On the right side of the screen, a man in a white shirt is standing next to a table in the room, facing the left side of the screen with his side to the camera. Sitting at the table opposite, in the center-left part of the screen, are four people who are turned sideways to face the camera towards the right of the screen. From left to right, they are: a woman in a gray coat looking to the right of the screen, a man in a gray coat looking up at the man in the white shirt, a man with dark skin looking up at the man in the white shirt, and a man in a green shirt looking down. As the camera moves to the left, the man in the white shirt speaks and raises his right hand to point to the left of the screen, then brings both hands together over his abdomen. The dark-skinned man also speaks and raises his right hand to point upward to the right of the screen before lowering it. The woman in the gray coat turns her head and looks up at the man in the white shirt. The man in the white shirt nods and takes a step with his right foot towards the left of the screen. The man in the green shirt lifts his head slightly and then bows it again. The dark-skinned man bows his head and continues to speak while making gestures with his right hand, then looks up at the man in the white shirt and raises his right hand to make gestures while speaking before lowering it. The man in the gray coat turns to look at the dark-skinned man and then turns back to look at the man in the white shirt. The man in the white shirt lifts his left foot behind him and then sets it down, proceeding to make hand gestures and speak. The dark-skinned man nods and bows his head, and the woman in the gray coat nods as well. The man in the white shirt leans forward towards the left of the screen and then straightens up, stepping back with his right foot. The man in the gray coat smiles and extends his right hand to make gestures while speaking. The dark-skinned man raises his head to look at the man in the white shirt, who then takes a step towards the camera with his left foot and another step to the left of the screen with his right foot. The man in the green shirt turns his head to look towards the camera direction.


A right hand points to a mechanical component in the lower right corner of the frame in front of the lens, then moves upwards out of the shot. As the right hand re-enters the frame from above, it places a lid over the lower part of the frame, slapping the lid towards the front of the lens with the palm. The right hand then moves downwards. The left hand enters the frame from the left side, pushes the lid towards the front of the lens, and then leaves the frame from the left. The right hand rotates a part in the lower right corner of the frame upwards, taps it with the index finger, and then leaves the frame from below. Following this, the right hand holding a bolt enters the frame from the bottom, moves towards the upper right corner of the frame, and inserts the bolt into the mechanical component in the lower right corner of the frame, facing towards the left. The right hand then tightens the bolt with the thumb and index finger towards the top of the frame.


The scene is a close-up of a woman's neck and face. In the center-left part of the frame, the woman facing the left side of the picture with her side to the camera has her mouth slightly open, looking to the left of the frame and blinking once. Then, she continues to blink while raising both hands above her ears to push her hair back, lifting her head at the same time. She goes on to blink while her hands slide down along her hair and neck, lowering her head. Then, she blinks once more, turning her head towards the camera and looking into the lens. Following this, she continues to blink while turning her head to the left side of the frame and looking in that direction.


At the center of the screen is a white cup. Above the cup, a blue-green object is extending down into the cup, then pulled out, and then inserted again. After that, it is taken out and suspended above the screen, with white liquid dripping into the cup. The camera slightly shakes, and it seems like there are wrinkles around the edges of the screen, as if covered with white cloth.


In the foreground of the scene are two people; on the left side of the frame is a girl with curly hair. On the right side is a black man wearing a white striped shirt. The woman's eyes are filled with tears as she looks at the man, who is speaking to her. The woman's expression seems to become even more sad and scared, and she is crying. Then, the man grabs the woman's clothes with both hands, shaking her violently. He is shouting something, pushing the woman to the left side of the frame. The woman takes several steps back, the camera pans to the left and zooms in slightly, still focusing on the two of them, and in the background, many black silhouettes of people can be seen walking.


The scene shows a person sitting on the left side of the screen holding a guitar. The left hand, on the left side of the screen, holds a pick and strums the strings. The right hand, on the right side of the screen, holds down the chord. The right hand moves to the left of the screen and then shifts back to the right to hold the next chord. The left hand disappears from the left side of the screen, the right hand changes to the next chord, and the left hand reappears from the left side of the screen, holding the pick and strumming the strings.


The full view of the screen is a topographic map. On the left side of the screen, a right hand extends its middle finger from the left side of the screen and points down to the right, then repeatedly points to a white dot towards the middle-left of the screen. Next, the index finger is extended and moves back and forth along a black, vertical object that resembles a river.


The scene is set inside a car. The car is rapidly moving forward along the right side of the road. On the left lane of the road, a white vehicle is approaching the car and drives out of the frame from the left side. In front of the scene, a red vehicle is traveling in the same direction as the car, ahead of it.


In the center of the screen is a woman wearing a pink short-sleeved shirt and gray pants with an ear headpiece, standing with her back to the camera, opening a door and walking in. Then, she slightly turns her body towards the lower right of the screen, and the camera follows by moving forward. The background of the scene is a house with yellow and green tones.


The scene is shot from a first-person perspective. At the bottom of the screen, there is a right hand, with the thumb pressing against the page, flipping to the right side of the screen. The camera slightly moves to the left side of the screen. Then the thumb loosens, and a page flips to the right side of the screen, with the camera moving slightly upwards. Following that, four more pages flip to the left side of the screen.


In the scene, there are four men walking slowly towards the camera. On the left side of the screen, a man in black is holding a blue safety helmet in both hands, then uses his right hand to put it on his head. In the center of the frame, a man in a white shirt is holding yellow gloves in both hands, first bowing his head to put the glove on his left hand with his right hand, then using his left hand to put the glove on his right hand. Behind the man in white, a man in a brown shirt walks with his head down, then looks up towards the left side of the screen, before bowing his head down again to continue walking. On the right side of the screen, a man in a navy blue shirt walks straight ahead, looking in the direction he's going, chewing something. Halfway through, he glances to the left and quickly retracts his gaze. The camera continuously pulls back with the men's steps, during which a man wearing a gray hoodie, standing on a excavator, appears on the right side of the screen.


The main subject of the scene is a pair of hands. The hands push a properly arranged billiard ball from the left side of the screen to a designated position on the right, then make slight adjustments back and forth. After that, they pick up the triangular rack used to fix the balls by holding it vertically and move it out of the frame from the left side.


On the right side of the screen is the side and rear body of a purple car. The car is slowly moving forward in an underground garage, while the camera continuously shakes and follows the car's movement, eventually turning to the car's tail.


In the foreground is a woman wearing a white top, with light brown curly hair. Her hands are raised from the sides of her body, revealing a silver bracelet on her right wrist. Her gaze is fixed on the front, then she slowly lowers her hands and her body begins to turn slowly to the left, but her gaze remains fixed ahead. She hesitates and shifts her weight slightly before turning to face the background. She walks through the group of women in the background and then disappears from the frame. The women in the background have been dancing all along. The woman second from the right in a red top has the most exaggerated movements. She plays with her hair with both hands, tying it into a small ponytail and then letting it loose. When the woman in the white top in the foreground turns and passes by her, she stares at her and makes a seductive expression. She steps aside to let the woman in the white top pass by and walk towards the back. Then, the woman in red returns to her original position and continues dancing. On the far left is a woman wearing a red and black top, with another woman in a black top right next to her. They both twist their bodies joyfully, dancing together. On the far right is a blonde woman in a black top, slightly swaying her body. Her movements are the smallest, but it's evident that she is dancing as well.


In the scene, you can see a man wearing a blue denim jacket, his position is slightly to the left of the center of the frame. There is a strap hanging over his left shoulder, with a guitar secured to the bottom of it. He holds the guitar in front of his body with both hands. Initially, he is facing the right side of the frame, his head slightly tilted down. Then he turns his head to the left side of the frame, continuing to look down. His body sways slightly, and his head turns back to the right side of the frame slowly, looking at something off-camera to the right, with a smile on his face. He shakes his head, seemingly enjoying this moment.


In the left side of the screen, a brown monkey is sitting with its back to the camera. In the center of the screen, towards the right, a dark-haired man in a yellow shirt is sitting facing the camera, slightly tilted to the left side of the frame, with his arms crossed in front of him, and his eyes cast down speaking to the brown monkey. Following this, the man in the yellow shirt slightly bends down and continues to speak, as the brown monkey turns its head away from the camera. In the background on the left, there is a blue coat rack, and on the right, there are two blue doors. On the wall, a yellow wall lamp is installed.


In the scene, a finger from a hand rapidly taps the steering wheel on the left front of the frame, then extends back towards the rear of the frame. The camera moves forward, the finger bends, and then extends forward with the index finger pointing. The camera shake is noticeable.


