In the scene, a small path stretches from the lower left foreground to the right background of the frame. Two people are walking towards the lower left foreground at the center of the frame. The woman on the left and the man on the right have their right and left hands interlocked, holding hands between them. They start by smiling at each other, then the woman turns her head to look towards the upper left of the frame, while the man periodically bows his head and then looks up towards the upper left of the frame. Throughout, the hands that they are holding swing back and forth; the woman's right hand swings a box, and the man's left hand holds a camera hanging from his chest. The camera lens follows their movement.


The scene on the screen shows a sports field, with a group of players wearing white-striped pants filling the entire screen, roughhousing. The camera shakes from side to side, and then another player appears from the right side of the screen, entering the middle of the frame. Immediately, the camera moves to the left, revealing a player lying on the ground at the center of the screen with a group of people dragging him.


The camera captures a downward view of the scene, where a person dressed in a light green long skirt is sitting, with both hands above the thighs. The right hand is adorned with a bracelet and holds a purple flower, while the left hand fingers are rubbing the purple petals off the stem. The right hand continues to rub the fingers down along the flower stalk. As it nears the end, the right thumb and index finger pinch the lower part of the stem, while the left thumb and index finger grip the upper part. Then, the right hand releases and moves to the left of the screen, while the left hand holds the stem, gives it a rub, and moves to the right of the screen. The fingers loosen, and the stem drops to the ground. Both hands then grasp another purple flower, with the left hand holding the flower head, and the right hand rubbing the petals off down the stem. After doing this once more, the right hand holds the stem, and the left hand rubs the flower head. Then, the right hand lets go and moves to the left of the screen, while the left hand, holding the stem, moves to the right of the screen. In the background, on the left side of the screen, there is a dark wooden basket filled with purple flowers. To the right, there is a scattered pile of flower stems on the ground. In the center, the skirt is covered with fallen purple petals.


The camera captures a downward shot of a person's left index finger hooking a green thread, pulling it taut towards the upper left of the frame. The thumb and index finger grip a completed knot, while the right hand holds a crochet hook. The right index finger presses against the tip of the hook, guiding it to the left side of the frame, piercing through the finished knot in the right hand. Then, the left index finger, holding the straightened green thread, wraps it around the crochet hook, which catches the thread. The hook is then pulled back to the right side of the frame, passing through the completed knot. This process is repeated several times. Next, the left hand pushes the knot on the hook to the right side of the frame, down to the base of the hook, and then pulls the knot off the hook to the left side of the frame. Both hands then move towards the upper corner of the frame, briefly leaving the camera's view, before returning to the center. The right hand starts to crochet another knot, while the left hand pulls the newly formed knot off the hook, and the right hand continues to crochet.


In the scene, a person wearing a mask of a little boy's face moves away from the camera, then he nods his head.


In the frame, a woman is smiling with her mouth open, looking at the camera, only her upper body is visible, and her head is slightly tilted to the left. She laughs and shrugs her shoulders, then closes her mouth and smiles at the camera.


The girl in the center of the screen takes a step forward with her right foot, followed by her left foot, then she spreads her arms wide and opens the curtains with both hands. She holds the position with her arms spread for a moment before finally turning her head to the right side of the screen.


In the center of the screen, there is a small box with a cartoon pattern on it, placed facing the camera. Below the box, there is a green plastic tree. Then, a right hand extends from the right side of the screen. The hand uses its right hand to take the box off the tree. On the left side of the screen, there is a pink roof of a house.


An elderly woman with white hair, wearing a floral shirt, is sitting on a stone bench facing the camera. Behind her is a stretch of grass. She is talking to the camera, gesturing with her hands all the while. Then she looks to the right of the frame, and finally turns to the left, raising her right hand to point to the left side of the screen.


The scene is a close-up shot of the hand, which enters the frame from the left side and reaches towards the right side of the screen to pick up a metal bowl. Then, the camera turns to the right side of the frame, and the left hand turns the opening of the metal bowl towards the camera, occasionally flipping it towards the distant view of the frame before moving it closer to the lens.


Animated short film. In the center of the screen, a person with their eyes closed faces the camera and rides a bicycle towards the left side of the screen. This person is talking, holding the handlebar with their left hand, and first waves with their right hand, then extends their thumb. At the same time, a thumbs-up sign appears on the left side of the screen. Suddenly, a child appears in the bicycle's rear basket behind this person, facing the camera with both hands overhead and speaking. The person riding the bicycle immediately turns their head to look at the child. The child first shakes their arms left and right, then takes out a banner from the basket and holds it with both hands in front of their chest.


On the right side of the screen, a long-haired man in white clothing faces a man on the left side of the screen, gripping the collar of his shirt with his right hand. The man on the left side first points at the collar with his right index finger, then uses his right hand to flick the chin of the man on the right side of the screen. There is also a man in blue clothing on the left side of the screen who has taken a step to the left and is watching them.


In the center of the screen, there is a transparent rectangular small bowl on the table containing some food and meat. Behind the table, a person wearing a purple apron holds a pair of tongs in their right hand and a knife in their left. They use the tongs to pick up a piece of meat, supporting it with the knife. The camera follows the movement of the tongs in their hand as it slowly moves to the left, placing the meat in a dish on the left side of the screen. Then, they gently tap the meat twice with the tongs. At the same time, the person puts the knife in their left hand down on the table. The camera continues to slowly move to the left, revealing a small white bowl at the very left edge of the frame. The bowl is lined with two pieces of paper and filled with many small deep-fried potatoes. Using the tongs, they pick up two deep-fried potatoes and place them in the white dish on the right side of the screen. Throughout this process, the camera continuously follows the movement of the tongs.


In the center of the screen, a little boy in green clothes holds a skewer in his left hand, his body facing to the left of the screen with a smile on his face. He shakes the skewer to the right, then moves a bit to the left of the screen, bows his head, and his right hand also holds a skewer, then he turns his head to the right side of the screen. To the right of the center, a little girl holds a skewer in her right hand. To the right of the foreground, a boy crouching holds a skewer in his right hand, raising it up. To the right of the background, a black little girl enters the screen from the right side, and she also holds a skewer in her hand. Suddenly, the white smoke on the right side of the screen becomes thicker. The background is grassland and forest.


The scene is shot from a first-person perspective. The man wearing a bucket hat on the right side of the screen is facing the right side of the frame. As the camera moves first to the right and then upwards, he reaches the center of the screen and faces to the left. He raises his left hand to his chin, scratches it with his fingers, and then lowers it as the camera moves down. Then, he picks up a small knife from the tool bench in the lower left corner of the screen with his left hand and places it in his right hand. The camera moves to the left side of the frame, and the man bends forward and bows his head to the left side of the screen, making a loose fist with his left hand, and slicing downwards to the left with the knife in his right hand.


On the right side of the screen, a young man in a blue shirt is holding a wooden chair with both hands and swinging it towards a brown-haired man in a brown leather jacket on the left side of the screen. The camera slowly moves to the left. The wooden chair crashes into a fireplace in the background and breaks apart. The young man and the brown-haired man glance at each other in surprise for a moment. The scene cuts, focusing on the upper body of the young man, who raises the remains of the chair he is holding in both hands and then throws it down with force, shouting as he charges towards the left side of the screen. The camera follows his movement, panning to the left. The brown-haired man reappears on the left side of the screen. The young man jumps up, grabs a beam, lifts his legs, and kicks the brown-haired man through a pillar. The brown-haired man dodges the attack and retreats to the corner of the screen on the left. The young man rushes towards the brown-haired man, using both hands to choke him, while the brown-haired man's hands also grip the young man's neck. The camera slowly zooms in. The two men are in a stalemate, choking each other, as the brown-haired man pushes the young man against the pillar, slowly turning counterclockwise. The camera follows, slowly panning to the right. The young man raises his left leg and knees the brown-haired man in the stomach, pushing him away, then follows up with a kick from his right foot to the back of the brown-haired man, sending him flying out of the frame on the left side.


In the lower left corner of the screen, there is a woman lying face down with her upper body uncovered. In the center right of the screen, there is a woman in black clothes giving a massage to the woman with her upper body exposed. The woman in black is facing the camera, looking down at the woman with her upper body uncovered, and stretching out her hands to cross and touch the left lower back of the woman, then moving to the middle and upper back.


Initially, the camera focuses on a man with his back to the lens, wearing a black shirt. He has a red hood on his head. He is crouching in front of a trash can, and then his hands emerge from the trash can, with a bottle in his right hand, dripping water. He then quickly turns to the right side of the screen and walks rapidly. The camera follows him as it pans to the right. He walks onto a main road where many cars are parked on the right side, with the nearest one already on fire. There are also several cars parked on the left side of the road, with the third one also in flames. He raises his left hand briefly and continues to walk towards the background of the screen, still with his back to the camera.


A man sitting on the right side of the frame is looking at the woman on the left side of the frame with his back to the camera and smiling. His head is tilted to the right, he blinks and raises his chin while speaking with a smile. The woman's head is tilted to the left, and then the man looks up and moves his head up and down, returning it to a neutral position. The woman leans back and tilts her head to the right side of the frame.


