A group of people are conversing on the beach by the sea. A fair-skinned woman is lying on the sand on the left side of the picture, her head facing towards the foreground on the left, and her right hand occasionally touches near her forehead and ears. She then turns her head towards the right side of the picture, extending her right hand to the right, her fingers wiggling. She withdraws her right hand to stroke her left chest, and then extends her right hand to the man in white on the right side of the picture, before bending her arm and using her right hand to stroke her nose and then touch her glasses. The woman in red on the left side of the picture is holding a phone in her right hand, crouching on the sand facing towards the right side of the frame. The woman in a white bikini, towards the center right of the picture, is sideways to the left, holding up her phone with both hands, smiling as she looks at the content on the phone. She then turns her upper body towards the camera, still smiling, and swipes the phone with both hands. The woman in red kneels on the ground, bending over to look at the phone of the woman in the white bikini and adjusts her seating position. The woman in the white bikini then lowers her right hand from the phone, raises her left hand to point at the woman in the bright orange clothing towards the center left of the picture, and then brings back her right hand to hold the phone with both hands, swiping the screen with her right hand. The woman in red nods her head and then straightens her upper body. The woman in the bright orange clothing initially looks at the woman in the white bikini and then turns her head to the left, sitting down with her hands supporting her on the ground behind her, tilting her head back and then down, picking up something from the ground with her right hand and putting it back down, before supporting herself on the ground with both hands again. The black woman in a black top on the right side of the picture is kneeling on the ground facing left, looking down, slightly lifting her hands and swaying her body, turning her head to look at the man in white on the right, and then looking at the woman lying on the sand on the left. She raises her left arm to point at the hand of the woman on the sand with her left index finger, then lowers it, bends over, and extends her right hand, preparing to pick up something


On the left side of the screen, a painting with a green frame hangs on the grayish white wall. On the right side of the screen, a person wearing a yellow hat and a yellow top faces the camera, with their body slightly turned towards the left of the frame, looking up. Then, they slightly lower their head and look towards the lower left of the screen, beginning to speak.


A child wearing a black shirt is pushing a shopping cart, which also has a green handle. The child then pushes the cart towards the camera. However, at this moment, the shopping cart tilts to the left side of the frame. Subsequently, the shopping cart falls to the ground. To the left of the frame, a person in a black shirt stretches out their right hand and walks towards the direction of the child.


In a room filled with Christmas decorations, a woman in red uses her right hand to take a jar from a cupboard and brings it to her front. She then turns her head to glance at a man and a woman on the right side of the scene. After that, she looks to the right and starts to twist the lid of the jar. The man and woman walk around the cupboard, preparing to leave the room, and before they leave, the man turns to look at the woman in red.


In this accelerated video footage, a bustling city intersection is displayed. The video shows a panoramic view of a crossroads surrounded by many high-rise buildings. As the camera moves rapidly, you can see various vehicles shuttling through the intersection. In the background, there are red brick buildings and modern office blocks, with trees and green belts scattered among them. Traffic lights and pedestrian signals are also clearly visible in the frame, constantly changing to indicate the fluctuation of traffic flow.


There are blue and red mats spread out on the ground, seemingly in a place like a boxing gym. In the center of the scene, a man and a woman are engaged in combat. The blond woman in a dark blue top has crossed the male's hands, who is wearing a red and green plaid sweater and a black hat. She then moves to the side of the man, turns her back, bends over, with her left knee on the ground and her right leg slightly forward for support, flipping the man onto the ground. The man lies prone on the ground while the woman stands up and holds his right arm. At this moment, she turns her head to look to the left of the scene, where a man dressed in blue shirt and pants enters the view from the left side of the frame. The man spreads his arms and kicks at the woman's head with his left foot. The woman releases the man lying on the ground, turns to face the man in blue on the left side of the scene, and skillfully dodges his attack. She blocks her head with her right arm, avoiding the right punch from the man in blue, and extends her left leg to kick the man in the left abdomen, causing him to fall face down in pain. At this point, the man who was lying on the ground on the right side stands up and attempts to attack the woman. The woman keenly notices and assumes a combat stance with both hands, then extends her right leg, kicking the man out of the frame to the right.


The scene shows a group of children sitting on a sofa eating pizza, all gathered around a girl wearing a gray dress with a white shirt underneath. The girl has a slice of pizza in her right hand up to her mouth, and in her left hand, she holds a phone placed on her lap. All the children are eating pizza while looking at her phone.


In the center of the screen, a woman in a red coat is smiling, facing right and playing the piano while singing, nodding and shaking her head. Then she turns her head to look at the woman on the left side of the screen, and turns her head back to the right. The woman on the left side of the screen is wearing a black top, and she first smiles while looking to the right of the screen, then blinks and slightly nods her head towards the left side of the screen. She then tilts her head to the right, making eye contact with the woman in the center, before closing her eyes and slightly nodding her head towards the left side of the screen again. In the upper left corner, part of a person is visible. There are Christmas decorations on the right side of the screen. And there is a white logo in the lower right corner of the screen.


In the center of the screen is a keyboard placed at an angle, with a corner of the computer screen visible in the top right corner. At the bottom of the screen, a hand flashes by.


In the scene, there are three men. The man closest to the camera is lying on a black chair, his face turned to the left side of the frame. As the camera moves forward and closer to him, he turns his face towards the camera, revealing a pained expression, and he is speaking. On the left side of the frame, away from the camera, a young man facing the right side of the frame is dressed in black and walking towards the right side of the picture. The camera slightly turns to the right, and the man closest to the camera raises his head, turns towards the left side of the frame, opens his mouth wide, then bows his head, bending his right arm, and placing his left hand on his forehead. The young man in black drops his left hand to his front and raises his right hand, turning his body towards the camera and walking towards the front left of the frame. In the background, the man sitting in the upper right corner of the frame keeps his head down and remains still.


The perspective is from above with a slight shake of the camera. Four people are standing at the top of the frame, facing downward, partially visible. From left to right, the person on the far left is wearing a blue and white skirt, with their left hand reaching towards the lower right of the frame, holding a red cup above the center of the frame; the second person is dressed in black, with their left hand reaching towards the lower right of the frame, holding a red cup in the upper right of the frame, and their right hand is placed on a brown table in the lower center of the frame; the third person is wearing a floral skirt, with both hands pressed below the table; the person on the far right is dressed in purple, with their left hand on the table, their right finger pointing downward, their head tilted downward, looking towards the left of the frame, then straightening up. The two holding the cups lift them up, revealing a green object and a brown object beneath the cups on the table. There are also many red cups placed upside down on the table.


The video scene is shot from an overhead view of a baseball field. In the center of the frame, the pitcher is sideways to the camera, with his body facing the right side of the screen. He is crouching down, holding the ball in his right hand, and twisting his body downward to pitch it forcefully towards the catcher in the middle background of the scene. Both the catcher and the umpire in the background are crouching down. The camera zooms in on the catcher, and in the background, the batter is seen gripping the baseball bat with both hands, swinging it towards the camera, hitting the ball, and driving it outward from the screen. At the same time, the shortstop at the bottom of the screen is facing away from the camera and quickly running towards the right side of the frame. In the background, a group of spectators are seated on the stands, looking into the baseball field.


In the center of the screen, slightly to the right, a woman is sitting facing the camera. She is holding a mobile phone to her left ear with her left hand, smiling as she talks, and in her right hand, she holds a cup. Suddenly, the woman raises her eyebrows, then laughs and looks to the right of the screen, lifting the cup in her right hand and then setting it back down. She then raises her right hand holding the cup again, places her right elbow on the table, takes a sip of water, and sets the cup down on the table, finally nodding. In front of the woman, there is a book, a glass of water, and a bottle of flowers on the table.


In the initial scene, only a person wearing white clothes and a black apron can be seen sitting on a stool in a room. He has a small mustache, and from the doorway of the room, his hands can be seen placed on his lap, fiddling with something that is not clearly visible. Then, a man in a black leather jacket enters from the right side of the screen. The man in the white shirt notices him and looks up. The man in the black leather jacket walks to the far left of the screen, glancing into the room and looking at the man in the white shirt. The man in the white shirt begins to speak to the man in the leather jacket, and subtitles appear at the bottom of the screen, revealing the content of their conversation. The man in white stops talking, his mouth still open. The man in the black leather jacket slightly tilts his head, seemingly talking as well, answering the man in white. His words are also revealed through the text at the bottom of the screen. After listening to the man in the leather jacket, the man in white moves something from his left hand to his right hand and then places it on the ground with his right hand. He slightly bends down, slightly lifting his left hand to maintain balance, and then stands up, facing the man in the leather jacket. Then he extends his right index finger, as if pointing at the man in the leather jacket or something outside, then he retracts his right hand and starts walking towards the door of the room. Reaching the doorframe, he supports himself with his right hand on the frame and continues to speak to the man in the black jacket. His left hand is also raised, with the index finger pointing to the left side of the screen, as if indicating the path he is about to take. Then, he adjusts his center of gravity and steps out of the doorframe, turning to walk towards the left side of the screen. Then he raises his right hand again and points to the left once more. He passes the man in the black leather jacket, and then he starts to walk deeper into the room on the left. The man in the black leather jacket, carrying a bag, follows behind the man in the white shirt. The man in the white shirt seems to have a limp, walking particularly unnaturally. The man in the black leather jacket follows behind the man in the white shirt, and they walk deeper into the room together as the screen gradually fades to black. The background of the scene


On the right side of the screen, a man on horseback enters the frame, his body facing the camera, riding towards the left side of the screen. As he reaches the center of the frame, he slows down and gradually comes to a stop, turning his body slightly to the right, looking towards the left side of the screen. The horse's head turns to the right side of the screen, and he follows the horse's body, turning to the right side of the frame. Then, he tugs on the reins with his right hand, turning the horse's head to the left side of the screen, and he continues to ride towards the left. The camera follows him, panning left, with his left side facing the camera, his body swaying slightly left and right, forward and back, as he slightly lifts off the horse's back. When passing a wooden pole, he twists his head to the left side of the screen. The background is filled with greenery, the ground is a dirt path, and on the left foreground of the screen, there is a wooden structure composed of three logs.


