The main subject of the scene is a man who has his back to the camera. He picks up a glass of water with his left hand, bows his head to take a sip, and then puts the glass back down. The action of swallowing is accompanied by the movement of his Adam's apple. After a moment, he bows his head again to take a second sip.


On the left side of the screen is a black man wearing an orange shirt and a white apron. He is facing the right side of the screen, sideways to the camera, and holding a green plastic-like object in his hand. He shakes it up and down several times with force before passing it to the little boy in red on the right side of the screen, who then caresses it once with his hand.


The scene features a drum set, with a person's right hand in the center left of the frame, holding a red stick and striking the drum on the right side of the frame up and down. In the background on the left, the person's left hand is also continuously striking a red stick on the left side of the frame, sometimes moving their hand forward to hit the drum in the center of the frame. The right hand reaches forward to continue drumming. The background is a blurred black.


On the right side of the screen, a calico cat faces left, lifting its head to look at the camera. Its eyes are green, adorned with a pattern of brown and black. Both of its ears seem to have heard a sound, moving slightly back and forth. Then, the calico cat blinks its eyes, lifts its head slightly, and then lowers it again, its gaze always on the camera. Suddenly, as if attracted by something, it looks to the right of the screen, squints its eyes slightly, and lifts its head a bit. In the end, it turns and walks to the right of the frame, and the screen gradually fades to black. The background is blurred, but it can be seen that it is green.


In the center of the screen, a monkey is standing facing the camera. With his hands on his hips, he raises his hands to the sides of his body, looks down, and smiles, showing his teeth. He swings his hands to the right side of the screen while lifting his left foot towards the right side of the frame. Then, he swings to the left side of the screen, lifting his right foot towards the left side.


The scene is captured from a fixed perspective mounted on the vehicle, with the car moving forward. In the distance of the scene, there are the carriageway, trees alongside the road, and buildings. Then, in the center of the distant view, a white object appears and moves towards the left side of the screen. After that, the car turns to the right side of the screen and merges onto a fork in the road.


The camera focuses on the hands of a person holding black fabric, who is using a sewing machine to stitch a seam on the purple edge of the fabric. The left hand holds the fabric on the far left, while the right hand supports the right side of the fabric. Both hands are pulling the fabric from the right side of the screen to the left, allowing the sewing machine to stitch up and down along the purple edge. The sewing machine vibrates as it works, and it stops when the left hand releases the edge of the fabric. Both hands then adjust the purple ribbon and the brown furry edge on the right side of the screen, presumably to layer them together for a more perfect seam. Next, the hands place the adjusted purple ribbon and brown edge onto the black fabric, preparing to continue the sewing work.


In the scene, a man in white clothes and a woman in a pink long skirt are walking on a road with their backs to the camera. They are moving together from the left side of the frame to the right side, away from the camera. Beside the road in the background is a house. When the couple reaches the end of the road, they turn counterclockwise to the left. In the distance, at the end of the road, a car appears from the right side of the frame, obscured by the house, and moves from left to right.


The camera shakes, and the main subject of the frame is a piece of black fabric placed on a sewing table covered with striped fabric. The black fabric is positioned diagonally from the top right to the bottom left of the screen. In the bottom left corner of the frame, a person's hands are holding the upper layer of black fabric at the edge of the sewing table on the bottom left. They slightly fold the fabric towards the middle and then unfold it, flattening it out a bit. Then, they pull the left and right edges of the entire fabric down several times until the top part of the fabric is on the sewing table. Next, the person stretches their left hand towards the top right of the fabric on the right side of the frame, moving close to their right hand, which is holding a leather tape measure in the middle bottom of the screen. They then quickly reach towards the top right of the fabric on the right side of the frame and grasp it, turning and moving out of view to the left of the screen.


The text translates into English as follows: The video is a clip from an animated film, with the background set in an amusement park. In the left foreground, there is a man wearing a yellow shirt and a yellow hat, facing sideways to the camera and looking to the right. In the center of the frame is a row of people, all facing sideways to the camera and looking to the right. On the right side of the screen is a girl in a blue short-sleeved shirt, with her back to the camera and her hands extended forward. At this moment, the girl on the right starts running in the direction away from the camera, and all the other people in the frame turn their heads to watch her run.


The background of the scene is set in a supermarket. At the top of the screen is a supermarket shelf filled with products. In the middle of the screen is a little boy, with his back to the camera, pushing a shopping cart. At this moment, the front of the shopping cart is about to hit the shelf. The boy in the picture is turning the cart to the left, until he is sideways to the camera in the middle of the screen, looking to the left, and pushing the shopping cart to the left.


The scene shows a man in the center, crouching in the dark night, his body facing the camera. In his left hand, he holds one end of a branch, while his right foot steps on the middle part of the branch. He then stands up and breaks the branch with both hands holding onto both ends. Subsequently, the scene changes, and the man lifts his left leg, using his left knee to press against the middle of the branch, again breaking it with both hands holding onto the ends.


Camera shot from above, in the frame, a keyboard is placed on the table. On the left side of the screen, the left hand is touching the end of the keyboard, reaching towards the right side of the frame, with the index finger pointing to the silver circle on the keyboard. The left hand is placed on the keyboard while the right hand holds a screwdriver, moving it back and forth over the keyboard, prying the lower right corner of the spacebar.


The video is taken at night, with a car in the center of the frame, its hood already open. On the right side of the screen, a white male is squatting, facing sideways to the camera, holding a long plastic part in his right hand and installing it onto the car. At this moment, he holds the plastic part with his left hand, aligns it with the installation point, and places it down. Then, he positions both hands in the middle of the plastic part, ready to press it down.


The camera quickly zooms out, with a camera at the center of the screen. To the left of the frame, there is a person wearing a blue shirt facing the right side of the screen, operating this camera. In the lower right corner of the frame, partially visible, a person walks towards the left side of the screen and disappears. Then, the lens zooms in to focus on the staircase railing in the upper right corner of the screen. It then zooms out again, and two people appear in the upper left corner of the screen, walking down the stairs towards the lower right corner. The person in the blue shirt turns a disk in the lower left corner of the screen counterclockwise with their right hand. Both the camera and the person move towards the right side of the screen, and the lens also moves to the right and slightly zooms in. The scene is indoors, with a large clock in the upper left corner of the screen.


In the scene, a pair of hands is holding a white towel. The hands pinch the front end of the towel into a point. Then, the right hand grips the towel while the left hand firmly grasps the end of the towel. Afterward, the left hand bunches up the end of the towel into a ball. The right hand then holds up the towel in front of the camera. Following this, the left hand lifts a black keyboard from the background of the scene, and the right hand slides the pointed end of the towel across the keyboard.


The woman on the left side of the screen is talking, holding a pen in her right hand and moving it towards the right ear of the girl in the blue clothes. The girl is smiling and lying on the table towards the right side of the screen, turning her head to her left, with the back of her head facing the camera, and her right hand wiping across her right cheek. The woman's right hand moves towards the camera and then extends again to the girl's right cheek, while her left hand moves to the girl's left side, supporting her flank. The girl turns towards the right side of the screen, stretches out her right hand, and then lies on the table with her upper body, moving towards the right side of the screen. The woman on the left side drops her right hand and then uses it to support the girl's waist on the side facing the camera. At the same time, the girl's right hand moves towards the left side of the screen, holding an orange pen in her right hand, and her left hand props up her upper body, turning towards the camera with a serious expression. Then, the girl's upper body turns to her left, lying on the table and moving towards the left side of the screen. She then leans on the table facing the right side of the screen with her hands on the table. The woman on the left side extends her right hand to the girl's right cheek again, and the girl leans her body towards the right side of the screen, turning her head to the left, and then smiles and turns towards the camera, looking down at the lower left corner of the screen, writing something with the pen. The woman gets up on the left side of the screen, drops her right hand, and looks at the lower right corner of the screen. The girl in blue turns her head towards the camera, gets up on the left side of the screen, raises her right hand, and shakes it towards the woman on the left side of the screen. She then extends her left hand towards the camera, taking the pen from the woman's raised right hand on the left side of the screen. The woman bends her right arm towards the left side of the screen and taps her right index finger to the left side of the screen. The girl looks down at the lower right corner of the screen, swings her left hand behind her, licks her teeth, leans forward towards the lower right corner of the screen, and extends her left hand to the lower right corner. The woman on the left


In the center of the screen, a large and a small person walk shoulder to shoulder towards the front of the picture. As the smaller person passes a larger rock, they first lift their left foot high, then lift their right foot to step over the stone. The larger person eventually also slightly lifts their right foot to step over a stone.


In the center of the screen, there is a bald man dressed in a suit and shirt, leaning on the sofa towards the right side of the frame. His left hand is raised to his face, and then the bald man turns his head to the lower right of the screen, smelling the hand of a curly-haired lady on the right side of the frame. The bald man lowers his left hand, moving closer to the lady while smelling her hand, and then raises his head to look towards the right side of the screen. He says a few words to the curly-haired lady while looking at her face. The camera follows his movements, slightly panning to the right. The curly-haired lady on the right side of the screen is also leaning on the sofa, with her back to the camera, only her head is visible.


