In the center of the screen, a child is running away from the camera in the opposite direction. To the left of the screen, a woman is standing with her body facing the camera. The child then grabs a horizontal bar in the distance of the scene and swings back and forth with both feet off the ground, before standing back on the ground. At the same time, on the right side of the screen, a person in a gray-green shirt enters, facing towards the left side of the scene, raising both hands to clap in front of their chest. The woman then extends her right hand towards the person in the gray-green shirt. The child turns to face the camera, and as the two adults step back to the sides of the screen, the child turns again, grabs the horizontal bar in the distance, and swings with both feet off the ground before standing back on the ground.


A woman sits at the center of the frame, holding food in her right hand and bringing it to her mouth. At the same time, she turns her head to the left side of the frame, closes her eyes, and then quickly opens them, looking towards the camera direction with her mouth chewing.


The scene begins with two green trees, followed by the camera pulling back to capture the lawn beneath the trees. There are visitors coming and going on both sides of the lawn. The camera gradually zooms in on the lawn, and then switches angles. In the center-left of the frame, a man is standing sideways, facing the right side of the screen. With both hands gripping a golf club, he turns and swings the club forcefully towards the direction of the camera lens. Then, he raises the club behind his head and hits the golf ball. After the shot, he slowly reverses the club along the direction of the swing, bringing it back to his side.


At the center of the screen is a black man dressed in a black suit and white shirt, wearing a pure white tie. He is standing facing the camera, with his head turned to the right side of the screen, talking to someone with a very excited expression on his face. In the lower foreground, there is a man with an afro hairstyle who is blocking a significant portion of the view. As the camera pans to the right, the man in black is now at the left edge of the screen, almost out of the frame, but with one hand holding a cigarette, he takes a step and re-enters the frame, bending over to fiddle with something. The camera continues to sweep to the right, revealing a bald black man in a floral shirt on the right side of the screen, who is swaying his body from side to side, talking and staring at the table. At this point, the man in the black suit on the left has completely exited the frame. The camera keeps panning to the right, and as it moves, the position of the bald man slowly shifts from the right side of the screen to the left. Now, on the right side of the screen, there appears in sequence a black woman in a black bustier top, a black woman in a white top, and a black man in a white open-collar shirt. They are all gathered around a table, seemingly engaging in gambling.


The video footage is shot from the rearview mirror of a blue sports car. The blue sports car is driving forward, then a hand is extended out of the rear window, waving at the car behind. Behind the blue sports car, there are two lanes; a green sports car is following in the same lane, and a red sports car is in the other lane, with many sedans trailing behind them as well. The camera then zooms out towards the rearview mirror.


The camera zooms in on a closed window. In the center of the frame, a woman in white is sitting facing the camera, pulling her right hand back from an outstretched position and placing it to her side, with her head bowed. To the left of the frame, a man in gray is sitting facing the right side of the picture, holding a spoon in his right hand. He scoops up a spoonful of rice and places it in his own plate, then taps the plate twice with the spoon before looking to the right side of the frame. On the right side of the frame, a girl in a striped shirt is sitting facing left, with her head down, moving her left hand holding a spoon to the right, then setting the spoon in the plate as if about to scoop something up. To the left in the background is an open door, and to the right, a cabinet with many plates arranged on it.


In the center of the screen is a man wearing a plaid shirt, followed by a woman in black and a woman in brown. The man is holding onto the handrail with his left hand, descending the stairs. The camera slowly moves down, and now only his legs are in the frame. Suddenly, a hand reaches out from behind the stairs, grabbing the man's left leg, and another hand, holding a gun, points at the man's groin. To the left of the screen is a wooden wall, and to the right is a red brick wall.


Camera shot from above, a man in a white shirt with a head-mounted headphone is leaning on a black chair, his right hand on the headphone by his right ear as he looks up to the upper left of the screen. His right hand holds a black pen, moving from his ear to his chest, and he writes with a smile on the orange Post-it note held in his left hand. Then, his right hand moves from the Post-it note to the headphone and then down to his chest, waving. The camera follows the movement of his hand.


The scene is shot from a camera mounted on the roof of the car, facing towards the back. In the frame, there are two red bird heads with red hats on the top of red and white poles on each side of the car roof, both facing the camera. The car is driving towards the back of the camera in a garage, first turning right, then maintaining a straight course. The top of the garage above is filled with various pipes, and as the car drives towards the back of the camera, the scenery at the top of the garage keeps moving towards the front of the lens.


On the left side of the screen is a person wearing a white shirt, and he is facing towards the right side of the screen. Only his torso is visible, not his head. His right hand holds a tennis racket, lifting it and placing it horizontally at the lower part of the screen. The racket is moving up and down, hitting a black ball which moves in the same manner. The ball is hit upwards, even going out of the frame, and then falls back onto the racket, repeating this process. The man's hand also moves the racket left and right to catch the ball.


The scene shows a little girl in front of a laboratory table. With her right hand, she grips the lower part of the neck of a conical flask containing some blue liquid, and with her left hand, she holds the lower part of the neck of a round-bottomed flask with a small amount of blue liquid. She brings the mouth of the conical flask close to the mouth of the round-bottomed flask and tilts the conical flask to the right side of the scene, pouring the liquid into the round-bottomed flask. As she does this, her head turns to the left side of the scene, and she speaks while stopping the pouring. Then, she continues to focus her gaze on the apparatus and resumes pouring until there is a small amount of blue liquid in the mouth of the round-bottomed flask. She places the blue conical flask down on the table with her right hand, then grips the round-bottomed flask below the neck with her left hand, raising it to the level of her head to observe the liquid inside with her glasses. Afterward, she picks up the conical flask by the neck with her right hand, bringing the base of the flask to her chest level, while her left hand lowers the round-bottomed flask to align it with the conical flask, and she turns her head to observe the conical flask.


On the left side of the screen is a rolling subtitle that continuously moves from the bottom up, displaying many names. On the right side is a middle-aged to elderly person wearing a red shirt and a yellow hat, who faces the camera to speak. Afterward, he raises his right hand to touch his nose and then makes a gesture towards the camera with his right hand. Then, the right side of the screen switches to a curly-haired elderly woman, who also speaks to the camera. She raises her right hand to tuck her hair behind her right ear and then extends both hands, making some gestures to illustrate her words as she speaks. The right side of the screen changes again to an elderly man with white hair wearing a blue denim jacket. He sits on a sofa, looking to the left as he speaks, then turns to face the camera, raises both hands, and makes some gestures in sync with his speech. Finally, the right side of the screen cuts to a middle-aged man with a shaved head wearing black clothes. For most of the time, he looks towards the bottom left corner. In the end, he looks at the camera, extends both hands with palms up, to provide further hand gesture explanations.


This appears to be a repair video. In the frame, a hand is seen extending from the left, holding a screwdriver that is touching the keyboard in the center of the screen back and forth. Then, the left hand holding a black block appears in the lens, while the right hand with the screwdriver taps the black block. The left hand then places the black block on top of the keyboard, and the right hand taps the block with the screwdriver. Afterward, the left hand retrieves the black block, and then the right hand touches the keyboard with the screwdriver again.


A man stands in front of a blue wall, turning around from the left side with a furrowed brow, moving his right hand, and beginning to speak until he is fully facing the camera with his body turned slightly to the left, his right arm slightly moving.


In the center of the screen is a sofa, with a man lying on it, looking in the direction of the camera. To the right of the screen in front of the camera, there is a woman sitting with her back to the lens. The man first gestured with both hands, and then the woman extended her hands, clapped once, then brought her hands together, opened them again, and finally brought them together once more, while the man pressed his left nostril with his left hand. To the left of the screen is a potted plant, and the camera slowly pans down to the lower left corner.


In the center of the screen, there is a person diving underwater, swinging their legs to swim towards the center of the screen. Then, they flip over and wave their hands before landing in the center of the frame, looking into the camera.


In a room decorated with a Christmas atmosphere, there are seven people. From left to right, there is an elderly man with white hair wearing a green sweater and glasses, facing the three people on the right side of the picture and saying something with his mouth open. A woman with hair, wearing a white shirt and a pink suit, is also facing the right side of the picture with her body leaning forward and her mouth open, saying something. In the middle of the scene, a black piano is placed near the front of the camera. A blonde woman in a red coat is holding a girl with brown hair, wearing a red and pink checked shirt and light blue jeans, sitting on a stool. Both are smiling and facing the three people on the right side of the picture. The woman in the red coat stretches her head up and then turns to look at the woman in the pink suit, continuously saying something. On the right side of the picture, the three people, with the man in the brown sweater on the left, taking the green and red strings with bulbs from the hands of the woman in the middle wearing a green shirt and a golden ponytail with both hands, smiling and slightly squatting to connect the two ends of the strings. The woman in the green shirt, after handing the rope to the man in the brown sweater on the left, places her hands together in front of her chest and then crosses them tightly, smiling and talking, looking first to the left side of the picture, and then to the man in the black coat on the far right. At the same time, the man on the far right extends his left hand forward and then withdraws it, placing both hands on his hips, also smiling and talking. The screen suddenly goes dark, and the camera switches to a front view of the four people on the left side of the picture, where the woman in the red coat can be seen turning back to look at the woman in the pink coat.


