In the center of the screen, a woman in black pants has her back to the camera and is walking towards the left side of the frame. To the right of the screen, a person in a black short-sleeved shirt is facing towards the left of the picture, with their left hand extended towards the lower left of the frame and then retracted, while their right hand holds a paddle and they slowly walk towards the left side of the screen. In the lower left corner, a person wearing a yellow helmet is standing in the water, holding a yellow object with both hands and facing the camera. Then, the woman in black pants bends over towards the left of the background, extending her hands to make a gesture. Below the screen is the water's surface, with many people on the shores around it. In the upper left corner, there are black, yellow, and white colored text, and in the upper right corner, there are gray text and a gray-blue icon.


The video is shot with a handheld camera, and the lens quickly moves down to the right. In the frame, a black container is placed at an angle on the gray concrete floor. A right hand reaches in from the top right of the screen and supports the edge of the black container. Subsequently, the camera zooms out, and a man with short yellow hair and wearing a black top enters the frame from the top right. He moves his right hand away from the edge of the black container, reaching towards the bottom of the screen. Then, he picks up a pair of blue pliers with his right hand, stands up straight, and walks to the right side of the black container.


In the center of the screen, a woman is standing with her back to the camera, facing a mirror where her front face is visible. The woman leans forward, using her left hand to caress her left cheek. To the right of the screen, in the mirror, a man's front face is visible; he is brushing his teeth. The woman then stands up straight, turns her head to the right of the screen, and leans in to give the man a kiss on the cheek. She subsequently turns to the left of the screen and leaves from that side. The man, facing the mirror, continues to brush his teeth, shaking his head with the toothbrush in his right hand.


In the center of the screen, a man in blue clothes faces the camera standing on the grass. He supports his right thigh with his right hand and looks down at the ground to the lower left of the frame while walking towards the left side of the screen. Then he bends down, picks up a red package on the ground with his left hand, and slings it over his right shoulder with his right hand, while supporting his right thigh with his left hand. He looks around and then turns sideways to the camera in a counterclockwise direction, walking towards the right side of the screen, glancing back at the left side of the frame. He then turns his back to the camera and limps away from it, bending down as he walks, then straightening up and turning his head to look towards the camera before turning back and continuing to walk away from the camera. The background is lush with trees and vegetation.


In the scene, a man wearing a black top faces the camera. The camera then pans to the left to capture the churning water. In the upper left of the frame, a man stands on the shore. The camera then moves to the right, revealing a man in the water entering the frame from the right side. The scene changes, and in the center, a man in black is lying on a surfboard, moving closer to the camera. He then grasps the edge of the surfboard and slowly stands up, crouching on it. He raises his left arm, pauses briefly, and then quickly jumps off the surfboard to the right side of the frame, falling into the water. The camera pans left as the waves continue to push the surfboard towards the lens, eventually driving it towards the shore. On the right side of the frame, a person standing on the shore faces to the left and runs towards the surfboard as the camera moves towards the shore. In the background, there is a stretch of black rocks where two people facing the camera are standing, and further away, there is a grey building.


In the frame is a measuring cup; the camera moves downward to take a glimpse inside the measuring cup, then moves upward to view the rice on the table. It then shifts to the lower right, revealing some ingredients. A finger extends from the right side of the screen, pointing to one of the ingredients. The camera quickly zooms in, focusing that particular ingredient to the center of the frame.


In the scene, three cartoon characters can be seen. On the left side of the screen stands a man in green clothes, facing towards the right side of the screen. In the foreground on the right side, a man in yellow clothes can be seen holding a brown monkey, and both of them are looking back at the man in green clothes on the left side of the screen with their backs to the camera. The man in green clothes raises his left hand with an open palm, waving at the people on the right side of the screen. The man in yellow clothes on the right side of the screen might be speaking, as his face can be seen moving.


In the frame is a pot facing the camera directly. The water in the pot is gradually boiling, constantly producing bubbles. Then, white steam rises from the bottom of the frame to the top.


The camera seems to be in a pitch-dark living room, with orange dots constantly flashing on the screen. Suddenly, a door in the middle of the frame opens, and a woman in a white dress enters, followed by a man in white clothes. The woman's body faces the camera with her head turned to the left side of the frame, her right hand caressing the wall and flipping on the light switch.


In the left side of the screen, there is a black movie camera placed. In the center-right part of the screen, a black man dressed in a gray suit is standing facing the camera, looking down at the ground, with a torch in his left hand. In the upper right corner of the screen, a microphone is placed horizontally. In the lower right corner, there is a person wearing black headphones, only the head is visible. The background is a stone brick wall. The camera continuously zooms in on the black man in the gray suit, who looks to the left side of the screen and starts speaking, his right hand moves up and down and then grips the end of the torch in his left hand, and the camera stops zooming in. Then, his right hand moves to the upper side of his left hand, continuing to hold the torch, and subsequently his left hand lets go, and his right hand moves the torch to the other side of his body.


A woman in white is holding her dog's leash with her left hand, swinging her arms widely back and forth, and shaking her head from side to side. With her back to the camera, she is bounding and taking large strides as she runs away from the camera. Her dog stays to her left, jogging alongside her as they both run off into the distance from the camera.


On the left side of the screen is a man who is facing the camera. He is using his left hand to open the lid of a large box in the center of the screen. Then, with his right hand, he takes a package from the bottom left corner of the screen and puts it into the box. He then uses both hands to press down on the lid, closing it and squeezing it a few times. After that, he holds down the top left corner of the box with his left hand, bends over, and with his right hand, he takes out something from the bottom of the screen. He then turns and walks towards the left side of the screen.


In the center of the screen, there is a man wearing a black short-sleeved shirt and glasses, facing the camera, sitting on a chair. His hands are placed on his chest, palms stacked, as he speaks, with the back of his right hand raised and resting on the palm of his left hand.


The video scene is animated. On the left side of the screen is an orange-skinned monster with tears streaming from its eyes. On the right side is a green-skinned monster with rosy glasses brimming with tears, showing gratitude on its face, and speaking with its mouth.


In the center of the screen, six people stand together. The little boy in the middle starts with his eyes covered, bowing his head and raising both hands up, waving them once. He makes a "V" sign with his left hand and rubs his eyes with his right. The man in black and the man in a purple flowery shirt both raise their right hands and wave them. The woman in black and the woman in pink raise both hands and wave them. The man in blue on the left side of the screen bows his head and looks at the remote control in his hands. The background is a vast forest, with them standing at the edge of the road. The camera moves upwards, revealing an extensive forest, and in the central distance of the scene, there is a mountain.


The scene shows a grassy area by the river where a group of white people are sitting on the grass, with some others sitting in white chairs in the middle and background of the picture. In the middle ground on the left, an elderly man in red and an elderly man in white are conversing, while on the right side of the middle ground, an old man wearing sunglasses is walking towards the left side of the middle ground.


In the scene is an indoor horse racing track. On the left side of the screen, you can see a person riding a brown horse, while on the right side, another person is riding a white horse. Both horses are running towards the left side of the screen. The person riding the horse on the left side gradually disappears from the frame. The camera slightly zooms in, and the person riding the white horse on the right side gradually moves to the center of the lens, which focuses on this person and the horse.


In the center of the screen, a tall person in a red-orange shirt has their back to the camera, looking to the left of the frame and shaking their head while speaking. To the left of the screen is a woman in an orange coat, facing the camera, looking up at the man in the center of the frame with her head tilted. She has an umbrella under her left arm and holds doubled-over paper in both hands, and she also begins to speak. On the right side of the screen, a woman in a black shirt appears, walking towards the man in the center of the frame. The camera moves to the right, and then she slaps the man's shoulder in the center of the frame with her left hand, and then spreads her left hand open. On the left side of the screen, there are blurred figures of people visible. On the right side of the screen, there are many people standing still or walking from the right to the left of the frame.


Bicycle mounted camera, the bike is riding on bumpy mountainous terrain. The bicycle descends along the mountain road, moving forward. In the center of the frame, two people on bicycles are lined up, waiting to park. The camera, on the moving bike, stops behind the person riding the red bicycle. The person on the red bicycle turns their head to look towards the right side of the frame, and then all three of them start off again.


The camera moves down and to the right, slightly zooming in to focus on a bottle of chili sauce on the table in front of the lens. A person on the left side of the screen stands behind the table, reaching out with both hands to the right side of the screen, grabbing something from the bowl on the left side of the frame. Then, they lift the contents from the bowl with both hands and place it to the left side of the screen. The camera moves backward and up, crossing over the chili sauce, heading towards the left side of the screen.


A person in red clothing is standing sideways to the right of the picture, supporting a gun with their left hand, the barrel of which is pointing towards the top right corner of the frame. Their right hand is waving downward to the right side of the picture, then moving closer to the barrel, relocating a black component towards the top right corner. Afterwards, they slightly move the component back and forth towards the bottom left corner of the frame. The person in red turns their head to the right side of the picture. In the background on the right, two people are observing firearms hanging on a wall. The person in grey clothing is facing away from the camera, bending forward towards the camera, then straightening up. A male in a spotted shirt is facing to the left of the picture, with his right hand raised, placed on the muzzle of a gun on the wall, then lowering his right hand. To the left of the background, there is a wall with firearms laid horizontally from top to bottom.


