TRACE-Bench
Browse files- LICENSE +438 -0
- README.md +131 -0
- data/task_1_grounded_affect_recognition.jsonl +0 -0
- data/task_2_regulation_decoding.jsonl +0 -0
- data/task_3_affective_cause_reasoning.jsonl +0 -0
- data/task_4_affective_effect_reasoning.jsonl +0 -0
- data/task_5_full_chain_reconstruction.jsonl +0 -0
- data/videos.csv +552 -0
- instructions/task_1_grounded_affect_recognition.md +26 -0
- instructions/task_2_regulation_decoding.md +32 -0
- instructions/task_3_affective_cause_reasoning.md +40 -0
- instructions/task_4_affective_effect_reasoning.md +46 -0
- instructions/task_5_full_chain_reconstruction.md +57 -0
LICENSE
ADDED
|
@@ -0,0 +1,438 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
Attribution-NonCommercial-ShareAlike 4.0 International
|
| 2 |
+
|
| 3 |
+
=======================================================================
|
| 4 |
+
|
| 5 |
+
Creative Commons Corporation ("Creative Commons") is not a law firm and
|
| 6 |
+
does not provide legal services or legal advice. Distribution of
|
| 7 |
+
Creative Commons public licenses does not create a lawyer-client or
|
| 8 |
+
other relationship. Creative Commons makes its licenses and related
|
| 9 |
+
information available on an "as-is" basis. Creative Commons gives no
|
| 10 |
+
warranties regarding its licenses, any material licensed under their
|
| 11 |
+
terms and conditions, or any related information. Creative Commons
|
| 12 |
+
disclaims all liability for damages resulting from their use to the
|
| 13 |
+
fullest extent possible.
|
| 14 |
+
|
| 15 |
+
Using Creative Commons Public Licenses
|
| 16 |
+
|
| 17 |
+
Creative Commons public licenses provide a standard set of terms and
|
| 18 |
+
conditions that creators and other rights holders may use to share
|
| 19 |
+
original works of authorship and other material subject to copyright
|
| 20 |
+
and certain other rights specified in the public license below. The
|
| 21 |
+
following considerations are for informational purposes only, are not
|
| 22 |
+
exhaustive, and do not form part of our licenses.
|
| 23 |
+
|
| 24 |
+
Considerations for licensors: Our public licenses are
|
| 25 |
+
intended for use by those authorized to give the public
|
| 26 |
+
permission to use material in ways otherwise restricted by
|
| 27 |
+
copyright and certain other rights. Our licenses are
|
| 28 |
+
irrevocable. Licensors should read and understand the terms
|
| 29 |
+
and conditions of the license they choose before applying it.
|
| 30 |
+
Licensors should also secure all rights necessary before
|
| 31 |
+
applying our licenses so that the public can reuse the
|
| 32 |
+
material as expected. Licensors should clearly mark any
|
| 33 |
+
material not subject to the license. This includes other CC-
|
| 34 |
+
licensed material, or material used under an exception or
|
| 35 |
+
limitation to copyright. More considerations for licensors:
|
| 36 |
+
wiki.creativecommons.org/Considerations_for_licensors
|
| 37 |
+
|
| 38 |
+
Considerations for the public: By using one of our public
|
| 39 |
+
licenses, a licensor grants the public permission to use the
|
| 40 |
+
licensed material under specified terms and conditions. If
|
| 41 |
+
the licensor's permission is not necessary for any reason--for
|
| 42 |
+
example, because of any applicable exception or limitation to
|
| 43 |
+
copyright--then that use is not regulated by the license. Our
|
| 44 |
+
licenses grant only permissions under copyright and certain
|
| 45 |
+
other rights that a licensor has authority to grant. Use of
|
| 46 |
+
the licensed material may still be restricted for other
|
| 47 |
+
reasons, including because others have copyright or other
|
| 48 |
+
rights in the material. A licensor may make special requests,
|
| 49 |
+
such as asking that all changes be marked or described.
|
| 50 |
+
Although not required by our licenses, you are encouraged to
|
| 51 |
+
respect those requests where reasonable. More considerations
|
| 52 |
+
for the public:
|
| 53 |
+
wiki.creativecommons.org/Considerations_for_licensees
|
| 54 |
+
|
| 55 |
+
=======================================================================
|
| 56 |
+
|
| 57 |
+
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
|
| 58 |
+
Public License
|
| 59 |
+
|
| 60 |
+
By exercising the Licensed Rights (defined below), You accept and agree
|
| 61 |
+
to be bound by the terms and conditions of this Creative Commons
|
| 62 |
+
Attribution-NonCommercial-ShareAlike 4.0 International Public License
|
| 63 |
+
("Public License"). To the extent this Public License may be
|
| 64 |
+
interpreted as a contract, You are granted the Licensed Rights in
|
| 65 |
+
consideration of Your acceptance of these terms and conditions, and the
|
| 66 |
+
Licensor grants You such rights in consideration of benefits the
|
| 67 |
+
Licensor receives from making the Licensed Material available under
|
| 68 |
+
these terms and conditions.
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
Section 1 -- Definitions.
|
| 72 |
+
|
| 73 |
+
a. Adapted Material means material subject to Copyright and Similar
|
| 74 |
+
Rights that is derived from or based upon the Licensed Material
|
| 75 |
+
and in which the Licensed Material is translated, altered,
|
| 76 |
+
arranged, transformed, or otherwise modified in a manner requiring
|
| 77 |
+
permission under the Copyright and Similar Rights held by the
|
| 78 |
+
Licensor. For purposes of this Public License, where the Licensed
|
| 79 |
+
Material is a musical work, performance, or sound recording,
|
| 80 |
+
Adapted Material is always produced where the Licensed Material is
|
| 81 |
+
synched in timed relation with a moving image.
|
| 82 |
+
|
| 83 |
+
b. Adapter's License means the license You apply to Your Copyright
|
| 84 |
+
and Similar Rights in Your contributions to Adapted Material in
|
| 85 |
+
accordance with the terms and conditions of this Public License.
|
| 86 |
+
|
| 87 |
+
c. BY-NC-SA Compatible License means a license listed at
|
| 88 |
+
creativecommons.org/compatiblelicenses, approved by Creative
|
| 89 |
+
Commons as essentially the equivalent of this Public License.
|
| 90 |
+
|
| 91 |
+
d. Copyright and Similar Rights means copyright and/or similar rights
|
| 92 |
+
closely related to copyright including, without limitation,
|
| 93 |
+
performance, broadcast, sound recording, and Sui Generis Database
|
| 94 |
+
Rights, without regard to how the rights are labeled or
|
| 95 |
+
categorized. For purposes of this Public License, the rights
|
| 96 |
+
specified in Section 2(b)(1)-(2) are not Copyright and Similar
|
| 97 |
+
Rights.
|
| 98 |
+
|
| 99 |
+
e. Effective Technological Measures means those measures that, in the
|
| 100 |
+
absence of proper authority, may not be circumvented under laws
|
| 101 |
+
fulfilling obligations under Article 11 of the WIPO Copyright
|
| 102 |
+
Treaty adopted on December 20, 1996, and/or similar international
|
| 103 |
+
agreements.
|
| 104 |
+
|
| 105 |
+
f. Exceptions and Limitations means fair use, fair dealing, and/or
|
| 106 |
+
any other exception or limitation to Copyright and Similar Rights
|
| 107 |
+
that applies to Your use of the Licensed Material.
|
| 108 |
+
|
| 109 |
+
g. License Elements means the license attributes listed in the name
|
| 110 |
+
of a Creative Commons Public License. The License Elements of this
|
| 111 |
+
Public License are Attribution, NonCommercial, and ShareAlike.
|
| 112 |
+
|
| 113 |
+
h. Licensed Material means the artistic or literary work, database,
|
| 114 |
+
or other material to which the Licensor applied this Public
|
| 115 |
+
License.
|
| 116 |
+
|
| 117 |
+
i. Licensed Rights means the rights granted to You subject to the
|
| 118 |
+
terms and conditions of this Public License, which are limited to
|
| 119 |
+
all Copyright and Similar Rights that apply to Your use of the
|
| 120 |
+
Licensed Material and that the Licensor has authority to license.
|
| 121 |
+
|
| 122 |
+
j. Licensor means the individual(s) or entity(ies) granting rights
|
| 123 |
+
under this Public License.
|
| 124 |
+
|
| 125 |
+
k. NonCommercial means not primarily intended for or directed towards
|
| 126 |
+
commercial advantage or monetary compensation. For purposes of
|
| 127 |
+
this Public License, the exchange of the Licensed Material for
|
| 128 |
+
other material subject to Copyright and Similar Rights by digital
|
| 129 |
+
file-sharing or similar means is NonCommercial provided there is
|
| 130 |
+
no payment of monetary compensation in connection with the
|
| 131 |
+
exchange.
|
| 132 |
+
|
| 133 |
+
l. Share means to provide material to the public by any means or
|
| 134 |
+
process that requires permission under the Licensed Rights, such
|
| 135 |
+
as reproduction, public display, public performance, distribution,
|
| 136 |
+
dissemination, communication, or importation, and to make material
|
| 137 |
+
available to the public including in ways that members of the
|
| 138 |
+
public may access the material from a place and at a time
|
| 139 |
+
individually chosen by them.
|
| 140 |
+
|
| 141 |
+
m. Sui Generis Database Rights means rights other than copyright
|
| 142 |
+
resulting from Directive 96/9/EC of the European Parliament and of
|
| 143 |
+
the Council of 11 March 1996 on the legal protection of databases,
|
| 144 |
+
as amended and/or succeeded, as well as other essentially
|
| 145 |
+
equivalent rights anywhere in the world.
|
| 146 |
+
|
| 147 |
+
n. You means the individual or entity exercising the Licensed Rights
|
| 148 |
+
under this Public License. Your has a corresponding meaning.
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
Section 2 -- Scope.
|
| 152 |
+
|
| 153 |
+
a. License grant.
|
| 154 |
+
|
| 155 |
+
1. Subject to the terms and conditions of this Public License,
|
| 156 |
+
the Licensor hereby grants You a worldwide, royalty-free,
|
| 157 |
+
non-sublicensable, non-exclusive, irrevocable license to
|
| 158 |
+
exercise the Licensed Rights in the Licensed Material to:
|
| 159 |
+
|
| 160 |
+
a. reproduce and Share the Licensed Material, in whole or
|
| 161 |
+
in part, for NonCommercial purposes only; and
|
| 162 |
+
|
| 163 |
+
b. produce, reproduce, and Share Adapted Material for
|
| 164 |
+
NonCommercial purposes only.
|
| 165 |
+
|
| 166 |
+
2. Exceptions and Limitations. For the avoidance of doubt, where
|
| 167 |
+
Exceptions and Limitations apply to Your use, this Public
|
| 168 |
+
License does not apply, and You do not need to comply with
|
| 169 |
+
its terms and conditions.
|
| 170 |
+
|
| 171 |
+
3. Term. The term of this Public License is specified in Section
|
| 172 |
+
6(a).
|
| 173 |
+
|
| 174 |
+
4. Media and formats; technical modifications allowed. The
|
| 175 |
+
Licensor authorizes You to exercise the Licensed Rights in
|
| 176 |
+
all media and formats whether now known or hereafter created,
|
| 177 |
+
and to make technical modifications necessary to do so. The
|
| 178 |
+
Licensor waives and/or agrees not to assert any right or
|
| 179 |
+
authority to forbid You from making technical modifications
|
| 180 |
+
necessary to exercise the Licensed Rights, including
|
| 181 |
+
technical modifications necessary to circumvent Effective
|
| 182 |
+
Technological Measures. For purposes of this Public License,
|
| 183 |
+
simply making modifications authorized by this Section 2(a)
|
| 184 |
+
(4) never produces Adapted Material.
