A woman in black appears on the screen, looking stunned; a woman in red is embracing a man with her back to the camera. The woman in black turns her head, blinks, looks at the man and forces a smile, while the man also smiles back. The woman in red turns around and takes two steps towards the camera with a smile on her face. The man and the woman in black wipe the smiles off their faces and turn to leave simultaneously.


The video shooter extends their left index finger to point at the little boy standing on the right side of the frame, with the boy's back to the camera. The camera moves down to capture the shopping cart below. The shooter opens their left hand to point at the items in the shopping cart; the little boy walks over from the right side of the frame, supporting the shopping cart with his left hand and picking up an item from the cart with his right hand.


At the center of the screen are a woman and a man. The woman faces the screen with her head slightly raised, looking to the right. Behind her, a man in a white shirt is holding her tightly, his head turned slightly to the left, pressed against the woman's face, whispering something. Then, the woman extends her left hand slowly, raising it to the man's chin, about to touch his face. At the same time, her head begins to tilt backward, gazing up at the sky. From the background, we can tell that they are on a beach, with several tall buildings on the right and the sun on the horizon in the distance.


On the right side of the screen, a person is holding the handle of a tool in their right hand, and with their left hand, they are pinching the end of the tool and rotating it clockwise. Then, he rotates the handle clockwise, making it parallel to the horizontal plane.


There are a total of five people in the camera frame. On the far left is a woman in white and a man in a black coat; they are facing away from the camera to the right side of the frame. The man in black is holding a gift, and both he and the woman in white turn their heads to the right, glancing towards the right side of the frame. In the center, there is a man holding a purple bag in his right hand and placing his left hand on his waist, with both hands on his hips. To the right, a man in green clothing extends his left hand, pointing to the lower right corner of the frame, and seems to be saying something. On the far right, a man dressed as Santa Claus also turns his head to the left, glancing outside the right side of the frame.


In the center of the screen is a patch of grass bathed in sunlight. Above the center of the screen is a pile of rocks, while below the middle is a stone pier. At this moment, a man wearing a floral shirt and glasses appears on the right side of the screen, carrying two ceramics in paper bags with both hands and places them on the stone pier towards the bottom of the screen, then he leaves from the right side of the frame. The camera quickly cuts, and the man reappears from the left side of the screen, walking towards the right.


On the right side of the screen, a black man stands sideways to the camera, facing towards the left of the frame. He turns his head to the left, smiling directly at the camera. He raises his left index finger to point in the direction of the camera. On the left side of the screen, a man looks towards the camera with an expression of surprise. Following this, the man begins to speak facing the camera, raises both hands to gesture the size of something, and glances towards the black man on the right side of the frame.


In the frame is a rusty mechanical part. To the right of the frame, a hand wearing a black glove is placed at the top right. Then, this hand reaches into the center of the frame and touches the part. Subsequently, the lens blurs, and a man wearing a brown shirt is seen kneeling in front of the camera. He looks into the lens, and in front of him lies a rusty part. His hand is wearing a black glove, and his left hand is placed on a lever on the right side of the frame, facing the camera as he talks confidently. He then looks down at the part, his right hand gently swaying on his knee. His gaze moves back and forth between the camera and the part.


Close-up shot, with the right palm facing down, the five fingers gathered to pinch a sprig of grass. The left palm faces up, gently supporting the right hand to facilitate the display to the camera. Then the right hand flips over, throwing the grass back into the lower left corner of the frame, and both hands are withdrawn, moving away from the camera.


On the right side of the screen, a woman with a backpack is walking towards the camera. In the center of the screen, a woman in black clothes is following behind her, watching her. The woman with the backpack stops, turns around, and looks at the woman in black. The woman in black also stops and looks at her. The woman with the backpack points with her right finger in the direction from which they came, then turns around and walks towards the camera again. The woman in black quickly catches up to her, pulling her with her left hand, and the woman with the backpack begins to turn around.


In the center of the screen, a woman in a patterned top first faces away from the camera, extending her left foot to kick the stomach of a man running in from the left side of the screen, wearing purple pants. Then she reaches out with her left hand to grab the man, and with her right hand, she knocks him to the ground. Next, a man in a white short-sleeved shirt runs in from the left side of the screen, sweeping his leg downward at the woman. The woman jumps in place to avoid it. From the right side of the screen, a man in a red top runs in, and the woman kicks his stomach with her right foot, knocking the man in the pink shirt to the ground. Then she kicks backward, striking the chest of the man in the white short-sleeve shirt who was just in the frame, sending him falling to the left side of the screen. The woman is also preparing to run to the left. The woman's hands continuously change with her movements, and the camera focuses on her slight swaying.


The background of the scene is a blurred street, where vehicles parked at the roadside and those driving can be seen faintly. In the center right of the frame, there is a black man wearing yellow sunglasses and a white sun hat. In the picture, only the upper part of his neck is visible; his eyes are looking down to the left. He is wearing a vest with alternating fluorescent yellow and gray stripes and is continuously speaking. His head trembles slightly as he talks, and the camera also shakes slightly in response.


This is a sped-up first-person overhead video of a hand, where a pair of hands wearing green gloves holds an angle grinder, starting from the top left corner of the screen. They move first to the left, then down, left again, up, left once more, down, and finally to the left, sanding the entire screen while sparks fly continuously. At the center top is the embossed word "BLEEPIN," and below it is "JEEP."


On the left side of the screen, there is a hand holding a green strand of yarn, and on the right side, there is a hand holding an orange hook. The hand on the right side reaches over and manipulates the yarn held by the hand on the left side a couple of times before extending to move two rolls of yarn placed on the upper right side of the screen upwards. Afterward, the hand on the right side holds the yarn, while the hand on the left side uses the pinky finger to hook the green yarn and pull it to the left. The background of the screen is purple.


The scene is a top-down shot of a person's feet walking, with the lower part of the frame showing a person's legs walking forward. As their feet lift, some sand and stones on the ground also scatter in all directions with the movement of the feet.


The camera focuses on the center of the frame, then rotates the lens counterclockwise to the left while continuously moving the lens downward, zooming in on the center point of the pink cloth, always keeping the center position of the frame.


The camera first moves up and then down, zooming in. In the frame, many people are standing on the street, with several police officers dispersing the crowd, explaining to them, preventing them from getting closer, and maintaining order. The scene cuts, and the frame shows people's legs and someone lying on the ground.


In the scene, there is a bird perched on the lawn by the river. The bird is sideways to the camera, with its head facing to the left of the frame, bowing its head continuously to peck downwards. It occasionally lifts its head, then bows down again, repeatedly pecking downwards, and slowly walking towards the left side of the frame.


The camera slowly rotates in a small clockwise circle with the two people in the frame at the center. The two are beside a window in a classroom. The woman with colored hair on the left side of the frame is standing facing right, with her hands crossed over her chest. The curly-haired man on the right side is sitting on the table to the right, facing left. They are talking face to face. The man lowers his right hand towards the camera and then waves it to the left side of the frame. The woman with colored hair talks while raising her right forearm to the left side of the frame, waving it up and down, and she wipes her nose with the back of her right hand. Then she extends her right index finger, pointing to the left side of the frame, drawing circles towards the camera, and subsequently making a fist with her right hand. The man touches his chin with his right hand while talking, shaking his head left and right towards the camera. He then opens his palm and rotates it from the right to the left side of the frame, withdrawing his right hand, and touching his chin with his index finger. The camera faces the two people and moves forward. The woman with colored hair raises her hands to the right side of the frame, looking down to the right, with her right hand above and left hand below, spreading her fingers, and she stretches her arms towards the window and the whiteboard. Then she raises her hands in front of her, turns her head to look at the man on the right side of the frame, and withdraws her left hand to the left, placing it on her right arm, and continues to talk.


On the right side of the screen, a man wearing a khaki shirt speaks to the camera, blinking occasionally. His right hand, holding a black pen, extends a thumb to point to something resembling an inscription on the left side of the screen. Then, he retracts his right hand, and both hands hold the pen. Subsequently, his hands separate, with the right hand still holding the pen, then both hands hold the pen again, followed by the hands separating even further, with the right hand still holding the pen, and once more both hands holding the pen. At the bottom left corner of the screen, two rows of beige text appear. The scene is set indoors, resembling a museum.


In the scene, three people can be seen. The closest to the camera is a man dressed in black, carrying a single-shoulder bag with silver buckles. His head and body are slightly tilted to the left, but his hands are holding onto a woman on the right. This woman has a tense expression, is dressed in red, and has black hair. On the left side of the frame, there is a black man wearing a pair of large silver earrings, staring at the woman on the right side of the screen. In the foreground, the man with the silver buckle single-shoulder bag has pushed the woman in red against the wall. This woman has a look of terror on her face, with some dark marks, which could be scars or stains. Her eyes are fixed on the left side of the frame, her gaze fearful, as if seeking help. Then, the man in the foreground slightly bends down, appearing to be looking for something to the right of the woman, his head almost leaving the frame. However, his left hand still grips the woman's red collar. On the far left, the man in black with silver earrings and a silver necklace approaches the woman's face. He stares at her, as if speaking to the woman, who turns her head in terror to look at him. The man with the single-shoulder bag in the foreground slowly rises, his head partially blocking the view of the woman in red. The scene is dark, suggesting they are in a dimly lit basement.


