In the scene, there are four people. On the left side of the picture, a woman in a yellow coat is squatting towards the right of the scene, smiling and looking to the right of the picture, with both hands reaching to the right, holding bubble solution in her left hand and the bubble blower's handle in her right hand. In the center of the scene, a man in a gray coat is squatting facing the camera, on the tips of his toes, smiling and looking to the right of the picture, with his right hand on his leg and his left arm around the little boy standing to the right of the scene. The little boy, dressed in an orange shirt, is looking down to the right of the picture, with both hands holding a bubble-making toy. To the right of the foreground, a little girl in a gray skirt is standing, facing to the left of the scene. The woman on the left is waving the handle with her right hand, creating many bubbles that fly out. The little girl stretches out her hands excitedly and runs to the left of the scene, disappearing on the left side. The little boy keeps twisting the handle of the bubble toy with his left hand, and then the woman on the left throws the bubble solution onto the little boy's face. The little boy shows a pained expression, turning his head to the right of the scene, opening his mouth wide and touching his face with his left hand. The man in the center of the scene assists the little boy, holding the tail of the toy with his right hand, touching the handle with his left hand, and then, together with the little boy, they grip the handle and pull it to the right of the scene, both looking to the right. The woman on the left also puts the handle back into the bubble toy, preparing to pull it out again. The little girl appears from the left side of the scene, partially blocked by the woman. The camera slightly shakes and moves upwards. The setting is outdoors, with grass and trees.


The scene is shot from a first-person perspective, with the person riding a motorcycle forward along the road. The road is slightly inclined upwards, indicating a uphill section. On the left side of the screen, two cars can be seen also moving forward along the road. The motorcycle seems to be faster than the two cars, catching up to them. Both the motorcycle and the cars turn to the right side of the road, with the motorcycle body leaning slightly to the right. After the turn, they enter a downhill section of the road, with many cars visible on the right side of the screen and in the background, moving back and forth. At this point, the motorcycle has overtaken a black car on the left side of the screen and is approaching a silver car on the left.


The camera slowly zooms out, focusing on the orange cat at the center of the frame. The orange cat lies on a beige cloth, facing towards the left side of the screen. It turns its head to the left of the frame, then squints and bows its head to turn towards the right side of the screen. The cat adjusts its left front paw, turning its side to the camera and slowly closing its eyes. It then sticks out its tongue to lick its mouth three times before opening its eyes again, with both ears moving, the left one more noticeably so. The orange cat's head then turns towards the left of the frame, with its abdomen and back slightly heaving. In the background, there seems to be the backrest of a black mesh chair.


In the center of the screen, a person is trying to stand up on a surfboard riding the waves, only to be subsequently swept off by a wave from behind and fall into the sea. On the left side of the screen, another person is lying on the surfboard facing the waves, and then floats to the center of the screen.


In the center of the screen is a man sitting sideways facing the bottom left corner of the frame, wearing a dark blue vest. At the beginning, he looks towards the bottom left corner of the screen. Behind him, on the right side of the frame, sits a woman in a white school shirt. With her brown ponytail, she talks to the man sitting in front of her and laughs heartily, with her left hand placed on the brown table in front of her. The man then looks towards the left side of the frame and smiles. On the far left, a woman in a white short-sleeved school shirt can be seen with her left hand resting on the table. The background is a photo of an honor board.


In the scene, three people are sitting on the ground facing the camera. On the left side of the frame, a woman in white has her legs parallel and is sitting with her arms on her knees, holding her right wrist with her left hand. She turns her head clockwise towards the camera. On the right side of the frame, a woman in a black top and light-colored pants is sitting with her legs parallel, her arms on her knees, and her hands hanging down. In the center top of the frame, a person in black is sitting cross-legged. They lift their legs and then place their left hand on their left knee. They then extend their right hand and bring their legs together before separating them again. At the same time, they stack their arms on top of each other and place them on their right knee.


A person wearing an apron picks up a rolling pin with their right hand and places it horizontally on the dough in the center of the frame. They then grip both sides of the rolling pin with both hands and roll it towards the camera. Afterward, they set the rolling pin on the dough, press down on both ends of the roller with their palms, and roll the dough towards the camera. Next, they use their right hand to point one end of the rolling pin towards the camera, placing it on the left side of the frame, flipping the dough over towards the right side of the frame before placing it back in the center. Then, the right hand reaches in from the left side of the frame to grab a yellow sponge, which is used to wipe the surface of the dough from the direction of the camera towards the person standing. The sponge is then moved to the bottom left corner of the frame, out of the camera's view. The dough is flipped over away from the camera's direction, and then the rolling pin is once again placed horizontally on the dough. With both palms pressing down on the ends of the roller, the dough is rolled and pressed towards the camera. After repeating this action several times, the rolling pin is picked up with the right hand.


The screen shows a man in a gray sweatshirt on the left side of the screen talking continuously. He raises both hands to his chest, performing various hand gestures while speaking. He first looks to the lower right of the screen. Then he stares directly at the person off-camera. While talking, he touches his left eye with the index finger of his left hand, then both hands resume their gestures, and finally, he points his four fingers to the right side of the screen, with his thumbs pointing upwards.


In the road to the left rear of the screen, two buses are moving towards the left side of the frame. The camera slowly turns to the left, and then the two vehicles proceed to the front left of the screen. The first bus disappears from the left side of the frame, and a cargo truck with a deep blue body emerges from behind the trees behind the truck, moving towards the left side of the screen. The camera continues to turn left. The green trees close to the camera, located on the right side of the screen, sway in the wind, and as the camera turns left, the swaying green trees disappear from the right side of the frame.


At the bottom of the screen is a road, in the middle of the screen is a row of single-story houses. On the left side of the screen, there is a white man in black clothes with his back to the camera, turning his head back to look at the lens. Then, a woman in a red short-sleeved shirt and carrying a purple backpack walks into the frame from the right, walking from right to left. The man on the left side of the screen turns around and walks to the left.


On the right side of the screen, a woman is sitting at the table, facing two children on the left. After saying a few words, she picks up a sandwich from the table with both hands, smiling as she brings it to her lips, pretending to take a big bite. At this moment, the boy in the center of the screen straightens up, opens his mouth wide, wanting to bite as well. The woman brings the sandwich to the boy's front, but he moves to the left side of the screen, shaking his head. The girl on the right leans to the right and then falls towards the left, leaning against the back of the chair. When the boy shakes his head, the girl leans to the right, opening her mouth, also wanting to bite the sandwich. The woman moves the sandwich to the girl's mouth, and at this point, the boy opens his mouth again, wanting to bite the sandwich.


On the right side of the screen is a building in an old-style, and in the center, an orange car is slowly moving forward. The camera follows the vehicle, and the rear lights on both sides of the car keep flashing.


The video is a slow-motion shot, showing a baseball player dressed in white slightly turned towards the left of the frame, running swiftly. His right arm is extended with the index finger pointed, held parallel to the ground. As he runs, he is shouting, with the camera panning to the left to keep him in the center of the frame. Behind him, several baseball players in red can be seen. In the distance, the stands are filled with people jumping and cheering.


The scene is captured from a low angle. At the center of the frame is a little boy wearing a gray and white striped shirt, who looks at the camera, then smiles, nods, looks to the right of the frame, and then turns back to the camera, nodding and smiling at it. To the left of the center is a little girl with her right hand on the back of the little boy, looking upwards to the right of the frame.


A man stands on the left side of the frame, facing the upper right corner of the screen, stretching his right hand out to the right side of the frame into the car. The camera zooms in, while the man lifts his left leg. Then, the man takes his right hand out, turns his body to face the right side of the frame, and then turns his head to the left side of the frame, as the camera moves upwards.


The camera focuses on a desktop, with a person standing next to the table in the background of the shot, facing the camera. A hand and a board enter the frame from above, then the hand presses the board down onto the desktop. The hand, still pressing the board, moves it downward in the frame and attaches it to a device. Subsequently, the hand rotates the board clockwise, then lifts the board, and at the same time, the hand is raised. Finally, the person in the background of the shot holds the board with both hands.


At the bottom of the screen is a brown toy bridge, with various toy parts scattered on it. A pair of fair-skinned hands pick up two head-shaped parts from the bridge's surface, adjust their positions to face the camera, and then gently rotate the head-shaped parts with both hands to show them to the lens.


In the scene, a woman is sitting behind a desk with her head bowed, slightly tilted to the left, her right hand on the table, holding a pen and making notes on the paper in front of her; her left hand is on the table, reaching towards the computer in front of the camera. Then the woman briefly looks up at the computer below the screen, bows her head, and continues to write for a moment. In the end, the woman looks at the computer and extends her left hand towards it. The camera pans to the right in a counterclockwise direction with the woman at the center.


The center of the screen shows a left hand stroking a piece of cardboard from top to bottom, moving away from the screen from the bottom of the frame. The camera pans from left to right, with the left hand moving from top to bottom in the center of the screen.


The main subject of the scene is a cat facing the screen. Then, a piece of yarn is continuously flicked onto the cat's front from off-screen. The first time, the cat pins the yarn with its right paw, and then it is pulled away. The second time it is flicked out, the cat doesn't have time to react. The third time, the cat still tries to bat the yarn twice with its right paw. The fourth time, the cat pins the yarn with both paws, and yet again, it is pulled away. The fifth time, the yarn lands on the cat's paw, surprising it, and the cat jerks its paw away. The sixth time, the cat bites the yarn with its mouth, but the yarn is still pulled away.