|
| 185 |
+
|
| 186 |
+
5. Downstream recipients.
|
| 187 |
+
|
| 188 |
+
a. Offer from the Licensor -- Licensed Material. Every
|
| 189 |
+
recipient of the Licensed Material automatically
|
| 190 |
+
receives an offer from the Licensor to exercise the
|
| 191 |
+
Licensed Rights under the terms and conditions of this
|
| 192 |
+
Public License.
|
| 193 |
+
|
| 194 |
+
b. Additional offer from the Licensor -- Adapted Material.
|
| 195 |
+
Every recipient of Adapted Material from You
|
| 196 |
+
automatically receives an offer from the Licensor to
|
| 197 |
+
exercise the Licensed Rights in the Adapted Material
|
| 198 |
+
under the conditions of the Adapter's License You apply.
|
| 199 |
+
|
| 200 |
+
c. No downstream restrictions. You may not offer or impose
|
| 201 |
+
any additional or different terms or conditions on, or
|
| 202 |
+
apply any Effective Technological Measures to, the
|
| 203 |
+
Licensed Material if doing so restricts exercise of the
|
| 204 |
+
Licensed Rights by any recipient of the Licensed
|
| 205 |
+
Material.
|
| 206 |
+
|
| 207 |
+
6. No endorsement. Nothing in this Public License constitutes or
|
| 208 |
+
may be construed as permission to assert or imply that You
|
| 209 |
+
are, or that Your use of the Licensed Material is, connected
|
| 210 |
+
with, or sponsored, endorsed, or granted official status by,
|
| 211 |
+
the Licensor or others designated to receive attribution as
|
| 212 |
+
provided in Section 3(a)(1)(A)(i).
|
| 213 |
+
|
| 214 |
+
b. Other rights.
|
| 215 |
+
|
| 216 |
+
1. Moral rights, such as the right of integrity, are not
|
| 217 |
+
licensed under this Public License, nor are publicity,
|
| 218 |
+
privacy, and/or other similar personality rights; however, to
|
| 219 |
+
the extent possible, the Licensor waives and/or agrees not to
|
| 220 |
+
assert any such rights held by the Licensor to the limited
|
| 221 |
+
extent necessary to allow You to exercise the Licensed
|
| 222 |
+
Rights, but not otherwise.
|
| 223 |
+
|
| 224 |
+
2. Patent and trademark rights are not licensed under this
|
| 225 |
+
Public License.
|
| 226 |
+
|
| 227 |
+
3. To the extent possible, the Licensor waives any right to
|
| 228 |
+
collect royalties from You for the exercise of the Licensed
|
| 229 |
+
Rights, whether directly or through a collecting society
|
| 230 |
+
under any voluntary or waivable statutory or compulsory
|
| 231 |
+
licensing scheme. In all other cases the Licensor expressly
|
| 232 |
+
reserves any right to collect such royalties, including when
|
| 233 |
+
the Licensed Material is used other than for NonCommercial
|
| 234 |
+
purposes.
|
| 235 |
+
|
| 236 |
+
|
| 237 |
+
Section 3 -- License Conditions.
|
| 238 |
+
|
| 239 |
+
Your exercise of the Licensed Rights is expressly made subject to the
|
| 240 |
+
following conditions.
|
| 241 |
+
|
| 242 |
+
a. Attribution.
|
| 243 |
+
|
| 244 |
+
1. If You Share the Licensed Material (including in modified
|
| 245 |
+
form), You must:
|
| 246 |
+
|
| 247 |
+
a. retain the following if it is supplied by the Licensor
|
| 248 |
+
with the Licensed Material:
|
| 249 |
+
|
| 250 |
+
i. identification of the creator(s) of the Licensed
|
| 251 |
+
Material and any others designated to receive
|
| 252 |
+
attribution, in any reasonable manner requested by
|
| 253 |
+
the Licensor (including by pseudonym if
|
| 254 |
+
designated);
|
| 255 |
+
|
| 256 |
+
ii. a copyright notice;
|
| 257 |
+
|
| 258 |
+
iii. a notice that refers to this Public License;
|
| 259 |
+
|
| 260 |
+
iv. a notice that refers to the disclaimer of
|
| 261 |
+
warranties;
|
| 262 |
+
|
| 263 |
+
v. a URI or hyperlink to the Licensed Material to the
|
| 264 |
+
extent reasonably practicable;
|
| 265 |
+
|
| 266 |
+
b. indicate if You modified the Licensed Material and
|
| 267 |
+
retain an indication of any previous modifications; and
|
| 268 |
+
|
| 269 |
+
c. indicate the Licensed Material is licensed under this
|
| 270 |
+
Public License, and include the text of, or the URI or
|
| 271 |
+
hyperlink to, this Public License.
|
| 272 |
+
|
| 273 |
+
2. You may satisfy the conditions in Section 3(a)(1) in any
|
| 274 |
+
reasonable manner based on the medium, means, and context in
|
| 275 |
+
which You Share the Licensed Material. For example, it may be
|
| 276 |
+
reasonable to satisfy the conditions by providing a URI or
|
| 277 |
+
hyperlink to a resource that includes the required
|
| 278 |
+
information.
|
| 279 |
+
3. If requested by the Licensor, You must remove any of the
|
| 280 |
+
information required by Section 3(a)(1)(A) to the extent
|
| 281 |
+
reasonably practicable.
|
| 282 |
+
|
| 283 |
+
b. ShareAlike.
|
| 284 |
+
|
| 285 |
+
In addition to the conditions in Section 3(a), if You Share
|
| 286 |
+
Adapted Material You produce, the following conditions also apply.
|
| 287 |
+
|
| 288 |
+
1. The Adapter's License You apply must be a Creative Commons
|
| 289 |
+
license with the same License Elements, this version or
|
| 290 |
+
later, or a BY-NC-SA Compatible License.
|
| 291 |
+
|
| 292 |
+
2. You must include the text of, or the URI or hyperlink to, the
|
| 293 |
+
Adapter's License You apply. You may satisfy this condition
|
| 294 |
+
in any reasonable manner based on the medium, means, and
|
| 295 |
+
context in which You Share Adapted Material.
|
| 296 |
+
|
| 297 |
+
3. You may not offer or impose any additional or different terms
|
| 298 |
+
or conditions on, or apply any Effective Technological
|
| 299 |
+
Measures to, Adapted Material that restrict exercise of the
|
| 300 |
+
rights granted under the Adapter's License You apply.
|
| 301 |
+
|
| 302 |
+
|
| 303 |
+
Section 4 -- Sui Generis Database Rights.
|
| 304 |
+
|
| 305 |
+
Where the Licensed Rights include Sui Generis Database Rights that
|
| 306 |
+
apply to Your use of the Licensed Material:
|
| 307 |
+
|
| 308 |
+
a. for the avoidance of doubt, Section 2(a)(1) grants You the right
|
| 309 |
+
to extract, reuse, reproduce, and Share all or a substantial
|
| 310 |
+
portion of the contents of the database for NonCommercial purposes
|
| 311 |
+
only;
|
| 312 |
+
|
| 313 |
+
b. if You include all or a substantial portion of the database
|
| 314 |
+
contents in a database in which You have Sui Generis Database
|
| 315 |
+
Rights, then the database in which You have Sui Generis Database
|
| 316 |
+
Rights (but not its individual contents) is Adapted Material,
|
| 317 |
+
including for purposes of Section 3(b); and
|
| 318 |
+
|
| 319 |
+
c. You must comply with the conditions in Section 3(a) if You Share
|
| 320 |
+
all or a substantial portion of the contents of the database.
|
| 321 |
+
|
| 322 |
+
For the avoidance of doubt, this Section 4 supplements and does not
|
| 323 |
+
replace Your obligations under this Public License where the Licensed
|
| 324 |
+
Rights include other Copyright and Similar Rights.
|
| 325 |
+
|
| 326 |
+
|
| 327 |
+
Section 5 -- Disclaimer of Warranties and Limitation of Liability.
|
| 328 |
+
|
| 329 |
+
a. UNLESS OTHERWISE SEPARATELY UNDERTAKEN BY THE LICENSOR, TO THE
|
| 330 |
+
EXTENT POSSIBLE, THE LICENSOR OFFERS THE LICENSED MATERIAL AS-IS
|
| 331 |
+
AND AS-AVAILABLE, AND MAKES NO REPRESENTATIONS OR WARRANTIES OF
|
| 332 |
+
ANY KIND CONCERNING THE LICENSED MATERIAL, WHETHER EXPRESS,
|
| 333 |
+
IMPLIED, STATUTORY, OR OTHER. THIS INCLUDES, WITHOUT LIMITATION,
|
| 334 |
+
WARRANTIES OF TITLE, MERCHANTABILITY, FITNESS FOR A PARTICULAR
|
| 335 |
+
PURPOSE, NON-INFRINGEMENT, ABSENCE OF LATENT OR OTHER DEFECTS,
|
| 336 |
+
ACCURACY, OR THE PRESENCE OR ABSENCE OF ERRORS, WHETHER OR NOT
|
| 337 |
+
KNOWN OR DISCOVERABLE. WHERE DISCLAIMERS OF WARRANTIES ARE NOT
|
| 338 |
+
ALLOWED IN FULL OR IN PART, THIS DISCLAIMER MAY NOT APPLY TO YOU.
|
| 339 |
+
|
| 340 |
+
b. TO THE EXTENT POSSIBLE, IN NO EVENT WILL THE LICENSOR BE LIABLE
|
| 341 |
+
TO YOU ON ANY LEGAL THEORY (INCLUDING, WITHOUT LIMITATION,
|
| 342 |
+
NEGLIGENCE) OR OTHERWISE FOR ANY DIRECT, SPECIAL, INDIRECT,
|
| 343 |
+
INCIDENTAL, CONSEQUENTIAL, PUNITIVE, EXEMPLARY, OR OTHER LOSSES,
|
| 344 |
+
COSTS, EXPENSES, OR DAMAGES ARISING OUT OF THIS PUBLIC LICENSE OR
|
| 345 |
+
USE OF THE LICENSED MATERIAL, EVEN IF THE LICENSOR HAS BEEN
|
| 346 |
+
ADVISED OF THE POSSIBILITY OF SUCH LOSSES, COSTS, EXPENSES, OR
|
| 347 |
+
DAMAGES. WHERE A LIMITATION OF LIABILITY IS NOT ALLOWED IN FULL OR
|
| 348 |
+
IN PART, THIS LIMITATION MAY NOT APPLY TO YOU.
|
| 349 |
+
|
| 350 |
+
c. The disclaimer of warranties and limitation of liability provided
|
| 351 |
+
above shall be interpreted in a manner that, to the extent
|
| 352 |
+
possible, most closely approximates an absolute disclaimer and
|
| 353 |
+
waiver of all liability.
|
| 354 |
+
|
| 355 |
+
|
| 356 |
+
Section 6 -- Term and Termination.
|
| 357 |
+
|
| 358 |
+
a. This Public License applies for the term of the Copyright and
|
| 359 |
+
Similar Rights licensed here. However, if You fail to comply with
|
| 360 |
+
this Public License, then Your rights under this Public License
|
| 361 |
+
terminate automatically.
|
| 362 |
+
|
| 363 |
+
b. Where Your right to use the Licensed Material has terminated under
|
| 364 |
+
Section 6(a), it reinstates:
|
| 365 |
+
|
| 366 |
+
1. automatically as of the date the violation is cured, provided
|
| 367 |
+
it is cured within 30 days of Your discovery of the
|
| 368 |
+
violation; or
|
| 369 |
+
|
| 370 |
+
2. upon express reinstatement by the Licensor.
|
| 371 |
+
|
| 372 |
+
For the avoidance of doubt, this Section 6(b) does not affect any
|
| 373 |
+
right the Licensor may have to seek remedies for Your violations
|
| 374 |
+
of this Public License.
|
| 375 |
+
|
| 376 |
+
c. For the avoidance of doubt, the Licensor may also offer the
|
| 377 |
+
Licensed Material under separate terms or conditions or stop
|
| 378 |
+
distributing the Licensed Material at any time; however, doing so
|
| 379 |
+
will not terminate this Public License.
