The video is shot by a person holding the camera, with only the left hand of the person visible in the frame. The hand is wearing a watch and has a tattoo, holding a square slate of dark green color. The person is walking on concrete, shaking the slate up and down while moving. At the top of the frame, there is a white car parked.


In the foreground of the scene, two people are engaged in an arm wrestling match. On the left side of the frame, a man with a black beard and a pompadour hairstyle, bare-chested, has his left hand on his waist and his right hand extended in a thumbs-up gesture, palm facing down, in the air. On the right side of the frame, a man with short golden hair and wearing a blue vest has his right hand gripping the other man's hand, pushing it upwards in the arm wrestling contest. The man on the left has his right hand in a thumbs-up position, palm facing towards the left side of the frame. The man in the blue vest releases his hand, nods towards the bare-chested man, who, with his gaze fixed on his right hand, breaks into a smile. In the background of the scene, six people are smiling and watching the two men in the foreground compete. The man dressed in white on the left looks first at the hands of the two men in the foreground, then at the man in blue, and subsequently at the bare-chested man. The man in red clothing smiles and bows his head towards the lower right side of the frame. The four people on the right side of the background also smile. The scene cuts, and in the new frame, a man with short black hair, dressed in black, is sitting and looking into the camera, with white windows in the background.


In the initial scene, on the right side, one can see a large white net and the right hand of a person, with the hand placed on the edge of the net. Then, the camera slowly zooms out, revealing more of the background and the hand of a person in the bottom right corner of the frame. This person's hand is holding a long pole of the white net, extending it upwards across the screen. There is a strong light shining on the surface of the white net. As the camera pans up, the hand of the person is no longer visible.


On the left side of the screen, you can see a woman wearing a red top, who is in a small boat resembling a pumpkin, floating on a lake to the left of the screen. On the right side of the screen, many people are gathered, all watching the woman in red rowing the boat. A child in a red and blue checked shirt seems to be leaning out and speaking to the woman in red. The woman in red holds the oars with both hands, rowing on either side of her front. She turns her head towards the shore, looking at the people watching her. The woman parks the pumpkin boat at the shore and then raises both hands, holding the oars overhead. Initially, on the left side of the lake, you can see a staff member in red, who is looking towards the right side of the screen. As the woman reaches the shore, the camera pans to the right, and at this point, the staff member in red on the lake is no longer visible. A hand reaches in from the bottom left corner of the screen, grasping the woman's pumpkin boat.


A medium shot captures a girl wearing a headscarf playing tennis. The girl, holding the racket in her right hand, faces the direction of the camera, playing tennis with someone on the right side of the frame, continuously hitting the ball six times. In the distance, beyond the tennis court fence, two people appear from the right side of the frame, walk to the center, circle around, and then head back towards the right side of the screen.


The scene is a close-up of hands from a first-person perspective. In the upper left corner, two hands are seen extending and dragging a white plastic bag. In the center, there is an image of a bowl of food. The background of the scene is a white table, and the right hand is seen spinning on top of the bag.


In a room with a decor leaning towards a natural style, on the left side of the picture, a black woman with yellow dreadlocks is sitting on one side of the sofa facing the right side of the frame. She is looking down at the laptop on her lap and typing seriously. She slightly turns her head, then yawns and raises her right hand to cover her mouth.


In the center right of the screen, there is a man wearing a white shirt, black suit, and a red patterned tie, sitting in a car and fastened with a seatbelt. His mouth is slightly open as he faces the camera, looking at something off to the right of the frame. He glances to the left and then looks back to the right side of the screen. Following this, he closes his mouth, turns his head towards the left of the frame, looks down with his head bowed, and his lips pursed. Then he raises his eyebrows, looks up towards the front left of the frame, and smiles crookedly. Afterward, he turns his head back to face the camera, with his eyes looking off to the right of the frame.


A close-up shot from a fixed position. In the center of the frame, a man is facing to the right side of the screen, sideways to the camera. His right hand is gripping the upper part of a double-barreled shotgun handle, while his left hand holds the stock and pulls down to open the breech of the shotgun, revealing the loading port. As this happens, two shells are ejected, completing the ejection process.


On the left side of the screen, a woman in black is facing the right side of the screen and smiling. On the right side of the screen, a black man in a checkered shirt has his body facing the camera directly, with his head turned towards the left side of the screen. The black man extends his right hand towards the left side of the screen and places it on the left shoulder of the woman in black, while his head turns to the right side of the screen, biting his lower lip. The woman in black is pushed further to the left of the screen by him, and then he retracts his right hand. The scene shifts upwards, and the black man's right hand extends from the center of the screen to the left, placed on top of the woman's head. The camera moves down and to the right, then his right hand is placed on the woman's right shoulder. He shakes his head slightly from side to side, no longer smiling, looking at the woman's face. The woman's right hand touches the man's right hand briefly before quickly letting go. Finally, the black man turns his head, faces the camera directly, and looks upwards. The background is yellow.


A bald man in a blue shirt stands on the right side of the frame. Initially, he has both hands with fingers extended and palms facing his body, placed in front of his chest, facing a person in black on the left side of the frame. Then, the man in the blue shirt raises his left hand to make a thumbs-up gesture, placing it on his chest while looking at his hand. He then takes his right hand and moves it from top to bottom and then from bottom to top over his left hand. After that, he lowers both hands to his waist. The camera cuts to another shot where the person in black can now be seen on the left side of the frame, and the man in the blue shirt is on the right. The man in the blue shirt turns to the left, facing the other man, and then extends his right hand to point at a large map in the background of the frame, indicating a grey area. The man in the blue shirt first bends down to point below and then looks up to point above. The person in black on the left side of the frame follows his gestures and looks at the area being pointed out.


The woman on the right side of the screen is holding her phone up high, facing left and looking at the phone. Then she blinks and turns her head towards the camera, all the while her gaze remains fixed on the phone.


In the center right of the scene, four people are standing next to a tombstone on the grass, facing the camera. From left to right, they are: a man with brown hair, a man with dark skin, a man with gray hair, and a woman. The woman bows her head and moves her left hand slightly before looking up at the tombstone in front of her. She then turns her head to the left of the scene and bows her head again. Afterward, she looks up and turns her head to face the tombstone once more. The man with brown hair takes a small step with his right foot towards the left of the scene. The man with gray hair lifts his head and shakes his legs a few times before bowing his head again. At the same time, the woman leans her head to the left of the scene on the left shoulder of the man with gray hair, then she raises her head and turns it to the left of the scene. In the background of the scene, there are several trees, and in the foreground of the grass, there are a few tombstones.


The scene is located on a higher floor inside a shopping mall. At the center of the screen is a gleaming indoor structure. The camera slowly moves down along with the building, eventually capturing a bird's-eye view of the bottom of the structure and the ground floor of the mall. There are pedestrians walking on each floor of the mall, with a large crowd gathered on the left side of the ground floor, and at the same time, there are pedestrians walking around the structure.


In the center of the screen, a woman is standing facing the camera. Her right hand is placed on the right shoulder of another woman who is standing to the side, facing the right of the screen with her side to the camera. The woman on the left side of the screen is stirring the pot with a spoon in her right hand in a clockwise direction. A little girl runs into the frame from the right side. Both women look to the right of the screen, then the woman in the center looks at the orange on the table, extends her left hand to take an orange and gives it to the little girl. The little girl takes the orange, puts a segment back on the table, and walks out of the frame to the right. Both women laugh heartily.


In the video, two people are talking in a studio set up to look like a classroom scene. The man on the left is wearing a black sweater and a white shirt, facing slightly to the right of the camera. He first picks up a brown shoulder bag on the yellow single desk in front of him with his left hand, then places the bag back on the desk with his right hand. He raises his left hand to gesture towards the fanny pack hanging at the waist of the man on the right, then turns to the left with a smile, takes a step or two, and then turns back to the right, talking and laughing while facing the man on the right, with his right hand on his hip. The man on the right is wearing a dark blue vest and a white shirt, has not moved from his position, and keeps his hands on his hips. When the man on the left gestures at his fanny pack, he bends down to glance at his own fanny pack, then sticks his right pinky finger in his mouth to pick his teeth, and then continues to stand with his hands on his hips, looking at the man on the left. In the background, to the left of the center of the screen, two girls are sitting and talking.


In the beginning of the scene, there is a red sports car speeding in from the left side. The camera follows the sports car as it moves to the right. Then, the sports car moves from the left side of the lens to the right. On the right side of the screen, a blue rearview mirror appears, revealing that the camera is shooting out of the window from the driver's compartment of another car. Finally, the front windshield of the car where the camera is located also enters the frame from the right side.


The camera quickly moves to the left side of the screen. On the left side of the screen, a woman stands sideways to the camera, facing the right side of the screen, looking at the camera and speaking. She holds a water gun with both hands and sprays it at the car on the right side of the screen, then turns her head counterclockwise to look towards the right side of the screen. The camera quickly moves to the right side of the screen, and the woman, with her back to the camera, moves forward, washing the car with both hands holding the water gun.


