Camera shot from above, focusing on the scene of typing. A left hand extends into the frame from the left, placed on the computer keyboard in the scene, typing. The camera slowly moves backward, at which point the other right hand enters the frame from below, and the right hand also starts typing on the computer keyboard. The camera continues to move backward, eventually revealing the full view of the typing.


A blond woman has her back to the camera, selecting clothes hanging on a clothesline, while a black-haired man with his back to the camera, bowing his head, walks from the right side of the frame towards the middle where the woman is. The blond woman turns towards the camera, her body facing the lens, with both hands at her waist in front of her, looking towards the top right corner of the frame, saying something in confusion. The black-haired man rubs his hands together and looks up at the woman in front of him.


The video is shot from a first-person perspective. At the bottom of the screen, there are many toy cars visible. The camera then moves forward, and on the right side of the screen, there is a person sitting cross-legged. Finally, the camera focuses on a black robot toy wrapped in toy car tracks. The background of the scene is wooden flooring.


In the bottom left corner of the screen is the right half of a motorcycle's front end. In the top left corner, a person wearing jeans, only the lower half of their body visible, uses their left thumb to flick a switch on the motorcycle's head twice.


A man stands in the center of the frame, facing the camera, with his body slightly tilted to the left side of the picture. He holds a notebook in his right hand and places it in front of his body, while his left hand clutches a pen. Standing upright, he lowers his head and holds the top of the notebook with his left hand, readjusts the position of the notebook with his right hand, and then embraces the bottom of the book with his right hand, pressing it against his right chest. He then lowers his left hand and stands straight, facing the camera, at which point the camera moves up slightly. His body sways slightly from side to side before he looks at the camera and smiles, tilting his head back slightly. He then raises his left hand, tilts his head slightly to the left, and clips the pen to his left ear with his left hand. Finally, he lowers his left hand and embraces the notebook with both hands, holding it against his chest.


In the scene, three people stand in front of a purple poster, with a purple curtain hanging above the poster. The man on the far left is wearing a white shirt and facing the right side of the picture, moving his hands up and down to adjust the purple curtain. The person in the middle is a man wearing sunglasses and a red plaid shirt, turning his head to look to the left side of the picture, with his right hand extended to the left side, gently waving. The camera quickly zooms in, and he lowers his right hand. The person on the far right is a man wearing sunglasses and a purple top, with both hands raised in front of him, holding a black object. He then turns around to look to the right side of the picture, and as the camera zooms in, he walks out of view from the right side of the frame.


In the scene, a person is standing sideways to the camera, facing the right side of the screen. The camera moves down to the left of the screen and then up to the right. The little girl in the frame is holding a belt with both hands, looking down at it. She raises her head, holding the belt with her left hand at a certain height, while her right hand moves out of the frame from the bottom. She turns her head slightly clockwise, then bows her head to look down.


In the center of the screen, a long boat is positioned on the diagonal line from the lower left to the upper right corner, with its bow facing the lower left corner of the screen. Then, the long boat begins to rotate counterclockwise, causing a large splash at its stern in the sea. The camera gradually zooms out as the long boat continues to rotate.


The scene on the screen is a kitchen. To the right of the screen is an oval dining table covered with a white tablecloth, on which there are variously colored porcelain dishes. In the middle ground on the left, a man with a short-sleeved shirt featuring a floral pattern is looking at a man on the right side of the middle ground, who is wearing a black and gray striped shirt. The man in the striped shirt has both hands raised, each holding two bottles of drinks. He is walking towards the right side of the table in the middle ground to place the two bottles in his left hand on the table. Immediately afterward, he reaches for the colorful bag on the right side of the table with his right hand.


There are two boards placed on the ground, with one tilted and the other flat, from left to right. A person on a skateboard enters from the left side of the frame, after riding the tilted board on the left, they quickly ascend to the upper left corner of the screen, then descend from the lower right corner to the flat board on the right, and finally leave the frame from the right side.


In the center of the screen is a man facing the camera, wearing a black shirt with white patterns. He is speaking while first extending his right hand, holding chopsticks with food, towards the camera, then moving the food towards the left side of the screen and turning his head to face the lower left corner of the frame. He then extends his right hand, again holding chopsticks with food towards the camera while speaking, and slightly twists his head towards the right side of the screen, beginning to smile. At the right edge of the screen is a woman wearing a gray shirt, who is chewing.


In the background of the scene, in the center below, there are two people walking away from the camera. A large part of the upper section shows the top of a church, while a small section at the bottom consists of chairs, with some people sitting on them, their backs to the camera. The camera slowly moves to the right while also descending. To the left of the scene, a woman in red is crouching towards the right side of the frame, and then stands up.


A man wearing a white checked vest and black pants appears from the left side of the screen with a smile on his face, walking towards the camera. He is holding a box in his left hand and his right hand is raised, clutching something resembling a ball of paper, which he repeatedly squeezes. The camera gradually retreats as he approaches. He bows his head momentarily then turns to the right side of the screen, glancing at a fruit and vegetable stall on the right. As he reaches the stall, he throws the object in his right hand to the lower left of the screen. At this point, he walks from the left to the right of the screen, turning to the right as he walks, heading towards the door of the store next to the fruit and vegetable stall.


The woman in black on the left side of the screen has her body slightly turned towards the right side of the frame, smiling with her teeth showing, holding a lit fairy wand in her right hand, and her left hand is at her chest, palm facing the camera, waving left and right. The girl in the black and white skirt on the right side of the screen has her body towering towards the left side of the frame, also smiling with her teeth showing, holding a lit fairy wand in her left hand, and her right hand is at her chest, palm facing the camera, waving left and right. The camera shifts to the left, and the girl in the black and white skirt opens her mouth wide. In the background on the left side of the screen is a sofa, and on the right side, there is a girl wearing pants.


The man in the black shirt on the left is sitting and looking towards the right side of the frame. Across from him, a man wearing a yellow scarf is sitting and looking at the camera. To the right of the two, a person in a yellow shirt is standing facing leftward in the frame. In the center of the frame, the person in the red shirt has their back to the camera and is looking towards the right side. The man in the black coat is sitting in a chair, facing the upper left corner of the frame. The man in the light brown coat is facing the camera's left side, looking towards the upper left corner. Suddenly, the man in the black shirt turns to the left side of the frame, the man with the yellow scarf looks to his right, and the person in the yellow shirt slightly inclines towards the camera. The person in the red shirt walks towards the left side of the frame, taking a gun passed to him by the man with the yellow scarf. The man in the brown coat quickly runs towards the left side of the frame, and the man in the black coat turns to the camera, holding a light-colored object in his right hand, stands up, and quickly walks towards the camera before running to the left side of the frame. The camera cuts to the top of the stairs, where the man in the brown coat is running towards the camera, followed closely by the man in the black coat. The man in the yellow shirt and the man in the black coat are looking towards the right side of the frame. The camera pans to the left, following the movements of the man in the brown coat.


The scene is an animation. On the right side of the screen, a man in a black hat is slightly turned towards the left side of the frame. His left hand is on his waist, and his right index finger is pointing to the left side of the screen. He then slowly squats down, moving both hands downward with palms up, continuously speaking. Then he stands up again, with his left hand on his waist, his right index finger pointing to the left side of the screen, still talking, and his right hand moving downward to place it on a vertical painting. He then makes it rotate, turning his right hand towards the right side of the screen. On the far left side of the screen is a person in blue pants, and on the left side is a monkey; both are standing facing the right side of the screen. On the far right side is a person in a yellow shirt with both hands on their hips, slightly turned towards the left side of the screen. The background at the top of the screen is a yellow rollercoaster track.


In the center of the screen is a red convertible Mini car. In the driver's seat is a black man with long braids, whose expression looks very painful. In the passenger seat is a white boy with a crew cut, wearing a black jacket, sitting sideways, and his gaze is fixed on the boy outside the car until he walks to the back of the car. At this point, he stretches out his right hand and says something. This boy with curly hair, wearing a gray coat, has headphones on and is carrying two red buckets in both hands. He walks from the left side of the screen to the right, stopping at the back wheel of the car, where he puts the two buckets on the ground.


The camera moves to the left, and on the lower right corner of the screen, a person wearing a hat runs towards the right side of the frame. Another person, wearing a helmet, stands still with their back to the camera, looking at something white in their hand. At the bottom of the screen is a road, with many castle-like buildings in the background, as well as numerous parked cars. The scene changes, and the camera continues to move left and rotate. On the left side of the screen, a yellow car drives slowly towards the right side of the frame and then stops. On the left side, a person pushing a red object also appears, walking along the horizontal sidewalk at the bottom of the screen towards the right side of the frame. There are two pedestrians standing on the sidewalk, facing away from the camera. Two cars appear successively in the lower right corner, driving towards the left of the distant view, and there are pedestrians walking towards the left of the distant view below. The top of the screen is covered with dark clouds, and there are houses on the left side of the screen.


