In the foreground of the scene, two men are standing; both have short black hair and are dressed in white. The man on the left side of the scene is taller. In the background of the scene, two women are standing. The woman on the left side of the background is a black female with short black hair, wearing layered black and cyan clothes and carrying a bag. She is looking at the man on the right side of the foreground and speaking to him. The woman has taken a few steps back. The woman on the right side of the background is a white female, fully visible, wearing layered gray and navy clothes. She is smiling and stepping back. The man on the right side of the foreground turns around, widens his eyes, and looks at the man on the left side of the foreground while speaking to him. The two women in the background are retreating, making faces, gesticulating, and twirling. The camera cuts, and the man on the left side of the foreground shows his front face. In the background of the scene, there are some counters.


The scene in the picture is inside a wooden cabin. On the right is a black woman, who is standing and looking at the white man sitting on the left side of the frame; he is looking in the direction of the camera. Then, the woman turns around, at the same time the man glances in her direction. The woman walks around the table filled with drinks, towards the door in the middle of the frame, farther from the camera. Before opening the door, she steals another two glances at the man and then leaves after opening the door.


The entire scene is under the eaves of a side of a house. Wow, at the end of the house foundation under the left eaves of the scene, there is a woman in red shoes standing with her back to the camera, facing the distant river. She's just standing there, with a slight shake to the camera.


In the scene, two people can be seen. On the left side of the screen is a woman wearing a white top, lying on a white bed, with only her upper body visible. A little to the right side of the screen is a man in white clothes, sitting on a green chair. The man is holding a black board in his right hand, raised in the lower left corner of the screen. The woman is slightly lifting her head, looking at the black board, with her right hand on her head. The man slowly lowers the board, most of which disappears from the bottom of the screen in the scene, as he bows his head and continues to look. The woman's gaze remains on the board, but her right hand slowly comes down and rests on her chest. The man continues to adjust the board at the bottom of the screen, while the woman's head lies on the bed, and her right hand is raised again, stroking her head. Both of their gazes are focused on the black board.


In the frame, a pile of yellow corn is neatly placed in two silver metal containers, with the camera slightly shaking; then an arm enters from the top right edge of the screen, reaching towards the top of the frame, and quickly exits the scene.


The main subject of the image is a woman, who is located in the lower right corner of the scene. She is lying down, looking to the left side of the canvas, supporting herself with both hands on the ground, and slowly moving her body backward. Her eyes flicker as she turns them, and finally she slightly tilts her head to look towards the area outside the left side of the canvas.


The video footage is shot from a first-person perspective. In the center of the frame is a black leather bag. On the left side of the frame, the left hand holds the bottom left corner of the bag, while on the right side, the right hand holds the top right corner of the bag. The index finger of the left hand is pointing at the side of the bag and moving the bag upwards.


The camera quickly moves from the left side of the screen to the right, and a child appears in the center of the frame, sitting in a high chair. The child has food in their right hand and their mouth is open, chewing. The right hand then moves away from the mouth, followed by the lens going out of focus.


Under the blue sky, two people are each riding a horse, with only the heads of the horses partially visible. The woman on the left side of the scene faces the camera directly, with her head turned towards the man on the right side of the frame. The man on the right side of the scene is slightly turned towards the left, with his head facing the woman on the left as he speaks. At the same time, the horse the man is riding lifts its head, and then the horse the woman is riding turns to look at the horse the man on the right is riding. The woman on the left speaks to the man, patting her chest once with her left hand before letting it fall. The man on the right glances back over his right shoulder and then turns his head to look towards the center of the foreground before turning again to speak to the woman on the left. The camera switches, now closer to the horse the man on the right is riding. The woman on the left continues to look at the man and speak. The man on the right also speaks to the woman, nodding occasionally. The horse the man is riding periodically bobs its head up and down, and then the man leans forward, extending his right arm towards the woman in front of him.


A close-up shot is elevated. The camera slightly shakes as a woman faces the direction of the screen, looking towards the cue ball, lying beside the billiard table. Her left hand is placed on the table with the thumb pressed tightly against the base of the index finger, arching her palm in a standard bridge hand position, while her right hand holds the cue stick. A man uses his right hand to assist the woman in adjusting the position of the cue tip. He first touches the tip, then adjusts the back of the tip and withdraws his hand. The camera slowly pans upwards as the woman looks up at the man and smiles, and finally, she looks back towards the cue ball, ready to take her shot.


In the center of the screen is a black man dressed in a suit, holding a torch in his left hand. To the right of the screen, an arm is holding a clapperboard. As the camera zooms in, the clapperboard closes in the center of the screen, the arm moves out of the frame, and the black man squats down to the lower right of the screen.


The video was shot inside a car. At the beginning, the forefinger, middle finger, and ring finger of a person's left hand are exposed in the lower right corner of the screen, lined up vertically to the camera. Then, the camera moves to the upper left, focusing on the car's gear lever. From the left side of the screen, a person's fingers enter the frame, pointing up and down at the markings on the gear lever. The camera continues to move left, revealing the shooter's knee, shoes, and parts of the car's steering wheel, among others.


On the left side of the screen, a woman in a black leather jacket with her hair loose is walking towards the camera on the road, following a woman in a blue coat with her hair tied up, who is closer to the camera on the right side. The woman in the blue coat is also walking towards the camera, swinging her right hand in a clockwise motion to turn and face the woman in black with her back to the camera. Both women stop, and it seems like the woman in blue says something before turning back around and continuing to walk quickly towards the camera. As she walks, she turns her head counterclockwise to look to the right of the screen and then turns back to face the camera. The woman in black is crying as she speaks, jogging messily behind the woman in blue. The woman in blue then leaves the frame on the right side, and the camera follows the movement of the woman in black, who is walking from the left to the right of the screen. The camera gradually shows her profile and then her back. At this point, the woman in blue walks to the background of the frame and stops next to a woman with dark skin wearing a black jacket who is standing with her right hand on the car, facing the camera. The woman in black turns to face the camera directly in front of the woman in blue and stops, making gestures with her hands, emotionally talking to the woman in blue. Finally, she crosses her arms over her chest, making a pleading expression. Both the woman with dark skin and the woman in blue turn their heads to look at the woman in black.


The camera zooms in on the interaction between the two, who are sitting face to face. The man is talking while the woman places her hand on her neck, letting her head rest on her hand. Then, the man spreads his hands open and places them on his thighs. At the same time, the woman bows her head and extends the fingers of her right hand. The woman then tilts her head towards the camera, touching her hairband. Subsequently, the man bows his head, and the woman looks up at the man with her hands folded on her thigh. The man raises his left hand with his palm facing his chest, then lowers it onto his thigh. The woman raises her right hand to the man's left elbow. The man nods, and afterward, he tilts his head towards the side of the camera. The woman balls her right hand into a fist and extends it straight out in front of her left leg, nodding simultaneously as she bows her head to look down. The camera moves counterclockwise around the two, and the man raises his hands and quickly places them on his thighs.


At the center of the screen is a man in a white chef's uniform looking towards a monkey below the left side of the frame, while the monkey looks upwards at the center of the screen. The man in the white chef's uniform supports his chin with his left hand's index finger and thumb, then lowers it and raises his right hand, followed by bringing both hands to his chest.


The scene shows the top of a very long arched structure built with red bricks. As the camera slightly descends, it reveals a structure resembling a cellar, filled with numerous large brown jars arranged in two rows, covered in dust. In the center of the image, in the distance, a small ventilation window can be seen.


A man stands in the center of the picture, facing the right side of the frame. He raises both hands, with his left hand resting on the blue box on the right side of the picture, and his right hand opens the white lid towards the top of the frame. He then inserts both hands into the box, lifting an object. With the object in his right hand, his left hand closes the lid of the box. Next, he places his left hand above the object in his right hand, and with both hands, he puts the object on the right edge of the table in the center of the picture. Both hands then open the towel wrapped around the object, and proceed to spread the towel to both sides of the frame. The man turns his body towards the camera, looking down.


In the scene, there are two people. On the right side of the screen, a man is sitting on a motorcycle, wearing a white shirt, with his back to the camera. His head is turned to the left side of the screen, looking at the woman in the front left. Then, he turns his body towards the camera, with his left hand placed on the motorcycle seat behind him, talking with his mouth. His left hand is then placed on the motorcycle handlebar and he moves slightly towards the left side of the screen. Next, he bows his head down and then raises his left hand, placing it on his left leg. He then turns his back to the camera, moving his left hand towards the back of the scene, gripping the handlebar. He turns towards the left side of the screen again, raising his left hand, then lowering it, and subsequently lifting his right hand, bowing his head down to look at the lower part of the screen. The woman on the left side of the screen, close to the camera, has her back to the lens and is wearing a blue headscarf. Her right hand is holding a bag, and she raises her right hand, dragging the bag towards the man. In the lower right corner of the screen, on a small screen, a woman in black clothes has her hands raised, making gestures with an expressive face.


The camera first captures a downward shot of the woman in white clothes at the center of the frame, facing the lens. As the woman approaches the camera, the lens slowly moves down. There is a lot of vegetation on both sides of the frame, and a road runs through the center.