The screen gradually brightens from black at the start, and the video shows a table with a dish of covered rice. The camera pans to the right from above the table, revealing a white bowl with only soup left on the right side of the covered rice.


In the center of the screen, a man in a suit is preparing to sit down. He looks up to the left side of the screen, starts speaking, and gestures with his right hand. In the end, he sits down with a smile. To the left of the screen, another person is also preparing to sit down. She first takes off her glasses and places them on the table. Then, the man crosses his legs, gestures with his left hand, and begins to talk while making hand movements.


A light-colored hot air balloon is located in the distant right side of the frame, while the dark-colored balloon is in the foreground on the right side of the frame. The two balloons are floating in the scene. The camera zooms out, and then the scene changes. The light-colored balloon is now on the left side of the frame, and the dark-colored balloon is on the right side. The two balloons are moving from the right side of the frame to the left.


A boy wearing a white shirt is sitting on the windowsill, turned to the right side of the frame, looking down at the ukulele and playing it with his right hand. Initially, he placed his right hand near the bridge and swept the strings with his thumb several times. During this time, the camera zooms in and out, then he moves his right hand to the right side of the frame to the position of the sound control. The camera shifts to the right, and he sweeps the strings with his thumb a few more times. His eyes look slightly upwards to the lower part of the frame, then he looks down at the ukulele and continues to play, before looking towards the lower right corner of the frame again.


The man in the picture has short black hair and a goatee. He is wearing a gray top and black pants, black socks, and shoes with blue and green patterns. His legs are spread at a wide angle, and he is leaning forward, with his right hand clenched into a fist, supporting himself on the lawn in front of him. His left hand moves from the right side of the frame to the front of his body with the palm open and facing down, supporting the lawn, and the index finger is curled upwards. At this moment, his right hand, which was a fist, changes to a palm flat on the ground. The man continues to bend forward, lowering his head until it is almost touching the ground, with both arms bent and his body slightly pressing up and down twice. Then, his right hand moves to the lawn beneath his buttocks, followed by the left hand. The camera slowly moves backward as his head slightly lifts up, and his body presses up and down slightly twice more. Then, he moves his right hand back to the front, followed by the left hand, and raises his body. His right hand moves forward again, and then both legs are brought closer together than shoulder-width, with knees bent and both hands on the ground. The index finger of his left hand remains slightly curled upwards. He then straightens up, the camera slightly moves to the left, and follows the man as he rises, moving upwards. The background is a lawn where some people are walking or running.


The camera is shooting a room, moving into an interior space. Then it pans to the left slightly trembling, entering another small room. The camera pauses at the doorway of this room before panning left again, moving onto the corridor of the room. It captures the bathroom on the left side of the frame, and then the camera pans to the right, continuing to move forward.


In the center of the screen, a rabbit faces the camera, looking into the lens with its nose twitching continuously. Meanwhile, a few petals fall from the top of the screen. Then the rabbit turns its head to the left side of the frame and turns back. Throughout this process, the rabbit's nose keeps twitching.


On the left side of the screen, a woman is facing the camera. The camera captures a close-up of her from the chest up. She turns her head to the left of the screen and looks down towards the bottom of the frame. Then she raises her head and turns to look at the camera. Following this, she slightly turns her head to the right of the screen and looks towards the right of the frame. She then bows her head, smiles, and looks down towards the bottom of the frame again. Afterward, she looks back at the camera, and then turns her head to the right of the screen while looking towards the right, simultaneously slightly opening her mouth.


Under the overcast sky, snow covers the trees and ground. The camera captures a man in black from a lower angle at the upper left slope of the frame. With both hands gripping his ski poles, and his feet on skis, he glides down the slope, leaping into the air and landing on the snow below the frame. Leaning backward, he holds the ski poles open on both sides of his body, with the tips of his skis raised. As he glides towards the center bottom of the frame, his body turns to the right side of the picture, and then he skis out of view towards the bottom right corner.


On the left side of the screen, a person dressed in black and white is sitting cross-legged on the bed, sideways to the camera, with their body facing the right side of the screen. She is holding a circular card in her right hand and places it on the bed in the middle right of the screen, then withdraws her hand. On the right side of the screen, a person in gold pants is sitting cross-legged on the bed, sideways to the camera, with their body facing the left side of the screen. He is holding a stack of square cards in his left hand and moves them from the upper left of the screen towards the lower right, placing the cards on the bed in the upper right corner, and then neatens them with his left hand. The camera shifts to the left, and the person in gold pants raises his left hand and then uses both hands to hold a square card. The person in black and white uses their left hand to take a circular card from the bed in front of them and then holds it with both hands. The camera shifts to the right, and the person in black and white uses their left hand to place the card next to the cards in the lower right corner of the screen, simultaneously moving a nearby card with their right hand, then withdrawing both hands. The person in gold pants extends his left hand to pick up a stack of square cards in front of him. The camera shifts upwards, and his right hand holds a square card and moves it downward in the screen.


Under the light, the shadow of an object on the yellow table is visible. To the left, there is a purple eye mask, and above it, a magenta eye mask. In the middle, a row of small white squares with letters printed on them is angled towards the bottom right corner of the frame, spelling out M, A, R, D, I respectively. Then, a right hand enters the frame from the right side and successively moves the white squares with the letters G, R, A, S to below the initial row of white squares. After placing them, the hand disappears from the right side of the frame, and these white squares are also aligned in a row.


The girl with the earrings on the right side of the screen looks down at the ground and moves down together with the girl on the left side of the screen, while the girl in the center of the screen tilts her head to the right and moves down. Then, the girl on the left side jumps up, followed by the girl in the center and the girl with the earrings jumping up. As they do so, the girl with the earrings leans forward and then stands up straight. Subsequently, the girl on the left side of the screen looks to the right, raises her hands and places them on the left side of the screen, then crosses her arms over her waist. The camera pulls back to reveal the full bodies of the girls. Then, the girl in the center, the girl with the earrings, and the girl on the left side of the screen jump up in turn and land.


The camera angles down with a slight shake, showing four people standing by a wooden table at the top of the frame. On the wooden table at the bottom of the frame, there are some inverted red cups. In the upper left corner, a person wearing a blue and white striped shirt picks up one of the inverted red cups on the far left of the frame with their right hand, revealing a jar beneath it. Then, the person in the blue and white striped shirt places the cup on the wooden table on the left side of the frame with their left hand, slightly lowering their right hand, while the left hand holds the jar. In the center of the frame, the person wearing a blue top puts their right hand on the edge of the table, takes a step back, removes their hand from the table, and then lowers it.


A man in a dark gray long-sleeved shirt stands on the right side of the frame, with black hair and a slight smile. His left arm is around a woman, who is dressed in red with a white shirt draped over it. This woman has golden hair and is also smiling with her mouth open. Both of their heads are slightly turned to the left side of the screen as if they are looking at something. The woman first closes her mouth, her head tilted slightly, and then she laughs again, seemingly speaking. Her eyes are wide open, and she gives a slight nod after she finishes speaking, then turns to look at the man on her left. She meets his gaze and continues to speak. While the woman is talking, the man turns to look at her, staring at her intently. His left hand gently strokes her shoulder, moving down to her arm, and then slowly back up to her shoulder. In the background on the left, there is a green Christmas tree adorned with various decorations, including silver and yellow balls, a small car, and a red Christmas hat among other items. A string of glowing lights is wrapped around the tree. The background on the right is blurred, seemingly a door with light shining through from outside.


Aerial shot, the camera initially doesn't zoom in on the forest, then the lens continuously moves upwards in the opposite direction of the lens, revealing more of the sky, lakes, and mountain paths.


The main subjects in the black and white image are a man and a woman; the man is on the left, and the woman is on the right. The man is talking while playing with a pen in his hands, accompanied by slight head shaking and raised eyebrows. The woman on the right listens to his narrative, nods her head, and finally slowly bows it down again.


There is a scene with a woman in a dark top holding a megaphone in her right hand, looking to the left of the picture and speaking, while walking towards the left side of the frame. There are many people around her. In the left side of the picture, a person is seen raising their right hand. The background features brown buildings.


In the center of the screen, there is a bowl of proofed dough. Then, a pair of hands enters the frame. The left hand supports the bowl from the bottom right corner of the screen, while the right hand reaches into the bowl from the top of the frame to knead the dough. The right hand, moving counterclockwise, flips the bottom of the dough, kneading it repeatedly. At the same time, the left hand follows suit, rotating the bowl edge counterclockwise until it flips up the entire bottom circumference of the dough.


In the center of the screen is a car tire. To the right, a person is squatting next to the tire, with their left hand resting on their leg, and their right hand holding a brush, repeatedly scrubbing near the letters on the tire. In the end, the right hand passes the brush to the left hand.


On the left side of the screen, a person uses their right hand to move an item to the right side of the frame. The item leaves the camera's view on the right side. The person then uses both hands to unfold and flatten a piece of clothing on the left side of the screen. After that, they slightly move the clothing towards the left side of the screen, pointing with both index fingers at the surface of the clothing, and then fold the sides of the clothing towards the left side of the frame with both hands.


