The camera zooms out, showing a right hand on the left side of the screen holding a toy car from the right side of the screen. The camera then zooms in and moves upwards, revealing a right hand on the top right corner of the screen pinching a component of the car model, then letting go and moving to the top right corner of the screen before disappearing. The camera moves down and zooms out. It then shifts upwards, showing a man in a black short-sleeved shirt holding the toy car with both hands and flipping it over, then placing it down on the table on the lower side of the screen, with the camera following the movement downwards.


Close-up shot, in the center of the screen, a man in a gray top is speaking to the man on the right side of the foreground. The man in the gray top looks down at the center below the screen, out of sight, and raises his right arm to wave it a few times. Meanwhile, the man on the right side of the foreground has his back to the camera, with part of his upper body visible; he turns his head to the side of his left shoulder and looks down.


The camera shoots from a higher angle down on the crisscrossing roads. In the frame, three horizontal roads extend from the left edge to the right edge of the screen. On the middle road, a cyclist is slowly traveling from the center of the screen towards the left along the road. On the bottom road, a car is quickly moving from the right side of the screen towards the left. Below the three horizontal roads, on the left side of the frame, there are two vertical roads that extend from the bottom edge to the top edge of the screen. On the road closest to the left edge of the frame, many vehicles are quickly moving from the top down towards the bottom of the screen. On the road closer to the right side, there are some vehicles rapidly traveling from the bottom up towards the top of the screen. The camera slowly pans down in the frame.


The camera quickly pans to the right, transitioning from blur to clarity. In the lower part of the frame, a left hand points to the middle ground, where a man in black with a goatee is wearing a white bracelet on his left arm, then lowers it from the lower side of the frame. The goatee man in black opens his arms and smiles with his mouth open. In the middle right of the frame, a man in black with a light green watch on his left arm moves towards the left side of the screen. The camera rotates to the left of the frame and blurs.


In the center of the screen is a man wearing a red short-sleeved shirt. Behind him is a boxing ring. He has wrapped an elastic band around the post of the ring, and the ends of the four elastic bands form loops. The man is holding the loops with both hands, standing with his back to the post, facing slightly towards the right side of the screen. He initially extends his left fist, then shakes his body and extends his right fist. He continues to punch back and forth in this manner. At one point, he turns his body to the left, facing a woman, and uses his right finger to point at his left arm while teaching. To the right of the screen, a woman in a yellow-green short-sleeved shirt stands to the side, facing the screen with a straightforward gaze at the man's hands. She smiles and nods occasionally in agreement, during which she reaches out with her left hand to scratch her nose.


In the video, there is a grey slime blob placed on the hood of a black car. A person with pink nail polish on their hands is standing on the right side of the frame, only revealing their hands. They first use their fingernails to poke the slime a few times, then pull out the right edge of the slime and cover it back to the left. After that, they tightly squeeze the slime blob with both hands before releasing them.


A man in navy blue shorts withdraws his left leg to the left side of the frame, his body leaning towards the right side of the frame. He raises his right hand to cover his nose and lifts his left hand, bending his arm with his fingertips pointing to the right side of the frame. His body then submerges into the water. In the background, a boy in orange clothes watches them. At the same time, a man in blue shorts faces the water with his legs extending into the water on the left side of the frame. Following this, a man in purple shorts raises his right hand, pinching his nose, and jumps into the water. On the left side of the frame, a man in black shorts runs towards the shore, pinching his nose with his left hand as he dashes into the water. The camera follows the divers, moving to the right side of the frame, and then three heads emerge from the water in sequence.


In the middle right upper part of the video, there is a stainless steel basin containing a round piece of dough. In the top right corner of the video, there is a woman. Only her hands are visible; her left hand is on the side of the basin, while her right hand is kneading the dough, flipping the bottom side of the dough up, and pressing it with her four fingers. Then she lifts one end of the dough with her right hand, puts it down, and subsequently picks up the entire dough to adjust its position. She continues to deform the dough with her right hand. Then, her left hand flips the basin downward. Beneath the basin, there is a round wooden cutting board placed on top of a brown table.


The camera zooms in, focusing on a small bird at the center of the screen. The bird looks left and right, then quickly runs to the left side of the screen and disappears from view. Following this, the camera pans to the left, revealing two birds standing on the left side of the screen. Immediately after, the screen blurs and the focus shifts to the bottom left corner.


On the left side of the screen, a woman with her back to the camera extends her right hand towards the food plate, then quickly retracts it. At the same time, a man facing the camera and wearing a striped shirt stretches his right hand towards the food plate in front of him. Simultaneously, a woman in maroon clothing extends her right hand to grasp the food in front of her. The camera pans up, revealing the man in the striped shirt picking up food, tilting his head to the left side of the screen, and beginning to speak. At this moment, a man in a red shirt sitting on the right side of the screen raises his right hand to feed the food he has picked up to the woman who has her back to the camera. The woman turns towards the right side of the screen, leaning forward, while the man in the striped shirt watches their interaction. He then tilts his head to the right side of the screen, picks up a piece of food, and feeds it to himself. The camera moves down, showing the man in the striped shirt lowering his right hand, and the man in the red shirt retracting his right hand.


The center of the screen initially shows a close-up of a tape with a hand holding this roll of tape. The camera has a slight shake, then the hand holding the tape moves away from the lens slightly. The lens refocuses on the tape, and subsequently, there is a gradual transition in the scene where you can see a left hand holding a small rectangular silver plate. This hand gently shakes the small silver plate. In the end, the camera moves to the upper right, and the left hand holding the silver plate also enters the frame, reaching forward.


Precious video footage of the Storm Red pilot training. Close-up shot of three women practicing abdominal exercises. In the center of the screen is a woman wearing a blue vest, sitting on a yoga mat lifting both feet, with her hands supporting her body from behind. She continuously opens and closes her legs on the ball in front of her. In the distance on the right side of the screen is a woman wearing a black and red vest, while on the left side, only a pair of legs can be seen. All three women are performing the same movements.


The camera shoots from a low angle, showing a man facing the lens, holding something with both hands over the fire to grill it, with his left hand higher than his right. Then, the man turns clockwise, sideways to the lens, with his right hand now higher than his left, continuing to grill the item in his hand. Next, he slightly turns his body counterclockwise, with his left hand again higher than his right, still grilling the object while rotating it. Then, he adjusts the height so that his right hand is above his left.


The video shows an accelerated view of a woman weeding in a garden. The woman is in the center of the frame, holding a shovel with both hands, continuously bending over to weed the ground. Then the woman puts down the shovel and keeps bending over to move debris.


In the center of the video, there is first a human face against a purple background, then the camera switches, and from the left side of the screen, a hand holding a hose extends to spray water onto the black car in the center of the frame.


The screen is divided into three parts: the left and right sides feature landscape images, while the man in the middle, wearing a white shirt, is sitting, looking down to the left and speaking. He then looks up to the left, and throughout the process, the man keeps talking.


In the scene is a man wearing a blue shirt, who is rushing towards the right side of the screen with both hands gripping one leg of a stool. As the camera pans to the right, a man in a brown shirt appears on the right side of the screen. His hands are pulling on the top of the stool's backrest. Both of their expressions are fierce, as if they are exerting a great effort. Then, the man in the blue shirt dashes to the right with force, and the stool collides with the abdomen of the man in the brown shirt, who clutches his stomach in pain. Next, the man in the blue shirt drops the stool, lifts his leg, and kicks the upper body of the man in the brown shirt twice. Then, the camera suddenly changes. At this point, the man in the brown shirt has been knocked down to the left side of the screen, face down. The man in the blue shirt is partially visible on the right side of the screen, seemingly wanting to continue the attack.


The background of the scene is a car's back seat. There are two children in the picture, both facing the camera. On the left is a little girl wearing a white short-sleeved shirt, sitting in the car's back seat and fastened with a seat belt. She has both hands touching her left ear and is smiling. On the right is a little boy in a yellow short-sleeved shirt, sitting in a child safety seat with his feet on the seat, and his left hand gripping his right wrist. At this moment, the little boy on the right is smiling at the camera and talking. The little girl on the left is laughing so hard she is leaning back and her mouth is wide open.


Close-up shot, with green foliage in the background. In the center of the frame, in front of a large tree, there are two white ropes with black patterns hanging vertically. On the right side of the frame, part of the upper body of a person wearing a dark blue shirt is visible. He is holding a folded black and white rope in both hands, and he loops it horizontally over the white ropes. His left hand holds the folded part of the rope, while his right hand holds the overlapping part. He then threads the black and white rope through the loop and ties a knot, bundling the white ropes together, and his left hand pulls the rope to thread it through the loop. Next, he uses his right hand to hold the folded part of the rope, while his left hand guides the rope around to his right hand, and he withdraws the rope from the loop with his left hand. Finally, he tugs on the rope that has been threaded to ensure that the black and white rope is tightly wound around the white ropes.


In the scene, one can see a person diving, equipped with professional diving gear, swimming towards the camera with his head up, observing the surroundings. The scene shifts to a long shot where the diver is seen in full, at the top of the frame, using his hand to turn on the camera and holding it up to his eyes with his right hand, while his feet propel him slowly from behind. Suddenly, the scene changes again, focusing on a close-up of coral, as the diver slowly enters the frame from the top left. Another shift and this time we see from a perspective behind and to the side, with the camera slowly panning to the left, the diver disappearing from the right side of the frame, and finally, the scene comes to a standstill amidst a bed of coral reefs.


