benchmark stringclasses 139
values | item_id stringlengths 1 63 | video_key stringlengths 25 348 ⌀ | video_id stringlengths 18 64 ⌀ | video_path stringlengths 132 132 ⌀ | question stringlengths 0 2.36k ⌀ | question_raw stringlengths 32 3.43k ⌀ | options listlengths 0 23 ⌀ | options_source stringclasses 3
values | option_prefix_stripped bool 2
classes | n_options int32 0 23 ⌀ | options_raw stringlengths 2 27.4k ⌀ | answer stringlengths 1 2k ⌀ | answer_idx int32 -1 15 ⌀ | duration float64 0.25 36k ⌀ | declared_task stringlengths 1 73 ⌀ | declared_scene stringclasses 1
value | license stringclasses 10
values | format stringclasses 2
values | format_reason stringclasses 5
values | bench_question_format stringclasses 6
values | in_sample bool 2
classes |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
ALLVB | ALLVB_700 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does the scene where the DEFENDERS make short work of the squiddies contribute to the overall plot? | null | [
"It introduces a new enemy for the crew.",
"It shows the vulnerability of the SEPHORA.",
"It demonstrates the effectiveness of Zion's defenses.",
"It reveals a betrayal within the crew.",
"It highlights the crew's lack of preparation."
] | field | true | 5 | ["A. It introduces a new enemy for the crew.", "B. It shows the vulnerability of the SEPHORA.", "C. It demonstrates the effectiveness of Zion's defenses.", "D. It reveals a betrayal within the crew.", "E. It highlights the crew's lack of preparation."] | C | 2 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_701 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Does the scene where the crew of the Neb breathe a collective sigh of relief take place indoors or outdoors? | null | [
"Indoors, in the NEB cockpit",
"Outdoors, on the surface",
"Indoors, in Zion",
"Outdoors, in a forest",
"Indoors, in a hangar"
] | field | true | 5 | ["A. Indoors, in the NEB cockpit", "B. Outdoors, on the surface", "C. Indoors, in Zion", "D. Outdoors, in a forest", "E. Indoors, in a hangar"] | A | 0 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_702 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What interaction occurs between the missiles and the squiddies in the scene where the DEFENDERS attack? | null | [
"The missiles miss the squiddies and explode harmlessly.",
"The missiles collide with the squiddies, causing them to explode.",
"The missiles are deflected by the squiddies' shields.",
"The missiles are intercepted by another ship.",
"The missiles malfunction and fall to the ground."
] | field | true | 5 | ["A. The missiles miss the squiddies and explode harmlessly.", "B. The missiles collide with the squiddies, causing them to explode.", "C. The missiles are deflected by the squiddies' shields.", "D. The missiles are intercepted by another ship.", "E. The missiles malfunction and fall to the ground."] | B | 1 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_703 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | In the scene where Neo examines the photo, which object is partially occluded? | null | [
"The photo of the crew",
"The loom with the unfinished sweatshirt",
"The metal ring around the room",
"The charcoal portraits",
"The bed where Trinity is lying"
] | field | true | 5 | ["A. The photo of the crew", "B. The loom with the unfinished sweatshirt", "C. The metal ring around the room", "D. The charcoal portraits", "E. The bed where Trinity is lying"] | A | 0 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_704 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How do Neo and Trinity interact through their actions in the scene where they are in Trinity's cabin? | null | [
"They argue about their mission.",
"They share a quiet moment, with Trinity lying on Neo's lap.",
"They prepare for an upcoming battle.",
"They discuss their plans for Zion.",
"They practice combat moves together."
] | field | true | 5 | ["A. They argue about their mission.", "B. They share a quiet moment, with Trinity lying on Neo's lap.", "C. They prepare for an upcoming battle.", "D. They discuss their plans for Zion.", "E. They practice combat moves together."] | B | 1 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_705 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does the environment influence the actions of the characters in the scene where the NEB enters a cave? | null | [
"The characters prepare for an attack due to the narrow space.",
"The characters adjust their speed as the ship descends.",
"The characters put on protective gear due to the cave's conditions.",
"The characters turn off the ship's lights to avoid detection.",
"The characters communicate with another ship fo... | field | true | 5 | ["A. The characters prepare for an attack due to the narrow space.", "B. The characters adjust their speed as the ship descends.", "C. The characters put on protective gear due to the cave's conditions.", "D. The characters turn off the ship's lights to avoid detection.", "E. The characters communicate with another shi... | B | 1 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_706 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What event signifies the end of the action where the DEFENDERS are fighting the squiddies? | null | [
"The squiddies retreat and flee.",
"The DEFENDERS run out of ammunition.",
"The SEPHORA is destroyed.",
"The squiddies call for reinforcements.",
"The DEFENDERS are shot down."
] | field | true | 5 | ["A. The squiddies retreat and flee.", "B. The DEFENDERS run out of ammunition.", "C. The SEPHORA is destroyed.", "D. The squiddies call for reinforcements.", "E. The DEFENDERS are shot down."] | A | 0 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_707 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What motivates Neo to examine the photo in Trinity's cabin? | null | [
"He is looking for clues about their mission.",
"He is curious about the people in the photo.",
"He wants to reminisce about better days.",
"He is trying to find a hidden message.",
"He is searching for a specific person."
] | field | true | 5 | ["A. He is looking for clues about their mission.", "B. He is curious about the people in the photo.", "C. He wants to reminisce about better days.", "D. He is trying to find a hidden message.", "E. He is searching for a specific person."] | B | 1 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_708 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the main topic of conversation between Neo and Trinity in the scene where they discuss the photo? | null | [
"The identity of the mystery man in the photo",
"Their next mission in Zion",
"The history of the NEB crew",
"The betrayal of Cypher",
"The defenses of Zion"
] | field | true | 5 | ["A. The identity of the mystery man in the photo", "B. Their next mission in Zion", "C. The history of the NEB crew", "D. The betrayal of Cypher", "E. The defenses of Zion"] | A | 0 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_709 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the cause and effect relationship in the scene where the DEFENDERS attack the squiddies? | null | [
"Cause: The squiddies attack the SEPHORA; Effect: The SEPHORA is destroyed.",
"Cause: The SEPHORA sends a distress signal; Effect: The DEFENDERS arrive to help.",
"Cause: The squiddies are clinging to FREEDOM's hull; Effect: The DEFENDERS destroy the squiddies.",
"Cause: The DEFENDERS run out of ammunition; E... | field | true | 5 | ["A. Cause: The squiddies attack the SEPHORA; Effect: The SEPHORA is destroyed.", "B. Cause: The SEPHORA sends a distress signal; Effect: The DEFENDERS arrive to help.", "C. Cause: The squiddies are clinging to FREEDOM's hull; Effect: The DEFENDERS destroy the squiddies.", "D. Cause: The DEFENDERS run out of ammunition... | C | 2 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_710 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What are the weather conditions in the scene where the NEB enters a cave? | null | [
"It is raining heavily.",
"It is sunny and clear.",
"It is snowing lightly.",
"It is foggy and misty.",
"The weather is not specified."