In the center of the screen, there is a white table with a small black plate on which sit two green pastries and two purple pastries. To the left of the center of the screen, a figure in green clothing is lying on the table, but the head is not visible. On the right side of the screen, a left arm in red clothing reaches over from the back of the scene and places it on the table. Then, the scene gently shakes, and the person in green clothing stretches out their right hand to grab a green pastry from the plate, while the person in red clothing reaches their left hand towards the plate to grasp a purple pastry.


In the center of the screen, a black creature dashes forward, its claws grasping the iron door that is about to close. As it stretches its head forward, the scene suddenly changes, with a woman's head in the center of the screen, her body blocked by the arm of a person in the right foreground. Suddenly, bright sparks flash, and yellow liquid splashes out. The scene shifts to a close-up, showing one eye of a man looking straight ahead, the image blurring and gradually focusing on the arrowhead in the man's hand.


On the right side of the screen, a man is standing facing the camera, talking with both hands spread out in front of his body and then lowered. He turns clockwise to move towards the left side of the screen, touching his back with both hands. Then, he turns his head counterclockwise to look at the camera. Next, he bends down, stretches out his right hand to touch the car, and with both hands, he opens the car hood.


In the center of the screen, slightly to the right, there is a man with his upper body naked. He is pointing at the camera with his left index finger, and his gaze is also directed at the lens. Then, he raises both hands above his head, while his gaze shifts upwards in the frame. Immediately after, he looks towards the person on the left side of the screen. The background consists of tan-colored hills, with a lot of sand and people.


In the scene, a woman with long hair is seen with her back to the camera. She then swings her hair to the right and sits on a man in a white shirt. The camera follows her movement, as she laughs and makes eye contact with the man on the right side of the screen, her right arm gesturing with her body. The scene cuts, and a woman in a black coat is seen tilting her head to the left side of the frame, looking on. In the background of the scene, there are many bottles on the shelves.


In the left side of the screen, a woman in a meeting slightly turns her body towards the left side of the frame, holding a paper cup in her right hand. On the right side of the screen, a man in a gray shirt faces the camera, also holding a paper cup in his right hand. The scene is being filmed by a camera he holds in his left hand as they both walk forward. From the center of the background to the left side of the background, several vehicles pass by and move out of the frame from the left side. The man keeps talking, and finally, his right hand moves upwards slightly and then quickly drops back down. The scene changes, and a group of people on bicycles moves from the upper right of the background to the center of the foreground. At the top of the screen are green trees, and from the lower left to the upper right of the background is a stretch of asphalt road.


The old man kept repeating this, with his hands open in front of his chest, palms facing each other, sometimes tilting to the left, sometimes to the right in the air, sometimes making gestures towards each other, and sometimes slightly shaking. In the end, he lowered his hands and his body leaned forward slightly.


An elderly woman with gray and white hair, wearing a green short-sleeved shirt, is on the left side of the frame. She first bends down to close the outer window on the lower left side of the picture with her hand. Then she straightens up and closes the inner window above the frame halfway down. After that, she straightens up again, places her hand on top of the window, and pushes it down to completely close it. She then rotates the window switch clockwise. Following this, she adjusts her green short-sleeved shirt with her hand. Finally, she picks up the blind cord in the middle of the frame and pulls it down to lower the blinds as well.


The camera moves up, and in the center of the frame is a man with a prosthetic leg on his right foot, his back to the camera, pushing a handcart forward. At the same time, a truck passes by on the right side of the frame and turns left, exiting the frame on the left side. In the background, a man in a black coat is leaning against a car, facing to the right of the frame. The man with the prosthetic leg on his right foot pushes the cart to the right and turns. Meanwhile, on the left side of the frame, a man in brown pants appears, bowing his head to light a cigarette, then turns around with his back to the camera and walks to the left of the frame.


In the center of the screen, there is a man wearing camouflage clothing, with his body facing the direction of the camera. He then turns around to face the camera, raising his right hand while his left finger points to the man in the background wearing a red short-sleeved shirt. The man in the red short-sleeve is sideways to the camera, his body facing the left side of the screen. His left hand grasps a branch, while his right hand holds a lantern and a fishing rod, and he occasionally glances towards the camera. The man in camouflage approaches the camera's direction, talking to someone off-camera.


On the right side of the screen, corn silk is swaying in the wind. The camera moves upwards towards the top of the screen, then shifts downwards, and subsequently turns to the right side of the screen. Meanwhile, a hand enters the frame from the bottom right corner, palm facing down.


In the scene, there stands an old man with a white beard, dressed in a black suit and wearing a black hat. He is positioned on the right side of the screen, with his right hand holding a stick-like object, raised to a level just above his waist. His left hand is naturally placed at his waist. He is looking towards the left side of the screen and speaking. As he talks, his right hand gradually lowers, taking the tip of the stick-like object in his left hand, with both hands together holding this silver stick. While speaking, his left hand slightly rotates the tip of the silver stick, and his body also sways slightly. In the lower left corner of the screen, two rows of letters will gradually appear as the video progresses, which may be the name and occupation of this man.


This is a video from a dance party, where many people are dancing in pairs in the dance hall. They are slowly turning. The camera gradually zooms in, and a camera appears at the bottom of the screen. A man in a blue shirt is holding the handle of the camera. To the left, a man with white hair bends down to pull the camera to the left side of the screen. There is another man on the right side holding onto a handle on the camera. The people in the dance hall are still enjoying their dance. Then, the man with white hair slowly pushes the camera to the right side of the screen. At this point, on the left side of the screen, a man can be seen pulling a flat cart to the right side of the screen. On the flat cart, there is a man in a shirt with his back to the camera.


In the center of the screen, a black man dressed in black is standing sideways to the left of the frame, holding a large black object in his right hand. He rotates the object clockwise and counterclockwise several times, scanning up and down, observing it carefully. Then he brings the object close to himself, slightly adjusts his grip, and looks down at the object from above. After rotating it once more, he moves it farther away to the left of the frame, then brings it close again and takes it far away.


On the left side of the screen, a man in a dark coat is standing slightly sideways, facing the camera directly, and bending over to the right side of the screen to kiss the woman sitting on the right who is facing the camera and looking to the left, wearing a white scarf. Then, the man straightens up slightly to look at the food the woman is holding and points to the food with his right finger. The woman also looks at the food, then she turns her head and looks up at the man, smiling as she brings the food to his mouth. The man turns his head to look at the woman and then stretches his neck with an open mouth to eat the food. Suddenly, the man gets burned and quickly straightens up. He then raises his right hand and points to the food with his index finger, surprising the woman as well. The background is a villa decorated with Christmas trimmings and small lights.


On the right side of the screen, a woman in a white top is facing to the left side of the frame, with her upper chest out of view. She is standing next to a white dining table with food on it. Leaning slightly forward, she picks up a glass with her left hand and a glass bottle filled with orange juice with her right hand, pours a cup of orange juice into the glass, and then puts down the glass and the bottle.


At the beginning of the video, you can see the side of a car, and then there's a flash and you can see a man crouching on the side of the car on the left side of the screen. The passenger door of the car is open, and the man is crouching behind it. The camera angle is very low, and the man is fiddling with the position of the side profile of the car door. His left hand is supporting the door, and his right hand is holding a green tool, prying at something. Finally, the perspective changes to an overhead view, and the man is now standing outside the car door, operating at the hinge area. The scene then switches back to the angle of the car's side, where a pair of hands from the right side of the screen start to prepare to touch the car door.


In the scene, a colorful dream catcher painting is placed on a light grey desktop. A right hand holding a black pen is positioned below the painting. Then, the right hand moves up and down, outlining the colorful feathers in the lower left corner of the painting with white. Next, the right hand, still holding the pen, dots around the upper part of the painting and then moves to the lower left corner, drawing white lines along the edge of the painting from the bottom up. Following this, the right hand moves to the right side of the painting, supporting the lower right corner, while the left hand enters from the lower left of the frame to support the lower left corner, tilting the upper part of the painting to the right.


In the lower left corner of the screen, there is a monkey wearing a blue cloak, with its back to the camera, carrying two bags and walking from the left side of the screen to the center. After reaching the yellow container on the left side of the screen, it puts the bag in its right hand on the ground, then climbs onto the container with a gray bag in its right hand, and places the bag on top of the container. There is also a blue car parked on the left side of the screen.


The camera slowly moves down, focusing on a black machine. Then, the shooter picks up a red screwdriver, gently pressing down a part on the machine. The part is illuminated and becomes visible in the frame. Subsequently, the shooter uses the screwdriver to fully press down the part, and then uses the screwdriver to pry it up.


In the center of the screen, there is a woman in red clothing facing the camera. Her eyes are looking towards the man on the left side of the frame. She is speaking with her mouth, and her hands are first raised to her chest and then placed on her waist. She then raises her hands again to her chest, with her palms facing outwards, makes two circular waving motions before lowering them. On the left side of the screen, there is a man with his right side towards the camera, inclining his ear to listen to the woman speaking.


In the scene, there are two men. The man in black on the left side of the screen is wearing a hat and sitting on the ground. The man in white on the right side is crouching down. The man in black turns his head to glance at the man in white and then turns back, placing his left hand on his left knee. At this moment, the man in white also turns his head to look at the other man.


