task_id string | domain string | subdomain string | media_type string | media_path string | prompt string | golden_response string | rubric_criteria list | num_criteria int64 | evidence_start string | evidence_end string | evidence_start_sec float64 | evidence_end_sec float64 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
6a9e06bce6e80e99fcf1f5e2 | Temporal & Causal Dynamics | Extrapolation | image | media/images/6a9e06bce6e80e99fcf1f5e2.png | The green truck suddenly and rapidly reverses straight backward. Which man would be in the most danger of being struck? | The man in the green hi-vis shirt on the far right appears to be in the most danger because he is positioned most directly behind the truck. The two orange-vested men appear farther to the side of its straight reversing path. | [
{
"id": "2546eb06-969c-4acb-a5eb-e54cd21fff01",
"title": "States that the man wearing the green hi-vis vest is most likely to be struck."
}
] | 1 | null | null | null | null |
6aaa38f36ca53308abf113c5 | Abstract & Contextual Inference | Patterns & Pareidolia | image | media/images/6aaa38f36ca53308abf113c5.jpg | There is the face of the monkey in this image, but there is also another face within the monkey's face. What in the image represents the smiley faces' eyes? | The smiley face's eyes are the monkey's two nostrils. The second face sits on the monkey's muzzle: the two small dark nostril dots are placed side by side like a pair of eyes, and then the monkey's actual smile works as the smile for this face too. Because the rounded muzzle frames those two dots above the actual smile... | [
{
"id": "b93e52ce-9a4c-44d5-8c8a-25d297b87410",
"title": "States that the monkey's two nostrils represent the eyes of the smiley face."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff3009 | Temporal & Causal Dynamics | Extrapolation | video | media/videos/6a8fb651edeac05965ff3009.mp4 | We see two pallets on the conveyor belt, but the next paper load to travel along that stretch has not appeared yet. From which side of the frame will it enter? | It will come from the left, and it will not be sealed down its sides yet. Based on the two pallets already in the video, it is clear that they won't be fully sealed when added to the conveyor belt. The wrapping happens later down the belt. We can also see that they travel to the right, which means they are added from t... | [
{
"id": "47371b6c-8b44-4494-8182-da712b97bd9d",
"title": "States that the new pallet will enter from the left."
}
] | 1 | 0:00 | 0:23 | 0 | 23 |
6aaa38f36ca53308abf11361 | Abstract & Contextual Inference | Patterns & Pareidolia | image | media/images/6aaa38f36ca53308abf11361.jpg | The number labels on the other swimmers' headgear all can be seen. Based on these labels, what number can be inferred on the headgear where the number cannot be fully seen? | The hidden headgear number is 8. Looking at the swimmers in the water the numbers on their headgear first appear to be random, however it can be seen that there are 13 swimmers in total and the highest visible number on any swimmer is 13 and the lowest is 1. The pattern that emerges from the numbering of the headgear i... | [
{
"id": "0c6c0d21-36ac-431a-9e5e-97b7317726c2",
"title": "States that the hidden headgear number is 8."
}
] | 1 | null | null | null | null |
6a9e06bce6e80e99fcf1f66c | Physical & Spatial Logic | Spatial Reachability | video | media/videos/6a9e06bce6e80e99fcf1f66c.mp4 | Suppose the woman spinning the red flag on the elevated ledge extends her flagpole directly forward towards the front line of musicians without taking a step forward. Whose head in the front line would the tip of the flagpole touch? | Nobody’s head. Extending the pole straight forward from her position would carry the tip above the front-line musicians’ heads, since she stands on the platform that is several feet above them. | [
{
"id": "985a0c5c-2a51-4dff-b477-9fbfc1602fb3",
"title": "States that the flagpole tip would touch nobody’s head."
}
] | 1 | 0:12 | 0:59 | 12 | 59 |
6aa6565295d71e0e44a4d67f | Abstract & Contextual Inference | Patterns & Pareidolia | image | media/images/6aa6565295d71e0e44a4d67f.jpg | Considering the nearest fully visible row of seats as row 1, there are total 16 rows visible in the image. Is there any pattern on either even or odd rows in terms of occupancy? | The only consistent pattern from row 1 to row 16 is that all odd-numbered rows are full. This is the only visible parity pattern, as by looking at all the odd-numbered rows, we can see that all the chairs are filled with passengers who are either seated or standing. As for the even-numbered rows, there is no pattern re... | [
{
"id": "8bee121c-4d3b-4856-a5d3-ea43a110abd8",
"title": "States that the only consistent parity pattern from row 1 to row 15 is that all odd-numbered rows are filled."
}
] | 1 | null | null | null | null |
6a80954268ae9284688d23d2 | Temporal & Causal Dynamics | Retrodiction | video | media/videos/6a80954268ae9284688d23d2.mp4 | Focus on the player in the blue jersey with 18 on it. Based on the trajectory of the ball that he hits, where does the ball land after it leaves the screen? How does his reaction supports this conclusion? | The next thing that the ball hits after being spiked by Player 18 is **the floor on the red team's side**. Player 18 stops tracking the ball and begins to celebrate with his team indicating that they have scored. | [
{
"id": "69ac6b0e-e543-46c7-91ea-21bbaf5613ea",
"title": "States that the ball hits the floor on the red team's side after it leaves the screen."
},
{
"id": "3f8b9069-1953-4b25-b9a9-531c204e422e",
"title": "States that Player 18 celebrates with his teammates."
}
] | 2 | 0:08 | 0:12 | 8 | 12 |
6a8fb651edeac05965ff2fd6 | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a8fb651edeac05965ff2fd6.mp4 | Among the left-front two-stick player and the two-stick player at the center back right, which player appears to have a more intermittent, punctuating role rather than maintaining a continuous one, and what repeated pattern supports this? | The left-front two-stick player has the more intermittent, punctuating role. She repeatedly pauses or holds her sticks before resuming, rather than maintaining a continuous, rhythmic playing pattern like the two-stick player at the back right. | [
{
"id": "ea63ce48-164a-40d2-b6a5-134fa06e2d4f",
"title": "Identifies the left-front two-stick player as having the more intermittent or punctuating role."
},
{
"id": "5eb00a46-7aad-4f01-9ee1-a64742847a32",
"title": "States that the left-front player repeatedly pauses or holds her sticks before r... | 2 | 0:01 | 0:56 | 1 | 56 |
6aae2141289b4315483414ad | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6aae2141289b4315483414ad.mp4 | Among the people in the front during the gathering, who would be deferred to when concluding the current event on the site? | Among the people in the front during the gathering, the tallest man in the black/gray suit is the one who would close proceedings, as he holds the floor the longest and is even carrying the shovel, indicating that he is the host. The woman in red is the guest of honor and performs the actual inauguration. The others do... | [
{
"id": "93856872-3c08-46fe-bf84-8bcc1145465f",
"title": "States that people would turn to the tallest guy in a gray suit to close the event."
}
] | 1 | 7:24 | 11:46 | 444 | 706 |
6a89e4598df6268d281ac293 | Temporal & Causal Dynamics | Retrodiction | image | media/images/6a89e4598df6268d281ac293.png | Focus on the two people walking in the background on the right side of the camera (call the person wearing a light-colored top and watch as A, and person wearing a dark-colored top with light colored shoulders as B). From which side of the frame would they have emerged from if this was a video and they walked into the ... | The two individuals walking in the background on the right side of the camera frame emerged from opposite sides because they are travelling along opposing trajectories. Tracing their respective stances backwards along their path indicates their origin. The person in a light-colored top wearing a watch is walking from r... | [
{
"id": "30753c5e-d272-4e1e-8451-2683c099d203",
"title": "States that the person A emerged from the right side of the frame."
},
{
"id": "3e9e5ede-c774-431e-8c65-cc9ff6aa4f68",
"title": "States that the person B emerged from the left side of the frame."
}
] | 2 | null | null | null | null |
6a9529ffc4e2b042ecfd0c74 | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a9529ffc4e2b042ecfd0c74.mp4 | In the video, what is the role of the person in the patterned dress to the person in the blue dress? | The woman in the patterned dress is instructing the woman in the blue dress on what to do. In the video, she gestures for her to pick up the ladle by picking up hers, then proceeds to show her how to use the red material to hold the top part of the kettle on the stove. This is therefore the role of an instructor in thi... | [
{
"id": "e3cea231-753a-413b-b853-c5e514bd4147",
"title": "Identifies the woman in the patterned dress as the instructor."
}
] | 1 | 0:00 | 0:20 | 0 | 20 |
6a89e4598df6268d281ac280 | Temporal & Causal Dynamics | Retrodiction | image | media/images/6a89e4598df6268d281ac280.png | Focus on the person standing directly behind the cyclist, occluded by the cyclist's body. From which side of the frame would the person emerge from if this was a video and the person walked into the scene in the same direction she is facing in the photo? | The person directly behind the cyclist would have emerged from the left side of the frame. The person's lower body, flow of hair, feet, and the right hand are oriented facing to the right. Traversing the linear trajectory backward past their current position shows that entering the scene along that path requires walkin... | [
{
"id": "dd272dff-ba8a-443d-bf27-8331a05a3224",
"title": "States that the person would have emerged from the left side of the frame, heading to the right side of the frame."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff306d | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a8fb651edeac05965ff306d.mp4 | In the first scene after the New Zealand lineup screen, how are the actions of the player reaching down necessary? | The player appears to be stretching or warming up before the start of the cricket game. This action is likely intended for loosening his muscles and preparing his body for the physical activity of the game. | [
{
"id": "afe638fa-7754-4183-a61c-54de5df210ce",
"title": "Identifies that the player in the foreground is reaching down as part of a stretching/warming up action."
