The video is shot with a handheld camera. In the frame, a sleek gray sports car is parked facing the right side of the screen, with a row of neatly stacked tires in the background. The camera then pans down to the right, and two people wearing black shirts and blue jeans enter the frame. The person closer to the camera is holding a black DSLR camera with both hands. Next, the camera moves to the left side of the screen, showing the profile of the gray sports car, and then turns back to the right side of the frame.


In the center of the screen is the body of a woman, not including her face. She is in a room, walking towards a stool on the right side of the frame. Her left leg is bent behind her right knee, and then she sits cross-legged with her left leg, while her right foot remains upright. Leaning against the chair, she then lifts her right foot up and then lowers it. Both hands are placed at the collar to undo the buttons. Her head tilts forward, her right hand reaches back to her neck, and then she closes her eyes.


A monkey is sitting on the left side of the picture, facing a dog on the right side of the frame. It stretches out its right hand, holding a pen and writing on a slip of paper in its left hand. It then turns around and raises its right hand to a cabinet on its left side. The dog opens its mouth, and the monkey taps above the cabinet with its right hand. It then turns to face the dog, looking down at the slip of paper in its left hand and gently tapping it.


On the left side of the screen, there is a bright gray television. On the television, two game characters are fighting. On the right side, the red character is facing left and takes a small step forward, attacking with a weapon similar to a bow and arrow. The character on the left is facing right, holding a weapon, and is knocked horizontally to the left out of the screen by the character on the right. Then, the television screen changes to another game character dressed in red holding a weapon. Initially facing the camera from the right, the camera angle shifts to the front, showing the character swinging his weapon back and forth. In the lower left corner of the television screen, there is also a blue character with his back to the camera, only the right side of the head and shoulders visible, with both hands raised, palms facing each other and opening and closing to the sides. On the right side of the screen is another white television, less vibrant in color. It first shows a game screen, then switches to a pile of snacks, with a bag of fries-like snacks in the front and four cups of drinks in the back, as the camera gradually moves up and closer.


A static overhead shot. In the top left corner of the frame, there is an Apple Pencil placed, while in the top right corner, there are two AirPods and a charging case. On the right side of the frame and in the bottom left corner, two wired headphones are placed. In the center of the frame, from left to right, there is an iPad and two iPhones, one large and one small. Then, a right hand appears from the bottom of the frame, moves horizontally, and takes away the smaller-sized iPhone on the right side of the center. Next, a pair of hands extends from the bottom of the frame, moves horizontally while holding, and takes away the iPad on the left side of the center; there is a brief pause when moving it to the bottom of the frame before it is taken away. Finally, a right hand extends from the bottom of the frame, moves horizontally, and takes away the larger-sized iPhone in the center of the frame.


A woman stands sideways to the camera, looking to the left of the frame. She reaches to the left side of the screen with her right hand and takes down a white piece of clothing. She then turns the front of the clothing towards the camera, holding both sides of the hanger with her hands, facing to the left of the frame. She holds the clothes in front of her to compare the size. She turns her head slightly to the right of the frame, then looks down at the clothes in her hands, turning the front of the clothing towards herself.


In the scene, there are a total of four people. The man in the center of the picture is looking at the woman on the right holding a cup. He is speaking while extending his index finger, which he points towards the woman with shoulder-length hair in the lower left corner of the frame. At the same time, the woman with shoulder-length hair straightens up. The man turns his head to speak to the woman with shoulder-length hair, then lowers his index finger and pinches his left index finger while looking at the woman on the right with the cup and talking. Immediately after, both the man and the woman with the cup look towards the woman with shoulder-length hair. The camera pans to the right, and the man nods while speaking, then extends both hands with palms facing inwards and fingers opposed. The man looks to the left of the frame, tilting his head to the right, and his right thumb and index finger pinch his left middle finger. The black man on the left side of the frame and the woman with shoulder-length hair nod in response.


In the center of the screen is a pot filled with ingredients. In the bottom right corner, a left hand is seen pinching a piece of ingredient between the thumb and middle finger, then moving it from the center of the screen into the pot. The left hand then reaches down from below the screen to grab another piece of ingredient and moves it to the right edge of the screen, pinching the ingredient as it goes. A pair of scissors at the right edge of the screen cuts a slice from the ingredient, which falls into the pot in the center of the screen, followed by another slice that falls both in the center and on the right side of the screen. Then, the left hand moves to the left side of the screen to grab a piece of ingredient and bring it to the right edge. The scissors cut the ingredient from the right edge, causing it to fall into the upper left corner of the screen. The scissors then cut another slice, which falls into the center of the screen, and the left hand throws the remaining ingredient in its grasp into the center. Finally, the left hand reaches from the upper left corner to grab more ingredient and moves it to the right edge of the screen.


A man is standing on the right side of the screen, bending over to fiddle with an item in the front hood of the car ahead. With his left hand, the man is holding a black partition in front of him, while his right hand is placed on the black partition. Then, his right hand grasps the partition at the back, attempting to shake it, and subsequently runs his hand back and forth along the side of the rear partition. After that, he gently taps the two partitions, front and back, with his right hand.


On the left side of the screen, a man in a gray shirt is speaking to the camera while sitting on a sofa, looking towards the bottom right corner of the frame. He nods his head to the left side of the screen, glancing slightly out of view to the right of the center of the lens. His left hand is resting on the sofa's armrest, raised upwards, and he waves it to the right side of the screen multiple times. During this, he glances at his left hand, and his head moves slightly. Then he looks to the right side of the screen, lowers his left hand with the palm facing down, and then raises it again to wave to the right side of the frame, with the palm facing the camera. His head rocks from side to side, and his left hand, above the sofa's armrest, gradually moves the palm towards himself, then turns it upwards and lowers it towards the bottom right of the screen. Finally, he brings his left palm close to his chest and then waves it to the right side of the screen again.


On the left side of the screen, a person is squatting facing the right side of the frame with their side to the camera. In their right hand, they hold a screwdriver and move it from left to right inside the door handle groove. Next, with both hands, they use the screwdriver to remove the screw from the inside handle of the car door. The camera switches, and the man enters the frame from the right side, squats down, and faces towards the left side of the frame with his side to the camera. He bends the inside panel of the car door towards the camera with his left hand, waves his left hand in front of the door panel, and then reaches his left hand towards the top left corner of the screen and taps the car door.


The camera pans down and to the left, revealing many children looking down through an open window, some even waving their fists and shouting. They are all inside a building with a beige exterior and a brick-like pattern. The scene shifts to the ground and continues moving left, revealing six children in the foreground. Four of them are facing the camera, with the boy on the far right wearing a blue short-sleeved shirt with white stripes, smiling at the boy who is turned away from the camera. The boy towards the left center of the frame has short hair at his shoulders and is dressed in a grey shirt with red, black, and white patterns, with his hands at his sides, frowning at the boy facing away from the camera. To the left of the frame are two boys, one in a blue short-sleeve with curly hair, his hands at his sides, and the other in a striped brown short-sleeve with blond hair, who first places his hands at his sides then excitedly bends over to clap facing the left side of the frame. There are two boys to the side at the left of the frame; the boy who was previously facing away from the camera is now sideways, facing the right side of the frame. He's wearing a dark short-sleeve with white and grey stripes near the sleeves. The boy in the grey shirt with red, black, and white patterns uses his hand to knock a book out of the hands of the other boy. The boy on the left side of the frame is shocked, shrugging his shoulders and slightly raising then lowering his hands. A boy in a black vest runs from the left to the right of the frame. In the background, there is a staircase with two people standing on it. The scene changes, the boy in the blue short-sleeve with white stripes walks towards the left side of the frame. The boy in the grey shirt with red, black, and white patterns pushes the boy with the white and grey striped sleeves near the hands. The boy who was pushed walks backwards and looks to the right side of the frame. The other three boys run to the railing in the foreground and place their hands on it. There are now four people on the staircase in the background, all of them basically waving their right fists.


The initial shot is focused on a small cabin, which seems to be a cartoon scene. Then, a green character enters from the right side of the screen and quickly moves to a position slightly to the right of the center. Leaning on a cane with his right hand, he stands on the ground, with his left hand raised and his eyes closed as he speaks. Suddenly, he opens his eyes, looks to the left side of the screen, smiles, and continues to speak emotionally.


The man is located on the right side of the screen. His hands enter the frame from the top right corner. In his left hand, he holds a black support plate, while his right index finger and thumb pinch the plate and move it towards the top of the screen. Then, the camera moves upwards to the top of the screen.


On the screen, a group of people are on the beach. On the left side of the screen, a man in white clothes is facing away from the camera, holding a black long pole detector in his right hand. He turns towards the right side of the screen, raises his left finger to point down to the right, and extends the detector towards the woman in a bikini lying on the beach to the right of the screen. He then extends the detector above the woman's body on the right side of the screen, and the woman looks up and towards the left side of the screen. On the right side of the screen, a woman in a green top and blue jeans is looking towards the left side of the screen, takes two steps to the left, stops, bends down to take off her pants, looks down, and lifts her left leg. Next to her, a man in a white top is sitting on the beach looking towards the camera. In the center-right of the screen, a woman in a gray bikini is facing left, holding a camera in her left hand, moving towards the left side of the screen, and then returning to the center. In the distance, on the left side of the center, there are a few people standing and talking, looking towards the camera, and a white man in white shorts is swinging his hands back and forth. In the background, there are many people either lying down or standing on the beach.


