rottentomatoes_id string | imdb_id string | video_id string | audio_description_us string | audio_description_uk string | subtitles string | sdh string | screenplay string | movie_duration string | video_start string | video_duration string |
|---|---|---|---|---|---|---|---|---|---|---|
italian_job | tt0317740 | 4_LP8OavYcj7 | 1
00:00:26,030 --> 00:00:29,030
Steve stares at Yevhen, who keeps his gaze averted.
2
00:00:39,870 --> 00:00:40,190
Steve.
3
00:01:02,830 --> 00:01:04,230
He throws Yevhen on a table.
4
00:01:11,550 --> 00:01:12,780
Steve draws a gun.
| 1
00:00:27,620 --> 00:00:28,910
Yevhen looks nervous.
2
00:01:12,120 --> 00:01:17,310
As he shoots Yevhen, his image is being relayed onto one of the shop's four security monitors.
| 1
00:00:00,140 --> 00:00:03,020
A holiday for Columbus?
2
00:00:03,060 --> 00:00:04,940
He makes the wrong turn,
3
00:00:05,020 --> 00:00:07,440
and wipes out an entire
indigenous people.
4
00:00:07,560 --> 00:00:08,790
And you know
what he was looking for?
5
00:00:08,820 --> 00:00:10,440
I bet you're going to tell... | 1
00:00:00,940 --> 00:00:03,320
A holiday for Columbus?
2
00:00:03,360 --> 00:00:07,490
He makes the wrong turn and wipes
out an entire indigenous people.
3
00:00:07,530 --> 00:00:10,610
And you know what he was looking for?
I bet you're gonna tell me.
4
00:00:10,660 --> 00:00:13,320
Gold. Supposedly
for Queen Isabe... | {"screenplay_scene_118": "<scene>\n <stage_direction>INT. YEVHEN'S COINS & BULLION STORE - NIGHT</stage_direction>\n <scene_description>It does n't seem to matter if Steve 's in a hurry or not , Yevhen still runs at the mouth while heading into the back room .</scene_description>\n <character>YEVHEN</chara... | 6663.20 | 3727.07 | 78.21 |
italian_job | tt0317740 | WYZoAN6wTjuU | 1
00:00:21,650 --> 00:00:23,090
Charlie punches him in the face
2
00:00:23,090 --> 00:00:25,170
and Steve falls to the floor, surprised.
3
00:00:25,450 --> 00:00:27,250
Charlie tosses money on the table.
4
00:00:31,490 --> 00:00:32,210
He leaves.
| 1
00:00:21,960 --> 00:00:23,590
Charlie is flawed, Steve.
| 1
00:00:00,220 --> 00:00:02,550
Oh... well, try this on
in your imagination, okay?
2
00:00:02,640 --> 00:00:03,720
That gold is already gone.
3
00:00:03,800 --> 00:00:05,470
That's bullshit, Steve.
4
00:00:05,560 --> 00:00:07,480
No, really, it's over Charlie.
5
00:00:07,560 --> 00:00:09,480
I'm trying to move
the ... | 1
00:00:00,010 --> 00:00:04,930
Oh, well, try this on in your imagination,
okay? That gold is already gone.
2
00:00:04,970 --> 00:00:07,640
That's bullshit, Steve. No, really.
It's over, Charlie.
3
00:00:07,680 --> 00:00:09,600
I'm tryin' to move
the last two bricks.
4
00:00:09,640 --> 00:00:14,310
You wanna come af... | {"screenplay_scene_143": "<scene>\n <stage_direction>INT. AGO RESTAURANT - NIGHT</stage_direction>\n <scene_description>A posh restaurant . As OUR CAMERA FINDS Stella and Steve , she is laughing at something he said , faking her way through the date . They 're sitting at an intimate table .</scene_description>\n ... | 6663.20 | 4441.95 | 36.80 |
italian_job | tt0317740 | 77sXfv4sq2Fo | 1
00:00:05,180 --> 00:00:07,300
The minis drive up onto the sidewalk,
2
00:00:07,540 --> 00:00:08,660
making U-turns.
3
00:00:08,700 --> 00:00:10,260
They speed in the opposite direction
4
00:00:10,260 --> 00:00:12,820
as the Truck people hurry to get out of the way.
5
00:00:16,220 --> 00:00:19,700
The cars swerve ... | 1
00:00:05,300 --> 00:00:06,880
Charlie drives onto the pavement
2
00:00:06,880 --> 00:00:09,770
and does a U-turn, followed by Stella and Rob.
3
00:00:10,230 --> 00:00:14,200
Pedestrians scream as the cars race past along the Avenue of Stars.
4
00:00:23,850 --> 00:00:26,940
They drive down some steps and into the s... | 1
00:00:00,290 --> 00:00:02,290
Metro just passed through
the station.
2
00:00:02,370 --> 00:00:04,380
You are clear for 90 seconds.
3
00:00:04,460 --> 00:00:05,580
Go.
4
00:00:21,770 --> 00:00:22,770
Come on, Steve.
5
00:00:39,450 --> 00:00:40,450
Whoa, whoa, whoa.
6
00:00:44,580 --> 00:00:47,250
Look out!
Look o... | 1
00:00:00,020 --> 00:00:04,240
Metro just passed through the station.
You are clear for 90 seconds.
2
00:00:04,280 --> 00:00:07,030
[Lyle]
Go.
3
00:00:09,160 --> 00:00:11,950
[Screaming]
4
00:00:21,920 --> 00:00:24,340
Come on, Steve.
5
00:00:33,310 --> 00:00:36,480
[Screaming]
6
00:00:39,440 --> 00:00:42,360
Who... | {"screenplay_scene_187": "<scene>\n <stage_direction>INT. METRO RAIL TUNNELS - SEVERAL SHOTS</stage_direction>\n <scene_description>A Metro is speeding through the Blue Line tunnel . Suddenly it loses power and comes to an inglorious stop . Another Metro stops on the Red Line . Inside a Metro on the Westside Corr... | 6663.20 | 5198.59 | 82.76 |
italian_job | tt0317740 | PtB41_f2BpKG | 1
00:00:00,680 --> 00:00:02,000
with Charlie leading the way.
2
00:00:02,080 --> 00:00:04,480
The crew heads off down the curving tunnel ahead.
3
00:00:06,640 --> 00:00:08,640
Glancing upward, Charlie grins.
4
00:00:11,240 --> 00:00:12,280
Stella smiles.
5
00:00:12,680 --> 00:00:14,840
The cars turn a corner and co... | 1
00:00:01,140 --> 00:00:03,190
Charlie leads the minis into a tunnel.
2
00:00:12,430 --> 00:00:14,140
Stella smiles at his comment.
3
00:00:30,360 --> 00:00:31,650
Charlie opens the gate
4
00:00:31,820 --> 00:00:34,910
and they all drive into an almost completely circular tunnel.
5
00:00:35,410 --> 00:00:37,080
Th... | 1
00:00:09,710 --> 00:00:11,170
What did you think, John?
2
00:00:19,300 --> 00:00:20,840
27 million.
3
00:00:20,890 --> 00:00:22,350
Say it again.
4
00:00:22,390 --> 00:00:24,720
- 27 million.
- Say it again.
5
00:00:24,760 --> 00:00:26,730
- Say it again!
- 27 million.
6
00:00:26,770 --> 00:00:27,930
Say it agai... | 1
00:00:08,910 --> 00:00:11,370
What did you think, John?
2
00:00:19,090 --> 00:00:22,090
[Rob]
Twenty seven million.
3
00:00:22,130 --> 00:00:24,710
[Left Ear] Say it again. Say it again!
Twenty seven million.
4
00:00:24,760 --> 00:00:26,680
Say it again!
Twenty seven million!
5
00:00:26,720 --> 00:00:29,390
Say i... | {"screenplay_scene_216": "<scene>\n <stage_direction>INT. METRO RAIL TUNNEL</stage_direction>\n <scene_description>The cars streak off deeper into the Metro Rail tunnel , headlights bouncing off the walls .</scene_description>\n </scene>"} | 6663.20 | 5691.62 | 115.64 |
italian_job | tt0317740 | xaD3CX82YQ2f | 1
00:00:01,550 --> 00:00:04,550
The helicopter follows as they pass through another intersection.
2
00:00:06,950 --> 00:00:07,310
Going?
3
00:00:07,430 --> 00:00:08,350
They turn a corner.
4
00:00:10,190 --> 00:00:11,870
Charlie looks up at the aircraft.
5
00:00:12,190 --> 00:00:13,870
Stella weaves between cars.
... | 1
00:00:09,050 --> 00:00:11,810
The minis weave in and out of the other cars on the road.
2
00:00:12,270 --> 00:00:14,990
Charlie pulls on the handbrake to make a tight corner.
3
00:00:15,240 --> 00:00:16,790
The others are just behind him.
4
00:00:34,500 --> 00:00:36,510
Charlie steers off the preplanned route,
5
... | 1
00:00:05,460 --> 00:00:07,670
Where you going?
Where you going?
2
00:00:27,110 --> 00:00:27,990
I'm going to take Steve.
3
00:00:28,030 --> 00:00:29,170
You guys go straight
to Union Station.
4
00:00:29,200 --> 00:00:30,410
I'll meet you there.
5
00:00:31,660 --> 00:00:33,200
Stay on him.
Stay on him!
6
00:00:41... | 1
00:00:05,280 --> 00:00:08,030
Where you goin'?
Where you goin'?
2
00:00:26,760 --> 00:00:30,640
I'm gonna take Steve. You guys go straight
to Union Station. I'll meet you there.
3
00:00:31,720 --> 00:00:35,140
Stay on him.
Stay on him!
4
00:00:41,520 --> 00:00:45,070
Okay, Charlie. I'm opening up
a spot on lower G... | {"screenplay_scene_225": "<scene>\n <stage_direction>EXT. FLOWER & PICO</stage_direction>\n <scene_description>They head off in different directions through congested downtown rush hour traffic . One motorcycle takes off after Charlie 's Mini . The other goes after Handsome Rob 's Mini . So Stella 's free and... | 6663.20 | 5851.65 | 90.23 |
italian_job | tt0317740 | T_a7g7jBkhyg | 1
00:00:00,530 --> 00:00:04,130
He stops abruptly, eyeing a construction site in front of him.
2
00:00:04,210 --> 00:00:05,330
He starts to drive.
3
00:00:05,810 --> 00:00:07,770
The helicopter flies beneath the overpass
4
00:00:07,770 --> 00:00:08,690
and blocks it.
5
00:00:09,770 --> 00:00:11,330
Charlie screeche... | 1
00:00:00,710 --> 00:00:02,340
then slams his foot down.
2
00:00:05,310 --> 00:00:08,150
The helicopter flies into the covered area up ahead
3
00:00:08,320 --> 00:00:10,870
and is forced to bring the mini to a screeching stop.
4
00:00:15,800 --> 00:00:17,720
Steve gloats from the cockpit.
5
00:00:21,440 --> 00:00:... | 1
00:00:20,200 --> 00:00:21,500
Nice move, Steve.
| 1
00:00:18,760 --> 00:00:21,850
Nice move, Steve.
| {"screenplay_scene_255": "<scene>\n <stage_direction>EXT. ROOFTOP</stage_direction>\n <scene_description>So he floors it , slaps the gears , hurtles to the edge of the first tower and in - EYE - POPPING CGI SLOW MOTION SHOTS His car hurls into the wide blue empty space . The ground deliriously distant . Spiraling... | 6663.20 | 5943.10 | 56.66 |
kill_bill_vol_1 | tt0266697 | iLgHsnNzirvn | 1
00:00:02,860 --> 00:00:04,820
A brown haired woman answers the door.
2
00:00:05,100 --> 00:00:11,070
A close up of the bride's fierce eyes appears over a red tinted flashback of her pregnant and in her bridal outfit,
3
00:00:11,070 --> 00:00:12,630
she gets hit by a blonde.
4
00:00:13,150 --> 00:00:15,870
She fall... | 1
00:00:03,740 --> 00:00:07,950
The bride stares with a piercing gaze at the young woman who has just answered the door.
2
00:00:08,330 --> 00:00:12,460
She thinks back to her wedding, and the same woman standing over her battered body.
3
00:00:12,750 --> 00:00:16,210
Then snapping out of her memory, she punches the ... | 1
00:00:00,580 --> 00:00:02,670
Sarah, I cannot believe
you are early.
2
00:01:06,650 --> 00:01:09,610
What you gonna do now, huh?
What you got?
3
00:01:09,700 --> 00:01:12,490
I got your ass!
Remember that? Huh? Remember?
4
00:01:21,920 --> 00:01:24,000
Okay.
Come on, bitch.
5
00:01:25,050 --> 00:01:28,260
Come on... | 1
00:00:00,450 --> 00:00:03,410
Sarah, I cannot believe
you are early.
2
00:01:06,930 --> 00:01:09,600
What you gonna do now, huh?
What you got?
3
00:01:09,680 --> 00:01:13,020
Got your ass!
Remember that? Huh? Remember?
4
00:01:21,650 --> 00:01:23,740
Okay.
Come on, bitch.
5
00:01:25,200 --> 00:01:28,700
Come on.
... | {"screenplay_scene_4": "<scene>\n <stage_direction>� EXT. RESIDENTIAL ·PASADENA STRE3T - DAY</stage_direction>\n <scene_description>The front door opens and an attractive black HOUSEWIFE the same age as The Bride stands in the doorway. The Housewife's face shows immediate recognition of tte blonde on her doorste... | 6642.70 | 341.92 | 133.59 |
kill_bill_vol_1 | tt0266697 | zVQuMGB_Fun7 | 1
00:00:02,430 --> 00:00:03,470
She rips her IV out
2
00:00:03,470 --> 00:00:04,790
and tries to stand.
3
00:00:04,830 --> 00:00:06,390
She collapses to the floor.
4
00:00:07,830 --> 00:00:09,870
The burly man lies unmoving nearby
5
00:00:09,870 --> 00:00:11,830
as she taps her one atrophied leg,
6
00:00:11,830 --... | 1
00:00:01,330 --> 00:00:04,450
Moments later, her front is covered with his blood.
2
00:00:04,990 --> 00:00:06,830
She yanks the IV from her arm.
3
00:00:09,910 --> 00:00:11,500
She heaves herself out of bed,
4
00:00:11,500 --> 00:00:16,580
but crumples in a heap on the floor as she tries to pull her legs into acti... | 1
00:00:39,320 --> 00:00:41,860
Yo, stud!
Time's up, buddy.
2
00:00:41,950 --> 00:00:43,610
Coming in, ready or not.
3
00:00:43,700 --> 00:00:46,370
Hey buddy, did you have
yourself a good time?
4
00:01:18,980 --> 00:01:20,530
Where's Bill?
5
00:01:21,150 --> 00:01:23,240
Where's Bill?
6
00:01:24,410 --> 00:01:25,... | 1
00:00:07,240 --> 00:00:09,110
Oh.
2
00:00:15,540 --> 00:00:19,120
[Whistling]
3
00:00:38,930 --> 00:00:41,810
Yo, stud!
Time's up, buddy.
4
00:00:41,900 --> 00:00:43,520
Coming in, ready or not.
5
00:00:43,610 --> 00:00:47,110
Hey, buddy, did you have yourself
a good time, man?
6
00:00:47,410 --> 00:00:48,930
Wh... | null | 6642.70 | 1771.36 | 128.31 |
kill_bill_vol_1 | tt0266697 | eJJy2ZVXjVLg | 1
00:00:00,910 --> 00:00:01,910
He heads off
2
00:00:03,110 --> 00:00:06,150
the fire, casts an amber glow on O-Ren under the bed.
3
00:00:06,590 --> 00:00:11,190
Outside, flames reach into the night sky as the traditional Japanese home burns.
4
00:00:12,070 --> 00:00:13,630
O-Ren straightens into view
5
00:00:13,6... | 1
00:00:01,350 --> 00:00:04,560
He watches for a moment as the room is engulfed by flames,
2
00:00:05,020 --> 00:00:05,770
then goes
3
00:00:06,730 --> 00:00:08,980
O-Ren lies unmoving beneath the bed.
4
00:00:09,850 --> 00:00:12,310
Then presently the whole house is ablaze
5
00:00:12,350 --> 00:00:15,470
and O-Ren... | 1
00:00:18,450 --> 00:00:20,750
She swore revenge.
2
00:00:20,830 --> 00:00:25,960
Luckily for her,
Boss Matsumoto was a pedophile.
3
00:00:28,090 --> 00:00:32,010
At 11, she got her revenge.
4
00:00:34,720 --> 00:00:39,060
Look at me, Matsumoto...
5
00:00:40,350 --> 00:00:44,060
...take a good look at my face.
6
... | 1
00:00:01,660 --> 00:00:03,620
[Chuckles]
2
00:00:18,380 --> 00:00:20,590
She swore revenge.
3
00:00:20,670 --> 00:00:26,100
Luckily for her, Boss Matsumoto
was a pedophile.
4
00:00:26,180 --> 00:00:27,930
[Screaming]
5
00:00:28,020 --> 00:00:32,310
At 11, she got her revenge.
6
00:00:34,360 --> 00:00:38,440
Look... | {"screenplay_scene_17": "<scene>\n <stage_direction>. . and her MOTHER being raped by the same men. When they finish, they SHOOT her.</stage_direction>\n <scene_description>Little O-Ren watches, hidden from sight, withi the eyes and face of a stone. ':</scene_description>\n <character>THE BRIDE (V.O.)</charact... | 6642.70 | 2431.97 | 133.59 |
kill_bill_vol_1 | tt0266697 | uu67ShFlGqEu | 1
00:00:38,700 --> 00:00:40,900
The chef grabs the man's outstretched finger.
2
00:00:52,780 --> 00:00:54,300
As the chef throws something at him,
3
00:00:54,300 --> 00:00:55,780
he retreats into the back.
4
00:01:31,270 --> 00:01:33,990
Straightening from his work, he meets her gaze.
5
00:01:36,350 --> 00:01:38,07... | 1
00:00:13,140 --> 00:00:14,300
One warm Saki.
2
00:00:14,720 --> 00:00:16,720
Saki in the middle of the day.
3
00:00:19,180 --> 00:00:20,140
Day, night.
4
00:00:20,140 --> 00:00:20,770
Afternoon.
5
00:00:20,770 --> 00:00:21,560
Who gives a damn?
6
00:00:21,560 --> 00:00:22,480
Get the Saki.
7
00:00:22,980 --> 00... | 1
00:00:00,200 --> 00:00:01,660
I beg your pardon?
2
00:00:01,750 --> 00:00:04,960
Uh, drink.
3
00:00:05,040 --> 00:00:06,250
Oh, yes.
4
00:00:06,330 --> 00:00:08,840
A bottle of warm sake, please.
5
00:00:08,920 --> 00:00:10,710
Warm sake?
6
00:00:10,800 --> 00:00:12,630
Very good!
7
00:00:12,720 --> 00:00:14,30... | 1
00:00:03,080 --> 00:00:05,000
Uh, drink.
2
00:00:05,080 --> 00:00:08,880
Oh, yes.
A bottle of warm sake, please.
3
00:00:08,960 --> 00:00:10,670
Warm sake?
4
00:00:10,750 --> 00:00:12,630
Very good!
5
00:00:12,710 --> 00:00:14,420
One warm sake!
6
00:00:14,510 --> 00:00:17,260
Sake? In the middle of the day?
