The video is shot from a first-person perspective looking down, with a white plate placed in the center of a wooden table in the frame. A sieve appears at the top of the screen and moves above the plate, then the white strip-like substance in the sieve is poured into the plate.


The camera moves downward, and in the center of the frame is the side view of a toy car. In the background of the scene is the upper body of a man, facing the camera directly with both hands gripping the ends of the toy car, rocking it back and forth. The camera moves upward, and the man releases his hands. The camera zooms in on the top of the toy car, with both hands placed on the roof of the toy car.


In the center foreground of the scene, a man in gray is sitting in a wheelchair facing sideways to the camera, towards the right side of the frame, with both hands holding up a basketball. In the center background, a man in black is moving towards the foreground of the scene, aligning himself with the man in gray on the same plane. The man in black places his hands on the shoulders of the man in gray, assisting him in adjusting his posture, then lets go, with his eyes fixed on the basketball throughout.


The camera pans to the right, and a child in a black shirt appears, pushing a small cart with a green flag. There is a figure in a black shirt on the left side of the screen. In the background, rows of drink-filled refrigerators can be seen, which suggests that this video was filmed in a large supermarket. The little boy then grips the handles of the cart with both hands, turns around to look to the right of the screen, and pushes the cart forward.


The camera shoots from above. In the frame, there is a cup of white liquid with the word "WOW" in it. A person enters from the bottom of the screen with a spoon, takes away "OW" and some of the white liquid, and leaves the frame from the bottom.


In the frame, a man is lying horizontally on his side facing upwards in the picture, with his back to the camera. He raises his right hand and turns to face the camera, placing his right hand on a pillow that is on the bed in the lower right corner of the frame. Then he supports himself with his right hand to lift his left hand and upper body from the bed. He proceeds to pull the pillow to his chest with his right hand while lowering his left hand and embracing the pillow with it. Subsequently, he raises and then lowers his right hand to hug the pillow. Then, his lower body slightly turns towards the camera's direction while his left hand slightly shakes.


In the center of the screen, a man in a black shirt is standing, bent over, with his body leaning forward towards the camera. His right hand is resting on the chair to the left of the frame as he looks at the computer on the table in the foreground of the scene. He then looks down three times and smiles. To the right of the screen, a man in a blue shirt is sitting. With his left hand, he is holding a partially visible brown object, occasionally moving it close to the central computer in the foreground, speaking with a smile. He puckers his lips and makes gestures with his right hand at the bottom right of the screen. There are two people sitting on the left side of the frame. At the very left is a person in red clothing, leaning against a chair with both hands on their lap, right leg crossed over the left, looking and facing towards the right side of the screen. Next to them is a woman in black, facing the camera, looking to the left of the frame, with her left hand supporting her head on the table and her right hand extended to the left side of the screen, making gestures. The setting is indoors, with many tables and chairs. There are plants on the left side of the screen and a white grid wall with black frames on the right.


The scene is a shot from the air, likely taken by a drone. The drone is flying forward above a railway track, with the side of a building wall on the left of the frame. Below the drone, there are numerous vehicles and crowds moving back and forth on the road.


On the left side of the screen, there is a man wearing glasses, standing sideways to the camera, with his body facing the right side of the screen, and both hands raised to his chest. Then, the man turns his head to look at the camera, makes a gesture with his right hand, and speaks while stepping back and raising his left hand.


In the scene, a man is standing with his back to the camera, hands on hips. He is moving to the right side of the frame using a crab walk. The camera zooms out, and then he turns clockwise to face the camera, with his hands still on his hips, continuing to move to the right side of the frame using the crab walk.


On the left side of the screen is a man wearing a blue and white school uniform short-sleeved shirt with a black inner layer and a wig on his head. On the right side of the screen is a woman in a blue and white school uniform short-sleeved shirt with her hair loose. Both are looking towards the left side of the screen. Then, the man raises both hands and fluffs up his bangs towards both sides of the screen, after which he holds the bangs down over his face. At the same time, the woman on the right side of the screen turns her head towards the left with a smile, looking at the man, then slightly moves her body towards the right side of the screen, bends over, and glances down at the lower left corner of the screen. The background of the scene is a board with many ID photos pinned to it.


In the foreground of the scene, there are about six people. This group is beside the road on the left side of the screen. They are holding various colorful bottles in their hands, and their bodies are facing different directions. They appear to be in a great hurry. In the distance on the left side of the screen, a police car can be seen approaching, and the group starts to scatter in all directions.


On the left side of the screen, a woman in a gray tracksuit is standing sideways to the camera with her body facing the right side of the screen. Her hands are pressed together at chest level. The camera has a slight movement, and the frame is maintained just above the woman's chest, where her mouth is visible but her forehead is not. In the background, there are shadows and light, but they are very blurred.


In the center left of the screen, a brown monkey faces right, standing in the water. In front of it, on the water's surface, a small wooden handcrafted boat floats. The brown monkey places both hands on the stern of the wooden boat, then raises its hands, and the wooden boat begins to move to the right side of the screen. To the right, a small boat with a green hull and a white sail is placed on a yellow wooden stand. The background consists of green grass and tall trees. Then, the scene changes, and in the center of the screen, a brown monkey facing right leans forward to put the sailboat in its hands onto the water's surface. It then turns its head to look at the upper left corner of the screen, releases both hands, crosses them in front of its body, turns back, and looks at the sailboat. The camera then zooms out to reveal a person wearing a red and white shirt and blue pants, holding a wooden boat, entering the frame from the left. He then half-kneels and places the wooden boat on the yellow wooden stand, and the brown monkey lowers its hands. The man in the red and white shirt then moves to the shore, leans forward, half-kneels, picks up the sailboat from the water, and raises it. The brown monkey raises its hands to its face and watches the sailboat. The man in the red and white shirt then slightly lowers the sailboat, frowns, and starts to speak, and then stops talking and stands up.


In the bottom left corner of the screen, there is a woman facing the camera, holding her hair with her left hand. The camera shakes and moves to the right. On the sofa on the right side of the screen, a man stands up towards the left side of the frame, also facing the camera, then spreads his hands and smiles. The camera quickly turns to the left again. The woman reappears in the bottom left corner, while the man is moved to the top right corner of the screen, and the image is blurred.


The video is shot in first person perspective, with a red car in the center of the frame, parked in a garage, its rear facing the camera. The camera zooms in on the red car, while a finger extends from the bottom of the frame. The camera moves to the car's door, and a hand extends from the bottom of the frame to open the car door.


In the center of the screen is a gear assembly. At the top of the screen, a hand grasps one side of the gear assembly and rotates it, then extends an index finger to point at the joint of the gear assembly, pulling the connection towards the top of the screen. At the bottom of the screen, another hand reaches out to grasp the other side of the gear assembly and rotates it, then withdraws the hand. The camera moves to the right, and a hand at the top of the screen grasps the gear assembly on the right side of the screen, pulling the gear connection towards the bottom of the screen.


This is a top-down perspective. On the left side of the screen is a person in a yellow striped shirt turning around with both hands facing to the right of the screen. In the center of the double-sided shirt is a brother with an iron mesh basin, which contains stones of varying sizes. The hands shake left and right, sifting out powder that falls from the center bottom of the screen into a white plastic bucket in the center of the screen. Afterwards, the hands put down the iron mesh basin in the plastic bucket as ordered, and the hands leave the lens from the left side of the screen. Then, the right hand holds a large stone, and both hands enter the screen from the left side. The right hand forcefully smashes the large stone down in the iron mesh basin, crushing the stones in the basin.


The scene is dimly lit with smoke swirling around. In the middle of the background, a car is slowly driving towards the right side of the foreground, with its headlights flashing. The camera gradually moves, capturing the front, sides, and back of the car. A person in the back seat of the car is holding a mobile phone in their right hand, extending it out the window to film. On both sides of the car, people are holding their phones, filming the occupants inside, accompanied by cheers, with some also making gestures. As the car moves towards the right side of the background, the people in the foreground also gather around to cheer and take photos.


The scene shows four people with their right hands holding wine glasses. The man wearing a hat on the right side of the screen turns his back to the camera and then turns towards the left side of the frame, dancing with his head bowed, raising his left hand to head height. He then turns around to face away from the camera, drawing circles with his left hand in front of his chest, and turns again towards the left side of the screen, repeating the movements. He subsequently faces the camera, looking to the right side of the screen with a smile, and then turns towards the left side of the frame again. In the background, the other three women are dancing, swaying left and right.


The camera shakes, and a man in a gray shirt is holding a child in his right hand and taking a selfie with his left hand. The lens then moves, showing a man in a black shirt holding a child in his left arm, with his right hand making a peace sign, appearing in the center of the video. To the left of the screen, there are many parked vehicles, and to the right, a store can be seen. In the foreground on the right, there are two more children, one in a pink shirt looking at the camera, before turning around to look behind them.


The man on the left is sitting facing right, leaning his head back. The woman with a ponytail on the right initially looks at him and then towards the bottom. Immediately, the ponytail girl starts to talk, then bows her head, raises her right hand, holding a cigarette between her index and middle fingers, taking a drag while it's at her lips. After taking a puff, she adjusts to hold the cigarette between her right thumb and index finger. The scene cuts to the man's face; as he looks up to the left and sighs, the girl on the right starts to cough. The man looks at her and begins to speak, emphasizing with his right hand. The ponytail girl pauses and looks at him, and the man nods once and continues speaking. The girl then shifts her gaze forward and then looks down again.