Close-up handheld shot. On the left side of the screen, a man is facing the right side of the screen, talking and gesticulating with both hands. On the right side of the screen, three women are watching the man and listening to him, while two women in the distance are conversing. Then, the woman with earrings in the bottom right corner of the screen starts to speak and swings her left hand several times. She then turns her head to look at the two women on the far right of the screen and swings her right hand again. The camera pulls back and pans to the right, and the woman with earrings looks at the man on the left side of the screen. A man appears on the right side of the screen, walks up, and raises the right hand of the man on the left side of the screen with his left hand.


A man and a woman are walking in the center of the frame. The man extends his left hand to guide the woman forward, and the woman follows in step with the man. The camera remains in place, panning to the right with the couple's steps, watching them walk together towards the pumpkin field in the background.


Overhead shot. In the center of the screen, seven men form a triangular formation, dancing in unison. They all slightly lower their heads and extend their left hands, then retract the left hand and extend the right hand. Next, they retract their right hands, slowly lower their bodies into a half-squat and then rise up slowly, raising both hands gradually upwards.


In the center of the screen is a surfer wearing blue clothes, who is lying on the surfboard and moving towards the left side of the screen. Then he stands up, legs apart, facing left with his back to the camera, and his right hand swings occasionally. Cut to another scene. The surfer in blue is moving from the right side of the screen towards the left, then he leaps upwards to the top left of the screen into the air. He then opens his arms facing towards the right side of the screen, lands back on the wave in the center, and turns to face the camera, continuing to turn towards the left side of the screen to slide. Then he opens his arms, turns to the right side of the screen, and bends forward on the right side of the screen, facing left with his back to the camera. He slides towards the left side of the screen. Then he slides towards the distance of the screen, is hit by the wave in the center, and falls after the wave in the center. The background of the scene is a vast ocean.


The scene is captured with a fast-paced lens. On the left side of the screen, three children are eating at the table. On the right side, three adults are eating and drinking water. In the background, two men are standing. The man in the blue checkered shirt on the left side of the screen takes a red cup from the table in the center background, then turns to face the camera, holding a kettle in his left hand to pour water, which he then places in the foreground on the left side of the screen. He repeats this action. The man in the green shirt on the right side of the screen puts his left hand on his hip and then walks towards the table in the background of the scene.


In the center of the screen, slightly to the left, there is a white car parked in a repair garage. In the center of the screen, there is a person wearing a white T-shirt and another wearing a black T-shirt standing behind the car. The person in the white T-shirt is slightly closer to the camera, using both hands to press down on or caress the body of the car to inspect it. The person in the black T-shirt bends or straightens up with his movements, watching the area of the car being inspected. The camera shifts slightly to the left, and as it moves, a person can be seen walking into the garage from the upper left of the screen. Visible in the upper right of the screen is a car that is suspended and a white car parked on the ground, as well as tools in the garage.


On the left side of the screen, there is a man wearing a yellow shirt, his body facing the right side of the screen, looking down at the bearded man sitting on the sofa on the right side of the screen. The man in the yellow shirt has both hands raised, his palms open, making a gesture of "not having" something. On the right side of the screen, the bearded man looks up at the man in the yellow shirt who is facing the left side of the screen. Then, the bearded man stands up, raises his right finger to point at the head of the man in the yellow shirt, and subsequently lowers his right hand.


The main subject of the scene is a man in purple clothes, who is facing the camera, located in the upper left corner of the frame. He is supporting himself with both hands on the table. He takes out one sheet of paper from a stack, then supports himself with his left hand on the table and moves away several drawings. With his right hand, he picks up a pen and is about to write something on another drawing on the table.


On the left side of the screen sits a middle-aged lady wearing glasses, looking to the right of the screen as she speaks. Her right hand is raised to her chest, with her fingers spread and her palm facing down, accompanying her words with gestures. Then, both hands briefly cover her chest. As she talks, her head keeps swaying from side to side. In the background, a long-haired man is sitting on the right side of the screen, supporting his chin with his left hand.


A man slumps on a black and white patterned sofa, looking to the left of the screen as he begins to speak, straightening his neck at the same time. His left hand moves from the top of his left thigh towards the inside of his thigh. His head tilts towards his left shoulder, then he props up his upper body, leaning forward to the left, speaking quickly with nods. His left thigh moves slightly.


The video was filmed from a first-person perspective on a motorcycle. The rider first overtakes two white cars on either side of the screen, then overtakes a grey car on the right side of the screen, and continues to overtake another grey car on the right and a black car on the left. The background of the scene is a highway with trees planted on both sides.


At the top of the screen, two people stand on a high platform, leaning on the railing on the side closest to the camera, looking down below the lens. The person on the left takes a step back towards the left side of the screen, while the person on the right turns towards the right side of the screen, facing the upper right corner and waving to the front and back. The person on the left looks up at the person on the right, and both turn towards the camera, leaning on the railing on the side closest to the lens, looking down at the screen. A rope hanging down on the right side of the screen swings back and forth towards the left side of the screen. The camera cuts to a top-down perspective where many people are scattered and standing in the frame. Then, many people run from the left and right sides of the screen towards the road in the middle of the frame. The camera switches to a bottom-up angle where a pole is in the foreground on the right side of the screen. In the background, upper left corner, many people stand on a platform, and below the slope on the left side of the platform, several people are also standing. In the center-right part of the screen, another group of people stands on a platform.


On the left side of the screen is a woman in black clothes with a very large emoji covering her face. On the right side is a man in a brown plaid shirt. The woman is holding a mobile phone in her left hand, with both hands in front of her body, walking slowly towards the camera. The man is also walking towards the camera but his body is slightly turned towards the left side of the screen as he looks at the woman on the left. The man is speaking, then turns his head towards the camera, extending his left index finger to point at the car on the right side of the screen. As he walks towards the camera, he turns his head to speak to the woman on the left. He then inserts his left hand into his pants pocket and turns his body towards the left side of the screen. At this moment, the woman on the left raises her right hand and extends her index finger to point at the man. The camera shakes slightly during the conversation and walking of the two people.


The man sitting in the middle plucks the strings with his right hand, leaning his body towards the left side of the frame, looking at the girl on the right. The girl is singing, accompanied by nods and slight movements of her body. Then, the man looks down at the strings and glances at the boy sitting on the left, while the boy is singing. Following this, the man looks down at the strings again, and the girl nods while singing, with the boy slightly shaking his head. Subsequently, the man leans his body towards the left side of the frame, and the girl tilts her head to the left before quickly straightening it, her gaze turning towards the camera. The man quickly looks at the strings after looking at the girl. The girl then turns her head to the left side of the frame, her hands clasped together moving slightly, while the boy leans back and quickly straightens up.


The scene is in slow motion, with a man facing the left side of the screen, running from the right side of the screen to the left. He takes large strides with his left and right legs towards the left side of the screen, while simultaneously swinging his arms vigorously on both sides of his body.


In the center of the screen is a woman facing the camera. Her left hand presses down on the lid of a pot, and then the scene changes. Suddenly, there are many more dishes on the table. The woman picks up an aluminum container with her right hand, holds it with both hands, then lets go. She then reaches out from the bottom right corner of the screen with her right hand and takes out another container, all the while continuously speaking to the camera.


The initial scene features a checkered shirt. As the person wearing the checkered shirt moves, on the left side of the screen, there is a male dressed in the checkered shirt. With his right hand, he holds a spatula, frying bread, and in his left hand, he holds a piece of aluminum foil. On the right side of the screen, there is a stove. On the left side of the stove, a frying pan is placed, currently frying the bread. Then, the aluminum foil in the left hand is used to cover the bread. Next, the left hand reaches back to the right and takes out a pot with meat in it, bringing it to the center of the screen and shaking it left and right. Finally, the pot is moved to the right, out of the frame, and returned to its original position.


The camera focuses on a woman's face, mainly on the eye area. Initially, the woman's face is turned to the left side of the screen, her gaze fixedly staring to the left, occasionally blinking her eyes. Then, the woman turns her face towards the camera, her gaze locked on the lens, and her face becomes somewhat blurred. In the end, the woman starts moving to the right side of the screen, her gaze slightly lowering. Finally, she exits the screen from the right side.


On the left side of the screen is the head of a little boy, facing towards the right side of the screen. On the right side is the upper half of a person wearing blue clothes. The camera zooms out, and at the top center of the screen, the mouth of the person in blue appears, continuously speaking. The camera moves up and then down, and at the bottom left of the screen, a hand appears with the index finger extended to the right cheek of the little boy, and then the index finger retracts. The camera moves forward.


The scene is a yellow meadow, with a small object moving at the center of the screen. The scene changes to a man in green clothing, facing to the left of the screen and aiming a telescope, with his right hand gripping the telescope's stand at the center of the screen. He then turns his head to look at the camera, raises his eyebrows, smiles, and speaks. He looks back towards the left side of the screen at the telescope.


In the scene, there are three toys. From left to right, they are a green toy, a pink toy, and an orange toy. On the right side of the screen, a person's hand enters the frame, and the index finger pokes the top of the orange toy before leaving the frame on the right side.


On the left side of the screen, a woman in a patterned black skirt, and on the right side, a woman in black and white patterned clothing, embrace and stand together in the center of the frame. After they separate, the woman in the patterned black skirt steps back to the left side of the screen and looks towards the right.