On the left side of the screen, a woman with white long hair is sitting on a blue chair, facing the camera. She holds a white cup in her left hand and has her right hand on her lap, looking at the man on the right side of the frame. Then, her right hand gently moves and continues to rest on her leg. Subsequently, her right hand also grips the cup. Her head slightly shakes, and she continues to tilt her head with a smile, looking at the man on the right side of the screen. On the right side of the screen, the man is sitting on a blue chair, wearing a gray-brown shirt. His left profile is facing the camera, and he is looking down towards the left side of the frame. His left hand holds a white cup, and his right hand is twisting a silver thermos on his leg clockwise. Then he looks back and places the lid on the table in the background. He then picks up the thermos, pours its contents into the cup in his left hand, and raises the thermos. With his left hand, he extends the white cup towards the woman in the left background. The scene seems to be on sandy ground, with mountains in the background.


In the scene, a man in a black coat has a fireworks stick in his mouth, facing the camera with both hands extended, swaying his body. The head of a woman is visible next to the man on the left side of the frame. Behind him is a massive electronic screen. The scene changes, showing a bald man with a woman lying on top of him. On the left side of the frame, another woman is sitting closely next to the bald man, while on the right side, another woman is fixing her hair. At the extreme right edge in the background, the head of an African person can be seen, but he is not the main focus of the scene.


The camera moves in the opposite direction of the lens, and the water's reflection on the right side of the screen fluctuates up and down. Then, the rocks close to the left side of the frame disappear from view, revealing a broader scene and the interior of the rocks.


The camera slightly shakes, showing an amusement park ride rotating clockwise. A man and a woman can be seen sitting in the ride's seats, being spun and swung. Flags in the middle foreground, the left foreground, and the right background are fluttering in the wind. The drop tower on the left side of the background is slowly descending. In the bottom left corner of the screen, a boy in black and a boy in red are waiting in line next to the amusement facility. The boy in black initially faces the camera, turning his head towards the left side of the frame, looking at something off to the left. He then turns towards the right side of the frame, watching the ride, with his right hand on the railing and his right foot stepping forward. The boy in red slightly shakes his head in place. In the background on the left side, there are some people walking towards the left side of the frame, with some of them disappearing from view.


This is a video taken inside a car, with the shooter sitting in the passenger seat. A woman with long black hair is sitting in the driver's seat, looking out the left window. Subsequently, a tree appears on the right side of the frame. From outside the window, we can see that the driver is making a U-turn around this tree, her gaze fixed out the window, with her mouth moving as if she is continuously saying something. After completing the U-turn, the woman's line of sight also turns to the right side of the screen.


In the center of the screen, there is a lump of black paint on a piece of cardboard. On the left side of the screen, a person is sitting cross-legged on the ground, facing the right side of the screen. With their right hand, they are holding a pen and have dipped it in the paint a few times. Leaning forward, they place their arm on the ground and are writing on another piece of cardboard while facing the right side of the screen.


The camera shoots from above, with the center of the frame showing an open palm holding a black key. The hand slightly moves towards the lower left of the screen, then extends the thumb to the right to turn the key. It continues by turning the key to the left side of the screen, then the thumb presses on the key and turns it to the right again. Following this, the thumb and forefinger grip the key and turn it towards the upper right of the frame, then turn it downwards to place it back in the hand. The thumb presses the button on the key, then slightly moves downward while continuing to press the button. Then, the thumb moves away, still pressing the button, and slightly moves upwards while keeping the button pressed.


A man dressed in a blue checked shirt enters from the left side of the screen and walks towards the right, turning his back to the camera. He then turns around to face the camera on the right side, sideways, with a smile on his face. To the right of the center is a man in black clothes, looking down to the left of the screen, raising his right hand holding a candle in the center of the frame. He then looks towards the camera and speaks, raising his left hand to give a thumbs-up at chest level. To the left of the center is a man in a yellow checked shirt, with his left hand on the shoulder of a man in a pink short-sleeved shirt on the left side of the screen, looking towards the camera and speaking. He then moves his left hand to his chest to give a thumbs-up. On the left side is a man in a pink short-sleeved shirt, with his left hand raised holding a candle at chest level, looking towards the camera with a smile on his face, and his right hand in his pocket. He later looks to the right of the screen and then turns back to the camera.


The opening scene captures scattered debris rolling down the mountain, followed by a switch to a long shot of the mountain road, where a city bus is seen driving from the right to the left of the screen on the winding mountain path. Subsequently, the camera switches to a close-up, and after making a turn, the bus faces the camera and gradually approaches.


In the scene, there are two people. At the center of the picture, a woman in black and white striped clothes is standing behind a table, facing the camera. To the left, there is a man whose body is turned towards the right side of the frame. Both of them are holding a paintbrush in their right hand and an egg in their left, using the brush to color the eggs. The camera gently moves to the left, getting closer to the man. The woman at the center of the frame is painting the egg dark green, while the man is painting his orange. In front of the two, there is a tray on the table filled with eggs in various colors. Throughout this process, the man keeps talking while the woman continuously dips her brush into the paint palette.


The video scene is animated, and in the center of the screen is a right hand with the back of the hand facing the camera and the palm towards the right side of the screen. The hand is holding an object inlaid with a green gem, and the left hand is gently stroking the surface of the object with the green gem.


In the scene, there are a pair of hands. The left hand holds a transparent sheet of plastic, while the right hand continuously removes small decorative items from a piece similar to an artwork and places them onto the plastic sheet in the left hand until it is fully covered. In the end, the left hand puts down the plastic sheet in the bottom left corner of the image.


In the right side of the screen, a man in a yellow plaid shirt is standing facing the camera, looking to the left side of the screen as he speaks. The camera zooms out, and the man in the yellow plaid shirt turns his head down to look at the lower right corner of the screen, slightly twisting his body before turning his head to the left side of the screen. On the left side of the screen, there is a man wearing a black top with his hands crossed over his chest, standing facing the right side of the screen, looking to the lower right corner, then at the man on the right side of the screen, and back to the lower right corner again.


On the left side of the screen, a man in a white checked shirt and black pants is holding a box with both hands and facing the camera as he quickly runs to the right of the frame. The camera follows the man's movement and pans to the right. The man first crosses a road lined with parked cars, carrying the box with his left hand, and then dashes towards the steps on the other side of the road to a little girl in a deep blue shirt who is facing away from the camera on the right side of the frame. At this point, he runs sideways to the camera, towards the right of the screen, and suddenly, as he runs, he wraps his right arm around the little girl in the deep blue shirt. After the impact, the little girl stumbles and turns clockwise before finally standing with her back to the camera. The man also turns clockwise and moves to the right side of the screen before exiting from the right of the frame. In the background, there are some shops and buildings on both sides of the road, and many people are standing on the steps by the roadside.


On the left side of the screen is a woman with black hair wearing a shirt with a blue collar, looking to the left of the screen, then turning her head to look to the right of the screen and smiling. To the right of the center is a man wearing a blue vest, looking to the right of the screen, then looking up to the left, raising his right hand, and then lowering it. On the right side of the screen is a woman with blonde hair wearing a white shirt with a blue collar, holding her neck with both hands, swaying from side to side, looking up to the left of the screen with wide eyes, and laughing while leaning on the table. To the back and left of the center is a man in a shirt, supporting his forehead with his right hand while stroking his hair, then lowering his right hand, looking to the upper left of the screen, and then looking to the right of the screen.


In the center of the screen is an iron balance scale. In the background of the scene, there is a shot of the upper body of a person in white, excluding the head. On the right side of the foreground, a left hand wearing a silver ring on the ring finger, dressed in gray, reaches into the bottom of the screen. The index finger and thumb are holding something and placed on the tray on the right side of the screen. Then, the right hand's index and thumb extend from the right side of the screen, also making a gesture as if holding something, before moving out of the frame. Next, the person in white extends their right hand and points to the right of the tray, which is covered in white powder. Then, with the left hand, they take out a green slender bottle containing white powder, tilt the bottle to pour the powder onto the tray, and then place the bottle back down with the mouth upwards against their chest.


In the center of the screen, a man in a gray T-shirt stands facing the camera with his left hand resting on the tallest white foam box on the right side of the frame, and his right hand holding a dozen sheets of clear plastic wrap. He then spreads the plastic wrap flat on top of a foam box taped with black tape on the desktop, his left hand assisting in the process. Next, he takes out a single sheet of plastic wrap from the stack with his right hand, then grips the top edge with his right hand and the bottom edge with his left, and proceeds to move both hands to hold the plastic horizontally, then vertically. He releases the plastic with his left hand, extends his thumb and index finger to make a gesture, and then pinches the bottom of the plastic wrap again. He then releases his left hand once more, raises it to the side of his head, opens his palm, and then moves it down to pinch the bottom of the plastic wrap. Finally, he releases his left hand again, raises it to his side, and then moves it down. In the background on the left, there is an aquarium, and at the bottom of the screen, a white table stretches across from left to right.


The scene is an animated segment, with a cartoon character shaped like an avocado in the center of the screen, facing the camera and watering the green plants on his windowsill. In the background of the scene are rows of tall buildings.


In the center of the screen, there is a woman facing the camera. She has her hands folded in front of her, speaking towards the lens. Then she slightly tilts her head to the right, raises her hands in front of her to make a downward gripping motion. After that, she points at the camera with her left index finger, and finally, she places her hands back in front of her, raising them to grip a faucet in the lower right corner of the screen.