In a kitchen, a woman with black hair is standing slightly turned to the right of the frame, looking down at the food in the pot on the lower right of the screen. Her right hand holds a wooden spoon, stirring the food, while her left hand is raised in front of her. She then puts down the spoon with her right hand, turns her head towards the camera to speak, making gestures with her left hand and occasionally slightly shaking her head. Next, she turns her head towards the right of the frame, picks up a condiment jar from the table with her left hand, and with her right hand, she takes a spoon from the jar, scoops up some seasoning, gives it a light shake, and then sprinkles it into the pot.


Two men are standing side by side facing the camera, with the man on the left wearing a white shirt and the man on the right wearing a blue shirt; both are facing towards the right of the screen. Then, the camera zooms in, focusing on the face of the man in the blue shirt at the center of the screen. Initially, his eyes are looking towards the right of the screen, then he glances to his own right, and subsequently opens his mouth to take a breath.


In the center of the screen, a man with black hair dressed in black is facing the camera, with only the upper part of his shoulders visible. He is laughing happily, showing his teeth, with his body slightly leaning forward and his head, appearing to be high-fiving another person. Then he leans his head back, his mouth opening and closing as he talks. His head quickly turns to the right and then back, his eyes looking to the left. His feet seem to be constantly moving slightly. Then he hides his smile, looks down with his eyes, and slightly bows his head before lifting it up again to speak, turning his head to the right. On the left side of the screen, a man in a white long-sleeved shirt raises his right hand with his elbow bent, blocking most of the view. Then he lowers his hand, revealing only the right half of his head and shoulders. The background is dim, and behind the man in black, there is a blue ring emitting a blue light.


In the frame, a woman in denim clothing is walking into the living room of a house with her back to the camera. As she approaches the sofa, she supports herself with her right hand on the sofa and begins to turn towards the sofa on the right side of the frame. She then extends her left leg and kneels on the sofa, continuing to turn her body to face the left side of the screen. The camera is shaking throughout.


In the foreground, a person in the center is holding a mobile phone in their right hand, while their left thumb can be seen swiping up on the phone screen on the left side of the image. In the background, another person can be seen walking towards the right side of the background, with their footsteps faintly visible. On the right side of the image, a person wearing blue jeans is visible from the waist down, walking towards the right side of the background.


The camera captures a top-down view, where a pile of heart shapes made of paper are scattered against a red background, leaving a blank space in the center. A right hand enters the frame from below, holding a white paper heart, which it places in the empty space on the left side of the frame, then retrieves the hand back down below the frame.


The center of the screen features an opened can. Above the center of the screen and to the left, a fork appears respectively. The fork on the left side moves away from the upper left of the screen, while the fork above the center moves towards the can in the center of the screen, inserting into it.


In the scene, a left hand's index finger is placed inside a green transparent box, and uses the finger to pick up a small car inside the box and lift it upward. It then moves to the left side of the screen and disappears above the frame. The small car, carrying droplets, falls onto the green desktop. On the left side of the screen, a white toy slightly wobbles. Then, the right hand enters the frame from the bottom left corner and pushes the toy to the right side of the screen. The left hand enters the frame from the left side, and the right hand continues to push the toy to the right. The left index finger is placed on the toy car. The right hand then moves to the left side of the screen, picks up the toy car from inside the white toy, and both hands hold the toy car. The scene changes to another view where a hand is placed on top of the white toy and briefly vanishes above the frame. Then, it grips the pillar on top of the white toy and rotates it clockwise, as the toy car inside is covered by a transparent cover. Next, this hand moves to the left side of the screen and pinches a blue-green part twice, causing liquid to be sprayed from inside the white cover.


In the initial frame, you can see a keyboard placed in the lower middle part of the screen, and a lit computer screen is visible in the upper right corner. Then, the right hand of a person enters the lower part of the screen, stretches towards the keyboard, and immediately moves out of the frame from the bottom of the screen. A row of data on the computer screen is constantly changing.


The video is shot with a handheld camera. In the upper left corner of the frame, a sliced-in-half pancake is placed on a green plate. A left hand gently picks up the left half of the pancake to show it to the camera, then puts it back on the plate. The camera moves backward, and the left hand exits the frame from the left side. Then, the camera moves forward again to get close to the pancake. On the green plate, there are several slices of orange.


People are moving along the pedestrian street. Some are walking towards the right side of the frame or the lower left corner from the pedestrian street on the left side of the screen. Others are coming out of the dimly lit restaurant on the right side of the frame and heading towards the pedestrian street on the left. There are also people passing by the restaurant on the right and walking towards the pedestrian street on the left.


The camera lens continuously lifts up in the scene, with the perspective rising from the right side of the car's direction. At the center of the screen is an old grandfather wearing a pink shirt. He faces the camera, bowing his head to look at the opened front engine compartment of the car. He slightly bows his head and seems to be saying something. To the right of the old man in pink in the scene is a little girl in a blue outfit. This little girl is facing the left side of the car with her body, using both hands to hold a white bucket and pouring its contents into the car. At the far right of the scene is a boy in a yellow short-sleeved shirt, also facing the left side of the picture. He has his left hand stretched into the opened front hood of the car. As the camera continues to rise, the boy withdraws his left hand, revealing the girl's right hand gripping the handle of the white bucket, while her left hand supports the bottom of the bucket. Transparent liquid slowly flows out of the bucket. At this moment, the boy on the far right of the scene has moved out of the frame. The old man at the center of the scene smiles and turns his head to the right, looking at the girl, who is carefully observing the liquid flowing out.


On the left side of the screen, a man in green clothes is moving towards the right side of the screen with his right hand holding a mobile phone at his chest, and the camera follows the movement. The scene changes, and the man in green clothes is facing away from the camera, walking to the right side of the screen with his right hand raised, holding the mobile phone at his chest, and the camera follows the movement. The wind is blowing towards the right side of the screen.


On the left side of the screen, a man in a black shirt is smiling and speaking, facing the camera, and looking towards the right side of the screen. He takes something out of his bag with his right hand, then holds it with both hands. He then turns around to face away from the camera and walks towards the left side of the screen. On the right side of the screen, a woman in a red shirt is facing away from the camera, gently turning to the right, and looking towards the left side of the screen. There are white dots on both the left and right sides of the screen.


A man stands in the center of the frame, facing the direction of the camera. He has his hands on the table in front of him, spreading out a towel on the right side of the frame. He then lifts an object with both hands, and with his right hand, he places it on the cutting board at the bottom of the frame. Following this, he quickly moves his right hand away, and the man collects the towel, using both hands to place the feathered chicken on the blue box to the right of the frame.


Two girls in swimsuits are lying on the beach in the picture, sideways to the camera, facing the right side of the frame. A man in white clothes is bending over in front of the girls, holding a detector in his left hand, and stretching out his right hand to shake hands with the two girls in turn. After shaking hands, the man takes off his headphones with his right hand and speaks to the two girls, who look up and listen to the man talking. In the background of the picture, there are many tourists playing on the beach and in the sea.


In the lower left corner of the screen, there is a left hand holding the lower left corner of the black wallet at the center of the screen. On the right side of the screen, there is a right hand holding the upper right corner of the same wallet. Then, the left hand moves towards the lower left of the screen and disappears, while the right hand shakes the wallet. Subsequently, the left hand reappears from the lower left corner of the screen, once again holding the lower left part of the wallet. The background is dark at the top and brown with silver trim at the bottom.


Two people are sitting on a printed sofa, facing the camera and a table. The woman in blue is holding the handle of a knife with her right hand, placing it horizontally on the cutting board, while her left hand is pressing down above the blade. She focuses intently on the cutting board in the lower left of the frame, rocking the knife back and forth towards the camera, seemingly unable to successfully cut a dark, blocky object. The woman then picks up the knife she was holding horizontally, turns her gaze to the knife in her hand, and points the blade towards the woman. The woman on the right side of the sofa has her left leg crossed over her right, holding her left ankle with her left hand and her right hand holding a shoe. She looks up at something behind the camera with an expression of dissatisfaction, then shifts her gaze to the lower right, tilts her head to the right, and forcefully pulls the shoe onto her left foot with her right hand before standing up from the sofa.


A white-bearded man walks from the right side of the screen to the left, while the camera pulls back. The man approaches the horse on the left, first bending down to undo the rope securing the horse with his left hand, then placing both hands on the front and back of the saddle, and stepping into the stirrup with his left foot, preparing to mount the horse. At this moment, a head suddenly appears on the left side of the horse. He looks at the white-bearded man, with a gun in his right hand pointed at the man's head. The man responds by raising both hands overhead in surrender, stepping backwards.


In the scene, four people can be seen. From left to right, they are: a woman in a black top with long pigtails, a woman in a gray top, a woman in a black top with short pigtails, and a woman in a black top with a white collar. The two women in black tops are both facing away from the camera, while the other two women are sideways to the camera. Next, they all extend their right hands forward, raising their right hands to a horizontal position in front of their bodies. Their right palms are upright, facing the front. This action continues for a while, and then they slowly lower their hands, maintaining the position they had at the beginning of the scene.


