On the right side of the screen, a person has their hands on the shirt of someone lying down in the background of the scene. On the left side, another person is pulling the shirt towards the bottom right corner of the screen, looking at the legs of the person lying down. The camera moves up, revealing the full legs of the lying person in the frame.


In the center of the screen, there is a man with white hair wearing a white shirt. He faces the camera, looks down to the lower left of the screen, then raises his head and nods slightly. To the left of the center, there is a man in a gray shirt. With his right side to the camera, he looks forward, then glances down to the left of the screen. He raises his right hand, extending his index finger to point at the center of the screen while speaking. He then withdraws his hand, turns his head to the left, and looks at the man in the center. To the right of the center, there is a woman in a red shirt. With her left side to the camera, she holds her phone in her left hand at chest level and taps on it with her right hand. She looks up at the man in the center, then back down at her phone, before turning her head to look to the lower right of the screen.


In the center of the screen, a man in a black shirt is holding a black stick in his left hand, while his right hand points to the stick for explanation. In the background on the left side of the screen, a man in black clothes and brown pants with his hands in his pockets is walking towards the camera. Subsequently, the camera zooms in, and the man in the center of the screen first rotates the stick with both hands, then switches to holding the stick with his right hand while explaining with his left finger pointing at it. The camera shifts to the left, and the man in the center of the screen strokes the back of the stick with his left hand, then raises his left hand to explain.


In the center of the screen is a skeleton head with long hair being lifted up to face the camera. Then, the camera zooms in, enlarging the skull, and subsequently pulls back, as the skull moves downward and out of the frame. The scene then cuts to a black man in the center holding a torch in his right hand and looking at it. To the right in the foreground, there is also a man holding a black and white signboard in his right hand. The background resembles a castle with flickering flames.


In the center of the screen, a pair of feet in high heels is descending a ladder, with their back to the camera. The right foot is on the ladder, while the left foot is stepping down to the next rung.


A baseball player can be seen with an object clutched to his side by his right arm, while both hands are raised in front of his body. The person is walking towards the camera. He first wipes his left forearm and the back of his left hand with his right palm, then wipes down from his forearm. Next, he switches to using his left palm to wipe his right hand and forearm. In the end, his hands are gripping a baseball, rubbing it between them. Lowering his head, with both hands by his sides, he continues to walk forward.


The man in the white suit is facing the left side of the screen, walking quickly towards the center of the frame. A group of people wearing white masks rush into the shot from the left side of the lens. The man in the white suit slowly retreats to the right side of the screen, then turns his back to the camera, and then turns back to the left side of the frame, taking a step to the left, bending over towards the lower left of the screen, and reaching his hand down. He then straightens up towards the right side of the screen. The masked individuals on the left side of the frame separate, spreading out towards the bottom left and top right corners, attempting to drive the unmasked people towards the right side of the screen.


In the scene, a hand is holding a disc and scraping the mud from the surface of the stone in the lower right corner of the screen with the edge of the disc. The hand first scrapes three times towards the camera, then scrapes once towards the lower left of the screen, followed by a scrape towards the left side of the screen. Then, the hand raises the disc and shakes it up and down in the air a few times before finally extending the disc towards the right side of the screen.


The camera focuses on a girl in the center of the frame, wearing a white shirt and a black suit. She is speaking, with her hands placed on her chest, continuously making gestures towards a girl in a blue dress at the lower right of the screen. Her palms keep sliding, then she opens her hands to the sides of her head and laughs as she turns around to the left of the frame. The background is a classroom, with a group of people sitting behind the surrounding wooden tables, watching the girl.


In the frame is a man wearing a light brown suit, who is speaking towards the left side of the screen in the center of the frame. At the bottom of the screen, there are two rows of white letters, which seem to be subtitles for what he is saying. Suddenly, the camera cuts to a side view of the man, who is now on the right side of the screen, facing the camera sideways. On the left side of the screen is a woman in a white striped top speaking with her hands on her hips. The woman's gaze is fixed intently on the left side of the screen. Initially, there are no movements from the woman as she speaks, but later her head shakes slightly from side to side. The man on the right blinks deeply, and then the camera switches back to the angle from the first scene. At this point, the man is in the center of the screen, visible from the chest up. He is facing towards the left side of the screen with an expression of helplessness, as he is speaking.


The video is shot from a first-person perspective. In the center of the frame, there is a white bag. The camera then moves up to face the opening of the bag, as a hand reaches into the bag. Simultaneously, the bag turns away from the camera. Then, the bag turns back, and the hand pulls out a cicada from inside the bag. Following this, the camera zooms in, and the hand continuously rotates the cicada for display.


In the scene, there is a man and a woman walking to the left of the frame with their backs to the camera. The man on the left is wearing a gray top and looking to the left of the frame. On the right side of the frame, the person with the red backpack looks to the right of the frame, then towards the left. The camera follows the movement of the two and moves forward, then rotates to the right of the frame. The person with the red backpack disappears from the right side of the frame, and the man in the gray top, with his hands on his hips, first looks up and speaks to the right of the frame, then as the camera rotates, he turns to look to the left of the frame and extends his right hand to point to the left of the screen. Then the man also disappears from the right side of the frame, and a head wearing a purple hat appears in the lower right corner of the frame, while on the left is a staircase. The surroundings of the frame are brown walls.


In the frame is a woman facing the camera sideways. Her right hand supports the bottom of a box wrapped in aluminum foil, while her left hand grips the handle of the oven, pulling it down to open the oven door. With her left hand holding one end of the box and her right hand grasping the other end, she places the box into the oven with her right hand in front and her left hand behind. Afterward, she uses her left hand to grip the oven handle and closes the oven door by pushing it up. Finally, she turns her head towards the camera, slightly bowing it down, and snaps her right fingers.


As the camera zooms in, the white text on the screen gradually blurs until it disappears. A man stands on a mountain, slowly opening and raising his arms, with a long stick in his left hand. His long robe is fluttering in the wind. The sun in the upper left corner of the screen becomes increasingly bright. The scene changes, and the screen is filled with blue and white waves.


The camera focuses on the kitchen table. A man stands to the left of the frame, turning his head to the right towards the lens. With a kitchen knife in his right hand and supporting a strawberry on the cutting board with his left hand, he first cuts off the stem of the strawberry and places the cut stem in a corner of the cutting board. Then, he cuts the strawberry into pieces, one slice at a time. After finishing one strawberry, he reaches under the frame with his left hand to grab another strawberry and continues to cut it.


The woman on the left side of the screen places her right hand on the document, while her left hand moves to the top right corner of the document. She leans towards the man in the center and nods. The man on the right side slightly lifts his head and then continues to look down. The woman's left hand slides to the bottom right corner of the document. The central man raises his left index finger to his mouth, then the man on the right stretches out his right hand to point at the computer and then withdraws it to continue holding his elbow. The central man releases his left hand, spreading it to the right side of the screen, and then waves it in front of his mouth. The woman shakes her head, and subsequently, the man on the right stretches out his right hand to point at the computer again, then withdraws it to continue holding his elbow. The central man's left fingertips curl towards the left side of the screen.


On the right side of the screen, a man in black clothes squats down to surf, facing the left side of the screen. On the left side of the screen, a person lies prone on the surfboard with their back to the camera. The video then slows down, and after passing over the wave, the scene changes, showing the man falling into the sea. Behind the scene, another man dives into the wave, and then the camera turns to the right.


In the scene, a woman is standing facing the camera with an umbrella in her right hand. She uses her right hand to slowly rotate the umbrella counterclockwise, then she blinks and slowly turns clockwise to stand sideways to the camera, looking towards the left side of the frame.


In the foreground of the scene, a man in a black sweater is seen from the back, holding a smartphone with both hands during a video call. He adjusts the angle of the phone with both hands, then uses his left hand to lean it against an open laptop on a wooden table in the center of the frame. After setting it down, he places his right hand on his right shoulder, while his left hand is clenched into a fist and slightly tilted to the left, supporting his left ear.


An elderly man wearing glasses and a blue plaid shirt is speaking to the camera. As he talks, his hands are spread out parallel, moving from the right side of his body to the left, and then quickly back to the right. His body sways slightly with the movement of his hands, appearing very natural and relaxed. The old man looks focused, as if he is seriously discussing a certain topic. The background is a cozy room with decorative plants and some household items, the lighting is soft, giving off a warm feeling.


The scene is a toy room. The camera slightly moves to the right side of the frame. In the center of the screen, a girl in red pants walks to the middle of the background, stretches out her right hand, and pulls out a black cabinet on the right side of the background. At the same time, the girl in white on the left side of the screen picks up a pink box from the lower left corner, takes a step to the right, and then puts it down. The girl in red pants turns her head to look at the camera, then pushes the cabinet back, and kneels down on one knee. With her right hand, she pulls out a pink cabinet on the right side of the background and pushes it back. Then, she pulls out a beige cabinet with her right hand. Meanwhile, the girl in white on the left side of the screen bends down and uses her right hand to sort through the contents of the pink box. After taking something out with her right hand, she reaches inside with her left hand, then withdraws it, and walks to the left side of the frame with both hands holding the item.