Many bees are flying in front of the lens. In the frame, there is an apiary equipment. To the right of the frame, a person wearing green gloves is holding a transparent clip. They use the clip to take out a few bees from the beehive at the bottom of the frame. Then, they hold the clip with the bees in front of the lens for a closer look. One bee is crawling on the clip. Subsequently, the person with the green gloves and the clip disappears from the frame.


On the left side of the screen, there is a woman in red clothing, with her right side facing the camera. Her head is looking forward in the direction of her body as she leans forward to kiss the man on the right side of the screen. She then returns to her original position, talking while raising both hands in front of her, using her left hand to touch the collar of the man on the right side of the screen, and subsequently walks towards the right side of the frame. On the right side of the screen, there is a man in white clothing, with his left side facing the camera, talking while raising his right hand to point at his chest with his index finger. Afterward, he uses his right hand to hold the woman.


In the center of the screen, the man in the flowery shirt is sideways to the camera, facing to the left of the screen, with both hands swaying by his sides. The man takes a few steps slowly to the left of the frame, opens his mouth, and shouts a few words to the man in the yellow shirt on the left side of the screen. As he shouts, his head bobs up and down, then he turns around to face away from the camera and walks off into the distance. On the left side of the screen, the man in the yellow shirt is sideways to the camera, facing to the right of the screen, with his body slightly leaning back to the left side of the frame, looking up and down at the man in the flowery shirt in the center of the screen.


On the left side of the screen, a woman's right hand is holding a pair of metal scissors with her thumb and middle finger inserted in the loop of the scissor handle, repeatedly opening and closing the scissors, imitating the gesture of cutting something. The camera also slightly moves in closer to focus on the scissors.


In the scene, a pair of hands is holding a mobile phone, with the index fingers of both hands pinching the upper side edge of the phone. At this moment, the right thumb taps the screen, and the phone's screen switches to an article interface. Then, the thumb slides down to the bottom of the page.


On the right side of the screen, a person stretches both hands straight to the right edge of the screen, facing the camera and looking at something outside the right side of the frame that is pulling their hand. Using his right hand, he bends his left hand so that the palm faces outward with the fingertips perpendicular to the ground, and then he switches to his left hand to bend his right hand in the same manner. Next, he interlocks his fingers with the palms facing outward, flips them over, blinks his eyes quickly twice, and then with the fingers still interlocked, he pulls his arms back to his chest.


The camera rotates counterclockwise to the left side of the screen, and a pot appears in the frame. At the same time, white steam rises around the pot towards the top of the screen. In the distance on the left side of the frame, an electric fan is rotating. Then, the camera zooms out, and a man appears on the left side of the screen.


The camera focuses on a person's right hand, then pans to the upper left as the person's left hand extends from the lower right of the frame. The right hand holding a tent connector approaches a black pole and attaches the connector to it. Both hands then move out of the frame from the bottom edge. The camera pans to the lower left, showing the person's left hand gripping the black pole and sliding down along it slightly towards the lower left of the screen. The right hand takes another tent connector and fastens it to the pole, after which both hands leave the frame from the bottom edge again. The camera pans left and down once more, with the left hand holding the black pole and the right hand attaching another connector to it. The left hand then leaves the frame from the bottom edge again, while the right hand reaches down. The camera pans left and down once more, showing the left hand holding the black pole and the right hand in the background of the frame picking up a tent connector from the ground.


In the center of the screen, slightly to the right, there is a man wearing a hat, an orange shirt, and glasses. He is speaking, facing the camera with his eyes looking to the left outside of the frame. His right hand is open with five fingers spread, palm facing the camera. He moves his hand down and then raises it with the palm facing himself, then quickly moves it to the bottom right of the screen. He then moves it back to the left side of the frame with the palm facing up. Part of his left hand enters the frame on the right and quickly moves out again. The right hand continues to move to the left side of the screen and then quickly shifts to the right. The left hand re-enters the frame from the right, raises, and then moves out of the frame again, while the right hand remains on the right side of the screen. In the background, on the left, there is a partially visible wooden bookshelf with books, and on the right, there is a painting hanging and a table lamp with yellow light turned on.


On the left side of the screen, there are two feet stepping in something orange. The camera moves to the right side of the screen and slightly shakes. Then, the camera moves to the left, and the feet begin to shake at the center of the screen. Next, the camera is about to move upwards. The ground is made of reddish-brown tiles, and there is a water stain at the lower left corner of the screen.


At the center of the screen, a white boat sails towards the camera. The camera first moves backward, then rises, with the bow of the boat slightly tilted to the left side of the screen. There are approximately three people on the boat. On the left side of the boat stands a person in blue, whose hands are constantly moving. On the right side, a person in red steps out. The boat creates waves, and ripples flow across the top of the screen. On the right side of the screen, part of a rock is visible, while on the left, a building with many people on it appears. Most of the screen is occupied by the sea.


The camera captures a downward shot, with the center of the screen slightly lower, where a lawnmower is moving across the lawn. It travels from the bottom of the frame towards the top, and eventually moves out of the frame from the top side.


The camera moves to the bottom left corner of the screen, and on the right side of the screen, a man is standing, reaching both hands into the machine. His right hand quickly turns counterclockwise on the part, and then his left hand grasps the lower half of the part, with both hands alternating in turning it.


The video is a selfie, with two people sitting on the sofa in the center of the frame, facing the camera. The boy on the left is wearing a black tank top, holding the camera with his right hand for the selfie, and his left hand is by his mouth as he looks to the right of the frame. The girl on the right is wearing black clothing and holding the phone with both hands. At this moment, the girl's phone on the right falls down, and then she turns her head and leans back on the sofa. The boy on the left lowers his left hand and speaks to the camera.


The blurred background of the scene features a bungalow decorated for Christmas, with white walls and pillars and eaves adorned with star lights. In front of the house, there are several Christmas trees with lights, and a blue car parked on the right. The ground is covered with snow, and at the bottom of the frame, there are several wooden blocks, with a flame burning in the middle one. To the left of the center, there is a man wearing a scarf, a black coat, and khaki pants, and to his left is a woman with blonde hair, wearing a red coat and black pants. The man is looking to the right, slightly lifting his left hand, and has said something. The woman turns her head to look at the man on the right and speaks to him, moving her gloved hands from her chest to the front of her body, crossing them below. The man also turns to face the woman to the left while she is speaking.


The video is shot from a first-person perspective looking down, with a piece of wood in the center of the screen holding some small twigs. Below the twigs, smoke billows out and flames ignite. At the same time, a hand flashes across the top of the screen, followed by the fire growing stronger. Finally, another hand reaches in from the top right corner of the screen.


The word "Action" gradually appears from a yellow exploding mushroom cloud, while "Heroes" slowly diminishes in size to reveal itself from the center of the screen, ultimately coming to a stop in a fixed position slightly below the center. At the same time, the red explosion patterns in the background slowly move in a scattered manner, adding to the dynamic feel of the scene. The background also includes images of many classic action heroes, each with their own expressions and postures, full of strength and momentum. The entire screen is filled with energy and tension, creating an exciting atmosphere.


In the center left of the screen, a woman in a skirt is standing with her back to the camera; her left hand naturally hangs down, while her right hand gently moves to the right side of the screen, then shifts to the left side, extending her right arm, and finally bending it. In the center of the screen, the man in a floral shirt slightly inclines his body towards the left side of the screen, with both hands placed gently on his chest moving slightly side to side, and finally his left hand moves a bit downwards. To the right in the distance, a boat is moving towards the left side of the screen. Behind the man in the floral shirt is a white car, and at the very left of the screen is an off-road vehicle.


In the center of the screen, slightly to the left, three creatures resembling dinosaurs are lined up in sequence, swimming towards the camera first, and then towards the right side of the screen. They open their mouths, showing their teeth, while their bodies, limbs, and tails sway. The first creature disappears to the right of the screen, while the other two appear side by side in the middle of the frame. The camera moves downward first and then to the right of the screen. There are many bubbles in the scene, the water is blue, and there are many aquatic plants surrounding the area.


In the center of the screen stand two anime characters, with the one on the left being shorter and the one on the right being taller. Both are facing towards the left side of the screen. Rain is falling from the top of the screen. Then, the taller character raises their left hand to their forehead, and both characters close their eyes. Following this, the taller character removes their hat and leans towards the right side of the screen. The camera zooms out, and a carrot and a strawberry enter the frame from the right side.


The screen focuses on some slime stuck on the wall. From the right side of the screen, a hand reaches in, holding a bunch of green slime in the middle of the frame, pulling it to the right side of the screen. The camera pans to the right, revealing a larger patch of purple slime on the right side of the wall. The hand presses the green slime onto the purple slime. Then, another hand reaches in from the bottom of the screen. Both hands press on the green and purple slime, pushing them on the wall.


A person wearing a yellow shirt is sitting on the edge of a mattress, located in the center background of the scene. The left hand is supporting the knee, while the right hand holds a brush, dipping it into a pink bucket on the left side of the picture to wet it, and then brushing the mattress. Afterwards, they stand up to brush the far end of the mattress. After finishing, they leave from the left side of the scene.