] | field | true | 5 | ["A. It is raining heavily.", "B. It is sunny and clear.", "C. It is snowing lightly.", "D. It is foggy and misty.", "E. The weather is not specified."] | E | 4 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_711 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How is the lighting described in Trinity's cabin? | null | [
"Bright and harsh",
"Dim and shadowy",
"Softly lit",
"Flickering and unstable",
"Dark and gloomy"
] | field | true | 5 | ["A. Bright and harsh", "B. Dim and shadowy", "C. Softly lit", "D. Flickering and unstable", "E. Dark and gloomy"] | C | 2 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_712 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the predominant emotion among the crew of the Neb after the DEFENDERS save them? | null | [
"Fear",
"Anger",
"Relief",
"Confusion",
"Excitement"
] | field | true | 5 | ["A. Fear", "B. Anger", "C. Relief", "D. Confusion", "E. Excitement"] | C | 2 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_713 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does Neo non-verbally express his emotions in the scene where he examines the photo in Trinity's cabin? | null | [
"By smiling and laughing",
"By frowning and shaking his head",
"By gripping the photo tightly and staring at it",
"By turning away and crossing his arms",
"By clenching his fists and pacing"
] | field | true | 5 | ["A. By smiling and laughing", "B. By frowning and shaking his head", "C. By gripping the photo tightly and staring at it", "D. By turning away and crossing his arms", "E. By clenching his fists and pacing"] | C | 2 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_714 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | In the scene where Neo proposes blowing up the Metacortex building, what is the predominant emotion conveyed by Choi's initial reaction? | null | [
"Fear",
"Amusement",
"Anger",
"Surprise",
"Sadness"
] | field | true | 5 | ["A. Fear", "B. Amusement", "C. Anger", "D. Surprise", "E. Sadness"] | B | 1 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_715 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does the scene where Neo is approached by a homeless man contribute to the overall plot? | null | [
"It introduces a new antagonist.",
"It showcases Neo's growing powers.",
"It leads to Neo's capture by the agents.",
"It reveals the true nature of the Matrix.",
"It initiates a flashback sequence."
] | field | true | 5 | ["A. It introduces a new antagonist.", "B. It showcases Neo's growing powers.", "C. It leads to Neo's capture by the agents.", "D. It reveals the true nature of the Matrix.", "E. It initiates a flashback sequence."] | B | 1 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_716 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What are the shapes of the objects Neo and Gregory are seen interacting with in their respective scenes? | null | [
"Square and rectangle",
"Sphere and cube",
"Cylinder and sphere",
"Rectangle and sphere",
"Cube and cylinder"
] | field | true | 5 | ["A. Square and rectangle", "B. Sphere and cube", "C. Cylinder and sphere", "D. Rectangle and sphere", "E. Cube and cylinder"] | D | 3 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_717 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | In the sequence of events, which object appears first? | null | [
"The glass ball",
"The cellphone",
"The garbage bag filled with money",
"The weapon Choi uses",
"The Desert Eagle .45"
] | field | true | 5 | ["A. The glass ball", "B. The cellphone", "C. The garbage bag filled with money", "D. The weapon Choi uses", "E. The Desert Eagle .45"] | B | 1 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_718 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What simultaneous actions are performed by Razor and Circa as they prepare to jack the crew into the Matrix? | null | [
"Typing and speaking",
"Typing and high-fiving",
"Speaking and high-fiving",
"Typing and monitoring screens",
"High-fiving and monitoring screens"
] | field | true | 5 | ["A. Typing and speaking", "B. Typing and high-fiving", "C. Speaking and high-fiving", "D. Typing and monitoring screens", "E. High-fiving and monitoring screens"] | B | 1 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_719 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How do Choi and Trinity interact with Agent Brown during the confrontation on the street? | null | [
"They negotiate with him.",
"They physically attack him.",
"They try to escape from him.",
"They capture him.",
"They disarm him."
] | field | true | 5 | ["A. They negotiate with him.", "B. They physically attack him.", "C. They try to escape from him.", "D. They capture him.", "E. They disarm him."] | B | 1 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_720 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What immediate consequence follows Neo's action of making the Metacortex building collapse? | null | [
"The civilians cheer for Neo.",
"The building reassembles itself.",
"The military and agents prepare to attack Neo.",
"Neo loses his powers.",
"The Matrix crashes."
] | field | true | 5 | ["A. The civilians cheer for Neo.", "B. The building reassembles itself.", "C. The military and agents prepare to attack Neo.", "D. Neo loses his powers.", "E. The Matrix crashes."] | C | 2 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_721 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is Trinity's immediate reaction to having a gun pointed at her by Agent Brown? | null | [
"She surrenders.",
"She runs away.",
"She attacks with her Uzis.",
"She calls for backup.",
"She tries to negotiate."
