The camera starts moving slowly from left to right until two people enter from the right into the center of the frame. The woman on the left with long brown hair is wearing a white scarf and pink gloves, dressed in a purple coat, holding a white cup with both hands, and has a black bag slung over her right shoulder. The man on the right with short brown hair is wearing a black scarf with red and blue checks, a black coat, black gloves, and is holding a white cup in his right hand. As the woman first enters the frame, she looks to the left outside of the frame with a puzzled expression, then turns her head while speaking to look at the man. The man, with his left hand holding a black phone, reaches out from the bottom of the frame to look at her and also starts to speak, then directs his gaze to something outside the left of the frame. Following this, the woman, with a slightly surprised expression, pats the man's shoulder with her left hand, and the man also reveals a look of surprise. Then, the two walk together towards the right side of the frame. In the background, there are many green trees, and a tree adorned with light bulbs that is illuminating.


The girl in the yellow dress and the girl in the pink dress are inside a gray tubular object. The girl in the yellow dress is looking down to the right of the screen, her gaze directed towards the bottom of the frame. The girl in the pink dress is standing towards the camera, smiling and looking up towards the top of the frame. The girl in the yellow dress raises her head to look to the right of the screen, while the girl in the pink dress bows her head and then looks up at the camera. Both simultaneously throw a ball upward from within the gray tubular object. They both start laughing as the girl in the pink dress looks up at the ball and then looks down to the right of the screen. Briefly, a small part of the body of a girl in a floral skirt appears on the left side of the frame; she flutters her hair towards the camera and then disappears to the left side of the screen. The girl in the pink dress turns her head to the left of the frame and then turns back to the camera, throwing the ball upward again, followed by the girl in the yellow dress looking down and throwing the ball up. Subsequently, both lower their heads towards the camera, put their hands down, and smile while looking downwards in the frame.


The camera captures a top-down view, with the upper right side of the screen showing a person pressing a cucumber slice with their left hand while swiftly slicing it with a knife in their right hand. Then, she flips over another cucumber slice with her left hand and continues to slice it slowly.


In the center of the screen, a black swan is seen in profile, facing the right side of the frame. It then slowly turns and swims towards the upper left back of the screen. Along the way, it bows its head and bends its neck slightly before lifting its head up again. In the end, it turns once more and swims towards the right side of the frame.


A man stands in the center of the frame, holding a gun with both hands, facing the camera. He then raises his right hand towards the camera before returning it to the gun's handle. With both hands, he lifts the gun upwards, and his right hand leaves the gun, spreading all five fingers in front of his body, palm facing himself, and moving continuously towards the gun. Subsequently, the camera pans to the right side of the frame, the right hand moves to the bottom left corner and then towards the top right corner of the screen. The man turns to the right side of the frame, rubbing his right hand back and forth over the barrel of the gun. The camera moves upwards, and the man extends his right index finger, causing the gun to stand up vertically in a counterclockwise direction.


In the video, there is an infant lying in an incubator. The baby's head is turned to the left side of the screen, with the left hand raised to the ear and the right hand by the mouth. The baby rolls their eyes to observe the surroundings, then uses the right hand to wipe the face, and starts to shake both hands and feet. Some medical devices can be seen on the baby and next to the incubator.


The scene is shot indoors. On the left side of the screen is a man wearing a black T-shirt. At the beginning of the video, he holds a stainless steel water cup in his left hand and presses it tightly against the lens as if to toast with the camera. In the end, he slowly turns his body to the right side of the screen, facing the camera sideways. On the right side of the screen is a man wearing a black hat. He is standing behind a table, supporting it with his left hand, with his body facing towards the left side of the screen. His right hand is holding a phone, and he is looking down at it. At the end of the video, the man on the left side slowly raises the camera lens he is holding.


The man on the right in the blue shirt is standing facing left, with both hands freely waving in front of his chest in sync with his speech. The man on the left in the black shirt raises his right hand to speak immediately afterward, and once he finishes, the man in the blue shirt continues speaking. The man in the white shirt at the top left has his hands folded in front of his body and is shaking his head from side to side, looking at the person who is speaking.


The video footage is shot from a first-person perspective; the scene is captured from a top-down angle. In the center of the frame is a top-down view of a left hand, with the thumb extended. To the right of the frame is a small dog with brown and white fur, looking up at the camera and then jumping up, trying to place its front paws on the hand of the person filming, but it fails and falls to the ground. The brown and white dog gets up and jumps again, stepping on the black and white dog on the left side of the frame. Meanwhile, the camera pans left and then right, and the black and white dog moves backward.


The background of the screen is light blue, and there is a branch placed on the left side of the screen, with its reflection on the right side. A hand is holding a transparent glass bottle, entering the screen from the right side and extending towards the center of the screen. This hand places the transparent glass bottle in the center of the screen, then withdraws to the lower right corner, exiting the screen, at which point there is a reflection of the glass bottle from the center of the screen on the right side.


The camera shoots through the car window to the outside, where pedestrians can be seen walking at the bottom of the frame, moving from the left side of the screen to the right and disappearing into the scene. Then, a car appears on the right side of the frame and moves away from the lens, heading towards the distant right side of the scene.


The camera shoots from a low angle and continuously moves upwards, revealing more of the scenery from the top of the screen. It transitions from the water surface with black stains to the brick ground covered in green and black, and then the scene shifts to a road running left and right. A group of people walk to the right side of the screen, while a person in a white top rides a skateboard to the left. On the green lawn next to the road, another person is walking towards the right of the screen. The scene then transitions to the green grass where two people sit together talking, with the person in blue pants making gestures. The camera continues to move, revealing a woman holding a child's hand on the sidewalk above the green area just seen, walking to the right of the screen. At the far right, two people stand next to a blue pillar. Towards the upper right of the center, three people sit on wooden chairs, and two more sit on the ground. The camera moves up further, showing a few individuals standing or walking to the right on the sidewalk below, while others are scattered on the grass under the blue sky and white clouds. In the lower right corner, two people walk to the left of the screen. At this point, you can see a road and blue-roofed buildings on the right side of the screen, with some trees and buildings in the background.


The video is a close-up shot. The person on the left side of the screen is facing the right side of the frame, holding a bug with their left hand. The left hand rotates the bug clockwise, then counterclockwise, positioning the bug's head directly towards the camera and slowly moving it closer to the lens. Along the way, they rotate the bug clockwise once more.


At the center of the screen are a man in black clothes and a woman in orange clothes. Both are smiling and looking towards the left side of the screen. The man is holding a black pole in his right hand and then throws it towards the left side of the screen. The woman turns her head to the left to look at the man with her eyes wide open. The man raises his right hand to make a gesture and then lowers it. To the left of the background is a man wearing a red shirt and white pants. He takes a few steps towards the right side of the screen and then stops. On the left and middle of the background, there are some Christmas decorations, and on the right side, there is a cabinet with some items placed on it.


The video footage is shot with a handheld camera. To the right of the frame, a person in a white top is standing in the doorway, facing the camera with their hands together in front of their body. The camera quickly pans to the left side of the frame, causing a brief overexposure, which then returns to normal brightness. At the top of the frame, a mirror is hanging on a wall with black vertical stripes, and at the bottom is a white marble washstand. The camera continues to pan left, and a man in a gray top, holding a camera, appears in the mirror. Then, the camera quickly turns to the right side of the frame, and a black decorative painting enters the view from the right side.


In the image on the left, a man with black medium-short curly hair is wearing a dark blue top, layered with a black plaid vest, and a gold necklace. On the right, a man with black medium-short straight hair is dressed in a white shirt. They are both standing next to a wooden structure, looking to the left outside of the frame. The man in the dark blue top slightly turns his body to the right of the image, his head turning slowly to the right, pausing briefly, then quickly turning to the right to look at the man in the white shirt. He swiftly turns his head backwards, signaling the man in white to go behind. After slightly turning back again, the man in the white shirt meets the gaze of the man in dark blue, understands the hint, and nods. Then, he quickly turns and runs to the back of the wooden structure, supporting himself with his left hand on the wood, jumping over the obstacle and running out of sight. The man in the dark blue top glances briefly at the white-shirted man running away, then continues to turn his head to the left side of the frame, leaning slightly forward, intently staring to the left outside of the image. In the background, the wooden structure takes up most of the space, with dense vegetation on the right side of the frame.


The camera plays in slow motion throughout, with a man in black clothing positioned slightly to the right in the center of the frame, facing towards the left side of the screen. His upper torso is visible. He takes a drag from a cigarette in his left hand and then sets it down. The camera focuses on the man's face and then zooms out to show his upper torso. The scene then changes, and the man is standing on the right side of the frame, walking towards the camera. He raises his left hand, ready to smoke. The camera focuses on his upper body as he puts the cigarette in his mouth. The camera switches to a close-up of his head, and he looks to the right of the screen and then down. The camera zooms out again to show his upper body as he looks down and smokes, then glances to the left of the frame. The scene switches once more, with the man now sitting in a car, his right hand gripping the top of the steering wheel and then moving to the right side of it, as his head bobs up and down. Finally, the camera returns to the previous scene, with the man slowly moving towards the camera, looking down at the bottom of the screen, and lowering his left hand.


