AVAtt v2 release (part 3)
Browse filesThis view is limited to 50 files because it contains too many changes. See raw diff
- README.md +120 -0
- images/avatt_0214.jpg +3 -0
- images/avatt_0215.jpg +3 -0
- images/avatt_0216.jpg +3 -0
- images/avatt_0217.jpg +3 -0
- images/avatt_0218.jpg +3 -0
- images/avatt_0219.jpg +3 -0
- images/avatt_0220.jpg +3 -0
- images/avatt_0221.jpg +3 -0
- images/avatt_0222.jpg +3 -0
- images/avatt_0223.jpg +3 -0
- images/avatt_0224.jpg +3 -0
- images/avatt_0225.jpg +3 -0
- images/avatt_0226.jpg +3 -0
- images/avatt_0227.jpg +3 -0
- images/avatt_0228.jpg +3 -0
- images/avatt_0229.jpg +3 -0
- images/avatt_0230.jpg +3 -0
- images/avatt_0231.jpg +3 -0
- images/avatt_0232.jpg +3 -0
- images/avatt_0233.jpg +3 -0
- images/avatt_0234.jpg +3 -0
- images/avatt_0235.jpg +3 -0
- images/avatt_0236.jpg +3 -0
- images/avatt_0237.jpg +3 -0
- images/avatt_0238.jpg +3 -0
- images/avatt_0239.jpg +3 -0
- images/avatt_0240.jpg +3 -0
- images/avatt_0241.jpg +3 -0
- images/avatt_0242.jpg +3 -0
- images/avatt_0243.jpg +3 -0
- images/avatt_0244.jpg +3 -0
- images/avatt_0245.jpg +3 -0
- images/avatt_0246.jpg +3 -0
- images/avatt_0247.jpg +3 -0
- images/avatt_0248.jpg +3 -0
- images/avatt_0249.jpg +3 -0
- images/avatt_0250.jpg +3 -0
- images/avatt_0251.jpg +3 -0
- images/avatt_0252.jpg +3 -0
- images/avatt_0253.jpg +3 -0
- images/avatt_0254.jpg +3 -0
- images/avatt_0255.jpg +3 -0
- images/avatt_0256.jpg +3 -0
- images/avatt_0257.jpg +3 -0
- images/avatt_0258.jpg +3 -0
- images/avatt_0259.jpg +3 -0
- images/avatt_0260.jpg +3 -0
- images/avatt_0261.jpg +3 -0
- images/avatt_0262.jpg +3 -0
README.md
ADDED
|
@@ -0,0 +1,120 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
---
|
| 2 |
+
license: cc0-1.0
|
| 3 |
+
pretty_name: AVAtt — Art Visual Attention
|
| 4 |
+
language:
|
| 5 |
+
- en
|
| 6 |
+
task_categories:
|
| 7 |
+
- image-to-image
|
| 8 |
+
- other
|
| 9 |
+
tags:
|
| 10 |
+
- eye-tracking
|
| 11 |
+
- saliency
|
| 12 |
+
- saliency-prediction
|
| 13 |
+
- scanpath
|
| 14 |
+
- scanpath-prediction
|
| 15 |
+
- visual-attention
|
| 16 |
+
- gaze
|
| 17 |
+
- art
|
| 18 |
+
- paintings
|
| 19 |
+
- cultural-heritage
|
| 20 |
+
size_categories:
|
| 21 |
+
- n<1K
|
| 22 |
+
configs:
|
| 23 |
+
- config_name: default
|
| 24 |
+
data_files:
|
| 25 |
+
- split: train
|
| 26 |
+
path: data/train-*.parquet
|
| 27 |
+
---
|
| 28 |
+
|
| 29 |
+
# AVAtt — Art Visual Attention
|
| 30 |
+
|
| 31 |
+
**Where do people look when they freely view paintings?** AVAtt provides individual eye-tracking scanpaths,
|
| 32 |
+
fixation maps, saliency maps and temporal saliency videos for **283 paintings** from **16 art movements**, recorded
|
| 33 |
+
from **152 observers**.