Close-up handheld shot with slight camera shake. In the center of the frame, a woman is sitting in the driver's seat, facing towards the left of the screen. In the background, central to the frame, a man is sitting in the passenger seat, also facing towards the left of the screen, sideways, looking towards the camera. He is holding a cigarette box in his right hand, offering it to the woman. The woman looks at the cigarette box in the man's hand, takes a cigarette with her right hand, and puts it in her mouth. The man then extends his right hand, holding a lighter, to light the cigarette for the woman. Afterward, the man takes the cigarette box with his left hand and places it under the windshield on the left side of the screen. Simultaneously, the woman switches to holding the cigarette between her index and middle fingers, takes a drag, and then sets it down. The man picks up a bundle of money from the side of the seat with his right hand and starts counting it. The woman, with the cigarette in her mouth, also reaches for a bundle of money with her right hand from the side of the seat. After taking the cigarette out of her mouth, she flutters the money twice. Then the man, holding the money in his right hand, looks at the woman, wags the money at her, and then tosses it under the windshield. The woman glances in the direction of the man, then puts the money in her bag and takes a drag on her cigarette. The man bends down again and picks up two more bundles of money, shaking them. The camera slightly sways to the right. The woman takes the cigarette between her left index and middle fingers, and with her right hand, she stuffs one of the bundles of money that the man had taken out into her bag, while the man again bends down to take out two more bundles of money.


In the center of the screen, slightly to the right, a man is looking towards the upper left corner of the frame while facing the camera. He is holding a green golf club in his hand; the clubhead is pointing towards the top of the screen. The golf club is moving downwards in the frame and leaves the camera's view from the bottom of the screen.


In the center of the screen, a man wearing sunglasses is sitting in the passenger seat of a car, turned slightly towards the camera. The man turns his head to speak to the camera, then turns to look ahead, glances out of the car window, and keeps talking non-stop. Outside the car window, there is an orange sports car.


The camera shoots from above, and at the start, the center of the screen features a woman wearing a purple scarf, a white top, and blue pants, sitting on a stool and looking into the lens. In the lower right corner of the screen is a man wearing a white baseball cap and glasses. To the left of the screen is a wooden cabin, and the camera slightly moves to the left. Then, the camera shifts down, focusing on the man in the lower right corner. Now, at the center of the screen is this man in a blue shirt, wearing a white baseball cap and glasses, with a white beard. His right hand is placed on a red box, and his left hand is on his waist. He is looking up at the camera, speaking. In the upper left corner of the screen is the woman who was previously sitting at the center.


The camera zooms in and rotates to the left side of the screen. In the center of the scene, a woman in a red shirt is holding a baby in white clothes and looking at the baby. The baby's left leg is raised, and the woman supports it with her right hand. She then looks up at the camera, lowers her leg, looks back at the baby, and uses her right finger to point at the baby's mouth and caress it. She later looks at the camera again, then back at the baby, and they make eye contact. The baby starts to smile, and the woman laughs and moves away. The camera rotates to the left side of the screen, then to the right side, zooming in. The woman on the left side of the screen looks at the baby and points to the baby's mouth with her right finger. A hand appears at the lower left side of the screen, pinching the baby's left sleeve and then letting go, moving downward and disappearing at the lower left corner of the screen. The camera zooms out, and the woman looks up to the upper side of the screen.


The video footage is shot with a handheld camera. In the scene, a display screen is placed on the desktop, showing an image of a gray sports car. The camera lens then slightly moves closer to the screen, followed by a turn to the right side of the frame, and then quickly returns, zooming in closely on the gray sports car on the display. Subsequently, the camera lens moves backward, away from the screen, and then turns to the right side of the frame, with the display screen exiting the shot. The scene becomes dimly lit, and the camera moves closer to a guitar placed inside a guitar case. Suddenly, the scene brightens up, revealing the guitar in the case to be red, with the case placed on a yellow ground, as the camera slightly turns to the left side of the frame.


The scene in the image is from the first-person perspective of a person riding a motorcycle. In the tunnel, both the left and right lanes are filled with parked vehicles. The person filming is driving the motorcycle down the center of the road, weaving through the traffic jam, with cars quickly flashing past on both sides of the frame.


On the left side of the screen is a woman in a suit, facing right, with both hands holding a small bag. On the right side is a man in black clothes, facing left and saying something. He then turns his head to the left at the back, looking at the woman on the left side of the screen, and then extends his right hand to the left to hold the left hand of the woman on the left side of the screen. He then withdraws his right hand to the right. At this point, the background of the screen is a closed window.


In the scene, two hands are placed parallel on top of each other, then the two hands are held vertically in the air, leading the camera to follow their movement. The camera switches, and on the right side of the screen, a woman with long curly hair stretches out her arm and turns her face to look at the man on the left side of the frame.


On the right side of the screen, a long-haired woman in a black leather jacket faces the camera with her head slightly tilted to the left side of the frame. She holds a mobile phone in her right hand up to her chest, and with her left hand, she briefly touches her hair before letting it go. She leans towards the left side of the screen and then combs her hair a few times with her right hand from top to bottom. She then places her left hand on her head, grasping her hair and repeating this action. Finally, she brings the phone close to her, partially covering her face, with her left hand resting beside her face. The background is blurred, and there is a red light on the left side of the frame.


On the right side of the screen stands a man facing the camera, wearing a blue vest and sporting curly hair, with the perspective looking to the left. There is a girl wearing a white school uniform shirt, with twin ponytails tied with bows. In the scene, the girl initially makes gestures to the man on the right side of the camera while saying something and smiling. She then points to the two men on the right side of the screen with her left hand, still talking. She turns towards the direction of the camera lens, and behind her to the right, outside the frame, there is a man wearing a white shirt. The background features a whiteboard and a brown wall with plants attached to the left.


A bearded man appears on the screen, turning his body to the left while facing the camera, his gaze fixed to the left. Then the scene cuts to a man equipped with weapons, who transitions from a crouching position to a standing and bent posture, quickly moving towards the camera. The scene then changes to a woman in white, looking upwards to the right, her hand gripping the weapon in front of her, turning it from the left towards the center of the screen. Following this, there are scenes of explosions and vehicles speeding past.


The scene is shot with a fixed lens on a car. The lens rotates to the right of the screen and then zooms in. The car moves forward. On the left side of the screen is a green sports car, and on the right side is a red sports car. The lens zooms in, and the red sports car accelerates to the center of the mid-ground. Immediately, the green sports car changes lanes to the right direction of the screen. The scene cuts, and both the green sports car on the left and the red sports car on the right continue to drive forward.


The camera slows down, showing several people standing in a park. In the foreground on the left, a woman with her hair tied up is facing right, while in the center, a woman with an afro is facing left. Both raise their right hands to high-five, then lift them up before separating, with the woman in the afro opening her eyes wide. To the left in the background, a thinner man and a fatter man raise their right hands, their bodies slightly turned towards the right of the frame. The thinner man, closer to the center, stretches his right hand out to the right of the frame, then retracts it, turns around with a clenched fist facing left, while the fatter man lowers his right hand. To the right in the center of the background, a man in a red shirt initially looks to the left, then turns his head to look right, swinging his right arm back and forth. On the far right in the background, a woman in a hat looks to the left, raising her hands to shake them. The woman with tied-up hair in the foreground steps back to the left, lowers her right hand, then raises both hands pointing at the woman with the afro. The woman with the afro jumps towards her, and both raise their hands to high-five. The woman in the hat in the background leans sideways to look at someone beside her, then stands up straight. The fatter man on the left in the background claps once, and together with the thinner man beside him, raises both hands to high-five. The man in the red shirt in the center-right background also claps once, bending his right arm up towards the left of the frame, then turns to look at them to the left before turning his head to the right. The two in the foreground lower their hands in turn, then raise them up again to jump and high-five, backing away smiling respectively. The woman in the hat applauds, then raises her fists and steps backward, making a celebratory gesture. The four in the background also raise their arms to swing them.


The camera first moves to the left and then down. In the frame, inside a room, a woman in a gray top, wearing silver earrings, and with her golden hair in a bun, is standing sideways looking to the left of the screen. The scene cuts, and on the left side of the frame, a man in a black top with grayish-white beard and long hair is standing sideways, looking to the right of the screen.


In the foreground of the scene, a little girl is squatting on the ground with her back to the camera. In the center background, a woman is squatting on the ground sideways to the camera, looking and talking to the little boy on the left side of the frame. The boy looks at the woman, then bows his head to select a paintbrush from the ground, while the woman also looks at the paintbrush and speaks. The boy picks up a paintbrush, and the woman, with her right hand, holds a yellow paintbrush and points it at the paper on the boy's leg. In the end, both the boy and the woman look to the right side of the frame.


The screen reveals the legs of two people; the person in the foreground is wearing red pants, while the person in the background is wearing black pants. They are running towards the left side of the screen, and the camera follows their movement.


In the center of the screen is a woman in a floral dress with her back to the camera. On the left side of the screen, there is a man in a flowery shirt facing the camera and talking. The woman in the floral dress successively waves to the left and right of the screen, slightly turns her head to the right, and then raises both hands. In the background of the scene, there is a white car with both doors open.