Two girls walk from the right side of the screen to the left. The camera zooms out to reveal more of the two. They then walk around a man to the front of a table. The shorter girl places an object in her hand on the table, while the taller girl leans forward, placing the object she is holding with both hands on top of the object the little girl just put down. The little girl then raises her left hand to adjust her hat brim. The taller girl retracts her hands to her chest and sways her body from side to side. Meanwhile, a boy in a yellow sweatshirt pops his head out, leaning forward to look at the objects. The bearded man continues to sit and cut food. Then, the tall woman removes her left glove and raises her left hand to comb her hair. At the same time, the bearded man picks up a piece of food with his left hand and holds it out in front of the yellow sweatshirt boy, who pulls back. The tall woman bends over, and the yellow-clad boy raises a stick with both hands. The bearded man extends his right hand and places a piece of white food under the stick the boy is holding. The tall woman straightens up and extends her right finger towards the direction of the man.


On the left side of the screen, there are two pairs of legs lying on the sofa, extending towards the top of the screen. Four feet are continuously rubbing against each other, and the camera is slightly shaking. On the left side of the screen, there is a gray cushion and a railing, while on the right side, there is a dark brown blanket.


The camera is focused on the hood of a car, which has several blobs of slime on it. To the right of the frame, a woman is facing left, with only part of her body visible. She raises her left hand, spreads her fingers, and presses them against the blue slime on the car, finally grabbing at the blue slime.


In the scene, a woman is standing in front of a kitchen counter, sideways to the camera, on the right side of the frame. The woman is holding a plastic spatula in her left hand and a cup in her right hand, pouring the powder from the cup into a transparent plastic water pitcher. She then puts the cup aside, supports the pitcher with her right hand, and uses the spatula in her left hand to stir the contents of the pitcher in a counterclockwise direction.


At the center of the screen is a very small doll wearing a white lace dress. On the left side of the frame, a hand is gripping the sleeve of the doll's right arm, then it simply reverses the direction, turning the palm upwards to continue holding the lace sleeve. In the end, the hand pulls down slightly to stretch the sleeve flat, and then smooths it once with the index finger. Finally, the index finger points to the sleeve, and the hand moves away from the camera from the left side, while the doll's body continuously turns.


In the center left of the screen, there is a man with short hair wearing a white shirt, leaning slightly, looking down at the desk. On the right, there is a middle-aged man in a black top with his hands overlapping on the table, looking down at the desk with his head bowed. The man with short hair has his left hand on the shoulder of the middle-aged man, nodding continuously, and then looks at the middle-aged man. The middle-aged man is speaking, and then he looks at the man with short hair. In the background, there is a man wearing a black and white checked shirt and a brown vest, facing the camera with his body, while his head is turned down to the left.


On the far left of the screen, there is a sea motorboat facing towards the right side of the frame. In the center of the screen, there are three separate sea motorboats. The one on the far right is quickly heading to the right side of the screen, away from the frame, following the white spray in the center of the right half of the screen. Then, the second and third motorboats also follow the white spray, moving towards the right side of the screen, at a much slower speed than the first. The second motorboat reaches the right side of the screen, while the third one reaches the center. The red motorboat on the left side of the screen is heading towards the center. The lower part of the screen is the sea, and above it is the gray sky.


The scene is a top-down shot. In the frame, there is a man in yellow clothes kneeling on the ground, organizing a cardboard box in front of him. The man takes out several photos from the box and then straightens up. To the left of the man, a woman in jeans is kneeling beside him, and her eyes are also fixed on the photos in the box. The man is holding the photos in both hands, and with his right hand, he hands one of the photos to the woman. The woman extends her right hand to receive the photo. At this moment, the man separates the two overlapping photos in his left hand, holding one photo in each hand. The woman passes the photo to her left hand, and she holds the photo with both hands.


In this scene, a curly-haired lady wearing a striped shirt is speaking directly into the camera. She slightly tilts her head to the right, with her gaze focused on the right side of the frame. While speaking, she occasionally raises her eyebrows, revealing a faint hint of teasing or disbelief in her expression.


The screen quickly rotates to the left side, and the upper body of a woman wearing a red headscarf appears from the left side of the screen to the right side, with a smile on her face. At this time, the lower part of the screen background shows a car with its headlights on. The camera continues to turn left, and buildings appear on the left side of the background; the woman with the red headscarf opens her mouth, and her left hand extends into the frame from the right side, making a V-sign. The camera continues to turn left, and the background changes to a car with its headlights on, driving from the bottom right corner of the screen to the bottom left corner. The camera continues to rotate left, and the car driving changes direction to head towards the camera; the woman with the red headscarf turns her head to the right side of the screen and gradually moves out of the frame. Then, as the camera moves to the right, the woman's face reappears in the frame, with her mouth wide open.


In the scene, two women are facing to the left rear of the picture, smiling and looking to the left side of the frame. The woman on the left has graying hair, and the woman on the right is wearing a white sleeveless top with her right elbow resting on her right leg. The woman on the right extends her left hand towards the left side of the picture and speaks, then retracts her left hand. The woman on the left nods and speaks, then turns her head to the right side of the frame, and then turns back to the left side of the picture and nods again. The woman on the right stretches out her left index finger towards the left side of the frame, then lowers her left hand, and slightly lifts her head. The camera moves down, revealing a background of blue sky and glistening water.


On-board handheld lens. The car with the lens is driving forward, and the lens slightly bounces and shakes. Then the lens pans to the right. The scene changes to a shot of a grassland. In the center of the frame is a fence. The lens slowly moves to the right.


On the right side of the screen is a male wearing a gray top, facing to the left of the screen with both hands installing a black rectangular object on the left side of the car window. He then moves to the right side of the screen, with both hands on the right side, reaching out to the black rectangular object on the screen. His right hand is raised, and his left hand is below the car window, installing a white clip on the black rectangular object, placing it on the car window. Afterwards, both hands move to the right side of the screen, where the left hand picks up the black rectangular object, and the right hand installs a white clip on the black rectangular object.


This is a top-down shot where a muscular man with his upper body bare and wearing black pants stands in the center of the frame with a bracelet on his left wrist. He first bends over with his left hand on his right forearm, then straightens up, moving his hand away from the right arm. He takes a few steps towards the front right of the frame and then looks up at the camera with a smile. The background is dim, and on the right side of the frame, there is an unknown black and yellow, yellowish circular shape that resembles a puddle of water.


In the scene, the man in black is speaking to the camera, swaying his body from side to side as he talks. He throws his head to the left side of the screen and then slightly moves it forward and down. The camera switches, and a man's gun is pointed at the camera, with his head tilted to the left side of the screen and his eyes looking in the direction the gun is pointing.


The camera slowly moves to the right. At the bottom of the screen is the scene of the second floor, where many people are dancing in two circles, with the directions of the two circles opposite to each other. In the background, many people are frolicking on the first floor. Snow is falling from the sky, and ribbons are floating down from above. As the camera moves to the right, the frame reaches the stairs, where some people are going upstairs and others are going downstairs. Everyone is bustling about, filled with the atmosphere of the festival.


In the scene, a person wearing a white hat is sitting in front of the camera, holding a book in their hand and looking down at it. She then raises her head to speak. Afterwards, she looks down at the book again while speaking. A person wearing a brown hat enters from the left side of the screen, and the person wearing the white hat smiles while looking at the person with the brown hat.


A disheveled woman quickly moved to the side of a shelf, braced herself against a box next to the shelf, took out a pair of wire cutters from the lower shelf, and turned around preparing to leave. Beside this shelf, there was another shelf with several boxes on it.


In the frame, you can see a man wearing a light blue suit jacket, a white shirt, and a black tie. He is at the center of the screen, with his upper torso visible. He is slightly nodding his head while speaking, and his body occasionally leans back before returning to its original position. His gaze is fixed on the left side of the screen, sometimes moving even more to the left before returning to the original place. His head is also gently swaying with his speech, moving slightly left and right, and back and forth. The last time, his head swings with a slightly larger amplitude, moving from side to side. Through the transparent glass door in the background, you can see many people walking from left to right or from right to left.


In the center of the screen, a boy gradually approaches the camera. The boy walks slowly on a narrow bridge with his head down, holding onto the railing next to the bridge on the right side of the screen with both hands. He then grabs the tree in front of him and crosses onto a bridge closer to the camera with a victorious smile. The boy then turns around to face away from the camera to his left, his body trembling up and down as he speaks to his companion. He subsequently turns to his right, sideways to the camera, facing the right side of the screen. The boy then twists his head to the right to glance at the camera and gives a smile before looking to the left side of the screen. After that, he turns his head back and stretches out his left hand to pull his companion. The boy and his companion then walk to the right side of the screen.


In the center of the video frame is a pair of hands holding a nail gun, nailing two boards together at their joint in the middle of the screen. Afterwards, the hands holding the nail gun move towards the board in the bottom left corner of the frame to nail it. Then, the nail gun is picked up and moved to the top of the board on the left side of the screen, while the camera follows the movement of the hands. The hands holding the nail gun then proceed to nail the board on the left side of the screen.


In the center of the screen, a man in a red shirt and white pants is standing facing the left side of the frame. He holds a baseball bat in both hands. With his mouth open and gritting his teeth, he raises the baseball bat overhead with both hands, then swings it down with force, lifting his right leg, knee facing towards the left side of the frame, and breaking the baseball bat. Then, he lowers his right foot, raises both hands overhead, tilts his head back, and slams the baseball bat onto the ground on the left side of the frame. At the same time, he bows his head, turns to face the camera directly, kicks his right foot forward and to the right side of the frame, then lowers his right foot, tilts his head to the right side of the frame, sticks out his tongue to lick his lips, and walks towards the camera, finally raising both hands to his ears. The background is filled with many seats, and the ground is a mix of mud and grass.


