In the center foreground of the scene, there is a table with many red plastic cups. The girl on the far left is wearing a striped shirt and has her hands crossed over her chest, looking to the right of the picture. The second girl from the left is dressed in a deep blue short-sleeved shirt and is looking at the girl on the right, while stretching her hand out to point at a cup on the table. The third girl from the left, wearing a white and blue printed shirt, is tilting her head and supporting a cup on the table with her right hand. On the far right of the scene is a girl in a purple shirt, who is supporting a cup with her left hand and pointing at another cup with her right hand. She then raises her right hand into the air, turns her face to the left, and starts speaking. Then, she and the second girl point to one of the cups simultaneously, and the third girl grasps that cup.


A woman stands in the center of the frame, facing to the left of the screen, then turns to face the camera, squats down, and stretches out her right hand with her palm up. The woman begins to smile with her mouth open. The camera zooms in on the food in front of the woman. She then turns to the left of the frame, her face disappearing from view, and subsequently stands up, taking off her coat.


On the right side of the screen, you can see the lower part of a person wearing blue jeans. His left hand is holding the door of the driver's compartment of a car, keeping the door open. He is bending towards the inside of the car, possibly looking for something inside, but his head and the other hand are not visible in the frame. At the end of the video, he slightly straightens up, and you can see his right hand at his side.


In the center of the screen is a cup of beverage. From the left side of the screen, a hand holding several decorative grasses between the index finger and thumb appears and moves towards the center of the screen. Then, the thumb and index finger are released, placing the grasses on the chili ring in the center of the cup. The hand then retracts and is placed on the table in the background of the scene. From the right side of the screen, a hand holding several decorative grasses between the index finger and thumb moves towards the center, placing two grasses on the chili ring on the right side of the cup. The hand then moves to the right, exiting the frame. The background is blurred.


In the center of the screen sits a woman in green clothing. She is sitting in front of a table, her body facing the screen, with her right hand on the table holding a purple pen. She raises her head and turns to the girl on the right side of the screen. On the right side of the screen is a girl in a white shirt standing next to the table, her body facing the woman on the left side of the screen. This girl's left hand is on the waistband of her skirt, and her right hand is on an open book on the table. The woman asks something with a smile, and the girl also smiles and bends down, placing both hands on the open book on the table. At this moment, the woman starts to turn her head towards the front of the screen, looks down at the book, and with her right hand holding the pen, she prepares to make corrections.


The main subject of the scene is a sewing machine facing to the right of the picture and a pair of hands. You can see the owner of the hands behind the sewing machine, facing the camera, with both hands holding a piece of fabric and slowly pushing it forward. As the fabric enters the area directly below the sewing machine, the machine's needle accelerates rapidly, then slows down again as the hands approach. The hands then retreat in a direction away from the camera, adjusting the position of the fabric they are holding, and repeat the process described above.


In the scene, a girl wearing a blue shirt is sitting in front of a table, facing to the left of the picture. On the table lies an open book. She is intently reading, and with her right hand, she turns a page. Then, her head slightly turns as her gaze fixes on the next page. Her hands make slight movements, but overall, there is not much significant motion.


In the center of the screen, a woman slides her hands naturally from hanging down to the sides of her hips. She then turns to the right side of the screen, moving her right hand slowly towards her abdomen. She looks at the camera and smiles. Immediately, she twists her waist slightly, pushing her left hand through her hair towards the left side of the screen, and then quickly turns to the left, fluttering her left hand forward slightly. At the same time, she smiles at the camera.


On both sides of the screen are supermarket shelves. In the center background, behind the pillar, part of a woman's silhouette can be seen. She is facing towards the right side of the screen and walking towards it. As the camera zooms in, she is blocked by the shelves on the right side of the screen, and then the camera zooms out.


In the scene, two toy dolls are sitting on the desktop facing the camera. The doll on the left is wearing a pink dress and its body is slightly tilted towards the left side of the frame. The doll on the right is dressed in a white dress with green patterns and its body is slightly inclined towards the right side of the picture. On the left side of the frame, there are two toy dogs, one black and one yellow. As the camera moves down, a green hand-held box is revealed in the bottom right corner of the screen. Then, a right hand enters from the bottom right corner of the frame, picks up the green box, moves it upwards, and places it in the center on the left side of the screen. Subsequently, the right hand exits the view from the right side of the frame.


The main subject of the video is a man wearing a patterned V-neck shirt. He is located on the right side of the screen, facing the camera and continuously speaking. His hands are first clenched together, and then his arms open with both hands placed on his chest, fingers pointing forward, as if holding an object. In rhythm with his speaking, he rocks up and down several times. On the left side of the screen is a static bookshelf.


The camera moves up, and in the center of the screen, a man is seen being beaten down by another man. The man on the ground keeps dodging, and on the left side of the screen, the background of another man appears.


The video is shot from a first-person perspective. On the right side of the screen, a person is holding a water gun and cleaning a wheel clearly. The water gun moves from the center of the screen to the right side of the screen. This person enters the frame from the right side and moves towards the left side of the screen. He is standing bent over with his back to the camera.


In the animation on the screen, there is an orange soybean person facing towards the right side of the screen, slightly to the left of the center, and a green bell pepper person on the right side looking towards the left. They both pop their heads out in the direction of each other. Above the screen are flames that continuously flicker. Then, the bell pepper person raises both hands high, and the soybean person turns and raises his hands, running towards the lower left corner of the screen. Then, the two run in circles in the center of the screen in a counterclockwise direction, raising both hands, opening their mouths, and widening their eyes.


On the left side of the screen, a woman in a floral shirt is holding a phone in her right hand and speaking. She first looks down at the bottom of the screen, then raises her head to look in the direction of the screen. Next to her, there is a table lamp and a shelf. On the left side of the screen is a woman with long hair. She first bows her head, then looks up and glances at the woman in the floral shirt before turning her gaze to the right side of the screen.


The video is shot from a first-person perspective. To the right of the screen, a woman is shown in profile, half of her face visible as she lifts her head. On the left side of the screen, a woman is standing facing the bottom right corner of the frame. In the center of the screen, a woman is holding up a phone to take a photo in front of her face. The woman on the right has her hands crossed and is looking at the camera. All three are dressed in black, and the background of the scene is clothing racks.


On the left side of the screen is the upper body of a man, with his left hand holding down the fretboard and his right hand embracing the guitar. The right hand holds a pick and continuously plucks the strings from top to bottom, while also pressing different positions on the fretboard.


On the left side of the screen is a woman facing right, with her hands holding the waist of her child. The child is facing right, with the body in the center of the screen. As they lean forward, the child presses a button on the table in front of them, causing the yellow light on the table to flash several times.


In the initial frame, at the top, one can see a man wearing a black shirt sitting on a chair, facing the camera directly. His two hands are stretched forward, reaching towards the lower part of the frame where there is a table. The camera pans down, revealing that this person's hands are holding a car model on the table. As the camera zooms in on the car model, it can be seen that the man's hands have left the car model and are moving up and down above it.


In the foreground on the left, a woman wearing a white sundress is standing slightly bent over on the green path, her body facing towards the right of the picture, with her head turned looking towards the background. She then turns her head to the right of the frame and looks down at the golf ball, her hands gripping a golf club. She pushes the golf ball, causing it to roll towards the middle of the background hole. Leaning sideways towards the background, she watches the trajectory of the ball's movement. Her left hand releases the club while her right hand holds the club and taps the ground gently. The ball does not go into the hole, and the woman raises her left hand to point at the background, her body facing towards the right of the foreground, with her mouth turned down in a pout.


In the center right of the screen, a man in a brown coat is standing next to the car on the right side of the frame, facing the camera directly. He is looking to the left of the screen with his head turned and raising his right hand, palm down, waving it up and down. At this moment, a blond little boy enters from the left side of the frame, walking with his head down to the right of the man. Simultaneously, two women in purple short sleeves enter the frame from the left, walking side by side towards the right side of the screen. One of the women with graying hair is looking at the ground, while the woman with short black hair, closer to the foreground, glances at the father and son before turning back and continuing to walk with her head down. The man in the brown coat then turns his head to look at the little boy, sliding his right hand across the boy's left cheek. The little boy turns around to face away from the camera, and the man extends his right hand towards the boy on the left side of the frame, making a hook gesture. The man in the brown coat looks down at the ground, and the boy raises and then lowers his left arm before walking off towards the upper left corner. The man in the brown coat occasionally turns his head to look at the ground and then sits down. The two women in purple short sleeves walk out of the frame on the left side and disappear from view.


The scene is in black and white. On the right stands a curly-haired woman, facing the camera, glancing down, and turning her head slightly to the left of the frame as she speaks. In the foreground on the left is the back of a man, talking while shrugging his shoulders. When the man stops moving, the woman starts speaking again, glances down, and raises her shoulders slightly. Suddenly, the scene changes, and a man with short hair is on the left side of the frame, his left hand resting on the table. In the foreground on the right is a small part of a woman's back. The man looks down at the bottom of the frame, his right hand moving slightly up and down, then he looks to the right of the frame, and then turns his head to the right, before turning back to face the camera directly. As he speaks, his body moves slightly from side to side and he moves forward slightly. The background is blurred.