On the left side of the screen, a man wearing a hat and a gray coat is standing facing the camera, slightly turned towards the right side of the frame, with his head tilted to the right shoulder looking at the man on the right side of the screen. His right hand is holding a cigarette in front of his abdomen, and he seems to be chewing something. In front of him is a round table filled with vessels, and on the right side of the background is a staircase leading to a raised platform. On the right side of the screen is a man with black hair dressed in a black suit, sitting in a chair facing left, talking with his head slightly shaking and looking down at the table. The man in the black suit has his left hand on his leg, his right arm on the table, and his right hand holding a spoon, stirring something in a cup. The man in the hat nods slightly and waves his right hand towards the camera. Following this, the man in the black suit puts down the spoon, reaches back with his right hand to pick up something on the table, tilts his head towards the camera and then straightens up. He raises his left hand to open what he just picked up, glances up at the man in the hat, and then looks down again. He extends his left hand to pick up a biscuit from the plate on the table, breaks it twice with his right hand, and then looks up at the man in the hat, raising his eyebrows before looking down again. During this time, the man in the hat shakes his head and waves his right hand towards the camera once more. Then, the man in the black suit extends his right hand slightly to the left side of the frame and waves it, at the same time looking up at the man in the hat, before turning his head towards the background. With his right hand holding the biscuit, he reaches out to the small dog on the right side of the background. The man in the hat shakes his head, raising his right hand with the cigarette closer to his mouth.


In the scene, there are four children facing an easel, presumably practicing drawing. All four of them are sitting facing right, but not side by side. On the far left is a boy wearing a blue and white striped shirt. He holds a paintbrush in his right hand and a palette in his left, carefully drawing on the canvas in front of him. After drawing for a while, he straightens up, takes the brush from the canvas with his right hand, and dips it into the palette in his left hand a few times. At this moment, he also bows his head to carefully observe the palette. Then he looks at the canvas again and resumes painting with his right hand. To the right of this boy in the picture is a girl wearing a red shirt. Her legs are crossed on the ground, and she is also holding a paintbrush in her right hand and a palette in her left, intently painting in front of a large easel. After a few strokes, she also starts to dip her brush in the palette held in her left hand. Further to the right, a black boy in a blue and white checkered shirt is sitting on a stool in the same position, his body facing the easel on the right side of the picture. At first, his head is bowed down, and his right hand holding the brush is also placed under his body. Then he raises his head and starts to paint on the canvas with the brush in his right hand, while his left hand holds the palette on his left knee. On the far right, there is a girl in a red and black checkered shirt. She is also facing the easel on the right side of the picture, holding a brush in her right hand and drawing carefully. Throughout this process, the camera is slowly zooming in.


In the center of the screen, a person with a green face is sideways to the camera, looking towards the left side of the frame with an open mouth. He widens his eyes and quickly moves his head away from the camera, then quickly towards the direction of the lens.


The video footage is shot from a fixed camera mounted on the vehicle, with a time-lapse effect. The vehicle is driving towards the background on a highway, with deserts covered by a small amount of vegetation on both sides of the road. In the distance, some mountains can be seen. Occasionally, other vehicles can be seen driving towards the background and then disappearing from view.


The scene is captured from a first-person perspective in an outdoor parking lot. To the left of the frame, close to the camera, a woman in black clothing is facing away from the lens, holding a child who is wearing a red hair band and facing the camera, walking forward. In the distance of the frame, a man is sideways with his back to the camera, holding a child with a pacifier in his mouth with both hands; the child is facing the camera and looking to the right of the frame, then turns his head, facing away. To the right of the frame, a child in yellow clothing is standing, facing the camera and moving towards the front of the frame, looking up to the upper left corner, watching the child being held up by the man. Behind in the frame, a woman wearing a black baseball cap is standing facing the camera with a smile on her face. The woman in black continues to walk forward, away from the camera, eventually blocking the woman in the baseball cap and the child in yellow. As the shooter moves forward, the woman in black moves to the right of the frame, and the child in her arms starts to laugh. The woman in the black baseball cap reappears in the center of the frame, while the girl in yellow has disappeared from view. The woman in black continues to move to the right of the frame, and the child in her arms vanishes from the right side of the frame, as the man now supports the child with his right hand.


In the scene are two men, one on the right side of the frame and the other in the center. Both are holding a pen in their right hand and supporting their left hand on the desktop, facing towards the left side of the frame. The man closer to the camera first lowers his left hand that was supporting him, placing it on top of his right hand, leaning forward; as the camera moves to the left, a woman enters the frame in the upper left corner. She is supporting herself with her right hand on the desktop, her body facing the lower right corner of the frame, and she raises her left hand.


In the center of the screen, a boy wearing a red shirt is smiling and jumping up and down before looking at the camera. The camera slowly zooms in and rotates towards the right side of the screen. On the right side of the screen, the right hand of a boy in a gray shirt appears to slap the face of the boy in the red shirt, then withdraws. The boy in the red shirt turns his head towards the left side of the screen and then looks down to the left corner of the screen with a smile.


In the center left of the screen, an officer dressed in a fluoro yellow jacket, facing right, tightly grasps the right hand of another person wearing a hat with his right hand, forcefully pulling the hat-wearing person upwards. At the same time, to the right of the person with the hat, another officer in the same fluoro yellow uniform supports the body of the hat-wearer, helping to lift him off the ground. Then, the three of them walk to the right of the screen. The camera follows their movements, panning forward and then slightly turning to the right. The scene then cuts to an overhead view, where the center of the screen shows the lower limbs of a person wearing brown leather shoes, with the soles of the shoes facing the camera, being dragged upwards in the frame. Slightly above the center on both sides are the calves of two people dressed in similar black pants and leather shoes, walking side by side towards the top of the screen. On the left side of the camera, a blurred figure in an orange shirt walks upwards and gradually moves out of the frame to the left. On the right side of the screen are two legs in brown pants walking towards the top of the screen, and then in the bottom right corner, a blurred fluoro yellow back appears, moving towards the left side of the screen, obscuring the legs in brown pants walking on the right. The camera maintains the overhead perspective, continuously moving forward.


The video is shot by a man in a gray top and a baseball cap, holding a selfie stick. He is standing on a boat on the lake or river with a long-haired woman in a white T-shirt to his left and a man in a gray hoodie and black shorts in the middle. He first stands facing to the left of the frame, then squats down facing forward. In the distance, trees on the shore and a row of houses can be seen. The camera moves along with the actions of the man.


In the scene, a woman in black clothing can be seen. Her hands are raised above her head, inserted into her orange hair, as she faces the camera. Her mouth is open, turning her elbows towards the camera, with both hands still on her head, slightly tilting her head to the left side of the frame, and her eyes are closed. Next, she lowers her hands and places them on her legs, her head bowing down as well. In the end, she suddenly raises her head, looking towards the camera, seemingly speaking.


In the center of the screen, a man in a black coat is seen with his back to the camera, bent over. He then suddenly straightens up, raising his right hand, and at this point, a bouquet of flowers can be seen in his right hand. He then turns to the right of the screen and shouts, immediately turning his head to the left side of the screen, quickly spinning his body half a turn. After turning, he slightly leans towards the right of the screen and quickly maintains his balance, beginning to walk towards the left side of the screen. His left hand is outstretched in front of him, and after taking two steps, he lowers his left hand and reaches out with his right hand to grab a man in a white shirt on the left side of the screen. This man in the white shirt is facing to the left and talking to a lady. Then the scene cuts to in front of the two men. After being grabbed, the man in white on the left side of the screen turns to the right, and the man in black on the right side of the screen stands up straight, eyes wide open, looking at the man on the left side of the screen and continuously talking. The man on the left side of the screen is also continuously saying something while shaking his head. The man on the right side breaks into a smile, extends his right finger to point at the man on the left, and then leans his head to the left, continuously saying something. The man on the left side listens while lifting his head high and then bowing it down again. Finally, he turns his body to the left once more, and immediately he turns his head towards the man on the right side of the screen. The man in black on the right side of the screen is talking seriously, his right index finger pointing upwards towards the sky.


The video is shot with a handheld camera, and the lens quickly turns to the right. A left hand extends from the bottom of the frame, reaching towards a shopping cart filled with items in the center of the screen. After a brief pause, the lens swiftly turns to the right again, and the shopping cart and the left hand exit the frame from the lower left corner. A little boy facing left squats down and enters the frame from the upper left corner. He is wearing a black shirt and black pants, then stands up and turns towards the camera, raising his right hand to show a black object to the camera. In his left hand, he holds a piece of white plastic film in front of his body as he walks towards the camera.


The center of the screen features a transparent bowl with a layer of what looks like baked cheese at the bottom. In the middle of the bowl, there is a large piece of meat rolled with many slices of bacon. A woman in pink clothing stands to the left, holding a pair of tongs in her left hand and a knife in her right. With the tongs in her left hand, she grips the meat, while with her right hand, she cuts it using the knife. The woman pushes and pulls the knife to slice through the meat, after which the camera slightly swirls to change the angle. At this point, the woman places the knife under one half of the meat and lifts it to show the cross-section to the camera. Then, she holds the meat still with the tongs in her left hand, while her right hand, holding the knife, outlines the cross-section for a moment.


The screen shows a man with his back to the camera, standing on a snowboard in the snow. He holds the bottom of a paraglider with both hands. The paraglider gradually rises on the right side of the man. Pulling on the paraglider, the man skis away from the camera's direction. Meanwhile, the camera slowly pans to the left. Afterward, the camera follows the man's movement as he glides.