On the right side of the screen, a woman with short hair is facing away from the camera, watching the subway travel from the upper left corner of the screen in the distance to the lower right corner in a close-up. The subway gradually comes to a stop, and the woman slightly tilts her head to the right. She then prepares to board the subway. At this moment, the camera slowly pushes in the direction of the woman's head and follows her movement.


A man walks in from the left side of the screen. He is wearing a hat and leaning on a cane with his right hand, moving rightward across the frame, away from the camera. In the background is a patch of grass and some small flowers.


In the scene, a teacher is in the bottom right corner, with his back to the camera, facing upper left of the frame, lecturing to the students. He holds a pen in his right hand and is writing something on paper with his left hand. In front of him are five students facing the camera. The lady on the far left is wearing a black mask and a white shirt, with her legs crossed. To the right, a bit farther from the camera, a man holding a blue book in his right hand raises his left hand twice, but seems to get no response. Further to the right, the man in the center of the frame, closest to the teacher, is wearing blue clothes with his legs crossed, also taking notes with his right hand. To his right, the fourth student has his hands folded on his knees, with his left leg crossed. The woman on the far right, dressed in black, is sitting upright, taking notes.


In the scene, a woman can be seen standing slightly to the left of center, with her back to the camera, looking out at the sea in the background. She is standing on a mat atop a large rock. Then, the camera moves slightly to the left, and her left leg steps out to the left side of the frame, assuming a half-lunge stance. Her hands, which were hanging naturally, now rise from the sides of her body to overhead, straightening out. She holds this pose for a moment, then turns her head to the left of the frame, lowering her hands to her sides, held horizontally. The camera shifts slightly to the right, her leg position unchanged, as she begins to tilt her body down to the right, straightening her arms into a vertical position. Then, she continues to tilt her left hand upwards to the right of the frame. Her right hand reaches down vertically to touch her lower leg. Finally, with her right hand on her lower leg, she maintains the lunge position with her legs, while her left hand is pressed against her head, reaching towards the top right corner of the frame. In the background, waves continuously crash.


A man in blue walks onto the screen from the lower left corner, looking towards the Buddha statue on the right side of the frame. He takes steps towards it, raising his right hand to adjust his hair during the process. There is a brief jogging movement, but he immediately slows down his pace, turns, and walks step by step towards the Buddha statue, making a slight nodding and bowing gesture.


In the frame, a man in a blue shirt is standing sideways, with his profile facing the camera, continuously speaking towards the right side of the screen. He raises both hands and then places them on the table. Following this, his right hand begins to gesture in front of his body. In the background, a man in blue clothing walks into the frame from the right side. This man has his back to the camera. Then, the man in the blue shirt looks up and then returns to looking straight ahead.


On the left side of the screen, a woman in a black short-sleeved shirt moves to the right side of the screen and then towards the right background, arranging the bed on the lower side of the screen with both hands, and then returns the same way. The camera switches, and the woman on the right side of the screen picks up a gray pillow with both hands, bends over to the left side of the screen, and places the pillow in the lower left corner with her right hand, then turns towards the right side of the screen.


On the left side of the screen, a woman is lying on the ground with her head facing the camera, wearing a plaid dress. Her hands are bloody and her body is trembling slightly. She props herself up on her arms and lifts her head, then turns her head counterclockwise and raises her right hand to look at it briefly in front of her face. Next, she lowers her right hand and, trembling, raises her left hand to reach for a gun on the bed to her right, which is covered with a red cloth, located on the right side of the frame. She grips the gun with both hands, pointing the barrel towards the camera, and lifts her head slightly with an eerie smile looking upwards. In the end, she drags her body forward towards the direction of the camera.


In the picture are two little girls. The girl on the left is wearing a blue denim jacket and blue pants with white spots. The girl on the right has her hair in a ponytail and is dressed in a gray top and black pants. The two girls are holding hands, with their backs to the camera, walking from the right to the left of the frame. The background is a cluttered street, piled with concrete blocks and traffic signs.


This is an animation segment. The scene is a spacious room with black, white, and purple square baskets placed at the bottom in front of the camera. A beam of red light shines from the top of the screen downward. Under the light, there is a pile of dirty laundry and a anthropomorphic half of a pip-containing avocado. The avocado is standing facing the camera, looking to the lower right of the screen. It blinks, looking confused, and raises its left hand to scratch its upper body on the right side of the screen. The camera zooms in, and it stands up straight towards the left of the screen, extending its left index finger upward, bending its left arm up while opening its mouth wide in a smile. Then it bows its head to the left of the screen, and with both hands, it picks up a piece of dirty clothing and straightens up. Looking to the lower left of the screen, it raises the dirty clothing in its right hand towards the left side of the screen, then blinks and looks to the lower right corner, lifting the clothing in its left hand to the front of its body. Then it looks at the camera. The camera zooms out, and the avocado throws the black clothing in its left hand into the black basket in the middle of the screen, and then throws the white clothing in its right hand into the white basket in the lower left corner of the screen. It then bends over to the left of the screen, looks down, reaches both hands below, picks up a stack of clothes, and stands up.


In the center of the screen, a man wearing a black apron faces the camera directly. His right hand holds a stem glass, gently placing it in the lower center of the screen, then releases the thumb and index finger. His right hand moves backward and stretches towards the center of the screen to pick up a strainer from a stainless steel cup, while his left hand supports the cup simultaneously. He sets down the strainer with his right hand and, at the same time, his left hand raises the cup to chest level and moves towards the left side of the screen. His right hand also moves to the right side of the screen, and his body turns to the right. His right hand slightly moves up and down behind a cup in the foreground on the right side of the screen. The camera slowly moves forward, capturing his right hand holding a spoon to scoop ice cubes into the cup held in his left hand. Then, he extends his right hand to the lower right of the screen, sets down the spoon, and withdraws his hand to the left side of the screen. Meanwhile, his left hand moves the cup towards the left side of the screen, placing it in the lower center and slightly releasing it. His right hand picks up a long, slender spoon standing vertically on the left side of the screen, shakes it up and down, and then moves it to the center. His left hand supports the right side of the cup, and as the camera moves backward, his right hand begins to rotate the spoon clockwise. The final scene shows a blurred background of many cups in the foreground, with a blurred liquor cabinet in the background.


The camera captures the scene from a low angle. The person on the left side of the frame is kneeling behind a hole in front of the lens, facing the camera. With their right hand, they are supporting a bag of cement, while their left hand holds the opening of the bag, pouring a bit of cement into the hole. They then place the bag above the frame. Subsequently, they pick up another bag of cement from above the frame and pour a bit into the hole. Afterward, they fan the air above the hole with their right hand, then crouch down, supporting themselves with their left hand on the side of the hole, and reach their right hand into the cement inside the hole to stir it.


In the scene, there is a road that stretches horizontally from the left side of the screen to the right, with many cars shuttling back and forth on it. In front of the lens, there is a pedestrian walkway that runs parallel to the road, also extending from the left side of the screen to the right. There are pedestrians walking to and fro on the walkway, and one person is riding a bike standing in the green grid next to the pedestrian walkway.


On the left side of the screen, close to the camera, there is a blurred right cheek of a man. It seems the shot was taken near the man's right shoulder. As the camera moves to the left, a man in black clothes stands facing the camera in the right background. His right hand is crossed over his chest, and his left hand is raised with the palm facing to the left side of the screen. Then, his left hand drops, his head lifts slightly as he speaks. Following this, he turns his head to the right side of the screen, while a boy in the left background raises his left hand, seemingly rubbing his face.


The video is filmed from a first-person perspective. In the center of the frame, slightly to the right, there is a brown wooden table where a white square dish with a blue pattern is placed. Inside the dish, there is a round fruit cake. The camera moves closer to the cake, stays for two seconds, and then turns to the left side of the frame. A brown and white spotted dog enters the scene, opening its mouth to breathe and looking at the camera. It then turns its head to the right side of the frame, closes its mouth, and rests its chin on the edge of the table. Afterward, it turns its head back to look at the camera. Following this, the camera quickly turns to the right side of the frame and moves forward to get closer to the cake, capturing the side view of the cake.


In the center of the screen, a blond woman in a red coat with a black handbag slung over her right shoulder is talking to a black-haired man wearing a black sweater under a black coat and a green scarf around his neck. The camera shoots from the right rear of the woman in the red coat, who has her hands crossed over her chest, while the man in the black coat has his right hand gripping the left hand's four fingers, with both hands clasped in front of his abdomen. In the background, a female server wearing a red Christmas hat, a red top, and a white apron is holding two cups of coffee, moving from the left side of the screen to the right, smiling as she watches the two people conversing. The woman in the red coat turns her head towards the server, causing her hair to sway slightly. Then, the woman in the red coat extends her left hand, followed by the man in the black coat extending his right hand, taking the two cups of coffee from the server in turn. The server turns left and exits the frame, while the woman in the red coat and the man in the black coat hold their coffee cups in front of their abdomens and continue their conversation. The man in the black coat holds his coffee with his left hand above and his right hand below, looking down at the woman's coffee in the red coat, swaying slightly before speaking, and then slowly raises his head to look directly at the woman in the red coat with a smile on his face. The woman in the red coat takes out the straw from her coffee, holding it along with the coffee in her right hand, and looks directly at the man's face for a moment before her gaze quickly moves down to glance at her coffee. While listening to the man speak, she looks directly at him and raises her right hand with the coffee to her lips, tilting her head back slightly to take a sip. The camera switches to behind the woman, with the man facing the camera. As he speaks, his gaze quickly shifts to the lower right of the frame, and he tilts his head slightly to the right. Then he turns back to face the woman in the red coat with a smile, continuing to speak. During his speech, the muscles in his neck tremble slightly. After taking a sip of coffee, the woman in the red coat slowly moves the coffee away from her lips and down. In the background, the Christmas decorations and warm lighting in the coffee shop create a festive atmosphere.