In the center of the screen is an open white plastic box. On the right side of the screen, a person is holding a newspaper and moving towards the left side of the frame. They first shake the newspaper up and down, then continue moving to the left, putting the newspaper into the box. They then press both hands into the center of the box, and proceed to flatten the newspaper on the side of the box near the top of the screen. After that, their hands move down, pressing the newspaper on the side of the box, near the bottom of the screen, into the interior of the box, while the left hand glides back and forth. Then, both hands move upwards and to the right, exiting the frame from the right side.


In the scene, a person stands in front of the stove, sideways to the camera, facing the right side of the screen. Her left hand holds the handle of the pot while her right hand wields a spatula, stir-frying in the pot. She places the spatula in the pot and reaches her right hand to the switch on the right side of the screen, turning off the heat source. The camera switches, and she is now holding a paper towel in her left hand, lifting the pot as she turns clockwise to face the camera, moving forward. The camera zooms in as her right hand inserts a spoon into the pot, then takes the paper from her left hand and wipes the table with it. Both hands pick up the meat from the cutting board on the left side of the screen. The camera moves to the left as she places the meat into a glass container on the left side of the screen. The camera shifts to the right, and her right hand picks up the paper from the table on the left side of the screen, moving towards the right side of the frame.


On the screen is a person in black clothes and two dogs walking away from the camera. The dog closest to the lens first took two steps to the right, then turned its head and walked to the left to join the other dog. Then, it continued forward with the same pace.


In the scene, four people can be seen, from left to right: an elderly man with white hair wearing glasses and a black cotton-padded jacket on the left, a woman with white-golden long hair wearing a pink coat at the center of the picture, a woman with brown hair wearing a gray coat slightly to the right of the center, and a short-haired man in a black coat on the far right. The old man with white hair is looking out of the frame and speaking, with his right hand, wearing a black glove, placed on the right arm of the woman in the pink coat. This lady initially smiles and looks towards the right side of the frame, then turns her head and smiles while looking towards the left side. The woman in the gray coat first smiles at the woman in the pink coat, then slightly raises her head and shifts her gaze to the elderly man. The man on the far right smiles and slowly turns his head to the left. In the background, on the left, a large red bow tied to a wall can be seen, and on the right, there are several trees adorned with light bulbs emitting a blue glow.


In the frame, a man in a plaid shirt faces the camera, sitting and playing the guitar. The man's right hand holds a pick, strumming the strings; his left hand continuously changes fingerings to press the strings, switching between chords.


The scene is a clip from an animated film. At the beginning, there are scattered brown chunky objects spread out on the gray ground. In the top right corner of the screen, there is a small gray and blue dog with a red collar that approaches the solid substance lying on the ground. It sniffs the solid with its nose and sniffs around it before lifting its head. Its gaze then falls to the ground. The background of the scene is gray steps with a brown wall in the back.


In the image is a book with an orange cover, which contains some tables and is filled with writing. In the bottom right corner of the image, you can see the left hand of a person. The hand is holding the bottom right corner of the book, then he pinches the corner and turns the page. After flipping the page, he uses his left hand to press down on the page that has been turned, and then withdraws his hand, moving it out of the frame from the bottom of the image.


On the left side of the screen is a man wearing a black suit and a white shirt; his right hand is at the lower left of the frame, holding a book. On the right side of the screen is a man wearing a blue shirt. The man in the black suit glances at the man on the right side of the screen and says something. His left hand is in the center of the frame, with the index finger and thumb pinched together. It moves slightly upwards and then slightly downwards, while he speaks, and then the left hand opens up. The background of the scene is blurred, featuring a bookshelf with lights on.


The scene is on a court, with three people in the center of the frame. The person in the middle is wearing a blue and white jersey, turned sideways to the camera, looking to the right. In the background of the center, there is a person behind the middle person, stretching out both hands to embrace the person in the middle. The person on the left is wearing a blue coat, a blue hat, and has their back to the camera with both hands extended. At this moment, the person on the left pats the shoulder of the person in the center of the frame with their right hand and walks out of the frame to the left. Someone walks into the frame from the right, approaches the middle person who is facing away from the camera, and embraces them. Then, another person walks out from the right side of the frame, makes a fist with their right hand, and gently taps the chest of the person in the center of the frame.


The camera slowly moves to the right, and the person on the right side of the screen stands behind the table, picking up a piece of dough with their right hand from the stack on the table in the center of the screen, then placing it on the stack of dough held in their left hand on the right side of the screen. After that, they pick up the stack of dough with both hands and gently toss it up a few times in front of them.


The scene is captured in slow motion featuring two children. The girl on the left side of the frame is wearing a dark swimsuit, while the little boy on the right is dressed in blue swimming trunks. They are both running towards the camera. The girl holds a water gun with both hands and sprays water upwards towards the top of the frame, then jumps and lands in the swimming pool in the foreground. The little boy, holding a water gun in his right hand and looking to the left of the frame, also jumps and sprays water upwards before landing in the pool in the foreground. Both children disappear below the frame, splashing a large amount of water.


This segment is an animation clip. At the beginning, on the left side of the screen, there is a right hand holding a frying pan with a sheet of yellow liquid spread in it, steaming with heat. The left hand hovers in the air, then the frying pan is lifted upwards, and the liquid inside is sprayed out towards the back right, landing on the platform below and igniting an orange flame. On the right side of the screen is a pink wall.


On the left side of the screen, a person in blue clothing is facing the right foreground of the picture, smiling and looking towards the right side of the screen. Their left hand is placed on the window on the right side of the frame. Their eyes are continuously moving, and then they purse their lips, raise their eyebrows, nod, and blink. The camera slightly shakes, and the scene appears to be indoors, with trees visible through the window on the right.


In the center of the screen, slightly to the left, a man in a suit is sitting in the driver's seat of a car, facing to the left of the screen, looking to the right and speaking, with both hands extended towards the left of the screen. Then he quirks his mouth, turns his head to the left, speaks and smiles. Next, he lowers his hands, turns his head to the right, faces the camera, and looks to the right while speaking. To the right of the screen, part of a policeman's back is seen, and he is looking to the left of the screen.


In the center of the screen, four people are sitting. From left to right, the second person on the left side of the screen, the man closer to the camera is wearing a brown tie and speaking to the camera. He holds a pen in his right hand, flipping through a white sheet of paper, then takes the paper with his left hand while making a gesture with his right. Then the man looks towards the lower right of the screen, picks up the white paper on the right with his left hand, receives it with his right, and then picks up another white paper with his left hand. He looks towards the left of the screen, signs with a pen in his right hand, and then makes another gesture with his right hand. The first man on the left side of the screen, wearing a blue and white tie, is looking towards the right. The woman on the right side of the screen first looks to the left and speaks, then looks to the right and then back to the left. The last man on the right side of the screen is looking to the left, speaking and nodding his head. The camera slowly moves towards the left side of the screen. The scene is indoors, with an open laptop and two chairs on the table in the foreground, a potted plant on the left side of the screen, and a white table in the background. There are lights on both sides of the screen.


The scene is a split-screen. In the left frame, a woman in black is sitting on a black sofa, facing the camera. In the right frame, a man in a pink vest is holding a woman in a dark gray coat hostage in front of him. The woman in the left frame is continuously talking and making hand gestures while facing the camera. The man on the right seems to be holding a weapon in his right hand against the neck of the woman in front of him. The woman's hands are pulling her necklace backward. Then, the right frame changes to show a woman in yellow slightly blocking two men holding guns beside her. Behind the woman in yellow, there are many more people with guns raised, all aimed at the camera. Under the direction of the woman in yellow, they take a slight step backward. Then the camera switches back to the man holding the woman hostage, who is tightly gripping her necklace with her hands. Suddenly, the woman's expression changes, and the camera shifts to reveal her right elbow striking the man's abdomen with force. Then, she raises her left foot and kicks it over her head, striking the man's head beside her shoulder. The scene changes again, and now the man has been kicked and slammed into a pillar in the background, his face twisted in pain, as he falls to the ground.


In the center of the screen is a black woman wearing a chemical protection suit and blue gloves. With her left hand, she is holding a test tube above, and with her right hand, she is grasping the bottom of another test tube. Her head is slightly tilted down, and her eyes are focused on the test tubes. She first places the test tube in her left hand into the test tube slot, then uses her left hand to lift the top of the test tube in her right hand, and puts it into the test tube slot as well, while simultaneously lifting her head to look directly at the front of the screen. She then turns her head towards the computer on the right side of the screen, with both hands on the keyboard continuously typing.


A male wearing a black hat is leaning on the car at the left side of the frame, facing the camera. He is talking, looking down at the bottom of the frame, and bending his right arm towards the right side of the frame. His right hand is extended with a thumb up towards the left side of the frame. He then unfolds his hand and swings it to the right side of the frame, followed by raising his right hand to his face. On the right side of the frame, a long-haired woman is facing left, her face obscured by an emoji. She shakes her head, raises her right hand towards the left side of the frame, and then lowers it. In the background, vehicles are exiting the frame from the left to the right. In the upper left corner of the background, there is a traffic sign, and on the right side of the background, there are red railings and greenery.


The scene shows a top-down shot with a large number of red plastic cups placed on a wooden table. At the top of the frame, several girls can be seen. At the beginning of the video, on the far right of the screen, a person in pink clothing uses their right hand to lift a plastic cup, revealing a blue can underneath it. This person then extends their left hand to pick up the blue can. A girl in the center of the frame keeps nodding her head continuously.