On the left side of the screen, a bare-chested black-haired male with red pants on is seen with his back to the camera, raising both arms with the right arm visible at a slightly higher position. In the background, some wooden structures of a building can be seen, and to the right, a partially visible person. The male in red pants extends his right leg out, then turns to kick it backward, looking to the right side of the screen. With his left arm uppermost and his right arm lower, both hands are clenched in a fighting stance. He then takes a step back and changes his arm position. At this point, his right arm is bent forward and raised, while the right arm is bent across the chest for defense, with both hands still clenched into fists. He then slightly lowers his right hand, and his left hand punches towards the right shoulder. Finally, he spreads his hands to meet in front of his chest, bows his head, and closes his eyes.


On the screen, there are three couples, a total of six people dancing. On the left side of the screen, the man in red and the brunette woman are standing sideways to the camera. They first tilt their heads back and laugh, then the man with red hair raises his left hand to embrace the brunette woman's neck. At this moment, the camera pans to the right, and the black couple behind the man in red and the brunette woman move out of the frame from the left. On the right side of the screen, the long-haired man and the curly-haired woman move from the right to the center of the frame. They are dancing face to face, with their bodies and hands swaying with the dance movements, then they turn their heads to look at the camera.


The scene is shot from a first-person perspective with the right hand holding the camera. In the center of the frame is the door of a cupboard, in a natural wood color. The left hand of the shooter is holding a rag, which is seen entering the frame from the bottom, beginning to wipe the cupboard door. As the rag moves upwards, the camera follows suit, and finally, as the rag moves to the right, the camera pans rightward.


On the left side of the screen, an adult male wearing a blue hat, a yellow T-shirt, a red vest, and blue pants stands facing the right side of the screen with his hands fisted and his palms facing outwards, resting on his hips, looking to the right side of the screen; in the center, a brown monkey stands facing left, its right hand reaching back and its left hand holding a brown object in front of its body; on the right side, two boys turn their backs to the camera, their bodies slightly inclined towards the left side of the screen. The boy on the left wears a green cap, a yellow T-shirt, and green pants, while the boy on the right wears a red T-shirt and blue pants, with his left arm slightly extended forward; then, the man in the yellow T-shirt spreads his arms, his right hand extended in front of his body with the palm facing up, as he starts to speak. The brown monkey drops its arms and watches the man in the yellow T-shirt; next, the man in the yellow T-shirt slightly raises his left arm and turns his head to look to the right side of the screen, and the brown monkey and the two boys on the right side also turn their heads to look in the direction away from the camera; then, the man in the yellow T-shirt turns his head back and continues speaking, the brown monkey turns back and looks at the man in the yellow T-shirt, lifting its left arm, and the two boys on the right side also turn back; in the background, on the left side, there is a building with green and white stripes, a red border, and a green railing on top. In the center of the background, close to the camera, there is a white painting that features a blue human silhouette and an upward red arrow. In the central and right parts of the background, away from the camera, there is a yellow shelf on which green trees are planted.


On the left side of the screen, an elderly man with white hair, wearing a red sweater with a black collar and glasses, is smiling towards the right side of the screen. The camera moves to the right, and a middle-aged man with short hair, wearing a purple shirt and a black suit jacket, enters from the right. Initially, he looks at the old man, then the old man on the left hands over a knife to the middle-aged man, who looks down at the knife and takes it from the old man's hands with both hands. Then, the middle-aged man repeats the action of looking at the old man and then looking down at the knife twice, all the while talking. The camera then switches to a front view of the old man, who is now on the left side of the screen, looking at the middle-aged man, extending his left hand to place it on the back of the middle-aged man on the right side of the screen, speaking to him, and playfully winking his left eye. The middle-aged man raises his head and looks back at the old man. The camera switches again to a front shot of the middle-aged man, who is holding the knife in his right hand, looking at the old man, smiling, speaking, and nodding. In the background, there is a blurred green bar-like object adorned with light bulbs.


In the scene, there are three people; two women are sitting in the center of the frame, facing to the left of the picture. The woman in black turns her head to look at the camera and smiles. At the same time, a man in grey short sleeves stands to the left of the frame, only his arms are visible as he lowers his raised right hand and the camera in it. Then, the woman in red at the center of the frame starts to speak, simultaneously raising her right hand to brush her hair on the right side of her face, then quickly lowering her hand. At the same time, the woman in black turns her head to the left of the frame, and both of them then turn their heads to look at the camera together. A man in black enters the frame from the left, bends down towards the camera, and extends his right hand to the ground. The woman in red turns her head to look at the left side of the frame.


On the right side of the screen, a man is sitting, wearing VR goggles on his head, with his body turned sideways to the left of the screen. His hands are gripping the handles of a black device in front of him, his legs are bent, and his body is reclining to the right of the screen. As the camera moves to the right, his body tilts to the left of the screen along with the chair. His hands, holding the handles, move backward, and then he rotates the wheel to his left. The chair turns towards the camera, and he rotates the wheel to his right, then to his left, with a smile on his face. He continues to turn the wheel to his left and then to his right. The chair slightly turns to the left of the screen and then downwards. He resets the wheel, turns it to his right, then centers it, turns it to his left, centers it again, pulls it backward, pushes it forward, turns it to his left, and the chair turns to the right of the screen. The background is dim, and there is gaming equipment on the left side of the screen.


The scene is a close-up shot of the hands, with the right hand pinching the yarn and quickly letting it go. The left index finger wraps the yarn around the needle held by the right hand. Then, the tip of the right hand's needle wraps around the yarn held between the left thumb and middle finger. Subsequently, the right hand pulls the needle out to the right side of the screen, and immediately continues to wrap the yarn on the left side.


In the scene, there are many boxes on the ground. The camera quickly moves to the upper left corner of the screen. A woman appears in the center of the frame, standing facing the camera with her hands at her sides, her right finger pointing to the ground. The camera rapidly moves down, and a yellow object appears in the center of the screen. The woman steps on it with her right foot, stomping on it a few times.


The scene shows a living room, and as the camera keeps advancing, a blonde woman in a denim jacket appears at the top of the stairs in the background, walking down the stairs.


In the center of the screen is a man with his back to the camera, turning to the right, his body facing the camera's direction, while his gaze is directed to the right side of the frame. He raises his left hand towards the right side of the screen. The camera slowly moves to the right side of the frame. Initially, in the bottom left corner of the screen, there is a woman facing the camera, turning her head to the right and nodding, then turning back. In the lower left corner of the screen, there are many students sitting in chairs, discussing among themselves.


This is a black and white scene, where a man in a gray suit is sitting in front of a bar counter on the right side of the picture, facing the camera. His right arm is leaning on the bar counter, and in his right hand, he holds a cup containing liquid. His left hand is in his pocket, and his body is slightly inclined to the left. Inside the bar counter, a waiter in white is leaning towards the right, whispering something into the man's ear. The waiter has a glass in his hands at waist level. The man also starts to speak, glancing at the waiter on the left side of the frame, and his head turns slightly to the left. At this moment, the waiter stops what he is doing, furrows his brow, straightens up, and watches the man walk away towards the left of the picture. The camera slowly rotates to the right, facing the man directly. The man gradually straightens his head, places the cup on the bar counter with his right hand, and then supports himself on the bar counter to stand up straight. Then, his left shoulder begins to retract, and his right shoulder starts to extend forward.


In the foreground of the scene, a red cable car moves towards the camera from the upper right corner of the frame. The camera slowly pans forward as the cable car moves to the center right of the screen and then disappears. In the middle of the scene, there is a vertical road where vehicles are moving upwards and downwards in their respective lanes. The background also features the rooftops of many houses.


The screen quickly pans to the bottom right corner, followed by a left hand entering the frame from the left side, adjusting the pointer at the top of the center tool counterclockwise, then the hand moves out of the frame, and the screen gradually focuses on the pointer.


Shot from a first-person perspective, the center of the screen features a robot with a red track visible below it. The robot is placed on a wooden floor. To the right, there is a man sitting on the floor, facing the middle, with toys. His left hand holds a toy, while his right hand presses a bouncing button. Subsequently, the toy bounces towards the target, causing an object above it to fall. Following this, several car models drop down. The man stretches out his left hand towards the left side of the screen and retrieves a red toy car. The camera view zooms out and immediately moves down, revealing a row of differently colored game cars placed in the center of the screen, with a gray sofa in the background.


The video is sped up, and in the center top of the frame, there is a person in a yellow shirt with their head not visible, facing the camera, continuously using their right hand to dip a rag into water and wipe the bed surface. Then, they move the pink water basin towards the left side of the screen, and continue to dampen the rag and wipe the part of the bed surface on the left side of the frame.


On the left side of the screen is a right hand, and in the center of the screen is a blue plastic container. The camera switches, and on the right side of the screen is the blue plastic container. Then, the right hand appears from the lower left side of the screen and grabs the white house model on the left side, moving it to the right side of the screen. A blue toy car at the top of the screen moves downward to the center. The right hand moves to the left side of the screen and touches the rear of the car. The left hand, off-screen, causes the blue toy car to rotate to the right and spray water onto the car. It then rotates the car to the right again. The right hand takes the car toy out from the middle of the screen and moves it to the left side. With both hands holding it, the right index finger points to the rear of the car.