On the left side of the screen is a blond white woman wearing a red sweater, sitting towards the right side of the frame, talking while gesturing with her left hand, her eyes wide open, glancing down, then turning her head to the left side of the screen and quickly facing forward again. On the right side of the screen is the back view of a blond woman in a gray sweater, with a Christmas tree in the background. Then the scene changes rapidly. Now on the right side of the screen is the woman in the gray sweater, who glances down while talking. On the left side is the back view of the woman in the red sweater. The scene then returns to the perspective of the first scene. The woman in red on the left glances down, shakes her head, and looks towards the right side of the screen, her hands slightly swaying at her sides, her eyes widened, with a smile on her face.


In the center of the screen, a red bus is moving towards the right side of the screen. When it reaches the right side, it slightly turns towards the camera's direction and continues to drive before finally disappearing off the right side of the screen. Immediately following, three small cars move from the left side of the screen to the right and disappear in the frame. Then, another red bus appears on the left side of the screen. As its front reaches the right side of the screen, it slightly turns towards the camera's direction and drives, with its rear half still visible on the right side of the screen. The background is a night street scene, with a traffic light in the center foreground of the screen, and buildings in the distance.


In the scene, two people are standing. On the left side of the frame, a black woman is sideways to the camera, facing towards the right side of the picture. On the right side of the frame, a white woman is also sideways to the camera, facing towards the left side of the picture. They are in conversation. The black woman has a briefcase hanging from her right shoulder, and her hands are clasped in front of her chest. The white woman has two rolls of white paper tucked under her right arm and body. She extends her right hand with the palm up, then retracts it and places it on her left hand. The white woman slightly turns her head counterclockwise and then returns to her original position. The black woman is making gestures on the palm of her left hand with her right hand.


On the left side of the screen is a large experimental apparatus connected by pipes, while on the right side there is an office desk and some other experimental tools. In the center of the screen, a white-haired man in a blue shirt and tie is walking past the side of the large equipment, continuing to walk forward with his hands in front of his waist, lifting his left hand slightly. Behind him, a man in a black vest and blue shirt, also with white hair and a tie, faces the large equipment on the left side of the screen, extending both index fingers to point, then spreading his hands to point, glancing at the man in the black vest. Then he points with his index fingers again, makes eye contact with the man in the black vest, and looks back at the equipment, as if explaining the apparatus to the other man.


In the center of the screen is a man in a white shirt sitting behind a single desk, with both hands on the table, his right hand tapping, glancing slightly to the left of the frame. To the right of the screen, a man in a blue vest is standing, his body facing to the left of the frame, with a smile on his face, and his right hand touching his ear.


On the left side of the screen, a hand wearing a watch is leaning on a gambling table. In the center of the screen, a pair of hands are spread out with palms facing down on the gambling table. Then, he withdraws his hands, claps once, and balls his fists. With both arms forward, his elbows are resting on his waist. On the right side of the screen, a person wearing a necklace bends over and leans towards the left side of the frame, extending a curved strip towards the gambling table.


On the left side of the screen, a small man in a black shirt squats down with his back to the camera, looking towards the right side of the screen. In his right hand, he holds a black rod from the lower left of a colorful kite in the center of the frame. Then, with both hands, he stuffs the rod into another black belt attached to a central rod of the kite. On the right side of the screen, a man in black pants turns his back to the camera and looks towards the left side of the screen. In his left hand, he holds the central rod of the kite, while his right hand is placed on the kite. Both hands assist the little boy on the left side of the screen to thread his right-hand rod through the central rod. The little boy on the left side stands up, moving his legs back and forth. The man on the right side straightens up, kneeling on the ground, and with his left hand, he picks up a rod and inserts it into the rod he is holding in his right hand. Then he touches the rod that has just been threaded through the central rod with his left hand, before extending his left hand towards the left side of the screen. Leaning his body to the left, he straightens the edge of the kite with his left hand. His right hand supports the kite, touching a rod, then withdraws, picks up another rod on the right side of the screen, and his left hand grabs the rod that has been threaded through the central rod. The camera rotates to the right side of the screen, then zooms in, and moves backward. The two men are active on a patch of dry, yellow grass.


In the center of the screen, a small monkey is sitting on a chair playing with a red stick. The small monkey raises the stick over its head with its right hand, lifting its eyes to observe, then brings it in front of its face for a closer look, and begins to compare the stick with different parts of its body. The small monkey first lifts its right leg, placing the stick on its lower leg for comparison; then moves it upwards to the thigh, comparing it; then shifts it further up to the abdomen for comparison; next, it measures against its chest; and finally raises it to its head, placing its left hand above its head and the stick to make the final comparison.


The camera captures the scene from a first-person perspective. In the lower left of the frame is a man in black, facing right and speaking. He looks up to the top right corner of the frame, raises his left hand to touch the underside of the car. Then he slightly turns his head to the left, turning his back to the camera, and moves his left hand towards the left side of the frame. He then faces right, moves his left hand towards the right side of the frame, withdraws his hand, swings it towards the distance of the frame, and then turns his head to the right, facing the camera, shaking his head as he speaks. He raises his right hand to point at the camera, then lowers his hand, turns his head to the right, raises his left hand with the index finger extended, quickly points to the right side of the frame, and then turns and walks towards the right side of the frame. Above in the frame is a black car that has been lifted up. The scene cuts. The man in black stands in the lower right corner of the frame, facing left with his right hand against the front right wheel of the car, talking with his mouth open, then turns his head towards the upper left of the frame. He then extends his right index finger to touch the top edge of the tire and moves his hand to the lower edge of the tire. In the background of the scene is an auto repair shop.


In the frame, there is a person's left hand holding a black device. The hand lifts the black device, and the camera slightly turns to the right. Then, the left hand moves out of the frame from the top, and the camera shifts to the right. A hand appears on the left side of the frame, with fingers pulling on a black string. The camera slightly turns to the left, and then the hand releases the black string and disappears from the frame at the top.


On the left side of the screen, a male in a gray coat sitting facing the camera looks to the left of the frame, withdraws his hand that was supporting his face, and leans back in the chair, crossing his arms as he seems to be saying something. On the right side of the screen, a male in a blue short-sleeved shirt has his hands on the table first, then lifts his right hand to tug at his collar. A woman in white clothing is partially visible on the right side of the frame.


In the lower part of the screen lies a bald man wearing a patterned shirt. He is looking towards the right side of the frame, with his left hand extended, palm down on the ground, and his right hand covering his mouth. Then he lowers his right hand, quickly gets up, and dashes towards the right side of the screen, with the camera panning to the right to follow his movements.


The scene is shot from a first-person top-down perspective. On the left side of the screen, the left hand holds one end of the rope, while the right hand grips the other part. Both hands pull outward to straighten the rope. Then, both hands release the rope; the left hand spreads its fingers and points to the rope before moving out of the frame from the left side.


A close-up shot is elevated. The camera moves to the right, first quickly then slowly. A woman appears on the right side of the screen. She is facing the left side of the frame with her profile to the camera. In her left hand, she holds a handheld makeup mirror, and with her right hand, she repeatedly brushes her face with a makeup brush, brushing across the right cheek, the chin, the left cheek, the chin, the tip of the nose, and the forehead in sequence.


The scene is shot from the first-person perspective of the driver. The vehicle is driving to the right of the camera. The camera is aimed at the left side of the driver's seat window. In front of the camera is the left outside rearview mirror of the vehicle where the driver is located. In the background of the scene, a red car is driving to the right of the frame. The camera turns right and zooms in. In the tunnel on the right side of the screen, several vehicles are driving with their brake lights on. The red car continues to drive to the right of the camera and turns on its brake lights.


In the video, an accelerated view of installing a wheel is shown. A person wearing flip-flops is standing on the right side of the frame, with only their feet visible. In the background on the left, a man in blue jeans is squatting behind the car, using a jack to lift it up. Then the man walks to the front of the frame, squats down in front of the wheel, and the person in flip-flops takes a step back and exits from the right side of the frame. The man picks up the wheel and fixes it to the car. At this moment, the person in flip-flops re-enters the frame from the right and stands on the right side. The man extends his right hand to take the screws from the person on the right and installs them one by one onto the tire. The person on the right raises their foot and walks to the left, crossing the frame.


The camera shoots from above, on a yellow and black ground emitting a yellow glow, with a person standing slightly to the right of the center of the frame. His shadow is cast on the upper part of the image, and he is moving downward from the top of the frame. There are also six people scattered across the frame. From left to right, they are: a woman near the bottom left, a woman near the top left, a man near the bottom, a man near the top, a man with his lower body outside the bottom of the frame, and a woman on the far right near the top. The women are all dressed in the same black vests and black pants, and the men are topless with black pants. They are performing the same actions: they cover the left side of their faces with their left hands, extend their right arms outward parallel and then pull them back to the chest to grasp the left wrist. Then they bend their legs with their knees facing to the right of the frame, their upper bodies facing to the left, and then flip their bodies to face the right of the frame, lying sideways with their thighs pressed close to their chests, perpendicular to the ground.