|
| 380 |
+
|
| 381 |
+
d. Sections 1, 5, 6, 7, and 8 survive termination of this Public
|
| 382 |
+
License.
|
| 383 |
+
|
| 384 |
+
|
| 385 |
+
Section 7 -- Other Terms and Conditions.
|
| 386 |
+
|
| 387 |
+
a. The Licensor shall not be bound by any additional or different
|
| 388 |
+
terms or conditions communicated by You unless expressly agreed.
|
| 389 |
+
|
| 390 |
+
b. Any arrangements, understandings, or agreements regarding the
|
| 391 |
+
Licensed Material not stated herein are separate from and
|
| 392 |
+
independent of the terms and conditions of this Public License.
|
| 393 |
+
|
| 394 |
+
|
| 395 |
+
Section 8 -- Interpretation.
|
| 396 |
+
|
| 397 |
+
a. For the avoidance of doubt, this Public License does not, and
|
| 398 |
+
shall not be interpreted to, reduce, limit, restrict, or impose
|
| 399 |
+
conditions on any use of the Licensed Material that could lawfully
|
| 400 |
+
be made without permission under this Public License.
|
| 401 |
+
|
| 402 |
+
b. To the extent possible, if any provision of this Public License is
|
| 403 |
+
deemed unenforceable, it shall be automatically reformed to the
|
| 404 |
+
minimum extent necessary to make it enforceable. If the provision
|
| 405 |
+
cannot be reformed, it shall be severed from this Public License
|
| 406 |
+
without affecting the enforceability of the remaining terms and
|
| 407 |
+
conditions.
|
| 408 |
+
|
| 409 |
+
c. No term or condition of this Public License will be waived and no
|
| 410 |
+
failure to comply consented to unless expressly agreed to by the
|
| 411 |
+
Licensor.
|
| 412 |
+
|
| 413 |
+
d. Nothing in this Public License constitutes or may be interpreted
|
| 414 |
+
as a limitation upon, or waiver of, any privileges and immunities
|
| 415 |
+
that apply to the Licensor or You, including from the legal
|
| 416 |
+
processes of any jurisdiction or authority.
|
| 417 |
+
|
| 418 |
+
=======================================================================
|
| 419 |
+
|
| 420 |
+
Creative Commons is not a party to its public
|
| 421 |
+
licenses. Notwithstanding, Creative Commons may elect to apply one of
|
| 422 |
+
its public licenses to material it publishes and in those instances
|
| 423 |
+
will be considered the “Licensor.” The text of the Creative Commons
|
| 424 |
+
public licenses is dedicated to the public domain under the CC0 Public
|
| 425 |
+
Domain Dedication. Except for the limited purpose of indicating that
|
| 426 |
+
material is shared under a Creative Commons public license or as
|
| 427 |
+
otherwise permitted by the Creative Commons policies published at
|
| 428 |
+
creativecommons.org/policies, Creative Commons does not authorize the
|
| 429 |
+
use of the trademark "Creative Commons" or any other trademark or logo
|
| 430 |
+
of Creative Commons without its prior written consent including,
|
| 431 |
+
without limitation, in connection with any unauthorized modifications
|
| 432 |
+
to any of its public licenses or any other arrangements,
|
| 433 |
+
understandings, or agreements concerning use of licensed material. For
|
| 434 |
+
the avoidance of doubt, this paragraph does not form part of the
|
| 435 |
+
public licenses.
|
| 436 |
+
|
| 437 |
+
Creative Commons may be contacted at creativecommons.org.
|
| 438 |
+
|
README.md
ADDED
|
@@ -0,0 +1,131 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
---
|
| 2 |
+
license: cc-by-nc-sa-4.0
|
| 3 |
+
language:
|
| 4 |
+
- en
|
| 5 |
+
pretty_name: TRACE-Bench
|
| 6 |
+
size_categories:
|
| 7 |
+
- 1K<n<10K
|
| 8 |
+
task_categories:
|
| 9 |
+
- video-text-to-text
|
| 10 |
+
- question-answering
|
| 11 |
+
tags:
|
| 12 |
+
- affective-computing
|
| 13 |
+
- emotion
|
| 14 |
+
- video-understanding
|
| 15 |
+
- multimodal
|
| 16 |
+
- benchmark
|
| 17 |
+
configs:
|
| 18 |
+
- config_name: task_1_grounded_affect_recognition
|
| 19 |
+
data_files:
|
| 20 |
+
- split: test
|
| 21 |
+
path: data/task_1_grounded_affect_recognition.jsonl
|
| 22 |
+
- config_name: task_2_regulation_decoding
|
| 23 |
+
data_files:
|
| 24 |
+
- split: test
|
| 25 |
+
path: data/task_2_regulation_decoding.jsonl
|
| 26 |
+
- config_name: task_3_affective_cause_reasoning
|
| 27 |
+
data_files:
|
| 28 |
+
- split: test
|
| 29 |
+
path: data/task_3_affective_cause_reasoning.jsonl
|
| 30 |
+
- config_name: task_4_affective_effect_reasoning
|
| 31 |
+
data_files:
|
| 32 |
+
- split: test
|
| 33 |
+
path: data/task_4_affective_effect_reasoning.jsonl
|
| 34 |
+
- config_name: task_5_full_chain_reconstruction
|
| 35 |
+
data_files:
|
| 36 |
+
- split: test
|
| 37 |
+
path: data/task_5_full_chain_reconstruction.jsonl
|
| 38 |
+
---
|
| 39 |
+
|
| 40 |
+
# TRACE-Bench
|
| 41 |
+
|
| 42 |
+
TRACE-Bench evaluates how models trace an emotion in a social video, from its causes to its consequences. Each item asks a model to watch a clip and fill a structured answer about one affective episode: what the subject feels, how it shows, whether the display is regulated, what caused the feeling, and what it changes in the people around.
|
| 43 |
+
|
| 44 |
+
Paper: [arXiv:2610.11410](https://arxiv.org/abs/2610.11410).
|
| 45 |
+
|
| 46 |
+
This repository holds the questions, the reference answers and the task instructions. The video clips and their subtitles are in the gated repository [county/TRACE-Bench-media](https://huggingface.co/datasets/county/TRACE-Bench-media).
|
| 47 |
+
|
| 48 |
+
## Tasks
|
| 49 |
+
|
| 50 |
+
| Config | Task |
|
| 51 |
+
|---|---|
|
| 52 |
+
| `task_1_grounded_affect_recognition` | Task 1. Grounded Affect Recognition |
|
| 53 |
+
| `task_2_regulation_decoding` | Task 2. Regulation Decoding |
|
| 54 |
+
| `task_3_affective_cause_reasoning` | Task 3. Affective Cause Reasoning |
|
| 55 |
+
| `task_4_affective_effect_reasoning` | Task 4. Affective Effect Reasoning |
|
| 56 |
+
| `task_5_full_chain_reconstruction` | Task 5. Full Chain Reconstruction |
|
| 57 |
+
|
| 58 |
+
Every task is a single `test` split.
|
| 59 |
+
|
| 60 |
+
## Files
|
| 61 |
+
|
| 62 |
+
```
|
| 63 |
+
data/
|
| 64 |
+
task_1_grounded_affect_recognition.jsonl
|
| 65 |
+
task_2_regulation_decoding.jsonl
|
| 66 |
+
task_3_affective_cause_reasoning.jsonl
|
| 67 |
+
task_4_affective_effect_reasoning.jsonl
|
| 68 |
+
task_5_full_chain_reconstruction.jsonl
|
| 69 |
+
videos.csv
|
| 70 |
+
instructions/
|
| 71 |
+
task_1_grounded_affect_recognition.md
|
| 72 |
+
...
|
| 73 |
+
task_5_full_chain_reconstruction.md
|
| 74 |
+
```
|
| 75 |
+
|
| 76 |
+
Each line of a task file is one item.
|
| 77 |
+
|
| 78 |
+
| Field | Meaning |
|
| 79 |
+
|---|---|
|
| 80 |
+
| `unique_id` | item id, `<video_id>_T<task>_<chain>_<k>` |
|
| 81 |
+
| `video_id` | the clip the item is about, a row of `videos.csv` |
|
| 82 |
+
| `task_id`, `task_name` | task number and name |
|
| 83 |
+
| `chain_id` | the affective chain inside the clip that the item belongs to |
|
| 84 |
+
| `known_fields` | the fields given in the question, as a JSON object |
|
| 85 |
+
| `question` | the prompt as a list of lines: task statement, focal context, known fields, answer template |
|
| 86 |
+
| `answer` | the reference answer, with the fields of the answer template that are populated |
|
| 87 |
+
|
| 88 |
+
`videos.csv` lists every clip with the collection it comes from: `video_id`, `source_collection`, `has_subtitle`.
|
| 89 |
+
|
| 90 |
+
`instructions/` holds one task instruction per task. It defines the fields of that task and their admissible values.
|
| 91 |
+
|
| 92 |
+
## Loading
|
| 93 |
+
|
| 94 |
+
```python
|
| 95 |
+
from datasets import load_dataset
|
| 96 |
+
|
| 97 |
+
from huggingface_hub import hf_hub_download
|
| 98 |
+
|
| 99 |
+
task = "task_1_grounded_affect_recognition"
|
| 100 |
+
items = load_dataset("county/TRACE-Bench", task, split="test")
|
| 101 |
+
instruction = open(hf_hub_download("county/TRACE-Bench", f"instructions/{task}.md", repo_type="dataset")).read()
|
| 102 |
+
prompt = instruction.strip() + "\n\n" + "\n".join(items[0]["question"])
|
| 103 |
+
```
|
| 104 |
+
|
| 105 |
+
The prompt refers to the clip `items[0]["video_id"]`. A model receives the clip, its subtitles if it reads text, and the prompt, which is the task instruction followed by the question, and returns a JSON object that follows the answer template.
|
| 106 |
+
|
| 107 |
+
## Evaluation
|
| 108 |
+
|
| 109 |
+
Categorical fields are compared directly with the reference, and free-text fields are rated by a judge model, as described in the paper.
|
| 110 |
+
|
| 111 |
+
## License
|
| 112 |
+
|
| 113 |
+
The questions and the reference answers are released under [CC BY-NC-SA 4.0](LICENSE). The video clips are not part of this repository. They come from public collections and remain the property of their copyright holders, and they are available for non-commercial research under the terms of [county/TRACE-Bench-media](https://huggingface.co/datasets/county/TRACE-Bench-media).
