The main subject of the scene is a woman, who is positioned on the right side of the frame. She is wearing a creamy white sweater and is giving a speech with her back to the camera. The background of the lens is filled with many audience members, who are all clapping. The woman is seen holding her speech notes in her left hand and a microphone in her right hand, frequently waving the papers back and forth at her waist.


In the frame, a person wearing a hat is shown in profile, facing the camera and looking to the left of the scene. With both hands, he holds a phone to take a photo. During the process of taking the photo, his eyes widen in surprise, and he takes a few steps back. He then turns his head clockwise to look around before facing back to the left side of the scene.


In the center of the screen, slightly to the right, is the "Environmental Protection Girl" Greta Thunberg, dressed in a blue sweatshirt, facing to the right of the screen and speaking to a man in a suit. The man in the suit has his back to the camera and nods occasionally. In the center of the screen stands a woman with a backpack, facing away from the camera and looking at the "Environmental Protection Girl". In front of the camera, a boy in a suit turns his back to the camera and slowly stands up. There is a man and a woman standing at the far left of the screen. A curly-haired woman enters from the right side of the screen and briefly blocks the camera's view.


A woman in red appears on the screen. She first looks at the man with his back to the camera, then turns her head to look at the woman in white next to her, with a smile on her face. The woman in white first looks at her while speaking, then turns to the man with his back to the camera to speak, and subsequently smiles. The woman in red then also looks at the man with his back to the camera and smiles.


The video is shot from a first-person perspective. In the center of the frame, a woman in black approaches, leading a brown dog on a leash. The camera then turns left and moves forward, zooming in on the dog, with the woman walking behind it. Next, the camera turns right, and the dog also moves to the right, finally approaching several red and blue spheres.


The camera shoots from above, showing in the frame a river with a boat and a large bridge. There are many trees by the river, and on the bridge, there are many people and some vehicles. As the camera zooms in, the boat moves out of the frame, leaving the main focus on the bridge. The scene changes, and on the road, there is an elderly person, four traffic police officers, and two cars. The elderly person stands on the road, while the two traffic police officers on the left are talking to each other. From left to right, they are a female traffic police officer and a male traffic police officer. On the right side of the frame, the two traffic police officers are looking at a car; the officer on the left is standing upright, while the one on the right is bending over to talk to the lady inside the car.


On the left side of the screen, there is a man lying on the grass, facing the camera. His left hand holds a rifle pointed towards the upper right corner of the screen, while his right hand is palm-down on the grass. After speaking, he slaps the grass with his right hand, then turns his head towards the upper right corner of the screen. He then turns his head back to face the camera, raises his right hand, and turns his head once more towards the upper right corner of the screen, extending his right index finger to point at that direction. He then turns his head towards the camera again, spreading his right hand flat with the palm facing outwards, and swings it towards the camera, slapping the grass while simultaneously bowing his head towards the lower left corner of the screen. The man then looks up towards the camera to speak again, placing his right hand on the rifle, and then moves his right hand towards the left side of the screen. He turns his head once more towards the upper right of the screen and moves his body towards the right side of the frame, eventually lying face down in the center of the screen with his back to the camera. The camera moves towards the right side of the screen, with the background featuring a lawn and a forest.


In the right side of the screen, a man in gray stands facing the camera, looking at the man in green on the left side of the screen as he speaks, with the camera slightly zooming in. The man in gray places his hands in front of his body and then flattens them out for a moment, as the camera slowly moves to the left. Briefly clenching his hands together, he then flattens them out in front again and shakes them slightly. He then glances at the bottom right corner of the screen, moves his hands in front of him, and finally looks to the left side of the screen, raising his left palm and shaking it up and down over his right palm. The man in green on the left side of the screen is sideways to the camera, facing the right side of the screen, listening to the man in gray speak.


On the right side of the screen, a man with white hair is standing sideways to the camera. He is wearing an eye patch and looking upwards to the right corner of the screen. His hands are adjusting his clothes. Then, he slightly turns clockwise to face the camera directly. After that, he turns clockwise again, standing sideways to the camera, tilting his head back to look up into the air, while his hands continue to adjust his clothes.


At the beginning, the screen shows a mountain view, which then gradually blurs and becomes clearer afterwards. At this point, the center of the screen features a winding mountain road, with a person walking away from the camera at the bottom center of the screen.


In the center of the screen is a top-down view of a pair of hands, pinching the sides of the meat and flattening it in a transparent bowl. The camera then moves to the left side of the screen, and the right hand uses a spoon to scoop up four spoonfuls of rice and place them in the middle of the meat. The camera continues to move to the left of the screen and then zooms out.


The scene is from a perspective at the back right of a conference room. It seems to be the preparation before the meeting starts. There are many people in the picture, some scattered in their seats, and others negotiating matters on the front stage. There are several cameras in the scene.


On the left side of the screen, a man is sitting facing the right direction of the screen, slightly sideways to the camera, talking. During the process of speaking, he moves up and down, and his head slightly sways with the movements of talking.


The scene is a close-up of two sheets of paper, which are printed with three tables filled with English letters. You can see the right thumb gripping below the fingers, and the left index finger pointing at the table. Immediately afterwards, the left hand is placed on the left side of the paper, holding it.


In the scene, there are many pieces of wood stacked in front of the lens, which have been cut into shapes of a quarter circle or a half circle. The lens slowly pans to the right, and the light in the frame transitions from dark to bright and then from bright to dark. As the light changes, the shadows of some wood are projected onto other pieces. The scene continuously persists with these changes in light.


Black and white video footage. On the right side of the screen, a young man with curly hair is facing to the left and talking. At the bottom of the screen, the white subtitles "For fun? Just for fun?" appear simultaneously, and a blurred part of a head is visible in the lower left corner. Then the man leans his head forward. The camera shifts, and it is now clear to see a man in leather clothing to the right of the center and a woman in a skirt to the left of the center embracing and kissing. The camera gradually pulls back to reveal that they are sitting at the edge of a round pond on the right. In the background on the left, a group of people is running up the stairs, some holding hands, and others coming down the stairs. The camera changes again, and now a man dressed in clothing with complex lace trim is standing under an arched stone gate, with his left hand on the side of the left stone gate looking ahead. Then he suddenly closes his eyes, opens them again, turns around, and walks backward, his left hand moving along the stone wall. Then the hand leaves the wall, and two arched doors appear in the background. He walks towards the door on the right of the screen, and his hand is again placed on the edge of the door as he continues to walk away from the camera. A group of people gradually appear, walking towards the camera. Then the camera switches again to a room with many people. The camera gradually moves to the left, and in the center of the screen, there are several groups of people holding hands and dancing in circles. In the upper right corner, a group of people is standing on a tilted staircase, throwing things down. As the camera pans, a large pillar, a sofa, and a window appear in the frame. The camera switches again, and a woman in a puffy skirt, wearing a pearl necklace and a headpiece, runs from right to left. She encounters a man with a mask covering the upper part of his face. The man suddenly leans and sits on the sofa, the woman raises her right hand to her forehead, her left hand by her side, her mouth slightly open, leaning to the left.


In the video, a person is shown crocheting. This person is holding the green crochet item with their left thumb and middle finger, while their index finger, wrapped in yarn and curled upwards, is not visible in the frame. The right hand holds an orange crochet hook, which is first inserted through a loop on the crochet item to form two loops, and then the yarn is hooked again to pass through these two loops. The background is a purple surface.


In the center of the screen, slightly to the left, a man in a dark top is entwined with many ropes. He faces the camera and looks to the right of the screen while speaking, with his head slightly tilted in that direction. His left hand holds the rope that hangs down formally in the frame, while his right hand is placed at his side. Then, the man turns his head slightly to the left of the screen, facing the camera and speaking. He blinks once and then stops talking, closing his mouth. The scene is set outdoors in a forest, with quivering green leaves around the edges of the frame, and a robust tree trunk on the right side.


The scene is captured from a top-down perspective, clearly showing the basketball half-court and the grass in the background. In the bottom right corner of the frame, there is a person who, with both hands, holds the ball over his head, then jumps up and forcefully throws the ball towards the hoop, scoring a successful shot. He runs towards the top left corner of the frame to retrieve the ball, then dribbles with his right hand, running towards the bottom left of the frame. In the end, he disappears from view.


A boy sitting on the right side of the picture is facing to the left. After pressing the toy in front of him with his left hand, the small cars on the toy fall to the ground. Then, the boy reaches forward with his left hand, picks up a small car toy, and places it in the position on the left side of the picture. He arranges the other car toys in a row with his left hand and gently pushes them to the left side of the picture.


The scene is a close-up shot of the hands, with both hands raising the top of the box upwards. Then, both thumbs open the flaps on the left and right sides of the box outward, while the fingertips of the right hand open the wrapping paper on the right side of the screen, and the right index finger supports the right side of the box.


The woman kneels on her left leg on the floor, facing the bottom right corner, lifting her right upper arm, straightening her body, with her right knee on the ground. She then leans forward, bends her waist, bringing her right elbow close to her right knee, her right wrist placed on the ground, her head bowed down and in. Following this, she raises her body, places her left hand at the position of her right knee, turns her body towards the camera, stands up straight with legs apart, supporting herself with both hands on the ground. Then she kneels on her right knee again, lifts her left hand, and places it back on the ground, retrieves her right hand, bends forward, and takes a step with her left leg. She then stands up straight, the camera moves upwards, the woman's body faces to the left, her hands on the walls on both sides, her gaze towards the upper left corner.


