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2934116/3321093/README.md

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+---
+license: other
+tags:
+- bullet time
+- concept
+---
+
+# [MMH3] Bullet Time - v1.0 - 3321093
+
+**Model Type**: LORA
+
+**Base Model**: MiniMax H3
+
+**Trigger Words**: bullet-time
+
+**Tags**: bullet time, concept
+
+## Gallery
+
+<table>
+  <tr>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/d8d74886-aa89-4bef-a903-2b9c70a5b02a/original=true/142597414.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/b0913bd7-3e53-48fc-a8f3-0d291c29a08d/original=true/142597827.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/f224b518-39d4-4287-bed7-f0d2676c16a1/original=true/142597925.mp4" width="200" controls muted autoplay loop></video></td>
+  </tr>
+  <tr>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/ed8ee089-3b2d-4d63-9e79-880df782d27e/original=true/142597313.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/bfb9983e-505e-4615-88f8-0321a6d2d709/original=true/142597431.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/f648797d-55bc-4652-aabe-a35aa288defe/original=true/142597285.mp4" width="200" controls muted autoplay loop></video></td>
+  </tr>
+  <tr>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/f92a08f8-ceb3-4936-b49f-e9e86ec7cc69/original=true/142597298.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/eeb34e4b-c674-49d6-99e3-1decd2732f09/original=true/142597304.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/6afa18ab-bc55-465b-aff6-730cec2479bb/original=true/142597328.mp4" width="200" controls muted autoplay loop></video></td>
+  </tr>
+  <tr>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/0eca52e6-e00b-485d-a77c-0e82c6a37076/original=true/142597899.mp4" width="200" controls muted autoplay loop></video></td>
+  </tr>
+</table>
+
+## Description
+
+**This is a very special one, so please take a moment to read this before using it.**
+
+**LoRA strength and turbo/speed optimizations:**
+
+If you are using little or no turbo LoRAs or special attention optimizations, you may be able to use this LoRA at a higher strength.
+
+With **nothing else enabled**, you can generally use it at **1.0 strength**.
+
+However, as you add components designed to speed up inference, you should **reduce the strength of this LoRA accordingly**. These optimizations can change the model's behavior, and using a strong LoRA alongside them may result in artifacts or unwanted morphing.
+
+For example, a setup using:
+
+* **SOL Attention**
+* **Kitchensink Attention**
+* **Turbo LoRA**
+
+typically works better with this LoRA around **0.5 strength**.
+
+### The rule of thumb
+
+If you start seeing **strange artifacts, deformation, or morphing**, especially when using turbo LoRAs or attention optimizations together with this LoRA, **lower the LoRA strength first**.
+
+In many cases, reducing the strength is enough to restore stable and clean results.
+
+**Now, for the best prompting results, use this skill:**  
+  
+Bullet-Time Cinematic Video Prompt Construction
+
+Purpose
+-------
+
+This skill teaches how to construct highly controlled, cinematic video prompts built around a specific temporal pattern:
+
+**FAST ACTION → BULLET-TIME → SLOW-MOTION CAMERA ORBIT → RETURN TO NORMAL SPEED**
+
+The goal is to produce prompts that clearly communicate:
+
+* What happens before the slow-motion transition.
+* The exact physical event that triggers `bullet-time`.
+* What becomes frozen during `bullet-time`.
+* How the camera continues moving independently of the frozen action.
+* How objects maintain identity and spatial continuity.
+* How normal speed resumes.
+* What happens immediately after the return to normal speed.
+* How sound and music change across each temporal phase.
+
+The keyword `bullet-time` must appear explicitly in the middle section.
+
+---
+
+1. Core Prompt Architecture
+===========================
+
+Always structure the prompt into three major temporal phases:
+
+```
+SECTION 1
+FAST ACTION / APPROACH
+        ↓
+SECTION 2
+BULLET-TIME / IMPACT / CAMERA ORBIT
+        ↓
+SECTION 3
+NORMAL SPEED / CONSEQUENCE
+```
+
+A useful default structure is:
+
+```
+0.00–X.XXs:
+Fast setup and escalating action.
+
+X.XX–Y.YYs:
+Critical action reaches its decisive moment.
+Transition into bullet-time.
+
+Y.YY–Z.ZZs:
+bullet-time.
+Action is almost frozen while camera moves around it.
+
+Z.ZZ–END:
+Time snaps back to normal speed.