This is a scene that features animated characters. A character resembling a tiger slides down from the water slide towards the camera, hands raised upwards, laughing heartily as it lands in the pool at the bottom of the screen, causing splashes of water. The character then emerges from the water with its upper body. To the left of the screen, two girls dressed in swimsuits stand facing the camera. When the tiger-like character falls into the water, the girl in the pink swimsuit shrugs her shoulders, while the girl in the teal swimsuit opens her mouth. To the far left of the screen, a man wearing a white shirt stands facing the camera with his hands behind his back, but his head is not in the frame. To the far right, a woman in a red dress stands facing the camera with her hands placed on her waist, and her head is also not within the camera's range.


In the center of the screen is a man wearing a red shirt, and on the right side of the screen is a man in a brown patterned shirt. The camera shifts, and the man in the brown patterned shirt is now on the left side of the screen, facing right, bending down to fiddle with a fishing rod and speaking. The man in the red shirt at the center of the screen is squatting on the ground, bending down and turning his head left and right to observe the ground.


The video starts with a zoomed-in view, showing a complex outdoor wooden roof. In the center, there is a sign written with red letters. As the camera zooms out and moves down, you can see a man in the middle of the frame wearing an orange short-sleeved shirt and blue shorts, wearing sunglasses, and holding a detector in his right hand to scan the ground, while his left hand holds a blue shovel.


GIF animation. At the top center of the screen, the word "LOANS" is written in white on a black background. Below it is a watch, which trembles occasionally. On the right side of the screen, two concentric circles roll out and stop when they are half covered by the watch face. Then, a left hand holding a pen appears from the bottom left corner, and it makes three checks from top to bottom on the left side of the watch. Afterward, the hand moves down and away from the screen. Finally, a card in the lower left corner behind the watch shifts to the left, revealing half of it.


The camera turns slightly to the right, and the person swimming from the left side of the screen to the right side leaves the frame. The person in red on the right side of the screen surfs up the wave connecting both sides and moves to the left, eventually flipping into the water. Then, the scene changes, and the person in the center of the screen, wearing blue, first lies on the surfboard, then stands up and surfs towards the left side of the screen.


In the scene, a group of people are dancing energetically under the colorful lights of the dance floor. The camera pans up, and then cuts to a close-up, where a black woman with a hairclip and long black hair is walking towards the camera. She first looks to the left of the screen, then to the right. In the background, a tall and slightly overweight black woman is looking towards the upper left of the screen and walking into the frame. The camera switches, and in the scene, a long-haired woman in red raises her hands above her head.


The video is shot from a first-person perspective looking down, with a tablet in the center of the screen, on which there are several books. In front of the lens, a hand shakes a few times, then extends a finger to tap a few times.


At the beginning, the man on the left side of the screen is facing the right side, talking continuously. His left hand is making gestures. Then the screen switches to two split screens, with the original man in the slightly larger screen on the left side, still talking continuously and making gestures with his left hand while speaking. On the right side of the screen, there is a woman holding the handle of a basket, attempting to lift the basket out of the water.


Close-up shot, on the left side of the screen, the upper half of a person's body below the head is visible, and the upper body occasionally shifts slightly. He is sitting facing the camera in front of a light green background, holding a guitar, with his left hand fingers occasionally pressing on the strings of the neck, and his right thumb and index finger gripping a pick, sweeping the strings from time to time.


In the frame, a man wearing an orange shirt is sitting down, wearing a hat with brown and black and white elements. He looks directly into the camera and speaks, blinking twice during the process, accompanied by a head-shaking motion. The background of the scene is a room with a bookshelf filled with books and a lamp that is turned on. The camera switches, and a man wearing a black hat, an orange-red shirt, and orange-red gloves raises his right hand.


A girl with black hair is sitting on the carpet in the bottom right corner of the frame. In the middle lower part of the frame, there is a wooden box placed in front of her, and she is trying to fill it with wooden blocks. A woman in a blue coat is sitting cross-legged on the carpet, facing the camera, watching the girl play with the toy. The girl's left hand reaches into the empty part of the box, then stretches to the right side of the frame, picks up a block from the carpet, and puts it into the box. She then reaches to the right side of the frame again, picks up another piece of wood, and puts it into the box. The woman in blue has been talking all along, her body leaning to the right side of the frame, then her left hand picks up a block and hands it to the girl. The girl takes the block with her left hand and puts it in the box. The woman in blue maintains her position, leaning to the right side of the frame, looking to the left side of the frame. The scene skips, and the woman in blue sits up straight; after the girl puts another block into the box, she sticks her left index finger into the last empty space in the box, turns her head towards the camera, then reaches to the right side of the frame, holding up the last block, looks up to the right side of the frame, opens her mouth, and then turns towards the camera. The woman in blue leans towards the camera, her head tilted to the right side of the frame, smiling and looking to the left side of the frame while clapping. The girl looks down at the wooden box and puts the last block into the box. The woman in blue lowers her hands, turns her head to the right side of the frame, then raises her hand to make two thumbs-up gestures. The camera moves slightly downward, then upward, with a slight shift to the right.


A man walks towards a big fire with his back to the camera, lifting his right hand to the level of his right waist, then immediately bending both hands and raising them above his head with palms up, sweeping them outward from the center. He then turns his palms over, facing each other, and punches forward while continuously lowering his hands to shoulder level.


A man in a red sweater is sitting on the left side of the picture. He first places his left hand on his leg and then lays his right hand on top of his left, stacking them. Leaning forward, he faces the woman in the bottom right corner of the canvas. He then extends his right index finger to point at the woman before lowering it again. He flattens his palm and waves it downward twice, then stretches out his index finger again to point at the woman in the bottom right corner. Throughout this process, he continuously speaks to the woman.


In the scene, a car is driving on the road with its back to the camera, moving from the lower right to the upper left, heading into the distance. The camera captures the car from a high angle, quickly panning to the left and forward with the car at the center, while continuously increasing the shooting height.


On the right side of the screen is a child wearing a gray top, facing the camera, mouth open, looking to the left side of the frame. The child's right hand is holding a yellow object extended towards the left side of the screen. After closing the mouth, they open it again, the right hand keeps shaking, and they blink occasionally. Then, the child bows their head towards the left side of the screen. On the right side of the screen, a woman in red clothing is lying down, extending her right hand to touch the child's head and back. On the left side of the screen, a person in pink clothing is visible, with their left elbow resting on something. The camera moves to the left side of the screen, slightly shaking.


In the midst of a bustling street, a girl in a red top with chestnut curly wool is looking at the camera among the crowd. She has injuries around her eyes, nose, and upper lip. Her body first leans to the right side of the screen, then tilts to the left side. She is holding a folded piece of paper in her left hand, and her right hand touches it as well. Many pedestrians walk past in front of and behind her. In the scene, to her left, a person in a blue jacket and blue hat is constantly beside her, with their back turned to her.


In the center of the screen, there is a woman wearing a light blue coat with a blue sweatshirt underneath. Her body is facing the camera while her head is turned to the left. The woman slowly squats down, and the camera first tilts upwards, then moves downward to level with the girl as she squats. The woman, while squatting, holds onto the nearby railing with her left hand and looks into the railing.


On the left side of the screen, a man in black walks towards the camera, swinging his arms, his face obscured by an angry expression. On the right side of the screen, a woman in pink pants is lying down, facing right, her head obscured by a sweating expression. To the far right of the screen, a man in a black hat is standing, facing left, with his left hand hanging down and his right hand holding a phone towards the left side of the screen. The camera moves to the right and slightly shakes. There are changing yellow subtitles at the bottom of the screen. In the background, vehicles are driving towards the left side of the screen. Several cars are parked on the right side of the screen. There are several traffic signs above the screen, and there are also a few pillars in the background.


The scene is shot from a first-person perspective. On the left side of the screen are retro buildings in red and white tones, while in the center of the frame stands a towering clock tower. To the right are buildings with a retro style in shades of brown, white, and yellow. As the shooter moves forward, at the bottom left of the screen, a pedestrian in a red top and blue pants is walking towards the lower left of the frame. In the center of the screen, two pedestrians in black clothing are walking towards the road at the upper left of the screen, while at the same time, there are also pedestrians walking on the road at the upper left.


The scene is shot from a first-person perspective. To the right of the screen is a woman wearing a black skirt, who is holding a cylindrical object with both hands and then transfers it to her right hand. She then pinches the fabric with both hands and places it on the sewing machine to the left of the screen. She holds the fabric with her right hand, then takes the top of the fabric with her left hand, and moves her right hand along the edge of the fabric towards the distance of the screen.


In the scene, two people can be seen sitting on a sofa, but only half of their chests are visible. On the left is a man wearing a yellow and blue plaid shirt. In front of him on the table, there is a cup of light yellow beverage. He is using his left hand to stir the drink clockwise with a brown straw. On the right side of the picture is a man in a black leather jacket, with only a part of his body visible as well. He is holding a similar brown straw in his right hand, stirring a darker colored beverage in front of him in a clockwise direction.