In the scene, a yellow grapefruit and a flower are placed vertically on a white stone. A person enters from the left side of the frame and moves towards the right. Using the index and middle fingers of his right hand, he pushes the grapefruit to the ground. The grapefruit wobbles on the table on the right side of the frame, and the person exits the frame from the right.


In the scene is a black barbecue grill, and in the center of the picture is an aluminum foil box containing some ingredients, with red soup. At this moment, many bubbles are rising in the aluminum foil box, and a hand holding a spatula extends into the frame from the right side. The spatula is used to stir the red soup in the aluminum foil box counterclockwise back and forth, and then a can of beige seasoning is taken and squeezed from top to bottom.


On the right side of the screen, there is a man in white clothes facing the camera without showing his face. He is holding a nut in his right hand and a metal device in his left hand. Above in the frame, a person wearing a red hat is bending over, sorting through metal debris with their right hand. The person on the right side of the screen aligns the nut in their right hand with the metal device in their left hand, making sure the holes are aligned. Following this, the person with the red hat, who was previously seen at the top of the screen, enters the frame from the top and walks to the left, then exits the frame from the left side.


The camera moves up, and in the center of the frame is a woman with red hair, her body facing the camera, and her face turned to the right side of the screen. The scene then cuts, and in the center of the frame is a man wearing sunglasses, his body facing the camera directly, head bowed, and his hands peeling an onion. At the same time, a hand reaches out from the left side of the screen and touches the man's right arm, then withdraws.


The camera shoots from above. On the left side of the screen, a woman in a blue floral dress is sitting with her back to the camera, only the right half of her body visible. On the right side of the screen, there are the legs and hands of a person wearing pants with orange patterns. He uses his left hand to pull out a thin bamboo stick, then starts to circle his hands. The woman in blue moves to the right side of the screen, extending her right hand to touch the edge of the mat in the center of the frame. The person on the right moves a brown long stick horizontally to the left, and the woman in blue uses her right hand to pull something in the center of the screen down and then quickly pushes it back to its original position. The person on the right continues to circle his hands and then extends a brown small stick to the left and quickly retrieves it, continuing to circle his hands as the woman in blue moves her body left and right. The person on the right pushes another brown long stick to the left again, and the woman in blue moves her body to the right, reaching out with her right hand to touch the edge of the mat, then moves her body to the left side of the screen, turning her head to the right side of the frame, and then turns her head left out of the frame, extending her right leg to the left, assuming a cross-legged position, and her right hand reaches forward to grasp something in the center of the screen. The person on the right repeats the action of pushing a brown long stick to the left and then pulling it back to the right, circling his hands. The background is a straw mat.


In the foreground of the scene is a very blurry silhouette of a woman, who is not in focus. Her chin down to above her chest is visible. Her left hand is making a gesture as if she is speaking to someone off-screen to the right, because she is facing to the right with her mouth moving. In the background is a boy with brown short hair, who is looking expressionlessly to the right outside of the screen at the moment. As the woman in the foreground slightly inclines to the left and leans back, her left hand is raised with fingers spread, facing the camera, seemingly making a gesture while speaking to the person on the right. The boy in the background slowly turns his head to look at the camera, as if he is looking at the woman, still with no expression on his face. Then, suddenly, a hand appears on the right side of the screen, which is a person's right hand, and it is placed on the woman's left hand that was raised in the foreground. The two hands tightly grip each other, and then they start to shake. In the background, the boy's gaze initially goes to the hand that entered from the right, and after the two hands are tightly clasped together, his gaze turns to the left, looking up and then down immediately afterward.


The camera initially focuses on the desktop, then quickly moves up to the top right, aiming at a male in a gray T-shirt, wearing a black cap backwards, with a stubble beard, and a gold watch on his left hand. He is in the center of the frame, organizing the cards in his hand. This male is in an office environment, where another male in a beige T-shirt can be seen sitting and working in the upper left corner of the screen.


In the center of the screen, the left hand manipulates the colorful granular substances in the middle of the scene, while the right hand holds a lighter. The right hand then passes the lighter to the left hand, which in turn passes it back to the right hand. The left hand moves towards the lower left side of the screen to pick up a bundle of firewood and moves it to the center of the larger scene. Then, with the right hand holding an orange switch and the left hand holding the lighter, the right hand moves towards the lower left side of the screen again. The lighter sprays out a flame, igniting the firewood.


In the scene, an office chair is spinning counterclockwise in mid-air. The chair first remains stationary at the top for a while, then gradually descends, and the camera pans down along with the chair's descent.


This is a scene of acceleration. The camera captures a person from above, with a vertical canvas in the center of the frame. On the left side of the canvas, there are three tubes of paint in pink, yellow, and green, placed towards the top of the frame. The cap of the pink paint is open towards the upper left corner of the frame. The left hand is holding a tube of orange paint with the cap open in the lower left corner of the frame. The right hand on the right side of the frame moves towards the left, and then, using the index finger, spreads the orange paint on the canvas near the left side of the frame. The left hand with the paint tube moves away from the camera in the lower left corner, and the right hand leaves the frame from the lower right corner. Both hands reappear in the frame, with the left hand in the lower left and the right hand applying orange paint on the canvas in the lower right corner. Occasionally, both hands leave the camera view from the bottom and then return to their original positions, with the right hand continuing to apply color. Subsequently, the left hand capped the orange paint and placed it in the lower left corner of the frame, then moved upwards to take the yellow paint, with both hands leaving the camera view from the bottom. Both hands reappear in the middle of the bottom of the frame, with the right hand opening the yellow paint towards the top of the frame. The right index finger dips into the yellow paint and colors the canvas in the lower middle part of the frame, while the left hand moves to the lower left corner.


In the center of the video frame is a man's head. The lighting is dim, and the man's head is turned towards the left side of the frame. He is speaking to someone outside the left side of the frame while looking towards the camera, with a smile on his face.


Actor Phillip Rhee is wearing a black long-sleeved sweater, sitting on the left side of the frame, speaking to the camera. While doing so, his hands are initially placed on his chest with palms facing each other, then he starts to alternately rotate them to perform a set of martial arts movements. Afterward, he moves his hands up to his head, making a gesture, and then places them beside his face. He is smiling very happily, then crosses his hands over his chest again.


The camera slowly moves towards the right side of the screen. In the center of the frame, there is a pile of white melons, and on the left side, a heap of yellow pumpkins. As the camera moves to the right, a black ingredient appears in the center of the screen, and in the background of the scene, a red ingredient emerges. The camera continues to move to the right, and this red ingredient spreads across the shelf.


The scene is set in a corridor, where a man is walking from the far right side of the middle of the screen towards the left side of the lens. As he walks, he uses his right hand to remove a strip-like object stuck to his right hand. Many people are running and playing in the corridor. The camera follows the man as he walks up to a gun rack and stands still. The scene cuts, and a woman in a skirt appears in the center of the screen, facing the camera and looking to the right of the frame. The woman turns counterclockwise and takes a few steps away from the camera, removing the strip-like objects from her body as she walks, then stands still and looks to the right of the screen. The scene cuts again, and the man is now in the center of the screen, facing the wall rack on the right side of the frame. He opens the window of the wall rack, picks up a hunting rifle, checks the trigger, and then walks around the rack to the right side of the screen with the gun in hand. Suddenly, the woman appears in the bottom left corner and catches up to him, and they both stand still. The two stand in the center of the screen, looking at each other and conversing, with the woman holding the man's right hand with both of hers. Then, the woman attempts to grab the man's rifle but fails. The man turns towards the camera, raises the hunting rifle, and fires towards the right side of the lens, while the woman tries to stop him.


In the scene, a man wearing a blue shirt and black suit is sitting on the left, talking to a man in a gray coat on the right. The camera is shooting from the left rear of the man in the gray coat, so only his shoulders are visible on the right side of the screen. As the man in the black suit speaks, his head rocks slightly, and his gaze remains fixed on the man in the gray coat in front of him. In the background, one can see a brick wall and some greenery, which sway gently in the breeze, creating a serene and natural atmosphere. On the brick wall in the background, there is a decorative star-shaped ornament, and in the distance, there are also wooden fences and red flower pots. The flowers in the pots are in full bloom, adding a splash of vivid color to the entire scene. The arrangement of the greenery and flower pots in the background gives the whole picture a vibrant feel.


In the picture are a pair of hands; the left hand's index finger is holding a green strand of yarn, and the thumb and middle finger are gripping a green semi-finished product. The right hand is holding a crochet hook and piercing it towards the left side of the picture, slightly twisting it, and then repeating the action once more.


At the beginning, there is a vertically placed light source in the center bottom of the screen, and there is a shadow of a person with their back to the camera on the left side of the screen. Then, the camera moves forward and switches to a top-down shot, gradually approaching the light source. In the end, the light source is moved to the bottom left corner of the screen, and a hand reaches out from the bottom left corner of the screen, touching the light source.


In the right side of the screen, there has been a man wearing glasses with his back to the camera; he looks up towards the upper left corner of the screen. On the left side of the screen, a man in a suit stands facing the camera, looking towards the lower left of the screen. He has been talking the whole time, initially raising and lowering his right hand quickly in front of his body several times, then stretching both arms forward with a slight bend at the waist, extending two index fingers to point at the man with glasses. After that, he makes a fist with both hands. Then, he straightens up again and makes the "OK" gesture with his right hand in front of his body twice. At this moment, he tilts his head slightly towards his left shoulder, then extends his left hand forward, and finally places both hands on his chest as if typing.


