On the left side of the screen, a woman in blue jeans and a man in shorts are sitting on a bridge facing the camera. The woman has her left leg bent and her right leg dangling, swinging back and forth, while the man's legs are also dangling. They are looking at each other and conversing. On the right side of the screen, four people are standing on the bridge facing the camera and talking to each other.


On the left side of the screen, a young man with short hair is facing the right side of the screen and speaking. He raises both hands, spreads his fingers, and makes a gesture with his palms facing each other. After briefly glancing to the left side of the screen, he continues to face the right side and speak, with his hands continuing to make gestures to accompany his words. In the background, there is a window, and sunlight is shining through it, casting on the young man's left shoulder.


In the center of the screen is a black woman wearing a yellow dress. Her body is turned away from the camera, but her head is facing the lens, and in her right hand, she is holding a hat. She then turns to the right side of the screen, moving the hat from the center of the frame to the bottom edge, exiting the frame. Facing the camera, she smiles, and then brings the hat back into the frame from the bottom. She puts on the hat and turns to the right side of the screen with her back to the camera, both hands on the brim of the hat. She then turns to the right side of the screen again, facing the camera and smiling.


In the center of the screen, a woman is standing facing the camera. She raises both hands, holding the sleeves, and waves them above her sides. Then, she raises her hands overhead, moves them behind her neck, and crosses them, allowing them to naturally fall to her sides. She picks up the right sleeve with her right hand and waves it in front of her before letting it go. After that, she raises both sleeves again, crosses them at her sides, and waves them before dropping them.


In the center of the lens is a bald man in a shirt, bending his legs to pick up a small object from the ground and playing with it in his hand. His eyes are fixed on this small item, and the camera follows his movements upward. To the left at the back of the scene stands a woman in black, relatively young, motionless. To the right is an older woman in a pink skirt, constantly moving her feet. Farthest to the right stands a man in a blue and white checked shirt and black pants with his hands in his pockets.


On the left side of the screen, there is a woman wearing a gray vest, standing sideways to the camera with her body facing the right side of the screen, and both hands adjusting the hem of her clothes. On the right side of the screen, there is an elderly woman wearing a purple vest, bending over with her body facing the right side of the screen, and her hands holding a box. She then picks up a camera tripod with her left hand and places it on the box, proceeding to rotate the camera tripod.


In the center of the screen is a tin foil box. It contains some sauce and a bit of seasoning placed on top of a black grill. Then, from the left side of the screen, a right hand holding a black spatula extends out, stirring counterclockwise.


In the scene, four women wearing headscarves of different colors are facing right and walking from left to right. The background features blue railings. A man in black clothes is standing next to the railings, sideways to the camera, facing left, and indicating with his right hand by swinging it counterclockwise. The camera pans to the right, and at this point, the women have their backs to the camera and are walking in the opposite direction of the camera through a door towards the blue railings. The two women who are ahead and farther from the camera remove their headscarves with their hands.


On the left side of the screen is a white wall, and on the right side is part of a blue door. Then, an arm enters from the left side of the screen, followed by raising upwards, holding the handle of a green device in the hand. In the following video, the screen remains static.


In the center of the screen, two people are facing the camera, sitting on a motorcycle. From left to right, there is a black person and a white person. The black person's head is tilted to the right side of the screen, leaning on the white person's shoulder. The white person is holding a white phone in their right hand to take a photo, with the phone held horizontally. Then, the white person stands up, gives the phone to the black person, and walks off to the right side of the screen. The black person holds up the phone, shooting in the direction the white person left, with the phone still held horizontally.


Below the screen, the letters S, U, P appear in sequence within white squares and move upwards. Then P, O, R, T appear and also move upwards, each within their own white squares. These seven letters continue to move upwards and become disorganized when they reach the center of the screen. After a moment, the letters shift and align into a horizontal line. Then, the letter S moves to the left side of the screen while T moves to the right side. Following that, U moves to the left, and R moves to the right. Finally, S and U move together to the left, while R and T move together to the right. The middle letters P, P, O move upwards. This movement continues until all the letters have left the screen. The background is red.


In the background is a man facing the camera, holding several red and white strips in his right hand, and a metal object in his left hand. Then he lifts up his clothes with his right hand, and puts the metal object into his pocket with his left hand. With each hand holding one end of the strips, he ties a simple knot in front of his body, and then he holds the strips with both hands and moves them behind his back.


The crowd applauds in front of the camera, the lens pulls back and shifts to the right, a pair of hands appears in the lower foreground, disappearing to the right at the bottom of the frame. The shot cuts to a medium shot of a group of people clapping, with the head of a person in a pink shirt tilted to the right side of the frame, laughing heartily while looking to the left. A woman in a black shirt looks to the left of the frame, moved, with a gentle smile. Both are clapping enthusiastically.


The video is shot from a first-person perspective. In the left side of the frame, the left hand is holding a box, and the right hand is taking out a small object from the box. Then, the left hand puts down the box and, together with the right hand, spreads the object open in their palm. In the center of the frame, there is a colorful tin box.


The woman on the left of the screen is leaning against the man on the right. The woman raises her left hand to touch the man's left cheek and then withdraws her hand, turning her body to the right with both hands on her chest as she speaks. Then she slaps the man's right chest with her right hand. The man looks down at her to the left, then picks up a glass with his right hand, drinking water while speaking. The woman turns around dissatisfaction towards the camera, her right arm slightly raised with her elbow resting on the table.


The woman in blue is facing the camera with a furrowed brow and a look of consternation, her gaze directed downward. In her right hand, she holds a large clip, lifting a tentacle of octopus from the pot. Subsequently, her left hand moves above the pot, lifting another tentacle from the pot, then releasing it, allowing it to fall back in. She then taps the lifted tentacle repeatedly with her left middle and index fingers. Afterward, the woman withdraws her left hand to the right side of the frame, while her right hand slowly releases the octopus back into the pot. The camera slowly revolves around her in a small, counterclockwise arc.


On the left side of the screen, a vertical train is moving towards the distant view of the scene. There are many pedestrians walking on the road at the bottom of the screen. There are white birds flying towards the opposite side on both left and right sides of the screen. The camera follows the train as it moves forward in the scene. There are many parked cars and buildings on the left side of the screen. There is a lawn on the right side, and there are also buildings in the center and on the right of the distant view.


In the center of the screen, there is a man with his right side facing the camera. His head is tilted upwards to the right side of the screen, his mouth open, letting out a roar. He then turns his head back to the front of his body, his eyes looking at the four men in front of him, with his back of the head facing the camera. The four men are standing side by side, facing the man just mentioned. The third man from the left has a pistol in his left hand pointed at the man in front, and he fires, hitting the man in the head. The scene cuts to the man's head hitting the ground, his eyes wide open, his lips slightly parted, and a hole is blown through his head.


At the top of the screen are moving blue-green lines, and at the bottom are green lines. In the center of the screen is a scene. In the center of this scene, a person with their back to the camera is holding a gun and standing on a tank. The tank is moving towards the right side of the screen and then going downhill. On the left side of the screen, there is another identical tank and several soldiers, while on the right side, there are also two soldiers, all running towards the right side of the screen. Two people appear from the bottom of the screen, sitting on a filming scaffold, and move upwards. In the distance, there are many silhouettes of people. The scene changes, and a vehicle carrying many people drives from the right side of the screen to the left. In the background, there are many cavalry moving through the dust towards the left side of the screen. The camera follows and pans to the left.


In the center of the screen, a black woman is lying on her side on a bed, her head facing the right side of the frame. She supports her head with her left hand and holds a white landline phone receiver in her right hand, continuously talking. Her gaze is downward, then she slightly lifts her eyelids and raises her eyebrows, occasionally lifting her eyes and then closing them. Behind her is a deep red brick wall. She is wearing a sleeveless pajama with dots, and the blanket is colorful stripes. Behind her, there are many neatly arranged irregular objects that slope downward. The lens has a pattern and is in a dark tone.


The scene is shot in the first person, with the shooter sitting in the driver's seat. The camera slightly moves to the left, then slightly forward; it starts out of focus, but the image gradually becomes clearer. The driver's door opens, and the window slowly rolls down. A person in a black shirt enters the frame from the right and walks towards the left of the screen. Finally, the camera moves to the right.


The main focus of the scene is the lower halves of two toy dolls. The doll on the left is wearing a purple skirt, and the doll on the right is wearing a green skirt. In the lower right corner of the image, a finger with pink nail polish is pointing at the doll wearing the green skirt. The finger moves along the bottom edge of the skirt from left to right, then slides along the edge of the second layer of the skirt from left to right, and subsequently moves to the top edge of the skirt, gliding from the center to the right side of the scene. Finally, this hand continues to move upwards, pinching the golden belt of the doll in green with the thumb and index finger.


In the center of the screen, a curly-haired woman wearing a gray sundress and dark pants is walking towards the left of the frame, turning her head to look to the right of the screen. Then she turns her head back to the left of the frame, turns her back to the camera, swings her hair, and her hands follow the movement of her body. Next, she walks to the left edge of the screen, bends over, and then squats down, both hands searching for something on the ground. She then picks something up and throws it to the left of the screen, followed by kneeling down on her left knee. The camera follows her as she moves to the left, then keeps her in the center-left position of the screen. The background is a dark expanse with dark patterns on the ground, and when she reaches the left of the screen, a pair of red chairs arranged in a diagonal line can be seen on the left side of the screen, as if it were a theater.