7
... | {"screenplay_scene_27": "<scene>\n <stage_direction>INT. PRIVATE AREA - DAY</stage_direction>\n <scene_description>Where you look isnide your safety deposit box by yourself. The Bride opens up,the first box ... ... It's filled w/ CASH. She opens up the second box .... ... It's filled w/ CASH.</scene_description>\... | 6642.70 | 2895.01 | 133.52 |
kill_bill_vol_1 | tt0266697 | l_OMuA1_o3eT | 1
00:00:01,600 --> 00:00:03,320
He tosses his napkin at Tanaka.
2
00:00:14,600 --> 00:00:16,120
Tanaka fidgets angrily.
3
00:00:38,560 --> 00:00:40,640
O-Ren races barefoot atop the long table
4
00:00:40,640 --> 00:00:42,000
and decapitates Tanaka.
5
00:00:42,040 --> 00:00:44,000
His head lands in front of a Bald B... | 1
00:00:01,430 --> 00:00:02,060
Bastard!
2
00:00:02,390 --> 00:00:04,770
To which Tanaka counters with fuck face.
3
00:00:06,980 --> 00:00:07,810
Gentlemen!
4
00:00:08,310 --> 00:00:09,360
O-Ren commands.
5
00:00:09,360 --> 00:00:09,940
Silence!
6
00:00:10,860 --> 00:00:13,440
Tanaka obviously has something on his... | 1
00:00:02,110 --> 00:00:03,400
Bastard!
2
00:00:04,190 --> 00:00:05,530
Fuck face!
3
00:00:05,610 --> 00:00:07,240
Gentlemen.
4
00:00:09,160 --> 00:00:14,830
Tanaka obviously has something on his mind.
5
00:00:16,660 --> 00:00:21,250
By all means, allow him to express it.
6
00:00:21,340 --> 00:00:26,420
I speak, ... | 1
00:00:02,010 --> 00:00:03,260
Bastard!
2
00:00:03,920 --> 00:00:05,470
Fuck face!
3
00:00:05,970 --> 00:00:07,510
Gentlemen.
4
00:00:09,180 --> 00:00:15,440
Tanaka obviously has something on his mind.
5
00:00:16,690 --> 00:00:20,860
By all means, allow him to express it.
6
00:00:21,860 --> 00:00:26,360
I speak, ... | {"screenplay_scene_27": "<scene>\n <stage_direction>INT. PRIVATE AREA - DAY</stage_direction>\n <scene_description>Where you look isnide your safety deposit box by yourself. The Bride opens up,the first box ... ... It's filled w/ CASH. She opens up the second box .... ... It's filled w/ CASH.</scene_description>\... | 6642.70 | 3734.59 | 133.59 |
kill_bill_vol_1 | tt0266697 | fro2T9AllItm | 1
00:00:02,880 --> 00:00:04,560
on the ground level of the hall.
2
00:00:04,600 --> 00:00:08,240
Sophie stands wearing a fearful look with blood at the corner of her lips
3
00:00:08,240 --> 00:00:10,920
and the Bride barely visible just behind her.
4
00:00:11,360 --> 00:00:13,120
O-Ren and Gogo exit the room above
... | 1
00:00:01,500 --> 00:00:02,000
Down below.
2
00:00:02,000 --> 00:00:04,460
The other patrons are standing, stock still.
3
00:00:06,760 --> 00:00:07,930
As O-Ren appears.
4
00:00:08,180 --> 00:00:14,680
The bride steps out from behind a fearful looking Sophie, whose lips are bleeding and her left arms resting on a w... | 1
00:01:22,450 --> 00:01:25,200
Charlie Brown, beat it.
2
00:01:32,880 --> 00:01:34,460
Miki.
3
00:01:52,320 --> 00:01:54,440
TEAR THE BITCH APART!
| 1
00:00:22,760 --> 00:00:25,020
[Bleep]
2
00:01:22,320 --> 00:01:25,240
Charlie Brown, beat it.
3
00:01:32,920 --> 00:01:33,920
Miki.
4
00:01:40,090 --> 00:01:43,340
[Screams]
5
00:01:52,190 --> 00:01:53,600
TEAR THE BITCH APART!
6
00:01:53,690 --> 00:01:55,270
[Guards Shouting, Screaming]
7
00:02:06,660 --> 00:0... | {"screenplay_scene_28": "<scene>\n <stage_direction>INT. JAPANESE RESTAU~NT - NIGHT</stage_direction>\n <scene_description>The white paper door to Q-Ren's dining room SLAMS OPEN. Yuki and Go Go step into the corridor. All trace of the Bride has vanished. They look out over the restaurant, patrons look normal. Who... | 6642.70 | 4427.17 | 133.45 |
kill_bill_vol_1 | tt0266697 | Cpa_H1hIu_S8 | 1
00:00:01,090 --> 00:00:04,650
Gogo twirls the ball overhead, standing several feet from the Bride.
2
00:00:07,530 --> 00:00:08,650
Gogo advances,
3
00:00:08,650 --> 00:00:10,090
and the Bride backs up
4
00:00:10,490 --> 00:00:12,690
as the ball comes swinging toward the bride's head.
5
00:00:12,690 --> 00:00:14,6... | 1
00:00:02,000 --> 00:00:05,390
Gogo begins twirling her weapon above her head like a lasso.
2
00:00:07,940 --> 00:00:09,360
Gogo edges forward
3
00:00:09,360 --> 00:00:11,980
and the Bride starts edging back across the room.
4
00:00:14,730 --> 00:00:17,440
Gogo flicks the ball on the end of the chain forward.
5
00... | 1
00:01:46,960 --> 00:01:48,170
[Cracking]
2
00:01:50,330 --> 00:01:51,500
Aah!
3
00:01:57,510 --> 00:01:58,510
Aah!
4
00:02:00,470 --> 00:02:01,470
Aah!
| {"screenplay_scene_28": "<scene>\n <stage_direction>INT. JAPANESE RESTAU~NT - NIGHT</stage_direction>\n <scene_description>The white paper door to Q-Ren's dining room SLAMS OPEN. Yuki and Go Go step into the corridor. All trace of the Bride has vanished. They look out over the restaurant, patrons look normal. Who... | 6642.70 | 4695.33 | 133.17 | |
kill_bill_vol_1 | tt0266697 | D5tGg5Wl_hRh | 1
00:00:04,490 --> 00:00:07,930
Gripping her katana with both hands, the bride points it forward,
2
00:00:07,930 --> 00:00:09,540
then tilts it horizontally.
3
00:00:10,180 --> 00:00:11,340
The circle backs up.
4
00:00:12,260 --> 00:00:13,820
She eyes the thugs behind her,
5
00:00:13,820 --> 00:00:15,660
reflected ... | 1
00:00:07,810 --> 00:00:09,230
She lifts her katana
2
00:00:09,440 --> 00:00:11,030
and the 88 stepped back.
3
00:00:14,190 --> 00:00:17,320
Using the blade's perfect finish to check her rear guard.
4
00:00:17,660 --> 00:00:19,570
She prepares for the first attack.
5
00:00:25,620 --> 00:00:27,910
Another circle of... | 1
00:00:28,840 --> 00:00:29,880
Hyah!
2
00:00:43,100 --> 00:00:45,310
Aaaaaaaaahh!
3
00:01:03,700 --> 00:01:05,000
Aaahh!
4
00:01:59,260 --> 00:02:01,140
[All Gasp]
5
00:02:11,690 --> 00:02:13,480
Aaaaahhh!
| {"screenplay_scene_29": "<scene>\n <stage_direction> . . The arm, still gripping the samurai sword, drops to the floor.</stage_direction>\n <scene_description>The Bride pushes the Hanzo Sword right through the middle of his chest. Only half of the Crazy 88s that started the fight remain alive, or intact ... They ... | 6642.70 | 4943.62 | 133.59 | |
kill_bill_vol_1 | tt0266697 | LT5cv7M7P9sJ | 1
00:00:01,350 --> 00:00:02,310
leaps at a third,
2
00:00:02,310 --> 00:00:05,070
then slices a female attacker's arm off near the elbow.
3
00:00:07,430 --> 00:00:09,270
She sends the combatant spinning to the ground
4
00:00:09,270 --> 00:00:11,750
before advancing on the last diminutive fighter.
5
00:00:12,150 -->... | 1
00:00:04,440 --> 00:00:05,890
She chops off one of their hands,
2
00:00:05,890 --> 00:00:07,940
then slashes another across the chest.
3
00:00:08,440 --> 00:00:10,690
Now only one fighter remains
4
00:00:10,690 --> 00:00:12,190
and he's shaking with fear.
5
00:00:14,400 --> 00:00:18,490
He backs away anxiously, b... | 1
00:00:38,090 --> 00:00:42,680
This is what you get
for fucking around with yakuzas!
2
00:00:42,760 --> 00:00:44,640
Go home to your mother!
3
00:01:43,290 --> 00:01:46,120
Those of you lucky enough to still
have your lives...
4
00:01:46,200 --> 00:01:48,960
...take them with you!
5
00:01:50,540 --> 00:01:52,040
H... | 1
00:00:10,000 --> 00:00:12,210
[Panting]
2
00:00:37,950 --> 00:00:42,540
This is what you get for
fucking around with yakuzasi
3
00:00:42,620 --> 00:00:45,410
Go home to your mother!
4
00:01:33,250 --> 00:01:36,380
[Breathing Heavily]
5
00:01:43,600 --> 00:01:46,270
Those of you lucky enough to still
have your liv... | {"screenplay_scene_33": "<scene>\n <stage_direction> . . Go Go twirls it over her head and sends it towards the Bride on the floor. The Bride rolls out of the way, the metal bal: PUNCHES a hole in an overturned table instead.</stage_direction>\n <character>�</character>\n <dialogue>The weaponless Bride wrestl... | 6642.70 | 5248.03 | 133.59 |
kill_bill_vol_1 | tt0266697 | pT_OIZ_n0biV | 1
00:00:02,550 --> 00:00:07,190
The dark wall and snow dusted bushes behind her juxtapose her stark white kimono.
2
00:00:08,470 --> 00:00:13,790
She straightens and raises her gleaming black katana, keeping her eyes fixed on the bride.
3
00:00:13,790 --> 00:00:15,710
She wraps her fingers around the handle
4
00:00:... | 1
00:00:03,990 --> 00:00:05,750
And bows down gracefully,
2
00:00:06,460 --> 00:00:10,330
then slowly reaches behind her and pulls out her own sword.
3
00:00:15,630 --> 00:00:18,550
She holds it up in front of her in a horizontal position,
4
00:00:19,300 --> 00:00:23,550
then, with an almost ritualistic slowness, re... | {"screenplay_scene_36": "<scene>\n <stage_direction>.. . The Two Women circle each other ....</stage_direction>\n <scene_description>They SWING - CLASH - DANCE - SEPARATE ... CIRCLE ... SWING - CLASH - DANCE - SEPARATE ... o~REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent... | 6642.70 | 5516.83 | 133.59 | ||
kill_bill_vol_1 | tt0266697 | 479wpbwRxGnw | 1
00:00:02,610 --> 00:00:05,450
and a bloody stain mars her kimono over her leg.
2
00:00:10,730 --> 00:00:14,170
The Bride stands, drawing laboured breaths much like O-Ren.
3
00:00:18,890 --> 00:00:20,570
The nemesis eye one another.
4
00:00:26,610 --> 00:00:29,330
As O-Ren speaks, subtitles appear.
5
00:00:41,370 ... | 1
00:00:10,820 --> 00:00:15,900
The two fierce fighters stare intensely at one another as they try to catch their breath.
2
00:00:16,740 --> 00:00:18,740
Snow falls silently around them.
3
00:00:31,160 --> 00:00:32,000
Sakura
4
00:00:32,250 --> 00:00:35,630
O-Ren whispers for ridiculing you earlier.
5
00:00:36,250 ... | 1
00:00:31,130 --> 00:00:34,050
For ridiculing you earlier...
2
00:00:36,510 --> 00:00:38,760
...I apologize.
3
00:00:47,060 --> 00:00:48,810
Accepted.
4
00:01:04,790 --> 00:01:06,290
Ready?
5
00:01:10,500 --> 00:01:12,250
Come on.
6
00:01:45,200 --> 00:01:53,200
That really was a Hattori Hanzo sword.
| 1
00:00:30,630 --> 00:00:33,880
For ridiculing you earlier...
2
00:00:36,550 --> 00:00:38,550
...I apologize.
3
00:00:46,850 --> 00:00:48,690
Accepted.
4
00:01:05,000 --> 00:01:06,250
Ready?
5
00:01:10,960 --> 00:01:12,170
Come on.
6
00:01:45,250 --> 00:01:53,250
That really was a Hattori Hanzo sword.
| {"screenplay_scene_36": "<scene>\n <stage_direction>.. . The Two Women circle each other ....</stage_direction>\n <scene_description>They SWING - CLASH - DANCE - SEPARATE ... CIRCLE ... SWING - CLASH - DANCE - SEPARATE ... o~REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent... | 6642.70 | 5725.86 | 139.37 |
top_gun | tt0092099 | cpQZNXFOHQKH | 1
00:00:10,650 --> 00:00:13,370
A green target covers the MiG and turns red.
2
00:00:16,370 --> 00:00:18,090
The MiG two pilot turns his head,
3
00:00:18,370 --> 00:00:19,930
then abruptly changes course.
4
00:00:32,890 --> 00:00:34,370
Guardian puffs on his cigar.
5
00:00:40,960 --> 00:00:43,080
Cougar whips his h... | 1
00:00:18,400 --> 00:00:20,490
The foreign pilot makes a sharp turn.
2
00:01:18,260 --> 00:01:23,150
Maverick manoeuvres his jet into a position directly behind the intruder aircraft.
3
00:01:26,240 --> 00:01:27,710
As it follows close behind.
4
00:01:27,750 --> 00:01:28,750
Cooper's plane.
5
00:01:28,750 --> 00:0... | 1
00:00:01,580 --> 00:00:05,960
- Airspeed 300. Go get them, Mav!
- I'm going for missile lock.
2
00:00:06,130 --> 00:00:09,300
Let's see if we can scare him out of here.
3
00:00:09,470 --> 00:00:13,960
Come on, lock up, baby.
Lock up.
4
00:00:14,140 --> 00:00:17,430
I've got him locked. Bingo!
5
00:00:21,770 --> 0... | 1
00:00:01,830 --> 00:00:03,380
Air speed, 300. Go get him, Mav.
2
00:00:03,880 --> 00:00:05,500
I'm going for missile lock.
3
00:00:06,250 --> 00:00:08,590
Let's see if we can scare
this guy out of here.
4
00:00:09,550 --> 00:00:10,800
Come on, lock up, baby.
5
00:00:11,760 --> 00:00:14,260
Lock up, baby. Lock up.... | {"screenplay_scene_6": "<scene>\n <stage_direction>EXT. SKY</stage_direction>\n <scene_description>Closing at 900 knots , The MiG is a speck , then a flash and a ROAR , a knife - edge pass at 300 feet . It rockets past his left wing tip and disappears . Cougar kicks rudder , whips the stick , screams into a tight... | 6595.23 | 430.98 | 133.05 |
top_gun | tt0092099 | 45xN71jRi_uy | 1
00:00:07,030 --> 00:00:08,350
Viper walks to the front
2
00:00:08,350 --> 00:00:09,550
and turns to them.
3
00:00:14,470 --> 00:00:15,590
Maverick smirks.
4
00:01:10,820 --> 00:01:11,700
Viper addresses.
5
00:01:11,700 --> 00:01:12,300
Maverick.
6
00:01:21,780 --> 00:01:24,260
A pilot with spiky blonde hair snee... | 1
00:00:00,570 --> 00:00:02,690
Gentlemen.
2
00:00:02,870 --> 00:00:07,190
You are the top one per cent
of all naval aviators.
3
00:00:09,210 --> 00:00:14,330
The elite. The best of the best.
We'll make you better.
4
00:00:16,050 --> 00:00:21,670
You'll fly two combat missions a day,
attend classes and evaluations.
... | 1
00:00:00,650 --> 00:00:02,150
Gentlemen.
2
00:00:02,940 --> 00:00:07,320
You are the top one percent
of all naval aviators.
3
00:00:09,490 --> 00:00:10,570
The elite.
4
00:00:11,200 --> 00:00:13,030
The best of the best.
5
00:00:13,450 --> 00:00:15,040
We'll make you better.
6
00:00:16,330 --> 00:00:18,290
You'l... | {"screenplay_scene_25": "<scene>\n <stage_direction>INT. DAY - TOP GUN ORIENTATION ROOM.</stage_direction>\n <scene_description>VIPER - A tough - looking , confident leader in a blue flight suit , stands before a video - tape monitor . Behind him , on the monitor , the dogfighting continues .</scene_description>\... | 6595.23 | 1023.71 | 125.97 | |
top_gun | tt0092099 | hs7A3_5SDYd1 | 1
00:00:59,840 --> 00:01:00,440
Iceman.
2
00:01:00,440 --> 00:01:01,280
Fake coughs.
3
00:01:36,510 --> 00:01:37,830
Goose holds up his finger.
4
00:01:50,750 --> 00:01:51,630
She smiles.
| 1
00:00:00,190 --> 00:00:03,810
Excuse me, Lieutenant.
Is there something wrong?
2
00:00:03,980 --> 00:00:09,440
- The data on the MiG is inaccurate.
- How's that?
3
00:00:09,620 --> 00:00:14,660
- I just happened to see a MiG-28...
- We!
4
00:00:14,830 --> 00:00:20,670
Sorry, Goose. We happened to see a
MiG-28 do a... | 1
00:00:00,210 --> 00:00:01,800
Excuse me, lieutenant.
2
00:00:02,590 --> 00:00:03,970
Is there something wrong?
3
00:00:04,050 --> 00:00:06,680
Yes, ma'am, the data
on the MiG is inaccurate.
4
00:00:08,310 --> 00:00:09,720
How's that, lieutenant?
5
00:00:10,600 --> 00:00:12,430
Well, I just happened to see
a MiG-2... | null | 6595.23 | 1606.56 | 120.47 | |
top_gun | tt0092099 | 9AHGbFJuGczx | 1
00:00:10,200 --> 00:00:11,320
Maverick salutes.
2
00:00:29,500 --> 00:00:34,900
Maverick streaks past the flight tower, causing the air traffic controller to spill coffee all over his chest.
3
00:00:42,300 --> 00:00:43,900
Maverick rolls his tomcat.
4
00:00:50,540 --> 00:00:51,180
In the locker.
| 1
00:00:06,900 --> 00:00:08,030
Maverick salutes.
2
00:00:12,920 --> 00:00:15,100
Approaching the airfield control tower.
3
00:00:30,610 --> 00:00:32,990
The officer in the tower takes a sip of coffee
4
00:00:33,330 --> 00:00:38,720
just as Maverick's tomcat blasts by, causing him to spill the drink over his shirt.
... | 1
00:00:02,150 --> 00:00:05,900
Get your butts above the hard-deck
and return to base.
2
00:00:08,700 --> 00:00:11,950
Yes, sir!
3
00:00:16,630 --> 00:00:23,000
- This is Ghost Rider requesting a fly-by.
- Negative. The pattern is full.
4
00:00:23,180 --> 00:00:28,640
- No, Mav. This is not a good idea.
- Sorry, but... | 1
00:00:02,140 --> 00:00:04,930
Get your butts above the hard deck
and return to base immediately.
2
00:00:08,890 --> 00:00:10,480
Yes, sir.
3
00:00:16,690 --> 00:00:19,450
Tower, this is Ghost Rider
requesting a flyby.
4
00:00:20,610 --> 00:00:22,780
Negative, Ghost Rider,
the pattern is full.