The man on the right side of the screen looks at the woman on the left side, then places both hands on the woman's shoulders while smiling and saying something. Then the man lowers his hands, and the woman on the left side turns around, facing towards the left of the screen, and says something while making gestures with her right hand.


A man is walking through a train carriage while a group of people are causing a stir next to the carriage. Suddenly, some liquid is splashed from a distance onto the man on the carriage. The man immediately stops, kicks with his right foot at the man attempting to climb into the carriage with a backpack, while a solid object is thrown at him. The man trying to climb into the carriage with the backpack then grabs the feet of the man on the carriage, and the two engage in a struggle as the man on the carriage squats down. In the end, he is dragged off the carriage and disappears into the crowd. The handheld camera slowly pans to the right, showing the turmoil of the crowd.


In the scene, there are two women. The woman on the left raises her left hand with the palm facing the person on the right, then places it down by her side. The woman on the right raises her left finger to point at her chest, then lifts both hands in front of her, using her right hand to draw an arc outward, seemingly saying something to the person on the left. She then points her left finger at the screen, both hands gesture downward, and continue to point to her right. Next, the left finger points towards the camera, while both hands shake up and down in front of her. In the background of the scene, many children are playing on the lawn.


The scene shows a woman wearing a floral sundress holding a purple circle with both hands and rotating it counterclockwise. As she circles, she raises her hands upwards, and the circle transforms into a hollow sphere. Then, she raises the sphere high with both hands and rotates it counterclockwise.


A close-up shot of a brown paper box containing food. The camera shakes slightly, with the brown paper box in the center of the frame, containing several fries, a slice of fried egg, some yellow sauce, and two forks. The right hand of a woman appears on the left side of the frame, picking up a fry and dipping it in the yellow sauce. The camera then gradually zooms out, revealing the upper body of the woman holding the fry, facing towards the right side of the screen. On the right side of the frame, a man faces the camera with his right hand on his chest and his left hand holding the brown paper box with food. After the woman has eaten half of the fry, she looks at the man on the left side of the screen and nods, to which the man also nods and says something. The woman then looks towards the direction of the brown paper box, dips the fry in the yellow sauce again, and puts the remaining half of the fry in her mouth. The man also looks towards the box.


The video is shot from a first-person perspective, showing a night view of the coastal area from a top-down angle. On the left side of the screen, a finger extends pointing into the distance of the scene, then all five fingers spread open while the camera moves to the left. In the center of the screen are rows of yachts moored at the shore. On the left side, the profile of a woman's face appears, with her back turned to the camera.


The camera is slowly moving to the left. In the beginning, the center of the screen shows a man with a hat looking down towards the lower left corner of the frame. In his right hand, he holds a fork with a piece of food on it, and he is opening his mouth to put the food from the fork into his mouth. On the left side of the screen is a man wearing a light blue shirt, holding a fork in his left hand and putting the food from the fork into his mouth. He is standing facing the camera with his eyes wide open.


The camera slightly shakes, and a woman in beige pants appears on the right side of the screen. She is holding something in her left hand and walking towards the left of the frame. She then stops in the center of the screen, picks up a pair of pants hanging on the stool in the middle of the frame with her left hand. The pants drop a silver object that looks like a pill, and then the woman holds the pants with her right hand. The camera moves upwards, and her left hand picks up this silver object, wiggles it back and forth, and then she turns and walks towards the left of the screen. In the foreground, there is a brown table, and in the background, there are white shelves with items placed on them.


In the center of the screen, a white person stands with their back to the camera, while in the background opposite the woman, a black person stands facing the camera. The white and black individuals stand facing each other, holding hands. The white person raises their right leg and places it on the black person's left shoulder, then bends down towards the side closer to the camera. The camera slowly moves down, focusing on the white person's inverted face at the center of the screen. The white person smiles at the camera. Then, the white person slowly gets up, as the camera moves upwards.


On the right side of the screen, one can see the legs of a person who is sitting in the driver's seat, and in the top right corner is the steering wheel of the car. The camera slightly shifts down to the right, revealing a part of the car's rear door. The camera then moves to the left, zooming in on the person's legs, which are slightly moving. As the camera shifts up to the right, the scene changes, and now a hand is seen in the center of the screen with the palm open and facing the right side of the screen. The palm is pointing towards the car's dashboard, then moves downward, with the camera following the movement to the side. As the palm continues to move upward, the camera shifts upwards again. The palm moves up and down in this manner, and at the end of the video, the palm moves to the right side of the screen, still with the palm facing the right side. Then, the palm moves downward, as if preparing to move out of the frame.


The main subject of the image is a man wearing a red coat. He is standing on the left side of the frame, facing towards the right side of the frame. Both hands are holding a paper box. His right hand moves along the edge of the box to the front of the box for a better grip, while he turns to the right. His left hand releases the box and rests on the red package on the right side of the frame. With his right hand, he places the box inside the package, then uses his left hand to grasp the bag of the package and walks off to the left side of the frame.


On the left side of the screen is a lady in blue leading a little girl in white by the hand, while on the right, a lady in green is sitting at the dining table. The little girl then takes a seat at the table. The lady who was originally leading her pours a drink for the girl before taking her own seat. Afterwards, the two ladies seem to be engaged in conversation, as the little girl drinks her beverage and watches their interaction.


In the scene, a girl with dark skin is sitting on a sofa, sporting short black hair, and wearing a blue striped sweatshirt. Her hands are placed on her knees in front of her, facing the camera. Her eyes are looking to the left of the lens. As she speaks, her face turns slightly to the left. In her right hand, she holds a small knife raised up, her head slightly bowed down, looking to the left outside of the frame as she speaks, with a serious expression. The background features a patterned wall and a patterned sofa. To the left of the scene, there is a wooden cabinet on which some items are placed.


On the right side of the screen, there is a dark red road, with a man skateboarding on it facing away from the camera. He skates from the right to the left and then from the left to the right. The camera gradually zooms in, showing his hands swinging back and forth for balance while he skates, with his body twisting from side to side. He bends forward towards the left side of the screen and then stands up straight. In the end, he comes to a stop, steps off the skateboard with his left foot first, and then bounces gently on his left foot twice. To the right of the screen is green grass, and to the left is a road of a different color.


A woman in a black skirt faces to the left of the screen, sideways to the camera, raising her camera to the left side of the frame with her right hand supporting the camera's display. She lifts her head and speaks, then retracts her right hand, and lowers the camera with her left hand. While speaking, she turns her head to the right, her right hand clenched into a fist moving back and forth to the left side of the screen.


In the center of the screen, a woman in a red skirt is walking towards the camera. She turns her head to the right side of the frame, supporting her hat with her left hand, and carrying a basket in her right hand. Then, the woman turns her head to the left side of the frame, looking to the left. She stops in front of the camera, turns her head to the right side of the frame, and then uses her left hand to tidy up her hair by her ear. After that, she lowers her left hand and lifts the basket with both hands.


In the center of the screen, a green-faced anime character stands sideways to the camera, facing the left side of the screen. He looks to the left side of the screen, with his right index finger pointing to the left. His head moves upwards to the left, and he quickly and forcefully drops his right hand. Both hands are then spread open towards the camera, he bows his head, and then looks up towards the upper right side of the screen.


In the scene is an old piece of machinery, with a black belt in the center of the picture. At the right edge of the frame, there is a person wearing a black short-sleeved shirt, with gloves on their right hand holding a small knife, cutting the belt in the center of the picture while talking. At this moment, they walk out of the frame to the right, then a left hand reaches in from the top right corner of the frame and pulls the belt in the center of the picture a few times.


In the center background of the scene, a man is sitting sideways to the camera with his head down next to a table, with his right arm placed on the table. In the foreground of the scene, on the left is the door frame, and on the right is the door and door frame. The camera starts to slowly move to the left, as the man lifts his head and raises his right arm, slightly waving it. Then he turns his head in the opposite direction of the camera, lifting his right arm again, before turning his head back to the right side of the screen. Following that, his right arm continues to wave slightly.


The scene shows a workbench. The camera turns to the right and then moves towards the lower left corner. At the beginning on the left side of the screen, a person bows their head and moves out of the frame from the lower left corner. Additionally, a left hand in the upper left corner of the screen has been holding a relatively large mechanical shell, slightly rotating it to the right.


The camera shoots a city from a bird's-eye view; in the middle left of the screen and on the right, the traffic on the road is endless, with vehicles traveling in different directions. The lens pans up and then to the right. The left side of the screen and the background are filled with a variety of building complexes. The road extends straight ahead to the right foreground of the lens, stretching into the background of the scene.


The main subject of the scene is a lady holding a bicycle. In the distant view of the picture, she walks slowly from left to right, glancing back to the left side of the frame twice along the way. In the background, the plants sway with the wind, and occasionally, a few leaves fall from the top to the bottom.


In the center of the screen, there is a white-haired man wearing a brown shirt, facing the camera, sitting on the sofa with his left hand resting on the armrest, looking to the left side of the screen. In the background of the center, there is a man wearing a red shirt, facing the camera and standing behind the sofa, with his hands buried in his waist, looking down at the man in front, talking with his mouth. He then raises his head to look upwards and turns to the right.


Camera shot from above, quickly moving forward and panning down. A car enters the frame from below, facing away from the camera and driving upwards in the frame, the camera follows the movement of the car and moves forward.