On the left side of the screen, a woman is sitting facing the right front of the screen, bowing her head with a smile as she looks at the computer on the table, her hands typing on the keyboard. The camera starts moving to the left of the screen and then rotates clockwise around the woman.


The camera emerges from the water, showing a man's head above the surface. To the left of the frame, there is a white surfboard. The camera then moves towards the man, who raises the surfboard with his right hand and holds the broken part with his left, looking at the surfboard. Subsequently, the left hand of the person filming picks up the surfboard and brings it to the front of their body.


In the frame, there is a pair of hands on the right side of the screen. The right hand's thumb and middle finger are holding a piece of cake, lifting it up and tilting it towards the camera. The left hand's index finger is extended and moving towards the left side of the screen, while the right hand shakes the cake up and down.


In the lower left corner of the screen, a right hand is holding a pen and pointing to the right side of the screen. In the center of the screen, on a black keyboard, the hand moves back and forth left to right. Then, the scene skips over some content, but the screen remains the same, with the right hand still holding the pen and moving it across the keyboard. In the lower left corner, the left hand is preparing to reach towards the upper left corner of the screen. The scene is dimly lit, with a display screen visible in the upper right corner, and white text and icons in the lower right corner.


In the center background of the screen, a woman sitting next to a table faces the camera and looks down at the bottom of the frame. Then she raises her eyes to look at the screen of a laptop on the table in front of her before looking down at the bottom of the frame again. She turns her head to the left of the screen while her right hand picks up a pen and writes on a notebook placed in the lower left part of the frame in the distance. Then she puts down the pen, turns her head back to face the camera, looks up at the laptop screen, and looks down at the bottom of the frame again. She repeats the same actions, lifting her eyes once more to the bottom of the frame, and then raises her eyes again. She then turns her head to the left of the screen once more while her right hand picks up the pen and writes on the notebook.


The main subjects of the scene are a woman and a white dog on the right. Initially, the dog is facing towards the inside of the picture, then it turns to the left and sits down towards its owner. The owner feeds the dog some food with her left hand, and the dog keeps licking its mouth. The scene shifts to the left and upwards, with the dog gradually moving out of the frame. The owner, with both hands holding a camera against her right eye, is photographing the dog's movements towards the lower right outside of the picture.


Animation clip. In the center of the screen, a dog is holding a hat in its mouth and jumping down to the right side of the screen. The scene changes, and the dog jumps from the upper left corner to the center of the screen, then shakes its head. It follows by pressing the hat with its right front paw and tearing off a piece from the brim of the hat with its mouth. The scene changes again, and a man appears, facing to the side at the left of the screen, with his profile to the camera. Then, the man runs towards the right side of the screen.


On the left side of the screen, you can see a person's hand moving within a piece of mud-covered cloth in a white box. The left hand lifts one side edge of the cloth, while the right hand reaches into the cloth, stirring the inside. Then, the right hand pushes the opposite edge of the cloth to the right side of the screen twice, causing this edge to slightly adhere to the inner right side of the white box.


In the scene, a man wearing a shirt with an American flag design can be seen carrying an American flag, running from the right side of the screen to the left across a small hill. In his left hand, he holds an object from which orange-red smoke is emanating, drifting towards the top right corner of the screen. The man strides to the left of the screen, with the American flag he's carrying fluttering in the wind.


In the center of the screen, a group of people are dancing in the middle of the stage. Some have their hands raised, twisting their bodies, while others twist their bodies and clap their hands at the same time, and still others are jumping up.


In the right side of the screen, a man in maroon clothing sits on a chair and continues to speak. He opens his right hand, raises it, and then lowers it. His gaze shifts to the left side of the screen, then to the right, raises his left eyebrow, and tilts his head to look at the left side of the screen.


On the left side of the screen, a man in pink shorts is dancing, swaying his body. He then stands still, looks to the right of the screen, his body trembles slightly, and he takes a few steps back to the left of the screen. His mouth is moving as if he's saying something. We can see that on the right side of the screen, there is a rectangular table, with blue chairs placed next to it.


In the center of the screen are two people taking a selfie with their phone. Slightly to the left in the frame is a boy with short black hair. To the right of the center, there is a girl wearing a white top. The boy's right hand is holding the phone at the very right edge of the screen, raised up, and both of them are looking at the phone screen with smiles. The girl raises her left hand, making the "V" gesture. Then, the boy raises his right hand even higher, towards the top right corner of the screen, with a significant part of the phone now out of the frame. The girl also gradually lowers her left hand, and the two continue to look at the screen and laugh heartily. The boy raises his left hand and waves at the bottom right corner of the screen, and the girl also raises her right hand and waves at the top of the frame. They lower their hands, but the boy's right hand remains raised, moving the phone from the top right corner to the top left corner of the screen. Their bodies turn towards the left side of the frame, and the girl raises both hands above her head, waving them again, then uses both hands to hug her head. She then places both thumbs up on top of her head, and the boy also extends his left hand from the bottom right corner of the screen, making the thumbs-up gesture. In the end, the boy extends his left index finger towards the camera, both of them still laughing, while the girl is lowering her hands.


The image captured is the central console air conditioning vent of a car, with a slight left-right shake of the camera.


An adult woman's hand is on the shoulder of a child as they walk upstairs together. The woman hooks her left hand to stroke the child's head and looks in the direction of the child, then continues to place her hand on the child's shoulder as they proceed upstairs. After the two disappear from view, the woman is seen embracing the child as they walk backwards downstairs. Both are looking towards the upper left corner. The woman hooks her left hand again, resting the child's head on her chin. A man in dark clothing enters the frame from the left side, holding a gun with both hands, facing the mother and child as they come downstairs.


The scene is shot from the first-person perspective of a passenger in the back seat of a sedan. In the frame is the front windshield of the vehicle's front row. The car is driving towards the upper left front of the lens. A person wearing a beige robe is facing the camera, walking towards the right outside of the lens with their arms swinging back and forth. Outside the car window are small mounds of earth, a row of trees along the road, and a road sign. The camera moves down, and on the left background of the frame is the control screen and air conditioning vent of the car's front row. On the right foreground is the passenger in the front seat. The shooter continues to move to the left, and on the left foreground of the lens is a corner of the driver's seat and the driver's right shoulder.


In the center of the screen, a man wearing a blue shirt with a light brown bun is standing by the roadside. He holds a black phone in his left hand, pressed to his ear while making a call, looking to the right of the screen. He then turns his head to face directly forward and subsequently turns his head to the left side of the screen, glancing back at the scene in the background. Afterward, he turns his head back, bows it down with his gaze lowered, and walks forward, continuing his phone call. He then raises his gaze to look ahead once more. In the background, some cars are parked on both sides of the road, with some buildings featuring brown exteriors on the right, and there are trees on the left.


At the beginning of the scene, many people walk into the interior of a hall. The camera then turns to the left, revealing a girl leaning against a pillar, and another girl walking into the left side of the frame from outside. The two of them are talking. The girl on the left uses her left hand to pull the girl on the right towards the left side of the frame while saying something. The camera also moves to the left side of the frame along with them. The scene cuts to the next, where the head of the man in the center of the frame turns towards the camera and he walks to the right side of the frame, with the camera following him to the right.


In the scene, a curly-haired woman has her right half of the face facing the camera; she is bowing her head. Then, she turns around counterclockwise with her back facing the camera. After that, she walks in the direction away from the camera, glancing at the ground to the right side of the frame as she goes.


In the center of the screen is a long strip of smoked salmon, with smoke continuously spreading upwards from the bottom of the screen.


In the center of the screen, a man wearing a white vest is holding a black briefcase over his head. He is surrounded by a group of people who are beating him, leaving him dizzy and disoriented. He then raises the briefcase and launches an attack on several people before the scene cuts to a higher perspective. From this angle, it can be seen that the briefcase in the man's hand is kicked away and caught by someone in the surrounding crowd. Then, someone else embraces the man from behind, after which the man is beaten by a group of people. Subsequently, four individuals lift the man's limbs and start walking towards the right side of the screen. The man seems to have passed out, and as these people carry him to the right, they continue to beat him without cessation.


On the left side of the screen, a woman with long hair is standing sideways to the camera. Her left hand, wearing a watch, is resting on the door. Only part of her shoulder and arm is visible. The door gradually opens, and a hand in a gray sweatshirt reaches in, holding a small bag containing blue and white pills and something else. At this moment, the woman on the left side of the screen reaches out with her right hand to take the bag. The scene then switches to a wider angle, where a girl sticks her head out halfway through the door crack. The woman with long hair on the left side, meanwhile, carefully examines the bag in her hand, turning it over several times. Then she opens the door completely, and the woman in the gray sweatshirt stands up straight, with a tall and stout black woman standing behind her. They enter the house one after another. The woman with long hair closes the door and turns around to face the camera. The woman in the gray sweatshirt lies on her back to the left in the background, away from the camera. Finally, the black woman who entered last is standing sideways to the left side of the screen.


In the center of the distant view of the scene, a woman in a black top and black hat holds the right hand of a little girl in black on the right side of the frame with her left hand. Both are looking directly at the camera and running towards it together. As they run, the woman's right hand and the girl's left hand slightly fluctuate up and down. Suddenly, the woman turns her head to the right side of the frame to look at the little girl, who also turns her head to the right side of the frame, then back to the camera. The woman turns her head towards the camera as well, but only the lower half of her head is visible in the frame. They continue to run towards the camera, and finally, the center of the frame shows the little girl's face and upper body, with the woman's left hand on the left side of the frame. The initial background of the scene is a sandy road, flanked by lawns.