A man is facing the camera, tilting his head to the left side of the frame, holding the guitar with his left hand while strumming the strings with his right. The shot continuously zooms in, enlarging the upper body of the man. The wind blows the tablecloth on the left side of the frame, causing it to flutter, and occasionally, the man looks down at the strings.


In the bottom left corner of the screen, a left hand is holding a phone screen, engaged in a video call. The phone screen is centered in the frame, facing the camera, displaying some cargo containers. The perspective in the screen seems to be moving, suggesting that the person inside might be walking forward, as the view continuously changes along with the containers. Outside the frame, the left thumb of the hand holding the phone is making a swinging motion, as if attempting to swipe the screen. In the upper right corner of the phone screen, a woman is continuously facing the camera and talking.


A man is riding a motorcycle towards the left side of the frame, with a woman sitting on the back seat. The man looks to the left side of the frame and lowers his left hand, while the woman looks at the camera and blinks. The man tilts his head to his right. The camera follows the motorcycle, panning left and simultaneously moving down. The man raises his left hand towards the left side of the frame and grips the motorcycle's left handlebar. The camera moves up and accelerates to the left, as the woman turns her face towards the left side of the frame, resting her right cheek on the man's left shoulder. The man furrows his brow and moves his mouth, then relaxes his expression and turns his head to look towards the right side of the frame. The woman raises her head and smiles at the camera, and the man smiles as he turns his head to the right side of the frame, looking towards the bottom right corner, then turns back to the left side of the frame.


The image shows a handmade model, which could be a small door or window. The model is overall red, with a square opening in the center, covered by a horizontal bar. A small piece of white tissue paper is hanging from the bar. At the bottom of the image, a left hand is holding the white tissue paper and moving it back and forth. The camera zooms in on the square opening, as the hand flips over the tissue paper, then points to the right end of the bar with a finger, and finally grasps the bar to open the opening.


In the center of the screen, a man in jeans pulls out a red rope with both hands behind his back, leaning against the trunk of the tree in the middle of the frame. He then ties the rope around his waist with both hands, slowly squats down, bows his head to look at his groin, and with his left hand, he takes the other end of the rope from the lower part of the screen and switches it to his right hand. With his left hand, he then adjusts the rope around his waist.


A close-up shot from above. On the table in the frame, there are some documents, and to the left of the center, there is a calculator. Subsequently, in the lower right corner of the frame, a document held in the right hand is put down, then the right index finger taps the calculator's reset key once, followed by picking up a pen. After that, the pen is held between the fingers, and the middle finger taps the calculator continuously.


This is an animation segment where three people are standing to the left of the screen facing towards the right. One person is wearing a red shirt, another in a blue jacket, and the third in an orange shirt. To the right of the screen, a person in yellow pants bends towards the camera, lowering a monkey with a blue cloak tied on, then stands up straight. The monkey turns to the right side of the screen, then turns to the left, crossing its arms over its chest, looking upwards to the left of the screen, and then nods. The scene cuts to a corridor in a house where the person in yellow is standing facing the right of the screen, with their profile turned towards the end of the corridor, carrying the monkey with the cloak on their back. The monkey faces the camera, looking to the right of the screen, holding onto the left shoulder of the man in yellow with its left hand, and carrying a pot in its right hand, moving its body closer to the man in yellow on the right side of the screen. By the open door on the right, a man wearing glasses stands facing left, holding up a piece of paper with both hands, looking to the lower left of the screen. The man who changed clothes is talking, raising his left forearm, with his left index finger pointing to the lower right corner of the screen. He moves his forearm up and down, repeatedly tapping the paper in the hands of the man with glasses. The man with glasses looks up, towards the upper left corner of the screen.


On the left side of the screen, you can see a man wearing a black shirt who is speaking directly into the camera. As he talks, his head tilts naturally from side to side. His expression starts off as neutral, but later on, he slightly furrows his brow, appearing somewhat concerned. His hands are making gestures, and at the bottom of the screen, you can see his right hand with fingers extended, moving from side to side. Throughout the entire video, he is continuously speaking. In the bottom right corner of the screen, two rows of white letters slowly appear, seemingly indicating the man's name and profession, and then they gradually fade out of the screen.


In the scene, three people are fighting. The man in the middle of the screen is wearing white clothes. The man on the left side of the screen rushes in and hits the man in white with his left hand. The man on the right side of the screen hits the man in white with his right hand. Both men on the sides are dressed in black with yellow bow ties. The man in white spreads his arms to block, then quickly strikes both sides of the men's groins with both arms at the same time, grabs both men's legs with his hands, pulls, and both men fall backward with their heads thrown back. The man in white, with both fists, punches the chests of the two men in black simultaneously. Then, the man in white elbows the man in black on the left side of the screen. The man in black on the left side blocks with his left hand and pushes back the man in white with his left leg. The man in white rotates and flips to the left side of the screen. Then, the men on the left and right sides of the screen get up with their backs to the camera, facing the man in white. The camera cuts, and the man in white is seen bending over, with his right hand and right foot forward, and his left hand and left foot backward, looking up.


There is a black bird with an orange beak standing on a hill, calling towards the left side of the picture. It raises its wings and flies towards the left side of the frame, disappearing into the picture. From the right side of the frame, a white butterfly flies in, heading first towards the left side of the picture, and then towards the lower left corner of the frame.


In the center bottom of the screen, there is a square. The hand in the bottom left corner of the screen grabs the top left corner of the square and moves it towards the camera's direction. Then, the hand moves upwards with the fingers pointing upwards, and finally, the hand moves to the left side of the screen. The rest of the screen is completely red.


The camera moves forward and downward, providing a bird's-eye view. Clouds around the edges of the screen float towards the lens. At the bottom of the screen, white text on a black background appears, along with blue text on a white background, which then disappears. To the right of the screen are green mountains, and to the left are green fields, houses, and trees. At the bottom of the screen, there is a winding road that stretches horizontally. In the top right corner, there is grey text and a grey-blue icon.


In the center of the screen is a keyboard placed on a table. There is a person sitting off-camera in the bottom left corner of the frame. In the scene, this person picks up the keyboard with both hands and slightly moves it towards the bottom left corner of the screen, then sets it back down. They then use their right hand to hold a screwdriver and flick it a few times between the keyboard and the exposed wire connecting to the monitor in the top right corner of the screen. The right hand holding the screwdriver then moves to the bottom left of the frame. The person continues to hold the screwdriver with their right thumb, index, and middle fingers, gesturing up and down towards the computer monitor, and then moves the screwdriver from left to right over the keyboard. The person's right middle finger is wearing a silver ring. To the right of the center of the lens, between the keyboard and the monitor on the table, there are two batteries placed, and at the far right of the lens, there is a cloth.


On the left side of the screen, a yellow open pouch is placed on a tablecloth with animal patterns. On the right side, a right hand is holding two pink sticker bags. It then puts down the sticker that is lower in position and moves the sticker that is higher up towards the camera, slightly flipping it front and back for display; there are other items placed on the tablecloth as well.


In the center of the screen, there is a pair of jeans standing on the paper. To the left of the screen, there is an old woman. The old woman has her back to the camera, holding a brush in her right hand and brushing white dye onto the right leg of the jeans. She then rotates the jeans with her left hand and uses the brush in her right hand to apply white dye to the left leg of the jeans.


In the foreground of the scene is a live streaming stand, with a circular frame in the middle of the stand. Inside the frame, a white phone is placed, and a woman stands slightly back from the camera, behind the stand. Initially, the woman is bent over, reaching out with her right hand to tap something on the phone screen. Then, she stands up a bit straighter and adjusts her headscarf with both hands. After that, she bends over again, staring intently at the phone screen, raising her hand from her mouth to her head, adjusting her headscarf. Her hand grips the headscarf, moving from the top of her head down to the lower part of her face, reaching her chin. Once again, she extends her right hand and taps on the phone screen with it.


The camera shoots from above, and in the center of the screen is a pot filled with water. Above the center of the screen, a hand is holding a bunch of bean sprouts and puts them into the pot, then moves upwards and out of the frame. Quickly, this hand grabs another bunch of bean sprouts and appears at the top of the screen, once again putting the bean sprouts into the pot, then swiftly moving upwards and out of the frame. The scene accelerates, and a black colander appears at the top of the screen, moving up and down rapidly inside the pot. The scene changes, the black spoon disappears, and a ring of bubbles appears near the edge of the pot. The black colander reappears at the top of the screen, reaching into the pot.