In the center of the scene, a woman with silver-white hair spreads her hands open, facing to the left of the picture. She then lowers her left hand while her right hand grabs the woman in a black hoodie on the left side of the frame. The woman in the black hoodie faces to the right with her hands spread open, smiling, and then the two women embrace each other. At the same time, the woman with a ponytail on the right side of the frame leans forward, smiling, with her hands on her hips. Immediately, the woman with silver-white hair turns towards the camera, extending her left hand bent at the elbow with her fingertips pointing towards the woman with the ponytail as she speaks. The woman in the hoodie faces the ponytailed woman with her hands spread open. Following this, the woman with silver-white hair leans to the right and embraces the woman with the ponytail, while the woman in the black hoodie lowers her hands. Afterward, the woman with silver-white hair leans towards the ponytailed girl, extending her right hand in front of her. Then, the woman with the ponytail claps her hands together in front of her chest. The woman with silver-white hair spreads her hands open and turns towards the woman in the black hoodie, who also spreads her hands open and embraces the ponytailed girl with her hands spread. Meanwhile, the woman with silver-white hair shakes her head, her hands spread open on her chest, her head turning to the left of the frame, her body stepping backward. Immediately, all three women embrace, then quickly separate. The woman in the black hoodie is smiling, her left hand on the shoulder of the woman with silver-white hair. The woman with silver-white hair looks at the woman in the black hoodie, smiling, with her right hand on the other's waist. The woman with the ponytail has her left hand behind her back, looking down at the woman with silver-white hair, her right hand on the left shoulder of the woman with silver-white hair.


In the center of the screen, slightly to the right, there is a glass placed, and from the top center of the screen, a hand extends in holding a bottle filled with yellow viscous substance, placing it above the glass. First, the bottle is tilted to allow the liquid to flow automatically into the glass below, then from the top right of the screen, another hand extends in with a spoon, continuously scooping out the jam from the bottle, allowing it to flow into the cup below.


In the foreground, on the left, a woman with dark brown hair is standing facing right, smiling as she looks at a purple bubblegum in her hands. In the center-left of the scene, a blond woman is standing sideways, facing right, with her right hand on the left arm of the woman with dark brown hair, and her left hand reaching towards the car on the right side of the frame. The scene cuts, and now the woman with dark brown hair on the left side of the frame is approaching the car on the right, which has its windshield and hood covered in bubblegum of various colors. The woman bends over and places her hands on the car's hood, sliding them upwards to knead the bubblegum. At the very left of the frame, the blond woman also approaches the car, raising her hands, ready to place them on the car's hood.


In the center of the screen, there is a man wearing a gray shirt. His body is facing the camera, and his eyes are looking down to the left. He then raises his head and looks into the camera. His right hand, holding a pen, raises to make a few gestures while he is speaking. Then, his eyes look down again, and he raises them to look ahead, only to look down once more. On the left side of the screen, there is a woman with blonde hair, facing away from the camera, only showing the side of her face.


The woman sitting on the left side of the screen, wearing a blue suit, looks down at the table, extending her right hand to receive the folder handed to her by the person sitting to her left, whose back is to the camera. At the same time, a man in white on the right side of the screen turns his head to look at the woman in the blue suit. Another woman with white hair, sitting on the left, looks at the person facing away from the camera. Following this, the woman holds the folder, leans back, looks down at the folder, lowers her hands, leans her head forward, raises her right hand to point at the folder, and flips the page from right to left with her right hand. She then raises her left hand, looks at the person opposite her, flips through the folder with her right hand, and turns her head to look towards the left side of the screen.


The scene is a barren small grassy slope, with two trees on the left side of the picture, bare, which should be autumn or winter. In the middle of the picture, there are two small mounds covered with wooden boards, and on the far right, there is a Toyota pickup truck. There are four people in the scene. The boy on the far left is wearing a gray shirt and riding a bicycle. To his right, a girl in black clothes and pants is running. To her right, another girl in a black shirt and jeans is running. On the far right, a boy in a blue checkered shirt is riding a bicycle. The boy on the far left stops his bicycle and stays in place while the two girls chase each other from the far left to the far right of the screen. The boy in the blue shirt rides his bicycle to the far left to meet another boy on a bicycle. The two girls run past the mounds, and the boy in the gray shirt also rides over a grassy slope and then returns to the far left of the screen. The two girls run to the right mound again. The boy in the blue checkered shirt walks from the car on the left side of the picture towards the small mounds.


On the right side of the screen, a green cartoon character is standing in front of the camera speaking. He spreads his hands to the sides of his body, then brings his left hand back to his chest while his right hand makes a thumbs-up gesture. The character's gaze moves to look above the screen and then returns to face the camera directly. The back of his left hand is facing upwards in a gripping position, while his right hand is raised with the palm facing the camera.


The scene is shot in the first person. At the start, the center of the screen features a male with his back to the camera, wearing a blue checked shirt and jeans, along with a black dog. The small dog walks towards the right side of the lens. The shooter follows the male in the blue checked shirt at the center of the starting scene as he walks forward. The man in the blue checked shirt reaches out to touch the dog's tail as he passes behind the black dog. Then, a white dog walks around this man in the blue checked shirt and disappears to the right side of the screen. Shortly after, the man in the blue checked shirt bends down to pick up a stick from the ground. In the bottom right corner of the screen, two small dogs approach the man in the blue checked shirt. Then, the camera turns left, and the man in the blue checked shirt disappears from the right side of the screen. At this point, there are many people in the background of the scene walking and playing with their dogs. The camera turns right again, showing some people walking in the background.


The main subject of the scene is a black man riding a kick scooter. The camera gradually shifts from his left side to the front side, with him facing to the right of the frame, and the right corner of his clothing is lifted by the wind.


In the foreground of the scene, there are two cars. The car on the left side of the frame is orange, and the one on the right is green. The green car is closer to the camera. The taillights of both cars are on as they drive towards a left turn in the distance. Then, the orange car turns on its right turn signal, and the green car turns on its left turn signal, both heading towards the left front. In the distance, the rear ends of three cars are partially visible, also traveling in the same tunnel. The scene takes place inside the tunnel, with lights on both the top and bottom sides of the frame. Below is a two-lane road with longitudinal white dashed lines separating the lanes. The scene is captured by a vehicle-mounted camera, with the lens shaking as it moves forward.


A man stands sideways to the camera, looking to the right of the lens. He then turns to the left of the frame, pauses for a moment, and subsequently turns to the left of the frame with his back to the camera, running along the runway to the left. His arms swing widely back and forth towards the camera as he runs. The camera follows the man from behind, moving forward in a level tracking shot.


In the scene, a man is sitting down with curly hair, dressed in black clothes with a yellow bow tie. He is bowing his head, holding a pistol in his left hand. He turns his head to the right and reaches out with his right hand to grab a bullet from the table, then turns his head to the left to put the bullet into the gun. He repeats this action three times and then closes the chamber. The camera switches, and to the right of the screen, a man wearing a grey hat and dressed in yellow and white clothes is seen with his back to the camera, holding a whip in his right hand.


On the right side of the screen, a black woman with red hair is wearing gloves and continuously sorting out two rolls of film in the center of the screen with both hands. While fiddling with the film, she is talking and smiling.


The woman in the center of the screen stares directly into the camera, slowly raising both hands to cross behind her head, and then slowly blinks once. She grips her right wrist with her left hand, and her right hand also slowly grips her left wrist. She smiles at the camera and blinks again. After that, she places both hands on her head, with her arms spread wide, slowly raising them vertically above her head.


In the center of the screen is a brownish-yellow car, with the front facing to the right, and only the rear half of the car is visible in the frame. Initially, the back door of the car is open. There is a pair of hands on the right side of the screen, with the left hand on the black rubber strip on the door and the right hand on the upper edge of the door, then the camera cuts to another scene. On the left side of the screen, standing at the bottom of the car door, the person supports the edge of the car with their left hand on a white button, and in their right hand, they hold a green cone to manipulate the white button. At first, the right hand moves towards the inside of the car, lifting the button upwards, then the right hand turns towards the left side of the screen. The white button is lifted from the side.


On the right side of the screen, a man in a blue shirt is sideways to the camera, facing left and speaking. His hands move up and down with the gestures of his speech. On the left side of the screen, a man in a green shirt is also sideways to the camera, facing right. The man in the green shirt listens intently and seriously to the man in the blue shirt speaking. Then, the camera switches to a close-up of the man in the blue shirt, who is now sitting on the right side of the screen, slightly sideways to the camera, facing left and speaking.


The shot is a close-up of a face. In the frame, slightly to the left, a black girl is wearing a gray scarf around her neck, looking very intently at a person who has their back to us on the right side of the screen. Her black eyes move around a bit, and then she slightly shakes her head.


A man faces the camera, raising both hands to shoulder height and opening them to the sides. He then looks to the left of the screen, raises his right hand overhead, and slowly lowers it. Afterward, he looks to the right of the screen, raises his left hand overhead, and slowly lowers it. Following this, he turns his head to the left of the screen, raises his right hand, then raises his left hand, turns his head to the right of the screen, and lowers his right hand. He then looks to the left of the screen, raises his right hand, and lowers it again.


In the center of the screen, a girl stands in front of a table, slightly turned to the side, facing the left side of the frame. On the left side of the table, a mobile phone is placed. The girl leans slightly forward, twists her head to the left side of the screen where the phone is, and greets with her left hand. She stretches out her right hand to support the phone.


On the right side of the screen is the head of a man wearing a hat, looking into the camera. The camera zooms out, and he faces to the left of the screen, turning his head to show the back of his head to the camera, raising his right hand towards the distant view of the screen, then lowering his right hand, turning his head back to the camera while the camera stops moving. After a while, he turns his head again to show the back of his head to the camera, raising his right hand towards the distant view of the screen. In the foreground of the screen, there are some tall plants, with a lawn in the center, and green trees at the top of the distant view. The scene changes, with an overhead shot of the lawn, and the camera moving forward.