The video footage is shot from a top-down perspective. The woman on the left side of the screen is standing on a boat, facing the right side of the screen, and lifting the fishing rod with both hands towards the top of the screen. She then forcefully swings the rod towards the right side of the screen. The man in the background on the left side has been holding the fishing rod, facing the right side of the screen. The woman slowly rotates the reel, then quickly spins around, looking into the distance to the right side of the screen, before turning her head to look at the man.


In the scene, there is a woman sitting in the center of the frame, facing the computer on the right side of the screen. She is wearing headphones and communicating with someone. At first, both hands are typing on the keyboard, then she places her right hand on the edge of the table. Later on, she puts both hands back on the computer keyboard.


The camera is in a top-down perspective, showing a group of people in the frame. On the left side, there is a group of people standing, and a woman in red facing the camera is walking towards the front right of the frame. Then she faces the camera and walks forward, with her hands in front of her body, adjusting her clothes. On the far left of the frame, a woman in black is walking towards the left side of the frame, placing the bag she is carrying in her right hand on the ground. The man in black facing the camera raises both hands to touch his head. In front of him, there is a woman in grey with her back to the camera; she raises both hands, with her right hand uppermost, and waves them in front of her before stepping back towards the front left of the frame. The man in black approaches the woman in grey and moves towards the front left of the frame.


In the scene, there are three people in the corner of the room facing inward towards the camera. Then, all three people rotate counterclockwise by half a circle to face the lower right of the camera. The two on the left side place their right hands on the right shoulder of the person in front of them.


In the center of the screen is the back view of a girl with red hair and black clothes. To the right of the screen is the front of a white car. The girl moves to the left side of the screen, and the camera also moves to the left. A man wearing a brown hat is sitting on the hood of the white car in the center of the screen, bowing his head and playing with his phone with both hands.


A woman stands to the left of the frame, facing the camera, head bowed, using her right hand to wipe a tool on her left hand while speaking. She then lowers both hands and talks to the camera while making a face. Afterward, the woman turns her head to the left of the frame and quickly turns back to look at the camera. She then raises her left hand, pinching her index finger and thumb together, and leans forward. Following this, the woman turns around to the right of the frame, scratches her left shoulder with her left hand, and then lowers it. She picks up a vegetable from the platform on the right side of the frame and turns to walk towards the platform on the left side of the frame. The camera follows the woman's movement, then zooms in, showing the woman facing left, bowing her head to handle something while speaking.


On the left side of the screen, there is a toy castle. The left hand rotates the castle to a certain angle, and the right hand holds a toy car, placing it on the slide of the castle. Then, the car is released and it slides into the pool at the end of the topic. Finally, one hand takes the car out and displays it in front of the camera. This toy car has changed from white to blue after getting into the water.


In the center of the screen is a woman wearing a black leather jacket. Her body is slightly inclined towards the right of the frame. Her left hand is placed beside her left cheek, with her left index finger pressing on her head. Then, her left index finger slides down her face and out of the frame. At the same time, she tilts her head up, then bows it down, and turns her body sideways towards the right of the screen. With her head tilted, she looks at the camera. As the screen moves upwards, she also stretches her neck and slightly tilts her head up, facing the right side of the frame. Then, she again looks sideways at the camera, and subsequently raises her left hand from below, stroking her left side of the hair. In the end, her left hand comes to rest against the side of her head.


In the scene, there are three people. In the center of the picture is a little boy dressed in gray with a tablet computer placed on his lap. To the right, a person in pink clothes is sitting cross-legged beside him, arranging their hair. To the left, another person in pink is turned sideways towards the boy with their right hand extended, palm out. The boy also extends his left palm to slap hers. At this moment, the woman in pink on the right also extends her left palm, looking at the boy. The camera continuously rotates to the left, briefly obscured by a leaf, then reveals the boy holding up the tablet computer with both hands. The two women beside him are both looking at the tablet in his hands. The woman in pink on the right taps the boy's left shoulder, and as the camera continues to rotate left, it is obscured again by a plant. After passing the plant, the boy can be seen twisting his body backward, and the woman on the right has already lain down.


The person on the right side of the screen is speaking to the person on the left side, who is leaning against the camera. The person on the right is facing the camera directly, and he keeps looking at the person on the left side of the screen. While talking, he also makes gestures; his right hand is open with the palm facing the bottom of the screen, then he slightly clenches it, and finally opens it up again.


In the center of the screen is a white-haired man in black clothes with a short beard. He is looking to the left of the screen, speaking and nodding while shaking his head from side to side, and continuously raising his hands to the level of his chest. The background of the scene is a bookshelf filled with books.


A blonde woman and a brunette woman are in a room with wooden floors and carpets. They are sitting together beside an oval table, both smiling as they look at the computer screen on the table. The blonde woman's smile broadens, and the brunette woman points at the screen with her right hand while speaking, then she folds her smile. The blonde woman speaks, her right hand on the computer, seemingly swiping the touchpad. She nods, then retracts her smile, pointing at the screen with her right hand while speaking. She then moves her left hand towards the left side of the frame and smiles again. The brunette woman makes a slight up-and-down motion with her left hand, nods, speaks with a smile, and raises her eyebrows. The blonde woman withdraws her left hand towards the left side of the frame, spreads her fingers, and then places her hand back on the touchpad. The camera slowly moves back slightly.


In the foreground on the right, a person wearing a dark top is facing the camera directly, then turns towards the left of the frame, walking away from the camera into the distance. In the background on the left, a woman in a dress is walking towards the camera. She approaches the center of the frame, stops, then bows her head with her hands on her hips, shifting her weight to her right leg, and then looks up directly into the camera. In the background of the shot, the person in the dark shirt turns towards the camera, takes a step back with their right foot, and stares directly into the lens.


The scene is a close-up of a woman's face. She looks at the camera and blinks, then turns her head to the right of the screen. She then tilts her head back to the left of the screen, closes her eyes, and subsequently turns her head to the left, opening her eyes and turning them to the left side of the screen. After that, she bows her head, blinks, and turns her head back towards the camera, looking directly into the lens. Then, the lens goes out of focus, and the screen becomes blurred. In the foreground of the scene, there are lights swaying left and right.


In the video, on the left side, there is a girl wearing a vertically striped skirt facing the bottom right corner of the screen with her hand placed on an inverted red cup on the table. She continuously points to different cups with her right hand. In the center of the screen, a girl in a black short-sleeved shirt touches her nose with her right hand. On the right side of the screen, a girl in a blue skirt and a pink top looks at these cups with her hands resting on the table. In the bottom left corner, a flash of the upper bodies of these four girls appears.


On the left side of the screen, a woman in a blue, white, and pink coat is facing the right side of the screen, smiling and talking. Her left hand is supporting the vase with red flowers in the center of the screen, while her right hand continuously adjusts the flowers. On the right side of the screen, a woman in a black top is smiling at the camera with her hands moving continuously. The camera slightly moves towards the left side of the screen. Then, the woman on the right side of the screen turns her head towards the left to speak and then turns back. The woman on the left side of the screen also turns towards the right side of the screen and then turns back, as the camera moves to the right. Next, the woman on the left side of the screen supports the vase with both hands and turns it clockwise twice before preparing to continue adjusting the flowers. The woman on the right side of the screen stretches her hands towards the foreground of the screen as if to pick something up, and the camera zooms out. There are many items placed on the foreground table, and green plants are visible on the left side of the background.


There are two smaller scenes within the main frame. In the left scene, there is a muscular man wearing a blue vest, turning his head to the left to look at the camera with a smile, and raising his right hand. The camera zooms out to reveal that his legs are spread apart on the exercise equipment on either side as he presses down twice. The scene then cuts to the muscular man standing in the center of the frame, bare-chested, wearing blue pants, facing to the left of the screen with his left arm across his front. His right leg is forward, and he jumps up with both hands raised, sideways in the air, kicking towards the man in black pants who appears in the frame. The man in black leans back, steps backwards, turns his head to the left, and then faces forward again. In the right scene, the man in blue pants, wearing black boxing gloves, stands towards the center-right of the frame, leaning back to the left as he kicks with his right leg towards the man in black pants on the left side of the screen. His left arm is bent across his chest. The man in black bends his body, with his right hand, also in a boxing glove, bent near his face, and takes a step back. He then swings his fists and moves to the right, throwing a punch with his left hand. The man in blue blocks with his right hand, extends his right leg in a sweeping kick, causing the man in black to lean back. The man in blue then kicks again in mid-air, and the scene switches to a front view of the man in blue pants. The background is a gym training room.


In the middle upper part of the screen, the two coffee machine outlets are frothing, and then the coffee liquid flows into the transparent glass cup in the middle lower part of the screen. The liquid level in the glass cup gradually rises. After a while, the streams from the two outlets gradually thin out and finally stop pouring coffee.


The close-up of the screen is a blurred wire fence. In the center of the distant scene, a white frame with a transparent glass door is open. A black woman in a baseball uniform looking melancholic walks out of the door, facing left and walking quickly. After coming out, she first looks to the right and then to the left, glancing around while walking.