] | field | true | 5 | ["A. She surrenders.", "B. She runs away.", "C. She attacks with her Uzis.", "D. She calls for backup.", "E. She tries to negotiate."] | C | 2 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_722 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Who are the main characters involved in the event of the Metacortex building's collapse? | null | [
"Neo, Morpheus, and Niobe",
"Neo, Choi, and Trinity",
"Neo, Agent Smith, and Gregory",
"Neo, Morpheus, and Agent Brown",
"Neo, Trinity, and Agent Smith"
] | field | true | 5 | ["A. Neo, Morpheus, and Niobe", "B. Neo, Choi, and Trinity", "C. Neo, Agent Smith, and Gregory", "D. Neo, Morpheus, and Agent Brown", "E. Neo, Trinity, and Agent Smith"] | A | 0 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_723 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What causes the military and agents to converge on the plaza, and what is the effect? | null | [
"Neo's speech about freedom; a peaceful protest forms.",
"Neo's destruction of the Metacortex building; a large-scale confrontation is prepared.",
"Morpheus's capture by agents; a rescue mission by the crew.",
"Trinity's hacking into a government system; a cyber-attack on the crew's ship.",
"Choi's betrayal... | field | true | 5 | ["A. Neo's speech about freedom; a peaceful protest forms.", "B. Neo's destruction of the Metacortex building; a large-scale confrontation is prepared.", "C. Morpheus's capture by agents; a rescue mission by the crew.", "D. Trinity's hacking into a government system; a cyber-attack on the crew's ship.", "E. Choi's betr... | B | 1 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_724 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What weather conditions are depicted during the confrontation in the Metacortex plaza? | null | [
"Heavy rain",
"Sunny and clear",
"Snowing",
"Overcast with lightning",
"Foggy"
] | field | true | 5 | ["A. Heavy rain", "B. Sunny and clear", "C. Snowing", "D. Overcast with lightning", "E. Foggy"] | D | 3 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_725 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What significant background element is noted when Morpheus and Niobe observe the Metacortex building's collapse? | null | [
"A crowd of cheering civilians",
"A series of explosions",
"The presence of military vehicles and troops",
"A clear blue sky",
"A wanted poster featuring Morpheus"
] | field | true | 5 | ["A. A crowd of cheering civilians", "B. A series of explosions", "C. The presence of military vehicles and troops", "D. A clear blue sky", "E. A wanted poster featuring Morpheus"] | C | 2 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_726 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Describe the emotional transition of Choi during the confrontation with Agent Brown. | null | [
"From disbelief to fear",
"From amusement to determination",
"From confidence to panic",
"From curiosity to aggression",
"From indifference to shock"
] | field | true | 5 | ["A. From disbelief to fear", "B. From amusement to determination", "C. From confidence to panic", "D. From curiosity to aggression", "E. From indifference to shock"] | B | 1 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_727 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does Neo's emotional arc resolve in the scene where he makes the Metacortex building collapse? | null | [
"From confusion to understanding",
"From fear to courage",
"From hesitation to action",
"From disbelief to acceptance",
"From anger to peace"
] | field | true | 5 | ["A. From confusion to understanding", "B. From fear to courage", "C. From hesitation to action", "D. From disbelief to acceptance", "E. From anger to peace"] | C | 2 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_728 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | In the scene where Agent Smith is talking to Agent Jones and Agent Brown in the Metacortex office, what is the main topic of their conversation? | null | [
"The failure of their plan",
"Neo's new abilities",
"The destruction of the tanks",
"The retreat of the helicopters",
"The freezing of the Matrix"
] | field | true | 5 | ["A. The failure of their plan", "B. Neo's new abilities", "C. The destruction of the tanks", "D. The retreat of the helicopters", "E. The freezing of the Matrix"] | A | 0 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_729 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does Neo's character evolve from the beginning of the skirmish with the soldiers to his confrontation with the multiple Agent Smiths? | null | [
"He becomes more fearful and hesitant.",
"He gains confidence and control over his abilities.",
"He becomes more reliant on his team.",
"He starts to doubt his mission.",
"He becomes more aggressive and reckless."
] | field | true | 5 | ["A. He becomes more fearful and hesitant.", "B. He gains confidence and control over his abilities.", "C. He becomes more reliant on his team.", "D. He starts to doubt his mission.", "E. He becomes more aggressive and reckless."] | B | 1 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_730 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Which of the following objects is used by Neo to defend himself during the battle in the plaza? | null | [
"A machine gun",
"A missile",
"A tank round",
"A helicopter",
"A grenade"
] | field | true | 5 | ["A. A machine gun", "B. A missile", "C. A tank round", "D. A helicopter", "E. A grenade"] | C | 2 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_731 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How many times do helicopters appear in the scenes start with Neo standing alone in the center of a battlefield, unharmed, as surviving soldiers drop their weapons and run in panic. The passage ends with Gregory encountering Agent Smith on the street, where Smith offers Gregory the power to stop the chaos he has just w... | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | B | 1 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_732 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How many times does Neo stop and redirect projectiles in the scenes start with Neo standing alone in the center of a battlefield, unharmed, as surviving soldiers drop their weapons and run in panic. The passage ends with Gregory encountering Agent Smith on the street, where Smith offers Gregory the power to stop the ch... | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | B | 1 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_733 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Which actions occur simultaneously during the scene where Neo is fighting multiple Agent Smiths? | null | [
"Neo dodging bullets and soldiers retreating",
"Neo attacking Smith and soldiers firing at Neo",
"Neo being held in a full nelson and other Smiths attacking him",
"Neo flying and Smiths shooting at him",
"Neo stopping bullets and tanks firing at him"
] | field | true | 5 | ["A. Neo dodging bullets and soldiers retreating", "B. Neo attacking Smith and soldiers firing at Neo", "C. Neo being held in a full nelson and other Smiths attacking him", "D. Neo flying and Smiths shooting at him", "E. Neo stopping bullets and tanks firing at him"] | C | 2 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_734 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What triggers the start of the massive melee between Neo and the swarm of Agent Smiths in the plaza? | null | [
"Neo's scream",
"The arrival of Agent Smith",
"The explosion of the Metacortex building",
"Neo's attack on the first Smith",
"The freezing of the Matrix"
] | field | true | 5 | ["A. Neo's scream", "B. The arrival of Agent Smith", "C. The explosion of the Metacortex building", "D. Neo's attack on the first Smith", "E. The freezing of the Matrix"] | D | 3 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_735 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the immediate consequence after Neo releases a massive shock wave during his fight with the Agent Smiths? | null | [
"The Smiths retreat",
"Neo is captured",
"The Smiths are blasted away",
"The Matrix resets",
"Neo flies away"
] | field | true | 5 | ["A. The Smiths retreat", "B. Neo is captured", "C. The Smiths are blasted away", "D. The Matrix resets", "E. Neo flies away"] | C | 2 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_736 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the predominant emotion conveyed by Neo when he is overwhelmed by the sheer number of Agent Smiths? | null | [
"Fear",
"Anger",
"Desperation",
"Determination",
"Confusion"
