On the left side of the screen, a person in red clothes is holding a dog on a leash, with another person walking alongside them towards the left side of the screen. Another man in white clothes follows behind them, also walking towards the left side of the screen. The camera slowly moves to the left, and a man on a bicycle appears from the right rear and rides towards the left side of the screen. Then, another person in red appears from the right side of the screen and runs towards the left. At the same time, two people walking side by side are seen heading towards the right side of the screen from the left. Then, two more people appear on the left side of the screen, running side by side towards the right. Meanwhile, in the distance on the left side of the screen, a group of people have also appeared, some running, and others strolling.


The video is shot from a first-person perspective. At the beginning, the subject of the video can be seen using their left hand to throw a ball into the water of the swimming pool in front of them. Then, in the bottom right corner of the screen, a yellow dog runs up the steps in front of it from the right side of the frame, and the camera follows the movement. The yellow dog then jumps into the swimming pool on the right. Subsequently, a black dog appears from the bottom left corner of the screen and jumps into the swimming pool. The background of the scene features a basketball hoop on the left at the back, a large swimming pool in front, and fences surrounding the area.


The camera shot is parallel to the two main characters in the video. In the center of the screen is a girl wearing a black top with long, curly red hair. She is explaining to the camera while gesticulating with both hands. To the left of the screen is a girl in a white short-sleeved shirt, with her left hand on her hip and her gaze directed downward, moving back and forth. The background is a kitchen, and in the left rear, you can see kitchenware hanging on the wall.


At the center of the screen is a man wearing black clothes with a bicycle pattern, facing the camera with his head bowed and mouth open. In his left hand, he holds a bowl of food, while his right hand holds chopsticks, inserting food into his mouth. The camera slightly zooms in. Then the man starts to chew, shaking his head, and his right hand reaches down to the bowl below the screen to pick up more food as the camera moves downward. The scene is set indoors, with many bowl-like items placed on the countertop in the lower left corner of the screen, and the background is a brown panel.


The camera is focused on the interior of the car, panning upwards to reveal the car's center console. On the left side of the screen, a finger, specifically the index finger, can be seen pointing at a button on the far left edge of the console. Then, this hand moves out of the frame from the bottom left corner. The camera slightly trembles and shifts downward, where the index finger of this hand re-enters the frame from the bottom, pointing to a small component in the bottom left corner of the console. Afterwards, the hand moves out of the frame from the bottom left corner again.


In the scene, nine people are sitting in a movie theater facing the camera and looking up to the upper left corner of the screen. In the foreground on the left, a woman in a beige top slightly lifts her upper body and then leans back on the sofa behind her. At the same time, the woman in the foreground, center-right, wearing blue pants raises her right hand and then lowers it. The woman in the beige top slowly raises her left hand and turns her head to the right to look at the woman in blue pants. The woman in blue pants also turns her head to the left to look at the woman in the beige top. Then, the woman in the beige top glances briefly to the upper left of the screen and turns back to look at the woman in blue pants, before turning her head back to the upper left of the screen. Meanwhile, her left hand reaches to the left and dips into a bucket of popcorn on her thigh. In the foreground on the right, a man in a yellow top slowly takes a piece of popcorn from the bucket he is holding with his left hand and brings it to his mouth, which is open. In the upper right background, a woman in a white top raises both hands to cover her mouth and then lowers them. She then turns her head to the right to look at the man in a pink top next to her before turning her head back to the camera. The man in the pink top, in the upper right, turns his head to the left to look at the woman in the white top.


The initial shot is from the rear of a brown turtle, looking forward. The camera then moves to the left, focusing on the side of the turtle. The turtle stretches its head, with its front two legs waving up and down, propelling the turtle to move towards the left side of the screen. In the background, a person can be seen swimming, with their legs swinging from the left side of the screen towards the right. The turtle's body inclines slightly downward, then raises its head to swim upwards, and inclines downward again. The camera follows the turtle's movements, panning up or down accordingly as the turtle repeatedly swims downward and upward. On the last downward swim, it seems to show no sign of ascending, swimming straight towards the rocks at the bottom of the water. The screen gently pans upwards, focusing on the turtle's back.


In the foreground of the initial screen, you can see a person in a white short-sleeved shirt on the left. His hands are raised beside his head, seemingly putting on a mask over his face. Behind him, there are many people following, towards the right rear of the screen. Clearly visible is a man in a red and white checkered shirt; his gaze is fixed on the screen. He is running to the left, following the person on the left in front. Behind them, many others are following, initially holding masks in their hands, and as they run, they put the masks on their faces, slightly bending forward as they run. As the camera pans to the left, we see these people running down a passage, towards the left side of the screen.


In the right side of the screen, a car is parked, with the driver's side door open towards the left side of the screen. In the upper left corner of the screen, a person is standing with their back partially visible to the camera. The camera moves forward to zoom in, focusing on the door handle of the open door, and then moves backward to zoom out, revealing a hand and partially visible legs on the left side of the screen. There is a red and black cabinet in the upper left, a beige floor in the lower left, and gray text in the lower right corner.


The scene is shot from the back seat of a car. A woman enters the passenger seat from the left side of the frame with her back to the camera. She then leans back, adjusting her posture, while the camera slightly moves to the left. The camera continues to move left as the car door opens, and a man sits in the driver's seat from the right side of the frame, also with his back to the camera. He grips the upper part of the steering wheel with his left hand and turns his head to look towards the left side of the frame.


This is a fast-paced shot, with the camera looking down on a person spreading white paint on a canvas. On the left side of the frame, there are open paint cans on the table, and on the right side, there are lids from the paint cans. The left hand in the frame is pressing down on the bottom left corner of the canvas, while the right hand holds a brush and first applies white paint at the top of the canvas. Then it colors along the right edge of the canvas that is closest to the frame. Subsequently, the right hand holding the brush moves out of the frame on the left side, and the left hand also leaves the frame. Then, the right hand with the brush re-enters the lens from the bottom of the frame and leaves the frame on the right side. Next, the left hand holding a new brush enters the frame from the bottom, and the empty right hand enters the frame from the right, moving towards the bottom of the frame before taking the new brush. Afterward, the left hand grips a paint can on the left side of the frame, raises it towards the right side, and the right hand dips into the paint from the can to continue coloring the edge of the canvas on the right side of the frame. The left hand puts the can back on the table and then presses down again on the bottom left corner of the canvas. The right hand occasionally dips into the paint and starts to color above the canvas, then the left hand moves away from the canvas towards the left, as the right hand colors the edge of the canvas on the left side of the frame. Then, the left hand lifts the canvas and turns it towards the right side of the frame, while the right hand dips into the paint on the left side, seemingly coloring the bottom part of the canvas in the lower right corner of the frame. The left hand then turns the canvas back towards the left side of the frame, returning to its original position, with the left hand leaving the lens from below but still supporting the canvas. The right hand occasionally dips into the paint on the left side and starts to color the area on the left side of the canvas, then colors the top right corner of the canvas.


In the center of the screen, a man in a blue shirt is standing in front of a large tree, facing the camera directly. His hands are placed on both sides of his body, and as he speaks, he slightly trembles his left hand. In the end, both hands also shake slightly. His right hand begins to reach for the rope hanging around his neck, followed by his left hand. Both hands together take off the two rope loops hanging around his neck. Then, each hand holds one to show to the camera. Finally, his right hand holds both, while his left hand holds a metal hook loop to display to the camera.


The camera is shooting a scene inside a small room. On the left side of the screen is a table filled with various items, and on the right side is a partitioned cabinet containing books, clothes, and a backpack. The camera is panning to the right, revealing more objects placed on the floor on the right side of the screen.


On the left side of the screen is a little black girl crouching by the railing. Her left hand is raised overhead, grasping the railing as she faces away from the camera. Her body is slightly tilted towards the left of the frame as she looks outward beyond the railing. On the right, an adult man reaches through the gap in the fence with his right hand, while his left hand supports the back of the little black girl. Leaning sideways with his body facing outward, he engages in conversation with the little girl. Suddenly, he turns his head to look at the girl, then immediately turns back to look outward. In the end, the little black girl suddenly stands up straight, her left and right hands both gripping the railing.


In the scene, a woman in a yellow top is holding a broom and sweeping the wall outside the door of the room in the center of the screen. Then, she closes the door, faces to the left of the screen, and steps on the floor with her foot. Finally, she picks up the broom to sweep the wall of the room on the left side of the screen. In the lower right corner of the screen, a white wooden cabinet can be seen.


The camera initially shook quickly to the right and focused on a black car, which was driving towards the upper left of the screen. The camera followed it slowly moving to the left, revealing many people standing next to the car on the left side of the frame.


On the left side of the screen, a woman in a purple top is standing, facing the camera, looking down at the bottom of the screen, then to the right side of the screen, and again to the bottom of the screen. She holds an instrument with both hands and plays it with her mouth, then inhales to breathe, her fingers continuously pressing and changing on the instrument, blinking occasionally. On the right side of the screen, a man in white clothes is partially visible; he is supporting his chin with his left hand, his right hand on the brown table, looking towards the left side of the screen. The camera zooms in with a shake, revealing an indoor scene with a white cupboard and a plate of food.