Close-up shot, in the center right of the frame, a green-skinned animated character faces the camera standing in front of a yellow background with black circles, its head tilted to the right shoulder and slightly arched backward. It flicks its head towards the center foreground, and the background dissipates. The green-skinned animated character stands slightly sideways to the left of the screen, speaking with both hands at its sides. It leans back slightly and then forward, glancing upwards to the upper left corner of the screen, then leans back again, looking to the left of the foreground, out of sight, with its left hand placed over its chest. It moves its body back and forth, raising its left hand to make a gesture.


A long-haired man is holding a brunette woman in front of him, and the two are sitting on a sofa facing the camera. The man is looking down at the bottom of the frame with his head tilted to the right side of the picture. The woman is holding a guitar, with her right hand on the sound hole and her left hand gripping the neck. She is facing the right side of the frame, looking at the bottom right corner. The man's right hand is on top of the woman's right hand, strumming the strings, while his left hand presses the strings. As they play the guitar, his mouth is opening and closing, possibly singing. The woman turns to the left side of the frame, facing the camera with her head down, looking at the bottom of the picture, and then she smiles. The man slightly bows his head and smiles as well. Then, both turn to the left side of the frame, the woman glances to the left of the picture, and then they both turn back to the camera. The man stops smiling, the woman turns to the right side of the frame, looking at the bottom right, and then the man turns his head to look to the right as well.


The screen shows a man in a vegetable garden. He first looks at the bottom left corner of the screen, then raises his head to look directly into the camera. While he is speaking, both of his hands are slightly moving. He then bends down, facing the bottom of the screen, and the camera follows him as he moves towards the bottom of the frame. He is using his hands to pull out weeds.


A small dog is standing on the left side of the frame, lowering its head to eat something. On the right side of the frame, a person is standing with their right hand extended and then pulls their hand back to their body before stepping back to the right side of the frame. The small dog eats while wagging its tail, circling a metal bowl, and at the same time, a dark brown dog appears on the right side of the frame, looking up at the protagonist on the right side of the frame.


The video is a top-down shot, with the left hand in the center of the frame holding a green fruit. He slowly opens his hand, and then he grasps the fruit, holding it upright to show us the top of the fruit. The background is blurred, and in the upper left corner of the frame, the silhouette of a person in purple clothing and brown pants can be seen.


In the center of the screen is the head of a lion, facing the camera, with part of its body to the left of the frame. It blinks once, turns its head to the left side of the screen, its left ear flicks slightly backwards, and then it continues to turn back. In the end, it blinks again and turns its head to the right side of the frame. The background is a blurred ground covered with small pebbles.


On the left side of the screen, there is a man wearing a gray sweatshirt, and on the right side, there is a man in brown clothing. The man in gray is holding a knife in his right hand, cutting vegetables, with his right fingertips pressing on the cutting board, and his eyes are fixed on the man in brown. The man in brown, with a blender in his right hand and a bowl in his left, continuously stirs the contents of the bowl with the blender in his right hand. The man in brown is also looking at the man in gray, and then the two men lean in close to each other and kiss. Subsequently, the camera slowly rotates clockwise around the two of them.


In the center of the screen, the black woman is sitting at the table, talking while writing something with her right hand. She then turns her head to look towards the right side of the screen. In the top right corner is the face of a man who looks to the left side of the screen, nods, says something, and then turns to face the camera on the right side. The black woman turns towards the camera, looking down at a notebook on the table and writing, then raises her right hand, turns her head to look at the man on the right side of the screen, and speaks. The man on the right side of the screen turns towards the left, moves his mouth as if speaking and then smiles. The woman smiles and talks while turning back to the camera, lowering her right hand to continue writing, then quickly turns back to the right side of the screen, looking at the man on that side, raises her right hand, twists her wrist towards the left side of the screen, lowers her arm to the right, and shakes it up and down before placing it back on the notebook. The man on the right side of the screen turns to face the camera and then looks down to the bottom left corner of the screen, nodding slightly.


A lady wearing glasses is holding a plate of waffles with both hands, facing to the left as she walks towards the camera, with the camera following her movements and backing up. She approaches a table, turns clockwise, and places the waffles on the table. The camera slowly pans to the left and then moves forward. Behind the table, three people are sitting, all facing the camera and smiling at the waffles. The long-haired girl sitting in the middle slightly tilts her head back, turns, and moves the hair out of her eyes.


Close-up shot in hand. The lens slightly shakes. In the center of the screen, a left index finger is wedged in the gap next to the engine coolant fill hole. The scene changes, and in the center of the screen, a right hand holding a metal object quickly moves to the right side of the screen and disappears. The camera pans to the right, and then a left hand appears on the left side of the screen.


There is a person wearing a yellow shirt and holding a broom on the right side of the screen. The center of the screen has a floor scattered with many items. The person on the right side of the screen walks to the center holding the broom and sweeps the debris back and forth on the floor, at which point the right side of the screen is a white mattress.


In the center of the screen, there is a slightly charred round cake placed on a sheet of tin foil. Above the scene, a spatula presses down on the cake, and then a person from the lower left corner of the screen brings a bowl of red dipping sauce.


Animated short film. In the center of the screen, a man is facing sideways to the right of the frame, holding a model boat with both hands, looking at the model boat and talking while accompanying his words with nods and other movements. He then walks to the right side of the screen while speaking and smiling, his hand holding the model boat swinging up and down. Next, the man bows his head and talks with a frown. Following this, the man leans forward to the right side of the screen, preparing to put the model boat down.


In the foreground, four people are riding horses sideways to the camera, trotting towards the right side of the frame, and finally leaving from the right side of the screen. The camera starts with a slight blur, then the scene gradually comes into focus.


In the background of the scene, there is a woman who walks to the foreground of the picture with a box lunch on her head. The box lunch falls from the background of the scene. The woman turns counterclockwise, squats down to pick up the box lunch, and then uses both hands to place it back on her head.


A long-shot backlighting scene filmed from a fixed position. In the center of the frame, slightly to the right, there is the silhouette of a woman wearing a skirt. The woman first faces the direction of the camera, then rotates two circles counterclockwise. On the left and right sides of the frame, there are silhouettes of mountains, and in the right foreground, there is also the silhouette of a plant.


A hand holding a wine bottle is seen on the right side of the screen, with the bottle's mouth facing left, pouring wine into a glass in the center of the frame. When the glass is half full, it is tilted upright. A drop of wine slides down from the bottle's mouth along the outside of the glass, then falls into the glass. The camera moves to the left.


In the scene, there is a white cutting board on a table with a piece of meat placed on it. In the upper left corner of the image, you can see a person standing behind the table, with their left hand resting on the table. Above the scene, hands can be seen sprinkling seasonings onto the meat.


On the left side of the screen, there is a yellow and white cup containing a black tool. On the right side of the screen, a hand briefly appears and then disappears, with the camera slightly shaking. Then, a right hand wearing a yellow glove appears on the right side of the screen and picks up a yellow glove placed on the table to the upper right of the frame. Subsequently, a left hand appears on the right side of the screen, putting on the glove. Both hands then reach towards the left side of the screen, grasping the black tool. The right thumb presses a button on the tool, and then the left hand holds the yellow and white cup while the right hand presses down on the tool, which begins to stir the white liquid in the cup. There are many kitchen utensils placed around the screen.


In the center of the screen is a pair of hands, with the right hand holding a crochet hook through the green fabric pinched between the left hand's index and middle fingers. The left index finger is raised, with another part of the green yarn resting on it. The hands lift slightly to the upper right corner of the screen and then return to the middle. The crochet hook passes through the yarn, and then rotates towards the inside of the screen. This action is repeated multiple times at a slower speed, as the hands carefully weave the object in hand.


In the center of the scene, a man is standing on a ladder, with his right hand hanging down and his left hand holding a paint roller, looking up and applying paint to the right side of the wall. On the left side of the scene, a woman is holding a long-handled paint bucket with both hands, slowly lifting it up and pressing it against the right side of the wall, rolling it up and down.


The camera pans to the right, showing a child in flowery clothes sitting on a children's table and chair, looking at the camera and tilting their head to the left side of the screen with their left hand at their mouth. To the right of the frame, outside the window, a barbecue grill is placed. Then, the camera zooms in on the child, who bows their head down to the lower left of the screen. The camera shoots from above as the child eats; on the lower left corner of the table, there is a purple water bottle and a blue and white food container.


The camera zooms out, and the woman with dark hair in the bottom left corner of the screen starts to smile, showing her teeth. Then, the girl in the top left corner spreads her hands, raises her left hand to her left eyebrow, and then lowers her left hand, bending it perpendicular to the ground. The woman in the bottom left corner closes her mouth, and the boy in the bottom right corner presses his lips together and looks towards the bottom right corner of the screen, then towards the camera. Immediately after, the girl in the top left corner shakes her head from side to side. The camera moves down to focus on the faces of the four people. After this, the girl in the top left corner raises her head to look at the woman in the bottom left corner, while the man in the top right corner smiles and starts to speak. The woman in the bottom left corner rolls her eyes upwards and quickly looks towards the camera.


