A woman wearing sunglasses is located on the left side of the frame, smiling and looking at the camera, with a watering can in her right hand. On the right side of the frame is a rack covered with climbing plants. The woman in sunglasses bends her elbow upwards, talking, and her left hand shakes up and down a few times before she turns her head to look at the right side of the frame, then turns back to the camera, lowers her left hand, raises her right hand, and shakes the watering can back and forth towards the camera. She turns her head to look at the right side of the frame again. The camera cuts to another angle, still showing the woman in sunglasses and the vines on the right side of the frame. The woman raises her left hand in front of the camera, touching the leaves of the plant while talking. She then turns her head to the right side of the frame, uses her left hand to flip a leaf to the left side of the screen, and then moves down to flip another leaf towards the left side of the frame. After that, she lowers her left hand, turns towards the camera and speaks, raises the watering can with her right hand, shakes it up and down, and turns her head to the right side of the frame once more.


A hand moves upward from the bottom of the screen, holding a lollipop. It then places the lollipop on the left side of the screen, after which the hand moves back down and leaves the frame.


A man in a black short-sleeved shirt stands on the right side of the frame speaking to a man with his upper body bare, who is standing on the left side of the frame with his back to the camera. Then, both men turn towards the camera and smile, while the man on the left, with his upper body bare, turns around, lifting his clothes with his left hand up and his right hand down.


The camera focuses on a small corridor, where many people dressed in ancient armor and costumes are present. They seem to be acting out a scene. From the right side of the frame, a man in a gray suit jumps in, landing on top of a person dressed in a green ancient costume. The person in the green costume waves a whip in hand, attempting to strike the man in the gray suit. The man in the gray suit bends down, and the camera follows, panning down to focus on him. The man in the gray suit crawls under the green-clothed man and ends up behind him. His head bumps into another man dressed in ancient red pants. Then, the man in the gray suit sits on the ground, supporting his head with his left hand, seemingly in pain from the previous impact. The man in the gray suit looks up at the man in the red pants, readjusts his sitting position with a look of terror on his face. The camera stays on him as he then starts to laugh, props himself up with his hands, and stands up, looking at the camera with a smile. The camera slightly zooms out to reveal more of the scene. At this moment, the man in the red pants turns to the right side of the frame, looking at the man in the gray suit with a smile. In the background, people standing at the edge of the corridor straighten up, preparing to walk towards the camera.


In the scene, there are many clothes hanging on two clotheslines. In the center of the image, slightly to the left, a woman in black clothing is facing the camera, looking at the clothesline in the background of the scene. Her right palm is facing the camera, moving along the clothesline towards the right side of the frame. She turns her head counterclockwise, facing towards the right side of the image, and moves out of the frame from the right side.


A blond person is pushing a machine on the left side of the screen and moving it at a constant speed to the right side of the screen. At the same time, the camera is rotating clockwise towards the left side of the screen and following the movement of the machine. There is a person in khaki pants standing on the left side of the machine, and a person in jeans sitting down.


In the center of the screen is a male in a blue shirt with a prosthetic leg on his right side, pulling a suitcase with his left hand as he walks towards the back of the camera. The camera moves upwards, following the movements of the male in the blue shirt. To the right of the screen is a male in a grey short-sleeved shirt looking towards the male on the left side of the screen and moving towards the left. The male in the blue shirt hands over the suitcase to the male in the grey shirt with his left hand, and both bow their heads. The male in the blue shirt then picks up a small green bag with his left hand in the center of the screen, moves upwards, and then releases his left hand, exiting the frame from the bottom.


In the right side of the screen, there is a male in a gray short-sleeved shirt squatting in front of the camera. His right hand first put down a bottle, then raised his right hand to the car on the left side of the screen, circled around the tire, and said something while facing the camera. In the end, he looked at the car on the left side of the screen again and swung his arm upwards. The scene is set in a room with a floor in a red and black checkered pattern.


In the center of the screen, three people are walking side by side towards the right of the frame. The one closest to the camera is a man in green clothing. To his right is a woman in denim, and to her right is a man in gray clothing. The camera follows their movement. On the left side of the screen, two people in black clothing are sitting in chairs. In the distance, there are many pedestrians in motion. In the center background, two pedestrians are walking towards the right of the frame. In the lower left corner, there appears to be the head of a Caucasian person in recent years.


On the left side of the screen is a black woman wearing an orange skirt, facing the camera. On the right side is a man wearing a white and black striped short-sleeved shirt with his back to the camera. At this moment, there is a phone at the lower left of the screen, and a white spiral staircase on the right. The man's right hand is reaching towards the upper left of the screen, while the woman uses her right hand to move from the left side of the screen towards the center, striking the man's face. Then she uses her left hand to push against the man's right hand, balls her right hand into a fist, and moves from the lower left of the screen to the upper right, hitting the man's face. The man's body rotates a full circle towards the right side of the screen, turning his back to the camera. The woman's body rotates towards the right side of the screen, lifting her right leg from the lower right to the upper right, kicking the man in the head. The man falls towards the lower right of the screen, at which point the woman is in the center of the screen, her left hand open, positioned on the right side, her body facing right, and looking towards the lower right. The camera cuts to the woman on the left side of the screen, running to the left, as the camera quickly moves to the left. At this time, there is a cabinet at the lower right of the background.


At the center of the screen is a monkey's palm facing upwards, with a lump of mud in the palm. The scene changes, and now the center shows a monkey covered in mud, raising both hands over its head and looking to the right of the screen. It will lower its hands, point to the right of the screen with its right hand, laugh heartily, and then raise both hands to its chest and run towards the right side of the screen.


On the right side of the screen, a person is sideways to the camera, bending towards the left side of the frame. Her hands are placed on a wooden stake in the center foreground of the screen. She pinches the edge, touches the center, pinches the edge again, and then touches the center. With her right hand, she takes a cylinder from the center of the stake. Holding the cylinder in her right hand, she moves it upward and then downward, placing it on the ground. Her left hand pinches the edge of the stake, while her right hand, holding the cylinder, turns counterclockwise towards the right side of the screen and puts the cylinder on the ground. Then, she turns clockwise and faces towards the left side of the frame.


In the center of the screen, two women are sitting on a bed facing the camera. The woman with the afro hair on the right is holding the woman with long hair on the left in her arms. Both are looking directly into the camera. At the beginning, the right woman's left hand is on the left shoulder of the woman with long hair, and her right hand continuously strokes the right arm of the woman. Then, she moves her head and kisses the forehead of the girl with long hair before looking directly into the camera again. After that, her right hand stops stroking, but her left hand begins to caress the girl's left arm.


The video footage is set on a road, with a man in the center of the frame wearing black shorts, walking towards a car with a plastic film on the rear window on the right side of the screen. His right hand is reaching into the car window. On the left side of the frame, there is a little boy in jeans standing on the green belt, sideways to the camera, his body facing the right side of the screen. He is holding a bottle with both hands and looking at the passing vehicles on the road to the right of the frame. At the same time, on the left side of the frame, a man in a white shirt is walking from the right side of the screen to the rear of the car with the plastic film on the window, heading towards the left side of the screen.


Animated short film. In the left foreground, a pink creature is leaning back on a recliner, facing away from the camera and looking towards the right background where a purple creature is located. The purple creature in the right background, facing the direction of the camera, first retracts its right hand and opens its eyes to look towards the pink creature on the left side of the screen. Then, the pink creature extends its right index finger towards the purple creature and waves it slightly. Finally, the purple creature raises its hands together and bows its head.


The scene shows a top-down shot of a dark brown table. On the right side of the table, there is a mobile phone; on the left side, there are several pens and a ruler. In the middle of the table, there is a white notebook with simple line drawings on it. At the top of the frame, facing the camera, is a man sitting on a blue sofa. His left hand holds a pen, and his right hand supports the notebook in the middle of the table as he is drawing on it. However, both of his hands are motionless. The camera slowly pans down to a front-facing angle of the man, revealing that he is wearing a gray T-shirt and a beret. His left hand, holding the pen, has its elbow resting on his knee, while his right hand's middle and ring fingers are pressing on the notebook, with the elbow also on his knee, maintaining this posture without moving.


The person on the right side of the screen raises their right arm, which is carrying several pieces of clothing, and at the same time, they are holding a mobile phone in their hand. Facing a clothes rack on the left side of the frame, they use their left hand to move the clothes aside and with their right hand's index and middle fingers, they grip a corner of the clothing to examine it. The camera slowly moves downward in a level translation.


In the center of the screen is a chocolate-colored pastry. On the right side of the screen, a hand appears, moving towards the center, pinching the pastry. Then, holding the pastry, it moves towards the left side of the screen, turning slightly to the right, then moving slightly away from the camera, turning the pastry to the right, then turning it to the left again, and finally moving slightly to the right of the screen.


At the center of the screen is a painting. On the left side of the screen, the left hand is pressed against something, while on the right side, a palette knife is being used to paint on the canvas. The action then moves to the paint box on the left side of the screen to scoop up paint, then moves to the right side to apply color. This process is repeated several times: moving to the paint box on the left to scoop up paint and then returning to either the left or right side to apply color. Finally, the action moves to the paint box on the left one last time, before moving to the center of the screen to apply color.