In the distance on the left side of the screen, the door to another room opens, and a man in black clothes carrying a box walks in. After entering the door of this room, he turns to the right side of the screen, facing away from the camera, and puts the box down. There are some bottles on the table in the bottom right corner of the screen. The room is wooden.


The scene is a close-up of the trunk of a black car, which is already open. The camera starts to rotate towards the rear and to the left. The shot slowly moves as it rotates, and finally, a man in black enters the frame from the left side. His left hand is resting on the open trunk lid. Then, he closes the trunk lid, bends down, and inspects the back of the car.


The scene is focused on a flat road next to a gray building, where a car is driving towards the camera from the distance. There is another car parked on the right side of the road. As this car travels from right to left across the screen and gradually approaches the camera, two more cars can be seen driving in the same direction behind it. As the camera pans left, the first car exits the frame on the left side, after which the focus shifts to the second white car. The camera follows this car as it continues to move left, gradually transitioning to the side and then the rear side of the car. The vehicle gradually comes to a stop at the side of the road, while a larger white car appears on the right side of the screen and drives from right to left, eventually exiting the frame.


The video is a sped-up video, where a green cartoon character with a mustache is looking to the left of the screen and raising his right hand. He then speaks while showing a smug expression and lowers his right hand while raising his left. He then lowers his left hand, raises his right hand, and brings both hands close to the camera, holding up a golden pocket watch with his right hand.


The scene on the screen is a meadow. At the center of the screen, a pair of feet wearing black thick-soled cotton shoes are moving forward. As the camera moves forward, the feet eventually move to the upper middle part of the screen.


On the left side of the screen, a person in blue raises both hands, turned sideways to the camera with their body facing the right side of the screen. On the right side of the screen, another person in blue, with white gloves on their hands, holds a flesh-colored glove and stands slightly sideways, facing the camera directly. The person on the left inserts their right hand into the glove held by the person on the right, extending their hand downwards towards the bottom of the screen. The camera moves downward, and then the person on the left raises their right hand. The person on the right releases the flesh-colored glove and brings both hands together with their palms facing and placed in front of their chest. The camera moves upward, and then the person on the left adjusts the wrist position of the glove on their right hand with their left hand.


A man with his back to the camera pushes a bicycle forward with his right hand. The camera follows the man and the bicycle from behind. The man's left hand naturally hangs down on the left side of his body, swinging slightly as he walks. Occasionally, he looks down at the road, and sometimes he looks ahead. Then, he turns his head to look to the left of the frame before quickly looking down at the road again.


In the center of the screen is a diagonal top-down view of a table with various bowls on it. A hand appears at the top of the frame, picking up a white plate, then switching to the right hand to lift the plate. Subsequently, the right hand picks up a bowl with chopped strawberries and tilts it towards the camera. The man then leaves with the plate. Following this, the man appears from the right side of the screen, holding a plate with a piece of butter in his left hand, and a fork in his right hand, pushing the butter into the bowl with the chopped strawberries. He then places the plate on the table, lifts the bowl with the chopped strawberries with his left hand, and stirs it with his right hand.


The scene is captured inside a room. In the lower left corner of the frame is a blue cloth box, inside which two pink bottles are visible with their lids exposed. In the center of the frame is a middle-aged woman with curly hair, wearing a pink coat. She faces the camera with her right hand holding the right edge of the cloth box. The woman in the center of the frame then turns her head to look at the box in the lower left corner, grasps the lid of the bottle on the right with her right hand, slightly lifts it for examination, and then places it a bit to the right. She then reaches for the lid of the bottle on the left.


At the center of the screen is a man in gray clothes with a backpack, facing the camera and speaking while looking to the right of the screen. At this moment, an arm extends upwards from the left side of the screen, then moves downwards and exits the frame. The man in gray then turns his head to the left side of the screen and looks to the left. On the left side of the screen is a woman in black clothes, who is looking to the right of the screen. In the background on the right, there is a man in a suit facing the camera. Below the screen are several heads, and on the left side of the background, there is a person holding a camera.


A blonde girl standing on the right side of the frame moves towards the left side of the frame, then disappears from view. Subsequently, in the distance of the scene, a woman with braids bends over to pet a dog. Then, the woman with braids straightens up and faces the camera. The little dog dashes towards the yellow horizontal bar at the center of the frame, wagging its tail as it passes through the yellow railing and disappears at the bottom of the frame. The woman with braids walks towards the right side of the frame.


On the left side of the screen, you can see a hand wearing gloves holding a smartphone. Initially, the smartphone displays an image of a small cat. Then, another hand reaches in from the bottom of the screen and swipes across the phone's screen, changing the image to a different small cat. The hand holding the phone shakes slightly, and finally, a pop-up window appears in the middle of the screen with several rows of black letters.


In the center of the screen is a small unmanned aerial vehicle (UAV) hovering in the air. The camera moves towards the drone, and the drone rises towards the top of the screen, with the camera also moving upwards. In the lower left corner of the screen is the upper body of a little girl, with her back to the camera, raising both hands over her head and crossing them while waving them. Subsequently, the camera zooms in on the drone.


In the frame, an elderly man with graying hair, dressed in an orange sweater, is sitting on a yellow chair, looking directly into the camera and saying something. His right hand is extended to his shoulder with four fingers slightly bent, making gestures. Behind the scene, the upper part of the wall features a blue-lined checkered pattern, while the lower part is a solid dark blue, separated by a white waistline in the middle. To the left of the frame is a bookshelf, which appears blurry due to the distance, filled with books.


Three people are sitting cross-legged facing the right side of the screen. The woman in the middle looks towards the bottom right corner of the screen, revealing a bright smile. Her right hand, placed on her chest, clenches and then spreads her fingers, as she starts to speak. The boy on the left laughs while looking towards the right side of the screen; his right foot moves back and forth towards the right side of the frame, then he turns to the left side of the screen, glancing at the long-haired woman, and then looks back to the right side, laughing and talking. The curly-haired girl on the right glances at the camera, then blinks, looks towards the right side of the screen, and laughs, repeatedly pinching her right big toe with her right hand. The boy on the left turns his head towards the left side of the screen, then laughs heartily, leaning his head back onto the sofa cushion. The woman in the middle raises her eyebrows and blinks while looking towards the left side of the camera, then smiles towards the bottom left corner of the screen. The camera shifts slightly to the left, and the white shadow in the foreground may be a wall.


The camera quickly zooms in, focusing on a car parked in the middle of the frame, facing the lens. The headlights of the car on the left side of the frame shine towards the lens, and the car is surrounded by people taking photos with their phones. At this moment, a passerby in yellow walks across the foreground of the frame, turning their back to the lens and walking towards the left side of the picture. The camera slowly moves down to capture the car from a low angle, then quickly zooms out as the car does a burnout, with tire smoke drifting to both sides of the frame. The camera slightly zooms in again, and the car starts, driving towards the right side of the screen.


The camera captures a panoramic view of a rice field, with a road extending from the left side to the right side at the bottom of the frame. The camera slowly moves forward, and at the lower right edge of the frame, a car enters the scene and drives towards the lower left corner.


The scene is a close-up from a first-person top-down perspective. In the center of the screen is a black leather wallet. On the left side of the screen, the left hand holds the bottom left corner of the wallet, while on the right side, the right hand holds the bottom right corner. The right hand then releases and disappears from the right side of the screen. The left hand shakes the wallet, and the right hand reappears from the right side of the screen, pressing down on the top of the wallet with the index finger. Finally, both hands, left and right, grasp the wallet together.


In the picture, there is a woman coloring an object through a magnifying glass, with her face turned to the left side of the canvas. The woman holds the object with her left hand and focuses her gaze on it, while her right hand holds a paintbrush, reaching towards a bottle placed on the left side of the picture to dye the brush. At the same time, she keeps her eyes on the paintbrush. Afterward, she retracts her right hand and proceeds to color the object.


The man wearing glasses on the right side of the screen is walking to the left with his back to the camera. In the background, a woman is recording with her phone. Then, the camera shifts to the right, and a policeman in uniform enters the frame. The policeman raises his right hand, extends his index finger to point to the right, and starts speaking. A man in the background watches them while chewing gum, then he pulls back his right hand and reaches inside his right chest pocket, moving to the right at the same time. The man with glasses then starts speaking, raises his right hand with the palm facing down to make a pressing motion. The policeman shakes his head and responds to him, lifting his head towards the top of the screen. Immediately after, the policeman brings his chin down and looks at the man with glasses while continuing to speak, extending his left index finger in front of his left chest and quickly retracting it. The man with glasses raises his right hand and makes a circular motion inward. The camera follows the policeman as he continues to move to the right, and the policeman shrugs, shakes his head, and turns to speak to him, then takes out his right hand, pinching his index finger and thumb together while the other fingers are bent inwards, moving up and down. He then extends his index finger to point at the man with glasses, and immediately retracts it back to his right chest. The camera turns to the left towards the man with glasses, who raises his right hand and clenches it into a fist.


