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1 Parent(s): 155900e

Curated gallery: 17 images, strengths first

Browse files
.gitattributes CHANGED
@@ -43,3 +43,11 @@ gallery/portra400_apartment_red_jacket.jpg filter=lfs diff=lfs merge=lfs -text
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  gallery/skin_fragment_resin_wafer.jpg filter=lfs diff=lfs merge=lfs -text
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  gallery/swiss_riso_exhibition_poster.jpg filter=lfs diff=lfs merge=lfs -text
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  gallery/vision3_backseat_red_halation.jpg filter=lfs diff=lfs merge=lfs -text
 
 
 
 
 
 
 
 
 
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  gallery/skin_fragment_resin_wafer.jpg filter=lfs diff=lfs merge=lfs -text
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  gallery/swiss_riso_exhibition_poster.jpg filter=lfs diff=lfs merge=lfs -text
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  gallery/vision3_backseat_red_halation.jpg filter=lfs diff=lfs merge=lfs -text
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+ gallery/chrome_cuff_resin_macro.jpg filter=lfs diff=lfs merge=lfs -text
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+ gallery/cinestill800t_corner_store_pushed.jpg filter=lfs diff=lfs merge=lfs -text
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+ gallery/contact_sheet_grease_pencil.jpg filter=lfs diff=lfs merge=lfs -text
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+ gallery/dune_ridge_lone_walker_70mm.jpg filter=lfs diff=lfs merge=lfs -text
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+ gallery/edit_recolor_dress_greenhouse.jpg filter=lfs diff=lfs merge=lfs -text
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+ gallery/older_man_overcast_window.jpg filter=lfs diff=lfs merge=lfs -text
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+ gallery/upsample_pomegranate_short.jpg filter=lfs diff=lfs merge=lfs -text
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+ gallery/upsample_rain_bus_stop.jpg filter=lfs diff=lfs merge=lfs -text
gallery/{portra400_apartment_red_jacket.jpg → chrome_cuff_resin_macro.jpg} RENAMED
File without changes
gallery/chrome_cuff_resin_macro.json ADDED
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+ {
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+ "prompt": "Macro product photograph of a handmade jewelry piece, shot with a 100mm macro lens at f/11 on a dark slate-grey stone surface with a fine natural tooth. A hand-bent polished chrome ear cuff, slightly asymmetric with visible file marks and one hammered facet, holds a tiny translucent carmine-red resin sliver set in a bezel. A rough cut piece of amber resin and a small coil of black waxed cord lie nearby, slightly out of focus. A single hard white backlight behind the objects passes through the resins and throws two small saturated pools of red and amber light onto the stone. A narrow white card at frame-left draws a long, crisp specular line along the chrome. The background falls to near-black. The resin shows micro-bubbles, polishing scratches and a fingerprint smudge on the chrome. The palette is desaturated, cold slate with carmine #B51F36 and amber accents. No logos, no text, no CGI gloss.",
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+ "input_prompt": "Macro product photograph of a handmade jewelry piece, shot with a 100mm macro lens at f/11 on a dark slate-grey stone surface with a fine natural tooth. A hand-bent polished chrome ear cuff, slightly asymmetric with visible file marks and one hammered facet, holds a tiny translucent carmine-red resin sliver set in a bezel. A rough cut piece of amber resin and a small coil of black waxed cord lie nearby, slightly out of focus. A single hard white backlight behind the objects passes through the resins and throws two small saturated pools of red and amber light onto the stone. A narrow white card at frame-left draws a long, crisp specular line along the chrome. The background falls to near-black. The resin shows micro-bubbles, polishing scratches and a fingerprint smudge on the chrome. The palette is desaturated, cold slate with carmine #B51F36 and amber accents. No logos, no text, no CGI gloss.",
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+ "boxes": null,
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gallery/cinestill800t_corner_store_pushed.jpg ADDED