In the center of the screen, there is a green cartoon character with two antennas on its head, showing a serious expression as it tilts its head to the left side of the screen with a look of terror. The camera switches, and on the right side of the screen, a green cartoon character with a mustache shaped like an "eight" raises its left hand to slap its own face, then drops it, making a fist, and speaks excitedly while shaking.


On the right side of the screen, a black woman is facing to the left of the frame, while on the left side, a little boy with an afro hairstyle has his face slightly turned towards the right of the screen. Both have their eyes closed, their heads close together, swaying on a hammock back and forth. The boy lifts his head slightly towards the left of the screen and then returns it to its original position, gradually adopting a smiling expression.


At the center of the screen is a man in a black suit, facing to the left of the picture with his right hand raised. The camera pans to the left of the screen, the man in the black suit slightly leans forward to the left of the frame, then takes a step back with his left leg towards the right side of the screen. His right hand waves slightly as he speaks. The camera continues to rotate to the left of the screen, at which point the man in black faces the camera. To the left and right of the screen, people are sitting behind several black tables, which hold blue folders and bottles of mineral water. The background is a white wall with four whiteboards hanging on it, and there is a stand-up whiteboard in front of the white wall. To the right at the back, there is a black freestanding display screen.


On the left side of the screen, a person is walking forward on a patch of grass with their back to the camera. Their right hand is placed behind the body, holding a hat, while the left arm swings back and forth on the left side of the body.


In a pitch-black environment, there are curtains on both sides of the screen, each made up of many colorful glass-like gems. They are tied up and secured to both sides of the doorframe. At this moment, the door behind the curtain opens, and a woman in a blue coat opens the door with her head bowed. Then, her right hand holding a flashlight appears at the doorway. After she steps into the door with her whole body, she raises her head, facing the screen with her eyes looking to the right side of the picture, while her right hand grips the flashlight pointing at the ground.


On the right side of the screen, a woman is sitting on a rocky shore facing the sea on the left side of the picture. She holds a mobile phone in her left hand in front of her body. The woman looks down at the phone, tapping the screen with her right hand, then raises the phone with her left hand, greeting with a smile towards the phone using her right hand. She briefly takes the phone with her right hand, then lets it hang over her thigh, before raising her right hand again to hold the phone together with her left hand. Smiling, the woman rotates the phone left and right, showing off the scenery of the sea with her mobile phone.


The video is shot by a person holding the camera, and it shows a black car parked in a repair garage. At the beginning of the video, there is a person in dark gray pants on the left side of the screen, revealing the lower part of their body, who takes a step forward. Then, a hand extends from the bottom right corner of the screen and uses the index finger to gently gesture from right to left towards the car's white sticker, and finally, the camera moves upwards and to the left.


In the scene, four people gather together, looking at the book in the hands of the curly-haired woman on the left side of the screen. The man in a light-colored shirt is standing facing the camera, his head turned to the left side of the frame, looking down at the notebook held by the curly-haired woman. He shifts his weight to his right leg and then takes the red folder he was holding with his left hand into his right hand, placing both hands behind his back. The woman in the plaid shirt stands to the left of the screen and then leans over to look at the notebook in the curly-haired woman's hand, says something, and then straightens up towards the right side of the screen before leaning over to the left again. The curly-haired woman stands to the right of the screen, facing the camera and looking down at the book in her hands, holding the open book with her right hand and turning the page with her left hand towards the right side of the screen. The woman with glasses on the right side of the screen stands sideways to the camera, facing left, and touches her chin with her left hand before lowering it, embracing a green folder with both hands, and nods slightly to the left of the screen. The man in the shirt stretches out his left hand to the camera, turns the page to the left, and points to a spot on the page. The woman with glasses leans towards the left side of the screen, flips a page with her right hand, and points to the page. The man looks at the page that was pointed out, tilting his head to the right, and then releases the page. The woman with glasses also lowers her right hand and moves her upper body towards the right side of the screen. The curly-haired woman then turns a page to the right, slightly moving the book towards the lower left corner of the screen, showing it to the other three people. The woman with glasses nods slightly and raises her right hand.


The man in the picture is standing on the podium facing the left side of the screen, with both hands resting on the podium in front of him. His body is slightly inclined forward as he looks down at the computer on the podium. He then straightens up and says a few words to the computer. After that, he raises his head and looks to the left side of the screen while extending his right hand to point in that direction. After speaking a few sentences, he pauses, spreads his hands in front of him, and then continues to support himself on the podium with both hands. His body inclines forward slightly again as he looks down at the computer on the podium, and finally, he adjusts his posture slightly by straightening up.


In the center of the screen are two people, one of whom is wearing a purple floral top and facing the camera, while the other is wearing a red top and a blue headscarf, with their back to the camera. The person in the center, wearing the purple floral top, first exaggeratedly opens their arms and hugs their head, then drops their hands, looking wronged. Finally, they raise their right hand to point at the person in the red top in the picture, then slightly turn to the left. The background of the scene is some trees.


The video footage is shot from a low angle perspective. In the center of the frame, there is a man wearing a hat, his body facing the camera, sitting on the hood of a car, and looking down at the mobile phone he is holding with both hands.


On the right side of the screen, a person wearing a denim jacket is partially visible, with both hands reaching towards the left side of the screen, holding a map in their hand. The camera slightly shakes. Then, the left hand of the person on the right retracts and disappears from the right side of the screen, bending slightly towards the right side of the frame before straightening up again. The camera zooms in to focus on the map, and a left hand appears on the right side of the screen, extending its index finger to gesture back and forth on the map, then retracting the left hand. The left hand then reappears from the lower right corner of the screen, holding the map. A left hand appears in the upper left corner of the screen, extending its index finger and pointing at the map, moving to the right, then to the left and disappearing. Next, a left hand holding the upper left corner of the map appears on the left side of the screen, while the left hand on the right side retracts and disappears. Then, the hand on the left side of the screen vanishes from the left side, and a left hand appears in the lower right corner, extending its index finger to point at the map above.


The center of the screen shows the lower part of a machine, with a hub located in the lower middle of the screen. A person in black clothes stretches out their right hand, wearing a black glove, from the right side of the screen to touch the bearing. Then they extend their right hand to click on the top right side of the hub, and later point to the right side of the background to click on the top right side of the hub again. They also grip the spiral pipe above the screen.


The video is shot from a first-person perspective. On the left side of the screen, there is a woman in black facing the camera. She first looks to the right at the black woman on the left side of the screen, then looks to the bottom left corner. The black woman on the right side of the screen keeps saying something. In the distance on the right side, there is a woman sitting with her back to the camera.


In the lower left corner of the screen, the left hand, and on the right side of the screen, the right hand, are holding a black leather wallet in the center of the screen. Then, the right hand releases the wallet and moves to the right side of the screen, disappearing from view. It reappears from the right side of the screen, moving towards the left side, and grasps the wallet again.


Overhead shot. In the scene, stones on the hillside continuously roll downward. In the background, a train appears from the upper left corner of the screen and travels towards the lower right.


In the foreground on the left side of the screen, a black car is sideways to the camera, moving towards the left side of the frame. In the background on the left, a white car is also sideways to the camera, moving towards the left side of the frame. As the camera moves to the left, the black car disappears from the right side of the screen, while the white car is positioned at the center of the frame.


On the left side of the screen, a blond woman looks towards the woman on the right side of the frame. She blinks occasionally, speaking with a smile, then turns both her body and gaze to the left side of the screen, opening her mouth. The woman on the right side of the screen has her left side facing the camera, smiling and looking towards the left side of the frame, handing over a transparent glass filled with wine to the woman on the left. The blond woman on the left catches the glass with her right hand. In the background, there are people walking from the right to the left of the screen, and two people standing still.


The scene is on the competition field, with the camera advancing towards the upper left of the screen. A man in a white uniform is running to the left of the screen, and he collides with the wall and stops at a position slightly left of the center of the screen. He then turns to the right of the screen and starts running towards the center of the screen.


On the right side of the screen, partially visible is a person whose head is turned towards the lower left of the screen. Their right hand reaches down to touch a black component, then they lift their head and move their right hand upwards to the right of the screen. A left hand appears at the bottom of the screen, and both hands grasp a black plate. The camera moves to the right side of the screen. Both hands shake the plate, then the left hand moves to the right side of the screen, placing it on the edge of the plate. The fingers of the right hand extend into a groove, and then the right hand also grips the edge. Both hands then move to the right of the screen and disappear, as the camera prepares to move to the left. There are many parts and black components in the scene.


A cartoon monkey character with a cloak on its back is seen holding a yellow-green object in its hand, running from the center of the screen to the right, exiting the frame. Subsequently, the camera starts to zoom out gradually, and a black cartoon dog runs in from the left, also heading towards the right side of the screen. Finally, from the street corner on the left side of the screen, a large blue bird and four smaller grey birds, a total of five, fly out and head towards the right side of the screen as well.