] | field | true | 5 | ["A. Fear", "B. Anger", "C. Desperation", "D. Determination", "E. Confusion"] | C | 2 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_737 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Where does the scene where Neo fights multiple Agent Smiths take place? | null | [
"Indoors",
"Outdoors",
"In a helicopter",
"In a tank",
"In a building lobby"
] | field | true | 5 | ["A. Indoors", "B. Outdoors", "C. In a helicopter", "D. In a tank", "E. In a building lobby"] | B | 1 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_738 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What emotion is Agent Smith primarily expressing when he confronts Neo in the Metacortex plaza? | null | [
"Fear",
"Confidence",
"Anger",
"Sadness",
"Confusion"
] | field | true | 5 | ["A. Fear", "B. Confidence", "C. Anger", "D. Sadness", "E. Confusion"] | B | 1 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_739 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How is the lighting used in the scene where Neo fights the multiple Agent Smiths in the plaza? | null | [
"Natural light with strong shadows",
"Dim artificial light with soft shadows",
"Bright artificial light with no shadows",
"Flickering light with harsh shadows",
"Neon light with contrasting shadows"
] | field | true | 5 | ["A. Natural light with strong shadows", "B. Dim artificial light with soft shadows", "C. Bright artificial light with no shadows", "D. Flickering light with harsh shadows", "E. Neon light with contrasting shadows"] | E | 4 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_740 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does Neo's emotion change from the beginning to the end of the fight with the Agent Smiths? | null | [
"From calm to fearful",
"From confident to desperate",
"From angry to relieved",
"From confused to determined",
"From hopeful to hopeless"
] | field | true | 5 | ["A. From calm to fearful", "B. From confident to desperate", "C. From angry to relieved", "D. From confused to determined", "E. From hopeful to hopeless"] | B | 1 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_741 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What subtle emotional cue indicates Neo's underlying feelings during the fight with the Agent Smiths? | null | [
"His clenched fists",
"His rapid breathing",
"His furrowed brow",
"His trembling hands",
"His narrowed eyes"
] | field | true | 5 | ["A. His clenched fists", "B. His rapid breathing", "C. His furrowed brow", "D. His trembling hands", "E. His narrowed eyes"] | B | 1 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_742 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How many distinct scenes are present in the scenes start with Neo entering a dark, bullet-ridden apartment where he confronts Agents Smith, Brown, and Jones, revealing his plan to destroy them and the Matrix. They end with Neo, after a series of intense battles and revelations, standing on the edge of a burnt-out cathe... | null | [
"10-15 scenes",
"16-20 scenes",
"21-25 scenes",
"26-30 scenes",
"More than 30 scenes"
] | field | true | 5 | ["A. 10-15 scenes", "B. 16-20 scenes", "C. 21-25 scenes", "D. 26-30 scenes", "E. More than 30 scenes"] | E | 4 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_743 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the correct chronological order of these events in the scenes start with Neo entering a dark, bullet-ridden apartment where he confronts Agents Smith, Brown, and Jones, revealing his plan to destroy them and the Matrix. They end with Neo, after a series of intense battles and revelations, standing on the edge o... | null | [
"NEO confronts agents, NEO talks to Morpheus on the phone, NEO fights GREGORY",
"NEO talks to Morpheus on the phone, NEO fights GREGORY, NEO confronts agents",
"NEO fights GREGORY, NEO confronts agents, NEO talks to Morpheus on the phone",
"NEO confronts agents, NEO fights GREGORY, NEO talks to Morpheus on th... | field | true | 5 | ["A. NEO confronts agents, NEO talks to Morpheus on the phone, NEO fights GREGORY", "B. NEO talks to Morpheus on the phone, NEO fights GREGORY, NEO confronts agents", "C. NEO fights GREGORY, NEO confronts agents, NEO talks to Morpheus on the phone", "D. NEO confronts agents, NEO fights GREGORY, NEO talks to Morpheus on... | D | 3 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_744 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What are the colors of NEO's coat and the agents' suits in the scenes start with Neo entering a dark, bullet-ridden apartment where he confronts Agents Smith, Brown, and Jones, revealing his plan to destroy them and the Matrix. They end with Neo, after a series of intense battles and revelations, standing on the edge o... | null | [
"NEO's coat is black, agents' suits are grey",
"NEO's coat is grey, agents' suits are black",
"NEO's coat is black, agents' suits are black",
"NEO's coat is blue, agents' suits are grey",
"NEO's coat is green, agents' suits are black"
] | field | true | 5 | ["A. NEO's coat is black, agents' suits are grey", "B. NEO's coat is grey, agents' suits are black", "C. NEO's coat is black, agents' suits are black", "D. NEO's coat is blue, agents' suits are grey", "E. NEO's coat is green, agents' suits are black"] | C | 2 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_745 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What are the shapes of the weapons used by MORPHEUS and the agents in the rest stop scene? | null | [
"MORPHEUS uses a sword, agents use rifles",
"MORPHEUS uses Uzis, agents use .45s",
"MORPHEUS uses a bow, agents use swords",
"MORPHEUS uses a knife, agents use Uzis",
"MORPHEUS uses Uzis, agents use knives"
] | field | true | 5 | ["A. MORPHEUS uses a sword, agents use rifles", "B. MORPHEUS uses Uzis, agents use .45s", "C. MORPHEUS uses a bow, agents use swords", "D. MORPHEUS uses a knife, agents use Uzis", "E. MORPHEUS uses Uzis, agents use knives"] | B | 1 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_746 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the outcome of NEO's fight with GREGORY in the scenes start with Neo entering a dark, bullet-ridden apartment where he confronts Agents Smith, Brown, and Jones, revealing his plan to destroy them and the Matrix. They end with Neo, after a series of intense battles and revelations, standing on the edge of a burn... | null | [
"NEO is defeated and captured by GREGORY",
"NEO and GREGORY both fall to the ground, unconscious",
"NEO defeats GREGORY, who is left severely injured",
"GREGORY escapes unharmed, leaving NEO injured",
"The fight ends in a draw, with both parties walking away"
] | field | true | 5 | ["A. NEO is defeated and captured by GREGORY", "B. NEO and GREGORY both fall to the ground, unconscious", "C. NEO defeats GREGORY, who is left severely injured", "D. GREGORY escapes unharmed, leaving NEO injured", "E. The fight ends in a draw, with both parties walking away"] | C | 2 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_747 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does NEO's battle with GREGORY interact with the environment in the scenes start with Neo entering a dark, bullet-ridden apartment where he confronts Agents Smith, Brown, and Jones, revealing his plan to destroy them and the Matrix. They end with Neo, after a series of intense battles and revelations, standing on t... | null | [
"The fight causes no noticeable damage to the surroundings",
"They fight in a static location without affecting the environment",
"Their battle leads to significant destruction, including building damage",
"The environment changes to benefit NEO, with no real damage occurring",
"The environment heals itself... | field | true | 5 | ["A. The fight causes no noticeable damage to the surroundings", "B. They fight in a static location without affecting the environment", "C. Their battle leads to significant destruction, including building damage", "D. The environment changes to benefit NEO, with no real damage occurring", "E. The environment heals it... | C | 2 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_748 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Which scenes mark the beginning and end of the confrontation between NEO and the agents in the apartment? | null | [
"Beginning: NEO enters the apartment; End: NEO talks to Morpheus on the phone",
"Beginning: NEO follows the priestess into the apartment; End: Agents drop their guns",
"Beginning: NEO touches the congealing blood; End: Agents draw their .45s",