In the center of the screen stands a woman, facing the right side of the frame, holding a child with both hands, with the child facing to the left side of the frame. She first raises the child to waist height, then with both hands lifts the child overhead. After a brief pause at head height, she lowers the child, and once again raises the child from waist height to overhead.


In the scene, two men can be seen. On the left side of the frame is a man wearing a black vest, and on the right side is a man in a black short-sleeved shirt. Both of their bodies are slightly inclined towards the right side of the frame. The man in the black vest is holding the right wrist of the man in the black short-sleeve shirt with his left hand, and they are walking together towards the right side of the frame. After taking two steps, the camera suddenly cuts, switching to the chest area of the man in the black short-sleeve shirt. The camera focuses on this person's chest area, then slowly pans upwards, revealing the person's face. It is shooting down at this person. The man in the black short-sleeve shirt seems to be preparing to lower his head to look behind him.


In the scene, a group of people wearing blue T-shirts are walking towards the camera on a road flanked by greenery. On the left side of the frame, a person is holding a red, square object. Many in the scene are holding or carrying banners. A man in a black T-shirt, positioned towards the middle-left of the frame, is holding the corner of a white banner with his right hand, while his left hand is extended to the right and suddenly raises upwards to the right. The scene then cuts to a group of people wearing red T-shirts walking towards the camera, all holding or brandishing signs. The woman with yellow skin and black hair, closest to the camera on the right, has a fierce expression as she looks to the right, seemingly shouting something. Finally, the scene switches to an overhead shot of a crowded street, where yellow flags can be seen waving and various signs being held up among the crowd. In the bottom right corner of the frame, there is a white "CNN" logo.


In the distance of the scene is a girl, who is kneeling towards the camera, but only the lower half of her body is visible. There is a layer of something with a metallic sheen spread on the ground. The girl supports herself with her left hand on the ground and uses her right hand to stroke the surface of this thing from right to left. She then extends one finger to touch and swipe it, and subsequently repeats this action several times with all five fingers.


In the scene, there are three people and a small monkey. The small monkey, standing close to the camera on the right side of the frame, has its back to the camera with its right hand placed on the wooden board beside it. On the left side of the frame, a boy wearing a bucket hat is kneeling in the grass, facing away from the camera. His body is turned towards the right side of the frame, and with both hands extended to the right, he holds a model sailboat. He turns his face towards the camera, looking down at the small monkey on the lower right side of the frame, then lifts the sailboat model, straightens up, and faces the camera. In the background on the left, a mother and daughter are holding hands, walking to the left side of the frame and disappearing at the top left. The boy in the bucket hat bends towards the camera, places the sailboat in the water at the bottom of the frame, then straightens up, looking down at the sailboat model. The small monkey moves its right hand away from the wooden board, leaning its body towards the left side of the frame.


On the left side of the screen, a woman wearing a gray top appears, holding a white cup in her left hand and opening a glass door with a black frame with her right hand. She then walks into the frame, remaining on the left side and looking towards the left of the screen. She brings the cup to her chest with both hands, then places her left hand on her chest while raising the cup to her mouth with her right hand to take a drink. Afterward, she holds the cup with both hands and looks towards the right side of the screen. On the left side of the screen, there are white and brown walls, and on the right side, there is still glass. Behind the door on the left side of the screen, some furniture can be seen.


In the center of the screen, slightly to the left, there are stacked red boxes. On the right side of the screen, the right hand picks up the top box, with the thumb on top, showing the top of the red box, and shaking the box in the center of the screen.


On the left side of the screen, a girl wearing an orange striped sweater faces the camera with both hands holding a pendant hanging from her neck. She turns her head to look upper right of the screen, then closes her eyes, turns her head back, and bows it down. Behind her, a girl in a pink and blue striped sweater faces the camera but is partially blocked by the girl in the orange striped sweater. She is bending down, using her hands to help the girl in the orange striped sweater tie the string at the back of her neck.


The woman looks down at her right upper arm while her left hand with four fingers (excluding the thumb) circles clockwise on the upper arm to apply something. Her right shoulder slightly lifts, then the woman tucks her chin in, and subsequently looks at the bottom left corner of the screen, showing her teeth as she smiles.


In the frame is a silver building; the camera moves down to reveal a tent. A car enters the shot from behind the tent and moves towards the right side of the screen, eventually leaving the frame. The camera moves up to show the top of the tent, with the sky in the background.


The scene is shot from a first-person perspective looking down. The camera quickly moves downward to capture a glass measuring cylinder with yellow liquid in the center of the frame. Then, the camera moves upward and forward, and a finger with painted nails appears from the top of the screen, pressing against the edge of the glass container. Subsequently, the hand disappears from the top of the frame, and the camera rapidly moves forward.


In the center of the screen, slightly to the right, stands a person wearing blue clothes, with only the lower part of their chest visible. This person's left hand is holding the handle of a black camera in front of them, and their left hand is exerting force to twist the handle of the camera, seemingly attempting to rotate it. Their right hand is initially outside the top of the frame, then it is lowered from the top of the screen and placed beside their body. In the end, both hands are withdrawn, and the screen shifts slightly to the right, revealing the man slipping both hands into the pockets of his pants.


The scene is shot from a first-person perspective. In the center of the screen is the hood of a black car. The camera is slowly moving to the right. A man reaches out from the left side of the frame, his palm facing the camera, and moves it to the center top of the screen, then takes his hand out of the frame on the left side. The camera continues to move to the right, and the left hand re-enters the frame from the left edge, using the four fingers excluding the thumb to push against the hood, moving first to the right and then out of the frame to the left. The camera moves backward, and the left hand reappears at the bottom left corner of the frame, again using the four fingers to push against the hood, moving to the right and then out of the frame to the left. The man's left arm appears on the left side of the frame, swinging first to the left and then to the right, extending the little finger to point at the emblem on the car door. The camera continues to move back, and the head of a man in black enters the frame, crouching facing the camera with his body turned towards the bottom right corner of the screen. Then he raises his head to speak, loosely forming a fist with his left hand, swinging his arm twice towards the distance of the frame, his thumb pointing away, then straightening up to face the camera and lowering his left hand. Finally, he takes a step towards the camera, then turns his head to the right and bows it, extending his left arm.


The woman on the left side of the screen is clearing the plates from the table, and she makes eye contact with the man on the right side of the screen. While speaking, the woman picks up two plates. The man smiles and points to the plates with his two index fingers. The woman walks towards the left side of the screen and disappears from view to the left of the frame. The man watches the woman leave the scene, then he looks into the camera, which moves to the right side of the screen.


On the left side of the screen, a boy faces a man on the right side of the screen, and the man also faces left, looking at the boy. Then, with his eyes closed, the boy moves his body to the right side of the screen and falls into the man's arms, laying his head on the man's chest. The man closes his eyes and places his right hand on the boy's back, holding him tightly. In the background, there is a large orange-glowing hole and some hanging iron chains.


The camera captures a downward shot, with the leftmost side of the frame showing a white man in a light-colored shirt and blue shorts, facing right and holding a fishing rod, fishing. In the lower left of the frame is a woman in a white short-sleeved shirt and blue pants, standing on a boat, also facing right and holding a fishing rod, fishing. Then, while exclaiming in surprise, the woman rotates the fishing rod in her hand and walks towards the middle-bottom of the frame. The background of the scene is a river, with some trees planted on the right side of the background.


There are six people in the picture, all facing the camera with their eyes fixed straight ahead. On the far left is a man wearing a black cowboy hat, leaning his body against a plank with his left hand gripping it tightly, his expression serious. Behind him, slightly softer in demeanor, is a man in a white shirt. Moving to the right of the picture, there is a man with a brown cowboy hat, and to his right, a man in a brown jacket. Behind this man, a woman is hidden with her body obscured. On the far right of the picture is a man in a white shirt with a red scarf around his neck. They are all slightly swaying, their eyes focused intently on the front.


On the left side of the screen, a man facing the right side of the frame with his side to the camera has both fists placed in front of his body. On the right side of the screen, a woman facing the camera with her side to the left has both hands equipped with boxing gloves raised and is looking at the man. The woman glances to the right of the frame and then turns her head back to the left. The man lowers his left hand, extends his right hand, and turns towards the opposite direction of the camera while raising his right foot to kick a cylindrical sandbag on the right side of the frame. Then, the woman lowers her right hand, raises her right foot to kick the sandbag, and then lowers her right foot and raises her right hand. The man lowers his right foot while raising his right hand and turns back to face the camera sideward. He then extends his right hand again, turns towards the opposite direction of the camera, and raises his right foot to kick the sandbag. Afterward, he lowers his right foot, raises his right hand, and turns back to face the camera sideward. The woman raises her right foot to kick the sandbag again and then lowers her right foot behind her to the right side of the frame. The man lowers his right hand and raises his left hand, gesticulating as he speaks.


In the frame is a man facing the camera, with his right hand holding chopsticks to pick up food in the center of the picture. At the same time, he is making a hideous face towards the camera as if saying something. Then, his left hand reaches up from the bottom of the frame with a plate, while his right hand brings the food to his mouth.