This is a top-down perspective where the center of the frame features a transparent plate holding a bacon roll. Hands are placed on either side of the bacon roll, and they move to the right side of the frame to pick up the bacon from the plate. The scene changes, showing a woman in a pink apron looking down towards the bottom of the frame. The camera moves down, with both hands in the center of the frame; the left hand is holding a toothpick piercing the bacon, while the right hand supports the bacon. The left hand leaves the frame on the left side, fetching another toothpick, and then hands it to the right hand. The right hand grasps the toothpick, while the left hand continues to pierce the bacon.


The man is looking down, his left hand raised holding a mobile phone, entering the frame from the left side facing towards the right side of the screen. He then raises his right hand to the front of his body while slightly turning his body to the left.


In the bottom right corner of the screen, you can see a woman's face. The scene is dark, so her face is not very clear, and you can only see her head looking upwards towards the center. Then, in the middle of the screen, the woman's right hand is raised, above her head. She seems to be holding a small object in her hand. The camera slowly pans upwards, and at this point, the woman's face is no longer visible, focusing only on her hand. The woman's hand places the object she is holding onto a shelf at the top, pushing it deep inside the shelf, and her hand is adjusting the position of the object.


In the video, two people can be seen; a girl in a blue coat seems to be learning how to ride a bicycle. Behind her, an elderly person in a pink coat is supporting the girl in blue. The girl first pedals with her left foot on the ground a couple of times, then lifts it onto the pedal. However, she is unable to control the balance of the bicycle, so her foot falls back to the ground, and her hands tightly grip the handlebars. The elderly person in pink is holding the girl's shoulders, pushing her and the bicycle forward, and stabilizing her balance. Finally, the girl manages to place both feet on the pedals and begins to cycle forward, though somewhat unsteadily, as she is not very familiar with it. The person behind her still holds her shoulders tightly, appearing happy with a smile on their face.


There are three people in the picture. The person on the left side is wearing red clothes, revealing only half of their body, facing the right side of the picture with their hands on their hips. The person in the center, dressed in green, faces the camera, raises their right hand to their chin, then places it in front of their waist to catch the flag in their left hand, while lifting their left hand to support their chin and glancing to the right of the picture, seemingly saying something. The person on the right side is also dressed in red, standing with their body facing towards the left side of the picture.


The woman on the left is sitting with a book in her hand, slightly lifting and lowering it, her gaze downward. The woman in the middle has her arms open, taking a step forward with her left leg, followed by her right leg, swaying slightly to maintain balance. Then she lowers her right hand and raises it over her head, tapping her right foot to the right, her gaze downward. The woman on the right is sitting on a tall barrel, facing the camera from the left side, supporting herself on the barrel with her hand, and slightly swaying her legs to adjust her sitting position.


In the center of the screen is a flat-bottomed pan filled with cut-to-size tofu blocks. After tilting the pan, a spatula in the upper left corner of the screen stirs and flips the tofu inside. The camera slowly zooms out as the spatula is lifted up.


The scene begins with a man in a black suit facing the camera direction, standing on the right. He stretches his right hand straight to place a glass on the left side, while his left hand is taken out of the bag with the arm bent. At the same time, a man in a light-colored suit is sitting on the left, looking at him with his right hand bent and placed on the horizontal bar on the left. After the man in the black suit puts down the glass, he crosses his hands in front of his chest. The man in the light suit maintains his gaze, moves his right hand, bent, towards himself, and his left hand moves from his left thigh to the left pocket of his pants, leaning his body to the left. The scene switches to two elderly people talking. The woman on the left is sitting and looking at the man on the left, holding one end of the wool with her right hand as if she is releasing the ball of yarn with her left hand. The man on the right is standing, holding a document and talking, occasionally glancing slightly upwards at the woman. The scene cuts back to the two men from the beginning; the man in the dark suit turns his head to look at the man in the light suit and then looks ahead. Immediately after, he spreads his crossed hands in front of his chest, pouts, and walks towards the front.


The camera slowly zooms out, showing a man in light-colored clothing looking to the left of the screen, propping up his upper body. The shot cuts to a man in dark clothing facing the camera, looking to the left of the screen with a smile as he speaks, followed by a forceful nod. The camera switches to a contemplative woman who stares blankly into the lens. The shot returns to the man in light clothing; the camera pans up as he turns to the left of the screen and stands up, lifting a gun with both hands, then straightening his body to face the camera. He looks weary, gazing into the lens, supporting the gun with his left hand, as his right hand loads it. The barrel of the gun points at the camera, positioned at his right waist level. Then he tilts his head back slightly to the left of the screen before continuing to look to the right of the screen and speak.


On the left side of the screen, you can see a woman wearing a cyan skirt, facing the white body of a car on the right side of the screen. The camera pans to the right and zooms in on the woman. At this point, the woman has squatted down in front of the white car, extending her left hand to point at a pattern on the white body. Then, the woman's right hand also enters the frame, with her left hand handling something on her right index finger. Next, the woman stretches her right index finger to the pattern on the white car body, using her left index finger to press the small object on her right index finger onto the pattern on the white body. The woman's expression is serious as she watches her own actions.


The upper part of the screen is empty land and white mountains, while the lower part is scattered black rocks. On the right side of the screen, there is black and gray smoke produced by an explosion, which then gradually rises and becomes lighter.


The man on the right, dressed in a beige suit, is speaking with his head bowed, sitting across from the man on the left. He points to the document with his left hand and then raises it, shortly afterward placing his left hand near his right hand, and looks towards the man on the left. The man on the left looks up at him, and the man in the beige suit raises his right hand with his palm facing inward and moves it up and down. He then places his fingertips sideways on the table towards the camera, and the man on the left nods slightly.


In the scene, a man is facing the camera, looking down at a large book in his hands. His left hand supports the book, while his right hand moves from the right side of the frame to the left, turning the page. Then, he looks up and smiles at the camera before bowing his head to read the book again, finally lifting his head once more.


A man dressed in formal attire appears on the screen, with many swimming fish in the background. While speaking, he holds a ball in his left hand, glances at the ball, tosses it into the air, and catches it. Then he makes a gesture with his right hand and raises his eyebrows. After that, he tosses the ball twice more, accompanying the movements with hand gestures. The camera switches to a close-up of the man's face, and as he speaks, he continuously uses both hands to gesture.


In the scene, there are four people standing behind a table. On the far left of the picture is a girl wearing a black and white striped shirt. Her body is facing the camera but her head is turned to the right side of the frame. Her hands are folded in front of her chest, and she occasionally turns her head to look at the camera. The second person from the left is a girl wearing a blue short-sleeved shirt, whose hands are naturally placed at her sides, resting on the table. She also turns her head to the right side of the frame, and then she turns her head to look at the camera with a smile, gently shaking her head. The third person from the left is a girl wearing a white dress with blue patterns, who has turned her head to the right side of the frame, looking at the girl on the far right. On the far right is a girl in a purple top who is continuously looking at the camera and talking with both hands making gestures in front of her. In the center of the table, there are many red plastic water cups.


In the scene, there are two men. The man in the black vest is standing on the right side of the frame, and the blindfolded man is standing on the left side. The man in the black vest is holding a microphone in his right hand, speaking to the camera while facing the blindfolded man. He then turns his head to look at the blindfolded man, and subsequently holds the microphone in his left hand.


Overhead shot. At the center of the frame are the interlocked hands of two women. The woman on the right, wearing a white top, is using her right hand to caress the arm of the woman in a brown top who is above in the frame. The camera then slowly moves down, revealing the face of the woman in the brown top as she emerges from the top of the frame. She smiles at the camera, her eyes looking towards the woman on the right side of the picture. The woman in the brown top reaches out with her left hand to stroke the hair of the woman in the white top. The woman in the white top is turned away from the camera, positioned in the bottom right corner of the frame.


In the center of the screen, a person is skiing towards the camera. The camera switches, and in the center of the screen, a person equipped with skiing gear is sitting on the ground sideways to the camera, facing towards the right side of the screen. He raises his right hand holding a hockey stick and strikes the ground with it. To the right of the screen, a person is moving forward with their back to the camera, and then, she moves to the right, away from the lens.


