The scene is shot from a first-person perspective. In the center of the frame, a little boy dressed in black is facing towards the left side of the screen. His left hand is holding a shopping bag, and he moves the bag towards the back of the scene. A hand appears from the left side of the frame and reaches towards the right, touching the little boy's left hand. It then moves down to rest on the edge of the car's trunk. The camera slightly shifts to the right, then moves forward. The boy turns his body towards the camera and leans back, raising both hands and then lowering them, before leaning forward.


Shooting with a handheld lens, the lens shakes quite a bit. At the bottom of the frame, a dog appears and moves away from the lens. It then jumps over a barrier standing in front of the door frame with both hind legs, and walks to the end of the room with its tail wagging. Finally, on the left side of the screen, a little girl appears, waving her hands and walking towards the barrier.


In the scene is Curious George, who raises his right hand to a level parallel with his chest, facing the camera slightly to the left with a smile as he speaks. He first makes two sounds with his mouth shaped like an "o," and then he opens his mouth wide. His right hand opens and closes as he talks. The background features a corner of a wall, one part deep green and the other part grey.


On the left side of the screen, you can see a person wearing a white short-sleeved shirt and gray shorts, with their hands in their pockets, walking away from the camera towards the front from the left side of the screen. In the center of the screen, there is a white car with its hood open, and a person in white and a person in black are kneeling in front of the car, studying the internal structure. The camera slowly moves towards the open hood, revealing the two people who were previously bent over the front of the car straightening up. The person in black bends down to look at the car's tire, while the person in white stands upright. The camera moves around in front of the car, showing the person in white kneeling on the ground, leaning over the front of the car, looking left and right, and then leaving from the right side of the screen. The person in black stands up, supporting the car with their right hand, bending over to observe the front of the car.


In the center of the screen, slightly to the left, an old man is sitting facing the camera, talking non-stop. He glances to the left side of the screen with his eyes and then looks to the right side. His arms are resting on the arms of the chair on both sides. Then he extends both hands, first palming outward with a slight nod, and then turning his palms inward, he stretches them from bottom to top and then from top to bottom, drawing a circle as he separates them.


In the center of the screen, a woman in a gray coat rides an electric bike towards the right side of the screen in terror, her hands gripping the handlebars. She speaks first, then stops talking and glances to the left side of the screen. The background is a cluttered slope with trees. The camera follows the girl as she moves towards the right side of the screen.


On the left side of the screen, a curly-haired woman in a suit is leaning on the counter with her left hand supporting her face as she speaks. She first looks to the right and then towards the camera. At the bottom of the screen, there are white words: "You didn't come to see me. It was just on your way." On the right side of the screen, a man in a plaid suit is standing next to the woman, holding a glass of water with his right hand as he drinks. He places the cup down on the counter in front of him, turns his head to look at the woman and speaks. The woman shrugs her shoulders and rolls her eyes, and the text at the bottom of the screen changes to: "Come on, don't be sad." The man continues speaking, swaying his body as he looks to the right, then stands up and turns towards the woman. The woman quickly stands up and looks up at the man, and the text at the bottom of the screen changes to: "I'll come tomorrow. -Really?" The man supports the woman's upper arm with his left hand as he speaks, and the text at the bottom of the screen changes to: "Certainly, Cri-Cri." Finally, the man turns clockwise, and the woman walks from left to right. The background is a light-colored iron fence, and beyond the fence, a hillside can be seen. On the far right of the screen outside the fence, a person in black clothes and a black hat is arranging a piece of cloth.


In the center of the screen, there is a man wearing a short black wig and a white shirt. Look to the right side of the screen where a girl with yellow hair, wearing a school uniform top, is speaking. Then, the gaze shifts to the top right corner of the screen. The girl is facing away from the camera, towards the man speaking in the center of the screen, and then she rotates towards the camera, looking at a man to the right of the lens.


On the left side of the screen, many people are standing, with some facing sideways to the camera, towards the right side of the screen, and others moving forward with their backs to the camera. In the center of the screen, many people are standing, with some facing directly towards the camera, and others moving sideways to the camera, towards the right side of the screen. The camera slowly moves down, in the center of the screen, some people are moving to the left side of the screen with their sides to the camera, and others are moving to the right side of the screen with their sides to the camera. On the left side of the screen, two people are moving forward with their backs to the camera, and two people are standing sideways to the camera, facing towards the right side of the screen. On the right side of the screen, four people are standing sideways to the camera, facing towards the left side of the screen.


In the scene, there are two people. A little girl is in the bottom left corner of the screen, facing the camera. As the camera moves to the left and down, the little girl turns to the left side of the screen with her hands on her abdomen, then raises her hands and makes a lowering gesture towards the left side of the screen while looking up at the camera. On the right side of the screen is a boy who also faces the camera, and his right hand is scratching his back in a backhanded manner. In the scene, a group of people are having a meeting. On the left side of the screen, close to the camera, a person in black clothing with their back to the camera is only half visible. On the right side, close to the camera, a person in white clothing is also only half in the frame, with the foreground blurred. In the distance, from left to right, three people are sitting, facing slightly to the left of the screen. The person in the middle holds a document with both hands, appears to be saying something, then waves his right hand twice, raises it to adjust his glasses. To his left is a person in black clothing, looking down at the document with their head tilted to the left, and their hands crossed at the fingers.


On the left side of the screen is a cartoon character wearing a red outfit and a red hat, smiling and stretching out both hands while walking towards the center of the screen from the left to the right. At this moment, a small bird appears on the right side of the screen and flies towards the person's outstretched hands in the middle of the screen. Then, the cartoon character looks down to the right at the bird, holding it with both hands and moving towards the left side of the screen to the chest. The camera zooms in, and the character closes their eyes, turning their head to the right and pressing it against the bird. Then, they turn their head to look down to the left of the screen and speak, still holding the bird with both hands and moving it downwards. Occasionally, the bird flaps its wings. The background of the scene is a yellow building.


Close-up shot, the scene is a grassy field. In the center of the frame sits a girl in a red shirt, and on the right side of the frame, a girl in a white shirt is crouching. The girl in the red shirt, after putting on her right sock, supports herself with both hands on the ground and stands up, pointing to her toes with her right finger, then alternates tapping her left and right feet. The girl in the white shirt first pulled on her left sock, then knelt on her left knee and pulled on her right sock, before standing up and pulling down the hem of her shorts.


The scene is shot from a first-person perspective with a close-up of a bicycle. The camera lens slightly shakes, then moves down to the left, as the shooter walks forward, followed by a slight left turn of the lens.


The scene on the screen shows a classroom. On the left side of the screen, a woman with black hair is holding a trophy with both hands and looking to the left of the screen while speaking. To the right of Huai'an, a girl with twin ponytails touches her own ponytail with her left hand, then holds her ponytail with both hands and brings it forward. She then neatens the right ponytail with her left hand, combs her ponytails with both hands, spreads her arms open, and looks to the left of the screen while speaking.


In the center of the screen, a man wearing a black hat backwards and a floral shirt is facing the camera, chatting with a tall woman with long hair who has her back to the lens. She is carrying a pink bag and wearing a striped skirt. The man is speaking first, leaning against the front of a gull-winged car with both hands spread out. Then he waves his right hand, and finally brings both hands together in front of him to listen to the woman. The woman first raises her left hand, then her right hand, and finally spreads both hands out and then lowers them.


Close-up shot. In the center of the frame, slightly to the right, a man is sitting, facing to the left of the screen, with his side profile visible to the camera. The man's right hand is holding a mouse, and his left hand holds a pen near the ESC key on the keyboard. The camera pulls back and tilts up, revealing a woman in a gray-green shirt behind the man, who takes the mouse from his hand and operates it with her right hand while speaking. A woman in bright purple clothing appears on the right side of the frame, holding a cup of coffee, and looking towards the lower left corner of the screen, in the direction of the computer monitor. The man then speaks, looking at the woman in gray-green. After glancing in the direction of the woman in bright purple, the woman in gray-green stands up, points to the computer screen with her right index finger, then places her hand on the man's right shoulder, nods towards the woman in bright purple, and finally looks back at the computer screen, while the man and the woman in bright purple make eye contact.


In the foreground of the scene, there are two people. On the left is a girl wearing a white top, and on the right is a man in a dark suit jacket. On the left side of the background, a person in a black top can be seen, but her face is not visible. The man initially stares to the left of the scene, slightly shaking his head. The girl turns her head to the right side of the frame, looking at the man. The man widens his eyes and raises his eyebrows, appearing quite surprised. He also turns his head to look at the girl in the white top on the left side of the scene, then he turns his head back to the camera, repeating this several times, with something spoken from his mouth. Then he reaches out, seemingly placing his hand on the girl's waist, attempting to lift her up. He raises the girl, moving her towards the left side of the scene.


The girl on the right side of the screen is sitting behind the table, smiling and talking to the girl on the left side of the screen. The girl on the right has her hands spread out, palms up, in front of her body, then she slaps the palm of her left hand with the back of her right hand, closes her eyes and nods slightly, then raises her right hand, pointing to the girl on the left side of the screen with her index finger, and finally lowers both hands. The girl on the left side of the screen is sitting in front of the table, with her back to the camera.