In the scene, four children are standing, facing the camera. From left to right, the first girl is wearing a striped skirt, her hands half-clenched into fists covering her mouth, facing to the right of the picture; the second child is wearing a black hat, facing the camera, looking to the right of the frame, wrinkling their nose, and covering their mouth with their left hand; the third little girl is dressed in a white skirt with blue and pink patterns, looking directly at the camera, her mouth open wide, and her hands holding a red cup; the girl on the far right is wearing a purple top, smiling at the camera, holding a red cup in her left hand, and a small square box with writing in her right hand raised towards the camera. The woman on the far left is looking at the camera with her hands on her hips, then looks to the right of the picture and speaks, followed by raising her right hand to scratch her head and looking at the camera. The child in the black hat is touching their lips with their middle and ring fingers, looking to the lower right of the picture and speaking, then raises their left hand halfway and looks to the left of the picture to speak, before looking to the lower right again. The third girl looks at the camera and speaks, covering her mouth with her left hand, then takes the cup with both hands again. The girl on the far right extends her right hand to the left of the picture, passing the small square box of the phone to the third girl, who receives it with her left hand and looks down. The girl on the far right takes the red cup from her left hand, ready to turn it upside down on the table below the picture. The setting is indoors, with a background full of kitchen furniture and stools, and a brown table at the bottom of the frame, on which many inverted red cups are placed.


In the scene, the crowd stands behind a wire fence, facing towards the right side of the screen. The camera zooms in on the man wearing a white hat. The man with the white hat is smiling and clapping, then he balls his fists, bends his elbows upwards, and raises them to both sides of the screen. He then shakes his hand towards the right side of the screen, after which he lowers his hands and claps in front of him. The person wearing a grey hat on the right side of the screen also starts clapping while looking towards the right side of the screen.


In the center of the screen, there is a man in black clothes facing the camera, walking towards the lens with a cigar in his right hand. The camera switches to the right side of the screen where a man has his back to the camera and turns around, raising both hands, looking at the camera and speaking. The camera then switches again to show a man slowly moving from the bottom of the screen to the center. Once more, the camera switches to the center where a man is facing the camera, turning his body to look to the left rear.


In the scene, the man in white clothes with a black hat and a black beard is looking to the left side of the frame. To his left, a black man in a white suit and glasses is attempting to rush out. His right hand is stretched forward, and the person in a mask and gray clothes does not stop him. The man in the white hat tries to hold him back but is instead pulled away to the right side of the frame. Suddenly, the crowd moves orderly to the right side of the frame. The camera shifts to the left, revealing a group of people in masks and gray clothes holding guns and walking to the right.


In the scene, there are three people walking towards the right side of the screen. At the far right of the screen, the person wearing gray and white stripes turns towards the left side of the screen, then seems to be saying something. The person in the center of the screen, wearing a white and blue striped shirt, has their hands spread out, talking to the person on the right side of the screen. On the far left of the screen, there is a person wearing overalls, who is swinging his hands, following the person in blue ahead of him.


The background of the screen is blurred, with a hand extending into the frame from the lower left. The hand is wearing a silver open bracelet, and the fingers are clenched. The sand in the hand flows from the hand to the lower right of the screen, then the palm opens, with some residual sand on the hand, and the index and ring fingers are adorned with silver rings.


Two women are sitting in the frame. The girl with a ponytail is facing left, sitting on the right side of the frame. The girl with loose hair, sitting on the left side of the frame, turns her head to look at the ponytailed girl on the right and smiles. The ponytailed girl is speaking, and then the girl with loose hair turns her head back to the left side of the frame.


In the center of the screen is a machine for making fried meatballs. At the top of the screen, a cup containing white liquid is pouring the liquid into the machine. The cup moves back and forth, filling the grooves with liquid.


On the left side of the screen is a field of corn. The camera moves to the right, revealing a person in a dark top sitting on the ground in the bottom left corner of the frame, shucking corn. The person in the dark top is bowed towards the bottom left of the screen, holding the corn in their left hand, and with their right hand, they tear off the husk and throw it to the ground in front of the camera. In the middle bottom of the screen is a pile of accumulated corn husks, along with a basket filled with shucked corn. In the background on the right side of the screen is a lawn and a barren piece of land with plants growing on it.


The scene is a sky filled with white clouds. Then, a bird flies into view from the bottom middle of the screen, heading towards the upper left corner. Following that, another bird enters the frame from the bottom middle-right position and flies straight towards the top of the screen.


A pair of hands reach out from the left side of the screen, reaching into the white basin on the left side of the screen, filled with blue slime. They pull it up from the right side of the screen and push it back into the basin on the right, then pull up some more from the left side of the screen.


The screen tone is quite dark. A black woman appears, she first looks to the left side of the screen, then turns her head to look at the bottom right corner, and then glances at the bottom left corner of the screen, all while continuously speaking.


In the video, there is a woman wearing a black and white striped T-shirt laughing heartily towards the right of the screen, then she turns towards the camera and claps her hands once. The camera shifts to the right, and a man wearing a gray shirt appears on the right side of the screen, swaying his body back and forth. The background seems to be a kitchen, where two refrigerators and an ice box can be seen in the scene.


A sprinkler truck continuously sprays a jet of water from the center of the screen towards the top right corner. A woman is pushing a stroller from the center of the screen towards the left side. To the left of the woman, a child in white clothing is jogging from the center of the screen towards the left.


A man stands on the right side of the frame. The camera pans to the right and zooms out. With the fishing rod in his left hand, his right hand moves under his left hand, and both hands lift up, raising a fish from the center of the water surface.


In the center of the screen is a white plate filled with various dishes of mixed rice. On the left and right sides of the screen, two hands are holding the plate and rotating it left and right, coming to a stop at the center of the screen.


A woman in blue clothes stands at the center of the frame, facing left, extending her right hand to shake hands and speak with someone off-screen. Then, the camera pans to the left, revealing the person with whom she is shaking hands, who was previously off-screen. The camera then zooms out, showing a woman in magenta clothes standing to the left of the frame, extending her right hand to shake hands with the woman in blue, and inclining her head towards her. She then looks up and turns towards the camera, releasing her right hand, while her left hand holds the right hand of the woman in blue. Both women turn towards the camera, and the woman in magenta raises her right hand, making a fist, and smiles with her teeth showing. At this moment, the camera zooms in on their upper bodies. Behind them, elderly people are watching their interaction.


On the left side of the screen, a man is facing the camera holding a gun. The man holds the gun with his left hand, and his right hand is pointing around the gun. Then, his right hand holds the grip of the gun, while his left hand straightens the gun towards the upper right corner of the screen, and his right hand moves towards the upper right corner of the screen.


On the screen, there are two boxes of salad, a plate of pancakes, an egg, and three green peppers moving segment by segment from the right side of the screen to the left, finally piling up at the left side of the screen.


In the center of the screen is a black off-road vehicle parked on the weed-covered ground towards the upper left of the screen. On the left side of the vehicle, the door is open, revealing a foreign man in a blue shirt, black pants, and a baseball cap standing to the left of the screen, his right hand pulling the car door shut towards the right side of the screen. He then turns around and walks towards the right side of the screen. The camera switches, and the center of the screen is now a vast expanse of weed-covered ground. The camera switches again, and in the center of the screen, the man in the blue shirt and baseball cap is seen holding an old piece of clothing with both hands, looking towards the right side of the screen, then turning his head to look towards the lower left corner of the screen. The background is a weed-covered ground bathed in sunlight.


On the left side of the screen, a little boy is facing and looking towards the right side of the picture. The camera pans to the right, and a man with a white beard appears on the right side of the screen. He looks to the left side of the frame, facing the camera with his right palm extended. The little boy from the left side of the screen earlier alternates using his left and right fists to attack the man's palm. Following this, the camera pans left to focus on the boy, and the white-bearded man stops his attack, then uses his left hand to grip the boy's right elbow joint, and with his right hand, helps the boy to make a fist. He then uses both hands to pull the boy's arm, simulating a punching motion twice. Subsequently, the white-bearded man uses his left hand to flip the boy's right elbow upwards and immediately follows by pulling his arm to simulate the punching motion again. The camera pans right to show the upper body of the white-bearded man. The camera pans left to show the upper body of the little boy, while the boy breaks free from the man's control and raises his right elbow to simulate an elbow strike on his own. In the end, the man grabs the boy's arm again.


The scene is shot in first person, with the shooter turning to the right side of the frame. To the left of the frame is an orange sedan, and in front of the lens is a golden vintage car. Several people are standing in a circle to the left and front of the shooter. A person in a white shirt walks towards the left side of the frame and then turns towards the camera. The shooter moves to the left and forward, followed by an index finger entering the lens from the bottom of the frame, pointing to the front of the shooter. The shooter turns left. There are parked cars and low-rise houses on both sides of the background.


In the right side of the screen, there is a person in black clothing. He is using both hands to hold the board above the screen and moving it towards the left side of the screen while turning his head to face the left side of the screen. Then he places the board on the ground in the center of the screen, bows his head facing downward, and finally looks up towards the top right of the screen and leaves the frame.