On the left side of the screen, you can see a man and a woman fishing. The man is at the very left of the screen with his right hand extended. The woman, wearing a white T-shirt, is the second person from the left, holding the fishing rod with both hands. Both of them are facing the water on the right side of the screen. The scene transitions normally to a close-up shot of the water, where you can see a fish being hooked and jumping out of the water slightly in the top right corner of the screen.


On the left side of the screen is the upper body of a blond woman wearing blue clothes. Her body is turned away from the camera, and in her right hand, she holds a stick with a pentagram encircled by a purple ribbon. The purple ribbon is moved by the wind, swinging back and forth. The woman is walking towards the lower right front of the screen, gradually entering the frame from the bottom, and continues to walk forward before coming to a stop. The background of the scene features the sky with clouds, and undulating mountains, while at the bottom is a small grassy mound.


The scene is set on a forest path littered with dead leaves, as the camera moves forward and then turns to the right. A figure in black rides a motorcycle from the left side of the screen to the right, with the camera quickly following the black-clad individual to the right. A row of trees partially blocks the view of the motorcyclist, and the figure in black quickly disappears from the right side of the frame. Then, the camera turns to the left, and a person in red also rides a motorcycle rapidly from the left side of the screen to the right. The camera follows the red-clad individual as they turn right, speeding towards the camera and disappearing into the trees on the left side of the frame.


In the center of the screen is a male wearing a blue shirt and khaki pants, with black-framed glasses. His right hand is raised, and his left hand extends to lift a iron plate containing beige powder, placing it in front of himself. To the left of the screen stands a male in a dark gray shirt and black pants. In the background, slightly to the left, there is a female mannequin wearing a green skirt and a white hooded robe. In the foreground, there is a large wooden blue wheel, which seems to be a textile tool. The perspective shifts, and the male in the blue shirt extends his right hand towards the textile tool, moving it back and forth, and then his right hand grasps the central axis of the textile tool. At the same time, the male in the dark gray shirt places his right hand on the wheel without moving.


On the left side of the screen, you can see a man wearing a white shirt. He is facing a car on the right side of the frame. Both his hands are holding something resembling an electric drill. The head of this tool is inserted into a black component inside the car, and the camera slowly zooms in on the head of the tool. The man's right hand is continuously pressing the lower part of the tool, as if he is pulling some kind of trigger. The camera slowly zooms out, revealing more of the scene. Behind the person in white, there is another person in black crouching down, watching the person in white work. The person in white slightly inclines his body to the right, as though he is exerting effort to deal with the internal parts of the car.


In the upper center of the screen, a person's head is facing the camera, lying on a surfboard. The waves are crashing towards the left side of the screen, and both the person and the surfboard are rotating counterclockwise, with the head facing towards the right side of the frame.


The main subjects of the scene are two men who are soaking in a swimming pool. On the right side of the picture is the pool, and they are facing to the left with their hands resting on the edge of the pool. The man in the distance seems to be saying something to the one closer. The man closer seems a bit dissatisfied, he puts his left arm back into the water, turns his head to the right to respond with a few words, and then takes his left arm out of the water again.


Aerial long shot. In the center of the screen, slightly to the left, is a highway with two lanes. Two rows of cars are moving slowly forward. Below the camera, a car attempts to cut in and change lanes. The camera slowly pans up, revealing the highway extending into the distance. On both sides of the highway, there are some trees, several buildings, and a gas station.


In the center of the screen, a man in blue clothes is sitting cross-legged, stretching out both hands to tear open the toy packaging on the lower side of the screen. The camera zooms in, rotates towards the lower side of the screen, and then zooms out. The camera moves to the lower right side of the screen, and with his left hand, he takes out one of the toys and places it on the floor in the lower middle part of the screen. The camera rotates towards the upper side of the screen, and then both hands pick up the toy box. The right hand takes out the toy from inside and passes it to the left hand, which then places it on the floor in the lower middle part of the screen. The right hand supports the box while the left hand reaches into the toy box.


A woman in an orange long dress has her back to the camera, waving to the left side of the frame. A yellow taxi is approaching from the right side of the screen and stops at the curb. The camera pans to the right, and the woman takes a few steps back towards the camera, then turns her back to the camera and walks towards the right rear door of the parked taxi. She opens the door with her right hand towards the right side of the frame, turns to face the right, and sits in the back seat, subsequently closing the door. The driver takes out a white piece of paper, turns it towards the camera, and then starts driving. The taxi moves towards the right side of the frame. At the top of the screen, several cars drive from left to right across the frame. The camera cuts to the front of the taxi, which is driving towards the camera, and the camera moves backward. In the top right corner of the screen, two cars are driving towards the right side of the frame.


In the center of the screen, a square-faced green creature with long antennae and a handlebar mustache is facing the camera, saying something while shaking his left hand and nodding his head up and down. He is dressed in white clothes and a yellow hat.


In the center of the screen, there is a monkey draped in a blue cloak. In its right hand, it holds a vacuum cleaner. First, it lifts the vacuum cleaner and uses its left hand to press the button and start the vacuum. Then, it uses the vacuum cleaner to suck up the garbage on the ground in front of it. In the background on the right side of the screen is a door, and on the left side are iron railings and stone columns.


The scene is a close-up shot of the hand, where a left hand picks up a silver tool and moves it towards the lower right object in the frame. The camera follows the movement of the hand and pans to the right side of the screen. Then, the left hand retreats to the left side of the frame and exits the shot. Following this, the camera pans to the left, and the left hand reappears on the left side of the screen.


In the initial scene, only two cartoon characters can be seen. In the center of the screen is a purple cartoon character, and on the right side is a slightly shorter light green cartoon character. As the purple cartoon character turns to the right, the camera also pans to the right, slowly zooming out to reveal more of the scene. To the right of the initial two cartoon characters, two more characters appear: a cyan cartoon character and a light pink one. The cyan cartoon character raises both hands, clapping in front of his body. The light green and pink cartoon characters also raise their hands, seemingly cheering and swaying their bodies. The purple cartoon character is walking towards the right side of the screen with his hands raised, making a swimming motion.


In the scene, there are four people. The three on the left are all wearing the same purple clothes, facing the camera with smiles. The one on the far left is holding a phone with their right hand extended, taking a selfie. The two in the middle are standing behind, only their heads are visible. On the right is a woman in green clothes, facing sideways with her gaze directed at the phone in the upper left, smiling. At this moment, the selfie is taken, and the boy on the far left looks at the photo taken on the phone and communicates with the woman on the right. The second person on the left also looks at the photo on the phone. The third person on the left takes a step back, with their left hand placed on their chest.


In the scene, a black woman is sitting in front of a computer, facing the camera. She takes out a stack of bills, organizes them, counts them, and then places the money on the table. She makes a record on the computer, and then moves an object on the left side of the screen and continues to make entries on the computer.


In the scene, there is a row of policemen wearing brown shirt uniforms, all of them with gas masks on, facing towards the left side of the picture. Their hands are crossed in front of their waists. The second policeman from the right to the left in the picture is holding a long stick in his hand, and he is looking around, turning his head towards the right side of the frame, with his body turning to face the front of the picture, then turning his body towards the left side of the frame, with his head turning as well. Behind the row of policemen in brown shirts, there are also many people, but their actions are not clear.


The main subjects of the scene are a man and a woman. The woman is on the left side of the frame, leaning against a bookshelf and looking at the man. The man, on the right, is also leaning against the bookshelf and reading a book. He turns the page with his left hand. At this moment, the woman slightly stretches her neck to look at the book in the man's hand and says something. The man replies with a slight shake of his head, and the woman laughs and shrugs her shoulders.


In the center of the screen, a man with a backpack is facing to the left of the frame. He is riding a bicycle and pedaling slowly towards the left side of the screen. The camera follows his movement, panning to the left.


On the left side of the screen is a man wearing black clothes and a blue shirt. On the right side is a man dressed in gray. The man in the black suit is sitting, looking to the right of the screen, saying something. Then his right hand moves upwards on the screen, index finger pointing to the lower right corner, and then both hands clench into fists and open again, moving towards the lower right of the screen. He then moves his left hand downwards, out of the frame. The right hand moves upwards on the screen, opens up, with the thumb leaning towards the neck, and moves from the right side of the screen to the back left, making a motion as if wiping the neck. Then the right hand moves downwards, the left hand slightly upwards, both hands come together and move downwards, exiting the frame. He keeps talking throughout this time. The background of the screen has a brick wall with a black star hanging on the left side, wooden railings at the top right, and a pot of red flowers at the bottom right.


Two people enter the frame with their backs to the camera, running towards the left side of the frame. From left to right, they are a man in yellow clothes and a man in red clothes. The man in red is holding a long rifle against his chest, and he and the man in yellow charge towards the door. On the right side of the frame, two people with their backs to the camera walk towards the right side of the frame, pressed against the door. From left to right, they are a man in black clothes and a man in brown clothes; the man in black has his back against the wall. Next, a man in black clothes with a gun in his hand enters the frame with his back to the camera, crouching behind a table. Then, a man with a hat on his back enters the frame and runs towards the right side of the frame, with the man in red extending his right arm in front of the man with the hat.