|
| 34 |
+
|
| 35 |
+
| | |
|
| 36 |
+
|---|---|
|
| 37 |
+
| Paintings | 283 · 16 movement groups · 81 identified artists |
|
| 38 |
+
| Scanpaths | 4,505 (10–32 observers per painting, median 15) |
|
| 39 |
+
| Fixations | 121,426 |
|
| 40 |
+
| Maps | binary fixation maps · saliency maps at σ = 1° (35.87 px) |
|
| 41 |
+
| Temporal | 283 videos (60 fps, 5 s) of accumulated attention |
|
| 42 |
+
| Metadata | title · artist · year · movement · genre · medium · copyright status |
|
| 43 |
+
|
| 44 |
+
Code, benchmarks and the full analysis pipeline: **[github.com/kmamine/AVAtt---Art-Visual-Attention](https://github.com/kmamine/AVAtt---Art-Visual-Attention)**
|
| 45 |
+
|
| 46 |
+
## Load
|
| 47 |
+
|
| 48 |
+
```python
|
| 49 |
+
from datasets import load_dataset
|
| 50 |
+
ds = load_dataset("Amine-CV/AVAtt", split="train")
|
| 51 |
+
row = ds[0]
|
| 52 |
+
row["image"], row["fixation_map"], row["saliency_map"] # PIL images, 1600×900
|
| 53 |
+
row["scanpaths"] # list of {observer, x, y, onset_ms, duration_ms, distance_mm}
|
| 54 |
+
```
|
| 55 |
+
|
| 56 |
+
Or with the companion package (also gives the videos, metrics and map utilities):
|
| 57 |
+
|
| 58 |
+
```python
|
| 59 |
+
pip install git+https://github.com/kmamine/AVAtt---Art-Visual-Attention.git
|
| 60 |
+
import avatt
|
| 61 |
+
ds = avatt.load()
|
| 62 |
+
```
|
| 63 |
+
|
| 64 |
+
## Files
|
| 65 |
+
|
| 66 |
+
```
|
| 67 |
+
metadata.csv one row per painting
|
| 68 |
+
images/<id>.jpg 1600×900 stimulus (painting centred on grey RGB 170)
|
| 69 |
+
scanpaths/<id>.jsonl {"observer": k, "fixations": [{"x", "y", "onset_ms", "duration_ms", "distance_mm"}, ...]}
|
| 70 |
+
fixation_maps/<id>.png binary fixation map
|
| 71 |
+
saliency_maps/<id>.png Gaussian-smoothed fixation map, σ = 1° of visual angle
|
| 72 |
+
temporal_saliency_maps/<id>.mp4 attention accumulated up to time t, 60 fps, 5 s
|
| 73 |
+
data/train-*.parquet all of the above except the videos (powers the viewer and load_dataset)
|
| 74 |
+
```
|
| 75 |
+
|
| 76 |
+
Coordinates are canvas pixels. `painting_x0, y0, x1, y1` locate the painting inside the canvas.
|
| 77 |
+
`onset_ms` is relative to the first fixation on the painting.
|
| 78 |
+
|
| 79 |
+
## Collection
|
| 80 |
+
|
| 81 |
+
- **Eye tracker**: Tobii X2-30 (30 Hz), 9-point calibration, Tobii I-VT fixation filter.
|
| 82 |
+
- **Display**: 1920×1080, 531 mm wide.
|
| 83 |
+
- **Viewing distance**: 56.8 ± 3.9 cm, recorded per fixation.
|
| 84 |
+
- **Task**: free viewing, "freely view and enjoy the paintings".
|
| 85 |
+
- **Presentation**: paintings shown for 5.5 s or 15 s, separated by a grey screen.
|
| 86 |
+
- **Participants**: 152 volunteers.
|
| 87 |
+
- Age 23.5 ± 8.0 years, range 18–62.
|
| 88 |
+
- 13 countries of origin.
|
| 89 |
+
- 96% novices in art.
|
| 90 |
+
- Normal or corrected vision.
|
| 91 |
+
- **Quality control**: scanpaths spanning ≥ 4.5 s and paintings with ≥ 10 valid scanpaths.
|
| 92 |
+
|
| 93 |
+
## Metadata columns
|
| 94 |
+
|
| 95 |
+
`image_id`, `title`, `artist`, `year`, `movement`, `movement_group`, `genre`, `medium`,
|
| 96 |
+
`attribution_confidence` (high = identified work, medium = artist attributed, low = movement only),
|
| 97 |
+
`copyright_status`, `exposure_s`, `n_observers`, `n_fixations`, `painting_x0/y0/x1/y1`, `duplicate_of`,
|
| 98 |
+
`note`, `original_filename`.
|
| 99 |
+
|
| 100 |
+
## License and images
|
| 101 |
+
|
| 102 |
+
The gaze data, maps, videos and annotations are released under **CC0 1.0**. The painting images are not covered by
|
| 103 |
+
this licence:
|
| 104 |
+
- **248 works** are in the public domain.
|
| 105 |
+
- **35 works** are in copyright or of unknown status; see `copyright_status`. They are included solely to support
|
| 106 |
+
non-commercial scientific research on visual attention.