In the scene, a man wearing a white shirt can be seen holding a dog and walking from the left side of the screen to the right. The camera follows the man, panning to the right, keeping the man on the left side of the frame. Then, two women enter from the right side of the screen: one wearing a black coat and the other in maroon clothing. The man turns his head towards the camera, smiling at it, and the woman in the black coat also looks at the camera and smiles. The woman in maroon first looks down at the little dog, then raises her head to look at the man in the white shirt. As the man turns his head towards the dog, seemingly speaking, both women raise their right hands to pet the little white dog. All three are smiling, and occasionally the man turns his head towards the camera, continuously talking. The camera slightly pans to the left, causing the woman in maroon to exit the frame from the right side. At the end of the video, the man lifts the white dog a bit higher, and the woman in the black coat raises her right hand as if to adjust her sleeve. From the background on the right side of the screen, a man wearing a gray shirt and riding a bicycle enters and travels towards the left side of the frame.


On the left side of the screen, a curly-haired lady in a black top is sitting in front of a black table. Her hands are raised to chest level, palms facing each other with fingers slightly apart, pointing towards the table. She is looking at the white-haired man on the right side of the screen as she speaks. Then, her right hand fingers curl back first, pointing towards herself, followed by her left hand fingers doing the same. On the right side of the screen, the white-haired man is sitting behind the black table, with his hands placed on the table, looking to the left side, listening to the curly-haired lady speak, nodding slightly during the process.


A person wearing a blue shirt is standing on the left side of the frame, handling a wooden box. This person is wearing a blue glove on their left hand, using their palm to slap the inside of the box, while their right hand, wearing a yellow glove, is clenched into a fist, pounding the inside of the box a few times. Then, with their left hand, they grasp the edge of the box, while the right palm gently taps the inside of the box a few times.


On the right side of the screen, a left hand is holding a blue tube. A right hand appears from the top of the screen and moves downward, also grasping the blue tube. Then, the tube moves towards the left side of the screen and sprays water to the right. The left hand supports a white bucket at the bottom of the screen, while the right hand holds the tube, inserting the tube's nozzle into the bucket's mouth. Then, the left hand reaches upward and disappears from the screen. The camera focuses on the tube and hands, with noticeable shaking. There is a white bucket on the right and above the screen, respectively.


The scene is shot from a first-person perspective. The dining table in the room appears first in the frame, then the camera pans upwards as black debris falls from the ceiling at the top of the screen, finally the camera focuses on the ceiling.


The screen opens with a view of green trees, and the camera slowly moves to the right. A dark path appears first in the frame, followed by two people sitting on a stone pier on the right side of the screen. The man on the left, wearing a white shirt, green suit, and green tie, with a bald head, has his legs spread apart. His right hand is fisted and raised with the fist facing upwards, while his left hand rests on his left leg. He looks up to the left and speaks. After speaking for a while, he turns his head back to look at the man on the right. The other man is dressed in a white shirt, brown suit, and a blue tie with white dots, with his hands crossed in front of him. Apart from slight movements of his head, he doesn't make any other gestures.


On the right side of the screen, there is a woman wearing light blue jeans. She is facing the camera from the left side, looking down to the left of the screen. She is sitting cross-legged on a brown mat, supporting the flowerpot in the middle of the screen with her left hand, and holding a white watering can in her right hand to water the plant in the flowerpot. Her right hand gently shakes, and then her left hand is about to retract to the right side of the screen. The camera slightly trembles, showing brown floors and cabinets in the frame, with many potted plants in the background, and a stack of books on the left side of the screen.


In the scene is an interesting toy. On the left side of the picture, there is a small yellow house, connected to a blue slide that leads to a small box on the right side of the frame. Then, a person's hand is seen holding a small yellow car model at the top of the slide. Another person reaches out, pressing the front of the yellow car onto the track. After that, the person lets go, and the car, influenced by gravity, rushes towards the box on the right side of the screen and falls into it. We can see that there is water in the box. After the car has been soaked in the water for a while, a person on the right side of the frame reaches in to take the car out of the water, and then dips it back into the water again.


In the scene, a group of people are lying on a drifting raft on the river, facing the camera with happy smiles. Many of them are stretching their arms overhead to make gestures at the camera. In the center foreground of the picture, a man is lying face up on the raft with his feet towards the left side of the frame. Initially, he has a water gun in his right hand, then raises both hands overhead, holding the water gun vertically with his left hand supporting the barrel, and pushing the piston upwards with his hand to squirt water. In the background on the left side of the picture, a topless man is facing the camera and lifting a swim ring that was around his body over his head with both hands.


In the right side of the screen, a man is standing facing the right side of the frame, with his right hand moving to the right side of his body. Then, the scene changes, and a person is crouching on the left side of the screen, entering the frame with a tape measure in their right hand. Subsequently, the camera zooms in, and a hand with a black sleeve enters from the right side of the screen, with the fingertips pointing towards the car in the center of the frame. The right hand holding the tape measure pulls it towards the right side of the screen. Then, the camera zooms out, the black sleeve exits the frame, and the right hand holding the tape measure stretches upwards, extending the right index finger. From the reflection on the left side of the screen, it can be seen that the person is nodding their head left and right to confirm the length.


On the screen is an elderly man with greying hair whose eyes are covered with a black cloth, muttering something under his breath. As the camera quickly moves down, his hands and a book in Braille come into view. His left hand supports the book, while his right hand feels the pages, moving from the end of one line on the book to the beginning of the next line on the right side of the screen, then slowly and steadily moving from the right to the left side of the frame.


The man in white and the man in gray both bent their heads to look at the book held in the hands of the man in white. With his left hand, the man in white opened the book, while the man in gray used his right hand to support the right side of the book. The man in white kept talking, and the man in gray then withdrew his right hand and placed it on his right waist.


On the left side of the screen is a man in black clothes facing the camera, while on the right side is a short-haired woman in a skirt with her back to the camera, her left hand placed on the man's chest. On the right side of the screen, another couple walks towards the left side of the frame, and the short-haired woman lowers her left hand. The scene is in black and white, with many people in the distance talking or walking. Suddenly, the scene changes, with many people forming several circles, holding hands and dancing. There are splashes of liquid and streamers in the background. The scene changes again. On the left side of the screen, a man in black lies on the sofa, facing the camera. In the center of the screen is the left half of a woman with her hair up in a bun, wearing a skirt. Her right hand is on the back of the man in black, as she shakes the man while speaking and making gestures with her left hand. The man in black turns his head to the right side of the screen, looking at the woman.


In the beginning of the scene, the camera is focused on a body of seawater, and the only thing visible on the screen is the raging sea, with no other objects in sight. Then, the camera pans up. Beyond the water's surface, you can see buildings in the distance on the right side of the screen. Additionally, there is a figure visible in the distance at the seaside, running from the beach towards the shore, which is to the right side of the screen.


In the scene is a male dressed in khaki overalls, wearing serious-looking gloves, and black metal-framed glasses, preparing to repair a car. This man is located in the bottom right corner of the frame, with most of the image occupied by a car's suspension system and the undercarriage. The man first bows his head, then leans to the left, picking up a black spring compressor with both hands, before quickly transferring it to his left hand. He raises his right hand, briefly touches the car's shock absorber, and raises his right hand again to make small gestures on the car's undercarriage. Then, he forcefully moves his hand from the center-top of the frame down to the bottom, after which he reaches up to tug on the car's coil spring. He then moves away from the coil spring, continuing to gesture in the air, briefly adjusts his glasses, and holds the spring compressor with both hands. The man has been talking continuously since he picked up the spring compressor.


The main subjects of the scene are two women. The woman on the left stretches out her right hand, pointing to something outside the left side of the picture. The woman on the right looks in the direction he is pointing with her eyes, while her right hand is rubbing her chin, with her index finger resting on her lips, which have made several contracting movements.


To the right of the screen is a table with black and white stripes, and there is a pair of scissors on the table. On the left side of the screen is a person sitting down, their face is not visible, and they are holding a purple ribbon of a woolen knitted fabric with both hands. At this moment, they flip the ribbon over and place it on the table, using their right hand to gesture and pull it closer, then the right hand continues to gesture, moving the purple ribbon to the left out of the frame. Next, the right hand tugs at the black cloth on the left side of the screen.


In the center of the screen, a little girl faces the camera with her head down, lying on the bed. Her legs are bent towards her back. She supports her chin with her left hand and smiles while looking to the right side of the screen. On the right side of the screen, a woman sits on the ground with her back to the camera, her right hand supporting her head on the bed, as she looks towards the little girl on the left side of the screen, with the two of them in conversation. On the left side of the screen, a little boy grips the door with his right hand, turns counterclockwise to face the camera and sits on the bed. Then, he turns his head to look at the woman on the left side of the screen. Afterward, he gets up and turns clockwise to leave the camera's view from the left side of the screen.