5
00:00:22,990 --> 0... | {"screenplay_scene_38": "<scene>\n <stage_direction>EXT. FLIGHTLINE.</stage_direction>\n <scene_description>Maverick and Goose walk by parking Tomcats . Ice is unstrapping , Slider is climbing down . Ice looks at Maverick , says one word .</scene_description>\n <character>ICEMAN</character>\n <dialogue>Cowb... | 6595.23 | 1969.38 | 51.22 |
top_gun | tt0092099 | LkEgh_b_Vd57 | 1
00:00:10,300 --> 00:00:12,140
Maverick splits off and ascends.
2
00:00:28,620 --> 00:00:31,420
White smoke swirls out of Maverick and Goose engines.
3
00:00:37,660 --> 00:00:41,940
Maverick and goose in their Tomcat and Viper in his F-4 passed by each other.
4
00:00:41,940 --> 00:00:45,540
Moving in opposite direc... | 1
00:00:27,070 --> 00:00:27,490
Viper.
2
00:00:27,610 --> 00:00:30,660
Aircraft levels off as it accelerates towards them.
3
00:00:38,070 --> 00:00:40,910
The two jets blast past each other at high speed.
4
00:00:41,500 --> 00:00:43,000
Maverick looks over his shoulder
5
00:00:43,000 --> 00:00:45,720
and throws his... | 1
00:00:00,460 --> 00:00:05,250
- There's Viper. Three o'clock low.
- We're Hollywood's cover.
2
00:00:05,420 --> 00:00:09,550
- Don't you leave me.
- Hollywood, you're looking good.
3
00:00:09,720 --> 00:00:11,880
I'm going after Viper.
4
00:00:14,430 --> 00:00:17,470
- Goddamn you!
- Don't leave him.
5
00:00:17,6... | 1
00:00:00,070 --> 00:00:02,490
MAVERICK: Goose, there's Viper.
3 o'clock, low.
2
00:00:02,740 --> 00:00:04,900
Stay with Hollywood, Mav.
We're his cover.
3
00:00:04,990 --> 00:00:06,660
Don't you leave me, Maverick.
4
00:00:07,070 --> 00:00:08,910
Hollywood, you're looking good.
5
00:00:09,370 --> 00:00:10,910
I'm... | {"screenplay_scene_50": "<scene>\n <stage_direction>INT. F-14</stage_direction>\n <scene_description>Maverick turns to get Viper in the diamond . He hears a SIDEWINDER GROWL in his headset .</scene_description>\n <character>MAVERICK</character>\n <dialogue>What's the range, Goose. I've got a good tone.</dia... | 6595.23 | 3438.50 | 132.98 |
top_gun | tt0092099 | X2cCDy5yRDTa | 1
00:00:00,710 --> 00:00:04,660
Viper puts on his hat as he exits the house, followed by Maverick.
2
00:00:35,260 --> 00:00:37,140
They stroll on the lawn outside.
3
00:01:53,330 --> 00:01:55,250
Maverick nods his head thoughtfully.
4
00:02:08,110 --> 00:02:08,590
Later.
| 1
00:01:51,600 --> 00:01:53,690
Maverick stands, thinking for a moment.
2
00:01:57,250 --> 00:01:58,130
Then he nods.
| 1
00:00:05,360 --> 00:00:10,520
Is that why you fly the way you do?
Trying to prove something?
2
00:00:11,910 --> 00:00:15,690
Yeah, your old man did it right.
3
00:00:15,870 --> 00:00:20,500
What I'm about to tell you is classified.
It could end my career.
4
00:00:20,670 --> 00:00:23,500
We were in the worst dogfig... | 1
00:00:05,470 --> 00:00:07,760
Is that why you fly the way you do?
2
00:00:07,850 --> 00:00:09,890
Trying to prove something?
3
00:00:11,980 --> 00:00:14,310
Yeah, your old man did it right.
4
00:00:15,730 --> 00:00:18,150
What I'm about to tell you is classified.
5
00:00:18,230 --> 00:00:19,900
It could end my ca... | null | 6595.23 | 4956.45 | 130.68 |
top_gun | tt0092099 | F_tsIxTUsYwM | 1
00:01:11,190 --> 00:01:13,710
Maverick rolls the aircraft to avoid the bullets.
2
00:01:41,150 --> 00:01:45,230
He brakes and pitches upwards, causing the MiG to pass underneath his aircraft.
| 1
00:00:03,690 --> 00:00:05,230
Maverick rolls his plane.
2
00:00:18,030 --> 00:00:21,420
More shots from the MiG Maverick.
3
00:00:50,420 --> 00:00:54,930
Maverick's missile destroys the MiG factory.
4
00:01:09,860 --> 00:01:11,830
The enemy pilot shoots at Maverick,
5
00:01:11,870 --> 00:01:14,210
who throws his ... | 1
00:00:00,640 --> 00:00:03,090
Coming in, Ice.
2
00:00:05,680 --> 00:00:10,430
That bogey's still behind you.
I'm manoeuvring for a shot.
3
00:00:10,600 --> 00:00:13,690
- Take the shot.
- I can't get a tone.
4
00:00:13,860 --> 00:00:17,190
Shoot. I can't get him off my tail.
5
00:00:20,610 --> 00:00:24,110
- We'r... | 1
00:00:00,510 --> 00:00:02,220
Coming in, Ice. Coming in.
2
00:00:05,680 --> 00:00:08,470
Ice, that bogey's still behind you.
I'm maneuvering for a shot.
3
00:00:08,720 --> 00:00:10,470
ICE: Stay with him, Mav, stay with him!
4
00:00:10,560 --> 00:00:11,920
Take the shot! Nail him! Nail him!
5
00:00:11,980 --> 00:... | {"screenplay_scene_79": "<scene>\n <stage_direction>INT. MAVERICK'S COCKPIT</stage_direction>\n <character>FUNGUS</character>\n <dialogue>What is it? What's wrong?</dialogue>\n <scene_description>Fungus nervously looks around at his circuit breakers .</scene_description>\n <character>FUNGUS</character>\n... | 6595.23 | 5832.03 | 126.71 |
top_gun | tt0092099 | 3UGQhWQDxhm_ | 1
00:00:11,290 --> 00:00:14,290
Smiling broadly, Maverick lifts his helmet up in the air.
2
00:00:32,170 --> 00:00:34,970
Maverick shakes hands with the men celebrating on deck.
3
00:00:35,010 --> 00:00:36,250
Iceman joins them,
4
00:00:36,250 --> 00:00:37,530
then points at Maverick.
5
00:00:55,600 --> 00:00:57,04... | 1
00:00:00,990 --> 00:00:03,630
As Iceman and Slider open their canopy
2
00:00:03,880 --> 00:00:06,430
and stand up to shake each other's hands.
3
00:00:10,990 --> 00:00:14,500
Hollywood and his navigator disembark from the helicopter
4
00:00:14,670 --> 00:00:18,850
and walk over to where a triumphant Maverick's cli... | 1
00:00:37,970 --> 00:00:39,930
You!
2
00:00:42,690 --> 00:00:46,220
You are still dangerous.
3
00:00:48,570 --> 00:00:51,980
But you can be my wingman any time.
4
00:00:52,150 --> 00:00:54,820
Bullshit. You can be mine.
5
00:01:49,000 --> 00:01:52,250
You're on the front page
of every newspaper,
6
00:01:52,420 --... | 1
00:00:05,910 --> 00:00:07,330
Yes!
2
00:00:09,490 --> 00:00:11,120
(ROTORS WHIRRING)
3
00:00:34,980 --> 00:00:37,360
MAVERICK: What the hell happened
to you guys? Hollywood!
4
00:00:37,900 --> 00:00:38,940
You!
5
00:00:42,740 --> 00:00:44,360
You are still dangerous.
6
00:00:48,700 --> 00:00:50,870
You can be my... | {"screenplay_scene_87": "<scene>\n <stage_direction>EXT. FLIGHT DECK</stage_direction>\n <scene_description>He swings the nose around past Ice 's . Ice 's plane is covered in colored jerseys as the ground crew pulls him out . Maverick 's plane swings towards the PRI - FLY BRIDGE . Pilots in flightsuits pour from ... | 6595.23 | 6019.07 | 133.82 |
anchorman | tt0357413 | ESHGLoER91z4 | 1
00:00:00,120 --> 00:00:02,120
Four men stand by a channel nine news.
2
00:00:02,160 --> 00:00:04,520
Van Ron and his team approach.
3
00:00:08,960 --> 00:00:10,400
A tall man steps up.
4
00:00:23,120 --> 00:00:24,890
Wes flicks a cigarette at Ron.
5
00:00:35,570 --> 00:00:37,050
Champ gives Brick a look.
6
00:01... | 1
00:00:01,290 --> 00:00:04,210
A rival news team are loitering outside their van.
2
00:00:36,040 --> 00:00:38,010
Brick looks pleased with his remark.
3
00:01:02,710 --> 00:01:04,590
He straightens champ's jacket.
4
00:01:43,100 --> 00:01:44,850
Wes thumps the van's bonnet.
| 1
00:00:03,520 --> 00:00:05,830
What's this?
2
00:00:07,130 --> 00:00:09,220
Well, well, well.
3
00:00:11,350 --> 00:00:14,960
Ron Burgundy and the Channel 4
News Team.
4
00:00:15,000 --> 00:00:17,090
Hello, Wes Mantooth.
5
00:00:17,130 --> 00:00:18,940
Hello,
Evening News Team.
6
00:00:18,960 --> 00:00:20,460
Nic... | 1
00:00:03,420 --> 00:00:05,620
(Champ laughing)
What's this?
2
00:00:07,050 --> 00:00:08,970
Well, well, well.
3
00:00:11,260 --> 00:00:14,700
Ron Burgundy and the Channel 4
News Team.
4
00:00:14,890 --> 00:00:16,890
Hello, Wes Mantooth.
5
00:00:17,020 --> 00:00:18,740
Hello,
Evening News Team.
6
00:00:18,850 -->... | null | 5698.21 | 1081.44 | 131.17 |
anchorman | tt0357413 | i_fMrPaf1Typ | 1
00:00:00,040 --> 00:00:01,360
Champ leans into Veronica.
2
00:00:26,040 --> 00:00:27,320
She punches his crotch.
3
00:00:38,120 --> 00:00:41,160
Brian opens a secret panel revealing shelves of Cologne.
4
00:01:03,330 --> 00:01:04,370
He puts some on.
5
00:01:30,970 --> 00:01:32,130
He cracks his knuckles.
6
00:0... | 1
00:00:26,240 --> 00:00:27,620
She punches his crotch.
2
00:00:39,870 --> 00:00:41,750
A plethora of aftershaves.
3
00:01:37,110 --> 00:01:39,240
Brian swaggers over to Veronica.
4
00:01:45,340 --> 00:01:46,640
She wrinkles her nose.
| 1
00:00:01,740 --> 00:00:05,350
Let me just grab this.
Oh, sorry about that.
2
00:00:05,400 --> 00:00:07,570
- Whammy.
- Hmm.
3
00:00:07,620 --> 00:00:09,920
- Uh, Champ?
- Yeah.
4
00:00:09,960 --> 00:00:12,530
You're trying to touch
my breasts, aren't you?
5
00:00:12,570 --> 00:00:16,310
What can I say?
I like the... | 1
00:00:01,660 --> 00:00:05,100
Let me just grab this.
Oh, sorry about that.
2
00:00:05,290 --> 00:00:07,410
- Whammy.
- Hmm.
3
00:00:07,540 --> 00:00:09,740
- Uh, Champ?
- Yeah.
4
00:00:09,880 --> 00:00:12,320
You're trying to touch
my breasts, aren't you?
5
00:00:12,460 --> 00:00:16,060
What can I say?
I like the... | null | 5698.21 | 1285.66 | 129.99 |
anchorman | tt0357413 | b6M1HiEMveBL | 1
00:00:19,820 --> 00:00:21,420
Ron pulls a flute from his sleeve.
2
00:00:23,500 --> 00:00:24,700
He steps on stage.
3
00:00:30,780 --> 00:00:33,140
Veronica smokes as she watches Ron play.
4
00:00:42,870 --> 00:00:44,030
She looks intrigued.
5
00:01:06,150 --> 00:01:07,870
A patron smiles and nods.
6
00:01:12,67... | 1
00:00:19,350 --> 00:00:21,230
He takes a flute from his sleeve.
2
00:01:15,050 --> 00:01:16,760
He struts across the tables,
3
00:01:16,760 --> 00:01:18,980
his shoes smashing plates of food.
4
00:01:22,450 --> 00:01:24,700
He springs up beside a couple's table,
5
00:01:24,700 --> 00:01:26,040
then beside Veronic... | 1
00:00:01,840 --> 00:00:03,980
- I dabble.
- Oh.
2
00:00:04,020 --> 00:00:07,150
Would everyone love to hear
Ron Burgundy play "yazz" flute?
3
00:00:07,190 --> 00:00:10,460
- Get it goin', Ronnie!
- Yes! Please.
4
00:00:10,500 --> 00:00:11,690
You, on stage now.
5
00:00:11,720 --> 00:00:14,500
Okay, I guess I can ... | 1
00:00:01,810 --> 00:00:03,850
- I dabble.
- Oh.
2
00:00:03,980 --> 00:00:06,980
Would everyone love to hear
Ron Burgundy play "yazz" flute?
3
00:00:07,150 --> 00:00:10,270
- MAN: Get it goin', Ronnie!
- TINO: Yes! Please.
4
00:00:10,450 --> 00:00:11,570
You, on stage now.
5
00:00:11,660 --> 00:00:14,340
Okay, I g... | null | 5698.21 | 1935.65 | 132.45 |
anchorman | tt0357413 | gn4Z6avHZTfd | 1
00:00:02,810 --> 00:00:03,890
He throws the burrito,
2
00:00:03,930 --> 00:00:04,770
which hits a biker
3
00:00:04,770 --> 00:00:06,370
and knocks him off his motorcycle.
4
00:00:07,650 --> 00:00:08,210
Batman
5
00:00:08,250 --> 00:00:10,090
Ron stops and gets out of his car.
6
00:00:10,450 --> 00:00:13,090
Are ... | 1
00:00:04,190 --> 00:00:05,570
He throws it out of the window.
2
00:00:05,610 --> 00:00:06,610
Hitting a Biker.
3
00:00:10,420 --> 00:00:14,640
Are the bikers falling off his hog and is lying in the middle of the road?
4
00:01:07,160 --> 00:01:09,710
The Biker drop kicks Baxter off the bridge.
5
00:02:08,820 --> 0... | 1
00:00:00,460 --> 00:00:03,370
This burrito is delicious,
but it is filling.
2
00:00:03,420 --> 00:00:05,720
Whoa!
3
00:00:07,110 --> 00:00:09,200
Antony and Cleopatra!
4
00:00:15,850 --> 00:00:18,160
Goddamn son of...
5
00:00:19,510 --> 00:00:21,090
What the hell, bro'?
6
00:00:21,120 --> 00:00:23,340
Hello, nei... | 1
00:00:00,460 --> 00:00:03,260
This burrito is delicious,
but it is filling.
2
00:00:03,430 --> 00:00:05,630
- (tires screeching)
- RON: Whoa!
3
00:00:07,140 --> 00:00:08,500
Antony and Cleopatra!
4
00:00:10,850 --> 00:00:13,370
(groaning)
5
00:00:13,520 --> 00:00:15,720
(groaning continues)
6
00:00:15,860 --> 00... | {"screenplay_scene_10": "<scene>\n <stage_direction>)</stage_direction>\n <scene_description>And so after a couple weeks of stories on cooking and fashion, she finally got her big break. It all happened because Burgundy was taking his beloved dog Baxter to get his little doggie teeth whitened ... CUT TO:</scene_d... | 5698.21 | 2835.01 | 133.59 |
anchorman | tt0357413 | o2ZiKKMis7cF | 1
00:00:10,460 --> 00:00:11,020
Ron
2
00:00:11,380 --> 00:00:12,500
throwing down the phone.
3
00:00:12,500 --> 00:00:14,100
Ron bangs the walls of the glass.
4
00:00:14,100 --> 00:00:14,830
Phone booth.
5
00:00:28,470 --> 00:00:30,110
Ron runs down a sidewalk.
6
00:00:31,750 --> 00:00:33,190
He shoves a man to th... | 1
00:00:35,690 --> 00:00:36,950
Ron races off.
2
00:00:37,370 --> 00:00:40,580
Veronica is sitting behind the news desk, ready for the broadcast.
3
00:00:42,380 --> 00:00:44,510
Brick stares at her with wide eyes.
4
00:01:04,890 --> 00:01:06,390
Champ leans over to her.
5
00:01:38,370 --> 00:01:40,300
Ron snatches ... | 1
00:00:00,300 --> 00:00:03,300
What?
2
00:00:06,080 --> 00:00:09,210
I... I don't... I didn't
understand one word you said.
3
00:00:09,250 --> 00:00:11,650
Ron, are you okay?
Ron?
4
00:00:18,040 --> 00:00:20,260
Ron.
Where are you?
5
00:00:20,300 --> 00:00:23,950
I'm in a glass case
of emotion!
6
00:00:24,000 -->... | 1
00:00:00,320 --> 00:00:03,200
- What?
- (wailing)
2
00:00:06,120 --> 00:00:09,120
I... I don't... I didn't
understand one word you said.
3
00:00:09,290 --> 00:00:11,570
Ron, are you okay?
Ron?
4
00:00:11,710 --> 00:00:13,630
(wailing)
5
00:00:18,050 --> 00:00:20,210
Ron.
Where are you?
6
00:00:20,340 --> 00:00:2... | null | 5698.21 | 3009.09 | 133.54 |
anchorman | tt0357413 | OR_hcso5ZylA | 1
00:00:17,930 --> 00:00:19,730
Ron shows Veronica his script.
2
00:00:24,690 --> 00:00:28,290
A TV show's credits rolling as the two anchors smile and talk.
3
00:00:35,130 --> 00:00:37,130
The credits continue as they chat.
| 1
00:00:24,590 --> 00:00:28,860
The audience can only see them apparently chatting politely over the credits.
| 1
00:00:00,720 --> 00:00:03,280
Well, for all of us here
at Channel 4 News,
2
00:00:03,320 --> 00:00:04,690
I'm Ron Burgundy.
3
00:00:04,720 --> 00:00:06,690
You stay classy,
San Diego.
4
00:00:06,720 --> 00:00:08,740
And thanks
for stopping by.
5
00:00:08,760 --> 00:00:10,780
But mainly stay classy.
6
00:00:10,81... | 1
00:00:00,750 --> 00:00:03,230
Well, for all of us here
at Channel 4 News,
2
00:00:03,380 --> 00:00:04,660
I'm Ron Burgundy.
3
00:00:04,760 --> 00:00:06,640
You stay classy,
San Diego.
4
00:00:06,760 --> 00:00:08,680
And thanks
for stopping by.
5
00:00:08,800 --> 00:00:10,720
But mainly stay classy.
6
00:00:10,85... | null | 5698.21 | 3324.45 | 52.66 |
anchorman | tt0357413 | kKEJdVDweK_w | 1
00:00:15,010 --> 00:00:16,730
Brick laughs with Wes's team.
2
00:00:38,410 --> 00:00:39,690
Wes pulls out a switchblade
3
00:00:39,690 --> 00:00:40,530
and opens it.
4
00:00:43,730 --> 00:00:46,530
Ron pulls a wooden post from within his suit jacket.
5
00:00:46,850 --> 00:00:48,370
Champ wears brass knuckles
6
0... | 1
00:00:39,030 --> 00:00:40,870
Wes pulls out a flick knife.
2
00:00:46,270 --> 00:00:48,070
Ronnie's wielding a table leg.