|
| 114 |
+
|
| 115 |
+
## Citation
|
| 116 |
+
|
| 117 |
+
```bibtex
|
| 118 |
+
@article{li2026trace,
|
| 119 |
+
title = {Cognition-Oriented Emotion Tracing from Causes to Consequences in Real-World Social Scenes},
|
| 120 |
+
author = {Li, Hao and Zhang, Jinye and Li, Bobo and Lee, Mong-Li and Hsu, Wynne and Wang, Zheng and Fei, Hao and Zhang, Min},
|
| 121 |
+
journal = {arXiv preprint arXiv:2610.11410},
|
| 122 |
+
year = {2026},
|
| 123 |
+
eprint = {2610.11410},
|
| 124 |
+
archivePrefix = {arXiv},
|
| 125 |
+
primaryClass = {cs.AI}
|
| 126 |
+
}
|
| 127 |
+
```
|
| 128 |
+
|
| 129 |
+
## Contact
|
| 130 |
+
|
| 131 |
+
sc.lihao@whu.edu.cn
|
data/task_1_grounded_affect_recognition.jsonl
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/task_2_regulation_decoding.jsonl
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/task_3_affective_cause_reasoning.jsonl
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/task_4_affective_effect_reasoning.jsonl
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/task_5_full_chain_reconstruction.jsonl
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/videos.csv
ADDED
|
@@ -0,0 +1,552 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
video_id,source_collection,has_subtitle
|
| 2 |
+
-35BPXuZ898,Social-IQ,1
|
| 3 |
+
-6psl4EOhb4,EQ4You,1
|
| 4 |
+
-RuK7XKbefY,Movie-clips,1
|
| 5 |
+
-YaPh7shnWQ,Social-IQ,1
|
| 6 |
+
-dvI6g1s1oY,Social-IQ,1
|
| 7 |
+
-qHQOhi29v4,Social-IQ,1
|
| 8 |
+
-r1qCIwXcB0,Movie-clips,1
|
| 9 |
+
-tm-wF3rLms,Social-IQ,1
|
| 10 |
+
-y6RPL5v1bU,Social-IQ,1
|
| 11 |
+
-zxyN9-P9_c,EQ4You,1
|
| 12 |
+
0-HM2VCdrC0,Social-IQ,1
|
| 13 |
+
066YXuaIivk,Movie-clips,1
|
| 14 |
+
0IhnEshQ6dY,Movie-clips,1
|
| 15 |
+
0SaGouSCvO0,EQ4You,1
|
| 16 |
+
0USGkmweHJM,Social-IQ,1
|
| 17 |
+
0aKB_Qm-z6g,EQ4You,1
|
| 18 |
+
0ekAvNp_F9c,EQ4You,1
|
| 19 |
+
0fbR1RvOCQA,Movie-clips,1
|
| 20 |
+
0pPOxAQwRgQ,Social-IQ,1
|
| 21 |
+
0wsKxLyYU7E,Movie-clips,1
|
| 22 |
+
0xHe1zkABYo,EQ4You,1
|
| 23 |
+
0yYUlLFlw1I,Movie-clips,1
|
| 24 |
+
1Fxq_n8e1qA,EQ4You,1
|
| 25 |
+
1Gnmq6nB1ws,EQ4You,1
|
| 26 |
+
1MUi4ZiJUsA,Movie-clips,1
|
| 27 |
+
1V0CK_aPOmQ,Movie-clips,1
|
| 28 |
+
1Vgfl_nxakM,Movie-clips,1
|
| 29 |
+
1hxe3SLIV80,EQ4You,1
|
| 30 |
+
1m8Ac21hxO4,EQ4You,1
|
| 31 |
+
1spMbeEPF_w,Movie-clips,1
|
| 32 |
+
2-9jcZusU7w,Movie-clips,1
|
| 33 |
+
2E0tAyiBCPw,EQ4You,1
|
| 34 |
+
2GM1garHqmE,Movie-clips,1
|
| 35 |
+
2L7Z26ZvAxg,EQ4You,1
|
| 36 |
+
2T51K4xsBjg,EQ4You,1
|
| 37 |
+
2UOL-ZHUOC4,EQ4You,1
|
| 38 |
+
2YbvpD3WQnk,Movie-clips,1
|
| 39 |
+
2aqgKA3uUwM,EQ4You,1
|
| 40 |
+
2hs-yt-Pmk0,Social-IQ,1
|
| 41 |
+
2kpiDFAOl5I,Movie-clips,1
|
| 42 |
+
2w1dezz5m9s,EQ4You,1
|
| 43 |
+
2xcWYu18a-w,Movie-clips,1
|
| 44 |
+
3MhzaQnLhRY,EQ4You,1
|
| 45 |
+
3Ovp2n5T1oY,Movie-clips,1
|
| 46 |
+
3QoYCS0iOq4,EQ4You,1
|
| 47 |
+
3luAeDhHinc,EQ4You,1
|
| 48 |
+
47mT0jC_aXA,Social-IQ,1
|
| 49 |
+
4CKKd6tjKxQ,EQ4You,1
|
| 50 |
+
4Gs6pBwn5w8,EQ4You,1
|
| 51 |
+
4N_HCbAVBJU,Movie-clips,1
|
| 52 |
+
4OEhuma-rrY,EQ4You,1
|
| 53 |
+
4RBnTZELQX8,Social-IQ,1
|
| 54 |
+
4fNc1i7oGfg,EQ4You,1
|
| 55 |
+
4w2u4TaSKOc,EQ4You,1
|
| 56 |
+
4zMKv8OVbMY,Social-IQ,1
|
| 57 |
+
5SaioOXfrpY,EQ4You,1
|
| 58 |
+
5VPK1NPQGUs,Social-IQ,1
|
| 59 |
+
5ZZ12KKJOp8,Movie-clips,1
|
| 60 |
+
5dgeyv_fCO4,Social-IQ,1
|
| 61 |
+
5nsdDNmr8-k,Movie-clips,1
|
| 62 |
+
5qKySTAWpiY,EQ4You,1
|
| 63 |
+
5rkVGXHv2Ow,Social-IQ,1
|
| 64 |
+
5t24FQK-HKw,EQ4You,1
|
| 65 |
+
5tiki7sdgak,Movie-clips,1
|
| 66 |
+
6EFjbeXuNCg,Movie-clips,1
|
| 67 |
+
6YbALz5M7Yk,EQ4You,1
|
| 68 |
+
6bDF7ZQgkZA,EQ4You,1
|
| 69 |
+
6dA4C1NKChE,EQ4You,1
|
| 70 |
+
6mooNp4aWBo,EQ4You,1
|
| 71 |
+
7-5kYQLJnFw,EQ4You,1
|
| 72 |
+
757qJxO5D6Y,EQ4You,1
|
| 73 |
+
784nv_NRf4k,Social-IQ,1
|
| 74 |
+
7MF2IgjAjjA,Social-IQ,1
|
| 75 |
+
7SUhcNiKIrI,Social-IQ,1
|
| 76 |
+
7T9nzAu7orw,Movie-clips,1
|
| 77 |
+
7TDp3USwyww,Social-IQ,1
|
| 78 |
+
7a9g6mvCGWU,Social-IQ,1
|
| 79 |
+
7czG5jr71Q8,Social-IQ,1
|
| 80 |
+
7hyT8HAb6ZU,Social-IQ,1
|
| 81 |
+
7nPgHDZhckM,Movie-clips,1
|
| 82 |
+
7rVxq0WB09Q,Movie-clips,1
|
| 83 |
+
7x9czGNe2FY,Movie-clips,1
|
| 84 |
+
8-rE-rqwd-o,EQ4You,1
|
| 85 |
+
81XTZOlNHEU,Movie-clips,1
|
| 86 |
+
85cnCW_4LIc,EQ4You,1
|
| 87 |
+
89yPHsT8AKg,Social-IQ,1
|
| 88 |
+
8Kx0qYRv8XQ,Social-IQ,1
|
| 89 |
+
8O7iSf2atSo,EQ4You,1
|
| 90 |
+
8QzFJA3QM7E,EQ4You,1
|
| 91 |
+
8XgWVspjTQs,Movie-clips,1
|
| 92 |
+
8bY4qPadkSo,Social-IQ,1
|
| 93 |
+
8gvuU-U64d0,EQ4You,1
|
| 94 |
+
8z7YDo44-xE,Movie-clips,1
|
| 95 |
+
99-v2bOxnJU,Movie-clips,1
|
| 96 |
+
9Azi0-s-iRc,Movie-clips,1
|
| 97 |
+
9C6DANHgdrE,EQ4You,1
|
| 98 |
+
9DmxaUyjKTk,Social-IQ,1
|
| 99 |
+
9KTrhQhktPw,EQ4You,1
|
| 100 |
+
9MHlEXHqA8A,EQ4You,1
|
| 101 |
+
9OhXJOQioeU,EQ4You,1
|
| 102 |
+
9OlXAy0L0yI,EQ4You,1
|
| 103 |
+
9VAf3uNtvf0,EQ4You,1
|
| 104 |
+
9VY3OKScxP4,EQ4You,1
|
| 105 |
+
9Wfswn2lkAo,EQ4You,1
|
| 106 |
+
9cEAnPUsQl8,EQ4You,1
|
| 107 |
+
9f8liieRepk,Movie-clips,1
|
| 108 |
+
9tli2kwH5mY,EQ4You,1
|
| 109 |
+
9u6xaK00otk,EQ4You,1
|
| 110 |
+
9ykMeXdU_Ng,EQ4You,1
|
| 111 |
+
A6f-6l0W-0o,Movie-clips,1
|
| 112 |
+
A8Tw5xASluI,Social-IQ,1
|
| 113 |
+
A9l4z6VIc8s,Social-IQ,1
|
| 114 |
+
A9qAaecuaFk,Movie-clips,1
|
| 115 |
+
AHVKPC22iIY,Social-IQ,1
|
| 116 |
+
ANzFDUb2A48,EQ4You,1
|
| 117 |
+
ARD5AUnl7_M,Social-IQ,1
|
| 118 |
+
ARgghWSmq7Q,EQ4You,1
|
| 119 |
+
ATxwkq1fkQQ,Social-IQ,1
|
| 120 |
+
Amq4kBfbqL8,Social-IQ,1
|
| 121 |
+
AnPDhq6O8jo,Movie-clips,1
|
| 122 |
+
AyElzcvTVAQ,EQ4You,1
|
| 123 |
+
AyrP-pwDayE,Movie-clips,1
|
| 124 |
+
AzDRxfa_vqE,EQ4You,1
|
| 125 |
+
B0QCH3EF5Hs,Movie-clips,1
|
| 126 |
+
B0sO3FekHUU,Social-IQ,1
|
| 127 |
+
B3thiUpvzKo,EQ4You,1
|
| 128 |
+
B5dzJwmACrI,EQ4You,1
|
| 129 |
+
B6PpxrnttDg,Social-IQ,1
|
| 130 |
+
BGmXnidRtoA,EQ4You,1
|
| 131 |
+
BIfyebxopuM,Movie-clips,1
|
| 132 |
+
BLElh2JGufs,EQ4You,1
|
| 133 |
+
BYmHra1d_Nw,EQ4You,1
|
| 134 |
+
BcItLPDxHgQ,EQ4You,1
|
| 135 |
+
BdZN3EJVjo8,EQ4You,1
|
| 136 |
+
Bi67DrL-P8Y,Movie-clips,1
|
| 137 |
+
Bo-2-sJi7Uk,EQ4You,1
|
| 138 |
+
Bzd07cbr3y8,Social-IQ,1
|
| 139 |
+
C9bd80RJJNs,EQ4You,1
|
| 140 |
+
CEO9YAsxMfI,EQ4You,1
|
| 141 |
+
CFvt6Eg3wvA,Social-IQ,1
|
| 142 |
+
CG5u_fJEFFs,Social-IQ,1
|
| 143 |
+
CHs36bNm7xk,EQ4You,1
|
| 144 |
+
CeluWaT654I,EQ4You,1
|
| 145 |
+
CyFSAzwLtPk,Movie-clips,1
|
| 146 |
+
D66bIlg2-Gs,Movie-clips,1
|
| 147 |
+
DEX-5gM0P8I,Movie-clips,1
|
| 148 |
+
DJTF3NmqF7U,EQ4You,1
|
| 149 |
+
DMo2qyKq4_w,Social-IQ,1
|
| 150 |
+
DlwuwiBLAmM,Social-IQ,1
|
| 151 |
+
Dwiczhta4e0,EQ4You,1
|
| 152 |
+
E6O11dvIjkE,EQ4You,1
|
| 153 |
+
ECirl_sSf-M,EQ4You,1
|
| 154 |
+
EOyAHaO7lwA,EQ4You,1
|
| 155 |
+
EZGXCDJATDs,Movie-clips,1
|
| 156 |
+
EcDcNDlil_A,EQ4You,1
|
| 157 |
+
Ekl021fmWGc,Social-IQ,1
|
| 158 |
+
ErsOuLChlyU,Movie-clips,1
|
| 159 |
+
EvpwbdkhdnA,Social-IQ,1
|
| 160 |
+
Ewpzngfnvcc,EQ4You,1
|
| 161 |
+
FF374xT3k6k,EQ4You,1
|
| 162 |
+
FGLxQHJ5NEs,EQ4You,1
|
| 163 |
+
FKYUhZYi6jU,EQ4You,1