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gallery/cinestill800t_corner_store_pushed.json ADDED
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+ {
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+ "prompt": "Square photorealistic editorial 35mm photograph of a 30-year-old woman in a black trench coat over a white dress, standing outside a corner store at night. Behind her are glass doors, chrome fixtures, parked cars and layered reflections in the glass. She has natural proportions and realistic skin texture, and the styling is art-directed but not glossy. The camera is at eye level with a 50mm lens, in a medium shot. Shot on CineStill 800T 35mm tungsten-balanced color negative film, with cinematic color separation and pronounced red halation around the bright highlights. Warm tungsten practicals and a subtle teal neon spill appear as small bright sources in the frame, with deeper localized shadows across the pavement. The film was pushed one stop in development, giving stronger contrast, denser shadows, coarser visible grain and a slight color shift. The store windows hold only out-of-focus product shapes, with no readable signs. No text, no logos, no watermark, no artificial digital smoothness.",
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+ "input_prompt": "Square photorealistic editorial 35mm photograph of a 30-year-old woman in a black trench coat over a white dress, standing outside a corner store at night. Behind her are glass doors, chrome fixtures, parked cars and layered reflections in the glass. She has natural proportions and realistic skin texture, and the styling is art-directed but not glossy. The camera is at eye level with a 50mm lens, in a medium shot. Shot on CineStill 800T 35mm tungsten-balanced color negative film, with cinematic color separation and pronounced red halation around the bright highlights. Warm tungsten practicals and a subtle teal neon spill appear as small bright sources in the frame, with deeper localized shadows across the pavement. The film was pushed one stop in development, giving stronger contrast, denser shadows, coarser visible grain and a slight color shift. The store windows hold only out-of-focus product shapes, with no readable signs. No text, no logos, no watermark, no artificial digital smoothness.",
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+ "boxes": null,
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gallery/contact_sheet_grease_pencil.jpg ADDED

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gallery/contact_sheet_grease_pencil.json ADDED
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+ {
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+ "prompt": "Overhead photograph of a black-and-white 35mm contact sheet lying on a light table, with a small chrome loupe resting on the lower right corner. The sheet holds six strips of six frames, showing a portrait session of an adult woman in a dark coat on a concrete stairwell, with slightly varied exposures and poses. The film edges are printed in small white rebate letters reading \"MERIDIAN 400 SAFETY FILM\" and frame numbers \"14\", \"15\", \"16\", \"17\". A red grease pencil has circled frame 16 with a thick, wobbly loop. Next to it is handwritten \"KEEP\", and along the bottom margin is the note \"print 8x10, dodge face +1/2\". A small square of yellow masking tape at the top edge carries the pencilled label \"Roll 7, 12 Oct\". Soft, even light from the light table makes the paper base faintly translucent, with fine dust specks and silver grain visible in each frame. No other text.",
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+ "input_prompt": "Overhead photograph of a black-and-white 35mm contact sheet lying on a light table, with a small chrome loupe resting on the lower right corner. The sheet holds six strips of six frames, showing a portrait session of an adult woman in a dark coat on a concrete stairwell, with slightly varied exposures and poses. The film edges are printed in small white rebate letters reading \"MERIDIAN 400 SAFETY FILM\" and frame numbers \"14\", \"15\", \"16\", \"17\". A red grease pencil has circled frame 16 with a thick, wobbly loop. Next to it is handwritten \"KEEP\", and along the bottom margin is the note \"print 8x10, dodge face +1/2\". A small square of yellow masking tape at the top edge carries the pencilled label \"Roll 7, 12 Oct\". Soft, even light from the light table makes the paper base faintly translucent, with fine dust specks and silver grain visible in each frame. No other text.",
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+ "boxes": null,
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+ "width": 1216,
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+ "height": 832,
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+ "steps": 16,
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+ }
gallery/dune_ridge_lone_walker_70mm.jpg ADDED

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gallery/dune_ridge_lone_walker_70mm.json ADDED
@@ -0,0 +1,14 @@
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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+ {
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+ "prompt": "Epic, quiet landscape photograph scanned from 65mm motion-picture film, with a wide horizontal frame. A single knife-edge sand dune ridge curves from the lower left into the middle distance. One small adult figure in a loose rust-colored robe walks along the crest and leaves a line of footprints, and the figure takes up less than one twentieth of the frame height. The sun has just set behind the far dunes. The sky grades from a pale apricot band at the horizon through dusty rose to a cold violet overhead, with a few thin high clouds catching the last light. The windward slopes hold soft lavender shadow, while the lee faces keep a faint warm glow. Fine wind ripples on the sand are resolved across the foreground. The air carries a subtle haze with no god rays. The color science is cinematic, with a gentle highlight rolloff and fine, organic film grain. No text, no vignette, no border.",
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+ "input_prompt": "Epic, quiet landscape photograph scanned from 65mm motion-picture film, with a wide horizontal frame. A single knife-edge sand dune ridge curves from the lower left into the middle distance. One small adult figure in a loose rust-colored robe walks along the crest and leaves a line of footprints, and the figure takes up less than one twentieth of the frame height. The sun has just set behind the far dunes. The sky grades from a pale apricot band at the horizon through dusty rose to a cold violet overhead, with a few thin high clouds catching the last light. The windward slopes hold soft lavender shadow, while the lee faces keep a faint warm glow. Fine wind ripples on the sand are resolved across the foreground. The air carries a subtle haze with no god rays. The color science is cinematic, with a gentle highlight rolloff and fine, organic film grain. No text, no vignette, no border.",
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+ "width": 1344,
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+ "model": "FLUX-3-Image-Klein-MLX-6bit"
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gallery/edit_recolor_dress_greenhouse.jpg ADDED