Three people are standing in the frame. The woman in white is standing on the left side of the frame, facing right. The man in a patterned shirt is standing on the right side of the frame with his back to the camera. The man in a navy blue shirt is standing in the center of the frame. The man in the patterned shirt extends his left hand towards the woman, and the man in the navy blue shirt extends his right finger to point at the woman in white. Then, the man in the patterned shirt turns his back to the camera and moves towards the left side of the frame.


On the right side of the screen, someone quickly goes up and down the stairs. Then, a woman in black appears in the bottom left corner of the screen, followed by a man in black. The two quickly walk to the right side of the screen and disappear from view. After that, two women in dark coats enter the screen from the left side, move to the right side, and disappear from view. Following this, three adults, a man in blue pushing a baby stroller, move from the right side to the left side of the screen and disappear. Subsequently, two women enter the screen from the left side one after the other, move to the right side, and disappear. Then, a man in a plaid shirt enters the screen from the left side, moves to the right side, and disappears from view.


A close-up shot from above focuses on a wooden cutting board. In the lower right corner of the frame, a person's left hand, wearing a white glove, grips a red chili pepper. At the top of the frame, another person's right hand picks up a knife from the left side of the screen and slices the chili open, while the left hand removes the stem, moving it out of sight in the lower right corner. The left hand then reappears on the right side of the frame, turning the chili around to cut it into smaller pieces.


In the frame is a slow-motion shot of a person surfing. He is first positioned in the upper right corner of the frame, with his body bent forward, facing the camera, his legs on the surfboard, sliding towards the direction of the camera. His hands are hanging down in front of him. As he approaches, the camera pans to the left, and the waves behind him surge upwards. Then, he stretches out his left hand and places it in the wave, which curls down. The camera continues to pan left and gets closer to the wave, capturing the surfer within the curling waves as they envelop him.


On the right side of the screen, a person places their left hand on their right hand, with the left hand's fingers pointing to the left side of the screen. The left hand moves to the right side of the screen, then both hands flip, with the right hand now on top of the left hand. The left hand moves on top of the right hand, and they clasp each other vertically.


In the back, towards the left, there is a man in gray clothes sitting on a brown sofa. His body is slightly turned towards the right of the picture. As he speaks, his head gradually bows down, and his elbows rest on his knees with his palms facing outwards, all five fingers spread out in gestures. His hands are constantly moving, and he keeps looking at the floor until finally, he raises his head.


In the center of the screen, a woman is lying prone on a black exercise ball, with her hands placed behind her neck, her face facing the ground. Then, with her hands still behind her neck, she arches her back and bends forward from the waist, again facing the ground with her face. She repeats this set of movements continuously.


The scene is captured from the driver's seat of a car. In the center of the frame is the car's dashboard, and on the right side is the steering wheel and the right hand of the photographer. The right hand moves out of the frame to the right, the camera zooms in to enlarge the dashboard in the center of the frame, then quickly zooms out, and finally, the photographer's right hand reaches into the frame from the right.


The center of the screen is in a colorful living room. At the far right of the screen, a person in pink pants is sitting on a sofa stool, with their body facing to the left of the screen. In the center distance, there is a man wearing a yellow shirt, facing the camera, and he is pointing to the man in pink pants on the right side of the screen with his left hand. To the left of the center, there is a man in gray clothes, who seems to have just entered the room. He also faces the far right of the screen, but he is walking towards the left side of the screen, continuously looking to the right. The man in the yellow shirt is walking towards the man on the right side of the screen. The man in pink pants at the far right of the screen waves his right hand a few times and then shifts his body. Finally, the man in the yellow shirt stands next to the man in pink pants, and he also turns towards the left side of the screen. The man in gray clothes, at the far left of the screen, turns to the right at this point, listening to the man in the yellow shirt speak, with his hands on his chest.


In the center of the screen, slightly to the left, a man in a gray shirt faces the camera, looking down at the bottom of the frame with both hands holding a basketball. Then he raises the basketball with his left hand, causing it to rotate counterclockwise on his left middle finger. He looks up to the upper right corner of the screen, and then with his right hand, he rotates the basketball on his left hand four times. He then releases his left hand, and the ball falls back into his left hand. The man then bows his head to look at the lower right corner of the screen, embracing the ball with both hands and flipping it. The camera moves upwards and slightly shakes. The background of the scene is a blue sky, and there is a basketball hoop on the left side of the frame.


The scene is captured from a first-person perspective with the shooter riding a bicycle and moving forward. The camera also moves forward with a slight shake. At the bottom of the screen, you can see both hands gripping the handlebars. To the right of the screen, there are three other people riding bicycles; the camera has overtaken one, while the other two are stationary at the end. The bicycle turns to the right of the screen, and the camera moves to the right and also advances forward. The setting is outdoors, with a vertical road in the center of the screen, a winding dirt road at the bottom, mountains and plants surrounding the area, and blue skies with white clouds overhead.


The scene is shot from a first-person perspective looking down. On the left side of the screen, a right hand is pressing down on the green slime on the black desktop. Then, the left hand enters the frame from the right side, the camera moves down, the right hand lifts up, and the left hand's fingers straighten out to press the red object held in the hand into the slime. Following this, the right hand is lowered and, together with the left hand, pinches the slime. Then, the fingers extend to press down on the slime. The camera moves up with a noticeable shake.


The initial scene shows a blueprint on the ground, then the camera pans forward and upward, revealing many people engaged in ground coloring work entering the frame. On the left, two people are dragging the ground back and forth with tools. In the center of the screen, several people are gathered at a distance, applying paint to their tools. On the right side, a group of people are huddled in a circle, bowing their heads as if discussing something. Additionally, one person is sprinting from the right side of the frame to join them.


The camera pans down and gradually reveals more of the scene below. In the center of the frame is a square clearing with many blue tents and some tents with colorful geometric patterns. Cars are parked at various spots around the area, and a group of people stand around the tents or walk in different directions. The four roads surrounding the square clearing also have parked cars, and some cars are moving in different directions on the roadways.


The video was taken by a camera installed on the car. The lens slowly moves forward, and there is a person crouching on the right side of the screen. Four people are walking from the left side of the frame, and there are some people standing on the right side of the screen. The background of the video is a column in an underground parking lot.


In the scene, there is a cartoon image of a blue bird perched on a railing. The bird is facing the camera slightly to the left, then turns its head to the right before turning back and spreading its wings, ready to take off. The background is an exterior wall of a building painted in orange-yellow, with two windows visible.


In the right side of the screen, there is a man dressed in black, looking at the instrument on the left side of the screen while turning his head to the right. He seems to be saying something, and his right hand swings to the side as he turns his head.


The camera shoots from above, and at the center of the screen is a white plate. Suddenly, a finger appears at the bottom of the screen and pushes the plate upwards. Then, from the right side of the screen, a spoon filled with chopped horse hoof is extended and the content is deposited into the plate in the center of the screen. The scene changes, and the plate in the center now contains meat, chopped horse hoof, and rich broth. Unexpectedly, from the top of the screen, a hand holding a bunch of green vegetables drops them into the bowl in the center of the screen.


On the left side of the screen is a black woman wearing a yellow shirt. She is wearing headphones and her body is turned towards the left side of the screen. Her left hand is supporting the microphone of the headphones, and she is holding a pen and a mouse with her hand. On the right side of the screen is a man wearing a gray shirt, with his body facing towards the left side of the screen. He is wearing headphones, holding a tablet in his left hand, and has a tattoo on his right hand, which is pointing towards the left side of the screen. The woman in the yellow shirt turns her head to the right side of the screen, glances down to the left, and then looks back to the right. She slightly nods her head while looking down to the left again. The man is saying something, holding the tablet in his left hand and extending it towards the left side of the screen to the woman in the yellow shirt. Leaning slightly towards the right side of the screen, she lowers her right hand to the left, and accepts the tablet from the man's left hand with both hands. Then, she slightly turns her head to the left, looking towards the left side of the screen. The man turns his head to the right side of the screen, glances at the left, and says something.


The camera starts from a very low angle and begins to rise. At first, the front of the lens is blocked by stones. As the camera lifts up, we can see that it is a forest. A woman starts to appear in the center of the frame. The camera continuously rises and advances, threading through several leaves, revealing a woman sitting on a large rock beside a small stream at the center of the scene. The woman's left leg is bent, her foot resting on the stone, while her right leg hangs naturally. On her left hand stands a bird of substantial size. She supports the bird with her left hand, while her right hand is placed beside it for protection.


In the scene, two people are talking. On the left side of the screen stands a short-haired woman with her hands crossed in front of her, looking a bit uneasy as she looks at a man sitting on the right side of the screen. The man has his hands on the table and is looking towards the woman on the left side, having said something to her. Following this, the woman slightly bends over and nods. There is also a Mac laptop on the table in the scene.


In the center of the screen is a metal component. On the left side of the screen is the upper body of a man. The man is standing sideways to the camera, with his left hand supporting the upper part of the metal component and his right hand holding a hammer, striking the middle of the metal component. The camera slightly moves to the right, and the man raises the upper half of the metal component with both hands, then places it back onto the desktop, while the camera follows the movement of the man's hands.


In the scene is Curious George, draped in a light blue cloak, standing by the roadside, holding a green flask in his hand, with his hands on his hips, and an expectant expression on his face. As the camera zooms in, George bends down to pour the contents of the flask onto the garbage on the road, but the garbage does not respond in any way. George's expression then turns to confusion, and he shakes the flask, yet still, there is no reaction. In the background of the scene, a row of houses and cars parked at the side of the street can be seen.