A black and white dog leaps towards the camera, catching a yellow-green toy thrown from the top right corner of the frame, then falls towards the camera, before turning to the left side of the screen, opening its mouth to let the toy dangle on the ground. It steps back to the right side of the frame while picking up the yellow-green toy from the ground with its mouth. It then jumps and turns to the right side of the screen, releasing the toy in mid-air and attempting to catch it again before it hits the ground. The dog lowers its head to the right side of the frame once more to pick up the toy from the ground, then raises its head and opens its mouth to release the toy. It then stretches its head towards the bottom right corner of the frame, clenching the toy and walking towards the bottom right corner. The camera follows the movement of the dog, turning to the right.


In the center of the screen, a man in black is standing facing the camera with his head down and his hands in front of his crotch. Then, he moves his left hand up to grasp the rope on his abdomen, while his right hand grabs the buckle. Next, he moves his left hand down, bends his upper body, and inserts the rope into the buckle. Straightening up, he pulls up on the buckle with his right hand, then lets go and places his hands at his sides. He raises his head to look at the camera, slightly lifting his hands and rotating counterclockwise with his back to the camera for a moment before continuing to turn towards the right side of the screen. In the background on the right side of the screen are two large trees, and in the lower left corner are green plants.


On the left side of the screen, a little boy wearing a black shirt is seen placing a yellow and white package box into a green cart in the center of the screen with his right hand. We can see that there are already some package boxes in the cart. The camera then moves towards the cart, and the photographer reaches out with his left hand to take the yellow and white package box, flip it to the front, and place it in the cart.


In the center of the screen, there is a black dog facing the left side of the screen, sticking out its tongue and wagging its tail. Then, it does a backflip and continues to face the left side of the screen, wagging its tail, and barking a few times. The background of the scene is a checkered floor alternating between red and white squares.


In the frame, you can see a person's hands holding a black wallet. The left hand is holding the wallet in the lower left corner of the screen, while the right hand is on the right side of the frame, moving along the edge of the wallet. The left hand is waving the black wallet back and forth, causing some reflection on the surface of the black wallet. The right hand continues to move up and down on the right side of the screen. At the end of the video, it seems that the left hand has picked up the black wallet, bringing it closer to the camera.


On the left side of the screen, a woman in green clothing is facing the camera. She looks towards the metal appliance on the right side of the frame. First, she takes off a silver metal part with her left hand, then, holding the body of the metal appliance with her left hand, she releases the golden fixture with her right hand and removes it with her left. She then places the strip in her right hand onto the metal appliance and secures it with the golden fixture.


A close-up shot with an overhead perspective captures a pair of hands engaged in crochet work; in the frame, a green strand of yarn is draped over the left index finger, while the thumb and middle finger hold an interwoven white and green crochet item. The right hand grips the crochet hook, manipulating the yarn wrapped around the hook's tip that's resting on the left index finger, then pulling the yarn through the crochet item. Subsequently, the right hand controls the hook, and the left hand turns over to guide the hook's tip through the item once more, followed by another turn of the left hand to wrap the yarn around the hook's tip. The background features a purple table surface.


The screen shows a first-person top-down perspective close-up. At the center of the screen is a painting. To the left of the screen is a bottle of paint. At the lower left side of the screen, the left hand is holding a template sheet, while the right hand is applying paint with a brush on it. Then, the right hand appears from the lower right side of the screen holding the template sheet and brush, and the left hand appears from the lower left side of the screen. Both hands then hold the template sheet, and the left hand disappears from the left side of the screen with the template sheet. The right hand moves to the left side of the screen to dip into the paint. The left hand brings the template sheet from the left side to the upper middle of the screen, while the right hand colors through the template sheet onto the painting. The left hand picks up the template sheet and moves it to the center of the screen, continuing the right hand's coloring through the template sheet. The left hand then disappears with the template sheet from the left side of the screen, and the right hand vanishes from the lower middle side. Both hands reappear simultaneously from the lower right side, moving to the right side of the screen, with the right hand coloring through the template sheet onto the painting. The left hand holds the template sheet, which is moved to the lower right side to repeat the coloring process. The left hand brings the template sheet from the lower right side to the upper middle of the screen again, as the right hand colors through the template sheet onto the painting.


A man in a gray-blue suit is sitting on the right side of the frame speaking, looking straight to the left. While talking, he raises his right hand, thumbs up, and moves his index and middle fingers back and forth. Then he turns his palm forward with the index and middle fingers pointing up, pauses, flips his palm down with fingers extended, and turns to the person opposite. After turning, he lowers his hand and rotates it inward to spread open. After repeating this once, he lowers his hand. On the left side of the frame, the right shoulder of another person is visible. The two are sitting and conversing. The background features a white wall and beige textured wallpaper.


In the center of the screen, there is a little girl sitting in a clinic, looking down at herself with her head bowed, holding a bottle in her right hand, and touching her clothes with her left hand. Then she points the top of the bottle towards her stomach with her right hand. Standing on the left side of the screen, a woman is facing the right side of the picture, supporting the little girl's back with her left hand, and holding a stethoscope in her right hand, which is placed on the little girl's chest. The camera slowly pans to the left.


The video depicts a scene from an animation. On the left side of the screen is a small bird with a light blue head and a deep blue body. On the right side, there is a brown tree trunk. On the left side of the trunk, a piece of paper is stuck with a tree drawn on it in black ink. At the beginning, the bird is standing in a normal posture, then it leans its head forward to examine the drawing carefully, and then withdraws its head back. In the background, there is a building.


A man stands on the left side of the frame, facing left, lifting his left hand to wipe at eye level, then lowering his left hand, turning to face the right side of the frame, and moving towards the right side of the frame, while at the same time, a man in stripes appears in the distance on the left side of the frame.


In the scene, one can see a person's hands working on the edge of a black fabric with a purple ribbon and a brown furry ribbon. The right hand holds a pair of scissors, while the left hand slightly straightens out the purple ribbon. The left hand releases the purple ribbon and then reaches for the brown furry ribbon again. With the scissors in the right hand, the person pokes the brown furry ribbon twice with the tip of the scissors before starting to cut it. As the brown furry ribbon is cut, the woman's left hand also lifts the purple ribbon on the left side of the frame, using her right hand to compare the positions of the purple and brown furry ribbons. Then, holding the end of the purple ribbon with her left hand, and the scissors in her right hand, she prepares to cut the purple ribbon.


The screen is divided into two frames. On the left, the content presented is the name of the location and its significance, with the background of flowing seawater. On the right, a man with white short hair, wearing a blue shirt, is seen sideways, holding a pen and explaining a picture. He first looks at the picture, then turns his gaze to the right side of the screen, accompanied by a raised eyebrow movement. Then, he looks down and to the right again. Finally, the screen freezes on an enlarged shot of the right side, where the man is sideways, looking at the picture.


In the foreground of the scene is a man facing to the right of the picture. He takes a piece of food from a plate and puts it into his mouth with his right hand, simultaneously lifting his head to eat the food. Then he bows his head and makes a thumbs-up gesture. To the right of the scene is a woman facing to the left, holding food in her hands, nodding and smiling. A circle of women surrounds these two, seemingly encouraging the man to try a dish. In the distance of the scene, there are also densely packed people.


On the right side of the screen, a person in a diving suit with an oxygen tank on their back is swimming underwater. Their body is horizontal, facing to the left, with their legs alternating between bending and straightening to kick backward with fins. At the same time, their right hand also makes a stroke in the water. The head is turned to face the camera directly, and there is white light in the upper left corner of the screen. Then the camera cuts to a view from behind the person, as they twist their head towards the camera while continuing to kick with their legs and using their left hand to paddle through the water. In the background, the seabed is made up of white sand and some coral.


On the left side of the screen, there is a woman in green clothing. Her body is turned towards the right side of the screen, and she is bowing her head. She bends down quickly to pick up the vacuum cleaner on the ground to her right, then straightens up and turns to the left, throwing the vacuum cleaner over her shoulder. After that, she opens the window in front of her, deals with something under the window slot with her hand, turns around to pick up the vacuum cleaner again, and starts to suck up the dust in the groove. In the end, she turns her head to the right.


The man in the center of the screen continuously looks to the right side of the frame, nodding slightly as he speaks. Then the camera focuses on the left side of his face, and he keeps talking while nodding slightly. The scene switches back to a view of him in the center, where he talks and makes hand gestures at the same time. Then the scene switches again to a view of the left side of his face.


In the center of the screen, there is a door, and outside the door stands a man wearing a black short-sleeved shirt. On the left side of the screen is a person dressed in pink, with their back to the camera, revealing only a bit on the right side. On the right side of the screen is a person in gray clothes, also with their back to the camera, their left hand hanging naturally, and only a part of the left side is visible. At this moment, the hand on the right side of the screen is inserted into the pocket, and the person in the center of the screen places their right hand to their mouth to make a shushing gesture while talking and making a hand gesture with their right hand. The left hand follows suit and is inserted into the pocket, then they walk forward, leaning their right hand on the door.