"Beginning: NEO follows the priestess into the apartment; End: NEO... | field | true | 5 | ["A. Beginning: NEO enters the apartment; End: NEO talks to Morpheus on the phone", "B. Beginning: NEO follows the priestess into the apartment; End: Agents drop their guns", "C. Beginning: NEO touches the congealing blood; End: Agents draw their .45s", "D. Beginning: NEO follows the priestess into the apartment; End: ... | B | 1 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_749 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What are the immediate consequences following NEO's fight with GREGORY? | null | [
"NEO and GREGORY become allies and leave together",
"GREGORY is left severely injured, and NEO leaves the scene",
"The environment repairs itself, erasing all evidence of the fight",
"NEO is captured by the agents who arrive immediately after",
"GREGORY recovers instantly and chases after NEO"
] | field | true | 5 | ["A. NEO and GREGORY become allies and leave together", "B. GREGORY is left severely injured, and NEO leaves the scene", "C. The environment repairs itself, erasing all evidence of the fight", "D. NEO is captured by the agents who arrive immediately after", "E. GREGORY recovers instantly and chases after NEO"] | B | 1 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_750 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the predominant emotion conveyed by NEO's conversation with Morpheus over the phone towards the end of the video? | null | [
"Happiness",
"Indifference",
"Confusion and despair",
"Excitement",
"Satisfaction"
] | field | true | 5 | ["A. Happiness", "B. Indifference", "C. Confusion and despair", "D. Excitement", "E. Satisfaction"] | C | 2 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_751 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Who are the main characters involved in the rest stop scene, and what actions do they take? | null | [
"NEO and GREGORY: They negotiate a truce",
"MORPHEUS, NIOBE, and TRINITY: They engage in a firefight with an agent",
"RAZOR and CIRCA: They provide remote support from the Nebuchadnezzar",
"AGENT SMITH and NEO: They discuss the fate of the Matrix",
"GREGORY and CHANDRA: They discuss their memories"
] | field | true | 5 | ["A. NEO and GREGORY: They negotiate a truce", "B. MORPHEUS, NIOBE, and TRINITY: They engage in a firefight with an agent", "C. RAZOR and CIRCA: They provide remote support from the Nebuchadnezzar", "D. AGENT SMITH and NEO: They discuss the fate of the Matrix", "E. GREGORY and CHANDRA: They discuss their memories"] | B | 1 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_752 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the essence of the conversation between NEO and AGENT SMITH during their confrontation in the apartment? | null | [
"They discuss the possibility of peace between humans and machines",
"NEO reveals his plan to destroy the Matrix and the agents",
"They negotiate the release of captured humans",
"AGENT SMITH mocks NEO's inability to save everyone",
"They reminisce about their past encounters"
] | field | true | 5 | ["A. They discuss the possibility of peace between humans and machines", "B. NEO reveals his plan to destroy the Matrix and the agents", "C. They negotiate the release of captured humans", "D. AGENT SMITH mocks NEO's inability to save everyone", "E. They reminisce about their past encounters"] | B | 1 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_753 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What significant background elements are present in the scene where NEO fights GREGORY, and how do they contribute to the scene? | null | [
"A serene park setting that contrasts with the violence of the fight",
"A dark, congealed liquid on the floor that hints at previous violence",
"Destruction and debris from their battle, emphasizing the intensity",
"Spectators watching the fight, highlighting its public nature",
"Advanced technology and gad... | field | true | 5 | ["A. A serene park setting that contrasts with the violence of the fight", "B. A dark, congealed liquid on the floor that hints at previous violence", "C. Destruction and debris from their battle, emphasizing the intensity", "D. Spectators watching the fight, highlighting its public nature", "E. Advanced technology and... | C | 2 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_754 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What is the predominant emotion among the crew on the Nebuchadnezzar after Trinity's encounter at the rest stop? | null | [
"Joy and relief",
"Indifference and detachment",
"Anger and frustration",
"Despair and hopelessness",
"Tension and concern"
] | field | true | 5 | ["A. Joy and relief", "B. Indifference and detachment", "C. Anger and frustration", "D. Despair and hopelessness", "E. Tension and concern"] | E | 4 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_755 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does NEO express his emotions non-verbally during his fight with GREGORY? | null | [
"By laughing and taunting GREGORY",
"Through focused and determined facial expressions",
"By showing signs of fear and hesitation",
"Through tears and visible sadness",
"By remaining completely expressionless"
] | field | true | 5 | ["A. By laughing and taunting GREGORY", "B. Through focused and determined facial expressions", "C. By showing signs of fear and hesitation", "D. Through tears and visible sadness", "E. By remaining completely expressionless"] | B | 1 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_756 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | In the scene where Morpheus and Niobe meet on the Zion tarmac, what is the main topic of their conversation? | null | [
"The condition of their ships",
"The success of the rescue mission",
"Their personal relationship",
"The state of Zion's defenses",
"The new recruits from the energy plant"
] | field | true | 5 | ["A. The condition of their ships", "B. The success of the rescue mission", "C. Their personal relationship", "D. The state of Zion's defenses", "E. The new recruits from the energy plant"] | B | 1 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_757 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does Neo's perception of Zion change from the beginning to the end of the scenes start with the crew of the Nebuchadnezzar arriving at a bustling military airport in Zion, where Morpheus and Niobe share a brief, joyful reunion interrupted by Choi, and end with Neo being led through the vibrant streets of Zion by Ch... | null | [
"He becomes more distrustful of the people in Zion.",
"He starts to see Zion as a true home and a place of hope.",
"He becomes disillusioned with the leadership in Zion.",
"He feels increasingly isolated and out of place.",
"He grows more skeptical about the war efforts."
] | field | true | 5 | ["A. He becomes more distrustful of the people in Zion.", "B. He starts to see Zion as a true home and a place of hope.", "C. He becomes disillusioned with the leadership in Zion.", "D. He feels increasingly isolated and out of place.", "E. He grows more skeptical about the war efforts."] | B | 1 | 8,295.620667 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_758 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How often do hovercraft appear in the scenes start with the crew of the Nebuchadnezzar arriving at a bustling military airport in Zion, where Morpheus and Niobe share a brief, joyful reunion interrupted by Choi, and end with Neo being led through the vibrant streets of Zion by Choi, Dujour, and Trinity, as they explain... | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | B | 1 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_759 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | In what order do the following objects appear: the main hatch, the tarmac, and the Dead Duck? | null | [
"The tarmac, the main hatch, the Dead Duck",
"The main hatch, the tarmac, the Dead Duck",
"The Dead Duck, the tarmac, the main hatch",
"The tarmac, the Dead Duck, the main hatch",
"The main hatch, the Dead Duck, the tarmac"
] | field | true | 5 | ["A. The tarmac, the main hatch, the Dead Duck", "B. The main hatch, the tarmac, the Dead Duck", "C. The Dead Duck, the tarmac, the main hatch", "D. The tarmac, the Dead Duck, the main hatch", "E. The main hatch, the Dead Duck, the tarmac"] | B | 1 | 8,295.620667 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_760 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How do Morpheus and Niobe interact when they first meet on the tarmac? | null | [
"They hug each other tightly.",
"They shake hands and then kiss.",
"They salute each other.",
"They nod and smile.",
"They exchange a brief handshake and smile."