In the scene, a man wearing a dark plaid shirt stands with his back to us in front of the washstand. He picks up a towel with his left hand and wipes his left and right chins. Through the mirror on the washstand, his front face can be seen. He says a few words to the mirror, and his expression seems a bit irritated.


The video shows an accelerated view of a person washing dishes in the kitchen. He first turns on the faucet, uses a blue sponge to scrub the bowls in the foamy sink on the right, then places the cleaned three bowls in the left sink. After that, he puts down the sponge, moves the faucet to above the left sink, and rinses the bowls clean with water. He then puts the rinsed bowls in the cupboard on the right one by one, and continues to wash the remaining bowls in the sink.


In the scene, there are initially three people sitting. The person in the center of the frame is facing the camera, looking to the lower right of the picture with both hands on the table, the left hand on the chest, and the right hand operating a computer. In the foreground on the left side of the frame is a woman wearing a pink hairband, facing right and looking to the right of the picture. In the background is a man wearing a dark shirt, with both hands on the table, first looking down at the bottom of the frame, then glancing to the right of the frame and back down. The man in the center of the frame looks up to the right, and on the right side of the frame, a woman in a white shirt appears, holding a book with both hands, smiling and walking towards the left of the picture, and extending her right hand to slap the left hand of the man in the center of the frame in a high-five. Then both withdraw their hands, and the woman walks into the camera, facing left, slightly bowing her head to place the book below the frame. The man in the center of the frame laughs heartily while looking to the right of the picture. The camera slightly shakes, and the background is a blackboard.


The main subject of the scene is a man with silver hair, wearing a patterned V-neck shirt. He is positioned on the right side of the frame, facing the camera. His hands continuously move with the content of his speech, then he bows his head for a brief pause, before lifting his chin to continue speaking. The background of the video is a row of bookshelves.


In the scene, there are four people facing the camera. The girl on the far left is wearing a striped shirt, with both hands extended, her fingers pointing downward in the direction of the bottom of the screen. She then lowers her left hand to her waist while her right hand continues to point, subsequently raising both hands to her chest, spreading them in a helpless gesture while shaking her head, and then raising her hands again. Finally, she brings her hands together in front of her, opens them up, clenches her fists and shakes them, and lastly, extends her right hand to wag it back and forth. Moving from left to right in the scene, the second girl initially looks up at the camera as if saying something, with her hands pressed together in front of her chest. She then glances to the right of the screen, spreads her hands, glances to the left of the screen, and extends her left hand towards the camera. In the end, she turns back to face the camera, claps her hands, and wipes her chin twice before extending her right hand to wave at the camera, and finally placing both hands on the sides of her cheeks. On the right side of the screen, the second girl in the blue clothes initially holds food in both hands, using her left hand to put it into her mouth. In the end, she nods towards the camera and swings her body from side to side. The girl in purple on the far right initially holds something in her right hand, tasting it and making a funny face as she chews. She keeps glancing to the left of the screen, then nods again, and finally takes a step back, extending her left hand to shake it towards the camera.


The scene is set in a modern home interior. On the left side of the screen is a curly-haired lady wearing a white dress with a deep V-neck. In the center-right of the scene, another curly-haired lady dressed in a white top and gray pants is entering through the door. On the right, a long-haired lady in a white suit is walking into the frame from outside. The curly-haired lady in the white top and the long-haired lady in the white suit are approaching the curly-haired lady in the loose V-neck dress, as the camera slightly pans to the left. The long-haired lady in the white suit sits on the right sofa, closer to the curly-haired lady in the white deep V-neck dress, while the curly-haired lady in the white top sits on the floor next to her. The three women then begin to chat.


On the right side of the screen, you can see a person wearing camouflage clothing. He is bending over, looking at the ground in the center of the frame. In his right hand, he holds a small knife, and in his left hand, an orange object. He is smiling, and the camera pans down. The man in camouflage turns his head towards the camera, supporting his left hand on his thigh. The camera pans up slightly, and the man in camouflage is speaking to the camera.


In the scene, one can see a pair of hands knitting on a purple surface. The left hand is winding green yarn, holding a pocket-shaped fabric that is white and green, with an orange crochet hook inserted in it. The right hand picks up a blue paper clip from the table and fastens it to the opening of the fabric.


The scene shows the side profiles of two women. The woman wearing a hat looks to the left of the picture with her eyes, her expression transitioning from a smile to a burst of laughter and then back to a smile. She then slightly turns her head back towards the rear of the picture and shifts her gaze backwards. The woman with a bun hairstyle also looks to the left of the picture with her eyes, her expression changing from a smile to laughter and then returning to a smile, while her eyes flicker from side to side.


On the left side of the screen, you can see a person's hands; the left hand is holding a white bowl, while the right hand is holding a spoon, stirring something in the white bowl. There is some light-colored substance in the white bowl, which seems to be food. The food is thick, and as the spoon stirs, it gradually forms into a clump. The right hand continues to rotate the spoon in the bowl, mixing the food, occasionally using the spoon to scrape down some food stuck to the inner surface of the white bowl, causing the entire mass to form into a single clump. Then, the left hand puts down the white bowl, and the right hand drops the spoon. Both hands move out of the frame from the left side. The shadow of the person on the left side of the screen also moves downward. The camera pans to the left, revealing the white bowl with food from another angle, and a shadow can be seen moving on the table.


On the left side of the screen, there is a pair of hands, with the right hand holding a tool with a wooden handle extending towards the metal pot in the center of the screen. The food from the pot is scooped out and placed in the plate held by the left hand on the left side of the screen.


In the right side of the screen, a green cartoon character wearing a red rosary is displayed. It faces the camera and looks towards the left side of the screen. Suddenly, it moves its head closer to the foreground on the left, opens its eyes wide, opens its mouth, and its left arm also reaches forward towards the dark purple object in the foreground on the left. Then it withdraws its head, stands up straight, touches its chin with its right hand, and places its left hand on its waist, appearing to say something.


The scene is captured with a handheld camera, which shows some shaking. On the left side of the screen is a thick green patch of grass, and at its edge, there is an area of grey sandy soil. On the right side of the screen, two people are standing facing the grass, both wearing black T-shirts and black shorts. The person closer to the camera has a white slipper on their left foot, is barefoot on the right, with the right slipper lying on the ground behind them. Their left arm is raised, and their right hand is placed on the back of the neck of the person wearing black slippers. The person farther from the camera, wearing black slippers, is bending forward, holding a green phone in their right hand, and their left hand is wrapped around the right leg of the person in white slippers from behind. Then, the person in black slippers lifts the right leg of the person in white slippers with their left hand, moves towards the left side of the screen, and places the left foot of the person in white slippers onto the grey sandy soil at the edge of the grass. Following this, the person in white slippers quickly withdraws their right foot, only to be controlled by the person in black slippers and step back onto the grey sandy soil.


The video shows a man being interviewed by a host at a lumber processing factory. In the center of the frame, a man in a blue short-sleeved shirt stands in front of a wooden coffin, facing a man in a black and white checked shirt on the left side of the screen. The man in the black and white checked shirt is standing sideways to the camera, his body facing the right side of the frame, and his right hand holding a microphone extended towards the man in the blue short-sleeve shirt. The two are continuously conversing, during which the man in the blue short-sleeved shirt keeps stretching out his hand to make gestures.


The video footage is shot with a handheld camera. In the scene, three people are standing on a green lawn, looking down at a group of pet dogs. The person on the far left is a male wearing a dark blue checked shirt, facing the camera. In the middle, there is a short-haired female wearing a white top and white shorts, standing with her back to the camera. To the right, a female in a beige top is standing facing the left side of the frame with her right hand raised in front of her. The camera moves to the left side of the frame, and the woman in the beige top moves out of the shot. The man in the dark blue checked shirt takes a step back, and the woman in white bends over, extending her right hand to stroke the back of a yellow dog. A black dog and a brown dog approach the camera, and the yellow dog turns to follow behind them. The camera then moves down and to the right, following the actions of the three dogs, with the woman in white continuing to stroke the yellow dog's back. The brown dog stops, begins to shake its body, and then continues to walk to the right side of the frame. The black dog also stops, shakes its body, and the woman in white starts to stroke its back. The brown and yellow dogs walk out of view to the right of the frame. In the bottom left corner, the black dog looks up at the camera, and then the shooter extends their left hand to stroke the black dog's head, moving to the left and patting its back. The camera moves up, and a woman in a white cap and white top enters from the right side of the frame, bending down to extend her right hand to stroke the black dog's chin. At the same time, the yellow and brown dogs, along with a white dog, enter the view from the top left corner, approaching the black dog. The camera then turns to the left, and the yellow and brown dogs trot off to the left side of the frame, with the white dog following behind them.


In the center of the screen, there is a man wearing a black shirt sitting in a car, with his left side facing the camera. He looks to the left, talking with his mouth, then looks straight ahead, and subsequently turns his head back to the left. To the right of the screen, there is a woman in a pink shirt, with her left cheek facing the camera. Her gaze is directed straight ahead, and she continuously nods her head. Then, she turns her head to the right, and when she turns back, her eyes are once again looking straight ahead.