|
| 164 |
+
FKv99t6cFCI,EQ4You,1
|
| 165 |
+
FL0ZoQUDTDo,EQ4You,1
|
| 166 |
+
FN9EO0boGFk,Movie-clips,1
|
| 167 |
+
FSAcm6Kb7bk,Social-IQ,1
|
| 168 |
+
FYnYxm5Awfg,EQ4You,1
|
| 169 |
+
Fhgp6C2f_6U,Movie-clips,1
|
| 170 |
+
FqH4R1fIqis,Movie-clips,1
|
| 171 |
+
G3BQd2K3maI,Movie-clips,1
|
| 172 |
+
G64ubBUMVek,EQ4You,1
|
| 173 |
+
GARQJHyaBD0,Social-IQ,1
|
| 174 |
+
GEAh4nF90iw,EQ4You,1
|
| 175 |
+
GHhqTy-AzI0,Movie-clips,1
|
| 176 |
+
GKSCsnH43es,EQ4You,1
|
| 177 |
+
GMpJlKYapys,Social-IQ,1
|
| 178 |
+
GP1KHL0j0GU,Movie-clips,1
|
| 179 |
+
GXZSat3AqwE,Social-IQ,1
|
| 180 |
+
Gae_um_eNZU,EQ4You,1
|
| 181 |
+
GdrUYcOTUvY,EQ4You,1
|
| 182 |
+
GrEeru4E4Ds,Movie-clips,1
|
| 183 |
+
HEMqddRGVBY,Social-IQ,1
|
| 184 |
+
HKRXTzENFa4,EQ4You,1
|
| 185 |
+
HLTpxttylTM,EQ4You,1
|
| 186 |
+
HOY92xiGY2M,EQ4You,1
|
| 187 |
+
HQsImiDtZds,EQ4You,1
|
| 188 |
+
Ha_7S78KExo,Social-IQ,1
|
| 189 |
+
IAsBghop-hw,Movie-clips,1
|
| 190 |
+
IB7BvgXIKOs,EQ4You,1
|
| 191 |
+
IMQADg1Dp9g,EQ4You,1
|
| 192 |
+
IRXmeqEtY0g,Movie-clips,1
|
| 193 |
+
IiqwzfKyQOQ,Movie-clips,1
|
| 194 |
+
IqJWWBRnrH4,EQ4You,1
|
| 195 |
+
ItHtrNSJwDo,EQ4You,1
|
| 196 |
+
IzkrKfk4kYE,Movie-clips,1
|
| 197 |
+
JBEBdEdhwCk,EQ4You,1
|
| 198 |
+
JF1RDNUTsJw,Social-IQ,1
|
| 199 |
+
JHqs20DmNLc,EQ4You,1
|
| 200 |
+
JN398hatBnU,Social-IQ,1
|
| 201 |
+
JUGSh3BMuaQ,Social-IQ,1
|
| 202 |
+
Jd3GwwxFDPY,EQ4You,1
|
| 203 |
+
JdZHXwqDXB4,EQ4You,1
|
| 204 |
+
Jhh8bQ21slI,EQ4You,1
|
| 205 |
+
JuPSeaf--7g,Movie-clips,1
|
| 206 |
+
K8_ERcsa0CU,EQ4You,1
|
| 207 |
+
KD7l7XgWSXs,Social-IQ,1
|
| 208 |
+
KVbBkEyaoT8,EQ4You,1
|
| 209 |
+
KZPjWTR02TY,Movie-clips,1
|
| 210 |
+
KaqzKhM9-nU,EQ4You,1
|
| 211 |
+
KnVUbQ0nAF4,Social-IQ,1
|
| 212 |
+
KoEPdETXy4k,Movie-clips,1
|
| 213 |
+
L2GbnErVDqk,EQ4You,1
|
| 214 |
+
L38j8UMd4oM,Social-IQ,1
|
| 215 |
+
LIuGUw5V3Fo,Movie-clips,1
|
| 216 |
+
LQMr9DvXXF8,Movie-clips,1
|
| 217 |
+
LRb23BAeIQY,EQ4You,1
|
| 218 |
+
LVkOD1Uy_9k,Movie-clips,1
|
| 219 |
+
LYEsoTPm62c,Social-IQ,1
|
| 220 |
+
Lf8RFut3XY0,Movie-clips,1
|
| 221 |
+
LlK6pn4qyrc,EQ4You,1
|
| 222 |
+
LswlHCxeCCU,Social-IQ,1
|
| 223 |
+
MB5zQ9X-2tY,Social-IQ,1
|
| 224 |
+
MGGGksL1ziM,EQ4You,1
|
| 225 |
+
MJIa6HS8Bmo,Movie-clips,1
|
| 226 |
+
MP414NY4kfA,EQ4You,1
|
| 227 |
+
MVRR0XlqA4g,EQ4You,1
|
| 228 |
+
Mh6PbpH9oPU,Social-IQ,1
|
| 229 |
+
Mm9Y9JEmekY,EQ4You,1
|
| 230 |
+
MpaMbLDTxyY,EQ4You,1
|
| 231 |
+
MsKaN_QrVT8,EQ4You,1
|
| 232 |
+
MtXkoQBAhek,Social-IQ,1
|
| 233 |
+
N0gOaE92ogg,EQ4You,1
|
| 234 |
+
NOBzBMiSY2U,Movie-clips,1
|
| 235 |
+
NRBLTtDkQXU,EQ4You,1
|
| 236 |
+
NZ-u1BXI0YQ,EQ4You,1
|
| 237 |
+
OFDJnI4RczY,EQ4You,1
|
| 238 |
+
OLw7cIJApMI,Social-IQ,1
|
| 239 |
+
Oa6OoTVXG6E,EQ4You,1
|
| 240 |
+
OflOQW_pkvc,EQ4You,1
|
| 241 |
+
OrxsZHRGxRc,Social-IQ,1
|
| 242 |
+
OzUtt05RWec,EQ4You,1
|
| 243 |
+
PLOSA5L0dxE,EQ4You,1
|
| 244 |
+
PxKcm6wWUJ0,EQ4You,1
|
| 245 |
+
PxtWLnapq24,EQ4You,1
|
| 246 |
+
Q3JqdmUTsLI,Social-IQ,1
|
| 247 |
+
Q9Vl1VGj0LE,EQ4You,1
|
| 248 |
+
QAiVcQifKfE,EQ4You,1
|
| 249 |
+
QB-h-R9xmWA,EQ4You,1
|
| 250 |
+
QCS1Gnwbtp0,Movie-clips,1
|
| 251 |
+
QP_o0yWJYKM,Social-IQ,1
|
| 252 |
+
QRACf_ehgis,Social-IQ,1
|
| 253 |
+
QUI-9FAwA8w,EQ4You,1
|
| 254 |
+
QXruKKf3my4,EQ4You,1
|
| 255 |
+
QaiK0-CJoeo,Movie-clips,1
|
| 256 |
+
QmbLvFETIdY,Movie-clips,1
|
| 257 |
+
QqQYNj15OfI,EQ4You,1
|
| 258 |
+
QtfHohUZxHc,Movie-clips,1
|
| 259 |
+
Qz_hXpP1jEg,Social-IQ,1
|
| 260 |
+
R0HGeVmyI5I,EQ4You,1
|
| 261 |
+
RCaE3_UnFDI,Movie-clips,1
|
| 262 |
+
REWaiDiKDIE,EQ4You,1
|
| 263 |
+
RFqPiA2NZhY,Social-IQ,1
|
| 264 |
+
RHVyIHN6qOE,EQ4You,1
|
| 265 |
+
RHz9rXVt3cQ,EQ4You,1
|
| 266 |
+
RVVBffj2v8o,Social-IQ,1
|
| 267 |
+
R_nAa-dNKSU,Social-IQ,1
|
| 268 |
+
RkxAAilnLEI,Movie-clips,1
|
| 269 |
+
RmEZwxFSsWE,EQ4You,1
|
| 270 |
+
RmkFsYUz4cs,EQ4You,1
|
| 271 |
+
RmxqK1np7rY,EQ4You,1
|
| 272 |
+
SCPnwrNznTI,Social-IQ,1
|
| 273 |
+
SD86_k19Rx8,EQ4You,1
|
| 274 |
+
SDesztIj8Kc,Movie-clips,1
|
| 275 |
+
SM2LxRKqYR8,EQ4You,1
|
| 276 |
+
SN_U0Pc9YKU,Social-IQ,1
|
| 277 |
+
SOR9UOc-alI,EQ4You,1
|
| 278 |
+
SW-1sk_U8vU,EQ4You,1
|
| 279 |
+
S_lcxLCaxAw,EQ4You,1
|
| 280 |
+
SjSIFJbDbWE,EQ4You,1
|
| 281 |
+
SqSZ5RSaT8k,EQ4You,1
|
| 282 |
+
Sr3ELrfkYx0,Movie-clips,1
|
| 283 |
+
SuEt5n-k0e8,EQ4You,1
|
| 284 |
+
T0cNy3l6Zek,Social-IQ,1
|
| 285 |
+
T4wxOGDv980,EQ4You,1
|
| 286 |
+
T8p-csSeveI,EQ4You,1
|
| 287 |
+
T9laczL58cw,EQ4You,1
|
| 288 |
+
TBHjt3AyALw,EQ4You,1
|
| 289 |
+
TQCnMb3rnY4,EQ4You,1
|
| 290 |
+
TVCb5-gI9as,Social-IQ,1
|
| 291 |
+
ThpV4osXuCk,Social-IQ,1
|
| 292 |
+
Tk1L3jBM0gU,EQ4You,1
|
| 293 |
+
TlB_1W-qc14,Movie-clips,1
|
| 294 |
+
U4r9ePA6RkQ,Social-IQ,1
|
| 295 |
+
U6F17M80QBE,Social-IQ,1
|
| 296 |
+
UBOcWFBBB04,EQ4You,1
|
| 297 |
+
UPu0PU6sLxo,Movie-clips,1
|
| 298 |
+
US_k_-8HBNY,EQ4You,1
|
| 299 |
+
UkDKxprXy_0,EQ4You,1
|
| 300 |
+
UkIwAAKv_iA,EQ4You,1
|
| 301 |
+
Ux6L0eRqDGY,EQ4You,1
|
| 302 |
+
V-vgoh3ukPc,EQ4You,1
|
| 303 |
+
VBDxuSpU75A,EQ4You,1
|
| 304 |
+
VNwDNCuG2vo,Movie-clips,1
|
| 305 |
+
VXrByUBhP4M,EQ4You,1
|
| 306 |
+
VXx_DVHO0go,EQ4You,1
|
| 307 |
+
VZM1S9VcjAM,EQ4You,1
|
| 308 |
+
VhC39orxSYI,EQ4You,1
|
| 309 |
+
VlLHMWFVgvk,Social-IQ,1
|
| 310 |
+
Vqyc-7Hj8bw,EQ4You,1
|
| 311 |
+
W1nI8s_NebA,Social-IQ,1
|
| 312 |
+
W5-oHwzdWos,EQ4You,1
|
| 313 |
+
W6fteqHGjpU,EQ4You,1
|
| 314 |
+
W71gmihTeDQ,Social-IQ,1
|
| 315 |
+
WCM5kknf5nI,Social-IQ,1
|
| 316 |
+
WHciIM22U7Q,Social-IQ,1
|
| 317 |
+
WNAjVd38Q1E,EQ4You,1
|
| 318 |
+
WPaRycwhWHE,Social-IQ,1
|
| 319 |
+
WWLFUWZTXB4,Movie-clips,1
|
| 320 |
+
WtPlExKTIkw,EQ4You,1
|
| 321 |
+
X0Q_GIC_UAM,EQ4You,1
|
| 322 |
+
X37JgwFXsGI,Movie-clips,1
|
| 323 |
+
X3hjIr7Xp4o,EQ4You,1
|
| 324 |
+
X44Lcw8UZKE,EQ4You,1
|
| 325 |
+
XDlC8NyBBro,EQ4You,1
|
| 326 |
+
XF33SnFIDAQ,EQ4You,1
|
| 327 |
+
XHtJKRfT7Ck,Social-IQ,1
|
| 328 |
+
XNG8wW6Ffw4,Social-IQ,1
|
| 329 |
+
XNUers0BuD4,EQ4You,1
|
| 330 |
+
XNxn_IuZ0bA,Social-IQ,1
|
| 331 |
+
XQOLwXFfiOg,EQ4You,1
|
| 332 |
+
XeOcYexZGBg,EQ4You,1
|
| 333 |
+
XyBWsO1gVTk,Movie-clips,1
|
| 334 |
+
YDqrjD9rVMs,Social-IQ,1
|
| 335 |
+
YZGetnQQU48,EQ4You,1
|
| 336 |
+
Yd1Bx8u7Om4,Social-IQ,1
|
| 337 |
+
YeVSz1XkyMw,EQ4You,1
|
| 338 |
+
ZCYbGGfwbfk,Social-IQ,1
|
| 339 |
+
ZDgFAFQGZbI,Movie-clips,1
|
| 340 |
+
ZMZxDJb5V8o,EQ4You,1
|
| 341 |
+
ZMwWyTrseA4,Social-IQ,1
|
| 342 |
+
ZQ1oJFLwk8Y,Movie-clips,1
|
| 343 |
+
ZbiGzK3slg0,Social-IQ,1
|
| 344 |
+
ZpmCdIS3TKc,EQ4You,1
|
| 345 |
+
ZuBzOV1ADkk,Social-IQ,1
|
| 346 |
+
_QNlEnY-xIg,Social-IQ,1
|
| 347 |
+
_Rn5H5l2BAQ,Movie-clips,1
|
| 348 |
+
_g9RI0GgRIQ,Movie-clips,1
|
| 349 |
+
a4GVTemxLuI,Social-IQ,1
|
| 350 |
+
aF-AXYCc_xo,EQ4You,1
|
| 351 |
+
aGAInDBQOoE,EQ4You,1
|
| 352 |
+
aNQL0s6v8nI,EQ4You,1
|
| 353 |
+
aOmEhX1LzZ0,Movie-clips,1
|
| 354 |
+
aP7GTu8tbvQ,EQ4You,1
|
| 355 |
+
aP7X7XLbQx0,Social-IQ,1
|
| 356 |
+
aSwi8mzc1gA,EQ4You,1
|
| 357 |
+
aa8TGGbp3QA,EQ4You,1
|
| 358 |
+
acoG5aT26pw,EQ4You,1
|
| 359 |
+
adxwpSdHj90,EQ4You,1
|