In the center of the screen, slightly to the right, sit two blond, white girls dressed in white. The girl on the left has her hair tied in a low ponytail with curly bangs hanging down on both sides. Her hands are folded in front of her, and she is looking down at a book. The girl on the right has half of her hair tied up and her hands are pressing down on the pages of the book, her head slightly bowed towards the right side of the screen. At the bottom right of the screen is a white circular table, and at the far right, there is a transparent vase holding a bouquet of flowers. As the camera moves to the right, both girls look up to the right side of the screen simultaneously. The girl with half her hair tied up raises her hands, causing the book to close. At the same time, a servant on the right side of the screen serves them two afternoon teas. The camera zooms in, showing the girl with the low ponytail looking towards the servant on the right side of the screen and smiling, while the girl with half her hair tied up lowers her eyes and arranges her own afternoon tea. The girl with the low ponytail lowers her eyes, accepts the afternoon tea passed from the right side of the screen, and the girl with half her hair tied up glances to the left. At this moment, the servant's hands on the right side of the screen move out of the frame. The servant in white on the left side of the screen moves the book to the side with her left hand, and with her right hand holding a plate of bread, leans forward, occupying most of the left side of the frame. After placing the bread on the table, she steps back. The servant on the right side of the screen moves the vase to the left. The camera moves towards the top right, and the girl with the low ponytail reaches out with her right hand to take the bread, and the girl with half her hair tied up also reaches for it with a smile. The two servants sit down at the table. The background of the video is blurred, revealing that they are sitting on a balcony with white railings, filled with flowers and various items.


In the scene, a person dressed in red is wearing white gloves on both hands, the right hand opening a transparent compartment, while the left hand places a printed paper slip inside, then turns a page.


The camera pans to the left and zooms in. On the left side of the screen, a woman in a floral patterned outfit speaks to the camera. She then turns her head to the right side of the screen, picks up a chili pepper with her left hand, pretends to make a phone call, and looks back to the left side of the screen. She subsequently laughs, turns to the right side of the screen, and puts down her left hand. The camera pans to the right side of the screen, where the woman is holding a white cloth in her right hand and wiping the chili pepper. She laughs while looking up and speaking, then bows her head to look at the chili pepper. The camera moves upwards, then to the right, and finally back towards the left side of the screen.


In the foreground of the scene, there is a rotating mud disc with a cylindrical lump of mud on it. In the background, a person is facing the camera with both arms embracing the mud. The camera zooms in on the mud, and then his right hand reaches to the left side of the frame to dab some water, and then returns to the mud. Next, his hands are placed into the cylindrical mud to shape it. The camera zooms out, and the scene gradually blurs.


On the left side of the screen, a man wearing a green headband is looking at the dark-haired man on the right side of the screen and speaking to him. He then glances at the man's pectoral muscles and taps them with a iron rod. Afterwards, he puts down the rod, his gaze shifts back to the dark-haired man's eyes, and he speaks to him again. The man on the right side of the screen raises his left arm throughout and places it behind his head, looking at the man with the green headband on the left.


The shot is a close-up of the hands; a woman is on the right side of the frame. Both hands are in the frame, with the right hand entering from the top of the screen and placing it on the food in the center of the frame. It circles clockwise and then disappears into the frame. Following this, the left hand extends its fingertips, bouncing up and down. The right hand re-enters the frame from the top, and then the left hand extends its thumb and index finger.


On the left side of the screen, a curly-haired woman in a red sweater is sitting, holding a little girl in a floral shirt and a white cardigan in her arms. The girl turns her head to the left side of the screen, while the woman turns her head to the right side of the screen, with the two facing each other and speaking affectionately. On the right side of the screen, a man in a plaid shirt and a brown down jacket is sitting next to the woman in the red sweater. He slightly bows his head and turns to the left side of the screen, his gaze fixed on the girl. After the girl nods slightly, she turns her head to the right side of the screen, looking in that direction. Then, as the girl speaks towards the right side of the screen, she turns her head to her left to look at the man and quickly straightens back up. She continues to look at the man to her left, and the man raises his right hand to gently touch the girl's arm, facing her and beginning to speak. In the background, one can see the cozy indoor decorations featuring a Christmas tree and wreaths.


The video is shot from a first-person perspective. In the frame, there are many boxes on both the left and right sides of a table. In the middle of the table is a colorful iron box with its lid already open. In the center of the video, a pair of hands is opening a plastic packaging. Inside the plastic packaging, there is a green cylindrical barrel with an orange lid. The right hand holds this cylinder while the left hand tears open the packaging, and both hands proceed to unfold it.


On the left side of the screen is a person wearing a blue short-sleeved shirt, facing the right side of the picture and only showing from the shoulders to the abdomen. He turns slightly to face the right side of the screen and stretches out both hands to grip a black slate. To the left of the center is a little boy in a light blue short-sleeved shirt. He first looks towards the bottom right corner of the picture, then towards the left side of the screen, and seems to be continuously saying something. In front of the central lens is an even smaller boy in a green and white short-sleeved shirt. He occasionally looks towards the camera, with his hands gradually moving to his hips. To the back and slightly to the center is a woman in a green short-sleeved shirt who looks down briefly at the lower center of the screen. The background of the picture is a brick road.


In the center of the screen is a foreign man wearing a brown shirt and sunglasses, looking to the right of the screen while walking to the right. The camera also shifts to the right, with the background being a record store. The scene changes, and in the middle of the screen is a foreign man in a blue shirt and sunglasses sitting in a car facing to the left of the screen. His right hand is holding a cigarette, and the camera only shows the side of the man. Then he puts down the cigarette in his right hand, looks to the left of the screen, and the car moves to the left as well.


A close-up shot from above shows a green checkered table with a Christmas candy cane plush toy with a black heart on top. The toy is tied up with black nylon cable ties. In the lower left corner of the frame, a person's left hand is holding one end of the nylon cable tie. In the lower right corner, a pair of pliers comes into view, approaching the clip of the cable tie and cutting it.


In the center of the screen, a man in white is standing facing the right side of the frame, his face turned towards the camera, with his right hand under his shoulder, pulling on the strap of his backpack on the right shoulder. He is smiling as he walks to the right side of the frame. When he reaches the right side, he turns his body towards the camera while slightly lowering his head. On the left side of the screen, a woman with black hair is sitting facing the camera, and on the right side, a woman with blonde hair is also sitting facing the camera, looking towards the right side of the frame. Both of them turn their heads to the right side of the frame as the man moves. In the background at the center, there are some ID photos.


The video footage was shot by a camera installed on the co-driver's side. The car first drives forward, with lawns and houses flashing by on both sides of the road. Then, the lens slightly rotates to the left, and the driver appears on the left side of the screen. After that, the car makes a left turn and continues to drive forward, with houses and lawns flashing by on both sides of the road.


On the right side of the starting screen, there is a car sprayed with paint. On the left side of the screen, a hand is placed on the car on the right side of the screen. Then, the camera turns to the left, and a woman wearing a pink top appears on the left side of the screen. She first raises her right hand to stroke her forehead, then turns around to face the camera sideways and starts to explain. In the end, she bends down and bows her head.


In the background of the scene, a red car appears on the left, driving towards the camera. It first moves to the right side of the screen, then at the corner, it turns and moves towards the lower left of the screen, and finally drives out of the frame. Another white car follows behind the red car, moving in the same manner. There is a road that stretches from the lower left corner of the screen to the center, where it turns left. The background of the scene is mountain peaks, and the sky is a light blue.


The scene uses slow-motion footage, showing a bespectacled bald man facing the right side of the screen, raising a newspaper and moving towards the right side of the frame. The camera switches to another shot where the man is now facing the camera and walking towards the upper left front of the screen. Subsequently, the scene switches again, with the man now standing behind a glass door on the right side of the frame. He uses his right hand to pull open the glass door and leans sideways towards the back of the screen.


The camera angles down and slightly shakes, showing a man lying on a table with his upper body visible. He is biting his lower lip, looking into the camera, and his left hand moves up and down playing the strings of a guitar. The camera then slightly moves up, and the man opens his mouth, turning his head to the right side of the frame with his eyes slightly open. He then forcefully closes his eyes, turns his head back to the center of the frame, opens his eyes and looks into the camera, seemingly saying something. Following this, he again opens his eyes slightly, turns his head to the right side of the frame, and appears to be speaking. He frowns forcefully and closes his eyes, then closes his mouth, and once again frowns and shuts his eyes.


In the upper left part of the screen, a person is holding down a piece of dough with their left hand and cutting the edge of the dough with a knife in their right hand. The camera slowly pans to the left, as the right hand and the knife move upwards and to the left across the screen, cutting the dough. At the same time, the left hand follows the movement of the knife. The right hand, holding the knife, gradually moves out of the frame from the upper left edge. The left hand picks up the cut strip and places it on the table to the upper left of the screen. Then, the left hand moves to the upper right corner and presses down on the dough again. The right hand, holding the knife, re-enters the frame from the top and places the tip of the knife in the middle of the right edge of the dough on the screen.