A man in a blue shirt is standing next to a tree, facing towards the right side of the frame. He is looking down at the bottom of the frame with his head bowed, holding a rope that hangs down from the top of the frame with his left hand. His right hand grips the end of the rope, passing through the loop in the left hand's rope, then tightens the rope towards the left side of the frame. The man in the blue shirt then turns towards the camera, displaying the tied rope loop to the camera with both hands. After that, he bows his head, holding the rope with his right hand, and moves his left hand along the rope towards the left side of the frame, then grabs the end of the rope. With his left hand, he passes the rope through the ring attached to the line on his leg, then pulls the end of the rope upwards with his right hand. Subsequently, the man turns his head towards the camera, looks into the camera and speaks, then looks down at the bottom of the frame again. With his right hand, he passes the rope upwards through the loop of the hanging rope held by his left hand. Then, he wraps the rope under the hanging rope with his right hand, and his left hand grips the end of the rope, pulling it upwards over the hanging rope. He then bends the rope downwards towards the bottom of the frame, while his right hand holds the ring on the long rope. In the background of the scene is a forest.


A close-up shot is elevated. From an over-the-shoulder perspective, on the left side of the screen, a woman with her back to the camera holds a pair of binoculars in both hands. The woman slowly raises the binoculars to her eyes, while at the same time, the camera moves slowly to the right and pans left, finally revealing a side profile shot of the woman.


On the right side of the screen, a man in a white shirt is picking up a green backpack that is placed on the table. There is a woman with golden twin ponytails at the very right of the screen, standing behind the man in the white shirt on the right side of the image. On the left side of the screen, there is a woman with loose hair and a backpack on her back, sideways to the camera, looking towards the right side of the screen. After the man on the right side of the screen picks up the green backpack, the woman on the left side with the loose hair and backpack turns her head towards the camera. The woman with the golden twin ponytails at the very right of the screen takes a step to the right, and two men in student uniforms walk into the frame on the left side. The background of the scene is a classroom.


The camera slightly shakes, on the left side of the screen stands a man in a white coat, facing the camera and laughing heartily towards the right of the screen. On the right side, a man in a blue shirt is bending over, facing right, with both hands resting on the table in the bottom right corner of the screen, looking to the left with a smile. The person on the left turns to the left, speaking with a laugh, then claps, and then lowers their hands, facing the camera and looking to the right. The person on the right turns towards the left, looks to the left and speaks, slapping the left arm of the man on the left with their left hand, as the camera slightly moves to the left. Then, the man on the left stretches out his right hand, index finger pointing to the right of the screen, while the man on the right raises his left hand, thumbs up, and glances to the right, with the camera slightly trembling. The scene is indoors, with a door on the left side of the screen, and many books placed in the background, with tables and chairs below the background.


The video is shot with a handheld camera. In the center-left of the frame, a woman wearing a black hat and a black patterned top is looking to the left side of the screen. To the right, a man in a gray top has his left hand raised in front of him and is also looking to the left side of the screen. The camera then quickly pans to the left, revealing the two people sitting behind a table facing the right side of the screen. Closer to the camera is a man with a topknot, wearing a white T-shirt, holding a white tissue in his left hand and wiping his mouth. Further from the camera is a woman with long hair, wearing a white tank top, with her left arm extended on the table, nodding her head as she speaks. The man with the topknot then smiles and extends his right hand, pointing with his index finger to his face, and the woman in the white tank top turns to look at him and smiles. The man with the topknot then lowers his left hand to the table, bows his head to look down, and then raises his right hand again, looking into the camera and starting to speak. He then lowers his left hand to the table again, bows his head down, and the woman in the white tank top gently rocks her upper body back and forth. In the background, three people are sitting at another table eating.


On the right side of the screen is a white woman facing the camera, and on the left side is a black woman also facing the camera. They are both looking at the bottom right corner of the screen and talking. The black woman also glances in the direction of the white woman. At the same time, there are two slightly swaying blurred figures in the bottom left and right corners of the screen.


At the center of the screen, two people are lying on a white bed. On the left side of the screen, a child in a gray-brown shirt is covered with a blanket, with their left hand on the blanket, lying in the arms of the man on the right side of the picture, who is wearing a white shirt. The man's head is tilted to the left side of the screen. The child starts to move and then opens their eyes to look at the man on the right side of the screen. Then they slightly lift their head, smiling and rubbing their eyes with both hands. After rubbing their eyes, the left hand is lowered, and the right hand stretches upwards towards the top of the screen, then comes down to pat the man's stomach on the right side of the picture, and then the child starts to talk, covering their face with both hands. The man on the right raises his eyebrows and opens his eyes, first placing his left hand on his stomach, then rubbing his eyes, and stretching towards the lower right of the screen. He then extends his left hand to the left side of the screen and rubs his face, starting to talk. His right hand first raises and then lowers, then clenches into a fist and extends, and then he starts to make gestures. There are two pots of plants on the right side of the screen.


In the center of the screen, slightly to the left, a woman with a black backpack is turning to the left side of the screen. Her left hand is placed on the back of a chair in the lower left corner of the frame, and she is looking to the left side of the screen while speaking. To the left of the screen, a person in dark pants is facing the right side of the screen, raising their right hand, and extending their index finger to point to the right side of the screen. Then the two move closer together; the person on the left lowers their right hand, and the person with the backpack crosses their arms over their waist. The two are arguing. To the right of the screen, there are two authors holding a book in both hands and looking to the left side of the screen. The scene is set indoors, with an open door on the left side of the screen. In the background, there are many bookshelves filled with books. At the bottom of the screen, there are several black chairs, a potted plant in the lower left corner, and a table in the lower right corner.


On the left, a police officer walks towards the camera with his hands naturally hanging down on both sides of his body, swinging back and forth. A man in a blue coat follows behind, with his hands on his abdomen, while two police officers are on either side behind him. Immediately, the man in the blue coat stops, and the police officer on the left stops on the steps, turns around, and looks back at him from the right. The police officer on the right raises his left hand to his chest.


The main subject of the scene is a woman, positioned towards the left side of the canvas, facing down to the right. She holds a brush in her right hand and is in the act of painting. After making a few strokes, she brings the brush down to her chin as if in contemplation, then nods her head, and proceeds to dip her right hand back into the paint to continue her artwork.


In the center of the screen is a painting with an overall orange color tone, adorned with some feathers. At the lower part of the canvas is a small semi-circle, with a hand holding a black pen in the process of drawing this semi-circle. First, it outlines the outer edge of the semi-circle, then continues to draw stripes around the outer edge, and inside, petal-shaped semi-circles are drawn. Within the semi-circle, the center is depicted with lines radiating outward.


In the center of the screen, down an office corridor, two women are walking towards the camera. To the left of the center is a woman dressed in a khaki suit, carrying a laptop with both hands, walking with her head down. Then she looks up to the right of the screen and then to the upper right. To the right of the center, a woman in a black suit is holding documents in her left hand and making a gesture with her right hand to the woman in the khaki suit, looking at her and saying something. The woman in the khaki suit then makes eye contact with the woman in black, who extends her right thumb and index finger, pointing with her index finger to the documents in her left hand, and then continues to say something, subsequently placing her right hand next to the documents in front of her. The woman in the khaki suit turns her head to look upwards to the right of the screen and speaks, then turns her head back to the woman in black. The woman in black turns her head slightly towards the camera's direction and then turns back to look at the woman in the khaki suit. The woman in the khaki suit looks at the woman in black, and then turns her head back towards the camera, looking down.


On the left side of the screen, a man in green is standing facing the right side of the screen, looking to the right. He is holding something in his right hand against his chest. He looks down, moves his right hand up to his nose, then moves it to the right and then down again. On the right side of the screen, a woman in a plaid shirt is standing facing the camera, also holding a spoon in her left hand at chest level. She looks to the right, chews a few times, and then closes her eyes. In the upper right corner, the lower parts of two blackboards can be seen.


In the initial scene, two people are shown. On the left side of the screen is a woman wearing orange clothes, and on the right side is a man in a white shirt. They are engaged in a fight, with their hands entangled together. The woman forcefully throws the man's hands down towards the ground. Then, the woman turns to the left and kicks the person at the bottom left of the screen before running towards the background, with the camera panning to the left along with her. This woman skillfully jumps over the sofa and finally stands on the table in front of the sofa. Three men enter from various directions of the screen, stopping around the woman and surrounding her. At this point, the woman is standing in the center of the screen on the table, with her back to the camera, looking a bit unsteady. The people around her assume fighting postures, facing the woman, who is raising her hands as if to maintain her balance.


In the scene, two people can be seen, both on the right side of the frame. To the left of the frame is a man wearing a brown coat, whose right hand is around the woman's body on his right. To the right of the man is a woman wearing a black and white plaid shirt. At this moment, they are both facing away from the camera, looking at something in the background. The woman slightly tilts her head to the right of the frame, while the man turns his head to look towards the left of the background. The man's legs are moving gently, as if he is adjusting his posture, and the woman's right leg is also trembling continuously.


At the center of the screen is a black leather bag. In the lower left corner, the left hand is gripping the black leather bag. On the right side of the screen is the right hand. The left hand places the bag down on the table, while the right hand on the right side picks up the bag.


The screen gradually darkens, showing a curly-haired woman with her left hand on a bicycle, wearing a backpack and a helmet, walking away from the camera with her back to it. There is a purple paper with yellow writing stuck on her backpack. Many other people are walking or standing around her. To the left of the frame, a man in a red sweatshirt also has his left hand on a bicycle, walking away from the camera in the opposite direction. He nods and then slightly turns his head to the right as if speaking to the man in black clothing next to him, who is also walking away from the camera in the opposite direction. The man in black then turns his head counterclockwise and points to the direction behind his left with his left hand. The man in red also turns his head to look in the direction pointed out. A man in a blue sweatshirt appears from the right side of the frame, which was blocked by the woman with the helmet, and walks towards the camera. In the background are the walls of a beige building and a building with lights on.