The video is a time-lapsed video that initially focuses on a coastal area. The foreground is the sea, and in the background on the left side of the frame, there is a large house on the shore with a red flag fluttering on top of it. Many pigeons are flying in the sky. Then, from the right side of the screen, two large ships appear, sailing from the right to the left of the frame. They eventually come to a stop at the shore. The ships slightly rotate clockwise, and the bows turn from the left side of the frame to the background. You can see many people walking on both the ships and the shore. In the farther background, a ship is seen sailing from the port to the right side of the screen and eventually leaves the frame from the right. Immediately following behind this ship, another ship departs from the port towards the right side of the screen. Following closely behind the previous ship, yet another ship heads to the right, leaving the port. The largest ship in the center of the frame slightly turns to the right. Throughout the video, the sky gradually darkens.


In the center of the screen is a shell placed on a wooden-grained surface with a stone. On top of the shell lies a long wooden stick. A hand enters the frame from the upper left holding a short piece of wood and places it on top of the stick that is on the shell, after which the hand leaves the frame from the upper left.


The scene is a close-up shot of the hand, with the left index finger extended, pointing to the position of the dial on the left side of the screen. Then the index finger moves in the opposite direction of the lens, followed by the palm facing downward, with the left middle finger joining in. Subsequently, the left hand exits the frame from the bottom of the screen.


On the left side of the screen, a girl with short hair wearing a brown sweater is standing facing the camera. Her left arm is extended, and her right arm moves counterclockwise to her head, after which she squats down. At this moment, her right hand maintains a pose similar to that of an orchid finger. Then, her right arm continues counterclockwise to the same position as her left arm. After a brief pause, her right forearm continues to turn counterclockwise, lifting her right hand. In the background, on the right side of the screen, there are bare tree trunks, and at the right edge, there is a piece of moving cloth.


A male walks from the right side of the screen to the left side. He turns to the left, facing the camera sideways, raises his head, and looks towards the upper left corner of the screen, extending his left hand towards a Christmas tree on the left side of the frame. The camera cuts to the right side of the male, he still looks up towards the upper right corner of the screen, then lowers his left hand, faces sideways to the camera, with his body turned towards the right side of the screen. In the middle background, a blond female approaches the center of the screen, then turns to face the left side of the frame and tilts her head to the right shoulder, shrugging while saying something. The camera cuts to a front view of the male, who is looking at the female on the right side of the screen while talking, his hands slightly raised to the sides of his body, and he slightly turns towards the left side of the screen. At the same time, he turns to look towards the left side of the screen, raises and then lowers his left hand towards the left side of the frame, then turns to face the camera, looks towards the right side of the screen, and continues to speak. In the foreground on the right side, the blond female remains with her back to the camera, looking towards the left side of the screen.


On the left side of the screen is a close-up of a curly-haired woman's face. She slightly turns her head to the right, looking towards the camera. Suddenly, she raises both hands and claps them in front of the camera. Then, she looks to the right of the screen, after which she separates her hands and lowers them. The camera then cuts to a close-up of the woman on the left side of the screen, facing the camera directly, with her gaze towards the camera. She blinks once and shrugs her shoulders, then slightly lifts her head, squints her eyes, opens her mouth, and reveals her teeth in a big laugh.


On the left side of the screen, there is a person facing the camera, dressed in black plaid clothing. His left hand supports the neck of the guitar in the center of the screen, with his fingers pressing on different strings, and his right thumb and index finger are holding a pick. Firstly, he moves his right hand up and down on the left side of the screen, then moves it to the lower left of the screen, and shifts his left hand towards the right side of the screen, pressing on the strings at the right side. Then he raises his right hand on the left side of the screen and moves it downward to scrape the guitar strings twice. After that, his body trembles slightly, and he uses his left hand to scrape the strings from top to bottom twice with a small amplitude on the left side of the screen. Then he moves his left hand towards the right side of the screen, pressing on the strings, and scrapes the strings once more with the pick in his right hand.


In the scene is a pair of hands; the left hand's index finger is holding a green strand of yarn, while the thumb and middle finger are gripping a white object that looks like a finger sleeve. Then, it turns it to the inside of the screen. The right hand is holding a crochet hook and forcefully piercing it through to the left side of the image, hooking the green yarn.


In the center of the screen, a man is sitting sideways facing the left side of the screen. He turns to his left, reaching out with his right hand to grasp the seat belt. Then, with his head bowed, the man pulls the seat belt towards his right. Next, facing left towards the screen, he adjusts the seat belt with his left hand, followed by extending his left hand to grip the steering wheel on the left side of the screen. He then looks up towards the left side of the screen.


The scene is a blue water surface. Suddenly, an orange ball appears on the left side of the screen, blurry and constantly shaking, moving towards the right side of the screen. The camera moves to the right, and a pair of hands appear on the right side of the screen, also shaking continuously, facing the left side of the screen and grabbing the ball. Then they quickly throw it to the left side of the screen. The camera moves left, and the ball moves upwards, being caught by another pair of hands. Then the ball moves towards the lower right side of the screen and moves out of the frame. There are many ripples on the water surface.


At the far right of the screen, there is a woman wearing white clothes. As the camera turns to the left, a red sports car with its door open comes into view. After pausing, the camera quickly swings back to the right.


The camera is positioned on the ground, with a small white dog facing sideways to the lens, walking to the left of the frame, and crossing through the lens. A woman in sandals stands on the left side of the frame, and a person in black sneakers stands on the right side, facing the camera. In the background, a brown dog faces the camera, walking to the left of the frame, and lifts its front paws to stand in the middle of the frame, then continues to pace and circle around the same spot. The camera pushes forward a step, the woman in sandals takes a step back, turns to the left of the frame, squats down, and stretches out her hand.


The scene is shot from the first-person perspective of the driver, capturing the view of driving at night. The upper part of the screen shows the road outside the window, while the lower part reveals the display screen with the dashboard visible. The vehicle moves forward, then the camera suddenly turns left and then right to face forward again as the car overtakes another vehicle driving in the left lane. Meanwhile, the camera quickly turns left and then right once more, facing ahead. The vehicle continues to speed forward.


The video is shot from a first-person perspective. The camera turns slightly to the right, and a black dog walks towards the bottom right corner of the frame. Then, the camera turns right again, and a man in a blue short-sleeved shirt walks towards the right side of the screen. Following this, the camera turns left, and two women approach from the opposite direction, while several dogs walk around in the frame. Then, the camera turns left once more, and on the left side of the screen, a person with their back to the camera, wearing a blue checked short-sleeved shirt, bumps into a black dog. The scene is set in a park, with some trees in the distance, and people with dogs strolling around.


On the right side of the screen, a middle-aged man in a white shirt walks out from behind the store of a gas station, approaching the camera. He is holding a black suit jacket in his hand, and as he walks, he puts on the jacket. He greets a blond woman who has just come out of the store with a child in tow, heading towards the left side of the screen. After glancing at the middle-aged man, the blond woman quickens her pace and moves towards the right side of the screen. After the middle-aged man finishes dressing, he continues to walk towards the camera, and the camera follows his steps, panning to the right. A brunette woman in a spotted dress enters from the right side of the screen. The middle-aged man nods his head to the side a few times towards her, and after the brunette woman looks at him quizzically, she exits the frame on the right. The middle-aged man continues forward, arriving at a red car parked at the gas station, bending down to open the door on the left side of the driver's seat, and looking over the top of the car towards the right side of the screen.


On the left side of the screen, a person is holding both sides of the storage bag's opening with both hands, entering the frame from the lower left, and then stopping in the middle of the screen. On the right side, a person in long sleeves is holding a block with their right hand, entering the frame from the upper right. The person in long sleeves reaches into the storage bag from above, places the block, and then lifts their hand, leaving the screen on the right. The person on the left side releases their right hand, and the opening of the storage bag tilts slightly towards the camera. They then grasp the rope on the left side of the storage bag with their right hand, release the bag with their left hand, causing the storage bag to tilt towards the right side of the screen. Then, the left hand grabs the rope on the right side of the storage bag, and both hands pull to the sides, tightening the opening of the storage bag.


Holding the lens to shoot. The lens quickly zooms in to capture an orange-yellow block placed on the ground. Above the frame, a person wearing slippers drops their left foot towards the right side of the frame, and then prepares to lift their right foot.


In the center of the screen, there is a woman kneeling in a small circle of fire on the sand, her head tilted to the right side of the frame, facing the camera. She then slowly rises, moving her hands from her lap to her sides. She first steps down with her right foot on the ground and then straightens up, placing her left foot on the ground and standing up.


In the center of the screen, a man wearing clothes with a bicycle pattern is holding a yellow pastry in his right hand, shoving it into his mouth. After taking a bite, the camera slowly zooms in, revealing a look of surprise with widened eyes.


In the scene, a man with a prosthetic leg on his right leg is seen from the back, slowly boarding a large bus. He lifts his left foot and steps onto the first step, followed by moving his right leg with the prosthetic up to the first step. Then, he bends his left leg to step up to the second step, repeating this process. The man successfully makes his way into the bus.


In the center of the screen is a person facing towards the left side of the frame, their gaze directed towards the bottom right corner of the screen, holding a cloth in their hand and wiping the headlights of the vehicle on the right side of the canvas. Then, the man takes two steps back towards the left side of the frame, continuing to wipe the vehicle, and walks towards the bottom right corner of the screen. With his back facing the center and upper part of the frame, he transfers the cloth from his right hand to his left, and continues to wipe the vehicle.