The girl in purple raises the telescope to her eyes, facing the right side of the screen and observing. The girl in pink points to the right side of the screen and speaks, her right hand raised with her index finger pointing to the right side of the frame, then she spreads her fingers and subsequently puckers her lips. The boy in cyan looks towards the right side of the screen, his body facing the camera, with his left hand raised towards the right side of the frame. The camera pivots counterclockwise with the girl in purple at the center; the boy in cyan tilts his head to the left side of the screen, then rights himself and speaks, before turning his head to look to the left side of the frame, and then turning back to the camera. The girl in purple turns her elbow inwards, moving the telescope away for a moment, then places it back in front of her eyes. The girl in pink moves closer to the other girl, her face turned sideways to the camera, pressing against the right side of the purple-clad girl's head, making an exaggerated expression.


The camera moves to the right, and in the center of the frame is a woman with yellow hair sitting at a desk, facing to the right of the screen. She waves her left hand, stands up, and turns around to face the camera with a big smile. On the left side of the frame is the upper body of a man in a blue shirt, with his head turned to the right of the screen, and his left hand combing through his hair. In the background on the left, a man sitting at the desk turns his head to the right of the screen and moves out of the frame from the left. On the right side of the frame, a man with a green school bag slung over one shoulder turns his head to look towards the left of the screen. The woman with yellow hair raises her right hand and pretends to walk forward before stepping back. The man with the green school bag on one shoulder waves his left hand at the woman and walks towards the camera.


On the left side of the screen stands a man wearing a yellow top, facing the camera with a slight bow of his head towards the right side of the frame, his fists clenched and resting against his chest. On the right side, a man in pink shorts is sitting on the red sofa in the lower right corner of the screen, facing left and adjusting his pants with both hands. The yellow-shirted man has turned his body to the left of the screen and looks up to the left, while the man in the pink shorts has his hands resting on the arms of the sofa. The scene is indoors, with a partially visible door and blue curtains on the left, a staircase and a potted plant on the right. There is semi-transparent text with a gray background in the upper left corner of the screen, and a sofa set is located at the bottom of the frame.


Camera shot from above, on the left side of the screen, a person wearing a gold watch and a person wearing a black watch are holding a stack of cards together, with the cards crossed. On the right side of the screen, a hand reaches out and pinches a blue card, rotating it clockwise. The index finger points at this card, and the hand leaves the frame on the right side. The person wearing the gold watch waves their left hand to the right side of the screen, and the camera zooms in on the cards.


On the left side of the screen, a little boy in gray is side-sitting on the sofa, facing the right side of the screen, with his right hand holding a toy car raised upwards, his lips pouting as he looks downward, then quickly lowering it, his lips pressed together, before pulling his right hand back. On the right side of the screen is the back view of a man in gray, with his legs crossed, who retrieves his left hand from the right side of the screen and then extends it forward. The background features a sofa and two windows.


In the center of the screen, slightly to the right, there is a stack of toast placed on a white cutting board. In the upper left corner of the screen, there is a iron basin filled with flour. Below the center of the screen, two small knives are placed. The camera turns to the left, and a pair of hands appear in the center of the screen, touching the toast. The right hand splits the toast in half and moves it to the center-right of the screen. Both hands then flip the top slice of toast to the center of the screen and place them side by side. Subsequently, the hands move out of the frame from the upper right, with the right hand holding a spoon to scoop up cream, and the left hand supporting the toast in the upper right corner of the screen. The right hand spreads the cream onto the toast with the spoon. Following this, the hands move towards the upper right of the screen, with the right hand holding the spoon, throwing the cream onto the toast in the center-right of the screen.


Camera shot from above, on the right side of the screen, a person's index finger is pointing at a tablet. The camera slightly moves to the right of the screen, the index finger moves to the right, makes a cross, taps a few times, and clicks on the screen. The camera pulls back, opens an e-book, moves down, and the index finger taps the bottom left corner of the tablet.


The blond child on the left looks down at the brown toy and then glances towards the bottom right corner of the picture. With their left hand, they pick up the rabbit doll lower in the middle of the frame. The upper body of the rabbit doll is lifted as the blond child turns towards the left side of the picture, placing the brown toy on the left side, and then withdrawing their right hand. The girl in the red skirt faces the camera directly, kneeling and holding a brown-gray toy with her left hand, looking down at it. With her right hand, she picks up a red object and moves it in front of the brown-gray toy. Afterwards, she looks up towards the top right corner of the picture, lowers her right hand, and grips the red object.


In the center of the screen, a girl stands facing the camera. She tilts her head to the left side of the frame, raises her right hand to her eye, and then bows her head to adjust the straps of her backpack on her shoulders with both hands. After that, the girl lifts her head and looks directly into the camera. She then spins around from her left side, turning her body sideways to the camera, facing the left side of the frame. The girl twists her head to her left side and looks at the camera.


On the left side of the screen, there is a man wearing a baseball cap backwards, facing towards the right of the screen. On the right side of the screen, there is a woman with her back to the camera, looking at the man. The man says something a few words. In the distance of the scene, a white car drives out from the left to the right. The man raises his right hand and makes a gesture towards the woman, then puts it back in front of his body, and the woman's body sways slightly.


In the picture, a pair of hands is knitting wool. The left hand's index finger holds the wool yarn, while the thumb and ring finger grip the knitted portion. The right hand's thumb and ring finger hold a crochet hook, with the index finger assisting the hook to pass through the wool hole, performing operations such as looping the yarn and withdrawing the hook.


In the center of the screen, a man faces the camera, holding a newspaper in his right hand and sitting in a chair with his left index finger pointing at the newspaper. His head turns slightly to the right side of the screen, glances at the woman on the right, and then turns back. The camera moves to the right, revealing a woman sitting in a similar chair, facing the camera with her head turned to the left side of the screen, looking at the man. She is smiling and knitting a sweater with both hands, first leaning her head back against the chair and then lifting it off, subsequently bowing her head to look at her hands knitting. Then, she raises her eyebrows with a smile and turns her head to look at the man on the left side of the screen. The camera continues to move to the left, and the man leans his upper body towards the woman on the right side of the screen, holding the newspaper out to her. The woman also leans towards the man on the left side, resting her chin on her fist, looking at the newspaper extended by the man.


In the western part of the screen, there is a woman with a black and white jacket and dark skin. She is facing the camera, sitting on a chair, talking with her mouth, and her hands are on the table. She holds a piece of white paper with both hands, quickly spreads out the white paper, looks at the white paper, and then looks at the people on both sides ahead and places the paper above her nose. On the left side of the screen is a man's right ear, and on the right side in the front is a man's left profile, with a man in a green jacket in the back.


In the center of the screen, a child wearing a white shirt faces the camera, looking down to the left of the frame, holding a slice of watermelon in both hands to their mouth, opening their mouth to take a bite, and then chewing. They then look down at the bottom of the frame, and again to the left, opening their mouth wide to eat the watermelon. Following this, they look down again and chew, preparing to take another bite of the watermelon. The camera slightly shakes, capturing the scene in slow motion, with a blurred background where furniture such as cabinets can be seen.


A woman in a white skirt turns on the light in the room with her right hand, lowers her hand, and turns to the left side of the frame, looking at the man by the door. A man in a white suit enters the room, closing the door with his right hand, facing the camera directly, and looking to the right side of the frame. The woman in the white skirt supports her waist with her left hand, and her right hand rests on the man's left shoulder, stroking up and down as she speaks, and the man laughs. The woman in the white skirt then looks to the left side of the frame and leads the man as they both walk towards the left side of the frame. In the foreground on the right side of the lens is an empty shelf.


The woman continues to walk, her gaze shifting from looking down to glancing diagonally ahead of the path, her mouth slightly open. She then looks to the right, blinks, and closes her mouth, pressing her lips together. Immediately following, she slightly bows her head to look down at the ground again, and finally turns her gaze to the right.


On the left side of the screen, a bearded man wearing a black shirt and jacket is walking towards the camera, looking at a large fish tank on the right side of the frame. The tank contains many fish and a huge coral plant. In the center of the screen, another bearded man wearing a blue shirt, black pants, and glasses is walking alongside the man in black, also towards the camera. He is looking at the same fish tank, with his left hand extended and moving along the tank. The camera cuts to a close-up of the upper bodies of the two men. At this point, the fish tank is on the left side of the screen, and the man in the blue shirt is standing on the right, looking at the tank and speaking. His right hand moves and flips at chest level before he extends his index finger to point at the fish tank. The man in the black shirt stands closer to the camera on the right, looking at the tank and listening to the man in blue speak, momentarily opening and then closing his mouth slightly.


The camera moves counterclockwise around the woman and the dog towards the right side of the frame. The woman lowers her left hand from the strap and reaches into the bag in front of her, while taking a small step with her right leg towards the left side of the frame. The little dog turns its head to look on the woman's left side.


In the scene, there are four people. On the right side of the screen, a man in white is standing, facing the camera, looking down at the book in his right hand and moving towards the camera. He then turns and stands to the left of the screen, smiling. At the same time, in the distance on the left side of the screen, there is a man sitting in a gray suit. In the center of the screen, a woman with dark hair is sitting and reading a book, and a girl with a ponytail is standing in the center, looking down and reading. Both women occasionally turn the pages of their books.


