Update model card and prompt guide
Browse files- README.md +49 -6
- prompt_guide.md +2 -0
README.md
CHANGED
|
@@ -110,13 +110,26 @@ No trigger word is required. Name the parts that move, the components revealed u
|
|
| 110 |
### BASIC template — a short, readable reveal
|
| 111 |
|
| 112 |
```text
|
| 113 |
-
[SUBJECT] separates into an ordered exploded view. [NAMED OUTER PARTS] move
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 114 |
```
|
| 115 |
|
| 116 |
#### Example: Desktop PC
|
| 117 |
|
| 118 |
```text
|
| 119 |
-
The desktop computer tower separates into an ordered exploded view. The
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 120 |
```
|
| 121 |
|
| 122 |
[Watch the example](examples/xpldv_computer.mp4)
|
|
@@ -124,16 +137,46 @@ The desktop computer tower separates into an ordered exploded view. The glass si
|
|
| 124 |
### COMPLEX template — specific parts, positions, and movement paths
|
| 125 |
|
| 126 |
```text
|
| 127 |
-
[SUBJECT] separates into an ordered exploded view while [CONTINUING ACTION
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 128 |
```
|
| 129 |
|
| 130 |
-
#### Example:
|
| 131 |
|
| 132 |
```text
|
| 133 |
-
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 134 |
```
|
| 135 |
|
| 136 |
-
[Watch the example](examples/
|
| 137 |
|
| 138 |
Replace the brackets with your subject and its parts; omit clauses that do not apply to the intended shot. Name the final arrangement: a vertical stack, a horizontal row, or a radial arrangement around the center. Use “layered” for an actual stack. Describe timing consistently: parts move at the same time or in a clear sequence. For a moving subject, keep the detached parts traveling with it. Give the camera enough room for the expanded arrangement.
|
| 139 |
|
|
|
|
| 110 |
### BASIC template — a short, readable reveal
|
| 111 |
|
| 112 |
```text
|
| 113 |
+
[SUBJECT] separates into an ordered exploded view. [NAMED OUTER PARTS] move
|
| 114 |
+
outward along controlled paths, revealing [NAMED INTERNAL COMPONENTS]
|
| 115 |
+
underneath. The parts settle into an organized [LAYERED / RADIAL]
|
| 116 |
+
arrangement around [EXPOSED CORE] while retaining their original shapes.
|
| 117 |
+
[CAMERA BEHAVIOR]. [LIGHTING CONSISTENT WITH THE IMAGE] remains consistent
|
| 118 |
+
throughout the continuous shot.
|
| 119 |
```
|
| 120 |
|
| 121 |
#### Example: Desktop PC
|
| 122 |
|
| 123 |
```text
|
| 124 |
+
The desktop computer tower separates into an ordered exploded view. The
|
| 125 |
+
glass side panel, front panel, top cover and lower power-supply cover move
|
| 126 |
+
outward along controlled paths, revealing the motherboard, graphics card,
|
| 127 |
+
liquid-cooling assembly and power supply. The components separate into an
|
| 128 |
+
organized layered arrangement around the case while retaining their original
|
| 129 |
+
shapes. The case base stays on the desk. The camera slowly orbits to the
|
| 130 |
+
right around the computer from the starting three-quarter view. The
|
| 131 |
+
blue-white computer lighting and surrounding room remain consistent
|
| 132 |
+
throughout the continuous shot.
|
| 133 |
```
|
| 134 |
|
| 135 |
[Watch the example](examples/xpldv_computer.mp4)
|
|
|
|
| 137 |
### COMPLEX template — specific parts, positions, and movement paths
|
| 138 |
|
| 139 |
```text
|
| 140 |
+
[SUBJECT] separates into an ordered exploded view while [CONTINUING ACTION
|
| 141 |
+
OR ANCHORED SUPPORT]. [OUTER PART A] detaches and translates [DIRECTION],
|
| 142 |
+
keeping [ORIENTATION]. [OUTER PART B] moves [DISTINCT PATH], and [OTHER
|
| 143 |
+
OUTER PARTS] move [PATHS]. These exterior parts move first and travel
|
| 144 |
+
furthest, leaving clear gaps. They reveal [SPECIFIC COMPONENT AND
|
| 145 |
+
RECOGNIZABLE FEATURES] at [POSITION RELATIVE TO THE OBJECT], with [OTHER
|
| 146 |
+
COMPONENTS AND THEIR LOCATIONS]. [CORE COMPONENTS] remain mounted together.