On the right side of the screen, a man wearing a white tank top is facing forward with both hands hanging on the horizontal bar, looking up. He swings his body, purses his lips, glances down at the camera, and then looks up again. He then swings his lower body to the right in the foreground, bending his legs, and then moves one step forward in mid-air. He repeats this several times, moving to the far right of the screen, during which the camera shakes slightly.


On the left side of the screen, a man in red and white stripes is holding a green boat model with both hands, bending over to hand it to the brown monkey on the lower right side of the screen, and looking at the monkey while speaking. The monkey looks at the man, places both hands on its chest with a look of confusion, and then looks at the boat model.


On the left side of the screen is a child in blue clothes riding a white horse, heading towards the left side of the screen. As the camera moves backward, the child in blue clothes on the white horse moves in the opposite direction of the camera.


The camera shoots from a downward angle, showing a person carrying a colorful hoop, walking along the sidewalk towards the top of the screen. As they walk, the hoop swings back and forth with the motion of their steps. The camera maintains its angle, panning forward.


In the frame, there are five people. The camera makes a clockwise rotation to the right of the screen. On the left side of the screen, four people are sitting. The woman with short hair and a black top is facing the camera and speaking to the woman in front of her who is turned away from the camera. After glancing at the camera, she looks back at the woman and continues speaking. To the right of the foreground, a chef is bowing his head, and to the right in the distance, another chef is facing towards the left side of the screen.


At the center of the screen is a yellow dog, whose body is facing towards the right side of the frame, with its head turned towards the camera. Then the dog tilts its head to the left side of the screen, followed by tilting its head to the right side, then back to the left, and subsequently to the right again. In the end, the dog straightens up its body, and runs off to the right at the back. The background of the scene is a light-colored curtain being blown by the wind.


The video footage shows a top-down view of the rooftop scenery at night. The overall brightness of the scene becomes increasingly dim as night falls. People are standing at the edge of the rooftop, holding their phones and looking out at the city's night view. There are also bustling crowds coming onto the rooftop or leaving from it.


The camera follows a woman with a backpack. The woman moves to the right of the frame, then walks into a fruit stand away from the camera, facing left. Inside the fruit stand, a woman in an apron is sorting fruit and greets the woman with the backpack as she enters. The woman with the backpack smooths her hair with her left hand and starts speaking, gesturing with both hands. The woman in the apron glances to the left of the frame and then looks at the woman with the backpack, occasionally responding to her words. Then, the woman in the apron nods once, as the camera zooms in on her. Finally, the woman in the apron talks while gesturing with both hands.


The video footage is shot from a top-down perspective. In the center of the frame, there is a little girl in a purple dress on the street. The little girl is walking away from the camera, facing forward. Her steps are unsteady, and she stumbles as she walks.


The video is shot from a first-person perspective looking down. In the center of the screen is a bowl filled with egg whites. In the top right corner, a whisk is inserted into the bowl and continuously stirred. Then, the whisk is tapped a few times in the pot in the top right corner of the screen before being removed. Next, a hand from the top right corner of the screen brings an orange sieve to cover the bowl, while the other hand pours in flour followed by cocoa powder.


The camera moves forward and down, centering on a woman in pink clothing standing facing the lens. In her right hand, she holds a spoon, which she places into a rectangular glass container in the bottom right corner of the frame. The glass container is filled with food. With her left hand, she supports the glass container near the upper edge of the screen, while her right hand scoops up a spoonful of food and moves it towards the bottom left of the frame, pouring it into a white plate in the center. After pressing down on the food, she moves the spoon towards the top right of the screen. Then, she scoops out another spoonful of food, moves it to the bottom left, and pours it into the white plate in the center. She moves the spoon up and down, finally moving her right hand towards the glass container in the top right corner of the screen. In the bottom right corner is the surface of a wooden table.


The scene is shot from a first-person perspective. In the center of the frame is a white car with its hood open. On the left side of the screen, a man in white is squatting on the ground with his back to the camera, while a man in black facing the right side of the frame bends his upper body forward. The camera moves forward, and the man in white turns his head to the right side of the screen. In the lower left corner of the frame, a person's left hand appears, pointing to the right headlight of the white car. The man in white straightens his upper body to the left, and the man in black also stands up straight, as the hand in the lower left corner of the screen moves down and out of the frame. In the upper right corner, there are some tools and a shelf.


Two men frequently stand beside a car, both turning their heads to the left side of the frame. The officer with glasses is speaking, and then the bearded officer turns to the right side of the frame, turning his back to the camera and looking at the officer with glasses. He then slightly turns his head towards the bottom left corner of the frame, shifting his weight from his left foot to his right foot. In the background, many people are doing different things; some are sitting on the ground leaning against a black car, some are walking towards the left side of the frame, some are looking at the black vehicle, and others are looking at their phones and walking towards the right side of the frame.


On the left side of the screen, a man in a brown coat has his right hand raised, supporting a wooden pillar on the left, standing facing the camera. On the right side of the screen, a man in a dark shirt with a yellow scarf around his neck is also standing facing the camera. Behind them is a wooden cabin. The man in the brown coat slightly smiles, turns his head to look at the other man, and speaks. The other man also turns his head to look at him and nods once. Then, the man in the dark shirt turns clockwise and walks from the right to the left. He pushes open the door of the cabin and walks into the wooden house, finally turning his back to the camera and disappearing inside. The camera follows his movement and pans to the left. The man in the brown coat smiles again.


In the center of the screen is a person dressed in sports gear and wearing a helmet, riding a bike towards the left side of the screen, with lush trees on both sides. The camera switches, and on both sides of the screen are people watching from behind a fence, focusing on the center of the screen where a group of people are slowly cycling in a race towards the right side of the lens, with trees planted around the houses at the top right of the screen. The camera follows and moves to the right, where at the extreme right is a person dressed in fluoro green riding towards the right side of the screen, followed by a succession of cyclists emerging from the center and riding towards the right side of the screen. Finally, at the left side of the screen, a person on a white motorcycle is riding slowly towards the right side of the screen.


A monkey stands in the center of the frame, then a person in a yellow shirt enters from the left side of the screen. The monkey turns its head to the left and looks up at the person in yellow. The camera moves up, and the person in yellow speaks while bowing their head, as the monkey's face disappears from the frame.


In the scene, there are two men. The man in the center of the frame has long black hair and is wearing a white shirt, pants, and shoes. He is carrying a black backpack on his back, with his arms slightly open on both sides of his body. In his right hand, he holds a map. He is walking away from the camera, and the camera follows him as he moves forward. After a while, he raises his right hand, looks down, seemingly checking something in his hand while walking. Then he adjusts the direction of his right hand, continues to look ahead, and walks on. He shakes his backpack and tosses his head. The camera angle slowly rises and moves closer to him. He raises his left hand to brush his hair back, turns his head to the right to look, then turns back to the front, and flicks his hair. The man on the right side of the frame has short black hair and is dressed in a blue shirt and gray pants. He walks forward from the right side of the frame, glances to the left, then turns right and disappears from the right side of the screen. The background is in a park, with trees planted along the roadside, a fountain ahead on the path, and seats on both sides of the road.


In the scene, one can see a man wearing a blue shirt and a green off-road vehicle in the background. There is a ladder next to the car, closer to the picture, which leads to a tent on top of the vehicle. Then, on the far left of the frame, a man in blue walks towards the foreground from the background. The camera follows him as he slightly moves to the right, eventually stopping in the middle of the frame. In his left hand, he is holding several pieces of wood. When he stops in the middle of the frame, he transfers the wood from his left hand to his right, bends down, and throws them into a fire pit in front of him, causing the fire to burn more vigorously. After throwing in the wood, he then reaches into the fire pit with his right hand to adjust the position of some of the wood. He then straightens up, claps his hands together, moves two steps to the left of the frame, and sits down on a white stool. With his legs crossed, his legs are slightly trembling, his head turns to the right of the frame, and his hands rest naturally on his legs.


On the right side of the screen, a left hand is holding a wooden board with canned food and cotton candy-like snacks on it. On the left side of the screen, there is a blazing flame. From the right side of the screen, a right hand appears, reaching towards the left side of the screen, taking a piece of cotton candy, and then retracting back to the right side and disappearing from view. The camera moves towards the right side of the screen.


In the initial scene, on the right, you can see a man dressed in gray with a hat on. His right hand is raised in front of his body, with his palm facing towards the left side of the screen. At the bottom of the frame sits a woman wearing a white top. The camera begins to pan to the right, bringing the upper body of the man in gray fully into the frame. The man in the gray top is looking down at the woman in white, and both of them are on a boat. The man starts speaking to the woman, and as the camera slightly shifts down, the woman raises her head to the right side of the screen and looks at the man, raising her left hand, and the two of them smile as they high-five. The man turns to look at the camera, while the woman turns her head towards the bottom left corner of the screen, presumably at something in the water.