A woman with dark hair wearing a white dress is at the center of the frame, her right hand holding the railing of a long ladder, and her left hand carrying a decorative bag. She is looking to the left of the frame and slowly descending the steps. As the camera zooms in, she turns her head towards the camera, facing it directly. Another woman in a gold and black patterned dress is to the right of the center, facing the camera, following the woman in the white dress down the steps, with her left hand on the railing. The camera angle changes to a semi-low perspective, where the two women are now to the left of the center of the frame, facing to the left side of the picture, and sideways to the camera. The camera follows their movements and slowly descends, with the woman in the white dress walking from the left to the right side of the frame, letting go of the railing with her hand, and turning her gaze from the camera to the right side of the frame. The woman in the black and gold dress closely follows, descending the stairs, facing the camera, and as the camera slowly pans to the right, her position shifts from the right to the left side of the frame. A male holding a sparkler then walks from the right to the left behind the two women and exits the frame.


In the center of the screen, there is a woman with long curly hair facing the camera, her head slightly lowered, then she raises her gaze, looks down, and glances at the hand reaching out from behind her. In the background of the center of the screen, there is a man in a blue short-sleeved shirt who stretches out his left hand to try to touch the head of the woman in front of him. After stroking her head for a while, he then embraces the woman in front with both hands, immediately pushing the woman's hair away from both sides of her cheeks, and his gaze remains fixed on the woman.


On the left side of the screen, a woman in a white lining is facing the camera from the right profile, with her left hand hanging down and her right hand reaching towards the right side of the screen. Then, from the right side of the screen, a person in a dark coat walks out and heads towards the left side of the screen, with their left hand in their pants pocket and their right hand extended to shake and wave with the woman on the left side of the screen. The man then takes out his left hand and reaches towards the left side of the screen, making gestures with both hands, while the woman on the left side of the screen places her hands together in front of her chest. In the background, there is a blue wall, table, and various decorations.


Close-up shot, the brush paints green onto the canvas, starting from the lower right of the screen. It first moves towards the upper left corner of the painting, then slightly turns to the right side of the canvas, and then shifts to the left. The camera follows the brush, panning left, and then slightly rotates to the left.


In the center of the scene is a large basket. A pink piece of clothing falls into the basket from the top of the frame. Then, a person places a round basket behind the square one and puts a white hanger inside. The person moves to the right side of the frame and disappears from view. Next, four pieces of clothing are thrown into the square basket, followed by a pair of jeans being thrown into the round basket. After that, many more pieces of clothing are thrown into the square basket, nearly filling it up. To the right of the scene is a door, and on the left side are walls and the bottom part of another door. In the center of the scene, vertically, is a wooden floor.


The scene is captured in a supermarket. On the right side of the frame is a pushable shopping cart containing a yellow boxed item. In the center of the frame is a little boy dressed in a black short-sleeved shirt, with both hands extended forward, facing the camera and looking towards the shopping cart on the right. In the background on the left is a shelf lined with merchandise. The little boy in the center of the frame then turns to the right, grabs the handle of the shopping cart with both hands, and starts to push it forward. At this moment, a person in black pants walks into the frame from the left. The little boy continues to push the cart to a position between two shelves.


The camera follows a white-winged airplane flying to the left. The airplane tilts its body downward, overtaking the red and white-winged airplane below the screen, and continues to fly to the left of the frame. The camera zooms out and then back in. The white-winged airplane turns towards the camera, then flies to the right of the screen, with the camera following the white-winged airplane to the right. In the background of the scene is a continuous range of brown barren mountains, with houses occasionally appearing at the bottom of the screen.


Two men are standing in the frame. The man with the vertical-striped shirt is standing on the left side of the frame, facing the camera, with his head turned towards the right side of the frame where the man in the maroon clothing is speaking. Then, the man in the maroon clothing turns his head towards the camera and raises his left hand, brandishing a paper bag while speaking. The man with the vertical stripes looks at him.


In the center of the screen, there is a man wearing a black shirt. At first, he walks towards the left side of the screen. Then he squats down. To the left at the back is a black car parked at the side of the road. The man picks up a black steel plate from under the foam plastic next to the car, lifts it, and places it on his left hand, looking at the plate in his hand. The background of the scene is a building.


In the center of the screen, there is a man wearing a floral short-sleeved shirt. With his left hand, he holds a wine glass, and with his right hand, he guards it. He looks down at the wine glass in his hand. Then, the man in the floral short-sleeved shirt raises the glass, tilts his head back, and drinks the wine in one gulp.


In the center of the screen are two airplanes; there is one vehicle in the center and another at the top of the screen, with the middle airplane slightly more to the left. At this moment, both airplanes are flying to the left, and the camera is also panning to the left. Then, the airplane above descends in altitude to fly to the right of the middle airplane. Subsequently, the middle airplane accelerates, leaving only this one airplane in the frame. At this point, the camera freezes. When the first airplane flies to the left side of the screen, the second airplane appears from the top right. Then, the first airplane flies out of the frame from the left. As the second airplane reaches the left side of the screen, the third and fourth airplanes enter the frame from the right in sequence. Following this, the second airplane flies out of the frame from the left, while the third and fourth airplanes continue to fly to the left.


A man in white and a man in gray are standing face to face in the center of the picture. Then, the man in gray raises the instrument in both hands, bows his head towards the tool, while the man in white tilts his head towards the man in gray.


In the center of the screen is a blond man, whose body is turned towards the left side of the frame, and he is also looking towards the bottom left corner of the screen. On the left side of the screen is a man in white clothes, with his body also turned towards the left side of the frame. On the right side, there is a man with black hair wearing military green clothes, facing towards the left side of the screen with his left hand on his chin. The far right of the screen shows a small part of the left side of a bearded man's face. The man in military green clothes has turned his body slightly towards the center of the frame, then turned towards the background of the screen, dropping his left hand. At the same time, the camera moves towards the bottom left corner, and a man in a yellow short-sleeved shirt on the right side of the screen raises his left hand to his temple, while holding a camera with his right hand. The camera gradually zooms out, and the man in the yellow shirt then places his hand on his head, adjusting the hat he is wearing. In the distance of the scene, a man in black clothes is walking from the right side of the screen towards the left. There are many people standing in the distance of the scene, all looking towards the left side of the frame.


In the scene, there are many people wearing blue shirts standing, all looking towards the right side of the frame. In the center of the picture, several people are unfolding a flag with a blue W letter. In the foreground of the picture, one can see several people high-fiving each other. On the left side of the frame, a woman in a gray shirt is raising her phone to take a photo of the right side of the scene.


The video footage is shot from the first-person perspective of a rider sitting on a motorcycle. The view is from a top-down angle of the motorcycle's front end, with the motorcycle traveling in a straight line ahead, and the camera continuously shaking.


A person in a floral shirt stands to the right of the picture, holding a brush in their right hand to dust the craftwork in the center of the scene. Bent over, only the lower part of their chest is visible in the frame. Their right hand holds the brush to dust the upper edge of the craftwork, then proceeds to dust the front. After finishing the front, they stretch out their left hand to take the brush.


In the center of the screen is a white woman wearing a pink top, with her right hand raised to her chest and her left hand resting on a shelf on the left side of the frame, looking upwards in the direction of the upper part of the screen. She then turns her gaze to the upper left corner of the frame, raises her right hand to the side of her head on the right side of the screen, and starts circling her index finger next to her temple. Afterward, she lowers her right hand and looks downward in the direction of the lower part of the screen.


In the center and on the left of the screen are three men sitting side by side. On the far left is a man wearing a black long-sleeve shirt and blue shorts, excitedly waving both arms. Then he stretches his right arm to the right, with his left hand bent at his left side, his head bowed to the left over his left arm, lifting his right leg. Then he changes direction, extending his left arm, his right hand bent at his right side, his head above his right arm, with his left leg extended. He retracts his leg, then forms a thumbs-up with his left hand, index finger extended, hand placed under his chin, bowing his head. To his right is a man wearing a gray half-sleeve shirt and light gray shorts, smiling broadly, excitedly clapping his hands, shaking them up and down, extending his left arm to the left of the screen, bending his right arm at his side, then stretching his right arm to the right of the screen, bending his left arm, and repeating this action. To his left is a white man in a gray long-sleeve shirt, with his hands on his groin, facing the camera with a smile. On the right is a white man in a green military uniform, looking left and right and bowing his head as he speaks.


The camera zooms in, and on the right side of the screen, a finger points to a brownish-yellow powder in the yellow spoon at the center of the frame. Then, the camera zooms out, revealing a variety of ingredients placed at the center of the screen. Subsequently, a finger extends from the right side of the screen, pointing to the yellow powder in the white spoon at the center. In a flash, another finger from the right side of the screen points to the yellow powder in the white spoon at the center, and the camera zooms in on the yellow powder in the white spoon at the center of the frame.


In the opening scene, a little girl faces the camera, crouching down with her body leaning against the left side of a wall. She bends over to look at something on the left side of the wall. Her right hand extends with her index finger pointing at a spot on the wall. At this moment, a person wearing an outfit with a white hat appears in front of the girl on the right side of the screen, looking at the same spot on the wall along with her. Suddenly, both of them stand up. It is then revealed that the person on the right is a black woman wearing an overcoat with a white hat. She extends her right hand to lift the girl's chin, while the girl leans against the wall on the left, facing right, looking at the black woman.


