EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 4.6 | 3.6 | 4.8 | 358 | Male | Train | again, by susan sontag and in bosnia during the war in the early nineties. | [
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S | 3.8 | 2.2 | 4.8 | 358 | Male | Train | there, hundreds of people had died... | [
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X | 4.6 | 2.4 | 4.6 | 358 | Male | Train | ...thousands of people had lost their lives and lost their livelihoods, generational wealth. | [
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X | 4.6 | 4.8 | 5.2 | 358 | Male | Train | where we failed, where we've triumphed, where we lie awake at night tossing and turning.that's what the forum of art is, for society. so here... | [
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S | 5.6 | 3.2 | 5.4 | 358 | Male | Train | ...poor lawyers next to longshoremen, are waiting for this play, on this hallowed grounds where so many people had died. i said i'm coming to give... | [
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N | 4.4 | 5.4 | 4.4 | 358 | Male | Train | ...to them. give me the power to speak to them, give them | [
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H | 3.8 | 4.4 | 4.6 | 358 | Male | Train | let us do something. while we have the chance, at this place. in this moment of time, all mankind is us. | [
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H | 4.6 | 4.8 | 5.2 | 358 | Male | Train | it was the most cathartic moment of my life. | [
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N | 5 | 4.769231 | 5 | 358 | Male | Train | you understand the pleasure part? that umbrella goes up. we stuck, the band kicks it off and we start dancing. right? but you have to remember the social aid and pleasure. | [
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N | 4.6 | 4.6 | 4.4 | 358 | Male | Train | oh wow. that's a really good question, mr. miller. | [
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N | 3.4 | 4.4 | 4.2 | 358 | Male | Train | and he came to set. bunk, came to set the first day i was shooting and he drove up in the caddy, smoking his cigar. | [
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N | 3.428571 | 4.571429 | 4.571429 | 358 | Male | Train | and he pulled up. who's in the distance?he got out. he looked at me... | [
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X | 4.7 | 3.1 | 4 | 358 | Male | Train | ...gave me a cock of the head and like, "what the hell is he doing?" looking at me, strange, got back in his car, and drove off. | [
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N | 5 | 3.4 | 4 | 358 | Male | Train | it's like, oh man, bunk doesn't like what i'm doing! i'm not | [
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N | 4.4 | 4 | 4 | 358 | Male | Train | i'm like, oh lord, i go to the retirement party... | [
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H | 6.2 | 5.7 | 5.5 | 358 | Male | Train | oh, it was like a homecoming. it was like the prodigal son. i had to get up on the [inaudible] and give a speech and everything. "i've known bunk for five years now", you know... | [
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H | 4.6 | 5.4 | 5.6 | 358 | Male | Train | ...and today we're friends. so it's great. and i learned, i learned a lot from him. so... | [
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A | 6 | 3 | 5.8 | 358 | Male | Train | ...those african-american police officers specifically. and i would hope that they were as resonant today in the midst of our lying... | [
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D | 3.333333 | 2.666667 | 4.222222 | 358 | Male | Train | i've seen the brutality that happens, men dishonoring the very badge that they wear and the oath that they take, that... | [
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S | 3.8 | 2.4 | 4 | 358 | Male | Train | literally died in my arms, almost. | [
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F | 5.454545 | 3.363636 | 4.545455 | 358 | Male | Train | and she was so feeble at that point, i was trying to hold her and not hurt her. and i was always fumbling with her. | [
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S | 3.1 | 2.7 | 3.2 | 358 | Male | Train | and i came back and found her there | [
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N | 4.6 | 4 | 4.4 | 358 | Male | Train | and she always said, "mourn me for a day | [
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X | 4 | 3.6 | 3.6 | 358 | Male | Train | because that's the moment, that's most important." people always wait two weeks for funerals and stuff, that's two weeks too late. | [
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N | 4.4 | 4 | 4.6 | 358 | Male | Train | i heard my boy skein went to marcellus, was in town and i just went to the concert and stood off to the side. | [
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N | 4.4 | 4.2 | 4.2 | 358 | Male | Train | and i said, "no, it went to none." he said, "no, you got to come up, man. we're from new orleans." | [
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N | 3 | 4.2 | 3.8 | 358 | Male | Train | and they played the new orleans cycle. | [
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X | 1.4 | 3 | 2.2 | 358 | Male | Train | [inaudible 00:00:43] close walk with me. | [
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X | 2.8 | 4 | 3.2 | 358 | Male | Train | it was the closest thing that i understood of what spirit was about. | [
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N | 2.666667 | 5.166667 | 3.833333 | 25 | Female | Train | at the wordstock festival earlier this month, his new book is the wind in the reeds. you can hear their full interview on our website, opb.org/stateofwonder. | [
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X | 3.4 | 3 | 4.2 | 372 | Female | Train | we could go up to lens here in portland and see the communities of a lot of people who have been made homeless by their displacement and not being able to afford. | [
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H | 3.2 | 4.2 | 3.4 | 372 | Female | Train | in a deserted building in istanbul, reading a play about marie antoinette. in this... | [
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N | 3 | 4 | 3.8 | 372 | Female | Train | scene. we first hear huffman as the deposed, maria antoinette in despair and fearing for her life. | [