}
] | 1 | 4:07 | 4:15 | 247 | 255 |
6a963e87014f71c7746b1219 | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a963e87014f71c7746b1219.mp4 | In the video we can see a group of performers on stage, singing and playing instruments. Behind them we first can see a scene of a cloudy sky. Then later on we see what looks like stars in a night sky behind them. Finally, we can see what looks like purple lightning. This change to the background is produced by video p... | There are three projectors present off-screen, located above the performers on stage. There are three walls shown on stage and each wall receives its own projection and corresponding shadow angles. These shadows are projected downward from the performers, instruments, and equipment on stage, meaning that the projectors... | [
{
"id": "71e2a36c-49aa-4278-a379-b92ad100e0d9",
"title": "States that there are three projectors present off-screen."
},
{
"id": "98898bea-c1c9-4272-8642-189d7a071cc2",
"title": "Identifies that the projectors are located above the performers."
},
{
"id": "7b7bd7a7-2f4d-4afb-b5f9-c2b3ec9... | 4 | 1:00 | 1:30 | 60 | 90 |
6a8133db31a691b790551e0d | Abstract & Contextual Inference | Change & Consequence | video | media/videos/6a8133db31a691b790551e0d.mp4 | If the blue van were to abruptly change lanes, which car would need to slow down? | The red car would need to slow down if the blue van abruptly changed lanes. If the blue van suddenly changed lanes, merging into the left lane, it would be positioned immediately in front of the red vehicle, which would need to brake to create space and prevent a collision. | [
{
"id": "f26058f0-2604-40e7-8530-be73daf24b5a",
"title": "States that the red car would need to slow down if the blue van abruptly changed lanes."
}
] | 1 | 0:00 | 0:03 | 0 | 3 |
6aae2141289b43154834159f | Temporal & Causal Dynamics | Mechanistic Causality | image | media/images/6aae2141289b43154834159f.jpg | What is the main force of resistance acting on the boat that is closest to the camera (manned by two people), in what direction is it acting, and how (not including the humans on the boat) can you tell? | The main force of resistance acting on the boat closest to the camera is **hydrodynamic drag** or water resistance -- the force that pushes against an object when it moves through water.
The hydrodynamic resistance is acting on the boat in a right-to-left direction. You can tell because of the direction of the ... | [
{
"id": "9e5c9f12-03ef-42c5-9cab-7f2fee16633b",
"title": "Indicates that the main force of resistance acting on the boat closest to the camera is hydrodynamic drag or water resistance."
},
{
"id": "850df42d-047d-4ab9-8ffb-1dc15d6a6fb7",
"title": "Indicates that hydrodynamic resistance is acting ... | 3 | null | null | null | null |
6a80954268ae9284688d23db | Temporal & Causal Dynamics | Retrodiction | image | media/images/6a80954268ae9284688d23db.png | Focus on the group of travelers in the lower left portion of the painting who are moving along the path. If this scene were a video and they had just walked into the frame continuing in the same direction and orientation they're currently traveling (ignoring all terrain restrictions), from which edge of the frame would... | The rider on the white horse would have emerged from the right edge of the frame. The rider and horse are clearly oriented facing left, with the horse's body and head directed toward the left side of the composition. Following this trajectory backward implies they entered the scene from the right, traveling leftward al... | [
{
"id": "cf71bc30-293c-405a-816a-0cbd2fcc3d5d",
"title": "States that they would have entered from the right edge of the image."
}
] | 1 | null | null | null | null |
6aa4b843d42f7899b8cbf206 | Temporal & Causal Dynamics | Mechanistic Causality | video | media/videos/6aa4b843d42f7899b8cbf206.mp4 | What bears the robot's destabilizing load when it is kicked on its hip? | When the robot is kicked on its hip, its hip motors and legs bear its destabilizing load. While the robot's feet may sink into the blue mats, it needs to stabilize itself entirely and we see it catch its balance without help from anything external. | [
{
"id": "52402749-c159-4086-a068-d6285a2d6796",
"title": "States that the robot's legs bear its destabilizing load after the kick."
}
] | 1 | 1:54 | 2:02 | 114 | 122 |
6a84a95e6d0654f769b19dae | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a84a95e6d0654f769b19dae.png | Of the balloons still on the ground, which one has the most inflating left to do before it can launch ? | The black and white soccer ball balloon at the far right edge of the field is the one with the most remaining inflation before it can be launched.
It is still lying on the grass as a low, barely-shaped mound of fabric, with no rounded volume yet. By comparison, the Bavaria balloon and the brown football are al... | [
{
"id": "9bacd375-c93d-4596-a3d1-e7fff1a991a9",
"title": "Identifies that the far-right balloon shaped like a soccer ball is the one with the most remaining inflation before being launched."
}
] | 1 | null | null | null | null |
6a9e06bce6e80e99fcf1f713 | Abstract & Contextual Inference | Patterns & Pareidolia | image | media/images/6a9e06bce6e80e99fcf1f713.png | For the shelf closest to us and at middle height, what book should be removed to preserve the pattern? | The second book from the left should be removed to preserve the pattern. This book isn't as tall as the others who are all around the same height, and the two darker sections of its spine sit lower than the ones on the others. | [
{
"id": "bb5f1417-d009-4d45-9600-2cff156a6d8c",
"title": "Identifies that the second book from the left should be removed."
}
] | 1 | null | null | null | null |
6a9529ffc4e2b042ecfd0c89 | Temporal & Causal Dynamics | Retrodiction | image | media/images/6a9529ffc4e2b042ecfd0c89.png | There is a space in the middle of the table without a board. Which of the games being played below this gap most likely started last? Exclude the board at the bottom of the frame that is only partially shown. | The blue/white board near the bottom of the image started last. We can see from the number of moves that this board started last simply by looking at the pawns, as it is commonly known that these pieces cannot move backwards. Each player has each lost a single pawn, but the remaining pieces are in their starting positi... | [
{
"id": "6ade8c28-1d9e-43e2-a84a-7c677f71ef65",
"title": "States that the blue/white board near the bottom of the image started last."
}
] | 1 | null | null | null | null |
6a9e06bce6e80e99fcf1f7ef | Physical & Spatial Logic | Affordance & Feasibility | image | media/images/6a9e06bce6e80e99fcf1f7ef.jpg | Which bicycle appears most difficult to remove from the group without first moving another bicycle, and what visible obstacles would interfere with its path out? Explain using only the spatial relationships visible in the image. | The second rightmost bike, the one that is on the immediate left of the bike labelled 20806, appears to be the most difficult to move without first moving another bike.
The bike labelled 20806 and the black bollard next to it block the forward movement (relative to its current direction) of the bike
The... | [
{
"id": "22daf8ff-08a7-4c11-a7e7-7341d50cd42d",
"title": "Identifies the bike to the immediate left of the bike labeled 20806 as being the most difficult bike to move without first moving another bike."
},
{
"id": "a0c20ab7-27cd-48e4-8437-94f72e008282",
"title": "Identifies the bike labelled 208... | 4 | null | null | null | null |
6a8fb651edeac05965ff2f0a | Social Understanding | Theory of Mind | video | media/videos/6a8fb651edeac05965ff2f0a.mp4 | Why did the dog get startled and run to its right towards the end of the video? | The dog was startled by a bird flying overhead, as evidenced by the bird's shadow on the ground and the dog slightly looking up to its left before momentarily darting in the opposite direction. | [
{
"id": "573a5e9a-5eb3-43bc-83a2-b374800dbbd0",
"title": "States that the dog was startled by a bird flying overhead."
}
] | 1 | 0:19 | 0:21 | 19 | 21 |
6a9dc9ba0a4364aa6aa6b241 | Temporal & Causal Dynamics | Extrapolation | image | media/images/6a9dc9ba0a4364aa6aa6b241.png | How many ships would the small blue and white ship collide with before it reached the edge of the image if it sailed straight while all the other ships in the image remained motionless? | The small blue and white ship would collide with **0 ships**.
The streamlined end (the bow) of the small blue and white ship indicates that it is pointed toward the bottom left of the image, and that this is the direction it would move in. After tracing a line along this pathway, it is clear that the large red ... | [
{
"id": "3942f269-ef3c-48c9-ab53-fbaf6ca88554",
"title": "States that the small blue and white ship would collide with zero ships."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff2fc8 | Temporal & Causal Dynamics | Extrapolation | image | media/images/6a8fb651edeac05965ff2fc8.png | If the small pig in the foreground, closest to the left corner, were to move in the direction it is facing, what would it collide with, if anything? | The pig in the foreground would most likely collide with the rooster standing by the cart. The pig is facing diagonally toward the upper right, and if it were to move forward along that line, it would collide with the rooster. | [
{
"id": "43e165a3-557d-484a-a7c5-6cec60d21bc6",
"title": "States that the pig closest to the left corner in the image would collide with the rooster if it continued walking in its current direction."