Aerial shot with a moving lens. In the center of the frame, a man is walking towards the left side of the screen with his back to the camera. He first looks ahead and then turns his head to look towards the left side of the screen. The camera moves to the left.


On the left side of the screen, a hand is holding a black flashlight illuminating a hand in the center of the screen that is turning a switch. The camera moves to the lower right side of the screen, and the hand holding the black flashlight on the left side of the screen disappears off the left side of the frame.


In the video, there is a scene of a pair of hands knitting wool. The left hand's index finger holds the wool yarn end, while the thumb and ring finger grip the knitted part to facilitate the insertion of the crochet hook; the right hand holds the crochet hook, piercing it through the gap in the wool loop, hooking the yarn, and withdrawing the hook to form another loop of wool.


In the scene, a pair of hands uses the index fingers and thumbs to gently grip the sides of a black leather wallet and rotate it slightly back and forth. Then, the right hand releases the black wallet and moves to the right side of the frame, almost completely exiting the scene. Next, the right hand returns to the frame from the right, extending two fingers to touch the edge of the wallet, then quickly withdraws from the scene again. Finally, the right hand re-enters the frame and once more pinches the edge of the wallet with the thumb and index finger.


In the image are two magazines, one on the left side and one on the right side of the screen. On the left is a white magazine with the word "KARATE" written on it, which is likely the name of the magazine. On the cover, there are two men's silhouettes; the one slightly higher up is dressed in a black martial arts outfit, holding a long samurai sword in his right hand raised high above his head. His left hand is extended with an open palm in a defensive posture. He is jumping with his left knee raised and his right leg dangling. Below this, on the same magazine cover, there is a man dressed in a white martial arts outfit. He also holds a samurai sword in his right hand, raised to the side of his body on the left side of the image. His left hand has the thumb and index finger extended, with the other three fingers bent, palm facing outward, and the left arm extended to the right side of the screen, with the forearm vertical. On the right side, the magazine features the uppercase white letters "NINJA" with red shadowing. The main figures in the image are three people; in the center, a man dressed in black ninja attire holds a trident in each hand and is leaning to the left. His left arm and torso are raised, while at the same time, there is a person in black clothes and a mask, holding a stick in their right hand, attacking his left arm. Beside the right arm of the man in the ninja attire, another person in black clothes and a mask is attacking his right hand with a short knife; this person has a very fierce expression. The background of the image is a digital space with a black center and white light spots, while above and below there are continuously changing red grilles.


In the scene, two people can be seen. On the right side of the screen, slightly closer to the camera, is a man wearing a yellow short-sleeved shirt. In the middle-left part of the screen is a child wearing a white top. The man is sitting on the sofa on the right side of the screen, his head leaning against the child's, with both hands holding the child's arms. The man picks up the child, moves around the edge of the sofa, and sits the child on his lap, with the child's gaze fixed on the camera. Then, the man embraces the child with both arms, and the child turns their gaze to the left side of the screen as the man looks down at the child with his head bowed. In the end, the child turns their gaze back to the camera.


On the left side of the screen, a woman in white is standing with her body tilted towards the right side of the frame, looking down and starting to laugh while speaking a few words. On the right side of the screen, a little girl in a pink skirt is facing the camera with her head down and a smile on her face. She is holding a flour-filled colander in her right hand and has her left palm open towards the left side of the frame, continuously moving her right hand to the right side of the screen. The colander is touching her left hand, causing flour to continuously fall. The woman in white moves her right hand, which was placed on the table, a bit towards the right side of the frame and looks up towards the head of the little girl. The background is a grey wall, and at the bottom of the foreground is a table filled with many ingredients.


The purple anime character on the left side of the screen rotates the gear in the middle of its body and steps back towards the left of the screen, then moves towards the right side of the screen while looking at the green anime character on the right, who has their back to the camera. Afterward, the purple character slightly rotates towards the left of the screen and shakes its body left and right. Then it moves towards the green anime character.


The video shows a man in blue clothes facing the camera, standing on a surfboard and surfing from the right side of the screen to the left. The camera follows the man as he moves to the left, continuously riding the waves towards the crest. He then turns, bends his waist, and lowers his body to ride the wave down. The scene changes, and a man in red clothes is seen standing on a surfboard, surfing from the right side of the screen to the left. He keeps riding the waves towards the crest, then turns, bends his waist, and lowers his body to ride the wave down, eventually disappearing into the spray. The scene switches again, showing the man in red lying on his surfboard with his arms spread, positioned at the crest of the wave. He then stands up on the board and rides the wave down.


The video shows the upper body of a man, excluding the face, with his body facing the camera, holding a guitar. His left hand grips the guitar neck, while his right hand cradles the body of the guitar, and with a pick in his right hand, he continuously plucks the strings from top to bottom. At the same time, his left hand presses on the neck to play the instrument.


The main subjects of the scene are two people. The person on the left raises their right hand and points at the person on the right. The woman on the right is facing left, holding her right hand with a phone, taking pictures all around. She first takes a photo of the lower left corner of the scene, then the lower right corner, and finally raises the phone to aim at the left side of the frame. In the end, both extend their hands to give a high-five in the center of the scene.


The shooting location is in the wild with a lot of weeds. In the center of the frame is a car, with a person standing on it, sideways to the camera looking to the left. At this moment, the person in the center of the frame is using a camera to shoot something towards the left side of the screen, then raises their head to observe, with their head slightly turned towards the camera, mainly looking to the left side of the frame.


In the scene is a woman wearing a white top with a bow tied on her head near her left ear, and three flowers in yellow, blue, and red. She is facing the canvas, dancing rhythmically. As the scene begins, her left arm slowly rotates in front of the canvas, turning her body to face it, and the arm continues to spin to the sides of her body. Meanwhile, the camera slowly pans to the right.


The video is a close-up of the hands from a first-person perspective looking down. At the top of the screen, the left hand is kneading dough in an iron basin. The left hand on the right side of the screen is holding the edge of the basin. After kneading a few times, the right hand leaves the dough, and the left hand takes a small bottle of water from the bottom right corner of the screen. It pours the water into the right hand first, and then the right hand circles to sprinkle the water into the dough.


A yellow airplane is flying from the right side of the screen to the left, with the camera following the movement of the plane. Then, the nose of the plane faces the camera, after which it flies from the left side of the screen to the right. The camera zooms in and then zooms out.


In the scene, a person with their back to the camera is sitting in a boat on the surface of a lake. In their hand, they hold a paddle extended into the water, rowing towards the direction of the camera. The boat moves away from the camera. Then, they pick up the paddle with both hands, insert it into the water, and row towards the camera's direction once again. After that, they repeat the rowing motion, with the boat continuously moving slowly away from the camera. To the left of the scene is a house, and to the right are some trees and plants.


The camera captures an upward angle, with a woman wearing a striped tank top on the right side of the frame climbing a rock with her back to the camera. Her buttocks face the lens, and her left leg is bent. She takes a small step with her left leg towards the right side of the frame, then shifts her weight to the left side of the frame, supporting herself on the rock wall with both hands. She slightly turns her head to the left side of the frame, reaches her left hand to the left, grabs a stone, and quickly moves down. Her left leg takes another step to the left, then she lifts her right foot, and her right hand reaches up to grasp the climbing rope. The camera moves towards the top right corner of the frame, and the woman's position shifts to the left side of the frame. The background is filled with rocks.


In the scene, a group of people are sitting in a classroom. The teacher stands to the left of the frame, sideways to the camera, with arms crossed over the chest, looking to the right of the frame. A boy with a green backpack is pulling the strap with his right hand and combing his hair behind the right ear with his left hand, facing sideways to the camera and walking towards the right side of the frame. In the background, a boy in a white shirt stands up from his seat and walks to the right side of the frame, talking as he approaches the blond girl. The blond girl, located on the left side of the background, is smiling and looking at the boy in the white shirt on the left. She extends her right hand to pull the boy's sleeve, and the two start dancing together. The boy with the green backpack looks at the blond girl, walks to the left side of the frame, stands next to the girl, and watches the two dance. The other students in the background are all sitting in their seats, turning their heads to watch the two dancing.


On the left side of the screen, there is a man in white clothes facing the camera with his body, while his eyes are looking at the man on the right side of the frame. He moves his feet to step towards the center of the screen, then raises his left hand to cover his head, and subsequently brings both hands together at his right waist. He pushes with both hands towards the center of the screen, changing his feet into a bow stance, and repeats the action. On the right side of the screen, there is a man in orange clothes who lands on the ground from the air. He then brings both hands together at his left waist and pushes with both hands towards the center of the screen, changing his feet into a bow stance. He then jumps up, flips in the air, and is hit by a shockwave emitted from the man on the left side of the screen the moment he lands. His body falls backward and hits the ground.


The screen shows a wilderness scene where a wooden house has collapsed and is on fire inside. On the far left of the screen, two people in black clothes are shaking their hands and bodies. A person in white clothes quickly runs from the right side of the screen and starts fighting with these two individuals. Immediately after, a man in a cowboy hat appears from the right side of the screen and runs directly towards the burning house. His left leg seems to be injured, and he supports his left hand on his left thigh, limping as he runs. In front of the burning house, a person in red pants is holding a child wearing a yellow dress. When the person in red pants sees the man in the cowboy hat running towards them, they immediately grab the child with their left hand and turn to run towards the burning house behind them.