In the center of the screen is a black male wearing a black hat backwards and black-framed glasses, facing sideways to the camera, looking towards the right side of the screen. The camera moves to the right, and on the right side of the screen appears a woman with bangs, facing sideways to the camera, looking towards the left side of the screen, talking with her mouth, and slightly turning her head towards the direction of the camera.


The scene is shot from a first-person perspective looking down at a person in blue clothes applying stickers to model parts. The camera turns to the right, then zooms in on the person in blue sitting on the ground. At the bottom of the screen, there is an open manual and various parts scattered on the ground. The person in blue is sitting cross-legged on the ground, facing the bottom of the screen, holding a sticker with their right hand, and attempting to peel it off with their left hand. The cameraperson walks to the right, then turns left, and approaches the left side of the sitting person, with the camera always facing the ground. The person in blue moves a blue-gray part to their front and tries again to peel off the sticker with their left hand. The camera zooms in, and the person in blue peels a long strip of sticker off to the left of the screen with their left hand, throws other stickers down to the front right of the camera with their right hand, then reaches out to flip the sticker and moves it towards the top right corner of the screen, placing it on the manual. Afterwards, both hands grip the ends of the long strip of sticker, pulling it towards the top left corner of the screen, moving it towards the front of the camera, about to stick it onto the blue-gray part. The camera slightly pans downward.


On the left side of the screen, a woman in white clothes facing the right side of the screen is closing her eyes, shaking her head, and chewing something. She then opens her eyes, says something, and laughs. On the right side of the screen, a woman in black clothes with red curly hair is watching the woman on the left side of the screen chew, then faces the camera, and uses her right hand to pick up a spoon and scoop up a spoonful.


In the center of the screen, a woman wearing a brown vest is lying on her back on the ground, with her waist leaning on a foam roller and her legs stretched out against the wall. In the background, an elderly woman in a purple vest is kneeling on the ground, holding a mobile phone in her right hand, bowing her head, looking at the woman in the brown vest, and speaking.


In the center of the screen, a blurred figure waves their right fist at the camera. The scene changes, and in the center, slightly lower left, a bald man with a beard is seen wearing a white patterned shirt and a light-colored jacket, falling to the ground. He covers his face with both hands, facing to the left of the screen, then turns to the right, supporting himself on the ground with his left hand, and rises with his right hand covering his face, looking towards the right at a man with only his back to the camera. He then tilts his head to the right rear, using his right hand to fend off the body of the man on the right, before looking at the man on the right and moving backward. The man on the right stares at the man on the left, first crouching down, then standing up and bending over, holding something in his hand, and walking towards the bald man. They appear to be indoors, with patterned floor tiles and light brown walls with rectangular blocks.


In the scene, you can see a woman wearing a white top. She is in the center of the picture, standing behind a cardboard box. Her left hand holds a black board, and her right hand grips a white pen, with her hand gently resting on the box in front of her. She looks down at the black board, then slightly bends over to write on the white part of the box with the pen. While writing, she also occasionally glances at the black board, presumably to refer to something.


The lens quickly sharpens from blur, in the center of the screen a man in a black shirt raises his right hand to wave and then lowers it, blinking his right eye. He then looks to the lower right side of the screen, with many people passing behind him. The scene changes, and in the center of the frame, a man with a blue hat supports the brim with his left hand, walking towards the camera. Behind him is a group of people dressed in beige military uniforms.


In the scene, there are four people. The boy sitting on the left side of the frame, close to the camera, is facing the right side of the screen with both hands holding a pair of swimming goggles. As the camera moves to the left, the two people standing on the right side of the frame disappear off the right edge. Then, the camera zooms in, showing the boy with a smile on his face. The person standing away from the camera leans towards the left side of the frame, raises their right hand towards the boy, then leans towards the right side, withdraws their hand to their front. The boy takes the swimming goggles out of the transparent packaging, and as the camera continues to zoom in, his left hand holds the goggles while his right hand moves down out of the frame. Then, his right hand re-enters the frame from the bottom, holding the strap of the goggles, as the person farther from the camera shakes their body.


The scene shows a pair of women looking at a computer screen. The mother on the left has her right elbow propped on the table, and the camera slowly rotates counterclockwise around the mother and daughter. The daughter on the right has her left elbow on the table. The mother then bows her head and turns to look at her daughter's face before turning back to the computer screen, pointing at it with her right finger. The girl slightly opens her mouth, looks down at the keyboard with her eyes, and taps the keyboard with one finger of her right hand.


The camera is positioned at the motorcycle's driving position, moving in consistent direction with the motorcycle. The motorcycle moves at a constant speed in the opposite direction of the camera. On both sides of the screen, cars move towards the camera's direction and disappear from the frame. Occasionally, the protagonist's left thumb presses on a part.


A black woman looking to the right of the screen said something. She was wearing a gold earring and a black and yellow outfit, with a tattoo on the back of her neck.


In the scene, there should be two shooting positions at a shooting range with a partition in the middle. There are two people facing the camera. On the left, a man in blue clothes is holding a gun with both hands and talking, raising the gun to his face to start shooting. On the right side of the partition is a black man in a gray and white checked suit. He has his head down, eyes on the gun in his hand, talking while loading the gun, and glancing towards the left side of the frame.


A little girl dressed in a skirt quickly dashes out from the left side of the screen, after passing through the center, she performs a jump with her right leg in front and left leg behind, while raising her right hand high. Then she turns her head to the right and looks into the camera.


In the lower part of the screen, a man in a blue long-sleeved shirt is holding onto a rope dangling from the trunk of the tree on the right side of the screen with his left hand and speaking. He then releases the rope and uses both hands to remove two ropes hanging around his neck. He separates the two ropes with his hands and raises them up to speak to the camera.


In the center of the screen is a pair of hands with pink manicured nails. Each hand is using the index finger and thumb to hold a strip. The hand on the right side has lifted up the strip it is holding. At this moment, the strip held by the right hand is placed into the left hand, and then the right hand takes the strip from the left hand and pulls it out. This operation is repeated once more.


A blonde woman appears on the screen, looking to the left of the frame, then turns to look at the long-haired man with his back to the camera and starts speaking. During this time, she smiles and raises her eyebrows. In front of the woman is a stemmed glass filled with red wine.


On the left side of the screen, a man facing right is holding a toothbrush in his left hand and brushing his teeth. In the center of the screen, a short-haired little girl in a white T-shirt with floral prints is watching the man on the left side of the screen and imitating him brushing his teeth. On the right side of the screen, a curly-haired girl in a blue T-shirt is facing the man on the left side, holding a toothbrush in her right hand and brushing her teeth. The man on the left side of the screen puts down his toothbrush, and the little girl in the center, wearing a white T-shirt, also stops brushing her teeth, holding the toothbrush in her mouth with her teeth, then slowly turns her head and smiles, looking at the girl on the right side of the screen. The girl on the right side takes the toothbrush out of her mouth and then puts it back in, her eyes looking at the girl in the center wearing a white T-shirt.


The video is shot from a first-person perspective with a downward angle. In the frame, there is a hole in the ground. In the upper left corner of the screen, a plant enters the frame and moves towards the bottom of the screen, entering the hole in the ground.


On the left side of the screen, there is a white sedan facing left. A man in a white suit opens the car door with his left hand and steps out of the driver's seat, turning to face the camera. After his right foot steps out of the car, he raises his left hand to glance at his watch, while his right hand is placed on the door. As he closes the door with his right hand, he lowers his left hand and turns his back to the camera. He then walks towards the front of the car, with both hands slightly raised to chest height. As he passes the left front of the white car, he turns towards the background on the right side of the screen, walks past the front of the car, swinging his right arm and glancing at the camera. He walks towards the right side of the screen with his arms swinging, and disappears behind a pillar. On the right background, there is an open garage or warehouse door.


The camera shot initially focuses on a window ledge. Many water droplets can be seen quickly dripping down the windowsill. An airplane enters the frame from the bottom right corner and flies from right to left. After the airplane enters the frame, the video suddenly switches to slow motion, and at this point, the airplane is almost stationary. The falling raindrops also slow down significantly. After a while, the video switches back to its original speed, and the airplane flies to the left side of the frame. The water droplets fall at a normal speed. After the airplane reaches the left side of the frame, the video suddenly switches to slow motion again, then back to fast motion, and the airplane disappears from the frame on the left side.


The background of the screen is a blurred cluster of grass, then the camera moves down to the right, focusing on a purple flower, and then the image gradually becomes clear, with the purple flower swaying left and right in the center of the screen.


The screen pans to the upper right, and a white male wearing a dark top appears on the right side of the screen, looking to the left of the frame, then moving away from the camera, bending over and leaning towards the bottom of the screen.


The camera angle is slightly high. In the center of the screen, slightly to the left, a woman in black is facing the camera, speaking with her hands holding the dog leash in front of her chest. To the right of the center, a white puppy is standing on a blue platform, turning its head left and right. The woman in black then turns around towards the right of the screen, takes a few steps back, and moves out of view on the left side. The white puppy also turns and faces towards the left of the screen, jumps off the blue platform, and runs towards the woman on the left side of the screen, with the camera panning to the left. At this point, the woman on the left side of the screen is holding the dog leash, facing the puppy in the center foreground. The background is filled with green trees and grass.