}
] | 1 | null | null | null | null |
6aa4b843d42f7899b8cbf208 | Temporal & Causal Dynamics | Extrapolation | image | media/images/6aa4b843d42f7899b8cbf208.jpg | Which means of going upstairs is the man on the right bottom corner of the image who's wearing a suit and a shoulder bag going to use to go upstairs? | The man in a suit carrying a shoulder bag in the right hand corner of the image is going to use the stairs to go upstairs, as the escalator is out of use. | [
{
"id": "465dcafd-cf07-41d5-a7f3-77cc40f7cfc8",
"title": "States that the man is going to use the stairs to go upstairs."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff309d | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a8fb651edeac05965ff309d.mp4 | In what cardinal or intercardinal direction would the sun be assuming that the river is flowing directly north? | The sun would be to the **northwest**. The movement of the water indicates that the river is flowing from camera left to camera right. Shadows from the tree by the rocks and the running dogs are cast towards the river and to the left. Camera left would be south, and towards the river from the other side would be east. ... | [
{
"id": "d7b2f017-5188-4a40-a9fd-73b4c2a6c729",
"title": "States that the sun would be to the northwest."
}
] | 1 | 0:08 | 0:38 | 8 | 38 |
6a9dc9ba0a4364aa6aa6b283 | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a9dc9ba0a4364aa6aa6b283.png | In the attached image you can see a building. In the image the sun is not visible, but the shadows of the buildings are. Where off-screen is the sun located? How do the visible shadows support this conclusion? | The sun is located above and to the right of the scene, between the viewer and the building. The shadows extend diagonally down and to the left, indicating that the light source is coming from the opposite direction. | [
{
"id": "e3086065-4a99-474b-bc74-a62b5ddeaafe",
"title": "States that the sun is located off-screen to the upper right."
},
{
"id": "26f6dc0f-b364-4f3b-8baa-e8eea2f46919",
"title": "Explains using visual evidence such as that the fact that the shadows fall downwards from right to left."
}
] | 2 | null | null | null | null |
6a9e06bce6e80e99fcf1f6a2 | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a9e06bce6e80e99fcf1f6a2.png | In the image shown we can see some old ruin on a sunny day. The sun cannot be seen in the image. Where off-screen is the sun located? How do the visible shadows support this conclusion? | The sun is located off-screen to the upper left of the image. The shadows seen in the ruins off of the wall and columns are small and fall from left to right. Since shadows fall opposite their source of light, we can trace the shadows back to the upper left of the screen. The shadows present on screen support the locat... | [
{
"id": "6a0823d2-a3f3-4534-8dfc-b82c617f5962",
"title": "States that the sun is located off-screen to the upper left side of the image."
},
{
"id": "2e7568e2-7754-4bc7-bfda-7aa1ab53afa1",
"title": "Mentions that the shadows fall from left to right."
}
] | 2 | null | null | null | null |
6a9e06bce6e80e99fcf1f703 | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a9e06bce6e80e99fcf1f703.png | Attached is an image of a ruin in a desert that is illuminated by the sun. The sun is not visible in the picture. Where is the sun located relative to the camera's perspective (i.e. right, upper-right, top)? How do the shadows visible in the image support this conclusion? | The sun is located off of the left side of the screen. The pillar on the left of the screen has a shadow that is cast to the right of it. Shadows are cast opposite of a source of light, so we can tell that the sun must be illuminating the scene from off the left side of the image. | [
{
"id": "535a13a7-7946-4f9c-9e1b-2bf838014fac",
"title": "States that the sun is located upper left relative to the camera's perspective."
},
{
"id": "f282890d-33f1-4cdf-ac40-388eba3ea3c9",
"title": "States that the shadows seen are going from left to right."
}
] | 2 | null | null | null | null |
6a9e06bce6e80e99fcf1f5da | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a9e06bce6e80e99fcf1f5da.png | In the image shown you can see 5 people standing in a row lit up by the sun. Where is the sun located? How do the shadows support this conclusion? Describe the location from camera's perspective: left, right, up, down, front, and/or behind camera. | The sun is located off-screen behind and to the right of the camera. The shadows behind the people in the picture are fall behind them and from right to left slightly. Shadows fall to the opposite of a source of light, so we can reason that the sun is located behind the camera slightly to the right. | [
{
"id": "ee9c9121-7960-4d53-a993-026d4a60a5ab",
"title": "States that the sun is located behind the camera."
},
{
"id": "05837090-58a3-4d23-9e73-1e460ea60163",
"title": "States that the sun is off-screen to the right."
},
{
"id": "5f691999-de90-4a9c-a55e-4e8d0ec4c807",
"title": "Iden... | 5 | null | null | null | null |
6a8c70cefa17feea4693eb93 | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a8c70cefa17feea4693eb93.png | based on the light in the image, where is the sun? | Based on the light and shadows in the image, the sun is on the right side outside of the frame, and the right side of the picnic table. | [
{
"id": "29ebf98f-f36a-48c0-9a3e-d0ac1c6b4531",
"title": "States that based on the direction of the sunlight, the sun is located is at the right side of the image"
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff3087 | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a8fb651edeac05965ff3087.mp4 | Based on the shadows in the clip, where is the sun? | Based on the shadows, which stretch toward the left side, the sun is on the right side of the camera. | [
{
"id": "6487373d-9696-4853-93fb-e7a96c8fc525",
"title": "States that the sun is only on the right side of the camera."
}
] | 1 | 0:03 | 0:09 | 3 | 9 |
6a95a500f1554db05d963605 | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a95a500f1554db05d963605.mp4 | Based on the visible shadows, where is the sun relative to the frame? | The shadows stretch toward the camera and to the left side, so the sun is on the top right side. | [
{
"id": "6f51c9df-600c-4bb8-b6a5-6765fdc46204",
"title": "States that the sun is on the right side."
}
] | 1 | 0:03 | 0:54 | 3 | 54 |
6a8fb651edeac05965ff2f98 | Abstract & Contextual Inference | Change & Consequence | image | media/images/6a8fb651edeac05965ff2f98.png | One of the horses lying down in the middle of this group on the right has its head raised and turned away from the camera, facing toward the mountains. If that horse stood up and walked backwards in a straight line toward the camera, which other horse would it reach first? | It would reach the standing beige horse with the black mane and tail first. The standing beige horse is positioned closest to it along a straight path backwards, toward the camera, so it would be the first one reached. | [
{
"id": "d6bfa207-67b3-40c9-864e-8a374bc59ce7",
"title": "Identifies the standing pale/cream-colored horse with the dark mane and tail as the horse it would reach first"
}
] | 1 | null | null | null | null |
6a8c70cefa17feea4693eb91 | Physical & Spatial Logic | Spatial "Alien Viewpoint" | image | media/images/6a8c70cefa17feea4693eb91.png | There is the assistant referee in the green shirt standing outside the playing field. Considering where his feet are pointing to as forward/front, is the team in red and white stripped jerseys on his left or his right? Is the player wearing jersey number 9 of the same team on his left or his right? | The red-and-white striped team and the player wearing jersey number 9 are both on the assistant referee's right side. The assistant referee is standing outside the field facing the play, so the left and right positions must be interpreted from his viewpoint rather than from the camera's viewpoint. When the scene is vie... | [
{
"id": "603bfb48-cb10-4243-895c-a288e594a7b4",
"title": "States that the team in red-and-white striped jerseys is on the assistant referee's right side."
},
{
"id": "8328e18e-ea22-43d3-a760-fa973bfa5c52",
"title": "States that the player wearing jersey number 9 from the red-and-white striped te... | 2 | null | null | null | null |
6a95a500f1554db05d96361f | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a95a500f1554db05d96361f.mp4 | Which team likely won this game of rugby? Why? | The team wearing white most likely won the game of rugby. The winning team exhibits celebratory body language, while the loosing team exhibits dejected or disappointed body language. The team that are wearing white has several members that raise both arms above their heads after the game has finished, this is a classic... | [
{
"id": "0b9a987f-25cc-4c75-b1d1-1e2c712066c4",
"title": "States that the team that most likely won the game of rugby is the team wearing white."
},
{
"id": "3bf0a720-19fd-4fe8-abbb-e9d843fe415f",
"title": "Provide reasons to support the conclusion such as the body language of winning team or lo... | 2 | 0:00 | 0:08 | 0 | 8 |
6a71356d3481398c2f09125a | Abstract & Contextual Inference | Change & Consequence | video | media/videos/6a71356d3481398c2f09125a.mp4 | If the tallest flag pole fell straight towards the center of the roundabout, would its top land beyond the seats? What flag color would it fall closest to? | Yes, the top of the tallest flagpole would land beyond the seats if it fell straight towards the center of the roundabout. It will also fall closest to the black flag.
The flagpole is exceptionally high and would reach across the seating area. The black flag is also situated along the path the flagpole would f... | [
{
"id": "0bce05d2-9430-48e6-886f-40ee932760de",
"title": "States that the top of the tallest flagpole would land beyond the seats if it fell straight towards the center of the roundabout."
},
{
"id": "2607020a-d6d3-4548-b062-fc9d0432da9e",
"title": "States that the tallest flagpole would fall cl... | 2 | 0:00 | 0:31 | 0 | 31 |
6a9e06bce6e80e99fcf1f6ed | Abstract & Contextual Inference | Change & Consequence | video | media/videos/6a9e06bce6e80e99fcf1f6ed.mp4 | Once the illuminated tower completely disappears from the camera's view at the end of the clip, if the camera vehicle were to immediately accelerate and overtake the large box truck labeled "IDC" on its left, how would this maneuver bring the tower back into the forward camera view? | If the car with the camera overtook the "IDC" truck, it would not bring the tower back into the camera's view. The camera pans from the left, where the tower was visible, to the right, and locks the camera in that angle going forward so that the tower is no longer visible. If the car overtook the truck, it would change... | [
{
"id": "71ea759c-0db9-41c8-ad7c-b6834dc7feb1",
"title": "States that overtaking the \"IDC\" truck would not bring the tower back into the camera's forward view."