A white police car with blue and yellow features takes up the main part of the frame. A group of police officers dressed in uniforms and wearing police hats are getting out of this car, most of them are male officers, with one blonde female officer among them. Most of the police are wearing white shirts and black vests, while some are dressed in full black police uniforms. The male officer who first appears in the center of the frame, dressed in a black uniform, raises his right hand to touch the walkie-talkie on his right chest and then lowers it. After getting off the car, he raises his left hand to the walkie-talkie and turns to face the police car. Some officers who were seated in the car disembark one after another and walk towards the right side of the frame. A police officer gets out from the driver's seat and closes the car door. At this moment, a man dressed in a full black suit enters the frame from the left, holding a walkie-talkie in his right hand, standing towards the right side of the frame, and then turns to face the police car.


On the right side of the screen, a white-skinned woman sitting in the back seat of a car faces the camera, while a black-skinned woman sitting next to her turns around to face her at a very close distance. The right ear of the black-skinned woman faces the camera as she speaks emotionally to the white-skinned woman, repeatedly lifting her right hand suddenly. The white-skinned woman looks at the black-skinned woman, blinking in shock multiple times. Then, the black-skinned woman turns back to her seat on the left side of the screen, opening her mouth wide and waving her right hand while continuing to speak emotionally.


In the scene, a man with dark skin and a girl with fair skin are behind a window made of wood. Suddenly, the girl opens her mouth wide to speak, and the man immediately extends his right hand to cover her mouth and smiles. Then, he pulls the girl away from the bottom left corner of the window.


This is a black and white scene, with a bearded man with his back to the camera, slowly rotating counterclockwise to face the camera, and then turning back. He repeatedly spins in place, his head always lifted, looking around at the top surroundings. The scene seems to be at the bottom of a mine shaft, with a wooden structure on the left and a neat framework built into the cliff on the right. Suddenly, the scene cuts to two workers sitting by a bonfire. The worker on the left faces the right side of the screen, dressed in a black short-sleeve shirt and a white apron. On the right side of the screen, another worker is dressed in the same outfit but without the white apron, facing away from the camera. At this moment, the bearded man who was previously trapped at the bottom of the pit enters the frame from the right, standing between the two workers, facing the camera with his hands spread as if saying something. While he speaks, his body trembles constantly, and he occasionally looks at the two workers. His hands are continuously making gestures, sometimes placed on his face. Finally, his left hand is behind his back, and his right hand hangs by his thigh. He nods his head while speaking.


On the left side of the screen is a sandbag. On the right, a man in black is facing the camera with his left fist raised in front of his left eye, while his right hand quickly punches towards the sandbag on the left side of the screen and then swiftly withdraws. He quickly throws a right uppercut with his right hand, turning his body towards the camera, and then retracts his right hand, facing towards the left side of the screen. Next, he punches the sandbag with his right and left hands respectively, knocking it out of the frame. With his right fist in front of his right eye, he throws two left hooks towards the sandbag on the left side of the screen, with his left side facing the camera. Then he retracts his left hand, turns his body towards the camera, and punches the sandbag once with his right hand before withdrawing it. After a brief pause, his right hand punches twice more, followed by retracting his left hand and throwing a right uppercut. In the background, there are some fitness equipment, and the walls are white.


In the center of the screen, the man wearing a cowboy hat holds a poker card in his left hand and places a wine glass on the table with his right hand. He then points to the man in blue on the right side of the screen with his left hand while looking and speaking to him. Afterward, he looks towards the card table and throws down the cards in his hand. The man in blue on the right side of the screen, at the same time he is being pointed at, places a poker card on the table and picks up several cards in front of him to take a look with both hands. The man on the left side of the screen first looks at the man with the cowboy hat, then turns his head to look at the man on the right side of the screen. He glances at the cards in his hand, looks back at the man on the right side of the screen, and finally looks at the man with the cowboy hat. He then looks at the card table and slams his cards down onto the table.


The camera slowly moves down, then a woman enters the frame from the left side, walking away from the camera towards the front with her back to the camera. She looks up at the top of the frame and then turns her head to look at the top right corner of the frame. After that, she slightly turns her head to the left side of the frame.


The scene is a vast expanse of green grass, with an animal standing in the grass on the right side of the frame, looking towards the left. The grass sways with the wind, and then the animal turns around and walks out of the frame from the right. The scene changes, and the camera moves closer to the grass, with a slight shake visible in the shot.


On the left side of the screen stands a man in black clothes with his back to the camera. On the right side, a man in white clothes charges towards the man in black. The man in white, with his right hand in a fist, punches towards the man in black. The man in black blocks with both hands, grabbing the right arm of the man in white. Then, the two men engage in a tussle, as the camera follows their movements.


In the scene, a woman in a black top is seen walking a small black and white dog on an outdoor basketball court. The little dog is jumping and bounding towards the woman. She turns and walks towards the left side of the frame, but her gaze is on the dog below. Then, the woman extends her left hand towards the dog and walks towards the background of the scene. She then turns to the right, at which point the dog keeps jumping up at her. The woman continues to lead the dog, walking towards the right side of the frame. The camera slowly moves to the right and zooms in. Subsequently, the woman turns and walks towards the left side of the frame, while the dog stays close to her left leg. The camera then pulls back and moves to the left, and the woman again walks to the right with the dog.


A woman in a white suit, facing to the left of the screen, walks in from the right side of the frame. She holds a pink birthday cake with both hands. She quickly walks to the center of the screen, squats down, and places the cake on the table in the center of the frame. At this moment, the woman in white in the center of the screen is sitting facing the camera, clapping continuously. The person in black holding a child on the left side of the screen is sitting facing the right, with their mouth open wide. The camera gradually zooms in, and the people at the table become increasingly blurred. The woman in black slightly bows her head, smiles widely, then points to the cake in the center of the screen with her left index finger. She then turns her head towards the lower left corner of the frame, and subsequently turns her head towards the camera, pointing at the cake again. The woman in the white suit exits the frame from the right side. The man in a checkered shirt on the right side of the screen has been clapping all along. The background consists of white windows and walls, and there are some cups, plates, and small cakes on the table.


In the scene, there is a long-haired woman facing the camera, lying sideways on the lap of a black woman. Her hands are extended and placed in front of her body, then she slowly raises her left hand and then lowers it. The black woman is sitting against the wall, playing with the long-haired woman's hair with her right hand, then extends her left hand, gently tugs a strand of the long-haired woman's hair, and subsequently plays with the long-haired woman's hair with both hands.


The scene is a bustling beach, with many people lying on the sand, enjoying the waves and sunshine. In the center of the picture, there are two women on the beach. One is wearing a blue swimsuit and sitting on the sand, looking at a man in white on the left side of the frame. The other woman is lying on the beach in a black swimsuit, with her left hand behind her supporting her body, also looking at the man in white on the left. This man in white, holding a black device in his right hand, approaches the two women, moving his left hand back and forth in front of the device as if introducing the item. He then looks at the camera, pointing to the camera's direction with his left finger, his body slightly bent to the right. Following this, the two women on the beach also turn to look at the camera, smiling. In the background of the scene, a group of people stand up from the beach and walk towards the left side of the frame. Then, the man in white on the left side of the frame and the woman on the beach talk, smiling, occasionally glancing at the camera, and then nodding slightly, walking towards the camera. At this moment, the camera zooms in on the women on the beach.


Close-up handheld shot. The camera shakes slightly, and the center of the frame first shows the coin slot of a claw machine. A black woman appears from the left side of the screen, crouches down, and inserts coins into the slot with both hands. The woman then stands up, and the camera follows her, rising to give a shot of her upper body as she claps her hands. Subsequently, the camera pulls back and pans to the right, revealing a man in a shirt on the right side of the frame. He first points to the lower left corner of the claw machine with his left finger; the woman leans slightly forward in the direction of his finger and then stands up. The man glances at the woman, and she takes a half step back, shaking her fists in front of her chest. She then approaches and uses both hands to hold the man's left arm, pressing her face against it, as the camera pushes forward towards the man's left arm. The woman taps the man's left arm with her right hand, then turns towards the claw machine, crouching slightly, and points at the glass of the claw machine with her left finger.


The video is shot from a first-person perspective. To the right in the frame, there is a woman wearing a headscarf holding an infant in her arms. She first looks at the child, then turns to speak to the camera. Meanwhile, a clenched fist with a circle gesture appears at the bottom of the screen and then disappears. In the distance on the left side of the frame, three children are seen getting off a bed, with two of them running towards the camera. Then, the scene shifts to the bottom left corner, showing the infant being placed in a small crib.


In the foreground of the scene, a large black-brown dog can be seen with its body facing towards the left side of the picture, while its head is slightly turned towards the background of the scene, further away from the camera. Behind the dog, there is a woman squatting, facing the dog and the camera. In her left hand, the woman holds a brush, which she is using to brush the dog's fur from head to tail, seemingly grooming the dog. The woman's eyes follow the movement of her hand and the brush, slowly looking down to the side, observing her actions. She repeats this several times, and finally bows her head to brush the fur on the dog's legs, an action where her hand and the brush are no longer visible. She then raises the brush again and continues to brush near the dog's face, her gaze fixed on the dog's head, with a smile on her face.