+Physical consequences continue naturally.
+```
+
+The exact durations can change depending on the scene.
+
+The important principle is that **the temporal transition must be unambiguous**.
+
+---
+
+2. Section 1 — Fast Action
+==========================
+
+The first section establishes normal-speed action.
+
+It should contain:
+
+1. Environment
+2. Main subjects
+3. Clothing / equipment
+4. Initial positions
+5. Camera position
+6. Fast movement
+7. Sound
+8. Escalation toward a specific event
+
+### Recommended pattern
+
+```
+A clearly defined environment contains the subjects.
+
+Subject A rapidly approaches Subject B.
+
+The camera tracks the action from a dynamic angle.
+
+Movement is fast, physical, and synchronized.
+
+Subject B reacts to the incoming action.
+
+Subject A performs a specific decisive movement.
+
+The movement rapidly approaches its point of contact.
+```
+
+Avoid vague descriptions such as:
+
+> They fight dramatically.
+
+Instead describe observable physical events:
+
+> The boxer rapidly advances across the canvas and throws a powerful right cross toward his opponent's jaw.
+
+The model should be able to determine exactly:
+
+* who moves,
+* where they move,
+* how fast they move,
+* what they are holding,
+* what they are about to collide with.
+
+---
+
+3. Choose One Strong Bullet-Time Trigger
+========================================
+
+The transition into bullet-time should happen at a **single visually important instant**.
+
+Good triggers include:
+
+* Punch connecting with a face
+* Kick connecting with armor
+* Sword striking a shield
+* Vehicle collision
+* Ball hitting a bat
+* Glass breaking
+* Object exploding
+* Athlete making contact with an opponent
+* Projectile reaching its target
+* Character jumping through an obstacle
+* Comedic physical impact
+
+The trigger should be explicit.
+
+Use language such as:
+
+```
+At the exact instant of contact, the action transitions into bullet-time.
+```
+
+or:
+
+```
+At the precise moment the object reaches its target, the action enters bullet-time.
+```
+
+Do not introduce several competing bullet-time triggers.
+
+There should be **one hero moment**.
+
+---
+
+4. The `bullet-time` Keyword
+============================
+
+The middle section must explicitly contain:
+
+```
+bullet-time
+```
+
+Preferably place it at the beginning of the section:
+
+```
+3.60–5.80s: bullet-time.
+```
+
+Then reinforce its meaning:
+
+```
+Time slows almost completely while the camera continues moving dynamically around the action.
+```
+
+The keyword should not be buried in unrelated prose.
+
+---
+
+5. Bullet-Time Has Two Different Types of Motion
+================================================
+
+The central concept is:
+
+> **The subjects are nearly frozen while the camera continues moving.**
+
+This distinction is critical.
+
+During bullet-time:
+
+### Subject motion
+
+Almost completely frozen.
+
+Examples:
+
+```
+The fighters remain suspended at the exact instant of impact.
+```
+
+```
+The vehicle, debris, and occupants remain frozen in their precise positions.
+```
+
+```
+The ball remains suspended immediately after striking the bat.
+```
+
+### Camera motion
+
+Continues smoothly.
+
+Examples:
+
+```
+The camera performs a smooth 180-degree orbital movement around the fighters.
+```
+
+```
+The camera travels from the front-left side around to the rear-right side.
+```
+
+```
+The camera continues moving dynamically while the action remains almost completely frozen.
+```
+
+This separation creates the characteristic bullet-time visual effect.
+
+---
+
+6. Camera Orbit
+===============
+
+The camera should normally perform a substantial orbital movement.
+
+A strong default is:
+
+```
+180-degree orbital movement
+```
+
+The orbit can travel:
+
+```
+front → side → rear
+```
+
+or:
+
+```
+front-left → rear-right
+```
+
+Describe the direction so the movement is spatially understandable.
+
+Example:
+
+```
+The camera performs a smooth 180-degree orbital movement around the two fighters, traveling from their front-left side around to their rear-right side.
+```
+
+The camera movement should be:
+
+* smooth
+* continuous
+* cinematic
+* spatially coherent
+
+Avoid saying merely:
+
+> The camera rotates dramatically.
+
+That does not sufficiently define the movement.
+
+---
+
+7. Preserve Spatial Continuity
+==============================
+
+This is one of the most important parts of the skill.
+
+When the camera moves around frozen subjects, their spatial relationships must remain stable.