Four people are sitting at a table, looking at the computer screen placed on it. The man in the white shirt is sitting facing the camera, looking at the computer, then glances to the left of the frame, and subsequently turns his head to look to the right of the frame. The man in black is sitting facing the camera, lifting his left hand to support his chin, while his right hand moves to the right of the frame, placed under the left elbow. He looks at the computer screen, then nods slightly, before turning his head to glance to the left of the frame and then back to the computer, looking at the screen. The woman in black is sitting to the right of the frame, holding a tablet in her hands. She looks up at the computer screen, nods, then turns to the left of the frame, looking towards the front right of the camera, and subsequently turns to the left again, bowing her head to look at the tablet in her hands. The woman in the white shirt is sitting facing to the left of the frame, her hands clasped on the table, continuously looking at the computer screen. This is a sequence of slow-motion shots, with the camera panning slightly to the right and then to the left.


The shot is a close-up of a kettle spout. The spout in the center of the frame faces to the left, with steam emerging from the middle of the spout. The steam quickly flies towards the upper left corner of the screen. The camera slowly rotates counterclockwise to the right, with the spout at the center.


A woman is sitting cross-legged on the grass, facing to the left of the camera, looking down at a book in her hands. She turns a page with her right hand towards the camera and then taps the pages to the left of the frame, writing something. She then turns her head to look at the camera, before turning towards the camera, placing the book on her left leg, and bowing her head to write something with her right hand. Suddenly, she laughs. In the background, someone is walking from the right side of the frame towards the left.


In the scene, an anime character in red clothing gradually disappears, and an anime character wearing a yellow headband appears in the frame. Facing the camera, he opens his mouth, raises his right hand towards the left side of the screen, then withdraws his right hand, slightly clenches his fist, and places it in front of him while speaking to the left side of the screen. In the end, he opens his right hand, waves it slightly in front of him, then lowers his right hand, and leans his body towards the left side of the screen.


In the scene, a person's hand is holding several banknotes, with the hand extending into the frame from the right side, positioned slightly lower in the frame. Then, his right hand also extends into the frame from the right side, reaching towards the stack of money. His right hand takes away one bill from the left hand, then the next one, continuing this action. He seems to be counting the money in his hands. Until all the money in his left hand is counted and transferred to the right hand, he then places the money in his right hand back into his left hand. Using the index finger and thumb of his left hand to hold them, he puts them back into the palm of his left hand, slightly organizing them, with his right hand at the bottom of the money, aligning it.


In the center of the screen, slightly to the right, there is a black woman with her upper torso exposed, facing the camera with her right hand holding a white candle. She smiles and turns towards the left side of the screen, then turns back to the right side of the screen.


In the frame, the man in a black suit faces the camera, looking to the left of the screen, as the flash of the camera lights up his face. Following this, the camera quickly cuts to a man wearing a red shirt standing and facing to the right of the screen. He raises his right hand to wave to the right side of the frame and then makes a blowing-a-kiss gesture with his right hand towards the right side of the screen before lowering it. Many people are standing around him.


The man is on the left side of the screen, with his right hand on the left side of the frame, and his left elbow on his left thigh. The man extends his right thumb and index finger and places them on the tool, then moves them to the bottom of the tool. After circling around the tool, he raises his right hand to press down on the tool and moves it to the top of the tool, then slides it to the right side of the tool. He then extends his right index finger into the tool, and subsequently places it at the bottom of the tool before leaving it and disappearing from the frame. After that, the right hand re-enters the frame, and the man raises his right hand to the back of his neck, and the right hand disappears from the screen. Then, it reappears in the frame with an open palm, and both hands move up and down.


Close-up shot. The camera slowly pans to the right, revealing a man sitting on the right side of the frame. The man is facing the left side of the screen, looking at the tablet in his left hand, with his right hand on the tablet operating it. The man is speaking, then looks towards the woman in the center of the frame, and then back to the tablet screen. He looks at the woman again, raising his right hand to make a gesture. In the end, the man continues to bow his head and look at the tablet, finally glancing at the woman again. In the center of the frame is a sitting woman. She first looks at the tablet screen, then looks at the man and smiles, before continuing to look at the electronic screen. She then looks at the man again, and back to the screen, finally breaking into a smile.


In the foreground of the scene, a hand enters from the left side of the frame, extending its middle three fingers towards the opposite direction of the camera lens. Then, the camera pulls back, in the distance of the scene, a man is seen riding a bicycle at the center of the frame, moving away from the camera and disappearing into the foreground. At the same time, in the background of the scene, cars are moving from the left to the right side of the frame.


A left hand extends from the top right corner of the canvas to the center, holding a short stick and bringing it to the small fire pit in the center of the picture. At the right edge of the canvas, there is also a knee of a person kneeling. The left hand moves out of the frame from the left side, and then the knee also moves out of the frame from the top right, after which the flames in the fire pit gradually diminish. After this, the left hand reaches from the top right to the center of the canvas, extending its index finger to touch the short stick, then the middle finger, ring finger, and little finger gather the stick together, before moving out of the frame to the right. The flames become smaller and smaller, eventually going out.


On the left side of the screen is a woman with black hair, and on the right side is a woman with blonde hair. Both of them are standing in front of an easel, with the blonde woman smiling. The woman with black hair and the blonde woman successively dip their right-hand brushes into the paint held in their left hands. The woman with black hair looks to the lower right of the screen at the blonde woman's hands, while the blonde woman looks to the lower left corner at the hands of the woman with black hair. At the same time, they are both painting on the easel, with the wind blowing through their hair, and they are both smiling. The woman with black hair uses her right hand to tuck her hair behind her ear, doing so twice.


On the left side of the screen, a pair of darker hands, together with a pair of white hands on the right side, are holding up a leather horse harness in the center of the screen. Then, the darker hands on the left side stretch out the index finger of the left hand, pointing to the emblem on the harness at the top of the screen. Afterward, he uses his left hand to stroke the horse's head that appears on the left side of the screen. Then, he places his hand back onto the leather horse harness in the center of the screen. Subsequently, a horse's head appears on the left side of the screen, with its nostrils slightly moving as it sniffs the leather harness in the center of the screen.


In the lower left corner of the screen is a black hand placed on the table. On the right side of the screen are two hands of another person placed on the same table. The left hand, located in the lower right of the screen, is holding a pen, while the right hand, in the upper right of the screen, is holding the top right corner of a piece of paper. The black hand and the other person's right hand are raised and shake hands. The camera pans up, and the shaking hands wobble a few times before both hands release and return to their original positions. The hand holding the pen extends towards the upper left of the screen.


In the center of the screen is a woman wearing glasses facing the camera, recording a course with the video equipment. Her hands are positioned in front of her chest, continuously making various gestures. She then turns her head to look at the screen in the background of the picture. On the right side of the screen, there is the profile of a woman wearing earrings; her head is resting on her hands as she watches the woman with glasses.


This is a low-angle shot. In the center at the bottom of the frame is a white male wearing a black top. His left hand is raised, touching the wheel of the car at the top of the frame, and he is looking to the right of the screen while speaking. He then lowers his left hand and continues speaking towards the camera. Next, he raises his left hand and taps the car. The camera moves to the right, and the man walks to the left side of the frame, raising his right hand to tap the car. With his right hand, he clenches his five fingers and swings them to the right of the screen, then raises his right arm to touch the front of the car.


On the left side of the screen are two people embracing while looking towards the lower right corner of the frame. On the far left is a woman with her hair in a high ponytail, wearing a black top, and her arms wrapped around the waist of a black man who is also dressed in a black top, wearing a hat and glasses, on the right side of the screen. The black man's hands are also slapping the shoulders on the left side of the frame. On the right side is a man in black clothing, smiling and looking at the couple on the left side of the screen. At this moment, the camera zooms in, and the black man on the right side of the screen lowers his hands, looking and smiling towards the lower left corner of the frame as he walks to the right. The woman on the left side also lowers her hands, looking towards the lower left corner of the screen and moving to the left. Meanwhile, the camera pans to the right, and at this point, the black man in the center of the frame raises both hands towards the camera. On the right side, the man in black clothing is smiling while looking towards the left side of the screen. In the background, a black board is placed on the beach, with a vast, deep blue sea in the distance.


The camera slowly pans up to reveal more of the mountainous terrain, then moves forward towards the position of the sun, with the sun and its rays growing closer as the camera advances.


In the scene, a woman with an afro hairstyle dressed in pink is sitting in front of a pink background wall. She is sitting cross-legged on the ground, with rose petals falling from the sky. In her left hand, she holds the receiver of a landline phone, while her right hand is placed on her right ankle. The camera continuously zooms in on the woman, showing her head subtly shaking the whole time. In the final shot, a close-up of her head is shown as she starts to bow her head down, then subsequently turns her gaze to the right side of the frame.


In the center of the screen, a man sits on the sofa facing the camera. He slightly bows his head, his right hand resting on his thigh holding a lighter, with a cigarette dangling from his mouth. His head is slightly tilted to the left side of the screen, bringing the cigarette close to the lighter in his right hand. After lighting the cigarette, the man puts down the lighter in his right hand, then pinches the cigarette between his right index finger and thumb, taking a drag. He then removes the cigarette from his mouth, shaking his head slightly with an expression of enjoyment. He then raises his right hand to bring the cigarette back to his mouth.