In the scene, an infant is kneeling facing the right side of the frame, biting a red pacifier in its mouth, and supporting itself with both hands on the ground. At the far left of the frame, a person is protecting the infant from behind as the infant reaches out to touch the building blocks. The person on the far left helps the infant pick up the blocks, and the infant turns its head towards the camera.


In the scene, two people can be seen. On the left side of the screen is a child wearing black and white clothes, and on the right side is a woman in a blue top. The woman and the child are facing each other, with the woman lifting her eyes to look at the crying child. The woman is speaking to the child, whose mouth is closed, and his head is twitching slightly due to crying. The child's crying gradually stops, and he looks at the woman's face and smiles, then stretches out his hands to embrace the woman, who also extends her hands to hold the child on her body, with her hands soothing the child's back and neck. The woman deeply closes her eyes, then opens them again, changing her posture to hold the little boy. At this moment, the little boy is turned away from the camera, and the woman's face is obscured by the child's body, with most of it no longer visible in the frame.


On the left side of the screen is a woman in a floral dress looking at the computer on the right side of the screen. Her hands are continuously operating something, and then her right hand repeatedly strikes the delete key multiple times. After a moment of pause, she tilts her head upwards towards the camera, seemingly deep in thought. She then bows her head down to continue working for a while, shakes her head, and deletes what she has entered once again.


The main subjects of the scene are two people dressed in white, standing in the center and facing slightly to the left of the camera. Their two hands are tightly clasped, with a slight tremor continuously occurring. The person on the left has their right hand embracing a bottle of flowers, which also gently sway with the wind. As the camera gradually moves upwards, the two people are seen cuddling closer together.


On the left side of the screen, a little girl in yellow pants is kneeling on the light brown ground, facing right, with her right hand touching the back of her head. On the right side of the screen, a little girl with her hair in pigtails is kneeling and sitting on the ground, facing left, with both hands on her legs. Then the camera moves to the right, the girl on the left bows her head, her left hand is placed while the girl on the right looks at the camera. Next, the girl on the left turns to the left side of the screen, facing the camera and smiling, while the girl on the right reaches her left hand to the left side of the screen, putting her arm around the left girl's shoulder. The left girl's left hand also encircles the right girl's shoulder. Then the left girl's left hand embraces the right girl, and the right girl's left hand embraces the left girl. The camera moves to the left, and then both girls fall towards the right side of the screen. The camera moves to the right again, and the girl in yellow pants props herself up with her right hand, raises both hands, and then lies down towards the right side of the screen. The pigtailed girl supports herself with her left hand and straightens up, continuing to sit on her knees. The camera moves upwards and then prepares to move to the left. The scene is set in an indoor room, and at the bottom left corner of the screen, a brief appearance of a little baby sitting in a stroller is seen, with its feet swinging.


The scene begins with a golf ball falling on the green grass, with the camera zooming in on the ball. The shot changes, and in the center of the frame, a man wearing a hat is sideways to the camera, with his knees slightly bent, his body tilted towards the right of the screen. His hands grip a golf club, and he rotates his body to face away from the camera, raising both hands to strike the golf ball below the frame. On both the left and right sides of the screen, a row of spectators is watching the man in the hat.


In the lower part of the screen is a right hand continuously rotating the fishing reel clockwise, appearing and disappearing. In the left part of the screen, a left hand can be seen holding a fishing rod. In the center of the screen, something is swimming towards the lower right, creating ripples in the water. The background is filled with many trees, and at the top of the screen is a blue sky with white clouds.


In the scene, two green and white crochet items are placed on a purple table. A pair of fair-skinned hands extend the thumb and index finger to pick up one of the crochet items from the table; then both hands press the bottoms of the two crochet items against the table, gently moving them up and down. Next, the thumbs move from the middle to the bottom of the crochet items and lift them up. Following this, the hands place the two crochet items flat on the table, then quickly pick them up again, moving the thumbs back from the bottom to the middle of the items, while the index fingers are inserted into the top of the crochet items, setting them upright on the table, after which the index fingers of both hands are removed from the top of the crochet items.


On the left side of the screen, a man in purple clothes with a white bundle on his left shoulder strides towards the left side of the screen. On the right side, a group of men, upon seeing the man in purple walking, quickly chase after him. Leading the group is a man in a white shirt. The man in purple then starts to run, and the men chasing him also begin to sprint. The overall scene is shot at night, with two beams of light shining on both the man in purple and the men chasing him. The video quality is relatively poor.


The scene on the screen is an animated setting with a silhouette in the center looking towards the bottom right corner of the frame. They slightly lift their head, and then the camera pulls back to a wider shot. The character turns to the left side of the screen, spreading their hands open, then flipping their hands inward as their expression turns to panic, and they quickly glance to the right side of the frame.


The main subjects of the scene are a man and a woman, with the man on the left side. He is lying on the bed with his upper body facing down, while the woman is in the bottom right corner, only her upper body visible. The man is using his right hand to rub his chest back and forth, seemingly talking about something, and the woman seems to be holding something at her collar with her left hand, continuously rubbing it. The man's expression alternates between raised eyebrows and furrowed brows, accompanied by slight head shaking and gritted teeth.


In the center left of the screen, there is an elderly man wearing a white shirt, black vest, and a hat. He is facing the camera, looking to the left side of the screen, with something spoken out of his mouth. The camera switches to a view facing the two people directly. The man on the left side of the center turns to the right, reaches down with his hand to pick up a pot on top of a barrel. With both hands holding the pot, he hands it to the person next to him, facing that person while speaking. The pot is then overturned by the person next to him with their right hand. The man looks down at the pot that has fallen to the ground, then looks to the left side of the screen, and extends his left hand.


In the scene, a man in white is driving a car, looking to the left of the screen, which is ahead of him, while singing. First, he raises his right hand, then shrugs his shoulders, and finally his gaze starts to shift to his left front.


In the center of the screen sits an elderly woman with short, white, shoulder-length hair, dressed in a blue patterned clothing. Initially, she looks upwards and speaks with a neutral expression. Then she blinks and shifts her gaze to the front, continuing to talk. Her left hand is raised, with the thumb up, visible at the bottom of the screen. She moves her left hand with the thumb up back and forth twice, blinks again, and continues to speak.


The scene is shot from a first-person perspective. There is an airplane on the right side of the screen, and it is flying towards the left side of the screen. The camera follows the movement to the left. The background of the scene is a blue sky.


The camera zooms in to shoot a clapperboard. On the right side of the screen, a right hand reaches out holding the clapperboard, then presses it down. The camera slightly pans down, revealing a man sitting on the ground to the left of the frame, supporting his forehead with his left hand, as the camera zooms out. On the right side of the screen, a person stands up and walks away from the camera's direction, followed by another person in green clothing walking away from the lens as well. The man slightly leans back, then looks up to the left of the frame and lowers his left hand to support himself on the ground. The camera zooms out again. On the left side of the screen is a person in armor, who raises a long-handled weapon with both hands to swing at the man, who simultaneously raises his hands to parry with a smile on his face. Then, the camera zooms in on the man's face again.


A man sits at the center of the frame, bowing his head, raising his left thumb, opening his mouth with a smile, then retracting his left hand and looking to the left side of the frame, followed by turning back to the front, closing his mouth with a smile. The people around him smile and look ahead.


The scene displayed on the screen is a mountain road with weeds on both sides. On the right side of the screen, a man in a beige shirt controls a man wearing a cowboy hat with his left hand, then swings his right fist to strike the man's face and knock him down. The man with the cowboy hat turns and falls to the ground, and the camera follows his movement. The man in the beige shirt approaches, bends down, grabs his hair, and prepares to pull him up again.


The camera moves from top to bottom, transitioning from the head of a man standing and bending over to his left hand holding a whiteboard, while his right hand places a pen on the whiteboard. During this process, the man's head also gradually moves out of the top of the frame. The man first points the tip of the pen at the white paper, then turns the pen around to point towards his own body. At the same time, a woman sitting in the bottom left corner of the frame turns her head towards the right side of the screen and speaks.


On the left side of the screen, a woman in purple is standing facing the right side of the screen. Her left hand reaches towards the center bottom of the frame, then she rotates her arm, moving her hand towards the left side of the screen, and then raises it, holding a leaf in her hand. She turns her head towards the camera, then moves a bit towards the right side of the screen, turns her head to the right again, and then turns to the camera to speak, shaking her left hand up and down. She turns her head towards the right side of the screen, then looks at the camera, and finally turns back to the right side of the screen, revealing a smile. She lowers her left hand, raises her right hand, which is holding a spray bottle. She takes a step towards the right side of the screen, facing the camera directly. There are some green vines on the wall on the right side of the screen.


The camera quickly moves to the right side of the screen and then shifts down, a left foot appears at the bottom of the screen, followed by a right foot, and then another step with the left foot. The camera follows by moving upwards, revealing a swimming pool at the top of the screen, with the feet stepping on the pedals below the pool.