On the left side of the screen, a child stretches out both hands to wash them at the running faucet on the right side of the screen. Behind the child, an adult also stretches out both hands over the child's shoulders, reaching towards the faucet on the right side of the screen to wash their hands. He grabs the child's hands to help wash them, then raises his right hand to guide the water from the faucet, and finally continues to hold the child's hand. The camera centers on their hand-washing actions, rotating counterclockwise to the left, and finally moving to the child's back.


The center of the screen shows the upper body of a woman in white clothes wearing earrings, facing the right side of the canvas. The woman's hands stretch from the lower right side of the screen to the upper left, holding a white mask. Then her hands place the mask over the woman's face and secure the straps behind her ears. Subsequently, the woman's hands lower to the bottom right corner of the screen, stepping out of the frame, as her head bows down towards the bottom right corner of the canvas. In the background of the scene, on the right is the driver's seat of a car, and on the right side of the background is the car's sun visor and a part of the steering wheel.


In the scene, there is a person playing golf. In the center of the image, slightly lower, a man in a black short-sleeved shirt is standing sideways, facing the camera. He is wearing a hat and sunglasses, and his left hand is wearing a white glove. Both hands are holding a golf club, and he has assumed a pose with the club resting on his left shoulder after a swing. Next, he raises his head to look upward, and his hands move downward to lower the golf club. Finally, he bows his head to look down.


In the scene, one can see a person's hands working on a keyboard. The left hand supports the left edge of the keyboard, while the right hand holds a white cloth, wiping the keys that have been removed from the keyboard. The left hand occasionally shifts its position to stabilize the keyboard, while the right hand continues to wipe the keys, occasionally lifting the white cloth with the left hand to adjust it, then continuing to wipe the keyboard. The initial video is accelerated. After the man has reassembled the keyboard, the video returns to normal speed. The man takes a tool resembling a screwdriver from the white cloth. He holds the cloth with his left hand on his lap, and with his right hand, he moves the tool above the keyboard from left to right. Then he brings the tool to his chest, and finally extends it over the keyboard again.


In the scene is a pair of hands; the left hand's index finger is supporting a green strand of yarn, while the thumb and middle finger are pinching the main body of the green woolen fabric at the center of the image. The right hand's index and middle fingers are holding a crochet hook, currently hooking the yarn on the left hand, then threading it towards the left side of the frame, passing through the middle of the woolen fabric, and knitting the yarn.


A close-up shot is elevated. In the center of the frame, a woman is facing left towards the direction of the camera. The woman is holding her right arm with her hand, and then the camera slowly moves in towards her face, and as it does, the woman blinks and lowers her right hand.


The scene is shot from a first-person perspective, with five people wearing Santa hats celebrating. In the center of the screen, a man is holding a purple box with both hands, preparing to open it with his right hand. On the right side of the screen, a man in a red coat is waving his right hand and jumping up and down. In the center, a man in a green shirt is touching the hat of the man holding the purple box with his right hand. On the left side of the screen, a woman in a white dress is clapping and looking towards the right side of the screen. A man in a black coat on the left side is smiling and looking towards the right side of the screen, raising his right hand.


Holding the lens to capture the scene. The person with the lens is sitting in a church pew, filming the interior of the church. The lens slowly pans to the right. In the aisle between the two rows of chairs on the right side of the screen, two people are walking slowly side by side away from the camera. There are a few people sitting on the bench in front of the lens. On the left side of the screen, the TV screen on the pillar occasionally changes. At the end of the aisle, in the distance of the scene, there are occasionally some people walking towards the left or right side of the screen.


On the left side of the screen is a woman facing right, with her arms hanging in front of her body, and her face is obscured by a smiling emoji. On the right side of the screen is a man facing left; he raises his right hand and then places it back down by his side. The woman bends forward, leaning towards the right side of the screen, and the emoji on her face changes to a crying-with-laughter expression. The man raises both hands towards the left side of the screen.


A man in white clothes is seen punching towards the abdomen of a man in black clothes, who bends over with his arms stretched forward. The man in white then jumps back, and the man in black retrieves his hands and falls forward, collapsing at the feet of the man in white, who assumes a fighting stance.


In the lower left corner of the screen, a butterfly lands on a flower. It flaps its wings and then flies towards the upper right corner of the screen, leaving the frame from the upper right corner. Then, it flutters its wings and flies back into the frame from the upper right corner, heading towards the lower left corner of the screen.


In a room built of red bricks, in the center of the picture, a man in a striped shirt is sitting at a desk facing left, with his left hand on a notebook and his right hand writing. He turns his head to look at the black man sitting on the sofa on the right side of the foreground, who is also facing left, and the black man turns his head to look back at him. Then both of them turn their heads back to the left side of the picture, the man in the striped shirt bows his head to continue writing, and the black man looks down at something he is holding. The man in the striped shirt then turns his head again to look at the black man and speaks, the black man looks up at him, placing his right hand on his raised left leg. The man in the striped shirt turns his head to look at the desk, then turns back to the black man and makes a face by winking his left eye and twisting his mouth before turning to write again. The black man nods once and starts swinging his left leg.


The camera moves upwards across the frame, gradually revealing a yellow object resembling a windmill among the green branches, mounted on a stand. The yellow propeller is continuously rotating clockwise, then the camera becomes stationary. The background is a blue sky.


The screen shows an outdoor scene, with many people dressed in Middle Eastern attire walking from left to right at the bottom of the screen. The camera slowly pans upwards to the right. The sky in the background features a wave-like phenomenon, with the top covered in white spots.


The shot is in slow motion, with many seagulls flying over the sea. Most of them have their wings spread, flying from the left side of the frame to the right. In the foreground, two seagulls fly out of the frame to the right. The camera then moves upwards slightly and tilts down. Some seagulls take off from the rocks into the air, while others appear from the top of the frame and fly towards the back. Some are also skimming the sea surface. One seagull takes off from the rocks at the bottom right of the frame and flies to the left. The left side of the frame is a shore made of large rocks that extend from the bottom left to the bottom right of the frame. The middle center and the middle right of the frame are filled with churning seas, while the top part of the frame is a sky dotted with clouds.


The close-up shot centers on a white man and an Asian woman, both sitting facing the camera, looking at the book in the man's hand. The camera slowly moves down, showing the woman smiling and placing her right hand on the man's back for a quick caress. She then opens her mouth slightly, and the man starts to speak, raising his right eyebrow. The woman tilts her head slightly to the right of the screen, then places her right hand on the man's left shoulder, closing her lips. Finally, the woman opens her lips to reveal her teeth, preparing to look at the man, as he says something. Behind the couple, on the left side of the screen, there is a fountain.


On the left side of the screen, there is a woman, and on the right side, there is a black man. Between them, there is a volleyball net. They are walking from the right background of the screen to the left foreground. The man continuously hits a colorful ball with his left hand onto the net and then catches it with both hands as it bounces back. He keeps repeating this action. When the man hits the ball onto the net for the first time, the woman on the left side of the screen raises both hands in front of her chest, making a defensive gesture while smiling all the while. Then, the woman's right hand drops, and her left hand taps her chest. The woman's right hand swings naturally, while her left hand is bent at the waist. Throughout, the man repeats the action of throwing the ball four times.


The camera quickly moves down, and a golf ball bounces towards the camera from the center background of the frame. Then, the camera pulls back, and the ball rolls towards the left side of the screen. At the same time, on the left side of the screen, a man in a white hat faces the camera's direction, walking forward with his hands behind his back. He then places his right hand on the right side of his body. The scene changes, and a man in a black hat faces the right side of the screen, holding a golf club with both hands in front of him. He bends his body towards the right side of the frame and then swings the club towards the camera. Turning his back to the camera, he drops the club from over his left shoulder to behind his body. In the distance, many spectators are standing.


The scene is animated, with a monkey in the center of the screen facing away from the camera. To the right of the screen, a man in a yellow suit is facing to the left of the frame, slightly bowing his head with a smile on his face, kneeling on one knee with both hands placed on his right leg. The monkey turns to the right side of the screen, then towards the camera, opening its mouth, raising its right hand, and placing its left hand below, then closing its mouth. The man in the yellow suit slightly lifts his head and places his left hand on his left thigh. The floor is yellow, and there is a pile of dirt in the lower left corner of the screen.


In the center of the screen, there is a woman in black clothing with dark skin, her body swaying and her eyes looking down. At this moment, the camera moves down, and the woman's right hand is holding a lighter with a flame, extending her hand forward.


In the center of the screen is a person wearing a white coat, brown hat, and a white backpack, walking away from the camera in the opposite direction of the lens. To the right of the screen is a woman in black and white striped clothes who first speaks towards the center of the screen, then turns around and walks away from the camera in the opposite direction of the lens.


On the sofa in the picture, a bald man wearing a light blue shirt is lying on a woman in a black top. The woman turns her head towards her left shoulder, and the man slowly sits up, staring at the woman. The woman's head slowly turns back, and she looks at the man as well. Then, the man gets off the woman and sits on the sofa beside them. At this moment, the man is facing the right side of the picture, looking at the woman, while the woman leans on the sofa and turns her head to the left, looking at the man.