In the frame is a house, the camera turns down to the right into an alleyway, then moves forward, bouncing up and down with the steps of the person holding the camera, nearly crossing over a cluster of greenery in the bottom left corner of the screen, before turning to the left.


In the scene is the side view of an orange-yellow car. On the right side of the frame, two hands reach in front of the rearview mirror, then the right hand moves down to the right of the frame and moves out of the shot. Then the right hand moves to the left side of the frame, returning to its original position with the palm facing down to the left of the frame, and then it turns the palm downward. The silhouette stands up, the right hand reaching towards the center of the frame, then moving to the left. Next, both hands move towards the center of the frame, the right hand picking up a black rectangle, while the left hand moves to the right side of the frame. Then, he bends his upper body towards the left side of the frame while holding something.


The shooting angle is from above the desktop, with a slight shake of the camera. In the center of the frame, a man in blue clothes is speaking to the camera with his head bowed, supporting a green plate with his left hand, very close to the lens. In his right hand, he holds a fork, attempting to pry open the food on the plate. Then he stops speaking, places his right hand with the fork on the desktop, bows his head to smell the food, and then looks up to speak, shaking the fork. He then supports himself on the desktop in the lower right of the frame with his left hand, nods while looking to the right of the frame, and stops speaking as a woman briefly appears on the right side of the frame. Next, the man slightly bows his head towards the lower left of the frame, balls his left hand into a fist near the lens, and raises the fork vertically with his right hand, screwing up his face. Then, he rocks his body and uses the fork to pick up a piece of food, starts speaking, blows on the food, and puts it into his mouth. The man opens his mouth wide to chew and tilts his head back. The scene is indoors, with a door on the left side of the frame, a light brown ceiling above, and a dark brown cabinet in the background.


On the right side of the screen, a woman with long curly hair is standing in front of a shelf on the left side of the frame. She looks at the shelf, assessing the items up and down, while slowly walking towards the camera. The camera follows her movements and slowly retreats. Then, the woman with long curly hair raises her right hand to examine an item on the shelf.


In the frame is a close-up shot of a person's hands knitting wool. The left index finger is hooked, holding the wool yarn, while the thumb and middle finger grip the knitted portion; the right hand holds a crochet hook, with both hands working in coordination to knit the wool.


On the left side of the screen is a black man. His head is turned towards the right side of the frame with his arms straight, supporting himself on the ground. He continuously performs several standard push-ups with a determined gaze ahead.


The camera moves to the lower side of the screen, showing a man in a red shirt holding a gun with both hands, then his right hand releases and grasps the gun again. The camera moves to the upper right corner of the screen, his left hand is gripping the barrel of the gun between the fingers, and the left hand moves to the lower left side of the screen, as the camera moves in the same direction.


In the center of the close-up shot is a curly-haired woman in dark clothing, walking forward with tears in her eyes, shouting a few times. The woman then falls to her knees, sometimes shaking her head and sometimes looking up, crying out in despair, her emotions in shambles. In the background of the shot are several black men who are looking towards the camera as they walk forward, some with their heads in their hands and others with their hands on their hips, appearing to be in shock as well.


The camera moves to the left, and the upper part of the screen reveals a person wearing a pink apron. With both hands extended, their index fingers touch a white plate on the table below the screen, which contains meat. Then, both hands are raised to point downward, and the camera moves back, exposing the upper body of the person in the pink apron, who is still making gestures with both hands and looking below the screen to speak. Then they look at the camera, smile, and speak as the camera moves forward and shakes back and forth. The scene is set in an indoor kitchen, with a sink and curtains on the left side of the screen, a gas stove, dryer, and cabinets on the right, and a table below filled with ingredients.


In the center of the screen is a cartoon monkey wearing a red scarf and a red hat adorned with a small pineapple accessory, looking towards the lower right of the screen. It then tilts to the right of the screen and returns to the center. To the right of the background is a tree, and the background itself is the sky.


The man turns his head to look to the right of the screen, then turns to face the camera directly, tilting his head to the left side of the screen, subsequently closing his eyes and bowing his head, looking towards the lower left corner of the screen, then to the left side of the screen. He straightens up and walks towards the left front of the screen until he disappears from view.


The background of the scene is a garage, with a white SUV parked in the middle of the screen. At this moment, the camera turns to the left, and there are two cars in the middle of the screen, with the one on the left being white and the one on the right being black. The person filming is walking forward, extending their left hand into the frame and then quickly taking it out.


The scene is in fast motion, with a jack positioned at the center of the frame. The gear is rotating clockwise towards the right side of the screen. On the left side of the frame, a metal pipe raises and then lowers, while at the same time, the wheel on the right side of the screen gradually and slowly lifts off the ground.


A man is standing sideways with his back to the camera, his body facing towards the left of the frame. With both hands, he holds a mobile phone towards the scenery on the left side of the screen, continuously taking photos of the distant view on the left. At the same time, the man's right thumb is repeatedly pressing the shutter button.


The camera slightly trembles downward, then shakes back and forth, and a left hand holding a white object appears on the left side of the screen. The scene is dimly lit, with a keyboard on the left side, something emitting red light on the right, a spray can on top, and white text and icons in the bottom right corner.


A woman with short hair is lying on her side facing the camera, her head turned to the left side of the frame with her eyelids drooping. Her left hand is extended to the left side of the frame, placed below the frame, repeatedly lifting and lowering. Another left hand, painted with pink nail polish, appears from the bottom of the frame, using the thumb to stroke the short-haired woman's left arm from the right side of the frame to the left. The woman with short hair starts to speak, then moves her left hand to the right side of the frame. She smiles, glances at the camera, and then lowers her eyelids again. Her left hand curls the fingers and then moves to the left side of the frame. She begins to repeatedly grasp and release the dark pillow she is lying on, while her left thumb moves up and down towards the upper left corner of the frame. The hand with pink nails at the bottom of the frame moves to the right, gripping the short-haired woman's left forearm.


In the center of the screen, a black-haired woman in a white tank top has removed her shirt to her waist, with her hands placed on either side of her body. She walks away from the camera, heading forward on the ridge. The camera slowly pans forward, and she shakes her right hand forward, then raises both hands to put her shirt back on, reaching the middle of her back. She then lowers her left hand while her right hand continues to rise, placing it on top of her head and moving it backwards to the nape of her neck, sweeping her hair to the right. At the same time, she stops, bending her left leg and placing her foot on a higher stone, turning her head to the left side of the screen. The camera continues to pan forward, and the woman disappears from the bottom of the frame. Finally, the ridge is only visible in a small part at the bottom of the screen, with many green trees above it, and the sea filling the top of the frame.


In the center of the screen is an image of an avocado with a pancake on its head and a pot in its right hand. Following this, the avocado in the center of the screen leans backward, dropping the pot in its right hand, and uses both hands to grab the pancake on its head. To the right of the screen is a kitchen cabinet, and there are burning flames on the stove.


In the center of the screen is a black car with its hood facing directly towards the camera. To the left of the car, there is a transparent bowl placed on the hood, containing a green solid liquid. Subsequently, in the upper left corner of the screen, a pair of hands can be seen lifting the solid liquid from the transparent bowl upwards. In the lower left corner, on the car's hood, there is a piece of blue solid. In the lower right corner, there is a transparent box containing blue liquid.


The scene focuses on a knickknack, which is being cradled by a hand below the frame, slightly turning towards the camera. The camera then zooms out, revealing a person in a brown shirt facing the camera, looking to the left of the lens, and setting down the knickknack in their right hand. They then swing their head to the right of the camera and walk off to the right of the frame. In the background on the right, a man with a yellow scarf raises a gun in front of him and also walks to the right of the frame. The camera pans left to show a man in a dark shirt, holding the gun stock with his right hand and the front of the barrel with his left hand, placing the gun in front of his waist, and looking to the left of the lens before turning to the right and exiting the frame. The camera continues to pan left, revealing five people crouching at the bottom of the frame, looking to the right. One person leans against the left wall of the frame, hands clasped in front, looking at the camera. A woman with black hair turns towards the camera, and a woman in a white hat looks at the woman with black hair, and both stand up together, looking at the camera. Then, a blonde woman and two black-haired men also face the camera and stand up. The woman with black hair and the woman in the white hat move to the right of the camera, after which the people in the frame turn to the right and run out of the shot on the right side.


The scene is set with a camera in an indoor setting. Initially, a man in a black short-sleeved shirt, holding a towel in his left hand, pushes the door open from the left outside and enters. He walks from the left side of the screen towards the center, using his left hand to wipe sweat from his face. Subsequently, his gaze shifts from looking to the left side of the screen to the center, then to the right side of the screen, glancing around while saying something. After that, he places his hands on his hips, glances down to the right of the screen, and extends his left hand. In the lower left corner of the screen is a white air conditioner.