On the left side of the screen is a man in a suit standing facing the camera. He raises his right index finger twice, looking down to the right and speaking. Then he places both hands on his chest and slightly rotates them, after which his right hand circles in the air. He then spreads his hands open, bows his head, looks up, and places his hands back in front of his abdomen. He raises his right thumb upwards, and his left index finger touches the right thumb, then he extends his right index finger again, and the left index finger touches the right index finger. In the bottom right corner of the screen, a man wearing glasses is looking up with his back to the camera, continuously watching the man in the suit. Then the camera switches, and the man with glasses is now on the right side of the screen, his head tilted to the right, looking to the left. The man in the suit, with his back to the camera, still continues to gesticulate with his right hand in front of his chest.


In the lower part of the screen is a candle placed on the table, with a hand holding a lit lighter entering the frame from the upper part of the screen, moving downward, attempting to light the candle wick with the lighter. In the background of the scene are the backs of chairs. The camera is centered on the candle and rotating slightly clockwise.


The woman raises both hands, lowers her head to put on glasses, then looks straight ahead, blinking as she lowers her hands. She then bows her head to look at the desk, as the camera continuously zooms in to focus on her face.


In the lower right corner of the screen, a man with his back to the camera is walking in the forest. He looks down briefly, then turns his head towards the left side of the screen, and the camera follows the man's movements forward. The man then turns his head to the left front, stands next to a large tree, and extends his left hand to caress the trunk of the tree from top to bottom. The camera continues to move forward, capturing a close-up of the man's action of caressing the tree.


On the right side of the screen, a pregnant woman is sitting on the sofa facing the camera, looking to the right of the screen. The pregnant woman's hands are holding her belly. Later in the scene, a man approaches the pregnant woman from the right side. He then embraces the woman from behind, his hands caressing her belly. The woman is looking down with a smile.


In the center left of the screen, two twin children with maroon bows on their heads can be seen. Their bodies are turned towards the right side of the screen. On the right side of the screen, part of a puppeteer's body is visible; his two hands are holding the two children. The camera has a slight shake, as the two children look into the lens. The child on the left side of the screen begins to bite the puppeteer's hand, while the child slightly to the right in the center extends his right hand to touch the puppeteer's nose.


In the left side of the screen, a white Jeep is parked, with the driver's side door open. A man in a T-shirt and sunglasses steps out of the car, turns sideways to face the camera, supports himself with his left hand on the door, and raises his right hand to point towards the upper left side of the screen. The background of the scene is filled with trees.


A man stands on the right side of the frame, extending his right hand to lift a small bowl, then turns to face the right side of the frame. The camera follows the man's movement, panning along. Subsequently, the camera moves upwards as the man pours the contents of the white bowl into a black pot in the center of the frame. He then takes a plate with his left hand and throws the food from the plate into the black pot with his right hand. Afterward, he extends his right hand towards the black pot and quickly retracts it. Following this, the camera pans to the left side of the frame.


On the left side of the screen stands a woman in blue clothes, in the center of the screen there is a person wearing a green floral skirt, and on the right side of the screen stands a person in a green coat. The three of them are facing each other, smiling. The two people in the center and on the right sit on the sofa first, then the person in the center pulls the woman in blue clothes from the left side of the screen to sit down, and all three sit together on the sofa with their feet lifting off and then touching the ground. They laugh heartily towards the top of the screen, making gestures with their hands, the two women in green clothes look at each other, and then both turn to look at the woman in blue on the left side of the screen.


On the left side of the screen, there is a pair of hands, with the right hand holding a screwdriver and the left hand holding a towel. Subsequently, the towel held in the left hand is used to cover and wrap the top of the screwdriver. On the right side of the screen is a computer monitor and keyboard.


On the right side of the screen, a curly-haired woman is sideways to the camera, facing the left side of the frame. Her expression is one of agony, as she clutches her clothes over her chest with both hands, her body struggling continuously. On the left side of the screen, a man wearing a mask is sideways to the camera, standing and facing the right side of the frame. He is reaching out with both hands, tearing at the woman's clothes.


In the left edge of the screen, there is a right hand holding a fork, stirring the dark liquid in the tin box on the left side of the screen. Then, above the screen, a left hand holding a cup with powder is pouring the powder into the liquid, while the right hand continues to stir the liquid in the lower left corner of the screen. Then, the right hand, holding the cup, moves out of the frame from the upper left corner, while the left hand continues to stir on the left side of the screen.


In the scene, there is a brown plate filled with food placed on a cloth with blue and white stripes. The camera slightly rotates to the right side of the screen. Then, two white cups filled with water and food enter the top left corner of the frame. You can see two hands holding the handles of the cups from behind, placing them onto the screen and onto the surface of the brown plate at the top of the scene. After the hands steady the cups, they slowly move out of the screen towards the top of the frame.


A woman in a pink dress looks to the right, talking as she walks from the left to the right of the screen, with her arms open, swaying slightly from side to side. Then she embraces the blond woman in the lower right corner of the screen, who is showing her back, and rests her head on the right shoulder.


The scene is shot from a first-person perspective with the shooter sitting inside a car. The camera moves to the left and shakes slightly. Through the car window in the middle of the frame, a car outside is seen driving towards the right side of the lens. Then, the vehicle gradually accelerates, about to overtake the car in which the shooter is seated. There are many trees visible in the scene outside the window.


In the scene, there are two sets of shots. In the left lens, the camera slowly zooms in forward, revealing the rear of a black car with a truck bed carved out of the trunk. Inside this truck bed, a man in gray clothes is lying sideways, with his left arm resting on the side of the car and his right palm raised to his forehead. His body is facing us, but his head is looking to the left of the screen. In front of him, there is a large camera. Many people can be seen around the car. Suddenly, the scene switches to an overhead view where a person in beige clothing stretches out their right arm with a hooked hand, placing their left hand on their right arm, and seems to be drawing something in the air with their left hand while the right hand maintains the hooked gesture. To the left of the person in beige, a man in a blue shirt is standing and watching him, and in the far right background, a man in a white shirt is also looking in the same direction. In the lower left corner, another head can be seen looking at the person in beige. In the right part of the screen, a man in a gray shirt is sitting on a motorcycle facing the camera. He first looks to the left of the screen, then starts the motorcycle and drives to the right of the screen, makes a turn with his back to us, and heads back to the left of the screen. He then slightly adjusts his direction, facing away from the camera and driving backward. In the scene, you can see vast grasslands and some wooden structures built high. In the distance, layers of mountain peaks can be seen.


The camera slowly zooms in on the person towards the left side of the center, as he slowly slides his right hand across his left arm. During this time, he keeps his gaze fixed on the camera. Then, he turns his left shoulder towards the camera and allows his right hand to slowly slide down from his chest. After that, he gradually turns his body slightly towards the camera and slightly lifts his chin.


Three people appear on the screen, divided into two rows. On the left of the back row is a woman with short hair wearing a pink top, and on the right is a man with white hair and glasses. The blond woman in the front row stands in the middle behind the other two. The woman with short hair is constantly talking; she first looks to the front right, then looks down at the blond woman, points to her hair with her right finger and traces a circle in the air, after which she looks to the front right again. Then the blond woman slightly tilts her head to the left in response to the woman with short hair, and keeps shaking her head before staring to the front right. The camera moves down to focus on the blond woman's face, which now occupies the center of the screen.


This is a video shot in the first person, where the shooter flips over a brown paper bag with a transparent plastic bag packaging. In the lower right corner of the frame, there is also a pair of pliers with an orange handle. Subsequently, the shooter tears open the transparent plastic packaging on the outside of the brown paper bag with their right hand, then undoes the red knot on the brown paper bag, and flips the brown paper bag over again. At this point, on the left side of the screen, a red and white disc can also be seen.


The initial screen mainly features two pairs of legs splashing in the swimming pool. Then, the camera pulls down and away, and two women enter the frame. The woman on the right raises her head and chest, then bows her head down again, while the woman on the left maintains the same leg movements throughout.


The scene is a top-down view with a clean white background. On the left side of the screen, there is a chopping board with a transparent bowl placed on it, containing some baked cheese. In the center of the screen is a piece of cloth, and from the right side, a hand enters the frame holding a white plate. On the plate, there is a yellow cheese dish with green vegetable leaves on top. At this moment, the left hand is holding a knife and the right hand a fork, which appear in the frame to start cutting the food from the top right corner. After cutting several times, the corner on the right is chopped very finely and then placed on one side of the plate. Both hands also put the knife and fork down on either side of the plate before exiting the screen to the bottom and the right.


In the center of the screen, there is a man wearing a brown shirt. His right side is facing the camera with both hands on his chest, and his right hand is holding something. Then, the man turns his body to the right, looking towards the right side of the screen.


On the right side of the screen, a man stands facing the camera. He speaks directly into the direction of the lens with his hands folded over his abdomen, and his head slightly tilted to the left side of the screen. His head subtly rocks with the movement of his speech.


On the left side of the screen, there is a person facing right, but only the right arm below the screen is visible. The camera moves upwards, and the right hand withdraws from the bottom left corner of the screen. Then, another person outside the lower part of the screen extends their left hand and touches the top of the black car on the right side of the screen. The camera quickly moves to the top left corner, and the screen becomes somewhat blurred.