The scene is captured by a vehicle-mounted camera on the right side of the car. The car is speeding forward, and the lens moves forward with a slight shake. On the left side of the screen is the appearance of the right side of a black car. At the bottom of the screen, there is the right-side rearview mirror. In the distance, two cars are traveling on the same longitudinal road, heading towards the background and slightly turning to the right side of the screen. At the bottom right, there is a fence. To the right of the screen is a hillside covered with trees, and at the top of the screen is a blue sky with white clouds.


The scene is shot from a first-person perspective sitting on a motorcycle. On the left side of the screen is a man in black casual clothes wearing a baseball cap, holding a brand-name item with both hands and looking at the center of the screen. In the center of the screen, the shooter's left hand is holding a wallet, while the right hand is pressing down on the wallet from the top right of the screen towards the center. On the right side of the screen, a flashing police car is parked at the roadside. The camera moves to the left side of the screen and then quickly shifts downwards. The man on the left side of the screen drops his right hand, turns around, and walks towards the center background of the screen. On the left side of the screen, the shooter's left hand pulls open a bag placed on the motorcycle. On the right side, the shooter's right hand, holding the wallet, moves towards the left side of the screen and then swings upwards to the right before putting the wallet into the bag on the left. Then, the zipper of the bag is pulled towards the right side of the screen. The camera moves upwards, and at this point, the center of the screen shows the police car parked at the roadside. The background of the scene is a nighttime setting next to a highway, with a house built at the roadside on the left side of the background.


In the center of the screen, a woman in yellow clothes is lying in the arms of a man wearing brown pants. Both are facing the camera profile view, looking towards the lower right corner of the screen. They are half-lying on the red carpet in the middle of the frame with their legs stretched out. The woman is holding a book in her right hand, with her hand and the book slightly swaying. The man's left hand touches the book and then his hands caress the woman's arm back and forth. The camera is slightly shaking, and on the right side of the screen, there is a burning fireplace. There are sofas and plants on both sides of the screen.


A close-up shot is elevated. The camera slightly pans to the right, revealing the center of the frame with a woman's beautiful legs and delicate feet. The woman is soaking in a bathtub. Her two delicate feet are resting on the edge of the bathtub, and then she slowly retracts her left foot while using her left big toe to gently rub along her right leg.


This is an animation sequence where a tiger wearing a red scarf is standing facing the camera, with its face to the left side of the screen. Its right hand is taking one end of a hammock that is hanging on a tree on the right side of the screen and hanging it on a tree on the left side of the screen. Then, it turns its head to the right side of the screen, looking down. The scene transitions from the right to the left side of the screen. The tiger with the red scarf is lying on its back on the hammock, with its head on the right side of the screen. Its right hand is raised to its mouth, yawning. Then, its right hand moves to the top right corner of the screen before settling behind its head. After opening its mouth slightly, it closes it, and the camera zooms out. The scene switches to a distant view of the island where the tiger is, with a few palm trees growing on the island, and the sun is positioned in the top right corner of the screen.


The black man in the focus of the screen is writing with his right hand, while the woman with long hair on the left side of the screen takes a cup of water from her lips and places it on the table. The blurred man on the right turns his head slightly. Then, the long-haired woman looks down at the table and turns her head to the right side of the screen, lifting her left hand into a fist to support her chin, leaning forward to look at the documents on the table. Her right hand moves the cup to the right side of the screen, lifting it slightly. At the same time, the man on the right side of the screen is speaking, and in the background, a woman in gray clothing moves her right hand.


In the center of the screen, a woman dances with a smile on her face, facing the camera. She raises both hands, performing the wave gesture with her hands, then turns to her right with her back to the camera, and quickly turns back to the left to face the lens again. Her hands continue to move, and her waist twists from side to side.


The child is holding a bowl with their left hand and a sponge with their right hand, scooping the water out of the bowl. Then, they hold the bowl with both hands, followed by using the right hand with the sponge to wipe the inside of the bowl. After that, they lift the left hand to pour the water into the sink, while the right hand holds the sponge in the bowl. Next, the left hand turns the bowl opening towards the top of the scene, tilting their head to the right. The right hand wipes the bottom of the bowl with the sponge, as the body leans forward, partially blocking the hand movements.


In the scene, one can see a person's hands holding a small orange cylindrical object. The two hands slightly rotate the orange cylinder left and right, tilt it slightly up and down, moving it in their grasp, as if observing the object.


The camera captures a downward shot, where the left hand on the left side of the screen is holding a piece of fabric, with the left index finger hooked around a thread, and a hooking device is inserted above the fabric. On the right side of the screen, the right hand releases the hooking device and picks up a button from the table below. Then, the right hand adjusts the position of the fabric and fastens the button onto the fabric above.


In the center of the screen, a white-haired man faces the camera with his body, while his head is tilted to the left side of the frame, looking down at the middle of the screen. To the right of the frame, a white-haired woman has her body inclined towards the left side of the picture, holding a mobile phone with her left hand against her chest. She slightly moves her right hand towards the left side of the frame and also grasps the phone, nods once while speaking with her mouth open, then raises her left eyebrow and starts to smile. She turns her head to the left side of the frame to glance at the man, nods again, and then turns her head back, slightly towards the left side of the frame, with a smile. The man's body has shifted a little towards the right side of the screen. The background is a blurred brick wall.


The camera shoots from above, with the center of the screen showing part of a black car. In the lower right corner of the screen is a person's hand. The camera moves towards the lower right of the screen, at which point the hand on the right side of the frame points to the wheel in the center of the screen, which starts turning towards the right side of the frame. Then it quickly moves away from the bottom of the screen, and the camera follows by moving towards the left side of the frame, revealing the front part of the black car in the center of the screen.


In the scene, a man with his hands on his hips is kneeling in front of the camera. He bows his head, touches his feet with both hands, and then leans back. Next, he supports himself on a tombstone in front of him with both hands, his left knee on the ground, while his right leg is straight, with his arms crossed over his right knee. The camera shifts to the right, leans forward, and he uses his left hand to wipe off the dust from the tombstone.


The scene is a panoramic view of snow-capped mountains, vegetation-covered hills, and a village at the foot of the mountain. At the right edge of the frame, a woman with her back to the camera enters and walks towards the left side of the frame and in the opposite direction of the lens. When she reaches a position in the middle-right of the frame, she stops by a railing and places her hand on it. Then, she slightly turns her head to the right of the frame and subsequently slightly turns her head to the left.


On the right side of the screen is a man wearing a plaid shirt. On the left side of the screen is a man wearing work clothes and a hat, sitting in a chair. The man in the plaid shirt first moves slightly to the left of the screen, then approaches the camera to the right, saying something while reaching both hands into the basin towards the lower right of the screen. The camera gradually zooms in, and the man in the plaid shirt looks to the lower right of the frame. As the man in the plaid shirt talks, he bows his head to the lower right of the screen; his right hand raises from the lower left to the upper part of the frame, touching the left side of his face. At this moment, on the right side of the background, there is a mirror reflecting the profile of the man.


In the foreground of the scene is a little boy who is leading a horse with a rope in his right hand, walking towards the right side of the frame, after which the camera moves forward. Originally, in the distance of the scene, a person in blue clothes riding a white horse is walking towards the left side of the frame and gradually becomes enlarged to the center of the scene. Then, the scene slightly turns to the left, revealing a person in white clothes facing the bottom left corner of the frame, behind a brown horse, arranging something.


On the left side of the screen is a woman in blue riding a white horse, and the scene is a sandy field. The camera switches, and in the middle of the background, the woman on horseback rides towards the left side of the screen, then towards the direction of the camera. After the camera moves slightly to the right and then to the left, the woman on horseback arrives at the left side of the screen and turns to ride towards the right side of the screen.


In the left foreground of the scene, a short boy with his back to the camera raises his right hand to wave as he moves away from the camera to the left side of the frame. In the background, a man faces the camera and speaks to the short boy. To the right of the foreground, a tall boy with a backpack on his back has his head turned away from the camera, tilted towards the left side of the frame, looking down at the short boy. The man gets up, preparing to leave the scene from the left side, when the tall boy stops him. The camera cuts, now showing the tall boy facing the camera, while the man has his back to the camera. The tall boy happily embraces the man with his eyes closed, as the man pats the boy's head.


In the center of the screen is a baby sitting in a stroller, with the right hand reaching up to the mouth, sucking on the thumb, and looking at the camera. At the same time, the camera zooms in on the baby's face and then zooms out. The baby is sucking on their right thumb.


The top of the screen shows the screen of a game console, while the bottom left and the right side of the screen feature two red machine gun toys from the game console. The camera quickly moves down, and on the right side of the screen, there is a girl wearing a hat, facing away from the camera, holding the machine gun from the top right corner of the screen with both hands and turning it.


On the left side of the screen, there is a convertible car parked, and on the right, a person wearing a black coat and glasses is standing with both hands in the pockets of the coat, facing slightly to the left of the camera. The camera pulls back slightly, and this person takes a step forward, extending their left hand to caress the hood of the car. They then turn around and put their hand back into their pocket, looking left and right at the vehicle, and continuously talking.


A blond woman stands in the center of the frame, facing the camera and speaking. She first spreads her hands open, then looks down at the pink vest on the table, reaches out with her right hand to grasp one corner of the vest, and with her left hand picks up the other corner, lifting the vest up.