The scene is shot in the first person. On the left side of the screen is the front of a car with the hood open. In the background on the right, the car's hood is draped with a pink and white blanket, on which a black and red screwdriver is placed. On the right side of the screen, a person in a black long-sleeve shirt is holding the connecting part at the bottom of the frame with their left hand, and their right hand is pulling up the black cover. Afterward, they lower the cover and both hands leave the frame on the right side. The shooter walks towards the right side of the screen, the camera turns left to face the vehicle in front of the lens. The person in the black long-sleeve shirt enters the frame from the top right corner, and the camera continues to turn to the right. The person in the long-sleeve shirt extends both hands towards the center of the screen, slightly lifting the cover with their left hand, while the right hand holds the connecting part of the cover. With the left hand holding the side of the cover closest to the lens, they slightly lift the cover and then put it down. The left hand moves slightly to the right of the screen, attempting to pull the cover upwards to separate it from the connecting part in the right hand, after which the left hand releases and turns the wrist to the right side of the screen.


In the foreground on the left side of the screen, a man's profile faces the camera, looking towards the right side of the frame, with his right hand holding a phone horizontally to the right. The male, wearing a black tank top, has his body turned towards the camera, looking to the right of the screen with his mouth open. He then nods and says something, closing his right eye as he turns his head towards the right side of the frame. The man holding the phone also says something, then turns to speak to the camera, before turning back to the right side of the screen, lowering his right hand. The camera slightly moves down and pulls back a bit. To the left in the background is a road and street trees, while on the right side of the background is an overgrown wasteland and mountain peaks in the distance.


In the right side of the screen, there stands a person with their back to the camera, wearing a silver watch on their left hand, with only one hand visible. On the left side of the screen, there is a black male wearing a black short-sleeved shirt. His left leg is slightly bent, and his right leg is half bent. He is sideways to the camera, looking to the left. At this moment, the man on the left turns to the right and sits cross-legged facing the camera. He then glances to the right at the person standing there, lifts his pants with his left hand, and then turns his head to look at the bookshelf on the left, picking up a book in his hand.


In the scene, two people can be seen; in the center-left part, there is a girl wearing a white top. In the center-right part, there is a man in a dark gray shirt. Both are leaning against a sofa, facing the camera. The man's right hand is around the girl's waist, keeping her close to him. The girl's hands are holding a book, which is placed on her lap. The man extends his left hand, holding the top edge of the book's page, as if he is about to turn the page. Both of their gazes are fixed intently on the book. Then, the girl raises her left hand to the position of her right hand, takes a page, and turns it. She slightly lifts her head and tosses her hair gently. Then she places her right hand in the middle of the book, tidies up the pages, and bows her head again to continue reading. The man's right hand extends his index finger to point at the page, and he seems to be speaking.


In the scene is a woman, wrapped in a bathrobe and wearing a headscarf, reading a magazine on the sofa. She grips the edge of the magazine page with her right hand, and slowly closes the magazine with her left hand. She then picks up the magazine with both hands and places it on the table to the right of the frame with her right hand. The camera follows the movement of the magazine, and in the end, it slightly raises to show the woman's left hand straightening up and resting on the edge of the sofa.


The video is in slow motion, with a person at the top of the frame facing the camera with his arms on the table in front of him. In his left hand, he holds a stack of playing cards with the backs facing up. With his right hand, he picks up the top card and flips it over to the front side, placing it on the table. The camera moves down slightly, showing his left thumb pushing the top card, which he then picks up with his right hand and places to the left side of the previous card on the table. Both hands then move to the left side of the frame while repeating the same action, placing another five cards on the table, all while the camera slowly pans to the left.


In the center of the screen, a woman faces the camera. She takes two steps towards the camera's direction, raising her right forearm levelly during the process, with her eyes closed in enjoyment. She then turns to her right, and the camera zooms in for a close-up of her face. The woman turns back and faces the camera with a smile, staring into the lens. Then, she slightly tilts her head back, smiling, and steps backward. She raises both hands to touch her hair. After that, the woman starts to dance freely in place.


This is an animation segment. A monkey is standing on a rope facing the camera, looking to the right of the screen with both hands holding a long blue pole horizontally. A light-colored cat is crouching on the left side of the pole, near the edge of the screen. The monkey wobbles the pole up and down, then turns its head to the left of the screen, and subsequently turns its body to the left as well. The cat follows the pole's rotation to the right side of the screen. Next, the monkey walks away from the camera along the rope towards the upper left front of the screen. In the upper left front is a pillar with a circular platform.


On the left side of the screen, a person with their back to the camera is holding a brush in their right hand, waving it to the right side of the screen, then moving to the left. Her body moves towards the right side of the screen while turning to face the left. She extends the brush down into the blue container in front of the camera, brushing back and forth with her hand moving up and down. Then she raises the brush upwards, disappearing from the top of the screen, and reappears moving downward. Her left hand appears in front of her body, then moves to the right side of the screen, turning the dial below the blue container counterclockwise. Her head pops up from the top of the screen, and her right hand continues to brush inside the container. Then, the right hand moves towards the camera and moves out of the frame, shaking up and down, while she speaks.


There is a woman in red who walks into the frame from the left and heads towards the distance of the scene. In the far background, there are also many passersby walking towards the distance of the scene. In the distance, there is a yellow building along with a large expanse of forest.


The scene is in black and white. A man in a shirt is standing with his body tilted to the left side of the frame, his head facing left. He turns clockwise towards the right side of the frame, walking, raising his right hand, and slapping a piece of paper he's holding onto the table on the right, at which point his body is facing the right side of the frame. He then bends down towards the camera, picking up a black folder with his right hand, while his left hand opens to the right side of the frame, placing the black folder under his left armpit. He then lowers his right hand, bows his head, picks something up from the table and slaps it back down, talking while turning his head from side to side. He raises his right hand, holding the folder under his left arm, and extends his left hand to the right side of the frame to hold it in place. With his right hand, he picks up a small Eiffel Tower from the table, swings his right hand up and down in front of his chest, looks to the left side of the frame, then to the bottom left corner, and lowers his right hand. Finally, he walks to the right side of the frame.


In the center of the screen, there are two women sitting on the white cloth spread on the beach, facing right towards the edge of the frame. Both are looking towards the background with their legs stretched out to the right of the screen, knees bent. The woman in blue is holding her knees with both hands, while the woman in black pants has her right hand holding a mobile phone on her leg, then she looks to the right of the screen and smiles. Subtitles in white appear at the bottom of the screen. In the background, many people are lying on beach chairs or on the beach, and some are walking around.


In the image is a rectangular painting, primarily in the color orange. The painting is placed horizontally, with the top right part of the canvas featuring a semi-circle. In the lower left corner are some feathers, and in the bottom right corner, a hand extends in, holding a pen and gripping the diagonal of the painting. At this moment, the right hand is turning the painting to the left, causing the semi-circle part of the canvas to face the bottom right corner. The pen is used to trace from the bottom up along the right side of the painting.


First-person perspective shot, at the very beginning, the center of the screen shows a stainless steel pot placed on the table, with an orange liquid inside. The shooter's left finger extends from the left side of the screen to point into the pot. The finger points twice and then retracts. Subsequently, you can see a wooden-handled shovel placed on the table on the right corner of the screen.


The video is shot with a handheld camera; on the right side of the screen, a child wearing a black helmet, a blue short-sleeved shirt, and blue jeans is riding on the back of a brown horse, facing right, trotting forward, and then disappearing from view on the right side of the screen; then the camera pans left and zooms in, showing a child wearing a black helmet, a blue long-sleeved shirt, and black pants riding a white horse entering from the top right of the screen and jogging towards the left side of the frame, while the camera pans left; on the left side of the screen, there are several white railings on the ground, and in the background on the right, there is a red house.


In the center of the screen, two people are sitting in chairs, facing the camera. The boy on the left is wearing a gray sweatshirt and holding a piece of transparent film in his left hand. The boy on the right is wearing a white short-sleeved shirt, has a thick beard, and is smiling while looking at the film held by the boy on the left. On each side of the screen, there is a person in the foreground with their back to the camera, revealing only an arm. The boy in the gray sweatshirt on the left places the film in his left hand on a black surface, and then picks up another piece of film with his right hand and puts it on top. The boy on the right picks up a sheet of film with both hands.


On the left side of the screen, a woman with curly hair dressed in black turns her back to the camera and walks forward, picking up something red and white with her right hand and throwing it into the blue shopping cart on the right side of the screen. Then, she places her right hand on the left side of the shopping cart. She reaches out with her right hand to grab a yellow object from the yellow shelf on the left side of the screen and tosses it into the shopping cart on the right, before supporting the shopping cart again. She then turns to the left. The man on the right side of the screen, also dressed in black and with his back to the camera, initially supports the shopping cart with his right hand while looking towards the woman on the left side of the screen. He then places his left hand on the shopping cart and rests his arms on it, continuing to walk forward. He suddenly stands up and turns slightly towards the left side of the screen. The camera follows them as they move forward and then shifts to the left. The scene is set in a mall with many aisles of merchandise shelves, which are filled with a variety of products. The floor is made up of white square tiles.


At the center of the screen is a black leather bag. On the left side of the screen, the left hand picks up the black leather bag, while on the right side, the right hand holds the bag. The left hand moves away from the lens on the left side of the screen, and the right hand exits the frame on the right side, as the left hand grasps the leather bag.