The left half of the screen shows the upper part of a man's abdomen and lower body as he faces the camera. His left hand is placed on the side of his pants, and his right hand is slightly above the left. Suddenly, he releases his left hand, and with his right hand, he pulls out a machete and moves it towards the left side of the screen. The camera follows the machete, panning to the left. In the end, his body is in the right half of the screen, with his right hand tightly gripping the knife, pointing it towards the upper left corner of the frame. The background is a light blue.


A woman in a gray top stands on the left side of the frame looking towards the right side of the frame. The camera then turns to the right, showing a blond woman holding a small dog. The blond woman and the dog are at the center of the frame, with the woman looking at the dog, her right hand stroking the dog's back, her head tilted to the left side of the frame. She then extends her right hand down to smooth the fur on the dog's right front leg. After that, the woman raises her right hand, extending her index finger towards the upper left corner of the frame, speaks, and quickly withdraws her right hand to place it on the dog's left front leg, and the camera goes out of focus.


On the right side of the screen, there is a blond lady wearing a gray coat. She is sitting and looking to the right of the screen. Off-camera, a person speaks, then raises their left arm and bows their head, performing actions in coordination with the speech. Afterwards, they resume their previous sitting position and continue speaking while looking to the right of the screen.


In the center of the screen, a woman wearing a blue headscarf walks towards the camera. She has a pink bag slung over her left shoulder and is pulling a purple suitcase with her right hand. On top of the suitcase is a large blue bag. As she walks towards the camera, she looks left and right. Then she stops, bends down to look left and right while speaking, straightens up to fan herself with her hand, and looks upwards towards the top of the screen. Finally, she looks towards the bottom left corner of the frame. The background is a forest.


A man is sitting on the right side of the screen, facing to the left, with both hands raised to his chest, fingers spread out, palms facing inwards. Then he moves his hands outward to the sides, followed by lowering them slightly while maintaining the gesture of expanding outward.


The person in black turns their head to the left side of the frame, sitting with their back to the camera. They toss a headscarf with their left hand towards the camera and place it over their left shoulder. The person in white faces the camera with their legs towards the left side of the frame. They support themselves with their left hand on the ground, lifting their upper body, and sit sideways, bowing their head towards the camera. They are looking at the sand pile below the left half of the screen. With their right hand, they pinch the top of the sand pile and pat it down towards the side of the person in white, then towards the side of the camera. Afterward, their right hand moves from the left side of the frame to the right, pushing the sand at the bottom of the sand pile towards the camera direction.


The video scene is animated. In the center of the screen is the face of a man wearing a yellow hat, who is facing to the right of the screen. He then turns his head towards the camera, his gaze directed downward, and he is speaking. The scene cuts, and a grey dog is walking down the street, facing the camera, and runs towards the left of the screen while the camera pans to the left.


In the video, a person is cutting a pumpkin. The camera moves from top to bottom, slowly approaching the pumpkin on the ground. There is a person wearing a red shirt outside the top right corner of the frame, pressing the pumpkin on the right half of the screen with their left hand, and holding a pair of red scissors in their right hand to cut the stem of the pumpkin. At the end of the video, another person's right hand enters the frame from the top left corner. A part of another pumpkin is visible in the lower left corner of the screen.


The screen shows a scene on a highway, with the camera appearing to be some distance away from the road. You can see that the vehicles on the lane closer to the camera are all moving from the left side of the screen to the right. The vehicles on the lane farther from the camera are moving from the right side of the screen to the left. This road seems to be very busy, with many cars passing through. In the foreground of the screen, there is a man in black clothes walking, heading from the right side of the screen to the left.


The scene is a close-up of a man's head. The man is lying on a white ground, with his head facing from the top of the frame to the bottom. Both of his hands are placed near his right ear, and he fiddles with them together; the left hand moves out of the frame. It seems like he has a piece of chalk in his right hand and starts to draw a line from the ground near his ear, circling around his entire head to the left shoulder. A brown line appears on the white ground. The man tightly closes his eyes, and his hand repeatedly moves around his head, drawing lines from the left shoulder to the right. After doing this several times, the line suddenly starts to extend from the left shoulder down the left arm. At this moment, the man rolls over to his left side, facing his body's left side, and the camera begins to move upwards. It can be seen that the man is lying on a white board, with his left arm extended over the edge of the board.


On the left side of the screen, a man in a dark T-shirt stands next to the zebra crossing on the road beside a building. With his arms spread wide, he faces the camera. Then he takes a step forward, looks to the left, and subsequently turns around counterclockwise to walk backward with his back to the camera while raising his arms high. On the right side of the screen, there is a person in protective gear and a hat facing the camera. They are swaying slightly and nodding slightly. In the background, a group of people stand next to a fire truck, and in the distance, there is a large area of bright light.


Close-up static shot. In the center of the frame, a man is holding a spanner with a green grip, moving it back and forth to rotate towards the left side of the screen. The scene changes, and the man uses both hands to unscrew a nut, then his left hand pushes the lever below the nut. Subsequently, the left hand grips the lever and raises it slightly. Finally, the man's head appears on the left side of the screen. The scene changes again, and a right hand appears at the bottom of the frame, tapping the edge of a round mechanical device on the left side of the screen. Then the right hand caresses the outer edge of the mechanical device, after which the profile of the man appears on the left side of the screen. In the end, a left hand appears on the left side of the screen, handing over the spanner to the right hand, and the left hand twists the spanner at the end while holding it.


In the center of the screen, a man and a woman are seen riding a horse, with the woman in front of the man. They ride towards the camera first, then proceed to the right side of the screen, with the camera slightly shaking as they move. The camera then zooms out, showing the couple running to the right side of the screen from behind a wooden cabin, followed by a person in a headscarf who runs a few steps after them. The camera follows the couple, revealing a group of people gathered in the center of the screen in front of the cabin. The camera then zooms in on a person crouching.


On the left side of the screen, a man with short grayish-white hair and wearing a black shirt stands sideways, looking at the satellite map in the background of the screen. On the right side, a bald man in a blue short-sleeved shirt explains the diagram while conversing with the man on the left. During their conversation, the man on the right gesticulates with both hands, and the man on the left nods in response. Then, the man on the right looks up at the man on the left. Finally, the camera switches, and the screen freezes on a photograph that shows many people and a cow.


Close-up shot, the upper half of a person's body below the head is visible on the left side of the screen. Facing the camera, he is sitting in front of a light green background, holding a guitar, with his left hand fingers occasionally pressing on the strings of the neck, and his right hand thumb and index finger gripping a pick, sweeping the strings from time to time.


The camera shoots from above as a person enters the frame from the right side holding a large doll in their right hand, and from the bottom of the frame with a small doll in their left hand. The right hand rotates the doll clockwise, while the left hand rotates the doll counterclockwise.


In this video, a woman stands sideways to the camera, facing left in the frame. While speaking, she turns from her left side to face the right direction of the frame. She then takes a large step to the right of the screen and seizes the right arm of the man in front of her with her right hand. The camera follows her movement to the right, revealing a man in a suit on the right side of the frame. Initially, the man tilts his head to the left to look at the woman, then, while speaking, he raises his forearms slightly and picks up the newspaper in his hands, lowering his head to look at it. The woman takes a step to the right of the screen, her body pressing against the man's right arm, and she too looks down at the newspaper in the man's hands.


The video footage is shot with a handheld camera, with the lens quickly moving upwards to capture a little girl eating. She is wearing a white top and a colorful plastic bib, sitting in a white children's dining chair facing the camera, with her hands resting on the edge of the chair. In the background, on the white tiled floor, a black and white cat with its back to the camera is turning its head left and right. The little girl then raises her left hand to her mouth, briefly pauses, withdraws her hand, looks at the camera, and starts nodding. She then continues to chew her food, looks down at the surface of the dining chair, and then raises her eyes to look at the camera again. The camera slowly moves back, revealing more of the dining chair, a plate with chunks of meat and green beans is placed on the surface of the chair, and a light purple transparent baby bottle is placed on the left side of the plate. To the left of the frame, a brown wooden table appears.


A woman in a pink apron is cooking in a kitchen. In the top right corner of the scene, there is a kitchen counter and a stove, with a frying pan cooking food placed on the stove. The woman in the pink apron turns towards the camera and moves to the left side of the frame, and the camera also pans to the left. The woman's right hand reaches out from the left side of the frame, bringing a white bowl into view. She then takes the white bowl with her left hand, and her right hand reaches into the bowl to stir. The camera lifts up to show the woman in the apron speaking, looking into the bowl below the frame. The camera moves forward and tilts down to focus on the bowl in the woman's hand, which contains a white mixture. The woman's right hand shakes slightly up and down above the bowl, flips her wrist to the right side of the frame, and shakes her right hand up and down again. She then turns to the left side of the frame and places the bowl on a black countertop. The camera moves to the right and then forward, closing in on the frying pan on the stove. The woman turns towards the left side of the frame and leaves the camera's view. On the countertop in front of the camera, there is another bowl containing items, and on the left side of the counter, there is a black kettle, a mug rack, and a blender.