The camera captures a person making a drink at the kitchen counter, with oil-absorbent paper laid out on the counter. The person on the right side of the frame is reaching towards the left, wearing yellow plastic gloves on both hands. The left hand holds the bottom of the cup on the lower left of the screen, while the right hand holds a black hand-held blender. The blender is moved up and down inside the cup, then the right hand makes small up and down movements with the blender in the upper layer of the liquid, occasionally lifting it out of the liquid. The camera zooms in on the cup, with the blender fully submerged, then zooms out. Subsequently, the right hand raises the blender slightly and begins to stir the liquid in the cup by rotating the blender counterclockwise. In the upper left corner of the frame, there are two stacks of small glass jars containing powder. On the table to the right of the frame, there are empty measuring cups and various glassware.


In the center of the screen, a woman with a black afro is standing facing right. Then she moves her body towards the right side of the screen, faces the camera, and sits down with her hands on her sides. After sitting for a while, she stands up again, her right hand on her right waist and her left hand hanging down on the left side. Facing the camera, she first turns her head towards the right side of the screen, smiling and speaking, then turns to the lower left corner where a girl is smiling, and continues speaking while slightly shaking her head.


The male in the picture is laughing heartily while leaning back, with the back of his hand facing the camera, bending his middle finger and ring finger, and moving his arms up and down. Paper money is floating above the scene, and the male swings both arms towards the camera, then sits up straight, leans forward, and shakes his arms up and down. He then raises both hands high, sits up straight, and clasps his hands in front of him. He then raises his left hand, and his right hand slides from the palm of his left hand towards the camera. He then looks down at the bottom of the picture, where he takes a paper bill from each of the red, green, and golden gifts with both hands.


Close-up handheld shot. Some people are walking on the left side of the screen. On the right side, a person is facing the camera, holding a bolt-action sniper rifle. The left hand supports the front end of the magazine, and the right hand makes a gesture towards the camera and then touches the front end of the stock. The right hand continues to gesture, then touches the trigger, and subsequently points to the bolt. It then rotates and pulls the bolt to simulate the action of ejecting a cartridge. The right hand continues to gesture back and forth in front of the body. In the end, the right hand pushes the bolt forward.


Close-up handheld shot with a slight shake of the camera. In the center of the frame, a lamb stands behind a piece of wood, facing the direction of the lens. It uses its left and then right front teeth to gnaw on the wood before stopping. In the upper left corner of the screen, a white lamb quickly runs across in front of the camera.


This is a sequence of footage captured at night by a vehicle-mounted camera. The vehicle with the camera is traveling along the lane on the left side of the screen towards the front of the lens. In the upper left corner of the screen, a vehicle is traveling towards the left side of the lens. There are several road signs passing by on the right side of the screen. Then, the scene accelerates, and the vehicle continues to drive towards the front of the lens. In the background of the scene in front of the lens, there are moving headlights.


Medium shot. The scene shows a boat. On the left side of the frame stands a man in a yellow shirt, holding a bottle in his right hand in front of his abdomen, facing the camera and looking towards the man in the middle of the frame wearing a red shirt. He then shakes the bottle twice. In the center of the frame, a man in a red shirt is sitting facing the camera, holding a bottle in his right hand. He first looks to the left of the frame, gesticulating with both hands while talking. On the right side of the frame, a black child is sitting, raising his head and waving his hands. The camera slowly pans left, revealing a black girl in the frame. The man in the yellow shirt first touches his hair with his left hand and then looks at her, subsequently raising the bottle to signal to her. The black girl first smooths her hair with her right hand, then raises her left hand, and then passes the bottle she is holding in her left hand to her right hand. In the end, both she and the man in the yellow shirt burst into laughter simultaneously.


The scene is shot from a first-person perspective, showing a beige taxi with its hood facing towards the left side of the frame. A man wearing sunglasses is sitting on the left rear seat, looking towards the lower left of the screen. His left hand reaches out to the lower left of the lens, closing the car door in front of the camera. After the door is shut, he bends forward slightly towards the left side of the frame before sitting up straight again. The cameraperson moves slightly forward. On the left side of the frame, the taxi driver has his left hand placed above the steering wheel. In the background at the top of the screen is a light pink building.


In the scene, you can see the hands of a person making pancakes. Her body is on the right side of the screen, facing to the left. Only a part of her body is visible. She first moves the pancake in her hands with both hands, holding it with her left hand, while her right hand reaches out in front of her. She picks up a pancake from the pan, flips it over, and then pulls it back, throwing it on the stack of pancakes in her left hand. Next, she reaches in again, preparing to pick up the second pancake from the pan. The camera slightly shifts to the left, revealing the body and hands of another person making pancakes in the background on the left side.


The scene is shot from a first-person perspective. In the foreground of the frame are two people. The man on the left side of the frame has his body turned towards the right. He is bent over as if looking at a menu. The girl on the right, wearing a white chef's hat, raises her left hand with her index finger pointed up, then lowers her left hand, and slightly turns her body towards the left side of the frame. She operates something on the counter, then moves her body towards the right of the frame, bending down. The camera lens is noticeably shaky.


Holding the lens to shoot. The lens slightly shakes. The lens moves to the left, and the central part of the screen shows the rear window of a car. Outside the car window, on the left side of the screen where the lens is located, an SUV appears on the left lane driving in the same direction as the car with the lens, towards the right side of the screen. Then, the lens moves to the right.


In the scene, two people are riding horses and moving in a clockwise direction. The person riding the brown horse in the top right corner rides out of the frame towards the top right corner. The white horse on the left side of the frame first runs towards the top left corner, then turns right and continues running towards the right side of the frame. The camera focuses on the person on the white horse, who is continuously bounced on the horse's back.


At the center of the screen is a white little boy wearing a yellow, white, and blue half-sleeve shirt. To his right, a white woman in black and white clothes is crouching on the ground, with the little boy's shoulder resting on hers. The white woman's left hand is around the little boy's waist. Later, the little boy moves to the left side of the screen, and the white woman, with a look of pain, starts to rise to the left side of the screen.


A man wearing sunglasses is walking towards the camera on a small slope still covered with snow. In the background of the scene, there is a frozen lake with birds standing on the ice or walking towards different holes. There are also yellow plants and bare trees in the background. The man in sunglasses talks as he walks, lifting his left hand to scratch his forehead, turning his head slightly to the right of the screen, and bowing his head. Then he lowers his left hand, turns his head to look to the left of the screen, and walks towards the left. The camera follows the man as he turns to the left. The man is sideways to the camera, facing to the left of the screen. In the background, there are birds walking on the frozen lake, as well as withered yellow trees and plants.


In the upper right corner of the screen is the arm of a person wearing a denim jacket. In the center of the screen, the right hand is holding scissors and cutting the pink clothing on the table towards the left side of the frame. The left hand, on the right side of the screen, supports the pink clothing and then moves to the left side to hold it down.


The scene is shot in first person, with the camera pointing downward. In the upper left corner of the frame is the front end of a white vehicle. The shooter slightly kicks the bottom of the hood with their left foot, then walks to the right, kicking the bottom of the front end below the vehicle's left headlight with their left foot again. The camera turns left and tilts up, then the shooter takes a small step back. The white car's hood is facing the lower left corner of the frame, parked in a garage with the trunk lid open. The shooter moves to the right and forward, as a person walks into the garage from outside on the right front of the lens, then walks to the right side of the frame, facing sideways to the camera and searching for something in the lower right corner. The shooter's left arm enters the frame from below, index finger pointing to the right side of the frame, swings forward towards the camera, then exits the frame from below. The camera continues to move forward while turning left, revealing a person in a hat standing at the rear of the car, facing the camera with their right hand on the open hood, turning their head to look to the right side of the frame. The camera turns left, then right, as the shooter approaches the rear of the car from the right. The person in the hat is now looking to the left side of the frame. A person in a white shirt bends towards the camera, left hand holding a pole, using it to prop up the hood on the side closest to the camera. A person wearing glasses stands facing to the left side of the frame.


In the initial scene on the right, you can see a child wearing a white short-sleeved shirt, whose left hand is raised, carrying a white bag on their shoulder, facing towards the left side of the screen. The camera pans down to the left corner, and from the lower part of the screen, a girl's face appears, with her mouth wide open, smiling at the camera. From the left side of the screen, a hand extends in, gently stroking the forehead of the little girl at the bottom of the frame.


In the center of the screen, a red-haired woman is standing facing the camera. She is holding a plate of food in her left hand, looking down at the dish. Her right finger is pointing to the food in the plate. In the background of the scene, a woman with brown hair is standing facing the camera. She has flicked her hair to the left side of the screen and is supporting herself with her right hand on the table, looking towards the woman on the right side of the frame.


In the lower left corner of the screen, a pair of hands extend out, with the right hand holding a screwdriver and moving away from the lower left corner of the screen. The left hand holds another tool and moves towards the lower right corner of the screen. In the upper right half of the screen, there is a keyboard.


On the right side of the screen, there is a man holding a long rifle with his left hand in front and his right hand behind, aiming his eyes at the lower left of the screen. His body is angled towards the camera lens. After firing the shot, he releases both hands, placing the gun to the left side of the screen.