On the left side of the screen, a magenta flower opens towards the upper right corner of the frame. Immediately, the scene changes, and a light purple flower sways in the center of the screen. Then, the camera zooms out and slowly moves towards the lower right side of the frame. On the right side of the screen is the yellow stamen of a pink flower. Following this, the scene switches again, and a large red flower appears in the center of the screen.


A man in uniform stretches out his right hand to signal the crowd to step back. A man in a white T-shirt turns his head to the right and looks over before turning to the right. At this moment, a man in a fedora opens the car door with his left hand, bends down, and steps out. He then faces the camera with his back to the door, and after getting out completely, he places his right hand behind his back and walks to the left. He then closes the car door with his left hand, facing the camera. At this time, a man in a suit gets out of the driver's seat, pushes the door open with his right hand. After stepping out, he closes the car door with his right hand, turns to the left, and walks forward, finally reaching his right hand into the inside of his left chest.


The background of the scene is a room, with four children and an adult in the frame, all facing the camera and looking towards the lower right corner of the image. In the foreground, there are two blond boys, with the one on the left wearing red and the one on the right wearing blue. In the background, there are three people: a little girl in red on the left sitting on the bed, a middle girl standing, and an adult on the right wearing a grey short-sleeved shirt and black shorts. The adult in the grey clothes on the right of the background steps forward, then the camera moves down slightly, and the boy on the left in the close-up turns his head to look to the right.


In the scene, you can see a man in a white shirt on the right side of the screen. He is bending over to install a green tent in front of him. The tent is on the left side of the screen, and his hands are working on a support. Then, it seems like his ear has been bitten by a mosquito or a small insect, and he quickly raises his left hand to scratch his ear while waving it. His right hand remains gripping the tent support. The left hand is put down again, fiddling with the support on the ground. Then, a right hand holding a tool appears from the left side of the screen, seemingly helping the man install the tent. The man in the white shirt extends his left hand to touch the green tent, as if checking something. The hand from the left side also grabs the side fabric of the green tent and lifts it up. Then, the man in the white shirt bows his head down again, fiddling with the support, seemingly trying to connect it to a piece of fabric in the lower right corner of the tent. He uses his left hand to grasp the fabric in the lower right corner of the tent and pulls it down hard, as if he wants to use the support in his right hand to press it down.


In the scene, there is also a man wearing pink pants standing still, facing the camera, and looking towards the lower right of the frame while speaking. To the right of the frame stands a man in a dark striped shirt, facing left, with both hands raised to his chest. The man on the left slightly spreads his hands outward and waves them, then looks to the right of the frame, extending his left index finger to point to the right side of the screen. The person on the right lowers their hands, and the camera slowly moves towards the right of the frame. The setting is indoors, with a light brown countertop on the left side of the frame, which is cluttered with various items. On the right side, there is a blue refrigerator, and at the lower left, there are tables and chairs, with tableware and food placed on the table. In the background, there are shelves filled with kitchenware, and both the floor and the walls in the background are blue. In the upper left corner of the frame, there are transparent gray letters on a transparent background.


A woman with long brown hair, wearing a gray top, blue jeans, and black cylinder boots, is carrying an armful of wood. She walks from the right to the left of the screen, coming out of a transparent greenhouse on the right side of the frame. As she reaches a brown path on the left side of the screen where a wooden basket is placed, she turns and walks away with her back to the camera. In the foreground, many trees can be seen surrounding the area, and to the left of the transparent greenhouse entrance, there is also a blue cylinder.


In the scene, initially, one can see a person in black clothes on the left side of the screen. His right hand is holding a pen, with the tip placed on the blackboard on the right side of the screen. He is speaking, looking towards the left side of the frame. The camera slowly zooms out, gradually revealing a person on the right side of the screen. It is a girl in a red dress, who is looking at the man on the left side of the screen. The man in black is smiling while talking to this girl. With the pen in his right hand tapping on the blackboard, he slightly shakes his head as if pondering something. The camera zooms in again, focusing on the man, making the woman on the right side of the screen no longer visible, and the man continues to point at the blackboard with the pen while speaking. Finally, the camera zooms out again, revealing the girl on the right side of the screen and another man in a gray shirt behind the man on the left. The man in black continues to speak to the girl in red, while the man in the background with the gray shirt writes something on the blackboard.


The following is a translation of the Chinese text into English: "The scene is shot from a first-person perspective. At the beginning, in the center, sitting on a white chair, is a woman in a black skirt, facing the direction of the camera. Her left hand holds a piece of black cloth. Her right hand grips the other end of the cloth, lifting it up and shaking it flat. Then, the corner she is holding with her right hand drops, and she picks it up again with her right hand. Subsequently, the woman stands up towards the direction of the screen, lifting both ends of the cloth to a level parallel with her shoulders. In the background of the scene, you can see a glass table on the left."


In the center of the screen, a black-haired man in a black suit is standing facing the camera, with his head slightly turned to the left side of the frame, and his left hand holding a skateboard vertically. To the left of the screen, a curly-haired man in a light gray suit is facing the camera, his left hand gripping his right elbow, and his right hand also holding a skateboard vertically, with his right leg in front of the left, turned to the right, and toes touching the ground. On the right side of the screen, a man wearing a tie is facing to the left of the frame, his right hand also holding a skateboard vertically, and his left hand in his pants pocket. Suddenly, they all turn their heads towards the camera, the man in black opens his mouth and runs to the left side of the frame. The curly-haired man drops his left hand, moves his right leg to the left, and runs to the left side of the frame with his head down. The man with the tie takes his left hand out of his pocket and also runs to the left side of the frame. Their movements are all slow, and they eventually leave the frame from the bottom left corner. The background features fences and large steel structures.


The video is shot with a handheld camera. On the left side of the frame, the shooter's left hand is on the door handle, pushing the door open. A yellow puppy is standing on the ground outside. It then approaches the door and stops. The shooter then releases their left hand and steps back, and the door starts to close. The yellow puppy approaches the door again, walking up to the door gap. Subsequently, a person wearing a blue and white top and black pants enters the frame from the right side, raising both hands forward and walking towards the door.


The boy on the right side of the screen is sideways to the camera, facing towards the left of the picture. He holds a yellow bowl with both hands up to his mouth, eyes slightly closed, lowering his head to drink from the bowl, while gradually lifting the bowl upwards, and his head also raises gradually.


In the frame, three people are running towards the left side of the screen in the direction of the camera. The girl and the little boy closest to the lens disappear off the left side of the screen. Then, the little boy in blue clothes, who is farther from the lens, runs towards the upper left of the screen and also disappears off the left side. The camera slightly turns to the left.


The screen is a black background, with a landscape orientation on the left side of the screen. On the left side of the screen, a man in black is smiling and speaking, looking towards the right side of the screen. Then he raises his eyebrows, looks up to the left and then back to the right side of the screen, occasionally raising his eyebrows and winking. In the background, there is a half-open white glass door. Then the scene on the landscape screen changes. On the left side of the screen, a black man in a patterned maroon coat is looking towards the right side of the screen and speaking, slightly nodding his head. He occasionally raises his eyebrows and blinks. Then he looks to the left side of the screen to speak, and then looks back to the right side, raises his eyebrows, and continues speaking. Behind him, there are three tools placed, and on the right side of the screen, there is a poster. On the right side of the overall screen, there are many capitalized white letters that move at a uniform speed upwards, appearing from the bottom right of the screen and disappearing at the top right.


In the center of the screen, slightly to the right, is a dark-skinned man wearing a white sweater with green stripes and a brown duckbill cap. He is sitting facing the camera and talking. At first, he looks to the left, then suddenly he raises his right hand and looks towards the camera with wide eyes. The background is a brown wall, with a painting hanging in the upper left corner. In the lower left corner, the white blurred text "BILL DUKE ACTOR, PREDATOR" gradually becomes clear.


The scene shows a first-person perspective in the woods with a flashlight on, and the camera keeps shaking, revealing the feet of the person shooting below. Then, the feet of another person and their outstretched left hand on the left side of the screen are shown.


The man standing on the right side of the screen bends down to fiddle with the camera, then raises it to his eyes, turning towards the upper left front of the frame at the same time. Meanwhile, the woman on the left side of the screen looks up, tilting her head towards the right side of the frame, then to the left, and subsequently opens her eyes to turn towards the man. She then looks down to the bottom of the frame, and then towards the upper left front. As the man lowers the camera to look at the woman, she tilts her head to the right side of the frame, closes her eyes, and faces towards the left side of the frame. The man looks towards the upper left front of the screen.


In the center of the screen, there is a black motorcycle, and on the right side of the screen, there is a man. The camera zooms out, showing the man's body facing to the left of the screen as he stretches out his right hand to turn on the motorcycle's headlight. After that, he turns around to face the camera, bows his head, and points to the motorcycle light with his right finger. The man walks towards the left of the screen while the camera simultaneously zooms in on the motorcycle.