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N | 3.6 | 4 | 4.4 | 372 | Female | Train | it's characters as the displaced syrian woman, reacting to the fallen queen. | [
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F | 4 | 3.333333 | 3.166667 | 372 | Female | Train | oh god, let me not be in the dust. | [
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X | 3.4 | 3 | 3 | 372 | Female | Train | i will give them all as i walk through the valley of shadow. | [
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A | 6.375 | 1.5 | 6.25 | 372 | Female | Train | infested dump, my hair was full of lies in that camp. i swear i can still feel them in their eyes. | [
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F | 3.4 | 2.2 | 4.8 | 372 | Female | Train | in that camp a moment longer. so i left. they might come looking for me. | [
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D | 4.4 | 2.4 | 4.6 | 372 | Female | Train | they call this freedom. this isn't freedom. this is discipline | [
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N | 3.6 | 3.4 | 4.2 | 372 | Female | Train | civil war, bloody revolutions. both of them, they both lost everything and they were both. | [
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X | 4.6 | 3.6 | 4 | 372 | Female | Train | thousands of people were in the street, marching singing, holding up signs. | [
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C | 5 | 3 | 5 | 372 | Female | Train | oh, not another arab spring. don't these people have anything better to do? this is so irritating. | [
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C | 5.2 | 3.6 | 4.8 | 372 | Female | Train | now we're going to be late. we never paid attention to politics except to make. | [
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C | 4.2 | 3.2 | 4.4 | 372 | Female | Train | determined by men and how | [
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C | 5 | 2.4 | 5 | 372 | Female | Train | i came up to them that yelled at me and said, i don't have anything. leave me alone. | [
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F | 3.6 | 2 | 3.4 | 372 | Female | Train | and i was shocked and humiliated, embarrassed, terribly shy, frightened. | [
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S | 3.4 | 2.2 | 3.2 | 372 | Female | Train | there were other people who tried to understand who tried to help me, but in the end | [
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N | 4.2 | 4.2 | 4 | 372 | Female | Train | i had to give up because they didn't know how to communicate with me. | [
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X | 2.8 | 3.6 | 4.2 | 372 | Female | Train | and i followed the audience in and ended up in the theater, sitting in the first row. and people next to me were shrinking away from me. | [
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X | 4.4 | 3.8 | 4.6 | 372 | Female | Train | they had no idea that i was a part of the play until the lights go down. and | [
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S | 3.8 | 2.4 | 3 | 372 | Female | Train | i, am ashamed of the way i spoke to you. i will never do that again. | [
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S | 4.2 | 3 | 2.6 | 372 | Female | Train | i never took into consideration the way the refugees would be feeling. | [
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N | 4 | 4 | 4.4 | 1,270 | Female | Train | you spent some time in a refugee camp. | [
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X | 4.6 | 5.2 | 4.6 | 372 | Female | Train | it's humbling. it's completely humbling. | [
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S | 4 | 3.2 | 3.8 | 372 | Female | Train | i did, in fact, | [
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N | 3.2 | 3.4 | 4 | 372 | Female | Train | she was telling me that when they came to the turkish refugee camp first coming, | [
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N | 4.4 | 3.8 | 4.2 | 372 | Female | Train | they didn't live very far from the turkish border and they left their beautiful home and their village and their family, | [
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N | 3.6 | 4.2 | 3.6 | 372 | Female | Train | [crosstalk 00:03:51] they finally said, | [
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N | 4 | 4.4 | 4.2 | 372 | Female | Train | "okay, we're going back". and they had made arrangements to actually go back to syria. and the day before they were scheduled to go back, | [
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S | 2.909091 | 2.727273 | 3 | 372 | Female | Train | she had nothing to go back to, had she gone back two days earlier | [
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C | 4.2 | 3.8 | 5 | 372 | Female | Train | and have peace and get back to their lives. they don't want to be someplace else, | [
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S | 3.2 | 3.2 | 3 | 372 | Female | Train | they still want to go home, wouldn't you? wouldn't you just want to go home that's all. | [
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N | 4.2 | 4.2 | 4.4 | 372 | Female | Train | western pennsylvania where i grew up near pittsburgh because | [
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N | 3.2 | 4.2 | 2.8 | 372 | Female | Train | we're taught you have to acclimate | [
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N | 3 | 4.2 | 3 | 372 | Female | Train | food. i grew up with the music. | [
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N | 3.8 | 4.4 | 4.2 | 372 | Female | Train | after the dinner and the women had cleaned up the kitchen, | [
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X | 4.8 | 4.4 | 4.6 | 372 | Female | Train | the records would go on and the women would whip off their aprons. | [
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H | 3.5 | 5.2 | 4.3 | 372 | Female | Train | the, the years of, of beauty that exists in the middle east and those are the kinds of things that i hold onto and treasure. | [
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S | 3.166667 | 2.833333 | 2.666667 | 372 | Female | Train | i am very disappointed because my relatives who live in- | [