In the scene, a large crowd is standing facing the right rear of the picture. Some people are clapping, and it seems that at the leftmost part of the picture, closest to the camera, a man is clapping and glances towards the front right of the picture before lowering his hands and crossing them in front of him. To the right of the center, there is also an African man facing the right rear of the picture, swinging both arms, with the amplitude decreasing, while alternately lifting and lowering his left and right feet to shift his center of gravity. Suddenly, the camera moves downward, and the heads of some men move out of the top of the frame. At the same time, on the right side of the picture, there is another man facing the right rear, clapping. He then stops clapping and places his hands on the straps of his chest backpack.


On the left side of the screen, there is a woman and two men approaching from the left side of the frame. The woman is in the lead, with the two men following behind, playfully laughing and fooling around. On the right side of the screen, there are two women with their backs to the camera. The woman on the left is wearing a red backless top and white pants, with her left hand on her hip, leaning against the wall. On the far right of the screen, another woman is standing, wearing a coat with blue-green patterns. They are all looking at the three people on the left side of the frame who are gradually getting closer. The background is a brick wall, with a green bag placed on the ground. The whole scene is set on a dimly lit street at night.


In the center of the screen, a person in a black shirt is holding a paper airplane made of white paper in their right hand, passing it to the right hand of a person on the lower side of the screen, while the camera quickly zooms in. The scene changes, with a red car driving towards the bottom right corner of the screen from the top side. The right hand on the lower side of the screen, holding the paper airplane, throws it into the green trash bin in the bottom right corner of the screen. The camera then moves to the left side of the screen and quickly zooms in. Subsequently, the camera rotates to the left direction of the screen.


In the scene, there are two women standing. The woman with long curly hair is on the left side of the frame, and the woman with a high ponytail is on the right side. They are facing the camera. As the camera zooms in, the woman with long curly hair and the woman with a high ponytail are circling their hands, and their hands and bodies are moving rhythmically. As the camera zooms out, their hands and bodies are also moving rhythmically.


The camera captures a scene on a film set currently in the process of shooting. In the frame, two men are crouching on a platform in the upper right corner. The man closest to the lens, wearing a black shirt, has both hands extended forward, with his right hand holding a clapperboard. Below him to the right stands a girl, her left hand raised with her fingers curled, following the man in the black shirt. He then pulls his hands back to his front, stands up, and disappears from the right side of the frame. The camera pans left, then quickly zooms in, focusing on the camera. It swiftly pans right, focusing on the standing girl. The girl raises both hands, facing to the left of the frame, her mouth wide open as if screaming. The camera quickly moves upwards, revealing a man in a gray suit crouching in the center of the frame, his hands reaching downwards. The shot then zooms out, the man stands up, and with both hands he grabs the arms of the standing girl, lifting her up. The camera continues to zoom out, and at the bottom of the frame appears a blond man with his back to the camera, raising his left hand as if to grab the girl. After the man in the gray suit pulls the girl onto the platform, they both walk to the right side of the frame and disappear. The camera moves down to the left, showing the director crouching in the lower left corner, holding a black stick with both hands. The shot then zooms in, focusing on the camera and the blond man with his back to the lens, as he turns his head to the left of the frame.


The camera moves in the opposite direction of the lens. In the bottom right corner of the frame, a car moves towards the right side of the screen. In the center of the frame, a white yacht moves from the right side of the screen to the left.


In the center of the screen, several yellow, brown, and black dogs are running towards the middle of the screen. On the right side of the screen, a black dog and a yellow dog turn their heads and walk towards the right side of the screen. Following this, two small black dogs in the center of the screen quickly run towards the right side. On the left side, a brown and a yellow small dog also head towards the right. At this moment, the camera also turns to the right, revealing a man on the left side of the screen wearing a checkered short-sleeve shirt and blue pants, who looks down to the left of the screen and then turns his head to look at the center. Meanwhile, the two black puppies quickly run to the right side of the screen and roll together. In the center, close to the camera, is a woman with purple hair, wearing a white short-sleeve shirt and shorts, facing away from the camera, watching the puppies. On the right side, a woman in a yellow short-sleeve shirt and blue shorts with her hands on her chest also looks towards the left. At this point, the two black puppies run towards the lower left of the screen, and a small dog with black and white fur also runs towards the lower left. The background of the scene is a park with many green trees and grass.


In the scene, there are two children. The boy on the left has short brown hair and is wearing a gray hat, a black and white striped shirt, and black pants. He's sitting on a gray sofa with his legs stretched out, and a large open book is placed on his legs. He has a smile on his face, looking down at the book with his left hand on it. His right foot is placed on top of his left foot, lifted up with the sole facing the camera, then it's put down. His left hand turns the page while his feet move slightly up and down. As he turns the page with his left hand, his left foot is placed on his right foot. He looks up at the camera then turns to look to the left of the scene, lifting his feet. He continues to lower his head to read the book. The girl on the right has long black hair and is wearing a white shirt and gray pants. She's sitting on a gray sofa with a large open book on her lap. Her left hand is on the book, and her right hand is on her right leg with her fingers bent at the edge of the book. She looks down at the book with a smile, then lifts her head to look upwards in the scene. Her left hand turns the page to the right, and her right hand extends fingers upwards and to the right following the movement of the page. After turning the page, her right hand is placed on the book, and her left hand holds the turned page. She looks to the right of the scene, her left leg shakes, and then she bows her head to read the book. Her left hand turns the page back to the left from the right, and her right hand catches it with the palm facing upwards, then her left hand is placed back on the book. She looks up to the upper right of the scene, her right hand bends upwards, lifting the page, and her right leg moves up slightly. The background is a white wall.


Rain is falling from the top of the screen, heading towards the bottom left corner. The scene then switches to the ground perspective, where the raindrops hit the pooled water on the ground, forming various sized circles that quickly disappear.


The main subject of the scene is a dining table. A pair of hands holds a dish and extends from the center top of the frame to the lower left, then places the dish on the table and withdraws the hands. The entire camera lens slowly rotates counterclockwise towards the left side.


In the center of the screen, there is a woman facing the camera, only from the waist up. In front of her body, there is a railing. She looks to the right side of the screen, then turns back to look at the camera, and again looks to the right side of the screen. She is speaking, and her right hand raises to touch her thigh on the right side of the frame.


The video scene is animated. In the center of the screen is a tiger, facing the camera, crouching down with its legs bent and hands on the ground. It then jumps towards the right side of the screen. The purple monkey obscured by the tiger jumps to the left side of the screen, and the pink monkey obscured by the tiger jumps to the right side of the screen. Following this, the tiger jumps towards the left side of the screen, the purple monkey jumps to the right, and the pink monkey jumps to the left. The tiger is closest to the camera, followed by the purple monkey, with the pink monkey being the farthest from the camera.


The camera quickly moves to the right of the screen, revealing a room in the center with an open door surrounded by three yellow poles at the entrance. At this moment, a dog appears at the bottom left of the screen and runs to the right, dashing into the room, and the camera follows, moving to the right as well.


It is shot from a first-person perspective. At the beginning, you can see a woman in the lower left corner of the screen. She is holding a mobile phone with her right hand, supporting the left edge of the phone with her left hand, and the phone's camera function is on, aimed at an orange motorcycle in the center of the frame. She takes a photo of the motorcycle, then moves the phone closer to the motorcycle, and points to a piece of information at the top of the phone with her left finger. After tapping on it, the phone screen shows a white page with some information. The woman then swipes up on the screen with her left hand, clicks on the function page at the top, confirms, and then swipes up the page again with her left hand.


The man on the left side of the screen is wearing a brown and white long-sleeved jacket, with the zipper undone, revealing his upper body. He has black hair and a black beard, and is rapidly running towards the right side of the screen. He then turns to his left and runs forward. The camera follows the man as he moves and approaches a iron ladder. He slows down, grabs the ladder with his right hand first, and jumps up with his right foot, starting to climb while turning his head towards the camera. After climbing over the wall, he jumps down. When he is almost at the top of the wall, a man appears in the bottom left corner of the screen, facing away from the camera, wearing a dark green shirt, with brown hair, running towards the direction of the man in the brown clothes. He grabs the ladder with both hands and starts to climb it after the man in the brown clothes jumps down, causing the camera to shake. They seem to be on a rooftop, enclosed by a low brick wall, with two military green pipes in the foreground, and the background is a blurred silhouette of the city.


In the scene, two people are having a conversation. On the left side of the screen is a man wearing a white shirt, and on the right side is a man sitting on a stool wearing a gray shirt. The man in the white shirt initially looks in the direction of the camera with his hands by his side. He then turns his body to the right, looking at the man on the right side of the screen with his hands in his pockets, saying a few words. Afterward, the man on the right side of the screen slightly nods his head.


On the right side of the screen, a man in a vest is standing facing left, opposite a woman with long curly hair. He is looking down and speaking to the woman. He extends his left arm and raises it beside the woman, with his left index finger pointing at something off-screen to the left. After pointing, he lowers his hand to his side. The man then slightly raises his right hand from below the screen, pointing with his right index finger at his own head before lowering it again. Meanwhile, the woman has been slightly shaking her head. Then, the man walks around in front of the woman to the left side of the screen, and the camera follows him as he moves to the left. At this point, he turns to face the right side of the screen, and the curly-haired woman also turns to follow the man's movement, facing towards the left side of the screen. Now, with the woman standing on the right side of the screen, the man extends his left index finger and taps the woman's right cheek a few times.