The scene is an animated clip. In the center right of the screen is a green figure with a square head, facing the camera. He has two tentacles on his head and is holding an open book in his right hand. Initially, his gaze is directed to the right side of the screen, then he turns his head to the left side of the screen, speaking to an object on the left. He nods his head and his eyes express shock. In the lower left corner of the screen, there is a blue-violet object, and the surrounding walls are silver.


A close-up shot of an ice drill boring a hole. The drill is centered in the frame, moving downward to the ice surface, where it begins to rotate counterclockwise to drill the hole. There is a yellow tent on the left side of the screen.


In the center of the screen is first the lower half of a person, with both hands holding the ends of a skipping rope, in the act of jumping rope. Then, the camera slowly moves upwards, revealing the full body of an old man. The old man's head is bowed, looking down at the ground, and his hands are gripping the rope. The old man stops jumping rope and takes two steps back with his feet. The camera continues to slowly move upwards, and finally, only the upper body of the old man is in the frame. At the same time, the old man's hands are holding the ends of the skipping rope, and he raises his hands to swing the rope behind him, lifting his head to look into the distance.


A right hand holding a cloth enters the frame from the left side to wipe the chalkboard, the camera slightly pulls back, the hand moves up and down, and then it is removed from the bottom left of the frame.


In the background of the scene, a man in a black suit is sitting facing the camera. He is speaking to a long-haired woman who has her back to the camera in the foreground. In his right hand, he holds a glass filled with red wine, while his left hand is open with the palm facing to the left side of the screen, making two consecutive gestures in the air before lowering it. The camera switches, and the woman is shown wide-eyed, looking at the man. The woman is located on the right side of the background, while the man is on the left side of the foreground.


A blond woman is standing in the woods facing the camera. In her right hand, she holds a fork with a sausage impaled on it, and in her left hand, she carries a plate with a food item resembling a sandwich. The blond woman smiles at the camera, raising the sausage upwards with her right hand, then turns the fork to the right side of the frame, placing the sausage on the plate in her left hand. Looking down at the bottom of the frame with a smile, she speaks while slightly shaking her right hand to either side, securing the fork more firmly in the sausage. She glances at the camera, raises the sausage again, and then speaks while looking down at the bottom of the frame. The camera moves forward and tilts downwards, closing in on the plate. The blond woman holds the sides of the plate with both hands, then extends her left hand towards the camera, lifting the top layer of the pastry on the plate to the right side of the frame. She slightly lowers the pastry towards the camera and then lifts it again to the right side of the frame, pinching it. With her left middle finger, she picks up a piece of cheese, then pinches the pastry and cheese together, lifting them towards the right side of the frame.


The man on the left side of the screen, dressed in a dark suit, is standing facing the camera with his right hand holding a glass cup containing a beverage, looking towards the right side of the screen at a man dressed in a light suit who is sideways to the camera and facing left, engaging in a conversation with him. In the background, there is a shelf with many bottles of alcohol. The man in the light suit has his right hand holding a glass cup with a beverage, and his right elbow is resting on the counter next to him. The man in the dark suit waves his right hand and then leans back against the counter behind him, looking down at the cup in his hand, then at the man in the light suit, and then back down at the cup. The camera switches to the man in the light suit at the right side of the screen, facing the camera directly, while the man in the dark suit is now on the left side of the screen, his body facing left and sideways to the camera, with his back to the camera as he looks at the man in the light suit. The man in the light suit bows his head and raises his cup, and the man in the dark suit turns his head clockwise, bows it, and takes a sip of the beverage. Then, the camera switches back to the original angle, showing the man in the dark suit drinking his beverage, then turning his head to look at the man in the light suit and gesticulating as he speaks. The man in the light suit bows his head to drink, and the man in the dark suit looks to the left side of the screen and then down at the cup in his hand.


In the center of the screen is a man wearing a black sweatshirt and jeans. He holds a rope in both hands, demonstrating its use to the camera. During this process, he also opens the rope that is twisted together above with both hands and picks up the extra rope below to explain it. To the right of the screen is the trunk of a large tree.


The scene in the picture is set up like a classroom. Two rows of yellow desks and chairs are placed to the left of the camera. A man in a white shirt is standing to the right of the picture, facing the side of the camera, and looking to the right front of the lens; the man in the blue clothes has his hands on his hips, his side face turned to the camera, and is standing looking to the right of the picture; the blond woman has her left side to the camera, her left hand resting on the desk, looking to the left front of the lens, standing behind the desk. The woman with black hair is facing the right of the picture, sitting sideways on a chair, with her left elbow on the table to her left. The man in the white shirt has stepped back to the left of the picture, standing behind the first row of desks on the left. The blond woman raises her left hand, turns her head towards the camera, and flicks her hair to the right of the picture, then she turns towards the front of the camera, with the back of her head facing the lens, stepping back to the right of the picture. In the middle of the background, another woman with a ponytail is sitting at the desk to the left of the picture, with both hands on the table. The woman with loose hair and the woman with a ponytail are facing each other and talking, then the woman with loose hair tosses her head to the left of the picture, looking to the right, while the woman with the ponytail raises her right hand, supporting her right cheek, and both are smiling. Then, the blond woman turns to the camera, looks to the left of the picture, raises her hands high on both sides, swings her body left and right, and smilingly turns to the right of the picture, then lowers her hands, turns to the left of the picture, and continues to turn her head to the left, looking to the left front of the lens. The man in blue raises his left hand to scratch his left cheek and walks to the right of the picture, then he lowers his left hand and speaks while looking to the right of the picture. The man in the white shirt looks to the right of the picture, raises his right hand, and flicks his hair to the left. The woman with the ponytail is looking to the right of the lens and talking, and she lowers her right hand. To the left of the picture is a whiteboard and


In the upper right corner of the screen, a pair of legs in blue shorts are kneeling on the sand. To the right of the screen, a right fist is touching the ground. In the center of the screen, the left hand is holding a iron spoon, digging into the sand. Immediately following, the right hand grasps an object in the center of the screen. The camera zooms out to reveal a white male in a bright yellow vest and blue shorts kneeling on the ground. He transfers the object from his right hand to his left, then with force, he throws the object onto the sand. Both hands are then placed on his thighs, his body leaning back, facing the sky.


A purple hippopotamus stands on the left side of the screen, facing right and running towards the pink hippopotamus on the right side of the screen. The pink hippopotamus is lying on a chaise lounge on the right side of the screen, then sits up, and immediately the purple hippopotamus looks at the camera and quickly turns to look at the pink hippopotamus. The pink hippopotamus looks at the camera, and then both hippos turn to look towards the right side of the screen.


The video is an animation with a living room as the background, and there are some paper scraps on the floor. In the middle of the screen is a monkey, smiling with both hands raised, holding a paper chain of four connected little people. At this moment, the monkey is shaking its hands, and the paper figures in its hands shake along with it. The camera zooms out and magnifies the scene, in the center of which a horizontal glass bottle on the coffee table is pouring water downwards.


In the frame, there is a man sitting wearing a blue and white checked shirt, and he is spreading open his right palm while speaking. While talking, he blinks his eyes and makes gestures. Initially, his right hand is on top and his left hand is below, then he switches it, placing his left hand on top. As he speaks, his hands move apart, with their palms facing each other and hands open. Then he raises his hands to the sides of his body, to about the level of his neck, with his fingers spread out, facing the camera. In the end, he slowly lowers his hands, and he has been speaking throughout the entire video.


Aerial view of a person pushing a tiller in a paddy field, first pushing it towards the bottom of the frame, then turning to push it a short distance to the left of the frame, then turning upwards to push, and later turning to the right side of the frame to push a short distance again, before repeating the actions, circling clockwise and tilling the land.


The lens is a fisherman's first moment, with the shooter's right hand entering the frame from the bottom, holding the fishing rod. To the right of the frame, there are two people fishing. The lens moves to the left, and at the bottom of the frame, the shooter is holding the fishing rod with the right hand and adjusting the fishing line with the left.


A pair of hands holds a jewelry-adorned elephant doll, flipping it over and over, then places the elephant on the table with both hands free. The camera then pulls back, showing the right hand lifting up to touch the brim of the black hat worn by the man. The man then places both hands on the table and speaks, after which he looks up to the upper right and then bows his head to take a breath. The scene changes, showing the man in the black hat sitting on the right, while the man in white supports himself on the table with both hands, leaning slightly forward to speak, then looks to the right at the man in the black hat, his body turned to the right, with his right hand slightly lifting off the table. Finally, the camera moves forward to focus on the iron railing behind the man in white. Behind the railing, two men appear in the frame, one shorter on the left and one taller on the right, with their eyes looking downward.


In the scene, a person wearing a dark brown shirt is sitting in the driver's seat of a car, with only their hands visible; the left hand is stretched out and resting on the edge of the steering wheel, while the right hand is stretched upwards and then moves horizontally towards the front of the car. Following this, the right hand quickly slaps the back of the left hand, then raises up, and then the left hand is lifted to slap the back of the right hand. Afterward, it moves back to rest on the edge of the steering wheel. With the fingers of the right hand pointing upwards, it gently swings forward, and then the left hand also slowly raises, with both hands alternating to gently swing forward.


In the scene is an aquarium, with a withered tree root placed at the center, surrounded by colorful small fish swimming around, and then the camera lens starts to zoom in.