On the left side of the screen, a man wearing a blue shirt and a black patterned vest is sideways to the camera, facing right. He first raises his left hand, then his right hand, and then lifts his left leg and jumps up to kick the head of the man on the right side of the screen. The man in the blue shirt then lowers his left leg while turning his head to look at the man in the brown coat on the right side of the screen, all the while holding up his left hand and lunging towards the camera. The man in the brown coat shakes his head and body while retreating. Then, the man in the blue shirt raises his left hand first, then his right hand, lifts his right leg, and jumps up to kick the back of the man in the brown coat, before lowering his right leg. The camera follows the movements and actions of the man in the blue shirt, shaking slightly, with a background of green grass and gray-blue sky.


In the center of the screen is a plate containing four types of filamentous ingredients. In the upper left and upper right corners of the screen, there are hands holding the plate. Then, the hand in the upper left corner moves downward, while the hand in the upper right corner moves upward and out of the frame, causing the plate to rotate counterclockwise. Following this, the hand on the left side of the screen moves upward and out of the frame, and the hand that appears in the upper right corner moves downward, causing the plate to rotate clockwise. The screen fades to white.


On the left side of the screen, you can see a hand holding a small metal hook with an orange handle. There is also a green thread wrapped around the fingers, and a small green plush object is hanging from the metal hook. This hand is slightly trembling, and then another hand reaches in from the right side of the screen, reaching for the orange handle of the metal hook and holding it. The middle finger and thumb of the left hand move towards the green plush object, removing a light blue pendant from it, and then placing the pendant on the table in the background. Then, both hands prepare to knit the green plush object.


The scene is an interview with a man who is leaning back in his chair, facing the camera, and appears on the left side of the screen. He continuously talks about something, and at the end, he slightly tilts his head to the right side of the screen while raising both hands, making gestures to accompany his narrative, as if demonstrating something.


The camera shoots from above; at the bottom left of the screen is a person's left hand placed on a piece of black cloth. From the top left to the top right of the screen is a person's right hand and arm, with both hands' backs facing the camera. The right hand grips the edge of the black cloth and moves towards the right side of the screen, then releases and moves out of the frame from the top. The camera slightly tilts up, the left index finger is placed on the left side of the sewing machine needle, then moves a bit to the right side of the screen, while the right index finger points to the vicinity of the needle. Following this, the left hand moves a bit to the left, and the right hand moves upwards. In the end, the camera zooms in, and the sewing machine needle in the center top of the screen moves up and down.


A man in a yellow suit stands on the left side of the picture, while a small monkey, a little girl, and a little boy on the right side look up at the man. The man turns around to face the small monkey, squats down, and leans over to hand the red stick in his right hand to the monkey, while extending his left hand with the index finger pointing at his own cheek, talking to the small monkey. The monkey's gaze follows the man's movement, and then it takes the red stick with its left hand.


The scene shows a low-angle shot, where on the left edge of the screen, three men in six-color uniforms can be seen. Their bodies are facing towards the right side of the screen. The man on the far left turns his head towards his left shoulder. After a moment, he raises his right hand and places it on the back of his head. Throughout, the camera has a slight shake.


The screen has some distortion, possibly due to the lens. The front end of a white vehicle appears in the frame. The shooter stretches out their left hand, with the index finger swiping right across the gap between the car's hood and the body. At the same time, the lens turns to the right. Then, the left hand moves away from the car, and the shooter's body turns to the left. The camera angle is somewhat tilted, after which the shooter extends their left hand and points to the gap between the door and the hood. Subsequently, the lens is straightened and moves forward, focusing on the gap between the door and the front fender. Then it zooms out, and the shooter walks towards the left, with the full view of the car's front end appearing in the frame. Afterward, the shooter walks up to the front of the car and kicks the vehicle's front end with their foot.


In the frame, a man in blue clothing falls from the right side of the screen to the center. He is bowing his head, facing the camera. Then, he lifts his head to look, appearing tired. After that, he bows his head again and then lifts it up.


The scene is a close-up of a head, with a man in the center of the frame wearing blue clothes. His hand is grasping two red and yellow straps on his right shoulder, and he is looking towards the right of the picture. The branches behind him are gently swaying in the breeze. Suddenly, a slightly rusty black gun barrel slowly extends from the left side of the screen and presses against the man's neck. The man's expression suddenly becomes serious, and his eyes are wandering. The camera begins to pan left and the frame starts to zoom out, revealing the man's entire upper body. We can see that the man is wearing blue clothes, while another person in a green shirt and khaki jacket is the owner of the gun. The man in blue stands up, and the one with the gun uses his left hand to pull the man while keeping the gun pointed at him. The man in blue keeps backing away, while the one with the gun takes steps forward, pointing the gun at him, and pokes the man's chest again. The camera turns to the side of the two men; at this point, the man is on the left side of the frame, and the one with the gun is on the right, back to the camera. The person in the khaki jacket has his right hand holding the gun, pointing it at the man, while his left palm is extended, making a gesture as if he wants the man to hand over something. The man glances at the backpack on his right shoulder, then looks at the one with the gun, and subsequently hands over the red and yellow backpacks to this person. Just as the person takes the two backpacks with his left hand, the man in blue raises his right fist and punches him, knocking him down.


The screen shows an animation with a purple hippopotamus at the center, standing facing the camera with its eyes closed. First, it raises both hands to the sides of the screen and twists its hips to the right. Then, it lowers its hands and raises them again, twisting its hips to the left this time. Finally, it lowers its hands once more and raises them again, twisting its hips to the right side of the screen. The background is pink, with some white musical notes scattered on it.


The scene is shot from underwater looking upwards, and in the frame, a black woman can be seen facing the camera. Her entire body is submerged, with her left and right hands splashing on the water's surface. Her mouth is wide open, revealing her teeth. Her hair swings in the water. Then she lifts her head upwards, her hands also raised, brushing her hair back. In the end, it seems like her head breaks the surface, and she looks ahead, towards her own front, at the top of the frame. Her two hands continue to move on the water's surface.


The scene in the frame is the sidewalk view of one side of a street, with the camera panning from right to left. A man in a suit is walking from the left side of the screen to the right. He is followed by a brunette woman, a woman with white hair, a man with black hair, a woman wearing sunglasses, and a woman in blue-gray clothing, all walking from the left side of the screen to the right. The camera continues to pan left, revealing three cars slowly driving towards the camera at an intersection. In the bottom left corner of the screen, a person in black clothing is walking towards the left side of the frame.


In the center of the screen, a group of people are sitting in a circle, each in their own unique posture. A man in black, with his back to the camera, is kneeling on the ground, speaking to the group. He starts by looking to his left, and then slowly turns his head to look at the people on his right. The background is a dark stage, with only the center group of people illuminated by the light, creating a stark contrast that highlights their presence.


The scene is a close-up from a first-person top-down perspective. The left hand on the left side of the screen and the right hand on the right side of the screen are holding a red and white plush toy in the middle of the screen, flipping it over, with the right thumb inserting a black elastic band into the plush toy.


In the center of the screen is a man wearing a green sweatshirt, crouching on the ground with his left leg propped up and his left hand resting on his knee. He looks at the camera and speaks, then looks towards the upper right of the frame, raises his left hand and lowers it, raises his right hand, and rotates it in the center of the screen. Behind him is a red car.


In the distance from the lens, a red car is parked with its hood facing to the right of the frame. White smoke is billowing around the car, drifting to the right side of the screen. As the lens turns to the right, the white smoke gradually dissipates.


In the center of the screen, a woman in blue is sideways to the camera, facing the left side of the screen. She stretches out her right hand to take a peach from the display case, her body leaning forward to the left side of the screen. She then straightens up, turns her head to the left, and passes the peach to the woman in red on the right side of the screen. The woman in red is sideways to the camera, facing the left side of the screen. She extends her left hand to receive the peach, plays with it in her hand, and then turns her head to the left to look at the camera.


On the left side of the screen is a pool of green cement, in the center is a block of purple cement, and on the right side is a block of blue cement. At this moment, at the lower right of the screen, a hand is sticking into the purple cement in the center of the frame and then moves towards the lower left, pressing down on the green cement. The camera also slightly moves to the left of the screen. Meanwhile, on the right side of the screen, another hand appears, poking at the purple cement towards the top of the frame, while the hand on the left side moves away from the bottom of the screen.


The camera shoots from above, and on the left side of the screen, a person in black clothes is standing facing the right side of the frame. Their right hand is placed on the pot in the center bottom of the screen, and their left hand is holding a plate. They turn their wrist to the left side of the frame, with a spoon in their right hand, taking something out of the pot, then moving upwards to the left, placing it on the plate. Next, they pick up a small piece of food from the plate with a fork, moving it downwards to the right, and putting it into the pot. The camera moves forward and then quickly retreats. The background is in the kitchen.


The foreground of the scene features a black railing next to a staircase. Through the gaps in the railing, we can see a man wearing a black shirt on the left side of the frame, and a child sitting in the pink fence on the lower right side. The man then looks at the child on the right side of the frame, stretches out his left hand, and taps his right fist on his left hand. He then turns his head towards the camera direction before looking back at the child with his hands on his hips. He again taps his right fist on his left hand, and at the end of the video, the man can be seen walking towards the right side of the frame, while the fan above continuously rotates.


