen while facing the camera. He blinks, turns his head to the right side of the screen, and then tilts his head to the right, looking down to the lower right of the screen. Then he raises his eyebrows and rolls his eyes upwards before looking up to the top of the screen. Next, he leans his head back against the sofa cushion, then moves the corner of his left mouth, lifts his head, blinks once facing the camera, and looks to the left of the screen. At the same time, he opens his mouth slightly and then closes it. He blinks again, looking towards the camera direction, then tilts his head to the right of the screen and looks down to the lower right.


On the left side of the screen, there is a woman wearing pink clothes. She is holding a box with both hands, facing the camera. She raises the box to her head and then slightly lowers it, saying something. She turns her head to look to the right of the screen, then turns back to the camera, raises her eyebrows, and finally turns around and walks to the right side of the screen, with the camera slightly blurred.


The scene is a forest. On the left side of the screen, a woman in red is sideways to the camera, facing the right of the screen and swinging her arms as she walks to the right. Another woman in black appears on the left side of the screen, also sideways to the camera, facing the right and walking to the right. Then, the woman in red turns towards the camera and looks to the left at the woman in black, while extending her right hand downwards to the left of the screen. The woman in black extends her right hand downwards to the right and touches the right hand of the woman in red. The woman in red then turns her body and head back to the right of the screen. On the left side of the screen, a woman in a black top and gray shorts also appears, sideways to the camera, facing the right and swinging her arms as she walks to the right. The camera starts to pan to the right. The woman in black spreads her arms, turns towards the camera, and looks to the left at the woman in the black top and gray shorts. The woman in the black top and gray shorts extends her left hand to hold the right hand of the woman in black. Then, the woman in black turns her body and head back to the right, while the woman in the black top and gray shorts slightly turns towards the camera. The three women walk up a slope and into the forest, with the foreground foliage on the right side of the screen blocking them from view.


The scene appears to be from a motorcycle's dashboard camera. The motorcycle's head tilts to the left and then makes a left turn. In the center of the frame is a sign indicating a right turn. Then, the motorcycle's head lifts up, and the white light from the vehicle's headlights stretches far into the distance on the ground. On both sides of the screen, there are constantly flashing red and blue lights. In the distance of the scene, a small car can be seen turning the corner and driving from left to right.


The camera shoots from above. A bald man with a beard, wearing a white coat, faces the camera and leans on the sofa, talking eagerly. Another man in a light yellow shirt and a brown vest turns his back to the camera, facing the man in white, and continuously approaches him. Finally, this man raises his arm and slaps the man in white across the face.


The main subject of the scene is a male in the center, wearing VR goggles. He first extends his left hand to the right, then his right hand, and his body turns clockwise. His left hand assumes a pistol gesture, then he turns around and comes back, raising both hands to complete some kind of action. He follows by making a basketball shooting motion with both hands, his left hand performing a throwing motion towards the front. Finally, he faces to the left side of the screen and starts to make a reeling in motion as if collecting fishing line. Throughout the sequence, the camera follows his movements, keeping his face in focus.


The camera zooms in, to the right of the frame, where a man stands in the water, sideways to the camera, facing towards the left side of the frame. His left hand holds a paddle, while his right hand moves the pumpkin at the center of the frame to the left in a counterclockwise rotation.


In the center bottom of the screen, a man dressed in yellow is carrying a potted tree and places it on the ground. The camera also rotates to the bottom right corner, while the man keeps talking. The background of the scene features three buildings. On the right side of the screen, there is a monkey facing the man.


The scene is a close-up shot of the hands, with the right hand holding a tool moving from the left side of the keyboard to the right side of the keyboard on the right side of the frame. It then exits the frame, followed by the left hand entering with a cloth. The right hand re-enters the frame, quickly exits, and then re-enters. Both hands grasp the ends of the cloth, after which the right hand lowers the cloth and exits the frame. The left hand reaches to the right side of the frame to retrieve a white bottle. Afterward, the right hand takes the bottle, while the left hand exits the left side of the frame with the cloth. The right hand moves down to hold the middle of the bottle, with the bottle's opening facing the right side of the frame.


On the left, middle, and right sides of the screen, there sits a woman in a black suit, a man in a green coat, and a man in a suit, respectively. The distance between the three people and the camera ranges from near to far. They are all facing the right side of the screen, sideways to the camera. The woman in the black suit, who is closest to the camera, faces the direction to the right of the screen and speaks. During the process of speaking, she brings her hands together and slightly rocks them from side to side, appearing very serious and focused. The man in the green coat in the middle of the screen quickly looks to the right, glancing at the woman in the black suit who is speaking. He continuously plays with a pen in his hand and then quickly straightens his head to face the right side of the screen again. At the same time, the man in the suit on the far right of the screen also quickly turns his head to the left, glancing at the woman in the black suit who is speaking. His right arm is placed on the table, with his wrist slightly raised. The entire scene takes place in a conference room, where the three people seem to be engaged in some sort of discussion or meeting.


In the center of the screen, a male in a black baseball cap and black T-shirt is standing facing the right side of the frame. His arms are raised in front, and his hands are gripping a golf club. He slightly tilts his head back, looking to the right side of the screen. Following this, he coordinates his hands to tilt the club to the right side of the frame, then lowers his arms, and the golf club exits the view from the lower right side of the screen. In the end, he turns around to face the camera, still looking to the right side of the frame, and reveals a smile.


On the left side of the screen is a man with black hair, and on the right side is a woman with blonde hair; both are facing the camera. The man turns his head to the right side of the screen, and the woman turns her head to the left side, looking at each other. Then the man takes a small step to the right, and the woman steps back slightly and turns to the left. They gaze at each other for a moment before starting to kiss. The camera zooms in on them and then pans to the left, as the man also moves to the left side of the screen. The woman first steps back to the right, looking at the man on the left side of the screen, her eyes moving slightly from side to side, and she starts to speak. The man raises a brilliant smile. The camera pulls back, and the woman also raises a brilliant smile. They both turn their heads to the right side of the screen, looking to the right. The woman smiles with her lips pressed together, and then she starts laughing out loud again, while the man lowers his head, smiling, and the woman follows suit. The background is blurred, with a Christmas tree in the center of the distance.


On the left side of the screen is a white-haired woman in leather clothing, facing left, looking at the camera. On the right side is a black-haired man also dressed in leather. He is looking towards the lower right of the screen. Both of them have facial features resembling stitched seams and traces similar to the patterns of a chip. As the camera moves to the right, the woman turns her head to the upper left, and the man turns his head upwards, both looking at the camera as it shifts to the right. The woman's head slightly turns to the right of the screen, and as the camera continues to move right, the man's head tilts slightly to the right, looking into the lens. The background of the scene consists of parallel tubes resembling beams of light.