3
00:00:48,270 --> 00:00:49,860
Brian's holding a revolver
4
00:00:49,860 --> 00:00:51,740
and Brick's clutching a hand grenade.
5
00:01:30,380 --> 00:01:32,640
Another news crew joins the sta... | 1
00:00:00,480 --> 00:00:02,950
they had to bring
a female in.
2
00:00:04,000 --> 00:00:05,670
Change your diapers.
3
00:00:05,690 --> 00:00:08,220
Wipe the dribble away
from your bubblin' lips.
4
00:00:09,910 --> 00:00:11,800
Rub Vaseline
all over your heinie
5
00:00:11,830 --> 00:00:15,130
and tell you that it's ... | 1
00:00:00,520 --> 00:00:02,920
they had to bring
a female in.
2
00:00:04,060 --> 00:00:05,620
Change your diapers.
3
00:00:05,730 --> 00:00:08,170
Wipe the dribble away
from your bubblin' lips.
4
00:00:09,990 --> 00:00:11,790
Rub Vaseline
all over your heinie
5
00:00:11,900 --> 00:00:15,060
and tell you that it's ... | {"screenplay_scene_15": "<scene>\n <stage_direction>INT. GIANT MEN'S SUIT STORE</stage_direction>\n <scene_description>Ron, credit card in hand and the team burst through the front doors of a giant suit store.</scene_description>\n <character>RON</character>\n <dialogue>New suits for everyone!!!!</dialogue>... | 5698.21 | 3596.67 | 133.54 |
anchorman | tt0357413 | TpGZmKHMmfhu | 1
00:00:01,100 --> 00:00:02,860
and eyes the various teams.
2
00:00:09,620 --> 00:00:11,540
The Spanish news anchor snarls.
3
00:00:23,260 --> 00:00:26,780
The public news leader taps his pipe on a spiked baseball bat.
4
00:00:27,220 --> 00:00:28,820
The Spanish news leader glares
5
00:00:28,820 --> 00:00:30,060
an... | 1
00:00:26,210 --> 00:00:29,640
The news crews stand off, each waiting for the other to act.
2
00:00:38,500 --> 00:00:38,960
The news.
3
00:00:38,960 --> 00:00:40,010
Crews fight
4
00:00:40,010 --> 00:00:42,390
and Brick yells as he clutches his grenade.
5
00:00:42,890 --> 00:00:46,070
Champ throws the Spanish news... | 1
00:00:06,130 --> 00:00:09,870
Now, before we do this,
let's go over the ground rules.
2
00:00:12,170 --> 00:00:14,390
Rule number one:
3
00:00:14,430 --> 00:00:17,130
No touching
of the hair or face.
4
00:00:18,170 --> 00:00:19,370
Of course.
5
00:00:19,390 --> 00:00:21,570
And that's it!
6
00:00:21,610 --> 00:0... | 1
00:00:06,190 --> 00:00:09,790
Now, before we do this,
let's go over the ground rules.
2
00:00:09,990 --> 00:00:12,110
(snarling)
3
00:00:12,240 --> 00:00:14,360
Rule number one:
4
00:00:14,490 --> 00:00:17,090
No touching
of the hair or face.
5
00:00:18,250 --> 00:00:19,370
Of course.
6
00:00:19,460 --> 00:00:21... | null | 5698.21 | 3735.23 | 123.30 |
halloween_2018 | tt1502407 | ee7jlcBZ3pZV | 1
00:00:00,730 --> 00:00:02,410
Michael strikes downward,
2
00:00:02,410 --> 00:00:04,290
walking around the side of the gas station.
3
00:00:04,290 --> 00:00:06,690
Dana enters the dingy women's bathroom.
4
00:00:08,890 --> 00:00:10,170
She grabs a paper towel,
5
00:00:10,170 --> 00:00:11,850
then approaches the f... | 1
00:00:00,600 --> 00:00:04,360
where Michael is pummelling something out of sight on the ground outside.
2
00:00:04,360 --> 00:00:06,840
Around the back, a sign reads Ladies Lounge.
3
00:00:08,600 --> 00:00:11,560
Inside, the tired walls and door are painted pink.
4
00:00:11,760 --> 00:00:13,080
Dana takes a hand t... | 1
00:01:25,020 --> 00:01:27,400
Excuse me. Sorry.
2
00:01:27,430 --> 00:01:29,130
Someone's in here.
3
00:01:37,300 --> 00:01:38,870
Hello?
4
00:02:24,850 --> 00:02:26,050
What the...?
5
00:02:38,170 --> 00:02:39,410
Help me!
6
00:02:39,430 --> 00:02:41,880
Aah! Help me!
7
00:02:41,900 --> 00:02:44,900
Aaron! Aar... | 1
00:00:13,270 --> 00:00:14,880
(HINGES SQUEAK)
2
00:00:14,910 --> 00:00:17,210
(GROANS)
3
00:00:18,610 --> 00:00:20,050
(HINGES SQUEAK)
4
00:00:34,190 --> 00:00:35,230
(DOOR HITS WALL)
5
00:00:39,100 --> 00:00:40,770
(DOOR CREAKS)
6
00:00:41,630 --> 00:00:43,240
(ONE FOOTSTEP)
7
00:00:51,050 --> 00:00:52,180
(HI... | {"screenplay_scene_44": "<scene>\n <stage_direction>INT. GARAGE. SERVICE STATION. DAY</stage_direction>\n <scene_description>Dana walks in.</scene_description>\n <character>DANA</character>\n <dialogue>Bathroom?</dialogue>\n <character>CASHIER</character>\n <dialogue>Back out around the side.</dialogu... | 6347.30 | 2180.26 | 268.19 |
halloween_2018 | tt1502407 | iFAQDHd_yMh3 | 1
00:00:00,300 --> 00:00:01,140
Night time.
2
00:00:01,140 --> 00:00:03,420
Costumed children move through a neighbourhood.
3
00:00:03,780 --> 00:00:06,220
A teenager lights fireworks on a sidewalk
4
00:00:06,220 --> 00:00:07,220
and walks away.
5
00:00:10,260 --> 00:00:12,540
Two costumed boys walk together.
6
00... | 1
00:00:03,630 --> 00:00:04,630
Night has fallen in.
2
00:00:04,630 --> 00:00:05,750
The streets are bustling.
3
00:00:05,790 --> 00:00:06,950
A kid lights a firework
4
00:00:06,950 --> 00:00:08,390
and leaves it on the pavement.
5
00:00:23,310 --> 00:00:25,870
A Pirate and a Cowboy walk straight into Michael.
6
0... | 1
00:00:11,070 --> 00:00:13,350
Which one should we go to?
2
00:00:13,370 --> 00:00:14,390
They're all spooky.
3
00:00:14,410 --> 00:00:15,650
I'm gonna pick that one
4
00:00:15,680 --> 00:00:17,350
over, um, across the street.
5
00:00:17,380 --> 00:00:19,420
Oh, oh, oh, oh.
6
00:00:19,450 --> 00:00:22,080
- What ... | 1
00:00:01,720 --> 00:00:03,720
(LIVELY CHATTER)
2
00:00:09,060 --> 00:00:11,040
- (POPPING, CRACKLING)
- (SHRIEKS)
3
00:00:11,060 --> 00:00:13,340
BOY:
Which one should we go to?
4
00:00:13,360 --> 00:00:14,380
BOY 2:
They're all spooky.
5
00:00:14,400 --> 00:00:15,640
I'm gonna pick that one
6
00:00:15,670 --> 0... | null | 6347.30 | 2682.05 | 222.56 |
halloween_2018 | tt1502407 | OCUmSmgxZznO | 1
00:00:00,550 --> 00:00:00,990
Later.
2
00:00:00,990 --> 00:00:03,190
Vicky and Dave make out on the couch.
3
00:00:07,390 --> 00:00:08,390
Lying on Dave.
4
00:00:08,390 --> 00:00:09,430
Vicky looks up.
5
00:00:38,240 --> 00:00:39,760
Dave heads to the stairs.
6
00:00:39,800 --> 00:00:41,440
Julian jumps down a s... | 1
00:00:01,790 --> 00:00:04,950
Vicky is lying on top of Dave as they make out on the sofa.
2
00:00:08,590 --> 00:00:09,790
Vicky breaks away.
3
00:00:10,470 --> 00:00:10,870
Well.
4
00:00:38,930 --> 00:00:39,810
Vicky sits up
5
00:00:39,810 --> 00:00:41,490
as Dave goes to investigate.
6
00:01:00,690 --> 00:01:01... | 1
00:00:10,180 --> 00:00:11,700
What?
2
00:00:11,720 --> 00:00:14,700
- What was that?
- What was what?
3
00:00:14,720 --> 00:00:17,100
Did you hear something?
4
00:00:17,120 --> 00:00:19,240
No. What was it?
5
00:00:19,260 --> 00:00:20,540
I don't know. I thought...
6
00:00:20,560 --> 00:00:22,610
I thought I hea... | 1
00:00:00,200 --> 00:00:02,300
(PANTING)
2
00:00:06,470 --> 00:00:08,170
(DISTANT THUMP)
3
00:00:10,170 --> 00:00:11,690
What?
4
00:00:11,710 --> 00:00:14,690
- What was that?
- What was what?
5
00:00:14,710 --> 00:00:17,090
Did you hear something?
6
00:00:17,110 --> 00:00:19,230
No. What was it?
7
00:00:19,250 ... | {"screenplay_scene_67": "<scene>\n <stage_direction>INT. LIVING ROOM. BABY-SITTER'S HOUSE. NIGHT.</stage_direction>\n <scene_description>Vicky and Dave make out passionately. Dave has his hand up her shirt. Vicky tense up.</scene_description>\n <character>VICKY</character>\n <parenthetical>(whispering)</par... | 6347.30 | 3295.94 | 262.55 |
halloween_2018 | tt1502407 | mBlouDA4Nyqu | 1
00:00:00,060 --> 00:00:01,500
Alison climbs a wall.
2
00:00:13,700 --> 00:00:15,180
She jumps into a yard.
3
00:00:23,580 --> 00:00:25,260
Oscar tries to kiss Alison.
4
00:00:44,520 --> 00:00:44,960
Lights!
5
00:00:44,960 --> 00:00:45,600
Turn on.
6
00:00:49,480 --> 00:00:51,360
Oscar stares after Allyson.
7
00... | 1
00:00:23,800 --> 00:00:24,800
Oscar leans in.
2
00:00:49,470 --> 00:00:51,550
Lights shine on Oscar sitting on a lawn.
3
00:01:10,430 --> 00:01:11,030
Not my
4
00:01:11,590 --> 00:01:13,630
Allyson climbs over a spiked gate
5
00:01:13,630 --> 00:01:16,110
and without looking back, gives him the middle finger.
6
... | 1
00:00:00,030 --> 00:00:02,080
Oh, shit.
2
00:00:02,100 --> 00:00:03,640
It's treacherous as hell here.
3
00:00:03,670 --> 00:00:04,910
- Okay.
- You good?
4
00:00:04,940 --> 00:00:06,310
- Take my hand.
- Okay.
5
00:00:06,340 --> 00:00:08,020
- Right here.
- This is the dumbest shortcut ever.
6
00:00:08,040 --> ... | 1
00:00:00,020 --> 00:00:02,070
- (STRAINED GRUNTING)
- OSCAR: Oh, shit.
2
00:00:02,090 --> 00:00:03,630
It's treacherous as hell here.
3
00:00:03,660 --> 00:00:04,900
- Okay.
- You good?
4
00:00:04,930 --> 00:00:06,300
- Take my hand.
- Okay.
5
00:00:06,330 --> 00:00:08,010
- Right here.
- This is the dumbest shor... | {"screenplay_scene_92": "<scene>\n <stage_direction>EXT. NEIGHBORHOOD. BACKYARD. NIGHT.</stage_direction>\n <scene_description>Oscar jumps over the BLACK IRON FENCE into a backyard. He awkwardly handles his beer. He sets it down and looks around. In the moonlight, he makes out the fence way at the opposite \\* en... | 6347.30 | 4102.18 | 203.22 |
halloween_2018 | tt1502407 | 2WT68QDrRkJD | 1
00:00:03,760 --> 00:00:05,040
driving his SUV.
2
00:00:05,080 --> 00:00:06,320
Hawkins looks around
3
00:00:06,360 --> 00:00:08,800
Sartain looks at Allyson in the back seat.
4
00:00:18,400 --> 00:00:21,160
Sartain regards Hawkins with an intense look
5
00:00:21,160 --> 00:00:22,080
from the SUV.
6
00:00:22,120 ... | 1
00:00:01,050 --> 00:00:03,610
Michael roams the streets with his dripping knife.
2
00:00:03,610 --> 00:00:06,690
Hawkins glances over his shoulder at Allyson in the back seat.
3
00:00:06,850 --> 00:00:08,210
The doctor turns to her.
4
00:00:19,010 --> 00:00:22,050
The doctor glares at Hawkins with a frightened exp... | 1
00:00:08,640 --> 00:00:10,780
Allyson, keep your eyes open.
2
00:00:10,810 --> 00:00:12,650
- He is out there somewhere.
- 601.
3
00:00:12,670 --> 00:00:14,820
Suspect reported on 11th,
near Saint Park.
4
00:00:14,840 --> 00:00:16,890
Copy that, Dispatch.
5
00:00:16,910 --> 00:00:18,850
I got eyes.
6
00:00:23,89... | 1
00:00:03,960 --> 00:00:06,520
(INDISTINCT RADIO CHATTER)
2
00:00:08,630 --> 00:00:10,770
Allyson, keep your eyes open.
3
00:00:10,800 --> 00:00:12,640
- He is out there somewhere.
- (OVER RADIO): 601.
4
00:00:12,660 --> 00:00:14,810
Suspect reported on 11th,
near Saint Park.
5
00:00:14,830 --> 00:00:16,880
Copy t... | null | 6347.30 | 4486.94 | 203.52 |
halloween_2018 | tt1502407 | Hpa0xjvSm1pZ | 1
00:00:15,150 --> 00:00:16,950
Allyson hesitates to speak.
2
00:00:37,090 --> 00:00:38,810
Sartain slams on the brakes.
3
00:00:41,170 --> 00:00:44,050
Francis spots the police SUV up the road.
4
00:00:55,250 --> 00:00:57,090
Allyson stares at him tensely.
5
00:00:58,890 --> 00:01:00,890
She notices Michael's hand... | 1
00:00:37,400 --> 00:00:39,120
Sartain turns the wheel sharply
2
00:00:39,120 --> 00:00:40,080
and skids to a halt.
3
00:00:40,080 --> 00:00:44,680
On the secluded track, Francis and his partner Richards appear out of their rear view mirror.
4
00:00:44,720 --> 00:00:45,280
Who's that?
5
00:00:59,560 --> 00:01:02,0... | 1
00:00:00,380 --> 00:00:02,660
I worked
with Michael for years,
2
00:00:02,680 --> 00:00:05,460
but I've never seen him
in an uncontrolled environment.
3
00:00:05,490 --> 00:00:07,770
I've never heard him speak,
you see.
4
00:00:07,790 --> 00:00:11,230
In spite of my encouragements,
he remains unresponsive.
5
00:0... | 1
00:00:00,370 --> 00:00:02,650
SARTAIN: I worked
with Michael for years,
2
00:00:02,670 --> 00:00:05,450
but I've never seen him
in an uncontrolled environment.
3
00:00:05,480 --> 00:00:07,760
I've never heard him speak,
you see.
4
00:00:07,780 --> 00:00:11,220
In spite of my encouragements,
he remains unresponsive... | {"screenplay_scene_106": "<scene>\n <stage_direction>INT. HAWKINS' SQUAD CAR. NIGHT.</stage_direction>\n <scene_description>The Shape kicks the window in the back seat while Sartain sits calmly in the front.</scene_description>\n <character>DR. SARTAIN</character>\n <dialogue>What greater spectacle than to ... | 6347.30 | 4747.36 | 139.85 |
halloween_2018 | tt1502407 | ZG2j8VlUaCKL | 1
00:00:04,680 --> 00:00:06,520
Ray steps onto the front porch.
2
00:00:08,440 --> 00:00:09,960
He heads down the porch steps
3
00:00:09,960 --> 00:00:11,480
and waves to the squad car.
4
00:00:15,680 --> 00:00:16,000
Ray?
5
00:00:16,040 --> 00:00:19,400
Slowly crosses the yard, brow tensed.
6
00:00:19,440 --> 00:... | 1
00:00:00,470 --> 00:00:01,710
He grabs the revolver
2
00:00:01,710 --> 00:00:02,910
and peers out of a window
3
00:00:02,910 --> 00:00:04,230
before going outside.
4
00:00:08,830 --> 00:00:10,190
He waits for a response,
5
00:00:10,190 --> 00:00:12,390
then goes down the front steps and waves.
6
00:00:18,430 -->... | 1
00:00:06,680 --> 00:00:08,390
Any word?
2
00:00:14,160 --> 00:00:16,460
Hey, any word on Allyson?
3
00:00:26,770 --> 00:00:28,520
Hey.
4
00:00:28,540 --> 00:00:30,270
Guys.
5
00:00:35,850 --> 00:00:37,710
Wha...?
6
00:01:07,180 --> 00:01:08,450
Ray!
7
00:01:17,790 --> 00:01:19,490
Karen!
8
00:01:22,330 --> 00:... | 1
00:00:02,370 --> 00:00:05,370
(DOOR OPENS AND CLOSES)
2
00:00:06,670 --> 00:00:08,380
Any word?
3
00:00:14,150 --> 00:00:16,450
Hey, any word on Allyson?
4
00:00:26,760 --> 00:00:28,510
Hey.
5
00:00:28,530 --> 00:00:30,260
Guys.
6
00:00:31,630 --> 00:00:32,670
(RAY GASPS)
7
00:00:33,870 --> 00:00:35,810
(RAY GA... | {"screenplay_scene_115": "<scene>\n <stage_direction>EXT. LAURIE'S HOUSE. NIGHT.</stage_direction>\n <scene_description>Ray steps out onto the front porch with the yo-yo as the wind chimes blow in the breeze.</scene_description>\n <character>RAY</character>\n <dialogue>Any word on Allyson?</dialogue>\n <... | 6347.30 | 5005.66 | 180.23 |
halloween_2018 | tt1502407 | DItV_XKvVbLB | 1
00:00:00,900 --> 00:00:03,380
Blood stains the wooden staircase railing.
2
00:00:05,580 --> 00:00:07,380
Aiming her flashlight in rifle.
3
00:00:07,580 --> 00:00:10,220
Laurie starts up the stairs to the second floor.
4
00:00:17,820 --> 00:00:19,860
She spots more blood on the walls.
5
00:00:24,820 --> 00:00:27,3... | 1
00:00:01,250 --> 00:00:03,290
Laurie moves towards the stairs,
2
00:00:03,290 --> 00:00:04,930
blood drips down the handrail
3
00:00:04,930 --> 00:00:07,010
and the wooden steps are stained with blood.
4
00:00:13,810 --> 00:00:14,610
She climbs up
5
00:00:14,610 --> 00:00:17,090
and sees a blood smear on the land... | 1
00:03:27,860 --> 00:03:29,130
Mom.
2
00:03:34,070 --> 00:03:35,570
Grandmother?