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D | 3.2 | 3.4 | 3.6 | 372 | Female | Train | they forget what it's like when they first came to this country and the people that helped them. | [
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N | 3.2 | 4 | 3.6 | 372 | Female | Train | maybe they give to the church to donate to refugees and that makes them feel better. | [
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S | 4.363636 | 3.181818 | 4.636364 | 609 | Female | Train | african-american women were trapped in their homes and in the superdome, and we looked at them and did not see citizens, we saw refugees. | [
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N | 3.6 | 3 | 3.8 | 1,270 | Female | Train | ...stereotypes black women face today. delving deeper into the issue is melissa harris- | [
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N | 4.6 | 4.2 | 4.6 | 609 | Female | Train | it's not about holding office. when i first started the book- | [
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N | 4.6 | 4.2 | 4.4 | 609 | Female | Train | it's not a book so much about public policy, although public policy shows up. | [
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N | 3.6 | 3.8 | 4.4 | 609 | Female | Train | but the other critical thing that happened, the... what i think is maybe the turning point moment in what has now affected- | [
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N | 4 | 2.6 | 4.6 | 609 | Female | Train | we looked at them and did not see citizens, we saw refugees. | [
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N | 3.6 | 3.8 | 4 | 609 | Female | Train | then it becomes, this book is, i decided that for as bad as the resource disparities are, that before i could get there- | [
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N | 3.8 | 3.6 | 5 | 609 | Female | Train | i needed to back up and think about what it means to be misrecognized, to not be seen. | [
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X | 4.4 | 4.4 | 4.6 | 609 | Female | Train | but i'm interested in the fact that in a democracy, and this democracy in particular- | [
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N | 4.857143 | 3.857143 | 5.142857 | 1,270 | Female | Train | right of the culture of dissemblance, which i thought was very interesting, created by blacks to conceal their authentic selves. | [
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N | 4.6 | 4.2 | 4 | 609 | Female | Train | it can resonate back, oh that's right, that's right- | [
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A | 4.6 | 3.2 | 5.4 | 609 | Female | Train | white guys sitting at a table somewhere, casting down aspersions on black women. they are- | [
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N | 4.2 | 3.6 | 4.4 | 609 | Female | Train | and as soon as he says lynching, and black audiences never want to believe this- | [
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A | 6 | 2.6 | 5.6 | 609 | Female | Train | we're with the person being lynched, right? it's a trope, it's widely available. so what could anita hill have called- | [
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N | 2.8 | 4.2 | 3.4 | 1,270 | Female | Train | please call 800-529-57- | [
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X | 5 | 2.25 | 4.25 | 609 | Female | Train | ... docile, no family of her own. now the actual women who were actual domestic servants were victimized by sexual harassment, by rape, by abuse- | [
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N | 5.2 | 4.6 | 5.4 | 609 | Female | Train | i think the most powerful, she is everywhere- | [
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N | 4.333333 | 4.416667 | 4.75 | 609 | Female | Train | before marketing even existed as a concept when they were first- | [
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N | 3.8 | 4.2 | 4.4 | 609 | Female | Train | the actual, and the world's fair was all about the creation of a new consumption- | [
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A | 5 | 3.6 | 5.2 | 1,270 | Female | Train | the stereotype of the strong black woman, and it's discussed at length its own chapter, but it comes up over and over and over again through the remainder of the book and-- | [
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N | 4.4 | 5 | 5 | 609 | Female | Train | but the fact is when it is an imperative, when, if you are not super strong at all moments- | [
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N | 5.142857 | 3.428571 | 5.142857 | 1,270 | Female | Train | most interesting chapters, i thought, was the chapter on a notion that i really had never thought about, but it's called shaming. can you talk a little about shaming? | [
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X | 4.8 | 4.4 | 4.8 | 609 | Female | Train | yeah. so this is just quickly back to that fictive kinship idea that if the success of unrelated fictive, kin harriet tubman, venus williams, right? if their- | [
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X | 4 | 4.666667 | 4.666667 | 609 | Female | Train | successes can reflect positively on me, then those crooked images- | [
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N | 4.4 | 3.6 | 4.8 | 609 | Female | Train | shame is, if you think about the whole notion of a black pride movement- | [
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N | 4.6 | 4.2 | 4.6 | 609 | Female | Train | still unable to have an authentic space to talk about and to demand for ourselves- | [
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S | 3.545455 | 2.636364 | 4.181818 | 360 | Female | Train | i'm saddened, upset, not surprised, but still appalled by america's callousness. | [
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D | 4.4 | 2.2 | 5.6 | 360 | Female | Train | right? as i watched in horror, this is america. it's the america i've always known existed. the america i've witnessed daily. and it's the- | [
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N | 3.4 | 3.2 | 4.4 | 360 | Female | Train | what is often required to move through the stages of denial, defensiveness, guilt, and shame and to making a solid commitment of any racial injustice. | [
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