In the center left of the screen, a man facing the camera turns his head slightly to the left of the frame and looks down. With his left hand, he holds a dumbbell and continuously bends his elbow to lift the dumbbell three times. At the same time, he takes deep breaths and sticks out his tongue to lick his lips twice. Then, he lowers his right hand, turns his head to the right of the frame, and looks down. Next, he picks up a dumbbell with his right hand and continuously bends his elbow to lift the dumbbell five times while maintaining deep breaths. After that, he raises his left arm and bows his head to kiss his upper left arm before lowering his left hand. Then, he lifts the dumbbell with his left hand two more times and sets it down.


The man looks down at the candle, opens his mouth and quickly closes it, then opens his mouth again, takes a deep breath, frowns and pouts to blow out the candle, after which the man closes his mouth.


On the left side of the screen stands a woman. She first faces to the left, sideways to the camera, and then turns clockwise, with her back to the camera, lifting her head to look upwards in the distance. The camera slowly zooms out.


In the initial frame, only the face of a man with dark skin can be seen. Then, a hand enters the frame from the bottom left corner, and the index finger gently wipes the man's face. After one wipe, a white streak appears on the man's face, following the direction of the finger's movement. The finger continues to smear his face a few more times, then moves to the other side of the man's face. The other side of his face is not visible, only the hand can be seen continuing to wipe his face. Shortly after, the hand moves back to the foreground and continues to wipe the man's face a few more times, making the white mark on his face more evenly distributed. Then, the fingertip starts to draw circles on the man's face in a clockwise direction, presumably also to make the white mark more even. This action continues for a long time, until the end of the video, when the finger resumes the wiping motion from left to right on the face. The white mark on the face is now very faint, with only some traces visible.


The scene is captured by a camera fixed on a car, which is driving forward along the road on the left side of the screen, passing by each street lamp. To the right of the screen is a barren land, and in the distance in front of the screen are rows of houses.


A white male in black clothing is speaking to the camera. He first looks to the top right corner of the frame, then speaks while looking into the lens. Behind him are several glass doors.


In the center of the screen, a woman in white is standing facing the right side of the frame, looking down at the cup below, with her left hand on the rim of the cup and her right hand holding a steel straw from inside the cup. The camera slowly moves to the left, her right hand continuously stirring the water in the cup in a clockwise direction. After a while, she stops, pinching the straw with her right hand, and lifting the cup with her left hand. At the same time, she glances at the camera and then quickly looks back to the right side of the frame, placing the cup just below her chin, opening her mouth and sipping through the straw. The background is a white wall, and there is a lamp on the right side of the screen.


In the scene, many seagulls are flying in the sky, flapping their wings. In the center right of the frame, there is a seagull with its head facing to the left of the screen, flying towards the upper left corner of the frame. The camera moves in its direction, placing it in the center of the screen, while the other seagulls move out of the frame. Its head is facing to the left of the screen, flying to the left side of the frame, and then it slowly turns, pointing its tail towards the camera, flying off into the distance. Several more seagulls appear at the lower part of the background. The background is a cloudy sky, with the camera shooting upwards.


The scene is in first-person view, the camera turns to the right, the shooter walks forward, there are doors on both sides of the screen, and a small yellow minion doll is at the center of the screen. The camera focuses on the yellow minion doll, then turns to the room on the right side of the screen, where there is a bed at the center, with an open guitar case on it. The screen turns right again, revealing a poster on the wall at the center and a television hanging below it. The camera turns left, and at the center of the screen is a computer monitor, with a sports car on the desktop.


The camera zooms out to focus on an oval-shaped anime character on the right side of the screen. He is sideways to the camera, facing the left side of the screen while crying, with his hands crossed over his stomach, rubbing them.


On the left side of the screen, there is a woman in blue facing the camera with her palms together in front of her mouth, then placing them on her chest with her fingers crossed. She then uses her right hand to touch her right shoulder while speaking and looking towards the woman on the right side of the screen. On the right side, there is a woman leaning her head towards the center of the screen, resting her head beside the head of the woman on the left. She touches the other woman's shoulder with her right hand, then moves her head to the right, looking towards the woman on the left.


The scene shows the upper half of a man's profile. He is standing in front of a workbench. His right hand has two fingers pressing on the top of the ruler, with the thumb holding the middle of the ruler. His left hand holds a pen and he draws a section of a line from the top to the bottom along the ruler, then repeats the process of drawing the line again.


The scene is shot in first person, with the center of the frame showing a black machine part. In the lower right corner, a person stretches out their right hand to poke at the machine above the frame. The camera slightly trembles towards the upper left of the screen. The right hand's index finger continuously moves up and down in the frame, then gradually shifts downwards.


In the scene, there are initially five people in a room, gathered around a table discussing something with their sides to the camera. On the left side of the frame, close to the camera, a man in a dark blue cardigan is sitting with a smile on his face, looking at the white-clad woman on the right side of the frame who is farthest from the camera. His right hand is spinning a pen on the table. The white-clad woman is standing, bending over and smiling at him, then straightening up and saying something. Another woman with a striped shirt, who is black, is sitting on the left side of the frame, far from the camera, with a smile on her face as she watches the white-clad woman. Her right hand is raised, supporting herself on the table, and then she plays with her hair on the left shoulder. The man in the dark blue cardigan quickly glances at her and then turns his head back to look at the man in black pants on the right side of the frame, who is closest to the camera. The man in black pants is fiddling with a pen in his hand. A woman in brown is sitting in the middle on the right side of the frame, her body obscured by the man in black pants. She can be seen lowering her left hand. The woman in brown supports herself on the chair with her left hand, leaning back, and after touching her nose with her right hand holding the phone, she touches her chin. The white-clad woman frequently bends over and shakes her head, looking at the two people on the left side of the frame as she speaks. At the same time, a white-haired woman enters the view from the right side of the background, swinging her arms as she walks to the table, raising her left hand to make gestures and speak to them, and then turning her head to speak to the white-clad woman. The white-clad woman straightens up, showing surprise on her face, looking at the white-haired woman and taking a step back. The man in black pants sits up and smiles at the man on the left side of the frame and then bends over towards the table, glancing at the white-haired woman. The black woman turns her head to glance at the white-haired woman and then looks back at the table. She then turns her head to look at the man in the dark blue cardigan, glances downward while closing her mouth, and then looks up at the white-haired woman. The man


In the center of the screen, a woman stands sideways to the camera, facing the right side of the frame. In her right hand, she holds a leash attached to a small dog. The dog is also sideways to the camera, facing the left side of the frame while standing on a stool. With her left hand, the woman holds food to feed the small dog, reaching into her pocket to retrieve some. The dog is lying on the stool as the woman feeds it. After taking a few steps forward, turning clockwise to face the camera directly, the woman then turns counterclockwise and looks towards the right side of the frame.


In the center of the screen is a pink basket filled with several yellow bags. To the right of the screen, a hand with pink nail polish is holding the basket and then moves to lower the basket towards the bottom of the screen. Following this, the left hand appears in the upper left corner, reaching into the middle of the screen to pick up a yellow bag from the basket. To the left of the background is a wooden toy bridge, while on the right side of the background hangs a yellow toy water bucket.


The main subjects of the scene are two girls. The girl on the left is combing the hair of the girl on the right. She holds the comb in her right hand, combing the other girl's hair from top to bottom, while her left hand supports her hair. In coordination with the movement of the comb, the girl on the right looks to the outside of the right side of the frame, motionless.


In the center of the scene, there are some vines with purple flowers placed, and on the right side of the image, there is a person wearing a yellow T-shirt with their back to the camera. Later, this person turns to the right, picks up the vines in the center of the scene, and at this moment, they are carrying a white plastic bag on their left hand.


The scene takes place outdoors. In the center of the frame is a little boy with brown hair who keeps his head down. On the left side of the frame is a woman wearing a green top and a plaited braid. At first, she waves her hands and talks to the camera, then looks to the right side of the frame, and then back to the camera direction. She then looks away from the camera towards the opposite direction. On the far left of the frame is a boy with black hair wearing a blue top; he seems to be chewing something and is looking towards the lower right of the frame, then turns to the left side of the frame. On the right side of the frame, at first, there is a man wearing a blue top with a backpack on his back, facing away from the camera. He then turns around towards the left side of the frame, looks at the boy on the left, and then turns towards the camera direction.


In the center of the screen, slightly to the left, is a male wearing a blue headband. He has a brown bag slung over his right shoulder and is looking in the direction of the camera. With his head tilted back, speaking, he then extends his right arm and runs towards the right side of the screen, while his left hand holds luggage on the left side of the frame. In the lower right corner of the screen, a person wearing a black headband raises their left hand and then lowers it, gesturing in sign language.


There are six people standing in a room similar to a kitchen. On the left side of the scene, a man wearing a brown cowboy hat turns his head towards a man with brown curly hair, wearing a dark red vest and facing away from the camera, who is more towards the center of the picture. In the center, a woman is embracing a girl dressed in yellow, and to their right stands a bald man in a brown coat and khaki pants. On the right side of the scene is a man wearing a gray cowboy hat, who then walks towards the left side of the frame. At the same time, another man with dark brown curly hair, wearing a blue vest, enters from the left side of the frame and walks to the right together with the man in the dark red vest. As the man in the dark red vest approaches the bald man in the brown coat and khaki pants, he stretches out both hands, pushes the bald man away, causing him to stumble towards the fireplace, and then takes a step back and walks away, turning his head. The bald man looks up, twists his head, and stretches out his hands, seemingly trying to reach for the gun hanging on the wall.