3
00:03:39,880 --> 00:03:41,980
Grandmother?
| 1
00:00:00,070 --> 00:00:02,380
(FOOTSTEPS)
2
00:00:26,900 --> 00:00:28,700
(PANTING QUIETLY)
3
00:00:43,120 --> 00:00:46,590
(RATTLES, CLUNKS)
4
00:01:05,980 --> 00:01:07,050
(DOOR CREAKS, BANGS OPEN)
5
00:01:07,080 --> 00:01:08,750
(PANTING)
6
00:01:21,060 --> 00:01:22,890
(QUIET CLINKING)
7
00:01:32,570 --> 00... | null | 6347.30 | 5432.86 | 225.10 |
halloween_2018 | tt1502407 | LA7Ven1M1nnA | 1
00:00:00,310 --> 00:00:03,270
Holding the poker, Michael steps around the island.
2
00:00:06,270 --> 00:00:06,550
Okay.
3
00:00:06,590 --> 00:00:08,600
The killer pulls up on the countertop.
4
00:00:11,400 --> 00:00:13,280
Karen wears a frightened expression.
5
00:00:13,680 --> 00:00:15,640
She turns her gaze to ... | 1
00:00:00,310 --> 00:00:01,950
then moves to the longer side.
2
00:00:13,250 --> 00:00:15,970
The hinge mechanism judders at the top of the stairs.
3
00:00:20,890 --> 00:00:26,130
Karen looks over at a shotgun, crudely engraved with a lightning bolt and the initials K.S..
4
00:00:28,530 --> 00:00:30,490
Karen loads... | 1
00:00:05,250 --> 00:00:07,480
Okay. Okay.
2
00:00:30,670 --> 00:00:31,840
Stay back.
3
00:00:38,880 --> 00:00:40,720
Get back! Get back, get back.
4
00:00:42,820 --> 00:00:45,460
Oh, God.
5
00:00:50,700 --> 00:00:52,630
Stay back.
6
00:01:00,770 --> 00:01:02,370
Mom?
7
00:01:05,240 --> 00:01:07,120
Help us!
8
... | 1
00:00:05,240 --> 00:00:07,450
- Okay. Okay.
- (FOOTSTEPS ABOVE)
2
00:00:07,470 --> 00:00:09,490
- (GRUNTS)
- (BANGING)
3
00:00:09,510 --> 00:00:10,790
- (ALLYSON SHUDDERING)
- (KAREN SHUSHING)
4
00:00:10,810 --> 00:00:14,690
(BANGING, CREAKING)
5
00:00:14,720 --> 00:00:18,460
(REPEATED BANGING)
6
00:00:18,490 --... | null | 6347.30 | 5757.44 | 231.78 |
bourne_identity | tt0258463 | sFqW3uGqJgNF | 1
00:00:01,170 --> 00:00:02,730
The man lies face down.
2
00:00:02,730 --> 00:00:07,750
The sailor peels back a cut out section of neoprene, revealing two bullet holes in the man's back.
3
00:00:10,150 --> 00:00:12,190
The sailor rifles through a tool case.
4
00:00:14,550 --> 00:00:18,110
Using tweezers and forceps,... | 1
00:00:09,400 --> 00:00:11,190
The bald man rummages in the toolkit
2
00:00:11,190 --> 00:00:13,820
and takes out a pair of tweezers and a pair of forceps.
3
00:00:14,460 --> 00:00:17,300
He digs into one of the bloody holes with the tweezers
4
00:00:17,300 --> 00:00:20,140
and pulls out a fragment of metal with th... | 1
00:02:02,970 --> 00:02:04,900
What the hell
are you doing to me?
2
00:02:07,970 --> 00:02:10,670
What are you doing?
3
00:02:10,740 --> 00:02:13,140
Goddamn it! Where am I?
A boat.
4
00:02:13,210 --> 00:02:15,680
A fishing boat.
You were in the water.
5
00:02:15,750 --> 00:02:18,720
We pull you out.
What water?
... | 1
00:00:13,870 --> 00:00:17,470
[Suspenseful music]
2
00:01:43,860 --> 00:01:46,520
000-7-1 7-1 2-0-1 4-26
Gemeinschaft Bank Zurich
3
00:02:02,180 --> 00:02:04,810
BOURNE: What the hell
are you doing to me?
4
00:02:05,320 --> 00:02:07,380
[Giancarlo protests]
5
00:02:07,890 --> 00:02:09,650
BOURNE: What are you doi... | {"screenplay_scene_5": "<scene>\n <stage_direction>INT. FISHING BOAT BUNK ROOM -- DAWN -- TIME CUTS</stage_direction>\n <scene_description>Transformed into a makeshift operating room . A light swings overhead . THE MAN layed out across the table . Sounds - groans - words - snatches of them - all in different lang... | 7109.41 | 170.14 | 179.38 |
bourne_identity | tt0258463 | jokPl4tV4eno | 1
00:00:01,580 --> 00:00:02,580
as it flurries,
2
00:00:02,640 --> 00:00:03,840
two policemen approach
3
00:00:03,840 --> 00:00:06,040
and one shines a flashlight on the man's face.
4
00:00:07,200 --> 00:00:08,040
Subtitles.
5
00:00:08,320 --> 00:00:10,600
Can't you read the signs on your feet?
6
00:00:10,600 --> ... | 1
00:00:07,840 --> 00:00:08,890
They shine a torch.
2
00:00:28,400 --> 00:00:30,400
His eyes dart around anxiously.
3
00:00:33,200 --> 00:00:34,590
The young man shakes his head.
4
00:00:41,060 --> 00:00:43,150
The young man grabs one of the policemens batons
5
00:00:43,150 --> 00:00:45,320
and rapidly dispenses bo... | 1
00:00:06,030 --> 00:00:08,020
Hey.
2
00:00:15,610 --> 00:00:17,270
All right.
3
00:00:20,550 --> 00:00:23,070
No. I... I don't...
4
00:00:23,150 --> 00:00:27,110
I don't have any papers. I lost...
| 1
00:00:07,350 --> 00:00:08,070
ZURICH COPS: [In German]
2
00:00:08,280 --> 00:00:10,180
Can't you read the signs?
3
00:00:10,250 --> 00:00:12,240
On your feet... Iet's go... right now.
4
00:00:13,250 --> 00:00:15,850
The park is closed.
There's no sleeping in the park.
5
00:00:16,020 --> 00:00:17,540
BOURNE: AII r... | {"screenplay_scene_23": "<scene>\n <stage_direction>EXT. ZURICH PARK -- NIGHT</stage_direction>\n <scene_description>THE MAN trying to get comfortable on a bench . It 's chilly but this will have to do until morning . Just settling in , when -</scene_description>\n <character>ZURICH COP #1</character>\n <pa... | 7109.41 | 639.23 | 58.24 |
bourne_identity | tt0258463 | pdMbWqoQXYq5 | 1
00:00:03,230 --> 00:00:05,310
His gaze flits nervously to the guard,
2
00:00:05,350 --> 00:00:06,670
then back to the screen.
3
00:00:06,710 --> 00:00:08,830
A digital rendering of his hand appears.
4
00:00:08,830 --> 00:00:10,230
The man removes his hand
5
00:00:10,270 --> 00:00:11,110
on screen.
6
00:00:11,110... | 1
00:00:00,460 --> 00:00:03,550
The young man presses the palm of his right hand against the glass
2
00:00:03,550 --> 00:00:05,060
with his fingers splayed out.
3
00:00:05,560 --> 00:00:09,030
A wash of pale blue light passes back and forth under his hand,
4
00:00:09,030 --> 00:00:10,110
which he removes.
5
00:00:1... | 1
00:01:13,200 --> 00:01:15,430
My name is Jason Bourne.
2
00:01:22,040 --> 00:01:24,170
I live in Paris.
| 1
00:00:54,360 --> 00:00:57,360
[Suspenseful music]
2
00:00:59,570 --> 00:01:01,470
PASSPORT - United States of America
3
00:01:13,720 --> 00:01:15,680
My name is Jason Bourne.
4
00:01:21,920 --> 00:01:23,360
I live in Paris.
5
00:01:45,110 --> 00:01:47,510
[Inaudible talking outside room]
6
00:02:25,990 --> 00:02... | null | 7109.41 | 904.19 | 173.01 |
bourne_identity | tt0258463 | DytEfJPrjGuK | 1
00:00:05,860 --> 00:00:08,180
Bourne stops in a room with a marine at the door.
2
00:00:08,220 --> 00:00:11,540
As the chief approaches with handcuffs, Bourne raises his hands.
3
00:00:12,660 --> 00:00:14,060
The marine grips his shoulder.
4
00:00:14,100 --> 00:00:15,420
Bourne twists the man's arm
5
00:00:15,420... | 1
00:00:05,850 --> 00:00:08,440
A suited guy approaches, holding a pair of handcuffs.
2
00:00:08,690 --> 00:00:10,570
Jason freezes with his hands up.
3
00:00:10,700 --> 00:00:12,240
The people queuing all stare.
4
00:00:12,280 --> 00:00:17,630
A guard puts his hand on Jason's shoulder at lightning speed.
5
00:00:1... | 1
00:00:00,880 --> 00:00:04,410
You! Red bag! The red bag!
Stop right there!
2
00:00:04,490 --> 00:00:06,420
Put your hands up!
3
00:00:43,930 --> 00:00:45,890
I'm on the east... Ohh!
4
00:00:51,370 --> 00:00:54,130
Move it! Now! Now!
5
00:01:13,120 --> 00:01:14,750
Check. Clear!
6
00:01:14,820 --> 00:01:18,190
Br... | 1
00:00:00,360 --> 00:00:02,520
You! Red bag! The red bag!
2
00:00:02,600 --> 00:00:05,530
SECURITY CHIEF:
Stop right there! Put your hands up!
3
00:00:23,920 --> 00:00:26,080
[Crowd screams]
4
00:00:35,800 --> 00:00:38,790
[Fast-paced instrumental music]
5
00:00:41,400 --> 00:00:43,560
[Alarm sounds]
6
00:00:43,6... | {"screenplay_scene_38": "<scene>\n <stage_direction>INT. U.S. CONSULATE LOBBY -- DAY</stage_direction>\n <scene_description>BOURNE on the move - hustling back toward the lobby - trying to snag a view out to the street - there 's a window just ahead and - BOURNE 'S WINDOW POV - ZURICH COPS - outside - on the stree... | 7109.41 | 1256.99 | 164.56 |
bourne_identity | tt0258463 | gUePbnB_3B7U | 1
00:00:01,710 --> 00:00:02,870
She drops her purse
2
00:00:02,870 --> 00:00:05,670
and as she picks it up, she sees Bourne on the sidewalk.
3
00:00:24,890 --> 00:00:25,930
She shakes her head.
4
00:00:26,290 --> 00:00:28,010
What do you think I'm a fool?
5
00:00:29,330 --> 00:00:31,010
You'd be a fool not to take ... | 1
00:00:00,870 --> 00:00:04,670
She's bending down to pick her bag up.
2
00:00:04,670 --> 00:00:05,800
She sees Jason.
3
00:00:31,360 --> 00:00:32,780
He holds up a wad of cash.
4
00:00:42,950 --> 00:00:46,910
A police car passes as she flicks through the wad of cash he just threw to her.
5
00:01:02,450 --> 00:01:0... | 1
00:00:06,120 --> 00:00:08,090
What are you looking at?
2
00:00:08,160 --> 00:00:10,750
I heard you inside.
What?
3
00:00:10,830 --> 00:00:14,460
The consulate. I heard you talking.
I thought maybe we could help each other.
4
00:00:14,530 --> 00:00:18,430
How's that?
You need money. I need a ride out of here.
5
00... | 1
00:00:00,230 --> 00:00:01,790
[Cursing in German]
2
00:00:05,970 --> 00:00:07,960
What are you Iooking at?
3
00:00:08,300 --> 00:00:09,790
I heard you inside.
4
00:00:09,870 --> 00:00:10,740
MARIE: What?
5
00:00:10,840 --> 00:00:14,540
The consulate. I heard you talking.
I thought maybe we could help each other.
... | null | 7109.41 | 1549.98 | 129.68 |
bourne_identity | tt0258463 | kxODjIMBilli | 1
00:00:06,260 --> 00:00:08,180
He takes his passports out of the bank bag
2
00:00:08,180 --> 00:00:09,460
and sets them on the table.
3
00:00:09,720 --> 00:00:11,360
Marie sits up in her chair.
4
00:00:43,320 --> 00:00:45,840
He stares at the bar where a man has a beer,
5
00:00:45,880 --> 00:00:47,360
folding his ... | 1
00:00:02,000 --> 00:00:03,340
In a roadside diner.
2
00:00:05,510 --> 00:00:08,190
He puts his collection of passports on the table.
3
00:00:21,180 --> 00:00:22,760
Marie glances out of the window.
4
00:00:42,480 --> 00:00:44,610
Jason scans the diner and the bar area,
5
00:00:44,650 --> 00:00:46,830
then leans t... | 1
00:00:01,840 --> 00:00:04,070
I'm not making this up.
2
00:00:04,140 --> 00:00:06,470
These are real.
3
00:00:13,320 --> 00:00:16,980
Okay. Who has a safety
deposit box full of...
4
00:00:19,890 --> 00:00:22,090
money and six passports
and a gun?
5
00:00:24,800 --> 00:00:27,860
Who has a bank account number
in th... | 1
00:00:01,620 --> 00:00:03,520
BOURNE: I'm not making this up.
2
00:00:04,920 --> 00:00:06,450
These are real.
3
00:00:13,530 --> 00:00:14,590
Okay.
4
00:00:14,670 --> 00:00:17,430
Who has a safety deposit box full of...
5
00:00:19,870 --> 00:00:22,030
...money and six passports and a gun?
6
00:00:24,640 --> 00:0... | {"screenplay_scene_75": "<scene>\n <stage_direction>INT. TRUCKSTOP CAFE -- NIGHT</stage_direction>\n <scene_description>It 's a weird spot . Open all night . But Euro - style . Quiet tonight . A few Alpen - truckers chowing down . A local or two at the bar and - BOURNE AND MARIE at a back table . Drinking coffee ... | 7109.41 | 2030.21 | 83.71 |
bourne_identity | tt0258463 | wl2Tf0bA0ZGo | 1
00:00:04,040 --> 00:00:06,080
He nears the tall opaque glass.
2
00:00:12,320 --> 00:00:14,240
Castel swings through the window on a rope
3
00:00:14,240 --> 00:00:15,560
and fires a submachine gun.
4
00:00:15,600 --> 00:00:17,040
Bourne sweeps the man's legs out
5
00:00:17,040 --> 00:00:18,240
and they wrestle for... | 1
00:00:00,950 --> 00:00:03,460
Marie watches him curious.
2
00:00:14,360 --> 00:00:16,320
Castel swings through the window on a rope.
3
00:00:16,320 --> 00:00:19,540
Machine gun blasting Murray's mouth gapes in horror.
4
00:00:19,790 --> 00:00:21,800
Jason wrestles Castel to the floor,
5
00:00:21,840 --> 00:00:22,... | 1
00:00:07,340 --> 00:00:11,240
What is it?
Something wrong?
2
00:00:48,510 --> 00:00:49,740
Jason!
3
00:01:51,840 --> 00:01:55,170
Open that! Open that! Tell me what's inside.
Who are you?
4
00:01:56,980 --> 00:01:58,970
Who are you?
5
00:02:00,520 --> 00:02:03,680
Who are you?
6
00:02:04,750 --> 00:02:07,150
Oh,... | 1
00:00:07,220 --> 00:00:08,580
MARIE: What is it?
2
00:00:09,850 --> 00:00:11,440
Something wrong?
3
00:00:13,890 --> 00:00:16,690
[Rapid machine-gun fire]
4
00:00:48,620 --> 00:00:49,750
MARIE: Jason!
5
00:00:49,830 --> 00:00:52,820
[Fast-paced instrumental music]
6
00:01:51,620 --> 00:01:54,020
BOURNE: Open tha... | {"screenplay_scene_86": "<scene>\n <stage_direction>INT. PARIS APARTMENT -- DAY</stage_direction>\n <scene_description>A huge , rambling flat . Large entry hallway . Large rooms beyond that . It 's obviously expensive . But cold . Completely impersonal . No photographs . No mementoes . No human history . WE 'RE M... | 7109.41 | 2638.59 | 158.87 |
bourne_identity | tt0258463 | 6hbE8_lUe4sc | 1
00:00:04,440 --> 00:00:07,220
Bourne steers onto a rain slicked sidewalk, wipers on
2
00:00:07,220 --> 00:00:08,660
and passes a slow sedan,
3
00:00:08,700 --> 00:00:09,740
cutting back into traffic.
4
00:00:09,740 --> 00:00:10,500
He shifts gears
5
00:00:10,500 --> 00:00:11,700
and makes a hard right.
6
00:00:1... | 1
00:00:01,130 --> 00:00:03,130
driving up on the pavement as he goes.
2
00:00:10,480 --> 00:00:11,690
Jason shifts gears,
3
00:00:11,690 --> 00:00:12,860
drives round a corner
4
00:00:12,860 --> 00:00:14,700
and heads down a cobbled street.
5
00:00:14,700 --> 00:00:16,460
The police cars are close behind.
6
00:00... | 1
00:00:36,420 --> 00:00:38,480
So...
What?
2
00:00:38,560 --> 00:00:41,020
uh, we got a bump
coming up.
3
00:01:14,190 --> 00:01:16,520
Turn your head away.
Turn your head away.
4
00:02:34,000 --> 00:02:37,440
Ohh!
| 1
00:00:36,470 --> 00:00:37,470
BOURNE: So...
2
00:00:37,840 --> 00:00:40,600
MARIE: What?
BOURNE: We got a bump coming up.
3
00:00:46,940 --> 00:00:50,570
[Fast-paced music continues]
4
00:01:13,940 --> 00:01:16,630
Turn your head away. Turn your head away.
5
00:01:33,620 --> 00:01:36,390
[Cars honk repeatedly]
| null | 7109.41 | 3198.50 | 180.21 |
bourne_identity | tt0258463 | HUSII5FlS9j_ | 1
00:00:04,140 --> 00:00:05,980
A fireball billows into the sky.
2
00:00:06,020 --> 00:00:08,340
The Professor watches from a rocky outcropping.
3
00:00:09,980 --> 00:00:12,660
He stares through his rifle scope at a pillar of smoke.
4
00:00:12,660 --> 00:00:15,100
Bourne reloads as he walks away from the explosion.
... | 1
00:00:03,840 --> 00:00:05,850
The Professor watching from the woods,
2
00:00:05,850 --> 00:00:09,730
his rifle with its silencer and telescopic sights balanced on a bipod.
3
00:00:09,770 --> 00:00:15,750
Trained on the chateau, is surprised by the explosion, flames and black smoke moving his sights to his left.
4
... | 1
00:02:18,200 --> 00:02:21,100
Where is it?
2
00:02:21,170 --> 00:02:24,140
Where's the weapon?
3
00:02:25,580 --> 00:02:27,510
Who else is out here?
4
00:02:27,580 --> 00:02:30,480
How many you got with you?
I'm not gonna ask you again.
5
00:02:30,550 --> 00:02:34,010
I work alone, like you.
6
00:02:35,750 --> 0... | 1
00:00:20,530 --> 00:00:24,160
[Intense rhythmic music]
2
00:00:32,840 --> 00:00:34,360
[Rapid gunfire]
3
00:01:20,650 --> 00:01:22,210
[Gunfire]
4
00:01:22,290 --> 00:01:25,920
[Birds scatter and chirp]
5
00:01:58,960 --> 00:02:00,290
[Gunfire]
6
00:02:19,210 --> 00:02:22,040
BOURNE: Where is it? Where's the wea... | {"screenplay_scene_130": "<scene>\n <stage_direction>EXT. HOTEL DE LA PAIX -- COURTYARD -- DAY</stage_direction>\n <scene_description>THE HOTEL BACK DOOR - kicked open - BOURNE coming out of the house - coming hard - and - The small courtyard is empty - but now the ALARM is going off - and BOURNE turns back to MA... | 7109.41 | 5199.49 | 174.89 |
bourne_identity | tt0258463 | iL0c444T1nba | 1
00:00:00,170 --> 00:00:02,170
The goateed operative kicks open the door.