The background of the scene is a classroom, with a whiteboard on the left edge of the frame. There are four people in the picture. The boy on the left is wearing a white school uniform, facing the camera, and his right hand is holding a pen. The boy on the right is wearing a black school uniform, sitting in his seat, sideways to the camera and looking to the left. In the middle background of the scene, there are two girls sitting in their seats and chatting. At this moment, the boy on the left turns around with his right hand holding a pen and starts writing on the whiteboard on the left side of the frame. The boy on the right makes a "three" gesture with his right hand, then opens his hand.


In the scene, there is a man facing the camera. He takes out a pistol from the left pocket of his pants with his right hand and raises it to his cheek. Holding the gun with both hands, he looks to the left of the frame. The camera lens slowly pans to the right.


In the scene, there are four children. The girl on the far left, wearing a striped shirt, first touches the armpit of her left arm with her right hand, then turns her head to the right and looks over, with her hands in front of her body. Finally, she hugs the second girl from the left in the picture, then raises her right hand and swings it to the left side of the screen. The second girl from the left initially faces the girl on the left side of the picture, then turns slightly to the right, squats a bit, and raises her hands in front of her body. She then turns her head to the left and hugs the girl next to her, before letting go. The second girl from the right in the picture initially has her hands pressed together on one side of her cheek, imitating a sleeping gesture, then she releases her hands, makes a fist, and spreads her arms out at her shoulders, tilting her head with a smile. She then looks to the left side of the screen. The little girl on the far right, dressed in purple, initially makes a gesture of pressing her hands together and tilting her head towards the camera, then she also releases her hands and hugs the second girl from the right in the picture tightly. After letting go, she looks to the left side of the screen and then back at the camera.


Medium shot zoomed in. In the frame, a man is walking on a sand dune with his back to the camera, moving towards the right side of the screen, away from the camera. In the distance of the scene is a jungle with a river running through it.


The man is on the right side of the screen, lying at the bottom of a suitcase, raising his right hand, facing the camera and speaking. He then looks up at the suitcase, and the camera zooms in on the position of his right hand. The man then raises both hands to point at the suitcase, lowers his left hand, and continues to point with his right hand. The camera zooms out, placing the man at the center of the screen, after which he raises both hands over his head, moves away from the suitcase, and the camera moves to the right side of the screen. The man stands on the right side of the screen, raises his right hand, and faces the left side of the frame.


A close-up shot from a fixed camera position. On the left side of the frame, a man bends over and walks towards the right side of the screen. When he reaches the center of the frame, he stands up and turns slightly towards the camera. He then raises his left hand holding a broom, knocks the handle twice on his left hand, and starts to speak. Following this, he shakes the broom slightly at his side with his right hand, glancing around towards the camera direction. The man then looks briefly towards the top right corner of the screen, bows his head, and places the broom on his shoulder before setting it down again, preparing to move towards the right side of the frame.


In the center of the screen, a man wearing a checkered headscarf and a white shirt is leaning towards the left side of the frame with his head bowed. From the left side of the screen, a man in a gray coat is walking towards the center, facing right. The man in white turns his head to the left, glances at him, straightens up, and extends his right hand. At the same time, the man in gray nods and looks down, also extending his right hand to shake hands with the man in white, their eyes turning to the right side of the screen. The camera moves up slightly. Both men nod slightly. Then they both lower their right hands, and the man in white turns his head slightly towards the camera, looking down and to the center of the screen. The man in gray also looks down and then turns his body towards the camera. The man in white stretches both hands towards the center and lower part of the screen, then retracts his right hand, extends his left, and turns his body to the left, opening his mouth to say a few words, then moves his right hand slightly to the left and right. At this moment, the camera slowly moves down. The man in gray nods. The background on the left side of the screen is a light-colored wall, and the background in the rest of the screen is wooden panels.


In the right side of the screen, the white-haired elderly man is standing sideways to the camera, speaking to the young woman on the left side of the frame. She has her left arm wrapped around a folder held in front of her body, and with her right palm facing upwards, she gestures briefly before clasping her left hand. The young woman on the left side of the screen is facing the camera, slightly bowing her head to look at the elderly man on the right as he speaks, with her hands hanging in front of her. She then extends her right hand, pointing with her fingers together towards the door on the right side of the frame. Following the young woman's gesture, the elderly man on the right turns his head to look in that direction before both continue to speak while maintaining their previous positions.


The woman on the left side of the screen has been talking continuously. Her head is turned towards the camera, then she looks up to the upper right corner of the screen, and then towards the man on the right side of the screen, who has his back to the camera. Occasionally, her gaze shifts to the lower right corner of the screen, and she makes gestures with her right hand while speaking.


In the center of the distant view of the screen, a man in a striped shirt is standing in front of a door, facing to the right of the screen. His right hand is placed on his forehead and then quickly lowered. He turns around to face away from the camera, his left hand grasping the door handle and closing the door, his body slightly turning towards the left of the screen. At the bottom of the foreground is a red sofa.


In the scene is an orange car; on the right side of the image, you can see a person's hand dealing with the door frame of the orange car. The door of the orange car is open, and there is a black crossbar at the top of the door frame, which this person has pulled out from the inside of the car's door frame. The person lifts the black crossbar up, and then the camera shifts, showing the person in the middle of the frame holding a crossbar, which seems to be a new one, preparing to install it on the car. The person's right hand is dealing with the small bent part at the far right end of the crossbar, while the left hand tightly holds the middle of the crossbar. The right hand keeps bending the small bent part, seemingly trying to change its angle. Then the right hand reaches to the left side of the frame, gripping the crossbar, while the left hand moves a bit more to the left, causing the crossbar to move downward in the frame. The right hand starts dealing with a white label on the crossbar.


This is a front view of three people. The woman in black in the center tilts her head to the left side of the frame, leaning on the right shoulder of the woman in beige. The woman in beige on the left side of the frame turns her head to look at the camera, then leans her head to the right side of the frame, resting it on the head of the woman in black. The woman in light gray on the right side of the frame leans her body to the left side of the frame, pressing against the back of the woman in black, her head resting on her left shoulder. She turns her head to look to the right side of the frame, then towards the camera. The woman in black first looks to the left side of the camera, then towards the camera, and later looks to the left side of the camera again. The woman in beige closes and opens her eyes twice before glancing at the bottom right corner of the frame, then continues to look at the camera. The woman in light gray closes her eyes for a moment, then turns her head to the left side of the frame, her chin resting on the left shoulder of the woman in black, looking to the left side of the frame.


At the center of the screen is a white bicycle leaning against the wall. The camera moves closer to the bicycle, focusing on the bicycle wheel. The camera approaches, aiming at the bottom of the bicycle wheel, then moves upwards again, with the entire bicycle centered in the frame.


The camera captures a person fishing in the first person. In the lower left corner of the frame, the left hand holds the fishing rod's reel, while the right hand grips the handle in the center of the frame, turning it towards the front of the lens to release the line. The fish that has bitten the bait is located in the lake at the lower right corner of the frame, swimming towards the right side of the camera. The background of the scene is a body of water, with a bank lined with dense trees on the left side of the background.


In the scene, a man is wearing a black peaked cap with his head turned to the left side of the frame. His right index finger is placed on a black machine on the left side of the frame and he turns it counterclockwise. Then, the man moves towards the left of the frame, bringing his eye close to the telescope of the machine, with his left hand entering the frame from the bottom and resting on the telescope. The scene changes, showing a pile of withered grass, and the camera moves forward. Then, the scene switches again, and now the man is sitting in a car, with his left hand on his lap, his eyes still close to the telescope. The camera turns to the left, and the man disappears from the right side of the frame. The camera turns down to the left, and then the scene changes again. In the background of the new scene, a group of deer is moving towards the right side of the frame, with one of them stopping, seemingly looking in the direction of the camera.


In the image, there is a striped ironing board located at the upper left of the frame. A black piece of clothing is placed on the ironing board, with the left hand at the upper right of the image, pressing down on the black clothing. The right hand reaches out from the left side of the frame to the right, holding an iron that is outside the right edge of the frame and moving it towards the front left of the camera. Then, the iron is lowered to the right side of the frame, and the clothes are ironed flat from the left side of the frame to the upper right and then back to the left. After pressing the clothing once with the left hand, it is lifted, and the right hand moves the iron out of the frame towards the bottom right corner. At the bottom right of the ironing board, there is a gray pair of scissors.


In the scene, many fish are seen sideways to the camera, moving towards the upper left of the frame and leaving the camera's view from the left side of the screen. On the right side, a large fish is sideways to the camera, moving towards the left side of the frame, turning counterclockwise to face the camera directly and moving forward. Additionally, there are a few fish that are sideways to the camera, moving towards the right side of the frame.


The video consists of animated elements, with a close-up shot featuring a cow standing sideways at the left foreground. Its body subtly rises and falls with each breath. Suddenly, it extends its head towards the left foreground, opening its mouth to reveal its teeth, and its ears flutter twice. The background consists of mechanical devices related to a computer monitor.


The video footage is shot from a first-person perspective sitting in a car; the camera moves down, and the car drives forward. To the left of the screen, a bus is facing the camera, moving towards the direction of the lens. The camera moves to the right, and the bus leaves the frame from the left side. In the foreground, a white pickup truck is driving away from the camera.