This is a scene from an animation where a character wearing a rainbow-colored hat faces the camera. He is standing in front of a door, raising his left hand to turn the sign hanging on the door to "closed." Afterward, he steps back and firmly shuts the door. The sign on the door slightly sways, and in the foreground of the scene, the silhouettes of two other characters can be seen on either side.


This is a top-down shot. At the beginning, it captures a cross and Jesus on the wall, two large oil paintings, and six small oil paintings. At the bottom is a round clock. As the camera moves down, a nun with an Asian face walks from the center of the frame to the right side of the lens, slightly tilting her head up with a solemn expression. The background of the lens is blurred, with red chairs on the left and right sides of the frame, and a foreign woman sitting on the right side.


In the center of the screen is a black Jeep parked with its hood facing towards the left side of the frame. To the left of the frame stands a man sideways to the Jeep. He is facing towards the right side of the screen with both hands on his hips, then turns to face the camera. He takes a step forward and begins to gesticulate with his left hand on the raised hood of the car, explaining to the camera. While walking towards the camera, he also continues to gesticulate with his right hand. He talks while gesticulating with his left hand. On the right side of the screen, one can see someone using a specialized cleaning machine to wash the car. The background of the scene is the white wall of an indoor garage.


In the scene, a pair of hands is tightening a knot. The right hand smooths the white part of the knot, while the left hand grasps the knotted section and exerts force on both sides to twist it tightly. Then, the left hand lets go and swings to the left side of the frame, before grasping the knot again. It twists the knot, using the thumb to pry out a strand from the green part on the left side, and then the right hand smooths the strand.


In the left foreground of the scene is a man in a brown suit, bending forward as he runs. On the right side of the frame is a man wearing a blue shirt and black pants, also bending forward as he runs, seemingly chasing the first man. The camera shakes and pans to the left, finally showing the second man catching up to the first, wrapping his arms around his waist, and tackling him to the ground, at which point they are both centered in the frame. The background is a large expanse of lawn with some wildflowers.


In the scene, the camera is slightly tilted upwards, capturing the sunlight filtering into a dense forest. The camera continues to move forward as the sun is blocked by the trees.


On the left side of the screen is a blurred image of an arm, and on the right side is a blurred image of a black keyboard and part of a monitor. Then, a triangular piece of gray cloth enters the frame from the bottom right corner and is moved to the left side of the screen by a hand. After pausing for five seconds, a left hand lifts the gray cloth to reveal a red screwdriver. The left hand then covers the top of the screwdriver with the gray cloth again. Both hands adjust the position of the gray cloth, the left hand lets go, and the right hand moves the screwdriver wrapped in the cloth towards the right side of the screen. Finally, the left hand grips one end of the black keyboard and adjusts its position.


The video is a clip from an animated film. The scene features a lake with some trees in the background. On the right side of the screen is a purple animal character with its back to the camera. In the middle of the lake are two duck-like characters; the one on the left is pink, and the one on the right is light blue. They are facing the camera and looking towards the purple character on the right side of the screen. The character on the left raises its left hand to greet, and there are small yellow ducks lined up on the right. At this moment, the two ducks in the middle of the screen are swimming to the left. After greeting, they turn their heads to the left and continue swimming left until the middle of the screen shows the small yellow ducks. The head of the purple character on the right side of the screen turns to the left as the ducks swim away, watching them leave.


In the scene, you can see a right hand holding a piece of pizza, with the focus on this piece of pizza, which seems to be on a dining table. The person's left hand is placed on the table, where there are also two white plates and several bottles of wine. The camera lens is slightly shaky, then this hand holds the pizza up to the mouth, at which point you can see the profile of a woman. She has her mouth open, ready to eat the pizza. To the right of the center of the frame is another person sitting next to the woman, staring dazedly to the right of the scene. The woman in the foreground nods with satisfaction after taking a bite of the pizza. The camera lens slightly dips down.


The camera slowly pans to the right of the screen and then moves towards the center, on the left side of the screen, a black man with glasses has his hands crossed over his chest, and he is making eye contact and conversing with the man in a gray shirt on the right side of the screen. After the camera rotates to the right, the man in the gray shirt walks to the left side of the screen, while the black man with glasses moves to the center.


A woman wearing a hat faces the camera, looking down at the bottom of the frame with her hands resting on the left hand of a woman in black and white striped clothes, who is embracing her neck. The girl in the blue and white skirt has her body facing the camera, her face turned to the bottom left corner of the frame, looking down and to the left of the camera. The woman in black and white clothes faces to the right of the frame, holding the woman in the hat tightly with her left arm, smiling and talking. The woman in the pink top stands against the table at the bottom of the frame, facing to the left, looking down. The woman in the hat turns to the camera, smiling, and bends her forearm upwards, making a "V" sign with the back of her hand towards the camera. The woman in the striped skirt turns to the camera, raises her right hand, bends her forearm, and talks, then steps back to the left front of the camera, moving her right arm up and down while jumping and cheering. The woman in the hat turns her head to the left of the frame, looking surprised and talking, folding her raised right hand fingers, then turns to the camera, and back to the left of the frame, then turns her head to look at the bottom right corner, pouting and then licking her lips, continuing to talk, and extending her left hand to the bottom right of the frame to hold a stack of cups. The girl in the blue and white skirt turns her head to the left of the frame, then turns to look at the bottom right corner, and then faces left, looking down at the bottom of the frame. The person in the black and white striped clothes moves her left hand from the shoulder of the woman in the hat, then raises both arms to the sides of her body, swinging them slightly up and down while jumping towards the bottom of the frame, then turns to the right, looking at the bottom right corner and extending her left hand to the right of the frame, placing it on a stack of blankets in the bottom right. The woman in the pink top smiles to the left of the frame, then turns her head slightly towards the camera, looking down to the left of the frame. In the foreground at the bottom of the frame is a table with a stack of red plastic cups. In the background is a metal countertop with a sink, to the left of which is a double-door refrigerator and an oven draped with a green towel, and to


In the lower part of the screen, a right hand places a purple flathead screwdriver to the right side of the screen on top of a keyboard. In the lower left corner of the foreground is a white appliance, and on the right side of the screen are a keyboard placed on the table and a turned-on display screen. A left hand enters the frame from the left side and then moves towards the right side of the screen. The left hand holds a keycap, and the right hand raises the screwdriver towards the upper left, aiming at the keycap in the left hand. Then, the left hand moves downward to the left with the screw, leaving the frame. The right hand turns the screwdriver towards the right side of the screen and moves from the center to the right side of the screen, touching each keycap vacancy with a line, and then moves from the lower right corner to the upper left corner, repeating the action of touching the keycap vacancies. Then, the right hand moves towards the upper left front of the camera and then to the right side of the screen. The screwdriver points to the right side of the screen, moving to the lower right corner, then to the upper left corner, moving back and forth across the keyboard with the screwdriver.


On the screen, there are two television screens. On the left TV screen, a blue monster quickly moves from the right side of the screen to the left, grabbing a person on the left side of the screen and sticking out its tongue at them. The scene cuts to a person facing the right side of the screen, holding a gun and shooting. It then switches to five dolls, and the camera zooms out. Next, the screen cuts to a red doll holding a machine gun, which quickly turns towards the left side of the screen. The camera zooms in, focusing on the upper body of the red doll. Then, the screen cuts to the front face of a boy whose expression turns fierce. On the left side of the screen, a doll is holding a black object, blocking the object on the right shoulder of the doll in the top right corner of the screen. The scene switches to the front of another doll, where a hand on the left side of the screen is holding a sword upwards towards the right. The doll swings the sword towards the direction of the camera lens. The screen changes to a monster facing left, sideways to the camera lens, with fingers on the right side of the screen touching the monster, then the monster is struck and disintegrated by a sword flying in from the left side of the screen. On the right TV screen, the camera zooms in on two drinks within the screen. The camera then cuts to a row of cans, panning to the right, with white text flashing at the bottom of the screen. The camera switches to four small screens, each with a hand holding a cup with a different dynamic pattern. A white rectangle with black text in the middle of the four small screens flips horizontally to change the content. The screen splits into two, with the left side showing a hand with blond hair on a bottle moving back and forth towards the camera lens. On the right split-screen, a person is looking at the camera and talking. The bronze-colored TV in the scene rotates downwards, and the copper-colored TV on the right rotates towards the camera lens. Red lines in the background move towards the lens.


In the video, a left hand pinches the left edge of a black leather wallet, followed by a right hand entering from the right side of the frame, pinching the right edge of the black leather wallet, and slightly waving the wallet back and forth. Then, the right hand releases the wallet and moves out of the frame from the right side, quickly re-entering and exiting again. The left hand gently waves and slightly rotates the wallet forward and backward, after which the right hand re-enters the frame and pinches the right edge of the wallet. Subsequently, the left hand releases the wallet and then pinches it again, followed by the right hand doing the same, with both hands continuing to gently move the wallet. Then, the action of the hands releasing and re-pinching the wallet alternately is repeated. At the end of the video, the right hand holds the right edge of the wallet while the left hand exits the frame. The background features a desktop with alternating green and yellow colors.


On the left side of the screen, there are three black girls dressed in black and wearing hats, all looking at the notebook in the hands of the white woman on the right side of the screen. Then, the woman on the right side says something and turns her head to speak to the left side of the screen. The girl in the center on the left side raises her head to talk to her, then nods and smiles. The woman on the right side closes the notebook and says something while turning her head downward.