2
00:00:03,610 --> 00:00:05,130
Bourne boots the door back into him
3
00:00:05,130 --> 00:00:06,450
and wrestles for the man's gun.
4
00:00:06,490 --> 00:00:07,450
It misfires.
5
00:00:07,490 --> 00:00:08,770
Bourne wrenches it away
6
00:00... | 1
00:00:03,360 --> 00:00:05,330
The balding, bearded agent kicks the door open.
2
00:00:05,330 --> 00:00:07,040
Jason grabs the agent's gun arm.
3
00:00:10,970 --> 00:00:12,340
Jason shoots him in the leg,
4
00:00:12,340 --> 00:00:14,060
then clubs him with his own gun.
5
00:00:14,100 --> 00:00:17,440
He exchanges ... | 1
00:00:05,340 --> 00:00:07,100
[Grunting]
2
00:00:17,620 --> 00:00:20,180
[Gun shells fall to floor]
3
00:02:26,450 --> 00:02:29,440
[Dramatic instrumental music]
| null | 7109.41 | 6364.29 | 177.84 | |
creed_2015 | tt3076658 | 1hVA4abZ3E2O | 1
00:00:01,300 --> 00:00:03,620
and shows him a bag full of Mexican money.
2
00:00:47,240 --> 00:00:49,200
He turns back to a sparring match.
3
00:00:59,040 --> 00:01:00,720
Adonis climbs in the ring.
4
00:01:12,040 --> 00:01:12,960
Stats up here.
5
00:01:13,000 --> 00:01:13,800
Kevin Greer,
6
00:01:13,920 --> 00:... | 1
00:00:03,540 --> 00:00:03,820
Don.
2
00:00:03,860 --> 00:00:04,540
Approaches.
3
00:00:04,580 --> 00:00:06,700
Check out a bundle of cash.
4
00:00:47,560 --> 00:00:48,480
To the fighters.
5
00:00:59,960 --> 00:01:01,280
Don climbs into the ring.
6
00:01:12,840 --> 00:01:14,080
The boxer's stats.
7
00:01:14,120 ... | 1
00:00:00,480 --> 00:00:03,370
You know what's coming up. There you go.
2
00:00:04,360 --> 00:00:05,800
Check it out.
3
00:00:06,840 --> 00:00:08,440
What you doing here, man?
4
00:00:08,600 --> 00:00:10,720
15 and 0, 15 knockouts.
5
00:00:11,000 --> 00:00:14,200
In Tijuana? No, bro.
6
00:00:14,360 --> 00:00:16,0... | 1
00:00:00,470 --> 00:00:03,360
You know what's coming up. There you go.
2
00:00:04,350 --> 00:00:05,790
Check it out.
3
00:00:06,830 --> 00:00:08,430
DUKE: What you doing here, man?
4
00:00:08,590 --> 00:00:10,710
15 and 0, 15 knockouts.
5
00:00:10,990 --> 00:00:14,200
In Tijuana? No, bro.
6
00:00:14,350 --> 00:0... | {"screenplay_scene_18": "<scene>\n <stage_direction>INT. RING- DUKE'S BOXING GYM- CONTINUOUS</stage_direction>\n <scene_description>The boxers stop sparring, and they look at Adonis, who turns to the corner and shakes the contents of his gym bag out- gloves, a mouthpiece, and $10,000 cash.</scene_description>\n ... | 7989.12 | 618.78 | 192.17 |
creed_2015 | tt3076658 | n4T6c7_wlFwW | 1
00:00:37,780 --> 00:00:39,860
The old champ shuffles closer to him,
2
00:00:40,060 --> 00:00:41,820
waving a finger questioningly.
3
00:00:47,780 --> 00:00:50,460
Rocky glances at the photo of him and Apollo.
4
00:01:10,980 --> 00:01:14,500
The champ shifts his weight on his feet as he looks closely at Adonis
5
0... | 1
00:00:37,950 --> 00:00:38,350
Rocky.
2
00:00:38,350 --> 00:00:40,630
Crosses the darkened restaurant to Don.
3
00:00:47,710 --> 00:00:48,710
They stare at each other
4
00:00:48,710 --> 00:00:50,870
and Rocky glances at the photo on the wall.
5
00:01:11,310 --> 00:01:14,430
Eyeing him, Rocky shifts his weight from... | 1
00:00:00,040 --> 00:00:02,120
The girl said you wanted
to talk about something.
2
00:00:02,400 --> 00:00:04,200
Yeah, I want to talk to you
about training me.
3
00:00:04,240 --> 00:00:06,240
Training you.
4
00:00:06,480 --> 00:00:08,800
I don't do that stuff no more.
Sorry about that.
5
00:00:08,960 --> 00:00:10,... | 1
00:00:00,030 --> 00:00:02,110
The girl said you wanted
to talk about something.
2
00:00:02,390 --> 00:00:04,190
Yeah, I want to talk to you
about training me.
3
00:00:04,230 --> 00:00:06,230
Training you. (CHUCKLES)
4
00:00:06,470 --> 00:00:08,790
I don't do that stuff no more.
Sorry about that.
5
00:00:08,950 --... | {"screenplay_scene_35": "<scene>\n <stage_direction>INT. ADRIAN'S RESTAURANT</stage_direction>\n <scene_description>Upstairs Adonis stares at the many pictures depicting Rocky's career. On the wall are his title belts too. His eyes settle on a large dynamic painting of Rocky and Apollo, about to exchange blows. B... | 7989.12 | 1027.58 | 188.69 |
creed_2015 | tt3076658 | BuZMSla7WlbR | 1
00:00:04,380 --> 00:00:05,380
She points things out.
2
00:00:32,960 --> 00:00:34,840
Bianca bites into her cheesesteak.
3
00:00:38,800 --> 00:00:42,120
Adonis points to his ear in reference to hearing aids that she's wearing.
4
00:01:11,920 --> 00:01:13,240
Like arms crossed.
5
00:01:13,240 --> 00:01:16,040
She m... | 1
00:00:32,370 --> 00:00:34,920
She bites into her Philly cheesesteak sandwich.
2
00:00:38,160 --> 00:00:39,280
He taps his ear.
3
00:00:39,600 --> 00:00:41,400
Bianca wears a hearing aid.
4
00:01:13,200 --> 00:01:14,480
She signs something.
5
00:01:53,790 --> 00:01:55,190
She nods solemnly.
6
00:02:06,030 --> 00:... | 1
00:00:00,100 --> 00:00:02,230
So I heard you back there,
"jawn" this, "jawn" that.
2
00:00:02,380 --> 00:00:03,380
What's a "jawn"?
3
00:00:03,580 --> 00:00:04,990
It's a noun.
4
00:00:05,180 --> 00:00:07,580
See, these is jawns.
5
00:00:08,180 --> 00:00:09,750
This is a jawn.
6
00:00:09,900 --> 00:00:12,080
Thi... | 1
00:00:00,090 --> 00:00:02,350
ADONIS: So I heard you back there,
"jawn" this, "jawn" that.
2
00:00:02,370 --> 00:00:03,370
What's a "jawn"?
3
00:00:03,570 --> 00:00:04,980
It's a noun.
4
00:00:05,170 --> 00:00:07,570
See, these is jawns.
5
00:00:08,170 --> 00:00:09,740
This is a jawn.
6
00:00:09,890 --> 00:00:12... | {"screenplay_scene_51": "<scene>\n <stage_direction>INT. CHINESE FOOD RESTAURANT- PHILLY</stage_direction>\n <scene_description>It's a gritty restaurant. Graffiti stained windows, mostly African- American patrons, Chinese American staff serves the register. We find Bianca and Adonis sitting down near a window, te... | 7989.12 | 1950.56 | 163.31 |
creed_2015 | tt3076658 | 2YM5Q3B3izlt | 1
00:00:03,350 --> 00:00:08,230
Adonis titles across the ring, keeping his opponent off rhythm as he changes direction on a dime.
2
00:00:08,390 --> 00:00:10,870
Both fighters struggle to land clean shots.
3
00:00:11,750 --> 00:00:15,510
Leo catches Adonis with a hard right shot.
4
00:00:22,910 --> 00:00:25,070
Leo ... | 1
00:00:01,070 --> 00:00:02,510
Then the men draw apart.
2
00:00:02,550 --> 00:00:06,710
They keep a bit of distance between them as they dance left and right, their eyes locked.
3
00:00:09,830 --> 00:00:11,310
Leo dodges Don's punches,
4
00:00:11,310 --> 00:00:13,230
then sends him reeling with a right hook.
5
00:... | 1
00:00:01,840 --> 00:00:03,120
One punch on top.
2
00:00:07,560 --> 00:00:10,450
Keep moving. That's right.
Block left. Block left.
3
00:00:16,720 --> 00:00:17,720
Relax.
4
00:00:18,000 --> 00:00:19,960
Let's go, boy!
Come get this shit! Come get it!
5
00:00:20,120 --> 00:00:21,530
You're doing good, kid!
6
00:00... | 1
00:00:01,830 --> 00:00:03,110
PETE: One punch on top.
2
00:00:07,550 --> 00:00:10,440
ROCKY: Keep moving. That's right.
Block left. Block left.
3
00:00:16,710 --> 00:00:17,710
ROCKY: Relax.
4
00:00:17,990 --> 00:00:19,950
Let's go, boy!
Come get this shit! Come get it!
5
00:00:20,110 --> 00:00:21,520
STITCH: You'... | {"screenplay_scene_78": "<scene>\n <stage_direction>INT. RING- BLUE HORIZON</stage_direction>\n <scene_description>Adonis and Leo approach each other and begin to circling. Adonis keeps his right hand cocked creeps up on Leo with more patience. Two quick jabs from Leo, but Adonis slips both of them. He continues ... | 7989.12 | 3511.10 | 148.03 |
creed_2015 | tt3076658 | 9QFZOXZ_Ca_u | 1
00:00:00,390 --> 00:00:00,830
Now.
2
00:00:00,870 --> 00:00:02,510
Amir slings a bag over his neck
3
00:00:02,510 --> 00:00:03,350
in the locker room.
4
00:00:03,390 --> 00:00:03,990
Armour
5
00:00:05,870 --> 00:00:08,830
Adonis notices pamphlets sticking out of Rocky's jacket.
6
00:00:09,870 --> 00:00:10,950
He... | 1
00:00:00,890 --> 00:00:02,890
Later, Don enters the locker room.
2
00:00:06,650 --> 00:00:09,370
Don notices the leaflet sticking out of Rocky's coat
3
00:00:09,370 --> 00:00:11,210
and takes them out for a closer look.
4
00:00:11,690 --> 00:00:13,010
Bold letters read.
5
00:00:13,080 --> 00:00:14,000
Treatment.
... | 1
00:00:03,280 --> 00:00:04,280
All right, Amir.
2
00:00:04,440 --> 00:00:06,400
All right, champ. Don't work too hard.
3
00:00:27,320 --> 00:00:28,890
This shit for real?
4
00:00:32,800 --> 00:00:33,920
Doesn't matter.
5
00:00:35,200 --> 00:00:37,880
What you should be thinking
about is that fight coming up.
6
00... | 1
00:00:03,270 --> 00:00:04,270
All right, Amir.
2
00:00:04,430 --> 00:00:06,390
AMIR:
All right, champ. Don't work too hard.
3
00:00:27,310 --> 00:00:28,880
This shit for real?
4
00:00:32,790 --> 00:00:33,910
Doesn't matter.
5
00:00:35,190 --> 00:00:37,870
What you should be thinking
about is that fight coming up.... | {"screenplay_scene_100": "<scene>\n <stage_direction>INT. JOE HAND BOXING GYM- LOCKER ROOM- MOMENTS LATER</stage_direction>\n <scene_description>Rocky enters the room to get his jacket, and notices Adonis waiting on him, staring him down.</scene_description>\n <character>ADONIS</character>\n <dialogue>This ... | 7989.12 | 4826.78 | 160.03 |
creed_2015 | tt3076658 | o_HNosrUuDA4 | 1
00:00:06,750 --> 00:00:08,470
Two dirt bikers lead the way.
2
00:00:08,510 --> 00:00:09,510
Popping wheelies.
3
00:00:21,630 --> 00:00:24,670
Others joined them, including several on ATVs.
4
00:00:31,870 --> 00:00:34,290
Among them is the teen dirt biker from before.
5
00:00:34,450 --> 00:00:37,210
Adonis picks u... | 1
00:00:06,680 --> 00:00:08,160
Bikers ride with dogs.
2
00:00:08,160 --> 00:00:09,600
He runs through the streets.
3
00:00:19,160 --> 00:00:20,760
He gestures to a gang of bikers
4
00:00:20,760 --> 00:00:22,040
and they screech after him,
5
00:00:22,040 --> 00:00:25,320
two of them on quad bikes numbering about a ... | 1
00:00:00,680 --> 00:00:02,200
Yo, you going to see Rock?
2
00:00:02,360 --> 00:00:04,320
Yeah, let's go! We got you! Let's go!
3
00:00:04,480 --> 00:00:06,240
Make history, Creed! Let's go!
4
00:00:10,160 --> 00:00:12,560
What up? Come on, y'all!
Let's ride! Come on!
5
00:00:13,240 --> 00:00:14,360
That's what I ... | 1
00:00:00,670 --> 00:00:02,190
MAN 1: Yo, you going to see Rock?
2
00:00:02,350 --> 00:00:04,310
MAN 2:
Yeah, let's go! We got you! Let's go!
3
00:00:04,470 --> 00:00:06,230
Make history, Creed! Let's go!
4
00:00:10,150 --> 00:00:12,550
What up? Come on, y'all!
Let's ride! Come on!
5
00:00:13,230 --> 00:00:14,390
... | null | 7989.12 | 5739.26 | 114.99 |
creed_2015 | tt3076658 | 6X8yiBzr6_3i | 1
00:00:27,800 --> 00:00:30,080
Adonis lightly punches into Rocky's palms.
2
00:00:30,200 --> 00:00:32,000
Kona Padman
3
00:00:32,760 --> 00:00:35,040
the fighter circles around as he focuses.
4
00:00:37,200 --> 00:00:39,000
He throws a combo at the mitts.
5
00:00:41,640 --> 00:00:43,480
Amir's father comes at him ... | 1
00:00:27,970 --> 00:00:29,490
Don taps Rocky's palms.
2
00:00:34,410 --> 00:00:36,330
Don warms up with Padman.
3
00:00:38,690 --> 00:00:40,890
Don punches Padman padded mitts.
4
00:00:53,450 --> 00:00:54,650
Don looks focussed.
5
00:01:02,130 --> 00:01:05,170
Rocky puts Don's hood up as they leave the changing r... | 1
00:00:00,080 --> 00:00:02,450
You never been in front of
this many people before, right?
2
00:00:02,600 --> 00:00:03,930
That don't matter.
3
00:00:04,080 --> 00:00:06,210
You've never been this far away from home.
4
00:00:06,360 --> 00:00:07,650
That don't matter.
5
00:00:07,800 --> 00:00:10,890
What matters is
... | 1
00:00:00,070 --> 00:00:02,440
You never been in front of
this many people before, right?
2
00:00:02,590 --> 00:00:03,930
That don't matter.
3
00:00:04,070 --> 00:00:06,200
You've never been this far away from home.
4
00:00:06,350 --> 00:00:07,640
That don't matter.
5
00:00:07,790 --> 00:00:10,880
What matters is
... | {"screenplay_scene_147": "<scene>\n <stage_direction>INT. ANFIELD STADIUM- VISITOR'S LOCKEROOM</stage_direction>\n <scene_description>Rocky finishes the tape on Adonis' glove. He struggles to tear the roll off... Amir sees this, and jumps in and quickly tears it off. Rocky and Adonis lock hands Adonis matches him... | 7989.12 | 6173.70 | 71.94 |
creed_2015 | tt3076658 | zA1337F7ux5e | 1
00:00:19,240 --> 00:00:20,600
Conlan ducks a left,
2
00:00:21,600 --> 00:00:28,440
then lands a powerful right hook that knocks Adonis cold blood and saliva spray from his mouth as he falls in slow motion to the mat.
3
00:00:29,120 --> 00:00:32,000
His limp body bounces in a heap toward a neutral corner.
4
00:00:3... | 1
00:00:08,510 --> 00:00:09,910
Ricky uppercuts done.
2
00:00:21,910 --> 00:00:23,110
Don's left hook misses
3
00:00:23,110 --> 00:00:25,710
and Ricky clobbers him good and hard in the temple.
4
00:00:26,070 --> 00:00:30,030
A gout of blood is flung from Don's mouth as he topples like a felled tree,
5
00:00:30,030 ... | 1
00:00:00,920 --> 00:00:02,640
The champ is in bad shape, Jim.
2
00:00:02,800 --> 00:00:04,760
Creed realized he has a better chance
3
00:00:04,920 --> 00:00:07,120
of hurting Conlan to the
body than to the head!
4
00:00:08,150 --> 00:00:09,200
- What an uppercut!
- No!
5
00:00:10,160 --> 00:00:11,880
And Creed st... | 1
00:00:00,910 --> 00:00:02,640
KELLERMAN: The champ is in bad shape, Jim.
2
00:00:02,790 --> 00:00:04,750
LAMPLEY:
Creed realized he has a better chance
3
00:00:04,910 --> 00:00:07,110
of hurting Conlan to the
body than to the head!
4
00:00:08,150 --> 00:00:09,550
- KELLERMAN: What an uppercut!
- No!
5
00:00:10,15... | {"screenplay_scene_164": "<scene>\n <stage_direction>INT. RING- ANFIELD STADIUM- CONTINUOUS</stage_direction>\n <scene_description>The fighters approach each other quickly. Adonis dodges a couple punches then cages up, putting his hands over his face and body to protect. Porter pounds Adonis' body. A hard left co... | 7989.12 | 7001.50 | 191.08 |
creed_2015 | tt3076658 | _cdW1inygAap | 1
00:00:00,500 --> 00:00:03,860
Adonis stands up, his left eye swollen, completely shut.
2
00:00:05,260 --> 00:00:06,220
In his corner.
3
00:00:06,220 --> 00:00:08,220
Conlan confidently rolls his neck.
4
00:00:44,000 --> 00:00:46,360
As Adonis gets hit, Mary Anne flinches.
5
00:02:15,260 --> 00:02:17,980
Creed hol... | 1
00:00:01,190 --> 00:00:02,310
Don gets to his feet.
2
00:00:02,310 --> 00:00:04,270
His left eye has completely closed up.
3
00:00:05,710 --> 00:00:08,550
He steps forward, his left eye a swollen red orb.
4
00:00:44,930 --> 00:00:46,050
Mary Anne flinches.
5
00:01:11,370 --> 00:01:13,050
Don Laz Ricky on his back... | 1
00:00:04,320 --> 00:00:05,730
Go get him, Donnie!
2
00:00:09,440 --> 00:00:11,290
Round 12 begins.
3
00:00:11,440 --> 00:00:15,240
Virtually no one outside of Adonis Creed's
family and group of friends
4
00:00:15,400 --> 00:00:17,170
would ever have expected to see him
5
00:00:17,320 --> 00:00:19,930
in a 12th ro... | 1
00:00:04,310 --> 00:00:05,730
ROCKY: Go get him, Donnie!
2
00:00:09,430 --> 00:00:11,280
- (BELL RINGS)
- KELLERMAN: Round 12 begins.