}
] | 1 | 0:35 | 0:41 | 35 | 41 |
6a836920bc3c8196e12818ba | Abstract & Contextual Inference | Change & Consequence | video | media/videos/6a836920bc3c8196e12818ba.mp4 | If the man in the blue suit pivoted 180 degrees and continued at the same pace, what would he run into? | If the man in the blue suit seen walking away from the tram towards the right of the screen were to turn 180 degrees, he would then walk directly into the side of the moving tram. | [
{
"id": "879da0dd-1b84-4214-98d2-f98747971739",
"title": "States the man would walk into the tram."
}
] | 1 | 0:00 | 0:03 | 0 | 3 |
6a7f82ad5cfeb63114fa867e | Abstract & Contextual Inference | Change & Consequence | video | media/videos/6a7f82ad5cfeb63114fa867e.mp4 | If the truck is now full and at capacity and decides to retrace the street again to make sure there were no missed areas, what direction must the truck travel in order to go back over the street? Will the truck need to drive in reverse, drive forward, drive to the right, or drive to the left? | In order to retrace the street again, the truck must drive forward towards the left direction of the screen. In the video, the truck is currently driving in reverse or backing up as the yellow snow loader is filling the truck's dump bed with snow. Since the truck's front cab is faced towards the left side of the screen... | [
{
"id": "6cc1d622-c77d-4bc2-8aae-6e349e30be4f",
"title": "States that in order for the truck to retrace the street again it must drive in the forward direction."
}
] | 1 | 0:00 | 0:31 | 0 | 31 |
6a9dac4a015bc7455490de53 | Social Understanding | Social Role, Norm & Power Dynamics | image | media/images/6a9dac4a015bc7455490de53.png | Who are most likely the main leaders in the discussion? | The main leaders in the discussion are most likely the woman in the middle on the left side and the man in the middle on the right side. They both have their respective countries' flags directly in front of them, the left-side woman in the middle is the only one on her side attempting to make eye-contact, and it is pre... | [
{
"id": "70543e16-46e8-4c1f-ada5-1f01d7252e44",
"title": "Identifies that one of the main leaders is the woman in the middle on the left side."
},
{
"id": "161a1caa-cadf-41af-90da-0a01af6e67af",
"title": "Identifies that one of the main leaders is the man in the middle on the right side."
}
] | 2 | null | null | null | null |
6a9e06476699ef3aefe341f4 | Temporal & Causal Dynamics | Extrapolation | image | media/images/6a9e06476699ef3aefe341f4.png | The child spinning 90 degrees to his left would be facing which corner of the image? | The child would be facing the top left corner of the image. The child is facing towards the top right corner of the image, but turning 90 degrees to their left would make them face where their left shoulder is positioned. The child would thus be facing towards the top-left corner. | [
{
"id": "d50119f2-f4c1-4dcf-905a-1729d5da7677",
"title": "States that the child would be facing the top left corner of the image."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff300e | Temporal & Causal Dynamics | Extrapolation | video | media/videos/6a8fb651edeac05965ff300e.mp4 | As we travel downward, an upward-moving carriage passes us on the parallel track. When the carriage we are riding in comes to its final stop inside the lower station at the bottom of the cliff, where exactly will the upward-moving carriage be, and what visual evidence confirms this? | The upward-moving carriage will be stopped inside the upper station at the top of the cliff. This conclusion is confirmed by two key pieces of visual evidence. First, at the start of the descent, the upward-moving carriage is visibly parked inside the lower station at the foot of the hill. Second as our carriage travel... | [
{
"id": "6ba3e374-2be2-42fd-9623-1f0c860015a8",
"title": "States that the upward moving carriage will be at the upper station (or at the top of cliff/track)."
},
{
"id": "0666b445-b2a7-47bf-9453-3eec2825da43",
"title": "Identifies that the upward moving carriage started at the lower station at t... | 2 | 0:00 | 0:50 | 0 | 50 |
6a9e06bce6e80e99fcf1f7c2 | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a9e06bce6e80e99fcf1f7c2.mp4 | What social norm is being followed as the van veers right and what about the situation changes to make this action redundant? | The driver is following the norm of showing consideration for pedestrians by veering right to give the pedestrian space. However, the pedestrian steps off the road before the van passes, so the extra clearance is no longer needed. | [
{
"id": "57f08f7a-6b80-459d-bbfc-dc88118fcf95",
"title": "Identifies the social norm of the van giving space to the pedestrian."
},
{
"id": "26fc8d8e-989e-41ec-90cf-e09835ea20ea",
"title": "States the pedestrian steps off the road before the van passes."
}
] | 2 | 0:10 | 0:16 | 10 | 16 |
6a8fb651edeac05965ff3078 | Temporal & Causal Dynamics | Mechanistic Causality | video | media/videos/6a8fb651edeac05965ff3078.mp4 | A white car is moving in the scene, why is no one driving it? | The white car is not being driven, it's being transported on a trailer that is attached to the fire truck. The forward movement close behind the fire truck is caused by it being towed. | [
{
"id": "0bfa1b75-e985-4e09-93cc-8951bf831ef1",
"title": "Identifies that the white car is being towed on a trailer."
}
] | 1 | 0:01 | 0:07 | 1 | 7 |
6a9e06bce6e80e99fcf1f7d6 | Temporal & Causal Dynamics | Retrodiction | image | media/images/6a9e06bce6e80e99fcf1f7d6.png | What direction did the majority of the wind come from relative to the house, as viewed through the camera? For example, did it blow from left to right, right to left, front to back, or back to front? | The wind appears to have blown predominantly from left to right, as viewed by the camera. Several fallen trunks lie roughly in the direction, and the predominant snapped tree on the right has its broken upper section extending rightward from the standing stump. This suggests the direction of the strongest gusts, though... | [
{
"id": "c5ebc870-7cf9-4148-a8f6-d23f988211da",
"title": "Indicates that the wind mostly blew from left to right."
}
] | 1 | null | null | null | null |
6a9e06bce6e80e99fcf1f647 | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a9e06bce6e80e99fcf1f647.mp4 | Which cardinal or intercardinal direction is the wind blowing if this video is filmed in the late afternoon at the equator? | The wind is blowing from the East to the West. In the late afternoon at the equator, the sun will be setting in the West. The shadows are cast from the right of the scene towards the left. There is the clear shadow of a flag in the foreground, from the right of the scene stretching into the centre. The right of the sce... | [
{
"id": "887180e0-e434-4481-8fbc-5241d7d5fd6a",
"title": "States that the wind is travelling from East to West (toward South West is also acceptable)"
}
] | 1 | 0:00 | 0:30 | 0 | 30 |
6a889e102e533295be51c13e | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a889e102e533295be51c13e.png | Which direction is the wind coming from in this photo? Use the viewer's perspective to answer. | **From the left side of the frame** — i.e., the wind is blowing left‑to‑right across the scene.
Clues supporting this:
* **The white ponies' manes and forelocks** in the foreground are swept backward/rightward, away from their bodies rather than hanging straight down.
* **The long tail** of the ... | [
{
"id": "e6ed548d-11d6-413a-8bee-d3b2293be8cc",
"title": "States that the wind is coming from the left (from the viewer's perspective) side of the photo."
}
] | 1 | null | null | null | null |
6a84a95e6d0654f769b19d8c | Social Understanding | Theory of Mind | video | media/videos/6a84a95e6d0654f769b19d8c.mp4 | Focus on the first performer in this video who uses two chairs in his act. At one point, he approaches a couple. What does he notice that causes him to approach them (ignoring any flirtatious undertext)? | The performer notices the woman dropping her handkerchief and approaches the couple to retrieve the woman's handkerchief and return it to her. | [
{
"id": "bd3c55b0-9f20-47d1-bcdf-18083b454cd8",
"title": "States that the performer notices the woman dropping her handkerchief."
}
] | 1 | 3:37 | 4:05 | 217 | 245 |
6a6ec2828e462995dc529562 | Abstract & Contextual Inference | Change & Consequence | image | media/images/6a6ec2828e462995dc529562.png | If the woman in the striped top suddenly loses her grip before the tire becomes upright, which woman is most immediately at risk of being struck, and how would the tire move to create that risk? | The woman in the striped top is most immediately at risk of being struck. The tire is still tilted and has not passed its upright balance point, so if she loses her grip, gravity would rotate its elevated side back down toward her around the lower edge touching the grass. Because she is leaning directly behind and over... | [
{
"id": "b168f28b-fa89-40cb-9e38-7b57312f6ea9",
"title": "Identifies the woman in the striped top as the person most immediately at risk of being struck."