The man in blue on the right side of the screen is standing facing left, his right arm raises up first and then he places it on his chest, while his left hand remains on his chest the whole time. He keeps talking, and both hands move towards his neck. The man in gray on the left side of the screen is standing facing right, he nods his head and then his left hand reaches for his hair.


On the right side of the screen, a man is sitting in front of a piano, facing the piano on the left side of the screen, with both hands on the keys playing the piano. The camera then slowly pans to the upper right, revealing the man's face and body from the right side of the frame. The camera continues to move upwards and gradually zooms in, focusing on the man's head. The man is bowing his head, turning it from side to side, and finally looking towards the lower left corner.


The text in Chinese translates to English as: "In the frame, there is a black pot containing some vegetables resembling shredded radish. The camera captures the scene from a top-down angle, and a pair of chopsticks extends into the frame from above, beginning to stir and flip the contents."


In the center of the video is a woman wearing a blue headscarf and a yellow floral dress, facing the camera slightly to the right. She is pressing on the right shoulder of a man in a white shirt on the right side of the screen with one hand while speaking, and she points to the direction on the right side of the frame with her chin. In the background, some bushes or trees can be seen, and there is a blue bag on the right side of the screen. In the bottom right corner, a woman in a black cloak is standing in front of a blue background wall and signing with her hands.


In the scene, two people can be seen. The one closer to the camera is a man wearing a black vest, who has his back turned to the lens. A little further from the camera is a man in a gray shirt, whose body is facing the camera. In the foreground of the scene, the man in the black vest is bowing his head, seemingly trying to bounce a ball. His hands are moving up and down. The camera slowly zooms in on the man in the gray shirt in the background. You can see that the man in the foreground raises both hands and throws the ball towards the man in the background. Then, the man in the black vest exits the frame from the right side. The man in the background looks directly at the ball, catches it with both hands, and then turns his head to look at the top right corner of the frame. He starts to turn towards the right side of the frame, assumes a shooting posture, and raises the ball over his head. He pushes the ball out with his right hand. He maintains this pose in the air for a moment before lowering his hands. The camera begins to pan to the left. The man in the gray shirt also starts walking towards the right side of the frame. At this point, the focus is on the back of the gray-shirted man, who is walking towards the basketball hoop, tapping the ball with his right hand that he just threw.


In the scene, one can see a person's hand dealing with an oil painting in the center of the screen. The right hand is holding a brush and has dipped it into a white bottle on the left side of the screen to pick up some paint. Then, the hand begins to brush on a semi-transparent paper on the oil painting, turning a leaf on the paper white. The hand holding the brush reaches back to the bottle on the left side of the screen, dips the brush into the paint again, and continues to brush on the leaf on the semi-transparent paper. Then, the left hand picks up the semi-transparent paper, and with both hands holding the sides of the paper, it is placed at the bottom of the oil painting in the center of the screen. The left hand supports the left edge of the semi-transparent paper, while the right hand, holding the brush, dips it once more into the white bottle on the left side of the screen and continues to brush on the paper. The left hand lifts the left edge a bit higher, and then the camera starts to change, with another scene entering from the right side of the screen, slowly enlarging. The original scene begins to move to the left side of the screen, gradually shrinking.


In the frame, the camera looks beyond the window glass of the room. There are several pieces of clothing arranged horizontally at the top of the screen, and the image is slightly shaky. In the upper right corner of the glass, the reflection of the room's light can be seen.


In the scene, there are two people. The one on the left is a boy wearing a white shirt. His body is facing the camera but his head is turned to the left. He is holding a red square bag in his left hand and has his right hand raised. On the right side of the frame is a boy wearing a blue short-sleeved shirt. His body is facing the camera but his head is turned to the left, and his left index finger is touching his face. At this moment, the boy on the right side combs his hair with his left hand and then lets it down. The boy on the left turns his head to face the camera, continuously talking with his right hand in motion. Then, the boy on the left looks at the boy on the right, and they communicate with each other. A hand reaches into the frame from the left side and pats the back of the boy on the left side of the frame, causing the boy to turn his head to the left.


In the foreground of the scene on the left, there is a long-haired man in white, with his left hand leaning on the back of a chair and his right hand on his hip, facing the camera. In the background on the left, there is a man in black, and on the right, there is a sitting woman and a standing woman with a bag slung over her shoulder. The man in white first faces to the right of the scene, then turns his head to face the left of the scene, continuously speaking during this time. The woman sitting on the right side of the scene faces left with a grin, then lifts her chin. The woman standing on the right side of the scene turns the page of a book while facing left, then turns around to face away from the camera and bows her head. The background of the scene is a studio.


In the center of the screen, a blond man in a white shirt is facing the camera, slightly bowing his head and looking down towards the bottom of the frame. In his left hand, he holds a pot of greenery, and in his right hand, he holds a long pair of tweezers. As he speaks, he angles the tweezers diagonally to the lower right, moving them up and down among the grass to the right of the greenery, then shifts the tweezers to the left side of the frame, seemingly extracting something from the flowerpot. He then moves the tweezers back into the pot and extracts something else. He lowers his left hand and then slightly raises it again, while his right hand moves up and down, then returns to the right side of the greenery, pinching a few more times before moving to the left side of the frame, outside of the flowerpot. He then moves the tweezers to the left side of the greenery, pinches them a few times upwards, and then shifts them slightly to the left. The background is blurred, and there are several more pots of greenery on the shelf to the left of the frame.


In the center of the screen, a man in black is blindfolded, raising both hands to gesture and speak, with a fluorescent green object in his nostrils. He then turns to the right side of the screen, his left hand touching a pile of clothes hanging on the right side of the frame. Immediately, the man removes the black blindfold with both hands.


The scene is a close-up of a right hand, whose thumb, index finger, and middle finger are gripping the telegraph key on a wooden board, tapping it rhythmically. The camera then pulls back to reveal a man in a white shirt, black jacket, and a red scarf sitting in front of a white wall. His hands are placed on the table, in front of which there is a green tablecloth-covered table holding a metallic telegraph machine. To the left in the background is a four-tiered shelf table, and to the right, there is a wooden door. The man's shadow is cast on the white wall behind him. He looks down at the telegraph machine, then shifts his gaze to the right of the frame, while his hands continue to tap the key rhythmically. He gradually brings his gaze back and looks down at the table.


A pair of hands reaches out from the left side of the screen to pick up a corn on the table in the center of the frame. Then, turning backwards, they walk towards the stove. As they approach the stove, they turn right and leave the frame from the right side. Afterward, the camera zooms in on the steaming pot on the stove. Then, a hand extends from the left side of the screen to lift the lid of the pot in the center and sets it back down.


Dessert close-up. In the center of the image is a dark brown dessert, topped with a layer of cream. Above the dessert, a left hand holds a tube of cream and continuously squeezes out four blobs of cream onto the dessert in a direction moving away from the camera.


In the center of the screen, there is a man in a gray shirt holding a fish with both hands. He bends over to put the fish into the water. On the right side of the screen, there is a woman in a white shirt. The woman on the right side of the screen comes to the edge of the boat and bends down to grasp the tail of the fish in the water after the man in the picture calls her. The man in the gray shirt straightens up and turns sideways to talk to the woman in the picture while facing the camera.


A man stands in the center of the frame, facing the camera, with his left hand resting on the wooden table in front of him. Then he raises his right hand to open towards his right side, and subsequently places it on the wooden table. He speaks while bowing his head, then straightens up, raises his right hand, and bends it at waist height. He then withdraws his left hand and overlaps it with his right, with the page turner in his left hand placed on top of his right hand, and opens his left hand towards the right side of the frame.


In the scene, a woman wearing a magenta apron stands in front of the camera behind a brown table, holding a knife in her right hand gently scraping the top of a meat chunk in a white porcelain plate, while her left hand hovers above the plate. The camera moves up to reveal the woman in a magenta dress, raising her right hand upwards and extending her left hand forward to gently wipe the edge of the porcelain plate before bringing it back to her front. Then, the camera slightly pulls back, and the woman in the magenta apron lowers her right hand and begins to speak, swinging her left hand with the palm facing down. She then puts down the prop with her right hand, raises both hands to make a half-circle gesture, moving them towards the center to eventually form a full circle. She then moves her right hand towards the camera, widening her eyes, and subsequently moves both hands to the sides of her body, then back to the center, extending her index finger to point at the table, swinging it up and down. After that, she flattens her hands with the palms facing down and slides them to the sides of her body. In the background is a kitchen equipped with brown cabinets.


The video is shot from a first-person perspective. On the left side of the screen is a person wearing a dog mask facing another dog on the right side of the screen, after which the dog jumps onto him.


The woman looks down at her phone, then lifts her left thumb and lets her hand fall downward. The camera moves down, and the woman opens her mouth while continuing to look at her phone. She then raises her left hand slightly and subsequently tucks her chin in, moving her left hand towards the side of her body.


On the right side of the screen, a man in a brown leather jacket is facing the camera and walking towards the camera's direction. His hands first grasp a belt below the waist and then swing at his sides. He looks around, steps down one stair, and walks from the right side of the screen to the middle. A man in a black vest and a man in a brown vest appear from the bottom left corner of the screen, with their backs to the camera, walking towards the right side of the screen and reaching it. The background is a house with brown walls.