The camera moves from bottom to top, revealing a man dressed in a white buttoned-up martial arts uniform standing on the right side of the frame. He holds a white piece of paper with both hands and spreads it open, talking while facing to the left of the screen. Initially, he has a smile on his face, which suddenly changes to an expression of surprise. On the left side of the frame, there is a mirror reflecting the right side of the man. In the bottom right corner of this mirror, another man with no shirt can be seen lying on a bed. As the man in white shows surprise, he sits up from his lying position, and the white-clad man looks towards him. The camera slowly pans to the right, passing a pair of red couplets hanging on the grey wall at the back and a yellow blanket with blue and black stripes. The shirtless man enters from the bottom right of the frame, and you can see he is wearing a gold necklace around his neck. The man in white shows him the paper in his hand, and he sits up on the bed, covering the injured part on the upper right arm with his left hand and placing his right hand on his abdomen, looking at the paper while talking with a look of confusion. With his right hand, which has a ring on the middle finger, he takes the paper from the man in white. Then he sits back down on the bed, which is covered with a red sheet, and the camera gently follows him.


This is a video taken beside the beach. In the frame, a man wearing a white shirt has his back to the camera and is running towards the sea in the background with a surfboard in his right hand. Suddenly, the scene shifts and a man in a black shirt appears on the left side of the frame, holding a surfboard in his left hand and slowly walking towards the right side of the frame. Finally, two men are seen sitting in the center of the frame; the man on the left is sitting on a blue cloth chair and turns his head to look towards the right side of the frame, while the man on the right, wearing a white shirt, is sitting directly on the sand with his hands on his knees.


The camera shows a man with sparse black hair, dressed in dark clothing, speaking to a woman on his left. The woman's face is not visible, only her curly hair can be seen. The man glances slightly down at his hands, which he raises slightly in response, then he redirects his gaze back to the woman, staring at her and slowly moving his face a bit closer to hers with a frown and an expression of impatience, continuing to speak to the woman. His head tilts downward to the right, then suddenly snaps up, his eyebrows lifting slightly, his eyes becoming vague, and he blinks once before continuing to speak to the woman. He also shakes his head slightly while talking, using his expressions to convey his impatience or unhappiness. He blinks slowly once, then raises his right hand. It seems he places his right hand on the woman as he leans his body towards her, getting even closer this time, before continuing to speak to her.


In the frame, the photographer is holding an incomplete ball of green yarn in their left hand, with green threads wrapped around their left index finger. The right hand holds a tool with a yellow handle, and green threads are wrapped around it. The front end of the tool has a curved hook. The photographer then pushes the tool to the left and uses the curved hook at the front to hook the threads wrapped around their left index finger, pulling it back to complete the knitting. We can see that there is still a blue paperclip on the unfinished knitted item. The photographer then passes the tool through the knitting again.


On the right side of the screen is a foreign woman wearing a black top with brown long hair. She is facing the camera, holding a small yellow cup containing liquid in her left hand and a spoon in her right hand. She is looking to the left of the lens while speaking, then glances at the yellow cup, and continues to look down at the bottom of the screen while speaking. She then smiles, occasionally looking down at the bottom of the screen and to the left of the frame. The background is a kitchen with wooden decor.


The video is shot from a first-person perspective inside a car, moving slowly forward. In the center of the frame, there are several antelopes, with some of them walking towards the left side of the screen. The camera tilts to focus on one antelope on the left side of the frame and follows it as it moves. In the end, three antelopes are seen running to the left. In the background, there is a road in the center, flanked by grasslands on both sides.


In the scene, two people are sitting inside a moving car, facing to the left of the picture. Outside the car window, there is a continuously retreating green belt. Closer to the camera, a woman with short dark brown hair, wearing a black top, has her right hand flat in front of her and is speaking. Then she clenches her right hand into a fist, raises it upward, and subsequently withdraws her hand, turning her head to look at the man in the blue top. Afterward, she turns back, looks ahead, and smiles. Further from the camera, a man wearing a baseball cap and a blue top raises both arms forward with a smile on his face. When the woman in the black top turns to look at him, he starts to speak.


In the right side of the screen, there is a hand holding an orange hook, on which hangs a green woolen woven basket. On the left side of the screen, a hand picks up the green wool from the pile on the table on the left side of the screen and wraps it around the hook held by the hand on the right side. Then, the hand on the right side pulls the hook to the right and begins to weave.


A group of people are gathered on the road, walking towards the left side of the frame. In the center of the scene are several policemen wearing fluoro yellow jackets. To the left of the police, a person in blue clothing is riding a bicycle, raising their right hand to take a photo in the direction of the police, then retracting their right hand and gripping the bicycle's left handlebar with their left hand, turning the bicycle to the right, and then facing the left side of the camera with their right foot on the pedal. To the right of the man in blue, a person with a black backpack has both hands raised with a camera, standing behind the police. He stops, and as the policemen in the middle continue to walk forward, he retracts his hand holding the camera, turns his head to the right, and then walks towards the upper right corner. On the right side of the frame, there is another group of people following the police, walking to the distant right, with some of them still taking photos and videos of the policemen in their fluoro yellow shirts.


At the center of the screen is a little boy wearing a black short-sleeved shirt, with his right arm stretched out and his left hand behind his head, looking in the direction of the camera. He then lowers his hands, looks towards the bottom left corner of the screen and stirs something, suddenly extending his left hand with five fingers towards the camera, nodding while looking towards the right side of the screen. To the right of the screen is a woman in black moving to the right, leaving the camera's view.


In the foreground on the left side of the screen, there is a gray wooden box placed. In the center of the screen, close to the camera, a boy wearing a red plaid shirt and carrying a gray backpack stands still with his back to the camera. In the center of the screen, farther from the camera, a woman in a black shirt and white apron stands facing the camera, her head tilted to the right side of the screen, with her hands clasped in front of her, speaking. On the right side of the screen, a man in a black suit stands facing left, speaking, then raises his left hand and waves it forward, before bringing it back in front of his body with both hands extended, palms facing each other, and then slowly crouching down. The camera then pans to the right, and a dazzling white light appears in the background. In the center of the screen, there is a black movie camera placed. On the right side, a man in a gray shirt sits facing left, with his right hand extended and resting below the movie camera, leaning forward with his eyes close to the camera, then he straightens up and starts speaking. In the background, a man in a white shirt stands facing the camera with both hands raised, holding a black pole horizontally.


On the left side of the screen, there is a woman sitting in a chair, with her right side facing the camera. She reaches out with her right hand to take a pen from the table, places a piece of paper in front of her, and starts to write on it. She then twirls the pen and supports her left cheek with her left hand. On the right side of the screen, there is a man sitting in a chair, who then stands up and walks towards the right side of the screen.


The scene is a clip from an animated film. At the beginning, there is a green cartoon character with a mustache and wearing a red outfit facing the camera directly. He approaches the camera, talking and pointing to the right side of his head with his right index finger, then continues to gesticulate with both hands, and moves closer to the camera again. The background of the scene is an indoor setting with three brown barrels placed in it.


Close-up shot. In the center of the screen, a woman in a windbreaker is walking towards the camera. She holds a passport in her left hand with a document clipped to it, which she holds in front of her abdomen, then lowers her left hand. The camera then moves up to focus on the woman's face. The woman continues to move towards the camera, with a slight shift to the left in the frame, moving her to the right side of the screen. The camera stops and pans to the right, then moves to the woman's back. The woman approaches a reception desk and hands over the passport and document in her left hand to the woman at the desk. The woman at the desk, facing the camera, looks down at the document in her hand, rotates it with both hands, and then looks up at the woman in the windbreaker and nods several times. The woman in the windbreaker on the right side of the screen taps the reception desk with her left hand.


In the foreground on the left side of the screen is a girl in a red shirt and a boy in a yellow shirt, both looking at the computer together. The girl then raises her right hand, adjusts her glasses, and makes several hand gestures while continuously speaking to the boy in the yellow shirt. She then scratches her neck. In response, the boy in the yellow shirt verbally acknowledges her, and after the girl in the red shirt hears his response, she nods her head. To the right and slightly further back in the video is a man wearing a brown hat, who is continuously marking on his tablet with a pen. In the background at the center, there are also a man and a woman discussing, with their backs to the camera, engaging in continuous verbal and physical communication.


The scene is shot from a first-person perspective. At the beginning of the video, the main subject is holding an orange needle in their right hand and a white needle in their left hand, with a blue marker hanging from the knitting. Then they use the needle to thread the yarn through. While the yarn is against the knitting, they pause for a moment before the right hand disappears from the frame. The left hand holds the knitting and the orange needle.


On the left side of the screen, a man in a black short-sleeved shirt is bending over to the left in front of the camera, looking towards the right side of the screen. With his right hand, he closes the car door, while his left hand occasionally taps the body of the black and red car at the center of the screen. He walks towards the camera and then towards the right side of the screen. The camera moves to the right, and at the center of the screen, there is a black and red car with its front facing towards the left of the background. The man's face is partially visible, facing the left side of the screen, and his right hand reaches to the left side of the screen, sliding along the back of the car. Then, his right hand extends an index finger to point towards the left side of the screen and swipe, before retracting. The left hand holding the keys appears on the right side of the screen, and the camera moves down and zooms in. The scene changes, and the man is now on the left side of the screen, bending over and facing the right side of the screen. At the center, there is a black and red car with its front facing towards the right of the background. The man's right hand, holding the keys, reaches towards the right side of the screen and opens the trunk. The screen slightly moves to the left, and he then straightens up, lifting the trunk with his left hand while his right hand retracts. Then, he points to the right side of the screen with his right index finger, followed by his left hand extending the index finger to point towards the lower right corner of the screen, and the camera zooms in.