The video scene is animated, with a pile of vegetables at the bottom of the screen looking at the screen in the middle, which shows a news report of a volcanic eruption. At the same time, the camera zooms in on the screen.


In the scene, many people are sitting on the carpet with their backs to the camera. On the left, a dark-skinned man wearing a bright orange headband and a deep brown robe has his hands crossed on his right leg. He stretches out his right leg and then withdraws his hands to rest on both sides of his body. On the right side of the frame, a person in a white shirt and hat shakes their head, and then the man turns his head to the right and back, looking up towards the direction of the camera.


On the right side of the screen, there is a white-haired white man facing the camera and laughing heartily. Only his upper torso is visible, his eyes are looking to the left, and his head quickly shakes twice from side to side. His chin lifts slightly to the right, and his body quickly rocks forward and backward. Then, he turns his head back to the front and looks to the left again, his mouth opening and closing as he speaks. Following this, his shoulders sway from side to side, his palms facing outward and lifting up with straight fingers. Then, he turns his palms inward and swings his hands from side to side a few times before letting them down. His head bows down to the lower right, his eyes looking in the same direction, then he lifts his head and turns back. His body inclines to the lower right. The background is a white wall, and behind the man, there is a bookshelf filled with many books, and a string of yellow lights is hanging on the bookshelf.


In the background of the scene, a man with long hair is facing the camera. He is holding the arms of the person in the foreground of the screen with both hands, speaking with a hideous expression. Then, he lets go, turns his head to the left side of the screen and leaves the frame. The man on the far left of the screen is looking at the person in the foreground. The camera switches, and a woman is facing right with her arms leaning on a pillar.


A curly-haired woman is standing facing right, with her right hand on her hip and her left hand putting down the telephone receiver. She then turns her body clockwise to the left and walks out of the frame. The camera follows her as she moves to the left.


In the center of the screen, a person in a baseball uniform is facing the camera, taking some money from a stack of bills with both hands, while the right hand stuffs the remaining money into their pocket. The left hand places the money on the table in front of them and pushes it across to the opposite side of the table. At the same time, the camera moves backward as a hand reaches out towards the money.


A woman looks to the right of the camera, shrugs her shoulders, raises her head to speak, then quickly lifts her right hand to the right of the screen. She then walks quickly to the right side of the frame, embracing the man's neck from behind with both hands, looking to the right of the screen with an anxious expression, continuously speaking. She slightly flips her right hand towards the camera and then lowers it. In the foreground to the right of the screen, a man facing away from the camera looks to the left of the frame and nods slightly.


In the center of the screen, slightly to the left, a woman is sitting sideways to the camera, facing towards the right side of the frame. Her left hand supports her head on the table, looking down, while her right hand is making gestures. In the background, on the glass, a man is moving sideways to the camera, facing towards the left side of the frame.


The video was shot by a camera mounted on the car, with the lens direction changing according to the car's trajectory. On the left side of the screen, several cars are sideways to the camera, moving towards the left side of the screen and leaving the frame from the left. The lens turns counterclockwise, and at the center of the screen, many cars are moving forward with their backs to the camera. The lens moves down, and the image shows the car's steering wheel.


The main subject of the image is a little boy. He is facing towards the right side of the frame, holding an egg in his left hand and a paintbrush in his right hand, which he is using to apply paint to it. Then, he opens his mouth wide and closes it with force, puts the brush down to dip it in the paint, and then picks it up to continue painting.


The scene is shot from a first-person perspective, with the camera constantly shaking. On the left side of the screen, a left hand is seen pinching a ring-shaped device between the thumb and index finger against a tree, then rotating the object towards the lower right of the screen, before turning it back to face the camera. In the end, the hand rotates the device towards the lower right of the screen.


In the scene, both men are facing to the left side of the picture, listening to someone speaking off-screen. The older man on the right has a long beard and he lifts his head to look to the left while listening. He holds a blue pen between his two hands, twirling it as he smiles, nods, and blinks while listening. The young man on the left keeps his right hand on the table throughout, with no expression on his face.


A red Iron Man is crouching on the right side of the screen, running towards the camera, with his left and right hands alternating on both sides of his body. Then, the scene shifts to a white Iron Man with both hands raised, leaning back. Subsequently, the red Iron Man enters the frame from the right side, while the white Iron Man places both hands flat on his chest. The red Iron Man bends his left leg, and the white Iron Man shoots at the red Iron Man. The red Iron Man immediately strikes the white Iron Man's face with his right hand. The white Iron Man falls to the ground with his gaze downward, as the red Iron Man leans over to look at him with his hands clasped together in front of his chest.


The scene accelerates, and at the center of the screen is a long white table. In the distance on the left side of the screen, a person sitting is facing towards the right side of the screen, while the people sitting on the right side of the screen are facing towards the left and there are more of them than on the left side. They are all eating. In the foreground on the left side of the screen, a man in gray approaches, supporting himself with both hands on the table as he eats. The scene gradually darkens, and at the top left of the screen in the distance are large trees.


On the left side of the screen, a woman in pink is bending her upper body towards the right side of the frame, holding a box containing a blue substance with both hands. Then she lifts the box and turns towards the camera, raising the box higher to cover the woman's face. In the end, she turns around to face the left side of the screen and moves a bit to the left within the frame.


On the right side of the screen, there is a man in a gray shirt. He is facing the camera, looking down at the computer in the center of the screen. His left hand is holding a black device propped up on the desk, while his right hand operates the mouse. Then he leans forward slightly and straightens up to speak to the left side of the screen, opening his right arm. He then retracts his right arm, stands up straight facing the camera, and shakes both hands at his sides. He then raises both hands to his chest and lowers them again, bowing his head to face the computer in the center of the screen, with his left hand holding the black device on the desk, and his right hand controlling the mouse. Finally, he raises his right hand slightly, then places it back on the desk.


The camera slowly descends, and a lady walks through the aisle between two rows of seats towards the camera, eventually exiting the frame on the right. She holds a book in her right hand up to her chest and turns the pages with her left hand. In the compartment on the left, a black man has his hands on the railing while looking at his phone, and in the compartment on the right, two people are having a conversation.


The camera focuses through a blue-green mesh on a curly-haired woman in a deep blue coat and a red hat. This woman is on the left side of the frame, standing outside a white door of a house, with the beige walls of the house in the background on the left side of the screen, and there is a window on the wall. The woman looks around and walks towards the camera, glancing to the right and then to the left, finally slowing down to a stop.


The camera slowly moves to the right, revealing a woman in a pink apron facing the lens. She reaches twice to grab pepper from a small dish on the right side of the frame and sprinkles it over the meat on the cutting board in the center. Then, she lifts both sides of the meat with her hands, gently presses it twice, turns around, and walks to the pot behind her to start stir-frying. The camera then begins to zoom in on the pot she is cooking with. Her right hand holds a wooden spatula as she continuously stirs the contents, seemingly talking to herself. In the end, she puts down the spatula, turns around, and walks towards the left side of the frame.


The camera shoots from above, with a car steering wheel at the center of the screen. On the left side of the frame, a hand appears, grasping the steering wheel and touching the buttons on it. The camera then slowly moves slightly to the left, zooming in, as the thumb of the hand on the left side of the screen presses a button on the back of the steering wheel and then moves away from the left side of the frame. Subsequently, the entire hand leaves from the lower left of the screen. At this point, the camera zooms in towards the upper left of the frame, then moves towards the lower right. As it does so, another hand appears on the left side of the screen, gripping the steering wheel with the thumb continuously pressing the buttons on the steering wheel. Finally, the camera moves towards the right side of the screen.


In the center of the screen is a man in a black coat, bent over with his left hand supporting his knee and his right hand holding a box, talking to the camera. The camera moves down, and the man's right hand picks up the lid in the middle of the screen and moves it upwards. The camera moves upwards, and the man appears on the right side of the screen, pointing to the lid in the upper middle with his right finger. He then grabs the lid with both hands. The camera zooms in and moves to the upper right, the man on the right side of the screen looks to the right and speaks, then turns his head to look at the lower left corner of the screen. The camera moves to the left and then to the lower left corner, the lid appears in the center of the screen, and the man makes a gesture with his left hand before disappearing from the right side of the frame.


From the left side of the screen to the back, there is a connected conveyor belt. Pumpkins are placed in the grid above. The camera slowly moves down, and on the left side of the screen, a woman in black bends down to pick up a pumpkin and then stands up with both hands holding the pumpkin. A man in gray crouches down to pick up a pumpkin. On the right side of the screen, a woman in a black hoodie squats down. In the center of the screen, a woman in red squats down and picks up a pumpkin with both hands, then stands up. The camera moves towards the upper left side of the screen, and the woman places the pumpkin on the conveyor belt with both hands.


In the center of the screen stands a woman wearing a black top and a pink apron. Her hands are raised in front of her, making gestures. Then she lifts her head and speaks to the camera. As she talks, her hands remain in front of her, fingers spread open with palms facing down, moving from side to side. Next, her right hand picks up a knife from the table in front of her, still looking at the camera and speaking. As the camera slightly shifts down, the woman also bows her head and bends slightly forward, using her left hand to press down on the meat in a white plate in front of her, while her right hand cuts diagonally into the meat. Holding the knife in her right hand, she moves it back and forth, and the camera slowly zooms in on her hand movements, showing the knife gradually entering the interior of the meat.