A child is sitting in a stroller with both hands extended beside them, looking up at the camera. They then stand up and look towards the cabinet on the left side of the frame, stepping back and causing the stroller to move backward. The child bends down and opens a cabinet with their right hand, but the door is blocked by the stroller and cannot open fully. The cameraperson then walks forward and closes the cabinet door on the left side of the frame.


In the center of the screen sits a woman wearing a white top, facing the camera directly. Her right hand is raised, with her forearm horizontal in front of her body, and her left hand is supporting her right forearm. She is slightly bowing her head down, looking at several small white mice moving on her right arm. Two small white mice are crawling from her right wrist towards her right fingers, and another two are moving on her chest. The woman is smiling as she watches them. The little mice are stacked on top of each other, their eyes wide open. The two mice on the woman's right hand stop when they reach her palm, their eyes looking towards the right side of the screen. One of the two mice on the woman's chest is also moving towards the lower part of the screen, crawling down her chest, and the woman raises her left hand in an attempt to support it. Finally, the little mouse that was crawling down jumps off the woman's body and exits the screen from the bottom.


The camera zooms in and enlarges the ship on the right side of the screen. The ship is sailing from the right side of the screen to the left. The waves are spreading from the upper left corner of the screen to the lower right corner. Then, the camera zooms out and moves to the right, revealing the distant mountains on the right side of the screen.


On the left side of the screen, a man is moving towards the right side of the frame with his side facing the camera, then turns clockwise to face left while standing. Towards the center-right of the screen, a man is standing sideways to the camera, facing left. He slightly turns counterclockwise to face the camera and speaks, then he twists his head clockwise to look at the table in the background, reaches out with his right hand to touch the table, picks up a book, turns counterclockwise, and extends his right hand holding the book into the air to his left side. In the background on the left, a man stands facing the camera with his arms crossed over his chest. In the background, towards the center-right, a woman is sitting, sideways to the camera, facing left and reading a book. In the background on the right, a woman is standing sideways to the camera, facing left, and looking down at a book in her hands.


The video is in slow motion, with a person in the background facing the camera, only exposing their chest and abdomen. They move from the center of the screen to the right side. The camera focuses on a desktop, and then this person holds a piece of dough in each hand, placing them on the desktop at the left edge and the right foreground of the screen, respectively. Next, he raises both hands in the foreground and then lowers them in the background. He moves towards the left side of the screen and stretches both arms to the left. Then, his left hand moves to the right side of the screen, followed by his whole body shifting to the right while holding a piece of dough in his right hand. He then extends his right hand towards the camera and places the dough on the desktop in the right foreground of the screen, before retracting his right hand.


In the frame is a close-up shot of a flame, against a blurred background on the left, where a person wearing a mask is waving a blanket. The camera then focuses on the person with the mask in the background. She faces the camera, looking to the right, lifting the blanket to shoulder height with both hands, and then passes it to the person walking in from the right side of the frame. She gently strokes the right person's face with the blanket in her right hand, then bends down, smiling, and retreats to the left side of the screen.


On the right side of the screen, a woman in a deep blue top is angrily staring to the left. A woman with her hair down, wearing a black patterned top, is laughing heartily in her arms and looks up at her. Then, the woman with her hair down smiles and turns her head clockwise to look to the left. Suddenly, a hand from the left raises a white cloth and then drops it. The woman with her hair down continues to smile and turns her head back, placing her right arm around the neck of the woman in the deep blue top. The woman in the deep blue top turns her head clockwise and touches the back of the woman with her hair down with her left hand, then embraces her. The two walk away from the camera, with their backs to the lens. In the background, cars with headlights on can be seen driving on the road.


A man in a shirt appears in a black and white scene, looking to the right of the frame as he speaks. He then turns around and takes two steps back, away from the camera, before turning back again. He picks up a cylindrical object from the table on the right side of the frame and examines it carefully with both hands. While speaking, he taps the cylindrical object once with his right index finger and then looks back to the right side of the screen.


In the center of the screen, a black man with his upper body naked is facing towards the right side of the frame, leaning against the wall on the left side of the screen. At the left edge of the frame, another black man is sitting next to him from Fangyuan Middle School. The black man turns his head towards the camera, continuously speaking to the man on the left side of the screen. While talking, he swings his body and head extensively, and both hands are constantly making gestures. The camera slowly moves forward to the front of the black-clad man, and at any time, you can see the black man's hand in this place, with his right hand holding a bottle of blue milk. The head of the black man on the left side of the screen is out of view, but you can see that his left hand also holds a bottle of the same blue milk.


The chef is making something; in the middle of the scene, there is a pot with some brown viscous liquid. The chef, with the mixer in his right hand, is continuously stirring the liquid. Then, with his left hand, he pours some green powder into the pot, and with the mixer in his right hand, he stirs it evenly. Initially, he stirs counterclockwise and then changes to clockwise. Subsequently, the camera slightly moves to the right and gets closer to the pot. The chef continues to stir inside the pot, and the camera slightly lifts up, revealing the glass lid of the pot in the background of the scene. Then, the camera moves down again to capture the view inside the pot.


In the center right of the screen, a boy wearing a blue T-shirt is facing right, sideways to the camera, and looking to the right of the screen. He is holding one end of a fabric item with both hands. In the lower foreground of the screen, the fabric item rises and then falls, while the boy's left hand holding the fabric item is raised, followed by both hands sliding down along the fabric and grasping it. The boy in the blue T-shirt squats down and then jumps up with a happy expression. Behind him, a boy wearing gray overalls is walking to the right of the screen, sideways to the camera, facing the camera's direction. At the same time, at the left edge of the screen, a girl in a pink dress facing the camera squats down and then jumps up with a big smile. The boy in the blue T-shirt swings the fabric item up and down and jumps three times happily with a smile. Behind the fabric item, on the right side of the screen, a boy in a white shirt is seen sideways, looking to the left of the screen. He also squats down and jumps up, turning his head to look at the camera's direction. Meanwhile, the boy in gray overalls looks at the camera and jumps on the right side of the screen. After the boy in the white shirt jumps up, he raises the fabric item with his hand, and subsequently, the fabric covers most of the screen in the foreground.


The entire scene is in black and white. In the center of the frame, slightly to the left, a man in a dark shirt faces the camera, looking to the right of the frame. His right hand holds a hat that he is placing on his head, while his left hand is on his chest. The scene changes, and a person in a dark coat walks from the left side of the frame through the middle door, heading towards the right and disappearing from view. On the left side of the frame, a person wearing a hat walks towards the right, back to the camera, and pauses for a moment by the middle door. The scene cuts again, and in the center, a curly-haired woman is sitting, looking to the left, preparing to get up. On the left side of the frame, a man in a dark short-sleeved shirt is leaning against the wall, his hands holding something. On the right side, a person in light colors and a hat is sitting, drinking something. On the right side of the frame, a person in a dark hat is walking towards the left, holding something in their hand. At the very bottom of the frame, two rows of white text appear.


At the center of the screen is a black-haired woman in a white skirt. Her body is facing the camera, with her upper body slightly tilted to the left side of the frame. In her left hand, she holds a wooden basket, while her right hand is stretched upwards, pointing to a branch above the picture. The woman's right hand reaches to the upper left of the frame to pick a fruit from the branch above, then extends back to the lower right of the frame to put the fruit into the wooden basket in her left hand. On the left and right sides of the frame are some plants with large, saw-toothed leaves, and the background features some tall trees.


The scene shows an overhead view of a table. At the bottom of the image, there are two people sitting with their backs to the camera. On the left side of the frame is a woman with golden short hair wearing a white shirt. She is holding a pen in her right hand and writing on a piece of paper on the table. On the right side is a person in black clothing, also holding a pen in their right hand and writing on the table. At the top of the image, on the other side of the table, two pairs of hands are visible, but their bodies are not.


The scene in the picture seems to be in a square, and the video is accelerated. In the background of the square, there is a huge screen that is split into multiple sections, playing many different images that are constantly changing. In the foreground of the square, there are many people walking back and forth, and because of the video acceleration, they appear to be walking very quickly. The light in the scene is fluctuating, sometimes bright and sometimes dim.


The scene is shot from a first-person perspective, with the shooter riding a bicycle along a longitudinal path, moving forward. The camera also moves forward and shakes. In the foreground of the image, the front of the bicycle is visible, and in the upper left corner, a left hand can be seen gripping the handlebar. In the distance, there is a silhouette of a person, also riding a bicycle, heading towards the background, and then turning to the left of the screen. Dust is kicking up in the scene, with plants on both sides of the image, and in the distance, there are continuous mountains with many trees.


In the foreground on the left side of the screen, a hand is holding a white object, repeatedly moving away from the camera and then towards it. In the middle ground on the left side, there is a person wearing a gray top standing towards the camera, with their left elbow bent towards the left side of the screen and placed in front of their body. In the background on the right side, there is an orange ladder extending upwards towards the top of the screen.


On the right side of the screen, a man is facing sideways to the camera, looking down at the mobile phone he is holding in his right hand at chest level. His right thumb taps the phone screen a few times, then he turns his head towards the camera while still looking down at the card in his left hand, which is also held at his chest. After looking at it for a while, he turns back and looks at the phone, then taps the screen a few more times with his right thumb.