On the right side of the screen, a white cat has its head turned to the right of the screen, lowering its head to sniff a blue jar in the center-left of the frame. Then it takes a step with its left paw towards the left side of the screen, burying its head in the jar. It follows with a step from its right paw towards the left of the screen, lifting its head to sniff the top edge of the jar, then burying its head in again. Afterward, it slightly lifts its head to sniff the edge of the jar once more. The camera slightly shakes, revealing a text-containing item resembling a certificate on the left side of the screen, and a brown object on the right side.


In the center of the screen, from left to right, are a man in brown clothes and a man in dark gray clothes. The man in brown is looking towards the lower left of the screen, his right hand covering his left, staying in the lower center of the picture. The man in dark gray is looking towards the left side of the screen. The man in black is turning his head to the right side of the screen, looking at the man in dark gray on the right side of the picture. The man in dark gray turns his head towards the left of the screen. Then, the man in brown turns his head back to the left side of the screen and slightly shakes his head, saying something. He then slightly turns his head to the left, looking down towards the lower left of the screen, his hands parting and coming together again. The man in dark gray turns his head to the right side of the screen, looking towards the left. To the left of the background is a wall with a photo hanging inside and a window decorated with a Christmas branch. In the center of the background is a well-decorated Christmas tree.


A camera captures a close-up shot of a pair of hands painting from a top-down perspective; on the gray desktop, there is a colorful dream catcher painting. On the left side of the frame, a left hand holds a white pen cap, resting at the bottom left corner of the painting. On the right side, a hand grips a white colored pencil, also resting at the bottom right corner of the painting. Both hands work in coordination, moving the bottom of the painting towards the left. Subsequently, the right hand holding the pen moves to the bottom of the painting and begins to outline the feathers in the bottom left corner, adding details. Then, both hands move again to the lower edges on both sides of the painting, shifting the bottom of the canvas towards the left once more.


In the center of the screen, slightly to the left, there is a forklift model placed on a wooden desk. This model is rotating counterclockwise, with its back slanted away from the camera, and then it moves its mechanical arm down a certain distance. To the left of the screen is a person wearing a dark top, and in the background, a standing person can be seen. In the next scene, there are two small robots placed on a grey surface. In the upper left corner of the screen, a person first puts something from their left hand onto the surface, then raises both hands to clap once, and finally withdraws out of the frame from the left. The robot that was originally lying down in the middle of the screen immediately stands up and then turns its head to the left. The robot on the left side of the screen remains in a standing position.


The focus of the scene is on the two people in the foreground of the picture, one wearing a red shirt and the other wearing a white shirt. At this moment, the person in red is on the left side of the frame, and the man in white is on the right side. In the background, many people are watching them, and it seems like they are in a fight. The person in red extends their left fist first, punching the man in white in the abdomen, followed by another punch to his face. The man in white stumbles but manages to stand, using his left arm to block another attack from the man in red with his right hand. Then the camera shifts, showing the back of the man in white and the front of the man in red. He is swinging his right fist, hitting the man in red in the face. The man in red stumbles slightly before straightening up, and the man in white swings his left fist again, hitting him in the face, causing the man in red to spin to the right. He turns back, ready to attack. He ducks down, avoiding a punch from the man in white, and then punches with his right hand, hitting the man in white in the stomach. A series of punches land on the abdomen of the man in white. The man in white seems to be in pain, using both hands to push away the man in red. Then he assumes a stance, punching the man in red in the face with his left hand, causing him to spin around again. When he turns back, the man in white raises his right fist, aiming at the top of the man in red's head. The camera switches focus to their faces, clearly showing the man in white's right fist hitting the head of the man in red. The man in red is knocked down, lying on his back on the ground, his hands fumbling around his waist. Then he pulls out a black gun with his right hand, aims to the left of the frame, and fires a shot, blurring part of the scene with smoke.


The camera captures a downward shot, with the center of the frame showing a green fabric adorned with a small blue pin. On the left side of the frame, the left hand holds the fabric and a crochet hook, with the thumb looping a green string. At this moment, the right hand on the right side of the frame moves towards the center holding the crochet hook and then moves upwards, before threading it through the fabric towards the upper left corner of the frame. It then shifts to the right before quickly piercing back into a hole in the fabric on the left side. This action is repeated once more. The background of the scene is a purple table surface.


In the scene, a woman in a blue uniform can be seen standing in the middle of the frame. Her left hand holds a plate with two white cups on it. Her right hand raises a larger transparent cup containing water, which is black. She holds the cup in her right hand above the white cups in her left hand, pouring the black water from the right cup into the white cups. Her gaze is fixed on the process of pouring the water, and the frame slowly zooms in on these cups. As the woman finishes pouring the water, she moves the cup in her right hand away from the two cups in her left hand, placing the larger cup to her side. Finally, she extends her left hand holding the cup towards the left side of the frame, and eventually, the two cups move out of the frame from the left side.


In the distance of the scene, there is a man and a woman. The woman on the left is wearing a plaid shirt, and the man on the right is dressed in red. The two are walking towards the camera from outside the frame while the camera continuously pulls back. After walking for a while, they stop moving. The woman stretches out her right hand to point forward, and the man in red uses his right hand to shield his forehead while looking around.


This is a black and white scene where a woman in a short-sleeved shirt on the left side of the frame faces a woman in a long-sleeved shirt on the right. She then gets up from the chair, turns left, and with her back to the camera, takes a few steps forward before running ahead. The woman on the right stands and watches the woman on the left. The scene cuts, and a man wearing glasses and a suit is seen sitting at a table talking. He reaches his right hand into the inside of his suit, then uses both hands to close a notebook, placing it vertically on the table with his hands on two corners of one side. He then stands up with the notebook, holds it under his left armpit, and leaves.


On the left side of the screen, a man wearing a blue shirt and a black jacket is sitting on a wooden chair facing the camera, with his head turned to the right side of the screen as he speaks. The background is a cupboard filled with various items. His right hand is scratching his neck while his left thumb is wagging below the screen. He then turns his head towards the camera, glances briefly to the left side of the screen, raises both hands to his chest, and then opens them towards the camera. He subsequently shifts his gaze to the center-right, out of sight, swinging his hands. Then he leans his head back, opening his hands to the sides of the screen. Next, he bows his head, glances to the right side of the screen, and after opening his hands to the sides, he brings them slightly closer together in the center.


A woman in a striped shirt, wearing a camel-colored sweater, with shoulder-length golden hair, walks into the room and appears on the left side of the screen. She looks at the woman in front of her wearing a brown coat and keeps talking. Then, she slightly turns her head, glances at the woman beside her, and turns back to face the woman in the brown coat, continuing to talk. Next to the woman in the camel-colored sweater, on her left side, there is another woman wearing a red knitted top and black pants. After the woman in the camel-colored sweater turns her head to look at her, this woman also turns her face to glance at the woman in the camel-colored sweater.


The scene is a close-up shot of the hands; the left hand supports the edge of the ceramic bowl at the center of the screen, while the left thumb rotates the bowl clockwise towards the left side of the frame. The right hand holds a garlic press and is squeezing it inside the bowl.


In the scene, there is a blue wooden wall and a window. On the right side of the frame, a black bag is placed on top of stacked wooden crates. A person in pink clothing appears from the right side of the frame, facing sideways to the camera and walking towards the middle of the scene. Then, he squats down by supporting his left hand on his left knee, his right hand on the ground in front of the camera, looking down. He turns towards the camera, leans against the blue wall, and sits on the ground with his legs bent upwards towards the camera. Subsequently, he places both hands on the sides of his body, turns towards the camera, and speaks with a smile while looking to the right of the lens. His left hand flips towards the right side of the frame, then is placed back on his left leg. After that, both hands move up to his knees, and the left hand turns towards the right side of the frame before turning back and resting on the knee. He then turns his head to look towards the lower left of the scene, and once again turns to the camera, looking to the right outside of the lens. His left hand raises and turns towards the right side of the frame, index finger extended, pointing outward to the right of the camera.


The camera is placed inside a car moving towards the background, with green belts, trees, and signs on both sides of the road. In front of the lens, a car with red and black colors is also moving towards the background, with its braking lights turning on and then off. Subsequently, the sports car moves to the left side of the screen, and a man on a bicycle appears on the right side of the frame, pedaling towards the background. He then gradually disappears from the right side of the foreground. On the left side of the background, some pedestrians and an electric bike can be seen moving towards the left side of the foreground. The camera moves to the right, revealing the car's windshield and the top of the dashboard.


On the left side of the screen is a man wearing a black coat, and slightly to the right in the center is a woman in a red coat. Both are facing the camera with their bodies slightly turned to the right. On the far right of the screen, there is a blurred figure facing away from the camera, with only his left shoulder and part of his profile visible. The man on the left seems to be talking to him, speaking with a slight grimace while bowing his head. He raises his right hand to point at the woman next to him. As he speaks, he occasionally closes his eyes and blinks. The woman in the center, slightly to the right, stands awkwardly with a smile, occasionally looking at the man on her left.