The scene shows a road in a small town, with several houses in the background and the branches of trees swaying in the wind. In the left foreground of the picture, a girl wearing white shorts enters, riding a bicycle and moving towards the right side of the screen. As the little girl in white shorts is about to exit the frame on the right, another woman wearing a pink top enters from the left side of the screen. She is also riding a bicycle, moving from the left to the right side of the picture. Further away from the camera, a woman in a white top appears; she is also cycling towards the right side of the screen. In the end, both the woman in the pink top and the woman in the white top exit the frame on the right side.


On the left side of the screen, a left hand picks up a green turtle doll. At the bottom left of the screen, partially obscured by the doll, is a brown dog. The dog's front paws are resting on the table to the right of the screen. The camera moves upwards and then to the left, as the dog turns to the left side of the screen, raises its head, and bites the doll. Black text on a white background appears at the bottom of the screen. Then, the left hand moves the doll to the right side of the screen, and the camera follows suit. The dog, still biting the doll, moves to the right side of the screen. The left hand releases the doll, and the dog, with its back to the camera, walks towards the distance. The camera also moves forward, and then the dog climbs onto the sofa on the right side of the screen. The camera moves to the right, showing the dog standing on the sofa, head down, biting the toy. In the upper left corner of the screen is a circular logo containing the head of a dog.


In the center of the screen is an engine that has been removed. Above the engine, there are two vertical cylinders, one on the left and one on the right. On the left side of the screen is a man wearing a black short-sleeved shirt, facing the camera sideways. In his right hand, he holds a device for removing cylinders, which he has fitted onto the left cylinder. His left hand grips the left cylinder, while his right thumb presses the switch back and forth, loosening the cylinder, which his left hand then places on the table. The camera then zooms in and magnifies the view, showing the device in his right hand being attached to the cylinder on the right, and the same operation is repeated to remove the right cylinder.


In the center of the screen, there is a cat sitting on a white cabinet, its body facing the camera, turning its head to look behind with its back to the lens. At the same time, the camera moves towards the upper left of the screen. The camera shakes continuously, and the cat stretches its head to the left side of the screen, then bends down and looks under the cabinet with its head low. Afterward, it slowly raises its body, standing up with its back to the camera.


Shooting with a handheld lens. The lens is positioned at the driver's seat of a car; on the left side of the frame is the driver's window, and in the center is the rearview mirror. Outside the window, a SUV is driving towards the right background of the scene, at a fast speed, quickly overtaking the car where the lens is located. In the end, the lens pans to the right.


In the right side of the screen, a man in white is standing, bending down to fiddle with a tool in his hand while speaking. In the distance on the right side of the screen, a girl is facing left, fishing with both hands on the fishing rod. The camera then moves counterclockwise to the left side of the screen, a hand appears on the left side, leaving the fishing rod on the right side of the screen, and disappears from the left side of the frame.


In the center left of the screen, there is a man in a black suit with his back to the camera, holding an apple in his right hand against his chest, and shaking the camera with his left hand. On the right side of the screen, there is a man in a white suit facing the camera with his hands behind his back, looking at the man on the left side of the screen, and talking. At this moment, the camera switches to behind the man in the white suit, and the man in the black suit is facing the camera, tilting his head forward, raising the apple in his hand higher, and rotating the apple with his fingers while talking. He then retrieves the apple and raises it high in his right hand again.


At the center of the screen is a pair of glasses. A ray of sunlight shines in from the top right corner, directed towards the glasses. The camera moves down, and the sunlight falls on the white, egg-shaped animated character in the center of the screen, standing on top of a poker card. Starting from the center of the egg character, it turns gray and then catches fire, falling to the right. The camera continues to move down, with the center of the screen showing the poker card, and below the center is a burning fire, which then grows larger at the center of the screen.


The camera moves to the left, and a little girl is centered in the frame, sitting in a chair with a plate of food in front of her. The girl is chewing her food, her right hand gripping the table, and her left hand is in a fist resting against the edge of the table. Her gaze is directed to the bottom right corner of the frame. Slowly, the girl turns her gaze towards the camera, still chewing her food, as the camera shakes and moves closer.


In the initial scene, two people are displayed. A woman in a black suit jacket is sitting in the middle of the screen, and a woman in a blue top is standing on the right side of the screen with her hands resting on the rack in front of her, fingers interlaced. The woman in the black suit jacket is looking to the left side of the screen, speaking with a smile. Her head is bobbing playfully. Then, the camera slowly pans to the left, revealing a black woman in a plaid shirt on the left side of the screen. She is leaning on the rack in front of her with both hands, facing the right side of the screen and speaking with a smile.


On the left side of the screen, there is a man in blue clothes talking, facing the camera with his head slightly turned to the right side of the screen, his brows furrowed, while at the bottom of the screen, his hands are moving back and forth. Suddenly, he raises his left hand with the palm facing up, and shakes it up and down a few times. On the right side of the background, there is a movie poster and several tripods.


In the center of the screen, a child in green clothes stands behind the table. Facing the upper left front of the screen, they look down at the bottom of the screen, their right hand touching a light brown box on the left side of the table, while their left hand is placed in front of their body. On the left side of the screen, a smaller child in light-colored clothes stands facing the right side of the screen. On the right side of the screen, a woman in a white top sits on a gray-black sofa, looking at her laptop on her lap, with her left hand on the keyboard. The child in the center of the screen picks up a cylinder from the table with their left hand, raises their right hand, then grabs another object from the table with their right hand, and combines the two items together with both hands. The child on the left side of the screen lies on the sofa on the right side of the screen, their back to the camera. The woman on the right side of the screen glances to the left of the screen and then looks back down to the left of the screen. The camera moves to the right, revealing an indoor scene with a lot of furniture, windows in the left and background, and a carpet and a table lamp on the left side of the screen.


This is a video taken by a camera at the front of the car, facing inside the vehicle. The driver is on the left side of the screen with his right hand on the steering wheel. There are Angry Birds plush toys on both sides of the car. The trees on both sides of the screen recede as the vehicle moves. The driver on the left side of the screen turns to look at the right side, while his right hand rubs on the steering wheel.


The scene is captured by a lens fixed on the car, which is moving forward. First, the car turns to the right of the screen, and then after a brief straight stretch, it turns to the left of the screen.


The video starts with a close-up shot, with a man in a black police uniform and a police cap standing towards the right side of the middle of the frame. In the foreground is a beige car parked towards the left side of the screen. The man is looking down at the car, using his right hand to place a piece of paper in the lower right corner of the car's windshield. Subsequently, a woman dressed in a patterned top and a white skirt walks in from the right side of the frame, heading towards the left side of the screen. The man turns his head to look at the woman, and she also looks at him and the car. The camera zooms out, and the blue car on the right side of the frame and the background building gradually come into view. The woman continues to walk towards the left side of the screen, eventually entering the building's door in the center of the frame, while the man turns around, his gaze following the woman.