On the left side of the screen is a man wearing a white short-sleeved shirt and a wig, talking towards the right side of the screen. On the right side is a woman in a brown skirt and a black and white wig, wearing glasses with her hands folded over her abdomen, looking at the man on the left side of the screen. The man slightly moves to the left of the screen, and the camera follows him to the left. He then raises his left hand and lowers it, before lifting his right hand holding a green backpack, which he puts on. Then, the woman on the right side of the screen looks to the right and smiles. In the center of the screen is a whiteboard, and the background is a classroom.


The camera first moves slightly to the right of the screen and then slightly to the left. On the left side of the screen, a child is lying down with both hands on their thighs, while on the right side, a person picks up the child's right foot with their right hand.


The scene is a close-up shot of the hands holding a unicorn plush. The hands rotate counterclockwise towards the right side of the frame, then proceed to rotate clockwise. Afterward, both hands flip the unicorn over with its back facing the camera. The right hand raises a thumb and slides it down from the unicorn's head.


In the center of the screen is a foreign woman wearing a black top and plaid pants, facing towards the right of the screen. Her right hand is raised, holding a blue coat, while she tugs at the sleeve of her left hand towards the bottom of the frame. The woman then bows her head and holds the clothing behind her with both hands, slightly turns her head, raises the clothing with her left hand, and pulls the coat towards the camera with her right hand. The background of the scene is a clothing store, with many clothes placed on the left side of the screen and a shopping cart on the right side.


Men in blue jerseys with white stripes are embracing each other, standing in the center of the frame. The man in white is repeatedly patting the back of the man in blue with his right hand. To the left of the frame, a man with a blue wrist guard is facing the camera and walking out of the shot. Following this, the man in blue and the man in white on the right side of the frame separate, with the man in blue facing towards the left of the picture.


On the right side of the screen is a man wearing blue clothes, facing towards the left side of the screen. On the left side of the screen is a stone with a piece of red cloth draped over it. The man in blue clothes touches his nose with his hand and walks towards the left side of the screen. Then he picks up the red cloth on the stone on the left side of the screen with both hands, and then looks up to the upper left of the screen. He then clutches the red cloth under his armpit with his right hand, turns to the right side of the screen, and walks towards the right side of the screen. There is a tree on both the left and right sides of the background, with a savannah behind them.


The scene first shows a person fully dressed in white, with their head and face also tightly covered, holding a samurai sword with their right hand extended, gradually pointing it straight ahead. As the sword reaches directly overhead, their left hand also grabs the hilt and slowly lowers it. The scene shifts to the other side, featuring a man entirely in black, with his right hand holding the sword below his body. As the sword on the left side of the screen is gradually lowered, this man in black also grips the hilt with his left hand, and with both hands raises the sword overhead, slashing it towards the person in white. The frame freezes on the white-clad figure swinging the sword. The background features a moderately sized waterfall, with water continuously flowing down the cliff from the mountain.


Five little chicks are standing in the center of the screen, facing the right side of the frame. They then jump up, mouths open, repeating the action. In the background of the screen, ripples appear in the pond. Following this, the camera pans to the right side of the frame, and a white waterwheel enters the scene.


In the scene are two men; the one in the center, dressed in white, is drinking a beverage. On the right, the man in blue has food in his left hand and is laughing heartily while facing the camera. He raises his hand to pat the back of the man in white, who is bending forward with laughter. The camera slowly pans from left to right. The man in white puts down his drink, uses both hands to pick up a napkin, and wipes his mouth. After setting the napkin down, he nods while making gestures with his left hand to the man in blue, as if to convey something.


A man is holding a sign standing on the left side of the frame, looking directly into the camera, occasionally blinking and smiling. Then, the camera slowly pans from the left side of the frame to the right, moving the man's position to the center of the frame.


In the center-left of the screen, a dark-skinned woman is bending over, laughing heartily, and turning from facing the camera towards the right side of the frame. The light-skinned woman on the right side of the screen first looks directly into the camera, then turns to the left, changing from a slightly troubled expression to a faint smile. The dark-skinned woman then straightens up, facing the camera with a smile, her mouth slightly open. The light-skinned woman immediately turns towards the camera, glancing towards the bottom right corner of the frame, then bows her head to look at the ground and slightly pouts her lips. Following this, the dark-skinned woman tilts her head slightly to the right, furrowing her brow, first looking down in the frame, then back at the camera, while the light-skinned woman also turns towards the left side of the camera. In the foreground of the screen, on the far left, there is a blurred figure who first looks towards the right side of the frame, then turns to face forward, and then looks back to the right side of the frame again, returning to face forward. Afterward, with his back to the camera, his head is tilted towards the right side of the frame.


The video showcases a vibrant seaside scene, with the background featuring the azure clear seawater and lush green tropical islands. In the frame, a group of people are paddling on the sea surface in two red and yellow kayaks. Some of them are wearing life jackets, paddling forward in an orderly manner. Meanwhile, other tourists are playing in the shallow waters and swimming, fully enjoying the pleasures brought by the cool seawater. In the top right corner of the frame, three people paddling a kayak appear from the right side and head towards the left. On the beach, there is also a lady sitting on a blue surfboard, seemingly observing or taking a rest.


The camera slightly trembles, first shaking to the right side of the frame, then to the left, and back to the right. In the center of the frame is a man with white hair and a beard, wearing a white shirt and a khaki jacket, only the upper half of his body is visible. He first looks to the right side of the frame, then blinks and frowns while looking to the left, and then blinks and frowns again while looking back to the right. On the left side of the frame, there is a flag and part of a ship. The background features a shimmering water surface, green grass, and a forest.


In the center of the screen, a teacher stands with her body turned sideways to the camera, facing left towards the students below the podium. The students are all seated with their backs to the camera. The teacher holds chalk in her left hand and points to the whiteboard with her right hand. On the left side of the screen, a girl with curly hair raises her right hand, and then the teacher points to the girl with her left hand, indicating for her to answer the question. The girl stands up, walks around from the left side of the screen to the front of the whiteboard, takes the pen from the teacher's hand with her right hand, and then confidently writes on the whiteboard. The teacher leans her head to the left to look at the words the girl is writing on the whiteboard.


On the left side of the screen, a container is flowing with red, thick liquid. On the right side, a person is holding a rectangular box with many round holes in their left hand. This person moves the box to allow the red liquid to fill the round holes. Then, the person moves the box away and uses their right index finger to collect some of the red liquid.


In the scene, a man in blue clothes is standing. He has a camera hanging around his neck, and his two hands are on his hips on either side of his body. Then, the lens slowly zooms in, focusing on his face as he is speaking. Finally, the lens stops zooming, showing the upper part of the man's waist. He continues to speak with his hands on his hips, nodding slightly as he talks, and his greyish hair flutters in the wind. His expression is resolute, but his eyes keep blinking, as if bothered by the sand in the wind.


In the center of the screen, slightly to the left, a girl looks directly into the camera with her body leaning against the right-side wall, facing towards the left of the frame. Initially, her expression is neutral, then she gives a slight smile before returning to a neutral expression. She then closes her eyes and presses her lips together slightly, pouting slightly before again reverting to a neutral expression. Throughout this process, in the background to the left of the frame, a door can be seen where a person walks out, and on the right-side wall, the shadow of the person is reflected. Throughout the entire process, the camera also seems to zoom in and focus on the girl's face.


In the scene, a pair of hands first quickly shake below the screen for a few moments. Then, both hands bring a piece of paper cutting from the left side of the screen to the center. After aligning it on the blue and black background in the center, the left hand takes a bottle of white substance and places it on the left side of the screen. The right hand unscrews the cap, the left hand holds the bottle, and the right hand takes a tool, dips it into the white paint on the screen, and starts to fill in the missing parts of the paper cutting with white. In the process, the spoon is stretched to the left to re-dip the paint once more, then it returns to the center of the screen to continue applying. The left hand holds down the paper cutting to prevent it from moving easily.


A right hand with green-painted fingernails is positioned in the upper left corner of the frame, holding a spoonful of salt. The hand gently shakes, sprinkling the salt evenly over the surface of a plate of shredded potatoes on the table below.


A black-haired woman is standing in the kitchen, holding a sieve with both hands over a blender cup towards the right side of the screen. Her left hand places the sieve in the bottom right corner of the frame. She turns to the camera, looking into the lens while speaking, with her right hand resting on the blender cup, and her left hand retracting to also rest on the cup. Both hands are raised and then lowered, after which she taps the cup with her left hand. She raises both hands, flips her wrists, and then clenches her fists. Turning to the right side of the screen, her left hand picks up a white lid from the bottom right corner of the frame. Glancing at the camera briefly, she looks to the lower right of the lens, and her right index finger touches the rim of the cup. Both hands then place the lid on the blender cup. She puts her hands on the lid, turns her head to speak to the camera, and then glances at the bottom right corner of the screen. Both hands are then lifted from the lid, her left hand makes a turning motion towards the camera, and then she picks up the cup with her left hand. Turning to the right side of the screen, she places the cup on the blender base in the upper right of the frame. In the background, there is a row of overhead cabinets in the upper left, a sink in the lower left, an oven in the upper right corner, and a stove in the lower right corner.


On the left side of the screen is a man wearing a black jumpsuit, and on the right side is a man with his upper body naked and his lower body wrapped in an orange towel. He is bending over with both hands on his right knee, wiping himself, and has a smile on his face. The camera then moves to the right, placing the man wrapped in a towel in the center of the screen. The man smiles and straightens his upper body, letting go of his right hand while his left hand continues to grasp and rub the towel in his groin area.


