Gallery: 24 showcase images with prompts and seeds

.gitattributes

@@ -49,3 +49,11 @@ gallery/swiss_riso_exhibition_poster.jpg filter=lfs diff=lfs merge=lfs -text
 gallery/upsample_edit_remove_car.jpg filter=lfs diff=lfs merge=lfs -text
 gallery/upsample_pomegranate_short.jpg filter=lfs diff=lfs merge=lfs -text
 gallery/vision3_backseat_red_halation.jpg filter=lfs diff=lfs merge=lfs -text
+gallery/chrome_cuff_resin_macro.jpg filter=lfs diff=lfs merge=lfs -text
+gallery/cobalt_glass_poster_editorial.jpg filter=lfs diff=lfs merge=lfs -text
+gallery/dune_ridge_lone_walker_70mm.jpg filter=lfs diff=lfs merge=lfs -text
+gallery/portra400_apartment_red_jacket.jpg filter=lfs diff=lfs merge=lfs -text
+gallery/pushed_bw_rain_crossing.jpg filter=lfs diff=lfs merge=lfs -text
+gallery/soft_club_chrome_futurism.jpg filter=lfs diff=lfs merge=lfs -text
+gallery/upsample_rain_bus_stop.jpg filter=lfs diff=lfs merge=lfs -text
+gallery/y2k_ccd_flash_underpass.jpg filter=lfs diff=lfs merge=lfs -text

gallery/chrome_cuff_resin_macro.json

@@ -0,0 +1,14 @@
+{
+  "prompt": "Macro product photograph of a handmade jewelry piece, shot with a 100mm macro lens at f/11 on a dark slate-grey stone surface with a fine natural tooth. A hand-bent polished chrome ear cuff, slightly asymmetric with visible file marks and one hammered facet, holds a tiny translucent carmine-red resin sliver set in a bezel. A rough cut piece of amber resin and a small coil of black waxed cord lie nearby, slightly out of focus. A single hard white backlight behind the objects passes through the resins and throws two small saturated pools of red and amber light onto the stone. A narrow white card at frame-left draws a long, crisp specular line along the chrome. The background falls to near-black. The resin shows micro-bubbles, polishing scratches and a fingerprint smudge on the chrome. The palette is desaturated, cold slate with carmine #B51F36 and amber accents. No logos, no text, no CGI gloss.",
+  "input_prompt": "Macro product photograph of a handmade jewelry piece, shot with a 100mm macro lens at f/11 on a dark slate-grey stone surface with a fine natural tooth. A hand-bent polished chrome ear cuff, slightly asymmetric with visible file marks and one hammered facet, holds a tiny translucent carmine-red resin sliver set in a bezel. A rough cut piece of amber resin and a small coil of black waxed cord lie nearby, slightly out of focus. A single hard white backlight behind the objects passes through the resins and throws two small saturated pools of red and amber light onto the stone. A narrow white card at frame-left draws a long, crisp specular line along the chrome. The background falls to near-black. The resin shows micro-bubbles, polishing scratches and a fingerprint smudge on the chrome. The palette is desaturated, cold slate with carmine #B51F36 and amber accents. No logos, no text, no CGI gloss.",
+  "boxes": null,
+  "width": 1024,
+  "height": 1024,
+  "steps": 16,
+  "seed": 36202000,
+  "upsampled": false,
+  "seconds": 110.0,
+  "peak_memory_gb": 14.28,
+  "references": [],
+  "model": "FLUX-3-Image-Klein-MLX-8bit"
+}