The scene shows a neighborhood with people coming and going. The camera slowly turns to the left, then switches angles to a top-down shot of a lawn shaped like a cross on the ground. At the far end of the lens is the entrance to a tourist attraction, with a signboard in front of it. The frame still includes people coming and going, as well as a pigeon in the lower right corner.


In the center of the screen, a woman stands with her body tilted to the left of the frame while her head turns to the right with a smile, looking towards the right of the screen. Her left hand holds a flower up to her nose, and her right hand supports her on the railing. She closes her eyes and tilts her head back. At the same time, the camera pans to the right, placing the woman on the left side of the frame. Then, the woman opens her eyes, brings the flower to her front, and looks at it. She then turns her head towards the camera, slightly tilting her head to the right of the screen, and smiles widely. Afterward, she extends her left hand holding the flower towards the camera and then lowers her left hand.


The scene is an animation segment. It is raining in the scene, at the bottom is an orange fruit character wearing orange clothes and a cucumber-like character with their left hand on their head. To the right of the screen are a carrot and a strawberry-like animated characters. They are all facing the camera and looking to the left of the screen. Then, the carrot and strawberry stretch their hands to the left of the screen and clap their hands together, while the orange stretches its hand upwards. All the characters start to laugh. Then, the orange and the cucumber put their hands down, place them on their hips, and face to the left of the screen.


On the right side of the screen, there is a man facing the camera, his eyes looking towards the center of the screen, and he is speaking. At this moment, the camera switches to two people snorkeling underwater, with both continuously moving their legs to swim forward.


On the left side of the screen, a person wearing a blue plaid shirt is standing sideways to the camera, with their body facing the right side of the screen. They are pouring milk from a bucket into a blender on the table. After discussing something, they take the lid of the bucket in their left hand and put the lid on, then place the bucket to the left of the blender. With their left hand, they take the blender's lid and put it on, and then with their right hand, they start pressing the buttons on the blender. The camera zooms in for a close-up of the blender buttons, and the blender starts to rotate.


First-person hand-held camera shot. On the left side of the screen is a road with several cars driving towards the left direction of the screen. On the right side of the screen, a mobile phone moves slightly downward, followed by the camera panning to the right. A person dressed in a police uniform appears on the right side of the screen, pacing back and forth, with a police car next to him flashing its lights.


On the left side of the screen, there is a man wearing a black shirt facing the camera, looking down to the right corner of the screen with a smile. His left hand is holding a piece of white paper with words on it, and his right hand is holding a phone to his ear. Then he stops smiling, pouts, slightly moves his left hand to the left side of the screen, glances down to the left corner, and then puts the phone back to his ear, looking to the right side of the screen as he starts to speak. He then slightly raises the paper, looking down to the right corner. After that, he puts down the phone, drops the paper, and it disappears off the bottom of the screen. He then tosses the phone into his left hand, looks down to the left corner, supports himself with his right hand at the bottom of the screen, and then sits down, looking to the right side of the screen. The scene is indoors. There is a white cupboard on the left side of the screen, filled with sundries. On the right side, there is a window, with red text in the top right corner. At the bottom of the screen, there are many items, and in the lower right corner, there is a black helmet.


The background of the scene is a snowy field, with the camera rotating counterclockwise around three women. The first woman to appear in the frame has her face turned to the left, with bold eyebrows, and her eyes glance diagonally towards the camera. As the camera continues to rotate, the next woman to appear has a pale complexion and her eyes look down directly at the camera. The camera keeps spinning, and the last woman in the frame is wearing a red hat, her face turned to the right, with her eyes looking sideways at the camera.


The scene is shot from a first-person perspective. On the left side of the screen is a left hand holding a green textile, with the index finger wrapped in green yarn. On the right side is the right hand holding a crochet hook. Both hands then coordinate to begin knitting the yarn while shaking. The background is purple, and in the top right corner of the screen, part of a silver object is visible.


Close-up shot from a fixed position. The center of the frame shows the lower half of a person, who is holding a bag in their right hand. Inside the bag is a Pomeranian dog, which has its head sticking out, looking at the camera and breathing. The Pomeranian then turns its head to the left side of the frame, flicks its ears, and blinks once. It then looks back at the camera, moves its ears, and retreats back into the bag. After poking its head out to check the bottom of the bag, it sticks its head out again and licks its nose, looking towards the camera.


Initially, the screen shows the steering wheel and dashboard of a BMW car; on the left side of the screen, a hand can be seen gripping the steering wheel. The camera is shaking back and forth, causing the dashboard and steering wheel to continuously zoom in and out. The camera slightly shifts upwards, revealing other vehicles driving ahead of the car. The camera continues to shake non-stop.


The camera moves down the screen, in the center of the frame a man in black bends over and places a toy car on the ground to the left of the screen with both hands. The camera moves to the left of the screen, continuing its descent. The toy car is in the upper left of the middle ground, it adjusts its tire direction and moves to the lower right of the screen, and the camera follows by rotating to the right side of the screen.


In the center of the screen, about eight sheep of varying sizes are walking towards the left side of the screen. In the center, three small sheep jump over a roadside drainage ditch and continue walking to the left side of the screen. On the right side, two sheep are grazing, and then one of them lifts its head preparing to walk towards the left side of the screen. The camera follows the trajectory of the small sheep, moving towards the left side of the screen. The scene is in slow motion, with a vertical road in the center of the screen, buildings on both the left and right sides, and mountains in the background.


The video is in black and white, showing a scene where a woman on the right side of the frame is wearing a puffy princess dress and holding a fan. She walks away from the camera towards the background of the shot. She then turns around to face a long-haired woman on the left side of the frame, who has her back to the camera. The woman on the right passes the fan she is holding and takes a couple of steps towards the camera. She then uses her right hand to hit her left palm with the fan once before spinning the fan in her hand. The long-haired woman on the left remains still. The camera cuts to a close-up of the long-haired woman's face on the left, and she is seen continuously speaking to the woman with the fan.


In the center of the screen, a little boy wearing a red shirt is slightly turned towards the right side of the frame, looking down at the ground with his arms spread open to the sides of his body as he starts to jump rope. He stops after jumping three times, revealing a toothy grin, then moves from the left side of the frame to the left side of the frame, facing the camera with his body, and closes his mouth. He starts to jump rope again, jumping three times, and finally bows his head, taking a small step towards the right side of the frame. The background is blurred, with a beach at the bottom of the screen, and a mountain in the center of the distant view.


This is a tracking shot that moves to the left, showing two foreign men walking and talking from the right side of the frame to the left. Both men have beards, with the man on the left wearing a pink top and the man on the right wearing a dark blue top. The man in the pink shirt turns his head to look at the man in the blue shirt on the right side of the frame while speaking. The man in the blue shirt looks up and makes eye contact with him, and the man in the pink shirt breaks into a grin. Both then look down simultaneously. To their left is a gray railing, and behind them on the left stands a black man in a red short-sleeved shirt, looking up and following the men's conversation with his gaze. The background of the scene is blurred, but one can make out a soccer field and greenery.


The video was shot from the passenger seat of a car. In the center of the frame is a red sports car with its rear facing the camera. To the left of the sports car, a white male in a blue short-sleeved shirt is crouching, communicating with the person inside the sports car. In the middle distance of the frame, three people are filming with a camera, facing the lens. To the right of the frame is a white male in a white short-sleeved shirt, standing sideways to the camera with his right hand holding a phone, walking to the right. At this point, the frame zooms in, and the camera slightly moves to the right. The white male previously on the right side of the frame moves to the center. A man in white enters the frame from the left, with his back to the camera, walking from the left to the right side of the frame. Finally, the frame zooms out, the camera slightly moves to the left, returning to its initial position.


The screen is initially basically black, then quickly fades in, with a man wearing glasses lying on his side at the bottom left of the screen, facing the camera with his head towards the right side of the frame. The center and upper part of the screen show car parts supported by something silver at the bottom of the screen. The man is holding a tool in his left hand, looking at the camera and talking, with both hands shaking. Then, his right hand reaches towards the right side of the screen, taps a part on the right side of the frame, and withdraws. He then looks upwards, extending his left index finger towards the right side of the screen, touching the same part. He looks back at the camera, also extending his left index finger to point to the right side of the screen. Then the man lies flat, retracting his left hand, while his right hand points back and forth to the parts on the left side of the screen. There are scattered items at the bottom right, with a grey floor.


A woman is standing at the kitchen counter on the right side of the frame, sideways to the camera. With her left hand, she removes the glove from her right hand, then uses both hands to take off her mask. Next, she uses her left hand to tidy her hair, while her right hand places the mask on the table. With her right hand, she picks up a transparent water kettle, and with her left hand, she picks up the red water kettle below. Holding both water kettles, she turns to the left and walks away from the right side of the frame.


The camera shoots from above, with a river running through the middle of the screen, cutting through the forest, and a suspension bridge spans across the river. A woman in black stands in the middle of the bridge, her hands resting on the railing. The camera continuously zooms in, and the woman raises her hands and walks towards the left side of the screen.