In the scene, there are two people. In the center-right of the frame, a woman in brown clothes has her hands crossed in front of her and is looking to the right outside of the frame, saying something. She then takes two steps towards the upper-right corner of the screen and turns her head to the right side of the frame. On the left side of the screen, there is a man in white clothes with a green backpack. He turns to his right, slightly facing the camera direction, and then bows his head.


On the right side of the screen, a man with grey and white hair dressed in black and a white-haired woman in grey clothes are sitting side by side on a bench. In the background, there is a snow-covered ground and houses with white snow. The man is turned sideways to the camera, facing right, and the woman is looking down with a smile, facing the camera directly, rubbing her hands together and then blowing on them with her mouth. The man looks at the woman and then raises his hand to hold hers. The woman looks up at the man and smiles, then leans her head on the man's left shoulder. The camera zooms in, and both are seen talking with smiles. The man raises his head to look towards the right of the screen, and both nod simultaneously. Then the woman lifts her head slightly, and the man turns to look at her and speaks. The woman also looks up at the man and nods while talking, then she blinks once, and the man looks back towards the right of the screen and speaks. The camera zooms in again, the woman nods once more, blinks, and smiles.


On the left side of the screen, a pair of hands are typing on a computer keyboard, and then the right hand reaches out to the cup in the foreground of the scene. The right index finger taps the rim of the cup a few times. After retracting the hand, it resumes typing on the keyboard.


On the right side of the screen, there is a person wearing a yellow top. She moves a white table from right to left across the screen to the doorway in the upper left corner. After putting the table down, she opens the door, then carries the table out of the room. Following this, she walks to the lower left corner of the screen with a broom in hand and starts cleaning next to the white mattress.


In the frame, a tray holding two glass cups moves from the right side of the screen to the left. Gradually, a hand holding the tray and part of a person's shadow become visible on the right side of the screen. The camera cuts to the person's right arm and pans to the right. This hand, with the fingers held in an orchid gesture, rotates the wrist, and the camera follows the movement of the hand. Finally, the camera pans left, revealing the back of the person's curly-haired head on the left side of the screen. Against a dim background, there are blurred purple and red lights.


In the central background of the scene, there is a woman in red and a man in black. Both are half-crouching in a melon field. The woman in red is facing towards the right of the picture, with her right hand placed on a large melon at the center of the background, while the man in black is facing towards the left. The woman in red is stroking the surface of the large melon with her right hand and nodding while speaking, facing towards the right of the picture. In the foreground of the scene, there is a pumpkin patch.


In the center of the screen is a pair of grandfather and granddaughter. The granddaughter, dressed in gray on the left, is holding a pink toy dog with her right hand on the table, while the grandfather, with a green toy dog in his left hand, plays a game with her. As the game starts, the two control the toy puppies to hop and chase each other on the table. The grandfather nods his head in rhythm with the toy, and they seem to provide sound effects for the toy's movements. The little girl's toy wins the game, shaking its head under her control. The grandfather looks at his granddaughter affectionately. While talking, he places his right hand on his left arm and then extends one finger of his right hand. The little girl happily raises her own toy as if to declare herself the winner. The background of the scene is a bookshelf on the left and a Christmas tree on the right, both blurred.


To the right of the screen, a bald man wearing a blue shirt and black-framed glasses is sitting behind a brown wooden table. Part of his body on the left is outside the frame. He is leaning forward to the left, and his right hand is picking up a yellow pencil from the table, pointing to the computer on the left. The computer screen shows an image of a vast desert. His hand is slightly trembling up and down as he points to the computer screen, and he seems to be saying something. There is a book and a brown weapon placed on the table. Against the background of a white wall, there are three mannequins dressed in different styles of clothing standing. The one on the left is wearing brown armor, the one in the middle is dressed in blue clothing with gold patterns, and the one on the right is wearing green clothing with a white cloak over it.


The scene shows a grassy area with some dogs and people. The camera then pans to the right, revealing several dogs. Moving the lens to the left, a brown dog is seen walking towards the camera. Finally, turning the camera to the right, there are multiple dogs in the center of the frame, and on the left side, there is a woman in a white short-sleeved shirt bending over to pet one of the dogs.


In the foreground of the scene, on the left, stands a woman with her hands raised, resting on the handle of a shopping cart in front of her body. She is slightly leaning forward with her elbows tucked in towards her body. Meanwhile, the camera moves in a clockwise direction, then shifts upwards, zooming in on the dark blue long shirt on the right side of the frame.


A man is standing facing left, raising his left arm horizontally to the left and stretching it, with his index finger pointing to the left, then lowering it, turning his body towards the camera, and looking to the lower right. Then, the man repeats the previous actions. Throughout this process, the man is continuously speaking.


The man in blue on the right of the screen is speaking, standing with his face turned to the left, his head twisted upwards, his left arm bent at his side, and his right arm extended with an open hand in front of the screen. The man in gray on the left is standing facing the right. The camera then switches, and the man in blue is now facing the camera head-on, continuing to look to the left while speaking, with his left hand in a loose fist.


In the center of the screen, a man in a blue jersey is moving towards the right side of the frame. Then, a man in a white jersey stands up, facing to the left of the screen, swinging his right fist in front of his body, shouting as he walks towards the left side of the frame. After passing a man in a black hat, he raises both hands overhead.


A right hand rotated the silver disk counterclockwise for three rounds, then moved to the left side of the screen. The silver disk continued to rotate. A left hand pulled up the right sleeve towards the left side of the screen, and then both hands were placed on the keyboard in the upper part of the screen, starting to type.


In the scene, there is a white surface with four cups placed respectively on the left side of the frame, the center of the foreground, the center of the background, and the right side of the frame. A pair of feet wearing green stockings are spread apart on the left and right sides of the frame, with the lower legs also in view. The toes of the right foot are angled towards the right side of the frame, while the toes of the left foot face the camera directly. Suddenly, the left foot steps back, then moves towards the left side of the frame, positioning itself behind the right foot. The toes of the left foot are now angled towards the right side of the frame, forming a "T" shape with the feet. Next, the right foot moves forward and stops, with the toes facing the camera. The left foot also moves forward, touches the right foot, and then moves to the right side of the frame, with the toes touching the ground first before rotating and placing the heel down. Then, the right foot steps back again, with the toes facing the left side of the frame. The camera slowly moves to the left, and the left foot also rotates to stand on its toes, with the instep facing the left side of the frame.


The scene is filmed in a kitchen. In the center of the frame is a white male wearing grey clothes, facing sideways to the camera and looking down to the right. He is in the process of cooking. In the upper right corner of the frame is a white cupboard. At this moment, the man in the center of the frame is speaking, then turns his head to look directly at the camera, and then turns back to look down to the right, continuously speaking.


In the center of the screen is a rectangular table, with many people sitting on either side of it. A short-haired woman in a gray-green jacket is standing on one side of the shorter edge of the central table, facing the camera. She holds a glass of wine in her left hand and first addresses three people to the right of the frame, then turns to speak to the three people on the left side of the frame. As she speaks, she nods her head and finally raises her glass. Immediately, the six people on either side of the table also raise their glasses. The three people on the left stand up, the person closest to the camera on the right stands up, while the other two raise their glasses from their seats. They extend their glasses towards the center of the table to clink glasses together.


In a pitch-black scene, a woman with black wavy hair eyes filled with malice, holding a stick in her right hand, takes a few steps forward. A woman with long golden hair drags her left arm, as if to prevent her from advancing. The woman with the stick pauses, then madly grimaces, trying to break free. The blond woman shouts loudly, holding her tight. The background is an old door, surrounded by pitch-black night. The camera follows the woman with the stick, moving from right to left as the woman walks forward, placing her at the center of the frame.


In the center of the screen, slightly to the right, a girl faces the camera directly, sitting cross-legged on the ground and looking down towards the bottom of the screen. Her left hand is resting on her left leg, while her right hand is raised and moving, continuously sprinkling small sequins. The camera gradually zooms in as the girl lifts her eyes to look at the camera and then back at her right hand. The camera stops moving and focuses on the area above the girl's chest. The girl's hands are outside the frame as she looks up towards the top of the screen. Then, she turns to look at the camera, raises her right hand, spreads her five fingers and then brings them together, placing her hand horizontally in front of her mouth. She opens her mouth and blows twice on the sequins in her right palm, then looks at the palm of her right hand. Finally, she looks up towards the right side of the screen.


The scene is shot from a first-person perspective with the shooter riding a bicycle towards the distance. The camera also moves forward and shakes noticeably. On the left side of the screen, a person can be seen riding a bicycle towards the distance. On the right side, there are shaking fingers and the bicycle handlebars. At the bottom of the screen is a vertical road, with greenery on both sides, and above is a blue sky with white clouds.


The video is played at a faster speed, with the camera trembling as it slowly zooms in. On the left side of the screen is a massive Christmas tree adorned with colorful lights. Surrounding it are shops in a mall, with passersby walking around. In the middle ground of the scene, beneath the Christmas tree, some passersby are taking a photo with the tree. A security guard is seen on the right side of the middle ground, helping two people take a picture together. The camera quickly moves to the right side of the screen, following the security guard and a passerby as they move to the right side of the middle ground. The passersby then return to the area beneath the Christmas tree.