In the upper right corner of the screen, there is a kite. In the lower right part of the screen, an airplane is moving towards the upper left of the frame. The camera moves to the left, and then the bottom of the plane faces the camera and moves towards the left side of the screen. Following this, the camera continues to move left, and the airplane moves away gradually in the opposite direction of the screen's lower half and the camera, flying towards the center top of the frame. The camera gradually lowers to capture the ground. In the lower right corner, a woman is walking sideways to the camera, heading towards the right edge of the screen and eventually leaving the frame from the right edge. At this point, the scene is a beach by the sea. The camera moves to the left, and then the screen shows a vast expanse of the ocean.


A woman in a red dress is sitting towards the camera, holding a white and gold mask with both hands, surrounded by green plants. The camera moves upwards, gliding over some green leaves in the lower left corner of the foreground. The woman in the red dress turns her head to look towards the right side of the frame, smiling with her teeth showing, then she slightly bites her lips and laughs again. The camera moves down, slightly shifting to the left at the same time.


In the center of the screen, there is a male wearing a gray work uniform. Initially, he holds a black circular object in his right hand, then switches to holding it with his left hand. Afterwards, the camera moves down, and the male at the top of the screen points to the bucket in the center and provides an explanation. To the left of the screen are some cleaning tools. Finally, the camera tilts up, and the male in the center of the screen raises his right hand to explain to the camera. At this moment, in the background on the left side of the screen, there is a parked black car, and on the right side of the background, a staff member is washing a vehicle with a water gun.


A naked baby on the right side of the screen is looking to the right and holding onto the bottom of the table with its left hand. The camera pans to the left, the baby glances at the camera, releases the table with its left hand, grabs the table with its right hand, and moves towards the right side of the screen.


The screen shows a man wearing a gray sweatshirt running from the right side of the screen to the left. He runs through a building full of pillars. While running, he also glances to the right side of the screen. Sometimes he sprints, sometimes he slows down, and finally, he enters a blue door on the left side of the screen and disappears.


The scene is in first-person view, shooting downwards from the driver's seat. Through the hollow of the steering wheel, both feet can be seen; the left foot is pressing the clutch, while the right foot gently taps the brake. The camera lens is slightly shaky, then it turns to the right as the right hand adjusts the gear lever. The lens slightly turns left again as the hand pats the thigh, followed by the right hand reaching for the gear lever once more.


The scene shows a video taken from a first-person perspective. At the beginning, a left hand places a white card on the table. Then, the left hand picks up a yellow bag from the left side of the table, shakes it, and puts it down on the table, taking out the contents.


In the center of the screen, a piece of raw meat is designed. To the left of the center is a person wearing a pink apron, with a knife in their left hand and supporting the meat with their right hand. The left hand raises the meat upwards with the knife, while the right hand moves to the right side of the screen to turn the meat. The left hand slowly cuts the meat in the center of the screen with the knife, while the right hand on the right side of the screen grasps the meat and spreads it out flat.


The scene in the image is a clip from an animated film. At the beginning of the scene, in the center, there is a person kneeling on the ground wearing a blue shirt and blue pants. On the left side of the screen, this man in a black, red, and green short-sleeved shirt is sitting on the steps, with a house behind him. To the right at the back, there is a monkey draped in a blue cloak, with its back to the camera, facing the two men, and lifting its left hand while its right hand is on its hip. Then, the monkey runs to the right side of the screen and disappears from view. The man in the red shirt in the scene is saying something to the man in the blue shirt on the right, and he stretches out his right hand. Immediately after, the man in the blue shirt looks to the left side of the screen at the man in the red shirt, and nods in agreement.


On the right side of the screen, a hand wearing gloves moves upwards, and the camera pans to the right. As the hand rises, it reveals that it is holding a wooden board covered in bees. The board also moves upwards towards the top of the screen. At the bottom of the screen, a bee flies to the left and exits the frame from the bottom left corner. Then, as the board moves, the camera also shifts upwards, with many bees flying across the screen. The board eventually leaves the frame at the top edge.


On the left side of the screen, a man wearing a red apron stands sideways to the camera, facing the right side of the screen with his eyes widened. On the right side of the screen, a bearded man stands sideways to the camera, facing the left side of the screen and speaking emotionally. He turns his head counterclockwise to look at the right side of the screen and then turns it clockwise to look at the left side while speaking. Afterward, he turns his head counterclockwise again to look at the right side of the screen.


In the scene, there are two elderly men. The one on the left is wearing a suit jacket with a fine green and white checkered pattern, a white shirt, and a solid blue tie. His body is facing the camera, but his gaze keeps looking to the left side of the screen. His left hand is raised in front of his chest, constantly gesticulating as he talks. Suddenly, he twists his head to the right side of the screen, then quickly looks back to the left. On the right side of the screen, there is another elderly man wearing a brown suit, facing him, watching quietly without any movement, occasionally blinking his eyes. The camera direction shifts to the other side, to the left of the man in the green and white checked shirt. At this point, the man in the green and white checked shirt is closer to the camera, and his wide-eyed expression and left-handed gestures can be seen as he keeps talking. The man in the brown suit jacket quietly watches him without making any movements. The background is a forest overgrown with weeds, and behind them, one can see red bricks covered in moss.


In the scene, two people can be seen. On the left side of the screen is a woman wearing a black top, and on the right side is a man in a gray sweater. They are both looking to the left side of the screen together. The woman is smiling, and the man's left hand is on the frame of his glasses. The man adjusts his glasses and then lowers his left hand, placing it flat in front of him. The camera slowly zooms out and pans to the left, revealing that they are both lying on a bed, staring at the screen of a laptop placed on the left side of the frame. The man is speaking with his mouth open, and then he adjusts his position. The woman also crosses her fingers and supports her chin. The man gently taps the bedsheet with his right hand, while the woman slightly tilts her head and adjusts her posture. Both of them are fixated on the screen of the computer.


In the lower left corner of the screen is an open box facing the camera, containing green clothing inside. In the upper right corner is a right hand with pink fingernails holding the right side of the box, and in the lower left corner is a left hand with pink fingernails holding the left side of the box. After both hands support the lid of the box, the right hand opens the upper lid. To the right of the screen, there is a doll facing left, dressed in pink and orange clothing. There are also several other dolls in the background.


Animated short film. On the left side of the screen, a monkey moves towards the right side of the frame with its back to the camera. Then, a bird appears in the top right corner, lands on the railing in the center of the screen, and folds its wings. The monkey stops when it sees the bird. Then, the monkey stretches out its right hand index finger to point at the bird.


The scene is set in a dimly lit indoor environment, with the camera slowly moving upwards to the right. A curly-haired woman appears from behind a shelf in front of the lens. She faces the camera, her gaze fixed intently on the right side of the frame, and slowly walks towards the right side of the screen.


There are two people standing on the left side of the screen. The woman on the far left is wearing a yellow top, facing the camera, and looking to the right of the screen as she speaks. She is leaning against the wall, her right hand touching her hair, her left leg slightly bent. Then she opens her hands to make a gesture, and after lowering them, she raises them again to make another gesture, followed by placing her hands together in front of her chest. The other person is a man wearing a yellow hat, facing to the left of the screen. His right leg is bent and placed in front of his left leg. The camera is slightly shaking, and there is a wall in the frame, with trees and red and white buildings in the background.


In the center of the screen, a white camel is lying on its side on the ground, facing the background of the scene. Its head is upright, its hind legs are trembling continuously, and its tail is swinging. Then, with a struggle, it raises itself up to the right side of the screen, crouching on the grass. Its head is turned to the left of the scene, and the tail is still swinging. The camera is a bit shaky. In the left background, two people can be seen walking towards the right side of the screen. In the middle and right parts of the scene, there is a wooden structure, and on the right side, part of a blue vehicle is visible.


The scene is set in a kitchen, where a white woman wearing a pink apron is facing the camera with her hands extended at her waist, pointing down to the cutting board below. In the lower part of the frame is a cutting board, in the middle of which there is a plate with a brown piece of bread on it. To the left of the cutting board is a pair of tongs and a knife, with the tongs on the left and the knife on the right. The woman then begins to speak, pointing to the plate with both hands, slightly bowing her head to look at the cutting board below the frame. She picks up the tongs with her right hand and transfers them to her left hand, then picks up the knife with her right hand. The camera then moves closer to the plate, centering the frame on the plate. The woman in pink gently rotates the plate with her hand, using the tongs in her left hand to hold the bread, and the knife in her right hand to cut the bread.


The center of the screen is a close-up of a large lobster, with the camera gently shaking. Behind the table, a person in black clothes can be seen. You can see her wipe her hands on the towel on the table, and then the camera starts to zoom out, revealing the upper body of the woman.


The main subject of the scene is a woman, who is positioned at the center. Her gaze is directed to the left side of the frame. As she speaks, she blinks once, revealing a smile, then glances at the camera, blinks again, and slightly closes her lips. Her gaze shifts to the lower left corner, where she remains silent for a moment before looking back at the camera and opening her mouth to speak again.


In the frame, one can see a person wearing a plaid shirt playing the guitar. Their body is facing the camera, but only the upper half of the body is captured, and the head is not visible. Their left hand grips the neck of the guitar, and as they continue to play, the left hand moves to different positions, using different fingers to press the strings. The right hand holds a pick between the thumb and index finger, strumming the strings.