In the scene, there is a man and a woman. The woman is on the left, with her body facing the right side of the frame. Above her head is a sweating soybean emoji. Her body is slightly tilted towards the left side of the frame. Behind her, on the right, is a man whose hands are resting on the hood of a car behind him. His body faces to the left of the frame, and he extends his left hand. The back of his hand is facing the woman on the left side of the frame, then he places it back on the car hood, and he seems to be saying something.


The camera is slightly shaking in a fixed position. The lens is focused on the side above the forehead of a young black boy who is bowing his head, with a green conical hat on his head. On the right side of the frame, a black person in orange clothes stretches out their right hand to help the boy straighten the hat, while the boy also extends his right hand to adjust the position of the hat. The black person in orange places their right hand on the back of the boy's seat. Finally, a woman's right hand appears on the right side of the frame to help the boy adjust the hat. The boy raises his head and looks to the right of the frame, stretching out his right hand to take off the hat on his head, while a left hand holding a French fry is placed in front of the boy's head and then removed.


The screen is divided into two parts. In the left part of the screen, a woman is lying on the ground with her hands hooked under the car. She then slightly raises her shoulders and alternates between her left and right hands to pull the bottom parts towards the right, moving all the way to the back of the car. The woman passes under the car with her legs lifted towards the left, rolling onto the ground. On the right side of the screen, a person in a black leather jacket pushes aside obstacles on both sides with their hands, jumps forward, and grabs onto parts of the car. The scene then cuts to a man facing away from the camera, stepping on a motorcycle, supporting the motorcycle rider's shoulder with his left hand, and stepping onto a truck on the right with his right foot. He then pulls on the side of the truck, crouching inward, and the camera switches again to the person in the dark leather jacket climbing step by step upwards.


A hand reaches out from the bottom of the screen, holding a small object with two antennae between the thumb and forefinger, placing it in the upper left corner of the table in the scene, then retracting the hand.


In the center of the screen stands a woman in a black top, smiling directly at the camera. Her right hand is placed in front of her abdomen, holding a rectangular sign, while her left hand grips the right side of a document behind this sign. Suddenly, her left hand moves down to grasp the top right corner of the white rectangular sign. Then, she closes her mouth and smiles, her body shifting to the right side of the screen, all the while blinking. The background is blurred, and on the right side of the frame is the white exterior of a house.


The video is shot in first person perspective, with the center of the screen showing a kitchen counter filled with condiments. The right hand on the right side of the screen points to the chili powder on the counter. The camera then zooms in on the chili powder, and a finger extends from the top of the screen, pointing to the chili powder on the kitchen counter.


The video was shot by someone from the car parked on the right side of the screen. At the beginning, a gray car drives from right to left across the frame. Then, the camera shifts to the left, facing the park across the street, where there are green trees in the frame. In the end, a red car drives from left to right.


The camera captures an upward angle, with a man in gray on the right side of the screen standing facing the camera, raising both hands up and shaking them continuously in celebration. He then places his right hand on the right shoulder of the man in blue, who is standing in the center of the frame. The man in blue is also facing the camera, looking to the right side of the screen with his mouth open in cheer, then raises his right hand, grabs a piece of clothing, and swings it in front of the camera. His body slightly inclines towards the man in gray on the right side of the frame. On the left side of the screen, a woman in a shirt stands facing the camera, raises her right hand, with her mouth open, jumping up and down in excitement. In the background, many others are cheering.


A man dressed in navy blue clothes moves his hands around a tool in a clockwise direction towards the left, while in the background, a man in grey clothes moves his right hand into a tool box and takes something out. Then, the man in navy blue rotates the tool counterclockwise. The man in grey clothes bows his head and moves his left hand inside the tool box. Afterward, he extends his right hand into the tool box. At the same time, the man in navy blue picks up the tool with his right hand and the spare part with his left hand, placing them on the table to the right of the screen. He then reaches into a small tool box in front of him with his right hand, while his left hand's thumb and index finger pinch together on top of his right hand. The man in grey clothes in the background takes out his left hand and places his right hand on the large tool box.


The screen is split into two halves horizontally. On the left side of the left screen, a man in a blue shirt stands with his hands on his hips, facing the camera and remains mostly still. Below the screen, there are two rows of white text. The background is the Gobi Desert. In the center of the right screen, there is a highway. The camera follows the highway, moving forward, and then continues to move forward and pan to the right. The right screen changes, and the camera pans left and then becomes fixed. On the left side of the screen, there is a winding road, and a car approaches from the distance towards the left side of the screen. Two people stand on the left side of the screen, while on the right side, there is desert and the Gobi landscape.


In the center of the distant view of the screen, a man in gray is standing with his body slightly turned towards the left side of the frame. His hands are placed in front of his abdomen, walking towards the left side of the foreground. As the camera shifts to the left, the man in gray first turns towards the camera and then turns to the right side of the screen. He raises his hands to chest level, holding something in his hands. At the same time, a man in blue in the center of the distant view also moves towards the left side of the frame. In the lower right corner of the screen are many paper bags.


The woman in red lining looked up ahead, took a deep breath, and leaned her body back. The woman in black and white on the left side started to speak, while the blond woman on the right turned to the left. Then, the woman in red lining began to talk, tilting her head forward and quickly retracting it. The blond woman on the right leaned back and then straightened up. After that, the woman in black and white on the left turned her head to look at her. The woman in red lining continued to speak, gently shaking her head from side to side, and then nodded while talking. The woman in black and white on the left turned her head forward again.


At the beginning, there are two intertwined hemp ropes lying horizontally at the bottom of the screen. Then, from the left side of the screen, two transparent glasses, each containing half a cup of water, move to the left and right sides of the screen, respectively. At the same time, a pink object wearing glasses also moves from the left side of the screen to the center. The pink object with glasses keeps shaking its head from side to side and finally moves towards the left side of the screen, leaving the screen from the left.


In the left foreground of the scene, the hands of the person are below the frame, with their back turned to the camera, and the left hand is holding an apple and placing it forward. On the right side of the frame, a black woman in a gray shirt is facing the camera and looking towards the right side of the frame. As the camera shifts to the left, her hair appears on the left side of the frame, and then she withdraws her left hand, revealing the right half of her face, which is smiling. The camera moves upwards to the left, and on the right side of the frame, a black girl wearing gray armor is facing the camera, her right hand reaching to the left side of the frame to pick up a sandwich, which she gives a light shake, and then she turns her head towards the left side of the frame. The background is a green forest.


The scene shows the upper half of the profile of a naked black man. His right hand is raised with milk, and his head is tilted back as he drinks it. Afterwards, he lowers his right hand with the milk, turns his head towards the right side of the frame, and his mouth forms a smile. Throughout the process, the camera gradually rotates counterclockwise.


In the scene is a group of people having a meeting. The man at the far left of the picture, who is chairing the meeting, has a phone to his left ear. He rotates his chair clockwise to face the conference table, and his expression immediately becomes one of great distress. He raises his right hand to his waist and flips it outward, shaking it up and down several times. At the conference table to the right of the picture, behind him, everyone else is quietly typing on their laptops.


The main subject of the scene is a man wearing a blue coat. He is talking about something, and then the camera zooms out to reveal another man sitting opposite him, wearing a hat and facing away from the camera. His hands are typing on the keyboard, and he nods in response to what the man in the blue coat is saying.


On the left side of the screen, a woman in a pink floral shirt has her back to the camera, holding a brush in her right hand and applying dark blue paint to the jeans in the center of the screen. The background is a grassy field.


In the center of the screen, a blond man wearing sunglasses bows his head. The camera moves to the right side of the screen, where a black man in black clothing appears, looking at the blond man and then turning to smile at the camera. The lens slowly zooms out and moves backward.


The camera continuously zooms in and magnifies the man's facial movements, then the man faces left and moves forward towards the left side of the frame, subsequently turning his head to look at the top right corner of the screen. The camera follows him as he rotates counterclockwise, after which the man bows his head to look at the bottom right corner of the frame.


On the right side of the screen is the upper body of a woman. The woman is tilting her head, facing to the right of the screen. The camera then moves down, and the woman looks down at the dining plate on the table at the bottom of the screen with a look of disgust. At the same time, the camera moves up, and the woman raises her head to look into the lens.


At the center of the screen is a piece of blue cardboard. On the right side of the screen, the right hand is holding a cloth to wipe the right edge of the blue cardboard, spreading the white part with blue. Later, the cardboard is rotated, and the edge is smeared in the center of the screen. Then the cardboard is laid flat on the desktop, dots are applied at the center of the screen, and more dots are added slightly to the lower left of the center. The left hand on the left side of the screen and the right hand on the right side pick up a round piece of white cardboard above the blue cardboard at the center of the screen. The right hand holds a yellow pencil on the left side of the screen.


On the right side of the screen, a man in brown clothes and a brown hat is facing sideways, swinging his arms as he walks towards the left of the screen. The camera follows his movement and pans left. The background of the scene is a blue sky and a grassy field, with some wooden fences on the grass. In the end, the man leaves the screen from the left edge with his back to the camera. Then, the camera zooms in on the area where a lush stand of trees meets the grassland in the distance. In the center of the screen, a man in a hat gradually emerges from the junction of the trees and grassland, facing the camera with his upper body.