] | field | true | 5 | ["A. They hug each other tightly.", "B. They shake hands and then kiss.", "C. They salute each other.", "D. They nod and smile.", "E. They exchange a brief handshake and smile."] | E | 4 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_761 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does the crew's action of gripping the bulkhead and fixtures relate to the environment of the swaying ship? | null | [
"It shows their fear of the ship crashing.",
"It indicates their readiness to abandon ship.",
"It demonstrates their need to stabilize themselves due to the ship's movement.",
"It highlights their distrust in the ship's structural integrity.",
"It signifies their preparation for an attack."
] | field | true | 5 | ["A. It shows their fear of the ship crashing.", "B. It indicates their readiness to abandon ship.", "C. It demonstrates their need to stabilize themselves due to the ship's movement.", "D. It highlights their distrust in the ship's structural integrity.", "E. It signifies their preparation for an attack."] | C | 2 | 8,295.620667 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_762 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What marks the start and end of the action where the main hatch drops? | null | [
"The ship landing and the crew exiting",
"The hover engines fading and the hatch slamming into the tarmac",
"The crew gripping the bulkhead and the hatch opening",
"The ship swaying and the crew stepping out",
"The engines shutting down and the hatch being locked"
] | field | true | 5 | ["A. The ship landing and the crew exiting", "B. The hover engines fading and the hatch slamming into the tarmac", "C. The crew gripping the bulkhead and the hatch opening", "D. The ship swaying and the crew stepping out", "E. The engines shutting down and the hatch being locked"] | B | 1 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_763 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What events lead up to the crew unlocking the main hatch? | null | [
"The ship landing on the tarmac and the engines shutting down",
"The crew preparing for battle and securing their positions",
"The ship swaying and the hover engines fading away",
"The crew receiving orders and moving to the hatch",
"The ship docking and the crew disembarking"
] | field | true | 5 | ["A. The ship landing on the tarmac and the engines shutting down", "B. The crew preparing for battle and securing their positions", "C. The ship swaying and the hover engines fading away", "D. The crew receiving orders and moving to the hatch", "E. The ship docking and the crew disembarking"] | C | 2 | 8,295.620667 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_764 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | Who are the main characters involved in the event where Neo is introduced to Zion's main street? | null | [
"Neo, Morpheus, and Niobe",
"Neo, Choi, and Dujour",
"Neo, Tank, and Trinity",
"Neo, Choi, and Trinity",
"Neo, Morpheus, and Choi"
] | field | true | 5 | ["A. Neo, Morpheus, and Niobe", "B. Neo, Choi, and Dujour", "C. Neo, Tank, and Trinity", "D. Neo, Choi, and Trinity", "E. Neo, Morpheus, and Choi"] | D | 3 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_765 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What are the landmark scenes that mark the beginning and end of the event where the crew arrives at Zion? | null | [
"The ship landing and the crew meeting Morpheus",
"The hover engines fading and the crew stepping onto the tarmac",
"The main hatch dropping and the crew disembarking",
"The ship swaying and the crew being greeted by Niobe",
"The engines shutting down and the crew meeting Choi"
] | field | true | 5 | ["A. The ship landing and the crew meeting Morpheus", "B. The hover engines fading and the crew stepping onto the tarmac", "C. The main hatch dropping and the crew disembarking", "D. The ship swaying and the crew being greeted by Niobe", "E. The engines shutting down and the crew meeting Choi"] | B | 1 | 8,295.620667 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_766 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What are the weather conditions depicted in the scenes on the Zion tarmac? | null | [
"Sunny and clear",
"Rainy and stormy",
"Foggy and misty",
"Overcast and cloudy",
"Dark and poorly lit"
] | field | true | 5 | ["A. Sunny and clear", "B. Rainy and stormy", "C. Foggy and misty", "D. Overcast and cloudy", "E. Dark and poorly lit"] | E | 4 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_767 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How is the lighting used in the scene where the crew arrives at Zion? | null | [
"Bright and harsh lighting",
"Soft and natural lighting",
"Dim and artificial lighting",
"Flickering and unstable lighting",
"Warm and inviting lighting"
] | field | true | 5 | ["A. Bright and harsh lighting", "B. Soft and natural lighting", "C. Dim and artificial lighting", "D. Flickering and unstable lighting", "E. Warm and inviting lighting"] | C | 2 | 8,295.620667 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_768 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | What emotions are displayed by Choi when he interrupts Morpheus and Niobe? | null | [
"Anger and frustration",
"Joy and excitement",
"Sadness and regret",
"Fear and anxiety",
"Confusion and doubt"
] | field | true | 5 | ["A. Anger and frustration", "B. Joy and excitement", "C. Sadness and regret", "D. Fear and anxiety", "E. Confusion and doubt"] | B | 1 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_769 | ALLVB/ALLVB::::test_set_movie/The Matrix Reloaded (2003)/The Matrix Reloaded (2003).mp4 | b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/b808e5e19c79d2eae6ef4178f8ed9a50da5f55ab2ddb872c13510bb06ddc7d2b/video.mp4 | How does Neo's emotional arc resolve in the scene where he is welcomed to Zion? | null | [
"He feels overwhelmed and anxious.",
"He feels accepted and hopeful.",
"He feels skeptical and doubtful.",
"He feels isolated and alone.",
"He feels angry and resentful."