On the left side of the screen is a black girl who is looking at the white girl on the right side of the screen and pinching the girl's cheek with her right hand. The white girl is also looking at her, and the camera slightly pans to the right. They start a conversation. In the end, the white girl breaks free from the black girl's grasp, and the black girl exits the screen from the left side.


The camera slightly shakes, and on the right side of the screen, a person in green pants stands and extends their right hand from the top right of the screen, pushing over a wooden crate filled with lemons that is on a stool on the right side of the frame. The crate falls towards the bottom of the lens, and the lemons roll out. The camera moves down towards the bottom of the screen. Most of the scene is a meadow overgrown with weeds, with a bucket and basin in the center of the frame, a cart on the left side, and a wall in the background.


The woman on the left side of the screen, wearing a pink floral shirt, is holding a brush in her right hand and coloring the jeans model in the center of the screen. She starts by applying color to the inside first and then to the outside. With her left hand, she grasps the top of the jeans and then lets go, immediately bending over to continue coloring the bottom of the jeans model with the brush in her right hand. As the jeans model is slowly rotated to the left side of the screen, she brushes the top of the jeans with the brush in her right hand. Her left hand then grabs the bottom left corner of a piece of paper and pulls it to the left side of the middle ground before letting go, causing the jeans to rotate to the left side of the screen as well, while she continues to color the bottom of the jeans with the brush in her right hand.


In the scene, two people are lying on a bed. On the left side of the frame is a man, and on the right side is a woman. The man on the left side of the frame is slightly turned away from the camera, with his right hand on the woman's waist and his left arm bent under his head. The woman on the right side of the frame is facing the camera, with her left hand on the man's shoulder, smiling and looking at him. Then she places her hand on the man's chest. The man extends his right hand to tweak the woman's nose, and subsequently begins to stroke her head before placing his hand back on her back. He adjusts his hair with his left hand. At this moment, the woman extends her left hand to touch the man's face. The man's right hand starts to caress her back. The two are continuously talking to each other. In the end, the man extends his right hand to pull the woman into his embrace.


Close-up shot. In the center of the frame, two girls are facing the camera and smiling, with a slight rightward pan of the camera. The girl on the left squints her eyes, then glances at the girl on the right and opens her eyes, subsequently lifting her left hand to her chest and continuing to squint and smile. The girl on the right is looking at the girl on the left with a smile. Behind the girls, on the left side of the frame, there are several glass bottles, and on the right side, there is an illustration bottle and a painting.


In the scene, four people are sitting in front of a desk, turned sideways to the camera, facing the right side of the screen. On the left side of the screen, a man in a brown short-sleeved shirt is turning his head to look at the middle-aged black woman, listening to her speak. The black woman has her right leg crossed over her left, making a figure-four leg position, speaking to the man in the brown shirt, with her left hand on her thigh and her right hand making gestures as she talks. In the background, a man and a woman are bending over a desk. The man is holding the mouse with his right hand and supporting his chin with his left, staring at the computer screen; the woman is looking at the computer and typing on the keyboard with both hands.


In the left foreground of the scene, there is a woman in a black striped shirt speaking. She turns her head towards the bottom right corner of the frame, then turns her head back to face the camera. At the same time, the girl in green in the background of the scene nods towards the camera, and the man in blue on the right side of the frame has his head bowed. Then, the girl in green smiles and moves towards the left side of the frame, and a little boy in a fluorecent green shirt appears in the center of the scene. The woman on the left side of the foreground turns her head towards the right side of the frame, then turns her head back to face the camera, raises her left hand, and points twice towards the right side of the frame in the lower right corner. At this moment, the man in blue raises his head and starts to smile with his teeth showing, using both hands to hold up a picture from the bottom of the frame towards the camera. Then, the woman in the black striped shirt turns her head towards the bottom right corner of the frame again, turns her head back to face the camera, and then turns her head towards the bottom right corner once more. The man raises his left hand and points to a certain spot on the painting with his index finger. The girl in green also turns her head towards the right side of the frame.


In the background of the scene, there is a red plane in the center and another on the left. On the right side of the background, there is a black plane, all of them flying close to the ground towards the right of the screen. The camera zooms out, and a black plane appears on the left side of the screen, also flying close to the ground towards the right. Subsequently, the scene changes, and in the center is the side view of a black plane, flying close to the ground towards the right of the screen, while the camera follows the plane as it moves to the right.


In the scene, there are two girls sitting in front of a table with their backs to the camera, using a computer. On the left side of the screen is a girl with grey hair, and on the right side is a girl with yellow hair. The camera gradually zooms in to face the computer screen of the girl with yellow hair. At this point, only part of the shoulders and head of the girl with grey hair are visible on the left side of the screen, while the girl with yellow hair on the right side is operating the computer on the keyboard. Then, the camera starts to zoom out again, placing both girls within the frame.


In the center of the screen is a man looking towards the lower left corner of the frame inside a food store. His body is facing the camera, and he swings his left hand in front of him and then extends his right hand to point at the cabinet on the left side of the screen.


In the scene, you can see a woman wearing a gray coat, standing on the left side of the frame. Her right hand holds a pen, raised at the lower part of the screen. Her gaze is directed to the right side of the frame, focusing on a table on the right. Then, she points the pen in her hand towards the table on the right side of the screen, her eyes closing slightly. When she opens her eyes again, her gaze turns to the camera. She swings the pen back and forth in front of her, gently tapping the table on the right side of the frame. Her mouth is moving as if she is speaking to someone off-screen on the right. Finally, her left hand enters from the bottom of the screen, grasps the pen, and both hands are lowered. Her gaze shifts to the right, outside of the frame.


On the right side of the screen is the upper body of a woman. The woman is sideways to the camera, with her head turned away from the lens. She is holding a white cup with both hands and pouring liquid into a red square box.


In the foreground of the picture, a topless man has his hands open and placed at his sides. In the center of the background, on a black and white patterned sofa, a woman in black clothes is holding a pillow with both hands, smiling as she moves back and forth on the sofa. The camera first moves slightly to the left and then quickly to the right, following the woman in black. She jumps onto another sofa on the right side of the screen with the pillow in her right hand. The topless man, at this point on the left side of the frame, also holds a pillow in his right hand and swings it at the woman. The woman, in turn, hits the man with the pillow in her right hand. As she strikes the man's head, she quickly moves towards the left side of the screen, her head disappearing from view on the left.


The foreground of the scene features a row of photography equipment, while in the background, two women are seen sitting and conversing. As the camera shifts to the left, the woman in the background wearing a red top raises her right hand to push her hair back from her face. The woman in the background wearing a dark top turns her head to the left to talk to the woman in the red top.


At the center of the screen is a woman in black clothing. She supports herself with both hands on the ground, with her legs wrapping around outside her arms from behind in the direction of the camera. Her body faces the camera directly, while her head looks to the left side of the frame. The camera lens moves slightly upwards, and the woman's left leg extends straight up to the left of the frame, while her right leg extends straight up to the right of the frame. Then, her left leg stretches back down to the right of the frame, and her right leg stretches back down to the left of the frame. At the same time, her head turns down to the right of the frame, looking towards the bottom of the image. In the background, to the left of the frame, there is some grass, and to the right, there are two red yoga balls, one large and one small.


In the scene, a person wearing a down jacket is climbing uphill with their back to the camera. The trees on both sides recede from the left and right of the frame, and in the central distance of the lens, there is a square tower.


On the left side of the screen is a man whose body is slightly turned towards the right side of the frame. His right hand holds a phone close to his ear, indicating he is on a call. His left hand holds a white piece of paper, which he then slightly lowers.


On the left side of the screen, there is a woman wearing deep green clothes and having golden long hair. She is standing sideways to the camera, holding fruit in her right hand, and her left hand touches her mouth before putting down the fruit from her right hand. Her eyes look to the left, then she looks ahead, and then looks to the left again. In the center of the screen, there is a man in brown clothes with his hands folded between his thighs, sitting on the armrest of the sofa. He is talking, looking at the woman on the left, opening his hands and then closing them, before looking ahead, and then looking at the woman on the left again. On the right side of the screen, there is a person in a dark top wearing a red apron, facing the camera with their eyes looking ahead. They turn their head to the left to look at the man in the center, then turn back, talking, and start gesticulating with their left hand in front of their body.


A lady stands towards the left center of the frame, facing towards the right side of the picture. She holds a notebook with her left hand in front of her body, and with her right hand, she writes something on the notebook. Then she raises her right hand, pinching the front end of the pen between her index finger and thumb, shaking it up and down once, and side to side twice. At the same time, her eyes look towards the upper right corner of the frame. After that, she bows her head and continues to use her right hand to write on the notebook.


The woman in white on the left side of the screen is facing the right side of the frame. She holds a flask containing red liquid in her left hand, raises it slightly, and then shakes the flask. She then continues to raise the flask to eye level. The man in white on the right side of the screen is sitting opposite the woman, holding a test tube in his left hand, nods, moves his right hand up and down slightly, and slightly lowers his left hand. The woman extends her left hand and passes the flask to the man. The man reaches out with his right hand and grips the flask below the mouth, slowly raising his right hand, then slightly lifting his head, and gently shaking the flask. On the central table, there are many chemical laboratory instruments, with a microscope in front of both the man and the woman. The upper part of the screen and the left side of the white wall are glowing with a blue light.