},
{
"id": "288c527c-4a58-4fa5-b9d2-f17989e83610",
"title": "States that the tire's elevated side would rotate back down toward the woman in ... | 2 | null | null | null | null |
6aa4b843d42f7899b8cbf2b0 | Social Understanding | Social Role, Norm & Power Dynamics | image | media/images/6aa4b843d42f7899b8cbf2b0.jpg | After the current transaction at the Ben and Jerry's stand finishes, who is most likely to be served next? | The bald man with glasses in a white shirt is most likely to be served next. The woman in the black dress with curly hair is being served now. That leaves the bald man with glasses in the white shirt who appears to be about to say/thinking about what he would like to order as most likely to be served next based on his ... | [
{
"id": "36a3e1c0-6b20-4dff-a351-0aa74b409ad5",
"title": "Identifies the bald man with glasses in a white shirt as most likely to be served next after the current transaction at the Ben and Jerry's stand."
}
] | 1 | null | null | null | null |
6aae2141289b431548341571 | Social Understanding | Theory of Mind | image | media/images/6aae2141289b431548341571.png | Who in the room seems to be paying the least attention to the meeting? | The blonde-haired woman seated behind the man in the blue shirt appears to be paying the least attention to the meeting, as she is looking downward rather than toward the discussion. | [
{
"id": "bdc8bde5-ef75-4f5c-ba6a-a4f3603b90f8",
"title": "States that the blonde-haired woman seated behind the man in the blue shirt appears to be paying the least attention to the meeting."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff3094 | Physical & Spatial Logic | Spatial Reachability | image | media/images/6a8fb651edeac05965ff3094.png | If the tour guide holding the walking stick were to throw a small pebble in a direct straight horizontal line at chest height toward the woman in the red shirt, which person or object in the group would the pebble hit first? Explain using the physical depth and relative positions of the individuals standing in that spa... | The pebble would hit the woman in the red shirt first.
She is positioned in front of the tour guide with nobody between them. Because the group stands arranged along a curve, a straight horizontal line aimed at chest height toward the woman in the red shirt passes directly from the tour guide holding the stick ... | [
{
"id": "a95eb6e3-601d-46e0-bdd4-687c308e7e9e",
"title": "States that the pebble would strike the woman in the red shirt first."
},
{
"id": "981960ec-fc31-4a34-a8a9-1ec57b4248ff",
"title": "Explains that based on the depth arrangement and relative positions, the woman in the red shirt stands dir... | 2 | null | null | null | null |
6a8c70cefa17feea4693eb9b | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a8c70cefa17feea4693eb9b.mp4 | Towards the end of this video, a woman in a blue T-shirt is holding a banana in her left hand, but moments later, the hand is empty. Where did she put the banana? | The woman in the blue T-shirt puts the banana in the left pocket of her pants. She lowers her left hand to her left hip/thigh area and slips the banana into her pocket. This is inferred from the movement of her arm, by how she positions it near her body and slips it into her side. | [
{
"id": "bddda78d-ba4c-4a04-b3a2-a0611cd4602e",
"title": "States that the woman put the banana in the left pocket of her pants."
}
] | 1 | 2:41 | 2:48 | 161 | 168 |
6a80954268ae9284688d23dc | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a80954268ae9284688d23dc.mp4 | While the group was arranging for a group photo, using their position from the viewer's perspective, which amongst them was the least involved, and why? | From the viewer's perspective, the woman on the far left in front was the one least involved in arranging for the group photo, as she was making a phone call during the whole arrangement filmed. | [
{
"id": "fbb76bbd-8c83-40fa-8b45-a4c81743566f",
"title": "States that the woman on the far left in the front from the viewer's perspective, wearing white T-shirt, short blue jean, and fanny pack, was the one least involved in preparing for the group photo."
},
{
"id": "ccee402c-d0cb-482a-9b56-bc452f... | 2 | 1:12 | 1:26 | 72 | 86 |
6a98a989e87c74c5c6827db5 | Social Understanding | Theory of Mind | video | media/videos/6a98a989e87c74c5c6827db5.mp4 | For what reason does the woman with darker sleeves and a dark apron take objects from the other workers? Explain your reasoning. | The woman with darker sleeves and a dark apron is taking the objects from the other workers to provide a quality inspection. This is evidenced by the way she takes the objects from the workers, examines them closely, and returns them. | [
{
"id": "c60f6725-2c30-4a9c-99ca-e834900ae289",
"title": "States that the reason the woman with dark sleeves and a dark apron takes objects from the other workers is to perform a quality check/inspection."
},
{
"id": "1a6ab2c9-bb94-4b4a-bcc8-57c21f7edc25",
"title": "Explains that the reasoning f... | 2 | 0:21 | 0:40 | 21 | 40 |
6a7f82ad5cfeb63114fa8675 | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a7f82ad5cfeb63114fa8675.mp4 | In this video, two women (one with short hair and the other with long hair) are sitting on a sofa and talking. Which of them appears to be more senior (disregarding age)? Can you tell this from the photo of them taken in the video? | Yes, the woman with short hair holds a more senior position than the woman with long hair. This is evident from their positioning in the group photo: the woman with short hair stands at the center of the group (specifically, in the exact middle of the second row), whereas the woman with long hair is kneeling at the cen... | [
{
"id": "0623194a-a02a-4ee2-a6ce-1ec68e783d35",
"title": "States that the woman with short hair standing in the center of the group (dead center of the second row) in the group photo."
},
{
"id": "e4c6a6b1-9927-4081-aa6a-4f80d38b67b5",
"title": "States that according to their position in the gro... | 2 | 0:00 | 0:20 | 0 | 20 |
6a9529ffc4e2b042ecfd0c7a | Social Understanding | Theory of Mind | video | media/videos/6a9529ffc4e2b042ecfd0c7a.mp4 | Focus on the two staff members seated directly behind the chairman's dais - the man in the blue shirt and the woman in the green jacket at the viewer's right. Near the end of the clip, both suddenly break into broad simultaneous smiles, yet the chairman never pauses his reading and nothing else in the frame changes at ... | The two staff members are most likely reacting to a humorous line the chairman delivers. The chairman smirks while speaking, which immediately sparks reciprocal smiles from the two staff members behind him. The staff members are not observed looking at a shared point while smiling, suggesting it must be something the c... | [
{
"id": "ba785bec-6fb3-4295-929f-8cc4bcbfa725",
"title": "States that the simultaneous smiles of the man in the blue shirt and the woman in the green jacket are a reaction to a remark the chairman delivered."
}
] | 1 | 6:19 | 6:29 | 379 | 389 |
6a873f8066f85d0fb276bd76 | Temporal & Causal Dynamics | Mechanistic Causality | video | media/videos/6a873f8066f85d0fb276bd76.mp4 | What caused the handicap assessable turnstile to open for the man in the orange hat? | The gate was triggered open by the man wearing a black cap. The man in the black cap passes his access card near the card reader while the man in the orange cap is still behind the closed gate. The gate opens in front of the man in the orange cap, allowing both him and the man in the black cap in front to pass through. | [
{
"id": "3594f622-7bde-403f-85f2-1e1c38281874",
"title": "States that the man in the black cap behind the man in the orange cap opened the turnstile by tapping an access card."
}
] | 1 | 0:00 | 0:07 | 0 | 7 |
6a87cdaf533c102bfc5f1c90 | Temporal & Causal Dynamics | Mechanistic Causality | video | media/videos/6a87cdaf533c102bfc5f1c90.mp4 | Close to two-thirds of the way through the video clip, a train leaving the station stops at an open section of tracks (no platform) when it is completely clear of the platform it has left from. What is the reason for the stop and what indicates this reason? | The train stops because it experiences a mechanical breakdown. Once the end of the train has passed beyond the platform that it is departing from the train stops. After the train has stopped black smoke puffs appear by the train engine at the start of the train. These black smoke puffs are indicative of the train havin... | [
{
"id": "dc5de8b6-263f-42c7-8392-65d440a0dad0",
"title": "States that the train that stopped once it was completely clear of the platform it departed from did so because it broke down/had a mechanical failure."
},
{
"id": "7718e739-9d8b-473a-885f-d05eaf02ec03",
"title": "Identifies that the blac... | 2 | 2:00 | 2:15 | 120 | 135 |
6a98a989e87c74c5c6827dc7 | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a98a989e87c74c5c6827dc7.mp4 | Monitor the people moving along the passage, including those carrying supplies and those moving in the opposite direction. Does it appear that all of them are working, or some are supervising the work? Explain what their movement implies. | Most people are participating in the supply-transfer work, but at least one uniformed man appears to be supervising. The loaded carriers move away with supplies while empty-handed workers return for more, forming a relay; the uniformed man moves through the passage without carrying supplies, which distinguishes his rol... | [
{
"id": "2aaf7557-6d23-4253-af2c-7c7f78cb726c",
"title": "States that people are all seems to be working."
}
] | 1 | 0:13 | 0:24 | 13 | 24 |
6a8c70cefa17feea4693eba8 | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a8c70cefa17feea4693eba8.mp4 | Why does the audience applaud at the end of this video? Who are they primarily applauding for? | The audience is applauding because someone has won the wrestling match in the ring. The wrestler in the red mawashi is the primary targets of the applause. Near the end of the match, the wrestler in the red mawashi successfully pushes the wrestler in the black mawashi out of the ring, triggering the end of the match an... | [
{
"id": "844b71e4-0ca8-4501-8b7a-875ccc0065b3",
"title": "States that the audience are applauding because someone won the wrestling match."
},
{
"id": "8eb9ce8e-9198-49ab-82c6-021f312c0585",
"title": "Identifies the wrestler in the red mawashi as a primary target of the applause."