In the scene, one can see a person's hands busy knitting a small green object. The right hand holds a small metal hook with an orange handle, while the left hand holds the green yarn. The right hand skillfully weaves the green yarn with the hook, continuously threading it between the green object and the yarn in the left hand, pulling the hook back and forth with adept movements.


On the left side of the screen, a woman in a pink top is holding a white box and placing it on a black car parked on the right side of the screen. The girl on the left first removes the lid of the box with her left hand, and then leans in close to the box to take a look. On the right side of the screen, next to the parked car, there is also a white lid and a blue unknown object.


In the center of the screen, a woman in pink clothes and a white apron extends her right hand and waves while running towards the camera. To the left of the screen, there is a cart, and to the right, two green shopping carts also move towards the camera, loaded with many red boxes.


In the frame, a woman facing the camera and smiling at it has her right hand on her head. She closes her mouth, moves her right hand backwards to comb her hair, and tilts her head to the left of the screen. Then she lowers her right hand and opens her mouth to reveal her teeth, smiling. She then straightens her head, opens her teeth briefly before closing them, and slightly shakes her head at the same time.


In the center of the screen is a locked wooden box. On the right side of the screen, a hand flashes by, followed by the camera zooming in, and a hand appears on the right side to unlock the box. The box opens, and then the camera faces down into the contents of the box.


A man with his back to the camera supports himself with his right hand on the railing, his left hand on his waist, and his face turns clockwise towards the camera. Then he turns to the right of the frame and starts walking to the right, his hands sliding up from his abdomen along his body, and he rubs his palms together in front of his chest. Next, he lowers his hands, slightly bending his arms and swinging them, before speeding up and ascending two steps. He then continues to walk to the right of the frame, and finally comes to a stop.


The main subject of the scene is a hand, which slowly strokes down the trunk of a tree covered in greenery. The camera follows his movement downward, and the leaves that are pressed down by the hand spring back up after the hand is removed.


On the left side of the screen, a blonde woman wearing a white shirt and a dark red coat is standing inside a room decorated for Christmas. On the left wall in the background, there is a decorative painting, and on the right side of the scene, there is a Christmas tree. She is facing the camera with a brown surface table behind her. In her right hand, she holds a phone in front of her body, seemingly making a phone call, and her gaze shifts from looking directly at the camera to the upper left of the screen. A white-haired man in a gray shirt enters the view from the left side of the screen. He gives the woman a light pinch on the waist, causing her to startle. The man then smiles, seemingly as a prank. He then presses his lips together, suppressing a laugh, and walks to the right side of the screen. The woman on the left glances downward at the man on the right. The man bends down and extends his right hand to pick up a piece of meat floss bread from the wooden cutting board in the foreground, slightly turning his head to speak to the woman.


The background of the scene appears to be a circular building, partially obscured by some green trees. In front of the building, there are many cars traveling in two directions; most of the cars are heading to the left of the screen, while some are moving to the right. In the background, there are people walking in different directions. On the left side of the screen, there are some black pigeons moving on the water's surface or flying. In the foreground, there are also some green hedges, separated from the background by a waterscape.


A man is sitting on the left side of the frame, facing the camera with an open smile. The woman is sitting on the right side, facing the right side of the frame and laughing heartily. She then turns her head towards the camera to speak and laughs, after which she lowers her right hand and quickly turns to speak to the man. The man looks in the direction of the woman. The woman then raises her right hand, looks towards the upper right corner of the frame, and turns her head to look to her left. Both lean forward and bounce quickly, and the man looks back at the camera.


The camera shoots from above, focusing on the orange flower as it zooms in, then slowly raises and moves towards the upper left of the screen. The orange flower departs from the lower right of the frame, as purple flowers appear in the lower right corner.


The scene is captured with a fixed lens, with a close-up of some cherry tomatoes on the left side of the screen. In the bottom right corner, a left hand reaches in and picks up several cherry tomatoes. Then, a right hand reaches in from the right side of the screen and also picks up a few cherry tomatoes. It then takes the cherry tomatoes from the left hand, and both hands leave the screen from the bottom right corner. Finally, a right hand reaches in from the left side of the screen and places several cherry tomatoes on the pile of cherry tomatoes on the left side of the screen.


On the left side of the screen, a little girl wearing a white shirt with black dots is sitting, facing the camera from the side, looking down to the left of the screen. She rocks her chair and then turns her head to look to the right of the screen. On the right side, there are two men; the man on the left is bald and has his right hand on the table, holding a pen and supporting his glasses. The man on the right, wearing a gray hat, is typing on the keyboard of a laptop on the table with both hands. Both men are smiling. The bald man lowers his right hand to press the phone on the center of the table, and then the man with the gray hat reaches his right hand towards the left side of the screen to touch the phone. The camera rotates to the left side of the screen, revealing an indoor scene with a slanted wall on the left and a window on the right.


This is an animation segment where a white rooster with its eyes closed is walking towards the left side of the screen, and the camera follows it as it moves to the left. Then it stops, the camera holds still, and it opens its eyes looking towards the left side of the screen. It then turns around to face the camera, turns its head down to the right side of the screen, and looks towards the lower right corner. Afterwards, it looks up towards the right side of the screen with a worried expression. In the background of the scene, there is a tree and a wooden barrel on the left side of the midground. The background extends with fences on both sides of the screen, some greenery, and slightly undulating green land, which could be farmland.


The camera shoots the cockpit from outside the car. The woman on the left side of the screen is sitting in the passenger seat, facing the camera, with her body slightly tilted to the right. She glances at the man on the right side of the frame, then looks at the camera, sits up straight, and smooths her hair back with her left hand. She turns her head to look to the right of the screen, then touches her nose, and finally lowers her left hand. The man on the right side of the screen is sitting in the driver's seat, facing the camera, holding a walkie-talkie in his right hand in front of his mouth, and continuously speaking into the walkie-talkie.


On the left side of the screen, a white dog is standing in the middle foreground on the floor, while on the right side, a black dog is standing on the floor facing left, with its head turned towards the middle of the foreground. On the right side of the screen, a pair of hands is rubbing the sides of the black dog's body. The black dog occasionally opens and closes its mouth, turns its head towards the left side of the screen, blinks its eyes, and then turns to look in that direction, wagging its tail. Following this, the white dog lowers its head, shifts its body towards the left side of the screen, lies down on the ground, and occasionally sticks out its tongue. It tilts its head towards the position of the black dog, watching it. The black dog turns its head to look at the camera, blinks, and then turns its head to look towards the right side of the screen.


In the center of the screen is a middle-aged man with a beard and silver hair facing the camera, talking with his mouth, his head tilted to the left and then to the right.


The woman in the picture has her hair tied up and is wearing military green clothing, facing the camera. To the left of the frame is the bold white text "CAN WE HUG?". The woman blinks, raises her hands into fists and moves them downward, slightly bowing her head as she speaks. Then she raises her right hand, index finger pointing at herself, while her left hand is lowered. Next, her right hand moves forward, fingers joining together, and then forming a fist, which she places on the right side of her body. Her left hand also forms a fist and crosses over with her right hand, placed on the left side of her body. She rocks her body from side to side before lowering her hands, closing her mouth, and facing the camera. The background is in a dark green color.


At the beginning, there is a stillness, with a machine in the middle of the screen. The camera then switches, and a man's body appears on the left side of the screen, crouching and extending his right foot to the bottom left corner of the screen, pushing the bottom of the pliers on the left side of the screen. Subsequently, he appears from the left side of the screen, using his right hand, which is wearing a black glove, to grasp the bottom of the pliers on the left side of the screen, move it away, and reinstall it. He then extends his right foot again to the bottom right corner of the screen, pushing the bottom of the pliers on the left side of the screen.


In the center of the screen is a man wearing a blue shirt and sunglasses. His body and face are turned towards the right side of the frame, then he turns his head to look in the direction of the camera, and subsequently turns his head to look behind him. The camera zooms in on the man. In the background of the scene, a crowd is looking at the man in the blue shirt.


In the scene is a grassy area in the park, with many tourists in the background. The camera pans to the left, showing many dogs on the grass. In the foreground, a large black dog is sideways to the camera, walking towards the left side of the screen. In the middle distance of the scene, a black dog is walking towards the camera; on the left side of the background, another black dog is walking towards the right side of the screen. There are also a few people standing on the grass in the background. The camera continues to pan left, and the black dog in the foreground turns its head, sticking out its tongue and walking towards the right side of the screen; a person in blue jeans is on the left side of the frame, facing the camera; in the background, there are two smaller dogs, one black and one yellow, facing the camera. The camera pans to the right again, and three black dogs run ahead with their backs to the camera, while the camera follows them and moves forward.


Foreground, a woman in blue clothes walks towards the right of the frame and disappears, the camera zooms in, focusing on the two people at the center of the frame. The man in the center, wearing a black hat, is sitting on a white cloth spread on the sand, facing left of the camera, looking down to the right of the frame, with his arms on his legs and something in his right hand. To the lower right, a woman in a white and green swimsuit is lying prone, her head towards the left of the frame, holding a phone with both hands, her elbows on the ground, and both are smiling, with the woman's body trembling from laughter. The man looks to the left of the frame, moves his feet to scrape the sand, his left hand touching his leg, then raises his left hand to touch his nose. The woman touches her head with her left hand and then lets it down, the camera shakes back and forth. In the background, there are many people in swimsuits standing or walking, and in the sea of the background, there are many people, with the ripples of the waves flowing.