On the left side of the screen, there is a man wearing a blue shirt. He is standing sideways to the camera, with his hands on his hips, his body facing the right side of the screen, and he is looking at the two women sitting on the stool on the left side of the screen, walking towards them. In the center of the screen, a woman with long curly hair is facing the camera, with her legs crossed, looking at the man in the blue shirt, and then extending her right hand. On the left side of the screen, a woman with bangs is facing left, looking at the man in the blue shirt. In the background, a man in a white shirt is standing, with his hands on the table, watching the man in the blue shirt.


In the scene, the waves push towards the camera. On the left side of the screen, a penguin facing the camera bows its head to lick its feathers. Another penguin, also on the left side of the screen, faces to the right and walks towards the right side of the frame. The penguin that was licking its feathers then straightens up. A penguin with its back to the camera opens its wings wide towards the sea and shakes them backwards, while other penguins in the background stand still.


The camera captures a downward angle as the person in the frame uses their right hand to gently tilt the painting and place it on the table. Then, with the right hand, they dip the pen into the black ink placed on the left side of the table a few times. Using the pen, they repeatedly stroke the upper frame of the painting, blackening the left part of the frame. Finally, the right hand moves out of the frame from the lower right, and the painting is straightened.


In the scene, two people are standing on the rooftop with their backs to the camera. From left to right, there is a woman and a man. The woman is holding the man's left hand with her right hand. The two are turning counterclockwise, walking towards the left side of the frame, and moving away from the camera.


In the center of the screen, a man in a blue shirt stands behind a podium, facing the camera with a slight tilt to the left of the frame, looking down and speaking. His left hand is half-raised, then both hands are placed on the podium. He slightly bends over, looking to the lower left of the frame. He then raises his right hand, holding something resembling a remote control, and places his right hand back on the podium. He raises his right hand again, swinging it to the left of the screen, then lowers it, briefly raises it to make a gesture, and then extends his right hand with the object towards the right of the frame. His left hand takes over, and the man stops speaking, slightly swaying his body. Below the man on the podium, there is a computer with many wires. The background is a dark curtain, and at the lower part of the background, there are decorative elements in the shape of red text and black background with white text.


The camera captures the scene from a higher angle, with a person in the center of the frame walking towards the right side of the screen. The camera gradually raises in height and tilts downward, causing the person in the frame to gradually walk off to the right side.


The video footage is shot from a low angle, showing the upper body of a woman in black clothes. She is standing under a yellow tent, holding a microphone in her left hand to her mouth, and her right hand is raised, holding a signal pistol with the barrel pointing upwards. The camera zooms in on her right hand, and she immediately pulls the trigger with her right index finger, then retracts her right hand and moves out of the frame from the right side.


On the right side of the screen is a part of a person's body. In the center of the screen is a piece of blue cardstock held by this person's left hand. The person's left hand moves away from the camera, placing the blue cardstock on the ground, and then retracting the left hand. Subsequently, both hands reappear in the frame, holding a long strip of pink and yellow paper together. In the upper left corner of the screen, there is a red box.


The text translates to: The video is a clip from an animated film. At the bottom of the screen is a blue stage with two characters on it. On the left is a character wearing a pink and white striped outfit with red hair, facing the camera, with a drum in front of them which they are playing. On the right is a character dressed in red, holding a microphone and singing. At this moment, both characters close their eyes and begin their performance. Then, the camera zooms out and away, revealing two audience members at the bottom of the screen with their backs to the camera. On the left is a yellow tiger character, and on the right is a purple character. Both are happily dancing and jumping around.


The video is shot with a handheld camera. On the left side of the frame is a male wearing a gray top, standing facing the camera with his face turned to the right side of the screen and speaking. On the right side of the frame is a female wearing a purple hat and a red top, standing facing the camera with her face turned to the left side of the screen and smiling. In the background is a field of farmland with scattered yellow fruits. The camera quickly pans to the left, the female in the red top exits the frame, and the male in the gray top is captured continuing to speak, then he turns his head to face the camera, looking downward in the frame. Next, the camera moves down to the right, showing the male in the gray top with his right hand raised, palm open, and his left hand holding a pair of red pliers. The female in the red top takes the red pliers with both hands and then raises them up. The male in the gray top walks to the left side of the screen and exits the view.


In the right side of the screen is a man dressed in dark brown clothing, who is slightly tilted towards the left side of the frame. At this moment, on the left side of the screen is a mirror reflecting the profile of the man. The man is speaking, turns around, and moves towards the right side of the frame. The camera slightly retreats and moves to the right; the man continues to walk towards the right side of the screen with a serious expression, speaking some words. At this time, the background on the left side of the screen is a wall with clothes hanging inside, and on the right side is a Venetian blind.


On the left side of the screen, a person stands facing the camera, slightly inclined towards the right side of the frame. The left hand holds a gun, with the barrel pointing upwards to the right of the screen, while the right hand supports the butt of the gun. On the right side of the screen, three people are standing and talking to each other, with the camera slightly shaking. Then, the camera zooms in, focusing on the right hand, which moves upwards and then slaps the gun downward. It then moves towards the lower left of the frame, slapping the butt of the gun once, after which the right hand grips the gun and moves it up and down. Following this, the hand grasps the handle of the gun, with the index finger pointing to the upper right of the screen. Both hands then raise the gun vertically, with the right hand feeling the handle. It moves downward, lifting the butt of the gun, which flips and tilts towards the right side of the frame. The right hand drops, and the camera shakes slightly. On the background wall, many guns are hung, and on the right side of the screen, there are several red partition walls.


On a dim night, a beam of elliptical light moves from the left side of the frame to the right, striking three people standing by a car at the center of the frame, and it lingers for a moment. The men on the left and in the middle initially have their eyes looking towards the left side of the frame, while the woman on the right looks towards the right side. But when the spotlight falls on them, they all turn their heads to look at the camera. Then, the spotlight leaves them and continues to move to the right, exiting the frame from the right side.


In the center of the screen, a cow is running towards the left side of the frame. Then, the camera switches, and from the left side of the screen, a tiger walks out, facing the right side of the frame. It stops in the center of the screen and starts to speak.


A man and a woman are standing in the center of the frame facing the camera. The woman is standing on the left side of the frame, and the man has his right arm extended to embrace her, standing on the right side. The woman is looking towards the left side of the frame and speaking. In the background of the scene, a man in gray clothing is standing sideways to the camera, facing the right side of the frame with his head down, looking towards the direction of his hands.


On the left side of the screen, a man is staring to the right rear of the camera, reaching out to take a sip of water from a cup. While drinking, he glances briefly to the upper left of the screen. After finishing, he puts down the cup and turns his head towards the left side of the frame. Then, he faces forward again, stretching both hands out to clap once, raising his left hand and lowering his right, smiling slightly as he turns his head towards the camera to start speaking. The camera switches, and the man's face takes up most of the screen. He looks towards the rear of the camera as he speaks. Afterwards, the camera switches back, and the man looks to the right rear of the camera, says something, and then starts laughing heartily. The camera cuts back to his face again. He continues to smile with his teeth showing and nods slightly.


On the right side of the screen, part of a bicycle can be seen parked on the reddish-brown tiles. The camera moves forward and zooms in, focusing on the bicycle's rear wheel. Then, the camera shakes back and forth, and a left hand appears in the lower left corner of the screen, moving left and right to feel the rear wheel. The hand then extends its index finger to tap the rear wheel a few times before moving the index finger down and out of the frame. The camera moves down, then to the upper right, revealing the left hand feeling the rear wheel in the lower left corner of the screen, with a slight shake of the camera. The wall in the background of the scene is grayish-white.


In the center-left of the screen is the upper body of a man wearing a purple coat and a black top. His hair is greying, and he is wearing blue-framed glasses. His body is slightly tilted to the right, and his gaze is directed to the right. He is continuously speaking, and when he gets excited, he raises both hands to make gestures in front of his chest, even opening his arms wide. In the bottom right corner of the screen, there are white subtitles that read: "BRAD FIEDEL, COMPOSER, THE TERMINATOR".


In the frame is an elderly man in blue clothes facing the camera, alternately patting a basketball with both hands. The camera gradually zooms in, and when it switches to a low-angle shot, the old man glances at the lens twice with his eyes, but the movement of his hands never stops.


On the right side of the screen, a right hand is holding a small pink-haired toy pony. In the lower left corner of the screen, a left hand appears, taking the pony from the right hand, holding it by the front leg. The right hand moves to the right side of the screen and disappears. Then, the right hand reappears from the bottom right of the screen, holding the pony by the hind leg. The right thumb touches the pony's hind leg, and then both hands rotate the pony towards the right side of the screen. In the background is a toy treehouse, with a green door in the middle of the screen, and a purple toy horse on the left side.


The man on the left of the screen is hitting the man on the right. The man on the left first swings his right arm and punches the man on the right with his right fist. He glances to the left side of the screen. Then, he jumps up, grabs the head of the man on the right with both hands, and strikes his chest with his knee. He follows up by hitting the abdomen of the man on the right with his hand. After that, he swings his left leg to deliver a side kick to the head of the man on the right. Finally, he looks to the left of the screen, crouches down, and picks up a bag from the ground. The man on the right has been continuously beaten, and his body is forced to spin around twice.