On the left side of the screen, a white-haired man with a thick beard, wearing a black short-sleeved shirt, is sitting facing the camera. His head is slightly turned to the left side of the screen, his gaze downward, as he speaks. Then he blinks and shakes his head, continuing to talk, and blinks again while raising both hands. To the left is a cabinet filled with items, and to the right, a cabinet with a Rubik's Cube on it. There is also a board hanging on the wall with papers attached to it. On the wall, slightly to the left of the center, there is a black picture.


A boy is sitting on the sofa in the frame, reading a book with his side facing the camera. His left leg is crossed, and his left hand is supporting his chin on his left leg, while his right hand is holding the book down. His right leg is swinging gently. The boy lifts his gaze and glances in the direction of the camera, then quickly retracts his gaze and looks back down at the book.


The video is in black and white. On the left side of the screen, a man with his back to the camera is leaning against the door, looking up at the sky with his right hand holding a cup, and his left hand waves upwards. On the right side of the screen, another man runs in holding a cup in his right hand. The man on the left turns his head to look at the man on the right. He speaks to the man on the right and extends his right hand in a gesture to shake hands, then turns his head towards the camera. The man on the right looks at the man on the left, nods slightly, and raises his hand holding the cup.


The camera pans up, and a woman appears in the frame. Her hands are placed on the hammock, moving slightly, with her body slightly turned towards the right side of the screen. Then, the woman turns her head to the left side of the frame, bowing her head while simultaneously lifting her right hand to touch the top of her hat. She then looks up to the left side of the screen, opening her mouth to smile.


In the picture, the two people are facing the camera, their gaze directed to the right side of the frame as if they are speaking to someone outside of the camera's view. The man turns to the left side of the frame and then turns back. The woman keeps looking at the man, while the man keeps talking.


The girl in blue is riding a white horse; both the girl and the white horse are positioned sideways to the camera, facing the right side of the screen. To the left of the frame, a person stands next to another white horse, looking down towards the right side of the screen. The white horse without a rider has its head facing to the left of the frame. The white horse trots towards the right side of the camera, and as the camera turns to the right, the white horse and the girl move away from the camera towards the front right. Then, the white horse turns to the left side of the screen and trots off to the left. The camera zooms in on the girl and the white horse, and subsequently follows the white horse as it turns to the left. At the bottom of the screen is a sandy area, and in the background is a fenced wooden structure, which is likely a stable.


The striped animal is located on the left side of the canvas, extending to the right side of the canvas, while a pair of wide-eyed eyes appear; a pair of eyebrows emerge in the top right corner of the scene. Then, the eyes and eyebrows retract to the left side of the canvas, followed by a sphere sliding from the throat of the striped animal to the bottom left corner of the painting.


In the scene, there are three people sitting on the edge of a cliff with their backs to the camera. Below the cliff, a town can be seen, blurry with a multitude of buildings. In the center is a woman wearing a white top, on the far left is a man in a black shirt, and on the far right is a man in a blue shirt. The man on the right turns his head towards the woman in the center and says something to her, while simultaneously pulling at his sleeves in front of him. Then, he supports his right elbow on his knee with his palm on his head. All three look into the distance together. Suddenly, the man on the far right shakes his head, seemingly speaking, then lowers his right hand and turns his head towards the left side of the frame. The man in black on the far left of the frame also turns his head to the far right, looking at the man in blue, and he too says a few words.


The girl on the left side of the screen is standing facing the camera, with her right hand reaching towards the lens, wearing a glove. Her left hand holds the lower end of the glove and pulls it backwards to put it on. After donning the glove, the girl extends her left hand towards the right side of the screen, picks up another glove, and then turns clockwise to stand sideways to the camera, facing the left side of the screen. The camera slightly shifts upwards to the left. She brings the gloves in front of her with both hands, blows a breath, and dips her left hand into the water of the sink behind the screen. Then she turns to face the camera, and the camera shifts downwards to the right. The girl's left hand reaches towards the lens, while her right hand holds the lower end of the glove to put it on her left hand. After putting on the glove, she opens her left palm and stretches it, then the camera shifts upwards, and both hands adjust the gloves in front of the lens.


Behind is an animation on a green grassy field, where some chicks are walking from the right to the left of the screen. Suddenly, the third chick stops, leading the chicks behind it to run towards the upper left corner of the screen, and the camera also slightly lifts up.


In the scene, a man with short hair styled in a crew cut is looking ahead and speaking, with both hands raised in front of him, throwing his hands out, looking down to the left, then back ahead, and again to the left below. The camera switches, and two men are standing in the frame, from left to right: a white man with golden long hair wearing a black and red coat and a light blue shirt, and a black man with short black hair dressed in a gray and white checked suit. They are standing sideways, looking at a person who is only showing an arm in the frame.


The camera pans from the left side of the screen to the right, following a pair on their motorcycles. The two individuals move from the left side to the right side of the frame. Then, the camera quickly moves, causing the two to disappear from the shot, leaving only the front half of the motorcycles and parts of the handlebars visible.


In the scene, six children can be seen. The child on the right in the foreground is wearing green clothes and has his back to the camera, presumably performing. The children in the background are sitting in a row, facing the camera, watching the child in green clothes. The child in green has made a bowing gesture, and the children in the background have all started to raise their hands to clap or cheer. With his back to the camera, the child in green stretches his hands to the sides of his body, palms open, and slightly bows. Then, he extends both hands forward, still with palms open and facing upwards. He raises his hand to the left side of the frame, extending his right hand out, keeping his palm open. He retrieves his right hand and then extends it to the right side of the frame. Finally, his hands are first placed in front of his body, possibly clasped together, then he extends both hands to the sides again, palms open, looking at the five children directly in front of him. In the background, a girl in a pink top has her hand in front of her mouth, likely whistling.


The video is accelerated. In the upper right part of the frame, there is a person facing the left side of the screen, not showing their head, wearing a yellow short-sleeved shirt. This person stands up a wooden box on a white table, wipes it a few times, then lays the box down and wipes it again. After that, they put the box into a cupboard in the background of the screen. Then they take out a box filled with black clothes, put the clothes from the box onto a stool in the distance of the frame. After that, they walk to the right side of the screen to get a green rag, and continue to wipe the box vertically first, then lay it down to wipe it again. After wiping, they put the box back into the cupboard, then take out another box and continue to wipe it. Finally, they take out another box filled with black clothes, take out the clothes, and walk out of the frame to the right, then return to in front of the box. The background of the scene is a room.


Two people appear on the right side of the screen, walking from the right to the left. The man with the blue surfboard turns his head to look at the person with the yellow surfboard as they speak. He then bows his head to look at the ground. Afterward, both men turn their heads to look at the camera. Then, the man with the blue surfboard bows his head, flipping a rope over his left shoulder, and turns to speak to the man with the yellow surfboard. The man with the yellow surfboard also turns to look at him.


The scene is shot from a camera inside a moving car. As the car drives forward, there is a finger pointing towards the camera's opposite direction on the left side of the screen. In the center of the frame is a yellow and black sports car driving in the opposite direction of the camera, then turning left, with the camera zooming in. To the left of the center is a green sports car turning left and driving towards the left side of the screen.


The scene is a stretch of grassland, with dogtail grass swaying in the air. The camera moves forward and up, and a sun appears in the frame. A person enters the shot from the left side of the screen and moves along the slope to the right side of the frame.


At the center of the screen is a golden metal planter with lines, containing a green plant. A tilted watering can with a spout enters the frame from the upper left corner, moving towards the lower right corner of the screen. It then slightly inclines towards the bottom right corner and pours water from its mouth into the golden planter. The watering can then moves upwards in the frame, and then back down, continuing to pour water. It slightly tilts towards the upper left corner, stops pouring water, moves upwards, and exits the frame from the top. At the lower left of the background, there is a round metal plate.


The camera pans from aiming at the sky to the lower right and then zooms out. The frame shows a lawn with many people standing on both sides. Then, the camera turns to the right and switches, focusing on the center of the screen where a person in black, with their back to the camera, hits a golf ball.


In the scene, four people are standing sideways to the camera, their bodies facing the right side of the frame, holding wine glasses and drinking, laughing and conversing as they sip. After finishing their drinks, they put down their glasses. The man in the foreground of the picture leans towards the right side of the frame, then, with his back to the camera, he speaks to the other three people. The woman with black-framed glasses and the man in red are smiling directly at the camera. The woman with black-framed glasses looks at the man in red and speaks with a smile, then turns to face the camera and smiles.


On the left side of the screen is a man wearing a hat and a yellow shirt. In the center of the screen, there are three people, from left to right, a man in black clothes and red pants, a man in a yellow vest and white lining, and a man in a brown vest and red lining. They are all walking towards the right side of the screen, and the camera follows their movement to the right. The three men in the center of the screen walk upwards, ascending a set of steps. Then they move to the right, entering a door, with the man in black and the man in the yellow vest disappearing from the frame. The man in the hat stops in front of the house. At this point, the background is a building with yellow wooden pillars. The camera quickly moves to the right, and a four-wheeled carriage pulled by two horses appears on the right side of the screen. It moves to the right, and then the carriage turns towards the left side of the screen. At this time, on the left side of the background, there is a horse, and in the middle, there is a small yellow house. The carriage quickly moves to the left of the screen, and the camera follows suit. There is a person in a yellow shirt lying on the board of the carriage. The carriage continues to move left, and the driver pulls on the reins, stopping the carriage in front of the house with yellow wooden pillars. Then he turns his head to the right, looking at the man in the hat standing in front of the house.