In the center of the screen, a woman in a blue-gray top is wearing a backpack, facing the camera, and looking to the right of the screen while speaking. The camera moves to the right, then down, and slightly to the left. In the bottom right corner of the screen, a little boy in red and a small white dog appear. The boy is crouching with his back to the camera, briefly looks back to the left of the screen, and then looks to the right again, continuously beating something with a stick in his left hand. To the right, a small white dog runs away in fear to the right of the screen, then turns left, faces the camera, and crouches under some clutter. On the left side of the screen, the woman extends her left hand as if preparing to stop the boy.


A pair of hands in the upper right corner of the screen have the index fingers and thumbs overlapping, tying a bow on a stick. Then, the hands move towards each other and pull in opposite directions. Quickly lifting away, they continue to move towards the center of the bow. The index fingers and thumbs pinch the loop and pull it outward, then continue to adjust. Next, the left hand is raised out of the frame, while the right hand holding the stick moves towards the right side of the screen. Subsequently, both hands are raised out of the frame, and the camera rotates counterclockwise.


The camera shoots from a higher position looking down, with a large bridge spanning from the lower left to the upper right of the screen across a river. There are several vehicles on the bridge driving towards the lower left of the screen. In the upper right of the screen, vehicles continuously appear on the bridge and drive towards the lower left. The camera shifts to the left, and after a while, two vehicles appear on the bridge, near the lower left edge of the screen, driving towards the upper right.


Close-up low-angle shot. A man is at the center of the frame, facing right with his side to the camera, hands raised overhead. The camera then pulls back with a slight shake, as the man lowers his hands, bends over, places his right hand behind him, his left hand on the ground, and lifts his right leg, crossed, to rotate it clockwise in the air before placing it in front and standing up. He then withdraws his left leg and hands and looks to the left of the frame. The man then extends his right leg to the left of the frame and raises his hands overhead. Finally, he tilts his head to the right of the frame, circles his hands clockwise at his sides while squatting, then places his right hand behind him, his left hand in front, and looks to the left of the frame.


In the scene is an animated film. At the beginning, the camera quickly moves upwards to the right. There is a man in a yellow shirt in the frame, with a monkey lying behind him. The monkey pokes its head out from the man's left shoulder. The camera focuses on the upper half of the man and then stops moving. The man slightly turns his head to the right to look at the monkey, stretches out his right hand in a gesture of helplessness in front of him, and seems to be continuously saying something. The monkey slightly turns its head to the left to look at the man. Then, the man lowers his hand and turns his head to the front of his body, and the monkey jumps down from the man.


The camera focuses on a woman's hands facing the lens. In the center-right of the frame, her left hand in the foreground grips a piece of leather sandwiched between two wooden blocks at the bottom center of the image. Her right hand, in the left foreground, pulls a thread sewn onto the leather, moving towards the left side of the frame, undoing one knot and exiting the frame from the left edge. Then, her right hand re-enters the frame from the left, holding a needle which it threads onto the leather seam. The hand then pulls the thread towards the left side of the frame and leaves the frame from the edge. The right hand repeats this entering and exiting motion six times. On the last repetition, as the hand moves towards the left, it slightly twists towards the camera's direction before leaving the frame, finally completely unthreading the leather.


The video scene is animated, showing a purple disk-shaped robot facing the camera, waving both hands at the lens, while the gears on its body keep spinning.


In the scene, five children are sitting on the steps, facing to the left of the screen, with their feet continuously and rapidly tapping. The camera moves upwards across the screen from left to right; the first child stretches both hands to the left of the screen, the second has both hands down, the third raises both hands, the fourth raises the right hand, and the fifth has both hands down. Then the camera moves to the left of the screen, and subsequently moves down, at which point their feet stop moving.


In the center of the screen, a black woman wearing a mask is sitting facing right, looking to the left of the screen. She then turns her head, with the back of her head facing the camera. The camera slowly zooms in, and the woman turns her head back to the right side of the screen. Her eyes move left and right, she glances upwards, and finally looks to the left side of the screen again; all these changes in her gaze are swift. The background is the interior of a bus, with blue seats.


The chef raises his right hand and sprinkles food downward, then quickly shakes it up and down before his right hand disappears from the frame. His body slightly turns and inclines towards the left side of the frame, then straightens up again. His right hand reappears in the frame, continuing to sprinkle food downward, followed by rapid up and down movements of the hand. After this, the right hand exits the frame, and the left hand reaches out in front of his body.


The bird on the right side of the center of the screen moves towards the left side of the frame, then another bird flies away and disappears into the scene, followed by smaller birds slowly moving towards the left side of the screen.


In the center of the screen, there is an oil painting. On the right side of the painting, a person's hand is holding a small brush and adding color to the oil painting. The person's left hand, at the bottom left corner of the screen, is holding a bottle of pink paint. The right hand, holding the brush, is coloring a leaf at the bottom right corner of the oil painting, turning it pink. Then, the left hand picks up an orange paint from the left side of the canvas, while the right hand moves the brush towards the orange paint in the left hand, possibly to dip the brush in color. Next, the right hand starts to use the brush to add color to another uncolored leaf in the center of the painting. The entire leaf is painted orange, and then the right hand moves to the leaf on the far right of the oil painting. After a couple of strokes, the hand moves back to the left side of the canvas. After adding a bit of color to the brush from the paint bottle held by the left hand, the brush is once again used to color the leaf on the right side of the oil painting, turning that leaf orange.


In the center of the screen, a person in a white shirt is facing the camera, with the upper part of their right hand visible. They are holding a small bunch of flowers with both hands, raising it from the lower center of the screen upwards, with the back of their hands facing the camera. Then they release their left hand, which reaches towards the right side of the screen to the pocket of the white shirt, pulling the pocket slightly towards the camera. The right hand inserts the flowers into the pocket and presses them down, after which the left hand moves away from the pocket first. Then, the right hand moves downwards, the left hand adjusts the flowers, and finally, both hands are lowered. To the right of the screen, there is a small section of green shrubbery.


The main subjects of the scene are a man and a woman, with the woman on the left and the man on the right. They are dressed in blue-toned clothing and are facing each other while dancing. Later, the woman on the left stretches out both hands to coordinate with the dance, repeatedly spreading her hands outward and then folding them back, while also turning in a counterclockwise circle. The man on the right also stretches out his hands, shrugging his shoulders from side to side.


In the picture, all three people are sitting sideways to the camera, facing the right side of the screen. The woman on the far right is slightly leaning forward, touching her right ear with her right hand. The man in the middle, wearing glasses and a blue shirt, adjusts his glasses with his left hand and then brings his left hand to his mouth as if in thought. The woman on the far left is only showing her hair and forehead, continuously touching her hair with her right hand. The actions of these three people seem somewhat tense and uneasy.


The video is a first-person perspective close-up of the hands, with the left hand holding a green yarn disk and the right hand using a tool with a hook to weave back and forth. The index finger of the right hand lifts up with each weave, while the left hand slightly turns. The background of the scene is a purple desktop.


At the right edge of the screen, there is a person in black facing to the left of the screen with their back to the camera and head bowed. On the left side of the screen is the interior of a car door. The person in black is holding a triangular device in their left hand against the door on the left side of the screen and another cylindrical device against the upper part of the door with their right hand. Then, the man pushes his right hand forward, slightly turns his head to the left, twists his left hand counterclockwise towards the upper part of the screen, and then slightly loosens his right hand and lifts his head slightly.


In the lower left corner of the screen, a police car with blue flashing lights is parked. The camera slowly pans to the right, and a man in a black police uniform pushes open the left door of the police car and steps out, facing the right side of the screen. His body is tilted to the left. He takes a black hat with his right hand and puts it on, pressing the crown of the hat down onto his head as he does so. His left hand supports the car door, and at this point, his body is turned towards the right side of the screen. At the same time, in the background, a silver car passes from left to right across the screen. In the background of the scene is apanse of green trees.


It is a video tutorial for a sauce recipe. In the center of the screen is a small white porcelain bowl, above which there is a spoon that does not show its handle. The spoon contains red sauce. At this moment, the sauce from the spoon is poured into the porcelain bowl, and then the spoon is taken away. Next, a small spoon containing black liquid appears from the top of the screen and pours the liquid into the bowl in the center of the screen, after which the small spoon moves out of the frame. Finally, a small spoonful of oil appears from the top of the screen and pours the oil into the porcelain bowl in the center of the screen.


The man in the picture has brown hair and a beard, wearing glasses, a green coat, and black clothing underneath. He is sitting in front of a table neatly stacked with many pieces of paper. In his right hand, he holds an open document, and between his left index and middle fingers, there is a pen. With his head bowed slightly to the left and looking down, his expression is serious. He puts down the pen in his left hand and reaches out to pick up a piece of paper from the table, turning his head to the right to glance at it. Then he turns his head to the left to look at the document. At this moment, he rotates the piece of paper with his left hand. He turns his head back to the center, puts down the paper, and with his left hand, he turns to the next page of the document. After letting go, the document returns to the original page. His left hand moves to the table, and he bends down to pick up the piece of paper in front of the previous one and looks at it. The background is a bookshelf neatly filled with books.