The screen is divided into two parts, left and right. On the left side, a woman is sitting facing the camera, talking, with her right hand tapping the armrest of the sofa, and her left hand continuously gesturing, finally pointing to the direction on the right side of the screen. On the right side, there is a scene of a man and a woman fighting. The woman is on the left side of the screen, sideways to the direction on the right, while the man is on the right side, facing the direction on the left. The man starts with a right hook to the woman's face, which she dodges by squatting and bending down. The camera switches, and now the woman is on the left side, continuously throwing left and right hooks at the man's face on the right side, successfully hitting her target. The camera switches back to the perspective of the woman on the left and the man on the right, where the woman continuously punches the man's face with left and right hooks, left and right hooks, and finally, she turns clockwise and finishes with a roundhouse kick to the man with her right foot, successfully knocking him down.


The male in the green clothing on the left side of the screen is facing right, with his profile turned towards the camera, looking to the right of the screen. The person in the gray coat is facing the camera with his hands crossed in front of his waist, his fingers interlaced, and he is looking at the bottom right corner of the screen while speaking. He then takes a step back towards the camera, turns his head to the left side of the screen, and looks down to the left. He then looks up to the upper left of the screen, continuously speaking the whole time. The person in green nods. The one in the gray coat keeps talking while bowing his head, looking to the left side of the screen, and the person in green nods again. He then glances downwards, looks to the lower left of the screen once more, spreads his forearms to the sides of the screen, and then brings his hands back in, crossing them in front of his waist. The person in green nods again and opens his mouth. On the wall in the background to the right of the screen, there are several promotional posters.


In the scene is a woman wearing a pink coat. Her body is slightly turned towards the right side of the frame. Her two hands make a rotating motion on either side of her body, and then she starts to shake her shoulders with a smile on her face, staring intently to the right of the frame. She also moves a bit to the right, walking towards the center of the picture. She keeps dancing with her two hands continuously twisting. Even though it's only a view of her upper body, it's evident that her body is continuously moving to the beat. Her hands make many movements as if patting the ground, then her right hand extends with the index finger pointing to the sky. Immediately after, she pats her chest and left shoulder, followed by opening her palm and placing it next to her ear, and then she makes a counterclockwise spin.


In the scene, four children are standing facing the camera. The girl with stripes on the left side of the frame turns around to look at the girl in the black hat to her left and opens her mouth to speak. The girl in the black hat raises both hands to her chest. At the same time, the girl in the patterned top and pink skirt on the right side of the frame turns her head to look to the left of the scene. Following this, the girl with stripes turns around to face the camera, speaking and clapping. The girl in the black hat raises her hands to her cheeks and turns to face the camera. The girl in the pink skirt on the right side of the frame turns her face towards the camera and smiles. Then, the girl in the black hat applauds vigorously towards the camera, while the girl in the pink skirt steps back, raises her hands, and the girl with stripes extends her right hand to the right side of the frame. The girl in the black hat extends her right hand to the left side of the frame. The girl with stripes quickly withdraws her right hand and then extends it again to the right side of the frame. The girl in the patterned top and the girl in the red skirt look at the table, while the girl in the black hat bows her head to look at the right side of the frame.


On the left side of the screen, a man with long hair is chewing something. On the right side, a woman with long hair is turned sideways, facing right and speaking with her head down, then she lifts her head to speak. In the background of the scene, there are a few people standing. The camera cuts to a woman in red clothes wearing glasses, sitting on the sofa and crying, her right hand covering her face.


On the left side of the screen, there is a man wearing a striped short-sleeved shirt, standing sideways to the camera, facing towards the right of the screen. On the right side of the screen, there is a man dressed in yellow, standing sideways with his back to the camera, walking towards the right of the screen, and then turning around to face away from the camera. On the right side of the screen, a man in pink shorts is walking towards the left of the screen with his back to the camera. The man in yellow turns his head to look at the man in pink shorts.


In the foreground of the scene are two elderly people with white hair. The person on the left is wearing a dark shirt, and the person on the right is wearing a light blue shirt. The person on the left is almost motionless, only his gaze moves back and forth between the map in the background and the man on his right, nodding slightly when the man on the right speaks. He watches the man in the light blue shirt on the right making gestures. First, the man on the right is just talking, looking at the man on his left, making gestures with both hands as if to express some thought to him. Then, the man on the right bends slightly forward, placing his right hand on the screen behind them, moving it up and down along a black stripe. Then he straightens up, withdraws his right hand, and continues to make gestures with both hands in front of his body, looking at the man on the left. Then his right hand makes a slight circular motion, as if emphasizing something on the screen in the background. He continues to talk, his gaze slowly shifting from the man on his left to the scene, and finally, his gaze moves back to the man on his left, but his right hand still points to the screen behind, as he continues to speak.


In the scene, a silver tram is in the middle of the road, heading from the right side of the screen to the left. After the tram passes, a white car stops at the intersection, and several pedestrians begin to cross the zebra crossing.


A right hand reaches out from the right side of the screen, picking up a plate of chopped onions from the desktop, turning and walking towards the right side of the screen. The camera follows, keeping a close-up of the chopped onions in the plate. In the background, a person in blue clothes can be seen holding a mobile phone in their left hand and a kettle in their right hand, standing in front of the stove, to the right of the screen.


In the scene, one can see a person dressed in dark blue jeans and a blue striped shirt sitting on a sofa with their body facing towards the left side of the frame. There is a laptop on their lap, and both of their hands are placed on the keyboard of the laptop, gently pressing on the keys. In the lower right corner of the frame, close to the edge of the picture, the hand and knee of another person are visible, but the rest of their body is not.


The screen shows an animated clip. In the center of the screen at the beginning is a white table placed on the ground, with a pink board on top of it. Standing on the pink board is a cartoon character in the shape of an avocado. Beneath the table, there is a yellow pear lying on its back with its head facing to the right rear, and it looks very distressed. The avocado character raises both hands and initially looks down at the yellow pear lying on the ground. Then, it closes its eyes and bends its legs. From the left side of the screen, two cartoon characters enter through the door of the house. One is yellow and wearing a purple skirt, and the other is a round egg character wearing a green skirt and a purple hat. The background of the scene is a house with orange walls. Behind it, there is a blue sofa and a yellow cabinet. The two characters enter and initially look towards the center of the screen at the avocado and the pear. Then, the pear wearing the purple skirt opens its mouth and eyes wide in shock, and the yellow cartoon character with the purple hat also opens its eyes wide in surprise.


In the center of the screen, there are two green peppers being roasted on the stove. On the right side of the screen, a hand reaches out to flip one of the green peppers over and places it back on the stove to continue roasting. Then, the hand from the right side retracts and moves off-screen to the right.


The background of the scene is a stage, with a gray-yellow floor below. Only the lower part of the screen is illuminated, while the upper part is shrouded in darkness. At the center of the scene, there are ten people divided into two columns on the left and right, with five on each side, sitting facing each other, consisting of both men and women. The closest to the camera on the right is a man in black kneeling, looking to the left. On the left, there is a man in a gray tank top standing, with his body facing the camera and walking towards it. His head turns to the right and slightly back, while his left arm raises and then lowers, followed by his right arm slightly bent in front of his chest. Then, the man in gray places his right hand to his side, turns his head towards the camera, bows his head, and jogs down the stairs towards the camera. The camera slightly trembles with his running and moves slightly downward. The man in black sits in a kneeling position on his calves, supporting his thighs with both hands, turning his head to the right and then looking towards the camera's direction.


The camera angle is a top-down shot from a first-person perspective. On the right side of the screen, a hand picks up a spoon from the left side of the frame, which contains a coffee-colored powder. The person lifts the spoon, brings it close to the lens, and finally, the spoon appears in the center of the screen.


In the center of the screen, the lower half of a man appears. He is wearing blue pants and has his hands on his thighs, dragging his body forward with the leg he's supporting. As he approaches a house, the camera moves upwards, revealing that the man is wearing a blue shirt, a necklace, and has a yellow cloth in his left arm. His gaze is vacant as he looks ahead. Then, he starts to pant, and at this moment, the camera pulls back to face the man. A long-haired woman in a purple dress appears on the steps in front of the house, facing the camera with her hands on her waist. Below the steps is a man in a black shirt and gray pants, who has his left hand on the woman's right arm, continuously caressing her. The woman then pushes the man away with her right hand, points at him, and seems to be speaking. At this point, the man's body falls downwards.


In the center of the screen, a man is squatting on the ground facing the camera, holding a metal ring with both hands, looking down at the ring, and he is turning the ring towards the camera.


In the center background of the scene, a blonde woman in a white coat is talking on the phone with her right hand, while her left hand is near her neck. She then extends her left hand forward to her chest, palm up, while looking towards the left side of the canvas. In the left foreground of the scene is the upper half of a woman in black on the right side, and on the right foreground is the upper half of a man in black on the left side. The woman in black is holding food from the center bottom of the scene with her right hand, bringing it to her mouth, and then points to the man with her index finger. The man in black has his left hand slightly raised, continuously chewing, and he raises his right hand with fries in it while speaking. There is a Christmas tree on the left side of the background.


In the right side of the screen, a man is sitting. He faces the camera with his left hand on his chest and his right hand on his stomach. His head slowly reclines back as he looks upward towards the top of the screen. He takes a deep breath with this posture, and then repeats the deep breathing with the same motion.