Two people enter the frame from the bottom left corner, quickly move to the position of the haystack in the center of the screen, then swiftly move to the right side of the frame, and exit the scene in sequence. The background features two windmills at rest on a sparse grassland.


In the center of the screen, slightly to the left, is a man wearing a floral shirt. With his left hand, he holds a cup, raises his arm, and tilts his head back to drink. Then he raises his left arm higher, lifting the cup above his head, and opens his mouth wide.


In the frame, a woman with dark skin wearing bright orange suspenders is sitting on a round chair facing the camera, with a colorful wall as the background. She raises her left hand to toss her hair on the left side back, while turning her face to the right side of the frame. Then she raises her right hand to toss her hair on the right side back as well, closing her eyes and turning her head clockwise. Her head is then facing to the left side of the frame, with both hands raised and placed on either side of her head. She turns her head counterclockwise to face the right side of the frame and bows her head. She then turns her head clockwise to look down to the left side of the frame, lowers her hands, and finally turns her head to look in the direction of the camera.


The screen shows a baseball game. At the beginning, the shot is taken from behind the pitcher. Initially, the pitcher has both hands on his chest, then lifts his left leg to pivot his body towards the right side of the screen. He follows through with force, throwing the ball with his right hand. As the ball is thrown, the camera follows the ball, slowly panning upwards. On the left side of the screen at the point of impact, a person in white begins to hit the ball. In the center of the screen, a referee in blue stands at the back. To the far right, a person in black is crouching, ready to catch the ball. The ball is successfully hit into the air; the person in white drops the bat and starts running to the left of the screen. There is a transition cut, and the focus shifts to a catcher in dark blue, who is running towards the right of the screen, looking up, waiting for the ball to come down. After a few steps, he leans towards the left of the screen with his legs extended to the right, starting a sliding motion. With his right hand supporting the ground and his left hand holding out the glove, he attempts to catch the ball, but it bounces off the edge of the glove and flies to the right. The catcher fails to catch the ball and, due to the momentum, falls forward onto the ground. The camera follows the ball as it moves to the right. Immediately following, there is another transition animation that replays the catch. This time, it's a distant overhead shot. You can see that the person on the left is the catcher from before, running to the right of the screen. The camera quickly zooms in on his catching motion, showing that he missed the ball after the slide, and the ball flies to the right, while he turns his head to the right to watch it.


In the center of the screen, a woman with long hair wearing a black top stands still facing the sea. The camera slowly lifts and shifts to the left. At first, the woman has her back to the camera. As the camera continues to move, her side profile comes into view. At this moment, the woman gently brushes her hair with her left hand, then bows her head slightly before continuing to stand still.


The video shows the solemn and tranquil interior of a library. Inside, people are engrossed in reading or using computers, with the environment being quiet and orderly. Additionally, some individuals are walking between the bookshelves and reading areas, making the entire scene vivid and well-organized.


In the frame, five people are sitting side by side on a sofa facing the camera. From left to right in the picture: a woman in a black and white checkered top holding a bottle of wine in her right hand, a man in a black top holding a bottle of wine in his right hand while drinking with his legs embracing a bucket of popcorn, a woman in a black top holding a bottle of wine in her left hand, a man in a red top holding a bottle of wine in his left hand and embracing a bucket of popcorn with his right hand, and a woman in a blue top holding a bottle of wine with her left hand reaching towards the popcorn in the red-shirted man's hand. The camera slowly pans to the left, as the five people simultaneously look towards the camera. The man in the black top puts down the bottle, the woman in the blue top takes a piece of popcorn with her left hand and puts it in her mouth, then reaches into the popcorn bucket again and takes another piece to her mouth, while the woman in the black top raises the bottle with her left hand to take a drink.


The scene is shot from a first-person perspective, with the shooter sitting in the driver's seat of a car. The lens is quickly panning to the right. Suddenly, the view switches to the exterior of a car, with the camera appearing to be fixed to the side window of this car. The car is driving forward at a fast speed, with a large truck on the right side of the screen. The video car is overtaking this truck.


In the left edge of the close-up shot, there is a man wearing a black and white striped shirt. He is facing the right side of the frame, raising his left hand, slightly bowing his head, then lowering his left hand and looking up. In the background on the right side, there is a man in black facing away from the camera. He first bends his right elbow to raise his hand, then lowers his right hand and walks towards the distance in the frame. Then, he turns to the right, facing the right side of the frame, and turns his head to look at the camera. After that, he bows his head, supports himself with both hands on the railing, and climbs the stairs on the right side of the frame. The man in the black and white striped shirt slightly raises his left hand in the lower part of the frame and then lowers it, facing upwards to the right. In the end, he stands up towards the right side of the frame.


On the right side of the screen is the left hand of a person wearing yellow clothes, behind the cup in the center of the screen, with their lively face turned to the left side of the picture. They bent their index finger, then placed their left hand on the table with the palm facing down. At this moment, the right hand holding a black cup was revealed, moving the cup slightly to the left side of the screen and setting it down, then also placing the right hand on the table with the palm facing down. The camera moves to the upper right direction, showing a short-haired woman in yellow facing left, standing and bowing her head. In the distance of the scene, there are two blurred figures.


A white woman appears on the screen leaning against a cabinet while making a phone call. She first smiles, then after saying a few words, she slightly inclines her body and blinks once. In the distance of the scene, there are several Christmas trees, and there are two taps on the cabinet.


The scene is a close-up shot of the hand, with the left index finger extended, pointing at an item in the center of the frame. The camera then pans to the right side of the screen, followed by the left index finger retracting and disappearing from the frame.


In the left side of the screen, a person in yellow and black clothes faces the upper right corner of the screen, continuously saying something. Then, they cross their arms, wave their hands, and finally flip over the pot in front of them before turning and leaving the frame from the left side. In the lower right corner of the screen, there is a person in a blue box using sign language to describe the plot.


In the center of the screen, there is a man riding a motorcycle, wearing a black jacket, and a red helmet. His body is angled to the right of the camera, his eyes looking into the lens. Then, he looks ahead and slightly bows his head. The camera pans to the left as the man stops the motorcycle.


The camera starts to focus on a large tree in the park, slightly moving forward to the left, as a woman appears from the left side of the frame, revealing her upper torso, facing left as she runs. She continues running and eventually leaves the frame on the left side.


In the center of the screen, the snake keeps flicking its tongue. It then slightly moves its head closer to the camera, before looking down at the bottom of the screen. Finally, it stretches its head towards the right side of the frame and looks down while flicking its tongue.


In the frame is a hollow yellow object, with a person in black clothing extending their right hand from the upper left corner of the screen to the right side of the frame. The right hand is holding a spoon. On the inner wall of the yellow hollow object in front of the camera, the person is moving down from the top while scraping the inner wall from the right side of the frame to the left. The scraped inner wall accumulates in front of the camera, inside the cavity of the yellow object. The camera slightly moves forward.


In the scene, two men are speaking while looking at each other. The man on the left side of the screen, wearing a hat, looks up at the man with short hair on the right side of the screen. The scene changes, and a woman with an afro hairstyle walks sideways into the frame from the left side. She looks back, and at the far right of the screen, a man in blue clothes appears.


The camera slowly zooms in on the cupboard, then a woman enters the frame from the right side. The woman stands on the right side of the frame, raises her right hand, and then lifts her left hand to her chest.


On the left side of the screen is a little white boy wearing a gray sweatshirt, holding scissors in both hands to cut the ribbon on the right side of the screen. The camera moves to the right, and the little boy steps back to the left of the screen while jumping towards the right.


The scene is shot from a first-person perspective, showing the interior of a shopping mall. In the center of the frame, in the distance, there is a screen facing the camera, playing a video of a man speaking to the camera. The camera then moves closer to the screen, similar to a television. The man in the video initially speaks to the camera, then later turns to speak towards the right side of the frame.


In the center right of the screen, there is a man wearing his hat backwards. He faces the camera and looks to the left side of the screen as he speaks. Another man walks from the right to the left out of the frame in front of the camera. The man with the hat backwards turns and walks towards the left side of the screen, glancing a few times in the direction of the camera on the left with his eyes, and his mouth slightly open. The camera slowly pans to the left following his movements.


On the right side of the screen, a man wearing a black hat faces the camera and looks to the left side of the screen. On the left side of the screen, a partially visible figure is seen with their back to the camera. The man on the right side rolls his eyes, then looks to the left side of the screen and speaks, after which he looks to the right side without speaking, grinding his teeth. He then glances to the left side of the screen twice, nods, and starts to speak. Following this, both the person on the left and the person on the right turn towards the right side of the screen, walking towards it, and the person on the right disappears off the right side of the screen.


The scene is shot with a fixed lens inside a car, which slowly changes lanes to the left side of the screen. A red sports car is seen driving forward in the center of the frame with its red tail lights illuminated.


A close-up shot captures an elderly person playing the guitar. The elder taps the body of the guitar with the heel of their right palm while strumming the strings. The camera slowly moves to the right, revealing the old person pressing the frets with their left hand.