In the scene, two people can be seen at a slight distance from the camera. The man in white is lying on a bed, with his body positioned slightly to the left of the center of the frame. A woman in a dark gray top is lying prone on the bed, bending over the man and looking at him. The man's left hand is placed beside him on the bed, while his right hand is raised with the index finger pointing at the woman's face. The woman smiles and kisses the man's index finger. Her left hand is supporting her face and head. The man quickly withdraws his hand and then points at the woman's face again, and she continues to kiss his finger, repeating this several times. Next, the man changes his target, starting to point his index finger at the woman's nose, gently touching it. The woman is smiling, and the man then points his index finger at her forehead. The woman tilts her head slightly before turning back to look at the man. Finally, the man raises both hands, wraps them around the woman's neck, and pulls her down under his arms, embracing her. They are now both lying sideways on the bed, with the man gently turning his body.


On the right side of the screen stands a man facing towards the left side of the picture. He holds a bag in his left hand and wipes the sweat from his face with his wrist. With his right hand, he takes another water-filled bag from a water jar. Then, he uses both hands to put the empty bag into the water jar. He places the bag with water into an empty bag, bending his body slightly towards the left side of the screen.


The white woman on the left side of the screen is holding a vacuum cleaner with both hands, with her left hand in front and her right hand behind, suctioning the ground on the front side of the screen back and forth. Then, she moves the vacuum cleaner to the ground on the left side of the screen and suctiones back and forth. Afterward, she bends forward and takes a step, moving to the floor in the center front of the screen, pulling the vacuum cylinder on the left side of the screen to slide a distance towards the right side of the screen. The black woman on the right side of the screen is holding a mop with both hands, with her left hand in a normal grip and her right hand in an opposite grip, dragging the floor on the right side of the screen back and forth. Then, she slightly adjusts her steps and turns to face the camera directly, bending down to drag the floor on the far right side of the screen. At the same time, her lips close and open five times.


In the center of the screen, slightly to the left, is a close-up of a man's face. The man is turned sideways to the camera, facing the right side of the screen, and speaking while looking directly to the right side of the frame. Following this, the man looks to the right side of the screen and bursts into a hearty laugh.


In the center of the screen, a caliper is measuring the diameter of a screw. Then, the caliper moves slightly downwards towards the bottom of the lens. The scene changes, and in the center is the front wheel of a scrapped car. To the right of the screen, there is the profile of a man facing to the left of the screen. At the bottom of the screen, there is a hand, which then reaches into the scene towards the inside of the screen.


The scene is shot from a first-person perspective. In the center of the frame, a man in pink pants is facing the camera, holding four pink bottles of liquid, and running towards the left side of the screen. Then, he turns his head to the right side of the frame, turns back to face the left side, and lowers his right hand. Then, he clutches the four pink bottles with his left hand and upper body, leans his right hand against the wall on the left side of the screen, smiles, quickly tilts his head to the left, and returns to his original position. He then quickly tilts his head to the right and back again. He then turns to face the right side of the screen, at which point a woman in a floral dress walks into the frame from the left edge, away from the camera, and a man in purple clothes holding a white bottle in each hand runs into the frame from the right side. Then, the man in pink pants raises his left leg to block the purple-clothed man who is rushing towards the left side of the screen. The latter collides with him, facing left, and hands over two white bottles. The man in pink pants takes the white bottle from the left hand of the purple-clothed man with his right hand, turns to face the right side of the screen, raises his left leg to kick the purple-clothed man's buttocks, then grips the top of the bottle with both hands, fixes it to his chest, and runs towards the right side of the screen, swinging his body widely. The man in purple clothes leaves the frame from the left side, and the woman in the floral dress walks to the edge of the screen on the right side. The man in pink pants catches up to the woman in the floral dress, faces the right side of the screen, and extends his right hand to pass the white bottle to her on the right side. The woman in the floral dress stands still with her back to the camera, her arms bent, hands held out level, facing left, and extends her right hand to take the bottle and move it to her chest, then walks off-screen to the right. The man in pink pants shakes his right hand towards the left side of the screen, swings his body widely, nods repeatedly, then raises his right arm level, bends his elbow, and finally lowers his right hand, jumping towards the left side of the screen. In the end, he runs to the left side of the screen


On the left side of the screen, a man wearing a khaki shirt can be seen bending over and facing the center of the screen, dealing with a beehive. He is holding a pickaxe with both hands, prying off a piece of wood from the front of the beehive, and he takes the board to the right side of the screen, out of view. Then, the man moves two steps to the right of the screen and pries off another piece of wood from a position slightly to the right of the center. The two men begin to crouch in the foreground of the screen, their backs to the camera, handling objects inside the beehive, with many bees flying around in the scene. The man seems to be dealing with the lower part of the beehive, and his hands can be seen coming out from under it; he then moves his body towards the left side of the screen, placing several black objects on the ground under the beehive.


The green sports car is located at the center of the frame, with the camera positioned at the rear of the green car, moving in the same direction as the car. The car is moving at a constant speed in the opposite direction of the camera, and ahead of the green sports car, there is a truck facing away from the camera, moving forward just like the sports car.


In the scene, five men are sitting watching the television on the right side of the screen with their backs to the camera. Then, the man in black at the center of the screen extends his right hand to point at the television, followed by raising his right hand and swinging both hands in front of the television. He quickly drops his hands, and the camera rotates clockwise towards the left side of the screen.


The scene takes place in a dimly lit room, with a white wall as the background. On the left side of the screen, there is a man facing the right side of the frame. He is wearing a red shirt and a Santa hat, and is holding a rectangular package, which is blue and contains electronic equipment, in his hands, with his gaze lowered towards the package. To the right of the screen, there is a man dressed in a Santa suit and wearing a Santa hat. Standing to his right, at the very right of the screen, is a man in a green shirt and a Santa hat. Initially, the man in the green shirt and Santa hat extends his right hand to touch the Santa hat of the man on the left side of the screen, then he pats the left shoulder of the man with his right hand. Then, the man in the green shirt and Santa hat takes a step back to the right of the screen, at the same time, a hand appears from outside on the right and moves towards the left side of the screen, then vanishes in the middle of the frame. Following this, the man on the right side of the screen, dressed in a Santa suit, stretches out his left hand to caress the white package and seems to say something.


A group of people are sitting together facing the left side of the picture. Some of them have paper and pen in their hands, taking notes. In the center-left of the picture, an elderly woman in a gray top with white curly hair is smiling, and her right hand keeps writing on the paper on her lap. On the right side of the picture, a young woman in a light green top looks down at the notebook and pen in her left hand, then takes the pen with her right hand, bows her head, and props up the notebook with both hands. To her right, a woman in black is smiling brightly, her eyes occasionally glancing left and right. To her left, a man with brown hair maintains a smile, bowing his head and then lifting it up again.


The scene shows a top-down shot of a black woman wearing a white shirt. In front of her, at the bottom right corner of the screen, is a computer monitor. The woman in the scene is looking down at the keyboard, typing, occasionally lifting her head to glance at the screen in the bottom right corner. Then, with her left hand on the keyboard, she stretches out her right hand to use the mouse at the very bottom of the frame.


In the center of the screen, a woman in white is sitting facing the camera with her hands on the table, talking while looking left and right. On the left side of the foreground is the back of a woman in gray, and on the right side of the foreground is the back of a man in white. When the woman in white looks to the left of the screen and stops talking, the man in white turns his head slightly to the left of the screen, and the woman in gray turns her head to the right of the screen, takes a deep breath, smirks, and then both the woman in gray and the man in white turn their heads back to their original positions and nod. The woman in white continues to look left and right while talking, then smiles with her teeth showing, looking to the left of the screen, and the man on the right nods. In the background, there is a gray sofa and white curtains.


On the right side of the screen, a hand reaches out to first touch the upper part of the car's display screen in the center of the frame. Then, the hand on the right side of the screen moves downward to the right, touching the edge of the car's display screen in the center.


Six men on horses appear in the frame, moving from the right side to the lower left. The camera then pulls back, showing only the first three horsemen in the shot. Subsequently, all six horsemen reappear, turning to the right and riding upwards. The camera then moves back again as the horsemen ride towards a house in the mountains.


Holding a defocused lens. The center of the screen is a wooden floor, and the lens pans to the left. Then, a hand appears on the left side of the screen, flashes briefly, and disappears. In the end, the hand reappears in the lower left corner of the screen, making a gesture towards the floor.


On the right side of the screen, you can see a person wearing a blue shirt, with each hand holding a slice of bread. The right hand is raised, inserting the slice of bread vertically into a red oven on the left side of the screen. Then, the left hand is also raised, transferring the bread slice from the left hand to the right hand, and the right hand puts this slice of bread into the red oven on the left side of the screen as well. The left hand reaches for the black button in front of the oven, pressing it from the top to the bottom of the oven. The two slices of bread inside the oven also disappear from view as the button is pushed, entering the interior of the oven. After clapping their hands a few times on the right side of the screen, the hands prepare to move out of the frame from the right side.


In the center of the screen, two women are sitting on a sofa facing the camera. The woman on the left, wearing a white T-shirt, has her left arm draped over the left shoulder of the woman on the right, who is wearing a blue floral shirt. Both of them are looking down at the phone in the hands of the woman in the blue floral shirt. The woman in the white T-shirt touches the hair at the back of the head of the woman in the blue floral shirt with her left hand, and then strokes the hair on the left side of her head. Both women actually change from a smile to a grin. Then, the woman in the blue floral shirt leans her head to the left side of the screen, resting it on the left shoulder of the woman in the white T-shirt, who also turns her head slightly to bring it closer. The woman in the blue floral shirt then taps the phone screen with her left index finger and looks up to the left at the woman in the white T-shirt, who also turns her head to look back at her. Then, both turn their heads to look at the phone again. Next, the woman in the white T-shirt moves her right hand, which was placed on the sofa, to her right leg, and starts stroking the hair of the woman on the right with her left hand again. Then, they both turn their heads to look at each other and continue smiling.