On the left side of the screen is a person's left hand, holding a circular plush toy with red and white stripes in the center of the upper part of the screen. The circular side is facing the camera. Then, the left hand places it on the table with the circular side down. The left hand moves to the right side of the screen and grabs a transparent plastic bag on the right side. The hand moves out of the frame from the top, allowing the plastic bag to move to the left side of the screen and eventually move out of the frame. The background is a green checked table.


The scene is shot from a first-person perspective, with the main subject in the frame holding a yet-to-be-knitted green woolen netting in their left hand. The right hand passes a yellow-handledawl to the left hand's thumb and middle finger, after which the right hand hangs a blue plastic hook on the upper edge of the netting. The left hand then secures the other end of the wool with the thumb and middle finger, holding the yellow-handled awl in place.


The main subject of the scene is initially a woman who is facing the camera with food in her left hand. The camera slowly moves to the left, and the woman also turns her head to the left, looking at another lady who enters the frame from the left. They talk while smiling at each other. The woman on the right raises her hand to wipe her upper lip and finally makes a slight head shake. The lady on the left raises her left hand to smooth her hair.


On the right side of the screen, there is a bottle of hand sanitizer. Suddenly, a pair of hands enters from the left side of the screen. On the right side of the screen, the right hand is placed on the hand sanitizer, and the left hand is positioned below it. The camera continuously moves backward. Then, the back of the right hand is turned away from the camera, followed by the hands being clasped together and moving towards the left side of the screen. These hands first move back and forth, then the four fingers of the left hand grasp the right hand's webbing, and they rub it for a while. A woman in blue clothing appears on the left side of the screen, facing the right side of the screen with her head bowed. There is a window in the background.


At the center of the screen is a man with black hair, wearing black clothes and red glasses. He is sitting behind a workbench at the bottom of the screen, with his body facing the camera. His hands are on the workbench, holding a green circuit board, and he is looking down towards the bottom of the screen. The man slightly tilts his head to the bottom right of the frame, then tilts the circuit board towards the camera. He slightly rotates it to the left side of the screen, then slightly tilts it away from the camera, and again slightly rotates it to the right side of the screen. He slightly tilts it towards the camera, positioning the circuit board with its front facing upwards and slightly towards the direction of the camera.


In the center of the screen, a brown curly-haired Teddy dog is lying on the ground, facing the camera with its body tilted to the lower right of the frame. Its front limbs are extended towards the lower right of the screen as it looks to the left with its tongue hanging out. It is breathing heavily, with its tongue quivering rapidly, and its abdomen and body on the left side of the frame are also shaking violently. It blinks occasionally, with tears in its eyes, as the camera moves downward. Then it turns its head to the right, looking towards the right side of the frame, with the camera slightly moving to the right. It then turns its head to the left again, looking towards the left side of the frame. To the left is a staircase, and to the right is a wall with black spots.


The center of the screen features an upside-down plant resembling an aloe vera with many stems. To the left of the screen, a person in jeans is standing, with only their legs visible, and their right foot is stepping on the plant on the left side of the frame. In the upper right corner of the screen, a partially visible tool is present. The tool first lifts up and disappears from the upper right of the screen, then quickly reappears from the same direction, moving towards the figure's clothing, cutting off a part of the plant. It then raises again and vanishes from the upper right of the screen, before reappearing from above the center of the screen, cutting down to sever another part of the plant. It raises once more, moving to cut the plant on the left side of the frame, then lifts up and disappears from the upper left corner. Subsequently, it cuts towards the root of the plant in the upper right corner of the screen. The left foot moves upwards in the frame, while the right foot steps on the plant and rolls upwards. The camera slightly shakes, and the scene is in slow motion.


The scene is captured from a self-portrait angle, with the background being the surface of a lake. Off-screen, the right hand holds the camera and rotates it to the right side of the frame. A man wearing a hat appears on the left side of the screen, showing his right profile. He raises his left hand and then lowers it directly in front of the lens. As his left hand disappears from the bottom right corner of the frame, he grabs the camera and rotates it to the left side of the screen. The man now appears on the right side of the frame, walking towards the left side of the screen. Holding the camera, he rotates it to the left, and the hat-wearing young man appears in the center of the frame, supporting his forehead with his right hand, looking to the left side of the screen. Throughout the video, a woman and a man in gray pass by successively behind him.


On the left side of the screen, a left hand is grasping the wheel of a bicycle at the center of the frame, with the fingers pressing back and forth. The camera moves to the right and then slightly shakes. The left hand moves to the left side of the screen and disappears. The camera pulls back to reveal most of the bicycle, then moves to the right and forward, focusing on the front wheel. The ground is brown, and the wall is an uneven white wall.


A man stands in the center of the frame, holding a phone in his right hand, his mouth moving as he speaks. He then switches the phone to his left ear with his right hand, tilting his head to the right side of the frame, clamping the phone between his shoulder and ear. His right hand types on the keyboard. Meanwhile, the camera moves down, then subsequently back up, keeping the upper half of the man in the frame.


At first, you can see a hand extending into the left side of the screen, pressing down on a green, viscous substance on the right side of the frame, with the fingers sinking into it. Then, that hand lifts up and moves again, inserting itself into another part of the green substance. In the bottom right corner of the screen, you can see another person's hand also prodding the green substance with their fingers. The hand that initially extended from the left side of the screen has now moved to the left side of the frame, and this person's other hand has also reached in from the left side. Both hands are now prodding a blue, viscous substance on the left side of the screen. The hand in the bottom right corner has moved out of the frame, while the two hands on the left side of the screen keep moving from the left to the right, all the way to the green, viscous substance, with all ten fingers prodding the two blobs of viscous material.


On the left side of the screen, a woman in a cyan top can be seen facing the right side of the screen. Her two hands are at work on a pattern on the white wall on the right side of the frame. She is pressing her right index finger on a small object in this pattern, while her left hand supports the edge of the white wall. The camera slowly zooms out to reveal more of the scene; the white wall appears to be the body of a large passenger bus. The woman's right index finger remains pressed on this small pattern on the side of the bus, sometimes rotating her finger left and right, with a serious expression on her face. She also moves her finger left and right while pressing on the small object. Then, the camera zooms in on the pattern again, and from the right side of the screen, another person's right hand enters the frame, extending their index finger to point at the pattern. The woman raises her right hand slightly and, above the pattern, uses her right index finger to point at some irregular objects. The hand that entered from the right side of the screen then moves out of the frame. The woman continues to tap on the irregular pattern on this small design with her hand, seemingly talking while doing so.


On the left side of the screen, a man wearing a hood holds the trigger in his right hand and the front grip of the gun in his left, attempting to remove his other hand from the grip. His head is turned to the left, looking at the man in the brown clothes in the bottom right corner. The man in the bottom right stretches out his left hand, and then the camera shifts slightly down, showing the man in the brown clothes prying the left hand of the hooded man from the front grip of the gun and striking the hooded man's left leg hard with his right hand, causing him to kneel down towards the bottom left corner. The camera slightly zooms in and shifts to the left with the movements of the man in the brown clothes, who simultaneously grabs the left hand of the hooded man with his left hand from the right, turning towards the camera, and pulling the hooded man's body to the left from facing the camera, so that the back of his head faces the lens. The man in the brown clothes then moves from the right side of the screen to the center, behind the hooded man, and strikes the hooded man's head with his right hand. The hooded man then falls out of the frame towards the camera.


The camera pulls back to reveal a man in a suit and a boy in an orange shirt standing facing the left side of the frame. The man in the suit raises his forearm towards the left side of the frame. A girl in a red coat is walking towards the left side of the frame. As the camera continues to pull back, a cameraman crouching down is seen in the bottom left corner of the frame, shooting towards the upper right front of the lens. Then, the girl in the red coat walks out of the bottom of the frame. The man in the suit gestures with both hands, lifting his suit to the right side of the frame, and then places his hands on his hips. He turns his head towards the lens, and both the boy in the orange shirt and the man in the suit turn to the left side of the frame and start walking towards the bottom left corner. As the suited man walks towards the left side of the frame, he turns sideways to the camera, glancing to the left, and smooths down his suit jacket with both hands. He then raises his forearm towards the left side of the frame and lowers his left hand, waving his right hand to the left before lowering it. The camera turns to the left and zooms in, with the boy walking out of the frame on the left side. The suited man continues to walk towards the left side of the frame, gradually turning to face the right side, with his back to the camera. A person's head appears in the middle of the left edge of the frame. The camera continues to zoom in while turning downwards. In the bottom right corner is a camera track. In the background on the left side of the frame are bushes, several short pillars, and a wall covered with plants.


On the left side of the screen, a woman with her hair loose is facing right and smiling while speaking. She is holding something in her left hand and a bottle of drink in her right hand, which she raises from the lower right of the screen towards the left. The woman is slightly leaning back, and the camera is slightly shaking. The scene is indoors, with a brown pillar in the center of the screen, a window on the left, a door on the right, and a man sitting behind a table.


On the right side of the screen, there is a long-haired man in white clothes facing left. In the center-right of the screen, a woman in a white school uniform is walking towards the left side of the screen. She then approaches the long-haired man in white on the right side of the screen, taps him, and turns to the right. The man in dark blue clothes in the center of the screen watches as the woman fluffs her hair from side to side. The woman in the background, slightly to the right and behind the center, changes her orientation from facing the right side of the screen to facing the left. The background is set in a classroom.