On the left side of the screen is a man sitting sideways in front of a computer with headphones on. His face is turned towards the computer screen on the right side of the picture, with both hands on the keyboard. Then, his right arm leans on the table, while his left hand raises up to touch his left temple. He subsequently turns his head towards the inside of the frame, looking at the photograph on the table, and holding the photo frame with his left hand at both ends, with a happy expression on his face. After that, he places both hands back on the keyboard to type, and looks up at the computer screen on the right side of the picture.


The woman kneels on her left knee, extending her right hand to pour dog food into a metal bowl on the ground. A small dog enters the frame from the left side, then raises its right hand, placing its left hand on the upper left thigh, until its right hand moves out of the top frame. It then extends its left hand to stroke the dog's head down to its back. The camera moves up, the dog disappears from the frame, and the girl turns her head to face forward, extending her right hand downward and then slightly lifting it.


The video is shot from a first-person perspective looking down, with a man in black clothes facing the camera in the center of the frame. He holds a basin in his left hand and stirs the meat in the box with a clip in his right hand. In the end, the camera pans to the lower right, and finally, a piece of meat is picked up with the clip.


In the center left of the screen, a woman faces the camera. She first looks to the left side of the frame, then towards the lens. With her left hand, she holds two bags stacked on top of each other, placing them on her head, while her right hand holds a smaller bag, which she places on top of the two bags. With three bags balanced on her head, she supports them with both hands to maintain her balance, glancing to the left once more before continuing to look into the camera.


The initial screen is filled with a bouquet of flowers, which moves to the left. The side of the woman holding the flowers comes close to the camera. She turns her head to look into the lens. The camera pulls back slightly, and she brings the flowers with both hands to her right cheek and then tilts her head to the right. Finally, she extends the flowers towards the camera with both hands.


In the scene, a white car is driving on a highway that starts from the bottom left corner of the screen and extends to the center. The car is moving away from the camera, heading forward. The camera is aerial, capturing the scene from above. At this moment, a topographic map appears in the bottom right corner of the screen, on which a red track can be seen. The camera is flying in the air, overtaking the car below the screen.


On the left side of the screen, a man in black clothing is sideways to the camera, moving towards the left side of the frame, looking at the camera and smiling. On the right side of the screen, a man in white clothing is standing facing the camera, with his left hand touching the back of his head. The camera switches, panning up to a building and then slowly moving down.


The blond man in black clothing on the left side of the screen turns his head to the left and then quickly faces the camera, looking to the right of the screen as he speaks, nodding slightly. He then turns his head slightly to the left again, pauses for a moment, and once more faces the camera, continuing to speak. The background is a dark room with six guitars inside.


On the left side of the screen, a brunette woman is standing facing the right side of the frame, looking down to the right, with both hands holding a green gel in front of her. The blond woman is facing the camera, her body inclined to the right side of the frame, looking down, and her right hand is extended towards the camera, taking a red object from the gel in the brunette woman's hand, then her right hand turns upward. The camera lifts and then turns left. The brunette woman lowers her hands, turns towards the camera, speaks while looking into the lens, and then turns her head to the right side of the frame, looking ahead of the camera. The blond woman rotates her right hand towards the camera, her left hand on the car on the right side of the frame, and then looks to the left of the camera to speak, followed by lifting her left hand from the car. In the background of the scene, there is a car covered in various colors of gel, and a black car parked behind a pillar. The background of the scene features a garden wall, greenery, and a house.


A man in a shirt stands in front of a door, his head bowed with the back of his head facing the camera, his body sideways to the lens. His right hand is closing the door towards the camera. He then turns to his left, facing the camera, and walks towards the lens while looking to the left of the screen, and then turns to the left of the frame. In the background on the right side are other residential buildings and houses, with vines hanging down from the top floor, and the open-top floor and corridors are lined with drying clothes.


In the scene, a foreign man is facing to the left of the picture, saying something. His eyebrows are raised, and he stretches out his right hand to wave it a few times. He then takes a step back to the right of the frame. His gaze is constantly changing, sometimes looking up and sometimes looking straight ahead. The shadows of the trees in the background are blurred and rendered in a shadowy manner.


In the center of the screen, there are people both standing and sitting at the front of the bamboo raft. Several of them have turned towards the camera, looking in the direction of the lens. On the left side of the screen, a person in a blue shirt is pushing a bicycle loaded with bags and baskets towards the bamboo raft. The front wheel of the bicycle gets stuck for a moment at the end of the raft closest to the camera before the person in the blue shirt manages to push it onto the front of the raft. On the left side, another person in a grey shirt is pushing another bicycle, loaded with bags and shoes, towards the pier. The person in the grey shirt gives the bicycle a strong push in front of the raft, then pushes it onto the raft, parking it behind the bicycle of the person in the blue shirt, and steps on the bicycle's kickstand with their right leg.


In the center of the screen is a woman wearing a white short-sleeved shirt with her hair tied in a ponytail. Her right hand is raised to head height, her eyes are closed, and she is smiling at the camera. She then opens her eyes, raises her head to the left to look to the left, and folds her fingers. After that, she lowers her right hand, turns her head to face the camera, and glances slightly to the right.


In the beginning of the scene, there is a man in gray clothes facing towards the left side of the screen. Immediately following, the camera quickly pans to the right, and in the center of the screen, there is a black pot with a lot of food, including broccoli and mushrooms. The camera slowly rotates along with the pot while small bubbles continue to rise from within.


The scene is shot in the first person. The left hand on the left side of the screen and the right hand on the right side each hold a Lego toy head and continuously rotate it.


The main subjects of the scene are two women, with the white woman closer to the camera and the black woman relatively farther behind her. They then turn together clockwise to face the camera, moving from the center of the lens towards the right side near the camera. At this moment, a man in black enters the frame from the right side of the lens and moves towards the left, saying something to the white woman.


On the left side of the screen, there is a man in a suit, with his right side facing the camera, sitting in a chair. His hands are placed on a book between his thighs, and he is looking at the man in front of him, nodding slightly. On the right side of the screen, there is a man in gray clothes, with his left side facing the camera, sitting in a chair. His hands are clasped together in front of his body, and he is speaking. He moves his hands together, then places them on his own thighs.


On the left side of the screen, an old man with his back to the camera is holding a little girl on the right side of the screen who is facing towards the left front. The little girl stretches out both hands to pinch the old man's nose, and the old man shakes his head. Then the old man opens his mouth and pretends to bite the girl, and the girl leans towards the old man, opens her mouth, and smiles, making a pretend biting expression. Then the girl withdraws her hands, uses her left hand to pat the hair on the front left of her head, and then places her left hand on the old man's right shoulder while making a funny face at him. The old man extends his right index finger from the right side of the screen and points at his forehead. The girl moves her hand away from the old man's right shoulder and then places it back on again. After making another funny face, she embraces the old man's head with both hands, leans forward, and gives the old man's head a kiss.


In the center of the screen, a man is standing in front of the camera with his left foot on the hurdle. His right hand is holding onto one corner of the hurdle, which is slightly elevated off the ground. Then, he releases his right hand, and the hurdle falls to the ground, as he also steps down from the hurdle.


The camera captures from above, showing a man in a white vest standing on the ground with his back to the lens. He first turns counterclockwise and steps forward towards the left side of the frame, then he turns clockwise and moves a few steps.


On the left side of the screen, a woman is sitting on the sofa, and in the center, a man is standing. The man turns from facing left to facing right, rolling his eyes in the process. Originally, he was holding a tea bowl with both hands, then he put his left hand to his side and raised it fiercely to point to the right side of the screen, his expression twisted as he seems to be cursing. The woman's right hand was about to pick up her teacup, but after glancing at the man, she puts it back down.


In the scene, there are two women. Together, they are holding a black card. The woman on the left side of the screen has long, golden-brown hair and is facing the right side of the picture. She is wearing a white shirt and pants, and in her right hand, she holds a pink phone case-clad phone upright as if she is taking a photo. Her left hand is extended towards the right side of the frame, with her thumb, index, and middle fingers holding the black card. She is smiling and looking down at the card while sitting properly at first, then turning her body to the right, readjusting herself, and lifting her head to glance at the woman on the right before looking down at the card again. She then slightly leans forward and swings her body to the left, turning towards the camera, leaning forward with her head tilted up, still holding onto the card with a smile. The woman on the right side of the screen has long white hair and is facing to the left of the picture. She is holding the black card with both hands, dressed in white clothes and pants. Both her hands are extended to the left side of the frame, with her thumbs and index fingers gripping the card. Initially, she has her head bowed, then moves her body to the right, lifting her head with her mouth open, seemingly smiling, and her eyes looking to the left of the picture. Her body continues to bend to the right, then she slightly lifts her head, maintaining the same expression. She straightens up, then leans her body to the left, readjusts herself, and leans to the right, throwing her head back slightly. At the end of the scene, her body and head are tilted to the right, her mouth open, with a smile on her face. The background is a white wall, and there is a cabinet placed on the left and center of the screen, which holds black, white, and pink packaging boxes, as well as black and white clothing.


A car turns clockwise into the frame from the left side, continuing until the car is parallel to the screen with its front facing to the right side of the screen, moving towards the right side of the screen, and finally leaving the camera's view from the right side. The background of the scene is a body of water and several mountains.