In the distance on the right side of the screen is a person carrying a backpack and wearing a hat. Facing to the left of the screen, they are walking towards the center of the left side of the distant view. As they walk, they swing their arms. In the end, they walk out of the frame from the center of the left side. The upper part of the screen is a blue sky with white clouds, and the lower part is a green lawn.


The camera slowly moves to the left, and a man in a yellow spotted outfit runs from the center of the frame to the middle ground, where he supports the collapsing wall of a thatched hut on the right side of the screen with both hands and looks towards the upper right corner of the frame. After letting go, he turns towards the left side of the frame, then supports himself with his left hand while looking towards the upper right corner again. He then bends down to retrieve his left hand, stands up straight, and waves both hands to the left side of the frame while muttering. Afterwards, he slaps his thighs and sits down in the lower middle part of the frame, supporting the collapsing wall of the thatched hut on the right side with his left hand and looking towards the upper right, then to the upper left, before turning his head to the right and looking towards the upper right corner again, all while speaking with an expression of pain. In the end, he releases his left hand and places both hands on his lap. Throughout the scene, there is a sign language interpreter in the lower right corner.


The video is a first-person overhead close-up of the hands. At the beginning of the video, the hand on the left side of the screen flips over while moving to the left, leaving the screen. In the following seconds, the lower left corner of the screen shows the bottom of a pair of shorts shaking occasionally. Then, two hands extend from the left side of the screen towards the center. The scene changes, and these hands suddenly appear in the center of the screen on a keyboard, rapidly pulling out the keys, with the hands occasionally moving out of the frame. The background features a black keyboard on a table, and part of a computer screen is visible in the upper right corner.


At the bottom of the screen is a person's back with a needle stuck in it. A pair of hands extend from the right side of the screen to the middle. Her right hand is holding another needle that has been inserted into the back. The thumb and index finger of this hand are continuously rotating and gently adjusting the angle of the needle. At one point, the right index finger and thumb spread apart, revealing the needle inserted into the body, and then they grasp the needle and begin to rotate it again. The person's left hand, with the back facing the screen, is holding a small transparent tube. These hands have long, pink fingernails.


The man in the white shirt in the center of the screen is looking at the man in the blue shirt on the left side of the screen. At the same time, the camera moves to the left. The man in the blue shirt on the left side of the screen has his body facing the camera, his head facing left, and then bows it down. The woman on the right side of the screen is sideways to the camera, her face turned towards the left of the screen, her right hand holding the upper part of a ruler, and she is speaking.


The woman on the right side of the screen is facing the camera, holding a test tube with yellow liquid in her left hand and a dropper with green liquid in her left hand. The woman raises the dropper above the test tube and slowly drips the green liquid into the test tube, occasionally speaking a few words while doing so. The camera first captures a close-up of the test tube and dropper, then slowly zooms out, revealing the woman's head from the top right corner of the screen.


The man on the left of the screen looks at the woman on the right. The woman is speaking, and then the man looks to the right of the screen. While the woman is talking, she turns her head to the right side of the screen. Then the man looks to the left of the screen and starts speaking, and the woman turns her head towards the man, and they look at each other.


On the right side of the screen, there is a pot of boiling oil. On the left side, a person dressed in black is facing the right side of the screen, with their left hand supporting a bowl lined with paper on the left side of the frame. The right hand, on the left side of the screen, is holding a tool stirring the pot. As the camera zooms in on the pot, the right hand uses the tool to scoop up food from the bottom center of the pot, and then places it into the bowl located at the top center of the screen, using the tool to lift the food.


The camera shoots from above, showing a woman sitting on the right side of the frame, turned slightly towards the lens. The woman keeps talking as she places a black cloth on the sewing machine, then picks up a purple fabric strip from her lap. She aligns one end of the purple strip with one end of the black cloth, then reaches out with her right hand from the far end of the frame to pick up a black spool of thread. She pulls out some black thread and measures out a length on the black cloth.


In the scene, there are two women sitting, both dressed in black and having golden hair. They are sitting on a sofa, and in front of them, at the center, there is a laptop. The woman on the left side of the screen extends her right hand to support the back of the laptop while her left hand presses a key on the keyboard, then immediately starts making gestures in front of her. The woman on the right side of the screen supports the bottom of the laptop with her left hand while her right hand makes gestures in front of her. Finally, the woman on the right extends her right finger to point at the screen while turning her head towards the woman on the left side of the scene. Throughout, the woman extends her left finger to point at the screen, but her eyes remain fixed on the screen.


The main subjects of the scene are a man and a woman, both centered in the frame. The woman is facing to the left and looking at the man. She places her left hand on the man's chest. The man extends his right hand and places it over the woman's left hand. Then he sits up straight, using both hands to cradle the woman's head against his chest. The woman supports herself with her left hand on the man's waist and slightly shakes her head.


On the left side of the screen, a child faces the camera, propping their head up with their left hand while lying on the table, and writes on a notebook in front of the lens with their right hand. After writing a few characters, they lift their hand to adjust their posture.


Close-up shot from a fixed camera position. In the center of the frame, a left hand is holding a spray bottle, displaying it in front of the lens, sometimes placing it in the palm and sometimes pinching it. Then, the left hand, holding the spray bottle, taps the lower edge of a keyboard in the distance, center of the frame. Subsequently, the left hand reaches to the right side of the screen and puts down the spray bottle. The scene changes, and the left hand is seen holding a rag, rotating it back and forth in the hand.


Camera shot from above, at the center of the frame, a person's left hand is adorned with manicured nails, with all five fingers bent, facing the camera. She has hidden her thumb beneath the other four fingers.


In the scene, a group of people are riding bicycles towards the left side of the frame, then gradually fade out. In another scene, two people are in the foreground, with the man in a purple and black long-sleeved shirt turning his back to the camera, and the person in cycling gear sitting on the bicycle, facing the camera. His left hand is tapping the right handlebar of the bicycle. The man in the purple and black long-sleeved shirt moves towards the left of the frame, his body facing the right side of the frame. He extends his right hand to adjust the right handlebar of the bicycle, then retracts his hand. The person in cycling gear begins to ride towards the upper left front of the frame. At this moment, the man in the purple and black long-sleeved shirt turns his body towards the camera, supporting the person in cycling gear with both hands, and runs towards the upper left front of the frame.


The woman in the center of the screen turns towards the right side of the frame, putting down the phone with her right hand. Then she turns towards the left side of the screen, walks out, and finally disappears from view. She keeps smiling with her mouth open the whole time.


The woman on the left side of the screen is standing facing the camera. Behind her, there are three people who, one by one, take a step to the right, gradually revealing their bodies to the camera. Finally, the black man at the end leans to the right, exposing his head and slightly turning his head to look at the camera. Then he raises his right hand and smiles, greeting the camera.


The scene is animated. On the left is something with red eyes facing the camera directly. Suddenly, a green figure appears on the right side of the screen, and the thing with red eyes turns towards the right side of the frame. The green figure speaks, looking to the lower left of the screen with its left hand on its chest, then looks into the camera, and finally leans back. The background is a yellow wall with stains.


In a pitch-dark environment, a black person wearing an orange short-sleeved shirt is seen. The camera angle is quite low, looking up from the chest of the black person, who is swaying back and forth, and nodding his head up and down. The scene switches to a well-built white man wearing a white gown, with both arms extended straight out, palms facing up, and facing the right side of the screen. The ground is covered with yellow and black spots, and there seems to be a shadow of a person in the upper left corner of the screen.


In the lower right corner of the screen, there is a huge tire lying flat. Suddenly, a man in black appears on the right side of the screen, bends down, and starts to move this tire. The man lifts the tire upright and then pushes it over towards the left side of the screen. After completing this action, the man raises his right foot and steps on the tire, then takes a step with his left foot onto the tire and moves off to the left side of the screen. At the edge of the right side of the screen, a white man can be seen crouching in the corner, watching the scene.


In the center of the screen, there is a transparent glass bowl containing a food item wrapped with a large amount of meat and bacon. A person wearing a purple apron stands behind the table with both hands on this piece of meat. At the beginning of the scene, the left hand has just rolled a slice of bacon around a piece of food, and immediately afterward, both hands move to the white plate on the right side of the screen to continue picking up another piece of bacon and wrapping it around the large piece of meat. Then, they reach again into the white plate on the right side of the screen to pick up another piece of bacon and continue wrapping it around the meat.


In the center of the screen, there is a table, and behind the table, two girls are standing. Slightly to the left of the screen is a girl with white hair; her two hands are placed on a small cutting board on the table, cutting something. On the right side of the screen is a girl with black hair, who is shorter and has her hands on the table without doing anything. Then, the girl on the right side of the screen turns her head to the right, looking at a laptop placed on the table. She then stretches out her right hand to operate the touchpad of the laptop. The woman with white hair on the left side of the screen also turns her head to the right to look at the computer. Then, the woman on the left side bends her body towards the right, smiling at the computer, and waves at it. Immediately after, she reaches her left hand around the back of the black-haired girl to embrace her left arm from behind.