The scene is shot from a first-person perspective. In the lower left corner of the screen, there is a black dog with its back to the camera, facing towards the upper right corner of the screen. To the right of the screen, there is a man wearing blue jeans. The camera turns to the right, and the man bends over, his right hand in a fist placing something on the ground, while the black dog runs forward to the man's hand. The camera continues to rotate, and both the black dog and the man move out of the frame from the left side. Another black dog appears at the bottom of the screen, walking towards the left side of the frame. The camera continues to rotate to the right, and below the lens and to the right, a yellow dog and a gray dog appear, both walking towards the left side of the screen. Then, the black dog and the yellow dog at the lower left of the screen step out of the frame towards the lower left. The black dog at the left edge of the screen sits on the ground, while a brown dog at the right side of the screen walks into the frame and moves towards the left. The gray dog at the bottom of the screen has its back to the camera, turning its head to the right to look at the brown dog.


A man and a woman are sitting on the bed, holding a takeout box in their left hands and chopsticks in their right hands. The scene is a series of slow-motion shots. On the left side of the frame, the woman's profile is turned towards the camera, looking at the man on the right side of the frame as if he's saying something. The man on the right side of the frame is looking down at the takeout box in his hands, using his right hand to pick up a small amount of noodles from the box, and then reaching into the box again to pick up a bit more. The camera zooms out, showing the man holding the box and turning towards the left side of the frame, feeding the woman there. The woman on the left side of the frame slightly turns her head to the right and looks up to eat the noodles fed to her by the man. The camera revolves counterclockwise around the two of them, and the man retrieves the chopsticks, still holding the takeout box, as he turns towards the right side of the frame.


The scene is a close-up of a man with brown hair. The man is facing the right side of the screen, talking while occasionally glancing at the two figures blurred in the distance of the shot. Even though the man bows his head to bring it close to a man with black hair, the camera follows the movement of the brown-haired man. The man with black hair is facing to the left side of the screen, away from the camera with his side turned. After saying a few words, the brown-haired man looks once more at the two figures blurred in the distance, then glances at the man with black hair and moves off to the right side of the screen. The man with black hair, facing left, looks in the direction from which he left.


The video is shot from a first-person perspective. The camera moves to the left and focuses on a car with its rear door open on the left side of the screen. Inside the open rear door sits a woman with long hair, facing to the left of the screen, then leaning forward into the car. Through the reflection in the car window, a man can be seen holding a camera in his left hand, moving and taking shots, gradually approaching the woman inside the car from behind and zooming in. At this moment, the woman on the left side of the screen is attending to a baby in a crib, while the baby on the right side bends its left leg.


In the scene is an animated setting, with a light blue monster dressed in pajamas and wearing a hat on the right, holding a longer object and swinging it up and down towards the left side of the screen. On the left side of the screen is a character with a green, trapezoidal head, facing the camera, being brushed across the face with the soft end of the object held by the monster on the right, after which the camera cuts. This character with a green, trapezoidal head, in the right side of the screen, is facing left, embracing the character in the bottom left corner of the screen with a black head and an antenna, as they pour out their woes.


On the screen, yellow text and expressions rush towards the screen and then zoom in and disappear. Then, on the left side of the screen, a person wearing a white shirt is sitting, facing the camera, looking down at the bottom of the screen with both hands holding something on their lap. In the center-right part of the screen, a woman in a plaid skirt is also sitting in a chair, facing left, smiling and looking left while speaking, with both hands holding a book. At the far right of the screen, there is also a person who seems to be wearing glasses, facing to the left of the camera with their left hand tapping on the keyboard. Then, the person in the white shirt places the book on their left leg, their left hand on the book, looking to the left of the screen and laughing heartily, while the central woman places both hands on the book on her lap. At the bottom left of the screen, there are changing yellow text on a blue background. The scene is indoors, with an open door on the left side of the screen and a desk with many books on the lower right.


A woman is kneeling at the center of the frame, holding a gun towards the camera. She has been shot in the left side of her chest, and then her body slightly reclines backwards as she covers her chest with her right hand. The gun she is holding slips down to her leg. The woman falls towards the lower right side of the frame onto the body of someone lying on the ground, with her left hand stretched across the person's body for support. The woman's mouth is slightly open, showing a look of pain. At this moment, a long-haired lady enters from the left side of the frame, crouching beside the woman, supporting her with her hand and then looking at her. The woman supports herself by holding onto the back of the long-haired lady and slowly falls, lying on top of the person on the ground.


On the right side of the screen, there is a person squatting facing the camera. His left and right hands are holding a yellow component within the camera's range. The left thumb and index finger are pinching the part, while the right hand is using the thumb and other fingers to tighten the component. Subsequently, both hands move the part out of the screen's range from the top right corner. Then, the right hand holding a black tube enters the screen's range from the top right corner, and the left hand holding another part of the gray tube enters the screen's range from the bottom right corner, and then leaves the screen's range from the top right corner.


In the scene, both hands are holding a woolen doll at the center, then the left and right hands each use two fingers to pinch the doll's hands and attach them to the doll's body, looking at the complete body part of the doll. Then, the right index finger rubs the doll's body a few times, and finally, both hands lay the doll flat on the desktop, placing the yet-to-be-attached hands in the upper right corner of the scene. After that, the left hand picks up the doll towards the top of the scene.


In the center of the screen, a man in a light blue shirt turns towards the camera, swinging his hands back and forth. In the distance, slightly to the left of the center, a man in a dark blue shirt stands facing the camera, then looks to the right of the screen, and quickly turns back to the camera. On the far right of the screen, a man in an orange shirt stands facing the camera, then puts down his phone, and finally raises it again. In the background, there are several other people standing facing the camera.


On the left side of the screen is Curious George standing in the water, holding a model sailboat in his hand with a look of distress. In the upper right corner, an imagination box appears featuring George, in which a black boy wearing a red and white striped shirt, blue pants, and a deep green visor cap is kneeling on a yellow plank by the water. He raises both hands to cover his eyes, sighs while looking up, and then quickly drops his hands and cries with his face up. The entire background of the scene shows planks, hillsides, and trees.


In the right side of the screen, a person wearing a white lab coat is standing facing the left side of the screen, with their right hand supporting the forefoot of a foot model, and their left hand holding its right palm. Suddenly, the right hand withdraws and moves upwards, pinching the most right-side needle on the back of the palm with the thumb and index finger, rubbing it to slowly pull the needle out, and then the right hand is lowered. The background is pure white.


A hand extends from the right side of the screen, holding a bowl of tomato meat from the left side of the screen and moves it to the right. Then, using a spoon, the person stirs the tomato meat sauce in the bowl and scoops up a spoonful of the sauce, spreading it evenly over the pizza crust in the center of the screen. After that, another spoonful of sauce is scooped from the bowl on the right side of the screen and spread evenly over the crust.


In the center of the screen, there is a blue flower, and on the green pistil in the middle, there is an insect with red and black stripes facing the upper right corner of the screen. The breeze gently blows the flower, and the insect slowly turns its head to face the upper left corner of the screen and moves on the flower. Suddenly, it spreads its two wings outward, facing the upper left corner of the screen, and flies out of the frame from the top of the screen.


A girl in a purple striped short-sleeved shirt and pink pants is in the center of the frame, facing the camera. She is laughing and dancing towards the back, looking at the camera first and then turning her gaze to the right side of the scene.


In the center of the screen, you can see a pot of soup being cooked. From the top right corner of the screen, a hand enters, holding a transparent jar. The hand shakes in the top right corner, slightly tilting the jar, sprinkling the white powder inside into the pot. A lot of white powder from the jar falls into the soup. Then, the hand holding the jar moves out of the frame from the right side. The soup in the pot is gently boiling, as if it's about to reach a boil.


On the left side of the screen, a boxer wearing shorts with red stripes is standing sideways with his back to the camera. To his left, a referee is facing the camera. On the right side of the screen is a boxer wearing black shorts. Firstly, the boxer in red-striped shorts delivers a high right roundhouse kick, which is blocked by the left hand of the boxer in black shorts. Following that, the boxer in red-striped shorts attacks with his left leg, only to be received by the boxer in black shorts. Then, the boxer in black shorts raises his arms to start an offensive, but the man in red-striped shorts ducks down to avoid the attack and seizes the opportunity to punch the black shorts wearer in the waist with his left hand. The boxer in black shorts then successively lands two punches on the face of the red-striped shorts boxer, causing the red-striped man's body to turn to some extent. He then retaliates with a right punch and follows up with a right front kick, which is dodged. The boxer in black shorts begins to turn around, and the scene switches to a slightly wider angle where you can see the black shorts wearer spinning in the air and delivering a powerful kick to the head of the red-striped shorts boxer with his right leg. The boxer in red-striped shorts starts to spit out blood and his head turns to the right, then towards the camera, and his mouth guard flies to the left side of the screen.


In the image, a pair of hands is opening a black wallet and flipping through the money inside. The left hand is at the bottom left of the frame, revealing the index, middle, and ring fingers, while the right hand is at the top right of the frame, showing the thumb.