The camera focuses on the faces of two women. On the left side of the frame, a woman closes her eyes, her face turned towards the right side of the screen, and then opens her eyes, opens her mouth, and smiles. The woman centered to the right has a nose ring. She first kisses the left cheek of the woman on the left side of the frame, then tilts her head towards the left side of the screen, closes her eyes, and leans on the woman on the left side of the frame, gently shaking her head. She then opens her eyes and looks to the left side of the screen, extending her left hand from the lower left of the frame to caress the right cheek of the woman on the left side of the frame.


On the left side of the screen, you can see a person's hand holding a black fork, which is stirring a silver bowl in the center of the screen. The black liquid in the silver bowl is shaking as the fork stirs. The right hand continues to stir the black liquid in the bowl, then a transparent container appears on the left side of the screen, containing brown liquid. The container is tilted towards the silver bowl, pouring the brown liquid into it, while the right hand's fork continues to stir in the bowl. As all the liquid from the transparent container is poured into the silver bowl, the container moves out of the frame from the left side. Next, you can see a hand holding a red cloth, which is placed on the left edge of the silver bowl, while the right hand continues to stir the silver bowl with the fork.


The camera quickly moves to the lower left of the screen, where a man gets up from his seat, leaning his left hand on the chair and his right hand on the central armrest, as he leans towards the right side of the frame, bowing his head to look.


The video is shot from the driver's seat of a car, with rain falling outside. The windshield wipers are on, moving back and forth. The car is currently waiting at a red light. To the left of the screen is a black SUV. At this moment, in the middle distance of the frame, a sedan enters the scene from the left entrance and then makes a left turn.


A woman stands in the center of the frame, facing the camera and speaking. Her left hand is to the left of the metal bowl in front of her body, while her right hand reaches into the metal bowl to stir. She then bows her head and uses her left hand to rotate the metal bowl clockwise. Following this, her right hand lifts away from the metal bowl, and both hands turn to the left side of the frame. Simultaneously, her body turns to the left side of the frame, picking up an item and then setting it down. Her left hand picks up a white bowl again, and with her right hand holding a spoon, she tilts the white bowl to pour its contents into the metal bowl.


The camera angle moves towards the upper left, then quickly switches to a scene of a grassy field, where the grass sways slightly in the wind. There is also an animal, which seems to have farted, then quickly bows its head, and the smoke drifts to the left side of the screen. The camera slowly pulls away, then quickly zooms out to reveal the full view of the meadow and the forest.


In the scene, the view is from a first-person perspective looking down at a black machine in front. In the background of the frame, a person is sitting with their legs partially visible in the shot. One of their hands is holding a black and red machine. The hand then moves upwards and disappears from the frame. The camera moves to the left side of the screen, where a left hand appears from the right side of the frame and grasps the left part of the machine. The camera moves downward as the left hand moves the machine up and down, then lets go. The camera pans to the right side of the frame, at which point the camera itself also moves to the right.


In the center of the screen, a young woman in a gray coat is riding a black motorcycle towards the camera in a zigzag manner. In the foreground of the scene, a black woman in a black jacket, her face unseen, is dodging the motorcycle. The black woman first takes a few steps to the right and then moves to the left, exiting the left side of the screen. The young woman in the gray jacket, with wide eyes, keeps talking and turns the motorcycle to ride off to the right side of the screen. The camera switches to the black woman, who is now on the right side of the screen, moving her body continuously and talking all the while.


The man in gray and the man in brown walk side by side, one on the right and one on the left, walking with their heads down from left to right. The man in gray holds his glasses legs with both hands, bowing his head. The man in brown has his arms pressed against his sides.


Holding the lens to shoot. In the center of the frame is a cluster of flowers, with the white flowers swaying in the wind. To the right of the frame is a statue of a woman. The camera then pans to the left and slightly pushes forward.


On the left side of the screen, a woman stands sideways to the camera, facing the right side of the screen. Her hands are crossed with palms up, placed at the height of her abdomen. Then, she rotates her hands counterclockwise, lowering them to the level of her thighs while nodding towards the right side of the screen. On the right side of the screen, a man sits sideways to the camera, facing the left side of the screen and speaking. While speaking, he gesticulates with both hands; his right hand holding a pen stretches towards the left side of the screen, then moves back to the right side as he retracts it.


In the center of the screen is a couple dressed in blue with masks on. The girl is on the left side of the frame, and the boy is on the right. They are moving towards the center of the screen and have each extended an arm to embrace each other. Following this, the girl extends her right hand and the boy extends his left, together making the thumbs-up gesture towards the camera.


On a foreign street, on the right side of the image are two black girls holding hands. The one on the left is wearing a yellow sundress, has short curly black hair, and is carrying a brown shoulder bag on her right shoulder, with sandals on her feet. The girl on the right has long white hair and is wearing a sexy black and white patterned sundress. She is holding a bouquet of flowers in her left hand. Both are smiling as they walk from the right side of the frame to the left. The girl in yellow looks down and then up again, and after they exchange a smile, the girl with white hair slightly bows her head and continues walking, while the girl in yellow keeps smiling at her and talking. In the end, both of them walk out of the frame. In the background, you can see some red and white buildings, black railings, stairs, billboards, and greenery. On the far right of the image, there is a black motorcycle.


In the scene, a black woman wearing an orange dress slightly turns her body to the right. At this moment, a man in white clothes quickly runs into the frame from the right side. The woman swiftly attacks the man's abdomen with her left leg, then turns around, clenching her right hand into a fist at her waist, with her left palm open, placed on her chest, and baring her teeth. Another man in white clothes enters the frame from the left side, to whom the woman delivers two punches, then she hugs the man's neck, does a spin, and the man's body follows his head spinning several times before collapsing against the left wall of the frame. At this point, the man who was previously kicked down on the right side stands up, and the woman kicks him in the abdomen again with her left leg. Then, with her back to us, she grabs the man's neck with her left hand and his pants with her right, pulls him to the right, and throws him into the room on the left. Suddenly, a man in a purple shirt bursts into the frame from the right side, standing with his back to us in between the frame and the woman.


In the frame is a woman with curly hair, behind her is a railing, and she is looking at the woman on the right side of the screen who has her back to the camera. She then glances to the right side of the screen. The woman on the right side of the screen, with her back to the camera, swings out her right hand and points to the left side of the frame. The camera then follows the direction of her hand and pans left to the brunette woman she is indicating. Finally, the woman with her back to the camera points to the brunette woman again.


The scene is captured from a low-angle perspective. On the left side of the frame is a building with a reddish-brown pointed roof, with many birds circling and calling out against the gloomy sky. On the right side, a round object stands with a bird perched on it, making slight movements. Another bird is standing in the lower left corner, gradually becoming partially visible. The camera moves downward first and then upward, finally fixing its position.


A woman in a V-neck floral dress is standing on the left side of the screen, speaking to the woman in front of the camera. Throughout the conversation, the woman in the floral dress keeps her gaze fixed on the direction to the right of the screen, with her head slightly swaying as she talks. After a brief pause, she glances at the woman in front of the camera and then continues speaking while looking back to the right side of the screen again. In the background of the scene, a woman wearing a black top and floral pants walks from left to right, then is obscured by the woman in front of the camera, with only her back faintly visible. The entire scene is set in a brightly lit indoor space, with pipes and lighting fixtures on the ceiling, a simple background, and ample lighting.


In the scene, there are two men. The man at the center of the picture is wearing a light blue shirt. He is holding a jagged iron rod in his hand from a book and is trying to fit it onto one of the steel bars on the ground. It seems the size is not right. With his right hand, the man lifts the steel bar away from the ground, then turns his body to the right and picks up another jagged iron rod near his left foot with his left hand. He tightly fits the jagged part onto the steel bar, slightly moving his feet to adjust his body's balance. With his right hand holding the iron rod and his left hand continuously adjusting the position of the steel bar on the ground, after several attempts that still don't fit, he throws the iron rod to the ground with his left hand. Then he steps back to the left side of the scene, squats down, and picks up a hammer, facing towards the right side of the picture. To the left of the man in the center of the scene is another person wearing a dark blue shirt. His body is facing directly towards the angle of the picture, bending down with both hands on his knees, watching the actions of the man in the center of the scene. Then he slightly turns his body towards the right side of the picture. In the end, he turns his body to the right and walks forward, stepping over several steel bars on the ground. He then adjusts his pants and turns left, turning his back to the scene.


A close-up time-lapse shot from above. In the center of the frame is a canvas, with the right hand holding a paintbrush to color an arc near the upper edge of the canvas. The brush is dipped in orange paint, quickly brushing the semi-circle with color. Then, both hands grip the lower edge of the canvas and move it downwards in the frame. Next, the left hand puts down the orange paint pot, picks up a pink one, and the right hand dips the brush into the pink paint. The left hand puts down the pink paint pot, and the right hand continues to brush the semi-circle with pink color. Then, the left hand picks up the pink paint pot again, the right hand dips the brush once more into the pink paint, the left hand sets down the pink paint pot, and the right hand continues the coloring of the semi-circle. Finally, the left hand takes out a pot of yellow paint, and the right hand dips the brush into the yellow paint twice, coloring the outer edge of the arc.