A lady is displaying a set of tarot cards. Her right hand is holding the deck, with the card faces presented to the camera, clearly showing several richly illustrated tarot cards, including classic faces such as "The Nine of Wands" and "The Devil." She raises her left hand to draw a card, then turns it over to take a glance before placing it back down.


This is a first-person video of hand knitting. In the video, the shooter holds an unfinished part in their left hand and slips it onto their left middle finger. A green thread is wrapped around the index finger. The right hand holds a tool with an orange handle, and the front end of the tool has a curved hook. The front end of the tool hooks the thread, and then the shooter's right hand pulls back to draw out the thread. Subsequently, the tool is pushed through the part, and then the left wrist is rotated to bring the thread on the left hand towards the curved hook at the front end of the tool.


On the right side of a tar road, a white van is approaching the camera in the center-left of the frame. Next to it, on the right side of the image, a black pole is visible where the van comes to a stop. From the right side of the frame, a woman in black clothing opens the door and steps out. On the left side of the tar road, a black minivan, a red minivan, and a black sedan are driving in the opposite direction of the white van, which is towards the background of the scene. Additionally, many pedestrians can be seen walking on the sidewalks on the far left and the right side of the frame.


On the right side of the screen, a woman sitting on a bench by the roadside faces left. She slightly turns her head towards the camera and straightens up towards the left of the screen before leaning back against the back of the chair. She looks down at her phone in her hand, which is positioned at the lower left edge of the screen, and swipes the screen with her right hand. Then she looks up to the left of the screen and raises her right hand, placing her index finger on her face. She then moves her right hand, tilts her head towards the camera, and blinks once before opening her eyes again. In the upper left background, several people successively run from left to right across the screen, and one person runs towards the left. In the upper right background, someone walks to the left, and others appear from the right edge of the screen and run in the opposite direction of the camera.


This is an animation segment. A monkey and a man stand facing each other in front of a fruit shop, both sideways to the camera. Beneath the shop window on the left side of the screen, there are two boxes of fruit. The monkey, located in the lower middle of the screen, looks up towards the upper right while holding a piece of paper with both hands. The man in the yellow clothes faces to the left of the screen, looking down and speaking towards the lower left corner. Following this, the man bends over and knees towards the left side of the screen, extending his right hand towards the lower left to stroke the monkey's head. At the same time, the monkey slightly turns towards the camera, bending towards the right side of the screen. Then, both straighten up, the monkey holding the paper in its right hand, turns and runs towards the left side of the screen. The man in the yellow clothes turns his back to the camera and walks towards the front right of the lens. With his left hand, he grasps the door handle towards the lower right of the screen, opening the door a crack. The camera shifts to the left side of the screen.


On the left side of the screen, there is a small yellow monkey looking down at the ground. On the right side, there is a tall man with a patch over his left eye, and a parrot is perched on his left shoulder. The man is bending forward to the left, towards the small monkey on the left side of the screen, and his mouth is moving as if he is saying something. Then, the small monkey on the left side of the screen turns its head to the left, at which point the tall man on the right side uses his right hand to turn the monkey's head back, and with his left hand, he pulls up the patch over his left eye.


In the lower part of the screen, an athlete wearing a red hat first appears, with his back to the camera, throwing a baseball towards the direction of the other two people in front of the lens. The camera then slowly moves up to reveal three people in the center of the screen. In the foreground on the left is an athlete wearing a blue hat, swinging a bat to hit the baseball. He immediately starts running forward. On the right is an athlete in a red hat, wearing a baseball glove, with his hand extended to catch the incoming ball, but he misses it as the blue team athlete hits it first. Behind them in the center is a male referee in a black hat, watching the two in front. The camera then cuts to the side of the two, replaying the scene.


A man in a brown coat walks from the right side of the screen to the left, with his hands in his pants pockets, swinging his head left and right to observe his surroundings. Two men in black coats walk behind him in parallel. They pass through a hall filled with smoke, with tables distributed on either side. People sit around the tables eating together, and some stand up and walk from the left side of the screen to the right. The three of them choose an empty table, and the man in the brown coat raises his right hand to signal that they can sit down. They then sit around the table, with the man in the brown coat facing the camera, and the two men in black coats turned sideways to the camera. Then, they lean their heads towards the center of the table, and both men in black coats look at the man in the brown coat. The man in the brown coat rubs his hands together in front of his chest, then opens his left coat flap with his left hand and takes something out of his pocket with his right hand. The two men in black coats laugh heartily at each other upon seeing this. Then, the man in the brown coat puts the item back and taps his right hand twice on the outside of his coat pocket. Finally, they all lean back in their chairs, the man in the brown coat turns his head to the left side of the screen, raises his right hand, and snaps his fingers to call a waiter.


In the frame, a man stands on the left side. His hands are placed on the cloth on the table, with his left hand pressing down on the cloth and his right hand seemingly tearing a silver object. Both hands move towards the camera lens, then the left hand lifts up and then lowers, while the right hand raises the silver object. Both hands then leave the frame, and the cloth moves towards the upper left corner of the screen. Following this, both hands continue to move upwards and disappear above the frame. The camera shakes as it is picked up and then moves backwards, capturing the alternating silver and white cloth surface.


Dark clouds quickly move from the right side of the screen to the left. Then, a small bird appears on the telegraph pole before disappearing from view. At the same time, a cluster of dark clouds rapidly emerges in the center of the screen and moves towards the left, then the sky clears up. The clouds continue to move to the left of the screen, but there are fewer of them.


In a forest, towards the left of the center of the scene, there is a woman holding an umbrella in her right hand, running towards the camera with a dog while smiling. The dog is to the left, while the woman is to the right. She teases the dog by holding the umbrella out with her right hand, and the dog looks up and runs after her. Suddenly, the dog jumps up and bites the umbrella, snatching it from the woman's hand. It then runs off to the left of the frame.


Many people appear on the screen, some standing, one person with a hat squatting and touching a black officer next to him with both hands. In the middle right part of the screen, a man with short hair takes two steps towards the camera, talking and extending his right hand, pointing to the left of the lens with his index finger. The camera slowly pans in the direction of his finger, revealing a man in uniform. He winks at the camera and then turns around, at which point someone gives him a slap on the back with their right hand.


The camera continues to move down, and there is a chocolate-colored disk in the frame. In the center of the disk, a tree is planted. In the upper right corner of the frame, a person is bending over and reaching out with their right hand to caress the chocolate disk. The camera moves down, aiming at the disk. The hand on the right side of the frame is placed on the edge of the disk, then the left hand lifts the disk from the bottom, while the right hand holds the red lid on the surface of the disk and pulls it up slightly.


The video is a time-lapse video with a slight shake of the camera. In the center of the frame, the legs of a person wearing jeans can be seen, with the legs apart, facing away from the camera. Then the person walks towards the left side of the frame, using both hands to pry open the window frame above with a tool, and removes the frame, preparing to walk to the left of the screen. On the ground below the frame, there is a silver pot continuously steaming, with the steam floating upwards in the frame. There are also tools placed at the bottom of the screen, and something resembling a box in the lower right corner.


This is a first-person video of handcrafting. The shooter is holding an unfinished green thread with their left hand, which is wrapped around the index finger. With their right hand, they hold a tool with an orange handle, and the front end of the tool has a curved hook. The tool is wrapped with the green thread. The shooter uses the curved hook at the front to hook the green thread on their index finger and pull it back, then pushes the tool forward again, and uses the hook to catch the green thread once more. This process is repeated to complete the knitting.


The scene on the screen is on the surface of the water, where you can see a person wearing a blue and red top in the upper part. His hands are pulling on a pumpkin-like object that is closer to the camera. The person's body jumps, pulling the pumpkin model towards himself, causing it to fall into the water. The platform below the pumpkin model also tilts into the water due to the man's pull. This man moves to the right side of the screen, pulling the platform back up to float on the water's surface. The pumpkin is slowly drifting to the left side of the screen.


In the picture, there are three people standing, from left to right in the picture: a woman in white, a man in navy blue shirt, and a man in a floral shirt. The woman in white is facing to the right of the picture, the man in the navy blue shirt is facing the camera, and the man in the floral shirt has his back to the camera, lifting his right hand to raise and then lower his hat, while the man in the navy blue shirt slightly moves his right hand.


On the left side of the screen, there is a man wearing a black shirt, and he is looking into the camera and speaking. Gradually, two rows of white letters appear in the bottom right corner of the screen, seemingly indicating the man's name and profession. The man continues to smile and speak to the camera, gently swaying his head as he talks. Then, he slightly tilts his head forward, raises his right hand, and extends his index finger to point to the area above his eye, as if indicating his temple. He then lowers his hand and turns his head to the right, revealing a slightly proud expression. He slowly moves his head back to the front and continues to smile and speak to the camera.


In the scene is an animation; on the left is a bird with its body facing the screen and its head turned to the right side of the frame. On the right is a pink crab with both its body and head facing the bottom right of the screen. The bird on the left side of the screen bows its head, then opens its beak to say something, lifting its left wing. The crab turns its head to the left side of the screen, crinkles its eyes to smile, and then opens the pincers of its two front claws.