gallery/cobalt_glass_poster_editorial.json

@@ -0,0 +1,14 @@
+{
+  "prompt": "Cold, high-fashion editorial photograph with a poster-like use of negative space, shot on a medium-format film camera with an 80mm lens at f/8. An adult model with severe slicked-back dark hair, a black high funnel collar and bare unretouched skin is pressed close behind a scratched sheet of clear glass. A single hand-painted cobalt-blue cross is brushed on the glass directly over the mouth. The paint shows brush drag, a thinning edge and small drips, and the glass carries fingerprints, dust and fine scratches that catch the light. A cold, hard side strobe from frame-left gives a crisp specular edge on the glass and raking light across the cheekbone, with no soft beauty fill. The background is a flat mid-grey seamless with a faint pale gradient. The palette is desaturated grey, black and skin, with one saturated cobalt accent #1F3FBF. Pores, peach fuzz and contact fog where the breath meets the glass are visible. No text, no logos.",
+  "input_prompt": "Cold, high-fashion editorial photograph with a poster-like use of negative space, shot on a medium-format film camera with an 80mm lens at f/8. An adult model with severe slicked-back dark hair, a black high funnel collar and bare unretouched skin is pressed close behind a scratched sheet of clear glass. A single hand-painted cobalt-blue cross is brushed on the glass directly over the mouth. The paint shows brush drag, a thinning edge and small drips, and the glass carries fingerprints, dust and fine scratches that catch the light. A cold, hard side strobe from frame-left gives a crisp specular edge on the glass and raking light across the cheekbone, with no soft beauty fill. The background is a flat mid-grey seamless with a faint pale gradient. The palette is desaturated grey, black and skin, with one saturated cobalt accent #1F3FBF. Pores, peach fuzz and contact fog where the breath meets the glass are visible. No text, no logos.",
+  "boxes": null,
+  "width": 832,
+  "height": 1216,
+  "steps": 16,
+  "seed": 811204441,
+  "upsampled": false,
+  "seconds": 105.6,
+  "peak_memory_gb": 14.08,
+  "references": [],
+  "model": "FLUX-3-Image-Klein-MLX-8bit"
+}

gallery/dune_ridge_lone_walker_70mm.json

@@ -0,0 +1,14 @@
+{
+  "prompt": "Epic, quiet landscape photograph scanned from 65mm motion-picture film, with a wide horizontal frame. A single knife-edge sand dune ridge curves from the lower left into the middle distance. One small adult figure in a loose rust-colored robe walks along the crest and leaves a line of footprints, and the figure takes up less than one twentieth of the frame height. The sun has just set behind the far dunes. The sky grades from a pale apricot band at the horizon through dusty rose to a cold violet overhead, with a few thin high clouds catching the last light. The windward slopes hold soft lavender shadow, while the lee faces keep a faint warm glow. Fine wind ripples on the sand are resolved across the foreground. The air carries a subtle haze with no god rays. The color science is cinematic, with a gentle highlight rolloff and fine, organic film grain. No text, no vignette, no border.",
+  "input_prompt": "Epic, quiet landscape photograph scanned from 65mm motion-picture film, with a wide horizontal frame. A single knife-edge sand dune ridge curves from the lower left into the middle distance. One small adult figure in a loose rust-colored robe walks along the crest and leaves a line of footprints, and the figure takes up less than one twentieth of the frame height. The sun has just set behind the far dunes. The sky grades from a pale apricot band at the horizon through dusty rose to a cold violet overhead, with a few thin high clouds catching the last light. The windward slopes hold soft lavender shadow, while the lee faces keep a faint warm glow. Fine wind ripples on the sand are resolved across the foreground. The air carries a subtle haze with no god rays. The color science is cinematic, with a gentle highlight rolloff and fine, organic film grain. No text, no vignette, no border.",
+  "boxes": null,
+  "width": 1344,
+  "height": 768,
+  "steps": 16,
+  "seed": 401212,
+  "upsampled": false,
+  "seconds": 108.1,
+  "peak_memory_gb": 14.2,
+  "references": [],
+  "model": "FLUX-3-Image-Klein-MLX-8bit"
+}

gallery/portra400_apartment_red_jacket.json

@@ -0,0 +1,14 @@
+{
+  "prompt": "Square photorealistic editorial 35mm photograph of a 25-year-old woman with short dark hair, an oversized red leather jacket and black jeans, sitting cross-legged on the floor of a lived-in city apartment. Behind her are a crate of vinyl records, a chrome floor lamp and a half-open window with a thin curtain. She has natural proportions and realistic skin texture, and the styling is art-directed but not glossy. The camera is at eye level with a 50mm lens, in a medium shot. Shot on Kodak Portra 400 35mm color negative film, with natural skin tones, a soft pastel color response and gentle highlight rolloff. Cool, diffuse ambient light from the window gives soft open shadows, with no dominant warm practical. Rated at box speed and scanned on a clean, neutral Frontier lab scanner, with restrained contrast and fine natural grain. The red leather shows creases and scuffed edges. No text, no logos, no watermark, no artificial digital smoothness.",
+  "input_prompt": "Square photorealistic editorial 35mm photograph of a 25-year-old woman with short dark hair, an oversized red leather jacket and black jeans, sitting cross-legged on the floor of a lived-in city apartment. Behind her are a crate of vinyl records, a chrome floor lamp and a half-open window with a thin curtain. She has natural proportions and realistic skin texture, and the styling is art-directed but not glossy. The camera is at eye level with a 50mm lens, in a medium shot. Shot on Kodak Portra 400 35mm color negative film, with natural skin tones, a soft pastel color response and gentle highlight rolloff. Cool, diffuse ambient light from the window gives soft open shadows, with no dominant warm practical. Rated at box speed and scanned on a clean, neutral Frontier lab scanner, with restrained contrast and fine natural grain. The red leather shows creases and scuffed edges. No text, no logos, no watermark, no artificial digital smoothness.",
+  "boxes": null,
+  "width": 1024,
+  "height": 1024,
+  "steps": 16,
+  "seed": 160916,
+  "upsampled": false,
+  "seconds": 111.5,
+  "peak_memory_gb": 14.28,
+  "references": [],
+  "model": "FLUX-3-Image-Klein-MLX-8bit"
+}