| 360 |
+
anokNvPMR5M,Social-IQ,1
|
| 361 |
+
ax59TmvzCEg,Social-IQ,1
|
| 362 |
+
b1W6OnrukU4,Social-IQ,1
|
| 363 |
+
b58Zg_TRqn0,EQ4You,1
|
| 364 |
+
b5KFw1O7QOo,EQ4You,1
|
| 365 |
+
b65C_muXajk,EQ4You,1
|
| 366 |
+
bPH152eXEfU,EQ4You,1
|
| 367 |
+
bQzh5ugYzPg,Movie-clips,1
|
| 368 |
+
baNc64S4DHY,EQ4You,1
|
| 369 |
+
bkd3RW1iSuU,EQ4You,1
|
| 370 |
+
blQ8Wi0VAn0,EQ4You,1
|
| 371 |
+
bvcLlHKiUJA,Movie-clips,1
|
| 372 |
+
c1EyN9xTK94,Movie-clips,1
|
| 373 |
+
cdWxw91Bf44,Movie-clips,1
|
| 374 |
+
cmgeSY8YdO4,Social-IQ,1
|
| 375 |
+
cpsPbbzsjxk,EQ4You,1
|
| 376 |
+
cslI2draO_E,EQ4You,1
|
| 377 |
+
cyUf4tLI53o,EQ4You,1
|
| 378 |
+
czJL-TPz-5M,EQ4You,1
|
| 379 |
+
d7Gzm3SnUaY,Social-IQ,1
|
| 380 |
+
d7WraA-roN8,EQ4You,1
|
| 381 |
+
d8_YaWvZz4k,Movie-clips,1
|
| 382 |
+
dLAfUehM_6U,Social-IQ,1
|
| 383 |
+
dZb8CGMC1zA,EQ4You,1
|
| 384 |
+
dkjBBdHZNUs,EQ4You,1
|
| 385 |
+
eFi6bd59meQ,Movie-clips,1
|
| 386 |
+
ePRYhNNdzwk,Movie-clips,1
|
| 387 |
+
eU4-wIieuWU,EQ4You,1
|
| 388 |
+
eZHlWaIYjNE,Social-IQ,1
|
| 389 |
+
ekfY_UVQLGE,Movie-clips,1
|
| 390 |
+
eqJywmFkj3U,EQ4You,1
|
| 391 |
+
etixMqUt8Ak,EQ4You,1
|
| 392 |
+
f2h0cOmah_A,Movie-clips,1
|
| 393 |
+
fFE8_U07a5I,EQ4You,1
|
| 394 |
+
fGz548wgGCc,Social-IQ,1
|
| 395 |
+
fJV0KtMZ7x8,EQ4You,1
|
| 396 |
+
fSDmYGW8H7c,Social-IQ,1
|
| 397 |
+
fVtraC0jglE,Social-IQ,1
|
| 398 |
+
fYNZsz9o3Sg,EQ4You,1
|
| 399 |
+
fjodt2JnWT8,Movie-clips,1
|
| 400 |
+
fkiY6TBT4mo,EQ4You,1
|
| 401 |
+
fnF1_aVlIio,Social-IQ,1
|
| 402 |
+
foQnR1eZO-Y,EQ4You,1
|
| 403 |
+
fpK36FZmTFY,EQ4You,1
|
| 404 |
+
fs4e4XfH7n0,EQ4You,1
|
| 405 |
+
g3kE0xpO1y8,EQ4You,1
|
| 406 |
+
gA14LXQf-ZI,Social-IQ,1
|
| 407 |
+
gHfTsIMdlPg,Social-IQ,1
|
| 408 |
+
gQ5KDSBMFRU,EQ4You,1
|
| 409 |
+
gWB-uAtqUIs,Social-IQ,1
|
| 410 |
+
gYNVk-Y5w0Y,EQ4You,1
|
| 411 |
+
gehf3q_IMbw,Movie-clips,1
|
| 412 |
+
geiub8WP_XE,Social-IQ,1
|
| 413 |
+
h4vIn6gXWlA,Movie-clips,1
|
| 414 |
+
h9Zol4P5u9Q,Social-IQ,1
|
| 415 |
+
huDFl8Whd-Y,EQ4You,1
|
| 416 |
+
iAlU6xt7Y_s,Social-IQ,1
|
| 417 |
+
iCboXTJ7AVY,EQ4You,1
|
| 418 |
+
iZx1W6cHw-g,Movie-clips,1
|
| 419 |
+
i_SnR25Zoho,EQ4You,1
|
| 420 |
+
ieXrbTpZsvM,Social-IQ,1
|
| 421 |
+
isiiaY7qRSE,EQ4You,1
|
| 422 |
+
itR1SZHObo0,EQ4You,1
|
| 423 |
+
iz3ETniN1NI,EQ4You,1
|
| 424 |
+
izLhF-Oodrg,EQ4You,1
|
| 425 |
+
j0kq9nF8xeY,Social-IQ,1
|
| 426 |
+
j4OMpEp-bFk,Social-IQ,1
|
| 427 |
+
j8aCRkRZWT0,EQ4You,1
|
| 428 |
+
jJ9VFThsqtU,Social-IQ,1
|
| 429 |
+
jsLUidiYm0w,Social-IQ,1
|
| 430 |
+
jzhXtCHYrAM,Social-IQ,1
|
| 431 |
+
k4X42D5Gg7o,Social-IQ,1
|
| 432 |
+
k7o8U7h_YHM,Movie-clips,1
|
| 433 |
+
k9utcDoerr0,EQ4You,1
|
| 434 |
+
kLOwM60zoKE,Movie-clips,1
|
| 435 |
+
kRwFOUeh-Ro,EQ4You,1
|
| 436 |
+
kWc6rzwh8IA,EQ4You,1
|
| 437 |
+
kbGvnI1qIz8,EQ4You,1
|
| 438 |
+
kswPGoPPdwE,EQ4You,1
|
| 439 |
+
ktGg_D09c9M,Social-IQ,1
|
| 440 |
+
l17e0M4TTBA,EQ4You,1
|
| 441 |
+
l7yVO2AWEno,Movie-clips,1
|
| 442 |
+
lKBbFHMEvDc,EQ4You,1
|
| 443 |
+
lKU5GNOEj3Q,Social-IQ,1
|
| 444 |
+
lS8X7wWGcn8,EQ4You,1
|
| 445 |
+
lYLHNHt81AA,Social-IQ,1
|
| 446 |
+
lnfpTgAQ0Ys,Social-IQ,1
|
| 447 |
+
lpdIzawWjAs,EQ4You,1
|
| 448 |
+
lsa5PDPgJmI,EQ4You,1
|
| 449 |
+
m1JgMM8b9_w,EQ4You,1
|
| 450 |
+
m5Qi_YVxd5M,EQ4You,1
|
| 451 |
+
m6IDlWrKnfQ,Movie-clips,1
|
| 452 |
+
mGf4oL6RLGs,Social-IQ,1
|
| 453 |
+
mOSZjkJrnrE,Social-IQ,1
|
| 454 |
+
mTYe5PvlRno,EQ4You,1
|
| 455 |
+
mbTKo5Ylypw,EQ4You,1
|
| 456 |
+
mcXnAOcF_Sc,EQ4You,1
|
| 457 |
+
melCNhYmwII,EQ4You,1
|
| 458 |
+
msKueuPsVrg,Movie-clips,1
|
| 459 |
+
mv3qeSxmp68,Social-IQ,1
|
| 460 |
+
nJwGWiuonws,EQ4You,1
|
| 461 |
+
nLDgcHxJ4Sc,EQ4You,1
|
| 462 |
+
nNKsj8rQGHc,EQ4You,1
|
| 463 |
+
nOQCz7STLIY,Movie-clips,1
|
| 464 |
+
nQ2Y1gm0fRU,EQ4You,1
|
| 465 |
+
njfu6wuNC_w,EQ4You,1
|
| 466 |
+
nkUW8cR67Qw,Social-IQ,1
|
| 467 |
+
ns3j2exbdbU,Social-IQ,1
|
| 468 |
+
oQIubudKQQE,EQ4You,1
|
| 469 |
+
oSmSbOvl4UU,EQ4You,1
|
| 470 |
+
oUQ9ZKUt2XQ,Movie-clips,1
|
| 471 |
+
oXLfst2J3dE,EQ4You,1
|
| 472 |
+
oZu2JfM2Aq8,Social-IQ,1
|
| 473 |
+
ocqy8r8rDI0,Social-IQ,1
|
| 474 |
+
onesjJyXdFQ,EQ4You,1
|
| 475 |
+
op6H61wRi-Y,Movie-clips,1
|
| 476 |
+
pDj1GM3RRWs,EQ4You,1
|
| 477 |
+
pK35em6gl0Q,EQ4You,1
|
| 478 |
+
pQyBKv0RQ2g,Social-IQ,1
|
| 479 |
+
pZauSPAD1_g,Movie-clips,1
|
| 480 |
+
pkylHxUSxLM,Social-IQ,1
|
| 481 |
+
psEglVHxbCA,Social-IQ,1
|
| 482 |
+
q2YwvMc96VY,EQ4You,1
|
| 483 |
+
qcpHK7K58JU,EQ4You,1
|
| 484 |
+
qnFWCagTOtw,EQ4You,1
|
| 485 |
+
qp-Jr4oEFWo,Social-IQ,1
|
| 486 |
+
r1CpvYqEUZY,EQ4You,1
|
| 487 |
+
rA69NDoXRhI,EQ4You,1
|
| 488 |
+
rDnazOBaF1U,EQ4You,1
|
| 489 |
+
rFim4AcaAaU,Social-IQ,1
|
| 490 |
+
rGtJbW9sRbo,EQ4You,1
|
| 491 |
+
rNP5uIQxAfY,EQ4You,1
|
| 492 |
+
rQWpTKfljVg,EQ4You,1
|
| 493 |
+
rbXEZz5idLo,Social-IQ,1
|
| 494 |
+
reTHiReUNo4,Movie-clips,1
|
| 495 |
+
rj21NdUuK5w,Social-IQ,1
|
| 496 |
+
rlAbxl3Ksks,Movie-clips,1
|
| 497 |
+
royuCXeS8go,Social-IQ,1
|
| 498 |
+
rrMvGHoW7aw,EQ4You,1
|
| 499 |
+
rweWF2wA2eY,Movie-clips,1
|
| 500 |
+
rxC2ZWU4IPo,EQ4You,1
|
| 501 |
+
s7ougTo-pGg,EQ4You,1
|
| 502 |
+
sIwsArbH5ck,EQ4You,1
|
| 503 |
+
sNrOsj0xDPs,EQ4You,1
|
| 504 |
+
sigaBPwJeXg,Social-IQ,1
|
| 505 |
+
spF8zQB-5yw,Social-IQ,1
|
| 506 |
+
t0a3afuZ1DU,EQ4You,1
|
| 507 |
+
tMB7LgnO2Wo,EQ4You,1
|
| 508 |
+
tdzX5AKWiDw,EQ4You,1
|
| 509 |
+
tswPOcaeEAM,Social-IQ,1
|
| 510 |
+
u3oi4L5tWQg,EQ4You,1
|
| 511 |
+
ucQmXLgGIVA,Movie-clips,1
|
| 512 |
+
udUJzIAXChM,EQ4You,1
|
| 513 |
+
v8sYtaj3k4A,EQ4You,1
|
| 514 |
+
vOJ1HPBID5A,EQ4You,1
|
| 515 |
+
vjKoaNcefSU,Movie-clips,1
|
| 516 |
+
w1zHLJqTMro,EQ4You,1
|
| 517 |
+
wAH6MZynLGM,EQ4You,1
|
| 518 |
+
wHSH-NpCQOw,Social-IQ,1
|
| 519 |
+
wOtk7fxLONA,Social-IQ,1
|
| 520 |
+
wVKPQ9iZ04I,Movie-clips,1
|
| 521 |
+
wVsMJ0ntvmc,Movie-clips,1
|
| 522 |
+
wbIH6b62y0g,Social-IQ,1
|
| 523 |
+
wfmUxeRsy8c,Movie-clips,1
|
| 524 |
+
wmXFSQdF3PM,EQ4You,1
|
| 525 |
+
wnwsSOrmEKI,EQ4You,1
|
| 526 |
+
wwDCSzZx37I,EQ4You,1
|
| 527 |
+
x69lUuRClTI,Movie-clips,1
|
| 528 |
+
x6fcoqxi7WI,Social-IQ,1
|
| 529 |
+
xAlCbE-yCTw,Social-IQ,1
|
| 530 |
+
xQ9lcCGI6Qk,Social-IQ,1
|
| 531 |
+
x_NCDybaJIk,EQ4You,1
|
| 532 |
+
xdnibOE5L40,Social-IQ,1
|
| 533 |
+
xpKYkGHWB7E,Social-IQ,1
|
| 534 |
+
xxulNn8UDtY,EQ4You,1
|
| 535 |
+
xy1RYlFd2fE,EQ4You,1
|
| 536 |
+
y2WxQzN_zz8,Social-IQ,1
|
| 537 |
+
y2wupV34DRk,EQ4You,1
|
| 538 |
+
y5nviTYYEPU,Social-IQ,1
|
| 539 |
+
yMiJp1nYlNA,EQ4You,1
|
| 540 |
+
yQXi94aNwBU,EQ4You,1
|
| 541 |
+
yjSQMZSEV4Y,Social-IQ,1
|
| 542 |
+
yoa9SgaZ0Uk,EQ4You,1
|
| 543 |
+
yquyze0QbPk,EQ4You,1
|
| 544 |
+
yzera03y4_0,EQ4You,1
|
| 545 |
+
zJ08DhVEAiI,Social-IQ,1
|
| 546 |
+
zPqBVU22fRs,EQ4You,1
|
| 547 |
+
zgDARv2GW-0,EQ4You,1
|
| 548 |
+
zmdsY7PIJDg,EQ4You,1
|
| 549 |
+
znjpkKX6bek,EQ4You,1
|
| 550 |
+
zpscvd8VW8U,Movie-clips,1
|
| 551 |
+
zwIg1QvuQkc,Social-IQ,1
|
| 552 |
+
zzJM4vWqJvA,Social-IQ,1
|
instructions/task_1_grounded_affect_recognition.md
ADDED
|
@@ -0,0 +1,26 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