The camera is placed inside a stationary car in the foreground, from the driver's perspective, another car can be seen outside the passenger window, with both cars facing towards the left of the frame. In the other car, a man wearing a knitted cap is in the driver's seat on the left side of the background. Initially looking towards the left of the frame, he turns his head to look in the direction of the background, then turns again to face the camera, speaking to the blond woman in the front passenger seat. His right hand is on the window, moving occasionally and making gestures. Vaguely visible, the passenger in the background car occasionally extends their right hand towards the left of the frame, making gestures. The blond woman in the front passenger seat on the right side of the foreground looks towards the car in the background, with her hair being blown by the wind. She slightly nods her head, waves her right hand, and then turns her head towards the camera. Partially visible in the driver's seat on the right side of the foreground, a man in black turns his head to look at the man with the knitted cap, raises his right hand to make a gesture, then lowers it while speaking. He then raises his right hand in a peace sign and shakes it while sticking out his tongue.


People on the road are moving from the left side of the screen to the right. In the foreground of the scene, two people with their backs to the camera are moving from the bottom of the screen to the left. At the same time, a girl in a denim jacket on the left side of the screen is moving laterally to the right with her back to the camera. After reaching a man wearing blue sunglasses, she turns to the right, raises and bends her left hand. The camera pans to the right, positioning the two on the left side of the screen, with the man raising his left hand and bending it, facing towards the left of the screen.


A person wearing gloves is standing on the right side of the frame, bending over to manipulate a craft item in the center. He first uses his right hand to tap and press the bottom of the craft a few times, then grabs the upper part with his right hand and slightly lifts it. Taking the opportunity, he inserts his left hand into the bottom and adjusts the shape with his hand. After that, he puts the craft down and gently caresses the surface with the back of his right hand a few times before straightening up and walking towards the left side of the frame.


A man faces the camera, holding a knife in his right hand and a sharpening rod in his left. He stares directly into the lens, continuously manipulating the knife with his right hand to move it up and down on the sharpening rod. Occasionally, his right hand appears in the frame. Then, the man's head tilts to the left side of the picture, followed by him throwing his head back and lifting his chin.


In the center background of the scene, there is a person in black facing the camera, holding a plate in their left hand and using their right hand to pick up a takoyaki ball with chopsticks. To the left of the screen, there is a large baking mold. The person in black places the takoyaki on the plate and then extends their chopsticks downward, picking up five takoyaki balls one by one and putting them into the plate.


The screen shows a blue sky, with a white ball falling from the top of the screen to the bottom. The camera quickly moves down, following the ball as it drops onto the lawn, then bounces to the right side of the screen and disappears. The camera zooms out and moves to the left, revealing many people walking towards the right side of the screen or the camera, with some standing still. There are trees and their shadows on the right side of the screen, and a blue banner with white and blue text is seen at the top of the screen, with a white logo in the lower left corner. The scene changes, showing a person in a white shirt standing on the left side of the screen, facing away from the camera, holding something in their left hand. On the right side, a person in a black shirt is swinging a golf club, also facing away from the camera. The golf ball flies towards the left side of the screen, and the camera follows, zooming in. The person in white takes the club with their left hand and then switches it to their right hand. In the background at the bottom of the screen, there are many people standing on the lawn, with the same blue banner with white and blue text at the top of the screen, and a white logo in the lower left corner. The scene changes again, focusing on a person wearing a black hat, facing away from the camera and bending over in the center of the screen. They slightly swing the golf club towards the left side of the screen. The golf ball rolls to the left, and the camera slightly shakes. The banner with blue background and white and blue text appears at the top of the screen, with the white logo in the lower left corner. Once more, the scene shifts, showing the person in the black hat bending towards the left side of the screen, holding the club with both hands and slightly swinging it towards the camera. The ball drops into the hole at the bottom of the screen. The person in the hat bends over, reaching their left hand into the hole to retrieve the ball. Below is the lawn, with many people in the background. The banner at the top of the screen has changing text on a blue background, and there is a white logo in the lower left corner.


The camera focuses on a man whose left hand is strumming the guitar while his body continuously turns to the right. He occasionally nods his head, and the camera keeps zooming in to magnify his movements. Then, the man turns around towards the bottom left corner of the screen, tilting his head to the right side of the frame, immediately followed by bowing his head to the right and then straightening up again. In the background, in the bottom right corner, another man is seen playing an instrument. In the end, the man's hands disappear from the frame.


Shot from the first-person perspective, you can see that at the beginning of the scene, there is a swing with colorful cushions and suspended on both sides by ropes directly in front of the camera. In the distance of the scene, there is a chair made up of a white board facing the lens. The camera then moves closer to the direction of the swing. On the left side of the screen, the main subject uses their left hand to lift up the white cushion on the white chair. The back of the white chair is a fence made of brown and white boards, and in the upper left corner, there is a blue basket.


At the top of the screen, a blurred silhouette swims towards the camera in the rippling blue water, then moves his hands to both sides to paddle. A man wearing a swim cap and goggles emerges from the water, facing the camera, with water streaming down his body. The man's body bobs up and down, revealing a toothy smile. The camera shakes slightly, then moves upwards in the frame. The scene is an outdoor swimming pool.


The screen moves down to the right, with the camera panning down to film a white dog; the image gradually becomes clearer from blur. The white dog in the frame is standing in front of a water dispenser, sideways to the camera, facing right in the direction of the screen, lowering its head to eat the dog food in front of it, and finally the camera moves upwards. To the right of the screen, a person is standing, with only part of their body visible.


In the center of the screen, a woman lies flat on the ground with a man pinning her hands down. Kneeling on the ground with his legs apart, the man straddles her waist. The woman struggles, using her waist to push against the ground, and the camera follows their movements to the right. Subsequently, the woman flips over and pins the man beneath her, straddling his waist. At this point, the camera cuts to the front of the two. The woman frees her hands from the man's grasp and quickly fishes an item from his pants pocket. She then proceeds to search him from the waist down. Finally, she half-kneels and moves away. In the scene, the woman is wearing a light-colored tank top, exposing her arms and part of her shoulders. Her hair is thick and curly, cascading onto the ground and over her shoulders. The man is dressed in black athletic pants with red stripes down the sides, and his upper body is bare, showcasing his muscular build and the tattoo on his back. His white sneakers stand out prominently. The whole scene is dimly lit with rough ground and yellowish lighting, creating an atmosphere of tension and confrontation.


The scene shows a group of people protesting on the street. On the left side of the screen is a black woman with dreadlocks, looking down at her phone. On the right side is a woman standing sideways, wearing a red mask and holding a sign over her head with her left hand. The camera gradually zooms in from a distance to the two women, slowly panning from showing their full bodies to just their upper halves. At the same time, the woman in the red mask raises her right hand to grip her left elbow, supporting her left arm. Then, the camera circles around the two women counterclockwise, revealing a black man with a red mask continuously clapping, followed by a white woman in a black mask holding a sign to her chest.


In the center of the screen stands a woman in gray clothing with her brown curly hair tied up, holding a brown-haired girl with long hair on the left side of the frame with both hands. The girl is dressed in yellow and both are looking towards the left side of the screen in horror. In the foreground, an elderly man with white-streaked hair, dressed in a brown suit, is falling from the left to the right of the frame. The woman and the girl's gaze follows in terrified anticipation. The woman pushes the girl to the left, bending down to look downward. The girl's right hand releases the woman, while her left hand slowly moves away from behind the woman, stepping out of the frame to the left. The woman widens her eyes and looks up to the left side of the camera, then squats down, her right hand on her knee and her left hand reaching out to the fallen elderly man, her body bending to the right. She glances at the old man, her left knee kneeling on the ground, and then looks up angrily at the left side of the frame, taking a deep breath. She then bows her head and bends forward, picking up the gun on the ground with both hands. The background is a dilapidated indoor setting with rundown walls. To the right of the frame is a locked door. The camera follows the woman's actions.


In the initial scene, on the left side, a man in white clothes can be seen extending his right hand to feel the outline of a car on the right side of the screen, followed by a quick downward pan of the camera. It then cuts to another scene where a person's left hand is caressing the contour of the car, moving from the top of the screen to the bottom. The camera then pans up to reveal a man in white clothes in the upper left corner of the screen with his right hand spread out as if he is speaking. From the reflection on the car body, one can see the face of this person.


A woman wearing sunglasses is located on the left side of the frame, holding a watering can in her right hand and speaking to the camera. On the right side of the frame is a rack covered with climbing plants. As she talks, the woman lowers the watering can in her right hand, raises her left hand towards the right side of the frame, occasionally turning her head to look in that direction. She moves her left hand slightly back and forth across the sides of the frame, then raises it to make a counterclockwise circle. She then glances at the camera, turns her head towards the right side of the frame, extends her left hand to touch the leaves of a plant, and subsequently turns her head back to the camera, speaking while moving her left hand up and down slightly. In the background on the right, there is a white house, and above the background, dense treetops can be seen.