] | field | true | 5 | ["A. He feels overwhelmed and anxious.", "B. He feels accepted and hopeful.", "C. He feels skeptical and doubtful.", "D. He feels isolated and alone.", "E. He feels angry and resentful."] | B | 1 | 8,295.620667 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_770 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the scene where a woman in a beige jacket is talking to a man wearing a "Tiki Post" visor, there is a colorful piñata visible in the background. What shape is the piñata hanging in the background? | null | [
"Star",
"Donkey",
"Circle",
"Heart",
"Pineapple"
] | field | true | 5 | ["A. Star", "B. Donkey", "C. Circle", "D. Heart", "E. Pineapple"] | E | 4 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_771 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the school cafeteria, a young man in a beige jacket, a girl with red glasses and a striped shirt, and a woman in a white feathered outfit are engaged in a conversation. The background is bustling with students, some sitting and some walking around. What is the color of the headband worn by the girl with red glasses? | null | [
"Blue",
"Green",
"Yellow",
"Red",
"Black"
] | field | true | 5 | ["A. Blue", "B. Green", "C. Yellow", "D. Red", "E. Black"] | C | 2 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_772 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the car scene at night, three girls are seated with one driving and the other two in the back seat. The driver is wearing glasses and earphones, while the girl on the left is in a blue dress. The girl in the middle is wearing a blue shirt with a white design. What is the pattern on the driver's shirt? | null | [
"Stripes",
"Polka dots",
"Floral",
"Plaid",
"Solid color"
] | field | true | 5 | ["A. Stripes", "B. Polka dots", "C. Floral", "D. Plaid", "E. Solid color"] | C | 2 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_773 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the crowded bar, a man in a black shirt is conversing with two women, one with curly blonde hair and another with short blonde hair. The background is filled with people, colorful lights, and decorations. What is the color of the shirt worn by the person standing directly behind the man in the black shirt? | null | [
"Red",
"Blue",
"Green",
"White",
"Yellow"
] | field | true | 5 | ["A. Red", "B. Blue", "C. Green", "D. White", "E. Yellow"] | A | 0 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_774 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the carnival scene, a man in a blue shirt interacts with various people while a woman in a black netted top sits on a ride. Among the background elements, there are several stuffed animals hanging on a wall. What is the color of the stuffed animal directly above the man's head? | null | [
"Green",
"Purple",
"Yellow",
"Blue",
"Red"
] | field | true | 5 | ["A. Green", "B. Purple", "C. Yellow", "D. Blue", "E. Red"] | B | 1 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_775 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the classroom scene, a woman in a red jacket is standing in front of a desk with various anatomical models and posters related to sexually transmitted diseases. On the desk, there is a model of an eye. What is the letter displayed on the base of the eye model? | null | [
"B",
"C",
"D",
"A",
"E"
] | field | true | 5 | ["A. B", "B. C", "C. D", "D. A", "E. E"] | D | 3 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_776 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the office, a man in a suit and tie is seen conversing while standing next to a television set displaying another man. The office is filled with various items, including VHS tapes labeled "Josie Cam Tape" and framed pictures on the wall. What is the color of the spine of the VHS tape labeled "Josie Cam Tape 4" that ... | null | [
"Black",
"Red",
"Green",
"Blue",
"Yellow"
] | field | true | 5 | ["A. Black", "B. Red", "C. Green", "D. Blue", "E. Yellow"] | B | 1 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_777 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | During the celebration scene, a woman with a bright smile is wearing a necklace with multiple pendants. What is the shape of the central pendant on her necklace? | null | [
"Heart",
"Star",
"Circle",
"Teardrop",
"Square"
] | field | true | 5 | ["A. Heart", "B. Star", "C. Circle", "D. Teardrop", "E. Square"] | C | 2 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_778 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the garden scene, a man in a black suit and a woman in a pink dress are having a conversation. The garden is decorated with fairy lights and there is a neon sign above the entrance to a building. What is the shape of the neon sign above the entrance? | null | [
"A heart",
"A star",
"Two hands",
"A flower",
"A moon"
] | field | true | 5 | ["A. A heart", "B. A star", "C. Two hands", "D. A flower", "E. A moon"] | C | 2 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_779 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the scene where a woman in a pink dress stands on a baseball field, she appears to be speaking into a microphone. The background is dimly lit, and the field is mostly empty. What is the color of the shirt worn by the person sitting to the left of the woman in the red shirt in the crowd scene? | null | [
"Green",
"Blue",
"Black",
"Yellow",
"White"
] | field | true | 5 | ["A. Green", "B. Blue", "C. Black", "D. Yellow", "E. White"] | A | 0 | 6,448.149 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_780 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the genre of the video based on its visual and auditory cues, narrative style, and overall tone? | null | [
"Horror",
"Science Fiction",
"Comedy, Drama, Romance",
"Action",
"Documentary"
] | field | true | 5 | ["A. Horror", "B. Science Fiction", "C. Comedy, Drama, Romance", "D. Action", "E. Documentary"] | C | 2 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_781 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the central theme or message conveyed in the video? | null | [
"Betrayal",
"Adventure",
"Love and Self-Discovery",
"Revenge",
"Survival"
] | field | true | 5 | ["A. Betrayal", "B. Adventure", "C. Love and Self-Discovery", "D. Revenge", "E. Survival"] | C | 2 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_782 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the primary setting of the video? | null | [
"A rural farm",
"A futuristic city",
"A high school in Chicago",
"A deserted island",
"A medieval castle"
] | field | true | 5 | ["A. A rural farm", "B. A futuristic city", "C. A high school in Chicago", "D. A deserted island", "E. A medieval castle"] | C | 2 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_783 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | Who is the main character in the video? | null | [
"Rob Geller",
"Guy Perkins",
"Josie Geller",
"Sam Coulson",
"Anita"
] | field | true | 5 | ["A. Rob Geller", "B. Guy Perkins", "C. Josie Geller", "D. Sam Coulson", "E. Anita"] | C | 2 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_784 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the key plot of the video? | null | [
"A woman survives on a deserted island.",
"A man seeks revenge on his enemies.",
"A woman goes undercover in high school and finds love and self-confidence.",
"A group of friends go on an adventure.",
"A detective solves a mystery."
] | field | true | 5 | ["A. A woman survives on a deserted island.", "B. A man seeks revenge on his enemies.", "C. A woman goes undercover in high school and finds love and self-confidence.", "D. A group of friends go on an adventure.", "E. A detective solves a mystery."] | C | 2 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_785 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the unexpected event or revelation that changes the direction of the story? | null | [
"Josie wins a lottery.",
"Josie is revealed as a reporter at prom.",
"Josie becomes a detective.",
"Josie moves to another city.",
"Josie discovers a hidden treasure."
] | field | true | 5 | ["A. Josie wins a lottery.", "B. Josie is revealed as a reporter at prom.", "C. Josie becomes a detective.", "D. Josie moves to another city.", "E. Josie discovers a hidden treasure."] | B | 1 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_786 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the climax of the video? | null | [
"Josie winning a sports competition.",
"Josie revealing her identity at prom and giving a heartfelt speech.",
"Josie finding a hidden treasure.",
"Josie moving to another city.",
"Josie solving a mystery."
] | field | true | 5 | ["A. Josie winning a sports competition.", "B. Josie revealing her identity at prom and giving a heartfelt speech.", "C. Josie finding a hidden treasure.", "D. Josie moving to another city.", "E. Josie solving a mystery."] | B | 1 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_787 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the overall emotional tone of the video? | null | [
"Tense and frightening",
"Sad and melancholic",
"Happy and uplifting",
"Angry and vengeful",
"Mysterious and suspenseful"
] | field | true | 5 | ["A. Tense and frightening", "B. Sad and melancholic", "C. Happy and uplifting", "D. Angry and vengeful", "E. Mysterious and suspenseful"] | C | 2 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_788 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What visual elements characterize the visual style of the video? | null | [
"Dark and shadowy with muted colors",
"Bright and colorful with a lively atmosphere",
"Futuristic and sleek with metallic tones",
"Rustic and earthy with natural lighting",
"Gritty and realistic with handheld camera work"
] | field | true | 5 | ["A. Dark and shadowy with muted colors", "B. Bright and colorful with a lively atmosphere", "C. Futuristic and sleek with metallic tones", "D. Rustic and earthy with natural lighting", "E. Gritty and realistic with handheld camera work"] | B | 1 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_789 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | How does Josie Geller change from the beginning to the end of the video? | null | [
"She becomes a detective.",
"She becomes a professional athlete.",
"She gains self-confidence and finds love.",
"She moves to another city.",
"She becomes a teacher."