On the right side of the screen, there are two people. The person leaning to the left is wearing a green headscarf and standing, facing the camera, looking down at the bottom of the screen while speaking. Their left hand is resting on the chair on the right side of the frame, while their right hand hangs by their side, and their right leg and head are swinging. At the far right of the screen, a man in a white shirt is sitting, looking up to the left side of the screen. His left hand first touches his chin and then is placed on his leg, while his right hand is leaning on the armrest of the chair. The man then nods and speaks, and his left hand starts to make gestures. On the left side of the screen, a man in a green shirt is sitting with his back to the camera, rocking his chair, and his right hand is moving on the keyboard of the computer on the table. In the upper middle part of the screen, a woman in a khaki coat appears, holding a lot of white papers in her right hand. Her left hand takes one paper and then puts it back, walking towards the left side of the screen and disappearing from the lower left. The person in the green shirt looks up, supports their chin with their left hand, and their right hand continues to move on the keyboard, then turns their head to the right side of the screen. The camera pans to the right, revealing what seems to be an indoor office space with many green and white office areas. The floor is brown wooden flooring.


On the left side of the screen, there is a woman, and on the right side, there is a man. The woman holds a racket with both hands, spinning it from the right side of the screen to the left, while she smiles and talks to the man. The man raises both hands with the racket towards the right side of the screen, he looks at the woman, and then raises his hands holding the racket over his head. While speaking, the woman follows his gesture and raises the racket over her head as well.


The scene shows the underside of a car being filmed. In the lower left corner of the frame, a person dressed in black is lying on the ground, ready to work on the car, with gloves on both hands and a caliper in their right hand. At this moment, they place the caliper from their right hand into their left, and with their right hand, they grasp the connecting rod of the rear wheel, pulling it to move their body forward. Then, they extend their right index finger to tap the connecting rod of the rear wheel while speaking. In the end, they stretch out their right hand to point at the connecting rod of the rear wheel, while their left hand touches the circular joint in the middle of the frame.


The man sitting at the top of the screen has his right hand on the table, with his fingertips successively moving up and down, then he raises his right hand to pick up a chess piece and moves it towards the bottom of the screen. Afterwards, he withdraws his right hand and places it back on the table. The man leans back, his left hand on his thigh, and turns towards the right side of the screen. He knocks on the table with a clenched right hand, then flattens his hand and raises it towards the upper left corner of the screen, finally turning his palm down and placing it.


On the left side of the screen, a hand reaches out towards the center of the screen, mimicking the action of striking the keyboard in the middle of the screen. Then, it places down on the left side of the keyboard and is raised back to the center of the screen, imitating the action of typing on the keyboard. Subsequently, the fingertips tap below the keyboard, then move towards the left side, with the palm facing upwards and shaking in the air. In the end, the hand turns back to the keyboard, ready to extend the middle finger to strike it.


On the right side of the screen, there is a woman facing left towards the camera, standing at a counter. She is wearing gloves on both hands, and in her right hand, she holds a bag which she places in her left hand. Then, she uses her right hand to tug on the edge of the bag before putting it back on the counter. At the same time, the camera zooms out slightly, revealing her left hand outstretched in front of her body. She then retrieves her right hand and makes some small movements while continuously speaking to the camera. She then turns her head to look at the counter, all the while still making small hand movements, and her body sways slightly in front. She continues to speak to the camera. On the left side of the screen, the actions of the woman are reflected on an appliance similar to an oven.


The video starts with a scene of a restaurant, then switches to an image of a black object. It then cuts to a pair of right hands wearing rings, drawing two playing cards, turning the wrist to flip over another playing card, and placing it on the table. Both hands then move away from the playing cards, preparing to pick up another one.


In the lower left corner of the screen, there lies a person wearing a green top with their eyes closed, their head facing towards the left side of the screen. Next to the bed, there is another person wearing a white tank top sitting and facing towards the left of the screen, with their hands initially down and then touching the person on the bed. In the lower right corner, part of a person's back of the head is visible and seems to be shaking. There is also a person in a blue top supporting the camera with their left hand, looking towards the left of the screen, and then stepping backwards to the right. Another person in a brown and green short-sleeved shirt raises both hands holding a pole that extends towards the left side of the screen. The scene is being filmed with a slightly shaky camera, and at the center of the screen is an open door. There are two beds in the lower left, the ground is a dark grey, and on the right side of the screen, three people can be seen.


In the scene, a boy wearing an orange shirt can be seen sitting on a tree trunk. The trunk is placed horizontally at the bottom of the frame, with the boy sitting in the middle of the picture. Initially, his head is bowed down, his hands are crossed in front of him with his fingers intertwined, and his arms are resting on his knees. As the camera slowly zooms in on him, he lifts his head and looks into the lens. He blinks once, his gaze shifting slightly downward, then he redirects his gaze back to the camera, looking straight into it.


In the center of the screen, slightly to the left, there is a black man who first looks to the left side of the frame, then slowly turns his head. To the right of the screen, a white girl is leaning against the railing, also looking to the left side of the frame and turning her head. Then, a person wearing a baseball cap approaches the two of them; the black man and the white girl look at him, and he seems to be speaking to both of them. Afterward, the white girl shakes her head and says something. The person in the baseball cap alternates his gaze between the black man and the white girl, and his stance sways from side to side. Then, the white girl turns to face the black man, glances at him, and signals for the person in the baseball cap to follow him. In the end, the white girl and the person in the baseball cap walk down the stairs, while the black man watches them leave.


In the center of the screen, a man with short hair wearing a brown sweater walks towards the left side of the frame, slightly turning his body to the right, revealing the right half of his face. In the center, a blond man in a black coat faces the camera, with his hands placed together in front of his chest, looking at the man on the left side of the frame, speaking while extending his right hand and pointing at the man in the brown sweater with his index finger. To the right of the background is part of an oil painting, with the left half adorned by Christmas decorative lights.


In the scene, one can see a person's hands dealing with a piece of black fabric. The left hand supports the edge of the black fabric, while the right hand holds a metal object. The right hand prods the tip of the metal object into a row of stitches on the black fabric, seemingly attempting to pick up a small section of the stitches. After the man repeats the picking motion twice, he finally breaks one of the threads. He then moves on to another and breaks it as well, continuing this process. He moves from left to right along the row of stitches, with the tip of the metal object picking up a small section of the threads.


In the center of the background of the scene is a woman in blue clothing wearing glasses. Her body is facing the camera, and she is looking towards the right side of the frame. On the right side of the frame is part of a man's silhouette. At this moment, on the left side of the foreground is a blurred column, blocking two men on the left side of the background. As the camera slowly moves to the left, the column in the foreground gradually shifts to the right side of the screen along with the camera's movement. At this point, the two people who were blocked on the left side of the background slowly appear in the frame. The one closer to the camera is a man in green clothing, and the one farther from the camera is a man in blue clothing. Both are facing the woman in blue, listening to her speak. Meanwhile, the woman in blue first looks to the left side of the frame, then to the right, and finally back to the left side of the frame, all while speaking.


In the scene, there are two people. At the center of the picture is a woman wearing a blue turtleneck sweater. She is sitting on the right side of the table, facing to the left of the screen. There is a computer on the table, and she is holding the mouse with her right hand while extending her left hand with her finger pointing at the computer screen. To the left side of the center of the scene, next to the table, there is also a man wearing a red shirt. He is sitting beside the woman, also looking at the computer on the table. The woman is pointing at the computer with her left index finger, while the man is also pointing at the screen with his right hand. The two are in conversation. The camera pans to the front of the two, and the woman occasionally turns her head towards the man. The camera continues to rotate past their faces and eventually stops next to the man. At this point, the man is closer to the screen, in the center of the picture, while the woman is farther away, positioned on the right side of the screen. We can see that the man is holding a mobile phone in his left hand, and his right index finger is still pointing at the computer screen.


In the center of the screen, slightly to the left, a man in white clothes is standing sideways to the camera, facing towards the right of the screen. He smiles and slightly turns his head clockwise, looking down. In the center of the screen, slightly to the right, a man in blue clothes is standing sideways to the camera, facing towards the right of the screen and speaking.


The text in English would be: "The center of Kunming is a man in white short sleeves, his body swaying constantly as he stretches forward, intently staring at the screen. He seems to be leaning against a backdrop board, with projections of waves playing onto his body." Please note that the original Chinese text is a bit awkward and may not fully make sense, which could affect the clarity of the translation. If there's a specific meaning or context you are trying to convey, please provide more details for a more accurate translation.


The scene shows a selfie of a white woman wearing a black and white striped top. The woman is at the far left of the frame, talking while taking the picture. From left to right, there is a white teenage girl in an army green T-shirt, a white boy in a light green T-shirt, and an adult white man in a blue T-shirt wearing a blue and white baseball cap. The girl starts by picking at her hands, then looks up slightly to watch the actions of the man on the far right, and then raises her head to look at the camera. The boy walks a step or two from the center of the frame to the left and is eventually blocked by the girl. The man on the far right remains in a bent-over, head-down position throughout. The background is a small path through the woods, and in the top right corner of the frame, there is a man in a white tank top standing at the end of the path.