This is a scene from an animation featuring a family of anthropomorphic hippos. In the center of the frame, the little hippo is seen sleeping on a bed inside a tent, lying on his side facing the camera. To the left of the frame, Hippo Dad, dressed in blue, is embracing Hippo Mom, dressed in pink, as they stand together watching the little hippo sleep. Suddenly, the little hippo on the bed startles awake with wide eyes, and Hippo Dad, on the left side of the frame, also shows a look of surprise. Then, the little hippo sits up and looks to the left side of the frame, where both Hippo Dad and Hippo Mom break into happy smiles, which is soon mirrored by the little hippo, who also starts laughing joyfully.


In the scene is a black pot, in which there are many strands of vegetables. Then, a hand appears at the top of the screen, shaking back and forth to sprinkle powder into the pot before disappearing from the top of the screen.


In the scene, a woman with long black hair has her back to the camera. She takes something out of a cupboard and places it on the ground. Then, she turns to the left side of the frame and reaches up high to grab something from a elevated position.


The camera moves forward, looking down, focusing on a hamster's nest. Then, a left hand reaches into the frame from the lower left corner, touching the shelf at the bottom of the frame, giving it a light tap before retracting the hand. After a slight backward movement, the camera continues to move towards the upper left front.


On the left side of the screen, a woman in a black floral skirt is facing right with her head down, holding a mobile phone in her left hand and her right hand extended with fingers half-raised. She then walks towards the right side of the screen, looks up to speak, and extends her right index finger. The camera moves to the right side of the screen, and she raises four fingers, preparing to step back to the left side of the frame. There are also five other women standing in the scene. On the left side of the screen, a woman in a black short-sleeved top with yellow writing is facing the camera, looking to the left side of the screen with her hands on her hips. On the right side of the screen, two women in black short sleeves are standing, both with their right hands embracing their left arms. The scene is indoors, with a red platform in the lower left corner of the screen, and the white shelves in the background are filled with merchandise.


The camera shoots from above. The man on the left side of the screen is holding a camera with his right hand, sitting on the sofa, looking up at the lens and speaking. Then he widens his eyes and pouts his lips, after which he speaks while looking at the lower right corner of the screen, and then stares at the lens again. The woman on the right side of the screen is lying sideways on the sofa, supporting her head with her right hand, looking down at first, then pouting briefly and slightly lifting her left hand. She then looks towards the lower right corner of the screen, and subsequently turns to look at the lens, lifting her head to speak.


In the scene is an animated cartoon. In the center of the screen, a pear-shaped cartoon character is sitting on a blue sofa. It has a red headband tied around its head. The cartoon character is kneeling on the sofa, with its body facing the right side of the screen. Its face looks very fierce. Supporting itself with its left hand on the sofa, it suddenly jumps up and stands on the sofa, looking at the camera with its right hand on its waist and its left hand touching its mouth. Its body sways slightly, and its eyes shift to the upper left and lower right corners of the screen, seemingly deep in thought. Then, it extends its left hand, pointing fingers at the sky, smiling and looking at the camera. Both hands start to grasp the red headband on its head, taking it off and holding it in front of its chest. Then, it raises its head, and the camera moves up a bit, revealing a chandelier. The pear-shaped cartoon character extends its right hand, flicking the headband to wrap it around the chandelier, causing the chandelier to sway gently.


The center of the screen shows the upper body of a white-haired woman wearing a white short-sleeved shirt. She is facing the camera, walking towards the direction of the screen. At this moment, the background is blurred, with a forest above and a meadow below. The camera gradually moves down, focusing on the woman's torso at the center of the screen. Her left and right hands are holding a black cane as she walks towards the camera. The background remains blurred, with part of a exposure on the left and some grass on the right. The camera then moves up and down, slightly shifting to the upper left of the screen. The woman is now on the right side of the screen, walking towards the front right of the screen.


In the scene, there are two people. The person on the left side of the frame is wearing black pants and facing the right side of the frame with their right hand stretched out to the right. Their head is not visible. On the right side of the frame, a little boy is standing, bending over towards the left side of the frame with both hands gripping the handle of a fallen cart. The person in black pants is walking towards the little boy, bending over to help lift the cart. Their head is visible above the frame, and the camera slightly trembles and moves forward. Then, the scene quickly cuts, showing only the lower half of the adult standing on the left side of the frame, while on the right side, the little boy is pushing the cart with both hands. Both are facing the camera, partially visible, walking towards the camera. The camera slightly lifts up, revealing the hands of the adult on the left side in the frame. The little boy's head appears above the frame as they walk towards the left side of the frame. The camera follows them, moving to the left. The little boy slightly inclines his body towards the left side of the frame, quickly pushing the cart. The camera moves down, closing in on the little boy. The boy turns his head towards the camera, with part of his head moving out of the frame. The adult standing behind the boy moves towards the right side of the frame, and then the boy's head appears again from above the frame. He nods and smiles. The adult disappears from the right side of the frame and then reappears partially before fully disappearing on the right side. The camera retreats backward.


In the center of the screen, a white-haired man in blue clothes is walking towards the right side of the screen. On the left side of the screen, a girl in a white hat and a man in dark gray clothes enter the scene from the left door one after the other. In the background, some people are entering the scene from the door on the left side of the screen. The camera shifts to the right, and four people waiting enter the scene from the right side of the screen. From left to right, they are a white-haired man in black clothes, a blond woman in a white coat, a blond woman in a gray coat, and a man in a black coat. The girl in the white hat walks to the right side of the screen, stopping in the center, while the woman in the white coat, the woman in the gray coat, and the man in the black coat bend down slightly. The woman in the white coat reaches down with both hands to embrace the girl in the white hat, and the man in black clothes bends down, extending his left hand. At this moment, the man in dark gray clothes enters the scene from the left side, with part of his figure remaining on the left side of the screen.


In the scene, there are two boys of different sizes and a small monkey. The boy standing on the far left of the picture is wearing a yellow suit, with his right hand on his hip and his left hand holding a large umbrella over his left shoulder. He is looking towards the lower right of the picture and seems to be speaking. The boy on the right is wearing a baseball cap and looking up to the left of the picture, then turns his head to the left side of the scene with a look of surprise on his face. The small monkey on the right side of the picture turns its body to the left, lifting its left hand. The boy in the yellow suit shrugs his shoulders, then extends his right hand holding a hat towards the right side of the picture, continuing to speak. The boy with the baseball cap turns his head towards the camera, looking down, then breaks into a smile, and looks up to the left of the picture again. The monkey lowers its left hand and also smiles. The boy in the yellow suit shrugs his shoulders once more and moves his left hand upwards.


The scene is at a bend in the road, where a person is riding a motorcycle from the distance. He leans forward, the bike slightly inclined towards the center of the curve, and then he drives out of the frame on the right side.


The video scene depicts a fierce fight. On the far left of the frame, a man in a floral shirt and white pants is struggling on top of a box. On the right side of the frame, a man in a pink top stretches out his right hand in an attempt to attack the man in a blue suit, but the blue-suited man successfully parries and knocks him out of the frame. Following this, a man in a blue shirt moves towards the man in the blue suit from the left side of the frame, attempting to strike him with his left hand, but the blue-suited man seizes his left hand and punches him under the armpit. In the background, a man in a red and white striped top and white pants is holding his left eye and leaning against the wall, appearing to be in great pain.


On the right side of the screen is a cartoon character with green skin and wearing orange clothes. His head is square-shaped, and he is looking to the left of the screen, raising both hands to speak. Then, his hands suddenly drop down to the bottom of the screen. He also bends over towards the bottom of the screen and quickly straightens up to the right side of the screen, clenching his left hand into a fist and pointing with his right hand to the left side of the screen. While speaking, he leans his body towards the left side of the screen, with both hands clenched into fists and placed in front of him towards the bottom of the screen. The background of the scene is a brown wall with two lights.


The camera circles around the kebabs, rotating counterclockwise to the right. The protagonist's hands enter the frame from the top and the right, holding the bamboo skewers of the meat. Then, after placing the kebabs on the pot, both hands leave the pot. At the same time, one hand enters the frame from the top right corner and is placed on a drawer. After the kebabs are placed on the pot, smoke rises.


The screen shows a segment of science fiction video, with a fish glowing in the center of the frame. The entire body of the fish has a metallic luster. The camera continues to pull back, and then the scene shifts to reveal a real fish in the frame. The front half of the fish is brown, with a green sheen at the tail. The fish's head swims towards the seabed, and its mouth touches the bottom. Then, the mouth keeps opening and closing, and the fins are in constant motion.


In the right side of the screen, there is a man wearing a red shirt sitting in a chair, facing the camera. His eyes are looking ahead of his body, and he is speaking with his mouth while his head is slightly moving.


Medium shot following three people walking side by side. In the center of the frame is a woman, with her left and right hands hooked around a man in a hat and a man in sunglasses, respectively. The three are walking towards the right side of the screen. The man in the hat first looks at the woman and speaks, then the camera pulls back, and the woman points to the right side of the frame with both hands. Following this, the man in the hat looks towards the right side of the screen. In the distance of the frame, people continuously walk towards the left side of the screen.