+
+Explicitly state that:
+
+```
+The subjects maintain consistent spatial relationships throughout the orbit.
+```
+
+For important objects, reinforce continuity.
+
+For example:
+
+```
+The glove remains connected to the same arm and remains pressed against the opponent's jaw throughout the orbit.
+```
+
+Or:
+
+```
+The sword remains the same physical object throughout the entire sequence.
+```
+
+Or:
+
+```
+The ball remains in the exact position relative to the bat throughout the orbital movement.
+```
+
+This prevents common generative-video problems such as:
+
+* duplicated objects
+* disappearing objects
+* changing weapons
+* extra limbs
+* object morphing
+* inconsistent positions
+* identity changes
+
+---
+
+8. Explicit Object Identity
+===========================
+
+Whenever an object is important to the story, establish its identity before bullet-time and preserve it afterward.
+
+Use phrases such as:
+
+```
+the same original object
+```
+
+```
+the exact same object
+```
+
+```
+the same glove
+```
+
+```
+the same vehicle
+```
+
+```
+the original ball
+```
+
+Then explicitly prohibit replacement or duplication when necessary:
+
+```
+No duplicate object appears.
+```
+
+```
+The object must remain identical throughout the sequence.
+```
+
+```
+Do not create, duplicate, replace, or morph the object.
+```
+
+This is particularly useful when an object changes state or position after the bullet-time section.
+
+---
+
+9. Add Frozen Micro-Details
+===========================
+
+Bullet-time becomes visually convincing when small details are suspended.
+
+Useful details include:
+
+* Sweat droplets
+* Dust particles
+* Water droplets
+* Fabric fibers
+* Hair strands
+* Flying debris
+* Small stone fragments
+* Sparks
+* Snow
+* Glass fragments
+* Floating particles
+
+Example:
+
+```
+Tiny sweat droplets, airborne dust particles, fabric fibers, and small debris remain suspended in the air around the fighters.
+```
+
+Do not add every possible particle.
+
+Choose details appropriate to the environment.
+
+---
+
+10. Bullet-Time Impact Description
+==================================
+
+The central impact should be visually obvious.
+
+Describe:
+
+1. Contact point
+2. Body position
+3. Object deformation
+4. Force
+5. Suspended state
+
+For example:
+
+```
+The glove remains visibly pressed against the opponent's jaw, with the opponent's head displaced slightly backward from the force.
+```
+
+For a kick:
+
+```
+The boot remains pressed against the center of the helmet while the armor visibly deforms around the point of contact.
+```
+
+For an object:
+
+```
+The ball remains compressed against the bat at the precise instant of impact.
+```
+
+The description should freeze the **exact physical instant**, not simply say that time has slowed.
+
+---
+
+11. Section 3 — Return to Normal Speed
+======================================
+
+The return to normal speed should be sudden and explicit.
+
+Use:
+
+```
+Time suddenly snaps back to full normal speed.
+```
+
+This is preferable to vague wording such as:
+
+> The action speeds up again.
+
+The transition should feel like a hard temporal change.
+
+Immediately after the transition, the consequences of the frozen event continue.
+
+---
+
+12. Preserve Physical Continuity After Bullet-Time
+==================================================
+
+The action after bullet-time must logically continue from the frozen frame.
+
+If a punch is frozen at contact:
+
+```
+The punch retracts naturally.
+The opponent reacts to the accumulated force.
+```
+
+If a ball is frozen at impact:
+
+```
+The ball resumes its trajectory immediately after contact.
+```
+
+If a vehicle is frozen during collision:
+
+```
+The vehicle resumes its forward momentum and continues through the collision.
+```
+
+Never reset the scene after bullet-time.
+
+The post-bullet-time action must be a **continuation**, not a new shot.
+
+---
+
+13. Escalate the Consequence
+============================
+
+The final section should usually make the original impact matter.
+
+Examples:
+
+### Boxing
+
+```
+The opponent stumbles backward and falls.
+```
+
+### Martial arts
+
+```
+The opponent is launched backward across the room.
+```
+
+### Vehicle
+
+```
+The vehicle continues through the barrier.
+```
+
+### Sports
+
+```
+The ball rockets away at full speed.
+```
+
+### Comedy
+
+```
+The character loses balance and crashes into the surrounding objects.
+```
+
+The consequence gives the bullet-time moment narrative purpose.
+
+---
+
+14. Sound Design
+================
+
+Create a separate:
+
+```
+overall_soundscape:
+```
+
+section.