In the frame, a person's right hand is holding a card. The camera gives a close-up of his right hand, which is holding a black card, and there is also a band-aid on his right thumb. Hmm, as the camera slowly shakes, his left hand appears in the lower right corner of the screen, typing. However, the focus of the frame remains on the right hand, causing the left hand in the lower right corner of the screen to be slightly out of focus.


In the foreground on the left, three children and two older children on the right are sitting at a long table eating, facing towards the right and left of the picture, respectively. The three children on the left are swaying their bodies and looking around. The girl closest to the foreground on the right occasionally picks up food from her plate with a fork in her right hand to eat. The boy on the right, farther from the foreground, is leaning on the long table with his elbows, eating a hamburger, and he looks towards the background and then back at the hamburger in his hand. On the left side of the background, a woman in a green skirt is walking towards the middle of the background to a round table and speaking to the woman in a grey short-sleeve shirt and the man in a military green short-sleeve shirt sitting next to the round table. The woman in the green skirt lifts a metal basin from the round table with her right hand, turns around, and carries the basin with both hands to the left side of the foreground, next to the long table. During this time, a man in a plaid short-sleeve shirt appears from the left and walks towards the round table in the middle of the background, picking up food from the table. The woman in the green skirt, holding the basin with her left hand, uses a spoon in her right hand to scoop food from the basin and places it in the bowls of the two children who are even farther from the foreground on the left side of the picture. The little girl sitting in the middle on the left side of the foreground picks up a hamburger from her plate with both hands, and the woman in the green skirt extends her right hand to the black-clad boy closest to the foreground on the left side of the picture. The man in the military green short-sleeve shirt next to the round table in the center of the background lifts the hamburger from his plate with both hands and walks towards the right side of the foreground, licking his left hand once and then putting it down.


In the scene, there are three people: a woman in a purple dress on the left side of the frame, a man in the center facing the camera and wearing an apron, and a woman on the right. The woman on the left is holding a piece of paper in her hand and keeps nodding, sometimes looking at the central man and sometimes at the woman on the right. In the end, the camera zooms in, and she shows the paper in her hand with her left hand, pointing to a certain line of content with her finger. At the same time, the man in the frame is holding a menu with his right hand, occasionally nodding and offering some of his own opinions. The woman on the right is pointing to the coffee on the table with her finger, sharing her own insights. Suddenly, she looks up in thought and makes a few gestures, as if she is narrating something.


A man is sitting facing the camera, talking. As he speaks, he tilts his head from the left to the right side of the frame, slightly lifting his chin. Immediately after, he raises his right hand, spreads his five fingers, and then places it back on the armrest.


In the center of the screen, a man wearing a plaid shirt is squatting on a white chair, facing the camera from the right side, his hands covering his ears, looking down to the left of the screen. Then he closes his eyes, opens his mouth, lowers his hands to hug his legs, bows his head to rest on his knees, and occasionally blinks. The camera shakes as it zooms out, then shakes again as it zooms in, and repeats the process of zooming out and in. The scene is dimly lit indoors, with a radiator and two black rectangular objects in the background.


In the lower left corner of the screen, there are many sheep facing to the left of the screen, lowering their heads to graze. In the center of the screen, most of the sheep are facing to the left, with some lowering their heads to graze and others walking towards the left side of the screen. The camera slightly shakes, and the scene is captured in slow motion. The foreground of the screen is a tree branch, while the background consists of plants and mountains.


In the lower part of the screen, a woman in a bikini lies on the beach facing right, with her head to the left and raised. She holds a mobile phone in her right hand and swipes the screen with her left hand, smiling. To the right, a man in white bends over and speaks to the lying woman, extending his right hand to her while holding a black device in his left hand. He retracts his right hand to his thigh, then extends it again to make a gesture to the woman before placing it back on his thigh. The man in white slightly raises the device in his left hand and adjusts a component on it with his right hand before placing it back on his thigh. The lying woman hands the phone to the man in white with her right hand, who takes it with his right hand, then straightens up and turns to walk towards the right of the background. The camera zooms in on the lying woman, who puts on sunglasses with both hands, turns her head to look in the direction the man in white left, places her hands on her abdomen, and then pulls her pants waistband, after which the camera zooms out. The background features green trees, buildings, and a blue sunshade, with a group of people walking or lying down.


Two men are sitting in the middle of the frame, sideways to the camera, facing towards the right side of the screen. The man in the black shirt has his hands spread out and is turning his head to speak to the man in the striped shirt. The man in the striped shirt slowly removes his glasses with both hands, glances at the man in black, and then, with his left hand, places the glasses down, bowing his head to look at the ground.


On the right side of the screen, a girl turns her back to the camera and closes the cupboard door in front of her. She then stands up facing to the left of the screen and turns her head to look in the direction of the camera. The girl's mouth is slightly open, and her expression is serious. She then bows her head to look down at her own feet. The camera then zooms out and moves to the girl's back as she opens the door on the left side of the screen and walks out of it.


The video footage is animated, showing a roller coaster moving from the bottom of the screen towards the top along the track, filled with tourists. At the same time, the camera follows the movement of the roller coaster.


In the center of the screen, a person is using a yellow square pillow to cover their face, with both hands tightly gripping the upper edge of the pillow. Then, they pull their hands down, revealing the upper half of this little girl's face. After a moment, she blinks quickly, then blinks slowly, and then quickly releases her hands. Her hands are just below the lower edge of the pillow, and the upper edge of the pillow springs up, covering the little girl's face once again. This little girl is lying on a yellow and white striped pillow, and there are several yellow square pillows in the center and the right side of the screen.


The camera shoots from a higher angle down, showing a woman in dark gray clothes lying on her back facing the lens. Below in the frame, a person in light gray clothes is sitting cross-legged next to the woman in dark gray, holding a bowl with their left hand, and with their right hand, they tap the side of the bowl with a stick and then press the stick against the edge, moving it clockwise around the bowl.


The man in the gray clothes on the far left of the screen is sitting facing the camera, with his head turned to the left side of the screen, continuously talking. The man in the blue clothes in the center of the background is sitting facing the camera, looking to the left side of the screen, his mouth turning slightly to the right side of the screen, and finally raising his right hand to his chin, opening his mouth. The woman in white on the right side of the background is facing the right side of the screen, her head turned towards the camera, looking to the left side of the screen, and moving her body towards the right side of the screen. On the right side of the foreground is a woman in black, facing to the left side of the screen. In the center of the screen is a table, in front of each person on the table there is a computer.


After the screen shifts, it comes to a stop with an object wrapped in tin foil on the left side of the screen. On the right side of the screen is a thermometer measuring the temperature on the tin foil. The temperature value on the tin foil keeps fluctuating, and finally, the thermometer is taken out of the frame from the right side of the screen.


In the middle ground of the scene, a dark-skinned man is facing the camera with his right hand on his right shoulder, looking towards the left edge of the frame. In the foreground, a yellow-skinned man sideways to the camera is moving to the right and speaking. The yellow-skinned man raises his right hand, and the dark-skinned man bows his head, raises his right hand to the back of his neck, and simultaneously raises his left hand above his right elbow. Then he lifts his head to look upwards to the left of the frame and speaks. The yellow-skinned man also raises his arms and places them behind himself. The dark-skinned man, talking, leans his body towards the right of the frame and closes his eyes. The yellow-skinned man also leans his body towards the direction of the camera. Then, the dark-skinned man, speaking, leans his body towards the left of the frame, opens his eyes, and looks to the right of the frame. The yellow-skinned man leans his body in the opposite direction of the camera.


A woman with her face covered in blood appears on the screen, her hands raised over her head. She takes a few steps to the left of the frame and then supports herself on the ceiling with her left hand, using her right hand to push up and down, slowly opening a hidden compartment. Subsequently, a large amount of banknotes pour out from the hidden compartment. Behind the woman is a painting with a gold design on a blue background.


The scene is shot from the first-person perspective of the driver, with the camera turning to the right, facing out the passenger side window. The vehicle continues to drive to the left of the screen, with shrubbery, grass, and patches of trees visible outside the window. Some trees have lost all their leaves, while others remain evergreen. The view outside the window continues to recede to the right side of the screen. As the vehicle passes a road sign, a dark gray car subsequently appears from the right side of the screen, traveling in the lane to the right of the vehicle being filmed, moving towards the left side of the screen. The body of the dark gray vehicle gradually appears fully in the frame.


On the right side of the screen, a group of people in black clothes are running from right to left; some appear from the door on the right side of the screen, while others emerge from the left wall. There are also people running from left to right. Three rows of white text appear in the bottom left corner of the screen. The scene changes, and a group of people in white and black clothes are engaged in a chaotic fistfight. The text in the bottom left corner gradually fades out.


The video footage is in slow motion, with the upper body of a person on the left side of the screen. The face is not visible in the frame. The left hand is holding a piece of meat covered in flour and placing it in the plate at the bottom of the screen, while the camera moves down. The man uses both hands to press the meat, while the camera zooms out.