On the right side of the screen is an elderly person wearing light blue clothing, and they are wearing a pair of glasses. Their right hand is in a fist placed on the table, and their left hand is open, resting on top of the right hand. Initially, they are slightly nodding while speaking, appearing to be addressing someone on the left side of the screen. In the frame, only the lower left corner shows their right hand on the table. Then, the person on the right slightly lifts their palm from the wrist, their gaze fixed on the left side of the screen. They continue to speak. Next, they lower their left palm, flattening their arm on the table, while raising their right hand. Their gaze shifts to a computer screen on their left. They spread their right palm, extending all five fingers to form a claw-like shape, as if pointing at the computer screen, making gestures back and forth while continuing to speak.


The lower part of the screen was initially obscured by something, and as this thing moved to the left side of the screen and eventually left the frame, it became clear that the lens was focused on a girl in blue riding a white horse. The girl, riding the horse, was moving towards the right side of the screen, with her hand holding the horse's reins. As the horse moved to the right side of the screen, the girl turned her head towards the camera and smiled. The horse turned towards the camera, starting to walk towards it. The girl continued to look at the camera, smiling, and her body slightly swayed up and down with the movement of the horse.


At the center of the screen, a fire is burning. On the left side of the screen, there is a sausage on a rack, and at the top right, there is a white food item. The sausage is being roasted counterclockwise on the fire, while the white food swings as it is being grilled, with white smoke emerging from the fire pit.


In the center of the screen, there is a man wearing a gray shirt and black pants. His body is turned to the side with his right side facing the camera, and his head is turned towards the screen behind. He is looking at the screen with his eyes, then raises his head, glances at the screen above, and subsequently lifts his left hand. To the right of the screen, there is a man in a blue short-sleeved shirt. His body is turned to the side with his left side facing the camera, and his head is turned towards the screen. He is staring intently at the screen, then raises his right hand, points to the screen, nods his head, and seems to be speaking.


In the scene, there are two people. In the center of the picture, a woman is sitting on a brown sofa. To the right of the scene, a man in blue clothes is sitting next to the sofa, looking at the woman. The woman sitting on the sofa has her body slightly turned to the right and has turned her head to the right to look at the man. Her right hand is holding a light blue cup, which she has to her lips. The man on the right side of the picture has his body facing the scene and his head turned towards the woman on the left side of the frame, smiling. His right arm is stretched out and resting on the sofa where the woman is sitting. In his left hand, he holds a similar light blue cup, which he has placed on his chest. He nods his head while speaking. The woman is about to take a sip of water and then turns her head to the right to respond to the man's words. As the man finishes speaking, he shakes the cup in his left hand.


In the center of the screen, a man is walking towards the background of the scene with his back to the camera. He first passes a wooden shelf on the right side of the frame and a table with cardboard boxes on the left side. Then, he walks past a woman sitting facing right on the right side of the screen. He slightly adjusts his path and heads towards the left background of the scene, with the camera following his movements.


Close-up static shot. On the left side of the screen, a woman is facing the right side of the frame, holding something in her left hand. In the center of the screen, a woman is facing the camera, then turns counterclockwise with her back to the camera. Then, the woman on the left puts the object in her left hand into her mouth, while the woman in the center takes a half step forward to the right of the screen and extends her right hand to offer something. She then turns counterclockwise to face the camera and bows her head, at the same time the woman on the left drops the object from her left hand and turns away from the camera. Next, the camera zooms out, and the people in front of the lens move quickly.


The background features an orange curtain on the left and a white wall on the right. In the center of the scene, two women are standing back to back, facing left and right respectively. The woman on the left, wearing a black top, is tilting her head slightly towards the foreground and looking at the camera, with something spoken from her mouth. Her left shoulder is raised as she twists her body, her right hand touching her left shoulder, lifting her head, then sliding her right hand to the side of her right face, and again touching her left shoulder, bending down while tilting her head. The woman on the right, wearing a top with black hair, is saying something, her right shoulder raised and body twisting, her head swaying from side to side. She then turns her head towards the camera, looks to the left of the scene, smiles, and slightly squats her body as well.


In the frame, there is a woman located on the right side of the screen. Her body is facing to the left of the frame, but she turns her head to face the camera. In her left hand, she holds a black tool, and in her right hand, a piece of tofu. She shows the tofu to the camera twice, then brings it below her nose to smell it. After that, she turns her head again and seems to say something while releasing the tofu from the lower left corner of the screen. She then grasps the tool that was originally in her right hand with both hands.


On the left side of the screen, a man in blue clothes is sitting on the sofa, his body slightly turned towards the right side of the screen, with his head facing the right. On the right side of the screen, a little boy in gray clothes is sitting facing left, with his left side towards the camera. The man in blue has his left hand extended towards the right side of the screen, with his thumb and index finger pinching a small car, while his right hand has grabbed the lower part of the pillow in the center of the screen and then withdrawn it to rest on his left thigh. He releases his left hand, allowing the car to fall along the center of the square pillow. He glances upwards to the right of the screen, then straightens up, placing his right hand on his right leg, while his left hand reaches towards the bottom right corner of the screen. His right hand goes back to his left leg, and he picks up the car with his left hand, with his right hand also reaching towards the center of the screen to grasp the car. The little boy has been playing with the toy car with both hands, bowing his head. The background is a beige sofa, and the distant view of the screen is blurred.


The video was taken by a camera fixed on the car. In the left background of the frame, a green car starts first, while a red sports car in front of the lens also starts simultaneously. The camera moves forward along with it. In the right background, a gray car turns to the left of the frame, and a dark blue car on the right side of the frame turns to the right. The background of the scene is a fork in the road, with a road sign and traffic signal on the left side of the frame.


In the upper right corner of the screen, a man dressed in a black wetsuit falls down towards the center of the screen into the sea. A wave washes over, and the man in the black wetsuit stands up on the left side of the screen.


The scene is set in the corner of a room, with tightly closed white curtains on both the left and right sides of the frame. At the very center is a Christmas tree adorned with numerous decorations. To the right, a woman in a pink sweatshirt is facing the Christmas tree, her body turned towards the left side of the frame. Her left hand holds a brown woven basket, while her right hand is busy hanging a small doll ornament on the tree. She supports the chain of the doll with her hand, hanging it on one of the tree's branches, then adjusts the doll's head to make sure it's securely attached. Smiling, she straightens up and continues to pick out decorations from the basket in her left hand with her right hand. She then takes a few steps back and takes out a black ornament, once again using her right hand to support the chain. She takes a couple of small steps, moving the black ornament to hang on the side of the Christmas tree. At this point, she slightly rotates her body to face the camera, still looking down with her right hand reaching into the basket in her left hand to choose more decorations.


On the right side of the screen is a woman facing the camera, who glances to the left and then to the right of the frame with her eyes, before looking directly into the camera. With her hands on her hips in reverse, she leans forward and smiles at the camera. Following this, her gaze shifts to the upper left corner and then to the lower right corner of the screen.


The right hand, wearing gloves, on the right side of the screen points to the nut in the upper middle of the frame. It then points downward to the right twice, moves to the lower middle of the screen, and then moves back up to grasp the nut. Afterward, it moves downward, opens up, moves back up, then down again while also waving, and finally raises a thumb.


In the scene, two wheels are rotating clockwise, rolling on the ground. The vehicle moves from the left side of the screen to the right side. Finally, the vehicle's support is lowered, and the wheels slightly rotate counterclockwise before the vehicle comes to a stop.


On the right side of the screen, a black pot can be seen, with water inside, in which seven orange objects are floating, presumably fruits. On the left side of the screen, a silver basin can also be seen, filled with water and some floating translucent objects, which could be ice cubes. The camera slightly pans to the left, revealing the left hand of a person at the bottom left corner of the screen, gripping the edge of the silver basin on the left side of the frame, moving the basin to the right side of the screen slightly, causing the water inside to ripple gently. From the right side of the screen, a hand extends in, holding a pair of tongs, which pick up a piece of orange fruit from the black pot on the right side of the screen. The fruit is shaken slightly two times above the basin, causing the water clinging to it to drop into the black pot. Then, the right hand holding the fruit moves towards the silver basin on the left side of the screen, placing the fruit inside. The right hand, again holding the tongs, moves back to the black pot on the right side of the screen, picks up another piece of fruit, and puts it into the silver basin on the left side of the screen. The right hand moves back to the right side of the screen, preparing to pick up the next piece of fruit.


On the left side of the screen, a man with a white beard faces the camera and looks to the right of the screen while saying "ha." His right hand is placed flat on his chest, moving back and forth as he gestures, occasionally nodding, blinking, and raising his eyebrows. In the bottom right corner, two rows of white text appear and then gradually fade out.


In the center of the screen, a woman in a black dress facing the camera shakes the black garment in her hands. She then turns her upper body to the right side of the screen, lifting the garment with her left hand, and pinching the middle of it with her right hand before straightening up and shaking it twice more. She then places the garment on the table to the right of the screen, runs her right hand over it once, and finally, the camera zooms in on the garment. The background of the scene is a room with beige walls.


Close-up shot, at the center of the screen is a woman's face, the woman is facing the camera and looking down at the bottom of the screen, and on the left side of the frame is a corner of a wall. The woman slightly moves towards the camera, then turns to the left side of the screen and looks towards the other side of the wall corner. The camera moves down to the left, focusing on the corner of the wall, which reads "AMORE". Then, the woman places her right hand on the wall and her left hand gently moves up, brushing over several letters.