The man stands to the right of the frame and straightens his body, opening his hands to both sides. He then walks towards the camera, pointing his hands to the small tree on the left side of the frame while bowing his head to look at it. Afterward, he looks directly into the camera, raises his left hand to his forehead, and quickly drops it. He then continues to walk towards the camera with his hands spread out. Following this, the man looks at the lower left corner of the frame, opening all five fingers of both hands towards it. He then squats down, looking at another small tree on the left side of the frame, with his left elbow resting on his left thigh. His right hand briefly touches an advertisement paper before quickly retracting and placing it on the mud. At the same time, the camera focuses on the hand and the mud, showing the hand rotating counterclockwise on the mud.


The camera focuses on the legs of a black woman, who walks barefoot up the stairs on the right side of the screen. Following her is a person wearing white dress pants, who is also wearing black gloves and black leather shoes. The camera only shows their legs as well.


Close-up static shot. On the left side of the screen, a woman faces towards the right side of the screen. She taps the shoulder of the man in the center of the frame, who is wearing a green backpack, with her left hand, and then touches his arm with her right hand before walking to the table on the right side of the screen and turning around to look towards the left. In the center of the screen, a woman uses her left hand to pat the right shoulder of a man holding a ruler and then takes two steps to the right side of the screen before sitting down behind a table. A man in the center of the frame, holding a ruler, bows his head and then measures the lower body height of the man with the green backpack. On the right side of the screen, a man in a vest stands behind the table, facing the camera direction. He first pats the back of the man with the ruler with his right hand, then looks towards the left side of the screen, preparing to sit down. In the distance, a woman in a brown skirt slowly paces towards the left side of the screen and then stops next to the man with the ruler, facing the camera direction.


In the right side of the screen, a little boy is sideways to the camera, facing towards the left of the screen. The boy slightly bows his head, holding a fork in his left hand and a knife in his right hand, cutting the food on the plate. On the left side of the screen, a girl is slightly sideways to the camera, facing towards the left of the screen. The girl slightly bows her head with a serious expression, cutting the food with the knife and fork in her hands. During this process, the camera slowly moves to the left.


The scene is shot from a first-person perspective with the shooter sitting inside a car. The car is driving towards the left side of the frame, and the camera moves to the left, trembling slightly. The camera slightly zooms out and then shifts to the right side of the frame, revealing the interior of the car, with a steering wheel visible at the bottom of the screen. The camera then shifts to the left. There are many cars parked at the bottom of the screen, with some driving towards the right side of the frame or into the distance. The background features tall buildings, and there are many streetlights around the edges of the scene. The camera also passes two traffic lights and a traffic sign.


This is a still image where the bottom halves of the three glass walls are opaque. On the middle glass wall, the phrase "TELL THE TRUTH" is written in uppercase English letters. Through the transparent upper part, you can see a person with brown hair, wearing orange clothes, facing the computer and working. She has her back to the camera, facing the right side of the image, and there is also a yellow chair inside.


In the initial scene, three people can be seen. Two are in the center of the frame, and in the foreground is a man wearing a black short-sleeved shirt, who is facing away from the camera. Hidden behind him is a woman in an orange skirt, facing the camera. There is also a man on the right side of the frame, wearing a white shirt, bending over as if in discomfort, then collapsing to the right side of the screen. The woman in the orange skirt grabs the right arm of the man in black with her left hand. She then appears to punch the man in black several times with her right hand, causing his body to tremble. The man in black falls towards the left side of the screen, and the woman in the orange skirt seizes the right wrist of the man in black with her left hand and strikes his right cheek with her right hand. Then her left hand releases, and she swings her left fist again towards the face of the man in black. The camera slowly pans to the left, at which point the man in black is almost off the left side of the screen, still being chased and beaten by the woman in the orange skirt. The expression of the woman in the orange skirt is very intense and angry.


The video is shot from a first-person perspective. The camera turns to the left and focuses on a short-haired man in a green short-sleeved shirt sitting in the bottom right corner of the frame. He has his right hand holding a phone to his ear, and his left hand is on the table holding another phone.


In the scene, an infant is lying sideways on a woman's chest, with the head turned towards the camera, which is focused on the baby's head. Then the baby forcefully blinks, turns his head downward, and straightens up to the left, raising his right hand. In the background, a blurred portion of the woman's face is visible.


The woman turns her face to the left side of the screen, then the camera pans to the left, the woman opens her eyes and stares directly into the lens, blinking. The woman's head moves to the right side of the screen, then back to the left, and again to the right, before she lifts her head.


In the frame, there are two people facing the camera. The person on the right side of the frame has red hair and lifts their collar with both hands, saying something to the camera while shaking their head from side to side. Then, they glance down at the bottom of the frame and pick up a plate of food from below. On the left side of the frame, there is a woman in white clothes. Her body is turned towards the right side of the frame, and she looks at the camera, her gaze fixed on the lower part of the frame until the food is picked up, at which point she looks up at the camera again.


In the center of the screen is a basin, and on the right side of the basin, there is a pot of corn. Above the screen, a shelf flashes by, followed by a hand picking up the basin and then putting it back down. Then, both hands pick up a corn each, and the camera moves forward.


The camera angle is from below, and the frame features three men. In the center of the scene stands a man wearing a black shirt. To the left, a man with white-framed glasses is sitting. To the right, a man in a pink shirt is sideways to the camera. The man in the black shirt then turns to the right and speaks to the man in the pink shirt. He subsequently turns his head to look at the man with white-framed glasses on the left, and taps the man's shoulder with his right hand. The man in the black shirt then nods to the one in the pink shirt and starts walking to the right of the frame. He takes off his glasses with his left hand. At this point, the man in the pink shirt is walking ahead, heading to the right of the frame, and then sits down on the ground. The man in the black shirt falls backward, his left hand reaching for the sofa for support. The camera follows the two men as they move to the right.


The camera quickly moves towards the right side of the screen, revealing a white plate in the center of the frame holding a cluster of rice. Next to the rice, a yellow pancake is drizzled with chocolate sauce. Above the chocolate sauce, there are some white strips. In the upper right corner of the screen, a pair of hands can be seen moving above the plate. The camera then shifts towards the left side of the screen.


On the left side of the screen, two boats are moving towards the right side of the frame, one close and one far. The boat closer to the camera seems to have about five people sitting in it, facing left towards the screen, rowing with oars, and moving towards the right side of the frame. The camera slightly shakes, causing ripples on the water's surface, which is covered with many small objects. On the left side of the screen, there are two boats that are mostly stationary, and there is also a boat on the right side. In the distance, there are mountains and trees.


The woman on the left of the screen is wearing a white dress and a purple cardigan, while the man on the right is wearing a striped shirt. The two of them are running towards the camera from a distance, with looks of concern on their faces. In the background, several people are standing farther away, one of whom is covering their mouth with their hand, seemingly to avoid smoke or dust.


The scene is captured by a camera placed on the top of a car. The lens retreats and curves to the left side of the screen, passing through a bend, with many tall trees on the right side of the screen. Then the lens takes another curve to the right bend on the screen, and a house appears on the left side of the distant view. There are red Angry Birds on both sides of the car.


In the scene is a expanse of blue sea. In the upper right part of the frame, a white ship is facing the right side of the picture, stationary on the sea surface. Then the scene changes, and a brown crab is seen standing on the seabed, facing the left side of the picture, slightly waving its pincers, with shimmering light and shadows on the ground. The scene switches again, and in the center is an underwater exploration vehicle, with its headlights on, moving towards the lower left of the frame. The upper part of the background is a gray-white ground, and the lower part of the background is a light green ground.


On the left side of the screen, a man is holding a glass in his left hand, looking up at the woman on the right and speaking. At the same time, he opens his hands outward and then brings them together, walking forward. He then holds the glass with both palms facing in, thumbs up. Then, his left thumb tilts to the left. The man then moves the glass towards the woman's direction with his left hand. He follows by extending his right hand with the glass towards the area next to the woman, lowering his head and looking at her shoulder, and continuing to walk towards her. Immediately after, his right hand moves downward, his eyes open wide as he speaks to the woman. He then shrugs his shoulders and shakes his head while talking, and the woman on the right leans back slightly.


In the scene, a man on the first floor shoots twice in the direction of the second floor. The man on the second floor supports himself on a pillar with his right hand and crouches down, aiming his gun at the man on the first floor with his left hand. The camera then cuts to a man in a grey shirt slowly getting up, and another man in a white shirt appears from the left side of the screen with his back to the camera. Both men have their fists clenched, ready to attack. Next, the camera switches to a close-up of one of the men's tense expressions. Subsequently, the camera cuts to a side view of the two men, where the man in the white shirt swings his right fist towards the man in the grey shirt, and the man in the grey shirt also swings his right fist towards the man in the white shirt, causing the man in the white shirt to stumble backwards.


This is a top-down perspective. At the center of the frame is a pot of melting chocolate, with a whisk extending into the pot from the center, lifting up, and dripping chocolate back into the pot, inserting and lifting it up again. The camera then retreats, rotating counterclockwise, then clockwise, and then counterclockwise again.


At the beginning, there is a pair of hands holding a basketball in the frame. The right hand releases the basketball, and the left hand pushes it downward. The camera moves to the bottom of the frame, and then shifts to the left side of the screen. The camera reveals the full body of the man from the bottom of the frame to the top. The man is bent over, with slightly bent legs, and his gaze is fixed on the right side of the screen.