# Task 1. Grounded Affect Recognition
|
| 2 |
+
|
| 3 |
+
Given the focal subject and episode, infer the subject's affective state and its manifestation from the video.
|
| 4 |
+
|
| 5 |
+
## Fields
|
| 6 |
+
|
| 7 |
+
`subject`: the focal person in the affective episode. Its value is given.
|
| 8 |
+
|
| 9 |
+
`affective_state`: what the subject feels.
|
| 10 |
+
|
| 11 |
+
- `object`: the person toward whom the affect is directed, identified by label or by description.
|
| 12 |
+
- `coarse_category`: the category of the subject's affective state, as a list of one or more of the 12 categories Anger, Anxiety, Disgust, Embarrassment, Fear, Frustration, Guilt, Happiness, Relief, Sadness, Surprise, Neutral.
|
| 13 |
+
- `fine_description`: free-form text giving the contextual nuance or blend of the affect.
|
| 14 |
+
- `polarity`: the valence of the affective state, one of Positive, Negative, Neutral, Mixed. Mixed means that positive and negative feelings coexist in the same person at the same moment. A mismatch between the affective state and its manifestation, or a change across moments, is not sufficient.
|
| 15 |
+
- `intensity`: the strength of the affective state, one of High, Medium, Low, None. Low is a mild feeling with little influence on attention or ongoing activity. Medium is a feeling that changes attention or response without dominating the episode. High is a strong feeling that dominates the person's concerns or creates an urgent need to respond.
|
| 16 |
+
|
| 17 |
+
`affective_manifestation`: the outward expressions corresponding to the affective state, each in free-form text.
|
| 18 |
+
|
| 19 |
+
- `facial_expression`: observable facial movement or configuration.
|
| 20 |
+
- `body_language`: observable posture, gesture, movement, or spatial behavior.
|
| 21 |
+
- `vocal_cues`: the acoustic and prosodic delivery of the subject's speech, such as tone, pitch, volume, pace, or rhythm.
|
| 22 |
+
- `verbal_content`: the subject's words or speech act.
|
| 23 |
+
|
| 24 |
+
## Output
|
| 25 |
+
|
| 26 |
+
The answer is one JSON object with the fields of the answer template in the question. Placeholder entries in the template denote values to infer. The subject, object and recipient identifiers supplied in the template are fixed.
|
instructions/task_2_regulation_decoding.md
ADDED
|
@@ -0,0 +1,32 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
# Task 2. Regulation Decoding
|
| 2 |
+
|
| 3 |
+
Given the subject's felt affective state at the focal moment, read the outward display from the video and decide whether and how the subject regulates it relative to the given state.
|
| 4 |
+
|
| 5 |
+
## Given fields
|
| 6 |
+
|
| 7 |
+
- `source_subject`: the focal person in the affective episode.
|
| 8 |
+
- `affective_state.object`: the person toward whom the affect is directed.
|
| 9 |
+
- `affective_state.coarse_category`: the category of the subject's felt affective state, one of the 12 categories Anger, Anxiety, Disgust, Embarrassment, Fear, Frustration, Guilt, Happiness, Relief, Sadness, Surprise, Neutral. It is the source state of the regulation.
|
| 10 |
+
- `affective_state.intensity`: the strength of the felt affective state, one of High, Medium, Low, None.
|
| 11 |
+
|
| 12 |
+
## Answer fields
|
| 13 |
+
|
| 14 |
+
`subject`: the focal person. Its value is given.
|
| 15 |
+
|
| 16 |
+
`regulation_pathway`: the regulation, which relates the felt affective state to its outward manifestation.
|
| 17 |
+
|
| 18 |
+
- `tactic_type`: the regulatory relation between the source state and the target state, one of None, Suppression, Amplification, Substitution, Fabrication. When source and target share a non-neutral category, the relative intensity is the intensity conveyed by the manifestation relative to the felt intensity, one of lower, comparable, higher. The five tactics are defined as follows.
|
| 19 |
+
- None: source and target are both Neutral, or they share a non-neutral category and the relative intensity is comparable.
|
| 20 |
+
- Suppression: source and target share a non-neutral category and the relative intensity is lower.
|
| 21 |
+
- Amplification: source and target share a non-neutral category and the relative intensity is higher.
|
| 22 |
+
- Substitution: the source category is not Neutral, and the target category is neither the source category nor Neutral.
|
| 23 |
+
- Fabrication: the source category is Neutral and the target category is not Neutral.
|
| 24 |
+
- `goal`: free-form text stating the purpose of regulating the affective state.
|
| 25 |
+
- `target_affect_state`: the affective state the subject intends to manifest, as one of the 12 categories. Its intensity relative to the source is encoded by the tactic, not by this field. Under Suppression the target keeps the source category even when its outward expression becomes barely perceptible.
|
| 26 |
+
- `evidence`: free-form text describing the manifestation cues observed in the video that support the inferred regulation.
|
| 27 |
+
|
| 28 |
+
When `tactic_type` is `"None"`, `goal`, `target_affect_state` and `evidence` are not populated, and their values in a template-shaped answer are empty strings.
|
| 29 |
+
|
| 30 |
+
## Output
|
| 31 |
+
|
| 32 |
+
The answer is one JSON object with the fields of the answer template in the question. Placeholder entries in the template denote values to infer. The subject, object and recipient identifiers supplied in the template are fixed.
|
instructions/task_3_affective_cause_reasoning.md
ADDED
|
@@ -0,0 +1,40 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
# Task 3. Affective Cause Reasoning
|
| 2 |
+
|
| 3 |
+
Given the subject's affective state, its manifestation, and any annotated regulation, reason backward to the affective cause requested by the answer template.
|
| 4 |
+
|
| 5 |
+
## Given fields
|
| 6 |
+
|
| 7 |
+
- `source_subject`: the focal person in the affective episode.
|
| 8 |
+
- `affective_state`: what the subject feels.
|
| 9 |
+
- `object`: the person toward whom the affect is directed.
|
| 10 |
+
- `coarse_category`: the category of the affective state, one or more of the 12 categories Anger, Anxiety, Disgust, Embarrassment, Fear, Frustration, Guilt, Happiness, Relief, Sadness, Surprise, Neutral.
|
| 11 |
+
- `polarity`: the valence of the affective state, one of Positive, Negative, Neutral, Mixed.
|
| 12 |
+
- `intensity`: the strength of the affective state, one of High, Medium, Low, None.
|
| 13 |
+
- `affective_manifestation`: the outward expressions corresponding to the affective state.
|
| 14 |
+
- `facial_expression`: observable facial movement or configuration.
|
| 15 |
+
- `body_language`: observable posture, gesture, movement, or spatial behavior.
|
| 16 |
+
- `vocal_cues`: the acoustic and prosodic delivery of the subject's speech.