In the left side of the screen, there is a woman in a school uniform bending over to speak to a man in the center-left of the frame. After she finishes speaking, she straightens up while the man turns his head to the right side of the screen and then turns back to the left. Then, the woman in the center-right of the screen faces the camera, claps her hands, and laughs heartily. On the right side of the screen, there is a man in dark blue clothes standing still. In the distance, in the center of the screen, there is a woman sitting motionless. The background of the video is a classroom.


The screen is divided into two upward shots, one on the left and one on the right. In the left shot, Sylvester Stallone is seen sideways to the camera, using his left hand to push up a barbell and hold it, slowly turning clockwise. In the distance, there are several bungalows. In the right shot, Stallone stands on the left side of the frame, sideways to the camera with his upper body bare and a dagger in his right hand. He and the man on the right side of the frame simultaneously raise their left hands while sitting. Following a punching motion with the right hand, they both make a upward stabbing motion, and then repeat the action once more. The camera switches, and the man on the right side of the frame stands still while Stallone makes a forward stabbing motion.


In the center of the screen, a man in a blue suit is sitting behind a table, sporting short golden hair. In his right hand, he holds a stemmed glass containing red wine, placed on the table. His left arm is raised, with the left hand's fingers bent to support his left cheek as he talks with a smile, his eyes looking to the lower right. Then he lifts his head from his hand, turning it to the left side of the screen. His left elbow rests on the table, with his palm open making a gesture before closing into a fist. To the right, there is the back view of a woman with long golden hair. The scene shifts to the front view of the blonde woman, who is wearing a colorful necklace and a V-neck shirt with a plaid shawl draped over it. She looks at the man on the left side of the screen, speaking with a smile, stretching her head forward then turning it to the right before readjusting it straight. She shrugs her shoulders, with her hands crossed on the table throughout. At this point, the man's back is seen on the left. The scene switches back to the man's front view; his raised left hand is open with the palm facing left, and he bows his head with his eyes closed. Then he lowers his left hand, making a fist and placing it on his chest, before lifting his head and leaning forward to look at the woman, continuing to talk. The background is a restaurant, with two glasses of red wine and a bottle of red wine, an empty wine bottle, a plate of desserts, and white tableware on their table. There are several other tables around, with people dining and waiters walking by, along with decorations of a Christmas tree and lighting fixtures.


In the center of the screen, slightly to the left, a woman faces the camera with her face turned towards the left side of the frame. Her right hand holds a wooden comb, with her arm extended across her chest, as she combs the hair on the left side of her head. As she combs, her face slightly turns towards the camera.


The woman lowers her head and chin to look at the flower, supporting it with her left hand and slightly moving it to the right. She then drops her right hand and raises her chin again, pinching the plant. Her body leans towards the left of the screen, her head tilted to the left, and she slightly bows her head and smiles, as the camera zooms out.


A close-up of a pair of fair-skinned hands is captured in the video; the left hand holds a white woven object, with the index finger wrapped around a length of white yarn, while the right hand grips a brown crochet hook, with the hook's tip passing through the crocheted piece; subsequently, the right index finger presses down on the hook, controlling the wrapping of the yarn at its front end, then releases, moving the hand to the right side of the screen, guiding the hook to pull the yarn through the crocheted piece; next, the right hand moves to the left side of the screen, controlling the hook as it passes through the crocheted piece again, catching the yarn dangling from the left index finger, and pulling it through; in the following parts of the video, the hands repeat the same actions; against a background of a purple table.


In the center of the screen, there is a crow facing right on the iron railing. It turns its head towards the camera, then the camera zooms in, and it turns its head to the left side of the screen. Afterwards, it turns its head towards the camera, then lifts its head towards the upper left corner of the screen, bows its head down, and then turns to face the right side of the screen.


In the video, a woman wearing a blue floral dress, black curly short hair, and carrying a sports backpack on her right shoulder walks through the corridor of a building towards the elevator lobby. She presses the elevator button with her right hand. The woman remains with her back to the camera throughout, but stays within the central frame of the shot.


The scene is shot from a first-person perspective. From the lower left corner to the upper right corner of the screen, there is an operating console with a silver surface. In the upper right corner, there is a person's hands placed on the console. The camera moves forward, and these hands move towards the left side of the screen. As the camera shifts to the left, the hands move out of the frame from the right side. The camera continues to move forward, closing in on the silver surface, then backs up. In the lower right corner, a person's right hand appears, with the index finger pointing to the center of the screen, then moving left and right, and subsequently moving down, exiting the frame. The camera moves back. Another person's hand appears in the upper right corner.


The girl in the picture is wearing a gray and blue hooded sweatshirt, with a gray and white inner layer. Her hair is tied up and she is looking down with a sad expression on her face. The wind is blowing through her hair. She raises her left hand holding a phone, looking at it and adjusting her grip, while pursing her lips. To the left of the frame is the back view of a person in blue clothing with black hair.


The screen shows a short-haired woman. The woman is on the right side of the screen, looking to the right with her mouth open. On the left side of the screen, a curly-haired girl is standing with her back to the camera, looking in the same direction as the short-haired woman. Over her shoulder, her anxious expression can be seen. Between the two, there is a rectangular frame placed, with both of them resting their hands on it. Then, she drops her right shoulder and says a few words, while the short-haired woman turns her head to look at the fire. In the end, the curly-haired girl looks across the frame at the short-haired woman, who also turns her head, preparing to look back at her.


This is a moving shot that pans backwards. At the beginning, a curly-haired foreign man in a black lapel coat raises both hands to his chest, palms facing upwards, with open hands; he is wearing two silver rings on his left index and ring fingers. He is looking into the camera and speaking. Subsequently, as the camera moves backwards, the pigeons beside him seem to be startled and take off suddenly. The boy's eyes widen and he grins widely, with flying pigeons in the background. The video background is Trafalgar Square in London, England, where British-style architecture is visible. To the right of the frame, there are tourists and a red elevated work platform.


A woman in a hooded sweatshirt is facing to the right of the frame. She first grabs the right side of the stairs with her right hand, then stretches her left hand upwards to grasp the horizontal bar of the staircase. Her right hand then moves up to grasp another bar, followed by her left hand, which moves beyond the upper edge of the camera lens. The camera angle shifts from a top-down view to lifting up, and the person in the hooded sweatshirt looks towards the bottom left corner of the lens. She first releases her right hand, then her left, and subsequently turns to the left of the frame, turning her back to the camera. The camera follows her movement to the left, her head turns towards the right of the lens, then to the left, as she walks to the left of the frame. The camera cuts to a view from above the ladder, where a man in a white tank top is holding the upper horizontal bar with his left hand, looking down towards the bottom of the frame. His right hand reaches upwards, also grabbing the same bar as his left hand. His body moves upwards, with his left elbow facing upwards in the frame, then he turns his head to look towards the left of the camera.


In the left foreground of the scene, two men wearing masks are sideways to the camera, facing right and standing. In the right background of the scene, a man in a brown suit is awkwardly pulled up from the ground by two men wearing masks. The man in the brown suit is held by the two mask-wearing men facing right, with his left hand pinned behind his back. He is then subdued and pressed to the ground during the struggle. The camera follows the movement of the man in the brown suit as it shifts to the right.


The scene is set at a filming location with a blue background. On the left side of the screen are three photographers. The photographer on the left is standing on a ladder, holding a pole with both hands at shoulder height. The middle photographer is standing, turned sideways to the camera and is using a camera to film. The photographer on the right is crouching, holding a small camera sideways and is shooting to the right. On the right side of the screen, there is a person sitting on a chair with their back to the camera. The camera on the left tilts slightly downward, then pans to the right until the center of the screen shows the person who was previously on the right side, sitting on the chair. At this point, in the center of the screen is a table with a lamp on it, and the person sitting on the chair is rotating around the table. When they rotate to the right side of the screen, the person on the chair raises their hands, and the chair stops spinning. The camera zooms in for a close-up of the person on the chair; the man turns his head to look at the camera and speaks, then turns back and looks to the left, sideways to the camera.


In the scene, a woman wearing black patterned clothing in the upper left corner of the frame is facing down, lying on the back of a person in white clothing below the frame, with her right hand placed on the right shoulder of the person in white. The person in white is facing the camera with their hands crossed, lying on the sofa, looking at the woman in black patterned clothing. Then, the person in white extends their left index finger upwards, and the woman in black patterned clothing extends her right index finger to touch the left index finger of the person in white. Subsequently, the woman in black patterned clothing kisses the right cheek of the person in white. The person in white lifts their neck and head to give the woman in black patterned clothing a quick peck on the cheek. The woman in black patterned clothing then slides her right hand down along the right arm of the person in white. The woman in black patterned clothing extends her right index finger again to touch the nose of the person in white.


In the scene is an animated shot, with a purple hippopotamus sitting in a chair under an umbrella, facing the camera lens. As the camera zooms in, he lifts his left leg, his head turns slightly to the left of the frame, and he smiles.


There are two people riding horses, galloping towards the foreground of the picture from the left and right sides of the background respectively. After they meet, they both head towards the left side of the screen. The camera switches to a view of their backs. The original two people enter the frame from the right side, and there are two more people waiting for them in the frame. They all look at each other.