The screen is divided into two parts. In the left part of the screen, a man is speaking to the camera in the middle-right position. In the center of the right screen, there is a man wearing a blue shirt, followed by a black man with his back to the camera who throws a right hook at his face. The man steps back and successfully dodges. The camera switches, showing the black man who is throwing the punch, and he then throws a left jab at the man in the blue shirt. The camera switches again, and the man dodges once more. Subsequently, the man counterattacks with a left hook and a right hook. The camera switches, and the man in the blue shirt lands both punches, while a car approaches the black man from behind.


In the center of the screen, a man and a woman are sitting with their hands on the table, facing the camera, and looking to the right of the screen. Then, the man on the left side of the screen, wearing a gray-brown coat, looks to the left and speaks, followed by nodding and looking at the camera. The woman in white on the right side of the screen also looks to the left. The man raises his eyebrows and turns his head to the left side of the screen, while the woman extends her left hand to touch her neck and hair, then lowers it. The man on the left side of the screen smiles and makes a gesture. On the far left of the screen, a pair of hands continuously make gestures. Partially visible on the left side of the screen is a person wearing glasses, and on the right side, a woman is partially visible, both slightly swaying and disappearing then reappearing. The camera shakes, then zooms out. The bottom of the screen is filled with food and tableware. The background is a brown curtain.


A person wearing a white T-shirt is sitting at a table facing the camera, with only their waist and abdomen visible in the frame. Their right hand holds a pen and tests the color on paper, then their left hand picks up a black cardholder and turns it slightly towards the sitting person. The right hand holding the pen moves back and forth towards the camera, drawing patterns on the black cardholder, while the left hand slightly turns the cardholder to the right side of the frame, and the right hand continues to draw. Then the right hand reaches down towards the bottom of the camera. In the lower foreground of the image, on the left side are paint bottles, in the center are paper and pen, and on the right side is a palette. In the background on the right side, the red object appears to be the chair of the person drawing.


The center of the screen shows the upper body of a black-haired woman in black clothing, facing the camera. The camera is slightly turned to the right, and the woman is smiling, with her left hand extended to the upper left of the frame, and her right hand extended to the upper right of the frame. Her hands are embracing her chest, and her body is slightly shaking from side to side. In the lower part of the background, there are some fitness equipment.


In the scene, a woman is seen holding a flashlight in her right hand, walking straight ahead, quickly passing through a door and approaching the camera. She turns to the right, turning her back to the lens. She has long curly hair. The camera switches, and she is seen walking slowly forward with the flashlight, turning right to look at a door with a transparent glass panel. She approaches the door for a closer look. Then, she turns her head back, looks at the ground, and sighs twice. Afterward, she glances to the left and then turns to the right to leave. After taking a few steps, she turns around again, approaches the door, and opens it, revealing a man and a woman inside.


In the scene, the woman's head is located in the lower left corner of the frame, facing the camera. Her right elbow supports her upper body, and in her right hand, she holds a mobile phone while her left hand operates it. She is lying on her side on the beach. The camera zooms out to reveal a man in white with his back to the camera, entering from the right side of the frame. His right hand swings a black pole back and forth across the sides of the frame and he walks towards the front left of the camera, extending the black pole towards the lower center of the frame with both hands. The woman turns her upper body towards the camera, rises to the right side of the frame, and shakes her right hand towards the right side of the frame. Following this, the man in white turns the pole towards the right side of the frame, then shifts it to the left side. The woman stands up, turns towards the front of the camera, and walks to the right side of the frame with her back to the camera. A man wearing sunglasses appears from the left side of the frame, looking towards the right side and walking in that direction. The camera zooms out further, showing the man in white turning to the left side of the frame with the pole in his left hand, facing the camera. In the middle ground of the scene, there are two metal buckets on the beach, and in the background, there is a fenced-off green belt.


The initial scene shows a view through a screen door to a white coach outside. The camera pans to the left, causing the coach to gradually move closer to the right side of the screen. Suddenly, the shot switches to a first-person perspective, with the shooter sitting in a car. On the left side of the screen, you can see a hand gripping the steering wheel. The car is moving forward, and the slight tremor of the car body causes the camera to shake slightly as well.


The main subject of the scene is an orange cat, which is walking gracefully from left to right with its tail held high. The camera lens slowly moves from left to right at a slower pace than the cat.


The man in the yellow shirt stands on the surfboard at the center of the frame, facing to the left of the picture. He bends his body forward, then he surfs towards the left side of the frame, turning his body towards the camera's direction at the same time. He then turns around to face the opposite direction of the camera. Following this, he quickly turns to face the camera's direction. In the background to the left of the frame, a person in a red surfing suit is lying on the surfboard, moving towards the camera's direction. The scene then changes, with the man in the red shirt now in the center of the frame, standing up from the surfboard and turning to face the left side of the picture. He quickly flips in the opposite direction of the camera, then moves to the left side of the frame, falls from the waves, and then glides through the waves towards the left side of the frame. He then turns his back to the camera. The camera continuously follows the movements of both men.


The video is shot with a handheld camera, featuring a male in the center of the frame, wearing a gray top with his arms crossed in front of him, facing to the left of the screen, his body slightly inclined towards the camera, with a smile on his face. Following this, the male in the gray top turns to the left side of the frame, revealing a boy in a blue top behind him. The boy leans forward, supporting himself with both hands on a wooden frame in front of him. Then, the camera moves to the left, and a right hand enters from the right side of the frame, extending an index finger to point into the distance. Next, the camera quickly pans to the right, and a boy in a black top enters from the bottom right corner of the frame, walking towards the left. In the background is a green lawn, with a row of metal fences standing on it.


The screen is in black and white. In the center of the frame, a man wearing a checkered shirt faces the camera and looks to the right of the screen while speaking. His expression is serious, and his right hand is resting on something in the upper left corner of the frame. Then he withdraws his right hand and leans his elbow on his right leg, bending over to continue speaking. His left hand keeps moving, accompanying his words, and white subtitles that change appear at the very bottom of the screen. The background is a continuous range of mountain peaks.


On the left side of the screen is the face of a woman with golden short hair and a high nose bridge, looking towards the right side of the frame. The camera pans to the left, and she slowly closes her eyes and then opens them. On the right side of the screen, her arm stretches upwards, while the camera moves to the right. Her eyes slightly close, and her head tilts towards the arm on the right side of the frame. Then, she slowly closes her eyes and turns her head to the left side of the screen. Her right eye opens a slit, and the camera slowly moves to the right and then to the left, finally moving right again, with her face on the left side of the frame.


On the left side of the screen, a man wearing a hat is standing sideways to the camera, looking towards the right of the screen while speaking with a smile. The camera shifts to the right, angles downward, and a person stretches out their right hand to touch the front of a motorcycle. The camera moves to the left, facing the man with the hat, who is speaking with a smile.


A child stands on the left side of the frame, with only the part above the child's neck remaining in the frame. The child looks up towards the bushes on the right side of the canvas. At the same time, a deep green plant on the right side of the frame nods up and down.


In the center of the screen, a long-haired woman in a white tank top is standing facing the left side of the frame. Her left hand is in her pants pocket, and her right hand holds a green glass bottle. The bottle is tilted, with the mouth of the bottle at her lips. The camera shifts to the left, and she slightly opens her mouth, raises her right hand, and lifts her head a little, beginning to drink the water from the bottle. After drinking for a short while, she puts down the bottle, holding it at chest level with the mouth of the bottle facing upwards, and bows her head to look to the left of the frame. The background is a blue sky, and in the bottom right corner of the screen is part of a red car.


The scene depicted is a classroom. The man in the white shirt on the left side of the screen turns to the right, then raises both hands to his head to tidy up his long hair. The man in the blue vest in the center of the screen turns his head to the right and looks at the woman with long black hair sitting on the right side of the screen. The woman is holding a trophy on the desk with both hands and speaking to the man in the blue vest. The woman with brown hair on the right side of the screen supports her head with her left hand while looking to the left, and later she leans on the desk.


On the left side of the screen stands a man in a black short-sleeved shirt, facing the camera, looking to the left of the frame with his left hand in his pants pocket. On the right side of the screen, a man in a light-colored shirt faces the camera, looking to the right of the frame with both hands holding a black microphone, as the camera gradually zooms out. Both men's heads turn to the right side of the screen; the man in black looks to the right and speaks, while the man on the right side of the screen turns his head to the left, looks to the left, and nods. The man in black then turns his head back to the left, and the camera slightly shakes. From time to time, there are flashes of light in the scene, and changing shadows on the left side. The background is a wall with many signs, and there is a red icon with text in the bottom right corner.


The scene is shot from a first-person perspective. At the right edge of the frame, there is a bearded man in gray facing towards the left side of the screen, whose left hand is seen pinching several cards at the bottom left corner of the frame. The camera pans towards the bottom left corner, and the man's left hand enters the left side of the frame, turning slightly towards the left of the screen. Then, a left arm with a black watch enters the frame from the left side, with the left hand extending its index finger to point at the card farthest to the right in the man's hand. In the background of the scene, there is a parking lot and buildings.