On the left side of the screen is the back and a small part of the profile of a daughter wearing a red down jacket and a hat. She nodded and walked from the left side of the screen to the right. From left to right on the right side of the screen, there is first a man with short hair wearing a black coat and brown gloves, and secondly, a blond woman in a pink coat with a dark blue and blue shoulder bag on her left shoulder. The man said a few words towards the left side of the screen with a smile on his face. The woman in the pink coat also faced towards the left side of the screen, raising her right hand to her shoulder and then patting the man's left hand, with a big smile on her face. After the woman in the red down jacket left the frame, the man walked towards the center of the screen, his hands clasped in front of his abdomen, looking up briefly, opening his mouth, and turning to face the woman in the pink coat. The woman in the pink coat pushed the man with her right hand. The perspective of the scene suddenly changes. Now, in the center of the screen, the man in the black coat is facing the camera, and on the right side is the back of the woman in the pink coat. The man opens his mouth to speak, raises his right hand with the palm facing down, then extends his right index finger to point upwards, and then extends his hand forward and upward with the palm facing down, shaking his head while speaking, looking at the woman on the right side of the screen.


On the left side of the screen, a woman is standing wearing a white top. She holds something white in a can in her left hand, and her right hand reaches towards the right side of the screen. With her middle finger, she takes some of the white substance from the can and applies it twice to the woman's right cheek, leaving white marks. Then her right hand slightly moves away from her face, and the woman begins to smile. She then smears the white marks towards the left side of the screen with her right hand, and the woman slightly turns to the right side of the frame, pressing her lips together. She then touches her nose with her index finger, screws up her face, releases her left hand, closes her eyes, opens her mouth wide, and laughs. Throughout this process, the camera moves slightly upwards to the left, focusing on the woman's actions and expressions, then trembles slightly. The background is yellow.


On the left side of the screen is a person wearing a yellow and blue striped shirt with both hands wearing rubber gloves, facing towards the right side of the screen. Their hands are on the white plastic bucket, slightly to the left of the center of the screen. The left hand is holding down the white plastic box, while the right hand is stirring the mud inside the box. They lift a black cloth covered in mud from the river and then put it down, picking it up and putting it down again.


This is a time-lapse shot where the vehicles and non-motorized vehicles on the lane slightly to the left of the center of the frame are speeding away from the camera, while on the far left lane, both motorized and non-motorized vehicles are rapidly moving towards the front of the camera. On the sidewalk at the very left of the frame, the stream of people coming and going includes those walking towards the camera as well as those walking away from the camera into the distance.


The scene is animated, with two people standing outside an open door at the center of the screen. On the left side, a man wearing glasses stands smiling at the camera, with his left hand extended towards the lower left of the screen. On the right, a man wearing a yellow hat faces the camera, looking towards the lower left and speaking with an expression of disappointment. On his back is a monkey draped in a cloak, with its left hand on the man's left shoulder and its right hand holding what seems to be a jar, reaching towards the left side of the screen and looking in that direction. The monkey laughs and speaks, and the man turns his head towards the left of the screen to speak, then smiles and looks towards the lower left while speaking. He then walks towards the right side of the screen and disappears. The monkey jumps to the center bottom of the screen, facing the camera, looking towards the upper right and smiling while speaking. Then, it moves its right hand holding an object slightly upwards to the right, while the left hand points to the right side of the screen, then lowers it. Next, the monkey raises the object in its right hand, extends its left hand towards the right side of the screen, and walks into the frame, with colors swaying from side to side. In the middle of the screen, there is a diminishing spotlight, with the surroundings gradually darkening until the screen goes completely black. On both sides of the screen, shelves are filled with porcelain and plates. In the lower left corner, there is a small table with something resembling a chicken on it, and on the right, there is a painting. Below is a low table, on which a teapot and other jars are placed.


On the left side of the screen, there is a man looking towards the right at a woman sitting aside, holding a brown and white dog. The woman looks to the left towards the man on the left side of the screen, then smiles at him and says a few words, while her left hand caresses the body of the dog. The background of the scene is indoors, with a window in the back.


The video scene is animated. In the center of the screen is a ladder. The cat is facing the camera with its body, while its head is facing upwards as it climbs the ladder towards the top of the screen, and then it leaves the frame from the top of the screen.


In the center of the screen, a man is sitting on a patch of grass, facing to the right of the picture with his feet dangling. In his right hand, he holds a cup. He raises his right hand to start drinking, taking three sips, then bows his head down and puts the cup down. To the right of the screen is a small path, and the background is filled with green plants and trees.


From left to right on the screen are a man in white, a woman in white, a man in a red plaid shirt, and a man in a yellow plaid shirt. All four are facing the camera and waving their left hands. On the far right of the screen is a woman in red facing to the left of the picture, holding her phone in her left hand, jumping up and down, and gradually turning her body towards the camera. The woman in white and the man in the red plaid shirt lower their hands, and the man in the yellow plaid shirt switches to raising his right hand upwards. The woman in red slightly turns her body to the left of the screen and blows a kiss with her right hand. The man in white turns his body to the right of the screen, blows a kiss with his left hand, and then lowers both hands. The woman in white in the distance suddenly walks towards the camera, pouts her lips, stands on her toes, then smiles happily, and then extends her right hand to take the phone from the woman in red. They are standing face to face, and the woman in red turns her body to the right of the screen, facing the camera directly and looking to the left of the picture. The woman in white faces the camera, waving her right hand to the right, and the woman in red leans towards the left of the screen, as the man in the yellow plaid shirt behind her raises his left hand. The woman in red extends her left index finger, pointing to the phone in the upper middle of the screen. The background is a cloudy sky.


On the left side of the screen, there is a hemispherical chair with a white exterior and red interior. There is a black woman whose body is slightly turned towards the right side of the screen. Her eyes are looking directly at the viewer. Her hands are holding a alarm clock which she has placed in front of her. Then, she twists her right shoulder and turns her face to the right side of the screen, looking down at the alarm clock in her hands. Suddenly, she opens her mouth wide, revealing a look of surprise. Her body leans slightly forward, glancing at the screen, then she slightly reclines again, and her head turns back to face the right side of the screen, continuously looking down at the alarm clock in her hands.


The man sitting on the left is smiling and leaning forward to speak, facing the woman on the right, then leaning back, his gaze turning to the upper right corner, occasionally shaking his head while speaking, and at the same time, his right thumb moves up and down above his hand. He then looks back at the woman and continues to speak, at which time the woman is facing to the left, and her body slightly moves backward and forward as the man speaks.


The camera is shot from a first-person perspective, quickly turning to the left, as a left hand extends from the left side of the frame, pointing towards the back of the scene. Then, the shooter walks forward, and the camera swiftly turns to the right, revealing a little boy in black clothes who appears from the right side of the frame, raising his fists and running towards the left side of the screen, with the camera following him as it turns left.


In the scene, a pair of hands with pink nail polish is holding a torn blue packaging bag. The left hand is holding the bottom of the bag, while the right hand is holding the torn top. Slowly tilting the bag, they make the opening face downward, pouring the toys from inside the bag onto a brown toy bridge. In the background, there is a light brown toy pavilion.


On the left side of the screen, a man in black with his back to the camera and holding a pot in his left hand turns and walks towards the right side of the screen. To the left of the screen is a road, and above the screen is a car.


A shopping mall with the McDonald's logo appears on the screen. The camera moves down to the right, showing many people and cars passing by on the street. In the frame, a man and a woman approach from the opposite direction. The man is wearing glasses with a smile on his face, and his left hand is placed on the woman's left shoulder. The woman is wearing a red floral scarf and a black outfit.


The camera shot starts with a horizontal view, with several players in the center bottom, the audience seating on the right, and a large screen in the upper left corner. The lens then quickly raises and moves towards the upper right, rapidly zooming out to focus on several rows of white lights. Subsequently, the camera moves downward, passing two massive signs, before aiming at the audience seating that was originally on the right side of the screen. The crowd in the stands is in great chaos, with everyone performing different actions.


The camera moves to the right. There are three characters in the frame. Two people are on the right side of the screen. The person farthest to the right is bent over, looking at the ground with his head facing the left side of the screen, carrying a white oxygen tube on his back. He is wearing a dark short-sleeved shirt and white shorts. Another person has his head facing the camera; at first, it seems like he is unfastening something on his abdomen, then he puts his hands on his hips and also looks down at the ground. He is dressed in an orange life jacket. On the left side of the frame, a man carrying a white oxygen tube and wearing an orange life jacket is walking towards the right side of the screen. His hands are carrying something, and he is also looking down. They are all standing on the beach, which is covered with many small stones. In the background to the right, there is churning sea water with frothy waves.


In the scene, there are a lot of people. The person who is slightly to the left of the center and closest to the camera has golden hair and is facing away from the screen, sitting somewhere, bowing his head to look at something in his hand. In front of him, five people are standing in a semi-circular formation around the blond man, all looking at the blond man. The blond man is holding something in his hand and has brought it up to his nose to take a sniff.


In the scene, there are seven people. On the left side of the picture, from the inside to the outside, there is a man, a woman, and a girl. In the foreground of the center of the picture, a woman is standing with her back to the camera, while in the background, a man is facing the camera. On the right side of the picture, from the inside to the outside, there is a man and a boy, and they are all gathered around the table. The boy on the right side is sitting while the others are standing. Then, everyone except the little boy sits down. After that, they all move their chairs and adjust their positions. The woman in the center of the picture uses both hands to gesture, picking up a plate of food. Everyone is talking to each other.