The camera shoots from above, on the right side of the screen, a man in red clothing stands sideways to the camera, facing leftward in the frame. He holds a fishing rod in his left hand, slightly turning clockwise, throwing the rod into the water below in front of him. The scene cuts, and a man in camouflage clothing stands sideways to the camera, moving towards the left side of the screen. He touches the light on his head with his left hand and turns counterclockwise to face the camera directly.


Three small animals are frolicking in a small pool. The purple hippo is on the right side of the picture, with its head facing away from the camera, floating on its back with all four legs in the air, paddling with two of its feet. It then raises its head, waves its right hand, and smiles, greeting the camera. On the left side of the picture are a pink and a green chicken. The pink chicken is sideways to the camera, while the green chicken has its back to the camera, and they are looking at each other. The purple hippo raises its head, and the two chickens turn to look at the hippo, with the green chicken waving its right hand in greeting.


In the frame, a layer of a beehive is shown, with many bees crawling in all directions on the honeycomb grid in front of the lens, most of them gathered towards the upper part of the screen. From time to time, bees fly past the lens, heading in all directions. The lens moves left and right, then slightly rotates clockwise, followed by the lens moving backward.


In the center of the screen, a man with curly hair appears, looking to the left of the frame. The camera then slightly pans to the left, as the man uses both hands to pull a person wearing a hat to the left side of the lens. The person with the hat sits facing the camera. The man speaks excitedly to the person wearing the hat, who seems a bit bewildered. In the distance of the shot, a person holding a communication device in their left hand places their right hand behind the head of the person wearing the hat. The man then pushes away the person with the hat and prepares to rush to the left side of the screen, circling around the person with the communication device in the distance on the right side of the lens.


In the center of the screen, a white box is placed diagonally towards the upper right corner of the frame. In the center of the image, a person in a short-sleeved shirt is facing the camera, with only the upper half of their body in the frame, and both hands are placed on the two diagonals of the box. He opens his left palm to measure the width of the box, while his right palm is facing towards the right side of the screen. After a while, he turns his left palm towards the left side of the frame, then rotates the box clockwise to align it, and slightly adjusts it twice with both hands. Finally, he places both hands on the side of the box with the palms facing each other. The background is a white wall, and on the table on the right side of the frame, there are three small cakes and a glass.


The brown monkey with a blue cloak on the right side of the screen is facing away from the camera. The grey dog on the left side of the screen glances at the monkey and then bows its head to pick up the food on the ground with its mouth, moving towards the top right corner of the screen and disappearing. The monkey's head turns to look at the dog, following its movement.


In a room with complete home furnishings, a black woman appears on the right side of the screen and moves towards the left. She assumes a combat stance and performs a series of moves against the man in a white short-sleeved shirt on the left side of the screen, including a left straight kick, a right whip kick, and finally a high left leg lift to knock down her opponent. The woman continues to walk forward and approaches a man in a dark blue shirt. She first parries his attack and then turns and elbows him to the ground. The camera switches, showing the woman using a right whip kick against the man in the blue shirt who is on the ground. She then maintains her combat stance, turns around, and parries the right jab of the man in the white short-sleeve shirt who is preparing to attack.


On the left side of the screen, a woman is swimming underwater with her head facing the bottom right corner of the screen and her feet facing upwards. She is swimming towards the bottom right of the screen, with her back to the camera, while bending her knees with her feet pointing upwards. Then she stretches out both hands towards the bottom right of the screen and extends her legs straight upwards to the left. She then spreads her arms to both sides of her body and paddles towards the left side of the screen. The camera follows the woman's movement and shifts to the right. The woman's hands reach out to the right side of the screen again, while her knees bend and her feet extend upwards, then she lifts her buttocks and kicks water towards the left side of the screen with her feet. At this point, the woman is sideways to the camera with her body horizontal in the frame. She then bends her hands upwards and raises her arms, followed by bending her hands downwards and lowering her arms, while bending her knees and extending her feet upwards. She lifts her buttocks again and kicks water towards the left side of the screen with her feet. After that, she repeats the same actions while swimming towards the right side of the screen.


The main subject of the scene is a little girl wearing a purple gauze top, picking up a small water bottle in her hand, and pouring the water into a large jar on the table in front of her. Then, on the right side of the scene, a man in a black coat also pours the water from his jar into the large jar on the table. At the same time, the woman in a blue coat on the left side of the scene stands up and, after the man in the black coat has finished pouring, she also pours the water from her jar into the large jar on the table.


On the left side of the screen is an overhead view of a potted plant. The camera moves to the right, revealing several small shovels. A hand appears on the right side of the screen, reaching towards the center of the frame to take a shovel, then leaves the frame to the right. The camera continues to move to the right, and on the right side of the screen, a green potted plant appears. A hand holding a shovel with mud emerges from the top of the frame, pours the mud into the pot, and presses it down with the shovel until the mud is level, then the shovel is withdrawn from the top of the screen. Afterwards, a hand holding a shovel with mud appears from the top of the frame again, pours more mud into the pot, and presses it down with the shovel until it is level. The shovel is then put down, and a hand presses down on the mud, using the index finger to stir the mud, then gently presses down again. Subsequently, a hand extends from the right side of the screen to press on the mud, and finally, both hands are withdrawn.


The video is shot with a handheld camera; in the frame, two hemispherical objects, one purple and one green, are inverted on the brown table surface. The camera then pans to the right of the screen, revealing a grass-green object and a white circular tube entering the view from the right side of the frame. Subsequently, the lens slightly shifts downward, and a right hand enters from the bottom right corner of the screen, gently tapping the black metal frame between the green hemispherical object and the white tube. The camera continues to pan to the right, revealing other items on the shelf, while the right hand exits from the bottom right corner of the frame.


In the scene, there are four children. The one closest to the camera is a boy in white, doing a plank. His head is turned to the left side of the frame, with his right hand behind his back and his left foot raised. Due to an unstable center of gravity, he also supports himself with his right hand on the ground, attempting to raise his left foot again. Then, with both hands exerting force, he transitions into a kneeling position to the left, before naturally leaning back to sit down, facing the camera with a smile. Behind him, there are two girls; the one with a flower accessory on her head is imitating the boy's actions, doing a plank and putting her right hand behind her back. The other girl, who is farther from the camera, is in the plank position with her right arm extended outwards from her body, pointing upwards.


The scene shows the backs of a team of police officers dressed in fluorescent yellow jackets with "METROPOLITAN POLICE" written on the back. The camera follows the police as they walk forward, and a woman can be seen on the opposite side of the street filming the police with her phone. The camera then moves to the front of the police, with the right half of the screen showing a team of police walking forward in pairs, while on the left half, a group of police remain stationary, looking left and right. In the background, a building under construction can be seen, as well as road barriers and pedestrians.


In the scene, a woman is shown walking continuously to the right of the screen, and the camera follows her as it moves to the right. She stops, positioned on the left side of the screen, as a man leading a white horse enters from the right. They stand facing each other, with the woman saying something to the man. Then the camera shifts to their rear, showing the woman walking towards the back of the horse. The man's hand is holding the woman's hand, placed on the horse's back. They are seen conversing, and both their hands are then lowered. In the end, the man, the woman, and the horse walk together towards the house on the left side of the screen.


In the scene, a pair of hands can be seen holding a black leather wallet. With both hands slightly turning it, the right hand then holds the wallet while the left hand starts to make gestures by swinging gently.


In the center of the screen, a woman in a purple top stands facing the camera straight on from the right side, looking to the right of the screen. Her hands are crossed in front of her body, then she extends them upwards, her hands and upper body leaning back towards the left of the screen. She then opens her hands and bends forward, facing the right of the screen, her waist bowed. Next, she places her hands on the yoga mat, raises her head, and lifts her hands. She then bows her head again, kicks her right foot backwards to the left of the screen and lands, with her left foot in a lunge position. Her hands come together and extend to the right of the screen, then move upwards and extend straight to the left of the screen. Following this, her hands are retracted to her right arm, and she supports herself on the ground with her hands, while her left foot also extends to the left of the screen, slightly adjusting her pose. The camera shakes slightly, and there is a pink yoga mat in the lower part of the screen. To the left of the screen is a door, and to the right are curtains.


At the beginning of the scene, the camera starts to shake and we can see a black sedan outside. The camera is aimed at the sedan, which is a right-hand drive car. The camera shoots from the right side of the car towards the driver's seat. Slowly, the camera starts to extend into the car, and at this moment, a hand appears in the lower right corner of the screen, preparing to reach into the car.


On the left side of the screen, a left hand is holding a blue toy skirt in the middle of the screen. On the right side, a right hand is holding a pink bowl, then placing it towards the lower right corner of the screen. Next, from the right side of the screen, another hand appears holding the blue toy skirt in the middle of the screen, slightly shaking it towards both sides. Then, the left thumb touches the skirt, moving towards the upper left corner of the screen, while the right hand holding the skirt slightly rotates it towards the right side of the screen.