In the scene, two people are standing side by side facing the left side of the frame. From left to right, there is a woman and a man. The woman is tilting her head and looking upwards, while the man is stroking the woman's cheek while looking at her. The camera shifts to the left, and the woman's face is now directly facing the lens. She closes her eyes, and the man continues to gaze at the woman. Then, the woman opens her eyes again.


In the top right corner of the screen, a person is holding a cup with their hand, pouring the black blocky solid from the cup into the pot in the center of the screen, which is cooking orange porridge. After finishing pouring, the hand holding the cup moves out of the frame from the top right corner. Then, an egg beater appears at the top of the screen and moves downward. It stirs within the left side of the frame, mixing the black solid and the orange porridge evenly.


In the center of the screen, a woman with dark skin is jumping up and down in the dance floor, her hands waving continuously. The scene changes, and a woman in a white skirt is smiling, her arms open wide, swaying from side to side. The scene shifts again, and a bald man faces the camera, his head tilted to the left of the screen, speaking to the man on the left side of the screen while holding his left arm with his right hand. The man on the left side of the screen holds a wine glass in his left hand, he looks to the left of the screen first, then turns back to look to the right, and then shakes his head looking forward. The scene changes once more, and the woman in the white skirt appears towards the right side of the screen, her left hand on her head, her right hand swinging back and forth with her body as she first looks down, then directly into the camera, raising both hands. The background is filled with people, and the lights are flashing.


The video is a slow-motion video. Initially, an empty transparent glass cup is placed in the center of the screen, and a transparent glass bottle with a white label is placed on the right side of the screen, nearly filled with red liquid. Then, a right hand can be seen entering the frame from the right side. It picks up the bottle by the bottom, lifts it, and begins to pour the red liquid from the bottle into the glass cup in the center of the screen. The water is poured evenly, and you can see that the red liquid fills about one-third of the glass cup, with a layer of white foam reaching about half the height of the cup. Then, the hand slowly puts down the glass bottle, back in its original place, and the hand exits the frame again from the right side.


On the left side of the screen, there is a round table. On the left side of the table, there are two women sitting, one facing the upper right corner and the other facing the lower right corner of the screen. The woman facing the upper right corner is wearing a black short-sleeved top and has her hands resting on the edge of the table. The woman sitting towards the lower right corner is wearing a blue top and has short black hair. She is typing with both hands on a laptop placed on the table. In the center of the screen, there is a chair with a black backpack on it. On the right side of the screen, there are also several chairs, and in the distance, there is a staircase. The background of the video is an office area.


The scene is an animated clip on a performance stage. In the center is a girl dressed in a deep green top and light green pants dance costume. At the beginning of the video, a boy dressed in a deep green top and light green pants dance costume walks from the right side of the screen to the left. He covers his nose and looks to the bottom right corner of the screen with his eyes, then turns his head to the left side of the screen, still looking to the bottom right corner. The girl's gaze always follows him. After the boy walks off the screen, she raises both hands towards a monkey that is close by and has its back to the camera, as if saying something.


The video is shot from a first-person perspective. In the center of the frame, a man in black clothes has his right hand placed in front of his abdomen, while his left hand is raised, shaking up and down, as he seems to be saying something. In front of the camera, a man bows his head, and the camera slightly turns to the left before stopping. Surrounding this man is a circle of people dressed similarly, listening to him speak, with some using their phones to film. The background of the scene is in a supermarket.


A person in a yellow shirt is located in the upper right corner of the frame, bending towards the left side of the picture, cleaning the bedroom. The person in yellow is supporting the cabinet with their left hand and holding a rag in their right hand, then they touch the rag in their right hand with their left, moving their left hand to the right side of the frame, supporting their left knee. Next, the person in yellow bends towards the camera, using their right hand to wipe the wall and plug socket on the left side of the frame, first wiping horizontally towards the front of the camera, then wiping upwards on the wall, and subsequently cleaning in a clockwise circular motion. At the bottom of the frame is a white cabinet that has been pulled open; in the upper left is a white standing cupboard; and on the right side is the corner of a bed, with a pink bucket placed on it.


In the lens is a painting of an artwork, with a pair of hands extending from the bottom of the canvas. The left hand holds a thin, straight rod-like object, the end of which fans out like a brushstroke. The right index finger presses on the brush handle, and the hands move this tool, gently tapping it around the painting. Then they move towards the lower left corner of the canvas, dipping into the paint on the table twice before returning to tap around the painting. This action is repeated multiple times, and finally, the tool is taken away from the right side of the canvas. The hands then lift the artwork up from the bottom of the frame.


In the background, some vehicles are moving, and the sky is dim. On the left side of the frame, a man in a black short-sleeved shirt faces the camera, standing next to a black car that is tilted towards the right of the frame with its back to the camera. Two men near the middle left of the background are standing next to a blue car facing towards the left of the background. The camera zooms in, focusing on the two men standing next to the blue car on the left side of the frame. They move towards the right side of the background, walking towards the man in a black short-sleeved shirt with a white print on the right side of the background. The man in a grey shirt, near the red car on the right side of the background, walks towards the right of the frame and disappears. The camera then zooms out and moves to the left. The car in the middle of the background, facing towards the left, drives to the left and then turns to drive out of view to the left of the foreground. During this time, the man in the black short-sleeve shirt gets into the black car with its back to the camera. The camera moves to the left side of the car, and the man in the black short-sleeved shirt exits the car from the driver's seat, closes the door, and walks towards the left of the foreground. At this moment, the man in a grey short-sleeved shirt on the right side of the frame is standing facing left, taking out his phone from his pants pocket with his right hand and looking down at it. The camera shakes and zooms out, revealing a man wearing a baseball cap backwards, holding the camera in his left hand for a selfie, with his right hand making a gesture and talking.


Degrade shot. In the frame, a person dressed in a black uniform stands facing the camera. In front of him on the desktop are three metal plates with semi-circular grooves. In his right hand, he holds a short stick, and in his left hand, a black metal plate with several pieces of small yellow bread on it. He is quickly using the short stick in his right hand to pick up the small bread from the plate in the center position and transfer it to the black metal plate in his left hand. When all the bread from the plate in the center position has been transferred to the black metal plate, he shifts his body to the right side of the frame. He then quickly repeats the same action to transfer the small bread from the plate on the right to the black metal plate.


In the center of the screen, slightly to the right, a man wearing a white hat is sitting, holding a newspaper. He looks down at the bottom of the screen, then raises his head to look to the left of the screen, before looking down again at the bottom of the screen. He then looks up to the left of the screen and speaks, after which he looks down again. On the left side of the screen, part of a blurred face can be seen speaking, followed by nodding. The camera moves to the right side of the screen. On both sides of the screen, parts of chairs and curtains are visible, with glass in the background.


A man is squatting in the center of the frame, facing the camera and speaking, with his body turned towards the left side of the frame. He then withdraws his hands, placing his left hand on his left leg and his right elbow on his right leg, straightening his body. He subsequently bows his head to look down to his right front, stretches out his right finger to point and quickly retracts it. He then picks up the rope next to his body and transfers it to his left hand. Following this, he picks up a thick rope with both hands, holding the ends vertically towards the camera before placing it horizontally in front of his body. His hands immediately overlap on the stone in front of him, and he speaks to the camera. Afterward, he releases his hands, lowers them, and then places them back on the stone. He then withdraws his hands again, placing his left hand on his left leg and his right elbow on his right leg, and continues to speak to the camera.


The blond woman in the middle towards the right is speaking. Her gaze sometimes shifts to the left and sometimes looks upwards. Then she furrows her brow, extends her right index finger to her chest, speaks while bowing her head and laughs, tapping her right index finger down once. Then she looks up and continues to laugh, closing her eyes.


Four people face the camera. The blonde woman on the left side of the middle is smiling, first looking to the left of the frame, then turning to the camera, nodding towards the bottom right corner of the frame, and glancing back to the left. The woman in gray, slightly to the right of the middle, is looking to the left of the frame and saying something, smiling briefly, then bowing her head to look at the bottom of the frame. The white-haired man on the far left is looking to the left of the frame, shaking his head, with his left arm around the blonde woman's left shoulder and his right hand supporting her right arm. The man on the far right looks to the left of the frame, then turns to the camera, raises his eyebrows and opens his mouth wide, making a funny face, before closing his mouth and looking towards the bottom left corner of the frame. He raises his eyebrows again, looks to the left, then bends over, smiling as he says something. Afterward, the white-haired man and the blonde woman turn to the right side of the frame, turning their backs to the camera. The white-haired man has his right arm around the blonde woman's right shoulder, and she has her left arm wrapped around his waist on the left side. The two then walk towards the background on the right side of the frame. The woman in gray and the man in black turn to the left of the frame, then turn their backs to the camera and walk towards the right background. In the background, a man in gray and a man in a red hoodie enter the frame from the left, passing behind the four people, and walk towards the right. The camera pans to the left, with a man in a black overcoat in the foreground on the left side of the frame, facing to the right. A woman in an orange overcoat walks from the left to the right side of the frame, away from the camera, then looks up, turns around, and smiles at the man on the left side of the frame, her head tilted to the left.


In the center of the screen, a person is standing facing the camera with their right hand holding a rope. As the camera moves down, a small white dog appears on the right side of the screen. The dog is standing sideways to the camera, looking towards the right side of the frame.