3
00:00:11,430 --> 00:00:15,230
Virtually no one outside of Adonis Creed's
family and group of friends
4
00:00:15,390 --> 00:00:17,160
would ever have expected to see him
5
00:00:1... | {"screenplay_scene_168": "<scene>\n <stage_direction>INT. RING- ANFIELD STADIUM- MOMENTS LATER</stage_direction>\n <scene_description>Porter has Adonis against the ropes, Adonis ducks a hook from Porter and delivers a nasty straight shot followed by a bone- crunching hook to the body. The hook doubles Porter over... | 7989.12 | 7192.74 | 146.52 |
creed_2015 | tt3076658 | aWZkVLtYd8X0 | 1
00:00:00,110 --> 00:00:09,470
Back in Philadelphia, a smiling Rocky climbs out of his van with Adonis, who wears small white bandages over his still healing face.
2
00:00:15,890 --> 00:00:17,930
They walk up the art museum steps.
3
00:00:28,410 --> 00:00:33,050
He holds on to Adonis shoulder as they trudge slowly u... | 1
00:00:00,060 --> 00:00:05,740
Rocky and Don get out of Rocky's van at the foot of the steps outside the Philadelphia museum of Art.
2
00:00:09,220 --> 00:00:10,460
Don looks around.
3
00:00:16,410 --> 00:00:17,850
They start up the steps.
4
00:00:30,650 --> 00:00:32,930
A pediment and colonnade lies ahead of them
... | 1
00:00:11,650 --> 00:00:12,980
This is it?
2
00:00:13,850 --> 00:00:14,900
Yeah.
3
00:00:18,770 --> 00:00:20,980
I just wanna see
if I can get up these steps.
4
00:00:21,410 --> 00:00:22,850
When's the first time you came here?
5
00:00:23,090 --> 00:00:24,660
I was 12.
6
00:00:26,010 --> 00:00:28,490
I think it's... | 1
00:00:02,240 --> 00:00:03,810
(ROCKY GRUNTS)
2
00:00:11,640 --> 00:00:12,970
This is it?
3
00:00:13,840 --> 00:00:14,890
Yeah.
4
00:00:17,440 --> 00:00:18,440
(ROCKY SIGHS)
5
00:00:18,760 --> 00:00:20,970
ROCKY: I just wanna see
if I can get up these steps.
6
00:00:21,400 --> 00:00:23,060
ADONIS:
When's the firs... | {"screenplay_scene_176": "<scene>\n <stage_direction>EXT. PHILADELPHIA MUSEUM STEPS- SUNRISE- ONE WEEK LATER</stage_direction>\n <scene_description>The long flight of stairs. A Rocky's van pulls up. Adonis and Bianca hop out, dressed in street clothes. Small white bandages on his face cover his wounds. He opens t... | 7989.12 | 7453.09 | 139.97 |
transformers_the_movie | tt0418279 | YXLjrVs5gfgF | 1
00:00:11,040 --> 00:00:12,680
He eyes her bare midriff.
| 1
00:00:01,160 --> 00:00:02,390
Whoa, nice headers.
2
00:00:02,500 --> 00:00:04,140
You've got a high-rise
double-pump carburetor.
3
00:00:04,170 --> 00:00:06,570
That's pretty impressive, Sam.
4
00:00:06,670 --> 00:00:07,900
Double-pump?
5
00:00:08,000 --> 00:00:10,700
It squirts the fuel in
so you can go faster.
... | 1
00:00:01,180 --> 00:00:02,420
Whoa, nice headers.
2
00:00:02,530 --> 00:00:04,150
You've got a high-rise
double-pump carburetor.
3
00:00:04,180 --> 00:00:06,580
That's pretty impressive, Sam.
4
00:00:06,700 --> 00:00:07,900
Double-pump?
5
00:00:08,010 --> 00:00:10,260
It squirts the fuel in
so you can go faster.
... | {"screenplay_scene_18": "<scene>\n <stage_direction>EXT. TRANQUILITY SUBURBS - LATE AFTERNOON</stage_direction>\n <scene_description>Sam's buddy MILES sits on a stoop, waiting. Sam..$.lls up in the Camaro, REVVING its throaty engine. Miles' e)l\\[)llF!~~ion DROPS ...</scene_description>\n <character>SAM</chara... | 8602.07 | 1512.22 | 45.67 | |
transformers_the_movie | tt0418279 | K_0p5LQOmRR7 | 1
00:00:03,130 --> 00:00:05,050
and unfurls a series of blades.
2
00:00:09,130 --> 00:00:10,970
The captain steps to avoid it
3
00:00:10,970 --> 00:00:14,080
as the scorpion like robot comes burrowing through the sand.
4
00:00:14,120 --> 00:00:16,040
His men all lighted up with gunfire.
5
00:00:21,400 --> 00:00:23,... | 1
00:00:00,530 --> 00:00:03,500
A spiky, robotic pincer creeps up on the handsome Lennox.
2
00:00:07,420 --> 00:00:07,670
Tech.
3
00:00:07,670 --> 00:00:08,040
Sergeant!
4
00:00:08,080 --> 00:00:09,040
Epps opens fire
5
00:00:09,040 --> 00:00:12,380
as the robot Scorponok crashes out of and into the ground again.
... | 1
00:00:05,870 --> 00:00:07,000
Whoa!
2
00:00:07,680 --> 00:00:09,170
Watch out!
3
00:00:15,450 --> 00:00:17,920
- Open fire!
- Contact! Contact!
4
00:00:18,020 --> 00:00:19,080
Everybody, quiet. Settle.
5
00:00:19,190 --> 00:00:21,310
Whoa, mother... What the hell is...
6
00:00:29,060 --> 00:00:31,830
Get up! Get... | 1
00:00:05,910 --> 00:00:07,070
Whoa!
2
00:00:07,670 --> 00:00:09,240
Watch out!
3
00:00:12,110 --> 00:00:13,680
(BOTH SHOUTING)
4
00:00:15,470 --> 00:00:18,000
DONNELY: Open fire!
FIG: Contact! Contact!
5
00:00:18,070 --> 00:00:19,210
LENNOX: Everybody, quiet. Settle.
6
00:00:19,230 --> 00:00:21,760
EPPS: Whoa, m... | {"screenplay_scene_38": "<scene>\n <stage_direction>EXT. VIL\"AGE,ENCAMPMENT- CONTINUOUS</stage_direction>\n <scene_description>A ten--\\_ hd'at ..• then Lennox APPEARS through the smoke, waving a signal ~are as the jets STREAK overhead ... VICTORY!</scene_description>\n <character>A-10 PILOT #2</character>\n ... | 8602.07 | 2370.21 | 91.84 |
transformers_the_movie | tt0418279 | iLCfSariFiux | 1
00:00:05,550 --> 00:00:07,110
The appendages withdraw.
2
00:00:08,340 --> 00:00:12,700
The car suddenly transforms into a huge robot with glowing red eyes.
3
00:00:16,660 --> 00:00:17,580
It chases him.
4
00:00:23,500 --> 00:00:25,860
The robot smacks him into a cracked windshield.
5
00:00:27,940 --> 00:00:30,020... | 1
00:00:09,690 --> 00:00:14,360
The police car transforms into a huge robot Barricade with piercing red eyes.
2
00:00:17,620 --> 00:00:19,160
Sam runs away from the robot.
3
00:00:19,200 --> 00:00:20,370
Barricade swipes at him
4
00:00:20,370 --> 00:00:22,250
and throws him onto a car windscreen.
5
00:00:44,140 -->... | 1
00:00:02,490 --> 00:00:05,250
Please! Okay,
what do you want from me?
2
00:00:07,590 --> 00:00:08,990
Okay.
3
00:00:14,540 --> 00:00:16,000
Oh, God, no! No!
4
00:00:17,940 --> 00:00:23,380
Oh, shit! Oh, shit, shit, shit!
Oh, God! Oh, shit!
5
00:00:26,410 --> 00:00:28,180
It's a bad dream.
6
00:00:30,050 --> 00:0... | 1
00:00:02,490 --> 00:00:05,330
Please! Okay,
what do you want from me?
2
00:00:07,610 --> 00:00:09,050
Okay.
3
00:00:14,530 --> 00:00:16,020
Oh, God, no! No!
4
00:00:17,970 --> 00:00:23,420
Oh, shit! Oh, shit, shit, shit!
Oh, God! Oh, shit!
5
00:00:23,490 --> 00:00:24,850
(SCREAMING)
6
00:00:26,410 --> 00:00:28,1... | null | 8602.07 | 3014.43 | 133.59 |
transformers_the_movie | tt0418279 | ZQE60QMgts5I | 1
00:00:00,180 --> 00:00:03,140
The Camaro transforms into its huge robot form
2
00:00:03,140 --> 00:00:05,220
and puts up its Dukes in a fighting stance
3
00:00:05,220 --> 00:00:07,780
as it stands protectively in front of the two humans.
4
00:00:08,340 --> 00:00:11,180
Sam and Mikaela back away from its massive st... | 1
00:00:00,940 --> 00:00:03,950
The yellow car transforms into Bumblebee, its robot state
2
00:00:03,950 --> 00:00:04,910
and gets ready to fight.
3
00:00:04,950 --> 00:00:05,740
Barricade
4
00:00:06,120 --> 00:00:07,120
our shock duo,
5
00:00:07,160 --> 00:00:09,370
Sam and Mikaela cower in the background.
6
00:0... | 1
00:00:50,660 --> 00:00:51,960
He's got me! Oh, God!
2
00:00:58,510 --> 00:01:00,370
He's going to kill me!
3
00:01:03,510 --> 00:01:05,170
No. No, no, no!
4
00:01:19,760 --> 00:01:20,950
Get off!
5
00:01:35,610 --> 00:01:36,630
Kill it! Kill it!
6
00:01:36,740 --> 00:01:38,300
Get it, get it, get it, get it!
7
... | 1
00:00:14,200 --> 00:00:16,360
(SHOUTING IN ALIEN LANGUAGE)
2
00:00:23,960 --> 00:00:26,170
(SPEAKING IN ALIEN LANGUAGE)
3
00:00:28,640 --> 00:00:30,880
(BOTH SPEAKING ALIEN LANGUAGE)
4
00:00:50,680 --> 00:00:52,010
He's got me! Oh, God!
5
00:00:52,080 --> 00:00:53,440
(GRUNTING)
6
00:00:54,440 --> 00:00:55,680
(... | {"screenplay_scene_46": "<scene>\n <stage_direction>EXT. STREETS - WAREHOUSED~~ CONTINUOUS</stage_direction>\n <scene_description>The CAR CHASE barrels th~ghtabandoned skeletal warehouses, through an old TRAIN YARD - Side panels on the col~ rise up: ROCKET PODS LOADED WITH MISSILES -- the camar~ sw5rves left and ... | 8602.07 | 3183.04 | 108.67 |
transformers_the_movie | tt0418279 | 8YWT6Vtv8yLq | 1
00:00:09,800 --> 00:00:10,880
Mikaela gets in
2
00:00:10,880 --> 00:00:12,120
and Sam follows her.
3
00:00:12,960 --> 00:00:17,080
Elsewhere in the facility, the police car transformer lies sparking in a heap.
4
00:00:17,080 --> 00:00:19,840
The robot head finds Michaela's cell phone in her purse.
5
00:00:23,480 ... | 1
00:00:14,320 --> 00:00:16,570
Mikaela then Sam get into the car.
2
00:00:16,610 --> 00:00:18,400
Barricade lies prostrate.
3
00:00:18,400 --> 00:00:20,820
Frenzy transforms into Michaela's phone.
4
00:00:21,200 --> 00:00:21,950
The car stops
5
00:00:21,950 --> 00:00:24,910
and Mikaela picks up her phone and her h... | 1
00:00:00,180 --> 00:00:02,340
He wants us to get in the car.
2
00:00:03,380 --> 00:00:04,850
And go where?
3
00:00:05,850 --> 00:00:07,730
Fifty years from now,
when you're looking back at your life,
4
00:00:07,750 --> 00:00:10,810
don't you want to be able to say
you had the guts to get in the car?
5
00:00:40,29... | 1
00:00:00,170 --> 00:00:02,420
He wants us to get in the car.
2
00:00:03,420 --> 00:00:04,900
And go where?
3
00:00:05,860 --> 00:00:07,710
Fifty years from now,
when you're looking back at your life,
4
00:00:07,740 --> 00:00:11,580
don't you want to be able to say
you had the guts to get in the car?
5
00:00:20,42... | {"screenplay_scene_46": "<scene>\n <stage_direction>EXT. STREETS - WAREHOUSED~~ CONTINUOUS</stage_direction>\n <scene_description>The CAR CHASE barrels th~ghtabandoned skeletal warehouses, through an old TRAIN YARD - Side panels on the col~ rise up: ROCKET PODS LOADED WITH MISSILES -- the camar~ sw5rves left and ... | 8602.07 | 3384.54 | 110.60 |
transformers_the_movie | tt0418279 | SSclJOzq3mJ1 | 1
00:00:01,250 --> 00:00:03,850
its hood ornament displaying the robot faced insignia.
2
00:00:03,850 --> 00:00:06,650
It transforms back into its towering robot form.
3
00:00:07,490 --> 00:00:11,290
Its engine and chassis fold in to form parts of its humanoid body.
4
00:00:12,850 --> 00:00:13,930
A head sprouts up
... | 1
00:00:04,480 --> 00:00:08,480
Optimus Prime, leader of the Autobots, stops right in front of Sam and Mikaela
2
00:00:08,480 --> 00:00:10,070
and transforms into a robot.
3
00:00:10,940 --> 00:00:13,860
They are in awe as the rest of the cars turn into robots.
4
00:00:40,550 --> 00:00:41,010
Optimus.
5
00:00:41,01... | 1
00:00:44,800 --> 00:00:49,000
Are you Samuel James Witwicky,
descendent of Archibald Witwicky?
2
00:00:50,170 --> 00:00:51,620
They know your name.
3
00:00:51,640 --> 00:00:52,640
They know your name.
4
00:00:52,870 --> 00:00:53,870
Yeah.
5
00:00:53,940 --> 00:00:56,380
My name is Optimus Prime.
6
00:00:56,480 -... | 1
00:00:03,540 --> 00:00:04,980
(CLATTERING)
2
00:00:06,290 --> 00:00:07,740
(CLANGING)
3
00:00:44,770 --> 00:00:49,020
Are you Samuel James Witwicky,
descendent of Archibald Witwicky?
4
00:00:50,140 --> 00:00:51,940
They know your name.
5
00:00:52,660 --> 00:00:53,860
Yeah.
6
00:00:53,930 --> 00:00:56,340
My name... | {"screenplay_scene_52": "<scene>\n <stage_direction>EXT. HILLSIDE - CONTINUOUS</stage_direction>\n <scene_description>The eighteen-wheeler drives across the road toward Sam ani Mikaela. Its HUGE GRILL stops INCHES from them. They ylfStqpil! as the truck TRANSFORMS into ... oh yes, OPTIMUS PRIME . . The other vehi... | 8602.07 | 3727.74 | 128.80 |
transformers_the_movie | tt0418279 | 4vGn5SA9vlBb | 1
00:00:00,660 --> 00:00:02,340
while Optimus hits the brakes.
2
00:00:03,660 --> 00:00:06,980
Bonecrusher transforms to robot form as he speeds forward.
3
00:00:09,810 --> 00:00:10,370
Ahead.
4
00:00:10,410 --> 00:00:11,490
Optimus skids,
5
00:00:11,490 --> 00:00:13,410
then folds himself into robot mode.
6
00:00... | 1
00:00:02,910 --> 00:00:05,920
Bonecrusher transforms from Army vehicle to robot.
2
00:00:12,300 --> 00:00:13,470
Optimus Prime stops
3
00:00:13,470 --> 00:00:16,130
and turns into robot form, ready to face Bonecrusher.
4
00:00:23,020 --> 00:00:24,600
Bonecrusher runs through a bus.
5
00:00:24,600 --> 00:00:26,060... | 1
00:00:19,430 --> 00:00:20,430
Oh, my God.
2
00:00:48,990 --> 00:00:50,320
Cool, Mom!
| 1
00:00:05,990 --> 00:00:07,360
(GRUNTING)
2
00:00:19,390 --> 00:00:20,550
Oh, my God.
3
00:00:34,550 --> 00:00:35,920
(GROANING)
4
00:00:49,030 --> 00:00:50,400
Cool, Mom!
5
00:00:52,430 --> 00:00:53,670
(ROARING)
| {"screenplay_scene_75": "<scene>\n <stage_direction>EXT. CITY ~EB!D---- CONTINUOUS</stage_direction>\n <scene_description>From the :de.-i.s, SAM is the first to his feet. He helps a dazed Mikaela~ What they see is a disaster: Under~etling water from a broken fire hydrant, BUMBLEBEE'S TORSO t~ils twisted metal. Hi... | 8602.07 | 6616.13 | 73.00 |
transformers_the_movie | tt0418279 | 71JyV_IGsSLF | 1
00:00:01,650 --> 00:00:03,930
Optimus rockets forward in big rig form,
2
00:00:03,930 --> 00:00:06,450
speeding down an alley and spinning to a stop.
3
00:00:08,970 --> 00:00:11,810
His red and blue metal parts slide and lock into place,
4
00:00:11,810 --> 00:00:14,030
shifting into his towering robot form.
5
00:... | 1
00:00:01,110 --> 00:00:02,820
Optimus Prime has arrived!
2
00:00:02,860 --> 00:00:05,900
He grabs Megatron, who has flown at him in jet form.
3
00:00:06,360 --> 00:00:07,700
The pair fly through the air
4
00:00:07,700 --> 00:00:10,070
and crash through an entire floor of a building.
5
00:01:05,500 --> 00:01:10,17... | 1
00:00:19,480 --> 00:00:20,480
Megatron!
2
00:00:20,750 --> 00:00:21,750
Prime.
3
00:00:47,680 --> 00:00:49,740
Humans don't deserve to live.
4
00:00:49,850 --> 00:00:52,510
They deserve to choose for themselves.
5
00:00:52,950 --> 00:00:55,320
Then you will die with them!
6
00:01:00,990 --> 00:01:03,390
Join the... | 1
00:00:19,490 --> 00:00:20,610
Megatron!
2
00:00:20,770 --> 00:00:21,820
Prime.
3
00:00:42,530 --> 00:00:44,180
(PEOPLE SCREAMING)
4
00:00:47,690 --> 00:00:49,770
Humans don't deserve to live.
5
00:00:49,850 --> 00:00:52,580
They deserve to choose for themselves.
6
00:00:52,970 --> 00:00:55,370
Then you will die ... | {"screenplay_scene_76": "<scene>\n <stage_direction>EXT. STREET - CONTINUOUS</stage_direction>\n <character>·,</character>\n <dialogue>OPTIMUS SURGES IN BEHIND OUR -H~J;:~, A JUGGERNAUT!</dialogue>\n <dialogue>Tearing through rows of fknc~ -lie TRANSFORMSmid-stride rises to robot form for -~ in()fedible HER... | 8602.07 | 7193.95 | 79.85 |
transformers_the_movie | tt0418279 | p4ezs32itSR_ | 1
00:00:02,830 --> 00:00:04,750
The flaming chopper spins downward.
2
00:00:06,190 --> 00:00:07,150
Sam rises.
3
00:00:07,870 --> 00:00:10,470
Giant Taloned hands burst up through the roof.
4
00:00:12,830 --> 00:00:14,390
Megatron blasts them.