}
] | 2 | 0:18 | 0:27 | 18 | 27 |
6a9e06bce6e80e99fcf1f5de | Social Understanding | Social Role, Norm & Power Dynamics | image | media/images/6a9e06bce6e80e99fcf1f5de.png | In the image scene, does it appear that all the visible cars are being checked at the same time, or does any one of them look more like it's not being attended to yet? What evidence supports your claim? | All visible cars appear to be actively attended at the same time . A worker is positioned at or near each vehicle, and the open hoods or doors indicate ongoing inspection. This supports simultaneous attention rather than any car waiting unattended. | [
{
"id": "49067ead-3cbc-4817-9596-5f79c3577318",
"title": "States that all visible cars appear to be actively attended at the same time."
},
{
"id": "c47ce534-e113-4038-bda1-c28376e55250",
"title": "Identifies that a worker is positioned at or near each visible car or identifies that the visible ... | 2 | null | null | null | null |
6a87cdaf533c102bfc5f1c97 | Social Understanding | Theory of Mind | video | media/videos/6a87cdaf533c102bfc5f1c97.mp4 | In clip one, the man standing higher up is poked by another man lower down. What is the reason for this? | The reason for the poke was a joke between the two people. Before the contact is made, the two people made eye contact and were smiling and talking. After the poke the poker turned back laughing, whilst the man at the top also laughed. This shows that both parties found the action funny and therefore it was a joke betw... | [
{
"id": "b5a3f139-72d5-4273-86b9-a864d39b8d29",
"title": "Identifies the poke as a jokey gesture."
}
] | 1 | 0:02 | 0:08 | 2 | 8 |
6a8fb651edeac05965ff30b2 | Temporal & Causal Dynamics | Extrapolation | image | media/images/6a8fb651edeac05965ff30b2.png | Near the boat moored at the little jetty, two armed men are walking along the dock. What does their posture suggest about where they're headed? | The two armed men appear to be heading toward the moored boat. Their forward-leaning bodies, faces, and leading feet are directed toward the jetty, suggesting that they are approaching the vessel, possibly to board it, rather than walking inland. | [
{
"id": "72fe3ce0-3e4d-4f3c-a418-041754d385d4",
"title": "States that the two armed men appear to be heading toward the moored boat or jetty."
}
] | 1 | null | null | null | null |
6a9dac4a015bc7455490de4c | Social Understanding | Theory of Mind | video | media/videos/6a9dac4a015bc7455490de4c.mp4 | Why does the character with the nuggets look annoyed right before we see another character stirring the gold bouillon? | The character looks annoyed because there is no nugget in the shell. When he cracks the shell, we can see that it contains a round object, a nugget, and he happily puts it in the pile of nuggets. When he cracks the shell at, we can see that there is no nugget in the shell, and he angrily throws it away. | [
{
"id": "f8734ad0-2df9-4011-9524-cbe645344e0f",
"title": "States that the character looks annoyed because there is no nugget in the shell."
}
] | 1 | 4:33 | 4:44 | 273 | 284 |
6a7edf68c08411e3e34b7cdd | Physical & Spatial Logic | Spatial "Alien Viewpoint" | image | media/images/6a7edf68c08411e3e34b7cdd.png | If a person stands under the roof where the sign Magnolia Seeds + Supply is, would he/she have a clear view of the blurred pink flowers right under the tied broken branch, to the upper right of the yellow flower? Explain your answer. | A person standing under the roof where the Magnolia Seeds + Supply is would not see the specific blurred pink flowers right under the tied broken branch, to the upper right of the yellow flower. This is because, right under the tied broken branch, a good amount of leaves are visible directly behind the specific blurred... | [
{
"id": "6ae4d09e-168a-4d94-ac3d-aa551a75b119",
"title": "States that the blurred pink flowers right under the tied broken branch, to the upper right of the yellow flower, will not be fully visible to a person standing under the roof where the sign Magnolia Seeds + Supply is."
},
{
"id": "62387b16-d... | 2 | null | null | null | null |
6a9dc9ba0a4364aa6aa6b25e | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a9dc9ba0a4364aa6aa6b25e.mp4 | In the sports arena, does it appear that all four men watching the athlete are officials, or does it appear that some are more like spectators than officials? Explain what their position and gesture imply. | Based on the images, all four men watching the athlete appear to be officials or event staff, rather than casual spectators.
All four men are wearing identical dark blue polo shirts/tops and dark trousers, indicating they are part of the organized event officiating or support crew. None of them exhibit spectato... | [
{
"id": "fc631c8c-356d-4869-95fa-61c79d460318",
"title": "States that all four men observing the athlete are officials."
},
{
"id": "0e2eed6d-1bc6-4596-bce3-f6d747d95551",
"title": "Supports the conclusion with valid visual clues such as people's position or gestures."
}
] | 2 | 0:01 | 0:04 | 1 | 4 |
6a7f82ad5cfeb63114fa8683 | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a7f82ad5cfeb63114fa8683.mp4 | Near the end of the clip, a light-coloured winged creature is seen near a brown plane-like floating machine. What is their relationship to each other, and how does their behaviour show this? | The light-coloured winged creature and the brown plane-like machine are on the same side, so they are allies. This is clear from the gameplay footage because they both shoot at the same targets on the ground, including the round house or dwelling, and they do not shoot at each other. If they were enemies they would fir... | [
{
"id": "f716e5af-1cdb-49ec-a6b4-b58381042d98",
"title": "States that the winged creature and the plane-like machine are on the same side."
},
{
"id": "273e1bbc-130f-4132-a04e-ab0e42a7d9ee",
"title": "Identifies that the winged creature and the plane-like machine shoot at the same ground forces ... | 2 | 12:50 | 12:59 | 770 | 779 |
6a9529ffc4e2b042ecfd0c77 | Social Understanding | Social Role, Norm & Power Dynamics | image | media/images/6a9529ffc4e2b042ecfd0c77.png | Are the people seated behind the brass player members of the audience watching him, or fellow performers taking part in the same piece? Explain what in the frame settles it. | They are fellow performers, not audience members. These people are seen holding up microphones with multi-colored windscreens. | [
{
"id": "4efc16cc-1a85-4732-91e1-dd4b1dec179e",
"title": "States that the people seated behind the brass player are fellow performers."
},
{
"id": "dd7577f9-b674-4234-b74d-e20ce6c314dd",
"title": "Mentions that the people behind the brass player are holding microphones."
}
] | 2 | null | null | null | null |
6a8737bdeaec2a913c966deb | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a8737bdeaec2a913c966deb.mp4 | We see a few people walking out of the dance studio; is it because the class has ended, or a forced exit? How can you tell? | The people leaving the dance studio did not appear to be departing because the class has ended; rather, it looked more like a forced exit. The video shows a white-haired man initially appearing angry and shaking his hand aggressively. After he entered back into the studio, the occupants filed out one by one, and he rem... | [
{
"id": "1e25d074-6132-4b6f-ae04-c271e4ef7fc1",
"title": "States that the it was a forced exit."
},
{
"id": "1aee243b-23ff-4ea8-9283-3810b7a1ceb9",
"title": "Provides visual evidence on the conclusion such as the white-hair man seems angry to ask people leave after he entered the dance stadio."
... | 2 | 0:00 | 1:25 | 0 | 85 |
6a8fb651edeac05965ff2f3c | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a8fb651edeac05965ff2f3c.mp4 | The people in this group hold their headwear up in the air before releasing it, and once it is gone, they settle back into an arranged pose rather than breaking up. Did each person pick their own moment to let go, or were they all responding to the same thing? Is the man in ceremonial robes seated at the centre of the ... | They were all responding to the same thing, and the man in ceremonial robes is following that moment rather than setting it.
Before anything leaves anyone's hand, the group holds their headwear up and stays that way.
People deciding for themselves would send arms up and down at scattered times; instead,... | [
{
"id": "0133392d-cb24-4427-87ca-903a392ba475",
"title": "States that the group released their headwear together on a shared cue rather than each person choosing their own moment."
},
{
"id": "6b69f839-28eb-438a-a3c8-7f6bbbb32f19",
"title": "States that the man in ceremonial robes seated at the ... | 2 | 0:40 | 1:00 | 40 | 60 |
6a9e06bce6e80e99fcf1f75a | Temporal & Causal Dynamics | Mechanistic Causality | video | media/videos/6a9e06bce6e80e99fcf1f75a.mp4 | Why were two of the large fish mobile floats turning considerably slower than the others in the video? | The two fish floats move slower because they are being pushed by many children in addition to adults. The other floats are pushed by only adults, which means they can be pushed with faster with more force. | [
{
"id": "0acafb3a-265f-4497-8d34-dd3c875a9f70",
"title": "States that the two fish boats move slower because they are being pushed by a combination of children and adults rather than just adults."
}
] | 1 | 0:00 | 4:50 | 0 | 290 |
6a889e102e533295be51c11e | Temporal & Causal Dynamics | Retrodiction | image | media/images/6a889e102e533295be51c11e.png | Focus on the couple in the black coats. If this were a video, from which direction would they have traveled from to get to their current position? | If this image were a video, the couple in the black coats would have traveled from the left side of the image to get to their current positions.
They are following a path in front of the person in a brown coat and the person in an orange coat. It's visible that their faces are facing toward the right side of t... | [
{
"id": "2845c926-f62f-472d-8715-db07757592a8",
"title": "States that the couple in the black coats would have traveled from the left side of the image to get to their current position."