In the center of the screen is a man dressed in white, with his body facing towards the left side of the frame, looking down to the left. Then he slightly moves his body towards the right side of the frame. A woman with curly hair moves from the lower left of the screen towards the center. The woman looks towards the center of the screen, her head tilted to the left side of the frame, lifting her head and saying something, then she turns towards the left side of the frame and walks towards the upper right direction. The man's body slightly moves towards the left side of the frame. On the left side of the background is a wall with several posters attached, and on the right side are a few hanging clothes.


The camera slightly shakes, and in the center of the screen is a horizontal board. There is something purple at the top of the screen. A left hand appears on the left side of the frame and presses on the board four times before moving downward and disappearing from the lower left of the screen. Then, the screen moves upwards, revealing something green on the right side. The camera then moves to the upper right of the screen, and a white rack appears on the right side of the frame.


At the left side of the starting screen, there is a male bending over wearing a white shirt, and in the center of the screen, there is a male crouching down also wearing a white shirt. The male in the center of the screen moves two steps to the left, and the male in the white shirt on the left side of the screen straightens up, raises his right hand, and steps back. Following this, the male in the center of the screen also straightens up and steps back two steps. The male wearing a blue vest on the left side of the screen steps back two small steps along with the male in the white shirt. In the background of the center, there are two girls sitting, facing sideways to the camera. In the background on the left side, there is a male sitting in front of a computer wearing headphones.


On the left side of the screen, a man is sitting sideways to the camera, facing the right side of the frame. On the right side of the screen, a little boy is lying on the sofa. Both the man and the boy are leaning their bodies towards the window in the background of the scene. The man has his right arm around the boy and his left hand is pulling back the curtains. The boy, with his back to the camera, is looking out the window. The boy raises his right hand to point out the window, and the man turns his head to the right to look at the boy, also retracting his right hand to point outwards. Following this, the boy sits up, looking towards the right side of the frame, and the man sits up as well, turning his head to the right to look at the boy.


In the scene, a group of people are gathered around two blue nets, all with their upper bodies bare and some wearing headscarves. The net closer to the bottom left corner of the picture is filled with many fish, and the people around are holding the edge of the net with their hands. Then, the people around reach their hands towards the bottom left corner of the picture, lifting the fish out and throwing them into the net in the top right corner of the frame. The fish are struggling in the net, and they continue to perform this action. However, sometimes they may throw the fish outside of the net, which could be dead fish that are no longer useful.


The scene is captured by a handheld camera. The shooter walks towards the right side of the frame while turning the lens to the left side of the frame. The background of the scene consists of many golden bottles with their mouths facing the camera.


On the right side of the screen, you can see a person wearing a black shirt, whose right hand is extended to the middle of the screen, holding a black board. He first tilts the board slightly, then moves it back to a vertical position. The camera then pans up to the right, revealing the man's face; he is looking at his hand and speaking. The camera slightly shifts down to show both of the man's hands lifting the black board, gently rotating it. Then, his left hand releases the lower part of the board, holding it only with his right hand at the top, while his left hand makes gestures on the front of the board, and his mouth continues to speak. The camera continues to pan down, and the man lifts the board with his left hand at the top, while his right hand makes gestures at the back of the board. Then, the man switches back to holding the board with his right hand. The camera slightly pans to the right, focusing on the man, and the board moves out of the frame from the bottom, as the man starts to walk towards the left side of the screen.


A plane quickly flies to the right of the screen. In the background of the scene, a bare mountain range can be seen. The camera follows the movement of the plane, continuously turning to the right. Then, the camera gradually zooms out, and the plane becomes smaller and smaller in the frame, still rapidly flying towards the right side of the screen.


On the left side of the screen, there is a fox with its body facing towards the right side of the screen. On the right side, there is a tiger facing towards the left side of the screen. The fox looks up at the tiger, then throws up its hands and shakes its head while the tiger reaches out towards the fox. Then, the fox places its right hand by its mouth, thinking for a moment, before waving at the tiger and leaning in to whisper something in the tiger's ear. The scene then cuts, and in the center of the screen is an elephant holding a white ball, walking towards the direction of the camera.


In the foreground of the scene, on the far left, there is a little girl in a white sweater facing the right side of the picture. She holds a green bow in her left hand and her right hand is placed on the string. To the left of the center of the scene, there is a man in a red shirt facing the camera, looking at the little girl, with several arrows in his left hand. The man in the red shirt bends down towards the camera, head bowed, and the girl looks at his hands and slowly bows her head with a slight sway of her body, then raises her head again. The man in the red shirt continues to bend down, left leg bent, moving his left hand to the right, and reaching out with his right hand to take an arrow from his left hand, putting the arrows down. Then he stands up, holding the arrow by its tail with his right hand and the middle part with his left hand, his head tilted to the left side of the picture. He lowers his right hand and passes the arrow in his left hand to the little girl's right hand. The little girl in the white sweater removes her right hand from the string and grabs the arrow. In the central background, a man in a gray shirt is facing the right side of the picture, holding a bow in his right hand. He rotates half a circle clockwise and then counterclockwise before looking in the direction of the background and setting the bow down. He turns and walks towards the left side of the scene. On the right side of the background, a woman in a plaid shirt first has her back to the camera, then turns to the right side of the picture, placing her right hand on her hip. She takes a few steps forward, then turns around and walks back, facing the camera. In the background, there is a white tent that is blurred and unclear.


A woman in a dress and a man with a mask are seen in a room. In the distance of the room, there is a shelf with a potted plant, and a wall lamp above it. The woman in the dress successively punches the man with a right hook, a left hook, and another right hook, leaving the man severely injured and collapsing to the ground. In the end, a man in a white shirt appears. He first extends both fists towards the woman, then straightens both arms to press down, but both attacks miss. Taking advantage of the situation, the woman first blocks the man's attack, seizes his right wrist with her left hand, and then uses a side throw to bring the man down to the ground.


In the scene are two men sitting in the center of the picture, facing the lower left corner of the frame, looking at the computer on the table. The man leaning towards the right lifted his left hand, then used his right hand to flip through the pages of a book on the desk. The man on the left side of the picture seems to be saying something, and finally makes a motion as if to lift his right hand. In the lower right corner of the picture, there is a dog that is continuously sticking out its tongue.


In the scene, a man wearing a yellow hat is seen with a small monkey sitting on his left hand. Both are looking towards the left side of the picture. Then, the man starts speaking, glancing down to the right at the little monkey. The monkey has a dull expression, with its right index finger pointing upwards and its left hand resting on its left knee. The man nods slightly, then turns his head towards the right side of the picture. The little monkey shrugs, lifts its head, and turns towards the left side of the frame, looking up at the man with its eyes. Its right hand moves downwards. Following this, the small monkey raises both hands overhead and jumps off the man's arm, as the man looks down at the monkey.


In the center right part of the screen, there is a pink window. Inside the window, a cartoon character resembling a pear can be seen. The cartoon character has its right hand at its mouth with an expression of terror. On the right side of the screen, black smoke is rising and drifting towards the top of the screen. This pear-shaped character is facing to the left of the screen, bent over with both hands in front, looking very uncomfortable as it coughs. Then, the pear character opens its eyes wide, straightens up a bit, and then coughs again, bending towards the left side of the screen. After the coughing fit, the pear opens its eyes once more, with the right eye opened wide and the left eye half-closed, its mouth also open, showing an expression of extreme fear. Suddenly, a cartoon character dressed in a firefighter's uniform appears from the left side of the screen. He enters the scene from the bottom, holding a tube in his right hand, presumably for rescue purposes, and his gaze is fixed on the pear-like cartoon character.


The scene changes, and a right hand enters the frame from the left side, pulling the handle of the right car door, shaking it up and down. Then, a left hand enters the frame from the top, and both hands remove the handle. A man's head enters the frame from the upper left corner, blocking the action of the right hand.


In the center of the screen, slightly to the right, is a woman wearing a white half-sleeve shirt and a blue plaid skirt, looking to the left of the screen as she speaks, slightly rising and moving to the right side of the screen before sitting down again. On the left side of the screen is a long-haired man dressed in a white shirt and jeans, sitting facing the camera, holding a thick book with both hands, then moving the book under his right arm, and looking to the right side of the screen with a smile. In the distance on the right side of the screen is a man wearing a gray top, sitting and bowing his head to type on the keyboard.


On the right side of the screen, a man is looking at the bottom right corner of the screen, his right hand moving to the right on the table. A woman is walking from the right side of the screen to the left, her left hand resting on the man's left shoulder, smiling and turning towards the camera with her head down. She stands close behind the man, leaning in towards his right shoulder and looking to the right of the screen, saying something. The man turns his head to look to the left of the screen, his body inclining to the left, and he starts talking as well. The woman withdraws her left hand, steps around the man, raises her left hand in front of her body, and places both elbows on the table at the lower part of the screen. Then she puts her left hand in the crook of her right arm, smiling and moving closer to the man in front of her on the right side of the screen, looking to the right. She then sobers her expression, turns to the camera, looks at the bottom right corner of the screen, raises her eyebrows, and speaks. She reaches for a glass with her left hand towards the bottom right of the screen, takes a sip of water. The man on the right side of the screen continues to talk, nodding and looking down at first, then tilting his head to the left, leaning it against the woman's head. After glancing at the woman and then quickly at the camera, he looks down again. The woman smiles and looks at the bottom right corner of the screen, placing the glass there with her left hand. She then smiles broadly, looks up at the top right corner of the screen, and raises her left hand to the top right corner, stroking the man's left cheek.