In the center right of the screen, a woman wearing blue denim shorts is riding a skateboard and gliding around inside a skate park, with some green trees in the background. She moves in an arc to the left side of the screen, with her arms spread open to maintain balance, crouching down and then standing up, twisting her hips and legs to control the direction. The camera follows her as she moves to the left, and finally she skates out of view to the right side of the screen.


The camera shoots from a higher window looking down on the street outside. In the center of the frame, there is a sidewalk. One person is walking from the center of the frame towards the upper right, raising their right hand. Additionally, two other people are walking from the top of the frame towards the lower left corner.


The little boy on the left side of the screen is facing the right side, slightly bowing his head and sobbing, with his hands in front of his nose. On the right side of the screen is the head and part of the shoulders of a woman with short hair. She is facing the left side of the screen, looking at the little boy, with her left hand on the right side of the boy's back and her right hand on the left side of his back. She moves her left hand to the right side of the screen, to the area of her right cheek, and then moves it back to the left. Soon, she grabs the little boy's hands in the center of the screen with both hands, turning his hands towards the right side of the screen, and keeps talking while slightly shaking her head. The little boy's body rocks slightly towards the camera. The background is a white wall, and there is a window on the left side of the screen.


In the scene, a left hand is holding a yellow long stick with a white part on the top. Then, a glue gun enters from the right side of the screen, extending towards the joint between the yellow stick and the white part, sliding and squeezing out transparent glue. Next, the left hand rotates the yellow stick, and the glue gun continues to apply glue to the joint between the yellow stick and the white part. In the background, there is a desk with a green and white checkered pattern.


The camera follows a man in a short-sleeved shirt. The man navigates through a mall shelf, looking towards the left background of the screen. He initially moves to the right side of the frame, where a man with glasses is looking in the direction of the man in the short-sleeve shirt. In the distance to the left of the screen, several people are walking around. The camera then pans to the right, passing the man with glasses, as the man in the short-sleeve shirt walks away from the camera and looks ahead. The man in the short-sleeved shirt exits the store, where a few people are standing outside, gathered in small groups, conversing. Finally, the man in the short-sleeve shirt glances to the right side of the screen before looking ahead again.


The scene is shot from the driver's seat, showing the car's left rear window. At this moment, the camera turns to the right, and two cars traveling in the same direction appear in the frame, until the center of the screen is the car's rearview mirror. Then, the left front window is raised, and cars can be seen driving behind through the rearview mirror.


In the scene, a close-up shot is taken of the entrance to a door, when suddenly a dog runs out of the door, followed by a woman walking slowly.


The center of the screen shows the top of a herbaceous plant growing towards the upper right corner of the screen. There is a black insect on it, which is crawling down along the stem of the plant towards the lower left corner of the screen, as the camera moves to the lower left. The background is blurred and consists of some plants.


In the center of the screen, slightly to the right, a woman in gray clothes faces the camera, smiling and looking to the lower left of the screen. The camera moves to the lower left of the screen, revealing the woman in a gray top sitting on the sofa on the right side of the frame, holding a colorful mug with both hands, and then she disappears from view. A right hand reaches out from the left side of the screen, and in the center of the screen, a person in black clothes first holds their hands together, then grips and releases their right hand, while the left hand is placed on their own leg.


In the center of the screen are three people standing facing the camera. In the middle is a girl wearing a white sweater and a Santa hat. To the right is a boy wearing a Santa hat, and to the left is a boy wearing a patterned green shirt. Initially, all three are looking towards the camera. In the bottom left corner, there is a boy with yellow hair wearing a red and green shirt, and the girl is facing him with her hands crossed over her chest. At the beginning, on the right side of the screen, a boy dressed as Santa Claus is walking from the right to the left in the background. He is holding a red gift bag in his right hand and gives it to the boy with yellow hair on the far left of the screen. The boy with yellow hair then sits down in the bottom left corner of the frame. The boy dressed as Santa Claus hands over the bag in his right hand to him and says something to him.


In the lower left corner of the screen is a man wearing orange clothes and sunglasses, while in the upper right corner is a man in black clothes with a gray-haired man wearing a seatbelt. Their bodies are facing the camera, looking towards the upper right of the screen. The two are sitting in car seats, talking to each other. The woman in orange turns her head to the upper right of the screen, then turns to the lower left, and then turns again to the upper right and then to the lower left. The man in black slightly turns his head to the lower right corner, his right hand extending upwards from the center of the screen, with his index finger pointing to the upper left of the screen. The woman in orange turns her head to the upper right, then turns it back to the lower left. The background of the screen features blue sky and white clouds on the left, and a receding landscape on the right, moving away from the camera.


On the right side of the screen is a girl wearing a blue dress with black curly hair, and her eyes seem to have been crying while she is speaking. A long-haired black man with silver earrings is facing the right side of the screen, facing the girl and sideways to the camera. His fingers are together, raised in front of the girl, shaking, and he slaps the girl across the face. The girl's face slightly turns, her eyes close, her expression both sad and terrified. She looks down at the bottom of the screen, then back at the man, lifting her right hand with something in it, which the man takes.


In the center of the screen is a child in white clothes putting their left hand in their mouth. A hand first reaches out from the bottom left corner of the screen to touch the child's head, then extends to the front of the lens to take the child's hand out of their mouth. In the end, the child turns to the left side of the screen and laughs. The child is sitting on a sofa, with a brown pillow on the left and a white pillow on the right.


In the main part of the screen, there are three people: a curly-haired man on the left, a straight-haired woman in the center, and a black man on the right. The curly-haired man extends his right hand to take the documents from the woman. After a glance between the woman and the man on the right, both of them look towards the man on the left. Then, the woman raises her right hand to explain a few sentences before both she and the curly-haired man on the left bow their heads.


Some people are on the beach, some pushing small carts, others standing next to round boats, some dragging the round boats towards the sea, and still others walking on the beach. The camera pans out to the distance, where many blue fishing boats are anchored on the sea, each with variously colored house-like structures and loaded with all sorts of items, while some people row the round boats towards different fishing boats.


The scene is filmed inside a tunnel, with a orange sports car in the center of the frame, its rear facing the camera, moving towards the upper left of the screen. The camera follows the sports car, keeping it in the center of the frame. Then, the sports car applies the brakes, its brake lights illuminating, and a white sedan appears on the right side of the frame, in front of the sports car.


The scene is a close-up from a first-person top-down perspective. On the left side of the screen, the left hand is holding a knitted fabric, while on the right side, the right hand holds a crochet hook. The right hand uses the crochet hook to weave the yarn into the knitted fabric, after which both hands move towards the upper right of the screen.


On the left side of the screen, a person wearing a pink apron without showing their head is frying vegetables. Facing the right side of the screen, they hold the pot handle with their left hand and continuously stir-fry the vegetables in the wok with a spatula in their right hand. The camera then slowly moves down and zooms in on the vegetables in the pot, finally pulling back slightly.


On the left side of the screen, a person kneeling with their face turned away from the camera, towards the bottom right corner, is wearing a red plaid shirt. He supports the tire in the bottom left corner of the screen with his left hand, then uses both hands to slightly rotate the tire towards the upper left corner of the screen in front of himself.


The main subjects of the scene are two women, facing each other and talking about something. The woman in black is on the left, while the blond woman is on the right. The blond woman carelessly tosses her head to the left, and the camera slowly moves to the right, revealing the man on the left side of the frame. The blond woman turns her head to the right and speaks to the black man.


In the scene is a man wearing a light blue shirt. His body is facing the camera, and his hands are holding a black piece of clothing in front of his body. He folds the clothes once, bends slightly, and places them in front of him at the bottom. Then he straightens up, makes a hands-out gesture, turns to the left side of the screen, and looks at a pet cage on the left. He opens the door of the cage with his right hand, and his left hand reaches for a blue object next to the cage. He then switches to his right hand to pick up the blue object and extends his right hand into the pet cage. He pours the food from the blue object into a white bowl inside the pet cage.


In the scene, two people can be seen. In the foreground, a woman is wearing a black sundress. In the background, the other woman is wearing a white top. Initially, the woman in the foreground tilts her head back, exposing her neck, while the woman in the background presses her chin against the neck of the woman in the foreground. Then, the head of the woman in the background slowly moves upwards until it reaches the face of the woman in the foreground, who raises her head. She then gradually tilts her head to the right side of the screen and bows it down. Next, the woman in the foreground moves to the right side of the screen, her head tilted towards the right, looking at the camera. The head of the woman in the background remains pressed against the forehead of the woman in the foreground, looking towards the right side of the screen. She continues to rub her cheek against the face of the woman in the foreground. The woman in the foreground looks at the face of the woman in the white top. Their heads sway from side to side on top of each other, rubbing against one another.


The camera captures the scene from a slight overhead angle. The man on the left side of the frame is speaking directly to the camera, his left hand raised with his index finger pointing to the left side of the screen. He taps himself and then lowers his hand, turning counterclockwise to look towards the right side of the frame, and then turns counterclockwise again to speak to the camera. The woman on the right side of the frame is also speaking to the camera, holding a small dog which faces the camera. The dog turns clockwise, attempting to break free, then turns counterclockwise to move closer to the woman. The woman leans her head back with an ugly expression on her face.