At the beginning, the man in the black coat on the left side of the screen has his back to the camera, while the woman in the red coat on the right side faces the camera. They look at each other, with the woman slightly bowing her head to look in the direction of the lower right corner of the screen, then raising her eyebrows to continue speaking to the man. The camera then switches to the woman's left side, where the man now faces the camera. The man glances to the right side of the screen, then focuses intently on the woman as he speaks. The scene then cuts back to behind the man. The woman looks again towards the lower right corner of the screen, then slightly lifts her head and smiles while speaking to the man. The camera switches again to the woman's left side, and the man looks at her with surprise, then turns his head to the right side of the screen, glances, and turns back to continue looking at the woman while she speaks. The camera then switches to the man's right rear. The woman speaks to the man with a smile and extends her right hand to shake hands with him. The camera switches once more to the woman's left, and the man looks up with a surprised expression towards the sky.


In the frame is a man wearing a deep blue T-shirt. His body is turned to the right side of the picture, and his gaze is directed towards the camera. He has taken a slight step to the right. The camera quickly cuts, focusing on the golf ball that has been hit high into the sky, and follows the slow descent of the golf ball as it gradually moves downward.


In the center of the screen, a woman is sitting sideways to the camera, facing the left side of the screen, and looking to the left. As the camera zooms out, she turns her head counterclockwise and looks up to the top right corner of the screen to speak. The camera continues to zoom out and move towards the top right corner. The camera appears in the center of the screen, and the lens zooms in on the woman, who is now in the center of the frame, still looking and speaking towards the top right corner. Then, she shifts her gaze to the bottom left of the screen.


In the center of the screen is a water tank. At the top of the screen, a pair of hands is holding a bundle of pink and blue clay, placing it into the water tank below the screen. As it touches the water's surface, many bubbles rise. Then, the hands release the clay and move upwards, at which point the clay in the center of the screen continuously dissolves downward, spreading pigment. The water tank on the left side of the screen is blue, and the one on the right is pink. The background of the screen is a wall tiled with white bricks.


In the scene, there are two women sitting facing the camera. In the center of the frame, a woman in pink clothing is sitting sideways on a blue and yellow patterned carpet, holding a black record in her left hand and looking to the lower left of the picture while speaking. On the left side of the frame, a woman in a blue-green vertically striped top is sitting cross-legged on the ground, holding a record in each hand, looking down to the lower right of the picture. Then, the woman in the center of the frame places the record in her left hand on the carpet, and with both hands on the ground, she lifts her right knee and looks to the lower right of the picture. The woman on the left extends her right hand with the record towards the record player in the center foreground and sets it down, then with her right hand, she places a device from the right side of the picture onto the record and withdraws her hand. The camera slightly shakes and then moves down, followed by an upward movement. The setting is indoors with a lot of furniture; on the right side of the frame, there is a brown cabinet, and on the left side, there is a white shelf.


In the right side of the screen, a woman in gray is holding a piece of clothing and standing towards the left side of the frame. She glances at the dressing room in the background, which is curtained with gray drapes. The curtain is drawn apart, and a woman in blue looks down at the clothing offered by the gray-clad woman in her right hand, then takes it with her left hand. She glances at the camera before closing the curtain. The woman in gray turns her head to look towards the left side of the screen, her hands clasped together.


The scene is a close-up shot, with the spatula on the left side of the frame moving in circles towards the right side of the frame, then moving towards the upper left corner of the frame, and then circling back to the right side of the frame. Meanwhile, a hand enters the frame from the left side and quickly disappears in the frame. The camera pulls back, and as the spatula scoops up a portion of food, the camera zooms in, the action is repeated, and the camera continues to zoom in.


In the center of the screen, the left hand is twisting green yarn and the partially knitted fabric, while the right hand holds a crochet hook and is in the process of knitting. Although the angles of both hands keep changing, the right hand inserts the crochet hook and brings it out.


The scene is shot from a fixed camera on a car. The car is driving forward, and there are three incoming vehicles on the left side of the screen. In the middle background, there is a car driving ahead. Suddenly, the car turns to the left-front, and the camera moves accordingly. A hand appears from the lower left side of the screen, gripping the steering wheel and turning it to the left before disappearing in the lower left corner of the frame. The camera then rotates to the right side of the screen, with the car's right-side window in the center, followed by a rotation to the left side of the screen.


The video is a sped-up video, with the footage captured by a fixed camera inside the car. The car is driving in the leftmost lane of the screen. On both sides of the screen are barren lands. In the midground, two trucks are driving ahead. The car overtakes the one driving in the middle lane. Then, the truck in the center of the screen changes lanes to the right, and the car accelerates to overtake it.


In the foreground of the scene, three girls stand facing the camera. The girl on the left side of the frame has her hands wrapped around her front, her head turned towards the left side of the picture, then she turns towards the camera, lifting her left hand to flick her hair on the left side. The girl in the center of the frame has her hands crossed over her chest, her head facing left and remains still. The girl on the right side of the frame is closer to the camera, her mouth opening and closing. Behind the girls, a boy turns his head towards the scene, glances to the right, and then looks back to the left side of the frame. In the left background, a shop assistant wearing a green apron faces the camera, bowing their head while lifting their right hand, then bends over as if to pick something up, and then straightens up, continuing to raise their right hand.


In the scene, a person steps on the front end of a skateboard with their right foot, where a spark appears. Then, holding the other end of the skateboard with their left hand, they run towards the left side of the frame, with the camera following their movement.


On the left side of the screen, there is a girl with curly hair. At first, her eyes look down to the right corner of the screen, then she raises her gaze to directly stare at the middle right of the screen, and then returns to the lower right corner of the screen. After that, she closes her eyes, furrows her brow, looking rather painful. The background is black, with shimmering blue and orange lights.


In the scene, a woman is standing, facing to the left of the picture. She is using both hands to put on an apron over her head, then raises her hands to pull her hair out from under the apron behind her. She then bows her head towards the camera, holding both sides of the apron strings at her back, and brings them around to the front. After that, she bows her head again, using both hands to tie a knot in front with the strings, while turning her head to glance at the left side of the picture. After tying the knot, the woman turns towards the camera, inserts her hands into the pockets of the apron, and looks at the camera with a toothy smile. Throughout the process, her movements are very slow.


The video footage is shot in first person perspective, with the left hand holding a white toy skirt, and the right hand holding a golden toy belt, pulling it towards the waist of the skirt. Afterward, the right hand picks up the top right corner of the skirt. The left hand flattens the hem of the skirt. In the background of the scene are three Barbie dolls.


In the center of the screen, a black-haired man in all white, leading a white horse, walks from right to left, gradually being obscured by a man in a dark blue shirt riding a brown horse in the foreground. As the brown horse moves to the right side of the screen, the black-haired man in white pulls on the reins, steering the brown horse to the left, turning its back to the camera, revealing the full view of the white-clad man and the white horse. Another man in a gray shirt and with a cowboy hat slung on his back rides a brown horse into the frame from the right, moving to the center. At the same time, a man in a red shirt and a cowboy hat, riding a brown horse, enters the view from the left side of the screen. Finally, a man in a white shirt and yellow vest rides a horse with a dark hue into the frame from the right. The perspective then shifts, showing the four men on horseback facing the white-clad man in the foreground who has his back to the camera, with the man in the center-right leaning over to speak to the white-clad man. The others occasionally adjust the reins to keep their horses steady, including the man in the yellow vest on the far left of the screen, who rides the horse and follows its turns, pulling on the reins.


The camera shakes, and in the center of the frame, slightly to the right, a woman with yellow rubber gloves on both hands is in a kitchen, her body turned towards the left side of the screen. She sets down her right hand from the red apron and takes a step towards the left side of the frame, picking up a transparent plastic bucket from the red plastic bowl on the left side of the screen with her right hand. Her left hand reaches under the plastic bucket and she speaks while pointing with her index finger. Then, she supports the red plastic bowl under the transparent plastic bucket with her left hand, putting the bucket back inside it. She moves her left hand to a white plastic cup that is closer to the left side of the frame, makes a gesture, and then moves her left hand back above the transparent plastic bucket, running her left index finger along the edge of the bucket. Following this, she releases the transparent plastic bucket with both hands, holding it in front of her to make a gesture, turns her head towards the camera to speak, periodically turning her head towards the table on the left side of the frame.


In the picture, there is a bowl of noodles. In the lower right corner of the screen, a hand is holding a pair of chopsticks, stirring the noodles from left to right. Then, the chopsticks are lifted from the noodles and placed back on the left side of the bowl, after which they stir the noodles from left to right once again.


On the left side of the screen, close to the camera, there is a purple object that is turning the gears on its body, slightly rotating towards the right side of the screen. On the right side of the screen, farther from the camera, there is a green cartoon character with his hands open and placed at his sides, his body facing the front of the screen. Leaning forward, he looks at the purple object with his eyes. Then, he straightens up, turns towards the right side of the screen, looks up to the upper right corner of the screen, and starts talking with his hands in front of him. He then opens his hands upwards and then brings them down, looking at the purple object with his eyes. He then extends his right hand towards the purple object, with his left hand in front of him, speaking with a smile, and then he wipes the smile off his face.