A man and a woman are leading a horse, walking from the background to the foreground of the scene. Both are pulling the horse as they walk, conversing as they go. They then head towards the right side of the screen, and the camera follows them, moving to the right of the scene. The man then hangs the rope tied to the cow on a pillar, while the woman opens a wooden door.


A man is leaning against the doorframe on the left side of the screen, looking at the right side of the screen as he speaks, then closes his eyes and bows his head. A woman appears from the left side of the screen, runs up to the man, and looks at the man's left hand as it raises to grip the man's right arm, which is raised in front of his chest. The man continues to bow his head towards the camera, while the woman stands sideways to the camera, turning her head to the left side of the screen, talking. The scene cuts to the other side of the door, where a man on the right side of the screen suddenly pushes the woman to the left side of the screen, lifts his head, and then turns towards the camera, talking as he walks towards it. The woman's back hits the doorframe on the left side of the screen, she looks at the man, and turns towards the camera to walk over. As the man tilts his head back and turns to the right side of the screen, the woman also turns to the right side, standing sideways to the camera, and supports the man's left shoulder and back with both hands. The man then turns his back to the camera, raises his right hand to rest on the doorframe on the right side of the screen, leans his upper body against the doorframe, and looks up to the upper left corner of the screen. The woman on the left side of the screen raises her hands in front of her, her back to the camera. The camera zooms in, the man raises his arm to the left side of the screen, his head falls to the right side, pillowed on his right hand, while the woman turns to the right side of the screen and extends her hands to grip the man's left arm.


In the center of the screen, slightly to the left, is a man dressed in formal attire. He is wearing glasses and sitting on a sofa, facing the camera with his eyes looking to the right side of the screen. Then he blinks once, making a gesture with his right hand. He slowly turns his gaze to the left side of the frame, then shifts it back to the right. He continues to speak with a furrowed brow, then raises both hands to make gestures. He nods slightly, moving his gaze back and forth between the right and left sides of the screen. In the background, there is a door through which white light is shining in, and on each side of the door, there is a dark brown cabinet.


The scene is in slow motion, with a man stepping on the surfboard with his left foot and kneeling on the surfboard with his right leg. His body is pressed downward, facing to the left of the screen, riding the waves behind him towards the direction of the camera. Then he raises his left hand behind him, and the man is washed towards the bottom of the screen, facing right, standing up before disappearing from view. The camera turns to the right side of the screen, revealing a blond man with his mouth open facing the camera, and his right hand is clenched into a fist moving towards the left side of the screen.


In the scene, there are two men standing in a hot air balloon. The man wearing a hat is on the right side of the frame, speaking to the man in a suit on the left side of the frame. The man in the suit faces right and quickly turns his head to look behind him before swiftly turning back to the man with the hat. Subsequently, both men look up towards the top of the frame. The man with the hat extends his right hand, and the man in the suit raises his right hand. The hot air balloon moves towards the top of the frame, and then the scene switches to show two hot air balloons floating in the sky.


A close-up shot of a sunflower. The camera slowly moves to the left, revealing a bee on the left side of the sunflower's central disc. After a few movements, it crawls towards the center of the disc, then slightly moves downward and begins to feed on the nectar. There is also an insect on the right side of the disc.


The main subject of the screen is a man wearing a patterned knitted sweater talking. He is in the center of the frame and raises both hands to make gestures indicating length while speaking. On both sides of the screen are turbulent deep blue waters.


The scene is a close-up shot, with the camera panning to the right of the screen. A flying insect flies out from the upper left corner of the screen towards the right, while at the same time, there are insects flying out from the right side of the screen towards the camera.


There are six people sitting in a straight line in the picture. From left to right, there is a man in a blue coat adorned with an orange belt, with his hands on his thighs and his body leaning back, his head tilted, looking at the person on the right side of the frame. Then he slightly raises his right hand and lowers it again while turning his gaze forward. To his right, there is a short-haired blonde woman in a down jacket with a blue pattern, who initially leans forward with a smile, also tilting her head to look at the person on the right side of the picture, then turns her head in the opposite direction to look at the man in the blue coat. To her right is a woman in black clothing with a blue scarf around her neck and a ball-shaped ponytail, who also starts with a smile, tilting her head to look at the person on the right, then turns her head back, saying something, lifting her left hand to cover her mouth as she laughs. Next is a man in a black sweater with graying hair, whose hands are tightly clasped on his thighs, looking ahead with a smile, then slightly turning his head to the left to look at the woman in black. To his right is a man in a black inner shirt with a gray shirt on top, his fingers interlaced on his lap, his head tilted to the left side of the picture, also smiling slightly. On the far right is a woman in a white shirt and a red shawl, holding a notebook and wearing glasses hanging from her neck, talking and looking towards the left side of the picture.


The scene is shot from the first-person perspective of a driver looking out the car window. The vehicle in which the shooter is located is parked at an intersection; the camera pulls back to reveal the side of a vehicle covered with a tarp, with its hood facing the right side of the frame. The camera swings in a clockwise circle and then lifts up to the upper right. On the right side of the frame, a car turns from the left to the right of the screen. In the upper right corner, more vehicles appear from the right side, heading towards the left of the frame. Occasionally, the left outside rearview mirror of the vehicle in which the shooter is located appears on the right side of the screen. In the background, there are dense rows of green roadside trees.


In the top right corner of the screen, a person is holding a pen in their right hand, with the tip of the pen pointing to the content on a piece of paper. The person on the left side of the screen moves their right hand to the right side of the screen, spreads both hands briefly, and then starts writing on another piece of paper with their right hand. The person on the left side of the screen moves their right hand to the left, pressing the connected edge of the paper with both hands. The person on the right side of the screen retracts their right hand towards the top right corner. The camera moves to the right.


In the center of the screen, a person in gray clothing is stroking the dog on the right side of the frame with their right hand. On the left side of the screen, a little girl retracts her right arm and crawls closer to the dog. The camera moves to the right, and after the little girl crawls up to the dog, she extends her right hand and gently pats the dog's head four times.


The camera focuses on a screen hanging from the ceiling. On the screen, a small black dog appears, and then the camera angle shifts, showing a Labrador walking up the stairs. At this moment, the camera slightly turns to the right, and we can see that there are many orange packaging boxes in the background, and there are also some cameras on the shelves.