|
| 17 |
+
- `verbal_content`: the subject's words or speech act.
|
| 18 |
+
- `regulation_pathway`: the regulation, which relates the felt affective state to its outward manifestation. Its source state is the felt category involved in the regulation.
|
| 19 |
+
- `tactic_type`: the regulatory relation between the source state and the target state, one of None, Suppression, Amplification, Substitution, Fabrication. When source and target share a non-neutral category, the relative intensity is the intensity conveyed by the manifestation relative to the felt intensity, one of lower, comparable, higher.
|
| 20 |
+
- None: source and target are both Neutral, or they share a non-neutral category and the relative intensity is comparable.
|
| 21 |
+
- Suppression: source and target share a non-neutral category and the relative intensity is lower.
|
| 22 |
+
- Amplification: source and target share a non-neutral category and the relative intensity is higher.
|
| 23 |
+
- Substitution: the source category is not Neutral, and the target category is neither the source category nor Neutral.
|
| 24 |
+
- Fabrication: the source category is Neutral and the target category is not Neutral.
|
| 25 |
+
- `goal`: the purpose of regulating the affective state.
|
| 26 |
+
- `target_affect_state`: the affective state the subject intends to manifest, as one of the 12 categories.
|
| 27 |
+
- `evidence`: the manifestation cues that support the regulation.
|
| 28 |
+
|
| 29 |
+
## Answer fields
|
| 30 |
+
|
| 31 |
+
`subject`: the focal person. Its value is given.
|
| 32 |
+
|
| 33 |
+
`affective_cause`: the antecedents most directly relevant to the subject's affective response, each in free-form text.
|
| 34 |
+
|
| 35 |
+
- `external_reality`: the objective event or external circumstance that triggers the subject's affect.
|
| 36 |
+
- `internal_driver`: the subject's belief, desire, or intention that gives the external circumstance its affective significance.
|
| 37 |
+
|
| 38 |
+
## Output
|
| 39 |
+
|
| 40 |
+
The answer is one JSON object with the fields of the answer template in the question. Placeholder entries in the template denote values to infer. The subject, object and recipient identifiers supplied in the template are fixed.
|
instructions/task_4_affective_effect_reasoning.md
ADDED
|
@@ -0,0 +1,46 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
# Task 4. Affective Effect Reasoning
|
| 2 |
+
|
| 3 |
+
Given the subject's affective state, its manifestation, and any annotated regulation, reason forward to the downstream effect on the specified recipient along the requested effect channel.
|
| 4 |
+
|
| 5 |
+
## Given fields
|
| 6 |
+
|
| 7 |
+
- `source_subject`: the focal person in the affective episode.
|
| 8 |
+
- `source_affective_state`: what the subject feels.
|
| 9 |
+
- `object`: the person toward whom the affect is directed.
|
| 10 |
+
- `coarse_category`: the category of the affective state, one or more of the 12 categories Anger, Anxiety, Disgust, Embarrassment, Fear, Frustration, Guilt, Happiness, Relief, Sadness, Surprise, Neutral.
|
| 11 |
+
- `fine_description`: the contextual nuance or blend of the affect.
|
| 12 |
+
- `polarity`: the valence of the affective state, one of Positive, Negative, Neutral, Mixed.
|
| 13 |
+
- `intensity`: the strength of the affective state, one of High, Medium, Low, None.
|
| 14 |
+
- `source_affective_manifestation`: the outward expressions corresponding to the affective state.
|
| 15 |
+
- `facial_expression`: observable facial movement or configuration.
|
| 16 |
+
- `body_language`: observable posture, gesture, movement, or spatial behavior.
|
| 17 |
+
- `vocal_cues`: the acoustic and prosodic delivery of the subject's speech.
|
| 18 |
+
- `verbal_content`: the subject's words or speech act.
|
| 19 |
+
- `source_regulation_pathway`: the regulation, which relates the felt affective state to its outward manifestation. Its source state is the felt category involved in the regulation.
|
| 20 |
+
- `tactic_type`: the regulatory relation between the source state and the target state, one of None, Suppression, Amplification, Substitution, Fabrication. When source and target share a non-neutral category, the relative intensity is the intensity conveyed by the manifestation relative to the felt intensity, one of lower, comparable, higher.
|
| 21 |
+
- None: source and target are both Neutral, or they share a non-neutral category and the relative intensity is comparable.
|
| 22 |
+
- Suppression: source and target share a non-neutral category and the relative intensity is lower.
|
| 23 |
+
- Amplification: source and target share a non-neutral category and the relative intensity is higher.
|
| 24 |
+
- Substitution: the source category is not Neutral, and the target category is neither the source category nor Neutral.
|
| 25 |
+
- Fabrication: the source category is Neutral and the target category is not Neutral.
|
| 26 |
+
- `goal`: the purpose of regulating the affective state.
|
| 27 |
+
- `target_affect_state`: the affective state the subject intends to manifest, as one of the 12 categories.
|
| 28 |
+
- `evidence`: the manifestation cues that support the regulation.
|
| 29 |
+
- `effect_type`: the requested effect channel, one of `mental_effect`, `affective_effect`, `physical_effect`.
|
| 30 |
+
- `effect_recipient`: the recipient of the requested effect. The recipient may be the subject.
|
| 31 |
+
|
| 32 |
+
## Answer fields
|
| 33 |
+
|
| 34 |
+
`subject` identifies the source subject. `object`, when present, identifies the person toward whom the source affect is directed. Their values are given.
|
| 35 |
+
|
| 36 |
+
The answer field is named by `effect_type`. An effect is a downstream consequence of the subject's affective response within the interaction, and is written in free-form text for the specified recipient.
|
| 37 |
+
|
| 38 |
+
- `mental_effect`: what the recipient comes to believe, desire, or intend as a consequence.
|
| 39 |
+
- `affective_effect`: the affect the recipient experiences as a consequence.
|
| 40 |
+
- `physical_effect`: the recipient's resulting action, speech, or behavioral response.
|
| 41 |
+
|
| 42 |
+
An effect includes connected utterances or actions that respond to the subject's affective episode, even when they extend beyond the first response. It excludes reactions to a new event.
|
| 43 |
+
|
| 44 |
+
## Output
|
| 45 |
+
|
| 46 |
+
The answer is one JSON object with the fields of the answer template in the question. Placeholder entries in the template denote values to infer. The subject, object and recipient identifiers supplied in the template are fixed.
|
instructions/task_5_full_chain_reconstruction.md
ADDED
|
@@ -0,0 +1,57 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
# Task 5. Full Chain Reconstruction
|
| 2 |
+
|
| 3 |
+
Given the focal subject, the affective object, and an episode anchor, reconstruct the complete condition, affect, and effect chain of the affective episode from the video.
|
| 4 |
+
|
| 5 |
+
## Given fields
|
| 6 |
+
|
| 7 |
+
- `subject`: the focal person in the affective episode.
|
| 8 |
+
- `affect_object`, when present: the person toward whom the subject's affect is directed.
|
| 9 |
+
- `focal_anchor`: the moment in the video at which the affective episode is anchored.
|
| 10 |
+
- `given_affective_fields`: the affective fields supplied by the question. None are supplied.
|
| 11 |
+
|
| 12 |
+
## Answer fields
|
| 13 |
+
|
| 14 |
+
In the answer template, `<TBI>` marks a value to be inferred, with the JSON type given below. `coarse_category` is an array of category strings.
|
| 15 |
+
|
| 16 |
+
`1_condition`: the condition from which the subject's affective response emerges.
|
| 17 |
+
|
| 18 |
+
- `subject`: the focal person. Its value is given.
|
| 19 |
+
- `causal_analysis`: the affective cause, the antecedents most directly relevant to the response, each in free-form text.
|
| 20 |
+
- `external_reality`: the objective event or external circumstance that triggers the subject's affect.
|
| 21 |
+
- `internal_driver`: the subject's belief, desire, or intention that gives the external circumstance its affective significance.
|
| 22 |
+
|
| 23 |
+
`2_affect`: the subject's affective response.
|
| 24 |
+
|
| 25 |
+
- `affective_state`: what the subject feels.
|
| 26 |
+
- `object`, when present: the person toward whom the affect is directed. Its value is given.
|
| 27 |
+
- `coarse_category`: the category of the subject's affective state, as a list of one or more of the 12 categories Anger, Anxiety, Disgust, Embarrassment, Fear, Frustration, Guilt, Happiness, Relief, Sadness, Surprise, Neutral.
|
| 28 |
+
- `fine_description`: free-form text giving the contextual nuance or blend of the affect.
|
| 29 |
+
- `intensity`: the strength of the affective state, one of High, Medium, Low, None. Low is a mild feeling with little influence on attention or ongoing activity. Medium is a feeling that changes attention or response without dominating the episode. High is a strong feeling that dominates the person's concerns or creates an urgent need to respond.
|
| 30 |
+
- `polarity`: the valence of the affective state, one of Positive, Negative, Neutral, Mixed. Mixed means that positive and negative feelings coexist in the same person at the same moment. A mismatch between the affective state and its manifestation, or a change across moments, is not sufficient.
|
| 31 |
+
- `affective_manifestation`: the outward expressions corresponding to the affective state, each in free-form text.
|
| 32 |
+
- `facial_expression`: observable facial movement or configuration.
|
| 33 |
+
- `body_language`: observable posture, gesture, movement, or spatial behavior.
|
| 34 |
+
- `vocal_cues`: the acoustic and prosodic delivery of the subject's speech, such as tone, pitch, volume, pace, or rhythm.
|
| 35 |
+
- `verbal_content`: the subject's words or speech act.
|
| 36 |
+
- `regulation_pathway`: the regulation, which relates the felt affective state to its outward manifestation.
|
| 37 |
+
- `tactic_type`: the regulatory relation between the source state and the target state, one of None, Suppression, Amplification, Substitution, Fabrication. When source and target share a non-neutral category, the relative intensity is the intensity conveyed by the manifestation relative to the felt intensity, one of lower, comparable, higher.
|
| 38 |
+
- None: source and target are both Neutral, or they share a non-neutral category and the relative intensity is comparable.
|
| 39 |
+
- Suppression: source and target share a non-neutral category and the relative intensity is lower.
|
| 40 |
+
- Amplification: source and target share a non-neutral category and the relative intensity is higher.
|
| 41 |
+
- Substitution: the source category is not Neutral, and the target category is neither the source category nor Neutral.
|
| 42 |
+
- Fabrication: the source category is Neutral and the target category is not Neutral.
|
| 43 |
+
- `goal`: free-form text stating the purpose of regulating the affective state.
|
| 44 |
+
- `source_affect_state`: the affective state before regulation, as one of the 12 categories. When the affective state has several categories, it is the category involved in the regulation.
|
| 45 |
+
- `target_affect_state`: the affective state the subject intends to manifest, as one of the 12 categories. Its intensity relative to the source is encoded by the tactic, not by this field. Under Suppression the target keeps the source category even when its outward expression becomes barely perceptible.
|
| 46 |
+
|
| 47 |
+
`3_effect`: the downstream consequences of the subject's affective response within the interaction, each in free-form text. Each channel has its own specified recipient, who may be the subject.
|
| 48 |
+
|
| 49 |
+
- `mental_effect`: what the recipient comes to believe, desire, or intend as a consequence.
|
| 50 |
+
- `affective_effect`: the affect the recipient experiences as a consequence.
|
| 51 |
+
- `physical_effect`: the recipient's resulting action, speech, or behavioral response.
|
| 52 |
+
|
| 53 |
+
An effect includes connected utterances or actions that respond to the subject's affective episode, even when they extend beyond the first response. It excludes reactions to a new event.
|
| 54 |
+
|
| 55 |
+
## Output
|
| 56 |
+
|
| 57 |
+
The answer is one JSON object with the fields of the answer template in the question. Placeholder entries in the template denote values to infer. The subject, object and recipient identifiers supplied in the template are fixed.
|