In the scene, a curly-haired woman facing to the left of the frame is standing in front of a door. The door opens, and she looks at the straight-haired woman in the doorway. The straight-haired woman extends her left hand, grabbing the curly-haired woman's hair and neck, as the curly-haired woman enters the door.


On the left side of the screen, there is a car with its door open. A man wearing sunglasses is getting out of the car. His body is facing towards the right of the screen, and with his left hand, he closes the car door and walks towards the camera.


Close-up shot from a fixed position. In the center of the frame, a woman is crouching, facing rightward, with her side to the camera, holding a mobile phone with both hands. The woman slightly nods her head a few times, quickly glancing at the phone, and then speaks while slightly leaning forward several times. There are two sofas, one in the distant left side of the frame and another in the close-up right side.


On the right side of the screen is a person stretching out both hands to sew clothes. In the center of the screen, his left hand is holding the edge of the clothes, while his right hand holds a awl and is trimming the thread on the clothes. At first, the left hand flips the clothes to the back corner, and the right hand uses the awl to trim the thread. After the left hand pulls away the thread, the right hand flips the clothes back. The background of the scene is a white sewing machine.


In the center of the screen is a woman with golden blond hair sitting on the left side of the table, facing right. On the far left of the screen is a woman with straight black hair, standing behind the blond woman, also facing the right side of the scene. On the far right is a black woman with curly hair, sitting on the right side of the table, facing left. In the distance, away from the focus of the scene, a man in a white shirt can be seen. The blond woman in the center of the screen has her left hand next to her left cheek, laughing heartily. Her right hand holds a mobile phone placed on the table. She laughs and shakes her head while talking continuously. Then she turns her head towards the man sitting in the distance and opens her mouth wide, covering her mouth with her left hand, and begins to laugh wildly. The woman with black hair on the far left is holding a pen in her right hand, bending over to look at the phone with a smile. Then she lowers her right hand slightly straightening her posture, before bending over again to look at the phone and shaking her head. The black woman on the right is covering her mouth with her left hand and her right hand is on the table, giggling. She then says something to the blond woman in the center of the screen, still covering her mouth with her left hand. Finally, she covers her forehead with her left hand and starts laughing heartily, shaking her head at the same time.


In the center of the screen, a white man wearing a gray short-sleeved shirt and blue jeans is slowly placing a car window glass into the empty black car window with both hands. The black car is located on the right side of the screen, with the left door open.


On the left side of the screen stands a middle-aged woman with black hair, wearing black sunglasses and a purple top. She faces the camera, holding a water gun connected to a hose in her right hand and a yellow water kettle in her left hand. She then turns to the right and takes a step or two back, aiming the water gun at the mouth of the kettle while slowly lowering the kettle. In the background is a small house with light yellow walls and brown wooden doors, surrounded by some plants.


The scene is shot from a first-person perspective. In the center of the back, a man with a gold bracelet on his left wrist is seen holding a stack of cards with his left hand, and blue sheets of paper are rotated out from the cards, which are spread out separately. The subject of the shot is seen caressing a shiny blue sheet of paper with their left hand. They then retract their left hand. The background is an office interior.


In the foreground of the scene, students sitting in their seats with their backs to the camera have raised their hands one after another. In the background of the scene, a white-haired man is facing the camera, speaking to the students with hand gestures. His right index finger points to someone, and a person wearing a red hat stands up, engaging in conversation with the white-haired man.


The man is facing the camera, looking to the lower right of the screen, and keeps talking. He first raises his left hand above his head and shakes it, then stretches both hands out to the sides of his body and raises his index and middle fingers, slightly bending the fingertips before straightening them, repeating this several times. Then he spreads both hands by his sides and slightly shakes them.


On the left side of the screen, there is a man who is facing the camera, with only his upper body visible, playing the guitar. His left hand first grasps a chord on the right side of the frame, while his right hand holds a pick and attempts to strum the strings with his fingers. Then, he adjusts the position of the chord with his left hand.


On the left side of the screen, there is a woman in a white school uniform facing the camera with one hand supporting her head, laughing heartily. She then lowers both hands and says something. On the right side of the screen, a man in white clothes says something and then turns his head towards the right side of the screen. A man appears on the right side of the screen, takes a step towards the left side of the frame, and then disappears from the right side of the screen.


In the scene, everyone is facing the camera, looking to the right. On the far left is a woman in a red coat with a ponytail. To her right is a woman in a black coat. At the back, on the far right, is a man in a white coat. They all tilt their heads to the left, towards their right shoulders. The camera slowly pans to the right, and as it does, a woman in a purple top appears on the far right of the frame, her head also tilted to her right shoulder towards the left side of the screen. As the camera continues to move to the right, a man in a gray shirt appears on the far right, also tilting his head to the left with his mouth half open. The camera keeps panning to the right, revealing a man in a coffee-colored jacket, who also tilts his head to the left. Everyone in the frame maintains the same pose.


The video is shot from a first-person perspective, with the background in the distance being blurry. In the center of the distant scene, there is a man wearing a striped long-sleeved shirt, with his back to the camera, staggering down the stairs towards the bottom of the frame. At the bottom of the frame, there is a hand holding a watch.


In the scene is a standing wooden stake, with an animal on top of it. The camera moves down, then slightly to the left, and zooms in. The background of the scene is a cluster of green weeds. The scene changes, showing a fox with its head facing left, standing in the middle of the frame, surrounded by green weeds. It lowers its head, turns towards the camera, and runs towards it, then turns towards the left of the screen and runs out of the frame on the left side. The scene switches again, in a field of green grass, a fox is standing on the right side of the frame, facing left. It raises its head and looks to the left of the frame, then turns its head towards the camera, facing the lens, and then turns its head to the left of the frame, looking towards the upper left front of the camera.


On the left side of the screen, a woman is sitting facing the camera, her eyes looking at the man on the right side of the screen with a smile. She first moves her left leg, then picks up her left hand, which was placed on her left leg, and places it together with her right hand across her lap. Her body slightly inclines towards the man on the right. The man on the right side of the screen is sitting facing the camera, looking at the bowl in the lower right corner of the screen, which is under a funnel, held by his extended left hand. Then he turns his head slightly downward to look at his right hand moving on the table, and then he speaks and laughs, turning his head back to look at the bowl.


Three people are standing on the right side of the screen, facing towards the left. The closest to the camera is a black little girl, to her left is a black little boy, and behind him is a black adult male in a suit. The camera moves towards the black adult male, who raises both hands with open palms in front of his chest, looking to the left of the screen, speaking excitedly. He leans towards the left and then returns to his original position, later raising his left hand and pointing his index finger upwards towards the sky, gesturing towards the left of the screen. He then opens both hands with all five fingers spread wide, shaking them while speaking excitedly. Afterwards, the black little girl moves towards the left of the screen.


On the left side of the screen is a dark-haired man wearing a brown thin down jacket inside and a black overcoat outside, facing the camera. He is looking towards the right side of the frame at a blond woman wearing a pink coat who has her back to the camera. While speaking, he raises his eyebrows, causing wrinkles to appear on his forehead. At the same time, he raises his right hand, which is gloved, and points his right index finger upwards in the direction of the top of the screen. He smiles as he slightly squats down and then quickly stands up, lowering his right hand, and continues to smile while speaking. The background is blurred with white lighting.


The woman in the center of the screen raises her arms to shake out the picnic blanket, then bends her legs and leans over to spread it flat on the sand. Afterward, she stands up and walks to the right side of the frame, sliding her hands from her hips down to her thighs to adjust her skirt before finally sitting down on the picnic blanket.


On the right side of the screen, a man in a blue shirt is standing sideways to the camera, facing left towards the left side of the screen. On the left side of the screen, an elderly person is standing sideways to the camera, facing right towards the right side of the screen. The man in the blue shirt is speaking to the elderly person, his right hand gesturing on a map in the background, while the elderly person looks directly at the man and listens attentively.


An elderly white woman in a floral shirt is located on the left side of the picture, holding a brush and painting a blue craft item. The old lady's right hand casually moves the brush back and forth over the left half of the craft, and her gaze follows the position of the brush.


In the center of the screen is a foreign man wearing a yellow checked shirt, with his right hand resting on the railing. His body is slightly turned towards the right of the screen as he looks to the right. Then, he raises his left hand to speak. The camera slightly moves to the left side of the screen, where the shoulder of a man in a black short-sleeved shirt with his arms crossed can be seen. At the same time, the man on the right side of the screen lowers his left hand and looks towards the lower right corner of the screen. Then, the camera zooms in, and the man speaks while looking towards the left side of the screen. The background is a forest in autumn.


On either side of the screen, there is a fishing rod. The camera is aimed at the calm lake surface with gentle ripples. The fishing rod on the right side is lifted up, and you can see a swinging fish on the line. Then, a hand appears in the bottom right corner of the screen, moving downward.


In the scene is the first-person perspective of knitting yarn. The left index finger holds the yarn string, while the thumb and ring finger grip the knitted part. The right hand holds the crochet hook. Next, switch to hold the knitted part with the right hand and use the left hand to remove the pin attached to it.