The image is blurry, and on the left side of the screen, the blurred figure of a man wearing a blue shirt can be seen. The camera quickly pans down to the right corner and focuses on a desktop, which has a bowl, a bag, and a transparent box on it. A hand reaches into the frame from the top and grasps the upper blue edge of the white bag. The camera pans to the right again, and the hand moves towards the transparent box, which contains white powder. The thumb of the finger holds the side of the transparent box and slightly lifts it up, then the left hand moves to the right again, grasping a bottle on the right side of the frame, which contains yellow liquid. Holding the top of the bottle, the hand slightly rotates it, and the camera continues to pan to the right, then moves the hand towards a black jar on the far right of the screen. After slightly rotating the black jar, the hand finally reaches for a transparent cup placed on the table. Then, the hand moves to the left side of the screen, and the camera follows the hand as it pans to the left.


In the foreground on the left are some Thai banners, and on both sides and in the background are some buildings. In the center of the scene is abandoned land and a pond. The camera slowly moves to the right, and on the right side of the foreground, several young boys are standing. On the far right of the foreground, a boy wearing blue denim pants has his right hand on his hip and is looking to the left of the scene. He then takes a step back with his left foot, puts his left hand on his hip, rubs his belly with his right hand, and then grips his left wrist, turning his head to look at the camera. Another boy in orange pants has his hands in his pockets, his body facing to the left of the scene, with his head facing the direction of the camera. After glancing back towards the background, he turns to face the camera. Beside the pond on the right side of the scene, some people are standing, some of whom turn and walk to the right of the frame, with some disappearing from view.


In the image, you can see that against a white background, two hands are holding a very small toy. The toy is in the shape of a little dog, but it has some black hair on its head. The right hand is gripping the toy's head, while the left hand is holding the body of the toy. The right hand then rotates the small toy to show its back, after which the left hand continues to hold the body while the right hand gently rotates the head.


A man looks serious, talking while looking to the left of the screen. The camera cuts to a woman who quickly glances at the bottom right corner of the screen, then takes a slight step back to the left, maintaining a neutral expression. The camera switches back to the man, who is still looking to the left of the screen, speaking with a slight smile. The camera cuts to the woman again, who looks at the bottom right corner, blinks, and then turns her gaze to the right side of the screen.


In the scene, three people can be seen. From left to right, they are: a man wearing a black shirt; a man wearing a black hat; and a man with a middle-parted hairstyle. Only their upper bodies from the neck up are visible. Initially, they are all looking to the left outside of the frame. Then, the man in the black shirt sighs and turns his body back to the right. He looks at the camera with an expression that seems quite dejected. The man in the black hat shifts his gaze to the face of the man in the black shirt, observing him. The man with the middle-parted hair glances at the man in the black shirt and then redirects his gaze to the left side of the screen, with a somewhat confused expression. Finally, the man in the black shirt turns his head to the left side of the frame again for a quick look.


A group of people are moving quickly at the foot of the mountain. Some are rapidly moving from the left side of the screen to the right, while others are moving from the right side to the left. Still, some are entering the frame from the left side.


The scene is shot from a first-person perspective. At the right edge of the frame, there is a hand holding a small bowl by its handle. The shooter is walking forward, then pouring the minced garlic from the small bowl into the pot on the left side of the screen.


The scene should be in a square, with a green lawn in the bottom left corner of the picture. Many people are camping on the lawn, setting up tents; some are sitting together eating, others are conversing, and still others are standing and talking to people around them. In other parts of the square, there are also many people walking back and forth. Some people stop to chat, while others continuously walk towards their destinations without stopping.


On the left side of the screen, a man in a blue shirt is leaning against a tree next to the camera, looking to the left of the screen, then to the right, raising his left hand with the palm facing the camera, and then looking back to the left side of the screen. On the right side of the screen, a man in a white shirt is turning his head to look at the man on the left side of the screen and speaking. The camera pans down and to the right, revealing three people in the scene, then focuses and zooms in on the person in the center. He is wearing a black hat, looking to the right of the screen, then turning his head towards the front of the camera. The entire scene is set outdoors, with flowers, grass, and trees everywhere. The scene changes. On the left side of the screen, there are three people chatting, and on the right side, two people are talking. On the left side of the screen, a man in a red shirt walks towards the right side and then stops.


In the scene, two men in white coats can be seen. The person on the far left has part of his body outside the screen, and only his head is visible; he is wearing glasses. To the right of this person is a man with a tie who is not wearing glasses. Both of them are now intently looking at an X-ray image on the right side of the screen. The man without glasses is speaking, raising his right hand with a blue pencil, pointing to the X-ray image on the right side of the screen. The pencil moves up and down over the X-ray image, seemingly emphasizing something, perhaps related to what he is saying. He slowly lowers his hand holding the pencil. Then, another hand can be seen entering the screen from the bottom, which should belong to the man with glasses on the far left. It also points to the X-ray image on the right side of the screen. His mouth can be seen moving, indicating that he is also speaking.


The middle-aged man on the left side of the screen, wearing a white shirt, black suit, and black-framed glasses, is sitting in a chair facing the camera and continuously speaking. Suddenly, he raises both hands to his chest, raises his eyebrows, and then moves his hands back and forth while smiling. Next, he raises his hands above his head and looks towards the upper left corner of the screen. Then he lowers his hands to his chest, repeatedly swinging them left and right and lifting them up, while looking towards the right side of the screen. The background of the scene is a bookshelf filled with many books.


On the left side of the screen is the front of a car with the hood open. On the right side is a man wearing a black coat, standing sideways to the camera, with his body facing towards the left of the screen. The man is bowing his head, and both hands are gripping the edge of the storage compartment in the front of the car. The camera pans to the left, at the same time zooming in on the man's hands.


In the initial background of the scene, you can see a woman and a dog facing the camera, positioned slightly to the right of the center. They are running towards the camera. The woman's left hand is holding a leash that is attached to the dog's neck, and they run in sync towards the camera. The dog occasionally opens its mouth to smile, then closes it again. In the end, they both pass the camera, exiting the frame from either side, with only the woman's shadow remaining visible on the left side of the screen.


On the right side of the screen, a hand is holding a small bottle, with the mouth of the bottle facing the upper left corner of the screen. Then, the index finger of the right hand is extended, and the wrist is rotated to tilt the bottle downward. Afterward, the wrist is rotated back so that the mouth of the bottle faces upward, and the right hand leaves the frame from the right side. The background is a white container with some water in it.


The main subject of the scene is a man, who is located on the left side of the frame, facing the camera's perspective. Looking to the left of the frame, he spreads his hands open and raises them. He continuously shakes them up and down, then seems to be saying something, after which he lowers his hands, placing his right hand on the sofa. Then he raises his index and middle fingers to make a gesture, and after lowering them, he slightly raises both hands to make a smaller gesture.