At the center of the screen is a left hand holding an iron ring, while the right hand is stroking the iron ring from above, with the index finger pressing down on the iron ring. Then, the iron ring is lifted up, facing the camera. The right hand's index finger is picking at the iron ring slightly to the left of the center of the screen. Afterward, the iron ring is laid flat again, and the right hand takes hold of the iron ring while the left thumb touches it.


In the scene, two men are walking towards the camera. In the lower right corner, a blond woman is walking from the left side. She takes the arm of the man in the center wearing a red hat with her hand, and then walks with them towards the lower right corner of the screen. The two men turn their heads to the right to glance at the woman, and then shift their gaze back to the lower right corner. In the background of the scene, there are several people in motion.


In the center of the screen, a man in a blue shirt is holding the rope with both hands, looking to the left of the frame and speaking. He then looks up to the top of the frame, and later turns to the camera to speak, pointing at the camera with his right index finger. He retracts his right hand and grabs the rope with both hands, pulling the rope apart. He raises the rope high with his right hand, and after his left hand releases the rope, he holds the ring on the rope. He then grabs the rope again, speaking to the camera all the while. Subsequently, the man's right hand grasps the rope and moves towards the lower left of the frame. After glancing at his right hand, he looks back to the upper right of the frame. His right hand, holding the rope, moves towards the lower left of the frame and disappears from view at the bottom left.


The scene shows a small town with rundown streets, seemingly a market for vegetables. There are many people in the video, and many are also sitting on both sides of the road selling vegetables. The video is sped up, and there are many people moving back and forth in the vegetable market, with some standing in front of vendors to buy vegetables.


In the center of the screen, a man in yellow clothing is sideways to the camera, speaking towards the right side of the screen while gesticulating with both hands. On the left side of the foreground, a person is holding up a mobile phone to film. On the right side of the foreground, a man with short black hair is standing sideways to the camera, looking towards the right side of the screen. In the background on the right, many people are standing; among them, a man holding a mobile phone in his right hand is facing sideways to the camera and has moved a few steps towards the right side of the screen. Another person has moved a few steps towards the left side of the screen, revealing their full face and is dressed in blue, facing the camera directly.


The video is shot from a top-down perspective, with a cicada in the middle of the grass pile at the center of the screen. The camera then gradually zooms in on the cicada, and a hand extends from the left side of the screen, reaching out to grab the cicada.


In the center of the screen, an elderly grandmother is sitting on a stool facing the camera, with only the lower half of her face visible. She holds an infant in her left arm, while her right hand touches the baby's collar. The baby lies on the grandmother's arms, kicking its legs continuously. The grandmother looks down at the baby with her head bowed, her right hand extended with a finger touching the baby's chin. At the same time, the camera moves upwards.


A car is lifted by a jack, with one of its tires positioned in the center-right of the frame. A man in green clothing is facing the right side of the frame, kneeling on his right knee. He turns to the right and bends over, looking down at the bottom of the frame with his head bowed. His right hand places a tool on the ground, while his left hand gathers parts lying at the bottom of the frame. He then pushes the parts and tools towards the bottom right corner, out of the frame to the right and bottom. He subsequently turns to the left side of the frame, looking towards the front of the camera. Reaching out with his right hand to the front right of the lens, he grips the wheel's rim and shakes the tire back and forth. His right hand then moves to the bottom right of the frame, supporting the outer side of the tire. His body moves towards the front of the camera, pulling the tire out towards the lens. He then rolls the tire to the right side of the frame with both hands, his upper body also moving to the right as he lays the tire flat on the ground. The man in green then moves his body to the left side of the frame, straightening his upper body, and turns his head towards the camera, resting his left elbow on his left thigh and raising his right hand, making a throwing motion towards the front of the camera. He then places his right hand on his right thigh. Lowering his body, his face enters the frame from the top as he looks at the camera and speaks. He then turns his head to look towards the front of the camera, moving away from the gap left after removing the tire. In the bottom left corner of the frame, there is also a red metal stand supporting the car.


A lady with a backpack walks into the frame from the lower left corner. With her back to the camera, she looks into the distance, slowly making her way towards the mountain peak in the center of the picture, with her hands naturally swinging at her sides.


Two men face the camera, turning their heads to look at each other. The man in black on the left stands on the ground, with his hands on his chest, listening to the man on the right side of the picture speak. The man in a striped shirt on the right side of the screen is sitting in a chair, watching the man in black speak, and with his right hand, he takes out a tag with a cord from his pants pocket. The man in black looks at the man in the striped shirt, drops his hands, and inserts his right hand into his pants pocket. The man in the striped shirt talks, bends down to wrap the cord around the tag, then looks at the man in black, and throws the tag to the ground with his left hand. The man in black drops his left hand from his pocket and glances at the tag that was thrown.


In the scene, there are four children standing indoors, with an open kitchen in the background. The girl on the far left is wearing a black and white vertical striped T-shirt and has her hair tied up. The boy in the center-left is wearing a bucket hat backwards and a dark blue printed T-shirt. The girl on the center-right has long straight hair and is wearing a pink printed T-shirt. The girl on the far right has long curly hair and is dressed in a pink off-shoulder top and blue jeans, with gold earrings. In front of them on the wooden table, there are many red cups placed upside down, and all four of them are looking at the cups on the table. The girl on the far left claps her hands and glances at the boy on the center-left before reaching out with her left hand to take a cup from the table. The boy on the center-left is talking and extends his left hand to grasp a cup on the right side of the frame, then taps another cup in the center with his right hand. The girl on the center-right has been swaying her body from side to side, while the girl on the far right stands with her hands folded in front of her abdomen, glances at the boy on the center-left, and then looks back at the cups on the table.


In a black and white scene, a man with curly hair is seen wiping his mouth with a white towel in front of a mirror. Next to the mirror, there are a toothbrush, a toothpaste cup, and a box. The man then turns around. The scene cuts to an elderly man wearing a newsboy cap, who quickly walks up, picks up a hunting rifle hanging on the wall, and approaches a sitting man, shaking his right hand. In the distance, the man who had just wiped his mouth is seen looking at him. The sitting man engages in conversation with him. The elderly man in the newsboy cap turns towards the direction of the man who wiped his mouth and extends his right hand. The camera switches, showing the old man holding the hunting rifle with his left hand and pointing to the upper left corner of the screen with his right hand, then glances at the sitting man, and finally lowers his right hand. The sitting man nods once.


The video focuses on a metal object that has been divided into three parts, each containing many small metal items. In the center of the frame are golden items, while on the sides are silver ones. A hand enters the frame from the top, with the index, middle, and thumb fingers reaching towards the pile of golden metal objects in the middle, picking up some of the metal items, and moving them out of the screen from the top of the frame. Then, the hand re-enters the screen from the top, dropping many golden metal objects from its grasp onto the middle part of the metal items, and again exits the screen from the top. Finally, the hand re-enters the frame from the top, reaching into the middle pile of metal objects and picking up several golden ones. The hand prepares to move upwards, and during the movement, it drops two metal objects, throwing them back into the pile of golden metal objects in the middle. In the end, the hand leaves the frame from the top.


In the beginning, a man's profile is shown; he is wearing a black coat and a black hoodie. He has short black hair and a black beard. With his head down, he slowly moves towards the left side of the screen. Gradually, on the left side of the screen, a woman with her head down appears. She has black curly hair. This woman also keeps her head down, and the man on the right looks up at her as if he is speaking. The woman looks up at the man briefly and then bows her head again. The woman's mouth is moving, as if she is chewing gum or something else. The man continues to speak, and the woman's gaze lifts up, staring directly at the man with a change in her expression, as if she is happy and a bit amused. It seems she also said a couple of words in response to the man. As the man keeps talking, the woman takes a couple of steps back and then bows her head, preparing to walk towards the right side of the screen. She pauses, bends down as if to pick something up, and then continues to walk to the right side of the screen until she finally disappears from view. The man turns to watch the woman leave. The background is filled with white shelves, resembling a supermarket.


In the scene, there are two women lying on the white cloth laid on the grass, positioned in the center and to the left of the frame. The woman on the left is wearing an orange swimsuit and has short light green hair. She supports herself with both hands on the cloth, her palms cupped under her chin, looking to the right of the frame. Then she lowers her hands, looks at the camera, moves her right elbow back slightly, followed by her left arm, looks down with her head bent, and supports herself with both hands under her body, lifting it slightly upwards. Then she raises her right hand, her fingers bent to support her right cheek, and she tosses her hair back while looking at the camera, then lowers her right hand. The woman on the right has long red hair and is wearing a military green swimsuit. She pouts, turns her head to the left of the frame, and her eyes look down to the left. Her hands are together, her arms straight, supporting herself on the cloth, with her feet raised and her body lying down. She continues to turn her head to the left of the frame, raises her left hand to support her head, and lifts her feet up. Then she turns her head towards the camera with a smile, crossing her legs.


In the upper right corner of the screen, there are initially a pair of legs in a kneeling position. Then, a woman with an afro hairstyle leans forward, entering the frame from the right, with her arms propped on a yoga mat. She subsequently raises her toes, straightening her legs, and then flattens her hands on the yoga mat to perform a plank.