In the center of the screen, a cartoon character can be seen, appearing to be a eggplant. His hands are extended to the left side of the screen, holding a hot dog. He is looking down at the hot dog with his mouth open wide. He raises the hot dog with both hands, ready to take a bite, when suddenly a flash of fire appears from the top of the screen and quickly moves towards the hot dog, burning it to ashes and making it disappear from the eggplant's hands. The eggplant's expression becomes one of surprise, with both hands still raised in front of him and his mouth agape.


The video is shot from a first-person perspective. In the right side of the frame, a person wearing a glove on their left hand is holding a spray can in their right hand and spraying a wooden box. The camera first turns left, then the left hand is placed on the box, after which the camera turns right again, now focusing on the left hand. Finally, the camera slightly turns left once more.


Camera shot from above, at the center of the screen, a person is engaged in needlework with both hands, holding a thread-woven item in their left hand, with their index finger hooked around the thread. In their right hand, they hold a needle. The left hand removes a pin from the item, and with both hands, they examine the item. Then, the right hand, holding the needle, moves towards the left side of the screen, piercing through the item.


In the picture, there is a pair of hands with the left hand twisting wool and the right hand holding a crochet hook, knitting a very small white pouch-like fabric. The two hands flip the pouch back and forth to observe the shape of the fabric.


On the left side of the screen is a woman wearing a black and white striped half-sleeve top, talking with her face turned thickly towards the right side of the screen, looking left and right. Towards the center right of the screen is a woman in a green half-sleeve top, extending her left finger towards the right side of the screen, then looking at the camera, opening her hands with all five fingers in front of her, and then turning to wave towards the right side of the screen. Behind her, there is a child in green clothing moving around. In the distance on the right side of the screen, a boy in blue clothing is standing looking towards the right side of the screen, with something in his mouth.


In the center of the screen, there is a man who is speaking while looking down at the bottom of the screen. His right hand is holding chopsticks on the left side of the frame. Then, he uses the chopsticks to pick up a piece of food from the left side of the screen, raises his head, brings the food towards the camera to the center of the screen, and finally smiles with his teeth showing.


The camera slowly zooms out. On the left side of the screen is a woman with an afro, facing right. She talks while turning towards the camera, looking first towards the bottom left corner of the screen, then back to the right. After a moment, she turns her head towards the camera again, glancing at the bottom left corner, then turns towards the camera, swinging her left hand and placing her right hand on her hip. She walks to the left side of the screen and disappears from view. As the camera continues to pull back, the silhouette of a girl with black hair appears in the bottom left corner, slightly nodding her head. On the right side of the screen, a woman in white has her right hand on the stairs and her left hand on her left thigh, sitting on a white spiral staircase. She faces left, looking at the woman with the afro. The background features purple walls, and on the right side, there are pale yellow walls.


In the video, the woman in the center towards the right slightly turns her side to the camera, facing towards the left of the screen. She looks down towards the bottom of the screen, then bends over to pick up something from below the frame. The man in the center towards the left also slightly turns his side to the camera, facing towards the left of the screen, and looks down at the bottom of the frame. After the woman bends over to pick something up, the man also extends his right hand downward and bends over to pick up something. The two women in the background on the left also look down towards the bottom of the screen, seemingly all focused on or searching for some items.


In the center of the screen, a woman in red is standing with her body inclined towards the left side of the frame, and a man in black on the right side is also standing inclined towards the left. Both are smiling and looking to the left side of the screen. In the foreground on the left side, there is the back of a man in brown who turns and walks towards the right side of the frame before disappearing from view. The woman in red takes a step towards the left, walking up to the counter, speaking while turning her head to glance at the man in black, holding money with both hands, and then extending her right hand to hand the money to the cashier on the left. The cashier receives the money with his right hand, puts it down, and turns to walk towards the left side of the frame. The woman in red continues to move towards the left, turning her back to the camera, and then turns to the right. Suddenly, the scene changes, and the woman in red is now facing the right side of the screen with her hands crossed over her chest, speaking. The man in black is facing the left side with his back to the camera, initially turning his head to the right, then turning it towards the left side of the frame. The angle changes again. The woman in red is standing with her back to the camera, facing the right side of the screen, while the man in black is directly facing the camera on the right side of the frame, then turns his head to look towards the right. He raises his left hand briefly and then turns his head to the left, watching the woman in red speak, nodding occasionally. Suddenly, the back of a woman in a pink down jacket appears in the foreground on the left side of the screen, quickly walking to the right and disappearing from view. The man in black waves his right hand forward. In the final scene, the angle changes again, showing the woman in red facing the camera, looking to the right side of the screen, speaking and nodding, with a slight smile on her lips. At this point, the man in black has his back to the camera, facing the left side of the frame. The background is the checkout area of a store, decorated for Christmas.


In the frame stands an elderly woman wearing a hat, facing the camera. She supports the brim of her hat with her right hand and holds a mobile phone in her left hand, raised in front of her body, appearing to be in a video call. She first turns the phone towards the right side of the frame, then towards the left side, after which she places the phone on the right side of the frame, and the elderly woman keeps smiling and talking. In the end, she lowers her right hand that was holding the hat brim, uses both hands to hold the phone, and gives the phone a few air kisses. Then she raises her right hand to make a goodbye gesture to the phone. The camera first rotates counterclockwise to the left, then shifts leftward, and finally rotates clockwise to the right.


The camera gradually zooms in. On the right side of the screen, a man in a brown coat is sideways to the camera, facing the left side of the screen with a serious expression as he speaks. On the left side of the screen, a man in a black jacket is also sideways to the camera, facing the right side of the screen. He slightly lifts his head, listening intently to the man in the brown coat. Initially, the man in the brown coat has his right hand in a fist, but then he opens his palm. After glancing at something in the palm of his hand, the man in the brown coat continues to speak while looking up. He then points at the man on the left side of the screen with his right index finger, swings his right hand back, and bows his head. In the background on the right side, there are several men facing the camera and looking at the man in the brown coat.


In the scene, one person is showing a sculpture to another person. The sculpture is placed indoors, with several cardboard boxes to the left and a table cluttered with items below the frame. Initially, there is a man wearing a dark top and a mint green watch, facing the camera and extending his left finger to point at the sculpture. The camera quickly moves to the right, and the man moves out of the frame. Then, a left hand with a silver ring on the ring finger is extended from the lower left side of the frame. At the same time, a man wearing a gray T-shirt, a backward-facing cap, and a goatee can be seen on the right side of the frame. He first faces to the left of the picture, then speaks and turns his head to the right, facing the central sculpture in the frame.


The video is shot with a handheld camera, showing a person wearing black and white checkered pants and white flip-flops dancing in a kitchen, alternatingly stretching their left and right feet forward, lifting them off the ground, and jumping up and down. The camera then slightly pans to the right, revealing another person in gray pants entering the frame, also alternatingly stretching their feet and jumping in place. Subsequently, the camera moves upwards, exposing the upper body of the person in the checkered pants as she turns to the right side of the screen, swings her arms, and continues to dance, while the person in gray pants exits the frame.


On the left side of the screen, a man is standing facing the right side of the frame with his side to the camera. He holds a telescope with both hands, turns counterclockwise, raises the telescope, and looks into the distance on the right side of the screen. Then, he turns clockwise, looks in the direction of the camera, and turns counterclockwise again to look at the right side of the frame.


The camera quickly moves up, centering on a car parked on the ground with its back to the lens. The camera slowly shifts to the left, revealing several people to the left of the frame, moving sideways with their sides to the camera, towards the right side of the screen.


In the center of the screen, a woman in a red and white checked dress, wearing a straw hat with lace trim, is lying sideways on the grassy slope of a hill, her body facing the camera. Her right hand supports her on the ground while her left hand holds a red apple, which she brings up to her nose to take a sniff. In the distance behind her are layers of mountain peaks, with thick clouds in the sky and greenery covering the mountains. To her right, next to her, there is a picnic basket. After taking a sniff of the apple, she bites into it very slowly, then glances at the apple, holding it in front of her with her left hand. She chews slowly, her gaze fixed on the distant right side of the scene.


The video scene is animated, and it takes place in a room filled with lava. Suddenly, the door is kicked open and falls towards the camera, with lava splashing on both sides. Standing behind the door is a pear, facing the camera with a resolute gaze.


In the center of the screen, a woman in a white long dress with dark brown curly hair is standing sideways to the left of the frame, looking down at a brown wooden table with a landline phone on it. She is holding the receiver of the landline in her right hand, then puts it down, with a serious expression, she walks towards the camera, looking down. Against the background, a dark gray wall is adorned with a mirrored decoration, and on either side of the frame, there is a white table lamp.