In the left side of the screen, a man in black is reflected on the glass, holding a camera in his left hand. The lens quickly rotates to the right side of the screen, while his right hand opens the car door on the lower right side of the frame. The lens moves slightly upwards, and the right hand appears from the bottom right corner of the screen, moving towards the lens to cover it.


In the scene is a woman wearing a black short-sleeved shirt, her body positioned straight and facing directly into the frame as she bends over. The camera slowly moves down to reveal that she is undressing a baby lying on the bed. Her left hand holds the baby's clothing, while her right hand grips the baby's left arm, and she removes the garment from the arm. Immediately after, she takes off the clothing from over the baby's head. The camera remains focused on the baby, and the woman in black, who was previously in the frame, places the clothing at the far right of the scene.


In the lower right corner of the screen, there is a van driving out of the frame towards the left side of the screen. The camera slightly tilts up to capture the residential building in front. After the van drives out of the frame, a person in white clothing walks out of the door at the bottom of the screen, facing the camera.


In the scene, a man wearing a blue coat and blue pants has his back to the camera, slightly hunched over, carrying a item wrapped in red cloth on his back. He limps uphill through a green forest. The camera slowly moves to the left with his actions. Whenever he takes a step with his left leg, his upper body leans forward, making his gait appear unsteady. As the camera moves, the man gradually walks out of the center of the frame to the left and disappears into the dense forest background.


Three wolves are positioned in the foreground, middle ground, and background of the scene. They are sideways to the camera, facing towards the left of the frame. Then, the wolf in the middle ground turns towards the right of the frame and walks out of the shot from the bottom right corner. Following this, the wolf in the background moves its ears back and forth towards the left of the frame, then turns towards the right and leaves the shot from the lower center of the frame. Finally, the wolf in the foreground turns towards the right of the frame, turns its back to the camera, and walks towards the distance on the right side of the frame.


The scene is animated. In the center of the screen, slightly to the left, a cartoon avocado is facing the camera, sitting in a chair. It has its right hand holding a mask with a white face and dark hair over its own face, then it removes the mask to reveal its avocado eyes. The avocado then smiles, showing its teeth, and raises its left thumb, placing it on its chest. In the lower right part of the screen, a computer is visible on a white surface. The background is an orange wall, on which several photos are hanging. The scene changes, and on the right side of the screen, an avocado without a pit appears, holding the right hand of another avocado with a pit with its left hand. They walk together towards the left side of the screen. The avocado without a pit stops in the center of the screen. It extends its left index finger towards the left side of the screen and seems to be speaking. At the lower left of the screen, there is a blue flame on the surface, with a pot on top of it. Bubbles are boiling inside the pot. The setting is an indoor kitchen, with a pink wall in the background and a white cupboard in the upper left corner.


On the left side of the screen, there is a woman in gray clothing. Her body is facing the camera, while her head is turned to the right side of her body, with her eyes looking at the man in the center of the screen. Then, her head turns back to the front, facing the camera. On the right side of the screen, there is a man in blue clothing facing the camera, looking into the lens with his eyes. He raises both hands to his chest, with his fingers spread out and palms facing down. He is speaking, and his hands are moving to the right.


In the scene, a pair of hands is continuously packing books into a box. At first, the right hand packs one book into the box, then it puts two more books inside, with the thicker one falling to the bottom of the box. At this moment, the right hand places two more books into the box, and the left hand comes to assist. The left hand holds these two books while the right hand rights the fallen book. Then, with the left hand supporting the books, the right hand continues to pack more books into the box.


In the right side of the screen, two people are standing facing the camera. From left to right, there is a white person and a black person. The white person is holding a flashlight in their right hand, illuminating towards the left side of the screen. Then, they turn counterclockwise, shining the light towards the camera's direction. The white and black person are in conversation. The camera shifts to the right, and a car enters the frame. Inside the car, a man is sitting with his back to the camera, looking ahead. Then, he twists his head clockwise to face the camera sideways, turning towards the left side of the screen. He has a notebook in his left hand and is making notes on it with a pen in his right hand.


In the center of the screen is a black car, with its front end facing the camera. To the right of the scene, a black van and a white car are parked. As the camera slowly pans to the left of the screen, the center of the frame shows the left side of the black car facing the lens. Suddenly, the camera quickly rotates to the left and zooms in. It then slowly moves to the left side of the screen. A man in black clothing walks from the center of the screen towards the right background and disappears off the right side of the frame. At this point, the center of the screen shows the rear end of the black car.


In the center of the screen is a white woman wearing a gray top and blue jeans. In front of her is a motorcycle, and she is looking in the direction of the camera. She bows her head to look at the motorcycle seat, reaching out with her left hand to touch the seat in the center of the screen. Then she straightens up, facing the camera, with her left hand resting on the seat to the left of the center.


In the scene, a curly-haired white woman is standing in front of the camera, engaged in a conversation with the woman in blue at the foreground of the picture. The white woman has her eyes wide open, with her right palm facing outward, placed in front of her as she looks at the woman in blue speaking. Then, as the white woman speaks, she gestures with her right hand. The camera switches, and the woman in blue leans forward, addressing the white woman. In the background of the scene, many people are sitting, watching the two people conversing.


On the left side of the screen, a man wearing a blue shirt is sitting on the red sofa at the bottom of the frame, facing the camera, and looking to the right of the screen, speaking excitedly with both hands raised in front of his chest making gestures. On the right side of the screen, a man wearing a dark gray shirt is sitting on the red sofa, facing left. Then, the man on the left furrows his brow, and the man on the right prepares to turn his head to the right of the screen. To the left in the background, there is a white cabinet with many items placed inside, and in the upper left corner of the screen, there is a gray and white icon with transparent text.


A man in a hat puts down his pickaxe and runs to the right of the screen along with three other men, passing by two men who are standing still. The camera pans to the right and then moves down to the right. More people run down the slope on the right side of the screen, and as they reach the ground, they slow down their pace and walk to the right of the screen. To the left of the shelf on the right side of the screen, a person looks towards the bottom right corner, then turns towards the left side of the screen and walks to the left. From the left side of the screen, a person in dark clothing runs towards the shelf, passes under it, and along with another person in a light-colored top, they walk across the screen to the right.


In the frame is the lower body of a woman wearing jeans and high heels. She continuously takes steps, walking slowly from the left side of the screen towards the right side. Afterward, she turns around and walks backwards towards the left side of the screen, while the camera continuously follows her steps, moving towards the left side of the screen.


On the left side of the screen, a woman is running towards the camera, her left hand raised and stretched out to the right, while her right hand grips her clothes over her chest. As she runs, her left hand gradually lowers in height. Behind her, a man with both hands at his sides opens them up as he walks forward, taking a large step with his right foot down the stairs, his hands swinging back and forth. Following this, the woman brings her hands together in front of her chin.