The camera pans to the right of the screen and then moves upwards, positioning the girl at the center of the frame. The girl's mouth is chewing food while she lowers her right hand, tilts her head to the left side of the screen, and raises her left shoulder. She then turns her head to the right side of her body before turning it back to look towards the left side of the frame.


In the center of the screen, a woman bends forward to the right, reaching out of frame from the right with both hands to pick up a stack of folded clothes. She then straightens up, facing the camera, and places the clothes against her chest, standing upright with her back against the wall.


In the scene, three people are gathered around a light wooden table for a meeting. On the far right, a short-haired Black woman in a blue printed dress is standing, in the middle, an Asian male in a brown T-shirt is sitting, and on the far left, an Asian male in a black shirt is sitting. The male on the far right stands up slightly to shake hands with the woman on the far left before sitting back down. Then, the woman reaches out to the man in the middle, and he briefly says something. Afterward, the woman picks up a pen from the table with her right hand and transfers it to her left hand, using both hands to tidy her hair. Throughout this time, the man in the middle has been rubbing his right arm with his left hand. On the table, their computers and notebooks are visible.


The video footage is a time-lapse shot, taken from a fixed position inside a car. The car drives through a tunnel at night, with the dashboard at the bottom of the screen. The camera moves upwards, and the dashboard disappears from the bottom of the frame. In the foreground, another car is also driving ahead, with its red taillights illuminated. To the right of the screen, cars occasionally pass by.


In the center of the screen, a man in a red shirt wearing glasses is sitting on a leather sofa against a black background, and he keeps talking. As he speaks, his hands change positions; initially, they are stacked together on his chest, then they separate. Then, he gently clenches them into fists, taps them together, and then moves them apart to the sides of his body.


In the scene, there are many plants placed, and in the middle of the picture, there is a stool with a white box on it. The box is filled with mud. On the left side of the picture, a person wearing yellow rubber gloves is lifting and pressing the mud in the box. The sunlight is shining from the right side of the picture, making the right side of the scene somewhat unclear. Then, the person wearing rubber gloves takes steps towards the center of the picture.


On the left side of the screen, a woman wearing a mask stares at the camera and walks towards the back of the lens, eventually walking out of the frame. A man in white approaches from the right side of the screen to the left as the camera slowly moves to the right, exiting the frame. In the center of the screen, a group of people gather at a table in front of a night market stall, eating snacks. The camera slowly moves to the right. The woman with the mask and a man walk side by side from the left side of the screen to the right and leave the frame. Afterward, a woman sitting at the small table stands up and reaches for a tissue from a tissue bag hanging on the stall cart. The camera continues to move to the left, and a woman in pink appears from the right side of the screen, walking towards the left and exiting the frame. Then, a woman in white and a man in yellow walk side by side, moving from the right side of the screen to the left and leaving the frame. Behind them, a woman in camouflage walks from the right side of the screen to the center, then turns and walks back to the right, disappearing from view. Finally, a person wearing a helmet appears from the right side of the screen, walks to the center, and then turns right, walking towards the right side of the frame.


The screen shows a man dressed in maroon clothing with a black dotted tie. He has a head of grey hair and is wearing glasses, leaning casually on the sofa. His hands are holding a book with a blue cover. He slightly bows his head, seemingly looking at the lower part of the book, then his right hand raises to turn a page. He continues to read the new page, his right hand returning to the side of the book, and his gaze is intent. While reading, he occasionally dips his head slightly. The camera suddenly switches to a long shot, still depicting the man, who seems disappointed, closing the book, bowing his head, with an expression that appears a bit sad. He places the book down, out of sight. Then he suddenly turns his head towards the camera and slowly turns back, preparing to get up. He supports himself on the arms of the sofa with both hands and rises with difficulty and slowness. He then stumbles towards the left side of the screen. In the foreground, the black back of a leather sofa and two white books on the table are visible. The background is a window with greenery outside, partially obscured by maroon patterned curtains.


In the lower center of the screen, to the left of a yellow high-rise building, there are two fan-like objects that continuously rotate counterclockwise. In the upper left corner of the screen, many cars are driving to the left of the screen and disappearing off the left side, while others are turning down towards the bottom of the screen, heading onto the vertical road below. The perimeter of the screen is lined with houses and buildings, scattered with green trees. There are many parked cars alongside the road on the left side of the screen. The camera moves down towards the bottom of the screen.


The video is shot from a first-person perspective looking down. In the center of the screen is a metal bowl, and a hand is holding a spray, moving it back and forth over the bowl twice. Then, two hands from the right side of the screen pick up the bowl. The background of the scene is a blue surface with white dots.


The video is shot with a handheld camera, showing a kitchen equipped with brown cabinets. On the brown table close to the camera, there are various items and an open box of fried chicken. A person dressed in a black top and black pants is standing at the edge of the table, facing the camera; the camera slightly moves up, revealing the shooter holding a piece of fried chicken in their right hand, moving it towards the center of the frame, then shifting to the right side of the screen and exiting the frame; the person in black reaches out with both hands, picks up the fried chicken from the table with their left hand, turns around, and puts the chicken into a metal pot on the right side of the screen. The shooter's right hand holding the fried chicken re-enters the frame.


The scene is a close-up shot, with a man on the left side of the frame raising both hands to repair something. His right hand occupies most of the foreground area of the frame. Then, his right hand moves upwards, and subsequently, holding a tool, it moves towards the bottom of the frame and exits the scene. After that, the right hand quickly re-enters the frame, points to the position of the machine in the distance, and then withdraws. The left hand releases a part at the top of the frame and moves to the position of the parts on the left side of the frame, then raises the left hand at the top of the frame, and quickly withdraws it. The right hand subsequently exits the frame from the left side. Then, the scene changes, and the man squats on the right side of the frame, facing left and speaking. His right hand grasps a part in the center of the frame and shakes it, then withdraws the right hand to wipe sweat from his forehead before lowering his right hand and bowing his head.


In the center of the screen, there is a Lego minifigure. At the bottom of the screen, a left hand is holding the right leg of the Lego minifigure, and a right hand is holding the left foot of the Lego minifigure. Both hands rotate the body of the minifigure to face directly towards the camera.


The scene inside the kitchen is captured from a first-person perspective. To the right in the frame stands a person with yellow gloves on both hands. As the camera moves down, the right hand is holding a dropper, while the left hand holds a bottle, adding something to the yellow cup on the table. Then, the right hand extends the dropper into the bottle held by the left hand again, absorbing the liquid and dripping it into the yellow cup once more. This action is repeated, then the dropper is tightly capped with the right hand and placed on the black table in the background of the frame. Next, the left hand supports the yellow cup while the right hand grips a stirrer, moving it up and down. Then, his head bows down, appearing from the top of the frame, moving close to the yellow cup, and then lifting up again, disappearing above the frame.


Close-up shot. The center of the screen shows the trunk of an amphibian. The animal is crawling slowly towards the left side of the screen. The scene changes to an animated diagram demonstrating a mechanical device.


This video frame is a top-down view. In the center of the frame, slightly to the right, there is a round white plate with two hot dogs placed on it. In the upper left corner of the frame, there is a wooden cutting board with a half-cut scallion and a small knife. Directly above the center of the frame is a can of cola in a red aluminum can, and in the upper right corner, there is a transparent glass filled with half a cup of cola. At this moment, a left hand enters the frame from the left side, pinches a bit of chopped scallion from the cutting board, and then sprinkles it on the hot dog on the left side of the plate. Then, some scallion is also sprinkled on the hot dog on the right side. Immediately after, the hand retracts and disappears at the lower left of the frame. Then, the left hand appears from the bottom of the frame, using the thumb, middle finger, and ring finger to pick up the lower part of the hot dog, lift it from the plate, and take it out, disappearing at the bottom of the frame.


On the right side of the screen, there is a person wearing a black shirt using a crowbar to pry open the casing of an automobile transmission. The casing is placed in the center of the screen. Then, he transfers the crowbar to his right hand and uses his left hand to manipulate a round part of the casing, which is located slightly to the left of the center. With his right hand holding the crowbar and his left hand supporting the casing, he determines the position to insert the crowbar. Finally, he inserts the crowbar into the top of the casing, supporting the casing with his left hand while striking the crowbar with his right hand. The camera follows the movements of the person. The background of the scene is a workbench surface filled with a series of parts and tools.


In the center of the foreground, there is a long-haired woman lying on her back, with her feet on the left side of the frame and her head on the right side, facing left. Her hands are placed behind her, supporting her on the mat. In the video, her upper body moves slightly, and her right leg moves outward. A man is also lying on the mat, with his head on the right side of the frame and his feet on the left side, propping himself up on his elbows. He faces the camera and uses his right hand to scratch his forehead. In the background of the scene, a woman is running towards the left side of the frame, holding up the hem of her pink skirt with both hands from the right side of the frame, and eventually leaves from the left side of the frame. In the background, there is a wall, and a man is standing in front of it with his arms open, slightly swaying his body as he dances.