In the upper part of the screen, the stands are filled with spectators watching the game. In the lower part of the screen, a group of people are engaged in a baseball game on the green field. The camera pans to the left, and on the left side of the screen, a man in a white jersey quickly runs towards the bottom right corner of the screen. The camera follows his movement and turns to the right side of the screen. In the bottom right corner, two people stand with their backs to the camera. The person on the left is wearing a black shirt and gray pants, while the person on the right is wearing a blue shirt and white pants. The person in the black shirt then steps back, raises their left hand to remove their helmet, at the same time, the person in the blue shirt raises their right hand to remove their helmet. Then, they raise their right hand again to take off their cap and subsequently hold it up high. The scene changes, and a group of people stands facing the camera. The camera quickly pans to the right and zooms in. The person on the far left is a black man wearing a blue baseball cap and a blue shirt, with his arms resting on the fence in front of him. His right hand repeatedly taps the top of the railing, while his left hand holds a piece of white paper. The second person from the left, also wearing a blue baseball cap and blue shirt, has their left hand on the top of the fence and their right hand extended with the index finger raised high, mouth open, jumping in place. The third person from the left, dressed in a white shirt and white pants, supports themselves on the top of the fence with both hands, raises their right leg to step on the bottom of the fence, then moves their body upwards, raises their left leg to climb over the fence, and sits on the top of the railing. They then move their left hand to the right side of the screen to grasp the top of the fence again, and their right leg also clears the fence. They stand up, raise their arms and then lower them, and jump sideways to the left, looking in that direction, with the camera following their movements and turning leftward. The person on the far right, wearing a blue shirt and white pants, has their hands on the top of the fence, holding a blue baseball cap in their left hand, and their left leg stepping on the bottom of the fence. They quickly move their body upwards, raise their right hand in a


The video shows a side view of a frying pan, with a pair of tongs extending from the top of the frame. The tongs are holding a cluster of shredded meat and placing it into the frying pan, after which the tongs press down on the meat.


In the scene, one can see a person's hands; the left hand is holding the edge of a transparent container in the bottom right corner of the screen, while the right hand's fingers are inside the transparent container, kneading a green object. The fingers are continuously poking the green object, which is soft, as evidenced by the several small holes formed by the movement of the fingers. The right hand is moving from the left side of the green object to the right side, continuously poking it. Then, the right hand lifts a portion of the top right corner of the green object and presses it onto the lower left part of the green object. Following this, the left hand raises the transparent container, and the right hand also lifts the green object out of the container, moving it towards the right side of the screen.


In the scene, a person wearing a red plaid shirt is pushing a tire between two tractors. Facing the camera, they bend over and push the tire alternately with both hands while continuously walking forward. When they approach the camera, they stop, hug the tire with both hands, and move it to the trunk of a pickup truck on the right side of the screen. Then they give the tire a few strong pushes, moving it to a more inward position.


The video scene is animated. On the right side of the screen, there is a monkey whose body is facing towards the left of the screen, walking towards the left. It picks up the clothes rack with both hands, turns around, and walks towards the right side of the screen.


In the lower part of the screen, a pair of hands can be seen holding a camera. He first adjusted the camera with his hand, changing the photo on the camera screen to a different one. Then, he extended his left hand to the touchpad and keyboard of a laptop in front of him. After operating the keyboard, he moved his left hand back. At this moment, the photo on the camera screen changed again, switching back to the initial one. He used his right hand to flip through photos on the camera again, and after changing a few, he extended his left hand to the laptop's keyboard, clicked a few times, and then brought his hand back to the camera. After changing a few more photos, he put down the camera. He extended his left hand and picked up a stack of photos from the top right corner of the screen, holding them in the lower middle part of the screen. His left hand pulled out several photos from the top of the stack and placed them at the bottom, while his right hand held the photos. Then, he picked up the camera from the table and moved it out of the frame. He also picked up a coffee from the table, possibly took a sip, and then put it back in the frame. His right hand held a pair of headphones and placed them on the table. Next, he picked up the headphone case from the table, put the headphones inside, and finally placed the headphone case back on the table. In the end, this person moved some photos on the table to the right side of the screen, then moved out of the frame, taking out a notebook and a pen. With the pen in his right hand, he began to write in the notebook in the middle of the screen, while his left hand manipulated something on the laptop's keyboard again.


In the center of the screen is a foreign man wearing a deep blue short-sleeved shirt and blue pants, with a baseball cap on his head, slightly bending towards the right side of the frame. He holds a golf club with both hands and looks ahead of the screen. In the lower right corner of the frame, the golf ball that has been hit is rolling towards the middle hole in the screen and then falls into the hole. The camera follows by zooming in, and the man stands up after watching the ball go in, walking towards the right side of the frame and raising his right hand. The background of the scene is a green golf course bathed in sunlight, and beyond the background are groups of onlookers scattered here and there.


The main subject of the image is a hand with nails painted in aqua green reaching down from the upper right corner of the screen, caressing the flower in the water at the bottom of the frame. It first touches the flower with the index finger, then switches to the middle finger. Afterward, the entire hand gently encloses the flower, making a slight clockwise rotation.


On the right side of the screen, a boy dressed in blue is sitting with his body turned sideways to the camera, facing towards the left side of the screen. In the center of the screen in front of the boy, there is a toy. His right hand is supporting one side of the toy, while his left hand holds a small car. The small car swiftly bounces up over the toy via a red entrance, knocking several other cars down with it. At the bottom of the screen, many small cars can be seen arranged. The camera slightly trembles, and then the man starts to take something from outside the bottom of the frame.


In the image, there is a man wearing blue short sleeves and black-framed glasses. To the right of the picture is a transparent container. The man is holding the lid of the container with his left hand, and his right hand is reaching into the container for a black fruit, which he then puts into his mouth and eats. Afterward, he looks at the camera with a mischievous smile.


In the scene, there is a black woman wearing a bikini, standing sideways by a mountain pool. Her left leg is straight, and her right leg has a slight bend at the knee. Her left hand is placed on her abdomen, while her right hand is on her chest. She then brings her hands together, bends forward, and inclines towards the right side of the frame. After that, she turns her head towards the front of the picture, supporting her left neck with her left hand, while her right hand hangs naturally. Finally, she turns her head towards the back of the frame, facing away from the camera, with her left hand also hanging naturally.


In the animation video on the screen, a man is lying in bed covered with a blanket, holding the edge of the blanket with both hands. His eyes are tightly closed as if he is sleeping. On the blanket, there is a monkey standing on all fours, its body facing the left side of the screen with its face turned towards the sleeping man. Suddenly, the man opens his eyes wide, his mouth agape in apparent surprise. The monkey immediately jumps up and then lands on the blanket. The man slightly sits up and then falls back onto the pillow. The monkey continues to jump up and then lands on the blanket, straightening its body. At this moment, the man also sits up straight, raises his hands to rub his eyes while speaking, and then opens his eyes with a smile on his face. He lowers his right hand while his left hand forms a fist. The monkey smiles and swings its body from side to side. The man blinks, extends his left hand to the right side of the screen, then supports himself with his right hand on the bed, lying down, and opens his left palm towards the camera.


In the scene, there are two people, one on the left and one on the right, both facing the camera. The man wearing a baseball cap and glasses is standing on the left side of the frame. His hands are on his chest, and he is turned slightly, looking at the man on the right and listening to him speak. On the right side of the frame, the man in a black shirt is holding a circular piece of wood with both hands, on which a kitchen knife is stuck. He is slightly turned towards the man in the baseball cap, speaking to him, and raises his right hand as he talks.


On the right side of the screen, a boy turned sideways to face the camera on the left is wearing ice skates. He is swinging his left arm back and forth on the ice surface towards the right of the screen while sliding towards the left and the direction of the camera. On the left side of the camera, there is a person facing the camera, dressed in black clothes and ice skates. He is gliding along with the boy. The camera pans up to capture the boy's face; the boy slightly turns his head to glance at the camera and then turns his head back to the left side of the screen, looking in that direction. He slides towards the left of the screen. The camera focuses on the boy and follows his movements. The person in black clothes supports the boy's right shoulder with his left hand, then lets it go, raises his left hand towards the boy, and then lowers it again. The person in black moves towards the left of the screen and exits the frame from the left edge. Then, the person in black reaches out with his left hand from the left side of the screen and extends it towards the boy again. The boy looks up towards the upper left of the screen.


The scene shows a man in a black hat taking a selfie with his left hand holding a camera. The setting is a garage. The man's right hand is raised, pointing to a red sports car on the left side of the frame. The camera then pans to the left, and the man disappears from the right side of the frame. His left finger points to a car covered with a black cloth on the right side of the screen. Immediately, the camera moves to the left, and the man's left hand appears from the lower left corner of the frame, pointing to the car in the middle of the screen, covered with a black cloth. The camera continues to rotate to the left, with the left finger pointing to the car in the center of the frame, and then it moves forward and rotates to the right.


The camera moves to the top right corner of the screen, then a flashlight appears on the left side of the screen. A white phone enters the frame from the left side, then quickly disappears in the scene.


In the scene, a woman in a white top is standing in front of the camera. She has a pair of scissors in her right hand and a roll of transparent tape in her left. She looks down at the objects in her hands. She then flips her left wrist and uses her right hand to tear off a piece of tape. She then takes a step to the left of the frame and looks to the right of the screen. Next, she bows her head and lowers her hands. She then leans towards the camera, raises her left hand, and then her right hand holding the scissors. After that, she straightens up and moves to the center-right of the frame. With her right hand, she peels off a piece of tape stuck to her hand, then takes it with her left hand while using the scissors in her right hand to cut the tape and turns towards the left of the frame. Finally, she bends down towards the lower left of the screen.