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gallery/edit_recolor_dress_greenhouse.json ADDED
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+ {
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+ "prompt": "Create a photograph that keeps the first image exactly as the canvas. Keep the same glass greenhouse with its pale steel glazing bars and dense tropical foliage, the same humid green haze and soft daylight, and the same dark-haired woman at frame-right with her eyes closed, the same face, expression, hair, skin, shoulders, pose and framing. Change only her slip dress from pale sage green to a deep oxblood red satin, keeping its thin straps, its drape and folds, the dappled leaf shadows falling across the fabric, and the same soft sheen on the highlights. Add only a faint, natural warm-red bounce from the dress onto the underside of her arm and jaw, so the new color sits in the scene's light. Do not regrade the image. Every leaf, glass pane, the film grain and the green palette elsewhere stay exactly as photographed.",
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+ "input_prompt": "Create a photograph that keeps the first image exactly as the canvas. Keep the same glass greenhouse with its pale steel glazing bars and dense tropical foliage, the same humid green haze and soft daylight, and the same dark-haired woman at frame-right with her eyes closed, the same face, expression, hair, skin, shoulders, pose and framing. Change only her slip dress from pale sage green to a deep oxblood red satin, keeping its thin straps, its drape and folds, the dappled leaf shadows falling across the fabric, and the same soft sheen on the highlights. Add only a faint, natural warm-red bounce from the dress onto the underside of her arm and jaw, so the new color sits in the scene's light. Do not regrade the image. Every leaf, glass pane, the film grain and the green palette elsewhere stay exactly as photographed.",
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+ "boxes": null,
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+ "width": 896,
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+ "height": 1104,
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+ "peak_memory_gb": 12.67,
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+ "teal_greenhouse__12step_hero.png"
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+ ],
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+ }
gallery/older_man_overcast_window.jpg ADDED

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gallery/older_man_overcast_window.json ADDED
@@ -0,0 +1,14 @@
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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+ {
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+ "prompt": "Head-and-shoulders portrait of a man in his seventies, shot on Kodak Portra 400 35mm color negative film with a 75mm lens at f/2.8. He sits beside a tall north-facing window in a plain farmhouse kitchen, turned three-quarters toward the light, with his eyes resting just past the camera. He has cropped silver hair, a white stubble beard, deep crow's feet, sun spots, a slightly crooked nose and a small scar through the left eyebrow. He wears a faded navy chore jacket over an undyed cotton collarless shirt with frayed edges. Soft overcast window light wraps his face from frame-left, and the shadow side falls into a gentle grey-green. Individual silver hairs, pores and the moist edge of the lower eyelid are crisp, while the ear and shoulder soften. The background is a pale limewashed wall and a blurred enamel kettle. Natural skin tones, restrained contrast, a Frontier lab scan with fine natural grain, no beauty retouching.",
3
+ "input_prompt": "Head-and-shoulders portrait of a man in his seventies, shot on Kodak Portra 400 35mm color negative film with a 75mm lens at f/2.8. He sits beside a tall north-facing window in a plain farmhouse kitchen, turned three-quarters toward the light, with his eyes resting just past the camera. He has cropped silver hair, a white stubble beard, deep crow's feet, sun spots, a slightly crooked nose and a small scar through the left eyebrow. He wears a faded navy chore jacket over an undyed cotton collarless shirt with frayed edges. Soft overcast window light wraps his face from frame-left, and the shadow side falls into a gentle grey-green. Individual silver hairs, pores and the moist edge of the lower eyelid are crisp, while the ear and shoulder soften. The background is a pale limewashed wall and a blurred enamel kettle. Natural skin tones, restrained contrast, a Frontier lab scan with fine natural grain, no beauty retouching.",
4
+ "boxes": null,
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+ "width": 832,
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+ "height": 1216,
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+ "steps": 16,
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+ "seed": 40111204,
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+ "upsampled": false,
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+ "seconds": 111.6,
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+ "peak_memory_gb": 12.76,
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+ "references": [],
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+ "model": "FLUX-3-Image-Klein-MLX-6bit"
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+ }
gallery/portra400_apartment_red_jacket.json DELETED
@@ -1,14 +0,0 @@
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- {
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- "prompt": "Square photorealistic editorial 35mm photograph of a 25-year-old woman with short dark hair, an oversized red leather jacket and black jeans, sitting cross-legged on the floor of a lived-in city apartment. Behind her are a crate of vinyl records, a chrome floor lamp and a half-open window with a thin curtain. She has natural proportions and realistic skin texture, and the styling is art-directed but not glossy. The camera is at eye level with a 50mm lens, in a medium shot. Shot on Kodak Portra 400 35mm color negative film, with natural skin tones, a soft pastel color response and gentle highlight rolloff. Cool, diffuse ambient light from the window gives soft open shadows, with no dominant warm practical. Rated at box speed and scanned on a clean, neutral Frontier lab scanner, with restrained contrast and fine natural grain. The red leather shows creases and scuffed edges. No text, no logos, no watermark, no artificial digital smoothness.",
3
- "input_prompt": "Square photorealistic editorial 35mm photograph of a 25-year-old woman with short dark hair, an oversized red leather jacket and black jeans, sitting cross-legged on the floor of a lived-in city apartment. Behind her are a crate of vinyl records, a chrome floor lamp and a half-open window with a thin curtain. She has natural proportions and realistic skin texture, and the styling is art-directed but not glossy. The camera is at eye level with a 50mm lens, in a medium shot. Shot on Kodak Portra 400 35mm color negative film, with natural skin tones, a soft pastel color response and gentle highlight rolloff. Cool, diffuse ambient light from the window gives soft open shadows, with no dominant warm practical. Rated at box speed and scanned on a clean, neutral Frontier lab scanner, with restrained contrast and fine natural grain. The red leather shows creases and scuffed edges. No text, no logos, no watermark, no artificial digital smoothness.",
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- "boxes": null,
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- "width": 1024,
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- "references": [],
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- "model": "FLUX-3-Image-Klein-MLX-6bit"
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- }
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
gallery/upsample_pomegranate_short.jpg ADDED