The blonde girl looks to the left of the screen, in the background a man in dark long sleeves is running on a treadmill, leaning forward and supporting himself on the treadmill's handrails, then walking away from the camera. A black-haired girl puts a piece of food into her mouth, a girl in a white sweatshirt looks to the right and sits down, a woman in plaid clothing speaks with her head down, glancing left and right, and gently pats the back of another black-haired girl with her right hand. The black-haired girl turns around to look at her and then lowers her right hand, following behind the blonde girl. A girl with golden curly hair runs from the left to the right and stops in front of a woman, until the blonde girl's left hand is placed on the right upper arm of a girl in jeans, who is running on the treadmill and turns to look at the blonde girl.


In the lower part of the screen, a group of people stand on the steps, looking to the left side of the screen. In the center-right part of the screen, a man in light-colored pants has his left hand on his waist and is looking over his left shoulder. To his right, a man in dark pants has his back to the camera, looking towards the top right corner of the screen, then extending his right hand forward. At the same time, the man in light-colored pants turns to the left side of the screen, looking over his back. The camera cuts to a bird's-eye view where a group of people in the upper part of the screen walk from left to right, while another group stands still in place. In the lower part of the screen, a person in a hat and another person in a dark shirt following behind the one in the hat run from the bottom right corner towards the left side of the screen. The camera follows them as they move to the left. Then they turn towards the camera, and the person in the hat stretches out his right hand, pushing away a person blocking his path above the camera. The person pushed aside turns towards the camera, and the one in the hat looks directly into the camera, then bows his head and runs towards the camera, with the person in the dark shirt closely following the one in the hat, running towards the camera. The person in the hat runs across the bottom left corner over a person in a dark hat in the center-bottom of the screen, who raises their right hand towards the top of the screen and then reaches to the left side of the screen, supporting the left arm of the person in the hat.


The main focus of the scene is the parts inside the front engine of a black car, with the camera panning to the left of the frame. A pair of hands appear on the right side of the screen and move to the left, placing themselves on the front engine. The left hand is positioned on the black, concave part, while the right hand repeatedly inserts something into a small hole. The camera continues to pan left, and then the left hand is at the top right of the frame, and the right hand at the top left. Both hands then move upwards, with the left hand moving to the top left of the screen, and the right hand disappearing. The camera pans to the right, revealing a groove in the center of the frame, containing a cotton product. The left hand is at the top left of the screen, and then the camera moves upwards to the left. The top right of the screen reveals a left hand, which is gripping a black part, while the right hand holds a black object connected to what the left hand is holding. Both hands are exerting force in an attempt to separate these two items.


On the right side of the screen, a person in a black down jacket inserts their left hand into their pants and then takes it out. On the left side of the screen, a left hand enters the frame and fiddles with a hang tag. The left hand of the person in the black down jacket on the right side of the screen moves upwards.


Four people are on a construction site, walking towards the camera. The person wearing a light-colored top is looking down at the ground, holding a right-hand glove in their left hand, and putting the glove on with their right hand towards the bottom right corner of the screen. The other three people are swinging their hands towards the camera, one of whom, wearing a vest, is looking down at the ground, while the other two are facing the camera. To the right of the background, a person wearing sunglasses is standing on construction machinery, looking at the camera, and then turning their head to the right. The camera slowly moves backward. In the background is an unfinished building with a blue exterior frame.


The camera captures the scene from a top-down perspective, with a pair of black shoes placed in the center. The lens clearly shakes, then slightly turns to the left and moves down to focus on the shoes. It continues to descend, filming the spider web above the heel of the shoes. Then, the camera slightly moves to the left and down, before moving forward to capture a close-up of the spider web.


In the center of the screen, there is a little boy wearing a brownish-yellow coat with his arms spread wide, running towards the lower right corner of the screen, and the camera follows by moving to the lower right. On the left side of the screen, the little boy squats down and then kneels on the ground, placing his right hand on the chest of the man lying down, and with his left hand, he lifts the head of the lying man. The man lying down, wearing a hat, looks at the boy with an expression of pain, saying something with his mouth, and then he drops his head and his left hand, which was on his chest, also slips out of view towards the bottom of the screen.


The camera shoots a patch of grass from above, with scattered flowers growing within the grass. The lens shifts downward and then zooms in on three small white flowers. The camera trembles slightly, still focusing on the little flowers, then begins to pan upward again, slightly zooming out, returning to the original position the lens first captured.


In the center of the screen, a pair of hands slowly straightens the round wooden plate, then the left hand supports the cheese while the right hand takes a slice from the cheese and places it to the side of the wooden plate. Finally, both hands leave the cheese.


In the scene are two workers, positioned slightly to the left of center. Closer to the left side of the frame is a man wearing a blue shirt. He has a yellow hard hat on and his body is facing towards the right side of the picture. To the right of the man is a woman wearing a white hard hat, facing the camera with her gaze fixed on the man with the yellow hard hat. They are in conversation, during which the woman with the white hard hat raises her right hand to make gestures. Then she extends her right index finger to point at a board she is holding in her left hand. She taps the board a few times and then extends her right hand towards the right side of the frame, palm open, making a sweeping motion in the air as if she is describing a scene to the man with the yellow hat. Next, the woman lowers her hand and continues to point at something on her drawing board in her left hand. The woman's gaze moves back and forth between the man and the board in front of her as she keeps talking.


The screen is divided into two parts. On the left side, there is a white-haired man wearing a beige shirt, looking towards the right side of the screen. The background is a shimmering river. He then turns his head to face the river, raising his right hand to take a photo with a camera. The scene then switches to a wooden boat in the middle of the river, with two boys sitting opposite each other. On the left is a boy wearing a white vest, and on the right is a boy in an orange shirt. The boy in the orange shirt is using both hands to paddle, moving the boat towards the right side of the screen. On the right side of the screen is the territory map near Egypt and the Red Sea. The screen gradually darkens, highlighting and zooming in on the location of the Suez Canal.


The center of the screen features a black woman dressed in a white skirt, sitting on a woven chair with an exceptionally high backrest. Her body is slightly turned towards the right side of the frame. With her left hand, she holds a mirror straight out in front of her, her gaze focused intently on her own reflection. She has a brilliant smile on her face. Then, she slightly sways the mirror left and right with her left hand, as if searching for the right angle. Her head also moves from side to side, viewing herself from different perspectives. From the beginning, the camera slowly rotates to the right, finally coming to a stop directly in front of the woman.


The video starts with a close-up of a woman's hands. On her right hand's ring finger, she wears a heart-shaped ring, and on her right wrist, she has two silver bracelets. Her left hand removes one of the silver bracelets from her right wrist slowly and places it to the right of the screen on a wooden table, with the camera following the movement of her left hand. At this point, the camera focuses on the silver bracelet for a few seconds, which is centered in the frame, while in the bottom left corner there is a transparent glass filled with water. Then, the camera pans up and to the left to the woman's face, and she is smiling while looking to the left side of the screen.


The scene depicts four young people sitting on the lawn. The black man on the far left is sitting sideways on the lawn, looking at the computer of the woman in white, who is to the left of the picture. The woman in white is talking to the black man, her right hand playing with the grass, while the black man supports himself with his left elbow on the ground, leaning over to look at the computer of the woman in white. His right hand is placed above his own thigh. On the right side of the picture, the black woman is looking down at her phone the entire time, and the man in the floral shirt on the far right is sitting sideways, continuously looking down at his computer.


On the left side of the screen, a woman in a blue coat is sitting on a sofa facing the camera. She is looking towards the left foreground of the screen at a phone mounted on a stand with a light, and she is extending her right hand to touch the phone screen, then she retracts her right hand. On the right side of the screen, a woman in a gray coat is sitting on another sofa, also facing the camera, and looking towards the left foreground at the phone. Her right leg is crossed over her left leg, and her left hand is resting on her right knee while she plays with her hair with her right hand on the armrest of the sofa near the left side of the screen. The woman in the blue coat crosses her left leg over her right leg, uses her right hand to pull up the left sleeve, and then places her left hand on the armrest of the sofa near the right side of the screen. The woman in the gray coat raises her left hand to adjust her hair and then places it back on her knee, all while smiling and speaking with an open mouth. The woman in the blue coat raises her right hand, uses her left hand to pull up the right sleeve, and then lowers both hands. Then, the woman in the gray coat raises her right hand and turns her head to look at the woman in the blue coat. The woman in the blue coat turns her head to look at the woman in the gray coat. The woman in the gray coat then places her right hand by her face. The woman in the blue coat laughs heartily and turns to look at the phone. The woman in the gray coat also looks at the phone, raises her right hand again, and then lowers it. The woman in the blue coat adjusts her hair with her right hand, then uses both hands to lift her hips off the sofa and sit back down. She smiles as she places her right hand on her left leg.


In the center of the screen is a white girl wearing a gray top, looking worried, glancing to the left of the screen, then swaying her body to the right, before looking to the left of the screen again. In the distance on the right side of the screen, there is a child and two adults; the child is holding something to eat, and they are conversing. The background appears to be a kitchen.


In the scene, a little boy wearing a dark green sweater is lying on the table. His body is facing towards the right side of the picture, but his head is turned to the side, facing the viewer. His eyes are looking off into the distance to the right side of the picture. Both of his hands are stretched out to the sides of the table. The camera is continuously trembling slightly.