gallery/pushed_bw_rain_crossing.json

@@ -0,0 +1,14 @@
+{
+  "prompt": "Grainy black-and-white street photograph on Kodak Tri-X pushed two stops, taken with a 35mm rangefinder and a 28mm lens at f/8, zone-focused from the curb. On a wet city crosswalk at dusk, a dozen adult pedestrians cross in long coats. One man in the foreground is caught mid-stride, his black umbrella tilted, his face half-turned and sharp. A cyclist in the background is smeared by a slow 1/15 second shutter. The asphalt and crosswalk stripes reflect the shop lights as broken white streaks. Heavy, crisp silver grain shows in every midtone, the shadows are dense black and the highlights bloom slightly, typical of a hard push. The tilted frame and slightly imperfect timing are candid, not posed. Behind them, a row of early twentieth-century facades fades into drizzle. The signage is too blurred and small to read. Rich tonal separation, a matte darkroom print feel, no color, no text.",
+  "input_prompt": "Grainy black-and-white street photograph on Kodak Tri-X pushed two stops, taken with a 35mm rangefinder and a 28mm lens at f/8, zone-focused from the curb. On a wet city crosswalk at dusk, a dozen adult pedestrians cross in long coats. One man in the foreground is caught mid-stride, his black umbrella tilted, his face half-turned and sharp. A cyclist in the background is smeared by a slow 1/15 second shutter. The asphalt and crosswalk stripes reflect the shop lights as broken white streaks. Heavy, crisp silver grain shows in every midtone, the shadows are dense black and the highlights bloom slightly, typical of a hard push. The tilted frame and slightly imperfect timing are candid, not posed. Behind them, a row of early twentieth-century facades fades into drizzle. The signage is too blurred and small to read. Rich tonal separation, a matte darkroom print feel, no color, no text.",
+  "boxes": null,
+  "width": 1216,
+  "height": 832,
+  "steps": 16,
+  "seed": 30471947,
+  "upsampled": false,
+  "seconds": 105.6,
+  "peak_memory_gb": 14.07,
+  "references": [],
+  "model": "FLUX-3-Image-Klein-MLX-8bit"
+}

gallery/soft_club_chrome_futurism.json

@@ -0,0 +1,14 @@
+{
+  "prompt": "Late-1990s soft club futurism fashion photograph shot on Fuji Provia slide film with a 90mm lens. An adult model stands at three-quarter length in a studio with a smooth lilac-to-ice-blue gradient backdrop. She wears a sculpted, glossy translucent smoke-grey plastic vest over a pale silver mesh top, wide pearlescent white trousers, and a curved chrome visor pushed up into short bleached hair. In one hand she holds a frosted translucent orange acrylic disc. A large soft overhead source and a narrow cyan rim light create long, clean speculars along the chrome and soft internal glow inside the translucent plastics. Her face stays in a gentle, dreamy soft focus, with fine highlight bloom. The color is clean and saturated, with dense slide-film shadows. Her skin is natural, with visible texture under minimal makeup. The mood is dreamy tech optimism with synthetic light, minimal and uncluttered. No text, no logos, no brand marks.",
+  "input_prompt": "Late-1990s soft club futurism fashion photograph shot on Fuji Provia slide film with a 90mm lens. An adult model stands at three-quarter length in a studio with a smooth lilac-to-ice-blue gradient backdrop. She wears a sculpted, glossy translucent smoke-grey plastic vest over a pale silver mesh top, wide pearlescent white trousers, and a curved chrome visor pushed up into short bleached hair. In one hand she holds a frosted translucent orange acrylic disc. A large soft overhead source and a narrow cyan rim light create long, clean speculars along the chrome and soft internal glow inside the translucent plastics. Her face stays in a gentle, dreamy soft focus, with fine highlight bloom. The color is clean and saturated, with dense slide-film shadows. Her skin is natural, with visible texture under minimal makeup. The mood is dreamy tech optimism with synthetic light, minimal and uncluttered. No text, no logos, no brand marks.",
+  "boxes": null,
+  "width": 896,
+  "height": 1152,
+  "steps": 16,
+  "seed": 19990101,
+  "upsampled": false,
+  "seconds": 108.2,
+  "peak_memory_gb": 14.19,
+  "references": [],
+  "model": "FLUX-3-Image-Klein-MLX-8bit"
+}