In the center foreground of the scene stands a man wearing a yellow vest. He extends his right hand towards the camera, turning his palm upwards towards the top of the frame, and then he speaks with his legs bent. His right hand retracts and he reaches for the handgun at his right waist, drawing it out and holding it with both hands. Then, with his right hand, he points the gun towards the lower right of the frame and fires. Behind this man, the four others all run in fear as the man in the yellow vest fires. The man on the left side of the frame, wearing a brown hat, turns and runs to the left, disappearing from view. In the middle background, a man wearing a brown vest takes a step back, leans against the wall behind him, and supports himself with both hands on the wall. To the right of the background, a woman in a shawl supports herself on the corner of the wall with both hands, then turns and runs further into the background. The man in the background on the right side of the frame is facing left, standing in front of the woman in the shawl, glancing back and forth between her and the man in the yellow vest. After the gunshot, he runs to the left side of the frame.


The screen shows an animation. On the left side of the screen, there is a monkey sitting cross-legged, holding a piece of paper in its left hand and a pen in its right hand, facing the lower right of the screen with a smile. On the right side of the screen, there is a black dog lying down, facing left, and smiling. The background at the top of the screen is a cabinet filled with many doughnuts. The monkey opens its eyes wide and straightens its body, then the black dog also opens its eyes wide and lifts its head. The camera then moves up, revealing a woman with her hand on the cabinet, facing the camera, looking down at the screen, and extending her left hand.


In the upper part of the lens, four flags are fluttering. In the foreground of the lens, a vehicle is driving from the bottom left corner of the screen towards the right side, while in the distance, there are vehicles moving from the right side of the screen to the left, then turning towards the left side of the screen. Afterward, a car stops at the intersection in the bottom left corner, facing towards the left side of the screen. Additionally, a man and a woman are walking from the bottom left corner towards the right side of the screen.


The video is shot from a first-person perspective. In the foreground is the upper body of a white horse, with a left hand on the left side of the screen stroking the horse's face. The camera then pulls back and moves to the right. On the right side of the screen, a blond little girl is seen sideways, facing left, with both hands adjusting the saddle.


In the scene, there are four people facing the camera. At the far end of the frame, a man in splendid attire seems to be chanting something. The woman on the right raises her head, the child in the center slightly turns his head to the left side of the frame, and then the three people closest to the camera turn around together to look at the man behind them. The woman on the far left turns counterclockwise, while the other two turn clockwise. As they turn, the woman on the far right takes a step to the left, standing in the middle, and leads the child to stand on the right, swapping positions with each other.


On the left side of the screen, a woman with black hair is lying half-down on something yellow in the grass, with her back to the camera. Her right elbow is braced on the ground, and her head is turned to the right side of the screen, slightly swaying. In the center of the screen, a woman with brown hair wearing blue jeans is lying on her side in the grass, her head turned to the left side of the screen. Her right hand is on the ground, and her left hand is placed on the left shoulder of the woman on the left. She then smiles and uses her left hand to gently grasp the neck of the woman on the left. The head of the woman on the left moves slightly to the right side of the screen, and the two women kiss. The woman in the center of the screen then uses her left hand to brush her hair back and places it behind her own neck before moving it to the chest of the woman on the left, as their faces draw slightly closer. The camera gently shakes, and the background is filled with trees.


On the left side of the screen, a person dressed in satin suit is facing the right front of the screen, playing the electric guitar with both hands. The hands are continuously pressing and moving, with the right hand moving more frequently than the left. The body shakes along with the movements. On the right side of the screen, a person wearing a white lining is facing the right side of the screen, playing the Lexus with both hands, left hand above and right hand below, with the fingers continuously pressing. On the far right side of the screen, a black figure appears partially but then disappears to the right side of the screen.


A long-haired girl in a gray vest walks from the darker area on the right side of the screen towards the brighter area on the left side. She angrily raises both hands and pushes a topless boy on the left side of the screen, forcing him to the left. The long-haired girl turns and walks towards the boy on the left side of the screen. After the boy combs his hair with his left hand, he raises both hands and steps back to the right side of the screen. The long-haired girl uses her right hand to strike down the boy's raised hands and then forces him back to the right side of the screen.


In the image is a woman in white clothes with red hair. She is facing the screen, sitting behind a table, with both elbows resting on the desktop. Her right hand holds a green lemon, and both hands are placed on either side of her chin. Then, her right hand, holding the lemon, moves to the right side of the frame, passing under her chin. Both hands squeeze the lemon between their palms, rubbing it back and forth as they swing from side to side of her body.


On the right side of the screen are two people. In the center of the screen is a girl in white facing towards the right side of the frame. To her far right is a man in a grey and white shirt, facing towards the left side of the screen with both hands outstretched to support the head of the girl in the center. The girl in the center also has both hands extended to hold the waist of the man on the right. Both tilt their heads to exchange a quick kiss and then part, only to kiss again and separate once more. Finally, the woman in the center tilts her head sideways, facing the camera directly, and lays it on the chest of the man on the right, closing her eyes. The man on the right places his left hand on the woman's waist and his right hand on the back of her neck. The woman on the left suddenly opens her eyes and stares directly into the camera, with her right hand on the man's back and her left hand wrapped around the man's waist.


Close-up shot, with one dashboard on each side of the screen. At the bottom of the screen, there is a display screen emitting light, and the camera shakes back and forth. Then, the yellow icon at the bottom of the screen starts flashing, the camera slightly moves to the right side of the screen, continues to shake, and a finger appears on the right side of the screen, pointing to the dashboard on the right side of the screen. There is gray text in the lower right corner of the screen.


The background of the scene is a stretch of grass, with a hand reaching into the center of the frame from the left. The hand is holding a mobile phone. As the frame shifts slightly to the bottom right, it becomes apparent that on the left is a person, only half of their body visible, with both hands cupping the phone. Using the fingers of their right hand, they repeatedly rub the screen of the phone, then grip the bottom of the screen and flip the phone over.


On the left side of the screen, there is a woman wearing glasses who faces the camera, raises both hands to her forehead, and speaks. On the right side of the screen, there is a person in white facing the camera, looking towards the left side of the screen while speaking with their hands hanging down, then extending their right index finger to point towards the left side of the screen. The camera slightly moves to the left, then the right hand is retracted, and the index finger points to their own chest, then the right hand is lowered, and they shake their body and head. The camera moves to the right and then slightly shakes. The woman on the left then looks to the right side of the screen and laughs, looking back to the left side with her hands slightly lowered. Briefly, a person appears on the left side of the screen, looking towards the right and speaking. In the background, there are decorated trees, plants, and prop buildings.


In the center of the screen are two foreign white female models. The model on the left has a crew cut, wears red glasses, a white undershirt, and a green suit. The model on the right has brown long hair and is dressed in a white undershirt, a deep blue suit jacket, and white tight pants. At the beginning of the shot, the camera is slightly unstable. The two models stand still, looking to the right of the screen and making gestures to showcase the clothes. Then, the girl on the left turns towards the girl on the right, lifting her right shoulder, bending her left arm, and squatting with her legs apart. The girl in the blue suit on the right turns towards the direction of the girl in the green suit, raises her right hand and then lowers it to her waist, twisting her body from side to side. At this point, the camera moves down and tilts upwards, capturing the girl in the green suit looking up towards the right of the screen, then turning her body towards the camera, her head slightly bowed, her right hand sliding across her hip, and looking directly into the lens with a professional pose. The girl in the blue suit on the right side of the screen grabs her hair and opens her arms to the sides, while the girl in the green suit stands up, placing her hands behind her back and bowing her head slightly to the right of the screen. The girl in the blue suit has her left hand on her waist. In the background of the scene, there are leaves on the left, some greenery on the right, and a brown sofa at the bottom.


In the center of the screen, a woman in a white top looks down at the book she is holding with both hands at the bottom of the frame. She then looks to the left of the screen and speaks, revealing an expression of grievance. The background of the scene is a bookshelf.


In the center bottom of the screen, a person is holding a slice of toast with their left hand and a bottle of chocolate sauce in their right hand above the toast. They continuously move from the right to the left, squeezing the chocolate sauce onto the toast. Then, they start to squeeze the chocolate sauce in a circular motion. The camera slowly moves to the left side of the screen.


The video is shot in first person, with the camera constantly shaking. In the center of the frame is the body of a man wearing a grey short-sleeved shirt, with his face not visible in the shot. The camera zooms in on the man's body. The man is sideways to the camera, his body facing the left side of the screen, with both hands in his pants pockets. To the right of the frame is a child in a blue short-sleeved shirt, bending over with his body facing the camera, and both hands holding onto both ends of a small stick. At the same time, in the background of the center of the frame, a little boy sticks his head out.


In the right side of the screen, a man continues to move towards the right side of the frame, then turns around, holding a stick in his right hand and pointing it at the crowd behind him while continuing to walk forward. In the center and left side of the screen, there is a group of people, some riding horses and others on the ground, walking towards the right side of the frame.


The camera shoots from above, with a train sideswiping the lens at the bottom of the frame as it crosses a bridge, moving from left to right. The camera pans to the right and then slightly moves to the left. On the lake below, a boat is heading upwards in the direction of the top of the screen.


The camera shoots the middle part of the vehicle from the main driver's compartment, angleing down to the right. In the bottom right corner of the lens, a hand is extended with the index finger, which is moving up and down on the black smooth part in the center of the vehicle's interior. It also swipes down once from the upper left and upper right sides, respectively.


In the frame, you can see a girl wearing a blue top. She is looking directly at the camera in the center of the screen. Suddenly, she raises both of her hands with her index fingers pointing upwards. Then she lowers her left hand, while her right hand remains raised beside her face, making a "V" gesture. Initially, her right hand was pressed against her cheek, then she slightly moved it away and placed it beside her face, still keeping her hand raised. The girl continues to look directly into the camera, opening her mouth to reveal a somewhat unnatural smile.