On the right side of the screen, a red airplane is speeding towards the left side of the frame. The camera follows and shifts to the left, as the airplane gradually turns, positioning its upper half directly towards the camera with its wings vertical. Finally, the airplane moves to the center of the screen. The background consists of barren mountains, blurred and indistinct.


The camera slowly moves to the left, and on the right side of the screen, a man in a coffee-colored work uniform and a yellow apron is manually stacking wooden slats on the table in front of him, then he takes a blue pen from his right ear and marks the wooden slats. On the far left of the screen, a man in a maroon coat is measuring something with a tape measure. As the camera moves from right to left, a man in a black coat can be seen holding a piece of paper in his right hand, glancing down at the paper as he enters, and with his left hand, he unfolds the paper and walks towards the man on the far left of the screen. Behind him follows a woman in a coffee-colored trench coat; she is holding a black leather bag on her right shoulder with her right hand, and her left hand is at her face, which seems to express great excitement, and she appears to be saying something. Behind her is a woman in a magenta trench coat who closely follows the first man who entered. Following them is a man with short black hair, a black coat, and a blue scarf. Lastly, an older man with white hair, wearing a black cotton coat, enters through the middle door. The last three people do not speak, and the man with the tape measure, who was initially on the left side of the screen, leaves the frame from the left. The final shot is of the first man who entered, with brown hair and wearing black, handing over the paper he's holding to the man in the black coat and blue scarf.


The scene is a close-up shot of the hands, with both hands gripping the ends of a gachapon capsule. The palms face downward as they open the gachapon, and two small figurines drop out from the middle of the capsule. Following this, both hands are raised towards the top of the screen, as a new figurine drops in from the right side of the frame.


In the scene, there is a man and a woman sitting in the car, facing the camera. The woman on the left side of the screen covers her mouth with her left hand, then slightly leans her head to the right, looking at something in the man's hand, and then says something before tilting her head towards the left side of the screen. The man on the right side of the frame is holding a picture book with both hands, talking and nodding forcefully, with the picture book blocking his face.


At the beginning of the video, a little girl in a vest dress is kneeling at the top center of the screen. At the bottom right, another girl is rolling to the right on the ground, then gets up and runs to the left side of the screen, standing at the far left, backing up and facing right with her head down, looking at the girl in the center. At this moment, the girl at the top center of the screen places her hands on the ground, bends over, and does a forward roll. The girl on the left side raises her hands and jumps slightly. From the background, it can be seen that they are indoors at home, with carpeted floors and gray-yellow wallpaper. At the far left of the screen, there is a white plastic bag on the ground, and a gray plastic bag is hanging on the door at the top left of the screen.


A small monkey jumps in from the left side of the screen, then takes another leap forward, reaching the big tree in the background. It stands up, grabs a branch with its left hand, and using both its hands and feet, it climbs up the tree branch by branch, eventually leaving the screen from the top.


A man in a brown leather jacket is half-crouching and looking to the left, then he supports himself with his left hand on his left thigh and stands up. At this moment, a woman in a black top turns her head to look at him, while the woman next to her with a gray-blue headscarf turns her head to the left and quickly looks back. A man with brown hair pushes through the crowd from the upper left corner and walks to the front, placing his left hand on the woman in the black top and moves her away, walking up to the man in the brown leather jacket. He looks up at him, moves forward, and starts to speak. Meanwhile, the woman with the gray-blue headscarf begins to talk to someone behind her to the right, then turns her head to look at the ground. The man in the brown leather jacket glances at her and then looks down and starts to speak. He then turns around to face away from the camera, and the man with brown hair turns his head to look at the ground and leans forward.


In the frame, a woman sitting at the side of a table facing the camera has her left hand placed on the table in front of her, while her right hand holds a pen and she looks down at the table. She raises her eyes and moves the pen in her right hand slightly, then bows her head to look at the table again. Then, she uses the pen to write. The camera pans down, and she raises her right hand, using her left hand to pick up the paper under her right hand. She then moves her right hand, holding the paper, to the right side of the screen as her left hand grasps the other side of the paper. Her right hand releases the paper while her left hand lifts it and moves it to the right side of the frame. Then, her right hand grips the pen, she turns her head slightly, and extends the pen to write on the table.


In the scene, there is a large crowd on a grassy area. At the beginning, the camera pans to the right, focusing on a group of people with a numerous dogs. The camera has a slight shake, and after stabilizing, it begins to rotate to the right. Finally, the camera starts to descend, with a black dog at the center of the frame.


The scene is shot from a first-person perspective with the shooter sitting in the driver's seat of a car. The camera quickly spins and moves to the right of the frame, as the car drives forward, the camera also moves forward with a slight shake. In the lower foreground of the image, the car's interior and windshield wipers are visible. Below the frame is a two-way longitudinal road with smaller paths on both sides. Tall trees and lawns are seen on both sides of the image, and there is grey text in the bottom right corner.


In the upper left corner of the screen, partially visible is a person dressed in blue, facing to the right of the screen. Their left hand, wearing a blue glove, is stretched out to the right of the screen, while their right hand, wearing an orange glove, holds a long board. The person then walks towards the camera, left hand gripping the board, and the right hand pressing down on it as the camera moves to the lower left of the screen. They prepare to push the board down, and the camera zooms in. The scene is set in a factory; on the left side and in the background, there are shelves filled with brown materials. In the lower right, there is a gray countertop with many tools placed on it.


On the right side of the screen, you can see a small pink pig, and on the left side, there are several small yellow chicks walking towards the left edge of the screen. A slightly larger pig has entered from the right side of the screen, burying its head in the ground with a yellow chick on its nose. The chick jumped off the pig's nose onto the green grass and followed the other yellow chicks towards the left side of the screen. The camera pans to the left, revealing a white chicken on the left side of the screen. As the camera moves to the center of the screen where the white chicken is, the white chicken is calling out to the yellow chicks in front of it, bowing its head and patrolling around the yellow chicks, flapping its wings and continuing to call out. Then, the white chicken turns and walks towards the left side of the screen. The yellow chicks also turn towards the left side of the screen, preparing to follow the white chicken to the left.


In the scene, there are three people facing the camera and looking directly into the lens. There are shadows and light moving and changing around them and the edges of the frame. In the center of the frame, a woman in a black sundress is sitting, looking directly into the camera with her head slightly tilted to the right of the screen. Her left hand is placed in front of her, and her right hand is caressing her left arm, then slowly lowered. The woman straightens her head, and her left hand is bent in front of her. On the left side of the frame, a man in black is standing with his head slightly tilted to the left of the screen, and his hands are behind his back. On the right side of the frame, a man in a yellow and black shirt is standing with his arms crossed over his chest. The camera zooms in, and the background seems to be made of colorful glass.


A woman with long hair stands in the center of the frame, holding the rim of a glass with her left hand, raising it upwards, while her right hand also grips the rim of another glass, lifting it high. She then moves forward, gradually lowering the glass in her right hand to the right, slightly bending her body down, and then slowly lowering the glass in her left hand to the left. She subsequently raises the glass in her right hand slowly back to the right. The man in the bottom left corner of the frame, who was looking towards the camera, turns his gaze to the right side of the frame. As the camera slightly moves to the right, the man walks out of the frame from the left. The camera continues to follow the woman from behind as she moves forward.


The camera moves to the right, and on the right side of the screen, a man in black is standing facing the left side of the screen with both hands straight on the railing. On the far right of the screen, a woman in black is standing facing the left side of the screen with her left hand on the waist of the man in black. Inside the wire fence on the left side of the screen, there are several female lions. One lion moves to the right side of the screen, then turns and moves towards the left side of the screen, while another lion moves to the right side of the screen, passing by the first lion, and then it also turns and walks towards the left side of the screen.


The scene is shot from a first-person perspective, with the shooter sitting inside a car. The camera pans to the right, capturing a black car outside the window. There are some water droplets on the window, indicating that it is raining on location. The video car is moving, making a right turn at an intersection, but the camera remains focused on the black car it initially targeted. The black car continues straight through the intersection with the traffic lights.


This screen background is a scene of the ocean, with a close-up view of a piece of land by the coast. On the ground, there is a small blue handkerchief. A woman is sitting cross-legged on this small handkerchief, facing the screen. In front of the woman, there is a gray laptop. The woman keeps talking, occasionally waving her right hand, and then placing both hands in front of her, gently swaying her body.


Three black women are dressed in identical white skirts, standing side by side, singing. The woman on the far left is holding a handheld microphone, while the women in the middle and on the right have standing microphones in front of them. Initially, they all raise their hands to the sides of their ears, swaying with the music, then lower their hands, gently swaying their bodies to the rhythm of the music. In the background, four men are accompanying them with various instruments, their bodies also swaying rhythmically to the music.


The video was shot outdoors with a red carpet laid out, with some white chairs on it, seemingly hosting an event. A man with black hair, wearing a khaki shirt and a brown vest is on the right side of the frame, while another man with blond hair, dressed in a brown jacket stands on the left. Both are smiling and looking to the right of the frame. The man in the brown vest turns around and smiles at the man in the brown jacket, raising his right hand and opening it, making a gesture. He then looks back to the right of the frame, and subsequently raises his right finger to point at himself. Meanwhile, the man in the brown jacket nods occasionally, looking at the man in the brown vest, as if agreeing with his viewpoint. There are several people standing in the background, and some people walk through the background.