The video features cartoon elements. On the left side of the screen, a woman in green clothes appears in view, holding a cat with both hands. She walks towards the right side of the screen, bends down, and places the cat on the ground. The camera moves up, and the woman in green turns around and walks towards the tent on the left side of the screen. She then turns again, raises her hands, and pulls down the red door curtain at the entrance, as the cat walks towards the tent door. The scene switches to a higher angle, showing a green park sidewalk. In the middle of the screen, a woman in a yellow top is walking towards the bottom of the screen. On the right side, a woman in a green dress is facing left, sitting on a park bench. In the center of the screen, a man in green is holding the right hand of a little boy in blue, facing the camera, and walking towards the bottom of the screen. Below the center, a brown cartoon character with their back to the camera, holding a white flyer in their right hand, approaches the man in green and gives him a flyer. The man in green releases the boy's hand and takes the flyer with his left hand, looks at it with both hands, and then takes the boy's hand with his right hand and continues walking towards the bottom of the screen. The brown cartoon character then approaches the woman in yellow and gives her a flyer, which she takes with her left hand and continues walking towards the bottom of the screen. The cartoon character reaches the woman in green sitting on the park bench and extends their right hand to give her a flyer. During this time, the cat from the previous scene appears in the lower left corner of the screen and walks upwards.


On the left side of the screen, there is a man in gray facing the right side of the screen with a smile, lifting both hands to his chest. On the right side of the screen, there is a woman facing the left side of the screen with her body turned towards the camera. She is holding a phone with her left hand and her right hand is above the phone. The man in gray withdraws his left hand and moves his body towards the left side of the screen. The woman turns her head to the left and nods, then turns her head down towards the screen. The man leans towards the right side of the screen again, and the woman nods towards the screen then raises her right hand. The man encircles his right hand with his left hand and then extends his left hand into the center of the screen. The woman first raises her right hand and then lowers it, then turns her head to the left to speak, with both hands spread out and lowered. Then she turns her head to the left, raises her right hand, waves her right hand towards the left side of the screen, and bows her head down towards the bottom of the screen. Finally, the woman extends her right hand towards the right side of the screen, tilts her head to look at the left side of the screen, waves her right hand towards the left side, and lowers it. Then she laughs heartily towards the left side of the screen. The man nods towards the right side of the screen and then throws his head back to laugh towards the left side, lifting both hands.


In the center of the screen is a man wearing a dark blue shirt with a bicycle pattern, facing the camera, looking to the left side of the frame with a pastry in his left hand, and his right hand in the center of the screen with five fingers hooked, talking while looking in the direction of the camera, with his right hand swinging towards the camera. In the background, at the center, there is a man in white clothes picking up a bag, and another man in red clothes bending over.


The video scene is on the set, with a clapperboard in the center of the frame, being held by a hand. The camera then zooms in on the clapperboard, and the hand slaps it down.


The center of the screen shows a video taken from a circular hole. The image is very dark, and you can see a man in the center of the screen with his side facing the camera, his body turned towards the left side of the frame. At first, he stretches his left hand into the circular hole in the center of the screen, then both hands go into the hole as he lifts his head and screams loudly. At this point, his body is facing the camera directly. He opens his left hand wide in great pain, his head keeps shaking, and both his body and hands are trembling. His face is twisted with agony. In the end, the camera slowly retreats.


On the left side of the screen is a bridge, with vehicles continuously driving from the background towards the left side of the lens. At the top of the screen, clouds float from the right in the distance to the left in the foreground. At the bottom of the screen, there is flowing water. The scene is accelerated, with the screen darkening between frames until it goes completely black, and there is a white pillar in the middle of the screen.


In the center of the screen, a naked man with his face turned to the left side of the camera is seen muttering to himself as he walks towards the door on the left side of the frame. The camera follows with a smooth pan as the naked man opens the door. A man in a floral shirt falls into the naked man's arms, who then takes the opportunity to catch him and lay him down on the ground. He then moves to the left, using his left hand to close the door. At this moment, in the background of the scene, a woman in a blue top but no pants can be seen getting up from the ground and running towards the door.


The scene is set indoors, where a monkey pushes a middle-aged man's legs as it enters the frame from the right. The monkey pushes the middle-aged man from behind, leading him into the door on the left side of the frame. After the middle-aged man enters and closes the door, the monkey faces the door on the left side of the frame with a smile, then looks upwards, turns around, and paces back and forth at the doorway. An image of a donut appears above the monkey's head, moving left and right along with the monkey.


The background of the scene is a dim shooting range. The camera slowly zooms out, and in the middle of the screen, a target gradually stands up. Then, on the right side of the screen, another target gradually stands up, followed by a target on the left side of the screen also gradually rising.


The main subject of the scene is a woman, who is facing the camera with her hands spread out on the right side of the frame. The camera shake slightly but consistently moves to the right. The woman repeatedly raises her hands, spread open, to her shoulders and then lowers them again. In the end, she places her hands on her knees, with her left hand in a fist and her right hand extended, index finger pointing, indicating something in front of her.


In the center of the screen, slightly to the left, a man in a yellow suit is walking towards the center of the frame with his left hand behind his head. He lowers his left hand, faces the camera, and looks to the left side of the screen.


In the center of the screen stands a man wearing a yellow shirt, facing the left side of the screen and looking to the left as he speaks. His left hand is half-raised, and his head and body occasionally sway. On the left side of the screen, there is a man wearing a dark shirt, facing the right side of the screen. His left hand is extended to the right side of the screen, resting on a brown door, while his right hand is half-raised to his chest. His body is slightly inclined to the right, and he has taken two small steps towards the right side of the screen. The scene is indoors, with a table on the left side, a window in the upper left, grey text icons in the upper left corner, blue curtains and a cabinet on the right, a red sofa at the bottom, and a table lamp in the lower right corner.


In the center of the screen, a black male wearing a light green undershirt and a brown coat is standing sideways, facing the left side of the frame. In his right hand, he holds a black pen pointing at a yellow square Post-it note. On the white wall, to the left of the frame, hangs a brown rectangular board adorned with variously colored square Post-it notes. The man in the brown coat turns his head towards the camera, grinning and explaining while bending his left arm at the waist and chest. He then turns his head back to the brown rectangular board, lowers and raises his right hand again, and continues to twist his head towards the camera, grinning and explaining. The foreground of the picture is blurred, and on the right side are two seated foreign men. To the left is a white male dressed in gray with a white laptop in front of him, and to the right is a black man wearing a dark brown turtleneck sweater and glasses.


In the center of the screen, a man in black is standing facing left, as the camera pulls back, he picks up a piece of food with his left hand. The camera moves up, following his left hand as it moves up and down, and he bows his head. Then the camera shifts down, the left hand approaches and then moves away from the lens, proceeding to move the hand closer to the camera. He then raises his left hand and puts the food into his mouth, before lowering his hand again. At the same time, the camera moves up, he turns to face the camera and nods, and the camera moves forward once more. The background is a kitchen of a wooden cabin.


The camera faces the profile of a person, slowly moving to the left. On the left side of the screen is a bearded man, who with one hand is holding the face of the woman in front of him, and he is staring at her, continuously saying something. On the right side of the screen is the woman whose cheek is being held by the man; she has yellow curly hair, and her lips are trembling non-stop.


The woman with dark skin standing on the left stretches out her right index finger to point at the mural on the wall, then quickly lowers it. At the same time, the child in the middle raises their left hand to their ear. The man on the right leans forward to the left, extending his left index finger to point at the wall. The woman then touches her left hand to the back of her left hair, turns her back to the camera, and walks forward, facing the wall. She extends her left index finger to point at the painting on the wall, counts the color blocks, then tilts her head to the left to speak, moving her left hand to the section alternating between white and green.


In the center of the screen is a man wearing a white shirt, sitting behind a table. His elbows are resting on the table with his hands crossed, pressing against his forehead as if in great pain. Behind him, a woman in a white top and a white headscarf is continuously stroking his shoulders as if to console him. Then, the man lowers his hands, placing them crossed on the table, turning his head to the right side of the screen, with his gaze constantly wandering to different places. The woman behind him stands silently, her hand repeatedly caressing his shoulder.


In the foreground of the scene, a group of people and a dog are moving towards the right side of the frame, with one person sitting on a donkey. In the background of the scene, a group of people are moving towards the left side of the frame, with two people on the left side of the scene walking with the support of canes.


In the center of the screen, a man stands facing the camera with his left hand hanging by his side and his right hand holding a gun raised to his side, pointing to the left. His eyes look to the lower right. Then, his body slightly recoils backwards, his left hand also raises over his head, and his right arm slightly lifts. Following this, his left hand traces a wavy pattern, gradually moving downward and back to his side.


The background of the scene features three separate Western-style houses. On the left side of the screen, there is a woman, and on the right side, there is a man. The woman is in front, and the man is behind. They are walking from the right side of the screen towards the left, passing by the houses, and finally leaving from the left side of the screen.


On the left side of the screen, a girl is sideways to the camera, walking from the left to the right of the frame. She turns her head left and right to inspect the merchandise on display, with both hands holding a cup in front of her chest. The camera revolves clockwise around the girl, at which point a shelf appears on the right. The girl approaches the shelf and raises her right hand to examine the items on it.