On the left side of the screen, a woman in blue pants is facing away from the camera, holding an infant with both hands to give it a bath. Next, she turns her head clockwise and uses her right hand to soap the baby while bathing it. On the right side of the screen, a child is standing sideways to the camera, with the left hand on the bucket and the right hand holding a toy, looking down at the baby. Then, the child slightly turns counterclockwise, continuing to look down.


The woman is sitting on the right side of the frame, her gaze moving from right to left and then looking up at the man sitting opposite her. She speaks with a furrowed brow, gently lifting her right shoulder, her head tilted to the right, shaking her head as she talks. The man on the left has his back to the camera, slightly swaying from side to side. In front of the two, there are two glasses of wine on the dining table.


In the center of the screen, you can see a person in blue clothes surfing. He is standing on a surfboard, riding a not very high wave. After he catches the wave, he will jump up on the surfboard, spin around, and continue to slide towards the left side of the screen. The camera follows this person as they move laterally to the left, continuing to ride the waves, occasionally turning to the right side of the screen, performing a maneuver before continuing to slide towards the left. While surfing, his knees are bent, his body leans slightly forward to maintain balance. When performing spinning moves, both hands are raised, placed on either side of the body, to help maintain balance.


In the scene, there is a patch of grass and several trees. A hand with its back to the camera holding a bottle enters from the left side of the frame and moves towards the right, while another hand facing the camera enters from the right side of the frame and moves towards the left. The mouths of the two bottles touch. Then, the hand with its back to the camera leaves the frame from the left, and the hand facing the camera leaves the frame from the right. The scene is of a patch of grass and several trees.


The content of the scene shows a family of five celebrating a little girl's birthday. From left to right, there are her grandmother, father, mother, and grandfather, forming a semi-circle around the little girl in the center. The five of them are facing the cake on the table in the lower right corner of the picture. The little girl leans forward, blowing the candles with great effort. It takes her three tries to blow them all out. The four people around her begin to clap one after another.


The camera lifts up, and on the left side of the screen, a right hand is holding a butterfly-shaped mask. The mask is turned backward, to the back side, then rotated back to the front. The butterfly-shaped mask is then placed in the lower right corner of the screen. Next, the right hand picks up the circular mask located below the center of the screen, turns it to the back, then rotates it back to the front, and sets it down on the right side of the screen.


The man in the white shirt on the left side of the screen turns to his left and moves towards the left background, his right hand pushing the chair on the right side of the screen to the right, while his left hand, holding a book, is placed on the table on the left side of the background as he talks to the woman in gray clothes. He points to the girl on the left side of the screen who is wearing a shirt and crossing her legs, and the girl also looks at the man in the shirt. The girl with a ponytail on the right side of the screen covers her mouth with her right hand and laughs.


In the center of the screen is a road that extends from the bottom to the top of the screen, with trees on both sides. After a while, a black car enters the frame from the bottom edge and drives up the road. Then, a maroon car enters the frame from the bottom edge and speeds up the road. Moments later, a black car pulling a cargo box enters the frame from the bottom edge and proceeds to drive up the road.


A person wearing a black wetsuit lies prone on a surfboard, facing the camera's left side with their head raised, and their hands paddling on either side of the surfboard. As a wave approaches the camera, the person in the black wetsuit lifts their body on the surfboard, kneeling on their left knee, pressing their body down, and holding the edge of the surfboard with their left hand. They ride the wave towards the camera's left side, and the camera follows their movement as they turn to the left. The incoming waves splash and obscure the view in front of the lens.


The camera moves slightly forward, and a person on the right side of the screen is sitting cross-legged, facing towards the left side of the screen. In the center of the frame is a toy with a ramp, with an orange toy car at the bottom of the ramp and a monster made of toy cars at the top. The person on the right side uses their left hand to press the button at the bottom of the ramp. The orange toy car at the bottom of the ramp rushes up, knocking apart the monster on the ramp, and the toy cars scatter in front of the camera. The camera moves backward, revealing several rows of neatly arranged toy cars that appear from the bottom of the screen. The person on the right side picks up the orange toy car on the left side of the screen with their left hand, places it to the right of the row of toy cars at the bottom of the screen, and then withdraws their left hand.


In the center of the screen, on the right, a figure holding a staff in their right hand approaches the camera. Above the screen, a group of people are also walking towards the lens. Then, the central view changes, and on the left side of the screen, a man in a striped cloak faces the camera with his left hand holding a staff and his arms wide open. On both sides of the overall screen, there is the same view, and in the foreground of the screen, the crowd is walking from left to right.


A woman in a hooded garment bends over to the left side of the frame, bending her legs, looking down at the bottom of the frame, clenching her teeth, and extending her right hand towards the bottom of the frame. She slowly straightens her body towards the right side of the frame, slightly bending her arm towards the right. The camera first moves upwards, then downwards, revealing a man looking at the camera while leaning against the iron bar on the right side of the frame. His right hand is raised, holding the wrist of the woman above who has extended her hand towards him. He closes his eyes, opens them again to look at the camera, then looks down below the camera, slightly opening his mouth and shaking his head.


In the center left of the screen, there is a man in a white vest facing the camera with part of his body obscured, looking at the woman in front of him and breathing heavily. In the center right of the screen, there is a woman with black hair, her back to the camera.


A woman in black pants lies flat in the foreground of the painting with her legs together and bent. To the right of the canvas, a woman with her hair in a bun stands behind the woman in black pants, using both hands to grip the waist of the woman in black pants. She then uses her right hand to lower the legs that the woman in black pants has bent, and subsequently uses her right hand to grip the left thigh of the woman in black pants. At this moment, the camera slightly moves backward. Following this, the woman with her hair in a bun grasps the left lower leg of the woman in black pants and slightly lifts her left leg. The camera moves backward again and slightly pans to the right.


On the right side of the screen, you can see a person's hand holding a small red plush bird in the middle of the frame. The hand is slightly shaking the bird up and down, then the right hand moves up towards the top of the bird, and subsequently rotates the bird so that its back is facing the camera. The hand is pulling the bird up and down, causing the surface of the bird to become taut. The hand continues to rotate the bird, making the front of the bird face the camera again. The right hand moves down from the head of the bird and strokes the right side of the bird's face.


In the center of the screen, there is a woman in a yellow dress who opens the door, steps inside, with her right side facing the camera, her head turned towards the lens, and her left hand behind her holding the door handle to close the door.


A woman with long golden hair, wearing a red lining and a gray and white striped sweater, sits on the left side of the picture with a golden necklace around her neck. On her lap is a red handbag with a white snowflake print. With her right hand, she lifts the handbag and then leans to the left side of the picture to place the bag on the edge of a white chair, while her left hand rests on the edge of a gray table in the foreground. She is seen smiling and talking to a blurred figure in the right corner of the picture, who is holding a red cup with both hands. The person holding the cup eventually extends their right index finger to point at the sitting woman. On the left side of the foreground table, there is also a white phone and a black strap that appears to be part of a bag. In the background, there are some trees with their treetops adorned with glowing light bulbs, and an orange sofa is also visible.


In the scene, a man in gray clothes is bending towards the camera, with his left elbow resting on the table to the right of the frame. His left hand is holding a bottle of sauce towards the camera. At the bottom of the frame, on the table, there is a blue bowl placed in the lower middle of the scene. The man looks at the camera and speaks, then turns his head to the right of the frame, looking at the bottle in the upper right corner. His left hand slightly rotates the bottle towards the front right of the camera. He then turns his head back to the camera and speaks, moving the bottle towards the left side of the frame, and straightening it up. The man glances to the right of the frame, looks back at the camera, and then stands up towards the front left of the camera. In the lower right corner of the frame, there is a bent metal rod in the foreground.


The background of the scene is in a kitchen. In the center of the screen, there are two women facing the camera. The girl on the left is wearing a white short-sleeved shirt and has blonde hair. The girl on the right is wearing a black short-sleeved shirt and has red hair. At this moment, the girl on the right slowly raises her right hand holding a plate. The plate enters the frame from the bottom, and there are some ingredients on the plate. Then, the girl on the right starts talking, and the girl on the left leans in to look at the plate.


In the upper part of the screen, the stands are filled with spectators facing the camera, watching the match. Taking up the main part of the frame is a stadium with a striped lawn, with several people scattered across the field. The camera moves upwards and zooms in at a uniform speed, focusing on the edge of the stadium. A person wearing a red hat and a white uniform runs towards the edge of the field, stopping near the edge and looking upwards. The camera continues to zoom in, and the person in the white uniform exits the frame. On the lawn in the middle of the stands, a white ball bounces after landing, and the spectators in the stands stand up, raising their arms.


The video is shot from the driver's seat of a car. In the center of the frame is a single-story black house, with a person standing next to it wearing a grey short-sleeved shirt, with arms outstretched, facing the camera. At this point, the man in grey begins to make a hand gesture indicating a right turn, signaling the driver to turn right. Then, at the bottom of the video, you can see the steering wheel being turned to the right until the car starts to turn to the right somewhat.