In the frame, there is a black keyboard. In the bottom left corner of the screen, a person enters the frame with a screwdriver in their right hand, receives the screwdriver with their left hand, and places both hands at the ends of the keyboard. The right hand takes the screwdriver again, and the left hand reaches towards the cloth on the right side of the screen, pinching it. Then, the left hand reaches towards the bottom right corner of the frame, picks up the cloth from the right side of the screen, and throws it to the right side of the frame. The cloth leaves the camera's view from the right side. The left hand is placed at the left end of the keyboard, and the right hand holds the screwdriver at the right side of the keyboard. Both hands then lift the keyboard towards the bottom left corner of the screen and put it back down.


On the right side of the screen is the profile of a man, and on the left side of the background is the face of a woman. The man turns his head to look at the woman. The scene changes, and there is a group of people celebrating in front of a dining table. The scene switches again, with a top-down perspective, in the middle of the screen is a bowl of cereal, and a hand moves from the left side of the screen to the right. Then, the cereal turns black.


In the video, there are two girls wearing white shirts. The girl on the left has twin ponytails and is carrying a khaki backpack. She is facing right, extending her right hand, talking, and turning towards the camera's direction, then she turns back to the right and makes gestures with both hands. Finally, she turns back to the camera, makes a digging motion with both hands, and leans backward. The girl on the right has long hair and is carrying a black backpack. Her right hand is resting on the strap of the backpack, and she first looks to the right of the screen, then extends her left hand to tidy her hair. She swings her body back and forth between the camera and the right side of the screen, with both hands on the backpack strap, looking at the girl on the left, occasionally speaking with a look of confusion.


The woman is squatting facing right, with both hands lifting a metal plate. Then she turns clockwise from right to left, holding the metal plate in front of her chest. After that, she places the plate vertically by her left side and turns back to the right.


A girl in red faces the camera, head bowed, fiercely punching downward with her right fist towards the bottom of the frame. Her hair is disheveled, and her face is filled with anger and determination. Suddenly, the camera switches to a black girl wearing a gray sundress and a blue jacket, who is leaning against a cardboard box behind her, facing the camera. Her expression is one of distress, with her brows tightly furrowed, and her eyes filled with fear and helplessness. Her body slightly struggles to the right side of the frame, attempting to break free from the current predicament. The dim lighting in the room creates an atmosphere of tension and oppression.


At the bottom of the screen is a pair of hands, with the left hand holding a piece of semi-transparent white paper, which has black ink stains on the torn edge. The right hand is holding a spoon and tapping the paper from below. Then, the black ink on the paper seeps through and imprints onto the blue background below. After that, the paper and spoon are removed from the bottom of the screen. The right hand then pushes the paint can on the right side of the screen twice, moving the paper to the right side of the background. The right hand uses the spoon to dip into the drink can for more black liquid, continuing the process. The left hand presses the white paper onto the background, filling the gaps with ink. Then, after taking the background out from the bottom right corner and adjusting its position from below the screen, it is placed back onto the blank area of the background. The above steps are repeated.


In a room decorated for Christmas, a blond woman in a blue apron, holding a red spatula in her right hand, walks towards the foreground of the scene from the left side. At the same time, a white-haired man in a white sweater appears on the right side of the frame. After placing his phone on the table in the center of the scene with his right hand, he also walks towards the foreground. The camera moves to the left, revealing two women standing on the left side of the frame, facing the camera. On the far left is a brunette woman in a white sweater, and slightly to the right is the woman in the blue apron, holding the handle of a pot with her right hand and a red spatula in her left. The woman in the white sweater raises her left hand to take a white plate and passes it to the woman in the blue apron. The woman in the blue apron releases the pot with her right hand, transfers the spatula from her left hand to her right, and then takes the plate with her left hand. She glances at the white-haired man on the right side of the frame and then bows her head. In the background on the right, a man with black hair in a blue shirt, holding a white bowl in his left hand, is obscured from view by the white-haired man.


The scene is a close-up shot of the hands. The left hand holds an object and moves towards the top of the screen, while the right hand holds a needle and moves towards the right side of the screen. Then, the left hand holds the needle and fabric, and the right hand moves up and down on the fabric. It then moves towards the right side of the screen, and quickly picks up the needle before swiftly leaving the frame.


In the center of the screen is a plant, with a woman's body from the waist down, sideways, appearing on the right side of the screen. She is holding a spray bottle in her right hand, then turns to face the camera directly, with her right side leaning against the wall. Her left hand supports a leaf on the right side of the screen, while her right hand presses the spray bottle to water the leaf. Afterwards, she lifts other leaves one by one with her left hand, and uses the spray bottle in her right hand to water them. Subsequently, she walks towards the right side of the screen and exits from the right.


In the scene is an animation, with several small figures walking at the bottom of the screen. The camera then pans up to reveal tall buildings and the sun in the scene. Subsequently, the screen darkens, and the moon descends from the top of the screen, taking the place of the sun.


On the right side of the screen, a man in a dark blue shirt raises both hands in front of his body to make a gesture before clasping them together. He then points to the upper left corner with his right hand before placing it back down. In the center of the screen, a female in a school uniform is looking at the male on the right side of the screen the whole time. On the left side of the screen, there are two people in school uniforms, a boy and a girl, both looking at the male who is speaking.


In the scene, there are two people standing in front of a white wall. On the left side of the picture is a girl in a red dress, holding a glass of wine in her left hand and stretching her right hand upwards to the right of the screen. She is wearing decorative glasses. To the right at the back is a man in a black sweater, holding a glass of wine in his right hand and holding the woman's outstretched hand with his left. Following this, the woman begins to spin under the extended arms of the two. She completes one circle and then another.


The person on the right side of the screen is facing left, with both hands naturally hanging by their sides. They walk from the right to the left of the screen, with their hands swaying in sync with the walking motion. Then, with their back to the camera, they stand next to a fence, looking into the distance.


In the top right corner of the screen, there is a brown liquid in a glass bottle. In the top right corner, both hands are using a syringe to extract a tube of brown liquid and move it to the top left corner of the screen. The left hand holds the syringe, while the right hand injects the brown liquid into a brown unidentified object on the white cutting board in the middle of the screen. The injection is done four times from the top right to the bottom right of the object, and three times from the bottom center to the upper center of the object.


A brown-haired man in dark clothing is riding on the back of a brown horse, facing to the left of the picture, sideways to the camera, leaning back, and pulling on the reins. The horse is galloping quickly, moving from the right side of the frame to the left. Then, the man pulls on the reins, and the horse's front legs lift up and stop moving. At this moment, a man with gray hair wearing a brown shirt and brown pants appears on the left side of the frame, facing to the right, looking at the brown-haired man. The brown-haired man jumps off the horse's back and walks towards the left of the picture. At this time, a man wearing a black hat, black shirt, and dark pants rides a black horse into the frame from the right, facing to the left, sideways to the camera, holding the reins, and jumps off the horse's back, also walking towards the left of the frame. From left to right in the picture, there are the gray-haired man facing right, the brown-haired man facing left, and the man in the hat facing left. The gray-haired man speaks with his hands crossed over his chest, and the two horses run to the left of the background, exiting the frame. The gray-haired man and the brown-haired man look towards the man in the black hat together. In the background on the left side of the picture is a wooden cabin on the grass with a fence around it.


In the center of the screen, slightly to the left, there is a right hand holding a paintbrush, spreading fluorescent paint, then moving to the center-right of the screen to continue spreading yellow paint. In the lower left corner, the left hand switches the yellow paint to pink, while the right hand moves outside the right side of the screen to change the brush. It then dips into the pink paint in the lower left corner of the screen, spreads the pink paint slightly to the left of the center, dips into the pink paint again below the center, and spreads it on the right side of the screen.


In the frame are two women; one on the right is wearing a white shirt and sitting in the passenger seat of a sports car, while the other on the left is draped in a coat, standing and leaning against the rear door. The camera quickly zooms in and focuses on the woman on the left. She twists open the yogurt bottle cap with her right hand, raises the yogurt with her left hand, tilts her head back, and takes a big gulp. Then she sticks out her tongue to lick the yogurt dripping from her lower lip, and makes a swallowing motion.


Close-up shot. In the center of the screen, a man is laughing continuously, facing the direction of the camera. The camera slowly pans to the left, then the man glances to the left side of the screen, and in the bottom left corner, a woman is looking at the man.


The video is shot with a handheld camera. In the frame, a woman in a black top is sitting facing the left side of the screen, holding a piece of fabric with a silver zipper in both hands, and placing it on a white sewing machine. Then her left hand exits the frame from the bottom left corner. Next, her left hand re-enters the frame, picks up the black fabric from the sewing machine, and her right hand grips the edge of the fabric. She then turns her body towards the camera, using both hands to unfold the fabric. The camera moves back, revealing the face of the woman in the black top. She holds the top ends of the black fabric with both hands, continuously shaking it to display the fabric. Following this, she folds the black fabric with both hands, aligning the top edge. The camera moves forward, capturing a close-up of the black fabric.


In the picture, a black and white figure is sitting on a yellow sofa. At first, its hands are placed on the temples, and its gaze is directed to the left side of the frame. Then, its mouth starts moving continuously, the right hand points to the left side of the picture, the left hand is resting on the sofa, and the expression becomes one of gritting the teeth.