On the beach in the picture, there is a group of young people. In the center right of the picture, two girls are sitting. The black girl is kneeling on the ground, facing the camera, and turning her head to talk to the girl leaning against her. The blond girl leaning against the black girl is sitting on the ground, facing the right side of the picture, and turning her head to talk to the black girl. At the far right of the picture, a boy with curly hair is sitting, facing the camera, and turning his head to talk to the two girls. In the picture, there is a boy with short hair sitting on a tree branch, facing the camera, looking to the right side of the picture, and finally turning his head to look at the camera. On the left side of the picture, there is a black boy sitting, facing the camera, and turning his head to look at the girl on the far left. The girl on the far left is holding a guitar, facing the camera, looking at the black boy, and then playing the guitar.


In the scene, a woman is standing next to a table, slightly turned to the left of the frame with her front facing the camera. Her right hand holds a paintbrush, and her left hand holds two sheets of paper in front of her as she bows her head to look at them. She makes a couple of strokes on the paper with the paintbrush, then raises her head and turns to look towards a canvas on the left side of the frame, lifting her right hand to paint on the canvas. Her right hand first makes a stroke in the middle left of the frame, then moves slightly upwards to make a few more strokes, then moves up again to add a few more, and finally reaches the top of the canvas to paint some more. As her right hand moves, the woman gradually looks up. Then, her right hand moves downward to the middle left, slightly lower in the frame, to make several more strokes, while the woman slightly bows her head and looks down to the left side of the frame.


The video is shot from a first-person perspective looking down, with a painting in the center of the frame rotated slightly counterclockwise. Then, the left hand holds the painting while the right hand, below the painting, uses a white pen to make a few strokes. The background is a white drawing table.


The person in the center of the screen sits down on the chair in the middle of the frame, with both hands holding the arms of the chair as they sit. They then lift their left hand to make a gesture, and they speak while looking directly into the camera.


On the left side of the screen, you can see a person's hands, which are working on a machine in the center of the screen. The right hand has installed a component onto the machine in the center of the screen. Both hands are adjusting the position of this component to secure it to the machine. Then, the left hand moves out of the frame from the left side, and after securing the component, the right hand also moves out of the frame from the bottom.


On the left side of the screen, a person dressed in dark clothing faces the camera, holding a guitar with the head of the guitar pointing towards the upper right of the screen. His left hand is pressing down on the strings, while his right hand holds a pick and moves up and down strumming the strings. Then, the left hand releases and moves to the right side of the screen to continue pressing on the strings. His body sways slightly, and the wall on the right side of the screen is in a light color.


The scene is a close-up of a woman's face with exaggerated makeup looking directly into the camera. In the center-right part of the frame, the woman lifts her head to look at the camera with her mouth slightly open. She looks to the right of the frame, then blinks and opens her eyes slightly before moving towards the left of the screen. Lowering her head to the left, she looks to the right of the frame and then raises her gaze to the camera. She then tilts her head forward towards the camera and slightly closes her eyes. The woman lifts her head, and only her nose, mouth, and neck are visible in the frame. At this point, she moves towards the left of the screen and bites her lower lip slightly.


The video is taken inside a large venue with many people sitting down. In the distance of the scene, there is a group of people, with the person on the right facing left to film. On the left, there are two people walking to the right.


In the center of the screen, a hand grasps a cicada, which continuously flaps its wings in the palm. Then, the hand turns the cicada over towards the left side of the frame, and the camera zooms in slightly. The thumb and index finger of the hand pinch the cicada while the other fingers are released. Subsequently, the index and ring fingers gently come up to protect the cicada, softly rotating it, as the camera pulls back.


The screen shows a brightly lit blue room, followed by a cartoon character with green skin and a red coat quickly entering the frame from the left side, coming to a stop in the center-left part of the screen. With its arms stretched forward, it starts to speak. Then it jumps up, turns towards the camera as it lands, and quickly approaches the camera, raising its left hand with the thumb and little finger extended. It then retracts its left hand, bends its arms, and holds them out to the sides of its body, swaying from side to side. Next, it raises both hands and then brings them back in front of its body. Following this, it raises its left hand to the right side of the screen, extending its index finger, and then retracts it to the side of its body.


The scene is from an animated film, with a monkey wearing a blue shawl right in the center. In his hand, he holds a green robot. His gaze is directed to the robot in his right hand on the outside. Then, he smiles at the robot and raises it to eye level. The background of the scene is a blue house, and in the upper left corner, there is a yellow car parked.


The video is shot with a handheld camera, showing a venetian blind with the slats opened. The camera quickly moves closer to the blind, shooting through the gaps to capture the view outside. Close to the window is a lawn planted with small shrubs, with a grey concrete path at the edge of the lawn leading to a distant blue swimming pool. The camera then moves backward and turns to the left side of the frame, revealing a green kitchen countertop, which quickly exits the scene. The person holding the camera walks into the room, which has yellow wooden floors. Facing the camera, there is an embedded white door in the wall, and a black cabinet is placed on the right side of the frame. The camera then turns to the right, shooting a spacious living room. On the left wall, there is a black TV and a decorative painting hanging, while the wall facing the camera has an embedded white door and a venetian blind. On the right side of the frame, there are red and green sofas on the floor, with a colorful checkered carpet laid out. The camera continues to turn left, capturing a room with a white cabinet, and a black suitcase on the floor.


On the right side of the screen, there is a computer, and in the top right corner, the lit screen of the computer can be seen. On the desk in front of the computer, there is a keyboard missing many of its keys. On the left side of the screen, a hand has entered the frame, with the index finger extended, pointing at some of the keys on the keyboard. The hand is moving along the top row of keys from the bottom right corner of the screen to the top left corner. Then, the hand moves out of the frame from the left side, and two hands holding a white towel appear in the frame from the bottom, with the left hand placing the white towel on the desktop to the right of the screen. The video then speeds up, showing the left hand of the person holding a tool, while the right hand is working in coordination with the tool to remove some of the remaining keys on the keyboard. After removing a key, both hands move to the left side of the screen, placing the small key outside of the frame on the left. This action is repeated continuously until the end of the video.


In the center of the screen, a man in black has his left hand stretched out, placed behind a white billiard ball on the billiard table, while his right hand grips the cue stick, looking at the triangular arrangement of billiard balls to the right of the screen. To the right, a woman stands facing left, her face towards the camera with both hands resting on the edge of the billiard table. The man exerting force pushes the cue stick forward, striking the white ball towards the billiard balls on the right side of the screen, scattering them, and simultaneously quickly retracting his right hand and standing up. His left hand reaches out and grabs the cue stick, and the woman slightly lifts herself, her mouth opens as she glances to the left of the screen, then turns her head to the left and back to the camera, closing her mouth. The man uses his left hand to tilt the cue stick to the left, releases his right hand to move upwards, and grips the cue stick with his right hand above the left. The background consists of several iron doors, with the right side of the screen featuring a wall that is grey at the bottom and white at the top. The lower part of the screen shows the green surface of the billiard table.


A hand reaches in from the left side of the screen, pressing down on the child's hand in the middle of the screen, then extends out from the left side again to pat the child's shoulder. The child in white clothing continuously stretches out their left hand towards the camera, reaching for something, while also sticking out their tongue repeatedly. In the end, they put their left hand into their mouth and turn their head to the right side of the screen.


A boy stands in the center of the frame, his back to the camera, holding a watch in his right hand. He looks down at the watch as he walks towards the deep woods in the background. The scene ends with a circular closing.


An elderly man wearing a gray cardigan is sitting on the sofa with his arms crossed, speaking to the camera. He starts by tilting his head slightly upwards, looking into the distance, then bows his head down towards the lower right of the frame, and finally looks directly into the camera to continue speaking. Throughout the process of speaking, his head moves slightly with the movements of his speech. The background is a cozy indoor setting, with a bookshelf filled with books on the left and a display screen playing a video. There is ample light coming in from the window, illuminating the entire room. To the right, a piano and some furniture can be seen, making the whole scene appear very comfortable and tranquil, exuding a warm and inviting family atmosphere.


In the scene, two people can be seen. On the left side of the frame is a man wearing a black tank top, and on the right side is a woman in a black long-sleeved shirt. The man is reclining on the sofa with his head tilted back. The woman, on the other hand, is lying sideways across the sofa. Initially, both of them are looking towards the lower left corner of the screen. Then, the woman raises her head and looks at the man, talking with her mouth while supporting her hair with her right hand. The man shifts his gaze and glances sidelong at the woman. As she speaks, the woman turns her face towards the sofa, resting her face on it, and her right hand is seen at the top of the frame playing with her hair, which is now almost covering half of her face.


Camera shot from above, at the center of the frame, a boy in blue clothes is sitting sideways to the camera, facing towards the right side of the screen. To the left of the frame, a person is bending over towards the right side of the screen, sideways to the camera, with their left hand reaching for a book on the left side of the frame and then moving away from the camera to the left. On the right side of the frame, a boy in green clothes is sitting with his body facing downward, his left hand on his face, and his right finger pointing at the book on the left side of the screen.


In the right side of the screen, a man in a shirt is sitting, with his body facing the camera. At first, the man slightly bows his head to the left side of the screen, then turns his head to the right, slightly lifting his head to look towards the upper right corner of the screen. The camera gradually zooms in and slightly moves to the right.