The camera captures a downward view, with the left side of the screen showing opened paint bottles in pink, green, orange, and yellow. In the center of the frame is a dreamcatcher painted in orange and red tones. In the center, close to the camera, a hand holding a paintbrush pokes at the upper left of the screen, then quickly moves away from the lower right of the frame, reappearing to continue moving down from the upper left while painting. It gradually transitions to the right side of the screen, then leaves from the lower right and reappears, with the hand also swiping upwards to the right before continuing to paint towards the lower right with the brush. It then moves up to the right, painting as it goes, and shifts downwards, then starts painting towards the upper left, moving away from the lower left of the screen. After that, it dips into the yellow paint at the lower left and starts painting towards the lower right. The hand continues to move towards the center, dipping into the paint held by the left hand, and paints towards the center, moving gradually downwards. This process of dipping into the paint and painting towards the center, moving downwards, is repeated continuously.


The camera captures a downward angle, on the left side of the screen, a man in red clothing is moving forward with his back to the camera. In his left hand, he holds a lamp, and in his right hand, a fishing rod, walking down a path between the bamboo.


In the center of the screen, a man in a white suit and black leather shoes is walking from the distance towards the foreground. The video background is an old factory building with two rows of white and green pillars. The video quality is relatively poor.


In the center of the screen, a woman is holding a branch with her left hand, while her right hand also reaches out to grasp the branch and turns around. As she turns to almost face the camera directly, her left arm is raised high, pointing towards the camera. After turning half a circle, it points to the upper right corner of the screen. Her face also turns towards the right side of the frame. Then, she lowers her left hand, glances down at her feet, and walks towards the camera. Along the way, as she takes a big step with her left foot, she extends her left arm, raises it up, and at the same time turns her head to look towards the right side of the screen. After that, she continues to walk towards the camera, swinging her arms. Then her left arm bends, touching the pine tree on the right side of the screen. Finally, she walks towards the left side of the frame and exits the scene.


In the frame are the feet of a person walking towards the bottom right corner of the screen. This person's right foot steps into a puddle in the middle of the frame, causing splashes to spray in all directions, with ripples on the water's surface spreading out. Following this, the person's left foot moves from the top of the frame towards the top right corner and disappears off the right side of the screen. Then, the person's right foot lifts and also moves towards the right side of the frame, vanishing from view. Obvious ripples appear again in the puddle. The camera slowly zooms in on the puddle.


This is a top-down perspective where the image shows a plush coat. On the left side of the frame, a left hand adjusts the left side of the coat, lets it go, and then picks it up again to fiddle with it before setting it down once more.


In the left side of the screen, a man wearing a blue vest is facing the right side of the frame with his right hand on his hip and his left hand on the right shoulder of the man in a light-colored shirt on the right side of the screen, and he is speaking. The man in the light-colored shirt is facing the camera with his body, his face towards the left side of the screen, his right hand on his hip, and his left hand extended towards the lower right corner of the frame. He is smiling and looking at the left side of the screen. Then, the man in the light-colored shirt turns his head to the right side of the frame, looks down at the bottom of the screen with his head bowed, and then turns back to the left side with his eyes narrowed, speaking, and his right hand raised to his waist area. In the background of the scene, there is a wall with notes posted, books placed on the left side of the background, and part of a yellow-brown sign on the right side of the background.


In the center of the screen, a woman in blue is sitting on the sofa, her body facing towards the left side of the frame. In her right hand, she holds a book, examining its cover very intently. Her left hand caresses the cover of the book. Then, she opens the book and starts to read it. After a while, she turns her head to the right, towards the direction of her body's right side. In the center-left part of the frame, in the distance, there is a man wearing a red shirt in the kitchen. As the woman's gaze shifts, the camera gradually focuses on this man. He has a tray in his left hand and a cup in his right, presumably drinking coffee. The man turns his body to face the window on the right side of the screen, then looks over at the woman. The woman then turns her head back and continues to read the book, turning another page.


A man is sitting cross-legged on the grass to the right of the screen, bowing his head and playing the ukulele. He then looks up towards the camera, facing the lens, while looking to the left of the screen. At the bottom of the frame, a woman is lying flat on her back in the grass, with her hands behind her head, her head to the right of the screen, her eyes closed and a smile on her face.


The scene shows an airplane runway, with a mountain range in the background. A white airplane is flying low towards the right side of the screen. The camera follows the airplane's movement to the right. On the right side of the screen, a yellow airplane is flying in the sky. The white airplane then accelerates forward and quickly overtakes the yellow one. At this point, the yellow airplane pitches upwards. The scene changes, and the two airplanes are seen flying towards the left side of the screen against a backdrop of yellow desert. The camera angle shifts to a bottom-up shot, where several white airplanes appear in the blue sky, flying from right to left, with the camera panning leftward. A white airplane then accelerates across the foreground of the screen. The scene cuts to the cockpit, where a helmeted pilot is seen gripping the steering wheel, glancing to the left of the screen. The shot changes again, and an airplane flies out from the left side of the screen. In the final moments of the video, two airplanes are seen in the sky, flying towards the left side of the screen, which becomes somewhat dazzling due to the sun.


In the center of the screen is a black and white spotted cat, with wind blowing from the left side of the screen to the right. The head of the black and white cat is tilted towards the left side of the screen, with its eyes tightly closed, then continuously blinking, its eyes squinting slightly, while its head slowly turns towards the front of the screen, gradually opening its eyes wider. The cat occasionally closes its eyes tightly, and its right ear rotates to the right.


On the left side of the screen is a taller woman with golden curly shoulder-length hair, wearing a black V-neck dress and a camel plaid shawl. Her eyes move back and forth, first looking at the man on the right side of the screen, then shifting her gaze to the man on the left side, repeating this eye movement twice. Afterward, she raises her champagne glass to clink with the other three people, looks at the man on the right side of the screen to offer a toast, and then turns her gaze to the man on the left again. On the right side of the screen is a smaller, thinner woman with brown curly shoulder-length hair, dressed in a deep pink printed V-neck dress. She first inclines her body slightly towards the man on the left side of the screen, says something to him, then turns her head towards the man on the right side. She then faces the man on the left to clink glasses with him, afterward turning her head to first look at the man next to her, then at the woman beside her, and finally raises her glass as if to take a drink.


In the background, in the center, there is a long-haired woman standing facing the left side of the screen. She is holding a green solid object in her left hand, and subsequently, with her right hand, she picks up the other end of the object from the bottom, stirring it with both hands. Then, the camera shakes and moves to the left side of the screen, where you can see a blue car in the lower left corner, and on the right, there is a brown wall.


The scene is shot from above, showing a bug on a stone pier. The camera moves down and closer to the bug, which crawls to the right side of the screen. Green plants surround the stone pier, and a black fence stands on top of the pier in the frame.


In the scene, there is a cactus with five buds. The bud on the far right opens upwards into a yellow flower; its petals unfurl and then quickly fold back and wither, turning brownish-yellow. The sepals also wither and retract into the cactus, followed by the withered lower part of the petals being drawn into the cactus as well. The second bud from the left in the scene opens to the upper left into a yellow flower, which also quickly folds back and withers, with the whitish lower part of the petals retracting into the cactus. Next, the second bud from the right opens forward into a yellow flower, which swiftly closes, withers, and finally, the far-left bud in the scene opens into a yellow flower that also quickly contracts and withers. The background is blue.


On the left side of the screen, a man stands sideways, facing the direction to the right of the camera. Then, a man wearing a hat, after setting the gun he picked up on the ground, places both hands on the gun and starts to speak. He then looks towards the man standing on the left side of the screen, makes a gesture with his right hand, picks up the gun, turns around, and leaves. The man on the left side turns to look in the direction he left. The camera switches, showing the man hanging the gun on the wall, then he looks to the left side of the screen and slowly moves. The camera follows his movement.


A woman stands, turning from the right side of the frame to the left, with her back to the camera, raising her right hand to her chest. She then bends forward, tilting towards the upper left corner of the frame. Following this, she raises her right hand holding a showerhead over her head and lifts her left hand to brush her left temple. Her body turns towards the upper right corner of the frame. The woman looks up and closes her eyes, then turns towards the right side of the frame, lowering her left hand. She quickly turns around to face away from the camera, moving her right hand back and forth over her head, while her left hand is raised. In the background, a pair of hands occasionally appears in the frame.


In the center of the screen is a bed with a white mattress. In the upper right corner of the screen, a person in yellow clothes is holding a pink basin and placing it on the bed. With their right hand, they pour a bit of laundry detergent into the pink basin towards the lower right corner of the screen, then move away to the right side of the screen. The video is playing at double speed. The person in the upper right corner holding the pink basin moves towards the left side of the screen, then picks up the brush from the pink basin and continues to move towards the left, brushing the mattress. They then move towards the right, pushing the pink basin to the left, and continue to wipe the mattress to the left, occasionally dipping into the water in the central pink basin to continue wiping the mattress in the lower left corner. The person in yellow then moves the pink basin to the right again, and with the brush, starts to brush the mattress in the middle upper part of the screen. They continue to dip into the water from the pink basin in the upper right and brush a few strokes on the mattress on the far left of the screen, all the while alternating between dipping and brushing the mattress in the middle upper part. Then, they shift their body to the right, bend slightly towards the left, supporting themselves with their left hand on their left leg, and quickly switch to using their left hand to brush the mattress on the left side of the screen. They swiftly change to using their right hand with the brush, brushing the mattress on the left, supported by their right leg. They repeatedly and swiftly switch the brush between their hands. In the background of the scene is a room with a white cabinet.