|
| 107 |
+
|
| 108 |
+
Rights holders can request removal by opening a discussion on this repository.
|
| 109 |
+
|
| 110 |
+
## Citation
|
| 111 |
+
|
| 112 |
+
```bibtex
|
| 113 |
+
@inproceedings{kerkouri2024avatt,
|
| 114 |
+
title = {{AVAtt}: Art Visual Attention dataset for diverse painting styles},
|
| 115 |
+
author = {Kerkouri, Mohamed Amine and Tliba, Marouane and Chetouani, Aladine and Bruno, Alessandro},
|
| 116 |
+
booktitle = {Proceedings of the 2024 Symposium on Eye Tracking Research and Applications (ETRA '24)},
|
| 117 |
+
year = {2024},
|
| 118 |
+
doi = {10.1145/3649902.3655656}
|
| 119 |
+
}
|
| 120 |
+
```
|
images/avatt_0214.jpg
ADDED
|
Git LFS Details
|
images/avatt_0215.jpg
ADDED
|
Git LFS Details
|
images/avatt_0216.jpg
ADDED
|
Git LFS Details
|
images/avatt_0217.jpg
ADDED
|
Git LFS Details
|
images/avatt_0218.jpg
ADDED
|
Git LFS Details
|
images/avatt_0219.jpg
ADDED
|
Git LFS Details
|
images/avatt_0220.jpg
ADDED
|
Git LFS Details
|
images/avatt_0221.jpg
ADDED
|
Git LFS Details
|
images/avatt_0222.jpg
ADDED
|
Git LFS Details
|
images/avatt_0223.jpg
ADDED
|
Git LFS Details
|
images/avatt_0224.jpg
ADDED
|
Git LFS Details
|
images/avatt_0225.jpg
ADDED
|
Git LFS Details
|
images/avatt_0226.jpg
ADDED
|
Git LFS Details
|
images/avatt_0227.jpg
ADDED
|
Git LFS Details
|
images/avatt_0228.jpg
ADDED
|
Git LFS Details
|
images/avatt_0229.jpg
ADDED
|
Git LFS Details
|
images/avatt_0230.jpg
ADDED
|
Git LFS Details
|
images/avatt_0231.jpg
ADDED
|
Git LFS Details
|
images/avatt_0232.jpg
ADDED
|
Git LFS Details
|
images/avatt_0233.jpg
ADDED
|
Git LFS Details
|
images/avatt_0234.jpg
ADDED
|
Git LFS Details
|
images/avatt_0235.jpg
ADDED
|
Git LFS Details
|
images/avatt_0236.jpg
ADDED
|
Git LFS Details
|
images/avatt_0237.jpg
ADDED
|
Git LFS Details
|
images/avatt_0238.jpg
ADDED
|
Git LFS Details
|
images/avatt_0239.jpg
ADDED
|
Git LFS Details
|
images/avatt_0240.jpg
ADDED
|
Git LFS Details
|
images/avatt_0241.jpg
ADDED
|
Git LFS Details
|
images/avatt_0242.jpg
ADDED
|
Git LFS Details
|
images/avatt_0243.jpg
ADDED
|
Git LFS Details
|
images/avatt_0244.jpg
ADDED
|
Git LFS Details
|
images/avatt_0245.jpg
ADDED
|
Git LFS Details
|
images/avatt_0246.jpg
ADDED
|
Git LFS Details
|
images/avatt_0247.jpg
ADDED
|
Git LFS Details
|
images/avatt_0248.jpg
ADDED
|
Git LFS Details
|
images/avatt_0249.jpg
ADDED
|
Git LFS Details
|
images/avatt_0250.jpg
ADDED
|
Git LFS Details
|
images/avatt_0251.jpg
ADDED
|
Git LFS Details
|
images/avatt_0252.jpg
ADDED
|
Git LFS Details
|
images/avatt_0253.jpg
ADDED
|
Git LFS Details
|
images/avatt_0254.jpg
ADDED
|
Git LFS Details
|
images/avatt_0255.jpg
ADDED
|
Git LFS Details
|
images/avatt_0256.jpg
ADDED
|
Git LFS Details
|
images/avatt_0257.jpg
ADDED
|
Git LFS Details
|
images/avatt_0258.jpg
ADDED
|
Git LFS Details
|
images/avatt_0259.jpg
ADDED
|
Git LFS Details
|
images/avatt_0260.jpg
ADDED
|
Git LFS Details
|
images/avatt_0261.jpg
ADDED
|
Git LFS Details
|
images/avatt_0262.jpg
ADDED
|
Git LFS Details
|