}
] | 1 | null | null | null | null |
6a7edf68c08411e3e34b7cdc | Physical & Spatial Logic | Spatial "Alien Viewpoint" | image | media/images/6a7edf68c08411e3e34b7cdc.png | If someone were coming down the stairs on the left side of the house with respect to the image, which direction, from the person's perspective, would they look to see the black statue? Upward left or upward right? | If the person is coming down the stairs on the house's left side, they would look upward to their right in order to see the black statue. | [
{
"id": "3f63c7de-3b23-460b-afea-c5cb3d8d6a37",
"title": "States that the person would look upward to their left."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff2f1f | Temporal & Causal Dynamics | Extrapolation | video | media/videos/6a8fb651edeac05965ff2f1f.mp4 | Should the snowboarder with the word "CAPiTA" under their snowboard continue on the current trajectory without changing direction, would they climb the following ramp? If not, would they pass beside it on the left, or on the right? | No, the snowboarder would not climb the following ramp, but pass it on its left side. The snowboarder does not seem to have the right speed to be able to fully climb the ramp. Instead, they decide to turn towards the left of the ramp, and would end up completely avoiding it. | [
{
"id": "81210d15-442f-4008-a945-08cbc37ddba2",
"title": "States that the snowboarder would not climb the following ramp."
},
{
"id": "b5383eea-4a25-4df6-b811-9265af71d1ee",
"title": "States that the snowboarder would pass the ramp on its left side."
}
] | 2 | 0:02 | 0:05 | 2 | 5 |
6a89e4598df6268d281ac29a | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a89e4598df6268d281ac29a.png | If this picture is taken in the early morning, if the same picture was taken in the late afternoon, In which direction would the shadow of the cyclist point toward, to his right, left, in front of him or behind him? | The shadow of the cyclist would point in front of him if the image were taken in the late afternoon, supposing that the image was taken in the early morning.
In the early morning, the sun lies to the east, and shadows point westward. In the late afternoon, they would point in the opposite direction. In the pict... | [
{
"id": "ebb6c686-d854-4844-9619-c5a2ebd83f8d",
"title": "States that, in the late afternoon, the shadow of the cyclist would point in front of him."
}
] | 1 | null | null | null | null |
6a7f407d01073e4b54cdb1c5 | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a7f407d01073e4b54cdb1c5.png | Imagine someone is riding a bike and taking this picture. If this was on a hot summer day, what must the rider do in terms of pedaling to keep their speed constant? | To maintain a constant speed, the rider must stop pedaling because they are going downhill. The walls that line the sides of the pathway can be seen to be stepped walls with the highest 'steps' nearest to the camera viewpoint. This stepped wall formation is used when the ground level is sloping, and the location of the... | [
{
"id": "80474ae0-7e95-4088-bf2b-39f66292fab9",
"title": "States that the bicycle rider should stop pedaling in order to maintain constant speed."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff2f74 | Temporal & Causal Dynamics | Extrapolation | video | media/videos/6a8fb651edeac05965ff2f74.mp4 | As the crane moves from its raised position beside the truck toward the area beside the loaded trailer, what is the operator most likely preparing the grapple to do next? Base your answer on the relationship between the crane's changing position and logs being handled. | The operator is most likely preparing the grapple for picking up a log waiting on the ground, as the crane moves away, grabble open, from the trailer towards the ground area on the left of the lorry. | [
{
"id": "4bf7f86c-8bf1-409d-b3d0-a798aef9bb7f",
"title": "States that the operator prepares the grapple to pick up the next the log waiting on the ground."
}
] | 1 | 0:17 | 0:21 | 17 | 21 |
6a9e06bce6e80e99fcf1f787 | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a9e06bce6e80e99fcf1f787.mp4 | In one scene, the camera focuses on a burnt Chevrolet pickup for a while. Based on that scene, what is the direction of the wind from the perspective of the camera? | The wind is blowing **from left to right.**
Based on the scene in which a burnt Chevrolet pickup is being focused on, there is observable smoke that is being swept from left to right across the frame. Behind the vehicle, multiple smoke streams are rising from the burnt leftovers, which are also being pushed tow... | [
{
"id": "b8221db9-7f87-49a7-bbe6-90aff2dac8de",
"title": "Mentions that the wind is blowing from left to right from the perspective of the camera in the scene where the camera focuses on the burnt Chevrolet pickup."
}
] | 1 | 0:38 | 0:48 | 38 | 48 |
6a80954268ae9284688d23d8 | Abstract & Contextual Inference | Change & Consequence | video | media/videos/6a80954268ae9284688d23d8.mp4 | In what direction would the crane have to fall to knock over shipping containers? | The crane would have to fall to the right in order to knock a shipping container off of the moving train. There are shipping containers to the left side of the crane, but further removed in the distance. If the crane fell to the left, it would fall onto the ground, not the shipping containers. | [
{
"id": "4c2db926-23e9-457a-ba93-42f766ad7c35",
"title": "States that the crane must fall to the right to cause a shipping container to fall."
}
] | 1 | 0:08 | 0:11 | 8 | 11 |
6aa6565295d71e0e44a4d6cb | Abstract & Contextual Inference | Patterns & Pareidolia | video | media/videos/6aa6565295d71e0e44a4d6cb.mp4 | What direction (i.e. left, top) would the camera pan towards next in accordance with the pattern established in the video, if the video continued? | The camera would most likely pan to the right next. The video shows the camera repeatedly changing its panning direction, with the most recent movement being toward the left, so continuing the established back-and-forth pattern would lead to a rightward pan. | [
{
"id": "c4fc6a68-a11a-4184-a2e8-6c72daa4bf36",
"title": "States that the camera would pan to the right next."
}
] | 1 | 0:02 | 0:26 | 2 | 26 |
6a5a388fa52d8337628a1a2e | Abstract & Contextual Inference | Change & Consequence | image | media/images/6a5a388fa52d8337628a1a2e.png | Focus on the person who is alone walking just above the center of the image and nearest to the Japanese Rising Sun flag. If they want to get to the "B" sign, do they have to turn around or should they continue in the same direction? | He should turn around because the "B" sign is behind him relative to his current direction of travel. | [
{
"id": "4672138f-a353-48c2-9e15-71c1214dab9d",
"title": "States that the person must turn around to reach the \"B\" sign."
}
] | 1 | null | null | null | null |
6a9dac4a015bc7455490de33 | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a9dac4a015bc7455490de33.mp4 | Which one of the skateboarders has the highest kinetic energy in this clip? | The skateboarder in the light T-shirt, dark shorts, and dark shoes passing behind the others. Assuming similar masses, their greater speed compared to the skaters in the foreground indicates greater kinetic energy. | [
{
"id": "b4164e4a-6329-4c9b-91dd-f70a297a9f88",
"title": "Identifies the skateboarder in the light T-shirt, dark shorts, and dark shoes passing behind the foreground skaters as having the highest kinetic energy."
}
] | 1 | 0:00 | 0:07 | 0 | 7 |
6a8507babd79f7aa9aabe2c1 | Physical & Spatial Logic | Affordance & Feasibility | image | media/images/6a8507babd79f7aa9aabe2c1.png | Can the white truck in the image back up farther and why? | The white truck cannot back up farther because there is no space between the truck's rear wheels and the raised curb. | [
{
"id": "b9f7d24b-27b1-4915-827a-13c82d1860c0",
"title": "States that the white truck cannot back up farther."
},
{
"id": "593b55b5-0dd9-4f9d-9fc9-1a2c2741d786",
"title": "States that there is no space between the raised curb and the truck's rear wheels."
}
] | 2 | null | null | null | null |
6a9e06bce6e80e99fcf1f702 | Temporal & Causal Dynamics | Retrodiction | image | media/images/6a9e06bce6e80e99fcf1f702.jpg | Which direction was the train moving before coming to a stop here? | The car was moving away from the camera, traveling from the right side of the frame toward the left of frame. The evidence is that this truck is derailed, since the near wheel is sitting on the ballast outside the rail. The yellow block on the near rail is a derail. A wheel is thrown off as it crosses a derail and drop... | [
{
"id": "180f43b6-24ff-4ed6-bd5d-cb5d02f469af",
"title": "States that the car was last moving away from the camera, from the right side of the frame to the left of frame."
}
] | 1 | null | null | null | null |
6aa6565295d71e0e44a4d70a | Temporal & Causal Dynamics | Retrodiction | image | media/images/6aa6565295d71e0e44a4d70a.jpg | What phase of the packing process does the scene appear to show, based on the different states of the boxes? | The boxes appear to be in the unpacking stage. The packed boxes are stacked to the right. The newly-emptied, unpacked boxes are discarded to the left, possibly waiting to be flattened. The tape on the top of the discarded boxes indicates that they were previously filled and packed before being emptied, while the crush ... | [
{
"id": "3b596eb2-5a10-4683-899c-e252588a3ec9",
"title": "Identifies that the boxes appear to be in the unpacking stage"
}
] | 1 | null | null | null | null |
6a889e102e533295be51c123 | Social Understanding | Social Role, Norm & Power Dynamics | video | media/videos/6a889e102e533295be51c123.mp4 | The man with the accordion appears while the other musicians play their instruments. Based on this, are the accordion player and the other musicians performing as a group, or as separate, unrelated musicians? | The accordion player is not performing with the group of other musicians. The accordion player walks past the other musicians while they're already playing without joining or positioning himself alongside them. | [
{
"id": "f9f5984c-79e6-49c5-ac4b-33338f695b37",
"title": "States that the accordion player is not part of the group of musicians."