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gallery/upsample_pomegranate_short.json ADDED
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+ {
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+ "prompt": "Full-color indoor still-life photograph on Kodak Portra 400 film, shot straight-on at tabletop height with a medium depth of field. A halved pomegranate rests near the center of a rectangular off-white plaster plinth, its cut face turned toward the camera. The exposed interior is packed with tightly clustered ruby-red arils in cream-colored membranes, with several seeds pressed against the uneven rind and one loose aril resting beside the fruit. Its thick crimson skin has a dry burgundy edge, scattered pale speckles, and an irregular crown-shaped top where the shell was removed. Hard window light enters from the upper left, illuminating the translucent red seeds and casting a sharply defined diagonal shadow across the plinth toward the lower right. Fine scratches, shallow chips, and trowel marks break up the matte plaster surface around the fruit. Behind it, a plain warm gray wall falls into deep shade, with the bright rectangular edge of the window forming a narrow patch of light along the far left. The restrained palette combines Portra 400’s warm color response, muted cream highlights, saturated red fruit, and dense brown-gray shadows, with fine film grain across the frame.",
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+ "input_prompt": "a halved pomegranate on a plaster plinth, hard window light, Portra 400",
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+ "boxes": null,
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+ "width": 1152,
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+ "height": 896,
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+ "steps": 16,
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+ "seed": 11,
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+ "upsampled": true,
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+ "peak_memory_gb": 18.83,
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+ "references": [],
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+ "model": "FLUX-3-Image-Klein-MLX-6bit"
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+ }
gallery/upsample_rain_bus_stop.jpg ADDED

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gallery/upsample_rain_bus_stop.json ADDED
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+ {
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+ "prompt": "Full-color outdoor photograph on Kodak CineStill 800T film, a night bus stop in steady rain, shot at eye level with visible fine grain and muted blue-green shadows. A single woman waits beneath a red umbrella near the center of the frame. She is an East Asian woman in her thirties with fair skin and shoulder-length black hair, wearing a dark wool coat over a cream scarf and holding a closed black handbag against her chest. The umbrella tilts toward her left shoulder as rain streaks through its translucent red canopy; water beads along the rim and drips from the pointed tip. Her face is turned toward the road, eyes fixed on the approaching lane, while one hand grips the umbrella shaft and the other rests around the handbag. On the right, a narrow bus shelter stands beside the curb, its wet glass wall reflecting the red umbrella and a dim amber lamp mounted above it. A small illuminated sign reads \"BUS STOP\" in white uppercase letters. In the foreground, puddles cover the dark asphalt, broken by ripples and elongated reflections from the shelter light. A few fallen leaves cling to the pavement near the woman’s boots. On the left, the empty roadway recedes into darkness, where the headlights of an approaching city bus form two pale beams through the rain, their edges smeared by motion. In the background, low apartment windows and distant streetlights dissolve into soft pools of yellow and cyan, while the upper sky remains nearly black.",
3
+ "input_prompt": "night bus stop in the rain, CineStill 800T, one woman waiting under a red umbrella",
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+ "boxes": null,
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+ "width": 1216,
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+ "height": 832,
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+ "steps": 16,
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+ "seed": 12,
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+ "upsampled": true,
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+ "seconds": 117.7,
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+ "peak_memory_gb": 18.71,
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+ "references": [],
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+ "model": "FLUX-3-Image-Klein-MLX-6bit"
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+ }