On the right side of the screen, a man looks down at his feet and walks towards the left side of the screen, holding swimming goggles in his left hand and a bag in his right hand, swinging them alternately. The camera slowly moves to the left, and the man walks out of the frame from the left side of the screen.


At the center of the screen is a middle-aged Black woman wearing an orange-red vest with several clusters of flowers at her collar and an afro hairstyle. Her body is turned towards the right side of the frame, sideways to the camera, with her hands placed on the table as she speaks. The background features a floral iron grilled bench.


The camera shoots from above, on the right side of the frame, a person stands bent over, sideways to the camera, facing towards the left side of the frame. His hands are placed on the hood of the car at the center of the frame. Then, he straightens up, turns counterclockwise, and moves towards the right side of the frame, eventually leaving the camera's view on the right side.


In the center of the screen, a woman wearing a purple headscarf faces the camera with her body, her head turned to the right side of the frame, smiling and winking. Then she turns her head towards the camera, slightly tilting to the left side of the frame, her smile becoming broader, while also tilting her head further to the left. She continues to turn her head, facing the camera directly, lifting her chin and then bobbing her head up slightly, before lowering it again, tilting her head to the right side of the frame. The background is a blurred seaside scene.


A man appears in the frame, sideways, using both hands to pry a clod of earth from the wall, revealing a red bag behind it. The man shows a strained expression as he retrieves it. After taking out the red bag, the man holds it in his arms and leans against the earthen wall to catch his breath. He then glances at the hole from which he took the red bag, looks again at the red bag, and finally hugs it tightly.


The video is shot with a handheld camera. In the center of the frame, slightly to the left, a person wearing a red top and black pants is standing facing the right side of the screen with their right hand raised level in front of them. The background features a brown wall and a light beige floor. The camera tilts downward as the person holding it bends over to extend their left hand, picking up an item from the ground. They then stand up, and the camera tilts upward accordingly.


In the right side of the screen, a woman in a black down jacket slightly turns her body towards the left side of the frame, her eyes closed and smiling with her teeth showing. Her left hand is placed in front of her right shoulder, while her right hand is raised, holding a long skewer with a grilled sausage on it. Then she turns towards the camera, tilts her head back and laughs, before lowering her head and putting down her left hand. The background is a wooden cabin.


In the video, the camera focuses on a sign held by a protester that reads "George Floyd". As the video plays, the person holding the sign switches it from one hand to the other to continue holding it up high steadily. The protesters around are wearing masks, and in the background, other signs and the crowd gathered can be seen, creating a scene filled with passion and demands for justice.


The scene is set in a kitchen. In the center of the screen is a red box with six compartments, four of which are filled with white liquid. The camera moves to the right, and the left half of a woman in a red apron appears on the right side of the screen. She is holding a cup with both hands, pouring the white liquid into the remaining two empty compartments. The camera then moves to the upper left of the screen, and the woman's head appears from the top of the frame and moves to the right, disappearing off the right side of the screen. Immediately, she picks up a new red box with six compartments in the background on the right side of the screen with her right hand, and then with both hands, she places it on the table in the lower left corner of the screen.


In the center of the screen, a man wearing a black short-sleeved shirt and black glasses is sitting in front of a black stand. He is moving his left hand, which is raised, towards the left side of the screen, seemingly making a gesture. Then he lowers his left hand and raises his right hand, pointing towards the left side of the screen, also making a gesture. As he raises his right hand, his eyes quickly glance to the left side of the screen. During this time, his head occasionally turns slightly to the left side of the screen, and his mouth is constantly opening and closing as he speaks.


In the center and lower part of the screen is a pile of donut hills. In the upper right corner, a yellow hat is hanging, and at the lower right, a brown monkey is moving from the left side of the screen to the right. In the middle of the screen, a man's head pops out of the donut hill with his eyes closed and mouth open. He then makes eye contact with the monkey and starts to speak. The camera zooms in and moves to the right, with the monkey speaking to the camera and blinking. The scene cuts to a street, where a pile of red clay bricks is in the center of the screen with monkeys sitting on them. Beside the brick pile are three men wearing red hats. To the right in the middle ground, a man in a yellow shirt and yellow hat is standing with his hands on his hips.


On the right side of the screen, there is a man sitting in a chair, facing the camera with his hands naturally placed. He is talking with his mouth, and his eyes look upwards first and then towards the camera, turning his head slightly to the left side of the screen.


A white-haired man stands on the left side of the frame, while a blond woman faces away from the camera on the right. The man slowly raises his head, and the woman, with her left hand, picks up an object shaped like a maple leaf and brings it to the man's mouth, circling it once before turning it towards herself and placing it around her own mouth. The woman opens her mouth. The scene then shifts to the woman's front, where she is seen holding the maple leaf-shaped food with her right hand parallel to her mouth, her fingers curled, her mouth chewing, her eyes closed. She then turns to the right and walks out of the frame. After watching the woman leave, the man lowers his gaze and picks up a white food bucket with his right hand, smiling at it before setting it down again. His eyes then turn back to the direction the woman left, slightly turning his head towards the camera.


In the center of the screen is a black keyboard. To the left of the screen, a person is sitting, only their hands are visible. The left hand is holding a corner of the keyboard, and the right hand is holding a cloth. At this moment, the left hand lifts the keyboard, and the right hand wipes the keyboard with the cloth. After turning the cloth to take a look, the left hand puts down the keyboard, then takes the cloth with the left hand, and shows the camera the dirt that has been wiped off onto the cloth.


In the frame, a cat is lying on a pillow with its head facing to the right of the screen. The camera trembles slightly, and on the right side of the screen, a fly moves from right to left across the window glass. Then, it flies into the frame from above and lands on the window frame.


In the scene, three people are sitting on the ground. The person on the left side of the screen is sitting cross-legged facing the right side of the screen. The perspective then shifts to the person in the center of the frame, and subsequently turns back to the right side of the screen, looking down with their head bowed, then turning to glance at the person in the center of the frame and raising their right hand to say something before finally turning their head back. In the center of the screen, facing the camera, is a man in a pink shirt; his left hand is resting on his knee, and his finger points multiple times towards the left side of the screen as he seems to be speaking to the person on the left side of the screen. On the right side of the screen is a man facing the left side of the screen, also sitting cross-legged, with his head slightly swaying as he watches the two conversing.


The woman in the center of the screen looks at the camera as she walks towards it, and the camera follows her by moving backwards. Then she turns her head to look at the right side of the screen and says something, while also extending her right hand to wave towards the right side of the screen. After that, she turns her head back and waves towards the left side of the screen. At the same time, the woman on the right side of the screen smiles at the woman in the center. Finally, the woman in the center of the screen turns her head to look at the camera again.


The camera is fixed on a car traveling in the middle lane, with the rear of a black car visible in the lower left corner of the frame, heading towards the foreground on the left. There are also several cars with headlights on the right side of the screen, moving towards the foreground on the left. As the vehicle with the camera speeds up, the lens shifts to the left, capturing the front of the previously seen black car, whose headlights become brighter. Alongside the road are fences, green trees, fields, and some houses with lights on.


A woman smiles at the camera, tilting her head to the right side of the frame, then straightens up. She then turns her head to the left side of the frame, quickly returning it to the center. After that, she turns her body and face towards the bottom right corner of the frame. Following this, she tilts her head to the left side of the frame while gently lifting her left shoulder, and finally, she gently tilts her head to the right side of the frame.


Camera shot from below, in the foreground of the scene, a little boy is sitting on the ground with his arms crossed horizontally over his knees, his head buried in his arms. In the background of the scene, three people are standing. From left to right, they are a boy in cyan clothes, a girl, and a boy in black clothes. The boy in cyan has his arms crossed over his chest, facing sideways and looking down at the boy on the ground. The girl and the boy in black are facing the camera directly, pointing at the boy on the ground with their fingers, watching him.


The camera is facing two people standing in the frame, with a table nearby. In the scene, the woman with long hair on the right has her hand on the table. On the left side of the frame is a man in a black short-sleeved shirt, with a book placed on the table in front of him, and he is wearing a black hat. Initially, the man is holding a pen in his right hand. His right hand is suspended in the air. His left finger points to the notebook, and he speaks while sticking out his tongue, then looks at the girl on the right. The girl on the right initially uses both hands to gesture, with her index and middle fingers bent on both hands. She speaks to the man on the left at the back. The background is an indoor setting with brown wallpaper.


On the right side of the screen, there is a shadow of a person. The camera continuously moves to capture the interior of the building until the shadow disappears from the frame. Then, the camera pans up to shoot the upper part of the building. After that, the camera slightly retreats in the direction it is facing.


On the right side of the screen, there is a person whose body is turned towards the left side of the frame. His hands are holding the two ends of a knot in front of his body, with the right hand above and the left hand below. The right hand is gripping a white rope that hangs down from the top of the screen, while the left hand is pulling a black-and-white intertwined rope wrapped around the white elephant rope towards the right side of the frame. In the upper right corner of the screen, the chin is slightly moving, as if saying something. In the background on the left side of the screen, the plants are continuously swaying slightly with the wind.