A man in a green sweatshirt is squatting on the ground, facing sideways to the camera, towards the right side of the screen, talking to the camera with a red car behind him. The man is holding a green rag in his right hand, with both hands spread out, palms facing forward, pushing forward, gesturing as he speaks.


In the center of the screen, the girl in blue raises her right hand high, clutching a bunch of balloons, while her left hand waves as she keeps running forward. On the left side of the screen, the girl in dark blue alternates between her hands, waving them as she runs forward. The girl in white on the right side of the screen also waves her hands and runs forward. Subsequently, the camera gradually moves to the left, and the girl in white disappears from the frame. On the right side of the screen, the girl in blue raises her right hand, holding onto the balloons, and continues to run. The girl in dark blue on the left side also keeps running. Then, the camera moves to the right, and the girl in white reappears in the frame, continuing to run. While the three of them maintain their running, the camera shifts to the left, capturing their profiles from the left side.


A white woman and a black woman are hugging and spinning around, engaged in continuous conversation throughout. In the background behind them, the LED sign of a store is visible. The white woman is carrying a bag on her back.


A girl is sitting on a mat facing the camera, looking down at the center below with her head bowed, holding scissors in her left hand and cutting a piece of red cardstock held in her right hand. After cutting for a bit, she slightly raises her head towards the upper right corner of the frame.


In the scene, both hands are holding a red and white woolen sphere, then the left hand uses the thumb and the other four fingers to grip the sphere in the lower left corner of the screen, while the right hand continuously taps the top of the sphere with the index finger, and then a tool with a black head is brought in from the upper right corner of the screen.


A left hand moves upward from the bottom of the screen, with the back of the hand facing the camera, the middle finger raised. It first turns to the right side of the screen, wobbling back and forth towards the camera, then turns to the left side of the screen, wobbling back and forth again. After that, it turns towards the camera, moving laterally to the bottom of the screen and out of the camera's view.


The camera angle is tilted downward, looking upward, with trees in the background. In the foreground, in the center is the trunk of a tree. On the right side of the frame is the right arm of a person wearing a red plaid shirt. He places his right hand on the trunk and gradually moves it downward, with the camera following the movement.


On the right side of the screen, a woman is holding a baby and walking towards the left side of the frame. The camera continuously moves to the right and gradually zooms out. On the left side of the screen, the sea and the setting sun appear.


A white-bearded old man dressed in a green coat holds a pen in his right hand, gently scrapes the pen on the ink bottle on the left side of the picture, and then bends slightly to start writing. His left hand is resting on the desktop. The flames in the lower left corner of the scene are flickering.


A woman standing on the left side of the frame looks across at the man opposite, glancing down and then lifting her gaze to look at the man. Her body leans to the left and then to the right. At the same time, the man on the right speaks with his back to the camera, his body slightly inclined to the right.


From the right side of the screen to the upper left side is a shoe rack. The camera moves upwards, and on the left side of the screen, a woman in a black vest is pushing a shopping cart forward, looking towards the shelves. The camera then moves down and up again.


The camera lens turns to the right, and in the center of the screen, slightly to the right, a crouching little girl stands up, then turns around and walks towards the direction of the camera lens. Her hands, which were originally on the right side of her body, are now in front of her body.


In the center of the screen, a man in yellow clothing faces the bottom left corner of the screen, his right hand pulling open the refrigerator door on the left side of the frame, saying something to the little monkey below the screen. Then he spreads out his right hand, and the little monkey, facing left, holds a notebook in its left hand and looks back up at the man.


The old man standing on the right side of the frame spreads his hands open as he speaks to the woman sitting on the left side of the frame, simultaneously lifting both hands. The woman looks down at the ground, and then the old man lifts the sleeve of his right arm to look at his left wristwatch and shows it to the woman. The woman immediately looks at the old man, and then the old man lowers his hands and continues speaking. The woman raises her head to look at the old man, occasionally nodding. Afterward, the old man retracts his right hand and then extends his right hand.


The scene is a close-up shot of the hands, with the right hand holding a needle and pulling it to the right side of the screen, then hooking it onto the fabric held by the left hand. The thread is wrapped back and forth as it moves towards the upper right corner of the screen, while the left thumb holds the fabric in place.


The screen is initially filled with a gray sweater, which is then moved to the side of the frame by a woman in a yellow shirt with both hands, later only holding the sweater with her right hand.


The video is in slow motion, with the center of the frame showing a person in black clothes standing facing the right side of the screen. The person is holding a plate in their left hand and a fork in their right hand. The camera pans to the right side of the screen, and the person takes a few steps to the left. With the fork in their right hand, they stir the food on the plate. Then, the camera moves forward, revealing a white countertop with rolled edges. The person on the left side of the screen reaches their right hand with the fork towards the right side of the frame, scooping up food from the silver pot on the center countertop, and placing it into the plate. They then prepare to dip the fork back into the pot. The camera slightly shakes and then moves upwards. On the white countertop, there are also transparent bowls and dark pots. The walls surrounding are brown wooden walls.


In the scene, a boy wearing glasses is facing towards the right side of the frame. His left hand is raised and extended towards the back of the scene, then lifted up. His head turns to the right and slightly behind, as his left hand moves to the right side of the frame. He is speaking, then turns his head towards the camera. His left arm moves down with his palm facing up and fingers bent, then he makes a fist with his left hand and opens it, waggling it from side to side. He moves his hand down and then up again, reaching towards the back of the scene. The man's head also turns towards the back of the scene, and his right arm raises. The man's head turns towards the camera, and then his right arm withdraws and is placed in front of his body. The man bows his head and moves towards the left side of the frame. The camera moves to the left, and the man bends down. The camera zooms out as the man extends his right hand towards the left side of the frame. His left hand is holding a yellow bag, and then his right hand takes out another identical yellow bag and moves towards the right side of the frame. The camera moves up, showing the man holding two yellow bags in both hands. Then he puts his right hand down, and his left hand moves the bag out of the frame on the right side. Next, the man turns his body towards the camera and moves towards the left side of the frame, his left hand retracting and resting at his side. He then turns his back to the camera and walks towards the left and slightly behind the scene, as the camera moves to the left.


The camera focuses on a room, where the legs of a person can be seen at the top of the frame. Then, the person walks towards the camera and places a white chair in front of the lens. Subsequently, this person starts to wipe the white chair with a green cloth in their hand. They start by wiping the back of the chair, then rotate the chair slightly to the right side of the frame, facing the right side of the screen, and continue to wipe the seat cushion. After wiping part of the chair, they lift the chair and place it on a white cupboard on the left side of the frame, facing the left side of the screen and continuing to wipe the chair.


In the middle left of the screen, a woman in a black coat supports her face with her right hand, with her elbow resting on the table with a red and white checkered tablecloth at the lower middle of the screen. On the middle right of the screen, a woman in a gray short-sleeved shirt opens the left half of the cabinet door in the center background with her left hand, and in her right hand, she holds a bottle. The woman in the black coat stretches out her left hand to push the left half of the cabinet door. The camera rotates to the right side of the screen, where the woman in the gray short-sleeved shirt walks to the right side of the screen with both hands holding something. The camera then rotates to the left side of the screen and moves slightly downward, showing the woman in the gray short-sleeved shirt picking up the bottle with her left hand, bottom facing the lower part of the screen.


The camera focuses on a room, where at a distance from the lens, a woman can be seen bending over, facing the camera. In front of her, there is a brown puppy sitting on the ground, with its back to the camera, looking at the woman. As the puppy turns to face the camera, the woman straightens up and gives the puppy a pat with her right hand, and the puppy runs towards the camera. The little dog bounces and jumps over a yellow obstacle placed outside the door frame, leaping towards the camera, its head exiting the frame from the left side. In the background, the woman is standing with her legs apart, eyes fixed on the dog.


In the center of the screen are two people. On the left is a black male wearing a green sweatshirt and a gray hat, facing the camera sideways and looking to the right, with his right arm resting on the table on the left. On the right is a black female wearing a shirt jacket, her right hand covering her mouth, and her left hand holding a spoon. Then, the woman on the right turns her head to the left to look at the man on the left, her right hand gradually lowering as she speaks. The man on the left is also speaking with accompanying hand movements. The woman on the right continues to speak with hand gestures, and finally nods her head slightly.


At the beginning of the video, a yellow express package is placed upside down from the top of the screen. A left hand appears from the left side and taps the express package. The camera slightly moves to the right, focusing on the opening of the package. Then, the package starts to tilt, pouring out its contents. As many items start to spill out, a left hand appears from the left side of the screen, rummaging through the package and taking out many of its contents.


The screen shows a waitress in a black skirt working at a restaurant. She first places a dish on the table on the right side of the screen, then walks towards the camera. The camera moves to the left, revealing a broader view of the restaurant. She puts a dish on the table at the bottom of the screen, where there are two men. The man on the right side of the screen glances up at her after she sets down the plate and then takes the plate with both hands, placing it in the middle between the two men. In the end, the woman turns around and walks away from the camera, gradually increasing her distance.