On the left side of the screen is a worker wearing a blue T-shirt. His body is turned towards the right side of the frame. His left hand holds several pieces of wood, while his right hand applies white glue to the edges of the wood. He rotates the wood and puts the glue back, then he passes the wood in his left hand to his right hand. Afterwards, he turns to the left side of the screen with a piece of wood from off-screen in his left hand.


On the left side of the screen, part of a person's body can be seen. He is wearing a green and purple coat and black gloves. Facing the right side of the screen, he holds a camera in front of him with his left hand, while his right hand is initially resting on the side of the camera. Then, his right hand grips a lever on the side of the camera, and his fingers begin to rotate it. He first rotates it clockwise by one circle, then counterclockwise by another circle. In the end, he cradles the camera with his right hand, while his left hand starts manipulating something on the front and side of the camera. Finally, both hands are holding the camera.


On the right side of the screen, a man in black clothes is standing sideways to the camera and turns his head to look at the lens, swinging his arms as he walks towards the right side of the screen. Behind him, next to the man, is a brick wall in a reddish-brown color. The camera follows the man's movement and pans to the right, then it shifts to the side view of the man, who is now in the center of the screen, turning his head to look straight ahead to the right side of the frame and continuing to walk. As the man moves, the camera pans to his back. Then the camera stops moving, and the man walks to the foreground on the right side of the screen and disappears behind a wall.


Camera shot from above, on the right side of the screen, a person stretches out their right hand with the index finger extended to pull a tree towards the camera's direction. The left hand holds a metal object, entering the frame from the left side, and vertically inserts the metal object into the ground, securing the tree. The right hand then takes out a red component.


In the center of the screen, a man is slightly turned to the side, facing right and sitting cross-legged on the ground. A little girl is sitting on the ground opposite the camera, nestled in the man's arms. The man's left hand is naturally placed on his left leg, while his right hand holds the girl's bottle, bringing it to her lips. Then, the man supports the girl with his left hand, and she lifts her head to look towards the camera's direction, taking the bottle in her mouth. Throughout this process, the camera slowly moves to the right.


The camera pans from the left side of the screen to the right, with a passerby standing on the left side of the screen, facing away from the camera and moving forward, while someone else moves from the right side of the screen towards the left.


The video scene is animated. In the center of the screen is a green, blocky ant head. The ant head is slightly turned towards the left side of the screen, shaking its head, with a fierce gaze, and continuously talking.


There is a man in a grey shirt standing on the right side of the screen, facing left, slightly bending over. His left hand touches his pants, then he leans towards the camera, extending his left hand to the lower right of the lens to pick up a transparent bag. He then stands up straight, his right hand also holding the bag. Both hands flip the bag, and then his right hand extends the bag towards the bottom of the lens, and the bag disappears. Next, his right hand supports itself on something invisible, while his left hand picks up an object. His right hand takes over and holds the object, then he bends towards the left of the screen, looking down and to the left to speak. His left hand picks up a transparent bag filled with water from the water tank in the lower left of the screen, and his right hand ties the object onto the bag.


A woman in a brown top stands in the center of the frame, bending down to pick up her handbag. In the background, a woman in a floral top leans against the wall, waving her right hand and speaking towards the front. The woman in the brown top raises her right arm, attempting to sling the handbag over her right shoulder but fails, then readjusts and successfully puts the handbag on her right shoulder with her right hand, and leaves the frame to the left. The woman in the floral top in the background raises her finger to point in the direction the woman is leaving, while speaking towards the front. To the left of the frame, there is a woman leaning against the wall, motionless.


A man is crouching on the right side of the frame. The car is located at the center, with its hood facing to the left of the screen. The man stretches out his right hand, pointing to the left front tire of the car. He then bows his head, withdraws his right hand, picks up a transparent container from the ground with his left hand, and holds both ends of the container with both hands. He proceeds to speak to the camera, puts the container down with his left hand, raises his right hand with the palm facing down. The man bows his head again, points to the left front tire of the car with both hands open, and his right hand flips inward in a circular motion. He then quickly opens his hands, which are overlapping, and crosses them in front of his body while turning his head towards the direction of the car.


In the animation on the screen, there is a green luffa on the left and an orange fruit on the right. They are walking towards the center of the screen. The green luffa first jumps onto the central pole and falls into the hole below the center of the screen. Then, the orange fruit on the right also jumps to the left onto the central pole, but gets stuck after falling into the hole on the ground. After a struggle, it still falls down. The screen moves downward and quickly blurs. In the initial scene, there are also flashing orange warning lights on the wall in the background.


The man with white hair on the left is looking at the man on the right while he speaks. The old man on the right starts to talk, then slightly leans his body to the right, blinks, and continues speaking. The old man on the right turns his head from the right to the left with his eyes closed. Then, the white-haired man on the left turns to the right to look at the old man on the right, and the old man on the right takes a deep breath.


On the left side of the screen, a woman in black clothes can be seen; her right hand holds a rope, and her left hand seems to hold food, reaching out to a spotted dog with black spots at the lower part of the screen. The dog's neck is being tethered by the rope held by the woman. The scene shifts to the left, showing the dog running towards the woman, stretching its mouth towards the palm of the woman's hand, eating something from her palm. The dog's tail is wagging back and forth, and after the dog finishes eating, the woman looks to the right side of the screen with a smile, and the dog also begins to stroll slowly towards the right side of the screen. As the dog walks to the right, the woman in black also starts to move towards the right side of the screen. The little dog is active around the woman, and finally, it stands on a blue platform, sticking out its nose and sniffing the woman. The woman is reaching her left hand into something held in her right hand, possibly getting food for the little dog. Throughout the video, the camera slightly shakes, moving along with the woman's movements.


In the center of the screen, a man wearing a red hat holds a paddle with both hands, sideways to the camera, facing the left side of the screen. He quickly moves to the left side of the screen and leaves the frame from the left. The camera switches, and in the center of the screen, a man wearing a blue hat stands sideways to the camera, facing the left side of the screen. The camera zooms in, and this man looks into the camera, holding the paddle in his right hand and greeting with his left hand before putting it down.


A man in a gray shirt is sitting on the right side of a white car. His right hand holds a white brush, which he is using to brush the car's tire. He moves the brush back and forth on the left front tire of the car, from top to bottom, from left to right, brushing repeatedly. Then, he brushes it in a clockwise direction. After that, he takes the brush in his left hand, turns around to face the camera, and speaks to the camera with his face. His right hand is placed on his knee and shakes back and forth. Later, his gaze moves back and forth between the tire and the camera.


In the background on the right of the screen stands a woman. She is holding a book in her left hand and a pen in her right hand, drawing a bar chart on the whiteboard. She looks towards the whiteboard in the background of the screen, and then towards the man on the left side of the frame. The man on the left is sitting in a wheelchair, his back to the camera, with his hands crossed over his abdomen. Then he props himself up with his left hand on his face. As the woman looks at him, he nods slightly.


In the center of the screen, slightly to the left, there is a boy in gray clothes facing the camera with a menacing expression. His head is tilted to the left, his mouth is open, showing his teeth, and his hands are raised with palms facing outwards at his chest, with the right hand slightly higher. His body is tilted to the right. He then steps back to the right, extending his left arm to play fight with someone, while his right hand is palm down with the elbow bent, placed at his side, completely turning to the left. To his left, there is a girl in camouflage shortsleeves facing the camera, laughing with her teeth showing, her body tilted to the right. The camera changes perspective to show the boy in gray standing on the left side of the video, his left side facing the camera, his head tilted to the left looking out of the frame. He takes two steps to the left, then turns to face the right, lifting his left hand with his fingers extended, disappearing from the frame for a few seconds before reappearing, facing the camera with his body turned to the right. His hands are at his sides with elbows bent, the left hand slightly higher, his head bowed down, and his mouth open. To his right rear, there is a boy in a blue shortsleeve facing the camera, both hands raised with elbows bent, level with his chest, looking at the boy in gray with his mouth open and his body leaning forward. To the left of the screen is the back of the girl in camouflage, only partially visible. Behind the boy in blue, there are three boys lying on a black grid, their hands bent upwards as they watch the boy in gray. The camera moves to the right, revealing a female teacher in a white shirt running quickly from the left, her hands swinging at her sides. The camera follows the woman as she moves to the left, her expression angry, her mouth opening and closing as she speaks. She then spreads her arms, grabbing the left shoulder of the boy in gray with her right hand and the right shoulder of the girl in camouflage with her left hand. The girl in camouflage has her back to the camera, her head quickly turning to the left, her mouth open and her hair flying. The other boys watching the commotion quickly run off to the left rear.


This is an animation video where an anime character enters from the bottom of the screen to the center. The character has a green, square head with eyes and a mouth, a body and limbs, and a relatively large head. It looks slightly sad with a lowered head, then raises its head in a surprised expression, talking while accompanied by hand movements.


The scene begins with a small earthen slope covered in green vines-like plants. A man dressed in blue clothes and blue jeans enters from the left side of the frame. He has a red shoulder bag slung over his shoulder, and his left hand is wrapped around from his chest to hold the strap of the bag on his right shoulder. His right hand is placed on his right thigh, and there are deep mud stains on both knees, with the right leg being more stained, suggesting an injury. This stretch of road seems to be an uphill climb, and the man limps as he moves from the left to the right side of the frame. The camera follows him, slowly rotating to the right as if placed in a heap of grass. As the man moves, his upper body gradually moves out of the frame. After he passes the camera, his upper body reappears in the frame, but his lower body is obscured by the close-up view of the grass.