At the center of the screen is a rusty machine. In the lower left corner is a left hand wearing a gray glove, and a right hand with a glove on, both hands rotating towards each other. The right hand moves to the center of the screen to slap the rusty machine and then shifts towards the left side of the screen. The scene changes, and now at the center is the rusty machine again, with the right hand on the machine's right side, lifting it up with the index finger pointing in the opposite direction of the camera, tapping the machine.


In the scene, four people are walking towards the camera, and the camera moves upwards. From left to right, the person on the far left is dressed in gray, facing the camera with their head down, holding a dark object in their left hand, and their right hand is reaching into the object they're holding with their left; the second person is a little boy in a white T-shirt, facing the camera and looking to the lower left of the screen with both hands in front of his body; the third man, in a black T-shirt, first turns sideways to the right of the screen, looking towards the background, then turns to the left to face the camera; the man on the far right is wearing white shorts, smiling at the camera with his left hand on his neck and his right hand first on his abdomen and then moved to his right hand, looking to the left of the screen. The person in gray takes out something with their right hand and reaches it towards the right side of the screen, the little boy in the white T-shirt takes it with his right hand and then holds it with both hands, looking to the right of the screen, then turns his head to the left and speaks; the man on the far right extends his right finger towards the camera and then lowers his hand. At the bottom of the screen is a light brown ground, and in the upper left corner, there are gray and white icons. In the background, many people are walking, and there are many houses and buildings above the background.


In a classroom, four students are standing in the center of the picture, with a female student sitting at the very back. In the foreground, the man on the far right is speaking to the second girl on the left who is holding a golden three-dimensional medal. The girl first looks down at the medal, saying something, then looks up at the man on the far right. The girl on the far left is sideways to the camera, looking at the blackboard on the left. After glancing back at the right side of the picture, she turns back to look at the blackboard, holding an item from the table. The second boy from the right has been looking at the man on the far right, and finally raises his head to speak to him with a look of disdain.


Initially, on the right side of the screen, part of a person's body can be seen, and this person moves out of the frame to the right side of the screen. It seems that the lights in the room have been turned off, and the light at the scene suddenly becomes a bit darker. Then, the entire scene on the screen gradually becomes dark and blurred.


On the right side of the screen, a man in a black sweatshirt can be seen bending over towards the left side of the table, with both hands arranging something on the desktop. The camera pans vertically to reveal that the man's right hand is holding a knife, while his left hand is dealing with something outside the lower part of the frame. The man's gaze is fixed intently on his hands; his left hand is moving up and down, and his right hand, holding the knife, seems to be gently prodding. Then, the man straightens up, pulling his left hand back to his side, followed by his right hand. The camera pans to the right, and the man also turns and takes two steps towards the right side of the screen. He stretches out his left hand and twists a black knob on the upper part of the white table on the right. The camera continuously changes, sometimes zooming in and sometimes zooming out, and finally pans left to show the man in the black sweatshirt holding a plate, preparing to move towards the right side of the screen.


On the right side of the screen, a woman in a purple top is kneeling on the carpet, facing left of the camera, looking to the right of the screen. Her left hand is placed on the back of the woman on the far right of the frame, and her right hand is braced on the carpet. The woman on the far right, wearing a dark brown top, has her hips raised, her upper body leaning to the left of the screen with her hands reaching towards the lower left of the frame. As the woman in the purple top speaks, her left hand moves down along the back of the woman in the dark brown top towards the lower left of the screen, while the woman in the dark brown top slightly shakes her body. The woman in the purple top extends her left hand towards the lower left of the screen, then wiggles her fingers. The camera slightly shakes, and the scene is indoors. There is a cabinet on the left side of the screen, which holds three white statues among other items. In the lower left corner, there is a reddish-brown object with a tripod placed on it. Below, there is a red carpet with many patterns.


In the lower left corner of the screen, there is a glass with its opening facing the upper right corner of the screen. A wine bottle extending from the top of the frame is continuously pouring a maroon liquid into the glass. After pouring some of it, the glass moves out of the frame from the left side, and the wine bottle departs from the upper right of the screen.


The woman in green on the far right of the screen is standing with her body facing towards the left of the frame, moving her hands up and down in front of her shoulders, while the camera shifts to the left. The woman in gray on the left side of the screen is slightly turned towards the right of the frame, looking to the left with her mouth open in a smile. The camera shifts to the right, and the woman in green lowers her hands, then turns her head towards the left of the frame, making eye contact with the woman in gray, who now looks towards the right of the frame. The woman in green nods and then looks back at the screen, and as she talks, she raises her right hand and places it below her ear, then quickly lowers her right hand, turns her body towards the camera, raises her left hand below her left ear, with her head still facing towards the left of the frame. At the top left of the screen is a shed, and in the background on the right is a courtyard. In the distance at the center of the screen, several children are playing on the lawn.


In the center of the screen, a man with a white shirt, a brown hat, and dark skin is seen sitting in a chair, facing the camera, talking with his mouth, looking to the left side of the screen, and slightly nodding his head.


The video shows a close-up shot of a little boy taken with a handheld camera from above; to the left of the frame is a refrigerator filled with various beverages. In the center of the frame, a little boy dressed in a black T-shirt and black pants is standing facing the left side of the frame, with his right hand resting on the refrigerator door frame and his left leg propped up on the bottom of the refrigerator as he looks up at it. Then, the little boy lowers his left leg and raises his right hand, with a distinct beam of light appearing in the palm of his hand. Next, he raises his right hand overhead as well, facing upwards, to receive a bottle of beverage with a gray bottle, then turns and walks towards the right side of the frame, and finally exits the frame.


Close-up hand-held shot. In the center of the frame is a man and a woman. The white-haired man is facing towards the right side of the frame, sideways to the camera, while the woman is facing the right side of the frame with her right hand holding a camera to shoot. On the left side of the frame, a man wearing a hat is facing the right side, taking a half step back. The white-haired man raises his left hand and gestures to the right side of the frame while speaking. Then, a man in green clothing walks out from the right side of the frame, stands in the center with his back to the camera, and looks at the man with the hat on the left side of the frame. The camera then moves to the right, shooting over the shoulder of the central woman and man. The man in green then takes the camera from the woman's hand with his right hand, while the white-haired man retrieves his left hand and adjusts his collar. The white-haired man then points to the right side of the frame twice in succession, while the woman scratches her head with her left hand.


A woman is sitting cross-legged in the upper middle part of the frame, with her hands on the keyboards of two computers. She then turns her head to the right side of the frame towards the white keyboard, and her hands start typing on it. Afterward, she stretches out her left hand to the keyboard on the right side of the frame, and her left hand begins to strike the keys. Leaning forward, she then retracts her left hand and continues typing on the keyboard on the right side of the frame. Following this, she extends her left hand again to the keyboard on the right, and her left hand starts striking the keys once more as she leans forward. Afterward, she retrieves her left hand and continues typing on the keyboard on the right side of the frame. In the background, a TV is playing a looping screen, and the camera slightly moves upwards.


This is an animation segment where a vehicle is parked on the left side of the screen. A man in a yellow shirt drives a yellow car towards the right of the camera and parks it in the empty space in the middle of the screen. The camera then moves to the right, revealing two children in green clothes walking from behind the car towards the right side of the screen. The child on the right side of the screen turns towards the left, then takes a step back to the right. The child in the passenger seat and the man in yellow both undo their seat belts. The child in the passenger seat opens the door on the left side of the screen, then gets out of the car and turns towards the front left of the camera. The man in yellow turns towards the left side of the screen, looking downwards. In the background on the left side of the screen is an arched gate, and on the right background are fences and greenery.


The video is shot with a handheld camera. In the frame, a group of people are sitting in front of a white building, facing different directions and looking in various ways. At the bottom of the frame, several bicycles are parked against a black railing. The camera slowly pans to the right, capturing more people sitting in front of the white building. Then, a black van parked at the roadside enters the view from the right side of the frame, followed by a quick camera movement to the left side of the scene.


The camera pans to the right, and the crowd in the frame are all looking towards the right side of the screen, with some people walking towards the right side of the screen. The lady with glasses is sideways to the camera, looking up to the right of the lens, then she turns towards the camera and moves closer to it, before looking to her left. On the right side of the screen, a man in a grey shirt first looks towards the top right corner of the frame, then he places his hands on his hips, bows his head, and later looks to his left side.


In the scene, two people can be seen. On the far left is a woman wearing a white sweater. In the center-left part of the frame, to the right of the woman, is a child sitting on a stool wearing a pink shirt. The child's two hands are holding a knife and fork, with the woman behind the child, holding the child's hands. It seems the woman is teaching the child how to use the knife and fork. The child is chewing, and then turns their head to look at the camera. Their mouth twitches slightly, and then they turn back to look at the plate in front of them. The woman raises the child's left and right hands, causing the knife and fork to lift away from the food on the plate, and a piece of meat is already impaled on the fork. The child opens their mouth, ready to eat the piece of meat on the fork. The child's mouth touches the edge of the meat, but doesn't bite it off, leaving their mouth glistening with grease. The woman keeps her head down, watching the child's actions. The child bows their head again, biting into the piece of meat on the fork, and eventually bites it off.