On the left side of the screen, a man in gray is slightly turned towards the right side of the frame, looking down at the bottom of the screen. On the right side of the screen, a man in black is slightly turned towards the right side of the frame, with his head facing the right side of the screen, then turns to speak to the camera. The man in gray turns his head towards the right side of the frame, then turns back, bowing his head. As the man in black speaks, he turns towards the right side of the frame, then turns to the left side of the frame, nods slightly, and then turns to the camera, closing his mouth. The man in gray turns his head to the right side of the frame to speak, and finally moves towards the left side of the screen. The background is a white wall.


The camera zooms in, focusing on the foreground of the scene. A woman is sitting in a chair with her back to the camera, looking at the man in the background of the frame as he speaks. The man is sitting facing the camera. As they talk, both of them use their hands to make gestures. The camera shifts to the right, and in the end, the woman moves out of the frame, leaving the man on the right side of the scene.


In the middle of the image, two people can be seen. In the slightly left-central part of the image is a man wearing a black shirt, and in the slightly right-central part is a man wearing a yellow shirt. The man in the black shirt is holding up a camera with his right hand, and both of them are staring straight at the camera. The man in the black shirt moves the camera horizontally to the left side of the image, and their gaze follows the movement of the camera. The left hand of the man in the black shirt is placed on the shoulder of the man in the yellow shirt, whose head is leaning on the shoulder of the man in the black shirt. The camera moves out of the frame from the left side, and then the lens moves to the left side of the frame, causing the camera to re-enter the image. On the left side of the frame, both of them continue to gaze intently at the camera.


The woman stands on the right side of the frame, holding the front end of the air gun with her left hand, while her right hand moves up and down the back end of the air gun to pump it. Her face is turned towards the bottom right corner of the frame, looking down at the ball. She then throws the air gun towards the bottom right corner with her right hand, picks up the ball with her left hand, and subsequently holds the balloon with both hands, placing it to her right. She turns her head towards the left side of the frame, looking up at the top of the frame, and immediately gazes straightforward at the left side of the frame.


On the left side of the screen, a man in blue clothes is standing with his back against the wall, holding his phone with both hands and looking down at it, with his body facing the right side of the screen. Then, a man in pink clothes walks in from the right side of the screen. His body is facing towards the left side. The man in pink approaches the man in blue. The right hand of the man in pink is in a fist, and the right hand of the man in blue is also in a fist. They bump fists, and then the man in pink lowers his hand and looks at the man in blue's phone. The man in blue taps his chest with his right hand and then lowers it. The man in pink turns to face the camera directly, standing next to the man in blue, and looks down at the phone in the man in blue's hand. Then, he raises his head, looks down again, raises his left hand, and starts tapping on the phone screen with his index finger.


In the center of the screen, there is a woman standing sideways to the camera, with her body facing towards the left of the screen and her head turned towards the camera, talking. The woman's hands are stretched towards the left of the screen, with her right hand holding a faucet, pouring water into a pot. She then turns her head to look at the pot, and afterwards turns her head back towards the camera, continuing to talk.


Close-up handheld shot. In the center of the frame, a child stands in front of a refrigerator, supporting the open door of the refrigerator with both hands. He then uses his right hand to hold the door while reaching into the refrigerator with his left hand towards the products. The boy then turns around to look at the camera, gives a slight nod, and prepares to turn back to look at the merchandise.


In the scene, there are two people. In the foreground, a woman's upper body is lying on the ground with her head facing to the right of the screen, and her legs are pressed tightly against the left wall, pointing vertically upwards towards the top of the frame. The camera quickly moves forward, focusing on another woman who was originally in the distance on the left side of the screen. She is facing left, kneeling on the ground, holding a mobile phone in her right hand. She turns her head to the left to look at the woman lying on the ground and says two sentences, then turns her head back to the right to look at the phone. She then leans to the right, stretching out her left hand to reach for something. At this moment, the camera also moves to the bottom left, revealing that the woman lying on the ground has bent her legs.


In the center of the screen, two little girls with their backs to the camera are swinging their hands quickly back and forth. The white girl on the left glances surreptitiously at the camera behind her and then looks to the right of the screen. The black girl on the right turns her head to look at the camera and then towards the left of the screen. Following this, the white girl also turns her head and forces a smile towards the camera. Then, the black girl faces the camera, takes a few steps to the left of the screen, and smiles while looking into the lens. Finally, they also swing their hands, linked together, back and forth.


In the center of the screen is a Jeep. To the left of the frame, a man with both hands holding a black tube is standing in front of the car window, his back to the camera, moving the black tube back and forth over the front of the car with his right hand. To the right, a middle-aged man is bent over, his body facing the direction of the camera, and he is wiping the car body with a cloth in his right hand.


The main subject of the scene is a woman wearing a straw hat. She holds a leaf-shaped fan in each hand and continuously repeats the action of shrugging her shoulders left and right, bending her arms to thrust her elbows forward and then pulling them back, as if expressing her joy. In the end, she even swings her body from side to side twice.


On the left side of the screen, partially visible, a person wearing a plaid shirt is squatting facing the right side of the screen. He stretches his right hand towards the right side of the screen, grabs a handful of pebbles from the lower right corner of the screen, then withdraws his right hand and stands up. His right hand disappears from the upper left of the screen, and the person also disappears from the left side of the screen, with changing shadows above. The camera slightly shakes, with a slow-motion effect, and the scene is a stony ground covered with grass.


In the scene, a person is facing to the right, with a cup in each of their left and right hands, walking towards the right side of the frame. The camera follows their movement and pans to the right. A table appears from the right side of the frame. Leaning their body to the right, they place the cups in their left and right hands on the table in sequence. Then, they turn around and walk out of the frame from the left side. In the end, the camera focuses on the table.


In the scene is a woman with dark skin, who is currently facing the screen. Her mouth is open, revealing white teeth. While talking, she shakes her head from side to side and raises her right hand, making gestures in front of the camera. When she speaks, her mouth opens wide, her expressions are exaggerated, and she spreads her hand with fingers open, raises it with the palm up, then lowers it. She then brings her fingers together and raises her hand again, before lowering it once more, repeating this action twice. Then, with a hint of a mocking smile, she slightly bows her head towards the right side of the screen.


The camera shoots a scene of snow from a higher vantage point. In the lower left corner of the frame, four dogs are pulling a sled, with a person standing behind it, running towards the right side of the screen. The camera moves upwards and then pans to the right, and in the upper right corner, a glowing sun appears. At this point, the dogs and the person are running away from the camera, in the opposite direction. The camera then moves forward.


A pair of blue feet descended from the sky and landed on the ground, then the camera panned up to reveal an anime character in red, holding a long rifle with both hands, facing to the right, continuously pulling the trigger. Then he turned towards the camera and continued to pull the trigger.


The scene is set underwater, where a girl is seen with her back to the camera, wearing flippers as she swims off into the distance. In the distance, a person is swimming down towards the water, heading towards the girl. Above, a group of people wearing flippers are swimming, their feet swinging in front of the camera. The camera slowly pans to the left.


In the foreground of the scene, one can see the arms of two people. In the distance, there is a person wearing a white headscarf and a woman with long hair lying on another person. The person with the white headscarf is holding the right hand of the person lying down with their right hand and occasionally shaking it, then they lower their head. The camera pans up to reveal a person wearing a floral cotton coat bending over, with another six people standing behind, all with their heads bowed and looking sad. Suddenly, a man in blue clothing raises his gaze and looks around before turning his head to glance at the man next to him wearing a fedora. He then looks upwards and says a few words, while the people around him start to look at him. Then, a man in white clothing next to him places his right hand on the blue-clothed man's left shoulder and says a few words.


In the close-up center of the screen is a white-haired white woman wearing a red dress with a small nose ring. She is looking to the left side of the screen, talking while shaking her head, and waves once. Suddenly, the scene changes to a medium shot, with the same woman sitting in the center of the screen on a brown sofa, continuing to talk while looking to the left side of the screen. She raises both hands to her chest, palms facing each other, and moves them left and right as well as up and down.


In the scene is a person, with only a part of their body and both hands visible in the bottom right corner. In the top left corner is a sewing machine, with a black piece of clothing placed under it. The person's right hand is holding the clothing, while their left hand holds a purple thread that overlaps with the edge of the garment. Then, the left hand presses down on the clothing near the sewing machine, pedaling the sewing machine while pushing the garment to the left. After that, the left hand retrieves to align the purple thread with the edge of the clothing once more, before continuing to push the garment to the left side of the scene and sewing it.


On the left side of the screen, a person wearing a green shirt is crouching; his right hand holds a drill, and his left hand holds a small component, which he is screwing onto the drill bit of the drill. The man's body is tilted slightly to the right. Then he raises his right hand holding the drill, turns his head towards the camera for a glance, as if to show the drill in his right hand, with his mouth moving as if speaking. Next, he extends the drill bit in his right hand towards the central hub of an automobile tire on the right side of the frame. He wiggles the drill slightly from side to side, securing the drill bit firmly onto the central hub of the tire. His left hand first supports the tire of the car, then, as the drill in his right hand works, the left hand moves away from the tire and towards the drill bit. He removes a metal object from the drill bit and places it on the ground. Then, his left hand supports the drill bit, allowing it to be inserted into another bearing of the car tire. As his right hand works, the internal metal component of the other bearing is also removed by the drill, and his left hand places that metal component on the ground. Then, both hands reach for the third bearing, using the drill to remove the metal component from the third bearing. The left hand places this metal component on the ground again, and the right hand with the drill extends towards the fourth and fifth bearings, removing the metal components from these bearings and placing them on the ground.