gallery/upsample_rain_bus_stop.json

@@ -0,0 +1,14 @@
+{
+  "prompt": "Full-color outdoor photograph on Kodak CineStill 800T film, a night bus stop in steady rain, shot at eye level with visible fine grain and muted blue-green shadows. A single woman waits beneath a red umbrella near the center of the frame. She is an East Asian woman in her thirties with fair skin and shoulder-length black hair, wearing a dark wool coat over a cream scarf and holding a closed black handbag against her chest. The umbrella tilts toward her left shoulder as rain streaks through its translucent red canopy; water beads along the rim and drips from the pointed tip. Her face is turned toward the road, eyes fixed on the approaching lane, while one hand grips the umbrella shaft and the other rests around the handbag. On the right, a narrow bus shelter stands beside the curb, its wet glass wall reflecting the red umbrella and a dim amber lamp mounted above it. A small illuminated sign reads \"BUS STOP\" in white uppercase letters. In the foreground, puddles cover the dark asphalt, broken by ripples and elongated reflections from the shelter light. A few fallen leaves cling to the pavement near the woman’s boots. On the left, the empty roadway recedes into darkness, where the headlights of an approaching city bus form two pale beams through the rain, their edges smeared by motion. In the background, low apartment windows and distant streetlights dissolve into soft pools of yellow and cyan, while the upper sky remains nearly black.",
+  "input_prompt": "night bus stop in the rain, CineStill 800T, one woman waiting under a red umbrella",
+  "boxes": null,
+  "width": 1216,
+  "height": 832,
+  "steps": 16,
+  "seed": 12,
+  "upsampled": true,
+  "seconds": 116.1,
+  "peak_memory_gb": 20.03,
+  "references": [],
+  "model": "FLUX-3-Image-Klein-MLX-8bit"
+}

gallery/y2k_ccd_flash_underpass.json

@@ -0,0 +1,14 @@
+{
+  "prompt": "Amateur snapshot from an early-2000s compact digital camera, a candid camera-roll photo taken at night in a concrete underpass. A 25-year-old woman stands from head to knees, her whole head inside the frame and caught mid-laugh. She wears a fitted white baby tee, low-rise grey cargo pants, a thin silver chain and small hoop earrings, and she holds a paper cup. The camera is held at chest height from about two meters away. Direct on-camera flash blows out her cheekbones and forehead and drops a hard shadow on the graffiti-free concrete wall behind her. The rest of the tunnel falls into murky olive-yellow darkness with one distant sodium lamp. The cheap CCD color has a washed olive-yellow cast, with high-ISO chroma noise, slight chromatic aberration at the frame edges and subtle JPEG blockiness in the shadows. Her skin shows visible pores and vellus hair. The pose is awkward and real. No readable text, no watermark, no date stamp.",
+  "input_prompt": "Amateur snapshot from an early-2000s compact digital camera, a candid camera-roll photo taken at night in a concrete underpass. A 25-year-old woman stands from head to knees, her whole head inside the frame and caught mid-laugh. She wears a fitted white baby tee, low-rise grey cargo pants, a thin silver chain and small hoop earrings, and she holds a paper cup. The camera is held at chest height from about two meters away. Direct on-camera flash blows out her cheekbones and forehead and drops a hard shadow on the graffiti-free concrete wall behind her. The rest of the tunnel falls into murky olive-yellow darkness with one distant sodium lamp. The cheap CCD color has a washed olive-yellow cast, with high-ISO chroma noise, slight chromatic aberration at the frame edges and subtle JPEG blockiness in the shadows. Her skin shows visible pores and vellus hair. The pose is awkward and real. No readable text, no watermark, no date stamp.",
+  "boxes": null,
+  "width": 896,
+  "height": 1152,
+  "steps": 16,
+  "seed": 2003,
+  "upsampled": false,
+  "seconds": 108.2,
+  "peak_memory_gb": 14.19,
+  "references": [],
+  "model": "FLUX-3-Image-Klein-MLX-8bit"
+}