The video is shot from a first-person perspective. In the center of the frame is a wooden staircase, and at the top of the frame, a pair of feet can be seen walking up the stairs. After reaching a platform, the perspective gradually rises to the thigh level, while the person walking moves to the right side of the screen.


A man and a woman are facing the camera profile. The curly-haired man on the left side of the screen looks towards the top right corner, while the woman in black on the edge of the frame looks to the left, blinks, and then turns to the right, looking ahead. The curly-haired man lowers the cup he is holding and raises a snack with his left hand. The woman in black turns to the left side of the screen, and the two smile at each other. The woman in black watches as the curly-haired man bites the snack he is holding, then glances at the camera and continues to look at the curly-haired man. The camera moves down to shoot the two from a low angle; the man turns his head to the right side of the screen, looking to the right, while the woman in black chews and then sits up straight towards the right side of the screen, lifting her left hand, with her elbow resting on the seat in the bottom right corner of the frame. The camera moves up and closer to the two people in front, with the man facing the right side of the screen and the woman facing the left. Then, the man turns to the left side of the screen, looking towards the top right corner, while the woman turns her head to the right, looking ahead.


On the left side of the screen, a boy dressed in green raises both arms, with his right palm facing down, placed on the left side of his body, and his left palm facing up, supporting a stick placed on the right side of his body. The boy moves towards the right side of the screen, then turns his head towards the camera, extending his right index finger upwards. He is speaking as the camera follows him to the right. A woman enters the frame from the right side, holding a white tray with both hands in front of her. The man stops to the left of the woman, his right hand open with the palm facing up. He turns his head towards the camera, smiling on the right side of his face, while his left arm is lowered. The woman raises the tray with both hands and places it on the stick in the man's hand. Then, the woman lowers her hands to her sides. The man's right palm faces down, and he moves his right hand downwards while his left hand moves upwards.


The camera slightly moves upwards, and a little boy appears in the center of the frame. The foreground is filled with apples, and then the boy looks into the camera, takes an apple from the shelf with his left hand, and turns to walk towards the left side of the frame.


A man with short black hair, dressed in a white shirt and white pants, pops his head up from the bottom of the screen. His left hand is gripping a horizontal wooden stick at the top of the frame. His expression seems to be one of exertion, and then he uses his right hand to support himself and climb up, which appears to be a rooftop. He flips over the wooden stick that his left hand was initially grasping, then crouches down and crawls across the rooftop. With his buttocks sticking up, his hands and feet move in synchronization, and he crawls leisurely from the right side of the screen to the left. He grabs the vertical wooden stick on the far left of the roof, supporting himself with one hand on the stick and the other on the adjacent horizontal wooden support. Then he leans out from beside the stick, as if looking down. The background seems to be a lush forest, with a somewhat messy rooftop still beneath his feet.


In the scene, two women are lying on the grass. The woman in black is in the background of the picture, while the woman in blue is in the foreground. Their arms are closely placed under their buttocks, with their buttocks off the ground. Their right knees are bent towards the right side of the picture, and then their legs extend straight up into the air.


In the frame is an orange cardboard box, with the door of the box open towards the camera. A left hand is supporting the orange box door from the lower right corner of the screen. The right hand's index finger is extended, moving from the box door towards the lower right corner of the frame to the left side of the screen, then the fingertip presses down and points towards the door, moving to the right side of the screen until it points to the middle of the door, on the lower part of the screen, where there is a black block. The camera zooms in and then quickly lifts upwards.


In the center of the screen, there is a piece of chocolate on the chopping board on the table. To the left of the screen, a person whose head is not visible is facing towards the right side of the frame. Their left hand is holding down the chocolate, while their right hand holds a knife, slicing the chocolate into small pieces.


In the center of the screen, a man in red clothing is sideways to the camera, moving towards the left side of the frame, and turning counterclockwise to move towards the right side of the frame. To the right of the center, a man in green clothing is standing facing the camera, with his right arm stretched towards the direction of the lens. On the right side of the screen, a woman in a red Christmas costume is standing facing the camera, her left hand covering her mouth. In the background on the left side, a man in black clothing is sideways to the camera, moving towards the right side of the frame.


On the left side of the screen, three men are scattering apart, while on the right side, a man in white pants is walking to the right of the screen with his back to the camera. The scene then cuts to a man in blue pants facing the right side of the screen, holding a golf club, and waving both hands towards the camera. He bends over and hits the ball in front of him, sending it into the distance, with his back to the camera. At the same time, the man in the white hat on the right side of the screen lowers his raised left hand.


In the picture, there is a pink sundress placed on a natural wood-colored table. A pair of hands enter the frame, with the left hand holding the dress and the right hand holding a blue pair of scissors, gently cutting a bit of the clothing.


The center of the screen is a close-up of a girl's head with pink glasses. She is holding a lip gloss in her right hand and applying lipstick to her lips. She first places the lipstick brush on the left side of the frame on her lower lip, then quickly brushes it to the right side in the frame and back again, repeating this motion twice. After that, she puts down the brush and presses her lips together.


The shot is a close-up of a soccer field's corner kick area. Suddenly, a person in black pants walks into the frame from the right. Holding the football with both hands, they bend down to place the ball on the arc line of the corner kick area, then start to back away and disappear from the right side of the frame. Suddenly, they run in at full speed, supporting themselves with their left foot next to the ball and kicking it away with their right foot, then they slowly walk a few steps towards the camera.


In the foreground on the left side of the screen, closest to the camera, a man is sitting with his back to the lens. He is looking down at the mobile phone in his right hand and, after a while, he puts the phone into the pocket of his pants, slightly lifting his head to glance towards the right side of the frame as he does so. In the background, partially obscured by the man, a long-haired woman is sitting on the ground facing the camera. She uses both hands to push her hair back from her face, then slightly extends her left leg and turns her head to look towards the upper left of the frame before turning back. She then brushes her hair on the right side of her head with her right hand and looks towards the right side of the frame, using her hands to slightly adjust her sitting position on the ground on either side of her body. Towards the center-right of the frame, a woman sitting on the ground facing the camera first lowers her right hand from her head, then glances briefly at another woman sitting on the ground to the right. She then moves her hands to her sides, shifts her hips to adjust her sitting posture towards the left of the frame, and then looks directly into the camera to brush her hair on the right side of her head with her right hand before adjusting her sitting position again. In the bottom right corner of the frame, a woman wearing a hat is facing the camera, lying on her side with her right hand on the ground. Her head is turned towards the woman in the center-right of the frame. Initially, she removes her left hand from her face and lowers it, then slightly adjusts her clothing at the waist, and also glances up at the woman in the center-right of the frame.


The blue flower is located at the center of the screen, then moves towards the upper left corner of the frame and disappears off-screen. It then shakes and re-enters the frame, transitioning from the lower right corner to the left side of the screen.


On the left side of the screen, a man in gray with long hair is embracing a blond man on the right side of the screen. Both are facing to the right, with the long-haired man's head turned towards the camera, his eyes closed, and the blond man bowing his head. The long-haired man turns his head to the right of the screen, opens his eyes, and moves his right hand up and down on the blond man's abdomen. The camera pans to the right, and the blond man turns his head to the left, looking at the long-haired man and smiling. He turns his body towards the camera, extends his left hand to the long-haired man's face, and flicks water at him. The long-haired man shuts his eyes tightly and moves his body to the left of the screen. The blond man withdraws his left hand, swings both hands up and down, and laughs with his head bowed, while the long-haired man also laughs looking at him. The blond man turns to face the camera and then towards the left of the screen, placing his hands together in front of his chest. The long-haired man turns his head to the right of the screen. The background is a white wall.


The scene is animated. Five chicks appear one after another on the left side of the screen, jumping from the white object on the left to the right side of the screen. The first chick walks towards the brown area in the lower right corner of the screen. The second chick lands on its bottom and rolls to the right side of the screen. The third chick falls flat on the ground, and the two chicks behind jump onto the third one, bouncing them all to the right side of the screen. Then, the five chicks gather in the center of the screen, continuously wobbling their bodies and heads, opening and closing their beaks. The chick on the far left closes its eyes and jumps up, then lands on the ground with its eyes open. Next, a chick appears on the left side of the screen and bounces towards the right, pushing the five chicks in the center away, and the five chicks disappear from the right side of the screen. The chick sits on the ground, looks to the right and calls out, then looks at the camera. The screen gradually fades to black until it is completely dark. There is greenery at the top and bottom of the screen, tree trunks and green plants on the right side, and flowing water in the background.


In the center of the screen, close to the camera is a girl wearing a green short-sleeved shirt and black pants. In the center of the screen, farther from the camera is a tall woman with her hair down, wearing a gray long-sleeved shirt and black shorts. Both of them are looking to the right of the screen with their left hands on their left legs, then they raise their right hands and swing them up forcefully. Next, they place their right hands on their right legs and raise their left hands to swing them up forcefully. Following this, they cross their arms in front of their bodies, swinging them as they move towards the left of the screen. On the left side of the screen, several other women can be seen dancing as well. The background of the scene is a dance studio with a large mirror.