The camera in the scene is positioned above a ramp in a skateboarding park. A person riding a skateboard is coming down from the top right corner of the screen towards the bottom, moving very slowly as if in a slow-motion replay. When he reaches about halfway down the ramp, he makes a complete turn with his body. He rotates on the skateboard towards the left side of the screen. Finally, he has fully turned around, with his left foot in front of the skateboard and his right foot at the back, heading towards the upper left corner of the screen and driving out of the frame.


In the frame, a man in a white baseball uniform is facing the camera, with both hands swinging at his sides. His head is bowed, and he is walking towards the lower right front of the picture. The camera zooms out and then in, following him as he moves to the right.


In the frame, a woman is facing the camera with her head tilted to the right side of the screen. The phone is wedged between her head and shoulder as she looks at the computer and speaks. Then, she adjusts the position of the phone with her right hand, licks her lips, and continues to speak.


The camera moves up, and on the left side of the screen, a man in a black shirt stands next to a gray table on the right side of the frame, with a red wall as the background. At this moment, there is a gray metal part on the table on the right side of the screen. The man's left and right hands grasp the top and bottom of it respectively, pushing it a bit to the right side of the frame, and the camera follows the movement to the right. The man's right hand touches a black stick in the lower middle-left part of the screen, then lets go and raises his hand, while his left hand picks up a green stick from the white paper in the frame. The camera zooms in, and the man's right hand takes the green stick and pokes it at the top of the gray metal part several times before moving it out of view to the left side of the screen. He then appears from the left side, gestures once more at the top of the gray metal part, and disappears again from the lower left side of the frame. His left hand touches some components on the top of the gray metal part and also moves out of view to the left side of the screen. The right hand holding the green stick appears from the left side, gestures at the gray metal part, and quickly disappears from the left side of the screen. The right hand briefly enters the view from the left side and makes two more gestures. Subsequently, the man extends his left hand behind the gray metal part, and the camera shakes slightly.


On the left side of the screen, a man in a blue shirt and a yellow dog are walking towards the left of the screen with their backs to the camera. The wind blows the man's clothes, and the dog looks up towards the left of the screen. The camera pans to the right of the screen. The man looks down to the right of the screen, moves his right hand, and then looks back at the background of the screen. Then, the dog lies down on the beach, the man glances back to the right of the screen, and the dog stands up and walks towards the man on the right side of the screen. To the right of the screen is the beach, to the left is the sea, and in the background are mountains.


The camera moves to the right, and a young man with white clothes and black hair is seen riding a white donkey, gradually approaching the camera from the right side of the frame. His head is raised, and with his right hand, he continuously beats the donkey with a stick, while his left hand holds the reins. His body bounces with the donkey's movement as he keeps talking. Then he looks to the right of the screen, and the donkey suddenly stops. The man bends down, looking at the donkey with a lowered head, and the arc of his right hand swinging the stick increases, with his body trembling accordingly. The scene transitions from a side view to a frontal view, with the man gradually stopping the beating, slightly tilting his head with a pouting expression, bending down to the donkey's ear as if speaking to it. The entire scene is set outdoors amidst trees, with the man walking on a narrow dirt road flanked by yellow flowers.


The man in the suit on the right is facing down to the left, his body slightly leaning forward as he speaks. Then the camera switches, and the man in the suit is now on the right side of the screen, with a man in a hoodie on the left. He is standing facing to the right, his right hand raised with a glass in it, slightly waving it in front of him, speaking while stepping backwards to the left. Then he raises the glass to his chest, with his left arm also placed on his chest, moving up and down as he talks. In the end, he scratches his nose with his left hand and then places it on top of his right hand.


In the scene, there is a pair of hands. The left hand has its fingers bent downward, holding down a red bell pepper on the cutting board. The right hand holds a kitchen knife with the blade facing down, the tip of the knife resting on the cutting board. The blade moves from the right side of the frame to the left, slicing the red bell pepper. As the knife moves to the left, the right hand will move out of the frame, and then re-enter from the left side as the blade moves to the right, repeating this action until almost all of the red bell pepper is cut. At the beginning, the camera is close to the cutting board, moving slowly to the left, then it speeds up slightly. The slices of red bell pepper first stick to the right side of the knife and then fall onto the foreground cutting board. In the background, there are blurred pumpkins, and in the top right corner, there is a winter melon.


In the center of the screen, a child is standing facing the camera, smiling at the lens with both hands resting on the handlebars of a pushcart in front of the camera. Then, the child looks down at the pushcart briefly before continuing to smile at the lens. The child pushes the cart towards the left side of the screen with both hands, turns around, and walks towards the left side of the frame while speaking a sentence to the camera.


At the center of the screen are five women, divided into two rows. The lower row has three women from left to right: a sitting woman in pink clothes with her head turned to the right side of the screen, a sitting woman in dark clothes with black hair facing the camera, and a standing woman in black and pink clothes facing the camera. The upper row has two women from left to right: a blond woman in green clothes and a woman with black hair also in green clothes, both with their bodies facing the camera. To the right of the screen is a fill light and reflector, and the background is a white curtain. The camera gradually zooms in, and the right hand of the blond woman in green clothes from the upper row in the center of the screen raises to the upper side of the frame, while the woman with black hair in green clothes looks up to the upper side of the frame, facing the camera.


The video is shot from a third-person perspective, and you can see that the angle of the video is sideways to the two people who are talking, with the screen facing a tree. Standing to the left of the frame is a woman wearing a black top and black pants. She is holding a mobile phone in her left hand, and her head is obscured by a smiling emoji. To the right, sitting in a white car, is a man wearing a brown plaid shirt and a brown baseball cap. He is looking at the woman in black in front of him, and the two are engaged in conversation.


On the left side of the screen, there is a man wearing a black short-sleeved shirt, facing the right side of the camera, looking towards the right of the background. His left hand is holding something and reaching out to the right side of the screen, patting the red head of a doll on the right side of the frame. On the right side of the screen, there is a man wearing a brown coat, facing the camera with a smile, his left hand resting on the doll's shoulder, and his right hand raised. The camera moves to the right of the screen, shaking slightly, and the man's head turns slightly to the left side of the screen as he speaks to the camera. A man in dark long sleeves appears on the right side of the screen, facing the camera with a smile, and the man on the left side of the screen extends his left hand towards the right side of the frame. The scene is outdoors, with a large tree in the center of the background, and a grey building in the background. There are white, blue text, and icons in the lower right corner of the screen.


There are six people in the picture. Four people are standing in the background on the left and in the middle of the scene. From left to right, the woman in the gray top on the far left of the picture is facing the right side of the frame, extending her right hand to take something out of the khaki bag on the left side of the picture. On the left side of the picture, the man in the black top is tilting his head to the right, looking towards the right side of the frame. On the left side, the woman in the white top has her left hand on the table and her right hand raised to her chest, talking towards the left side of the picture, then turning sideways to the right, as if preparing to reach out with her right hand to take something. In the middle of the picture, the man in the reddish-brown top has his left hand on the table, looking towards the right side of the frame first, then bowing his head to look towards the left side. On the right side of the picture, a woman in blue jeans is sitting with her left side facing the camera; she turns her head to the right to look at the man on the right side of the picture, then turns her head to look towards the left side. The man on the far right of the picture, wearing a red top, has his back to the camera, supporting himself on the table surface. The scene is indoors, with furniture and Christmas decorations.


In the scene, one can see a person dressed in a black jumpsuit standing on a beach. Bent over, with his right hand supporting a white box in front of him, he is facing to the left of the picture. He has lifted his left leg, revealing that his right leg is a prosthetic, standing on the sand. With his left hand, he supports the left ankle, pulling the leg back and upwards with force. His mouth is open, and his expression looks somewhat grim. Using his left hand, he pulls on the left ankle, straining to pull it back and up. He maintains this position for a moment, seemingly about to give up, quickly lowering the left leg to the sand, stepping down, with his left hand falling to the side of his body. His prosthetic right leg moves on the ground, while his right hand remains on the white box in front of him. He is breathing heavily, his expression twisted, yet he raises his left leg again, gripping the left ankle with his left hand, continuing to pull it back. Once more, he lifts his left leg, pulling it from behind his body towards his back. This time, his body stretches out even more. He holds this pose. Finally, he releases the left ankle with his left hand, extending the leg to the right side of the picture until it is horizontal. Then, he retracts the left leg and sets it down on the ground. Turning to face the picture, he lets go of the box in front with his right hand, straightening up slightly bent over, standing on the beach.


On the right side of the screen, a man in a green sweater and a blond woman in a red sweater with a white coat stand together, with a Christmas tree adorned with colorful balls and lights in the background. The man is holding a decoration in his right hand and smiling while speaking to the blond little girl on the left side of the screen. The girl is only visible from the back of her head, blurred, on the left side of the frame. The man is slightly bowing his head, his eyes fixed on the decoration. Initially, his left hand supported the bottom of the decoration, then he slightly touched the middle of it with an open palm. Subsequently, the man raises his eyebrows slightly, looks straight ahead, and continues to speak, using his left index finger to point at the decoration, his gaze following the movement of his finger. The woman in the red sweater has her hands on the table, initially looking at the decoration, then she turns her head to the right to glance at the man who is speaking, before turning back with a smile, looking towards the little girl next to the camera. The whole scene is filled with a warm festive atmosphere, and the interaction between the characters appears harmonious and joyful.