The camera slightly shakes, and a woman sitting on a skateboard appears on the left side of the screen. She is dressed in dark clothing, facing the right side of the screen, looking towards the right, with both hands on the skateboard and her legs bent and placed on the screen. She moves to the right side of the screen, and the camera follows her, moving to the right as well. As she glides past the camera, the woman raises both hands with her back to the camera. At the bottom of the screen, there is a horizontal road and a fence, while at the top left is a vertical structure resembling an overpass.


The girl runs forward with her back to the camera, and the camera follows her movements. Then, the girl turns to the right, facing the direction of the camera, and completely turns around to face the lens. She opens her hands to both sides, then raises her left hand to adjust her hair on the left side of her head. After that, she turns around again and runs away with her back to the camera.


In the scene, a sturdy man can be seen standing in the middle of the frame, wearing a blue shirt. His right leg is a prosthetic, but he still stands upright. Both of his hands are repeatedly dribbling a basketball in front of his body with his fingers spread open. He looks down at the basketball, forcefully dribbling it back and forth. Then he bends over, his gaze always on the ground, and he speeds up the dribbling, still moving the ball from side to side.


In the center foreground of the scene are two women sitting facing the right side of the frame. The woman in black is facing right, while the woman in blue is facing the camera with a toothy smile. To the right of the foreground, there is a man walking towards the left side of the frame with his left hand raised and his right hand holding a device. In the left background, there are many people on the beach, some of them holding umbrellas. To the right background, there are many people lying on the beach. The camera zooms in. The woman in blue bows her head towards the bottom of the frame, then looks up towards the distance of the scene. Following this, the woman in black moves her body towards the right side of the frame, crosses her arms over her knees, and looks to the right of the scene.


A male appears on the screen, with a female on each side, gazing at the castle model in his hands. The female in black clothes speaks, and then the man glances at her and smiles. The female in red clothes then pours white liquid into the top of the castle model. Subsequently, a man in green clothes walks in from the right side of the screen and stands behind the three, looking at the castle model and saying something. The female in black clothes looks at him and then expresses a look of surprise.


The person on the left side of the screen is holding a long, strip-like object in her left hand. She then places the object on the table, and with both hands palm-down, she rubs the object back and forth. Afterward, she picks up the object, pinches it, then puts it down, and picks it up again to pinch it some more.


On the right side of the screen, a person is squatting down, holding the handle of the teapot with his left hand, and opening the lid of the teapot with his right hand. The left hand slightly lifts the teapot, then the right hand closes the teapot, and the left hand places the teapot back in its original position. Then the left hand picks up a bag of white objects from the ground. The right hand is about to open it.


In the scene, four people are standing, facing the camera with a slight camera shake. From left to right, the woman on the far left is wearing a black top, looking to the right of the picture with a smile, her left hand on her waist, and her body and head swaying back and forth; the second person is wearing a black hat, smiling and talking to the camera, raising both hands to make gestures, first raising both hands to the camera and swaying them back and forth, then crossing and spreading them; the third person is wearing dark blue pants, looking to the left of the picture with lips pursed, and both hands hanging down; the man on the far right, wearing sunglasses, is looking to the left of the picture with a smile, holding a wooden plate with both hands, on which a kitchen knife is stuck. The setting is outdoors, with brown tabletops on both sides of the lower part of the picture, and food and condiments are placed on the table on the right. There are tables and shelves in the background, and white cloth is fluttering above the background.


A man in a black hat is walking towards the left side of the screen. To the right of the frame, a woman is walking towards the upper left corner of the screen. The camera continuously pans to the left. The man in the black hat looks towards the camera, while in the background, a man in a light-colored hat walks towards the lower right corner of the screen. The man in the black hat turns towards the left side of the frame and continues walking. In the left foreground, a woman in black looks towards the lower right corner of the screen and walks to the right. In the background, a man in a grey hat looks at the camera while walking to the right with a person in a brown hat. The man in the black hat is obscured by a blurred rectangular shadow in the foreground, which, along with a lighter shadow, moves from the left to the right side of the screen and then disappears off to the right of the camera. The man in the black hat looks towards the right side of the screen where two men in white shirts face each other with their arms resting on a brown railing. In the lower right corner, a boy is sitting on the steps, his hands on his chin with his elbows on his knees. The man in the black hat turns towards the left side of the screen, and the camera follows him as it pans left. In the foreground, a man in a black shirt and a man with brown hair walk from the left to the right side of the screen. The man in the black hat continues to walk towards the left side of the screen while slightly turning towards the camera.


The girl on the left side of the screen is facing left, singing with her side to the camera. On the right side of the screen, in front of the camera, a black girl is facing left, playing the guitar with her right hand, and singing. To the right in the background, a man is facing left, playing the electronic keyboard with his side to the camera.


This is a black and white video. In the center of the frame is a white man in a plaid suit with a tie, sporting short black hair. He is looking to the left side of the screen with slightly drooping eyelashes, then bows his head. The background of the scene is a blurred indoor environment, where windows and curtains can be seen.


In the center of the screen is a red door that is opening inward. A black man wearing a red hat backwards is pushing a yellow cart. The cart is loaded with tall red paper boxes, heading towards the door on the left side of the screen. Behind him, a black woman with gold earrings is pushing another cart also filled with high red paper boxes, walking towards the door. A cartoon monkey is standing at the door, looking at them entering with a slightly frightened expression. After the two people enter the room, the monkey closes the door.


The camera floats, with the center of the frame showing a pair of feet wearing blue cloth shoes. The camera zooms in and turns to the left side of the frame, then moves to the right. At this moment, the right foot at the bottom of the frame swings down slightly. The camera zooms out and quickly turns to the upper left corner of the frame.


Two people appear on the left side of the screen and walk towards the right side of the screen. The camera zooms in, and they stop, both crouching down to put something down, then standing up again. The person on the right side of the screen looks at the person on the left side and speaks while making gestures. The person on the left side bends down again, and then the person on the right side also bends down to put something down. The person on the left side stands up straight and speaks to the person on the right side, who also stands up straight. While they talk, they occasionally look at each other, rubbing their hands together.


Close-up handheld shot. The lens slightly pushes forward. In the center of the frame, there is a left hand holding three screws. The right hand first pinches the screw closest to the bottom of the screen, then touches the screw closest to the top of the screen, and subsequently picks up the screw in the center and rotates it to align it in the same direction as the other two screws. Next, the right index finger points to the screw closest to the bottom of the screen, and then the left hand moves to the left side of the frame.


In the center of the screen, there is a man in a suit facing the camera, his eyes looking to the right of the screen, with words coming out of his mouth, slightly moving his right arm. To the right of the screen is the back view of a man in black clothing.


The main subject of the screen is a man in gray being interviewed. He is sitting slightly to the left of the center of the frame, looking towards the right side of the screen. His hands are rubbing up and down in front of his body, then he slightly extends them forward, making a gesture of flipping his hands outward. At first, his gaze is on his own hands, then he glances at the camera briefly before lowering his gaze again.


In the left side of the screen, a man wearing a black hat and a gold necklace has his left hand blocking his chest, while his right hand is holding up a mobile phone. He is shaking his head and talking to the woman with red, blue, and white striped clothing who has her back to the camera on the left side of the frame. The woman extends her right hand, which is blocked by the man's left hand.


A man in a black suit and a blue shirt is sitting, facing the camera and speaking. His eyes look towards the grey coat man on the right side of the frame in front of the camera. The grey coat man has his back to the camera, only showing a blurred left shoulder. As the black-suited man talks, he occasionally looks directly into the camera and sometimes towards the man on the right side of the frame. Behind the man in the black suit, the back of the chair keeps swaying back and forth. In the background, there is a brick wall with a pentagram decoration hanging on it, surrounded by green plants.


A man with a bruised forehead faces the camera with tears in his eyes, then his head moves down, and behind him appears a man holding a gun with both hands, the butt of the gun resting on his right shoulder, aiming the gun at the injured man.


The video is shot in the first person. In the center of the frame is a black iron fence, on which hangs a white frame, padded with a yellow towel. At this moment, the left hand of the shooter reaches into the frame from the left side, pointing at the black fence, and shaking left and right. Then, the camera pans to the right, and in the upper right corner of the frame is a white water pipe, while the center of the frame still shows the shooter's left hand.


In the center of the screen is a male wearing a yellow plaid shirt, with his back to the camera, facing an orange wooden door and speaking. He first lowers his clenched fist that was originally pressed against the door, then turns his face to the left and speaks. There are several switches on the wall to the left of the screen.


In the center of the screen, there are several branches stretching upwards and to the upper left of the screen, slightly swaying, with a blurred background. The scene gradually becomes clearer, with more branches appearing and then disappearing in the frame, revealing a distinct street view in the background. The background consists of some shops, with roadblocks extending towards the center of the screen on the left side, upon which an elderly person is sitting. There are people standing on the street, as well as some walking in different directions. Some vehicles are parked in the middle of the road or at the roadside, while others are moving in different directions.