+
+Sound should follow the same three-phase structure.
+
+Before bullet-time
+------------------
+
+Use normal-speed sounds:
+
+* Footsteps
+* Breathing
+* Clothing
+* Armor
+* Crowd
+* Environment
+* Engines
+* Ball contact
+* Movement
+
+Example:
+
+```
+Section 1 contains rapid footsteps, breathing, clothing movement, and crowd ambience.
+```
+
+During bullet-time
+------------------
+
+Sound should suddenly become stretched and atmospheric.
+
+Useful elements:
+
+* Low-frequency impact
+* Time-stretched ambience
+* Long metallic resonance
+* Deep pressure wave
+* Extended impact sound
+* Suspended environmental noise
+
+Example:
+
+```
+The sound changes instantly when bullet-time begins. The environment stretches into a distant atmospheric rumble while the impact becomes a massive elongated low-frequency shockwave.
+```
+
+After bullet-time
+-----------------
+
+Return abruptly to normal-speed sound.
+
+Example:
+
+```
+Normal-speed sound suddenly returns with the rushing movement, crowd reaction, footsteps, and physical consequences of the impact.
+```
+
+---
+
+15. Non-Diegetic Music
+======================
+
+Create a separate:
+
+```
+non_diegetic_music:
+```
+
+section.
+
+The music should mirror the temporal structure.
+
+### Fast section
+
+Use:
+
+* accelerating rhythm
+* percussion
+* strings
+* rising tension
+* increasing intensity
+
+### Bullet-time
+
+Stretch the music dramatically.
+
+Example:
+
+```
+At the exact impact, the music suddenly stretches into a massive sustained orchestral shockwave during bullet-time.
+```
+
+### Return
+
+Restore the original rhythm suddenly:
+
+```
+When normal speed returns, the full percussion and orchestral rhythm suddenly crash back at maximum intensity.
+```
+
+This makes the temporal transition readable even through sound.
+
+---
+
+16. Recommended Prompt Template
+===============================
+
+Use this template as the foundation for new prompts:
+
+```
+integrated_multimodal_description:
+
+0.00–X.XXs: [ENVIRONMENT].
+
+[SUBJECT A] [FAST ACTION].
+
+[SUBJECT B] [REACTION].
+
+The camera [DYNAMIC CAMERA MOVEMENT].
+
+[PHYSICAL DETAILS AND MOVEMENT].
+
+[SUBJECT A] performs [DECISIVE ACTION].
+
+[SUBJECT B] [RESPONSE].
+
+At the exact instant [CRITICAL CONTACT/EVENT], the action transitions into bullet-time.
+
+X.XX–Y.YYs: bullet-time.
+
+Time slows almost completely while the camera continues moving.
+
+[DESCRIBE EXACT FROZEN MOMENT].
+
+[DESCRIBE CONTACT / IMPACT].
+
+The important subjects remain almost completely frozen.
+
+The camera performs a smooth 180-degree orbital movement, traveling from [START POSITION] around to [END POSITION].
+
+[SUBJECTS AND IMPORTANT OBJECTS] maintain consistent spatial relationships throughout the orbit.
+
+[IMPORTANT OBJECT] remains the same physical object throughout the sequence. Do not create, duplicate, replace, or morph it.
+
+[TINY FROZEN DETAILS].
+
+The camera completes the orbital movement.
+
+Y.YY–Z.ZZs: Time suddenly snaps back to full normal speed.
+
+[IMMEDIATE PHYSICAL CONTINUATION].
+
+[CONSEQUENCE OF THE IMPACT].
+
+[FINAL COMPOSITION].
+
+overall_soundscape:
+
+Section 1 contains [NORMAL-SPEED SOUNDS].
+
+At the exact transition into bullet-time, [SOUND TRANSFORMATION].
+
+During bullet-time, [STRETCHED IMPACT / ATMOSPHERIC SOUND].
+
+When normal speed returns, [FULL-SPEED CONSEQUENCE SOUNDS].
+
+non_diegetic_music:
+
+[FAST MUSIC DESCRIPTION].
+
+At the exact impact, the music suddenly stretches into [BULLET-TIME MUSIC].
+
+When normal speed returns, [MUSIC RETURNS TO FULL INTENSITY].
+```
+
+---
+
+17. Quality Rules
+=================
+
+When generating a prompt, follow these rules:
+
+### Rule 1 — One hero event
+
+There should be one primary bullet-time moment.