In the frame is a white man with a large beard, sitting in the middle of the screen. He seems to be making a video call because there are some video icons in the bottom right corner of the screen. He makes gestures with his hands in front of him, then leans forward, getting closer to the camera. He stretches out his right hand to stroke his beard, shaking his head slightly with wandering eyes. Then, many English letters pop up on the left side of the screen, one after another, extending from the bottom left corner to the top left corner. Eventually, the left side of the screen is filled with English letters, looking like a message box someone sent. The man in the middle of the screen seems to be speaking, with a somewhat frustrated expression, and his eyes are still wandering. Then he slightly reclines his head, shaking it slightly.


In the scene is an animated setting, where in the center towards the left side of the screen, a person in yellow clothes and a monkey towards the center right side both have their bodies facing towards the right side of the screen, with their gaze directed downwards. The man says something, then spreads his hands and walks towards the right side of the screen, using his left hand to open the door. Before leaving, he turns around to look at the monkey on the left side of the screen and says something. The monkey turns towards the right side of the screen, then lets its hands hang down.


The lady on the left side of the screen is facing away from the camera, only half of her body is visible. She holds a tablet in her left hand and a pencil in her right hand. She first points at the tablet a few times with her right hand, then bows her head to make notes on the book in front of her with the pencil in her right hand. After that, she briefly glances at the tablet on the left side of the screen before continuing to write.


The scene is shot from a first-person perspective. A person's left hand is gripping the steering wheel, then moves up to grasp it tightly. The camera shake is evident, with a slight backward movement.


The camera moves to the right, and two people, one in white and one in red, ride horses from left to right in succession. Then, they ride down the slope and turn left. The camera moves to the left, and they ride out of the frame from right to left. In the end, the camera focuses forward, and a man with black hair looks up from the bushes towards the camera, swaying his body from side to side.


On the left side of the screen is a woman wearing a pink floral shirt, bending over to face the right side of the screen, her right hand picking up a brush from the bottom center of the screen and dipping it into the blue paint. She then moves to the center of the screen, brushing up and down on both sides of the blue bag, brushing from the inside out, and moving to the center of the screen, brushing from the inside out.


On the right side of the screen, there is a woman speaking. She is wearing a black and white vertically striped dress, with a strand of white hair among her black curly hair. While speaking, both of her hands are raised in front of her chest, with the palms facing each other, continuously waving back and forth. Her gaze first looks to the lower left of the screen, then immediately straight ahead, with her eyes focusing on something beyond the camera lens. The background is a room, with many clothes hanging on the left side of the screen.


At the left edge of the screen, a person in a white top stands with their back to the camera. They then extend their left hand forward and quickly lower it, stepping out of view from the left side of the screen. In the center of the frame, four people sit facing the camera behind a yellow table. Near the camera on the left side is a long-haired woman in a white shirt with a blue checked collar. Her right hand is resting on her left arm as she looks down at the bottom of the screen, then turns her head to look towards the right side of the frame. Further from the camera on the left side, a man in a white shirt sits with his hands on the table in front of him, his lips pursed, then slightly straightens his upper body. To the right of the screen, near the camera, a man in a dark blue vest has his hands crossed in front of him and slightly turns his head towards the left side of the screen. Further to the right, a woman in a white shirt with a blue checked collar wears her hair in twin ponytails. She has her hands on the table in front of her, her upper body inclined towards the right side of the screen as she speaks. She then straightens up, stops speaking, and looks towards the camera. In the background on the left, there is a white table with a gold trophy on it. On the right side, there is a brown notice board with variously colored sticky notes and ten red-background ID photos attached to it.


The scene is a still image. On the left side of the picture, a person wearing green gloves on both hands is facing right, with their right hand holding an object and extending it towards the camera. The background is a grey wooden board wall, and there is a window on the right side of the image. The scene changes, on the left side, a person wearing green gloves has both hands in the white bucket on the left side of the frame, continuously scrubbing their hands, occasionally submerging them in the water. The right hand pulls at the left glove, maintaining the scrubbing motion. The camera slightly shakes, revealing that the water in the bucket is turbid. On the right side of the image, three tools are placed.


On the right side of the screen, a man wearing a black hat has his back to the camera, extending his left hand to pass a box to the person next to him, facing a short-haired woman. The woman looks down at the ground while stepping up the stairs. The man reaches out with his left hand to support the woman's right hand, and the woman sits down facing the right side of the screen. The man finally turns to the right side of the screen, holding the reins with his right hand, then switching to his left hand extended to hold the reins, leaning forward. In the background, there is a man wearing a black fedora leaning against the back of the carriage.


The scene is captured by a camera placed on the side of a car. In the frame, a black car is driving towards the left side of the screen. The camera follows and shifts to the left, then moves down slightly, with the front of the black car positioned towards the center-left of the screen. Then, the front of the black car moves to the very left edge of the frame. Finally, the car with the camera quickly moves, placing the black car on the right side of the screen, facing the bottom-left corner of the frame.


In the initial scene, two figures can be seen. On the left side of the frame is a person wearing a brown shirt, with only their chest and right hand visible. On the right side is a woman in a white tank top, with only her chest and left hand showing. Their two visible hands are clasped together in the foreground of the picture, fingers interlaced, and then they cross, intertwining their hands. In the background, the head of the woman in the white shirt can be seen turning slightly to the left side of the frame, presumably looking at the face of the person in the brown shirt. Finally, their interlocked hands release, and the hand of the person on the left side of the frame gently strokes the neck of the woman in the white shirt, while her left arm encircles the waist of the person in the brown shirt.


A man is standing in the middle of the frame, turned sideways, speaking to the camera. In his right hand, he is holding a plastic bag from an aquarium, while his left hand makes gestures to accompany his speech. Then, the man bends over and uses his left hand to hold open the mouth of the plastic bag, following which his right hand grips the opening of the plastic bag.


In the scene, there are three people standing. The man in the center of the picture is wearing a gray top, facing the camera, looking down at the bottom of the frame with his fists clenched, his left hand on his abdomen, and his right hand on the table to the left of the frame. To the left of the picture is a man in a dark suit, facing the right side of the frame, looking down to the right, with his left hand hanging down and his right hand gripping the table. The woman on the right is wearing a brown skirt, facing the left side of the frame, looking down to the left, with her left hand on her waist and her right hand touching her pregnant belly. The man on the left is smiling and extending his right hand to the right side of the frame, and the man in the center is also smiling and reaching out his right hand to shake hands with the man on the left. Afterward, both men lower their hands, and the man in the center embraces the woman on the right with his left hand, while the man on the left again places his left hand on the table. The woman on the right joyfully raises both hands and then hugs the man in the center of the frame. The man in the center also embraces the woman with both hands. The camera slightly shakes, and the setting is indoors, with a chair on the left side of the frame, a cupboard in the background, and a window and sink on the right side of the background.


In the scene, there is an open book, surrounded by two candles and some silver threads adorned with small lights. It seems there is a breeze, as the pages of the book can be seen slightly fluttering. Then, the page is turned to the right side of the screen. After the page is turned over, it continues to flutter slightly. The page continues to flutter slightly after being turned to the right. Then, the page is blown back to the left side by the wind, continuing to sway gently. The flames of the surrounding candles and the silver threads can also be seen swaying with the wind. Finally, the page is once again blown back to the right side by the wind, continuing to flutter.


On the left side of the screen, a woman in a gray top smiles and looks to the right of the screen, then tilts her head to the right, blinks, and extends her right thumb and index finger to point to the upper right of the screen. She then retracts her hand and places it on the right arm of the man on the right side of the screen, before looking back to the left and extending her index finger upwards as if imagining something above the screen. The man in a khaki coat on the right side of the screen looks to the right, raises both hands to hold a camera to his right eye, and presses the shutter button with his right index finger several times before preparing to turn towards the left of the screen. The camera moves to the right and then remains mostly still. In the background, many buildings can be seen blurred, and there is a vertical pole on the right side of the screen.


In the scene, there are four people. The man on the far left is dressed in dark gray and is sideways to the camera, looking to the right. The second man from the left is wearing a black short-sleeved shirt, carrying a backpack, and is also sideways to the camera, looking to the right. The third from the left is a man in a purple jersey with his left hand raised. On the right is a girl in a denim jacket, her right hand holding the hand of the third man from the left. At this moment, the third man from the left lets go of the hand, walks to the left side of the frame behind the two boys on the left. The girl on the right extends her right hand, indicating she wants to hold hands, and then the boy on the left, who is third and carrying a backpack, reaches out and holds hands with the girl.


In the frame is a woman facing the camera, with a small dog crouching on a platform to the left side of the picture. The woman's right hand holds the dog's raised right front leg, while her left hand slowly strokes the dog's body multiple times from left to right. The dog's right front leg retracts and steps on the platform, and the woman's right hand continues to hold it, while her left hand gently adjusts the dog's facing direction from the hip.


A man sitting on the left side of the screen looks up towards the top right corner and speaks, his eyes moving slowly back and forth, slightly retracting his chin. He then quickly shakes his head from side to side before looking down towards the camera, simultaneously extending his left hand with open fingers and moving it up and down.