In a blue underwater scene, a probe extends from the lower right corner of the frame with a black wheel at the bottom and a blue rectangular water tank in the middle. It is moving from left to right, circling around a massive rock at the center of the image. As the probe reaches the right side of the frame next to the rock, the camera cuts. At this moment, the silhouette of a diver wearing a diving suit and carrying an oxygen tank is revealed on the left side of the screen. He is also holding a probe, examining the rock.


The camera moves forward. The man on the right, dressed in a suit, stares at the lens, sitting on a tall stool in front of the bar counter, facing the camera. His left hand is placed in front of his hip, and his right hand holds a wine glass against his chest. His left hand slowly raises and inserts into the left pocket of his pants. The man in white on the left looks at the man on the right, wiping a wine glass with a white towel in both hands. Then he takes the glass out of the towel with his left hand and places it on the bar counter. Leaning slightly forward, he reaches for the tall glass placed on the right side of the counter with his left hand.


On the right side of the screen, a man in dark clothing is bending over towards the left side of the frame, holding a yellow object in his left hand, and wiping around the left front tire of a black car placed on the left side of the screen. The camera is shaking back and forth. Then the man straightens up and walks towards the background, still facing the left side of the frame, with his left hand half-raised, and his right hand holding something to wipe the left rearview mirror of the car. He briefly places the object in his left hand with his right hand, then picks up the object again to wipe the frame of the windshield, and then puts the object in his left hand. He then walks towards the camera, bends over to inspect the left side of the frame, looks towards the background, and walks towards it, bending over with his back to the camera. With his left hand, he wipes around the left rear tire, then turns towards the left side of the frame, facing the camera with his profile, and uses his right hand to wipe the area around the left rear tire. He then straightens up, preparing to walk towards the left side of the background. The scene is set in an indoor car wash, with a fan and posters with yellow and white text on the left side of the screen, a closed door on the right side, numerous pipes overhead, and black and red tiles below.


In the center of the screen, a male waiter in a white shirt holds a transparent kettle in his right hand, pouring water into a cup while continuously speaking. In the left foreground, a man in a blue shirt is sitting facing right, with his back to the camera. In the central background, a woman in a black sundress is sitting facing the camera, her head tilted to the right side of the screen. Suddenly, the man in the blue shirt extends his right hand, palm down, fingers straight, and then quickly clenches it into a fist. The waiter stops pouring water, raises the kettle, turns his head to the left side of the screen, and then quickly turns to the right, placing the kettle on the round table on the right side of the frame. He then withdraws his right hand, turns to face the camera, and says a few more words. The man in the blue shirt nods, extends his right hand to point to the center of the screen, then retracts it, and continues to make a fist. The woman nods, turns her head to the right side of the screen, and then slowly turns back to the left. The background features a mottled wall, and there is a door in the center of the background.


On the left side of the screen, a man in black is facing left, looking upwards, with his left hand below and his right hand above. He moves his body backward, then stretches both hands to the top right of the screen, where they meet and clasp into a fist. He then rotates his hands like turning a steering wheel, moving his body to the left side of the screen. The camera moves down, showing the back of his left hand to the right side of the screen, with his right palm facing up. He moves both hands forward, extending his right hand to the right side of the screen with the palm still facing up, and slowly squats down. Then, he retrieves his right hand and slowly stands up, with his head no longer visible. His left hand, palm up, is placed in front of his waist. He crosses his hands again, swinging his right hand to the left side of the screen, while his left hand forms a fist. He extends his right hand forward again, then withdraws it while clenching both fists, with his left hand in front and his right hand behind. He continues to thrust his right fist forward and quickly pull it back, with his left fingertips pointing up, moving towards the left side of the screen, while his right hand slides downwards. Finally, both hands move forward and down, with the right hand going to the upper left corner, as he slowly squats down. There are blue strip lights in the background.


A black woman props herself up with her right hand, facing the window as she sits up, then she reaches with her right hand to the right side of the frame to draw open the curtains. A woman with fair skin is standing outside the window, turning her head to look at the camera, and pointing at the window lock with her left finger. The black woman turns to the left side of the frame, uses her left hand to draw open the left curtain, and with her right hand, she unlocks the window, drops her left hand, and slides the window open to the right side of the frame. The fair-skinned woman bends over, reaches with her right hand to the left side of the frame to draw open the curtains, steps onto the window sill, and enters the room. The black woman looks up to the upper left corner, while the fair-skinned woman steps onto the bed, turns to the right side of the frame, looks at the lower right corner, and holds onto the window on her left side with her left hand.


In the scene, there are two anime characters standing. From left to right, they are a purple anime character and a green anime character. The purple anime character is standing sideways to the camera, facing right, while the green anime character is also standing sideways to the camera, facing left with a cake in their left hand. They raise their left hands and lower their right hands; the purple anime character is holding a cake in their right hand. Next, they lower their right hands, raise their left hands, and perform this action twice. In the end, they raise both hands high.


On the left side of the screen is a small white square, in the middle is a road extending from the lower left of the screen to the top of the screen, and on the right side is another empty space and buildings. Some people are walking towards the top or left side of the screen in the square on the left side of the screen, and some are sitting on chairs next to the road, either resting or chatting. Two cars drive onto the road from under the square building at the top of the screen towards the right, then turn towards the top of the screen. The camera continues to zoom in, showing some pedestrians walking on the sidewalks at the top and right sides of the screen.


In the scene, there are two people sitting side by side, facing to the left of the picture, presumably sitting on the ground. On the left side of the picture is a woman with blonde hair, and on the right side is a man with black hair. They are both leaning against something covered with a white cloth. There is a laptop on the woman's lap. Both of them are focusing their attention on the man with the computer. The man's left hand is resting on his left knee. The man nods his head, and then both of them wave their hands simultaneously. The man waves his left hand towards the computer, and the woman waves her right hand. After waving a few times, they both lower their hands. Then, the woman on the left side of the picture keeps talking, her right hand gesturing. While she speaks, the man turns his head to look at her. After a while, the man starts to tilt his head and wave his left hand towards the computer again, then he lowers his hand. After the woman says a few more words, the man stretches out both hands to wave at the computer, and the woman also extends her right hand to wave at it. Both of them have bright smiles on their faces.


In the center of the screen, two men stand in a narrow passage, engaged in conversation. On either side of the scene are decorative walls made of green leaves. Leaning slightly to the left in the center of the frame, the man with his body facing the camera looks to the right at the man in a hat. His hands are palm-down by his side, then he folds them together, glancing simultaneously to the left at the green wall, before turning his head back to face the man in the hat on the right. He continuously makes hand gestures while speaking to him. The camera angle changes, and now the man on the left is back-facing to the camera. The man in the hat on the right is facing the camera, takes a small step with his left foot towards the right side of the frame, then turns around. With his body facing right and his back to the camera, he stretches out his left index finger to point at the green decoration in the background on the right side of the frame.


The camera moves upwards to the upper right corner of the screen where a pile of corn is stacked. The right hand then picks up corn and adds it to the pile. Subsequently, the left hand grabs a clip from the left side of the screen and moves it towards the right, placing it on the table to the right of the screen. After that, both hands move towards the lower left corner of the screen, lifting the fabric to the top of the screen, revealing the corn pile that was originally covered beneath it. The camera then slightly moves to the left.


In the center of the screen is the back of an airplane. The airplane is flying towards the left side of the screen, passing over patches of barren land, with the camera following the movement of the plane. Then, the nose of the plane faces the camera directly, with the underside of the plane pointing towards the left side of the lens. The airplane then flies towards the right side of the screen, while also rotating its body to present its side to the camera, at the same time the camera zooms in on the plane.


On the right side of the screen is a woman wearing a white tank top, facing the right side of the screen with her hands palm-to-palm placed over her chest, and her eyes are also closed. The screen slightly shakes and gradually shifts to the right, at this point her head disappears, the view tilts slightly downward, and then a wall enters the frame, gradually covering the entire lens.


In the video, there is a group of people standing on the shore facing the camera. In the center right of the frame, there is a woman in a grey coat squatting in the front row of the shore. She stands up and takes a step to the left before squatting down again. Behind this woman, an elderly person in a black shirt raises their right hand to make gestures at chest level while speaking towards the right. The rest of the people remain mostly still. In the background, some shrubs can be seen, as well as a patch of lawn, and at the bottom of the frame is a flowing river.


The person on the left side of the screen is sitting on the bed, and there is someone lying on the bed in the bottom right corner. They are looking at each other's faces, and the two are speaking with a pleasant expression. The head of the person on the bed is slightly turned. Suddenly, something in the background is broken. The two quickly turn their backs to the camera, turning their heads towards the center of the screen. In the end, their heads turn towards the camera again. Both are looking to the lower left of the screen, frowning. The person on the left side of the screen stands up, while the person on the bed does not get up.