The camera captures a downward angle, with a book placed at the center of the frame. A person is located at the bottom of the screen, facing the book. He slightly moves the book towards the bottom of the frame with his right hand holding a pen, which he moves along the upper edge of the book from the left to the right side of the screen. Then, he dips the pen into the paint on the left side of the frame, dots the paper in the bottom left corner a few times, and reaches his right hand upwards to continue tracing along the upper edge of the book. Afterwards, he holds the bottom left corner of the book and rotates it counterclockwise by a certain angle.


In the lower left corner of the screen, a young woman appears, looking to the left of the screen. Behind her, a little girl with pigtails walks away from the camera. Another little girl in black clothes bends down and hands a cup of water to the blond boy next to her with her right hand. The little boy takes the cup with both hands, squints his left eye, and looks into the cup with his right eye. During this time, a person in jeans walks through the middle of the group holding a cup in their right hand.


In the scene, two people can be seen with their backs to the camera. Somewhat to the left in the center is a woman wearing a yellow bikini, and to the right in the center is a woman in a green bikini. They are looking out at the sea in the background. Then, the woman in the yellow bikini raises both hands, spreading them to the sides of her body, with her legs lifted slightly exaggeratedly. The two of them walk forward together, raising their hands with each step, and then lowering them. After their feet touch the water, the woman in the green bikini turns her head to look at the camera, with her hands swinging naturally at her sides, and then turns her head back to face the sea in the background.


This is a tracking shot where a foreign couple is walking from the right side of the frame towards the left. The male is wearing a green shirt and dark pants, with a red bag slung over his left shoulder, and his right hand is around the shoulder of the girl on the right side of the frame. The girl is dressed in a green top and light gray pants, with long hair. The two are in an intimate posture, walking towards the distance in the frame. It can be seen that the video was shot at night; on the right side of the frame is a beige building, on the left side is a row of cars parked by the roadside and greenery, and in the distance are blue skies with white clouds and low-rise buildings.


The video shows an accelerated view of a person painting an oil painting. The oil painting is centered in the frame, with three bottles of paint and a tissue paper on the left side. The painter's hands enter the frame from the bottom, with the left hand holding yellow paint and the right hand holding a paintbrush. The right hand first takes the paintbrush to dip into the yellow paint from the left hand, and then applies it to the painting. After dipping the brush three times in the yellow paint, the left hand puts down the yellow paint and picks up the orange paint from the table. Then, the right hand dips into the orange paint and continues to apply it to the canvas.


The background consists of trees and branches. In the center of the scene, a man is standing facing the camera. After lowering his head to adjust the rope loop around his left thigh, he bends over to put another loop of the rope through his right foot and pulls it up to the root of his thigh. With his knees slightly bent, he shifts his legs in place while adjusting the rope loops on his thighs with both hands. Then, he takes the rope in his right hand and lets it go, using his left hand to pull up another large loop, which he slings diagonally across his upper body with both hands. He then stands up straight, pulling the rope with both hands overhead, and looks up at the camera. Following this, he slightly bends his knees, bows his head to adjust the rope at his crotch with his left hand, and pulls the rope overhead with both hands while facing the camera and speaking. Finally, he places his left hand at his side.


The scene is a close-up of a mechanical component. From the left side of the frame, a left hand extends holding a pair of pliers, then places the pliers back outside the frame. Next, a screw is inserted horizontally into the component. The right hand enters the frame with the pliers and gently taps the part with them. Then, both hands remove the screw. The camera cuts, and a cylindrical metal part is installed on the component. The camera cuts again, and a metal rod is inserted into the cylindrical part and starts to spin rapidly. Then, the left hand removes the cylindrical part and the metal rod.


On the right side of the screen, an elderly man is shown holding a brush in his right hand, supporting his forehead. He then promptly places the brush into a jar on the left side of the screen and dips it a few times inside the jar. In the lower left corner, there is a candlelight that keeps flickering.


The scene shows seven people beating up a person lying on the ground. Initially, they stood closely in a circle, surrounding the person on the ground. Then they slightly dispersed, running towards the camera one by one. First, two people ran towards the left and right sides of the screen, exiting the frame. Then, three people ran towards the camera, all exiting from the left side of the screen. Only two people remained in the frame; they had their backs to the camera and were still beating the person on the ground. At this point, the person on the right pulled the person on the left with their right hand, and they both left the frame, moving towards the camera from the left and right sides, respectively.


In the main part of the scene, there are two men sitting on a motorcycle in the center of the frame, facing the right side of the picture. The man on the left is embracing the waist of the man in white with his right hand. Between the two men and the motorcycle, there is also luggage. The man in white is adjusting the luggage above with his hand, while repeatedly turning his head and talking to someone behind him. After securing the luggage, he adjusts his position, grips the motorcycle handlebars with both hands, and then repeats the action of adjusting the luggage. With both hands on the handlebars and his right foot raised, he is preparing to set off.


There are two girls in the frame, facing the camera. The girl towards the left side of the middle raises both hands into fists and holds them at chest level, assumes a half-squatting horse stance, then withdraws her right hand, slightly straightens her right leg and turns to the right, after which she resumes the horse stance. Following this, she withdraws her left hand, slightly straightens her left leg and turns to the left, then reverts to the horse stance. After repeating this sequence four times, she maintains the horse stance position. The girl towards the right side of the middle first raises her hands into fists at chest level, makes a gripping gesture, then clenches her fists and performs the same actions as the girl towards the left side of the middle. When the girl on the left side of the middle maintains the horse stance at the end, the girl on the right side of the middle also withdraws her right hand and straightens her right leg to perform an action.


A left hand throws a red and white doll onto the green checkered table in the foreground on the left side of the picture. A longer, white plastic bar points from the lower right corner of the frame towards the upper left corner. The left hand grasps the plastic bar and moves it to the upper left corner of the picture. For a moment, the right hand enters the frame from the lower right corner, pushing the plastic bar towards the upper left corner, and the bar continues to move in that direction. The upper background of the picture is filled with a variety of toys.


In the center of the screen, a black man stands slightly to the right, facing right with his left hand holding the microphone, singing while rhythmically swaying his body. Then, he lowers his left hand and continues to sing. Afterward, he again grips the microphone with his left hand, facing right, singing and swaying his body as he does so.


In the scene, two people are lying in bed with their heads facing the upper left corner of the screen. The camera is focused on the face of the man in the upper right. He is facing the camera, toying with the hair of the person whose head is pillowed on his right arm below. He rolls the hair onto his index finger and then pinches it between his thumb and index finger, sliding them through the hair before finally letting it go.


The background of the scene is a brown wooden wall. To the right, a long-haired woman stands with her back against the wall, supporting herself with both hands and bowing her head. To the left, a man with curly hair stands facing the right side of the picture, holding a long stick in both hands at waist level, and he is beating the woman's waist. The woman turns to the left to face the camera, throws her head back, and supports her waist with both hands. The man faces the camera, slightly biting his lips and looking down, moving the stick downward to continue beating the woman's waist. Then the woman lies down on the billiard table below and rolls around on it.


In the center of the screen is the left side of a white car, with the hood facing towards the left side of the frame. As the driver inside starts the car, the vehicle begins to turn left and drive off, with the camera panning left to follow until the rear of the car is centered in the frame. At this point, the car starts to turn right towards the entrance of a garage, and the camera follows the right turn, keeping the car in the middle of the screen.


In the center of the screen is a green fabric. On the left side of the screen, the left hand is holding the fabric and a crochet hook, with the thumb hooked around a green string. At this moment, the right hand on the right side of the screen is holding the crochet hook towards the center of the screen. The left hand is removing a blue small needle stuck on the crochet hook and moving it towards the left side of the screen to place it on the table. Then, it continues to move towards the right side of the screen, holding the green fabric and moving it to the left side of the screen. Meanwhile, the right hand on the right side of the screen is piercing the fabric with the crochet hook towards the upper left corner of the screen. The background of the scene is a purple table, and there are two small green fabrics in the upper right corner of the screen.


In the center of the scene, in the distance, there is a man who is bending over towards the right side of the frame, lowering his head to pick up something by the seaside. Then he stands up straight, turns to the left, and walks step by step towards the left side of the frame, while sorting out the things he has picked up in his hands.


The elderly person looks at the camera and smiles, then looks to the right of the frame, closes their mouth, and slightly lifts their head. Next, the elderly person looks down at the camera, tilts their head to the left side of the frame, and turns to face the side of the camera.