The scene is a slow-motion shot of a sidewalk on a street, where pedestrians can be seen walking towards the direction of the camera in the background. In the front row on the right side of the frame is a woman in a pink dress with a handbag slung over her right shoulder. On the left side is a man in a black suit jacket, holding a stack of papers in his left hand. Behind them are men dressed in a black T-shirt and a white dress shirt, respectively. To the right in the back, a woman in a black T-shirt is holding a mobile phone in her right hand, with her left hand resting on her right shoulder, and she is walking towards the direction of the camera with her head down.


In the center of the screen is a excavator, which digs up two tree trunks from the pile of tree trunks on the right side of the screen and moves them towards the upper right corner of the screen. Then it slightly rotates, and the camera also slowly moves upwards to the right. The background of the scene is inside a factory.


The main subject of the scene initially is a woman, who is holding a mobile phone in her right hand and has raised a shoe in her left hand, facing the camera to take a photo of the shoe. The camera keeps pulling back, and on the right side, another woman enters the frame. The woman on the left turns her head towards the right and says something. The woman on the right responds while tapping on her laptop.


In the frame, a man wearing a blue shirt and a bow tie is standing in the center of a room, facing the camera. His head is slightly tilted to the right side of the frame. His right hand is fisted with the thumb extended, while his left hand encircles the right, and both hands are continuously tapping and rubbing against his body as he slowly sways. The camera is also advancing at a very slow pace.


Move the camera to follow a man. In the distance of the lens is an artificial lake, with several boats on it, and there are some buildings on the right side of the lake. The man is in the center of the frame, facing the right side of the frame, and walking along the lakeshore to the right. The camera follows the man, then moves to the left to follow him from behind.


The man on the right side of the screen, dressed in a grey work suit, is holding the water hose handle in his right hand and gripping the hose pipe with his left hand. The hose is releasing water. The background of the scene is a grassy area. The camera moves down to the left and then leftward. The right hand, at the top right of the screen, is holding the hose handle and spraying water at the base of the greenery on the left side of the screen. Immediately, the left hand appears from the top right of the screen to turn off the water, then disappears from the top right of the screen. The right hand then turns the switch back on to continue spraying water at the base of the greenery on the left side of the screen.


In the lower part of the screen, a left hand is holding the page of a book at the center of the screen. On the right side of the frame, a right hand is placed on the open page of the book. The camera shakes, slightly moving to the right of the screen and pulling away. Then, the left hand at the bottom of the screen closes the book, and the right hand on the right side of the frame twitches a piece of paper with black print that is inserted in the book. Another left hand appears on the right side of the screen, placed on a blanket. The camera pulls away and then shakes up and down. Following this, the left hand at the bottom of the screen opens the book, and the right hand at the top right of the screen taps the open page with the piece of paper. The left hand at the bottom of the screen holds the book and moves towards the top right of the screen, then the left hand moves towards the left side of the screen, preparing to point at the book.


In the scene, a woman is standing sideways to the camera, facing to the left of the frame. She holds a folder in both hands and walks towards the left side of the frame. She looks ahead and bends down to make a note. Then, she turns counterclockwise, standing sideways to the camera, facing the right side of the frame, looking ahead, and bending down to record something.


The woman on the left side of the screen is facing the right, holding an ice cream cone in her right hand, and her left hand is resting on the man's shoulder. She raises the cone to the man's nose on the right side of the screen. The man is facing left and slightly moves back. At this moment, a bee flies in front of the two. The man looks at the bee and raises his left hand to swipe at it. Then the woman also raises her left hand, looks down at the bee, and waves it away with her left hand before placing it on the man's right forearm. The woman continues to raise the cone to the man's nose, and the man moves back, glances to the left side of the screen, and then looks down at the ice cream. The woman raises her left hand to rest on the man's shoulder, pats his head, then leans her body to the right, and speaks to the man. The camera first pans to the upper right, then to the left, followed by a pan to the lower right, and finally pans up, slightly to the left.


The camera angle is from above. At the center of the screen is a man wearing a blue shirt and a black backpack, facing to the right of the frame. He is supporting a black box with both hands on the right side of the screen and looking to the right of the frame. In the upper left corner, a little boy is speaking. At the bottom center, there is a little boy wearing a green shirt.


The camera captures a top-down view where two pieces of meat are placed on a cutting board. A pair of hands enter the frame from the bottom, with the left hand holding down the meat on the left side of the board, while the right hand holds a knife and cuts the meat vertically. Then, he rotates the meat counterclockwise and continues to cut it vertically.


The scene is shot in the first person, with a slightly shaky camera. On the left side of the screen, a person in red clothing and sunglasses is crouching on the ground, holding a white object with both hands and looking at it. Then, they lift the white object with their left hand and shake it slightly, while their right arm is draped over their right thigh, hanging down.


The woman in blue uses her right hand to pull out the blue tube from her mouth, then looks to the right of the screen. The camera pans to the right, her left hand reaches out to the right side of the screen, and her body leans in the same direction. The tube she is holding in her right hand emits liquid, which she inhales through her mouth. Her left hand supports a yellow object on the right side of the screen, then she turns to the left side of the screen, bending over towards the bottom right corner, and spits out the liquid from her mouth onto the ground. The camera pans left with her movements, revealing a woman with dark skin in the top right corner of the screen bending over and bowing her head towards the camera. She looks at the camera anxiously, her right hand reaching out to the camera and then retracting. The camera then moves down and up again. The woman in blue covers her mouth with her left hand, facing the right side of the screen, and coughs a few times before turning to the left side of the screen and lowering her left hand. In the background on the right, a person with dark skin has been holding a red bucket. After the woman in blue coughs, the person with dark skin uses their right hand to insert the blue tube into the red bucket, then turns the side with the tube towards the camera, and hands the red bucket to the woman in blue. The woman in blue turns to the left side of the screen, bends over, then turns to the right side, straightens up, and takes the red bucket.


There are many people holding banners in the scene. On the far left of the frame, closest to the camera, a girl in a light green sweatshirt is holding a megaphone in her left hand with a smile on her face, her body turned towards the right side. She seems to be saying something, occasionally turning her gaze to her left to look at others, and finally raises the banner in her right hand. To the left of the girl with the megaphone, many more people are standing, including a girl in white at the center of the frame. She is holding an orange banner in her right hand and her left hand is raised high overhead, continuously punching the air and shouting. In the end, she lowers her left hand and raises the orange banner in her right hand. On the far right of the scene, a girl in a blue sweatshirt can be seen occasionally shaking her head, turning towards the direction of the camera, then turning back to the right side of the frame, smiling and shouting.


In the frame, one can see a person's left hand holding a khaki-colored wooden object, while the right index finger is extended and placed on the surface of the wooden object, caressing it back and forth. The camera slightly pans to the right, and all five fingers of the person's right hand are extended, caressing the surface of the wooden object from side to side.


In the lower right corner of the screen is a blurred portion of a man's shoulder. The computer in the scene is captured in relatively clear focus, with the man's left hand slightly moving. The computer first scrolls up and down the screen, then switches to a video. In the video, the man is facing the camera, holding a manuscript in his left hand, while his right hand taps the computer in the lower right corner of the screen.


In the center of the screen, slightly to the right, a man is crouching on his skateboard, gliding towards the camera. He then squats down and suddenly jumps up, with the skateboard quickly flipping under his feet. After that, he steps back onto the skateboard, lands, and glides to the left of the camera, gradually straightening his body.


Three men are standing in the frame. In the center is a man wearing sunglasses, who turns his head to look at the man on the right side of the frame. On the left side is a man wearing a brown shirt, smiling and looking down at the center of the frame. On the right side is a man in a black coat, who is also looking down at the center of the frame. Then, the man in the center with sunglasses turns to face the camera, waving his hands in front of him. Both men on the sides of the frame are smiling. Then, the man in the center turns his head to the left, placing his hands on either side of his face, and then spreads his arms out to the sides, shoulders slightly shrugging. He then points to his head with his right hand and then to the phone he is holding in his left hand.


A woman lowers her eyelids and turns her head to the left of the screen, then looks to the left, crossing her arms with her left hand moving from holding her right elbow to placing it under the right elbow. She then blinks and turns towards the camera, looking into the lens, lifting her head and blinking.


In the video, a man in a grey plaid suit is holding a red wine glass in his right hand and a black and white checked napkin in his left hand. He is pouring wine into a tall glass in the center of the screen. When the wine reaches about two-thirds full, the man stops pouring and uses the napkin in his left hand to wipe the body of the wine bottle. On the man's left hand, the ring finger is adorned with a wide bronze-colored ring. The foreground of the video is blurred with a large tall glass, and other glasses and wine on the table can also be seen. To the far left of the screen is a lit white candle. The background of the scene is a black interior decorative wall.