The scene is a close-up shot of the hands, with a person wearing zebra-print clothing standing on the left side of the frame, reaching out with their right hand to take the red cup in the center of the frame and placing it in the bottom left corner. Then, this hand shakes at the bottom of the frame before picking up the red cup from the bottom of the frame, while at the same time, the hand of the person in the patterned clothing in the top right corner lifts off the table.


In the frame, a man wearing a blue shirt faces the camera and looks to the left of the screen while waving his arms and running to the left. The camera follows his movement and pans to the left. Then, he is on the right side of the screen, facing the camera with his left leg raised, kicking towards the left at a man wearing a brown coat who is facing the camera. The man in the brown coat raises both hands. Then the scene changes: on the left side of the frame, a man in black clothes faces the camera and looks to the right. On the right side, a man wearing a brown shirt, black vest, and a hat is sideways to the camera, facing left. The man in black turns his back to the camera and raises his left arm to hit the man with the hat. At the same time, the man with the hat turns around to dodge in the opposite direction of the camera and raises his left hand to strike the chest of the man in black. The man in black bends over to the right side of the screen, facing sideways to the camera. Then, the man with the hat turns to face the camera and raises his right hand to hit the back of the head of the man in black, who has just straightened up his upper body. The man in black falls to the right of the screen and exits the frame from the bottom edge. The man with the hat faces the camera, holding his right fist up and looking down at the bottom of the screen.


The scene is captured from a low angle, showing a woman wearing a white top. She is positioned slightly to the left of the center of the frame, holding three white papers filled with writing in both hands. The woman is looking down at the papers in her right hand on the right side of the screen. She takes one sheet from the stack with her right hand and holds it up on the left side of the frame. Her eyes continue to focus on the second sheet in her left hand, occasionally blinking. Then, she places the paper in her right hand back on top of the stack, and with her right hand, she takes the top two sheets. She slightly tilts her head back up and looks again at the last sheet in her left hand. Finally, she turns her head towards her right hand, looking at the two sheets in her right hand. Her expression seems a bit puzzled, as she is looking very intently.


In the center of the screen, a left hand holds a kraft paper bag, while the right hand wears gloves. The right hand continuously picks up sea urchins from the table and stuffs them into the kraft paper bag. After the kraft paper bag is filled, both hands grasp the plastic bag outside of the kraft paper bag and leave the screen from the right side.


On the upper side of the screen, there is a simple bed with a gray sheet. On the right side of the screen, a person holding a square piece of wood to cover their body is moving towards the left middle ground of the scene.


In the center of the screen, a woman is sitting on a gray sofa, facing the upper left front of the screen, looking down and smiling towards the lower left of the screen with her right leg crossed over her left. Her left hand holds a pen, tapping on a laptop on her leg, while her right hand holds a phone to her right ear. She then turns her head to the right side of the screen, and with her left hand holding the pen, she writes on a piece of white paper on the sofa on the right side of the screen, blinking occasionally. Afterward, she turns back to the left side of the screen and starts speaking, manipulating the laptop with her right hand, and then looks up towards the left of the screen. The setting is indoors, with a considerable amount of furniture. To the left of the screen seems to be a door or window, and on the right side, there are partially visible tables and chairs.


In the scene, the camera is shooting from a first-person perspective. The lens moves forward and downward, approaching the fried chicken chunks on the table, then it turns to the right and moves to the right.


The scene is shot by a camera fixed on the motorcycle rider. The motorcycle is moving forward, and on the right side of the screen is a white car traveling in the opposite direction of the lens. The white car makes an emergency stop, and the motorcycle also makes an emergency stop. Afterwards, the white car continues to drive, and the motorcycle continues to move forward.


In the scene, a person is standing in front of the camera with their left eye closed and their right hand holding a flower placed in front of their right eye. Then, they open their left eye and slowly lower the flower with their right hand while looking at the camera, with their hair fluttering.


A curly-haired woman walks towards the camera, looking to the right of the frame with something in her mouth. In the background to the right, a short-haired man pushing a shopping cart walks towards her, looking at the curly-haired woman and engaging in conversation with her. The camera continuously retreats as it follows their movements. Later, the curly-haired woman raises her right hand to point, then looks ahead and continues walking towards the camera. She glances down at something in her hand and then looks to the right at the short-haired man. She then turns her head to the left side of the frame, reaches out with her right hand to grab a box of juice from the top of a shelf, glancing to the right as she does so. At this moment, the camera shifts to the left, and the short-haired man briefly leaves the frame from the left side before returning, and then the curly-haired woman bows her head and leaves from the left side of the frame. The short-haired man continues to push the shopping cart on the right side of the frame, walking and conversing with the curly-haired woman, occasionally glancing to the left at her. After the curly-haired woman leaves from the left side of the frame, the camera shifts to the right to focus on the short-haired man.


A fixed close-up shot. In the center of the screen is an old-fashioned color TV facing the camera's direction. In the bottom right corner of the screen, a boy is sitting with his back to the camera, watching the TV. He is holding his right fist to his mouth, and in front of him on the table is a glass cup. On the TV screen, a person with a blue head is shown holding a staff in their right hand. The person with the blue head is standing in the bottom left corner of the TV screen, facing away from the camera and towards the surging flood. Then, the person with the blue head drops the staff and lowers their right arm.


Close-up hand-held shot. Many people are standing in the frame side by side, facing towards the left side of the screen. The man in the foreground on the right side of the frame nods. The man with a crew cut in the center of the frame has his hands in front of him, swaying his body back and forth. To the left of the center in the background, a woman first smooths her hair with her right hand, then touches her eyes.


In the center of the screen, there is a cartoon image of an alien spaceship. It takes one step forward towards the camera, shaking its head left and right. Then, it takes one step back, swaying its body left and right, swinging the pincers in front of it.


A hand reaches out from the bottom right corner of the screen, holding a pair of red scissors, extending all the way to the left side of the frame. After making a few gestures on the left side, it retreats back out of the screen from the bottom right corner. The camera pans down and to the right, revealing the hand once again, now empty-handed, as it stretches towards the left, with the lens following the movement.


In the scene, there is a woman and a dog. The woman is sitting cross-legged under a tree far from the camera, towards the left-middle of the frame. She has long golden hair, wears a gray hat, a black top, and blue jeans. With her eyes closed and her head tilted up, she faces the camera with both hands placed on her knees, palms slightly open and facing upwards, her face expressionless. As the video progresses, she takes a deep breath, her mouth moving slightly, followed by another deep breath, stretching her hands forward and moving her fingers as if making a magical gesture. The little dog is sitting on the ground on the right side of the frame, close to the camera. The dog's back is marked with yellow and black fur, it has white fur on its chest, and a black nose. It faces to the left of the picture, moving its mouth and then opening it to pant. Its ears stand up as if it has heard a sound, moving back and forth twice before it lowers its head, ears flattening back again. Then it turns its face to the left, glances towards the right side of the frame, and turns back, its mouth still open and panting. The background seems to be in a jungle, with a small stream flowing between the woman and the dog. There are tree trunks around and moss on the ground.


The video scene is animated. The scene shows a group of people watching a movie. In the center of the screen is an adult woman with red hair and a man dressed in yellow. Both have their left hands holding a bowl of popcorn and their right hands grasping some popcorn. The red-haired woman turns her head towards the man in yellow, and the other audience members start clapping. The man raises his right hand with popcorn to his mouth while also talking. The woman turns her head back.


In the center of the screen, slightly to the left, there is a diver facing the camera in the water. After making a hand gesture at the side of the mouth, the diver points to the lower right corner of the screen with the right hand, then turns and swims towards the bottom of the frame. Bubbles continuously emerge from the diver's mouth as they breathe.


A woman with long hair is sitting facing left of the screen, her hands holding a stack of books, then she leans towards the table on the right side of the screen, her left elbow resting on the table, looking to the left of the screen as she speaks. A man in a white shirt is sitting towards the camera, his right hand holding a book, looking to the right of the screen, then he turns to face the camera and bows his head, his left hand flipping the book towards the left of the screen as he talks, turning the page towards the right of the screen while speaking. In the upper right background, a person in a grey shirt is facing left of the screen, wearing headphones and looking down at the bottom of the screen, sitting behind the table, then shaking their head up and down and tilting it to the left of the screen. In the lower right corner, a book is being taken out of the frame from the right side. In the background on the left, there is a glass door, and on the right background, there is a bookshelf with books.


On the left side of the screen is a woman wearing a white top, sitting in the driver's seat facing the right side of the screen, with her left hand gripping the steering wheel. Her arms are open on either side of her body in the center of the screen, and she is looking to the right side of the screen while speaking. The camera moves backward.


On the right side of the screen, a person is sitting in front of a desk, turned sideways to the camera, facing towards the left side of the screen. Their left hand is placed on the keyboard, while the right hand is clicking the mouse. Then, the right hand holding the mouse moves one step to the right side of the screen. The right hand is then placed on the keyboard, and both hands are seen clicking on the keyboard. Afterwards, the right hand is placed back on the mouse.


The scene is shown from a top-down perspective with plants on both sides of the road. The car is driving on the road in the middle of the screen, moving from the foreground towards the background of the image, and away into the distance of the road. At the same time, the camera continuously lifts upwards.