The camera captures a pair of hands engaged in knitting from a top-down angle. In the frame, the left hand holds a piece of blue knitting, with the left index finger hooked upwards towards the top of the screen, and attached to the blue yarn connected to the knitting. The right hand holds a crochet hook, which is facing towards the left side of the screen. Then, the index finger is lowered towards the bottom of the screen, and the right hand pushes the crochet hook through a knot in the knitting towards the left side of the frame. The left index finger is raised, tensioning the yarn on it. The left hand, holding the knitting, turns towards the right side of the screen, while the right hand moves the crochet hook towards the left, piercing through another knot.


The man on the left side of the screen is facing the camera, bending over to lift a flower pot on the right side of the screen with both hands. The camera switches to the man's back as he holds the flower pot, swaying as he walks towards the balcony in front. He then forcefully throws the flower pot to the left side of the screen, down the stairs. After that, he turns around, leans against the wall on the left side of the screen while facing the camera, and looks to the right side of the screen as he speaks. Subtitles are displayed in real-time at the bottom of the screen in white English font.


On the left side of the screen, there is a girl wearing a black and white vertical striped skirt who bends slightly, then lifts up and turns her head towards the right side of the screen. In the center-left part of the screen, a girl in a black short-sleeved shirt bows deeply and then stretches her head towards the camera with an exaggerated expression, saying something. To the right of the center, there is a girl in a colorful skirt who first faces the left side of the screen, then takes a step back and walks towards the camera. Finally, the girl on the right side of the screen, wearing a pink top, first crosses her arms, and then opens her hands on both sides of her body. The background of the scene is a room, and at the bottom of the screen is a table, on which many red cups are placed.


In the frame is a motorcycle engine. A person enters the shot from the left side of the screen, their hand back facing the camera, touching the engine. The hand then leaves the frame at the bottom left corner, re-enters at the same spot, and opens up on the left side of the engine. The thumb and index finger pinch the top of the engine, then the bottom, while the entire hand caresses the engine. The left index finger points to the upper side of the engine, while the right hand points to the lower side. Both hands feel the engine in a horizontal direction, with the left hand supporting the top of the engine. The right index finger taps on the engine, followed by the right index and middle fingers tapping on the engine.


The main subjects of the image are a man and a woman. The man is on the left side of the frame, and the woman is on the right. The man tilts his head to the lower left corner of the screen, while the woman looks directly into the camera. With an expression of impatience, they say something, then blink, their gaze also turning to the lower left of the frame. At the same time, their hands make a motion as if they want to raise them but don't actually lift them up.


In the background of the scene, many people are walking their dogs, while in the foreground, there are three dogs. Then, the dalmatian on the left side of the screen moves to the left and disappears from view. The camera subsequently pans to the right, showing a black dog lowering its head. On the right side of the screen, a woman in a vest is walking a dog to the left. At the same time, a man in a blue checked shirt enters the frame from the right side, back turned to the camera, bending over to pick up the green ball in the center of the screen. He then moves to the right and bounces the ball downward. The black dog follows his movements, and the camera follows him as well.


The man in the black striped short sleeves on the left side of the screen is looking towards the orange door on the right side of the frame and reaching out with his left hand to prepare to twist the door handle. His right hand is holding the hand of the man in the yellow shirt on the right side of the screen, then lets go and talks to the man in the yellow shirt while pointing to his own chest with his right finger.


The scene depicted is a space arranged to look like a classroom. A man in a white shirt is bending forward and walking towards the right side of the frame, his right hand supporting a table. He then turns towards the camera, raises his right hand overhead, and waves it up and down towards the camera before lowering his hand and walking towards the camera with his head down, rounding two tables. The man in the white shirt supports himself with his left hand on the table on the right side of the frame, extends his right hand towards the bottom of the camera to hold the back of a chair, and pushes the chair under the desk towards the left side of the frame. He then straightens up, faces the camera, raises his left hand to cover his mouth, and then lowers his left hand as he speaks, looking towards the right side of the frame. A blond woman looks to the right of the frame, raises her right hand towards the right side of the frame, then lowers her hand and walks towards the camera smiling. She then turns to stand still on the right side of the frame before turning her head to the left side of the frame. A woman with her hair down is talking to the camera, then turns and looks to the front right of the frame, and then turns to the left side of the frame to speak. A man in a blue vest stands sideways to the camera, with his left hand on his waist and his right hand supporting the desk towards the bottom left of the frame. He then moves his right leg towards the right side of the frame, stands up straight, and looks to the left side of the frame. He then lowers his hands and takes a step back towards the right side of the frame, turning his body while keeping his profile to the camera, and looking towards the left side of the frame. In the background on the left side of the frame, two women are sitting across from each other at a desk, chatting. In the center of the frame are yellow school desks and chairs arranged in rows. To the left background are tables with miscellaneous items and a whiteboard. The right background is set up to look like a window, with a backdrop of red and yellow buildings outside the window, along with a notice board covered in photos and notes, and a grey drawer cabinet.


The scene is captured from a long shot. There are many cloud-like objects slowly moving towards the upper right corner of the screen. In the center left of the frame, a girl in a yellow top first jogs towards the upper left corner of the screen, then runs counterclockwise for a circle and prepares to run towards the lower right corner. At the same time, a woman in a red top, located towards the middle right of the screen, turns clockwise on the spot while raising both hands and shaking her arms down twice. The girl in the yellow top starts running first, followed by the woman in the red top, who begins running towards the upper left corner of the screen. The girl in the yellow top reaches the lower right corner, while the woman in the red top runs to the starting position of the girl in the yellow top. After running clockwise for a circle, the girl in the yellow top is ready to run towards the upper left corner of the screen, while the woman in the red top, after turning counterclockwise on the spot, raises her hands and shakes her arms down once, then starts running towards the lower right corner. Both of them intentionally leap over the cloud-like objects while running. In the end, the woman in the red top glances at the girl in the yellow top.


In the frame, a man is bent over, facing sideways to the camera towards the right side of the screen. He is intently looking to the right side of the screen, slightly rolling his eyes before continuously blinking and swallowing saliva.


In front of the lens, a double-decker bus is parked, and another double-decker bus enters the frame from behind the building on the right, parking behind the double-decker bus in front of the lens. The two buses stayed for a moment and then drove to the left, leaving the frame from the left side.


The screen shows a cartoon animation. In the center of the screen, there is a person with a blue hat kneeling on a diving board by the river in the picture. Their body is sideways to the left side of the screen, and in their hand, they hold a small sailboat with a white sail. On the right side of the screen, there is a small monkey, also with its body sideways to the left side of the screen. Under a tree to the left of the center, you can see a person in yellow clothes holding an umbrella that is yellow and white checked. Similarly, he is facing to the left and then opens the umbrella and holds it over his head. Immediately afterward, he kneels on his left knee on the ground and gently lowers the umbrella.


On the right side of the screen, you can see a pair of legs wearing jeans, as well as this person's hands. The hands are busy inside the hood of a car on the left side of the screen, handling something. Both hands are gripping the black, strip-like edge within the hood, adjusting another, smaller black edge next to it. The specific actions cannot be distinguished clearly; only the constant movement of the hands can be seen.


In the center of the screen, a woman holds a book up with both hands, and a child leans against her, the two of them looking at the book together as the child reaches out to touch it. At the same time, on the right side of the screen, a man bends down to straighten the bed, then walks to the center and sits down next to the woman, also looking at the book. The child glances up at the man, and the man smiles and speaks to the child while looking at him. In the end, the child uses his right hand to turn the page of the book.


On the left side of the screen, there is a woman wearing a green top, facing the camera, and looking towards the lower right corner of the screen. In the center of the screen, there is a man wearing a blue top facing the camera and talking, with his right hand holding something with digital buttons, and his left hand extended, using his index finger to gesture on it. The camera shakes slightly to the right side of the screen. The camera moves slightly to the left side of the screen, revealing a woman in black and white clothing, looking towards the right side of the screen. The woman in green begins to speak, then looks at the camera. The man in blue first looks to the left side of the screen at someone, then looks back at the camera, still talking. The woman on the left side of the screen also looks at the camera. On the right side of the screen, there is a row of stones, with many green plants in the background, and sunlight is present in the scene.


A close-up shot of the front end of a Tesla car, with a left hand visible on the left side of the frame grasping the edge of the front trunk. The right hand reaches out from the left side of the frame, first hooking the lower edge of the front trunk's frame, then gripping the upper edge to pry it open. Both hands subsequently move out of frame from the left side. Then, both hands reappear from the left side of the frame, grabbing the left side of the front trunk.


A fixed camera close-up of a person tapping on a keyboard with their hand. The camera slightly pans down, revealing the person sitting on the left side of the frame, facing towards the right direction of the screen. Both hands are placed on the keyboard of a laptop, with both hands typing back and forth. In the end, they lift their left hand while placing their right hand on the touchpad.


In the scene, a bald man dressed in white enters the center of the frame from the left side. The camera follows this man as he bends over, his right hand touching his hip, and dashes hurriedly towards the door. With his right hand, he twists the door handle and bursts out, closing the door behind him. In the background of the scene, there is a cabinet filled with many knickknacks. The shot changes, and in the frame, a black woman with short, curly black hair, wearing a pearl necklace and a floral dress, stands with her profile turned, her eyes closed, facing the right side of the screen. To the right of the frame, there is a potted plant.