In the frame, a pair of hands is handling a pink sundress. First, the hands roll up the hem of the sundress one circle with both hands, then press down on the rolled part and smooth it out to both sides. The camera then switches to a full view, where a blond white woman is centered in the frame, facing the camera.


In the frame, a sea turtle facing sideways to the camera with its head towards the right side of the screen is swinging its two front claws back and forth on the seabed, swimming towards the right of the screen. The camera follows its movement, panning to the right. After a while, the turtle slightly turns towards the camera, moving closer to it, and then continues to swim with its two front claws swinging towards the right side of the screen. The camera continues to follow its movement, panning to the right.


The protagonist enters the frame from the left side, holding a mop with both hands, then moves to the left side of the frame while pulling the mop with both hands. After the body exits the frame, they quickly re-enter, and then the camera accelerates. The woman moves to the right side of the frame to clean, revealing more of her body, and then turns her back to the camera.


The scene is shot from a top-down angle, and the background is a bedroom. In the center of the frame, you can see a purple blanket placed in front of a cabinet. Subsequently, a person in black pants enters from the top left corner of the screen. At first, he tidies the blanket with his hands, then he walks onto the blanket and bends down to tidy it with his hands. The blanket is purple with white stripes, and there are two white cabinets, one in the top right corner of the screen and the other in the center of the frame.


In the scene, a woman in black clothing can be seen laying a piece of black fabric on a table covered with a white-striped tablecloth. She slightly adjusts the black fabric, flattening it on the table, and then both hands in the bottom right corner of the frame neatening the edge of the white fabric. The hands gently fold the edge slightly, with the right hand pressing on the corner of the edge, while the left hand moves some distance upwards to the top left corner of the frame along the edge. The camera pans slightly to the bottom right, the right hand raises and reaches out to the right side of the frame, moving out of view.


A stainless steel pot is placed in the middle of the video, followed by the shooter's left hand extending from the left side of the frame, lifting the lid of the pot and moving it to the left side of the screen, with the soup inside boiling.


A close-up static shot from above. In the center of the frame is a small bowl, with a left hand supporting the bowl from above, and the right hand holding a spoon, stirring seasonings back and forth in the bowl.


In the scene, there are lights on the tree that are flashing alternately. At the same time, the camera pans up from the bottom of the frame and then pans down again, moving slowly and uniformly. The rectangular shadow in the center of the screen is growing larger.


In the scene, in the west, you have a curly-haired woman wearing a black tank top standing next to a wall, partially obscured by the wall. She is facing the camera, her eyes looking into the lens, then she looks down, and subsequently turns around and walks away from the camera.


The scene begins by lifting a lid, revealing a chocolate cake inside a silver round container with some cracks in the middle. A hand reaches in from the top right corner of the screen and sticks a toothpick right in the center of the cake. Then, using the index finger, the hand pushes the toothpick down, and finally pulls it out. The toothpick is then shown sideways to the camera before the hand holding it leaves the top of the screen.


In the center of the screen, there is a middle-aged woman wearing a black top and purple hair, sitting in a chair, facing the camera with her hands on the armrests, talking. She then raises both hands with her fingers spread out, extending them forward, before lowering them again.


On the left side of the screen, a black-haired woman in a black coat is sitting facing the right side of the screen. She is holding a pancake in her left hand, looks down at the bottom of the screen first, then raises her head to say something to the camera, and then bows her head again. With her right hand, she takes a corn chip and shows it to the camera before her right hand leaves the frame from the bottom right corner. In the distance on the left side of the screen, a woman in a yellow coat and a man in a brown coat are walking side by side.


In the scene, several children are playing and fooling around. In the center of the picture, a little girl in a printed dress looks up at a woman in blue and white striped clothing on the left side of the frame. This woman in blue and white stripes is facing the camera with both hands extended to the right. On the left side of the picture is a girl in a pink one-shoulder dress, biting her right index finger, deep in thought with her head bowed. In the background, a little boy wearing a black hat is holding two red cups in his hands, ready to place them on the head of the girl in the printed dress in the center of the frame. Then, the girl in the printed dress turns her head to look at the boy, who turns and moves to the left, still prepared to put the cups on the girl's head. He then takes the cups back with a smile on his face, and the girl's hair is slightly disheveled. The girl turns her head to glance at the boy, who then puts the cups on his own head, making a funny face. The woman in blue and white stripes on the left side of the picture first brings her hands back in front of her, watching the two in the middle of the frame playing with a smile on her face, then crosses her arms in front of her. The woman on the right in a pink top turns her head and quietly watches the two. In the foreground of the picture, we can see many red cups placed on the table.


In the center of the screen is a top-down side view of an open gift box and a pair of hands. The right hand is holding an accessory and placing it into the box, while the left fingertip is pressing down to flatten something. Afterward, the left hand grips the upper outer edge of the box, and the right hand holds the right outer edge of the box, pulling it downward to a tilt.


On the left side of the screen, a man in black pulls back his face, which was holding the face of a woman in white at the center of the screen, and quickly withdraws his body to the left side of the lens. After the woman in white says something to the man in black, she smiles at him. Then, she quickly turns her head to glance at the woman in red on the left side of the screen, says something, and glances at the ground again. The woman in red on the left side of the screen has been smiling and looking at the man in black. She glances at the left side of the lens and says something, while waving her right hand to the left side of the lens.


In the scene, the waves are rolling towards the camera, and a person is riding a white surfboard, moving to the left side of the frame against the waves. Then, as the surfer attempts to jump up, they are plunged into the sea by the crest of the wave, with the surfboard popping up from the water. To the left of the frame, a person is floating in the sea, filming towards the surfer, following the surfer's movement by turning the camera to the left side of the frame. The camera moves to the left, revealing a house on the seawall to the right of the background.


In the center of the screen is a man wearing a blue jacket, and to the left of the center is a man in a white short-sleeved shirt. Both men are facing the camera with their bodies. The man in the blue jacket at the center of the screen turns his head to the left side of the frame and seems to be saying something to the man in the white shirt. The man in the white shirt on the left side of the screen slightly lifts his head. Then, the man in the blue jacket in the center of the screen slightly turns his body towards the left side of the frame. The man in the white shirt has his left hand in his pocket and his mouth seems to be saying something as well. He then turns his head to the right side of the screen, looking at the man in blue, while simultaneously raising his right hand to point at his mouth. Afterward, he lowers his right hand again. The man in blue on the right side of the screen gently shakes his body, then turns his head to the right side of the screen, rocks his body again, and prepares to walk by turning his body towards the right side of the frame.


At the bottom of the screen, there are many people crowded together. On the right side of the screen is a bus with a red roof, on which there lies a man in black clothes. Suddenly, the camera zooms in, focusing on the back of a man in black who is taking a photo, and then it quickly zooms out to return to the original angle. The woman in the yellow clothes in the center of the screen turns her head to the left. The camera pans down, looking down on the heads of many people. In the end, it rotates slightly to the left and then moves up to the right.


The scene shows a workbench cluttered with metal parts and tools. A left hand approaches from the left side of the frame, holding a circular gear part in the center. Then, the right hand picks up a part from the table on the right side of the frame and places it at the bottom of the gear in the left hand. The metal gear is then taken with the right hand and lifted towards the camera. The camera pans up and to the left, revealing a person in blue and black clothing turning the gear towards the right side of the frame. Subsequently, the left hand holds the gear while the right hand touches the area on the gear closer to the left side of the frame. The left hand then flips the gear towards the camera, with the right hand supporting it, and the camera pans downward. Afterward, the gear is rotated towards the camera and then towards the top of the frame.


The camera captures a first-person perspective from above as the shooter opens the car door, then crouches down, focusing the lens on the upper part of the side of the door. The shooter places their right hand on the right side of the door within the frame and presses a dot on the door several times with their index finger, then raises their right hand, which moves out of the frame from the right side.


In the scene, there is a little boy sitting on the ground, his hands raised with his face turned towards the camera, smiling. The camera moves forward to close in on the little boy, then the boy leans his body to the right side of the screen and moves upwards. The camera follows him, panning upwards. The little boy moves to the back of the frame, holding a cup in his right hand and looking down at the toys in the foreground of the screen.


This is an animation segment. The camera zooms in on a half of a pip-bearing avocado facing the camera, looking towards the left side of the screen. A scent drifts from the right side of the screen to the left. The avocado looks to the right, raises both hands to cover its mouth and nose, then turns and slightly leans towards the left side of the screen, closing its eyes, sticking out its tongue, and waving its hands alternately up and down. It then opens its eyes, looking down to the left, mouth wide open, with the right hand in front of its mouth.


In the center of the screen is a blind man facing sideways to the right of the frame. He holds the upper part of his white cane with his right hand, and the front end with his left hand. The left hand pulls down while the right hand pulls up. Then, the left hand folds the cane while the right hand holds the middle part. Afterward, the left hand pulls the cane outward and folds it again. Subsequently, both hands raise the cane horizontally, with the left hand folding it. In the end, both hands grip the cane, with the left hand above and the right hand below.