The video is shot from a first-person perspective looking down, in the center of the frame a painting is rotated clockwise with both hands, then the left hand holds the painting in place while the right hand uses a white pen to outline on the right side of the painting. The background of the scene is a white table.


The camera is positioned in the passenger seat of the car. A pair of hands are in the foreground, gripping the steering wheel on the left side of the frame. The camera then turns to face the front of the car, maintaining the same direction of movement as the vehicle. In the distance on the left side of the frame, a car can be seen moving towards the left side of the screen.


The scene shows a subway station, with a slowly moving subway train appearing on the right side of the screen, heading towards the left. One side of the subway's windows is visible in the frame, blocking the original content of the scene. Inside the windows, many people wearing masks can be seen sitting. The first carriage of the train is initially red, then changes to white after a while. Finally, the subway comes to a stop, and at the center of the screen is a subway door. Behind the door in the center, a person in white clothing shakes from side to side, then the door opens, and a person wearing a white hat appears on the right side of the screen.


The video plays in fast-forward. On the right side of the screen, there is a cupboard with a cat sitting on it. The cat is scratching its head with its feet and looking around. Then, a woman in a yellow short-sleeved shirt walks in from the right side of the door, goes to the middle of the screen where the wardrobe is, bends over with her back to the camera to sort through things, and then walks out of the room. Afterward, the woman walks back into the room, turns her back to the camera, picks up a pair of shoes from the cupboard, and examines them carefully. The video briefly switches to normal speed and then back to fast-forward. Later, the woman turns towards the camera to sort things out and then leaves the room. Finally, the video returns to normal speed, the woman walks into the room, looks down at the cat, and reaches out with her right hand to stroke the cat.


The video footage is shot from a first-person top-down perspective. To the right of the screen, a right hand is holding a black leather bag. Then, the five fingers of the right hand spread open with the palm facing towards the camera. The right hand supports the black leather bag, holding it directly in front of the lens.


The woman in the floral shirt faces the camera, leaning forward, with her left fist placed on the table, maintaining conversation. Meanwhile, the girl opposite moves from the right to the center of the frame, turning her body to face left. Following this, the woman in the floral shirt raises both hands to her chest, palms facing inwards, then quickly places them on the table. After that, she raises her hands again to overlap in front of her chest and quickly drops them onto the table.


The center of the screen features a black keyboard, and the hand at the bottom of the screen lifts the keyboard towards the camera. Subsequently, the hand on the left side of the screen holds the keyboard, tilting it downwards, and finally, the camera zooms in.


In the center of the screen, a woman in a yellow long skirt walks towards the camera holding a red bag in her left hand. At the same time, in the background of the scene, there is a mirror. This woman's reflection in the mirror walks away from the camera towards the distant part of the screen.


Camera shot from below, the woman in the frame faces the camera with her body tilted to the left side of the screen. She supports herself with both hands in front of her, looking up to the top right corner of the frame, and finally lets out a sigh, lowering her head to look down at the bottom of the screen. There is a person standing on the right side of the frame, with only their legs visible.


In the center of the screen, slightly to the left, a red-haired orangutan with something in its mouth is walking on all fours a few steps towards the lower left of the screen, looking to the left side of the frame. Then it walks towards the right side of the lens, looking to the right side of the screen, and subsequently raises both front limbs overhead, looking back to the left side of the screen. The camera follows the orangutan's movements, first moving downwards to the left, then to the right, and finally upwards. The scene is set on outdoor grass.


A overhead perspective shows a woman in pink pants fighting against multiple opponents. The woman initially punches left and right before crossing her arms. A man in gray pants crawls on all fours from the left side of the screen to the right, and a man in overalls runs from the right side of the screen to the left, dodging an attack from the woman in pink pants along the way. Then, the woman bends forward, and at this moment, someone dashes out from the lower left corner of the screen and runs towards the upper right corner. As they approach the woman, their body suddenly stiffens, seemingly from an elbow strike by the woman. In the upper left corner, a man with an afro wearing white clothes runs directly towards the lower left corner of the screen. In the same corner, a black man in white clothes runs past the woman towards the lower right corner, assuming a fighting stance. In the lower right corner, a man in a tie runs towards the upper left corner of the screen and bends down as he approaches the woman. The woman continuously bends and straightens up, appearing exhausted from the continuous attacks around her. Finally, two people run past the woman from either side of the screen.


In the scene, two men are sitting face to face, engaged in conversation. On the right side of the frame, an older man is dressed in a blue shirt and black suit pants, facing the man on the left as he speaks. The older man in the blue shirt slightly extends his left leg while talking and then retracts it back to its original position. His left elbow is resting on the arm of the chair, with his left hand naturally hanging down to his thigh, while his right elbow is on the table. Subsequently, he slightly opens his hands with palms facing each other. The man on the left is dressed in a black suit and khaki pants. He has his hands on the arms of the chair, listening attentively to the other person speak, and nods in response during the conversation. The background is an elegantly decorated indoor setting, with a bookshelf and two orange lamps in the back, creating a warm and quiet atmosphere that is both dignified and solemn.


The scene shows a segment with the camera placed on the supermarket floor. A person wearing black sneakers walks from the right side of the screen to the left, pushing a four-wheeled shopping cart.


In the scene, all six people are slightly leaning forward, looking to the left of the frame, and then they suddenly stand up straight backwards. On the far left of the frame, a bald man in a patterned shirt faces the camera, his head tilted to the right of the frame, bending over to push something to the right of the frame with both hands, then straightening up to speak, smiling and looking at the woman in red on the right of the frame. The woman in red on the right stands up and claps, then bends over to the left of the frame, picking up an unseen object to her side, then looks up and speaks to the front, before nodding and turning to the right to leave.


In the center of the screen, there is a man facing the camera, talking with his mouth, and slowly walking towards the left side of the screen, looking at the man on the right side of the screen, and then turning his head to the right. The man on the right side of the screen is facing the camera with both hands in front of his face, rubbing his palms together, and then placing his palms on either side of his face. At this point, the camera switches to another location, where the man on the left side of the screen has his right side facing the camera, his eyes looking at the man on the right side of the screen. The man on the right side of the screen has his left side facing the camera, crouching down and then standing up again.


The camera moves to the right, and the man on the right side of the screen turns the steering wheel with his left hand. After that, he looks down at the white button, then presses it with his left hand. Finally, he looks up towards the left side of the screen.


The video is in slow motion, with the back of a woman's legs at the center top of the frame, her right heel raised, standing on the beach. The camera slowly pans upward and then moves to the upper right, gradually revealing the woman's upper body. At this point, the woman is positioned slightly to the left of the center of the frame. Her hands are raised, placed on the back of her head, where she grasps her hair and then lets it down. She then raises her right hand, and both hands go to her head, combing her hair backward towards the camera. The camera begins to slowly zoom in; her left hand is on her hair, while her right hand picks up a strand and raises it, with both hands moving down along the hair towards the bottom of the frame. Then, both hands separate and lift again to her head, where she combs her hair backward towards the camera once more, and both hands move down along the hair. Her right hand then grasps another strand and raises both hands, placing her right hand back on her head. Again, her right hand lifts, and both hands return to her head, combing her hair backward. Both hands move down along the hair, each grasping a strand and moving them towards the camera before letting go. She raises her right hand again, places it on her head, and combs her hair backward, then her right hand moves down along the hair. She releases her right hand, raises her left hand, and repeats the action. Her left hand moves down along the hair, then picks up a strand and moves it towards the camera and to the left side of the frame, before letting go. At this point, the camera has zoomed in to her upper body above the chest and continues to do so. Both hands are raised again to her head, combing her hair backward towards the camera, and then move down along the hair. Now, her right hand, at the bottom left of the frame, grasps another strand and lifts it slightly. Finally, the frame is filled with the view of the sea.


In the center bottom of the screen is a person's left hand. The person is sitting to the right of the screen, facing to the left, with only part of their body in the frame. Their left hand is pressing down on a yellow toy car, then flicking it upwards, knocking a small car in the center top of the screen off balance, causing it to fall to the ground. The camera moves back, and the person's left hand moves upwards in the frame. The camera moves forward slightly, and after taking out a yellow car, moves downwards in the frame, placing it on the ground. In the center bottom of the screen are several toy cars. Most of the scene is wooden flooring.


A monkey is standing on the right side of the frame running towards the camera from a distance, with its cloak bouncing up and down behind it. Its left hand is raised and placed on its chest, and then a small dog enters the frame from the right side of the screen.


In the center bottom of the screen is a detector with a black circular sensor head and a yellow panel. A hand reaches out from the lower left corner of the screen and twists a knob on the detector, which is located in the center bottom of the screen. At this point, the background of the screen is a sandy seabed with small rocks covered in algae. The camera switches, and the bottom of the screen shows a detector extending its circular sensor head towards the center of the screen. The camera moves forward, and at this time, the background of the screen is filled with many corals.


The scene is a close-up shot of the hands, with both hands holding tools. One pair of hands is on the left side of the screen, with the right hand holding a white hat tool pointing towards the keyboard at the center of the screen, while the left hand holds a black tool with the palm facing towards oneself. Then, the left hand is lowered, and the right hand works near the spacebar of the keyboard.