In the center of the screen, a man wearing a yellow hat, a yellow suit, and brown knee-high boots stands facing the camera, with his right hand on the brim of the hat and his left hand holding a white piece of paper. He then removes the hat with his right hand and places it on a green coat rack located slightly to the right of the center of the screen. At the same time, a brown monkey enters from the bottom left corner of the frame, turns its back to the camera, and runs towards the man in the yellow suit, stopping in front of him. The man in the yellow suit then takes the white paper with both hands, starts speaking, and walks towards the left side of the screen, glancing down at the brown monkey following closely behind. They then pass through a white doorframe and enter an open-plan kitchen. The man in the yellow suit releases the paper with his left hand, reaching out to the left side of the frame with his palm up, while his right hand moves the paper upwards.


In the scene, there are three people from left to right: a short-haired man in brown clothes, a long-haired woman in cyan clothes, and a short-haired man in black clothes. The man on the far left of the scene is looking at the bottom left corner of the frame with a smile, nodding and speaking, then he turns his head towards the man on the far right of the scene. The woman in the scene has her hands on the man on the far left, first looking at the bottom left corner, then looking at the man on the far left, and then turning her head to look at the man on the far right. The man on the far right extends his right hand with his palm up, looking at the man on the far left and speaking. The man on the far left smiles, bows his head to speak, then looks up at the man on the far right again, and the woman turns to look at the man on the far left. The camera switches, and a long-haired little girl in the scene faces the camera with her front face. In the background of the scene, a person in cyan clothes has their hands on the little girl's shoulders.


This seems to be an interview-style video. On the left side of the screen, a man in a dark gray suit with a blue and red striped tie is talking continuously. Both of his hands are raised with two index fingers pointing to either side of his body. As he speaks, the gestures of his hands change to two open palms facing each other, placed in the middle of the screen. Then, his right hand gesture changes again, with all the fingers of his right hand curling in towards the left side of the screen. On the right edge of the screen, the silhouette of a person with white facial hair wearing a blue shirt can be seen; he is the person being spoken to by the man in the suit on the left side of the screen. Throughout the video, the man in the suit maintains direct eye contact with the man in the blue shirt. The background consists of several solid wood bookcases with glass doors, filled with books. There is a small table between the two men, which holds some papers and a thick book.


At the center of the screen is a male in green clothing with his back to the camera, holding a pair of long-handled scissors in both hands, raising them to cut a branch at the center of the screen. The branch falls to the area below the center of the screen. The male then turns towards the left side of the frame, reaching out to cut a branch that is slightly to the left of the center, which also falls below the center of the screen, towards the left side.


The scene is shot in the first person. The table in the frame is filled with various items, including plates of food, cups, packaging boxes, and more. The camera moves forward, and a right hand in black clothing reaches out from the right side of the screen and picks up a piece of meat from the plate. The camera turns left, and the right hand dips the meat into the sauce in the plate in front of the lens. Then, the right hand raises towards the top right corner of the screen and moves out of the frame. The camera continues to turn left, and the person in black on the left side of the screen turns towards the left, then extends their left hand towards the left side of the frame, pointing with their left index finger down at two pots on the stove. They then retract their left hand and turn back towards the camera. In the background on the left side of the screen, there is a microwave on top of a cabinet, and on the right side of the background, there is a door leading outside.


In the scene, you can see a man who is not wearing a shirt. His body is facing the camera directly as he bends over, revealing only the top of his head. His hands are holding a khaki-colored object near the ground. This person throws the khaki object onto the ground in front of him, then touches a white object on the ground to the left of the frame with his right hand. After that, he runs towards the camera and to the left side of the screen, eventually disappearing from view.


In the center of the screen, a man in khaki clothes is kneeling down on one knee. His hands are clad in black gloves, with his left hand stretched out and placed on the machine in front of the screen, while his right arm is draped over his bent right knee. His right hand is raised, with the thumb and index finger extended. He is speaking to the camera. Then, the scene cuts to another, where a black car is parked at the back of the screen. On the right side of the screen, the flames gradually grow larger and move towards the left side of the screen.


In the frame, a man in a dark leather jacket is slightly turned to the side, facing the camera directly, looking to the right of the screen and descending the steps to the right. The camera pans to the left and focuses on the profile of this man. The man stops, turns his head counterclockwise to glance at the camera in the opposite direction, then turns back to face the right of the screen, and continues to descend the steps with his head down. The camera moves to the back of the man, who continues to descend the steps in the direction opposite to the camera and walks onto the flat ground to the left of the screen. There are several people standing and walking in the background at the bottom of the steps. The man glances to the right of the screen. At this moment, another man wearing a hat appears on the steps, facing away from the camera as he descends. He follows the man in the dark leather jacket down the steps and towards the left of the screen. The man in the dark leather jacket then turns to look to the right of the screen, continues to walk in the direction opposite to the camera with his back to it, and both men turn their heads to look to the right of the screen simultaneously. They walk to the side of a shed, facing away from the camera and talk to a man in a short-sleeved shirt who is facing the camera. At this time, there are many people around the shed; some are standing and looking to the right of the screen, some are sitting at the tables under the shed, and others are walking. The man with the hat turns around, stretches out his right hand, and points to the right of the screen. The man in the dark leather jacket also turns and looks in the direction he is pointing, taking a step towards the lower left of the screen to get closer to the man with the hat. At this point, the man in the dark leather jacket is standing facing the camera, looking to the right of the screen. He takes his hand out of his pocket and slaps the man with the hat on the back with his right hand, then suddenly runs towards the lower right of the screen. The man with the hat follows him in the same direction.


A close-up shot is taken from a fixed camera position. The scene in the frame is a classroom, with several girls sitting at their desks in the distance looking at the man on the right side of the screen. The man on the right side of the screen is standing in front of the desk, facing the camera and looking at the man on the left side of the screen. The man on the left side of the screen looks at the man on the right and takes a half step to his left. The man in the center of the frame moves from behind the chair towards the left side of the screen, and after standing still, he turns towards the camera and looks at the man on the right. The girl in the center distance gets up, while the man on the right side of the screen takes off the backpack from behind and throws it to the right side of the frame. Then, the girl from the distance walks up to the man on the right and speaks to him, while the woman on the right side of the screen moves towards the camera first, then walks to the right side of the frame from behind the man, pushing his head with her right hand during this movement. The man quickly gets up, extends his left foot towards the woman's heel, then places his left hand on the woman's right upper arm and slaps her with his right hand. The woman walks to the backpack thrown by the man, picks it up with her left hand, turns around and looks at the man, who then withdraws his right hand to scratch his own head.


Six people seem to be engaged in a group fight. A person in a white shirt with long hair is pressing the upper body of a person in a red striped shirt away from the camera, using their left hand to hold down the back of the person in red and their right hand folded upwards, moving their arm up and down extensively, seemingly elbowing the back of the person in red. The person in red then sits down on the ground. From the left, outside the camera frame, a person in overalls walks quickly to the side of the person with long hair, facing away from the camera with their right leg raised high, kicking towards the head of the person with long hair. The person with long hair takes a step back to avoid the right leg of the person in overalls and moves around to their back. Another person in white pants then enters the frame from the left, running towards the person with long hair, also facing away from the camera, raising their right leg to kick the long-haired person. The person with long hair extends their left hand to the upper left corner, blocking the right leg of the person in white pants. The person in white pants falls to the ground on the left, and the long-haired person pushes the person in overalls to the right, then uses both hands to push the back of the person in white pants, who immediately falls forward onto the ground, crawling and running to the left, while the person in overalls falls backward. On the right side of the frame, a person in light grey pants has their hands on their head and runs towards the bottom right corner of the screen. At the same time, at the far right of the frame, a person in dark clothing runs to the left of the person in light grey pants, turning from facing left to facing away from the camera, taking a large step with their right foot towards the person in light grey pants and pushing them with their right hand. The person in light grey pants stumbles to the right twice, with their hands on their head, bending over as they run towards the camera, then turning left to run and dropping their right hand, then their left, gradually straightening up and running out of the frame on the left. The person in dark clothing on the right runs to the middle of the frame, first facing the person with long hair on the left, then turning to the right towards the person in overalls who was pushed down, and finally approaching the long-haired person, who, with their back to the camera, hits


The main subjects of the scene are a man and a woman sitting on the right side of the frame, separated by glass. The woman is closer to the camera, slowly sliding her right hand down the glass. The man is looking at the woman, with his right index finger touching the glass at the same position as the woman's hand. In the end, the woman looks up at the man.


In the center of the screen is a group of cicadas crawling around at the bottom of a white container. After a while, a finger appears at the top of the screen and then disappears, and the camera slightly moves to the right side of the frame.


The camera angle is high and shaky, with the main subject of the frame being a car hood covered in blue and green bubble wrap. On the left side of the frame, a person's left hand is slapping the blue bubble wrap.


The scene is a close-up shot of the hands, where a hand enters the frame from the left side. The right index finger is extended to point at the computer screen in the center of the frame, moving left and right. Then, the protagonist withdraws their right hand to the left side of the frame, overlapping both hands.


In the center of the screen is a large circular window. From the left side of the frame, a woman dressed in a white bathrobe appears, facing the right side of the frame. She walks to the center and then slightly turns her body towards the camera, bending down with her head turned towards the lens and her eyes closed as the camera slowly moves down. Then she stands up, stretches her arms, and walks towards the left side of the frame, turning her head to the right side of the frame. The camera moves down to the right, and in the bottom right corner of the screen is a bathtub. On the left side, there is a shelf with burning candles and two bottles on it. On the right side, a faucet is continuously running water.