In the image is a woman wearing a black top. She is sitting slightly to the left of the center of the picture, facing the right side of the frame. She has headphones on her ears, with her chest puffed up and her head held high, stretching her arms in front and behind her, swinging them back and forth. First, she raises her left hand horizontally to her chest, with her fingers pointing towards the camera lens. Her right hand is raised upwards, clamping her left elbow against her body, gently pressing it. Then she lowers both hands, swings them back and forth, and swaps them, using her left hand to press on her right. Her gaze remains fixed on the right side of the picture, looking left and right. She lowers her hands again, raising both arms from the sides of her body up to her head. Finally, her left hand pulls on the elbow of her right hand, pressing it overhead. Her head turns towards the camera lens.


The scene is shot from a first-person perspective. At this moment, the room is illuminated, and the camera lens is noticeably shaking. It then turns to the left and down, the light in the room disappears, and a hand enters the frame from the bottom. It lifts a puzzle piece from the lower left corner of the screen. The hand moves upwards, replacing the puzzle piece, and then quickly moves down, disappearing from the frame below. Following this, the camera pans up, and the light reappears in the room.


The scene is shot from a first-person perspective, focusing closely on the hands. The camera slightly shakes, with the left side of the screen showing a left hand entwined with green yarn around the index finger. On the right side of the screen is the right hand holding a crochet hook. The left hand takes the crochet hook from the right hand, while the right hand picks up a light blue pin from the purple surface. The right hand then pins the white and green fabric hanging from the crochet hook in the left hand. Following this, the right hand is ready to grasp the crochet hook, with both hands shaking noticeably.


On the right side of the screen, a white-haired man is sitting on a dark chair with gray cushions, his hands on his knees, facing the left side of the screen with a serious expression, continuously speaking. He is wearing a dark coat and black pants. On the left side of the screen, a man is sitting on a chair that is basically the same, facing the right side of the screen. He holds a red booklet in his right hand, lowers his head to open it on the black table in the center foreground, then looks towards the man on the right side of the screen and withdraws his hand. This is a semi-open scene, with many items placed on the black table in the foreground, including two identical dark green cups on either side, a light-colored box with black text, and yellow objects, among others. In the background, there are brown fences and a fireplace. There are trees on the left side of the screen.


At the center of the screen is an image of a green dinosaur. It starts by opening its hands wide and smiling at the camera. Then, it clutches its stomach with both hands, looking painful. Finally, it extends both hands in front and runs out of the frame from left to right. The background of the scene is a park.


In the scene, five people are standing facing the camera, looking into the lens. In the foreground on the left side of the picture, a woman in red has her mouth agape, looking ahead. On the right side of the foreground, a woman in green is holding a plate in each hand. In the background on the left, a woman in pink is tugging at her chin with her right hand and has her left hand on her right waist. In the center of the background, a man in green is standing. On the right side of the background, a man in black raises his left hand and then lowers it, turns his head to look to the left side of the picture, and then looks back at the camera, making a heart shape with his hands, which fall naturally. He turns clockwise to face the man in green, with his right hand placed on the left shoulder of this man. Then, the man in black turns counterclockwise to face the camera.


In the center of the screen, there is a woman facing the camera with her left side, lowering her head to look down, and then looking back towards the center of the screen. On the right side of the screen is a man who is holding the woman and crouching down.


A door appears on the screen, with a red character next to it. The door is opened, and a girl with red hair pushes the door open and walks into the frame. The girl turns around, and a man follows her, bending down to lift a sack and then walking into the door.


In the center of the screen is a foam box. The left hand is seen above the center of the screen lifting the lid of the foam box, while the right hand is inside the foam box at the center of the screen. Then, supporting the side of the box on the right side of the screen, the hand fastens the lid of the box. Both hands press down on the sides of the box, moving it towards the center of the screen. Both hands move towards the camera's direction, supporting the center of the box. The left hand, positioned to the left of the center of the screen on the front side of the box's left side, moves closer to the camera's direction from the bottom up. Similarly, the left hand, now on the right side of the center of the screen on the front side of the box's right side, also moves from the bottom up towards the camera's direction. The left hand then moves to the right side of the foam box and slides up from the bottom.


The scene is from the first-person perspective of a fisherman, with a vast and calm lake in front, rippling with ripples. The fisherman holds the fishing rod in his left hand and slowly retrieves the fishing line by rotating the spool with his right hand in a clockwise direction.


On the right side of the screen is a black woman wearing a tank top, holding a candle in her left hand on the left side of the screen, looking towards the camera, with her head turned to look to the left of the screen, and also turning her head to look to the right of the screen.


The man standing on the left puts down the items on the hanger and turns to the right, while the woman standing on the right bows her head and uses both hands to take off the suit. The man's left hand shakes up and down, and the woman grasps the clothes and walks towards the man. The man's gaze follows the woman, looking down at her hands. The woman walks to the opposite side of the man, and the man raises his left hand, reaching for the left sleeve of the suit, then turns around, inserting his right hand into the right sleeve. The woman puts the suit on the man, lifting her hands to adjust the shoulders. Then the man turns towards the camera, raises his hands, and looks down at the sleeves. At the same time, the woman steps back from the clothes. The man turns to the right, facing the woman, and the woman looks at the clothes, placing her hands between the man's hands, and tugs at the middle edge of the coat. The man looks at the woman with a smile, and the woman shakes her head from side to side, examining the clothes. Then, the man and woman look at each other, and the man speaks to the woman. Following this, the man leans forward towards the woman, and the woman looks down first and then quickly up at the man.


The camera captures a downward angle, with a ink bottle placed in the lower left corner of the screen. In the center of the frame is a painting of a dreamcatcher done in shades of orange and red. On the right side of the screen, a person's right hand is holding a tissue, wiping the painting from the top of the screen down, then placing the tissue on the right side. The left hand, holding a set of painting brushes, dips into the ink in the lower left of the screen and touches the tissue on the right, then moves to the center of the screen. At this point, the right hand taps on the brush, then moves from the top of the screen to the right, and then moves away from the lower right corner. The left hand continues to dip the brush into the black ink towards the left of the screen, while the right hand taps the brush and moves it from the bottom to the top of the screen.


A short-haired man in a suit is walking from the left side of the screen to the right, with his hands swinging widely. The camera follows his movement and pans to the right. He approaches a bar counter that appears on the right side of the screen, briefly places his right hand on the counter, and then turns around to lean against it. The short-haired man turns his head to the right and speaks a few words to another man sitting at the bar. Afterward, he turns his head to look to the left of the screen. The man sitting at the bar nods slightly to the short-haired man as he arrives, then picks up a glass of alcohol with his right hand and takes a sip. After drinking, he glances at the bartender. The bartender, after the short-haired man arrives, pours a glass of alcohol for him with his right hand, places the glass on the bar, and then supports himself on the bar with his left hand while looking to the right of the screen.


The video is shot with a handheld camera. In the frame, a white mountain bike is parked facing the right side of the screen on brown ground. In the background, there is a white wall with a grey skirting board at the bottom. The camera then moves backward, away from the mountain bike, and slightly upwards, revealing the bottom platform of a window. It subsequently moves forward to get closer to the mountain bike, then turns to the left side of the screen and continues to approach the front wheel, capturing a close-up of it. Then, a left hand with an extended index finger quickly enters the frame from the bottom and points at the front wheel, before swiftly exiting the screen.


On the left side of the screen, a man in a blue coat faces the camera, looking down to the right of the screen. His left hand is on the keyboard of a computer on the table on the right side of the frame, tapping away, while his right hand holds a cup of light yellow beverage. With a phone wedged between his left shoulder and head, he is talking as he leans forward and then retracts his body. He raises the cup to his mouth with his right hand and takes a sip, then places the cup down on the table to the right of the screen. After moving his mouth a few times, he smiles and continues speaking, with both hands back on the keyboard typing. The scene is indoors, with a plant and a lamp on the right side of the frame.


In the scene, the black man is playing the trombone, and the camera is using a slow-motion shot. The black man is facing the camera directly, then the camera slowly moves upwards. The black man glances to the left side of the screen with a sidelong look from his glasses. After that, he leans back slightly, holding the trombone with his right hand. As the camera moves to the right, the black man puts away the trombone, purses his lips, and turns his body sideways towards the left of the screen.


The scene is shot from a first-person perspective. In the frame, a hand is close to the camera with open fingers and the back of the hand facing the lens. The fingernails are painted with nail polish. Following this, the hand moves to the right side of the frame, flips over to show the palm facing the camera, fingers bent. Then it moves closer to the lens, subsequently moves away from the lens, and finally opens the fingers.


In the foreground of the scene, a person appears walking from the left side of the frame to the right and disappears from view. The camera pans to the right, revealing a man with short hair dressed in black in the center of the frame. He looks at the person walking in the foreground, following them with his gaze from left to right, then opens his mouth to start speaking, blinks, bows his head, and frowns while pursing his lips. A blurred silhouette of a person's back of the head appears on the right side of the frame. The background consists of several rows of chairs with reflective surfaces.


Close-up shot, a woman appears in the frame, with the camera only capturing her hand position. The woman's left hand supports the mouth of a conical flask, with a funnel attached to the bottle. Her right hand holds a spoon, slowly adding coffee to the funnel. Subsequently, the woman scoops up a spoonful of coffee from a cup on the left side of the center of the screen and adds it to the funnel. Finally, she raises the conical flask with her left hand. In the distance, her body bobs up and down rhythmically. Beside the cup filled with coffee, on the left side of the frame, there is a kettle, and on the right side, there are several cups and spoons.