The scene is shot in the first person, with the shooter walking on the lawn of a park. In front of the shooter, three dogs, two black and one yellow, are running from the left side of the screen to the right. To the left front of the shooter, there is a house. The shooter then turns left and walks forward. In the bottom right corner of the screen, there are wooden tables and chairs. A woman in a hat is walking from the right side of the screen to the left, holding a dog with her right hand. In the foreground of the lens, a woman in a pink top is standing with her back to the camera and then turns her head to the right of the screen. In the background of the scene, there are more dogs and people walking or playing with their dogs. There are also fenced paths and various scattered trees in the background.


In the center of the screen is a muscular man with a goatee wearing a gray vest, facing the camera. His eyes are cast down, and he blinks several times, looking quite worried. As he lifts his gaze forward, he suddenly opens his eyes wide, then props himself up with both hands as if to stand up. To the right of the screen, part of a woman in a gray vest is visible, with a pure black background.


In the left foreground of the scene is a person wearing a pink top, with their back to the camera, and their right hand reaching towards the center of the picture. On the right side of the foreground is a bearded person dressed in blue, holding a brush in their right hand, which has blue paint on it. In the center of the scene is a painting. The man in blue first extends his right hand towards the top center of the picture, then withdraws it, moving his hand down to the lower right corner of the canvas. The person in pink makes a stroke downward and then deepens the color. The man in blue moves his right hand to the left, adding a dot to the lower left corner of the painting. The man in blue moves his right hand slightly to the right and makes another stroke, then gradually deepens it. The man in blue dots the lower part of the blue pattern in the center of the scene, then dots again horizontally to the right, and then withdraws his right hand. The person in pink withdraws their right hand and places the brush on the table. The man in blue holds the brush between his index and middle fingers. There are some open paint tubes at the bottom of the scene.


The bald man on the right side of the screen is facing left, using both hands to dribble the ball. There are two people on the left side of the screen facing right to receive it. In the center of the screen, a black man is standing, facing right, blocking the bald man on the right side. After dribbling the ball a few times, the bald man on the right raises the ball to his chest and shakes it left and right. Then he slightly jumps up and shoots the basketball to the left from above. The black man raises his hand and jumps to block but is unsuccessful. The camera keeps zooming in, and one of the receivers in the background looks up at the top of the screen. At this moment, the black man is next to the bald man, staring at him intently with his eyes, and pushing the bald man backward with his forehead.


In the foreground, a black-haired man wearing a blue shirt with white spotted edges is lying on a bed, his head resting on a white pillow on the left side of the picture. In the center-left of the scene, another black-haired man dressed in white is standing in front of the bed, using both hands to undo the clothes belt of the man lying down. The lying man glances downward to the right, then looks up and raises his right hand, occasionally furrowing and raising his eyebrows, opening and closing his mouth, his expression one of pain. The man in white has his right hand on the left shoulder of the man lying down and his left hand on his right arm, looking at him with concern. Then, the lying man slightly turns his body and raises his head, picks up a package on the bed in the center of the picture, and hands it to the man in white, saying something to him, and nods slightly a few times. The man in white takes the package, at which point a woman in a yellow skirt enters through the door on the right side of the frame and then closes it, hurrying to the bedside and patting the man in white. The man in white turns his head to the right to look at her, and she keeps looking up and down and talking to them, then turns around, opens the door, and leaves the room, closing the door behind her. The man in white bends down closer to the man lying down, pressing on the bleeding spot on the right shoulder of the lying man with his left hand. The lying man raises his head slightly, sometimes frowning and sometimes relaxing, his mouth opening and closing, his expression one of great pain.


In the scene, one can see a massive ship, white and red in color, falling from the sky and landing on the ground. Upon impact, the ship breaks in half, with an explosion of orange and red flames and fire bursting out at the breakage point. Many debris are also seen flying around the ship, presumably various materials from the vessel. Initially, a yellow and blue object can be seen running in the foreground, but it is obscured as the ship falls. In the bottom left corner of the screen, a string of white text appears, describing the scene. Suddenly, the camera switches to a scene of a blue transformer running, with a large train carriage falling behind him. He swings his arms and runs unsteadily, trying to dodge the falling carriage. He seems to be affected when the carriage hits the ground. He falls forward, supporting himself with his hands on the ground and continues to run. Then, the camera switches to a broken bridge where a huge explosion occurs, emitting red and yellow flames and thick black smoke. In the foreground, a flying spacecraft can be seen moving, seemingly trying to avoid the bridge's explosion, with its engines emitting a red glow. In the background, a bustling city with many tall buildings can be seen.


On the left side of the screen, a person wearing a light-colored wreath on their head faces the camera and looks to the right side of the frame. They have a bag slung over their left shoulder. On the right side of the screen, a right hand holding a bottle of brown beverage extends towards the left side of the frame. The person on the left side smiles and nods, receiving the drink with both hands, while the right hand withdraws and disappears from the right side of the screen. The person on the left holds the beverage in their right hand, opens the bottle cap with their left hand, then drops their left hand, raises the drink with their right hand, and tilts their head back to take a drink towards the right side of the frame. In the lower right corner of the screen, there is a small split screen. In the split screen, a person in black with their hands crossed over their chest pushes their hands outward, then brings their hands together in front of their chest. The background is blurred, and green trees can be seen.


The camera pans to the upper left, revealing a skateboarding park under an overpass. A person in a white shirt is skateboarding, gliding in an arc from the right side of the frame and turning towards the middle bowl. With his body facing the camera, he skates up the small ramp on the right side of the bowl, then raises both hands and falls into the pit. He continues to skate towards the left side of the frame, hands still up, and rides up the inner slope of the bowl. He leaps towards the left side of the frame, legs bending upwards, and in mid-air, he flips the skateboard with his left hand towards the camera. He lands in the lower left corner of the frame. In the background, there are other people skateboarding; two towards the left side of the frame, one towards the right. On the right side, someone is standing and then raises both hands. Additionally, a car is driving from the right side of the frame towards the front left of the camera.


The camera is shooting from a first-person perspective, showing an outdoor grassy area. At first, the lens is blurry, then a pink flower comes into focus in the center of the frame. On the left petal of the flower, there is a bee perched on the petal. The bee then takes off and flies around in front of the lens, circles to the other side of the petal, and then crosses over the middle of the petal to land at the bottom left corner of the petal next to the lens. Subsequently, the camera switches to another blue plant.


In the center of the screen, there is a machine with a hanging blade. In the left side of the screen, two hands push a piece of wood parallel from left to right, placing it under the machine for cutting. The camera gradually zooms out, transitioning from a close-up of the machine and wood to a full view of the room. Visible on the left side of the screen is a man in a black T-shirt, facing right, bending over with his head down, manipulating the wood.


The camera is slightly angled down, on the left side of the screen is a laptop, and on the right is a woman in a red dress. Her body is turned sideways to the camera, revealing only the lower half of her face and one shoulder. In the bottom left corner of the screen, she is seen placing a cup down on the table towards the bottom left corner of the frame. The camera slightly moves down, and the woman raises her head towards the upper left of the screen, pushing the cup to the left with her left hand, then lifting both hands towards the upper right of the frame. The background is a room with yellow curtains.


The scene is shot from a first-person perspective. At the start, on the left side of the screen, there is a male wearing a white T-shirt with his back to the camera. In the center of the screen, there is a male wearing a dark-colored top, also with his back to the camera. On the right side of the screen, there is a male in a dark-colored top holding a phone to film, and he, too, has his back to the camera. As the shooter runs forward, the people in the camera's view also run forward. The male in the white T-shirt on the left side of the screen disappears from the left side, followed by the male in the dark-colored top in the center of the screen disappearing from the left. Then, the male in the white T-shirt reappears in the camera's view from the left side, at which point a car is in the center of the screen. Finally, the male on the right side in the dark-colored top, holding the phone to film, moves to the left, blocking the entire lens.


The person in white clothes is standing in the cloakroom, facing the camera. He bends down and bows his head to the right side of the camera, holding a black curly wig with both hands and putting it on his head in front of the camera. Then he lowers his hands, and the person in white straightens up. In the foreground on the left side of the screen, there is a purple garment. On the shelf in the upper right corner, there is a basket and some miscellaneous items. On the right side of the screen, there is a row of clothes drying racks and some clothes hanging on them. There are some bags on the cabinet in the front right of the camera.


Close-up shot. In the center of the screen, a black and white dog is lying down. The dog is facing the camera, slightly turning its head to look towards the right side of the screen and wagging its tail a few times slowly. The camera slowly pans to the right with the dog as the focus, the dog turns its head to look towards the camera direction, and finally looks towards the left side of the screen.


The main subject of the scene is a man wearing a black tie. He seems to be saying something, squinting his eyes slightly. He has a cigarette dangling from the corner of his mouth on the left side. With his right hand, he extinguishes the lighter used to light the cigarette and lowers it while exhaling a puff of smoke. On both sides of him, in the distance of the scene, stand two formally dressed bodyguards.


The video shows an outdoor venue where a group of people are gathered together. Some of them occasionally turn their heads to look around or make gestures. A woman in a red coat is facing away from the camera, her head turned to the left of the screen, occasionally slightly turning to glance at the surrounding crowd and stepping backwards to the right of the frame. Some people are walking towards the right of the screen, while others stand still looking to the right. Some are sitting facing the right, with people talking and others just about to sit down.


Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis are conversing next to a concrete pillar. Stallone, dressed in a police uniform, says something and then looks to the left of the screen, before turning to look at Bruce Willis. Schwarzenegger first looks at Bruce Willis, then at Stallone, and finally back at Bruce Willis. Bruce Willis first looks at Schwarzenegger, then at Stallone, says something, and then looks back at Schwarzenegger.


In the center of the screen, a man in white clothes is standing facing the camera. He shakes his head and turns clockwise to look to the left of the screen, bending down to stretch his right hand forward to touch, using both hands to reach out towards the left arm of the woman on the left side of the frame. At this moment, on the left side of the screen, the woman is standing sideways to the camera, facing the right side of the screen, with her right hand resting on the table, looking to the right side of the screen as she speaks. Her left hand reaches out to the right side of the screen, then withdraws to her chest, extends out again to the right side of the screen, and then points to herself before placing her hand on the table. On the right side of the screen, a man in blue clothes is standing facing the camera. His hands and body are swinging as he turns clockwise, facing towards the left side of the screen, with his right hand reaching out to the left side of the screen.


A woman faces the camera, opens her mouth slightly, then maintains a smile, holding the two straps in front of her with both hands, and walks towards the camera. In the bottom left corner of the frame, a man and a woman sit in front of a desk facing the camera; the woman tosses her head to the left side of the picture, while the man turns to the left front of the camera, looking towards the front of the lens. To the right of the frame, a person in a blue vest stands sideways to the camera, looking towards the left side of the picture. The background of the scene is the view outside the classroom window, which features another multi-story building with yellow-brown hues. The camera zooms in on the standing woman, who turns to her left side, while the man, who was previously sitting, looks towards the bottom left corner of the picture and stands up, then turns to the left side of the frame, while the standing woman turns to the right side of the picture.


In the center of the screen is a black keyboard. On the left side of the screen, the left hand is holding the keyboard. At the bottom of the screen, the right hand is holding a cloth, inserting it into the keyboard to wipe it. Then, the left hand places the keyboard on the computer desk on the right side of the screen. The hand on the right side holds the cloth and turns towards the right of the screen. The left hand moves down towards the bottom of the screen, also gripping the cloth. Then, the right hand moves away from the bottom of the screen, while the left hand brings the cloth close to the camera, gradually moving towards the lower right corner of the screen. The camera focuses on the dust on the cloth. In the upper right corner of the screen is a desktop computer.


In the foreground of the picture, there are three people. On the left side of the frame, a chef is standing with his back to the camera. On the right side, there is a short-haired woman wearing green clothes. On the left side, a long-haired woman in a swimsuit is standing. The chef extends his hands from the left side of the frame into the picture and embraces the short-haired woman on the right side. At the same time, the long-haired woman turns towards the right side of the frame, raises her hands with her palms facing right. Then, the two women place their hands on each other's shoulders, facing the camera. The chef raises his right hand, extends his index finger towards the right side of the frame to speak, then his right hand extends towards the camera lens, palm facing left. Meanwhile, the short-haired woman's left hand is on her hip, and the chef's right hand moves laterally to the right side of the frame. In the background of the picture, there are three people. A curly-haired woman on the right side raises her right hand to wave towards the camera. On the right side, a man in a purple suit is standing, and behind him, in the center of the frame, a man in blue pants is standing.


The camera shoots from above, and at the center of the screen is the leg of a person wearing jeans. Then, he reaches in from the top of the frame to take a metal ring buckle and displays it in front of the lens. In the background on the right side of the screen is an empty lot overgrown with weeds.


In the initial scene, there are two little girls and an adult's hand. The little girl on the left is wearing orange clothing and has long golden hair, while the girl on the right is dressed in white with short golden hair. Both are looking outward to the left of the picture. On the left side of the background, a black car is parked, and on the right, a purple van is parked, with a house further back, and an air conditioning unit hanging by the window of the house. Then, on the right, a slightly overweight man in a white shirt and white pants, wearing sunglasses, runs over and towards the left side of the screen. The person on the left side of the screen can now be seen wearing a black uniform and a black hat, seemingly a police officer, stopping these people from running to the left. Immediately after, many more people run into the scene from the right, all heading towards the left side of the picture. After being stopped by the police, their gaze remains fixed on the left, as if something very important and captivating is happening there. In the end, numerous people gather here, but they are all blocked by the police and can only gaze from afar at whatever is on the left.


At the center of the screen is a girl whose body is facing the camera, slightly turned towards the right side of the frame. In front of her, with his back to the camera, is a boy wearing a blue shirt. The girl has her hands placed gently on the boy's neck, her eyes slightly closed and her head bowed. The two of them twist slowly and in sync from side to side, with the camera trembling slightly. You can see the boy's left hand on the girl's waist. Occasionally, the girl opens her eyes to look at the boy's forehead before quickly closing them again.


This is a top-down perspective where the left side of the image shows the left hand with the index finger hooked around a green strand of yarn. The center of the image features a green knitted object, and on the right side, the right hand is holding a wooden crochet hook, moving towards the right side of the image to hook the green yarn, then moving towards the left side of the image.


A man in a yellow suit stands in the center of the picture, with three black children in green scout suits and a monkey gathered around him. On the left side of the picture, a tall boy keeps his head down, continuously writing in a notebook in his hands, and speaks to the man without looking up. The man looks at the little boy, holding a book in his right hand and his left hand open. After listening to what the boy says, he turns his head to look at the book and speaks, while raising his left hand, and as he talks, he successively extends one finger, then two fingers.


In the distance of the scene, there is a man lying on a surfboard in the middle. The camera moves towards the right side of the screen while a wave approaches in the direction of the camera. The man rides the wave towards the camera, paddling with both hands, then stands up to surf before finally being engulfed by the wave.


The sky is dim, and the camera is placed on a moving car, moving towards the left side of the screen. In the foreground on the left, part of a black car is visible, moving towards the foreground on the left. On the right side of the background, some cars are also moving towards the left side of the foreground, with bright headlights that occasionally flash. On the left side of the background, a car is driving towards the right side of the screen, preparing to enter the lane. The camera gradually moves to the side of the black car, and the black car's headlights remain on as it continues to drive towards the left side of the screen.


In the frame, you can see a woman wearing a blue jacket. She is facing the camera with her head down, looking at a pink sundress on the table in front of her, and she seems to be speaking. She holds one of the straps of the sundress with both hands, lifting it slightly, and looks at the camera while talking. Then, she releases this strap, putting it back down on the table. After that, she picks up the dress with both hands, one hand on each strap, holding it up in front of the camera. Following this, she places the dress down towards the camera, onto the table, and then uses both hands to smooth it out on the table surface.


In the image is a white rectangular plastic basin filled with brown fabric. A pair of hands extends from the left side of the frame to the right, with the left hand gripping the rim of the basin on the left side of the frame, and the right hand holding the rim on the right side of the basin. Both hands lift the white basin, moving it out of the frame from the left side. At the top of the image, there are some plants and a pottery dish sprinkled with black and white particles, and in the bottom right corner, there are some stones.


The protagonist is walking away from the camera, with the camera following his movement. His left hand naturally hangs down on the left side of his body, swinging back and forth. The camera then moves up to his shirt, revealing the back of the man's head. He then turns his head to look to the left of the frame before bowing his head down, immediately followed by turning to look to the right of the frame.


A person is sitting on the left side of the screen, facing the right side of the screen with their arms on the table. The left hand is placed on the computer on the right side of the screen, while the right hand swipes the touchpad once, then moves to the right side of the screen and onto the keyboard. Both hands then tap the keyboard a few times before keeping still on the keyboard.


The camera is closely pressed to the ground, shooting a scene on a beach where many people are sitting. At the beginning of the video, the image is blurry, but it gradually comes into focus. To the right of the screen, a man in red clothes is sitting cross-legged with his back to the camera, his arms resting on his legs, and he is continuously talking. To the left, an elderly person in light-colored clothing is lying on their side on the sand, while three other men are sitting in a row, facing the man in red on the right side of the screen.


The camera quickly moves to the right, revealing three children in the frame. The little boy closest to the lens is dressed in red and speaking to the camera. The camera slightly moves upwards, revealing a woman in blue lying on a bed in the upper right background. The little girl on the far right of the frame looks towards the left. The camera slightly moves down, and the little boy's expression becomes sorrowful. The little boy on the far left, partially visible, dressed in dark colors, turns his body towards the right side of the frame. Then, the little girl looks towards the camera. The man in the back left of the frame, wearing gray clothes, stands up and walks towards the upper left of the frame. The camera turns down to the right, and the man in gray disappears from the left side of the frame. The little girl shows a happy expression, seemingly talking. The little boy in dark clothes, at the very left of the frame, mostly disappears from the left side, and the woman in blue disappears from the top of the frame.