|
| 147 |
+
Each detached section retains its shape as the arrangement settles and holds
|
| 148 |
+
steady. [CAMERA BEHAVIOR]. [CONSISTENT LIGHTING] continues through one
|
| 149 |
+
continuous shot.
|
| 150 |
```
|
| 151 |
|
| 152 |
+
#### Example: Watch
|
| 153 |
|
| 154 |
```text
|
| 155 |
+
A luxury automatic mechanical wristwatch separates into an ordered exploded
|
| 156 |
+
view while resting stationary on its dark velvet display cushion. The front
|
| 157 |
+
sapphire crystal and surrounding polished bezel rim detach as a single unit
|
| 158 |
+
and translate forward and slightly upward, keeping its circular orientation
|
| 159 |
+
facing the camera. The hour, minute, and slender seconds hands lift cleanly
|
| 160 |
+
above the dial plane, each translating upward along its own short vertical
|
| 161 |
+
path with slight lateral spacing between them. The main dial plate carrying
|
| 162 |
+
its applied hour markers, subdial components, and open-heart cutout details
|
| 163 |
+
moves forward a shorter distance than the crystal, creating a clear gap
|
| 164 |
+
between it and the hands above. These exterior parts move first and travel
|
| 165 |
+
furthest, leaving generous gaps between each successive layer. They reveal
|
| 166 |
+
the mechanical movement at the center of the stack—its polished bridges,
|
| 167 |
+
interlocking gears, escapement fork, oscillating balance wheel, ruby jewels,
|
| 168 |
+
and complication modules all visible in their assembled configuration—with
|
| 169 |
+
the rear exhibition caseback and its oscillating automatic rotor translating
|
| 170 |
+
backward and slightly downward as the final layer. The movement's bridges,
|
| 171 |
+
gears, and escapement remain mounted together as a single mechanical unit.
|
| 172 |
+
Each detached section retains its original shape as the five layers settle
|
| 173 |
+
into an organized axial arrangement and hold steady. A slow, steady camera
|
| 174 |
+
pull-back provides room for the full expanded stack. The soft upper-left key
|
| 175 |
+
light, cool right-side fill, and subtle rim highlight consistent with the
|
| 176 |
+
source image continue through one continuous shot.
|
| 177 |
```
|
| 178 |
|
| 179 |
+
[Watch the example](examples/xpldv_watch.mp4)
|
| 180 |
|
| 181 |
Replace the brackets with your subject and its parts; omit clauses that do not apply to the intended shot. Name the final arrangement: a vertical stack, a horizontal row, or a radial arrangement around the center. Use “layered” for an actual stack. Describe timing consistently: parts move at the same time or in a clear sequence. For a moving subject, keep the detached parts traveling with it. Give the camera enough room for the expanded arrangement.
|
| 182 |
|
prompt_guide.md
CHANGED
|
@@ -53,6 +53,8 @@ With an Ollama node, supply the builder below as the instruction template and en
|
|
| 53 |
|
| 54 |
Example Guidance:
|
| 55 |
|
|
|
|
|
|
|
| 56 |
> SUV speeding and in motion the whole clip, complex, vertical exploding view - hood, wheels, doors, roof, outer shell
|
| 57 |
|
| 58 |
Review both motion and separation in the finished clip. If your assistant has no separate Guidance field, add the shot request after the builder.
|
|
|
|
| 53 |
|
| 54 |
Example Guidance:
|
| 55 |
|
| 56 |
+
|
| 57 |
+
LTX-2.5-Exploded-View-XPLDV
|
| 58 |
> SUV speeding and in motion the whole clip, complex, vertical exploding view - hood, wheels, doors, roof, outer shell
|
| 59 |
|
| 60 |
Review both motion and separation in the finished clip. If your assistant has no separate Guidance field, add the shot request after the builder.
|