The scene is shown from a top-down perspective. On the left side of the screen, there is a pair of hands wearing yellow rubber gloves, with the upper part of the wrists covered in white clothing. The arms are resting on the table, and the right thumb is pinching the lower right corner of a transparent bag filled with white powder, while the left hand holds the lower left corner of the bag. Both hands are slightly trembling. The bag is placed flat, with its opening slightly facing upwards. At the same time, above the scene, there is a pair of hands belonging to a person wearing a short-sleeved shirt, also equipped with yellow rubber gloves. The left hand holds the upper right corner of the bag, while the right hand holds a transparent spoon that is being inserted into the bag's opening to scoop out a spoonful of white powder.


In the center of the screen, a man in brown clothing walks away from the camera, gradually disappearing into the distance. The man reaches back to grab the hat hanging around his neck and puts it on his head. The camera then follows the man's path, slowly zooming in, as two men appear from the left and right sides of the screen, walking towards the man in brown clothing at the center. At this moment, a man on horseback appears from the left side of the screen, and subsequently, the rider leaves from the right side of the frame. After the two men reach the side of the man in brown, they turn their backs to the camera along with him and gradually walk away. In the background of the scene, other pedestrians are walking, and children can be seen playing and laughing.


A man stands to the left of the frame, his raised right hand holding an empty bowl towards the camera. He then retracts his right hand and places it on the front of his right thigh. Leaning forward, the man looks into the camera. The camera gradually focuses on the man's face. The man raises his right hand, and both the hand and the bowl disappear from the left side of the frame. At the same time, the man speaks to the camera. Then, the empty bowl re-enters the frame from the left side. The man straightens up, turning his body away from the camera, and his right hand places the bowl on a platform, moving from the left to the right side of the frame.


The center of the screen features a man in blue clothes, and on the right side of the screen is a man in black clothes. The camera moves to the right, and the man in blue moves to the left side of the screen, smiling broadly at the camera and chatting, then looks to the right side of the screen, holding a water bottle in his right hand, and turns back towards the camera. The man in black moves to the right side of the screen, smiles at the camera, then looks to the left side of the screen and turns back to face the camera, with both hands gripping in front of his abdomen. There is wind blowing in the opposite direction of the camera in the scene.


In the center of the screen, a man is standing facing the camera. He is holding a green bag with both hands and speaking. He turns the bag counterclockwise and places it on the black bandage box in the lower right corner of the screen. He then picks up the bag again. Next, he puts the bag on the white box in the lower right corner of the screen, with both hands open in front of his chest. He clenches his fists, raises his right hand high and brings it down, making a motion as if twisting a towel with both hands, then spreads his hands open in front of his abdomen.


The video footage was taken by the shooter sitting on a motorcycle. At the bottom of the frame, a pair of hands reaches out to open a wallet and then closes it before retracting. The camera moves upwards, and in the center of the frame, there is a white male police officer wearing a hat. On the left side of the frame, there is a black police officer, and on the right side, there is a white female police officer. The three of them are facing the camera, with the white male police officer extending his right hand to shake hands with the black police officer. The camera turns to the right, and the white male police officer extends his left finger to point at the white female police officer.


The camera slowly pans to the left front, moving past the branches and blurred pink flowers, focusing on the woman in the blue shirt on the left side of the frame. The camera gradually lifts up, showing the woman in the blue shirt placing a flower to the right of the screen. She holds the flower with her left hand at chest level, then rotates the bouquet to the left side of the frame. With her right hand, she grips the stem above her left hand and lowers the bouquet to the right of the camera. She bows her head to look at the flower in the bottom right corner of the screen, and her smile fades.


In the scene, one can see a person's hands holding a red and white plush toy. The two hands flip the plush toy over. Then, the left hand holds the left side of the plush toy, while the right hand raises up and taps the middle of the plush toy twice with a finger, after which the right hand moves out of the frame from the right side.


A red sports car appeared in the center of the lens, and from the background of the video, it can be seen that the shooting location should be inside a tunnel. The red sports car then accelerated towards the front, creating some distance from the video car. On the right side of the screen, you can see that there is also a green car in front of the video car.


On the right side of the screen, a person wearing a gray shirt is bending over to press and adjust the component on the left side of the car in the picture. Both hands appear from the lower left side of the screen and move to the left side to adjust the position of the component. Then, both hands move to the lower right side of the screen and then back to the lower left side, with the left hand at the lower left side and the right hand at the right side of the screen.


In the scene, there are two people. On the left is a white male wearing a black vest, facing the camera to the right with both hands appropriately placed, thumbs touching his chin. On the right is a white male wearing only blue swimming trunks with his eyes covered by a black cloth, facing the camera to the left. In the background on the left, there are some bystanders looking towards the two people in the center of the scene. The man in the blue swimming trunks on the right adjusts the black cloth with both hands, waggling them up and down, then reveals a corner of the cloth, glances with his eyes, and seems to be speaking. He then turns towards the camera and quickly turns back, removing the black cloth with his right hand from bottom to top, turns towards the camera, and jumps.


The video scene is animated, and the center of the screen shows the upper body of a man wearing a yellow hat. His head is turned towards the right side of the screen, and he raises his left hand with his index finger extended, talking as he does so. He then turns his head towards the left side of the screen, raises his right hand, and holds a book.


In the initial screen, there is only one background. Then, black letters continuously stack in the center of the screen. After they form a pile, they disappear one by one from the top down, appearing in their corresponding positions. The order of disappearance is TFSYDCAOSE, and the remaining letter U at the bottom, together they form the phrase "STAY FOCUSED".


In the foreground of the scene, on the left, there is a girl dressed in orange, standing sideways with her back to the camera. On the right side of the foreground, there is a boy wearing black and white stripes with his back to the camera. In the background, an adult woman is bending over, facing the direction of the camera with her head bowed down. Her head is turned towards the right side of the screen. She is holding an open book in her left hand and the lower part of a fruit in her right hand, continuously rotating the fruit. The little girl is looking at the fruit, lifting her left hand to scratch the back of her left ear. Then, the adult woman lowers the fruit, and the little boy stretches out his right finger to point at the fruit. Subsequently, the girl turns her head to the left side of the screen and looks in that direction, and she also turns her body towards the left side of the scene.


In the scene, a man is holding a gun standing in the grass. The man in the middle is speaking with his mouth pouted, his body slightly moving and tilting towards the upper right corner. At the same time, the man on the left wearing a gray hat follows this movement. The man on the right, wearing a plaid shirt, moves his upper body to the right first, then to the left, and then quickly tilts towards the lower left corner while opening his mouth to shout. Immediately afterwards, he pulls his body back down.


The scene is on a grassy area, with the center of the frame showing a white male in a black short-sleeved shirt, wearing a camouflage cap. He is kneeling on his right knee on the ground, facing sideways to the camera and looking to the right. His left hand is resting on his left knee, while his right hand holds a sniper rifle. He then turns his head towards the camera, talking with his mouth, and his left hand swings back and forth. Afterward, he turns his head back to look to the right, occasionally turning his head and speaking.


A woman in the frame is leaning against a wall, her hands cupped in front of her, her eyes slightly squinting as she looks down at her hands. Her left hand gently opens, while her right hand slowly lowers its palm. The camera angle follows the movement of her hands, revealing many small purple flowers in her palm. These hands gently gather the little flowers, with her left hand resting on the right arm, then slowly moving along the arm to cover the flowers in the palm of her right hand. She then brings both hands back to her chest, and as her hands move, the camera slowly rises. Her head gradually bows down to rest on her hands.


In the center of the screen are two people. In the middle is a man draped in a blue towel, with the towel wrapped around his head and body, and his right hand sticking out from the middle of the towel. His body is facing the camera, saying something, then he turns to the left side of the screen, his right hand holding the towel to wipe his face, and he takes a few steps in place. Finally, he turns his head to the man on the right side of the screen and says a few words. On the right side of the screen is a man with his upper body naked, holding a brown towel in his hand. He gently shakes the towel in his hand and keeps looking at the man in the center of the screen. Then he starts laughing at the camera, and immediately begins to talk to the camera. He then turns his body to the side, facing the left side of the screen, and uses the towel to wipe his chest. Then, as he continues to talk, he occasionally looks at the camera and the man on the left side of the screen.


This is a first-person perspective shot. You can see the main subject in the frame tilt the lens towards the ground, with grass on the ground. In the left side of the frame, there is a black dog facing towards the right side of the frame. In the upper left corner, there is a man wearing blue pants. The camera then moves to the left, revealing four dogs in the center of the frame. In the lower left corner, there is a yellow dog, and in the upper left corner, a grey dog. On the right side of the frame, there are two black dogs, with a person in blue pants standing in the middle. The yellow dog and the black dog closest to the right side of the frame then walk towards the right side of the frame. The grey dog on the left side of the frame and the black dog on the right side, moving away from the camera, are seen playing in the upper left corner. Subsequently, the camera moves to the right, and you can see a black dog following the man in blue pants from the lower left corner to the lower right corner of the frame.


This is a video of a family picnic from an animation. In the scene, an elderly man wearing a green shirt is sitting on a stool with his back to the camera, raising a can in his right hand. At this moment, a woman in a red shirt in the background also raises a can in her hand, and the two toast and drink. In the foreground of the scene, a small monkey is using its right hand to pick up something from the table and taste it. In the background, a man in a yellow shirt is holding a can in his right hand, then he bows his head and turns to look at the woman on the right side of the frame, and subsequently turns to look at the man in the green shirt in the foreground. He takes a red box from the table with his right hand and gives it to the man in the green shirt in the foreground. In the background on the right side of the frame, there is also a man wearing a blue hat, holding a fork in his right hand with a sausage on it, which he brings to his mouth to chew.