In the scene, a pair of hands is seen sticking beads onto a colorful board painting, with the scene captured in time-lapse photography. The left hand moves towards the upper right of the frame, sticking beads onto the board, then moves to the left side of the frame and disappears from view. The right hand moves towards the left side of the frame, picking up beads from the lower left corner, and moves to the right. The left hand re-enters the frame from the left, moving to the right to stick beads onto the board, then disappears from the frame on the left side again. The right hand moves to the right side of the frame once more. Then, the left hand holding a black sticker appears in the lower left corner of the frame, moving to the right. The right hand picks up beads from the sticker and moves them to the upper right corner of the frame, sticking them onto the board, then moves left to attach another bead that is already stuck on the board. Both hands then move to the left side of the frame, with the left hand putting down the black sticker. They proceed to pick up another black sticker, and the right hand peels off beads from the sticker and moves to the left to stick them onto the board. This action is repeated twice, then the left hand moves down to put the sticker down. Both hands pick up the first black sticker again, and the right hand peels off beads from it to stick onto the board, repeating the action once more. Following this, the right hand moves down and out of the frame, while the left hand moves to the left, placing the sticker on the table. The left hand then moves out of the frame towards the bottom. The right hand re-enters the frame from the bottom, picks up a black pen from the table, and quickly moves out of the frame downwards. Then, the right hand reappears from the bottom of the frame, holding the pen and drawing on the board, moving from the center of the frame to the right side.


The video is shot in first person perspective, with the camera panning to the right. On the right side of the screen, a man in a grey short-sleeved shirt and a blond child appear. At the same time, the profile of a man wearing a hat on the right side of the screen can be seen, with his finger pointing towards the man in the grey short-sleeve. The camera then zooms out towards the man in the grey short-sleeved shirt. The man is bent over, supporting himself with his hands on his knees, and speaking to the camera. The blond child sits on the toy bridge's wooden railing and then stands up. The camera pans to the left and then to the right. On the left side of the screen, a girl can be seen turning her body.


In the center of the screen is a table with a tall stack of building blocks on top. Several people are seated around the table. On the left side of the frame is a woman in black and white stripes sitting on a chair, and to her left, someone is holding a phone to take a picture. On the right side of the screen is a girl in pink clothing, sitting on the ground, sideways to the camera, looking at the building blocks to the left. In the center background, a man is bending over with his right hand holding a building block. At this moment, the man in the center pulls out a block, and as he stands up, the blocks collapse. The woman on the right side of the frame is surprised, covering her mouth with her right hand.


In the upper center of the screen, slightly to the right, a person wearing red sneakers runs down from the wooden bridge in the background towards the camera, with the lens focused on the lower half of their body. After running down the stone bridge, they head towards the left side of the screen on a path covered with fallen leaves. The camera follows, moving to the left. This is followed by a process of running uphill, with many stones on both sides of the road, and they slow down. Then, the camera changes direction to shoot from a low angle perspective. At this point, the person is in the center of the screen, facing away from the camera, walking towards the background.


In the lower right corner of the screen, a man in black clothes is speaking, then turns to the camera and speaks, raising his right hand, looking to the left side of the screen. His right finger points to the center-left car, where he will tap on the car, then slide his index finger across the car, nod, and walk in the opposite direction of the camera.


In the center-left part of the screen, a man with light complexion and short hair is sitting on a chair facing the camera, with his body leaning towards the left side of the frame. The background is a row of blue tin houses. To the left of the frame, a man in a black vest is facing the right side of the screen, picking up paper from the table with both hands, and sitting backwards on a stool on the left, with his body facing the right side of the frame. The man in the black vest lifts his left leg and places it over his right leg, crossing his legs, and with both hands he flips open the paper in his hand, bowing his head to read.


This is a scene from a television. On the left side of the screen, a little boy is manipulating a doll to shoot a gun. At this moment, the scene cuts to a fully armed soldier facing the left side of the screen. His right hand is holding a gun, also pointing towards the left side of the screen, and there is a hand controlling him from behind. The scene switches again to a person, who is touched on the mechanism on his back by a hand, and then he dons a fearsome mask.


The person in the frame jumps onto a platform on the left side of the screen. His hands are climbing the wall above the frame, moving upwards. The camera moves to the upper right of the screen, focusing on the area above his chest. His hands are trying to open a box, but it remains closed. The scene changes, and he flips through a few long tubes. The camera focuses on his face as he briefly looks into the lens.


The video footage is shot from a first-person top-down perspective, with a hand seen above, touching the screw of the car door. Then, the palm is opened, facing upwards towards the top of the screen, and the hand moves towards the left side of the frame. Simultaneously, the camera also moves to the left and then upwards, as the hand leaves the frame from the left side. In the center of the screen is the side view of a sports car with its door open.


On the left side of the screen, a person wearing a light-colored top is sideways to the camera, bending over towards the right side of the frame. Wearing orange plastic gloves, their hands are extended downward, lifting up a pair of pants soaked in brown substance from the lower middle part of the screen. They then straighten up. Next, they bend over towards the front of the camera, put the pants down, and with both hands gripping the sides of the waistband, they spread the pants out towards both sides of the frame and place them on a chair in the lower middle of the screen. Following this, their right hand moves towards the left side of the screen, lifting the waistband of the pants and pulling it towards the left side of the frame. In the background of the scene, there are several pots of plants, and in the lower right corner, there are stones.


A man appears in the center of the screen, facing the camera and looking at the bottom right corner of the screen while speaking. He then stretches out his right hand and makes a gesture in front of his body, looking excited. The camera switches, and a woman appears in the middle right side of the screen, facing the camera and speaking. The camera switches back to the man who is speaking to the camera, and while talking, he raises his eyebrows and then extends his right index finger to point in the direction of the camera.


In the scene, two men can be seen sitting on a small step. On the left side of the frame is a man wearing a gray and white checked shirt, and on the right side is a man in a black short-sleeved shirt. The man in the gray and white checked shirt has his hand raised, his right hand resting on his head, talking to the man in the black short-sleeve. The man in the black short-sleeve has his hands placed on his thighs, turning his head to the left side of the frame, looking at the man in the gray and white checked shirt. The man in the checked shirt also has his elbows on his legs, and he has lowered his right hand from his forehead, extending his index finger to make gestures in front of him. The man in the black short-sleeve has turned his head to the right side of the frame, and the man in the gray and white checked shirt continues to talk to him with both hands making gestures. The man in the black short-sleeve has an expression of helplessness, and he gives a bitter smile.


The screen captures a desk with various materials on it. At the lower middle edge of the screen, slightly to the right, a hand slowly extends out. This hand picks up a bone from the middle lower right part of the desk and then leaves the screen from the same position at the lower edge.


On the right side of the screen, a person wearing a black and white checkered shirt is seen with their back to the camera, holding a phone stand with their right hand. The phone on top of the stand is filming the long-haired woman behind the fill light. The camera gradually moves to the left side of the screen, and the person in the checkered shirt gradually disappears from view, finally coming to a stop on a scene where the woman is sideways, facing the right side of the screen. During this time, the long-haired woman is sitting facing the phone camera, with the fill light directed at her. She occasionally looks down at the eyeshadow palette she is holding in her right hand, then dips her left middle finger into the eyeshadow and applies it to her right wrist. She then raises her right wrist to show and explain it to the phone camera.


The video footage is shot from a first-person perspective, facing the ground. In the center of the frame, a pair of hands holds both ends of a screwdriver tool and shakes it up and down, then places it on the ground. The left hand then picks up the screwdriver again, after which the right hand takes over, picks up the screwdriver, and shakes it up and down before placing it on the ground. The left hand then picks up a ratchet wrench and rotates it, subsequently putting it down on the ground as well.


At the center of the screen is a mirror reflecting a woman with yellow shoulder-length hair. On the far left of the screen, we can see the right side of this woman's hair as she has her back to us. The woman is facing the mirror, using her left hand to continuously adjust the hair on both sides. She then starts to curl a section of hair on her left side with her fingertips. Suddenly, she breaks into a smile and her hands start to drop. Immediately afterward, she stretches both hands to flap the front of her clothes and quickly moves her hands away from the bottom of the screen.


The camera remains steady, on the right side of the frame, a black-haired man in a red shirt glances down to the left, then slightly turns his head to the right, raises his eyebrows, revealing horizontal forehead lines, his mouth corners lifting into a smile as he talks to the blond woman on the left side of the frame, who has her back to the camera. Then, the scene switches to the woman's perspective; this woman has long curly blond hair, is wearing a necklace, and a black and gray top, and she also smiles as she engages in conversation with this man.


The camera captures a woman performing a leg stretch from the side. She stands towards the left center of the frame, facing left, lifting her left leg backward, using her left hand to grasp the top of her foot and stretch it upwards, her body slowly inclining forward to the left of the frame. Then, the woman lowers her left leg, her left hand naturally hanging by her side, as she raises her right leg backward, using her right hand to grasp the top of her foot and stretch it upwards, her body slightly inclining towards the camera. The woman repeats this movement several times, and at the end, when stretching her left leg, she seems to lose balance, her body falling away from the camera towards the distance. She takes two steps in that direction and then turns to face the right side of the frame.


First-person perspective shot. The camera moves to the right, and you can see that there is a little boy in front, with his right hand resting on the handle of a shopping cart. The boy is wearing black clothes, has a sticker on his head, and is sticking out his tongue while looking towards the camera. On the left side of the screen are the shelves of merchandise, and in the background is the inside of a store.


In the center of the distant view of the screen, a man in a security guard uniform is standing facing the left side of the screen, with both hands holding a phone at the same height as his face. The camera zooms in, and the phone's flash goes off twice. To the left of the screen are two rows of seats, and to the right is the corner of a white wall.