] | field | true | 5 | ["A. She becomes a detective.", "B. She becomes a professional athlete.", "C. She gains self-confidence and finds love.", "D. She moves to another city.", "E. She becomes a teacher."] | C | 2 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_790 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the central conflict in the video? | null | [
"Josie vs. a rival detective",
"Josie vs. a natural disaster",
"Josie vs. her past insecurities and the high school social hierarchy",
"Josie vs. a criminal organization",
"Josie vs. a supernatural entity"
] | field | true | 5 | ["A. Josie vs. a rival detective", "B. Josie vs. a natural disaster", "C. Josie vs. her past insecurities and the high school social hierarchy", "D. Josie vs. a criminal organization", "E. Josie vs. a supernatural entity"] | C | 2 | 6,448.149 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_791 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | In the scene where Josie and Guy approach the prom, where does this scene take place? | null | [
"Inside a classroom",
"On a football field",
"Inside a gymnasium",
"Outside the country club",
"Inside a library"
] | field | true | 5 | ["A. Inside a classroom", "B. On a football field", "C. Inside a gymnasium", "D. Outside the country club", "E. Inside a library"] | D | 3 | 6,448.149 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_792 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | How does Josie's character develop from the beginning of the prom night to the announcement of the prom queen? | null | [
"She becomes more confident and accepted by her peers.",
"She becomes more isolated and withdrawn.",
"She becomes more rebellious and defiant.",
"She becomes more skeptical and distrustful.",
"She becomes more indifferent and apathetic."
] | field | true | 5 | ["A. She becomes more confident and accepted by her peers.", "B. She becomes more isolated and withdrawn.", "C. She becomes more rebellious and defiant.", "D. She becomes more skeptical and distrustful.", "E. She becomes more indifferent and apathetic."] | A | 0 | 6,448.149 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_793 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the movement path of the bouquet of flowers that Josie receives? | null | [
"From the stage to the refreshment table",
"From the stage to the dance floor",
"From the entrance to the stage",
"From the buffet to the table",
"From the limo to the porch"
] | field | true | 5 | ["A. From the stage to the refreshment table", "B. From the stage to the dance floor", "C. From the entrance to the stage", "D. From the buffet to the table", "E. From the limo to the porch"] | B | 1 | 6,448.149 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_794 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | How do the characters interact with the ice sculpture at the prom? | null | [
"They use it as a centerpiece for their table.",
"They take turns posing for photos with it.",
"They discuss its artistic qualities.",
"They accidentally knock it over.",
"They use it to serve drinks."
] | field | true | 5 | ["A. They use it as a centerpiece for their table.", "B. They take turns posing for photos with it.", "C. They discuss its artistic qualities.", "D. They accidentally knock it over.", "E. They use it to serve drinks."] | C | 2 | 6,448.149 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_795 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What is the sequence of actions that occur when Josie sees Guy with the roses? | null | [
"Josie hides, sees the roses, and runs to the limo.",
"Josie runs to the limo, sees the roses, and hides.",
"Josie sees the roses, hides, and then runs to the limo.",
"Josie hides, runs to the limo, and then sees the roses.",
"Josie runs to the limo, hides, and then sees the roses."
] | field | true | 5 | ["A. Josie hides, sees the roses, and runs to the limo.", "B. Josie runs to the limo, sees the roses, and hides.", "C. Josie sees the roses, hides, and then runs to the limo.", "D. Josie hides, runs to the limo, and then sees the roses.", "E. Josie runs to the limo, hides, and then sees the roses."] | A | 0 | 6,448.149 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_796 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What are the different forms of dancing seen at the prom? | null | [
"Slow dancing, breakdancing, and line dancing",
"Slow dancing, waltzing, and disco dancing",
"Slow dancing, conga line, and freestyle dancing",
"Slow dancing, tap dancing, and ballet dancing",
"Slow dancing, hip-hop dancing, and salsa dancing"
] | field | true | 5 | ["A. Slow dancing, breakdancing, and line dancing", "B. Slow dancing, waltzing, and disco dancing", "C. Slow dancing, conga line, and freestyle dancing", "D. Slow dancing, tap dancing, and ballet dancing", "E. Slow dancing, hip-hop dancing, and salsa dancing"] | C | 2 | 6,448.149 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_797 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | When does the announcement of the prom king and queen start and end? | null | [
"Starts when Sam takes the stage and ends when Josie receives her tiara.",
"Starts when the music begins and ends when the dance starts.",
"Starts when the judges arrive and ends when the prom ends.",
"Starts when the limo arrives and ends when the dance floor clears.",
"Starts when the buffet opens and end... | field | true | 5 | ["A. Starts when Sam takes the stage and ends when Josie receives her tiara.", "B. Starts when the music begins and ends when the dance starts.", "C. Starts when the judges arrive and ends when the prom ends.", "D. Starts when the limo arrives and ends when the dance floor clears.", "E. Starts when the buffet opens and... | A | 0 | 6,448.149 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_798 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | What motivates Josie to run down the driveway to the limo? | null | [
"She wants to escape from the prom.",
"She sees Guy holding white roses for her.",
"She is late for the prom court announcement.",
"She needs to find her friends.",
"She is trying to avoid someone."
] | field | true | 5 | ["A. She wants to escape from the prom.", "B. She sees Guy holding white roses for her.", "C. She is late for the prom court announcement.", "D. She needs to find her friends.", "E. She is trying to avoid someone."] | B | 1 | 6,448.149 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_799 | ALLVB/ALLVB::::test_set_movie/Never Been Kissed (1999)/Never Been Kissed (1999).mp4 | 81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/81060149e8058c572ef36cc406e4bae814bb9395b77e843d2d511c8c349047ce/video.mp4 | How does the announcement of Josie as prom queen contribute to the overall plot? | null | [
"It creates a conflict between Josie and her friends.",
"It signifies Josie's acceptance and transformation.",
"It leads to a major argument between the characters.",
"It causes Josie to leave the prom early.",
"It introduces a new character to the story."
] | field | true | 5 | ["A. It creates a conflict between Josie and her friends.", "B. It signifies Josie's acceptance and transformation.", "C. It leads to a major argument between the characters.", "D. It causes Josie to leave the prom early.", "E. It introduces a new character to the story."] | B | 1 | 6,448.149 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false |
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