In the initial scene, only a black instrument is visible, illuminated by light coming from the direction of the lens, with a dark background. Then, a person's left hand extends with the index finger, entering the frame from the left side of the screen. The index finger points to a gap and a circular opening on the black instrument. The finger then moves from the top of the instrument to the bottom, pointing to another semi-circular opening. The camera also moves down smoothly, slightly zooming in, focusing on the person's hand movements. Finally, the hand moves out of the frame from the left side, and the camera pans to the left, revealing a larger portion of the instrument.


In the scene, two people can be seen. In the center of the frame is a woman wearing a black short-sleeved shirt, whose two hands are working on a table in the background of the picture. Her body is facing the right side of the screen. On the far left of the frame is a man wearing a gray top, whose body also faces the right side of the screen. His head is turned towards the woman, watching her work. The man is moving his body back and forth, talking with his mouth. The woman seems to be preparing food, holding a sandwich-like object in her left hand, and a spoon in her right hand, which she has placed on the table in front of her. Next, the woman turns her head towards the front right of the screen, lifting the food in her hand a little higher.


In the scene, there is a little monkey and a man wearing a yellow hat. They are sitting in a yellow car. The man with the yellow hat is on the right side of the picture. He has both hands on the steering wheel, driving the car, and his eyes are looking to the left of the screen. He then turns his head to the right side of the picture. The little monkey has a smile on its face, its eyes looking down to the left, and its hands are placed on the car window. It then turns its head towards the camera and looks down.


In the scene, a girl wearing a black top and a red hat is sitting behind a table reading a book. Her body is turned towards the camera, inclined to the right side of the frame. She holds the bottom of the book with her right hand, supporting it, while her left hand is placed on her teeth. She lowers her left hand, biting her lower lip with her upper lip, then slightly opens and closes her mouth. She begins to turn the page with her left hand. After turning one page, her gaze also shifts to the newly turned left side of the book, with her mouth slightly open. She then places her left hand on her lower lip, putting her hand back on the book, and her mouth opens wider before closing again. Subsequently, her gaze turns to the right half of the book, furrowing her brow, and then she stretches it out. She sticks out her tongue to lick her upper lip, looks down, and quickly turns another page with her left hand. She then places her hand on her mouth again, removes it once more, and finally, puts it back on her mouth.


In the recent scene, there is a black plate on a table, on which lies golden, flat food. In the foreground of the lens, there is a white bowl. To the left of the screen, there are some jars and a glass bowl with paper underneath. The camera moves to the left, showing a person in black clothes in a kitchen, holding the handle of a plastic jar with light yellow, semi-transparent liquid in their right hand. They turn to the left of the screen, using their left hand to unscrew the jar lid counterclockwise. After that, they turn the lid opening upwards and move towards the camera with the lid in their left hand, placing the lid upside down on the table in the bottom right corner of the screen. The person in black turns and walks towards the right of the screen, with the camera following them to the right. In the background of the scene, you can see a hanging cabinet with one of its doors opened towards the left, a sink, and a refrigerator. In the right background, there is a blurred workbench.


In the center of the screen, a man wearing boxing gloves is walking towards the direction of the camera. Initially, he turns his head to look towards the right side of the screen, then he turns his head to look towards the left side of the screen. On both sides and in the background, a group of men wearing white T-shirts are gathered around the man with boxing gloves. All the men in white T-shirts have raised their hands to cheer, shouting slogans.


On the left side of the screen, a man in blue clothing is sitting facing the right side of the screen, leaning against the wall with his head slightly tilted up. On the right side of the foreground, a person in white clothing is walking forward, holding a donkey by its rope with his right hand. As he approaches, the man in blue suddenly trembles and turns his head towards the camera, looking to the right side of the screen while breathing heavily. He then points to the right side of the screen with his left hand and quickly places it back on his right shoulder. At this moment, the man in white stops, extending his left hand towards the left side of the screen. With his head bowed, the man in blue stretches out his left hand, palm facing down, his right hand holding something, and moves his legs towards the left side of the screen, struggling to stand up against the wall. The background is a dim cave entrance, and there is a horse facing the camera on the left side of the screen.


At the bottom of the screen is an open plastic box, and on the left side of the screen, there are some foods. The camera moves to the left, and then part of a hand appears from the top left corner of the screen, moving from the right side to the left side of the screen. Then the left hand is placed in the upper left corner of the screen, while the right hand grasps the other side, and the box is shaken back and forth.


In the center of the screen is a foreign man wearing a grey short-sleeved shirt with a pineapple print. At the bottom of the screen is a table arranged with various digital items such as a power bank, a mobile phone, earphones, and boxes. The camera gradually zooms in, and the man looks at the camera, opening his arms wide, then extends both index fingers to point at the camera. He then turns to the lower right of the screen, and the camera follows his movement. The man picks up a black plug and pulls the wires on both sides of the plug apart, then places it to the lower right of the screen. The camera slightly moves to the left side of the frame and looks down from above. At this point, in the center of the screen, the man reaches down to the table on the lower left of the frame to pick up a pair of earphone wires, then lifts the plug end of the earphones upwards towards the top of the screen. The camera follows the movement upwards. The man then puts the earphone wires back down to the lower left of the screen and picks up two black parts from the lower right of the screen. The camera also moves down and zooms in to the lower right, showing the man holding the parts with his left hand while his right finger points at them.


Close-up shot from a fixed position. In the center of the frame, a man with long hair is sitting on the stairs, facing to the left of the screen with his side profile to the camera, looking down at the mobile phone in his right hand. The man operates the phone with his left hand, swiping down a few times before lowering his left hand. He first looks up towards the left side of the frame, then turns his head counterclockwise to survey his surroundings, and finally looks towards the right side of the frame, before looking back to the left side again.


In the scene, a woman in white clothing is facing towards the left side of the frame, bowing her head as she prepares to work at the kitchen table. Her right hand has just touched a bottle of oil placed on the table, and immediately afterward, she rotates her body towards the camera's direction and moves to the far right of the frame.


In the left side of the screen, there is a man in blue pants with his upper body naked, sitting in the driver's seat of a small car. He is facing down to the lower right of the screen, speaking while passing a black slipper from his left hand to his right hand, and moving his right hand downward out of the frame. Then, the man looks at the camera, lowers his gaze, and then looks up at the camera again, pulling his right hand back to his front. Finally, he bows his head down to the lower right of the screen. The background of the scene is a park.


Camera shot from above, on the right side of the screen, an infant's head is turned towards the right of the frame, looking up to the left upper corner of the screen. On the left side, a person is standing sideways to the camera, facing towards the right of the frame, bending over, and using both hands to adjust the infant's clothing.


In the center of the screen, slightly to the left, is a woman in a white bikini lying on the beach with her legs bent. She doesn't raise her head but looks to the right at a man wearing a white shirt and white pants. She then lowers her head, raises it again to look at the man while speaking, and extends her right hand to take the man's phone. On the right side of the screen is a man dressed in white short sleeves and white pants, holding a long pole detector in his right hand. With his legs apart, he bends down to look at the woman on the left side of the screen. He transfers the long pole detector from his right hand to his left, takes out his right hand from his pocket, and below his head, he taps the screen and hands it to the woman.


The scene is a close-up of a male, who looks to the right of the frame, his mouth opening into a grin, then his gaze shifts to the bottom right corner of the frame. He then turns to the right, facing sideways to the camera, his face towards the right of the frame. Subsequently, he turns to face the camera, looking to the right of the frame, lifting his head to speak, raising his eyebrows slightly, with an expression that seems somewhat disdainful. The camera follows the male's movements, turning to the right, while also dipping slightly downward, then gently lifting up.


At the top of the screen, a hand is holding a spoon to spread the red sauce evenly on the pizza. Then, she places the spoon across the pizza in the lower left corner of the screen. Subsequently, she takes out a green and white packaging bag and, with her hand, removes white cheese from the bag, scattering it thickly and evenly over the evenly-spread pizza.


In the scene, two people can be seen. On the left side of the frame sits a little boy wearing a denim jacket, and on the right side sits an elderly man in a black leather coat. The little boy is reaching out with his left hand, fiddling with the guitar strings that the old man is holding in front of him. The old man turns his head to look at the little boy, while the little boy's gaze remains fixed on the guitar strings, his hand continuing to strum them. The camera is slightly shaky, moving unstably towards the left. Then, the old man turns his head to look at his own left hand. He slightly bows his head, and his left index finger moves down one fret, pressing the next string with the fingertip.


A black-haired man is in the foreground on the right side of the screen, looking down at the bottom of the frame. He turns his gaze to the left side of the screen, blinks, and opens his mouth. In the background on the left side of the screen, a blond woman's blurred figure pauses, revealing a smile. The black-haired man turns towards the left side of the screen. The camera cuts to the right rear of the blond woman, and the black-haired man turns towards the camera, looking to the left side of the frame. In the lower left corner of the foreground is the blurred back view of the blond woman.