The screen blurs, with a piece of cardboard laid out in front of the lens. In the lower left corner of the screen is a blue and white checkered pattern, and on the right side, a solid glue stick is standing on the cardboard. A person's right hand enters the frame from the right side, holding a white square piece of paper, which they place against the blue block near the right side of the screen on the cardboard. Then, they pick up the white paper and move it towards the right side of the screen, exiting the frame. A hand holding the white paper occasionally appears in the lower right corner, followed by a hand holding scissors entering the frame from the right side, moving towards the upper left corner of the screen, and then leaving the frame from the right side.


On the right side of the screen, a woman sits on the basketball court with a blank expression, her legs bent. Her body is slightly tilted towards the left side of the screen, with her arms resting on her legs and her hands clasped together. She looks towards the lower middle part of the screen. A basketball is placed next to her right leg. Her upper body shifts slightly towards the right side of the screen, then she turns her head towards the left side of the screen, bows her head, and takes out a mobile phone with her right hand from behind her back. Then she turns her head towards the camera, types on the phone with both hands, and her upper body sways from side to side.


The scene first features a plate filled with green vegetables, rice grains, cheese, and a fork, then the scene cuts to a woman on the left side of the frame who looks at the camera first, then bows her head towards the lower right of the frame to speak, and finally looks up again, raising her left hand outside the right edge of the frame.


In the scene, a person is sitting on the right side of the frame, using a sewing machine. The camera moves forward and then down. The person's hands are holding a piece of black thread, which they snap off on the sewing machine. Then, the left hand releases the black fabric it was holding, while the right hand moves to the back right of the frame to pick up scissors. The left hand pinches the black thread and moves it down to the left of the frame, while the right hand moves the scissors forward to the left. Then, the scissors are put back in place, and the camera moves backward. The left hand moves up to grasp the black fabric and disappears down below the frame. Next, the left hand reappears from below the frame, and after the right hand puts down the scissors, it moves forward to the left of the frame. Then, holding the black fabric, they straighten it out. The camera moves up, and then both hands release the black fabric, pick it up again, and pull open the edge of the black fabric. The left hand holds the black fabric and moves it to the left side of the frame.


In the scene, a man in a gray coat and gray shirt is sitting on a red sofa talking, with his hands tightly gripping his thighs, his body and head swaying from side to side. Then, he raises his left hand, lowers it, and once again his hands are tightly gripping his thighs. The background of the scene is a room, which contains a desk, chairs, lights, and so on. The camera switches, and the scene is a photograph, in which a man with short black hair is sideways, holding a gun parallel to his shoulder, looking straight ahead. The background of the photo is a three-dimensional space.


In the center of the screen is a person, revealing both hands on either side, riding a motorcycle forward. The motorcycle's head sways from side to side, weaving through the traffic on both sides. As the motorcycle moves forward, the traffic on both sides continuously exits from the left and right sides of the screen. Then, the motorcyclist's left hand is released, making several gestures in front of the screen, waving to the right side of the frame a few times, then lifting it up before gripping the handlebar again. The dashboard in front of the lens continuously flashes with numbers, and the speed digits keep increasing. The vehicle enters a tunnel, with lights overhead continuously retreating upwards in the screen. In the distance ahead of the vehicle, another motorcycle is traveling in the same direction.


A close-up shot from a fixed camera position. In the center of the frame, a person is playing the guitar. This person's left hand continuously changes the frets, while the right hand holds a pick, first plucking the strings individually a few times, and then starting to strum.


In the image is a cartoon animation, where in a green space below there is some red liquid, and a yellow pear-shaped cartoon character is sliding from the left side of the screen to the right side on a white board.


In the center of the screen is a man wearing a white shirt, turned sideways to the camera, facing right in the direction of the picture. His hands are gripping the handlebars of a motorcycle. In front of him is a purple suitcase, on top of which lies a blue bag. On the left side of the screen, a woman wearing a blue scarf supports the waist of the man in the white shirt with her right hand. The man in the white shirt is looking down with his head bowed, lifting his right leg to push down. In the bottom right corner of the screen, a woman wearing a black headscarf faces the camera and is signing with her hands.


In the scene, there is a man and a woman. The man is bare-chested with short black hair and has tattoos. The woman has long curly hair and is wearing a white tank top. The man is backing away, looking at the woman while she speaks to him. The woman approaches the man, and both move towards the left side of the screen, with the camera following their movement. During this process, the man's left hand is on his right shoulder, and his right hand is on the left elbow. He bends down, swings his body downward, and then rises with both hands in front of his forehead. The woman keeps her gaze on the man. Then, he spreads his arms wide in the air, blocking the woman's path. Subsequently, the man lowers his hands to grip the woman's left arm, and she attempts to break free, but the man holds on tightly.


The camera angle is low, close to the wooden floor. In the center of the frame is a toy track car set, with orange tracks surrounding a large robot. On the right side of the frame, a boy in a blue shirt is sitting on the floor facing left, his right hand pressing the yellow launch button at one end of the track, propelling a mustard-colored toy car upward from the yellow launch button, causing it to circle around the track and eventually land on the floor on the right side of the frame. The boy manipulate the mustard-colored toy car with his right hand for a moment before letting go, then reaches towards the center of the frame with his right hand, preparing to pick up the yellow toy car.


Orange, deep blue, and turquoise fish swim in all directions in the sea, with some fish heading towards the coral reef on the right side of the screen, and there are also orange fish chasing the turquoise ones. The camera centers on the coral reef, moving forward while rotating clockwise.


The scene is shot from a first-person perspective, with a car hood in the center of the frame facing the camera. The hood is raised, and to the right is a man wearing a white shirt, crouching on the ground with his right hand supporting one end of the car's headlight. His left finger points towards the headlight, and he moves the headlight aside with his left hand while using both hands to gesticulate as he speaks to the camera. To the left of the camera is a man facing right, standing with his left hand on the edge of the car. He then stands up and walks towards the left side of the frame. The background is an inside view of a repair shop.


The screen shows a first-person view of someone riding a motorcycle on a highway. At the bottom of the screen are the motorcycle's handlebars and display. The rider's hands are gripping the handlebars, and the motorcycle is moving forward, with vehicles passing by on both sides and dense roadside trees. The rider's left hand extends all four fingers forward, then retracts, tightly gripping the left handlebar. The motorcycle steers to the left and continues to travel in the lane closest to the left side of the screen, gradually decelerating. Another motorcycle is seen ahead, moving forward and passing between the two vehicles. The roadside trees on both sides of the road become sparser, and there are several tall buildings on both sides of the screen. The motorcycle drives between a white car and a silver car, with more high-rise buildings visible in the distance through the lens.


A man in a striped shirt is speaking excitedly in front of the camera, facing it directly with his head slightly swaying with the rhythm of his words. In the distance on the right side of the frame, there is a bouquet of flowers, and on the left side, there is a small coffee table with a lamp on it.


On the left side of the screen, a person is sitting sideways to the camera, facing right towards the piano and sheet music, with both hands on the piano keys. This person is pressing on the piano while looking at the sheet music, and she stretches out her left hand to turn the page of the sheet music.


In the scene, a man wearing a blue checked shirt is talking continuously. He first tilts his head slightly to the left, then quickly to the right, and back to the center. His left hand sometimes makes half-raised gestures while he speaks. The man gradually begins to smile, and his gaze remains fixed on the upper left front of the screen throughout. In the background, there is a window with some greenery outside, and next to the window, there is a black curtain. The entire scene appears warm and comfortable under the soft indoor lighting.


In the scene is a little girl with brown disheveled hair, holding a succulent plant (Echeveria 'Dongyun') in each of her left and right hands. As the little girl bends down, the camera pulls back to focus on her hands. The girl places the succulent in her right hand onto a corn cob in a plate on the dining table, then passes the one in her left hand to her right, putting it together with the first succulent. As the little girl stands up straight, the camera zooms in again. She pats her hands, then uses her right hand to push her hair back before crouching down to pick up a yellow lace-folded paper fan with both hands, and then stands up.


In the center of the screen, a black woman is sitting slightly turned towards the right side of the frame. Her left hand is placed on her left chest, and her right hand is on her right thigh. The camera slowly moves to the right, and she tilts her head towards the right side of the frame, also placing her left hand near the knee on her right thigh. Her right hand moves down and to the left along her thigh. Her body leans towards the left side of the frame, she closes her eyes, and then straightens her head. The background is a black window.


In the frame, the man is wearing a lake-blue short-sleeved shirt and deep blue shorts. His body is turned sideways to the right of the picture, facing the camera. Leaning forward, his hands are placed in front of his body, gripping a resistance band and pulling it upwards, then releasing it downwards, repeating this action. The camera moves upwards, revealing his face with short black hair and a goatee. As he pulls the band upwards, he tilts his head back, sticks out his tongue and bites his lips, seemingly exerting effort. Then, as he releases the band downwards, he bends over, lowering his head to the right side of the picture, keeping his shoulders dropped, and speaking. In the final upward pull, his expression becomes distorted. The background is a gym, and in the left background, a walking man can be seen.