The camera pans down to capture the view of the highway, where a yellow bus is seen traveling from the bottom of the screen to the top, following the road. The camera follows it, tilting upwards. At the top of the screen, on the far right of the road, a person on a bicycle moves towards the bottom of the frame. On the far left of the road, a white car travels towards the bottom of the screen. At the bottom of the frame, a white car is moving upwards. The white car on the far left makes a left turn along the left side of the road and disappears at the bottom left corner of the screen. On the left side of the straight road, a white car enters from the top of the screen and moves towards the bottom. On the far left sidewalk, a person in red is walking a dog, moving towards the top of the screen. The bicycle disappears from the bottom of the frame. The camera continues to tilt upwards as a blue car enters from the bottom and moves towards the top of the screen. Houses are scattered on both sides of the road, with forests in the surroundings.


In the distance of the screen, towards the lower part, a steam train is heading towards the camera. As the train's engine reaches the center of the foreground, the shot starts to focus on the underside of the train. The train continues to move, blowing some leaves in front of the lens, which quickly fall down. At the beginning of the scene, there are tall trees on both sides.


The scene is shot from a first-person perspective. The camera is slowly turning to the left. To the left of the screen, there is a woman in black with blond hair, holding a book with both hands, walking towards the left of the screen with her head down, and then lifting her head to face the left side of the screen. In the center of the screen, there is a person in black facing the left side of the screen. In the background, there are other passersby walking towards the camera. The blond woman turns her head towards the distance of the screen, puts the book back into her bag in front of her, and then continues to walk towards the left side of the screen.


The main subjects of the scene are a woman in orange clothes and a man in white clothes. As the woman rushes towards the door from the left side of the frame, the man charges at her from the right side. In response, she lifts her right foot to attack the man, while turning towards him and throwing two hooks with her fists. The man is struck and falls backward.


In the center of the screen, slightly to the left, is a black woman wearing an orange sports bra. Her body is turned towards the camera, with both hands placed in front of her, and she begins to squat down to perform stretching exercises. Her legs are bent with the left leg extended backwards. The camera follows her movements, panning down to show her leg actions. At this moment, her hands are crossed over her right knee, her upper body is upright, and then her entire body starts to slightly rock downwards in a stretching motion. The camera focuses on her upper body, accompanied by a slight shake.


In the center of the screen, there is a man wearing glasses. He is walking sideways towards the background of the scene, away from the camera. He then turns around to face the right side of the screen and uses his left hand to feel the clothes on the right side of the screen one by one. In his right hand, he holds a receipt and compares it with the tag on one of the clothes. After that, he turns towards the left side of the screen, talking while opening the clothes to compare them again. He then calls out to someone off-screen to the left of the center and subsequently walks towards the left side of the camera.


In the scene, there is some liquid in a glass, with bubbles on the surface. The liquid is being swirled in the cup. Then, a person adds some brown liquid into the cup using a bottle cap, and tilts the cap to pour any remaining liquid into the cup. After that, they pick up a stirrer and stir the contents of the cup, mixing the liquids together preliminarily as they move with the stirrer.


The man on the left turns his head to speak to the right side of the frame, then the woman on the right turns her head to look at the man as he speaks, nodding simultaneously. Following this, the man speaks, and the woman quickly shakes her head while looking to the front left of the frame before turning back to the man. Afterward, the woman speaks, turning her head to look towards the front left of the frame, then to the right side of the frame, and again quickly to the front left. Following this, both of them laugh.


In the frame, there are two people. The man on the left is slightly away from the camera, with short black hair and a goatee. He is wearing glasses and a wired customer service headset, dressed in blue. His head is turned to the left side of the frame, and his hands are holding a stack of papers. He is looking down at the papers in his hands, and his hands move down to align the bottom edge of the papers with the desktop. Then he lifts the papers, tilting them towards the left side of the frame, and slaps them down on the desktop. His hands rise to the back of his head, and the camera slightly moves upwards as he leans back. Then, his left hand moves down towards the right side of the frame, and his head turns to the right. His right hand then drops, and his head turns to the right again. The left hand moves to the front of his body with the palm open and facing upwards, as if indicating to the woman on the right to look at the desktop. Then he lowers his left hand with the palm facing down, and his right arm starts to move. The left hand raises again, moving up and down, then lifts once more as he bows his head towards the right side of the frame. The left hand supports his forehead, with the thumb pressing on the temple and the index and middle fingers sliding across the forehead, before the left hand moves away from the forehead. The woman on the right has short black hair and is wearing a wired customer service headset and a yellow shirt. Her head is tilted towards the left side of the frame, and her eyes are looking down. Her right hand is tapping on the desktop. She seems to be tapped by the man on the left, and her head turns to the left, looking at the man and nodding slightly. Her head then turns slightly towards the camera and back to the right again. She turns her head and body to the right once more. In front of them on the desktop is a computer, and the background is an office interior.


In the scene are two men dressed in black suits, standing slightly to the left of center. The man on the right has his face turned towards the right side of the frame, his right hand holding a mallet to strike the gong in front of him, with his left arm bent. He then turns his head to his left, turning his back to the camera. The man on the left is partially obscured by the man on the right, his right arm bent, moving slowly. He then turns his head towards the camera, his gaze looking to the left side of the frame, and subsequently turns his head to the right, facing right, and bows his head. The camera slowly moves from left to right, revealing several mallets moving up and down above the gong. In the background, there are many people in an outdoor setting, with some in motion, seemingly at a gathering.


In the video, four children are facing the camera and standing side by side in the kitchen. At the bottom of the frame is a wooden table with some red cups placed upside down on it. The child on the far left is wearing a black and white striped dress, the child to the left of center is in a dark blue T-shirt and wearing a baseball cap backwards, the child to the right of center is wearing a pink T-shirt, and the child on the far right is wearing a pink off-shoulder top with lace trim. All four children are making funny faces. The child on the far right has their arms spread open towards the camera, the child to the left of center is also waving their hands and then looks towards the child on the far right, the child to the right of center has their hands on their chest, first looking at the hands of the child on the far left and then at the camera. The child on the far right initially faced towards the left of the frame and then lowered their hands and looked at the camera. It can be seen that the video was shot in a kitchen.


Close-up shot, with a slight shake of the camera. In the center of the frame stands a man, facing slightly to the left of the screen, sideways to the camera, looking ahead. The man holds a pen in his right hand, continuously gesturing in front of his chest while speaking. After glancing upwards at the screen, he focuses ahead. The camera slowly moves down, and at the same time, the man tilts his head slightly to the left of the frame, using the pen in his right hand to draw a few counterclockwise circles. Finally, the shot reveals a folder held in the man's left hand.


In the center of the scene, in the distance, there is a wooden staircase that seems to lead to the top right corner of the picture. From right to left, there is a man in black clothes with a backpack, a woman in red clothes, and another man in black clothes with a backpack walking upwards. The background of the scene is a forest, with a tree in the foreground.


On the left side of the screen, a man is pouting and continuously whistling. He is sitting in the passenger seat of a car, with his face turned towards the right side of the screen. In the driver's seat on the right side of the car, a woman in a red top is driving. At this moment, the woman furrows her brows and turns her face to the left to look at the man. The man also turns his head towards the woman, and simultaneously stops whistling. The woman turns her head back to the front and continues to drive seriously. The man says a few words and shakes his head slightly. The woman nods in response.


In the center of the screen is a man in a light blue suit, facing the camera directly with his body, his right elbow resting on a railing behind him, nodding slightly. On the left side of the screen is a man in a blue and white striped shirt, his body facing the right side of the picture. On the right side is a woman whose body is turned towards the man on the left side of the screen. Initially, the woman on the right side says something to the man on the left side of the screen, then the man on the left side starts speaking. Suddenly, the man on the left side makes a gesture with both hands in front of his chest, and the woman on the right side begins to laugh heartily, and her hands also start to make gestures in front of her chest. The man in the middle occasionally glances at the two without making any significant movements.


In the center of the screen, there is a pair of hands, with the left hand holding down a piece of fabric and the right hand holding a steel pen, dipping it in ink nearby. Then, the right hand grips the steel pen and writes on the fabric.


The video is shot in the first person with a handheld camera. In the center of the frame, a woman in a white short-sleeved shirt is sitting in the front seat of the car, with her back to the camera. Then the car door opens, and she gets up and steps out of the vehicle. The right side of the frame is obscured by the seat, and on the left side, in front of the camera, there is another woman with her back to the lens.


On the right side of the screen is an animated character with a green head, facing the camera and speaking excitedly, with both fists clenched, head bowed and eyes closed in an agitated manner, then lifting the left hand up to speak to the blurred white robot on the left side of the screen.


In the center of the screen, slightly to the left, a woman faces the camera sitting behind a table. With her right hand, she holds a knife and is cutting a small tomato held in her left hand, which is placed on a circular board on the table in front of her. Initially, she looks down with her eyes focused on her cutting motion, then her gaze shifts to a computer placed on the table to the right of the frame, and then back to the small tomato. Her gaze keeps alternating between the tomato she is cutting and the computer. Throughout the video, she maintains a slight smile.