The scene is shot from a first-person perspective, showing a person's hands gripping the handlebars of a bicycle as it moves forward. The road the bicycle is traveling on is somewhat bumpy, causing both the camera and the bicycle to shake. The bicycle approaches the edge of a large rock and is preparing to drop down from the edge of the rock to the ground below. The handlebars are shaking from side to side, making the image even more unstable.


In the center of the screen is a man wearing a gray coat and dark blue pants, with glasses, walking towards the camera. To the right of the screen is a woman in a white tight skirt, holding a document in her right hand, facing sideways to the camera, turning her head to speak towards the right of the screen. The camera follows her movement, and the man in the center of the screen walks while turning his head to look towards the right of the screen, then slightly moves towards the left of the screen. To the left of the screen are individuals sitting sideways to the camera, working at an office desk. The background is set in an office.


On the right side of the screen, a person uses their right hand to extend their index finger and manipulate the long handle shaft of the chainsaw on the right side of the screen, making it move in a clockwise circular motion. At the same time, the camera continuously moves slowly towards the right side of the screen.


In the foreground, on the left side of the screen, a man in a black suit and white shirt, wearing glasses, first looks to the right side of the screen at a white-haired man in a blue shirt who is shown only from the side and in silhouette. Then, he turns his head to face the camera directly with a smile on his face, continuously speaking with his hands placed on a light-colored chair. He then looks back to the man on the right side of the screen, speaking to him with a serious expression, raising his eyebrows and forehead to reveal a few wrinkles as he talks, gently shaking his head. Lowering his gaze to look at the paper on the table to the right of the screen, he quickly raises his head to look at the man on the right again, shaking his head slightly and furrowing his brow. Then, he raises his right hand, balling his fingertips together, and both his hand and head are shaking. The man on the right side of the screen nods as he listens to what he is saying. In the background, there is a row of bookshelves filled with books. In the bottom right corner of the screen, three lines of white text appear gradually but then fade out of view.


Close-up of the hands, in the frame the photographer is holding a black plastic cable tie and gesturing with it on a toy doll with orange and white spots. We can see that the doll already has a black plastic cable tie fastened around it. Subsequently, the photographer holds the cable tie in their right hand and supports the doll with their left hand. The cable tie is threaded through another already secured cable tie, and the left hand holds the protruding part of the cable tie and pulls it to the left, while the right hand pinches a black part of the doll and pulls it towards the direction of the camera.


On the right side of the screen, you can see a person's left hand holding a small black container. Then, that hand flips the small black container over, turning the opening of the container upwards, and subsequently takes the small container out of the frame from the right side. In the center-right part of the screen, there is a pot from which steam is rising. A hand re-enters the frame from the right side, holding another small black container, and pours the white object inside into the pot, giving it a couple of strong shakes. The right hand then takes the container and exits the frame from the right. The pot is boiling, indicating it has likely come to a boil. Finally, the right hand reappears from the right side of the screen, holding a stirring stick, while the left hand supports the handle of the pot. The right hand stirs the pot continuously in a counterclockwise direction with the stirring stick. More steam is rising from the pot, drifting towards the left side of the screen.


In the center left of the screen is a white-haired woman dressed in a black coat. She is among a pile of tall plants, and her left hand, wearing a black glove, is holding some leaves. Her head is bowed, looking down to the lower left of the screen, while her right arm is in constant motion.


The camera focuses on the shaking leaves in the upper left corner of the frame. The video is a slow-motion shot, with a blurred grid fence in the background. Through the fence, some shadows of people can be seen. On the right side of the frame, a person in black clothes is skateboarding to the right and extends their right leg to push off the ground towards the left of the frame. They then disappear from the right edge of the frame. At the right edge, a person in a white shirt with their back to the camera is skateboarding to the left. They crouch down, jump up, and then land, continuing to move to the left of the frame. On the right side, a person in a brown shirt is skateboarding towards the right edge and leaves the frame from the right edge. At the left edge, a person in a black shirt and blue pants is moving quickly, sideways to the camera, skateboarding towards the right. They collide with a protrusion on the ground in the center of the frame and fall backwards onto the ground towards the left of the frame, lifting both legs. Then, they lower their legs and sit up with their back to the camera. Next, they pick up the skateboard, stand up, and walk towards the left of the frame, placing the skateboard on the ground. They then step onto the skateboard and skate away from the camera, while the person in the white shirt, having reached the left edge of the frame, extends their right leg to push off towards the left and then skates back to the right.


A close-up shot is elevated. In the center of the frame are the legs of a man, who is facing the camera. His right foot is on the ground while his left foot hooks a football, gently turning his body counterclockwise. In the background, behind the man, there is another football. The camera pans up slowly at first and then speeds up, revealing the upper body of the man. At the same time, the man lifts the football with his hooked foot, drops it, and then uses his right knee to strike it, following the movement of the ball with his gaze. Then, the camera pans down again, focusing on the man's legs. Alternating between his right and left feet, the man taps the ball six times. He attempts to stop the ball with his left foot but misses, and the football bounces off the ground. Quickly, the man extends his left foot again and successfully stops the ball this time. He then begins to dribble with his right foot. Another football appears in the bottom right corner of the screen.


The camera shakes and turns to the right, revealing that the video is shot from inside a car. Then, the lens moves to the back of the car, where the center of the frame shows the vehicle's blue spoiler. In the background of the scene, a black car can be seen following the video car. Suddenly, the camera zooms in.


Long shot. In the center of the screen, two yellow cows and two black cows are lined up and moving slowly towards the left side of the screen. The camera follows the four cows, panning left at a very slow speed. In the foreground is a pond, and in the distance is a hill.


A black-backed dog with its back to the camera is seen biting a wooden stick and walking towards the top of the screen. It then drops the stick and stops next to a small earth mound at the top of the frame, lowering its head to pick up a small twig with its mouth, which it then releases. It glances towards the top right corner of the screen before turning towards the left side of the frame. On the right side of the screen, a person in pink shoes is supporting themselves with their right hand on a tree root, with their right leg taking a large step towards the left side of the frame. The camera moves forward and then turns to the left. The black-backed dog walks from the bottom right corner towards the top left corner of the screen, then turns towards the top right corner. As the camera moves forward, the dog turns again towards the top left corner of the screen, crosses a small stream, and jumps onto the bank in the top left corner.


The man in blue on the far left of the screen is standing facing the camera, with his left hand extended and his index finger pointing to the upper right of the screen. The man in the center, wearing a black undershirt, is moving towards the right side of the screen, his right hand placed on the right shoulder of a woman in white on the right side of the frame, head bowed. He then releases his right hand, turns towards the left of the screen, and takes a small step to the right, raising his right hand. On the far right of the screen, part of the body of a long-haired girl can be seen, facing towards the left of the screen.


The woman in red is behind the counter, writing towards the right side of the frame. The woman with a hat on the right side of the frame is standing sideways to the camera, facing left. The woman in red raises her right hand, straightens up, and looks at the woman with the hat. The woman with the hat turns towards the left side of the frame, looks down, and presses the luggage handle down with her left hand. She then turns to the right side of the frame, facing the woman in red, and takes the pen with her right hand. The woman in red tilts her head to the right side of the frame, points to the paper with her right little finger, then switches to her index finger to point again, and then withdraws her right hand to the left side of the frame. The woman with the hat turns towards the left side of the frame, turning her back to the camera. After signing, the woman in red slides the black wallet on the table towards the woman with the hat. The woman with the hat puts down the pen, picks up the wallet with her right hand, and then holds the wallet with both hands. The woman in red picks up the pen with her right hand, takes the paper with her left hand, places it under the counter, and looks down to the lower right corner of the frame.


In the center of the screen, there is a piece of soil on the table. On the left side of the screen, a person is standing in front of the table, facing the right side of the frame with their side to the camera. This person picks up a string with cylinders at both ends, slices through the soil, dividing it into two halves. The person then lifts the upper half of the soil and drops it back onto the lower half.


In the center of the screen, there is a painting. At the bottom of the screen, there are several colorful feather patterns. On the left side of the screen, the left hand is holding a pen cap, supporting the painting, while the right hand uses white lines to outline the contours and patterns of two feathers from left to right. The painting is placed on a white desktop.


In the frame, the left hand is placed on the desktop, holding a red and white box with the side containing text facing the camera. The right hand enters the frame from the right side, moving towards the front of the camera, slightly flattening the box towards the left side of the frame and turning it to the right. The right hand pinches the lid of the box and pulls it upwards, then the right hand grips the box and turns it towards the right side of the frame. In the background on both sides of the frame are stacked multiple boxes.


The camera captures a downward angle shot where a person in the frame is holding a painting with both hands, placing it on the table, only the hands are visible. Her left hand holds a pen and a pen cap, which are placed in the lower left corner of the frame. She then puts the pen and cap down on the table to the left of the frame, supporting the lower end of the painting on the left side. Subsequently, she rests her left hand on the left side of the frame and finally exits the frame from the lower left. The right hand enters the frame from below, holding a black pen to outline the pattern at the bottom of the painting.


The camera shoots from a higher angle and moves down, in the middle of the frame a car is driving slowly towards the bottom right of the screen. The camera slowly moves to the bottom right, then quickly spins clockwise with the car at the center. The car continues to drive slowly, eventually heading towards the top right of the screen.