The background of the scene is inside a gymnasium, with spectators visible on the stands in the background. In the center of the frame is an athlete wearing a blue and white striped jersey and a blue helmet, running sideways to the camera along a muddy road towards the left side of the screen. The camera follows, keeping the running athlete in the center of the frame. At this moment, the athlete high-fives a teammate by the roadside, then runs forward with open arms, continuing ahead. Now, with his back to the camera, the athlete high-fives a teammate on the right side of the screen.


In the center of the screen, you can see a dog with a black hat on its head. The dog has its mouth open, smiling directly at the camera with its tongue slightly sticking out. The dog is breathing out, its head turned to the left side of the screen, looking towards the left. Then, a hand enters from the right side of the screen, and the dog immediately turns its head to the right, with its mouth moving out of the frame. You can see the hand adjusting the dog's hat, and the dog still smiles while looking to the right of the screen. The human hand moves out of the frame from the right side, and the dog's head dips slightly, closing its mouth as if it is chewing something. Then, the dog opens its mouth again, breathing out, and turns its head back to the left side of the screen.


In the scene, a woman is holding a pen and writing in the upper right corner of the frame. The camera slowly pans down and zooms in to focus on her hand movements. On the right side, hair is seen flowing in the wind.


On the left side of the screen is a blond woman wearing a black and white coat. She looks towards the upper right corner of the screen, talking as she does, then turns her head towards the left side of the screen, looking down to the lower left. She then picks up a phone with a white case from below the screen with both hands, and then releases her left hand, using her left index finger to tap the phone screen three times.


The screen shows a first-person top-down perspective close-up, with a black keyboard as the background. The left hand picks up a black keycap from the lower side of the frame and brings it to the center. The left hand moves downward in the frame, and the camera zooms in and blurs before zooming back out. It quickly becomes clear and continues to zoom out twice. The left hand and the keycap appear in the center of the frame, with the left hand rotating the keycap while moving downward in the frame. It then moves upward and to the lower right side of the frame, disappearing at the lower right corner.


A woman in pajamas enters the frame from the left, walking towards the right side of the screen with her hands slightly swinging. Then she slowly raises her hands in front of her body to chest level, pulls her shawl closer, and comes to a stop. The camera shifts to the right, and she sways her body from side to side, taking a step towards the camera with her right foot and stepping back with her left foot towards the left side of the frame. She stands on her toes, turns her head towards the camera, and shifts her body weight between her left and right feet. The background is an indoor setting with several potted plants, and the walls are white.


At the edge of a pier, in the center of the scene, a yacht can be seen sailing across the broad expanse of water towards the upper right rear of the frame. To the left of the image, another yacht is visible closer to the camera, while on the right side of the frame, a patch of land is seen in the distance, where a yacht eventually disappears from view. At the same time, a yacht can be observed heading from the land towards the upper left front of the scene before finally leaving the frame on the left side. In the foreground on the right, a small sailboat is heading towards the left side of the frame. After sailing for a while, it changes direction and heads towards the right side of the scene. Throughout this entire process, the sky is gradually growing darker.


Close-up shot. In the center of the frame, a person faces the camera, bending over to pull out an agricultural spray nozzle from the ground. With the right hand gripping the nozzle and the left hand first touching the iron rod below, the person then pinches the rear end of the nozzle with the left hand while the right hand points to the nozzle towards the camera. After that, they rotate the nozzle counterclockwise a few times. Then, with the right hand holding the nozzle, the left hand caresses the iron rod below back and forth. In the end, both hands grip the nozzle, inserting the iron rod back into the ground.


In the frame is a woman facing the camera. Her right hand is adorned with a langhua finger, pinching a yellow food item between her thumb and middle finger, while her left palm is facing upwards, holding a piece of wrapping paper below the screen. She shakes the food up and down towards the camera, saying something as she does so, her gaze darting to the lower right and upper right corners of the screen. She then places the food on the wrapping paper held by her left hand, and carefully pinches a small piece between her index finger and thumb, bringing it to the side of her cheek.


On the left side of the screen, a woman is smiling at the camera, while on the right side, a man is taking a photo of the woman with his back to the camera. The woman raises her left hand and then lowers it, and the man leans his body to the left side of the screen, continuing to take photos of the woman.


It is a first-person perspective shot. In the center is a metal ring with a rope around it. In the lower left corner at the back, there is a left hand fiddling with a hook, opening one end of the hook to facilitate passing it through the metal ring. In the lower middle at the back, a leg wearing blue pants can be seen. The background of the scene is outdoor grass with a high altitude view.


The scene is shot from a first-person perspective, showing the side of a white car. In the bottom right corner of the frame, a hand opens the car door and then closes it, with the right hand moving downward and out of the frame. The camera then moves backward and to the left, with the rear half of the car centered in the frame. Following this, the camera shifts to the right and down, where a hand appears in the top left corner of the screen, pointing to the center-right part of the frame, before quickly retracting and moving out of view. The camera then moves up, to the left, and finally forward, approaching the left taillight of the white car.


On the left side of the screen is a blond woman wearing a brown backpack and gray and white clothes. On the right side is a man in a red plaid shirt, yellow pants, and a black backpack. The woman's right hand and the man's left hand are holding each other, and the two are walking towards the distance of the camera. The camera follows the couple, gradually moving closer. The man's right hand raises and then lowers towards the upper side of the screen. The background on the left side of the screen is the ocean, and on the right side is the high ground by the sea.


At the center of the screen are four men from left to right: a man wearing a light red short-sleeved shirt, a man in a red short-sleeved shirt, a man in a black coat, and a man in a pink long-sleeved shirt. The man in the light red short-sleeve is facing the right side of the screen, has taken a step towards the right direction of the screen, and has placed his right hand on the left arm of the man in the black coat who is facing away from the camera. The man in the red short-sleeved shirt has turned his head to the right side of the screen and is looking in that direction. The man in the light red short-sleeve has raised his right hand upwards towards the top of the screen and opened his palm. Then, from the right side of the foreground, a man in white clothes walks in, blocking the view of the man in black and the man in the pink short-sleeve.


A black woman is carrying a white woman on her back, moving from the right side of the screen to the left, with the camera panning to the left along with them. As they reach the center of the screen, a suited white man extends his left hand to stop them, turning his head to the right to glance. A black man enters the frame from the left side, watching the two women. The scene cuts to reveal the front of the two women in the center of the frame. The black woman looks angry, facing the black man on the right side of the screen, saying something to him with her back to the camera, then she tosses her head towards the white man on the left side of the screen, and again looks at the black man. The white woman continuously looks at the white man on the left side of the screen, while the white man glances back and forth between the black man and the two women.


This is a black and white scene with two women sitting inside an empty restaurant. The woman on the right is standing, turned sideways to the left of the frame, with her left hand on her chest touching a button on her clothes. On the left side of the frame, a woman is sitting on the edge of a chair, facing the woman standing on the right. After the woman on the right finishes speaking, the woman sitting on the chair suddenly turns her head to the left and says something to the camera. Then, the standing woman turns around to face the camera and speaks, nodding her head to the right slightly, and her right hand, which is resting against her side, also twitches. The woman sitting on the left turns her head to the right to look at the standing woman. At this moment, the standing woman has her hands crossed over her chest, speaking seriously with a raised head, nodding continuously, and raising her eyebrows. The woman on the left occasionally speaks while looking at her, and then the standing woman smiles with her mouth closed. Suddenly, she turns to the woman on the left, the author, and starts speaking, with both hands on her left hip, her head tilted to her left shoulder, speaking with a smile, and every time she speaks, her chin moves forward slightly. The woman on the left glances at her own hands while the standing woman is speaking, then continues to look at her as she talks. The background consists of neatly arranged tables and chairs, with a row of windows on the left, through which the outline of a mountain can be dimly seen.


The camera rotates to the right side of the screen, and a hand appears in the lower left corner, moving towards the right side of the screen. After reaching the bottom of the screen, it moves towards the lower left corner. The camera moves to the lower left corner, and the hand disappears in the lower left corner. Then, the camera shifts to the upper right corner, followed by a shake.


In the center of the screen, a man in a white suit turns and punches the face of a man in a red shirt. The man in the red shirt stumbles backwards from the blow. At the same time, on the left side of the screen, a man in black steps forward with his left leg, assuming a combat stance towards the man in the white suit. The camera switches, and the person in blue on the left side of the screen raises their leg to kick the person in black and white striped clothes towards the center left of the screen. The person in black and white striped clothes reaches out to block the kick. The person in blue then follows up with a kick from their descending right leg towards the person in the black and white clothes. They then turn around and swing their left fist, hitting the head of the person in the black and white clothes. The person in black and white clothes dodges the flurry of punches from the person in blue and punches back, hitting the blue-clad person's head.


On the left side of the screen is a man who is walking forward along a path in the supermarket's merchandise aisle. The camera pans to the right, moving to the man's back. The man continues to walk forward and turns his head to the right to take a glance.


In the scene, there are two boys standing on a mat, with their hands wrapped in transparent tape. The boy on the right, dressed in black, charges towards the left, bending over and using his shoulder to push the boy in blue on the left side, walking to the left. Then, the boy in black pushes the boy in blue towards the distance of the scene until the boy in blue's feet leave the mat. As the boy in blue steps off the mat, he lifts his left leg to maintain balance, then puts his left leg down and walks towards the left side of the frame. A group of people are standing around the scene watching. The camera first pans to the left, and finally moves forward.