On the left side of the screen, a man wearing a black hat is sitting in the driver's seat of the car, facing the right side of the screen. He first looks down to the left of the screen, blinking occasionally, then he touches the steering wheel with his right hand and puts it down again. He then looks to the right of the screen, and subsequently glances down to the right, followed by a look at the rearview mirror in front of the right side of the screen, and then at the inside rearview mirror on the right-rear side of the car. The camera slightly shakes, first to the right of the screen, then to the left, and back to the right. There is red lighting inside the car, and on the right side of the screen, there is a flashing red light inside the car. The scene appears to be on an outdoor street, with blurred cars and buildings in the background.


In the center of the screen, a man in red faces the camera with his head tilted to the right, his eyes fixed on something to the right, his mouth opening and closing as he speaks. His right elbow is bent, hand extended to the front right, with the thumb and index finger extended while the other fingers are curled inwards. He taps his hand three times from left to right, then returns to the left, licks his lips, and extends his middle finger, drawing a half-circle clockwise to the right front, then reverses the motion counterclockwise to stop at the extreme left of the screen. As the man talks, his head nods continuously from side to side. The background is a cluttered storage-like room, and behind the man's right side, there are two fluorescent green badminton racket bags. At the beginning of the video, the camera performs a zoom-in action.


The camera is shooting straight down on a mattress, then pans to the left, revealing a small pink bowl on the mattress, which contains a white object. The camera is slightly unstable, then pans to the right, showing the top right corner of the white mattress, after which the camera starts to move down, remaining somewhat shaky throughout.


On the right side of the screen is a green cube-headed animated character. The character steps back, leans to the left side of the screen while facing right, looks up with both hands raised, and moves towards the center of the screen, lifting both hands up.


A man is sitting in front of the camera, looking towards the bottom right corner of the frame, reading a white piece of paper in his hand, raising his eyebrows, turning his head to the left side of the screen, looking towards the bottom left corner, holding the paper between his right middle and index fingers, placing his left hand down on the table, throwing the paper towards the bottom of the camera, smiling and speaking.


In the scene, a woman with dark skin is seen sideways to the camera, bending over to the left side of the frame. She is cupping her hands to catch the water flowing from a pipe and drinking it. The content of the scene is in slow motion. To the right, in the distance, a person in blue clothes is facing the camera, using both hands to hold the lever of the water pipe and pump water. He repeatedly pushes the lever down towards the lower left of the frame and then raises his hands to push it down again. After a while, the scene switches to a long shot, where the woman with dark skin and the person in blue clothes are both on the right side of the frame. The woman continues to drink water, and the person in blue continues to pump water.


In the center of the screen, a person wearing blue jeans holds a guitar on their left leg. Their left hand grips the neck of the guitar while the right hand moves the thumb and index finger up and down to strum the strings. Then, the left hand's index, middle, ring, and little fingers move to the lower left of the screen, pressing down on the fingerboard. The left leg and body continuously tremble, and the camera lens also shakes slightly.


Two men stand in the center of the frame, reaching out their right hands to shake hands with each other. The man in the yellow shirt faces the camera, while the man in stripes has his back to the camera. Then, the man in stripes turns around to face the camera and speaks. Following this, the man in stripes moves to the left side of the frame, turning his back to the camera. The man in the yellow shirt raises his left hand and waves towards the camera's direction, as the camera moves to the left side of the frame.


The screen shows an infant who seems to be kneeling on a bed. Behind him is a woman dressed in white. The camera slowly pans upwards, and the woman extends her left hand to pick up a semi-circular object on the bed in front of the baby. The baby's gaze turns towards the screen, looking straight ahead, and he is at the center of the frame as the camera stops panning. The woman behind him supports him with her right hand. Then the woman lies down at an angle to the right of the screen, holding a light-colored object in her left hand and looking at it with a smile on her face. She then raises the object to the baby's face, looking at the baby as if teasing him with this small object. The baby turns to the right side of the screen, watching the woman and the object in her hand. It can be seen that the baby is holding a semi-circular object in each hand; the object in the right hand is brown, and the one in the left hand is white.


In the center of the screen, close to the camera, a white sheep is standing facing the right side of the frame, occasionally slightly turning its head; in the center of the screen, farther from the camera, a man in a black coat and black pants is standing with his back to the camera, his upper body leaning forward, his knees slightly bent, his hands fiddling with the rope tied to a tree. He then drops his right hand, supports the rope with his left hand, turns around to face the right side of the frame; the background is covered with green vegetation.


At the center of the screen, a woman in a black top is walking away from the camera towards the distant view of the scene. The camera follows her, moving forward slightly and trembling, causing the woman's hair to shake slightly and her hands to swing. Then, the woman turns her head to the left side of the screen and looks at the camera before spreading her hands and turning back with her back to the lens. She then turns her head to the right side of the screen, glances at the camera, and turns back again with her back facing the lens. Above the scene, there is a horizontal structure resembling an overpass, while below, there are vertical roads, sidewalks, and guardrails. To the right of the screen, there are trees and buildings.


On the left side of the screen, there is a right hand holding two insects. Above the screen, another person's right hand is pinching some insects, and his left hand, on the right side of the screen, is also holding some insects. The person on the right raises his left hand towards the top of the screen and then lowers it. He then moves his right hand downwards, spreading his ring finger and little finger.


In the scene, three people are sitting. The white woman in the foreground of the picture is speaking to the camera with her left side of the face visible. The black woman with earrings in the middle ground is looking at the white woman. The black woman in the background wearing a blue shirt has a vacant gaze, then turns her head to look at the white woman. The black woman with earrings turns her head to look to the left side of the picture and speaks with her head down. The camera switches, and the black woman with earrings appears on the left side of the foreground, her profile facing the right side of the picture. The white woman in the background on the right side of the picture is facing the camera with her front face.


In the scene, a woman is sitting in front of a mirror with her back to the camera, looking at herself in the mirror. She smooths her hair on the right side of her face with her right hand. Then, she turns her head clockwise to look at herself in the mirror and smooths her hair on the left side of her face with her right hand. After that, she slightly turns her head counterclockwise to face the mirror directly, shakes her head, and smooths her forehead hair with her right hand. With her left hand, she takes out a wig and compares it to her own hair. She then smooths the wig with her right hand, and finally, she smooths her own hair.


This is an animation video. In the center of the screen is a monkey looking to the left at the camera, holding a donut in its right hand and a brown box in its left hand. On the right side of the screen are two people; on the left is a black male in white clothes with a red hat, turned sideways to the camera looking to the right. On the right is a white person in white clothes and a red hat, facing the camera. To the right of the screen is a man in a yellow shirt facing the camera and looking at the monkey in the center of the screen. The monkey in the center puts the donut it is holding in its right hand into its mouth, chews, and makes a swallowing motion. It then drops the box with its left hand and raises both hands to make a circular gesture.


This is a top-down perspective. On the right side of the screen, the right hand is holding a stick, and on the left side, the left hand is using the thumb and forefinger to grasp a red and white stick-like doll in the center of the screen.


The scene is shot in the first person. The camera angle lifts up to reveal the shooter and a woman wearing glasses inside a pet supply store. On the left side of the frame are shelves filled with pet beds, and on the right side are rolled-up towels on the shelves. The woman with glasses raises a roll of pale yellow towel in her right hand in front of her body, looking at the bottom left corner of the frame. The camera pans to the bottom left, and the woman lowers the towel in her right hand. A medium-sized brown dog appears on the left side of the frame, being led by the person being filmed, and it sniffs the towel in the woman's hand on the right side of the frame. The camera lifts slightly, and the woman turns the towel slightly towards the right side of the frame, the brown dog turns its head towards the front of the camera, continuing to sniff the towel. The woman then turns the towel towards the left side of the frame, the camera pans to the right, and her right hand moves towards the left side of the frame before moving out of the frame. The camera follows the dog as it moves to the right side of the frame, walking and sniffing the shelves. It then continues to turn towards the right side of the frame, walks towards the right, and turns to face the left side of the frame, sniffing a plastic box on the ground in front of the camera.


The video is shot from an overhead perspective. Four people are standing on the left side of the screen, facing right, slightly adjusting their stance. At the bottom right of the screen, a person wearing a black hat is standing, facing left, with both hands holding a phone, then raises the phone preparing to take a photo. The camera shakes slightly, the ground is white, beige, and brown, and there is a fence on the left side of the screen.


This is a video shot from a first-person perspective. In the frame, you can see a flashing police car at the side of a road. The shooter is riding on a motorcycle; the camera first points downward at the motorcycle's handlebars, then rotates to the left, at which point you can see a person in black facing the camera.


In the frame, there is a fried meat pie on a black plate, topped with some meat, vegetables, and a bit of salad dressing. The camera is focused on this dish slowly rotating to the right.


In the center of the screen, one can see a person holding a black object, who seems to be brushing the sand in front of them with a brush. At the bottom of the screen is a turbulent sea, with the camera quickly zooming out and panning to the left. Wavelets can be seen on the right side of the screen advancing towards the beach on the left side of the frame, then the action of zooming out and panning starts to slow down.


The woman with short hair in a red dress on the left side of the screen is pointing to the distance with her right hand, and her eyes are also looking into the distance as she speaks. The man with long hair on the right side of the screen has his mouth turned to the left, then he supports his chin with his right hand, and then his index finger touches the right side of his glasses frame as he gazes in the direction the woman is pointing. The background of the scene features a patch of grass and some trees. The scene changes, the image blurs, and there is a person standing on the left side of the screen.