In the center of the screen is a dog sitting and facing towards the left of the canvas. On the left side of the canvas, a man is standing facing the camera. He first supports the dog's neck with his right hand and touches the dog's head with his left hand, then he uses both hands to stroke the dog's cheeks, and the dog starts to look at him. Then the dog looks back to the left side of the canvas, the man supports the dog's jaw with his right hand, and checks the dog's teeth with his left hand, while the dog slightly lifts its head and struggles free. Finally, the man places his left hand in front of the dog's eyes. On the right side of the canvas, a woman supports the dog's chest with her right hand and caresses the dog's back with her left hand. Her gaze scans back and forth over the dog.


In the center of the screen is a white male wearing a black short-sleeved shirt, with a black hat on his head and sunglasses. He is facing the camera, glancing slightly to the right, with both hands holding a golf club resting on his left shoulder. He gradually lowers the golf club, holding it vertically, and appears to be speaking.


In the center of the screen, a man stands sideways to the camera, facing the right side of the frame. He holds a model boat with both hands, looking down at the boat and speaking, with the interior of the boat facing the camera. The boat is dripping water, and he moves the boat downward, turning the hull towards the camera.


In the center of the screen, a naked baby faces the camera, holding a white skincare product, with the cap in its mouth, looking to the left side of the frame. A man in blue sits behind the baby, his body slightly tilted to the left side of the screen, looking down at the baby's back and stroking it with the back of his right hand and then his left. To the right, a man in pink holds a soft-bristle brush in his right hand, gently combing the baby's head up and down, and then he pats the baby's head with his right hand. The man in blue again tilts his body and head to the right side of the screen, using both hands to caress the baby's shoulders. The baby looks down and smiles at the skincare product in its hand. As the man in pink prepares to pat the baby's head again, the baby suddenly bends forward and crawls towards the lower left corner of the frame. Both the man in blue and the man in pink bend down towards the lower left corner, pulling the baby back. The man in pink faces the baby with a smile, looking to the left side of the frame, as the baby gradually sits up straight, turning to the right side of the screen, mouth open, raising both hands to put the white skincare product into its mouth, and looking up at the man in pink. The man in blue bends down, tilting his body and head to the right side of the screen again, smiling and teasing the baby with an open mouth. The man in pink, with a smile, combs the baby's head with the soft-bristle brush. Then, the man in blue moves to the left side of the screen, bends down close to the baby, and proceeds to tease the baby by opening his mouth and slightly shaking his head. The baby drops the skincare product from both hands, closes its mouth, turns its head towards the camera, and looks down.


In the center of the screen, a hand rotates a component inside the car counterclockwise five times, then, he rotates the component clockwise once. The camera switches, and to the right of the screen, a person stands sideways to the camera, facing towards the left side of the screen.


In the center of the screen, slightly to the right, is a green hippo cartoon character with its right hand touching its right cheek, looking towards the left side of the screen. It then stands up and continues to look towards the left side of the screen, clapping its hands in front of its chest. On the left side of the screen, a cartoon character dressed in white is carrying a cake with both hands, moving towards the center-left of the screen, and then places the cake on the table in the center-left of the screen. On the right side of the screen, a purple monkey cartoon character is holding a cup with its right hand and drinking through a straw, looking towards the left side of the screen, and later stands up to look at the cake in the center-left of the screen. On the left side of the screen is a brown monkey cartoon character, who is closing its eyes and shaking its head from side to side, looking towards the center-left of the screen.


In the center of the screen, slightly to the left and slightly to the right, two women gaze directly into the camera. The left woman's left hand and the right woman's right hand are holding the same bunch of flowers placed between them. The camera slowly pulls back, and after the two women blink, they turn their heads to look at each other, then turn back to face the camera. Afterwards, they lower the flowers they are holding to the side of their legs.


In the center of the screen, a man in a plaid suit is slightly sideways, facing the camera directly. He turns his head counterclockwise to look to the right of the screen where someone is sitting next to a counter on the left side of the frame. His right hand is holding a bottle, preparing to pour water into a glass on the counter, and he starts to speak. The scene cuts to a woman in a shirt dress, facing the camera directly, looking to the left of the screen with a rectangular object in her hand, standing next to a dining table in the lower left of the frame, smiling and speaking. Then the scene switches back to the man in the plaid suit; he turns his head clockwise, leaning his upper body towards the counter on the left of the frame and grabbing the edge of the counter with his left hand, at which point the camera pans left. On the left side of the screen, a man in a light-colored suit is slightly sideways, facing the camera and looking in the direction of the lens, standing on the other side of the counter. He bends forward towards the right of the frame. At this moment, the man in the plaid suit, who is on the right side of the frame, speaks to the man in the light-colored suit, who looks up at him. Then the camera switches to a woman in a suit, with a staircase on the left side of the screen. The woman in the suit walks from the left to the right of the frame, and the camera follows her movement, panning to the right. She stops in front of the woman in the shirt dress, facing to the right, and speaks to her, with her profile to the camera. The woman in the shirt dress, also with her profile to the camera, faces left and engages in conversation with the woman in the suit. In the background, in the center of the screen, the man in the plaid suit is sitting next to the counter, facing the camera directly. Then the woman in the suit turns counterclockwise, turning her back to the camera.


The video is a close-up of the hands from a first-person perspective looking down. In the frame, the hands are in the top right corner, with the left hand holding an iron basin and the right hand scooping dough out of the basin. Then, the left hand holds the basin out to the bottom left corner of the frame, after which a new basin is taken out from the left side of the frame. The dough is then put back into the basin, and after pressing it a few times with the hands, the hands are withdrawn. Following this, the left hand takes out a piece of white gauze, and with both hands, the cloth is spread out and prepared to cover the basin.


On the right side of the screen stands a man in a black coat. His body is facing a black car on the left side of the screen, but his head is turned towards the camera, speaking to the lens. His two hands are making gestures in front of his body. His index finger and thumb are pinched together, and then his right hand suddenly moves upwards, possibly simulating some action. Next, the man turns his head to the left side of the screen and leans over towards the open hood of the car on the left side of the frame, where the internal components are visible. In his right hand, he holds a screwdriver, repairing the parts under the hood. As the man works, it seems a screw has been removed, and with his left hand, he reaches for it and picks it up. He places the screw in the lower part of the hood. Then, the man's hands reach towards another area inside the hood, seemingly preparing to remove another small part. Once again, the man removes a small part, using his left hand to take it out and place it in another location under the hood.