In the scene, a pair of hands is holding a green ribbon. The left hand grips the ribbon and moves it to the left, then to the right. A hand quickly pulls out a green thread from the ribbon and moves it to the right, then to the left, and then releases the green thread. The hand pinches the end of the bag, then lets go. The right hand moves to the right side of the screen, moving out of view. The left hand holds the end of the bag, moving to the right side of the screen. The right hand re-enters the scene from the right side, holding an orange crochet hook, then quickly moves out of the frame to the right. The left hand releases the ribbon. Next, the right hand re-enters the scene from the right side, holding a white thread. The left hand quickly moves to the right side of the screen, grabs the white thread, and moves it to the left side of the screen. The right hand releases the white thread and then quickly pinches it, using the fingers to separate the white thread. Then, both hands move to the left and right sides of the screen, stretching the white thread straight, and then place the white thread on the purple desktop, with both hands moving downward in the scene.


On the right side of the screen, a woman in black is leading a spotted dog walking towards the right side of the frame. They then stop and turn to the right, with the camera zooming in. The spotted dog in the center of the screen looks at the woman and then sits down before getting up again, walking towards the left side of the frame. The camera moves to the left, and then pivots with the woman at the center, rotating towards the right side of the screen. The camera also rotates to the right, following the spotted dog as it jumps onto a blue box in the lower middle of the screen, then looks at the woman, as the camera moves upwards.


In the center of the screen are two men. The man on the left has short black hair and is wearing gray clothes. He is facing the right side of the screen with a smile, looking upwards. His head and body sway to the left and then to the right. The man on the right is dressed in black, with short black hair and a beard. He is facing the left side of the screen, looking at the man in gray with a smile. When the man in gray straightens up, he is embraced from behind by the man in black with both arms. The man in black tilts his head back, opens his mouth wide, raises his arms to hug the man in gray, crossing them over the man's shoulders. He leans forward towards the left of the screen, his head tilted to his right. The man in gray slightly leans back, his face turning slightly towards the camera with a smile. His hands are bent open, also embracing the back of the man in black. His right hand is bent, resting on the man in black's left shoulder. After the man in black moves his hands away from the other's shoulders, the man in gray lowers his hands, stands up straight, and his head turns slightly to the left as if he is speaking. The man in black straightens up, turns his head to look at the man in gray, and lowers his right arm. Then his left arm slowly lowers from the man in gray's right shoulder. He looks to the left of the screen, squats down, picks up the man in gray, tilts his head back with his mouth closed, and then turns to the right. The man in gray turns to the right, still speaking, and is carried to the right side of the screen, facing left. He is then moved to turn his back to the camera and slightly to the left, to a position slightly sideways to the camera, continuing to speak. After the man in black releases him, he tilts his head to the left of the screen, then continues to turn left, facing the left side of the screen, stands up and looks at the man in gray. He raises his hands again, crossing them over the man in gray's shoulders, smiling as he looks at him. The man in gray leans back, then tilts his head to the right, then to the left, and then straightens up to the right, closing his eyes to kiss the man in black, then moves away. Both men have their eyes looking upwards while they


On the left side of the screen, you can see a person wearing a black shirt. He is facing the right side of the screen, seemingly dealing with the two skateboards in front of him. The camera pans to the right, and he slightly lifts the two vertically placed skateboards up a bit, then puts them back on the ground. His mouth seems to be moving as if he's speaking. On the right side of the screen, you can see a window with a person inside smiling at the camera. He seems to be watching the person in the black shirt on the left side of the screen.


The scene is an animation. On the left side of the screen, a tiger character facing the camera is thrown towards the camera by people holding the edge of a white cloth with their left hand. It raises both arms as it is thrown up, then lowers them, opens its mouth to smile, slightly shakes its head, and then approaches the camera laughing, with its left hand extended and index finger pointing to the lower left of the screen.


The camera moves to the left, and on the left side of the screen, a man in dark blue clothing is walking in the opposite direction of the lens. He then turns towards the left side of the screen and walks to the left, leaving the frame.


The man slides open the lid of the iron box with his left hand, picks up the white bag with his right hand, and pours something into the iron box. At the same time, the fingertips of his right hand move over the white bag. He then grips the bottom of the bag and tilts it downward to pour, subsequently inclining the bottom of the bag to the left and quickly standing it upright while shaking it up and down. Immediately after, the man takes out the bag and stands it upright on the table. With his right hand supporting the side of the iron box, and his left thumb on the lid, he closes the box inward. The camera continuously zooms in on the man's hands.


The camera captures the scene from a top-down perspective. A hand holding a spoon enters the frame from the right side, digging into the ice cream placed in the frame. It then lifts the spoon and disappears from the frame to the right.


The camera slowly pans to the left and slightly zooms out during the video. In the center of the frame, a black man in a white long-sleeved shirt is holding a basket in his left hand, facing the camera with a smile. He then reaches into the basket with his right hand and takes out a white pumpkin, weighing it in his hand. Afterward, he bends down towards the left side of the frame to place the pumpkin down. On the left side of the screen, a bald man in a white sleeveless shirt looks towards the right side of the frame, then turns his head and starts to smile at the camera, lowering his head to look towards the right side of the frame as the man in the middle puts down the pumpkin. On the right side of the frame, a man in an apron faces towards the left side of the screen, smiling as he talks to the man in the white long-sleeved shirt in the center of the frame.


The scene is shot in the first person, watching a boy walk. The blond boy walks towards the muddy path in front of the camera, with his back to the lens. There is a tree to the left front of the lens, and he subsequently walks towards the left front of the lens, avoiding the path. The shooter walks towards the right front, still facing the blond boy. The boy carefully steps on the exposed tree roots on the left side of the frame, raises his arms to maintain balance, and avoids the leaf-strewn ground on the left side of the frame. He steps on the roots and walks towards the right front of the lens, then stops and walks with his left foot on the roots towards the right front of the lens. Occasionally, another body part appears on the left side of the frame and then quickly disappears outside the left side of the lens.


In the background on the left side of the screen is the silhouette of a woman's head with glasses. Her hands are located at the lower center of the screen, with her right index finger bent, supporting her chin. Then, the woman slightly tilts her head upwards to the upper left of the screen, moving her hands to the right side of the frame, with all five fingers spread open, aligning and touching together the fingers of both hands.


On the right side of the screen, a man wearing a blue shirt is looking to the left of the screen and speaking. He first places his right hand flat on his chest and points his left index finger to the left of the screen, then brings his hands close together and separates them again, with his palms facing the left of the screen and slightly shaking. On the left side of the screen, there is the back view of a man's right profile; he is wearing a dark coat and looking at the man on the right side of the screen. There is a map in the left part of the screen. The scene changes, and the man in the blue shirt is still on the right side of the screen, with his left profile facing the camera. He looks at the man on the left side of the screen, places both hands on his chest, and then extends his index finger. The man in the dark clothes on the left side of the screen is looking at the man on the right. The background is a map.


The black woman on the right side of the screen opens the red shopping bag in her hands with both hands, looks down with a smile revealing her teeth, and glances inside it. She then closes the shopping bag with both hands, looks up with a smile revealing her teeth, and gazes towards the left side of the screen.


The video was shot by a camera inside the car. The lens quickly zooms in, and on the right side of the screen, a car moves forward with its back to the camera and eventually disappears off the right side of the frame. On the right side of the screen, another car also moves forward with its back to the camera.


In the scene, there are two people. In the center of the picture is a man wearing a blue shirt, facing the camera. He holds a yellow hard hat in his left hand against his chest, while his right hand is placed on his chest, talking and gesticulating. He occasionally points to his own head and sometimes flips his palm outward. On the left side of the picture is a woman wearing a fluorecent green vest, with her back to the camera, genuinely listening to the man speaking and occasionally nodding her head.


In the scene, a person stands on the left side of the frame, facing the right side of the frame. Both hands are gloved and are placed inside a white box in front of them. Their hands pick up a brown cloth from inside the box, then the left hand grips the edge of the box while the right hand searches inside. They then grasp a handful of soil from the box. The left hand reaches into the box, flipping over the brown cloth, while the right hand rubs the mud on the cloth. Both hands flip the cloth over. The scene changes, and at this point, the person turns their body towards the left rear of the frame, the left hand moving correspondingly to the left rear, while the right hand remains in the white box, lifting the brown cloth. The left hand adds something to the box and then continues to rest on the edge of the box. The right hand piles the brown cloth on the right side of the box and then rubs it back and forth inside the box.


On the right side of the screen is a man in formal attire, looking towards the lower left of the frame. On the left side of the screen is a woman, who looks towards the upper right of the frame and says something. The camera cuts, and the woman is now on the left side of the screen, looking towards the upper right, while the man is on the right side, with his back to the camera. The woman says something, and at this time, on the left side of the background, there is a group of people dancing together. The man turns to the right of the frame and walks to the right, exiting the screen. The woman follows the man, walking towards the right side of the frame. The camera moves to the right. The man turns towards the left side of the frame and looks towards the lower left. At this moment, the woman is on the right side of the screen, looking towards the upper left. The woman says something. The background at this point is a carved wall.