The camera first focuses on a man with silver-gray hair and beard, dressed in gray and white clothes, looking downward with a window behind him. Then, the man's head gradually turns to the right, and he is pursing his lips. At the same time, the camera slowly moves down, ultimately revealing the man's hands and a thick book lying open on the table. The man's right hand is turning a page of the book, and then his left hand pinches the page that has just been turned.


The scene is shot from a first-person perspective. On the left side of the screen, a boy wearing a green striped shirt is facing the right side of the screen. He turns his head to glance at the camera and then turns back to face the right side of the screen, picking up a plastic bag with his left hand and speaking with a furrowed brow. In the lower left corner of the background, a woman wearing a red hat faces the camera, using her right hand to bring food to her mouth. A boy in a green shirt walks into the frame from the lower left corner of the background and moves towards the right side of the screen.


Holding the lens to take a shot. In the center of the frame, a person in pink clothing is facing away from the lens with their left hand on their hip, slightly turning their body to the left side of the frame. On the right side of the frame, another person is also facing away from the lens, first looking to the distance on the left side of the frame, then slightly turning their head to look forward.


The man is standing to the right of the frame, facing left. He rolls up the paper on the left easel with both hands, then slightly bows his head and picks up a pen with his right hand, raising it to draw a vertical line on the paper. Then the camera slightly moves down.


In the foreground on the left side of the screen is a man in a blue shirt and glasses with his back to the camera. He first raises his left hand and then his right hand, gesticulating while speaking. He is facing a man with grey and white hair, wearing a dark grey top. These two men are standing next to an aquarium with swimming fish. The man in the dark grey top faces the camera, with his right hand naturally hanging down, resting on the lower edge of the aquarium. He listens attentively to the man in the blue shirt while nodding slightly in response.


In the scene, two young deer can be seen. The deer in the foreground is sideways, slightly to the left in the center of the frame, with its head turned towards the camera, staring intently at the lens. In the background, another deer has its back to the camera, with its head slightly turned to the right side of the frame. The deer in the background occasionally turns its head from side to side and slightly lifts its legs to adjust its posture. The deer advancing in the foreground takes a step forward, stomping firmly on the ground. Then, its other leg also steps forward, stomping on the ground, with its gaze fixed on the lens. The deer in the background turns its head to look at the camera, also staring directly at the lens. In the final part of the video, the deer in the foreground starts to walk to the right side of the frame, with both its front and hind legs moving towards the right side of the screen.


On the left side of the screen, a man is holding onto the rings with both hands, leaning backward, and gliding on the water's surface on a surfboard. In the background are some trees. To the right in the foreground, a long-haired woman with her back to the camera is visible with her left arm and head blurred; her left arm is bent down and then extended upward. The camera shifts to the right, and the lower half of the man on the water is thrown backward towards the background. The camera pauses and moves to the right again, as the man leaps towards the foreground, slightly to the left. His body is sideways, facing the left of the screen, with the front end of the surfboard tilted up towards the foreground. On the left side of the foreground, a person's right arm appears, giving a thumbs-up, and then seemingly clapping. The man on the water then glides towards the right of the foreground, and the camera follows to the right. The man releases the ring with his left hand, causing the water to splash. The long-haired woman is now on the left side of the foreground, and as the man bends down and moves towards the left of the screen, she blocks his view. The camera moves to the left, and the woman lowers her hands, now on the right side of the screen. The man on the water is now on the left side, holding the rings with both hands, facing away from the camera, crouching with his body bent at the knees, and then turning sideways slightly towards the right of the screen, lowering his right hand towards the surfboard, as if beating at the waves towards the right. The back of a boy's head appears on the left side of the foreground, gradually blocking the man on the water. Then the man on the water gradually stands up and glides towards the right of the screen. The woman on the right side of the foreground extends her left arm to the left, embracing the boy's shoulder.


A video taken from above shows a painting placed on a table, along with a person sitting below the frame of the painting, out of the camera's view, only their hands visible, adding color to the painting. This person's left hand holds an open jar of paint on the left side of the painting, with a silver bracelet on their wrist, while their right hand wields a paintbrush. After dipping the brush into the paint jar to add color to the painting, they gently push up on the lower edge of the frame with both hands, holding two corners, then continue to dip the brush into the paint and sweep it gently over the painting to add more color. On the right side of the frame, a small bottle of paint can be seen on the table.


In the center of the screen, there is a man who turns his head to look at the man on the left side of the screen, then turns his head to look at the woman on the right side, and subsequently bows his head to look forward at the woman. The woman on the left side of the screen looks at the woman on the right side with her eyes, points at the woman on the right with her right hand finger, speaks while doing so, and then bows her head down.


On the left side of the screen is a train with yellow stripes. It is moving slowly, heading towards the camera. On the right side is a pale yellow train, moving away from the camera towards the background, slightly faster than the train on the left. Then, the scene suddenly changes, and it's snowing on the screen, with a train carriage in the background. Then, a train enters from the left side of the screen, with part of its body covered in snow. It races from left to right, and the camera briefly follows its front, panning to the right, revealing its body as it travels. The scene changes again, showing a train traveling from the right to the left side of the screen, with a pale yellow exterior. A person can be seen standing on the train, and in the midst of its journey, he suddenly jumps off to the right side of the screen. He flips in mid-air, and just as he's still suspended, the scene changes once more. It shows a train engine entering the frame from the left side, crashing into a train on the right side of the screen. It flattens the train on the right, creating a chaotic scene, mostly obscured by a dusty snow cover.


This is an animation segment. Five people are located in an amusement park. The man in the yellow clothes is standing facing the left side of the screen, holding a blue hat in his right hand and supporting it with his left hand, looking upwards. The girl in the blue clothes is standing facing the right side of the screen with her hands behind her back. In the background, the man with brown hair is standing facing the left side of the screen, the little boy in yellow clothes is standing towards the camera, and the man with orange hair has his left hand on his hip, standing facing the left side of the screen. The man in yellow clothes turns to the right side of the screen while speaking, then closes his eyes, raises both hands to the sides above the screen, tilts his head to the left, and slightly lowers his arms before stretching his hands upwards again. He then looks to the bottom left of the screen, turns to the left, bends over with his knees bent, and hands the blue hat to the girl in blue clothes. The man with orange hair turns and walks out of the frame to the right, swinging his hands forwards and backwards on both sides. Then, the boy in yellow clothes turns and walks to the left side of the screen, swinging his hands in a similar manner. Next, the man with brown hair turns and walks to the right side of the screen, also swinging his hands. A monkey enters the frame on all fours from the right side and runs to the left. The man in yellow straightens up, lifting his hands slightly to the sides of his body, while the girl in the blue top turns her head to the left, both looking downwards to the left side of the screen with a look of surprise and their mouths open. In the background, there are yellow stands, blue and white tents, and pink shops.


There is a woman wearing a headscarf standing in the center of the picture, holding a black and white striped garment in her hands. To the left of the frame stands a man wearing a white shirt. The woman then lifts the garment, spreads it out in front of her, with a happy smile on her face. On the right side of the picture, a woman wearing a black headscarf approaches the center, turns sideways to the camera, and bends down to pick up a red garment from the bottom of the frame. The camera then retreats and pans to the right, revealing both women with headscarves spreading their garments out in front of them. At this point, a man in a red shirt also appears in the background of the picture.


The center of the screen shows the foot of a bed covered with a purple sheet. The camera trembles as it rotates to the right, then moves upwards. On the left side of the screen is a bed with a purple sheet, and in the background on the right, a doll in white clothing is sitting on a chair. The camera continues to move upwards, revealing a pot of purple flowers placed on a shelf on the left side of the screen. The camera moves down to the right before cutting to another shot. The center of the new scene features a green wire-bound notebook. In the lower right corner, a right hand picks up a pen and the notebook's cover, while the left hand appears from the lower left side of the screen to hold the notebook.


In the middle of the screen, there is a floor covered with a lot of trash, some daily necessities, and some plastic products. Suddenly, a person appears in the frame with a broom and a dustpan, sweeping the garbage on the floor clean. It's evident that the video has been sped up. As the broom sweeps, the amount of trash on the ground gradually decreases, leaving only some dust behind.


In the upper part of the screen, there is a man wearing a V-neck black shirt walking towards the bottom of the screen, with his arms swinging continuously. He first slightly bows his head and lifts the left sleeve with his right hand, then he lifts the right sleeve with his left hand, and then looks to the left of the screen. The camera follows him down, shaking slightly. The scene is supposed to be on a rooftop, with large machinery on the left side of the screen and a wall on the right side.


In the left part of the screen, a person wearing gray shorts can be seen with both hands gesturing towards the right side of the screen, then the right hand reaches into a hole on the lower right side of the screen. The upper body of the person in gray shorts appears on the left side of the screen, leaning towards the right. Then the right hand is withdrawn, and the index finger is pointed to the left side of the screen. The left hand reaches to the right side, grasping the right index finger, and the person straightens up. The left hand releases the right hand, and the right hand wobbles slightly. In the center of the screen is the passenger side door of the vehicle, with many parts and wiring visible.


A man in gray clothing stands on the right side of the frame, and the shadow of the man is reflected on the door glass of the blue car on the left side of the frame. As the camera moves forward, the reflection on the door glass shows the man turning his head to the left side of the frame.