In the scene, there are three people, shot from a very low angle, from the ground. In the center of the frame is a woman in jeans, facing the camera and dancing street dance. She first extends her left leg to the right side of the frame, supporting herself with her right hand on the ground, then switches, extending her right leg and retracting her left. Both legs then turn behind, with both hands on the ground. Her legs then move to the left side of the frame, and she supports herself with her left hand, raising her right hand upwards. Her legs continue to spin on the ground, moving into the foreground of the frame, with both hands supporting her from behind, completing a Thomas spin. Immediately after, she extends her right leg in front of her left leg, which is crouching, then behind her body, lying down with her right hand on the ground. She then supports herself with both hands on the left side of the frame, her right leg bent close to the ground, her left leg extending to the center foreground. Leaning forward, she moves towards the left side of the frame, her body following the movement to the right side of the frame. Her upper body is bent low, her hips raised, her left leg is straight, with her left toes pointing to the left side of the frame. Her right knee is on the ground, her right toes pointing to the right side of the frame. Then, she turns around her left leg towards the background of the frame, turning her back to the camera, her left hand still on the ground, her right hand raised, pointing to the left side of the frame. To the left of the woman in jeans is another woman in a dark green top, crouching on the ground, looking at the woman dancing in the center of the frame, twisting her hands and shoulders, occasionally supporting herself with her right hand behind her. On the far right, a man in yellow pants is crouching on the ground, rhythmically gesticulating with his hands, occasionally pointing to the woman in the center of the frame. He snaps his fingers on both sides of his body, his hands swinging back and forth. His face first looks at the camera, then towards the woman in the center of the frame.


In the center of the screen is a man wearing brown stripes, holding a colorful bag with his left hand. He spreads his hands and says something, then lowers his hands, and pushes the man on the right side of the screen, who is wearing a white shirt, with his left hand, saying something to him face-to-face. Then, he turns to the left side of the screen and pats the abdomen of the man wearing a white vertical-striped coat with his right hand. After that, he raises both hands and says something again, and finally runs to the left side of the camera. The man on the left side of the screen has been looking at the man in the center, and the man on the right side turns his head towards the camera several times, then raises his hand in an attempt to catch the central figure as he runs.


In the scene, a baseball player can be seen leaning forward, with both hands raised horizontally to the sides of his body, running towards the left side of the frame. His mouth is wide open, possibly shouting, with his head down, glancing slightly at the ground beneath his feet. As he reaches the far left of the frame, he begins to turn, running towards the camera, and then turning again to run towards the right side of the frame. In the background, two other people can be seen running towards the right side of the frame. One of them is also dressed in a baseball uniform. Another, at a slightly farther distance from the camera, appears to be a journalist, carrying something in his hands.


In the scene, four children are standing. From left to right, the first girl is wearing a striped skirt, facing the right side of the picture, looking down to the right and speaking, with her hands crossed over her chest; the second child is wearing a black hat, facing the camera, smiling and looking down to the right of the picture, with both hands placed on the table below the frame; the third girl is wearing a white dress with blue and pink patterns, facing the right side of the camera, slightly bowing her head, and holding a red cup in her right hand; the girl on the far right is wearing a purple top, facing the camera, looking to the left and smiling, with her left hand on the table below and holding a red cup in her right hand. The girl on the far left turns her head to the left of the picture, looks at the camera and speaks with a smile, then lowers her hands to her hips, and then looks to the right and speaks, followed by raising her right hand to scratch her head, then stops speaking and looks to the right, then pouts at the camera, and then speaks with a smile. The child in the black hat keeps swaying their body, occasionally looking at the camera or below the frame, speaking while facing the camera and clapping their hands. The third girl extends her right hand to the right of the picture, placing the cup on the table in the lower right corner, then smiles at the camera, touches her hair with her right hand, and then looks to the left of the picture, lowers her right hand, and raises both hands to her chest. The girl on the far right smiles and looks up at the camera, speaks for a short while, then turns her right hand to overturn the cup on the table below, looks to the left, and withdraws her right hand. The scene is indoors, with a background filled with kitchen furniture and stools, and a brown table at the bottom of the frame, on which many inverted red cups are placed.


The video is shot from a first-person perspective looking upwards, with a person in white vertical stripes on the right side of the frame embracing and patting the back of a person in blue and white clothes. Afterwards, the person in striped clothes leaves from the right side of the frame, while the person in blue and white clothes turns to the center of the frame, where someone in white striped clothes is looking at them continuously. In the background of the scene are the stands of a sports stadium.


The camera is facing the shooter, who is holding the camera with his left hand, pointing it at himself. The shooter is a man wearing a dark blue shirt, with a tree on the far left in the background. Initially, the man speaks to the camera while shaking his head slightly, then raises his right hand, which is holding a rope, and extends it towards the tree on the left side of the frame. The background is a forest.


On the left side of the screen, a man sitting in the driver's seat with his back to the camera turns his head to the right side of the screen and grabs the steering wheel with both hands, turning it counterclockwise. Then he slightly turns his head towards the opposite direction of the camera and raises his right hand, making a gun gesture towards the camera's opposite direction. He then turns his head to the right side of the screen and looks to the right while speaking, simultaneously lifting his left arm and moving it towards the right side of the screen. After that, he slightly turns his head back towards the camera's opposite direction and lowers his right arm. He then turns his head back to the right side of the screen and looks to the right while speaking. He again slightly turns his head towards the camera's opposite direction and then back, while raising his right hand to grasp the steering wheel and turning it clockwise. He then turns his head towards the camera's opposite direction and turns the steering wheel counterclockwise. He lowers his right hand and bows his head. A hand extends from the right side of the screen and then leaves the frame. The man then lifts his head and turns to the right side of the screen, nods, and speaks, while raising his right hand to grasp the steering wheel and turning it clockwise. He then turns his head towards the opposite direction of the camera, releases his right hand from the steering wheel, and presses it towards the center of the steering wheel, while turning his head to the right side of the screen and looking to the right.


In the scene is an elderly man wearing a blue shirt, talking. He is sitting on the left side of the frame. He slightly bows his head, looking ahead while speaking. His hands are making gestures in front of his body, visible at the bottom of the frame. During the conversation, he places both hands in front of him with palms stacked, one in front of the other, with the left hand closer to him and the right hand farther away. Then, he moves his right hand away from the back of his left hand, stretching it outward. Finally, he places it back, continuing to lay his right palm over the back of his left hand. He is continuously talking in the video, and his gaze occasionally shifts to the left or right side of the screen.


On the left side of the screen, the woman on the far left is wearing a brown top with polka dots, and the other is a man in a denim jacket. Both are sitting on a blue cloth, facing the camera with their bodies, supporting themselves with their left hands on the ground, and holding a transparent wine glass in their right hands towards the right side of the screen. On the right side of the screen, a person in gray is partially visible, holding a wine glass in their left hand reaching towards the left side of the screen, and their right hand is on the leg of a man in a horizontal-striped black and white top on the right side of the screen. The man on the right is holding a bottle filled with yellow liquid in his right hand and pouring it into the glass held by the person on the right side of the screen. Then, the glass on the right side of the screen moves back to the right. The man on the right extends the bottle towards the left side of the screen, and the two on the left side extend their glasses to the right side of the screen, then the man on the right pours liquid into the glass of the man on the left. Subsequently, the man on the right raises the bottle. The glass on the right extends towards the left side of the screen as a gesture and then retracts, and the woman on the left also smiles and extends her glass to the right side of the screen. The camera moves to the left, the wind blowing the hair of all three, with the background being waves and a beach.


In the scene, five women in red clothing are walking to the right side of the screen. Suddenly, a fluorescent green garment appears from the left side of the screen, blocking the lens and moving to the right. When it moves out of the frame, the content of the scene changes. At this point, a man in brown clothing is being supported by a police officer in a fluorescent green jacket on the left side of the screen with his right hand; the officer is facing away from the camera. To the right of the screen, another police officer is standing facing left, with his right finger pointing to the left side of the screen before retracting his hand. The upper body of someone in dark yellow clothing appears on the right side of the screen, facing left and walking towards the left side of the screen. As they walk to the left, the right side of the screen also gradually changes. Many people are walking back and forth in the foreground, with a dark street as the background. Finally, a person in a red vest walks from the left side of the screen, facing right and blocking the lens. After they leave the frame, the scene changes again. Three faceless police officers are carrying a woman in blue clothing towards the right side of the screen, with some holding her arms and others gripping her legs.


On the right side of the screen, a person wearing a white top is laughing heartily at the camera, with their body slightly swaying towards the left of the screen. Their right hand is holding the green strap slung over their right shoulder. In the bottom left corner of the screen, a woman with brown hair is partially visible, looking towards the right side of the screen and laughing. The camera is moving towards the right side of the screen. On the left side of the screen, there are many photos and notes stuck on the red board.


In the scene, there are two people. On the left side of the picture is a man, with his legs stretched out towards the right side of the picture, sitting on the ground. On the right side at the back is a woman, with her legs straight, extending towards the left side of the picture, facing left, and placing both hands on the ground beside her knees. Initially, the man is facing away from us, twisting his body to the left of his facing direction, then he twists back to face directly towards the right side of the picture. He glances at the woman on the right side of the picture while supporting himself with his right hand on his right side. The woman on the right side of the picture starts to lean forward, her palms continuously moving forward, placing them by her feet. At this point, her upper body completely lowers down, her head pressing against her legs. The man also starts to make the same movements, stretching his arms forward to reach his feet, and his upper body begins to lean forward.