On the right side of the screen, you can see the back of a woman in white clothes. The camera is panning to the left. The woman in white has moved out of the frame from the right side. She seems to be holding a fishing rod and moving towards the right side of the screen. Then the camera pans to the right again, and you can see the fishing rod in the woman's hand in the bottom right corner of the screen. The fishing rod is swinging, which may be due to the fish underwater or the wind on the lake.


In the center of the screen is an adult woman, facing the camera with her eyes looking to the right side of the frame. To the right of the screen, a hand is continuously moving up and down. The camera shakes from side to side, the woman slightly presses her lips together, and the right shoulder of a man appears on the right side of the frame.


This is a top-down perspective. The left side of the screen shows the left arm, and the upper center of the screen shows the right hand. The left hand is holding a black part in the center of the screen, while the right index finger is pressing on the back of the car in the center of the screen. The camera shakes, and both hands hold the black part, placing it on the back of the car in the center of the screen. The camera moves up and then down, the right hand presses on the black part in the center of the screen, moving to the lower center of the screen. The camera moves up, and the right hand moves to the left side of the center of the screen. Both hands are then lowered and placed on the sides of the body on the right side of the screen.


On the left side of the screen stands a woman in a white top, facing left, with her left arm outstretched as she speaks. At the same time, a woman in a pink top sits on the left side of the screen, facing the camera, with her hands behind her head, looking towards the white-clad woman on the right side of the screen. Following this, the white-clad woman bends her arms and raises them, then turns towards the right side of the screen and quickly turns back to look at the woman in pink, extending her left hand to the right side of the screen and disappearing from view.


In the left side of the screen, a middle-aged anime character holds a yellow umbrella with their left hand, resting it on their shoulder. Their body is slightly tilted to the left, and they raise their right hand to point towards the right side of the screen, looking in that direction as they speak. Then, they stand up straight, placing their right hand on their waist, and look at the black male student in the center of the screen. The black male student in the center of the screen looks to the right, holding a green device with both hands in front of him, and then turns his head to look at the middle-aged person on the left side of the screen as they speak. The monkey towards the center-right of the screen has their hands pressed together, looking towards the lower right corner of the screen.


On the right side of the screen are a man in yellow clothes and a man in black clothes, who are engaged in a tussle. The man in yellow clothes lifts the boy in black clothes with both hands, raising him towards the top of the screen. At this moment, the background at the top features a relief-decorated wall. The camera zooms out, and the man in yellow clothes lets go, causing the man in black clothes to fall downwards, disappearing from view at the center of the screen near the handrail. The scene changes, and on the left side of the screen is the falling man in black, while on the right side is a man in blue pants, with his right hand holding a rope and his left arm extended towards the left side of the screen. The man in black continues to descend towards the bottom of the screen. Then his right hand grabs the left hand of the man in blue pants, and he stops falling, suspended at the bottom of the screen. At this point, the background on both sides of the screen is made up of walls, and at the top are neon lights shaped like letters. The scene changes again, and at the center of the screen is a man in a brown leather jacket, his body drenched, facing the camera with both hands gripping the handrail at the bottom of the screen. He shakes his head slightly, then bows it down towards the direction of the screen. The background of the scene is a decorative wall with embossed patterns.


In the center of the screen is a man in black clothes, and to the right is a woman in red. The man in black is speaking, while the woman in red smiles at him. Then, the two embrace. The camera switches to a close-up of the woman's face as she speaks, furrowing her brow momentarily before breaking into a smile.


The camera slowly zooms in, and in the frame, a woman with short hair places her right hand on the door. Her head moves from the right side of the screen to the left, as she peers around the back of the door, her eyes wide open and mouth agape, looking into the distance.


The scene is in first-person view, with the camera positioned on the chest of the shooter, and the lens is shaking. To the left of the screen is a black male dressed in a police uniform. In the center of the screen is a white male in a police uniform looking to the right of the frame, then towards the direction of the lens. To the lower right of the screen is a pair of hands that later move away from the lens, bottom of the frame. The lens then turns to the lower right.


The camera remains steady, and in the frame, inside a room, two men are talking. The man on the left is wearing a maroon vest and a gray shirt, with short black hair. He is standing sideways, speaking while nodding and blinking. The man on the right is wearing a grayish-white coat and a blue shirt, with short hair, his hands raised and open. He faces the man on the left side of the frame, then looks straight ahead and back at the man on the left, his right thumb up. The scene changes, and three people appear in the frame. From left to right, they are: a woman with maroon clothing, golden curly long hair, and a necklace; a girl in off-white coat and printed shirt with golden curly long hair; and a man in a maroon vest, gray shirt, and black short hair. The woman and the girl are looking at each other, conversing and smiling, while the man watches them.


The camera angle is low, and on the right side of the frame, a man in a red and black coat and a man in a Santa suit are embracing each other, facing the camera. The latter pats the former's right shoulder, and the two are holding a gift box together. Subsequently, the embracing pair separates, and the man in the red and black coat steps back to the center of the frame, while the man in the Santa suit lowers his left hand. In the meantime, the man in the green shirt behind the two on the right side of the frame faces the camera, shakes his body slightly, spreads his hands on both sides, and turns his head to look at the man in the red and black coat. On the far left of the frame, three people are watching them; the one closest to the foreground is not visible as he is embracing a green paper bag and claps his hands. Slightly further from the foreground, a woman in a white dress raises her hands to clap, swaying her body, while the man in a black coat, farthest from the foreground, shakes his head, shrugs, and spreads his hands. On the right side of the frame, someone raises their left hand.


The video is in black and white. In the center of the frame, a woman in a V-neck floral dress stands in front of a bed, picking up an article of clothing from the bed with both hands and walking towards the camera. She approaches a table on the left side of the foreground, switches the clothing to her right hand, and then places it on a table off-screen. There is also an open suitcase on the table. She uses her left hand to put an item of clothing that is sticking out of the suitcase back inside, then bends down to neatly organize the clothing she just picked up with both hands, and subsequently places it into the suitcase. At the same time, a man by the window on the right side of the frame watches the woman. After the woman moves to the table on the left side of the frame, he talks while walking towards her. He arrives at the table, places his left hand on it, and continues to speak to the woman while looking at her.


The camera shoots upwards. The main subject of the frame is a black woman wearing a blue floral shirt, located on the right side of the screen. She is continuously talking, first stretching out her ten fingers to indicate a breakdown, then widening her eyes, clenching her hands into fists, and rapidly pounding the area of her temples multiple times. She then maintains a half-fist posture, swinging her hands up and down three times. After that, the camera switches to a white girl across from her, dressed in a suit and wearing a braided ponytail.


A woman is sitting cross-legged on the left side of the frame, lifting her right hand to place a module on top of two pillars. At the same time, the child on the right raises their right hand to put a square piece above the woman's right hand. Immediately, the woman leans her body to the right side of the frame, and the child raises their left hand to grasp the square. Then, the child lowers their left hand, followed by the woman lowering her right hand. The child places the square piece downward, and the woman tilts her head to the left side of the frame, raises her right hand again, and leans her body to the left. Her right hand reaches out to the square. The child then lowers their right hand, overlapping it with the left hand. The woman moves the anti-fraud device downward, leaning her body towards the square. The child then extends their right hand towards the square, followed by both of them extending their left hands towards the square. The camera pans to the left accordingly.


The video is shot with a handheld camera. On the left side of the frame, a person wearing a black top with white letters and black pants is holding a black plate in their left hand. The plate is lined with a white napkin, on which several pieces of yellow food are placed, and in their right hand, they hold a metal fork. On the right side of the frame, a white counter top holds a silver metal pot, in which yellow cooking oil is heating for food preparation, and the camera slowly moves closer to the pot. Subsequently, the person in the black top with white letters dips the fork into the pot, lifts out a piece of yellow food, and transfers it to the black plate. They then turn to face the camera, which slightly moves backward.


A woman with curly hair turns her back to the camera, picks up a board from the table on the right side of the frame, then turns towards the camera and walks towards it. Then, with her left hand on the wall, she turns to the camera's right side. With her back to the camera, she walks into the room on the right. Throughout the entire sequence, the camera continuously follows this woman.


In the scene, a black metal frame is placed on the silver metal countertop. To the right of the frame, a metal pot filled with water is placed on the black metal frame. A right hand is seen grasping a bunch of green vegetables and putting them into the pot. Then, the hand withdraws from the frame, only to reappear with another small bunch of vegetables, which it also puts into the pot. The scene changes, and a metal tong extends from the top right of the frame into the pot, stirring the green vegetables. The scene switches again, showing the water in the pot gently boiling with small bubbles rising. Another switch reveals white steam enveloping the surface of the metal pot. A silver metal tong enters from the top right of the frame, reaching into the pot to stir the vegetables, then picks up a bunch of greens from the pot, shakes it to drain the water, and finally places it into a white bowl on the right side of the frame.


In the frame, a woman is holding a hamburger with both hands, displaying it towards the camera, her eyes looking to the left of the picture, with her fingers slightly wobbling. The camera is focused on the hamburger in her hands. Then, her fingers continue to wobble back and forth, after which she moves her hands to the right side of the frame. The woman looks down at the hamburger, then opens her mouth, her face turning slightly to the right of the picture as she takes a bite of the hamburger.