In the foreground of a black and white scene, a horse is pulling a four-wheeled carriage with three people sitting in it, moving from left to right on a dirt road. The person on the far right is holding a whip and continuously lashing the horse. The background consists of a soil slope with vegetation. The camera follows the movement of the horse and carriage, panning to the right, gradually revealing the road extending into the distance. Moreover, a large wagon carrying people and goods is approaching from the distance towards the camera's direction. Eventually, the two vehicles are about to meet, with a large hill on the right side of the road.


The camera slowly pans to the left, moving a wooden cutting board on the left side of the frame to the center. A hand enters from the top of the frame and places a kiwi fruit in the lower left corner. There are two kiwi fruits on the cutting board; a hand enters from the top of the frame, placing one kiwi fruit on the left side of the board, then another in the lower left corner of the board, and finally, one above the center of the four kiwi fruits.


The scene is set in a rather dimly lit indoor space, where three people first appear. On the left side of the screen is a lady wearing a brown headscarf. On the right side is a boy with curly hair, dressed in a red shirt and a brown coat. At the bottom of the screen is a man with curly hair, only half of his face is visible. The camera then moves upwards to the left, revealing more people in the frame. On the far right is a middle-aged woman with blonde hair, wearing a yellow coat. Below her is a young boy who is only visible from the head up. In the center of the screen is a girl with long hair. In the upper left is a lady with a white headscarf, and in the lower left is a balding man with a beard. Everyone is wearing an expression of slight terror.


The camera slightly shakes. In the center of the frame, a whiteish-gray alpaca faces the camera, then slowly turns its head to the right side of the screen. The fur on its head flutters, and it continues to turn its head to the right, with its right ear slightly trembling. Suddenly, it turns its head to the left side of the frame, still facing right, with both ears pricked up. Then it turns its head to the left again, facing the camera directly. In the background, the grass and trees are blurred but visible.


The focus of the scene is a man in the center of the frame, wearing a black short-sleeved shirt and white pants. He is facing the right side of the frame, extending his left index finger towards the right side of the frame as he speaks. In the background, four women are standing and watching the man talk. The man retracts his left index finger and raises both hands in front of his body, continuing to speak to the right side of the frame, making gestures with his hands. In the background, another person wearing black short sleeves and carrying a backpack can be seen walking from the left side of the frame to the right, eventually exiting the frame on the right side. In the foreground of the frame, a woman on the left initially has her back to the camera. As the man with the backpack walks to the right, she turns her head to the right side of the frame, revealing half of her face, then turns her head back, once again facing away from the camera. In the focus, the man in the black short-sleeved shirt and white pants continues to speak to the right side of the frame, with his hands slightly clenched into fists, raised in front of him and moving up and down. In the foreground on the left, the woman first moves out of the frame on the left side due to the camera panning to the right. As the camera pans left, the woman shifts her body slightly to the right, moving closer to the center of the frame, and is now once again facing away from the camera.


A pair of hands are seen on the left side of the screen. The left hand places an object flat towards the upper left corner of the screen, then retrieves a part from the center of the screen with the left hand. The right hand holds a tool with a dark handle, while the left hand takes out a battery from the left side of the screen and places it on the platform at the center. Then, the left side panel is closed, and the right hand moves out of the left side of the screen.


In the lower left foreground of the screen is a white appliance, and on the right side of the screen, there is a black keyboard and a lit display screen facing towards the left side of the screen. A pair of hands are seen in the lower left corner of the frame, turning towards the west of the screen. Then, the right hand with the index and middle fingers holding a screwdriver is raised from the lower left of the screen and moves towards the right side of the screen, with the fingers resting on the keyboard in the lower right corner, and the screwdriver is held upright. Subsequently, the right hand is raised, the camera moves forward to the left, and then the right hand is turned to the right of the lens, with the right hand moving slightly back and forth on both sides of the screen. Then, the arm is turned towards the left side of the screen, and the screwdriver is placed on the keyboard towards the right side of the screen. Next, the right hand rotates the screwdriver up and down.


In the scene, a man wearing a hat, glasses, and a red shirt is sitting in front of the camera speaking. While speaking, he accompanies his words with actions such as blinking and shrugging. In the background of the picture, there is a lamp and books.


The scene shows a boat on a lake with two people on board. They are holding up a fish with both hands. Facing the camera, on the left is a woman with long hair wearing a white short-sleeved shirt, and on the right, a man in a gray short-sleeved shirt with a hat. They are dragging a fish with a grayish-green color, its head facing towards the left side of the picture. Subsequently, the two people rotate counterclockwise around the woman, facing towards the left side of the scene. Then they bend down to place the fish on a white board on the boat. The fish starts jumping on the board, and the two use both hands to press the fish down until it stops moving. The man then grabs the tail of the fish with his left hand and supports the head with his right hand, lifting it up, about to put it back into the water. The woman releases her hands and prepares to stand up. In the background is a vast expanse of lake.


On the wide expanse of water, in the center of the frame, a man is kneeling on a surfboard facing the right side of the picture. His hands are gripping an oar as he rows to the right side of the frame, occasionally turning his head to look at the camera, which follows him as he moves to the right.


In the frame, you can see a woman wearing a white top. She is positioned slightly to the right of the center of the screen. She is standing sideways, facing to the left of the frame, with her right hand holding a mobile phone near her ear, nodding slightly. Then, she brings the phone down in front of her and begins to speak into it, looking at the phone's screen.


The person in the yellow clothes is sideways to the camera, jumping towards the right side of the frame, with their left hand extended to catch a blue hat in mid-air. The man in the yellow clothes lands and stands up straight, holding the blue hat in front of him with both hands, smiling down at the lower right corner of the frame. In the background of the scene, a row of people stands facing the camera, with some clapping and cheering for the man in yellow, while others raise their hands overhead and clap. A girl in a blue top enters the frame from the left side and walks towards the right side of the frame. In the background is a yellow rollercoaster track, a blue tent, and a red store that is open for business.


The camera moves to the right side of the screen, where the right and left hands on the right side of the screen wave the gear lever. The camera then rotates to the left side of the screen, subsequently moving upwards, and then swings to the bottom right corner. The right hand in the center of the screen grasps the gear lever and moves towards the bottom left, then shifts to the top left. Both hands grip the steering wheel on the left side of the screen, the camera rotates to the left, and then both hands release the steering wheel.


This is a flat shot where the center of the frame features a grey pelican perched on debris at the shore. Its wings are white and its beak is orange. Initially, it bows its head towards the right side of the frame looking at the water, while simultaneously lifting and lowering its left foot. It then straightens its head, turns it in the opposite direction of the camera, facing the camera, and afterward slightly turns its head to the left side of the frame. Its right foot lifts and lowers, and its wings and body slightly move. The video background consists of a blue sky with sunset hues and a pier. The water surface is glistening with ripples, and at the bottom of the frame, there is some debris.