In the scene, a group of people are facing to the left when suddenly the girl with curly hair at the very left of the frame turns her head to the right, behind her, facing the camera with an expression of disbelief, while her hands are still placed on the surface to her left. As she turns her head to the right side of the frame, her left hand also comes down. This is because a boy wearing his hat backwards quickly dashes over from the right side of the yellow surface, continuously slapping the left side with both hands. Then, the girl also starts to slap it, followed by another boy with a reversed baseball cap running to the right side of the girl's body. Both of them, along with the people around, keep accompanying the inside of the left side.


In the center of the screen, there is a man facing the camera with his eyes looking to the left side of the frame, talking with his mouth, and his hands raised and placed on his chest with the palms facing each other. His hands move parallel to the left side of the screen, then his eyes shift to the right side of the frame and back to the left, while his hands move to the right side of the screen, and then proceed to move back to the left.


At the center of the screen is a woman in an orange skirt and a man in white clothes. The woman is walking towards the left side of the screen, and the man is holding her right hand. The woman turns to the right side of the screen. The camera switches, and the woman in the orange clothes is now on the left side of the screen, while the man in white is on the right. The woman in orange swings her right hand to the right side of the screen, slapping the left side of the man's face who is wearing white. The man in white falls backwards away from the camera, and then the woman in orange, with her right hand, swings again from the left side of the screen to the right, slapping the left side of the man's face once more. The man in white falls towards the bottom right corner of the screen and collapses to the ground. The camera shifts slightly to the right, and the woman in orange raises her right foot towards the top of the screen, kicking the man located at the bottom right of the frame.


In the center of the screen, a woman in a black and white top is sitting sideways with her body facing the right side of the screen. Her left hand is holding a bundle of banknotes, while her right hand is counting the money one bill at a time with her thumb and index finger, moving her fingers from the right side of the screen to the left. The background is blurred, and there is a pencil on the table below the screen.


The camera shoots from above, focusing on the foreground of the scene, where a woman is smiling with her teeth showing, looking at the barbell in her hands. She is lifting the barbell with both hands. In the background of the scene, a person with arm tattoos is helping the woman lift the barbell, lower it, and lift it again.


The man in the center of the screen sighed and bowed his head, his hands tapping on the keyboard. He looked down at the computer, then raised his head and exhaled deeply while looking to the right side of the screen. In the end, he looked down at the computer again and tapped the Enter key with his right hand.


At the center of the screen is a black man in white clothes giving a speech next to a display stand in a conference room. On the far left of the screen, a row of tables can be seen with three people sitting down. On the extreme left is a man in a black suit who has turned his head to the right side of the screen, looking at the black man in white clothes in the center of the picture. Next to him on the right is a woman in a white top, and to the right of her is a person in a blue suit. These three people are all looking carefully at the man in white who is giving the speech in the center of the screen. With his hands open slightly forward on either side of his body, he takes a few steps forward and then stops. He glances to both sides, takes out a pen and points to the left side of the screen, turning his head to the left as if asking a question to the person in the blue suit. Finally, the man in white turns his body to face the camera again. Throughout this process, the camera continuously rotates to the left, moving from a side angle to a direct view of the man.


The video is shot from a top-down perspective. In the center of the frame, there is a small table with a toy car placed on it. In the background of the scene, a pair of hands grasp the side of the toy car's exterior shell, then tilt the shell towards the camera before attaching it to the toy car's body. The left hand holds down the roof of the car while the right hand picks up a screw.


In the scene, there are two women standing. The woman farther from the camera is facing the lens and looking at the woman to the left of the screen who has her back to the camera. Her left arm is bent, holding a white plastic bag. She starts to speak, raising her right hand which holds a pineapple. Then she puts the pineapple down and tosses it up in the air, catches it as it falls. Afterwards, she raises her right hand again, holding the pineapple, making a gesture as if to throw it at the woman with her back to the camera. Then she puts the pineapple down again and continues speaking. The woman on the left side of the screen, with her back to the camera, slightly shakes her head and then bows it down. In the small screen at the bottom right corner, a woman in black raises both hands to make a gesture, talking and shaking her head.


The man leans his body backward, smiling as he looks at the woman across from him who has her back to the camera. Then, the man turns his head to the left side of the frame, and the woman shrugs her shoulders. She then raises her right hand to her forehead, and turns her head to the left side of the frame as well. Following this, the man turns his head to the left side of the frame and then faces the camera direction, subsequently lifting his right hand to pick up the coffee cup.


From left to right on the screen, there are, in sequence, a man in dark clothes with a white shirt, a woman in a red top with ripped jeans, and a little boy in blue clothing. They are all facing towards the right side of the screen, with the little boy holding onto the handle of a black cart. The camera slowly moves to the right, showing the man's left hand and the woman's right hand clasped together as they walk towards the right side of the screen. The little boy pushes the cart towards the right. The woman extends her left hand to the right side of the screen to stroke the boy's head, then retracts it back towards the left side of the screen. She then reaches out again to the left side, holding the man's left hand. In the background on the left side of the screen, there is a parked car and tree trunks, while on the right side, there is a courtyard fenced off with wire mesh.


In the scene, one can see a person's hands working on an orange oil painting in the bottom left corner of the frame. The left hand supports the lower edge of the painting, while the right hand holds a black pen and is drawing on the right side of the painting. The right hand tilts the pen towards the left side of the canvas. Then, it holds the pen normally and adds black patterns to the right side of the painting, seemingly outlining the edges of white letters with the black pen. At the end of the video, the right hand lifts the pen, and both hands move the painting upwards a short distance.


A person wearing black sport pants and black sports shoes steps towards the camera from the distance on the left side of the screen, one step at a time. Upon getting close, they plant their right foot on the ground, take a half-step back with their left foot, and then assume a kneeling position. Following that, they lean their left hand outward and flat on the ground.


In the center of the screen is a large bed covered in stains. In the upper left corner, there is a pink basin placed on the large bed. Above the center of the screen is a person wearing a yellow short-sleeved shirt and gray shorts facing the camera, with their left hand resting on their thigh and their right hand holding a brush, continuously brushing the bed towards both sides of the screen. They then dip the brush into the water in the basin on the left side of the screen, tilt it towards the lower right corner, and continue to wipe the large bed. In the upper right corner, there is a laptop placed on the bed. The action of dipping the brush in water and wiping the bed is repeated continuously. Then, the left hand is placed on the bed to the lower right of the screen and moved back to the thigh, while the right hand holds the brush and brushes towards the lower right corner of the screen. Afterwards, the brush is switched to the left hand, which brushes the bed towards the left side of the screen, while the right hand supports the thigh. Then, the basin on the left side of the screen is dragged to the top, and the hands alternate in brushing the bed.


Holding a close-up shot. In the center of the frame is a Chihuahua, which barks twice towards the lower right of the screen, then turns its head to look in the direction of the lens. To the left of the frame, a man is half-lying sideways on the sofa, facing the camera and speaking to the Chihuahua. To the right of the frame, a man with long hair is sitting facing the right side of the screen, then gets up and walks away from the camera's direction, and subsequently bends down to put something on the table.


In the foreground, the left hand of a person on the left and the right hand of the same person in the lower right corner are holding a honeycomb panel on the right side of the foreground, remaining still. The background consists of green trees, with a beehive located in the lower left of the background. The camera switches and rotates in closer, shaking up and down outside the beehive, revealing some bees flying nearby or crawling on the beehive. Subsequently, the camera focuses inside the beehive, showing a group of bees moving on the honeycomb panel.


A close-up shot is taken from a fixed camera position. The camera pans left, and a person with their back to the lens disappears from the right side of the frame. On the left side of the screen, a man stands facing the camera, looking towards the right side of the frame. The man is holding a round disc with both hands. He then shakes the disc a few times while turning his head to look towards the left side of the frame and speaks. Following this, the man holds the disc with his left hand and points to the left side of the frame with his right hand. Finally, the man takes a half step towards the right side of the frame, bows his head, and receives the disc with his right hand.


In the center of the screen is a child looking to the right of the frame, raising their left hand to their mouth and continuously biting on it, while swaying their body back and forth. Then, they slightly turn their head to the left side of the screen and glance upwards to the left with a smile. From the outside on the left, a hand in brown clothing reaches in, continuously stroking the child's back and the back of their head. Then, the hand withdraws from the left side of the frame and quickly extends to the right side, becoming blurred in front of the lens.


In the center of the screen, there is a man wearing green clothes. To the right, a woman in white is standing beside the man. In the upper left corner at the back, there is a woman with blonde hair, only her head is visible as she faces away from us. The man and woman in the picture are looking at each other, talking and laughing.


The scene is shot from a first-person perspective. The camera slightly moves downward, then raises up, shaking as it moves forward. A right hand appears on the right side of the screen, waving, and then it disappears from the lower right corner of the frame. On the left side of the screen is a black car, with its hood facing towards the right of the background. As the camera approaches the front of the car, it rotates towards the left side of the screen. The car body is on the right side of the frame, and then the camera lens is raised.