A pair of legs wearing navy blue tights enters the frame from the right side and walks towards the left side of the frame before disappearing, followed by a pair of legs in loose pants that enter the frame from the right and also walk towards the left side, subsequently vanishing from view. Immediately after, another pair of legs in dark gray tights enters the frame from the right, walks towards the left, and then disappears. Lastly, a pair of legs in jeans enters the frame from the right, moves towards the left, and then fades from sight.


A long shot follows a man surfing. The wave approaches the camera, and the man faces the camera, gliding along the wave to the left side of the screen, continuously performing the motion of riding the surfboard up the wave and sliding down. After the wave recedes, the man faces the camera and raises his right fist before turning counterclockwise with his back to the camera, then bending over and disappearing into the waves.


On the left side of the screen is a piece of black cloth. In the center of the left side of the screen is a person's left hand, pressing down on the yellow soft tape on the black cloth with the thumb, and then releasing the tape. The tape moves downward, and at the bottom left corner of the screen, a person's right hand appears, pinching the black cloth with both hands to fold it onto the desktop. Then the right hand moves towards the center of the screen, and with the palm facing down, it presses on the black cloth. The left hand moves to the left side of the screen and also presses down on the black cloth with the palm facing down.


The video is shot from a first-person perspective looking down, with the camera constantly moving up and down. On the left side of the screen are two rows of corn placed on a plate. The scene then turns slightly to the left and then to the right, followed by several more left and right rotations. On the right side of the screen, there is a pot with boiling water.


In a broadcast control room, a man in a denim jacket is sitting on the left side of the screen, partially visible. On the right side of the screen, a woman with red short hair is sitting on a chair, her body leaning on the table in front of her. She supports her chin with her left hand, looking at the split-screen lens on the left side of the frame. She then sits up straight, turns her head to look to the left side of the console, and taps a button on the console with her left hand. Subsequently, she supports herself on the table with her left hand, looks to the right side of the console, leans down and glances back at the white paper in the upper middle part of the console, then leans forward again to look to the right side of the console. She stretches her left hand to manipulate the controls on the right side of the console, tilting her head to look at the white paper in the upper middle part of the console. Next, she sits up straight again, her left hand ready to press the button in the middle of the console.


On the left side of the screen, there is a woman with black hair, her body turned sideways to the camera, facing towards the right side of the screen. On the right side, plants are growing densely on a wire fence. The woman stretches out her left hand to touch these plants, continuously flipping through many of their leaves, and she is talking non-stop while her body slowly moves. After a while, you can see her right hand holding a watering can, and whenever she lifts a leaf with her left hand, she sprays it.


The video is shot from a first-person perspective looking down, and in the frame is a small dog that slowly sits down. The camera has a slight rotation. In the end, at the bottom left corner of the screen, you can see a hand belonging to a person briefly reaching out to the small dog and then leaving the frame.


The scene is depicted from a first-person overhead view. In the center of the screen is a little boy with blond hair, dressed in black, raising both hands to hold the hands of the adults on either side. To the left is an adult wearing a black and white checkered shirt, extending their index finger for the boy in the middle to hold, and on the right is an adult in a gray skirt, extending their index and middle fingers for the child in the center to grasp. The adults on either side are only visible from the waist down and one hand. At this moment, the little boy in the center is staggering towards the camera, and the adults on both sides are walking forward with him.


The video is shot from a top-down perspective. On the left side of the screen, there is a pair of hands belonging to a person, holding an iPhone. The right hand presses the Home button to wake up the phone, then opens an app, and the person walks out of the elevator. On the right side of the screen, there are the legs of a person who also walks out of the elevator. At the same time, the camera moves from the elevator entrance to the corridor.


In the center of the screen, a monkey is facing sideways to the camera, looking down to the right of the screen with its mouth open wide, shaking its head from side to side, and raising both hands to cover its cheeks on both sides. The scene changes, and in the center of the screen, a monkey is facing the camera, lying on the sofa with its head turned to the right side of the screen. The camera pulls back, the monkey sits up, holding a pen in its right hand raised to touch its head, and its left hand is braced on the sofa.


The girl in red on the right side of the screen is walking towards the left with her back to the camera, extending her right hand to shake hands with the man on the left side of the screen. The man slightly bows his head to shake hands with the lady. The camera follows the girl's movements and moves forward. The camera revolves clockwise to the left with the man and the girl in red at the center, finally facing directly towards the man and the girl in red. The girl in red smooths her hair back with her left hand and then releases her right hand from the handshake with the man. The man releases his right hand, then raises his right hand, turns around and points to the left side of the screen, and then looks at the girl in red on the right side of the screen as he speaks. Then the man raises both hands, clenches his fists briefly, puts his hands down, and raises them again to clench his fists. The woman looks down at the bottom of the screen and says a few words, then looks up at the man on the left side of the screen. In the background, pumpkins are being transported on a conveyor belt from the left side of the screen towards the back of a truck in the center of the screen. The woman on the left side of the screen, with her back to the camera, turns her head to glance at the man, then turns to look at the conveyor belt. As the camera turns to the left, the truck and the woman disappear from the left side of the screen.


The scene begins with a close-up of the legs of two people kneeling in a muddy pit, both wearing black pants. The camera slowly moves upwards, revealing a man kneeling and advancing with a gun in his right hand. The shot changes, showing a man in a black vest, Rambo, holding a rifle in his right hand and dragging a bare-chested man by the left as they both crawl up a muddy slope, alternating their hands to move upwards. The camera switches to a close-up of the two men's fronts, still in the same position, with Rambo and the bare-chested man wearing resolute expressions as they crawl up the muddy slope covered in long grass.


The center of the screen shows the left side of a person with curly hair, looking at the camera with their mouth slightly open. Then they blink their right eye and smile, before closing their mouth and turning their head to the left side of the screen. The camera slightly shakes, and there is something red on the left side of the frame.


The camera slowly pans to the left side of the screen, where a man wearing a hooded sweatshirt picks up a plastic bag with both hands, bends over, and places the plastic bag in the lower left corner of the screen. He then turns to the right side of the screen, holding a corn cob in his left hand and peeling it with his right hand. On the right side of the screen, a man in a black hooded sweatshirt bends down and washes the vegetables in the white basin in the lower right corner of the screen with both hands.


In the scene, a man and a woman are standing face-to-face outside the window. The blond woman is facing the right side of the picture, with the window open, and she broadens her smile towards the man on the right side of the frame. The black man on the right side of the picture is facing left, saying something, and then raises his right hand with a cigarette, takes a puff, and then lowers his right hand. The blond woman opens her mouth wide, then raises her right hand and bites an e-cigarette. The black man starts blowing smoke rings towards the left side of the picture, and then the woman puts down the e-cigarette and also starts blowing smoke rings towards the right side of the frame.


On the left side of the screen, there is a woman in white obscured by a yellow face effect. She is holding her right hand with her left hand and facing towards the right of the screen. On the right side of the screen, there is a man in a patterned shirt holding a mineral water bottle with both hands, and he is facing towards the left of the screen. The woman separates her hands, then places her right hand on her left hand and moves it away three times, finally holding her right hand with her left hand.


In the center of the screen is a pair of hands, pinching a brown toy shell. The hands open the toy shell, splitting it into two halves. To the left of the screen is the core with alternating yellow and red colors, and to the right is the brown shell. The hands rotate the core and the shell.


In the scene, there is a motorcycle parked in the bottom right corner of the frame. The camera pans up to reveal a police car with flashing red and blue lights in the top right corner. On the left side of the frame, two policemen are standing; one is only partially visible, while the other is facing the camera with his hands crossed in front of him. He then moves his crossed hands to his sides. In the bottom left corner, a hand extends into the frame, waves briefly, and then disappears from view below.


On the left side of the screen, there is a man in a brown suit with his right side facing the camera. He turns to the left, lifting his right leg to kick the man in black at the center of the screen. The camera follows their actions, moving to the left. At this moment, the man in black is lying on the ground with his left side facing the camera, using his left arm to protect his face. After being kicked down, he does a somersault and then lifts himself up, using his right hand to grab the leg of the man in the brown suit.


Two men are seen fighting on the screen. The man on the left first extends his right hand to punch the abdomen of the man on the right, with a look of pain on his face, then he reaches forward with his left hand to hit the head of the man on the right. He is wearing a gray top. The man on the right has a hideous expression; he twists the palm of the man on the left backward and then raises his right hand to block the left punch of the man on the left. He is wearing a black short-sleeved shirt. Three rows of white text appear in the bottom left corner of the screen. The camera slightly shakes and then cuts, previously the man in the gray top on the left is seen falling backward away from the camera to the right. The man in the black short-sleeve grabs the collar of the man in the gray top with his right hand, and then pulls him back, the camera changes again, and the man in the black short-sleeve pushes the man in the gray top through a window, knocking him to the balcony floor. The scene mainly takes place indoors, with dim lighting, and there are windows with curtains on both sides of the first scene. In the second scene, a cabinet appears in the middle, and on the right, there is a bed with pillows and a bedside table lamp. There are curtains on the left side of the screen.


On the left side of the screen is a purple My Little Pony doll, and at the bottom center is a pink-blue doll. The camera shakes downward, and the pink-blue doll moves to the center of the screen.