In the center of the screen is a boy wearing blue jeans and a backpack, facing the camera and talking. He is riding a green bicycle down a cement road flanked by grass. He quickly turns his head to glance over his left shoulder, then turns back, raises his eyebrows, and nods once before riding off to the lower right of the screen. As this happens, the camera gradually shifts to the right, blurring the background, with the trunk of a tree visible in the upper right corner. The boy is getting closer to the camera, and the background is increasingly blurred. The boy slightly turns to the left of the screen, raises his eyebrows, furrows his forehead, and looks down to the left of the frame.


A man is walking forward with his right hand holding a white horse, with a background of green bushes. His left hand naturally hangs down to the side, swinging freely with the movement. The white horse's eyes are continuously looking down. After taking four steps, the man's left hip twists to the left side of the picture, and his left hand is placed behind his body. Subsequently, the camera zooms in to show more of the background. The man looks to the right side of the picture and continues to walk, with the white horse's eyes down and its left cheek pressed against the man's shoulder.


The camera angle is from the first-person perspective of a car driver. A right hand is seen in the bottom right corner of the frame, holding the car key inserted into the keyhole. It turns clockwise to start the car, and then withdraws the hand, moving out of the frame from the right side.


The main subject of the scene is a man facing the camera, holding a book with both hands to view it. The camera quickly zooms in, and he slightly closes the book and then quickly puts it down, staring seriously into the lens. The wind blows a strand of silk on the right side of his hat, causing it to dance continuously.


In the scene, the woman lifts her hair with both hands, swinging her head and left hand from side to side while twisting her hips accordingly. She then alternates raising her left and right hands high, after which she turns her body to the left side of the frame, and her right hand glides down her body from top to bottom. The camera moves forward, and she turns to face the lens, her head facing left, standing with her hands on her hips, legs together, and twisting her hips from side to side. The camera pulls back, and the woman in the yellow dress lifts her hair with both hands again, looks at the camera, raises her right hand high, bends forward to the right side of the frame, and then shakes her head from side to side. Lowering her right hand, she places her left hand on her chest, smiling at the camera. She then turns her body to the left side of the frame, raises her arms horizontally, and stands sideways to the camera, continuing to twist her hips as the camera moves forward.


A close-up shot of a cicada in a man's hand. A man stands to the left of the frame, holding a cicada with his left thumb and forefinger, displaying it to the camera. Another person stands to the right of the frame. The man slightly rotates his hand to show the cicada to the camera, and the cicada continues to flutter its front legs in struggle. The camera slightly pushes in.


In the left side of the screen, a man dressed in purple is standing, with his right hand holding the reins of a horse with a black forelock. On the right side of the screen, a man in a white long-sleeved shirt is standing, with his right hand holding the reins of a horse with a brown forelock. The man in the purple robe looks at the man in the white robe, and after the two make eye contact, they continue to look towards the left side of the screen. Then, he walks towards the left side of the screen, his right hand freeing itself from the reins, with both hands swinging freely. The camera follows his movement from right to left.


In the frame are two men facing the bottom right corner of the camera. The man on the right is using his left hand to turn the steering wheel clockwise, while his right hand moves from his thigh to the vehicle's control lever. The man on the left is wearing an eye mask and initially has his hands crossed in front of him. Suddenly, the scene changes, and his hands are placed on top of his head, then swung out towards the camera, with the back of his hands facing the lens and his palms facing upwards.


The scene is a close-up of a man. The camera moves to the left side of the frame, where the man, wearing sunglasses, stretches his right hand towards the upper left of the screen while his left hand grips the car door, talking. Then, he lowers his right hand to grasp the window frame, and his body moves towards the right side of the frame. Both hands pull at the car door, and then he releases his right hand as his left hand closes the door. The man continues to back away towards the lower right corner of the frame. Then, he places his right hand on the handle of the rear car door, raises his left hand, and uses his index finger to adjust his sunglasses. Afterward, he lowers his left hand, and with his right hand, he opens the rear car door. The camera follows him as he moves to the right side of the frame, then turns right, positioning the camera directly in front of the man for a shot.


A woman stands at the center of the frame, facing the camera with her hands bent and placed on the left side of her body. She then bows her head to look at the tomato on the right side of the frame. The woman picks up a tomato with her left hand, turning it towards her body, while her right hand extends its index finger to touch the tomato. Subsequently, she pinches the tomato with her right index finger and thumb, then turns towards herself, extending her right index finger again. Her head tilts to the left side of the frame. After this, she holds the tomato in her right hand, opens her left hand to the right side of the frame, receives the tomato, and then flips both hands outward to the sides of the frame.


A man is sitting on the left side of the frame, lifting up a black toy car, flipping its bottom upwards at the same time. The camera then pans up, and the man turns his head to look towards the right side of the frame, reaching out with his left hand to hold the wheel in the top right corner. The camera then zooms in on the bottom of the car, where the man is holding the wheel in the bottom right corner of the frame. The camera further zooms in and magnifies the interior of the wheel in the bottom right corner, as the man extends his left index finger to point at the inside location, and then the camera zooms in once again.


The camera shifts to the left. In the frame, two men are sitting cross-legged on the ground, sideways to the camera. The man in the yellow shirt is on the left side of the frame, and the man in the black shirt is in the center. The man in the black shirt raises his left hand to take a selfie with the man in the yellow shirt using a mobile phone. The left arm of the man in the yellow shirt is draped over the left shoulder of the man in black, who is smiling with his teeth showing.


The man in the gray clothes on the left side of the screen is leaning towards the right, looking to the right, with both hands placed on a shelf. On the right side of the screen, a man in a plaid suit is facing to the left, revealing part of the left side of his face and his entire back. The man in gray is talking while rotating the cup in his right hand with equal-sized eyes. The man in the plaid suit is holding a bottle in his right hand, then retracting his hand to the right side of the screen. The man in gray steps back, flips his left hand upwards, and walks towards the left side of the screen, then places his left hand on the wooden ladder, looking to the right. Suddenly, he leans forward to the right side of the screen, his right hand grasping the side of the ladder. The man in the plaid suit moves the bottle from the right side of the shelf to the left side with his right hand, then raises his right hand. The scene is in black and white.


The camera shoots forward from the back seat of a car, recording the scene of driving; at the top left of the screen is a one-way road, with a gray metal fence on the left side of the road. Ahead on the road, several cars are driving forward away from the camera; at the bottom left of the screen is the plastic panel of the car's front row; at the top right is a white two-story building, which gradually exits the view from the right side of the screen as the car moves forward; at the bottom right is the car's rearview mirror, in which a man wearing sunglasses and a blue shirt is reflected, talking; subsequently, the trees planted on both sides of the road gradually approach the camera.


The girl with long hair is facing the camera, smiling towards the left side of the screen, then she turns to look at the camera briefly before turning back to speak towards the left side of the screen, tilting her head to the left. She then turns towards the camera again. To the left of the screen, the left shoulder of a male is visible as he turns his head to look towards the right side of the screen, and his face appears in the camera. He subsequently turns back towards the left side of the screen, and his face moves out of the frame. To the left of the background, there is a beige-brown building part of the set, and to the right of the background, there are green curtains, and a soft board with photos and Post-it notes pinned to it.


On the left side of the screen, a woman is kneeling on a blanket on the lawn, facing the camera as a whole. On the right side of the screen, a little girl is lying on the ground. The woman raises a pacifier in her right hand, and the little girl sits up and turns her head to the left side of the screen to look at the woman, then crawls towards the woman's body. The camera starts to move upwards, revealing the woman's face. The woman puts down the pacifier in her hand and starts to cradle the child with both hands, then picks up the child, supports her, strokes her hair, turns her around, and lifts her onto her own body, giving the little girl a kiss on the cheek.


In the scene is a group of people in a square, all facing the camera. Some have their hands raised, clapping, while others hold their cameras up to take photos.


The camera zooms in downward, on the same horizontal road, on the left side of the screen, a white car drives towards the right side of the frame, while on the right side, a red car drives towards the left side of the screen. Near a white car parked at the side of the road, the white car driving towards the right side of the screen stops, and then the red car driving towards the left side of the screen also stops. Then, the white car slightly moves upwards to the right of the frame. There are houses and parked vehicles on both sides of the road. Both the foreground and the background feature fields and trees.


In the scene are many trees of various sizes, with purple trees in the background. The camera continuously pans upwards. Revealing more houses in the distance and a highway in the foreground. As the camera moves to the upper part of the highway, a black car enters from the bottom right corner of the screen. It is driving towards the top left corner of the frame. After driving for a while, the car will change lanes to its right. On the other lane, it continues to drive towards the top left corner of the screen.


The camera revolves counterclockwise around a table, focusing on it. To the left of the frame, a person stands next to the table, supporting it with their left hand, while their right hand holds a pen writing on a piece of paper on the table. As the camera rotates, the woman raises her right hand, holding the pen between her fingers and extending it towards the computer touchpad on the right side of the screen. After sliding her fingers a few times on the touchpad, she retracts her right hand, adjusts the paper, and continues writing. During the camera's rotation, a stack of packages on the table briefly blocks the camera's view.