On the left side of the screen is a toy house, and a hand on the left side of the screen pushes the toy house towards the center. The camera then switches, zooming in on the toy house. Off-screen, a hand is squeezing the green rubber cylinder on the house, with part of the hand visible at the top of the screen. At the same time, droplets appear on the glass bricks of the toy house. A hand above the screen rotates the roof, while the glass bricks retract, and the red toy car under the roof also rotates. Then, a hand extends from the bottom of the screen to adjust the position of the toy car before retracting and moving out of the frame.


In the foreground on the right side of the screen, a bunch of flowers is placed on the desktop. In the background, a woman with her side to the camera and facing left in the picture stretches out her left hand to grasp a ribbon extending towards the upper left of the screen. Then, she smooths the ribbon in her left hand with her right hand. The woman then moves her body upwards in the frame, and with her right hand, she takes a pair of scissors and cuts a section of the ribbon from her left hand. The woman then turns towards the camera and takes a step in the direction of the camera. She then places the scissors in her right hand onto the desktop in the lower left of the frame. The woman raises her left hand, and with her right hand, she grasps the ribbon in her left hand, smoothing it while moving towards the left of the screen. Then, with both hands, she straightens the ribbon out horizontally and places it on the desktop. She picks up the ribbon again with both hands, straightens it out once more, and then puts it back down on the desktop. Finally, she reaches both hands towards the flower bouquet.


In the scene, a red airplane is flying towards the upper right corner of the screen. Then, the camera pulls back and moves to the right, with the airplane becoming smaller and smaller in the frame. A mountain range appears at the bottom of the screen, and then two airplanes fly across the top of the screen from right to left. Subsequently, the red airplane turns left and flies towards the left side of the screen, at which point the camera also follows and moves to the left.


The person on the right side of the screen is kneeling, facing the left side of the screen, with only their legs and hands visible. He holds a magnesium rod in his left hand and a flint in his right hand. Using the flint, he scrapes the magnesium rod downward, aiming to ignite the wood in the center of the screen. Afterward, he slightly adjusts the wood with his right index finger, then continues to strike the flint. Once the fire is lit, he adjusts the wood with his left hand.


At the center of the screen is a television that rotates clockwise from side to side. There are blue lines above and red lines below on the screen. The television screen shows a masked doll holding something in both hands, with the right hand holding a bow and arrow, gradually lowering the body and turning to the right side of the screen before turning back to face the camera. The content on the middle screen changes, and a hand appears from the top right of the screen holding a white doll. The hand holding the doll moves through a horizontal obstacle, and a doll facing the right side of the screen appears on the left side, as the camera moves downward.


The fat man on the left stretches his left hand forward and his right hand backward, leaning his body forward to the left, with his legs apart in a half-squat; the man in red on the left raises his left hand upwards, turning his upper body from the right to face the camera, his right hand pulling back to his right chest, with his mouth open; the girl in the blue vest turns from the right to the upper right corner, bending her hands on both sides to naturally drop at the ends of her body, her left foot stepping to the right, toes pointing backward; the man in the dark vest with slightly bent legs raises his hands to the top of his head, forming a diamond shape; the woman in the red cheongsam on the right squats down first and then jumps up with both hands raised; the man in white on the right turns his body to the right, crossing his hands over his chest; the man in the hooded vest on the right turns his body from the left to face the camera, his right hand bent into a fist, with his thumb up, placed in front of his right shoulder. In the second row, the man in the blue shirt has his hands together in front of his chest; the man in the black and white vest on the second row shouts with his arms wide open; the man in black shorts on the second row stretches his hands with thumbs and index fingers pointing upwards, slightly lifting his head. The actions of the group occur simultaneously, with a background of bushes.


The video camera is focused on the presser foot of the sewing machine. In the lower right corner of the frame, a person's left hand is visible, holding down a piece of black fabric. In the upper right, you can see this person adjusting the sewing machine with their right hand. Then, the camera zooms out, and the person operating the sewing machine places a corner of the fabric under the presser foot, spreads their left hand, and supports the edge of the sewing machine in the upper left corner of the frame with their right hand. Then, they hold down the fabric, use their left hand to grip the thread on the presser foot, and adjust the position of the fabric.


On the left side of the screen is the leg of a black man wearing shorts, facing the right side of the screen with his back to the camera, doing squats. His left hand is placed beside him, and his right hand is raised forward. On the right side of the screen is a person in long pants doing squats towards the left side of the screen. When squatting down, their left hand is placed beside them, and the right hand is raised forward to chest level; when standing up, they place both hands at their sides. Then they squat down again, this time with their right hands beside them and their left hands extended forward to meet. The camera slowly moves upwards as they squat, exchanging the positions of their hands, with the woman on the right side of the screen facing left, and the black male on the left side of the screen facing right. When they stand up, their heads are no longer in the frame. The camera slowly moves forward, and they do five more squats, exchanging hand positions each time. The camera then moves backward and down, continuing to capture them doing squats, until only their legs are visible. The floor is wooden, and there is a blue sofa in the upper right corner of the screen.


In the foreground of the scene, a group of people is standing. Suddenly, from the bottom right corner of the frame, a person with their back to the camera dashes into the scene, falling onto the group of people. Then, they turn around to face the camera, stretching out both arms to block the group of people behind them, retreating towards the background of the scene. The camera then cuts to a man holding a gun, then to a woman, and finally back to the previous scene of the group of people. The man who dashed into the frame is still facing the camera with his arms open, retreating towards the background. In the background, there is also a large crowd of people.


In the scene, a man is facing to the right of the frame, looking down at his hands. His left hand is extended, and he is in the process of putting on a glove. With his right hand, which is already gloved, he is pulling up on the lower part of the left glove, while his left hand keeps turning over. The camera slightly zooms in and then finally zooms out.


On the left side of the screen is a woman looking down at the lower part of the screen with her head bowed, and on the right side is a man who is making a phone call. Both of them are standing facing the camera. The man has a relaxed expression, holding his phone with his right hand up to his right ear to make the call. The woman turns her head to the right side of the screen, glances at the man with a smile, and then bows her head down again.


A close-up fixed camera angle time-lapse shot. In the center of the frame is a table filled with ingredients, with people constantly walking back and forth near the table. A person in jeans first approaches the central table on the side away from the camera to select ingredients. Then, a person in white pants appears on the right side of the screen, standing next to the person in jeans to choose ingredients. Next, from the left side of the frame in the distance, a person places a mechanical device on the table and leaves. Then, in the close-up on the left side of the screen, a person appears holding a plate in their left hand and selecting ingredients with their right hand to put in the plate. On the right side of the screen, a hand takes away several ingredients from the pile. Finally, the person who previously put down the mechanical device on the left side of the screen reappears, placing a piece of paper on the table with their right hand, and then setting a plate on the paper with their left hand. Immediately after, at the very left of the screen, someone sets down a bottle of a beverage on the table.


On the left side of the screen, the woman looks at the couple on the right, smirking slightly. The man on the right is smiling, and the blond woman with a ponytail tilts her head towards the man. Then, the scene shifts to the left, and the ponytailed woman extends her left hand with her palm facing upwards. She then lowers her left hand and speaks while nodding, at the same time the man nods and speaks. At this moment, the camera turns back to the woman in red on the left. The woman's head turns slightly back from the right to the front, continuing to look up and speak, and then she tilts her head to the left and steps back.


A white woman faces to the side of the camera, towards the right of the frame, walking into the shot. A black woman faces towards the left of the frame, sideways to the camera, walking into the scene. The two walk towards each other, facing each other, and come to a stop. They shake hands with their right hands, up and down, and the white woman also nods simultaneously. Then, they both withdraw their hands.


In the top left corner of the screen is a laptop, with various sticky notes, notes, pens, and balls of paper scattered around. A pair of hands enter the frame from the bottom, moving towards the center, picking up an orange calculator placed on the table and slowly pressing its buttons. Afterwards, they carefully put down the calculator and leave the frame from the bottom.


Looking up at the camera. At first, the screen only shows a grassy field covered in snow. Then, a woman appears from the distant horizon, facing the camera and walking towards it. The woman slightly raises her hands and tilts her head back to enjoy the snowfall, then lowers her hands, and her arms naturally swing with the motion of walking until the woman approaches the camera and steps over it.


A man stands to the right of the frame, facing the camera with his back to the light, making his face unclear. The man's body leans forward towards the camera while bowing his head, leaning towards the phone in his left hand. He then straightens up and swings his right hand to the right side of his body.


The man in white clothes on the right side of the screen is walking towards the camera, then bends over to someone sitting under an umbrella on the left side of the screen, while a girl with a ponytail on the left side hits the back of her right hand with her left hand. The ponytail girl then looks towards the right side of the screen, at the same time a man wearing a blue hat moves from the right to the left side of the screen. The camera quickly zooms in, and the ponytail girl looks to the left of her back, while the man in white pants looks to the left side of the screen, raises his right hand holding a phone and points to the left side of the screen. He then turns his head to look at the person under the umbrella, swinging tools in front of his body. The ponytail girl on the left side of the screen continues to turn to the left of her back to get something, and the woman under the umbrella leans back with food in her hand.