In the center of the screen, there is a broken piece of wood with some small twigs placed on it. After a while, the knee of a person wearing shorts appears in the top right corner of the screen, kneeling on the ground. Moments later, a left hand emerges from the top right corner of the frame and quickly moves towards the center, snatching up the small twigs with the back of the hand facing the camera. The background is a muddy ground.


On the left side of the screen is a blond woman wearing a red coat with a white lining. Her body is turned towards the right side of the screen, looking at the person on the right side of the screen, saying something, then her head slightly turns down to the right bottom corner of the screen, her eyes wide open, speaking and smiling. Then her head turns slightly towards the right side of the screen, still saying something. At this moment, the background of the screen is blurred, with a decorated Christmas tree in the middle. On both sides are white branches with hanging lights. The scene changes, and on the right side of the screen is a blond woman in a gray coat with a red and white spotted lining. She looks to the left side of the screen, her lips tightly pursed. On the left side of the screen is the profile of the woman in the red coat. The woman in the white coat smiles with her lips pursed, and the woman in the red coat moves her right hand from the bottom right of the screen to the top right, touching the left cheek of the woman in the white coat. The woman in the white coat extends her left hand from the bottom right to the top right of the screen, then closes her eyes and holds the right hand of the woman in the red coat. Then she tilts her head towards the bottom right corner of the screen, saying something, and then opens her eyes, moving her head towards the top left corner of the screen, looking at the woman on the left side of the screen with her eyes open. At this time, the background of the screen is blurred. In the upper left of the background are several pairs of red Christmas stockings, in the lower left is a burning fireplace, and on the right side are white branches with white lights hanging.


The person on the left side of the screen is smiling and facing the camera, holding the camera with their right hand. They look into the lens and say something while slightly lifting their left hand. Then, they lean back, turn their head to look at the girl on the right side of the screen and speak, while the camera also moves slightly forward and then to the right. The girl on the right side of the screen is holding a dog in front of her with both hands, sitting on the sofa and facing the camera, speaking with a smile while looking into the lens. She then turns her head to glance at the boy on the left side of the screen and then bends down to give the back of the dog's head a quick kiss.


In the center of the screen, many debris fall from the top of the screen, continuously landing on the table in the foreground of the scene. Then, the direction of the fall shifts to the right side of the screen, with a hand briefly appearing in the upper right corner before disappearing again. The camera slightly shakes, and the scene is set indoors, with many tools placed on the table in the foreground. Three wrenches hang in the upper left corner of the screen, and on the right side is a window.


A blonde woman is sitting in front of a wooden table, holding a pen in her right hand and writing something on a drawing. The woman's thumb and index finger grip the pen, moving it up and down, and after slightly retracting her hand with the pen to the left, she leans her body forward slightly. There are lights and furniture in the background.


In the center of the screen, a little girl in gray is standing with her body slightly turned towards the left side of the frame, facing the camera directly with her right hand raised. While speaking, she raises her left hand towards the camera and then grasps the small transparent door of the insulated box in the lower center of the screen. She then turns her head to the left side of the frame and takes a small step towards the left. To the left of the screen is an incubator with a baby, and at the top right is a blue cabinet.


In the center of the screen, slightly to the left, a man in a white shirt is holding a microphone with both hands, his eyes closed as he sings passionately with his head tilted back. To the right of the screen, the author depicts a person in black clothing, facing the right side of the screen, seemingly playing the drums. The lights on both sides of the screen sway up and down. Occasionally, the man in white opens his eyes and looks up, then towards the left side of the screen. The camera first zooms in slightly and then pulls back slightly, before zooming in again and pulling away once more. The scene is set indoors, with a white wall in the background, and there is lighting and equipment to the left of the screen.


Camera shot from above, on the left side of the screen is a left hand wearing a colorful bracelet holding a paper box. In the center of the screen, the paper box contains some fluffy little toys. The left hand raises the box towards the top of the screen, and from the right side of the frame, the right hand appears to lift the lid of the box towards the right. Then it moves towards the left, picking up a black puppy doll from the center box. The left hand also moves towards the center holding the doll. Next, the right hand moves away from the right side of the screen, and the left hand moves the doll slightly downwards to the right. Then, the right hand reappears on the right side of the screen, grasping the doll from the center and moving it up and down. The background of the screen is filled with stacks of colorful boxes.


The scene is captured by a vehicle-mounted camera. In the foreground at the bottom is the hood of the car. The lens moves forward slightly trembling, and the video is time-lapsed. Below the foreground is a slightly curved longitudinal road. In the distance, many cars are driving along the same road towards the horizon, with a red car consistently in front of the video-taking vehicle. The setting is outdoors at night, with many streetlights, plants, and the lights of the city's night scenery on both sides of the screen. Additionally, an overhead bridge appears horizontally at the top of the frame.


In the center of the screen, a woman wearing a black apron with white spots stands facing the camera, raising her right hand to adjust the camera's position; she then turns to face the camera and steps back, stopping near the edge of the room. Next, she looks at the camera with a smile, raising both arms to the sides of her body, and swings her left hand while moving her body. She then bows her head to look at the apron, bringing both hands back in front of her body and touching the apron from the middle outwards. After that, she grabs the lower edge of the apron with both hands, takes a step towards the camera, leans forward, looks into the lens, and starts to speak. Following this, she releases her hands, moves her arms forward, and slides her hands down, then back up to her chest, and slides them down again. Finally, she stretches her arms to the sides of her body, walks towards the camera, continues speaking, and then brings her left hand closer to the lens. In the background is a white cupboard filled with items.


In the scene is a woman lying on her side on the bed, with her right hand holding a landline phone receiver against her ear and mouth. She is covered with a white blanket. Her left arm is resting on the bed, propping her up, supporting her head. She is speaking into the phone, her mouth smiling slightly, her gaze cast slightly downward. After nodding gently twice, she slowly lowers the landline receiver to her right side. Leaning forward, she places the receiver back on the landline phone to her right with her right hand. After setting it down, she gently touches the landline with her right hand before pulling it back to her side. Her left hand is also about to lower, and her head is tilted slightly backward.


The camera captures a close-up shot of a pair of hands engaged in the act of painting from a top-down perspective. In the center of the frame, there is an orange-tinted dream catcher painting, with its top tilted towards the right side of the canvas. In the lower left corner, the left hand uses the thumb and middle finger to steady the edge of the painting. In the lower right corner, the right hand holds a white marker, tracing the outline of the rightmost feather in the painting from top to bottom and adding details. Subsequently, the right hand exits the frame from the lower right corner.


This is a video taken in a garden. The camera quickly pans to the right, and a large tree appears in the center of the frame. To the right of the frame, a villa can also be seen. The shooter then moves to the left, with the camera facing directly at the large tree. As the shooter walks, there is some camera shake. The camera quickly zooms in, and we can see some vehicles parked in the distance.


In the scene, two boys are lying flat facing the camera. The boy on the left side is wearing a green patterned shirt and looking at the camera. The boy on the right side is dressed in a black shirt, with his left hand raised to his chin, talking. At the left edge of the frame, an adult male with a beard is lying down. As the camera moves to the right, he quickly moves out of view. At the top of the frame, a person wearing a white shirt and dark blue pants is lying sideways facing the camera, revealing only part of their body, with their left hand resting on their waist. Subsequently, the camera moves to the right, gradually closing in on the boys. The boy in the black shirt stops talking and smiles, while the person lying at the top in the white shirt moves their right hand behind them.


A woman is singing towards the bottom right corner of the screen, moving her shoulders alternately in circles behind her back. She then smiles, bows her head to look at the bottom right corner of the screen, and lifts her head and chin, with her shoulders alternatingly moving forward. Following this, the woman looks at the camera and then lowers her gaze and turns her head towards the bottom right corner of the screen, again moving her shoulders alternately in circles behind her back. In the background, there is a musician playing a keyboard on the left, and a musician playing a guitar on the right.


In the center of the screen, a small dog is lying on its side facing away from the camera, with its head turned to the right side of the frame. Its right front paw is flailing and its head is moving. The camera slowly moves upwards, revealing a woman lying with her chin facing the camera, her head turned to the left side of the frame. Her right hand is touching the dog's body. Then, she turns her head clockwise, sideways to the camera, facing the left side of the frame, and bends down to kiss the dog. After that, she quickly turns her head counterclockwise to look towards the top right corner of the screen.


On the right side of the screen, on a sofa, a woman is holding a book with both hands and leaning against a child on her right chest. They are both facing the camera. Both people are looking down intently at the book, and the woman is talking while flipping through the book and pointing at the content. After the camera stays fixed for a moment, it slowly moves to the right, and finally both individuals are on the left side of the screen.


On the left side of the screen is a little girl, and on the right side is a slightly older woman. The little girl throws a white piece of clothing towards the right side of the screen. The woman smiles and looks to the right of the scene. The little girl sits down towards the left side of the screen, laughing heartily. The woman throws a piece of clothing at the little girl's face, which falls to the ground. The little girl continues to laugh, picks up a piece of clothing randomly, and throws it at the woman.