The person in blue clothing stands in front of the table, picks up the patterned paper with their left hand at the lower right corner of the picture, and with their right hand, pinches the middle of the edge of the patterned paper facing the camera. They move towards the left side of the frame, gently putting it down, and then use both hands to gently smooth out the patterned paper towards both sides of the picture. After that, the person in blue raises both hands towards the right side of the frame, repeatedly pressing gently on various parts of the patterned paper with the palm of their hand.


In the blue scene, there is a person in a diving suit with an oxygen tube on his back underwater. The camera zooms in, and he is holding a tool in his right hand. Then, he flails his limbs and turns around, facing away from the camera, and swims forward.


In the lower left corner of the screen, a hand reaches into the frame with the fingertips pointing towards the car at the center of the screen, palm facing upwards. At the same time, a man in a red hat on the left side of the screen is crouching on the ground, holding a tool in his right hand and rotating it with his left hand at the front end. Then, the hand in the lower left corner of the screen withdraws from the frame, simultaneously, a man in a white shirt on the right side of the screen is crouching facing away from the camera, his left hand releases from the car tire, and he leans forward with both hands on his thighs. A man in a dark shirt on the right side of the screen moves towards the right and exits the frame.


In the scene, there is a tractor plowing the soil. The tractor is moving from the right side of the frame to the left, and the land it has passed over shows a darker color. The camera is shooting from a higher angle, angling downward, and follows the movement of the tractor by panning to the left.


In the center of the screen, a man in dark long sleeves is crouching, speaking directly into the camera with his hands raised holding a rope. He blinks occasionally, his gaze wandering around, and his hands shake as he then joins them together, holding the rope. The scene is set outdoors, with light and shadows flickering across the frame. The branches and leaves in the background are being blown by the wind, and there is a lot of weeds in the picture. To the right of the frame, there is the trunk of a large tree, and part of the suspended rope is also visible on the right side of the screen.


At the bottom of the screen is a workbench, and in the center of the screen is a white girl with blonde hair dressed in jeans. She is facing the camera, looking down at the clothes in her hands. She pinches each corner of a pink garment with both hands, stretching it apart a couple of times, then flips the pink garment over and places it on the workbench.


In the center of the screen is a man dressed in male clothing, kneeling on the ground. To the left, there is a bicycle lying on the ground. The camera shakes as it moves closer to the man, who is rolling on the ground in pain, his right arm wrapped around himself.


In the scene is an animated character with a trapezoidal green face, looking upwards at the top of the screen, then leaning back and forth, saying something with his mouth, continuously rocking back and forth, and with the movements of both hands, he seems quite helpless.


Close-up shot, in the frame stands a woman facing left with her side to the camera, smiling at the lens. The woman is draped in the American flag, her hands together, each holding a sparkler at her chest. The camera slowly pulls back, the woman bows her head slightly, dropping her smile, and then separates her hands. She then turns her body towards the camera, holding the sparklers at her chest, and rocks her body from side to side.


In the left foreground of the screen are some green plants, and a man in a brown suit with glasses appears from the background behind these green plants and walks towards the right side of the lens. He swings his arms back and forth as he walks from the left side of the screen to the right. He first turns his head to look to the right of the screen, then turns to look in the direction of the camera, then bows his head, and finally looks towards the camera again. The background of the screen features a terracotta tiled house, lush grass, and trees, with some small flowers among the grass.


A man in formal attire appears in a black and white scene, walking to the right side of the frame as the camera slowly follows him. He stretches out his right hand, making gestures in front of him and speaking to the person in view. He approaches another man dressed in light-colored clothes, bends slightly forward, then straightens up and continues to gesture and speak. The man in light-colored clothes engages in conversation with him. The formally dressed man nods once, then takes an apple from a shelf next to him, and the man in light clothes follows the movement of his hand with his gaze. The camera cuts to a two-shot of the men conversing, showing alternating close-ups. The formally dressed man quickly shifts his gaze between the camera and the man in light clothes while speaking, with a woman sitting behind him watching him. The man in light-colored clothes first looks at the apple, then at the man in front of him, and finally back at the apple.


On the right side of the screen, there is a man wearing a black T-shirt and glasses. He is standing sideways to the camera, extending his right hand to point somewhere. He is talking to the man on the right side of the screen, who is also wearing a black T-shirt and black-framed glasses, and the man in the center of the screen who is bowing his head to the right. After the conversation ends, the man on the right side of the screen slightly turns his head to the left, withdraws his extended hand, and then turns his head to look towards the lower left side of the screen. The background of the screen consists of stacked boxes.


The video was captured by a camera fixed at the front of the car, recording the road scene while the car is driving. On the left side of the screen is a one-way lane facing the camera. A white truck quickly approaches the camera from the lane and then exits the frame from the left side. Following it, two black cars also exit from the left side of the frame. On the right side of the lane, two cars with their backs to the camera are driving in the opposite direction. Both sides of the road are earthen slopes covered with green and yellow vegetation, and there are silver metal railings in the middle of the two roads heading in opposite directions. The car continues to drive at a constant speed forward. A car approaches from the left side of the lane and quickly exits from the left side of the frame, as the earthen slopes on both sides of the road gradually disappear, revealing the distant scenery. Then, on the left side of the screen, a white car approaches the camera and exits from the left side of the frame.


The camera slowly zooms out, shooting from the indoor blinds towards the window. The video is filmed in the first person, with the shooter moving to the left, rotating the lens counterclockwise to the left, and walking towards the kitchen ahead. The shooter glances down at the floor, then slowly looks up at the cabinets above. Finally, the shooter continues to move inside the kitchen, walking up to a computer in the kitchen.


In the center of the screen lies a boy. On the left side of the screen, next to the hospital bed, a doctor in a blue gown with white gloves is taking his hand off the boy and standing aside. The camera angle looks down from over the boy's right shoulder towards his body. At the back of the scene, at the door, three more people can be seen. On the far left is a man in a green shirt with a stethoscope hanging around his neck. In the middle is a chubby woman in a black shirt and blue jacket. On the far right is a woman with her hair tied up, wearing a blue shirt and also with a stethoscope around her neck. At this moment, the person in blue next to the boy moves backwards, revealing another woman in a blue shirt. Her head turns to the right side of the screen. The man in the green shirt also turns to the right side of the screen, and both of them are looking at the chubby woman. The chubby woman is staring directly at the boy lying on the bed. The woman with her hair tied up on the far right is also looking at the chubby woman on the left side of the screen. The chubby woman then shifts her body and takes a step forward.


In the center of the screen is an orange package. At the top of the screen, a hand with blue nail polish is lifting the packaging of the package towards the top of the screen. In the center of the screen, a neatly folded white piece of clothing appears. Then, the hand from the top of the screen pulls the clothing upwards, while another hand emerges from the top right corner, grasping the clothing towards the top of the screen. Finally, both hands hold the clothing and place it downwards on the screen.


In the center of the screen, a woman with her hair in a bun is standing next to a table, dressed in a black suit. She is turned slightly away from the camera, facing the right side of the screen. Her left hand is holding a bag, while her right hand is taking out a stack of documents from the bag. She is looking down at the papers in her hand with a focused expression. In the background, a woman in a green top appears from the right side of the screen, passes behind the woman in black, and exits from the left side of the screen. The woman in the black suit then turns her head to the right and glances at the boy in the bottom left corner of the screen, before leaning forward and sitting down slowly. On the right side of the screen, two men are organizing documents on the table. One man is wearing a green coat, and the other is dressed in a gray suit, both focused on the papers in their hands. The entire scene depicts a meeting or work environment where everyone is engaged in their respective tasks.


In the scene, a purple plant is swaying in the center. The background is blurred green leaves. The view moves towards the upper left, revealing the same but smaller purple plants, then shifts to the right, showing even smaller identical plants, and finally moves down to the left, returning to the first plant. Then the camera pulls back and moves upwards, blurring the entire scene.


The scene is shot from a first-person perspective. To the right of the screen, a man in a green shirt is facing to the left of the screen with his arms outstretched. His left hand is using the index and middle fingers to grip, while his right hand is extended with the thumb holding onto the car body. After gripping the car body with both hands, he moves his hands below the screen out of the frame, pushes gently twice, and then moves his hands out of the frame from the right side.


In the center of the screen, a man stands sideways to the camera, looking towards the upper left corner of the frame. He slowly turns counterclockwise, twisting his head to face the camera, and finally looks towards the upper right corner of the screen.


In the scene, two people are standing by the lakeside facing the camera. The male on the left is wearing a black cap and a gray top, looking at the camera and talking. The female on the right has her hair in braids and is wearing a white top, looking down towards the bottom of the frame. Then, the woman in the white top looks up and towards the man in the gray top. The man in the gray top turns his head to the right side of the frame, glances towards the bottom right, and quickly turns back. Following this, the man in the gray top turns his head towards the right side of the frame again, looking at the woman in the white top. At the same time, the woman in the white top turns her head back and looks towards the bottom right corner. She then rotates her body counterclockwise, eventually facing the left side of the frame. The man in the gray top turns back towards the camera, revealing a smile.