In the scene, there is a man and a woman. The woman is on the right side of the frame, and the man is on the left. Both are facing the camera. The man takes out a yuan bill with his left hand twice in succession and gives it to the woman. The woman joyfully shakes her head and accepts it with her right hand. Then, the man counts the money he has left, but the woman reaches out with her right hand and takes the remaining money, smiling broadly as she looks to the right of the frame. The man helplessly spreads his hands and then places them on his knees, facing the inside of his legs. He turns his head to the left side of the frame, and the woman also turns her head to the left, smiling at the man.


In the right side of the screen is a man dressed in black with glasses, facing sideways to the camera. At first, he sighs, then looks to the left side of the screen at the man sitting next to him. He then helplessly shakes his head. On the left side of the screen is a man wearing a black and white top. At first, he looks over at the man in black sitting next to him. The man then leans his head on the right shoulder of the man in black. The background is a wall.


In the center of the screen, a man with his upper body bare and wearing black pants supports himself on the ground with his right hand, then turns and supports himself with both hands, facing the ground. He then twists his body again, supporting himself with his left hand, while his right hand stretches upwards and then reaches towards the ground on the left side of the screen. Both hands support the ground as he rotates to stand up, turning counter-clockwise for two full circles. The background is a yellow ground with black spots.


In the frame, one can see a person wearing a plaid shirt playing the guitar. Their body is facing the camera, but only the upper half of the body is captured, and the head is not visible. Their left hand grips the neck of the guitar, and as they continue to play, the left hand moves to different positions, using different fingers to press the strings. The right hand holds a pick between the thumb and index finger, strumming the strings.


A man is standing in the kitchen facing the camera, positioned in the center of the frame. The man uses both hands to evenly coat the food in breadcrumbs in a bowl. The camera then slowly moves up, capturing the man's head in the frame as he looks down at the food in his hands. Subsequently, the camera moves down again, focusing on the man's hands.


A black man leans forward, extending his left finger to point at the computer screen ahead as he speaks. The woman in black sitting to the right types and nods while looking towards the upper left corner of the screen. The black man then stretches out his right hand holding a pen, with his left hand resting on the table, as he and the woman in grey suit, who has just entered the frame from the left, look at the same chart. At this moment, the woman in black continues to type while looking at the computer, then glances at the woman in the grey suit. Immediately after, the black man points with his index and middle fingers at the chart, while the woman in the grey suit places her left hand on the top edge of the chart and uses her right hand to point and move on it. The woman in black looks back at the computer to continue typing. Afterward, the black man looks at the computer screen, the woman in black looks towards the upper left corner of the screen again, and the woman in the grey suit points with her index finger at the chart. The black man continues to look at the chart and finally moves away from it, giving a thumbs-up, while the woman in black looks at the computer. In the background, a man in a light blue shirt is sitting.


The scene shows a first-person perspective camera shot, with a person behind holding a large stack of cards in their left hand, flipping out a purple card. The camera angle moves downward, revealing that the person has exited a door.


In the scene, a person is carrying a red oil drum in each hand, continuously moving from the right to the left. The camera follows this person, panning from right to left. The shot is a close-up of the hands holding the oil drums, with neither the area below the knees nor above the chest visible. As the body moves, the hands holding the oil drums also slightly shake.


The video is shot from a first-person perspective. On the left side of the screen, a woman facing the right side of the frame is turning the steering wheel while saying something. Then she releases the steering wheel with her right hand and points upwards, her left hand gripping the steering wheel. Finally, she holds the steering wheel with both hands, and then her right hand drops down. A gray car passes by outside the window, moving towards the left side of the screen.


In the scene, a person is sitting inside a car, driving on the right side of the road. As they drive, the windshield wipers move back and forth in a horizontal motion from the left side of the frame to the right. On the far right of the road, many cars are heading towards the direction of the camera.


The scene is captured by a vehicle-mounted camera. There are two lanes in the frame, and the vehicle is moving forward on the lane closer to the right side of the screen. In the distance at the center of the frame, a truck is driving away from the camera. There is some mist in the scene, and at the top center is a bright sun.


On the left side of the screen, a woman in black is facing the camera, looking to the right of the frame. Her hands are placed on her chest, palms facing each other. She moves her hands outward while slightly turning her head to the right of the screen. Then, she turns her head to the left of the frame, bringing her hands in, and then turns her head back to the right, raising her right hand and moving it towards the lower left corner of the screen, nodding as she speaks. Next, she raises both hands up and then moves them down to the center, quickly moving her hands outward before bringing them back in, looking towards the bottom of the screen. Finally, with her hands out, she looks to the right of the frame and slightly shakes her head. The background consists of a black table and a white wall, with a microscope on the right side of the screen.


At the bottom of the screen, there is an electric bike placed horizontally. In the center of the screen, there is a man in black clothes with a blue cloth draped over his head, a bag hanging from his left hand, and he is pulling a suitcase with his right hand, facing the camera and looking to the right. On the right side of the screen, there is a man in a white shirt with his back to the camera. In the lower right corner, there is a small window with a girl doing sign language interpretation. At this moment, the two people in the picture are walking forward and meeting in the center of the screen, with the man on the left greeting slightly bowing his head.


In the center of the screen, two people are lying on their sides, both clutching their stomachs and struggling. In the center of the frame, a man and a woman are fighting; the man first raises his right foot to kick the woman, who dodges. Following this, the woman lifts her left foot to step on the man's right foot. The man winces in pain and lifts his right foot. Then, the woman lands a left hook followed by a right straight kick, knocking the man down. The camera switches, showing the woman aiming a kick at the groin of a man on the ground. On the right side of the screen, two people are preparing to get up and flee.


In the initial scene, on the left side, one can see a person's hand, and in the center of the screen is an open page of a book. Then, the hand flips the page, revealing letters and patterns on another two pages. The camera slightly shifts to the bottom right, and on the left side of the screen, a hand enters the frame again. The hand reaches towards the pages of the book, preparing to turn another page. As the page is flipped once more by the hand, the book moves upwards, getting closer to the camera. The scene becomes very blurry.


In the center of the screen, there is a keyboard. In the lower left corner of the screen, a right hand is holding a screwdriver, pointing at the "up, down, left, right" keys on the keyboard in the center of the screen. Later, the screwdriver is placed vertically on the keyboard below the screen. Then, the screwdriver is raised and shaken in the center of the screen, pointing to the lower right corner. Afterwards, it taps up and down in the center of the screen, then moves to the left side of the screen where both hands are placed on the keyboard.


The scene is shot from a first-person perspective, with the center of the screen showing the interior of a car. The camera gradually moves to the left of the screen, then shifts upwards to the left, revealing a hand's index finger pressing a button on the car door in the center of the frame.


In the center and to the left of the screen, a woman with a slightly sideways profile facing the camera to the left of the frame is sitting on the beach with her body leaning back against the right side of the scene. She supports herself on the ground with her left hand towards the right side of the frame. At the right edge of the screen, another person raises their right hand and reaches towards a wine bottle placed on the table to the right of the frame. This hand picks up the bottle and moves it towards the right edge of the screen. Meanwhile, this person's left hand also reaches into the frame from the right edge and grasps the bottle cap, twisting it open. Then, the left hand holds the cap and sets it down. Following this, their right hand holds a wine glass and tilts it outward towards a glass cup placed on the table to the right of the frame. Subsequently, their left hand raises and reaches towards the glass cup, tilting it to pick it up. At the same time, the right hand pours wine into the glass. Then, the woman straightens her upper body and turns to face the camera directly. Afterward, she raises her left hand towards the left side of the frame.


On the right side of the screen are a dense crowd of tourists standing still. In the center-left part of the screen, a woman in orange clothing is facing away from the camera, holding a rowing paddle in her right hand and running towards the front. She then opens her arms and collides with another woman in orange clothing who is running towards her, also with her arms open. In the background of the center of the screen, there are many people strolling around.


In the center of the screen, a man in green clothing is facing to the right, sideways to the camera, kneeling on the ground. Beside his body is a car tire. In his right hand, he holds an electric screwdriver, while his left hand supports the tire as he tightens a screw. He then picks up another screw from the ground and installs it on the electric screwdriver. With his right hand, he continues to screw this into a hole on the tire. Immediately after, he uses the screwdriver to tighten it further, then picks up another screw from the ground, installs it on the screwdriver, and continues to screw it into the next hole on the tire.


The scene shows the profile of a black blind woman wearing sunglasses, with her face turned towards the right side of the screen. At the same time, the camera moves down, and the woman's head moves out of the frame from the top. The woman's upper body comes into view, and she places a book against the small table on the right, using her left hand to feel the braille on the book. Subsequently, the camera moves upwards, revealing the woman's face again. She continuously feels the braille on the book as she reads.


At the center of the screen are three hands. On the left side of the screen, a blue-sleeved left hand reaches towards the upper right of the canvas with its fingers spread. On the right side, a pair of black-sleeved hands, with the left hand holding the hand on the left side of the screen, while the right hand uses the thumb and index finger to slip a silver ring onto the middle finger of the hand extended from the left side of the screen. Then, the right hand lets go, and the left hand from the earlier scene continues to entwine the fingers with the hand extended from the left side of the screen. The camera slightly trembles, and the background is green.