+
+### Rule 2 — Fast before slow
+
+The first section must establish clearly fast movement.
+
+### Rule 3 — Explicit trigger
+
+State exactly what causes bullet-time.
+
+### Rule 4 — Use the keyword
+
+The middle section must explicitly contain:
+
+```
+bullet-time
+```
+
+### Rule 5 — Freeze subjects, move camera
+
+The defining visual relationship is:
+
+```
+subjects ≈ frozen
+camera = moving
+```
+
+### Rule 6 — Use an orbit
+
+Prefer a clearly defined 180-degree camera orbit unless the scene benefits from another angle.
+
+### Rule 7 — Preserve identity
+
+Important objects must remain the same objects throughout the sequence.
+
+### Rule 8 — Preserve spatial relationships
+
+Objects should not teleport, duplicate, disappear, or change identity.
+
+### Rule 9 — Snap back to normal
+
+Use an explicit temporal transition.
+
+### Rule 10 — Continue the physics
+
+Post-bullet-time action must continue from the frozen frame.
+
+### Rule 11 — Synchronize sound
+
+Sound should change at the same temporal boundaries as the image.
+
+### Rule 12 — Synchronize music
+
+Music should reinforce the same fast → bullet-time → normal structure.
+
+---
+
+18. Avoid These Failure Modes
+=============================
+
+Do not write prompts where:
+
+* bullet-time begins without a clear trigger
+* the camera stops moving during bullet-time
+* the subjects continue normal-speed movement during bullet-time
+* the scene changes completely after bullet-time
+* important objects disappear
+* important objects duplicate
+* weapons change identity
+* characters change clothing
+* characters teleport
+* the camera orbit has no defined direction
+* the post-impact action contradicts the frozen frame
+* sound remains unchanged during bullet-time
+* music ignores the temporal transition
+* too many simultaneous actions compete for the hero moment
+
+---
+
+19. Generalization
+==================
+
+The technique is not limited to combat.
+
+Apply the same structure to:
+
+### Sports
+
+```
+sprinter → collision/finish → bullet-time orbit → full-speed finish
+```
+
+### Vehicles
+
+```
+car accelerating → collision → bullet-time orbit → vehicle continues
+```
+
+### Fantasy
+
+```
+warrior attacks monster → weapon impact → bullet-time orbit → monster launched backward
+```
+
+### Comedy
+
+```
+character runs → slips → bullet-time orbit → crashes at normal speed
+```
+
+### Sci-fi
+
+```
+spaceship accelerates → projectile impact → bullet-time orbit → explosion resumes
+```
+
+### Everyday action
+
+```
+person throws object → object reaches target → bullet-time orbit → object continues
+```
+
+The **subject changes**, but the underlying temporal grammar remains:
+
+```
+BUILD SPEED
+    ↓
+CRITICAL EVENT
+    ↓
+bullet-time
+    ↓
+CAMERA ORBIT
+    ↓
+NORMAL SPEED
+    ↓
+PHYSICAL CONSEQUENCE
+```
+
+---
+
+20. Final Generation Checklist
+==============================
+
+Before producing the final prompt, verify:
+
+* The environment is clearly established.
+* Main subjects are clearly identified.
+* Their initial positions are understandable.
+* Fast movement occurs before bullet-time.
+* There is exactly one primary hero event.
+* `bullet-time` appears explicitly in the middle section.
+* The exact transition moment is defined.
+* Subjects become almost frozen.
+* The camera continues moving.
+* The camera performs a clearly described orbit.
+* Important objects preserve identity.
+* Spatial relationships remain consistent.
+* Frozen micro-details reinforce the effect.
+* Sound changes during bullet-time.
+* Music changes during bullet-time.
+* Normal speed returns explicitly.
+* Physics continue naturally after the transition.
+* The final consequence is clearly visible.
+* The final composition provides a satisfying conclusion.
+
+The resulting prompt should read like a **precisely choreographed miniature film**, not a collection of visual keywords.
+
+---
+
+Author: [alcaitiff](https://civitai.com/user/alcaitiff)
+
+Model: [CivitAI Model Page](https://civitai.com/models/2934116?modelVersionId=3321093)
+
+Archive: [CivArchive Page](https://civarchive.com/models/2934116?modelVersionId=3321093)
+
+<!-- Version: 20260917_upload -->