}
] | 1 | 0:27 | 0:32 | 27 | 32 |
6a873f8066f85d0fb276bd7d | Physical & Spatial Logic | Affordance & Feasibility | image | media/images/6a873f8066f85d0fb276bd7d.png | In this photograph there is a monument in front of a cathedral. To the right, from the camera's point of view, is a group of roughly four people standing in front of a metal fence that has supporting cement columns. Behind them can be seen a set of stairs leading up to a portico that leads to a door going inside the ca... | The statue, if removed from its pedestal, would not fit under any of the spaces of the portico. The photograph shows an exterior shot of St. Basil's Cathedral in Moscow, Russia. In the photograph can be seen a variety of people, but of particular focus is the monument and the portico. The statue without the pedestal is... | [
{
"id": "773b79ca-3de3-4d77-aa9d-a115d1511701",
"title": "States that the statue, if removed from its pedestal, could not fit under any spaces of the portico."
}
] | 1 | null | null | null | null |
6a8fb651edeac05965ff2f53 | Physical & Spatial Logic | Hidden & Invisible | video | media/videos/6a8fb651edeac05965ff2f53.mp4 | Is the boat that the camera is on likely upriver or downriver from the other boats seen in this video? | The boat with the camera is downriver from the other boats seen in the video.
The boat with the camera continues to move with the current of the river even when it is not paddling, indicating that it is initially moving downstream. The boat with the camera then turns to see two other boats behind it. Since it ... | [
{
"id": "3c764481-c2ef-458b-bed4-e28bde74ee0f",
"title": "States that the boat with the camera is downriver from the other boats seen in the video."
}
] | 1 | 0:20 | 0:37 | 20 | 37 |
6aae2141289b43154834158f | Temporal & Causal Dynamics | Extrapolation | video | media/videos/6aae2141289b43154834158f.mp4 | At the moment the top counter turns green, what will be the colors and time of left counter be and the bottom counter be? Assume that for each counter a green and red phase last equally as long. | When the top counter turns green again, the left counter will be red with 1 second remaining, and the bottom counter will be green with 36 seconds remaining. A green runs for the same duration as a red at each counter, and at the start of the video, we see the bottom change to 42 seconds when it switches to red. There ... | [
{
"id": "6f463a76-21f3-4484-aa66-ccb807dec2b0",
"title": "States that the left counter will be red with 1 second remaining when the top counter turns green again."
},
{
"id": "f754310b-759e-4ecd-ac26-f19a25de15d5",
"title": "States that the bottom counter will be green with 36 seconds remaining ... | 2 | 0:00 | 0:16 | 0 | 16 |
6a9e06bce6e80e99fcf1f66e | Abstract & Contextual Inference | Patterns & Pareidolia | video | media/videos/6a9e06bce6e80e99fcf1f66e.mp4 | How can we infer the track number from which the white train with the blue top in the background is leaving? What is the most likely track number? | The most likely track number from which the white commercial train with the blue roof is exiting is **Track 21**.
Knowing that the tracks are numbered sequentially and inferring that a visible platform bench indicates an empty track in front of it, since the first empty track is 18 and there are 3 clearly visi... | [
{
"id": "08fa0e1a-8d96-4f1f-a838-0c49f175f419",
"title": "States that the most likely track number that the white train with the blue top is exiting is Track 21."
},
{
"id": "2460d019-88f9-4d67-925c-61b9f1f46910",
"title": "Identifies that the tracks are numbered sequentially."
}
] | 2 | 0:05 | 0:15 | 5 | 15 |
6a8fb651edeac05965ff3098 | Physical & Spatial Logic | Hidden & Invisible | image | media/images/6a8fb651edeac05965ff3098.png | If this image was taken an hour after dawn, what cardinal direction is the camera facing? | The camera faces the west. There is a shadow cast in front of the camera from something that is out of the frame but in line with where the camera is standing. It can be determined that the shadow comes from an object that is out of the frame by examining the legs of the black and white dog standing at the front of the... | [
{
"id": "f2027faf-85d5-4194-9c0f-6082bbc890cc",
"title": "States that the camera is facing west."
}
] | 1 | null | null | null | null |
6a9dac4a015bc7455490de63 | Temporal & Causal Dynamics | Extrapolation | image | media/images/6a9dac4a015bc7455490de63.png | When the frontmost domino falls away from the camera before the next photo is snapped in one minute, how many dominoes will be lying down in the next image? | Eight dominoes will be lying down in the next photo. When the frontmost domino falls over backwards, it will knock over the one behind it, which will knock over the one behind it, and so on, until the 8th domino (at the reversal point of the path) falls. The 8th domino falling will end the chain reaction, because there... | [
{
"id": "d6f2018d-ba96-46eb-adce-dcf04f3ac4ca",
"title": "States that knocking over the frontmost domino will result in 8 dominoes lying down in the next photo."
}
] | 1 | null | null | null | null |
6a80954268ae9284688d23ce | Physical & Spatial Logic | Affordance & Feasibility | image | media/images/6a80954268ae9284688d23ce.jpg | If the viewer walks forward until they reach the blue metal railing, which directions can they walk in at that point (back, right, left, forward)? They can turn in any direction if necessary, but not climb over or open anything. | Once the viewer reaches the railing, they can turn to continue to the left, right, or back the way they came. The way is clearly open to return to their original place, and there are openings on the sides of the bridge where the railings continue to the left and right. The openings can be seen by noting the gap along t... | [
{
"id": "a9f02920-2e16-4124-864b-f36b07d55581",
"title": "States that the viewer can turn around to walk back the way they came."
},
{
"id": "89ce8c17-4064-474a-983d-b83fcfb999d1",
"title": "States that the viewer can turn left to walk through an opening in the bridge where the walkway continues... | 3 | null | null | null | null |
6a6ec2828e462995dc529572 | Abstract & Contextual Inference | Patterns & Pareidolia | image | media/images/6a6ec2828e462995dc529572.png | If we focus on the string with the colored triangles above the ladies. Based on the pattern we see, what would the likely color of the flag be that appears after the barely visible red flag furthest to the right? | The expected color of the flag that appears after the barely visible red flag farthest to the right is yellow. We see a pattern of white, red, yellow, and blue repeated several times in the sequence, and since the last flags are "white" and "red", we can assume with some confidence that the flag will be yellow. | [
{
"id": "d31ff36e-c357-433f-82ef-27f89b59fb96",
"title": "States that the expected color of the flag that appears after the barely visible red flag farthest to the right is yellow or white."
}
] | 1 | null | null | null | null |
6a7edf68c08411e3e34b7cda | Temporal & Causal Dynamics | Extrapolation | video | media/videos/6a7edf68c08411e3e34b7cda.mp4 | At the end of the video, what color is the clothing of the person most likely to walk through the glass door marked "EXIT" above it? | The next person most likely to pass through the door marked "EXIT" is wearing green. The man in the light pink shirt and jeans has already passed through the door marked “EXIT.”
Behind him, the next person approaching is a girl in a green hoodie. | [
{
"id": "5482c57e-2483-4b1c-98f5-bc891dcab2a4",
"title": "Identifies the colour of the clothing of the next person likely to go through the door with the EXIT sign is green."
}
] | 1 | 0:07 | 0:10 | 7 | 10 |
6a9dac4a015bc7455490de34 | Temporal & Causal Dynamics | Retrodiction | image | media/images/6a9dac4a015bc7455490de34.png | Which player was last to act? Name the piece type and colour which was most recently captured. | The player controlling the white pieces, to the left of the image, was the last player to act. The most recent piece to be captured was a black pawn.
The image shows that the player controlling the white pieces to the left is holding a piece in their hand, which, using the process of elimination, can be inferr... | [
{
"id": "db8c08c8-e713-48d2-b87c-1cabb114de3e",
"title": "Identifies that the player controlling the white pieces, on the left, was last to act."
},
{
"id": "a1f1cc82-85f4-4824-b183-aed0e8efb41a",
"title": "Identifies that a black pawn was the most recently captured piece."
}
] | 2 | null | null | null | null |
6aacbd8f529680ee93513f9c | Abstract & Contextual Inference | Patterns & Pareidolia | video | media/videos/6aacbd8f529680ee93513f9c.mp4 | In the video when President Trump walks in with his entourage, the camera slowly rotates to the left to follow his movement and stops at a red beam light. Based on the sequence of the lights, what will be the next 5 beam lights if the camera keeps moving towards the left instead of transitioning to a different camera v... | **Light blue, dark blue, red, light blue, dark blue.**
The beam lighting along the curtain follows a repeating **alternating pattern of red → light blue (cyan) → dark blue** when moving left.
Since the camera movement ends at a **red** beam light on the far left, continuing to move to the left would re... | [
{
"id": "ea5ea96b-3900-4fde-8887-9b7aaa10a6b9",
"title": "States that if the pattern continues in the sequence of beam lights, the first color would be light blue or white. "
},
{
"id": "f170bbd5-c814-4d89-b1b4-58c24202c848",
"title": "States that if the pattern continues in the sequence of beam... | 5 | 0:10 | 0:17 | 10 | 17 |
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