The camera is on a shooting set with a blue background. On the left side of the frame, three people are holding camera equipment and shooting towards the right side of the screen. The man standing on the ladder on the far left has his back to the camera, holding a long pole with both hands and moving it to the right. The camera equipment in the upper left foreground is lower and rotating for the shoot. The camera shifts to the right and zooms in. A man in a suit is sitting in an armchair, moving counterclockwise on a track around a round table that is tilted to the right of the center of the frame, while the table itself is rotating clockwise. The man in the suit swings his feet, and his hands are initially gripping the arms of the chair. Finally, he brings his hands together in front of him and then lowers them, preparing to grip the armrests again. Throughout this time, the camera periodically shifts left and right.


The scene is shot from a first-person perspective, with the shooter sitting inside a car that is passing through a toll booth. The camera slightly pans to the left and then slowly zooms in, focusing on a white sports car ahead. On the right side of the sports car, a yellow light is flashing continuously. Then, the camera slowly zooms out and slightly pans to the right, revealing another red sports car on the right side of the screen.


The main subjects of the scene are a couple. The woman, wearing a headscarf, is sitting on the left side, while the man is sitting on the right. The wind is blowing from right to left, slightly lifting the hem of the woman's skirt. The woman's right hand and the man's left hand are tightly clasped, facing the screen. Their hands are repeatedly interlacing and separating their ten fingers.


On the left side of the screen, a woman is sitting on a table, turned sideways to the camera, facing right towards the screen. On the right side of the screen, a man is sitting in a chair, also turned sideways to the camera, facing left towards the screen. The man slightly lifts his head to look at the woman, his hands dancing in the air as he talks with a smile. The woman has her hands clasped on her lap, slightly bowing her head with a smile as she looks at the man. She then smiles and turns her head to the right, looking upwards towards the top of the screen, before turning back and continuing to look at the man.


In the center of the screen, a woman wearing a white bathrobe with her back to the camera slowly walks towards a door in the background on the right side of the frame. The camera follows her, panning to the right and zooming in. With her left hand, she opens the sliding door, while her right hand rests on the doorframe. Then, she leans her body into the door, her left arm extending inside. She then straightens up and walks towards a window on the right side of the frame, tapping the doorframe with her left hand and smoothing her hair on the front right side of her head. The camera zooms in on the door, revealing a silver hot water heater switch knob on the white wall inside the door space. In the background of the scene, a white cabinet can be seen with many colorful items on top, and a white washing machine with a green plant on top of it.


In the center of the screen is a woman with twin ponytails, wearing white clothes, facing the camera and crying. She then turns her head to the left side of the screen and wipes her tears with her left hand. There are some green leaves on the right side of the screen.


In the scene, a dog is standing sideways to the camera. A ball falls from the sky, and it quickly turns clockwise, turning its back to the camera and running forward to pick up the ball on the ground. Then, it turns counterclockwise to face the camera and walks towards it. The camera zooms in and moves down; the little dog, holding the ball in its mouth, drops the ball to the ground and bends down to pick it up.


On the left side of the screen is a man wearing a black shirt and gray pants, holding a blue cup in his left hand and with his right hand in his pocket, facing towards the right of the screen. On the right side is a man in a green plaid shirt and dark pants, holding a blue cup in his right hand, facing towards the left of the screen. The camera slowly moves to the right. They are speaking some words, and the man in black slightly inclines his body to the right of the flower gate, extending his right hand from his pocket and raising it upwards on the screen. The man in the green plaid shirt shakes his head and waves his hand. At this moment, the man in black raises his right hand, touches his head, and then lowers it. In the center background of the screen is a table with many implements on it. At the bottom of the screen are some cabinet doors.


In the lower left corner of the screen is a woman wearing a white top and dark blue pants, holding a microphone in her right hand. While speaking, she raises her left hand to make gestures. She then walks towards the right side of the screen, and the camera follows her movement to the right. She turns her head to look to the right of the screen, stretches out her left hand to pat the goods on the right side of the screen, then turns her head back to the camera, stops, and waves her left hand. The background of the scene is a pile of neatly arranged goods.


The camera captures a side view of a man doing push-ups on the ground. His head is facing towards the left side of the frame, with both hands supporting his body on either side, and his legs are together behind him, moving up and down as he does push-ups. The camera slowly moves upwards.


The main subject of the scene is a woman, facing the direction of the camera, bowing her head and concentrating on handling the fabric in her hands with both hands. After finding the position to be processed, she picks up the needle from the table with her right hand and then slowly pierces it into the fabric.


This is a top-down perspective. In the center of the screen, slightly to the left, there is a plastic box containing green slime adhesive. On the left side of the screen, there is a right hand pressing down on the adhesive, picking it up and then putting it back down to continue pressing. Above the left side of the screen, there is a left hand supporting the plastic box.


The boy on the left side of the screen is sitting on the ground, smiling at the girl on the right side of the screen. With his left hand, he is holding a ring box facing to the right. With his right hand, he opens the ring box, then lowers his hand. The girl on the right side is sitting, facing left, and after the boy opens the ring box, she covers her mouth with both hands, laughing and leaning to the right. Then she sits up, extends her hands towards the boy on the left side of the screen, and hugs his neck. The boy also opens his arms and hugs the girl's back. The two of them hug and sway slightly. At this moment, the camera slightly rotates counterclockwise to the left.


On the left side of the screen is a person dressed in brown, looking towards the bottom right corner of the screen, bending over the billiard table, with their right hand supporting the table, and their left hand gripping the tail end of the cue stick. They are aiming at the white ball, which is slightly to the left of the center of the screen, hitting the white ball, which then collides with the blue ball in the center of the screen and rolls rapidly towards the bottom right of the screen. The person in brown stands up straight, holding the cue stick with their left hand, and looks down at the billiard table.


In the scene is a man wearing a pink top with long hair. He is in the center of the picture, seemingly dancing. His arms are stretched out in front of his body, then drawn back, swinging widely to the left and right. Next, he brings both hands back to his chest, rotating them in front and behind. He looks to the left side of the screen, then raises his right hand above his head, circling it once, before lifting his left hand and overlapping them behind his head. His body slightly inclines to the right side of the picture, then straightens up, facing the center of the frame. He is laughing heartily while looking at the camera, with his body slightly swaying.


A close-up shot from above focuses on the hands; the left hand on the left side of the screen is holding a plush toy with red and white stripes. In the center of the frame is a black rope that binds the toy, while the right hand on the right side of the screen grips the end of the rope below the center of the toy, then tightens the rope. The right hand then moves upwards in the frame, gives the plush toy a squeeze, and finally, grasps the toy, moving it closer to the center top part of the screen. The background features a green checkered pattern.


Close-up, fast-forward shot, fixed above the desktop. In the center of the screen is a painting. At the bottom of the screen, there is a right hand holding a pen, and the left hand is placed at the bottom left of the screen, holding a paint bottle. The right hand first moves out of the frame towards the bottom of the screen, then moves towards the center of the screen and down, and then moves towards the top left of the screen and out of the frame from the bottom. Then it re-enters the frame from the bottom, moves to the right side of the screen to make a few strokes, and exits the frame from the bottom right corner. It then re-enters the frame from the bottom right corner, colors on the right side of the screen, and exits the frame from the bottom right corner, moving upwards from the bottom right corner to color. Subsequently, the right hand moves to the center bottom of the screen to color, and then moves to the bottom right corner to color.


From left to right on the screen are two women and a man, and on the far right of the screen, there is also a woman leaning back towards the camera. At first, the women on the left and in the middle of the screen smile and look at the woman leaning against the camera. The man on the right side of the screen, with his left hand towards the two women on the left side of the frame, seems to be introducing the two women to the woman with her back to the camera. The woman in the middle then turns to the right side of the screen, looking at the man on the right, while the first woman stares directly at the woman leaning against the camera, occasionally glancing down at the bottom of the screen. As the man on the right introduces them, he also glances at the woman in the middle, with his hands crossed over his abdomen.


Long shot. In the center of the screen, a large ship is slowly sailing towards the left side of the frame. The camera pans to the left, moving slightly slower than the speed of the ship. In the distance, there is a mountain with some buildings on it. The camera then pans to the right, revealing the full view of the large ship. In the foreground on the right side of the screen, a pier appears, and there is also a speedboat on the water.


In the scene, there are three people. In the center-left of the frame, there is a woman sitting away from the camera, facing the lens. She is wearing a deep blue headscarf and has raised her hands in front of her, bowing her head to look at her hands while speaking. Her left hand is extended towards the left side of the frame, and her right hand touches the ring on the finger of her left hand. Then, she raises both hands up, looks up towards the top of the frame, and runs her hands over the sides of her head. After that, her hands move down, with her left thumb pointing towards the right side of the frame, and her eyes look at the person in the lower left of the frame. Then, she lowers her hands, crosses them over her lap, her right hand moves towards the left side of the frame, then raises up, and her body leans slightly forward. Her right hand then returns to her lap, and her eyes continue to look at the person in the lower left of the frame, all the while she is speaking. In the lower left of the frame, there is a woman close to the camera with her back to the lens. Her left hand is resting on the right leg of the woman sitting away from the camera. Her body is swaying, and her left hand is massaging the leg of the woman. Then, her right hand appears from the bottom of the frame, pinching the left knee of the woman sitting away from the camera. In the small box in the lower right of the frame, a woman in black clothes stands with her hands raised in front of her, making a sitting gesture, and speaking.