On the left side of the screen, a left hand is extended, holding a screwdriver with a red handle. The camera focuses, and the screwdriver appears clearly in front of the lens. The shooter is holding the metal part of the screwdriver with their left hand. Then, from the right side of the screen, another screwdriver with a deep red handle is taken out. Holding the handle end, it is placed vertically in front of the lens for display. Then, the metal part is pointed towards the lens. Afterward, this screwdriver is placed below the screen in the background of the shot. Subsequently, a spray can with a blue exterior packaging is taken out from the right side of the screen and placed in front of the lens.


At the center of the screen is a barbecue grill. On the left side of the screen, a foil pan and a iron shovel appear, with the foil pan placed on the grill to be roasted. Moments later, a beaker appears on the left side of the screen, containing brown liquid, which is then placed inside the foil pan while holding the beaker.


A hand wearing a bracelet is rummaging through a drawer. Then, a woman appears, closes the drawer, and bends down to continue searching through the lower drawer.


On the right side of the screen, a curly-haired woman is facing away from the camera and looking into a mirror. Inside the mirror, the woman's husband looks to the left of the frame, then outside the mirror, the woman uses her right hand to grasp her hair, while her left hand holds a hair tie from her right hand to tie up her hair. She shakes her hair with both hands, then lets it down. On the left side of the screen, the right profile of a woman with dark skin can be seen blurred.


In the scene, a black woman is pressing down on another woman. The black woman is wearing a large silver earring and a black top. She leans over, looking down at the woman beneath her. The woman below has disheveled hair and wide-open eyes, appearing very scared. She is staring intently at the black woman. On the forehead of the woman below seems to be the barrel of a gun, with veins protruding on her forehead, indicating her genuine fear. Her mouth is slightly open, she blinks, and then her eyes shift to the right. Startled, her eyes twitch twice, already filled with tears. Her gaze returns to the black woman once more. The black woman's head moves slightly, then she gets up; the gun she's holding in her right hand is removed from the forehead of the woman below, and her left hand is also taken off from the woman's clothes. In the end, she leaves the frame. The woman below lets out a sigh of relief due to her departure, her expression softening somewhat, but her eyes are lifeless. She lies on a white sofa with colorful patterns on the right, her gaze fixedly staring outside. Finally, her gaze shifts to the right again.


The video is shot from the driver's seat of a car at night. In the center of the frame is the car's dashboard, with a green light flashing on the dashboard. Then, the camera moves to the left, and the center of the frame shows the car's left front glass. The camera then moves back to the right, returning to the original position with the dashboard in the center. This action is repeated, during which the green light does not flash, and finally, two red lights come on.


In the center of the screen, a bald man in a dark shirt is holding a little girl in a blue shirt in front of him. The little girl is bent over, engrossed in playing with a toy with both hands. The man smiles and moves the girl closer to the left side of the screen with both hands, then turns his head to the right of the screen and speaks while looking down. The little girl continues to play with the toy. Then, she stretches her left hand towards the lower right of the screen. The man lifts his head, supports the little girl with his left hand, and prepares to pick something up from the table in front of him with his right hand. The camera slightly shakes, with the foreground being a table filled with toys and a white-framed window in the background.


Bees are flying in multiple directions at the center and the right side of the screen. In the lower right corner of the screen, a hand is at work, then quickly retreats to the right side of the screen, and then enters the right side of the screen holding a honeycomb. Subsequently, the scene switches to a new one, where on the left side of the screen, a transparent container holds three bees moving up and down. After this, both hands hold the transparent container and move it towards the center of the screen, occupying the entire screen, with the bees inside moving around.


In the center of the screen, there is a woman with long curly hair, her back to the camera, hunched over, her head slightly bowed, walking towards the background of the scene. On the left side of the screen, several men appear, throwing things towards the bonfire in the background of the scene and gathering around it.


On the right side of the screen, there is a person sitting on a long bench with their left leg crossed over their right, upper leg. Their body is facing the camera frontally, excluding the head. The left hand is holding a sandwich, and the right hand is placed on the keyboard of the computer on the left side of the screen. The right hand is continuously typing on the keyboard.


The screen is presented in a split-screen format. At the beginning, on the left side of the screen, many people are trapped in prison, waving their hands in protest. Then the scene switches to a man who takes up most of the screen, looking towards the upper left corner of the screen. The scene changes to show the backs of many people, then presents their profiles. Finally, the screen switches to many people bending over chiseling rocks with tools. On the right side of the screen, a man faces the camera and keeps talking. The scene shifts, showing everyone lining up to receive items.


A man faces the camera, holding a guitar and playing while singing. The man's gaze is directed to the right side of the frame, his mouth singing; his right hand holds a pick, strumming the strings, while his left hand continuously changes positions to press the strings.


A woman is sitting on the left side of the picture, facing right, then turns to lift her right hand holding a brush to paint an object in front of her to the left, while her left hand turns the object's base and the object counterclockwise, occasionally raising her right hand to brush the top of the object.


In the scene, there are four people. The man on the far left is wearing a brown shirt, with his right hand on his waist. To his right is a woman in a red sweater, with her hands crossed over her chest. Next to the woman is a man in a brown jacket, whose hands are in his pants pockets. At the back, on the far right, is a woman in a brown-green coat, also with her hands crossed over her chest. The woman on the far right slightly inclines her body towards the left side of the frame, says a few words, and at the same time, she extends and then retracts her right palm placed on her left arm. While she is speaking, the man in the brown shirt and the woman in the red clothes on the left side of the frame both look at her. Then, the woman in the red sweater starts to laugh with her eyes closed, and at this moment, the woman on the far right also looks at this woman, and the two smile at each other.


The man in the background of the scene is speaking to the person with curly hair on the left side of the frame. He has a black object hooked on his right hand and is adjusting his coat with his left hand while speaking. He looks towards the upper left corner of the frame and then back at the person on the left side. The camera switches, and at the center of the frame is the person with curly hair, who is looking at the man.


In the center of the screen is a black sedan. In the lower center foreground of the scene, there is a bearded man in black clothes who is leaning towards the bottom left of the frame. His right hand is supporting the car body, and his left hand is holding a cloth, wiping the front of the car. He looks up at the camera and then bows his head again, continuously wiping the area below the car's headlight indicator. In the central background of the scene, a man in black is walking towards the camera from behind the car, towards the left side of the frame. As he talks, he extends his right hand, holding a cleaner, moving it constantly around his body. At the same time, he lowers his left hand, which was originally holding a yellow cloth on the car body, and places it on the left side of his body. The bearded man who is wiping the car's front moves to the bottom right of the screen and stands up, facing to the left of the frame. He picks up the items in both hands and then walks towards the top right corner of the screen. The man in the background picks up the items in both hands, talks, and then turns his head to face the right side of the frame. He turns his head again to face the camera, raises both hands towards the right side of the screen, and then lowers them back to his sides. The bearded man uses his left and right hands to wipe the car's front and windshield respectively, while the man in the background spreads his arms and swings them down before pulling them back in front of his abdomen. Then he walks to the side of the car towards the right of the frame, finally raising his left hand and facing the right side of the screen. The background of the scene is a car wash bay.


The scene is set in a white room, with a dolly shot capturing four people gathered around a table in discussion in front of the camera. To the left of the frame is a standing black woman, facing sideways to the right of the screen with her back to the camera. She first extends her right hand upwards, then slaps the documents in front of her with both hands, tidies up the papers, and finally throws two sheets of paper upwards with both hands. In the center of the frame sits a woman in a suit, facing the camera. She first supports her forehead with both hands, then places her hands on the documents in front of her, and holds up a piece of paper with "HELP!" written on it to cover her face. To the right of her, facing the camera, is a black man who first picks up a pen, then points to the documents in front of him and looks at the woman in the suit, making a circular motion with both hands while speaking and gesturing to her. Finally, he points to his temple with both hands and then spreads his hands downward in front of him. On the far right of the frame is a blonde woman facing the camera, holding a pen in her right hand. She first tidies up the documents with both hands and turns a page, then raises her right hand and looks at the woman in the suit, explaining while gesturing, before lowering her right hand to scribble on the documents. Behind them, there is a painting with a missing corner and a water dispenser.


In the lower left corner of the screen is an old lady. She faces the camera, extending her right hand and pointing to several bags with plants on the right side of the screen. She then continuously turns her head to the right to look at the bags and then turns back to the left to face the camera, saying something. Afterward, she raises her right hand to indicate these bags again, then lowers her hand downward to continue her narrative. The background of the screen is a green meadow and forest.


The camera slowly moves to the right side of the screen. On the left side of the screen, a woman in dark sports underwear has her right hand placed on her abdomen, which contracts with her breath. On the right side of the screen, a boy in a white short-sleeved shirt has his right hand on his abdomen, which also contracts as he breathes. Then, the man opens his eyes, turns his head to look at the three people in front of him, and then closes his eyes to continue breathing. Afterward, the man opens his eyes and looks ahead. A curly-haired woman and an elderly person are also following suit, practicing with their eyes closed.


On the left side of the screen, there is a woman in black facing right, sitting with a laptop on her lap. In the center of the screen, there is a woman in a floral dress facing the camera, sitting with a laptop on her lap as well. The woman in the floral dress raises her left hand to speak, then turns towards the left side of the screen, opening her left hand into a palm facing the camera. Then the woman in black nods.