In the scene, there are four people facing towards the right side of the frame. The camera slowly moves to the left. The woman closest to the camera is laughing while holding her belly, then places both hands on either side of the table. She glances to her left and then turns back to look at her computer, all while answering a question from someone beside her. At the far end of the frame, a person has been focused on their computer, facing to the right, typing on the keyboard. The two men in the middle have been looking at the woman and communicating with her. In the end, they turn their heads to the right to look at the third person's computer. The third person from the left even stretches out a finger to point at their computer.


A hand drops from the top left of the screen into the frame, with the index and middle fingers upright, the back of the hand facing the camera. Then, this hand rotates counterclockwise, with the palm facing the camera, and subsequently turns towards the front left side of the screen, before disappearing from the bottom left of the frame.


A woman's profile faces the camera, looking to the left of the frame, then turns towards the camera, looking at the top right corner of the frame. She shifts her gaze towards the camera, then turns to the left of the frame. The camera moves closer to the woman's face and then rotates clockwise around her, to the right. The woman turns her head to the left of the frame, moving with the camera, her back head facing the camera, her body facing the left of the frame, sideways to the camera. Then she turns her head to the left of the frame, facing the camera. A door in the top right corner of the frame is opened.


The video was shot by a camera mounted on the car. The lens zooms in, and in the inside rearview mirror, at the center of the screen, a car is moving forward directly towards the lens. On the right side of the screen, a black car is moving laterally towards the left side of the screen, with its side facing the lens. The lens gradually zooms out and moves to the left side of the screen. The inside rearview mirror disappears on the right side of the frame.


On the left side of the screen is a pile of viscous substance. On the right side of the screen is a heap of blue viscous matter. From a top-down perspective on the right side of the screen, a pair of hands appear, spreading their fingers out, pointing them towards the blue viscous substance and inserting them in, then lifting the hands up again, repeating this action continuously.


The girl in the yellow skirt is bent over, peeling quail eggs. The woman in the orange skirt on the left is also bent over, her right hand holding half a quail egg. She turns her head with a smile, glancing at the lower right corner of the scene, while her left hand cuts the quail egg, then looks towards the right side of the scene, putting the cut quail egg into the bowl below. The woman in the blue and orange skirt is sideways to the camera, facing left, head bowed, smiling and looking at the lower left corner of the scene, also peeling quail eggs. The woman in the orange skirt is placing quail eggs while talking, and she looks up at the lower left corner of the scene, her body turning towards the left side of the scene. The girl in the yellow skirt also looks towards the lower left corner. Behind the girl in the yellow skirt, a man in a brown top turns towards the right side of the scene, holding a bowl with his left hand, looking down into the bowl he's holding, stirring with his right hand, then looking at the camera, his body turning towards it. On the left side of the scene is the right half of a person in a suit. The camera centers on the girl in the yellow skirt, turning to the left.


In the background on the left of the screen is a curly-haired man in black clothes with a yellow scarf, and on the right is a white-haired man in black clothes with a purple scarf and a black hat, who says a few words. The scene suddenly changes; now on the left side is still the curly-haired man, looking towards the right side of the screen as he speaks. On the right side is a man in a brown coat, looking towards the left side, waiting for the man on the left to finish speaking before he starts to talk as well. The camera zooms in on him as he speaks directly into the camera, glancing up towards the top right corner of the screen while talking.


The scene is in black and white. In the center, a curly-haired woman has her body turned towards the right side of the frame, her face directly facing the camera, leaning on a man's chest with her right hand placed on his chest. To the right of the frame is a man in a suit; his body and head are both turned towards the left side of the frame, and his eyes are looking towards the bottom left corner of the frame. The woman looks to the right side of the frame, talking while continuously opening and closing the fingers of her right hand, occasionally closing her eyes. Then, she raises her eyebrows, looks up at the man, at which point the right side of her face is facing the camera. She then stands up, makes eye contact with the man, and places her hands around the back of his neck, talking and slightly shaking her head, finally bringing her face close to the man's. The man only turns his head towards her when she stands up, then raises his head slightly from a bowed position.


Close-up handheld shot with a slight shake of the camera. In the center of the frame, a person is sitting in front of a square table, facing the camera with both arms on the table. He first places his left hand on the table, raises his right hand, and looks at the green car in his right hand, then he puts his right hand down and raises his left hand to look at the yellow car in his left hand. Subsequently, the man slightly raises his right hand and then lowers it, followed by slightly lifting his left hand as he lowers his right hand. Then, he successively rotates his palms to the side and throws the cars from both his right and left hands onto the table.


In a room with a green wall adorned with picture frames, at the center of the scene, a woman sitting on a white bed facing the camera holds a book with both hands and looks down at it. A man enters from the right side of the frame, carrying a wooden tray with a bottle of milk and two cups in his hands. He walks to the bedside, kneels on the bed with his right leg, and places the tray in front of the woman on the bed. Then he also brings his left leg onto the bed and sits facing the camera. At the same time, the woman looks to the right side of the frame with a smile, putting the book in her hands down. She then picks up the white cup from the tray on the bed in front of her with both hands and offers it to the man, who receives the white cup with his left hand. The woman then extends her right hand to take the gray cup, and subsequently holds it with both hands. The two look at each other, smile, clink their cups, and take a sip.


The scene is captured from a top-down perspective. In the center of the screen, slightly to the right, a man wearing glasses faces the camera, looking to the right of the frame, and walking towards the left of the lens. His hands swing back and forth. The camera then pans to the right of the screen. The man turns his head to the left of the frame, looking in that direction. In the lower left corner of the screen, a woman in a sundress appears, facing the left of the frame, holding a bottle in her left hand, with a pink object hanging from it, and her right hand is twisting the cap. Then, partially visible on the left side of the screen, another woman in a white top appears. Surrounding the scene are many tall trees and buildings, with blue skies and white clouds overhead.


The main focus of the scene begins with two women. A woman in blue is tied up with her hands behind her back in the left corner of the frame, while a woman in red is on her right, struggling to undo the knots at her back. Suddenly, the woman in red turns her head to the right, and at the same time, the camera pans to the right, revealing a man entering the frame. He approaches the woman in red with open arms, moving from right to left, and then lunges at her, grabbing her with both hands. The camera switches again, locking onto the woman in red, who is seen being held by the neck with one hand and dragged by the other, thrown from left to right into the corner. She struggles fiercely, pushing with her hands to break free, her expression twisted.


On the right side of the screen, a woman and two children are walking towards the left side of the frame. The woman first holds the hand of the smaller child, who is wearing black pants, with her right hand. Then, the smaller child walks ahead, letting go of the woman's hand, and the woman takes the hand of the child wearing gray-green clothes with her left hand, and the two walk side by side behind the smaller child. Next, the smaller child looks back to the right side of the screen and continues walking to the left, then turns to the right, taking the woman's right hand with their left hand. In the background, on the left side of the screen, there is a person in white clothing climbing the stairs towards the upper left of the frame. On the left side of the screen, there is a person and a cow standing. The camera moves to the left side of the screen, revealing what seems to be a park scene, with many lawns, trees, slate paths, and a pond.


The scene is an animation. In the center, a man in a blue suit is standing facing the right side of the screen. His right hand is holding a box, and his left hand is holding a light green object. At the lower right side of the screen, a small monkey is standing facing left. A man in a yellow suit is speaking while leaning forward to the right side of the screen. He hands over the object in his left hand to the small monkey and then stands up straight with his left hand on his hip. The small monkey raises both hands to receive the object and then quickly turns around to face the camera, holding the handle of the object with his right hand above and his left hand supporting it from below. To the left in the distance of the scene and to the right center, there is a blue door on each side. In the lower right corner of the foreground, there is a green sofa.


On the far left of the screen is a man in a black short-sleeved shirt and sunglasses looking at the woman on the right side of the frame. On the left side of the screen is a woman in a blue denim jacket and black pants, carrying a backpack and with long golden hair, turned sideways to the camera. On the right side of the screen is a black man in a black short-sleeve shirt and a purple jersey. They are all walking towards the right side of the screen, while in the background, people riding bicycles are moving towards the left side of the frame. The camera moves to the right of the screen, and then the woman in the center, with her left hand on the man on the left side of the screen, raises her right hand. The man immediately turns his head to look at the right side of the frame, while the man on the right also turns his head to look at the left as he walks. The camera continues to move towards the right side of the screen, at which point the man and woman on the left are facing away from the camera. On the left side of the screen, a man in a black short-sleeved shirt and a hat rides towards the right side of the frame. In the background, there are groups of people standing on a beach with colorful murals, looking towards the left side of the screen.


In the scene is a vehicle with its head facing the right side of the screen. The camera quickly zooms in on the vehicle's window, then slightly trembles, and then zooms out. On the glass of the window, the reflection of a distant utility pole can be seen.


In the center of the screen is a pot, inside which there is a brown viscous liquid. In the upper middle of the screen, there is a hand holding a whisk, stirring the liquid in the pot. At first, it stirs counterclockwise along the edge of the pot, and then randomly changes directions for stirring.