In the center of the screen is a camera. To the left, there is a woman in a gold short-sleeved top, facing the camera with a smile, sitting and gently moving her legs continuously. The scene slowly shifts to the left, revealing a curly-haired black woman and a man in a blue shirt appearing on the left side of the screen.


A man in a light-colored suit closes the door on the right side of the screen with his left hand, turns to the left side of the screen, and walks a few steps forward with his back to the camera. In the background of the scene, two police officers walk from the left to the right side of the screen. The camera pans to the left, revealing a police officer on the left side of the screen holding a man with his hands cuffed behind his back, both facing the right side of the screen. The man in the light-colored suit, facing the left side of the screen, pushes the palm of his left hand against the chest of the man being held and gives him a shove. The man being held leans backward to the left side of the screen, at which point a man in a beige suit steps out from the bottom left corner, walks behind the police officer on the left side of the screen, sidesteps to the right side of the screen, then turns to face the left side, walking away from the camera towards the right side of the screen. The man in the light-colored suit grabs the collar of the handcuffed man, turns towards the camera, and makes the handcuffed man turn his back to the camera. The man in the light-colored suit and the handcuffed man look towards the police officer on the left side of the screen. The police officer on the left side grabs the handcuffed man's left elbow with his left hand and releases his right hand. As the man in the light-colored suit pushes the handcuffed man against the partition wall on the right side of the screen, the police officer on the left side releases his right hand. The man in the light-colored suit, facing the right side of the screen, lets go of the right hand that was holding the collar of the handcuffed man, while his left hand remains gripping the collar; the police officer on the left side takes a step to the right. The man in the light-colored suit punches the handcuffed man in the abdomen with his right hand, and the handcuffed man arches his body towards the left side of the screen. The man in the light-colored suit pulls the handcuffed man towards the left side of the screen and pushes him against the wall again, talking while punching the handcuffed man in the abdomen with his right hand, making him arch his body once more. The man in the light-colored suit then turns towards the camera, pushing the handcuffed man towards the camera. The police officer on the left side


The video scene is animated. In the center of the screen, there is a monkey. Then, a rope appears at the top of the screen with two wooden spoons tied to it, and fruit hanging from the spoons. The monkey raises its left hand to hold the rope, then switches to the right hand to hold the rope, and turns its head towards the left side of the screen.


A right hand enters the frame from the right, holding a wooden spoon between the index finger and thumb, stirring it clockwise in a bowl placed on the table in the center of the frame, as the camera slowly moves downward.


The little boy on the left side of the screen is facing right, sitting in front of a computer monitor. His left hand is on the keyboard, and his right hand is wiggling the mouse. Then he makes a fist with his right hand and swings it upwards towards the top of the screen, while his left hand also raises up as if celebrating something. The camera moves to the left side of the screen.


On the left side of the screen is a person wearing yellow clothes, and on the right side, a left hand is grasping a yellow broom. The person moves to the center of the screen, and the yellow broom is swept in the opposite direction of the camera, collecting trash.


In the center of the screen is a man in a vest facing the camera with his face turned to the lower left of the frame. On the left side of the screen, there is a blindfolded man facing the camera and raising his left hand. The camera moves to the left side of the screen. The man in the vest takes the blindfolded man's left hand with his right hand, turns, and starts walking towards the right side of the frame. The blindfolded man raises his right hand, fist loosely closed, to the side of his head, then slightly lowers it, and then opens his right hand with all five fingers spread, also walking towards the right side of the screen.


In the center of the screen, looking out the window, there are two people. The man on the left side of the frame is facing left, while the woman on the right side of the frame is facing right, with their backs against each other, sitting and looking towards the camera. The man on the left is playing the guitar with both hands, then bows his head to look at the guitar, and then raises his head to look towards the upper left of the frame. Therefore, the woman on the right side of the screen turns her head to look towards the right of the frame.


Holding the lens to photograph a flower, with a slight shake of the lens. The flower is centered in the frame, with an insect on the petal. The wind causes the flower to sway back and forth, resulting in the flower moving to and fro within the frame.


In the right side of the screen, a man in pink pants is standing, facing the camera, looking to the left side of the screen as he speaks, his body swaying. He then prepares to sit on the red sofa in the lower right corner of the screen. Pink text with a white base appears in the lower right corner, and the camera rotates to the right side of the screen. The scene is indoors, with a door on the left side of the screen, transparent text with a grey base in the upper left, a red sofa and coffee table in the lower left, and a staircase on the right side of the screen.


The starting screen centers on a tent, with trees and grass surrounding the scene. Behind the central tent, four beams of light scan back and forth. Then, the scene shifts, revealing the interior of the tent. In the center of the screen is a white hammock surrounded by a group of people. Three of them are wearing green practice suits, one is dressed in a chef's uniform, another in a set of yellow clothes, and a monkey stands between the person in the chef's uniform and the one in yellow. To the right in the background are audience seats, and to the left, a row of lights.


In the center of the screen, a woman in a brown coat is visible from the waist up, with greenery in the background. She holds a large mushroom in her left hand close to the foreground, while her right hand grips a mobile phone, taking photos of the mushroom. During this time, she successively rotates the mushroom to show its side, top, and bottom views, and finally returns to the side view, rotating it for display.


On the right side of the screen, a hand grasps a cup backwards and places it on the floor, then releases it, and the hand moves out of the frame above. A foot steps back simultaneously as the camera slowly moves upwards. On the left side of the screen, a pair of hands is shown from a top-down perspective, with the right hand in front holding a pen and drawing on the paper, and the left hand, in the back, is clenched into a fist, supporting the paper. Then, a hand appears at the top of the screen, picks up a pen, and then leaves the frame above. Subsequently, on the right side of the screen, a hand reaches down to pick up some dye, and then moves away to the lower right of the frame. Finally, a hand appears at the top of the screen, putting a pen back on the ground.


A man dressed in a diving suit is sitting sideways to the camera, facing the left side of the frame. He bends down, picks up a pair of flippers from the ground, then raises his right foot and puts the flipper on with his left hand. Following this, he raises his left foot and puts the flipper on with his right hand. Immediately after, the man bends down again, attempting to pick something up from the ground.


The video is shot from a first-person perspective. To the right of the screen is a person facing the upper left corner of the frame. She raises her left hand and stirs the contents of a cup with a spoon. The camera then zooms in and slightly turns to the left, and she continues to stir with her hand hanging down. In the upper right corner of the screen is a kitchen counter, which is adorned with numerous tools.


The man in the blue shirt is sitting on the left side of the frame, facing right, looking ahead with his head tilted up, and tapping lightly with his right hand. Then, the camera zooms in on the man's upper torso, and the man turns to speak in the bottom right corner, then turns back to his original position.