A man stands in the center of the picture, with his left hand resting on a box to the left of the frame. His back faces the bottom right corner of the picture, and his body bends towards the top left corner as he raises his right hand to examine the box, continuously pressing his body downward.


In the scene, there are four people. In the foreground on the left side of the screen, a man is wearing sunglasses with his back to the camera. On the right side of the screen, a girl in a purple top is shouting at a person in red clothes to the right of the frame. Then, the man with sunglasses walks to the left side of the screen, extending his left hand. A man in khaki pants appears in the scene and moves to the right, taking off his hat, as the camera moves down.


In the center of the screen, a cartoon monkey is sitting on a red chair, with its left hand on top of its head and its right hand raised holding a small red stick. Its eyes are fixed on the stick. Then, it lowers its left hand and places the stick in front of it with its right hand. It blinks its eyes and opens its mouth to smile, looking at the stick and nodding.


The video is a close-up of the hands shot from a first-person perspective. The left hand on the left side of the screen is holding a black bag, then the right hand takes hold of it, the left hand lets go, and then the left hand grasps it again. The right hand taps the surface of the bag and finally takes hold of it with the right hand again, followed by both hands holding the bag.


In the center of the screen, a woman is seen riding on top of a man lying on the ground. With her left hand, she grips the man's neck, while her right hand removes the man's mask, after which she engages in conversation with him. Afterwards, she slaps the man across the face with her right hand, then extends her right hand to the side of his face as they continue their dialogue. The man's head moves occasionally, with the woman stabilizing it with her right hand. The camera cuts to a close-up of the man's face, showing the woman gripping his hair with her right hand as he struggles to speak. In the end, the woman releases the man and stands up.


On the left side of the screen, an elephant is facing the right side of the frame, walking towards the right. Its trunk moves from being curled up to being lowered. The camera follows it, panning to the right along with it, as it again curls and then lowers its trunk. Gradually, its backside faces the camera as it walks to the center of the screen. The background is dry land, with some green grass on the right side of the land, and the sky is very blue.


On the left side of the screen, a man in a yellow short-sleeved shirt has his hands on a map, holding a thin stick in his hand, looking towards the right of the screen and speaking, then pointing to the map with the stick in his right hand and moving it. Suddenly, three rows of white text appear on the right side of the screen. The background of the scene is a bookshelf filled with books.


In the initial scene, there are four people. At the center is a young man dressed in a black leather jacket, sitting behind a wide white desk. Behind him stands a black woman in a white coat, who is massaging the young man's shoulders with both hands. To the right, there is a bearded man in a blue shirt leaning against the windowsill. In the foreground, a black man with his back to the camera is visible only from the back of his head. Subsequently, a man dressed in a black shirt with white stripes walks in from the left side of the frame. Everyone glances at him, and then he sits in the chair in front of the white desk, placing his left foot on the desk. He engages in conversation with the black woman, the young man in the black leather jacket, and the man in the blue shirt.


The scene is shot from a first-person perspective. In the center of the frame is a man in dark blue clothing with his back to the camera, facing rightward in the direction of the screen with both hands raised levelly. Then he lowers his hands, turns his head away from the camera, and walks towards the distance in the frame with his hands bent at the elbows, then lowering them. The shooter follows him, walking towards the distance in the frame. Then he turns his head and smiles towards the right side of the screen, before turning around to face the right side of the screen. To the left in the background, there is a sidewalk, and in the background, there are lawns and trees.


In the scene, a woman is seen with her back to the camera, holding a bag in her right hand. She walks into the center of the frame from the right side, talking as she moves. She slightly turns her body counterclockwise, facing the camera direction and says a few words. Then, she turns back around, facing away from the camera again, and places the bag over her right shoulder. After walking some distance towards the distance, she slightly turns her body counterclockwise once more, facing the camera.


In the frame, there is a woman in green clothing facing the camera. Her left hand is holding a bowl on the table in front of her, while her right hand is holding a kitchen utensil. She stirs the contents of the bowl in a clockwise direction, then looks up at the screen. Her left hand releases the bowl, spreading her five fingers open, while at the same time lowering her right hand to rest on the table as she seems to be saying something to the camera.


In the frame, a woman in a black top with a pattern is sitting next to a table, sideways to the camera, facing left. She is looking at a laptop placed on the table in front of her. Her elbows are on the table, and with both hands, she is holding a cup and drinking water. A man in a white top is sideways to the camera, facing the direction of the lens, and is leaning on the woman's back with his arms around her neck. The man in the white top bows his head to the left of the frame, and the woman in the black top uses her left hand to brush her hair and then turns her head to the left to look at the man in the white top. Then, the woman in the black top turns her head to face the camera, looks at the laptop screen, and places her left hand on the keyboard. The man in the white top also looks at the screen. The woman in the black top puts down the cup in her right hand, and the man in the white top leans down, placing his head on the right shoulder of the woman in the black top, and also lowers his right hand. The woman in the black top starts typing, then raises her right hand to touch the head of the man in the white top, and then turns her head to the left. The man in the white top supports his left hand on his right hand and turns to kiss the woman in the black top. Both smile and turn to look at the computer screen again, and the woman in the black top lowers her right hand.


The scene appears to be a volcano about to erupt. At the beginning, on the right side of the screen, there are many red embers scattered. The background consists of several continuous mountain ranges. Then, from the foreground behind the mountains, a large mass of red sparks bursts out, exploding towards the right side of the screen. In the lower left corner of the screen, an orange circle gradually appears, with a row of white letters in the middle.


In the frame, a small dog with red and white fur is captured. Its leash stretches to the upper left corner of the screen. The dog, with its back to the camera, sniffs at the dog bowl in front of the screen. The camera moves forward, and then the dog moves to the right side of the frame. The camera follows and turns to the right, then moves forward, after which the left side of the screen is blocked.


The video footage is shot from a top-down perspective. In the center of the frame, there is a black box. To the right of the frame, a person is bent over with their back to the camera, holding the box with their left hand and screwing with a screwdriver in their right hand. The man moves to the other side of the black box, squats down, and screws with the screwdriver while facing the box. At the same time, the camera turns towards the left side of the frame.


In the scene, there are two people. On the left side of the screen, a person wearing blue jeans is kneeling on a sofa with their body facing the right side of the screen. We can only see their thigh and arm parts. On the right side of the screen, a person in purple pants is sitting on a stool with their right leg crossed and the left leg resting on the right foot. The camera has a slight shake, and we can see that the person on the left is continuously moving their palm back and forth on their thigh, occasionally making a hand gesture with their right hand. The person facing us on the right is holding a white, flat object with both hands, and they are continuously manipulating this item.


This is a video from an animation, showing several women wearing green tops. The woman in the center of the screen is holding three white boxes, the woman on the left side of the screen is holding an orange box, and the woman on the right side has a gray bowl in her right hand. The camera then quickly moves to the right, and the woman with the gray bowl in her right hand appears in the center of the screen. Her gaze is directed to the left side of the frame, her left hand is extended pointing to the right side of the screen, and she is continuously saying something. Following this, the woman on the left side of the screen, who is holding the three white boxes, slightly lowers the boxes in her hand and turns her head to look towards the right side of the screen.


On the left side of the screen is a man wearing blue plaid pants, supporting himself with his left hand on the desk, facing the camera, with his head tilted to the right side of the frame, and his right hand covering his mouth as he laughs out loud. At the same time, on the right side of the screen, a man with a green school bag on his right shoulder is bowing his head, then looks up with a smile on his face, and turns to look at the man on the left side of the screen who is wearing the blue plaid pants.


The woman on the right side of the screen is frowning and looking at the man on the left side of the screen, who is leaning against the camera. The woman on the right is speaking while looking towards the lower left of the screen. Her right hand is holding a lighter, and she is showing the lighter while talking. Her expression is grim, and she is emotionally agitated, frequently glancing at the man. She is talking while flicking the lighter, at the same time lifting the lighter up with her hand.


A large wave sweeps from the left side of the screen to the right, and in the middle of the wave, a person on a surfboard is engulfed by the wave.


At the center of the screen is a bouquet of flowers, within which there are two white flowers, some pink flowers, and some grass. To the left of the screen is the silhouette of a person. This person's right hand reaches out from the bottom of the screen, holding a blade of grass, which they place to the right side of the bouquet in the picture. The background of the scene is blurred.


In the scene, there are two men sitting. The man on the left side of the screen has his back to the camera and is holding a tool in his right hand. The man on the right side of the screen has short curly hair, is dressed in black, and is bowing his head with his hands clasped, his left hand touching his right. Then, he raises his head and looks towards the man on the left side of the screen as he speaks. The camera switches, and there are four men in the scene, inside a room. In the center, the man with short curly hair is sitting sideways, looking at the man in the brown suit. The man in the brown suit, wearing a hat, is sitting with both hands holding a tool, and is intently looking down at it. On the left side of the screen, a man with short black hair dressed in red is standing, and on the right side, a man dressed in black is sitting with his body turned sideways.


The main subject of the scene is a pair of feet, walking step by step towards the upper right corner of the frame, with the camera following the pace of the feet. In the background, the plants in the farmland gradually move out of the frame from the left side.