In the center of the screen, a person wearing a blue checked shirt is facing left, holding a frying pan in their left hand, turning to the left of the screen with their back to the camera. The camera moves to the left. Then, they walk to a cooking station on the right of the background, facing right, and place the frying pan on the counter. The camera moves forward, and the person in the blue checked shirt becomes faintly visible in the lower left corner of the screen, with a slight shake of the camera. Then, the camera moves to the left of the screen, and the person in the blue checked shirt is facing left, with their right arm reaching towards the lower left of the screen. Around the edges of the screen are beige walls, and in the lower left corner, there is a table filled with plates and condiments.


Both people are holding a piece of paper in their hands and moving to the left side of the screen. They walk up to a pillar, and the man on the left side of the screen sticks the white piece of paper in his hand onto the pillar. The man on the right side does the same with his magenta piece of paper. They talk while posting the papers. After the person on the right side finishes posting, he taps the paper a few times with his hand.


On the left side of the screen is a foreign man in a black vest with wet hair looking directly at the camera. His hands are reaching out to embrace a foreign man on the right side of the screen who is wearing a black short-sleeved shirt and has his arms crossed in front of his chest while facing the camera. The camera slightly moves to the right, following the action. The man on the left is smiling at the camera, holding the man on the right tightly in his arms. However, the man on the right is frowning, looking towards the bottom right corner of the screen, and pushing the man on the left away with his hands. Then, as they move towards the camera, the man on the left drags the man on the right towards the left side of the screen, but the man on the right quickly moves towards the right side of the screen, while the man on the left continues to smile and also looks towards the right. The background of the scene is an outdoor swimming pool.


On the left side of the screen is the right side of a man's face. He is facing to the right, with his mouth open, showing his teeth as he smiles, and his eyes looking upwards. Then he turns his head to the left, looking at another man, and starts speaking, nodding occasionally. He then turns his head back to the right, quickly shaking his head up and down, and shaking it to the left once. He continues to shake his head rapidly and significantly up and down before finally turning his head to the left to look at the other man. In the center of the screen is a man dressed in a police uniform, wearing a hat. His hands are resting on the window as he looks down at something in his hand. His body is tilted to the right. Then he raises his hands slightly, with his left hand holding a small notebook and his right hand holding a pen, writing something on the notebook. His lips are pursed, and then he turns his head to the left to look at the man on the left, tilting his chin to the left. His eyes go back to the notebook and then to the man on the left again. He then adjusts the position of his police hat by holding the edge with his right hand, lowers his right hand, and looks at the man on the left while speaking, with his eyebrows raised.


In the beginning of the scene, four people can be seen. On the far left is an elderly man wearing a blue checkered shirt and a blue jacket, with white hair and a full beard. You can see that he is saying something as the camera is on his side. Next to this old man is another elderly person with short white hair, who is covering her mouth with her right hand. To the right is a person with a crew cut wearing a purple vest. She first wipes her tears with her right hand, then gives a bitter smile, and her expression fades. To the right of the person in the purple vest is a girl in a blue floral dress. The girl has her right hand balled into a fist, pressed against her mouth, and her eyes are looking at the old man in the blue jacket who has been talking on the left. The person in the purple vest has her left arm around the girl in the blue floral dress. In the last shot, you can see that there is also a man in a blue short-sleeved shirt on the far right of the screen. He has a blank gaze and his head is slightly tilted to the left.


The ground being filmed is in an outdoor jungle. The shooter is holding the filming equipment in their left hand, wearing a blue shirt. The left hand raises the camera upwards, and the lens shakes continuously before stabilizing. One can see that the man has a rope tied around his waist and is descending from a slope. His gaze is always towards the left side of the frame. In the background of the scene, a blue bag can be seen placed on the fallen leaves.


In the right background of the screen, a woman with her side to the camera has her body facing to the left of the screen and turns her head to look at the large screen behind her. Her left hand is placed on her abdomen, while her right hand is raised and placed on the screen, making a small sliding motion on it. Then, she turns around to face the camera directly and looks towards the camera's direction. In the lower foreground of the screen, four people with grey and white hair have their backs to the camera, only their heads are visible. The person in the bottom right corner bows their head and then lifts it up again, while the person in the bottom left corner extends their head in the opposite direction of the camera.


Long shot, on an empty lot next to several buildings, a person is riding an electric scooter towards the right side of the camera. They tip over when turning. A person standing in front of them sees the accident and quickly runs over to help them up. The person on the electric scooter, after getting up, raises both hands and takes a few steps back. The helper points at them, and then the person on the electric scooter walks forward, stretches both hands again, and starts to pick up the scooter. The helper also steps back a few times, flaps their hands twice, and then turns around and leaves.


The camera moves to the left, and in the center of the frame stands a little boy facing the direction of the camera. In the background of the scene, a sheep with its fur scraped off is hanging from a tree, while a group of people are scraping the wool off, with others watching on the side.


The scene is a close-up shot of hands, with a pair of hands located on the right side of the screen. The right hand is working on a panel in the center of the screen with a tool, while the left hand, with its back facing the camera, coordinates with another tool. The scene then switches to an insect, whose antennae and legs are moving wildly. Following this, the screen changes again to a crawling machine, whose four limbs are stepping in place on the ground. The camera rotates counterclockwise towards the left side of the screen, with several people in uniforms standing in the background.


A man in black appears on the left side of the screen. He walks towards the stool in the center of the frame with his back to the camera, then turns around and sits down with his legs spread apart. As he sits down, his right index finger and thumb flip the card he is holding in his right hand, while his left hand approaches the card, and both hands raise the card to his chest. Then he makes a fist with his left hand, facing the palm towards the camera and holding it up to the side of his left ear, before lowering it a few seconds later.


In the center of the screen, four policemen stand at the four corners of a square, surrounding a white-clothed man facing the camera. The white-clothed man then slightly bends his upper body and takes a step towards the camera. Following that, about five or six people with their backs to the camera walk towards the policemen from the right side of the screen, some of them raising photo-taking equipment to capture the scene.


We can see the interior of a supermarket. In the center of the image is a man wearing a green coat, pushing a shopping cart with both hands, walking away from the camera towards the distance. His gaze is directed to a row of shelves on the left side of the screen. To the right of the image are many shopping racks hung with goods.


This is a close-up time-lapse shot from a top-down perspective. In the center of the frame is a painting, with a right hand on the right side of the screen holding a paintbrush to color the canvas. The right hand's brush first dips into pink paint and quickly moves to color the right side of the canvas. Then, the brush quickly moves to color the lower part of the canvas. Subsequently, the brush touches the paint from a tube in the left hand, and then quickly moves to color the left side of the canvas. The right hand briefly disappears, then quickly moves to touch up the left, right, and bottom sides of the canvas. Next, the left hand picks up a tube of yellow paint, and the right hand dips into the yellow paint before quickly moving to color the right side of the canvas. Finally, the right hand dips into the yellow paint again, preparing to color the left side of the canvas.


In the center of the screen is a male wearing blue and white clothes with headphones on, facing the right side of the screen. He raises his left hand to knock on the door on the right side of the screen, then leans his head towards the door on the right, and later lifts it back to the center of the screen.


There are three women in the scene. The woman on the right side of the frame, close to the camera, is wearing a black hat and her body is facing towards the left side of the screen. She bows her head down, talking, and then turns her head towards the back of the camera. The camera moves to the left, and most of the woman in the hat is no longer visible from the right side of the frame. Then, her head re-enters the frame from the right side and moves to the right, leaving only the hat visible in the frame. Farther from the camera, the woman on the left side of the frame, wearing a white coat, faces the camera and talks. She then slightly turns her face to the left side of the screen and then turns her head to the right side of the frame with a smile, before quickly turning back to the left side. The woman on the right side of the frame is dressed in black and white, her body facing towards the left side of the screen as she talks.


In the scene, a man and a woman are leaning against a bay window. The camera slowly moves from the right to the left, advancing towards the front. On the left side of the screen, a woman in a green top is holding a large red drawing board in her left hand and writing something with a pen in her right hand. On the right side, a man in a brown shirt is half-lying down, with his right leg bent and his left leg naturally hanging over his right ankle. He is holding a brown notebook in his left hand and writing with a pen in his right hand. Suddenly, he raises his right hand, sits up, and says something. At the same time, the woman stops writing and looks up at him. He looks away from the notebook, points to the woman with his right hand, and says something. The woman places her hands crossed over the red drawing board and turns it around to show her drawing to the man, facing him. The whole scene is set in a bedroom with a bay window. On the left is a white bed, with the two people leaning against each side of the bay window. There are some green Christmas decorations on the tables on both sides. The window is divided into three parts, and outside is a pine forest covered in a blanket of white snow.


The screen is divided into two sides. On the left side, an elderly man is sitting and looking towards the right side of the screen, smiling and speaking. He raises his right hand to stroke his beard, pinches his mouth, and then smooths his beard before lowering his right hand. On the right side is a street scene, where a young person wearing white sneakers walks by, and a man with black hair looks down at his phone as he passes through.