A man is crouching on the right side of the frame, holding a container with both hands and spraying it towards the tire on the left side of the frame. He then stands up, his face disappearing from the frame, and with both hands, he circles the tire in a counterclockwise direction, simultaneously lifting his right leg towards the right side of the frame and then lowering it. Following this, the man leans towards the left side of the frame, bends over, and places the container on the ground with both hands. He picks up a brush with his right hand, turns to the tire, squats down, and starts brushing the surface of the tire with the brush in his right hand.


The camera shoots from above, showing the ground. In the upper right corner of the screen, a left fist is placed on the ground, while the right hand holds a flashlight. The handle of the flashlight is pointing towards the lower left of the screen. Then, the right hand quickly moves out of the frame from the top. The camera gradually raises slightly.


In the foreground on the left is a man in black with his hair tied up, and on the right is a bald man in black. They are sitting facing the gambling table with their backs to the camera. In the background, towards the right-middle, a woman in blue is facing the camera. She is looking down at the gambling table with her right hand on the edge of the table. Her left hand is gathering and stacking some scattered yellow-veined chips on top of the middle black-veined chips. Then she picks up the stacked chips and places them on top of the green chips on the left. The camera zooms in, and the bald man in black disappears from the right side of the frame. The man with tied-up hair turns his head to look towards the right of the screen, then turns back to look at the gambling table. The woman in blue turns her body towards the left of the screen, looking in that direction, and uses both hands to push the chips to the left side of the table. The camera continues to zoom in, and the woman's left hand goes to the edge of the table as she bends down, using her right hand to continue pushing the chips to the lower left corner of the table, which gradually become invisible. She straightens up, still looking to the left of the screen, out of view. She then moves towards the right of the screen, her right hand moving on the table. She first turns her head to look down at the table in front of her, then turns her head to look towards the right of the screen. The man with tied-up hair turns his head slightly to the left of the screen, then turns it slightly to the right. The whole scene is played in slow motion.


On the right side of the screen, there is a man facing the camera with his hands placed at the waist in front of his body, saying something. Then he bows his head and squats down, and the camera follows him to shoot the vehicle's tire. After that, he stretches out his right hand and makes several gestures next to the tire.


In the center of the screen is a right hand. The fingertips are pointing towards the left side of the screen, and the right hand is holding dried plant powder. Subsequently, in the background of the scene, a pot placed on a table can be seen, containing a small amount of soup with ingredients. Then, the right hand sprinkles the powder onto the surface of the liquid in the pot.


In the center of the screen, a man in a black short-sleeved shirt can be seen with his hands resting on a wall to the left of the frame, his body facing the left side of the screen. His right hand is holding down a piece of white paper, while his left hand holds a black pen, writing on the paper. The camera slowly zooms in on the man's hands, showing his right hand gripping the pen and continuously writing on the white paper. Then, after the man finishes writing, he takes down the white paper and a small tag below it from the wall. The camera pans to the right, revealing the man's smiling face.


A pufferfish in the center of the frame is eating plants at a relatively fast pace, its mouth constantly moving as it holds the plants with both hands and brings them to its mouth. It then turns and walks towards the top right corner of the screen. The entire background of the scene is the pond where the pufferfish is located.


In the center of the screen, there is a woman in a pink long-sleeved shirt standing next to a car, with her body facing to the right of the screen. The woman's right hand is covered in a green viscous substance and is placed on the hood of the car, while she raises her left hand to touch the car window. She then turns her head towards the camera, facing it, and grabs the green viscous substance with both hands.


In the scene, a person's right hand is holding a small box wrapped in a bag, while the left hand enters the frame from the left side, holding the small box. Both hands tear open the bag, the right hand takes out the small box, and the left hand throws the bag to the left side of the frame and leaves the lens from the left side. The left hand enters the frame from the bottom left corner, and both hands are holding the small box. The right hand knocks on the top of the small box, and both hands rotate the small box clockwise. The left hand knocks on the side of the small box, and both hands continue to hold the small box.


In the scene, a woman wearing a white top can be seen lying on her side on a bed, covered with a white blanket. Her head is in the foreground on the right side of the frame. Her hands are crossed in front of her, partially obscuring her face in the picture. In the foreground on the left side of the frame, there is a mobile phone. As the woman wakes up, she reaches for the phone, slightly lifting her head, and holds the phone with both hands, looking at the screen. Her fingers continuously tap on the phone screen, her gaze fixed on it. Then, she puts the phone down with her right hand, and her left hand returns to the bed in front of her. In the foreground, her head lies back in its original position, and her eyes close. Finally, she pulls her right hand back again, placing it in front of her head, partially covering her face, as she prepares to continue sleeping.


In the picture, there are two women who are closely together, both looking at something inside the box at the bottom of the picture. They both have expressions of surprise on their faces. The woman on the left is holding an item from the box and nods satisfactorily towards the woman on the right, then the two women hug each other.


On the left side of the screen, you can see a woman wearing a purple top. Her left hand is raised and placed in the middle of the screen. She is speaking to the camera, occasionally turning her head to look at some plants on the right side of the frame, with her hand moving over these plants. As the woman talks, her hand also moves rhythmically up and down. Occasionally, she spreads her fingers and makes circles towards the plants on the right side of the screen. In the end, her left hand reaches down to the lower part of the screen, and her head also turns to the right side. She presses down with her left hand on a black sprayer, indicating that the woman is preparing to water the plants on the right.


In the center of the screen, slightly to the left, a man in a gray top is facing the camera from the side with his feet towards the left of the screen. He is seated diagonally on an apparatus, doing sit-ups. His hands are close to his ears as he raises himself towards the left of the screen, then he lowers his hands, points his feet downward, and then leans back towards the right of the screen with his hands close to his ears and his feet pointing upwards. This movement is repeated once more, and the screen ends as the man raises himself again. To the right of the screen, a person in white clothes is standing, waving a red and blue object in their right hand. The camera moves upwards slightly and then shakes a bit. The scene appears to be in an outdoor park with many exercise apparatuses. There are buildings on the right side of the screen and parked cars on the left side.


The scene is captured by a camera on a car moving forward. Both sides of the road are lined with parked vehicles, flanked by buildings. In the center of the screen, pedestrians can be seen walking from the left side of the frame to the right. On the right side of the screen, a red car appears, driving from the right to the left side of the frame and then turning to head in the opposite direction of the camera.


In the center of the screen is a woman's right hand, with the back of the hand facing up and clenched into a fist. The left hand is at the top left of the frame, extending the middle finger to wipe once from right to left across the back of the right hand, then slightly lowering the right hand and retracting the left. Next, the left index finger reaches towards the deep blue eyeshadow on the right side of the screen, rubbing it up and down to collect powder, then lifting the right hand and drawing a stroke from right to left at the top of the back of the right hand. After retracting the left hand, it moves again to the right side of the frame, moving up and down in the purple eyeshadow palette to collect powder, and then draws a short purple line at the very bottom of the back of the right hand. The right arm slightly rotates. The background on the right side of the screen is a palette of many-colored eyeshadows.


A woman reaches out with both hands to embrace the man's neck, and the man faces the woman with both arms raised, lowering the woman's arms. The woman struggles to the right, her left hand extending backward, and the man places his right hand at the waistline while grasping the woman's right hand with his left, as the woman turns her back to the camera. Then, the man seizes the woman's forearms with both hands, lifting them above their heads, facing each other. He then lowers the woman's forearms and pulls them towards her chest. The man turns to the right, and the woman struggles backward. The man pulls the woman to rotate clockwise. The camera zooms out to show both of their full bodies. Then, the woman falls to the ground, and the man squats down, lifting his right leg to extend it to the left, straddling the woman's hips.


In the scene, three people are sitting facing the camera. The person with long hair is looking to the right of the frame and talking, with their left hand raised towards the right side of the frame, their fingertips pointing to the left side of the frame. Then their right hand raises, and both hands extend their index fingers towards the camera, thumbs upright, shaking both hands up and down. The man on the left side of the frame is facing the right side, then turns his head towards the camera, raising his right hand holding a cigarette. He takes a puff, lowers his right hand, and then bows his head towards the camera. The man in the foreground to the right of the lens is facing the camera, then turns his head slightly towards the left side of the frame. In the foreground on the right side is the profile of a blurred person facing to the left of the frame. On the wall in the background, a red decorative rug is hanging.


In the center of the screen, a woman with her back to the camera reaches her left hand to her forehead to remove her swim cap. Her face is turned towards the right of the lens. Then, she turns her head to look straight at the camera, picks up a towel with her right hand, and slightly tilts her head to the right of the screen. She uses the towel to loosen her hair that is gathered into a bun, and wipes up and down the back of her head. After that, she flips her hair up and combs it once with the towel, then wipes the back of her head again.


In the scene, there are two men. At the beginning, the boy on the left, wearing a brown short wig and a deep blue vest, extends his right hand to point to the right side of the picture, then places his left hand on the right shoulder of the boy on the right. He then talks while placing his right hand on his waist. The boy on the right, with black short hair, is wearing a white shirt, his left hand resting on an object outside the right side of the frame, and his right hand is initially raised, then placed on his waist.


The text translates to: "The screen shows a tutorial video for knitting, filmed in the first person perspective. There is a pair of hands on the screen, with the left hand's thumb and middle finger holding the yarn currently being knitted, and the index finger wrapped with another strand of yarn. The right hand holds a crochet hook. Following this, the process and techniques of knitting are demonstrated."