In the scene, the woman in a white mink coat with a gold bracelet on her wrists is making wave-like movements with her arms, swinging them towards the side near the camera and then away from it, continuing this motion twice. Behind her, the person in a black coat moves their arms in sync with the woman in the white mink coat, keeping the same rhythm of swinging.


Shot from a first-person perspective, the scene shows a paper box with an opening facing the camera in the foreground. In the lower left corner of the box, there is an orange bag. At the bottom of the box, there is a blue and white checked sticker on one corner of the paper shell. Initially, the right side of the screen shows a person's knee. Then, a right hand extends from the right side of the frame, holding a brown bottle, which it shakes towards the distance in front of the camera before retracting. Following this, from the right side of the frame, a woman in an orange short-sleeved shirt is seen. She supports herself with her left hand on the ground, while her right hand holds a purple paintbrush, which she uses to apply purple paint onto a piece of cardboard with an opening facing the camera in front of the scene.


In the center of the screen, a person sitting wearing black striped clothes faces the camera, using their right hand to pick up a piece of meat with chopsticks, while their left hand holds the plate. Their eyes are on the meat held by the chopsticks as they put it into their mouth to chew. At the same time, the chopsticks are placed back into the plate. In the background of the scene, a head briefly appears and then disappears behind a partition.


In the scene, there are two people standing. The man on the left side of the frame has his hands crossed in front of him and his head turned to the left side of the picture, talking. The camera zooms out, and the woman on the right side of the frame has her head obscured by an emoji. Her hands are in front of her, and then she raises her left hand, moving her body towards the left side of the frame. She then turns around to face the camera, with her left hand on her hip. At this point, the man turns towards the right side of the frame, moving his body to the right, and the camera also moves to the right. Then, the man bends forward to the right and raises his right hand. The woman on the right side of the frame shakes her body slightly and raises her right hand slightly, turning her body slightly towards the left side of the frame.


On the left side of the screen, there is a man wearing a blue long-sleeved shirt and a white hat, facing the right side of the screen. He has a camera on his back and looks up at the sign above the center of the screen. Then he lowers his head and takes two steps to the right of the screen. In the center of the screen, there is a store, and on the right side, there are windows. On the left side, there are two pink notices.


In the scene, a person wearing a blue short-sleeved shirt is sitting on a chair, their body facing the camera with a slight tilt towards the left side of the frame. Their right hand is resting on their knee, while the left hand holds a barbell, repeatedly lifting it between their legs. The left arm is pressed closely against the left leg, and they continue to repeat the action of lifting the barbell. The camera also slightly moves to the right.


A small monkey and a man are standing in the middle of the frame, with the monkey looking upwards. The man squats down, both of them gazing upwards. The scene cuts, and the monkey is now sitting in a chair, holding a pen in its right hand and a sketchbook in its left, looking ahead at a clothes rack while drawing. Many pigeons are perched on the clothes rack, which is hung with a variety of items.


In the frame, there are two people facing the camera. At the top right corner of the screen, many people are standing on the riverbank, but only their feet are visible. The man in black closest to the camera is holding a pair of oars in both hands, rowing alternately to the left and right, heading towards the camera. Behind him, a lifeguard in a red shirt and wearing a helmet is walking towards the camera's direction, following him while smiling and clapping.


The camera focuses on two men; the black-haired man is looking at the top right corner of the screen and talking, then he slightly crouches down and stands up straight again, shaking his head slightly from side to side with an emotional expression, and he also raises his left hand to the camera. At the same time, the white-haired man turns his head to the right side of the screen, glances at the black-haired man, and then turns back to the camera, looking at the top right of the screen with a hesitant expression. The camera shifts focus to the blond woman in the lower right corner of the foreground; she turns to the camera, looking at the top right corner of the screen with a worried grin. In the blurred background, the black-haired man turns to the left side of the screen, looking at the top left corner, and his right hand is placed on the right shoulder of the white-haired man, giving it a quick pat.


At the center of the screen is a woman wearing a plush coat, facing to the right of the frame, her hand grasping the shoulder area as she tries on the clothing. The woman turns towards the camera, both hands running through her hair. As the camera pulls back, she raises both hands to sway the clothing, then turns around to face away from the lens. She then turns to the right to face the camera again.


In the center of the screen, a woman in a white shirt is standing facing right, with her hands placed on the table. On the right side of the screen, a woman in jeans is sitting with her back to the camera, looking up to the left side of the screen and glancing at the woman in white, then quickly lowering her head again as the camera slowly moves forward. In the distance on the left side of the screen, a woman in red is turned sideways with her body facing left, her left knee bent, and her left hand in front of her. She turns towards the camera, straightening her left leg, then lifting her left hand. The woman in white is tapping the table with her right hand fingers. In the background are several large windows, along with some office chairs and tables.


In the center of the screen, slightly to the left, a man in a blue shirt has his arms crossed over his chest, standing facing the camera. His left hand is extended with the index finger pointing to the right side of the screen. His hands are naturally placed at his sides. He turns his head counterclockwise to look to the right side of the screen, then turns clockwise to look to the left side. With his right hand, he grasps his own collar and moves laterally to the left, facing away from the camera and towards the left side of the screen. To the left of the screen, a man in a white shirt with long hair is standing facing the camera. He turns his head counterclockwise to look to the right side of the screen and smiles, then turns counterclockwise to face the right side of the screen. To the right of the screen, a man is standing sideways to the camera, facing towards the left side of the screen. In his right hand, he holds an album, turning his head counterclockwise. His left leg kicks out towards the right side of the screen, and his left elbow moves towards the right side. Then, he resumes his posture, standing sideways to the camera, facing left, and speaks while holding the album in his right hand. He then places the album vertically and then horizontally on the table. With his left hand in his pocket, he continues to speak. In the background to the right, a man with long hair is sitting sideways to the camera, facing towards the left side of the screen, holding a book in both hands and looking at it.


A man and a woman are dancing embraced, moving from the center of the frame to the left side, then stepping and turning counterclockwise. The woman occasionally throws her head back with a smile, and subsequently, the two spin to the front of the camera. The woman leans forward, resting on the man's right shoulder. The camera shifts downward, causing their faces to disappear from the frame.


The camera first maintains a front shot, showing a man in a black sweater and black pants striding forward. He then steps onto the bottom of the stairs on the left side of the screen and quickly runs up. The camera then switches to the lower end of the second section of the stairs on the left, shooting upwards. The man continues to stride upwards, running up the second flight of stairs. After completing the second section, he turns and runs up the third section, all the way to the top of the stairs, looking down.


The video is a close-up of the hands shot from a first-person perspective. In the frame, the left hand is holding a green cloth bag, while the right hand pulls to the right and then pierces the bag with a hook-tipped needle. The background of the scene is a purple desktop.


In the scene are some toy dogs. At the top of the frame is an orange toy dog standing on a platform, facing the camera. In the middle background is a blue toy dog, also facing the camera. On the right side of the frame are two toy dogs; the one on the left is green, facing the camera slightly looking to the left, and the one on the right is blue, facing sideways to the camera and looking to the left. On the left side of the frame is a red toy dog, facing sideways to the camera and looking to the right, with only part of its head visible. Then, a hand grasps the orange toy dog at the top of the frame and makes it nod towards the camera three times in a row. Finally, the red toy dog on the left side of the frame is picked up and shaken gently a few times.


The video is a close-up of the hands from a first-person bird's-eye view. In the center of the frame, the left hand places a pink object down, and both hands hold a piece of clothing resembling fish scales. They rotate it half a circle and then turn it back, while the left hand repeatedly caresses it.


The camera captures an upward angle, showing a girl sitting on a swing with her back to the lens, facing the distant right side of the frame. Her left leg is placed on the swing, while her right leg dangles beside it. With her left hand, the girl reaches behind her to grasp the swing's rope, gives it a slight pull, and then lifts her right leg onto the swing. The swing rocks back and forth, and the camera slightly pans down to the left.


The video is shot from a first-person perspective. On the left side of the screen, a book moves towards the left of the frame and exits the lens from the left side. The camera moves to the bottom right corner, then to the top left corner, and down, gliding across the center of the screen where a menu appears, which is then flipped counterclockwise.


On both sides of the screen, there is a potted plant in a flowerpot made from jeans. In the extreme left of the screen, a pair of hands first slightly rotates the potted plant on the left side of the screen to the right. Then, after a significant rotation to the right, the potted plant is turned to the left until the plant container faces directly towards the camera. At this moment, the potted plant on the right side of the screen slightly turns to the left. The background of the screen is a grassy field.


In the center of the screen, slightly to the right, there is a square wooden board placed on the ground. At the edge of the board, there are two bottles, and the surface of the board is covered with a layer of white transparent plastic film. Subsequently, a person wearing a red floral shirt and blue jeans is seen holding a gray object with both hands, bending over to place it on the board. Then, they move their hands away, stand up straight, grip the fingertips of their left hand with their right hand, and then release it, placing both hands at their sides. Next, they extend their right hand forward, followed by their left hand, manipulating an object, with the action obscured by the gray item. Then, they slowly rise, holding a brush in their right hand, stirring continuously in the red plate held in their left hand, moving closer to the camera. In the background is a green grassy field bathed in sunlight.


The video is shot from a first-person perspective. On the left side of the screen, a finger points to a white car with its hood open. Then the hand drops, the camera pans to the bottom right corner, and finally rotates back to the left.