The video is in black and white. In the center left of the frame, a man and a woman are embracing and kissing. On the left is a man with black hair wearing a plaid coat; his right hand holds a hat and gloves as he embraces the woman's waist, with his right hand on her back. On the right is a blond woman in a gray coat, her arms around the man's neck. The camera then zooms out to reveal a white horse-drawn carriage on the left side of the frame, facing upper left, with a gentleman in a black hat sitting inside. On the right side is a house with a spiral staircase and a pointed roof. The couple just seen are standing at the middle staircase entrance in the frame, having slightly moved apart but still embracing each other. The man then releases the woman, turns to the left of the frame, takes a black hat with his left hand and puts it on his head before walking over to the carriage on the left and getting on. The woman places her left hand on the bottom railing of the staircase and her right hand on the railing a bit higher up, leaning against the railing. She then looks down at the staircase, lets go with her left hand, takes two steps up, and leans against the railing, looking towards the left side of the frame.


The right hand on the left side of the screen is holding the handle of the frying pan and shaking it; the frying pan is in the center of the screen, while the left hand on the upper right side of the screen is holding an egg and supporting the bottom of the pan.


The camera shoots from a low angle, showing a person in an ancient city. In the foreground, a woman in leopard print clothing smiles and faces the camera. Her left hand holds a plastic cup with a drink, and she's also holding a napkin. She tilts the cup towards the left side of the frame, feeding the man on the left side of the screen. Her right hand supports the man's neck. The man on the left side of the frame, wearing a hat, faces the right and drinks the water. Then, the woman in leopard print raises the cup towards the right side of the frame and moves it away. The man in the hat raises his left hand, palm up, to his chest, then looks up to the right side of the frame, and turns to the left, raising both hands. The woman in the leopard top lowers her hands, takes a step back from the camera, laughing, and raises her hands above her head towards both sides of the frame, cheering joyfully. In the bottom right corner, someone looks at the camera, standing by the wall in the background. The background features a multilevel stone building with moss growing on the walls.


In the scene is a table, with a black board placed in the center of the screen. On the black board, there is a piece of meat with some chili powder sprinkled on top. To the right of the scene, in the background, there is a person standing next to the table, holding a bottle of chili powder, which is not visible in the frame. At this moment, a hand holding a chili powder container is seen above the screen, sprinkling chili powder back and forth onto the meat. Then, from the top right of the frame, the left hand reaches out to touch the meat.


On the left side of the screen, a woman in white faces right, holding a fishing rod horizontally with both hands. In the center of the left side of the screen is part of the silhouette of a person in green, who also holds a fishing rod, with the end of the rod slightly dipped into the water. In the distance on the upper right side of the screen, a fish jumps out of the water and then dives back in. The person in green raises the fishing rod to the upper left, causing a fish to move leftward on the water surface. Apart from the lower left corner and a small part of the sky at the top, the rest of the scene is covered with water.


In the center of the screen, a woman wearing a deep blue headscarf, distant from the camera, faces the lens with her left hand resting on the arm of the chair as she speaks. She raises her right hand, extending her index finger to point at the woman in flowery blue clothing near the camera, who is standing on the right side of the frame with her back to the lens. The woman in the blue headscarf then places her right hand on her lap, turns her head to the left side of the screen, raises her right hand again to move it towards the left side of the frame, and subsequently turns her head back towards the camera. Her right hand returns to her lap, she leans forward, and once again raises her right hand, extending her index finger to gesture towards the woman in the blue flowery clothes, who in response inclines her body towards the direction of the woman with the deep blue headscarf. In the lower right corner of the screen, on a smaller display, there is a woman in black clothing. Her hands are in front of her, making gestures, and she seems to be speaking.


In the image is a player in a red jersey, who is swinging his arms and walking towards the bottom right corner of the frame, while at the same time turning his head to look to the left outside of the frame. In the background is the lawn of a football field.


In the center of the screen is a grey and orange robot facing the camera. To the right of the screen is a boy sitting on the floor, facing to the left of the picture. He uses his left hand to turn on the robot, causing parts of the robot to fall to the ground. The boy then picks up the car on the ground with both hands and moves a silver car to the right side of the screen, behind him. The camera then moves away to show a row of colorful cars on the ground, and the boy places the silver car at the far right.


Animated short film. In the bottom right corner, there is an animation of flames burning. In the center of the screen, an oval-shaped animated character looks terrified at the bottom of the screen, then supports its head with both hands, turns it slightly to indicate dizziness. Following this, the oval-shaped animated character places both hands on a potted plant in front of the window, and the potted plant falls towards the bottom of the screen. The oval-shaped animated character then quickly withdraws its hands.


On the left side of the screen, there is a woman in orange clothing who stands up from her chair and takes a step to the left of the screen. She then turns around and walks towards the background of the scene. In the background, there are other people, and in the middle left, there is a woman in white with suspenders sitting down. In the foreground, there are two people; the central figure wearing an orange hat has their back to the camera, supporting their head with their left hand, fingers sliding down. The person on the right side of the foreground has their left cheek facing the camera, watching the woman in orange.


A man stands on the left side of the frame, facing the camera, with his body turned towards the right side of the screen. His right hand is raised at waist level, palm facing down, as he speaks to the camera. He then lowers his right hand and subsequently moves it up and down. After that, he turns around and walks towards the car on the right side of the frame.


In the scene, a man with short hair dressed in black is looking at the pictures on the computer and talking. He then turns his head to the right side of the screen, and looks back at the computer again, using his left hand to point to the area of the picture with a pen. The camera switches to a zoomed-in image of the picture.


On the left side of the screen, an elderly woman in a red coat faces the right side of the screen, bending over to a statue in the shape of denim shorts. Her right hand pinches the top edge of the statue twice, while her left hand supports it. She then picks up the statue with both hands and puts it down, picks it up again, and takes a step towards the right side of the screen. In the distance on the right side of the screen, there are some potted plants.


In the center of the screen, an octopus is being cooked in a pot. On the left side of the screen, a person is standing in front of the camera, holding a pair of tongs in their right hand to grip the octopus, while their left hand holds a silver tool that they insert into the octopus and then pull out. They touch the octopus with their right fingers, then lift it with the tongs, pausing in mid-air to wait for the water to flow down.


On the left side of the screen, a woman wearing a reddish-brown top is facing the camera from the right profile, kneeling on a purple square cloth with her palms facing up. Her hands are pressed against the ground, her head bowed down to the space between her hands, and then she lifts her head and straightens up, bringing her hands together in prayer, looking towards the right side of the screen. She bows her head close to her hands, her hands tilting towards the right side of the frame, and then she bows her head again, lowering her hands back to the ground. After repeating this action once more, the woman bows her head once again with both hands on the ground, then raises herself with her head close to her hands, her hands together in prayer, slightly inclining towards the right side of the screen. Then the woman looks up towards the right side of the screen with her hands on her lap. The camera shakes as it zooms in, revealing that the scene is outdoors, with bright sunshine. There is a white building on the left side of the frame, and a wall with plants in the mid-right background. On the right side of the screen, there seems to be a statue, with plants and offerings placed around it.


The scene is shot from a first-person perspective. There are some people on the left and right sides of the screen with their backs to the camera, holding mobile phones to take photos. The camera moves forward, and in the distance at the center of the screen, a white car takes a small step to the left and lights up its taillights. The camera moves down, and on the right side of the foreground, the silhouette of a person appears and quickly squats down to the left of the screen. A man in red appears on the right side of the screen, his body facing the left, with his right hand holding a mobile phone. The camera moves to the left, and the hand of the man in red is seen on the right side of the screen, then he moves to the right and moves out of the frame. The wheels of the white car on the right side of the screen spin rapidly, a puff of white smoke appears in the center of the screen, the taillights turn off, and the car drives off to the left in the distance with its headlights on. The camera moves backward, and a man stands up on both the left and right sides of the screen, both with their backs to the camera.


On the right side of the screen is a male wearing a yellow plaid shirt facing the camera, with both index fingers pointing to his chest and then lowering them. On the left side of the screen is the back view of a male in black, stepping back towards the left side of the frame.


In the scene, an electric tram is seen moving to the right behind a lady. The lady turns around and walks towards the camera, sighs, looks up to the right, then turns her head to the right to glance at the tram. After that, she looks down at the lower right corner, at which point the tram has left the frame on the right. Subsequently, the lady exits the frame on the right, and the camera slightly pans to the right, watching the tracks left by the departing tram.


In the scene is a man wearing a blue patterned shirt, facing towards the left background of the picture. His left hand is holding a piece of clothing, and he is looking down at it. Then, he first inserts his right arm into the right sleeve, followed by his left arm, and he puts on the white suit jacket. His hands adjust the collar of the jacket and he continues to look to the left outside of the picture frame, with his head slightly turning towards the camera. Then he lowers his right hand, raises his left hand to his head, and combs back his hair. After combing, he continues to straighten his collar with both hands, looking to the left outside of the frame, with a slight smile.