5
00:00:14,710 --> 00:00:17,870
Sam climbs to the far side of the statue... | 1
00:00:09,090 --> 00:00:11,090
Megatron crashes up through the roof.
2
00:00:11,140 --> 00:00:12,550
Sam hides behind a statue.
3
00:01:01,180 --> 00:01:02,850
Megatron smashes the statue
4
00:01:02,850 --> 00:01:05,100
and sends Sam flying towards the ground.
5
00:01:05,150 --> 00:01:07,150
Optimus Prime catches ... | 1
00:00:00,810 --> 00:00:02,240
Hang on, Sam!
2
00:00:10,990 --> 00:00:12,320
No! No!
3
00:00:18,030 --> 00:00:23,060
Is it fear or courage
that compels you, fleshling?
4
00:00:36,610 --> 00:00:38,080
Where do I go?
5
00:00:39,420 --> 00:00:43,380
Give me the All Spark
and you may live to be my pet.
6
00:00:44,690... | 1
00:00:00,790 --> 00:00:02,320
Hang on, Sam!
2
00:00:10,990 --> 00:00:12,360
No! No!
3
00:00:18,030 --> 00:00:23,120
Is it fear or courage
that compels you, fleshling?
4
00:00:32,670 --> 00:00:34,040
(SHUDDERING)
5
00:00:36,630 --> 00:00:38,120
Where do I go?
6
00:00:39,430 --> 00:00:43,360
Give me the All Spark
... | {"screenplay_scene_76": "<scene>\n <stage_direction>EXT. STREET - CONTINUOUS</stage_direction>\n <character>·,</character>\n <dialogue>OPTIMUS SURGES IN BEHIND OUR -H~J;:~, A JUGGERNAUT!</dialogue>\n <dialogue>Tearing through rows of fknc~ -lie TRANSFORMSmid-stride rises to robot form for -~ in()fedible HER... | 8602.07 | 7557.57 | 122.35 |
transformers_the_movie | tt0418279 | XYJh5hLVFzVS | 1
00:00:00,880 --> 00:00:02,960
folding his rotors behind him like a cape.
2
00:00:06,760 --> 00:00:09,440
Lennox gazes warily up at the helicopter robot
3
00:00:09,440 --> 00:00:11,040
and Epps turns from his walkie.
4
00:00:12,000 --> 00:00:13,800
60s to the walkie.
5
00:00:16,910 --> 00:00:18,350
Lennox pats his... | 1
00:00:00,530 --> 00:00:01,070
Blackout
2
00:00:01,070 --> 00:00:03,280
and robot form walks towards the two leaders.
3
00:00:03,280 --> 00:00:04,650
The army men watch on.
4
00:00:28,720 --> 00:00:30,260
The army man get into position.
5
00:00:30,260 --> 00:00:31,640
Lennox gets on a motorbike.
6
00:00:44,900 --... | 1
00:00:11,350 --> 00:00:13,750
Fighter jets in 60 seconds.
2
00:00:13,860 --> 00:00:16,320
We got friendlies mixed with bad guys.
Targets will be marked.
3
00:00:16,420 --> 00:00:17,450
Hey.
4
00:00:18,660 --> 00:00:20,820
Bring the rain. All right?
5
00:00:21,230 --> 00:00:23,220
All right, let's kill these thing... | 1
00:00:11,350 --> 00:00:13,800
Fighter jets in 60 seconds.
2
00:00:13,870 --> 00:00:16,350
We got friendlies mixed with bad guys.
Targets will be marked.
3
00:00:16,430 --> 00:00:17,510
Hey.
4
00:00:18,670 --> 00:00:20,830
Bring the rain. All right?
5
00:00:21,230 --> 00:00:23,440
All right, let's kill these thing... | null | 8602.07 | 7714.53 | 94.30 |
upgrade_2018 | tt6499752 | HYBbEIYbwgF5 | 1
00:00:05,170 --> 00:00:07,610
Anxiously presses buttons as the car accelerates.
2
00:00:08,930 --> 00:00:10,210
Grey pulls her into a seat
3
00:00:10,210 --> 00:00:11,370
and buckles her seatbelt.
4
00:00:12,450 --> 00:00:14,290
The car hits a piece of junk and flips.
5
00:00:15,970 --> 00:00:17,490
Grey crashes ... | 1
00:00:11,670 --> 00:00:13,840
Grey manages to strap Asha into the seat.
2
00:00:13,840 --> 00:00:15,470
The speeding car clips something,
3
00:00:15,470 --> 00:00:16,720
then rolls onto its roof.
4
00:00:17,010 --> 00:00:19,510
Grey drops onto the ceiling as it skids along.
5
00:00:19,510 --> 00:00:20,680
He lies... | 1
00:00:01,740 --> 00:00:03,180
We're going a little too fast.
2
00:00:03,210 --> 00:00:04,910
This is not supposed to be...
3
00:00:08,910 --> 00:00:10,410
Shit.
4
00:00:33,930 --> 00:00:35,550
There has been
an accident.
5
00:00:35,570 --> 00:00:36,650
Please remain seated
6
00:00:36,670 --> 00:00:38,010
until f... | 1
00:00:01,730 --> 00:00:03,180
We're going a little too fast.
2
00:00:03,200 --> 00:00:04,900
This is not supposed to be...
3
00:00:08,910 --> 00:00:10,410
Shit.
4
00:00:33,930 --> 00:00:35,540
KARA: There has been
an accident.
5
00:00:35,560 --> 00:00:36,640
Please remain seated
6
00:00:36,660 --> 00:00:38,010
u... | {"screenplay_scene_17": "<scene>\n <stage_direction>INT. ASHA'S CAR - NIGHT</stage_direction>\n <scene_description>Grey blinks, blood dribbling down his forehead. He's a mess, twisted. Their bodies are suspended upside down in the car. Asha is okay, saved by the seatbelt. They hear a car pull up next to theirs. F... | 5994.46 | 664.00 | 218.76 |
upgrade_2018 | tt6499752 | w9HPt9fCLr8X | 1
00:00:03,530 --> 00:00:06,090
Grey presses his back against the wall beside a shelf.
2
00:00:06,690 --> 00:00:10,070
The man in the Ballcap Serk steps inside with a paper bag,
3
00:00:10,070 --> 00:00:11,950
he unknowingly walks past Grey.
4
00:00:14,790 --> 00:00:16,550
Serk stares at the coffee table
5
00:00:16... | 1
00:00:04,350 --> 00:00:04,680
Advice
2
00:00:04,680 --> 00:00:07,640
Grey steps back against the wall next to the window, trying to hide
3
00:00:07,890 --> 00:00:09,560
Serk smells a bag he's carrying,
4
00:00:09,560 --> 00:00:10,770
then walks to the table.
5
00:00:24,160 --> 00:00:26,250
Grey can see his reflec... | 1
00:00:01,250 --> 00:00:02,850
Hide behind the shelf.
2
00:00:12,230 --> 00:00:14,010
Wait.
3
00:00:14,030 --> 00:00:15,030
Wait.
4
00:00:18,770 --> 00:00:20,250
Now.
5
00:00:20,270 --> 00:00:22,100
Now, while you have
the advantage.
6
00:00:31,180 --> 00:00:32,180
Come here!
7
00:00:35,780 --> 00:00:36,960
You ... | 1
00:00:01,250 --> 00:00:02,820
STEM: Hide behind the shelf.
2
00:00:02,850 --> 00:00:04,820
[DOOR OPENS]
3
00:00:05,880 --> 00:00:07,890
[DOOR CLOSES]
4
00:00:12,220 --> 00:00:14,000
STEM: Wait.
5
00:00:14,020 --> 00:00:15,020
Wait.
6
00:00:18,760 --> 00:00:20,240
Now.
7
00:00:20,260 --> 00:00:22,100
Now, while ... | {"screenplay_scene_52": "<scene>\n <stage_direction>INT. ENTRY WAY/LIVING ROOM, CITRUS AVE HOUSE - DAY</stage_direction>\n <scene_description>Grey launches into a hiding spot behind the front door. It opens slowly. A figure enters. This is SERK (32). He furrows his brow when the alarm doesn't peal. Inspects it.</... | 5994.46 | 2260.16 | 190.87 |
upgrade_2018 | tt6499752 | L2U7vHPgwysx | 1
00:00:01,950 --> 00:00:03,690
The bartender turns down the radio.
2
00:00:28,570 --> 00:00:31,330
Grey wears a serious look as he glances around the room.
3
00:00:33,850 --> 00:00:36,570
Everyone turns to a goateed man who claps
4
00:00:36,570 --> 00:00:38,330
and slowly walks toward Grey.
5
00:00:38,690 --> 00:0... | 1
00:00:34,420 --> 00:00:36,290
The clapping, laughing man stands.
2
00:00:36,290 --> 00:00:37,590
He walks over slowly.
3
00:00:54,600 --> 00:00:56,190
The man takes Greg's earpiece.
4
00:01:07,370 --> 00:01:08,990
The man Tolan stops.
5
00:01:09,290 --> 00:01:13,080
A woman makes an O shape with her lips, surpris... | 1
00:00:06,110 --> 00:00:08,790
I know that some scumbag
in here knows
2
00:00:08,810 --> 00:00:10,820
one of the guys
who murdered my wife,
3
00:00:10,850 --> 00:00:12,930
his name's Serk Brantner.
4
00:00:12,950 --> 00:00:16,330
So, if you know Serk
or if you know
5
00:00:16,350 --> 00:00:19,000
any information a... | 1
00:00:03,330 --> 00:00:04,700
[MUSIC SHUTS OFF]
2
00:00:06,100 --> 00:00:08,780
I know that some scumbag
in here knows
3
00:00:08,800 --> 00:00:10,820
one of the guys
who murdered my wife,
4
00:00:10,840 --> 00:00:12,920
his name's Serk Brantner.
5
00:00:12,940 --> 00:00:16,320
So, if you know Serk
or if you know... | null | 5994.46 | 2965.89 | 215.88 |
upgrade_2018 | tt6499752 | iEPYA4vH8gVz | 1
00:00:02,130 --> 00:00:03,330
He folds his fingers.
2
00:00:11,610 --> 00:00:12,330
Grey punches.
3
00:00:27,390 --> 00:00:28,870
Grey wears a serious look.
4
00:00:34,990 --> 00:00:37,750
Grey picks up the Goateed man's knife lying beside him.
5
00:00:38,990 --> 00:00:40,470
The Goateed man looks nervous.
6
00:... | 1
00:00:38,250 --> 00:00:40,130
Grey lifts the knife and looks at it.
2
00:00:40,170 --> 00:00:41,170
Tolan worried.
3
00:00:41,170 --> 00:00:43,550
Grey raises his eyebrows as he lowers the knife
4
00:00:43,550 --> 00:00:45,300
and holds it against Tolan's cheek.
5
00:00:52,020 --> 00:00:54,440
Grey moves the blad... | 1
00:00:04,460 --> 00:00:06,210
Did you see that? Hmm?
2
00:00:06,230 --> 00:00:08,280
So you thought I was an invalid,
3
00:00:08,300 --> 00:00:11,130
but you didn't know
that I'm a fucking ninja.
4
00:00:12,840 --> 00:00:14,220
While I am
state-of-the-art, Grey,
5
00:00:14,240 --> 00:00:15,250
I am not a ninja.
... | 1
00:00:04,460 --> 00:00:06,200
Did you see that? Hmm?
2
00:00:06,230 --> 00:00:08,270
So you thought I was an invalid,
3
00:00:08,290 --> 00:00:11,110
but you didn't know
that I'm a fucking ninja.
4
00:00:11,130 --> 00:00:12,810
[GRUNTS]
5
00:00:12,830 --> 00:00:14,210
STEM: While I am
state-of-the-art, Grey,
6
0... | null | 5994.46 | 3181.95 | 172.92 |
upgrade_2018 | tt6499752 | O2BqSkk1FZ9o | 1
00:00:00,240 --> 00:00:02,560
The long haired man cocks the weapon inside his arm
2
00:00:02,560 --> 00:00:04,760
as he arrives at the loft door with Fisk.
3
00:00:06,960 --> 00:00:07,880
Grey crawls.
4
00:00:09,720 --> 00:00:11,840
The long haired man tries to kick the door open.
5
00:00:15,800 --> 00:00:17,560
... | 1
00:00:11,310 --> 00:00:12,220
Wen kicks the.
2
00:00:16,480 --> 00:00:20,150
Grey looks up and sees a vision of Asha standing there looking down at him.
3
00:00:20,730 --> 00:00:23,650
He then watches Wen kicking the door on CCTV.
4
00:00:23,990 --> 00:00:26,360
He looks back for Asha but she's disappeared.
5
00:... | 1
00:00:14,280 --> 00:00:16,080
Come on!
2
00:00:37,430 --> 00:00:39,060
Wake up.
3
00:00:46,970 --> 00:00:48,240
Fifth floor.
4
00:00:56,210 --> 00:00:58,850
Now, that's how you looked
when I saw you last.
5
00:01:00,180 --> 00:01:02,030
Stem?
6
00:01:02,050 --> 00:01:03,330
It's good
to be back, Grey.
7
00:01:4... | 1
00:00:04,390 --> 00:00:05,930
[ARM GUN COCKS]
2
00:00:08,030 --> 00:00:10,000
[GRUNTING]
3
00:00:14,270 --> 00:00:16,050
Come on!
4
00:00:16,070 --> 00:00:17,150
[GRUNTS]
5
00:00:17,170 --> 00:00:18,850
[PANTING]
6
00:00:18,870 --> 00:00:21,070
[SUSPENSEFUL MUSIC PLAYING]
7
00:00:37,420 --> 00:00:39,060
Wake up... | null | 5994.46 | 3977.47 | 173.27 |
upgrade_2018 | tt6499752 | dB7Mf4pFvJ47 | 1
00:00:07,300 --> 00:00:09,260
A vehicle separates Grey and Cortez
2
00:00:09,780 --> 00:00:10,420
in her car.
3
00:00:10,460 --> 00:00:12,140
Cortez listens with headphones.
4
00:00:23,420 --> 00:00:25,100
Grey checks his rear view mirror.
5
00:00:25,420 --> 00:00:27,460
He tosses the listening device out the win... | 1
00:00:09,040 --> 00:00:09,540
Grey.
2
00:00:09,580 --> 00:00:10,670
Cortez listens.
3
00:00:23,770 --> 00:00:24,890
He looks in his mirror.
4
00:00:24,890 --> 00:00:26,690
He throws the device out of the window.
5
00:00:26,690 --> 00:00:28,190
Cortez removes her headset,
6
00:00:28,230 --> 00:00:28,940
accelerat... | 1
00:00:02,240 --> 00:00:04,220
it's an analogue
listening device,
2
00:00:04,250 --> 00:00:06,550
most likely planted
by Detective Cortez.
3
00:00:13,350 --> 00:00:15,470
How did you not notice this?
4
00:00:15,490 --> 00:00:18,100
It has
no digital parts inside it.
5
00:00:18,120 --> 00:00:20,370
I can't detect i... | 1
00:00:02,240 --> 00:00:04,210
it's an analogue
listening device,
2
00:00:04,240 --> 00:00:06,520
most likely planted
by Detective Cortez.
3
00:00:06,540 --> 00:00:08,180
[CAR ENGINE REVVING]
4
00:00:13,350 --> 00:00:15,460
GREY [OVER COMM]:
How did you not notice this?
5
00:00:15,480 --> 00:00:18,090
STEM: It has... | null | 5994.46 | 4589.82 | 208.89 |
upgrade_2018 | tt6499752 | yoQa4jy2LAtB | 1
00:00:56,720 --> 00:00:58,440
Grey holds the gun to his forehead.
2
00:01:26,560 --> 00:01:28,200
His dodges and grabs the gun.
3
00:01:31,600 --> 00:01:32,680
With quick movements.
4
00:01:32,680 --> 00:01:33,920
They fight over the weapon.
5
00:01:34,320 --> 00:01:37,240
They spin in place as Grey fires past Fi... | 1
00:01:32,670 --> 00:01:36,010
Spinning in a circle, they grapple with Grey firing the gun repeatedly.
2
00:01:36,050 --> 00:01:36,930
Fisk chuckles,
3
00:01:36,930 --> 00:01:38,010
then knocks the gun away.
4
00:01:38,220 --> 00:01:40,260
He lashes out with numerous rapid punches,
5
00:01:40,260 --> 00:01:42,350
... | 1
00:00:01,330 --> 00:00:03,940
I took a few pieces
of shrapnel for my country,
2
00:00:03,970 --> 00:00:06,800
and they rewarded me
by turning me into a lab rat.
3
00:00:08,310 --> 00:00:10,320
Now I'm like you.
4
00:00:10,340 --> 00:00:11,880
I'm strong.
5
00:00:11,910 --> 00:00:13,190
Yeah.
6
00:00:13,210 --> 0... | 1
00:00:01,330 --> 00:00:03,940
I took a few pieces
of shrapnel for my country,
2
00:00:03,960 --> 00:00:06,800
and they rewarded me
by turning me into a lab rat.
3
00:00:08,300 --> 00:00:10,310
Now I'm like you.
4
00:00:10,330 --> 00:00:11,880
I'm strong.
5
00:00:11,900 --> 00:00:13,180
Yeah.
6
00:00:13,200 --> 0... | {"screenplay_scene_141": "<scene>\n <stage_direction>INT. ERON'S OFFICE, VESSEL INC. HEADQUARTERS - DAY</stage_direction>\n <scene_description>Eron is hunched over his desk, stubble peppering his chin. A ruined, desperate man. Grey opens the door, marching towards Eron.</scene_description>\n <character>ERON</c... | 5994.46 | 4902.27 | 200.25 |
upgrade_2018 | tt6499752 | nNtNwRsDW8XT | 1
00:00:09,440 --> 00:00:12,040
Grey emerges and shoots them both without looking.
2
00:00:13,920 --> 00:00:19,000
He wears a calm expression as he passes through Eron.
3
00:00:20,200 --> 00:00:23,480
In the main room, Aaron sits at a table suspended by wires.
4
00:00:23,640 --> 00:00:24,360
Grey enters
5
00:00:24,... | 1
00:00:13,720 --> 00:00:15,430
Grey shoots them both instantly.
2
00:00:21,980 --> 00:00:23,150
Aaron sits at a table.
3
00:00:23,150 --> 00:00:24,310
He slowly lifts his gaze.
4
00:00:24,310 --> 00:00:25,860
He appears utterly bereft.
5
00:01:15,120 --> 00:01:16,490
Grey throws down his gun.
6
00:01:31,300 --> 0... | 1
00:00:17,940 --> 00:00:20,210
Eron!
2
00:00:28,880 --> 00:00:30,920
The widget you spent
your entire life creating
3
00:00:30,950 --> 00:00:32,950
is here to kill you now.
4
00:00:39,360 --> 00:00:41,370
You killed my wife.
5
00:00:41,390 --> 00:00:44,370
You wanted someone
for your fucking experiment,
6
00:00:4... | 1
00:00:06,550 --> 00:00:08,750
[FOOTSTEPS APPROACHING]
2
00:00:17,930 --> 00:00:20,200
GREY: Eron!
3
00:00:22,200 --> 00:00:25,170
[FOOTSTEPS APPROACHING]
4
00:00:28,870 --> 00:00:30,920
The widget you spent
your entire life creating
5
00:00:30,940 --> 00:00:32,940
is here to kill you now.
6
00:00:39,350 --> 00:0... | null | 5994.46 | 5182.59 | 169.88 |
upgrade_2018 | tt6499752 | L5z3UT3Z2thK | 1
00:00:00,490 --> 00:00:01,690
Aaron aims it at Grey.
2
00:00:02,570 --> 00:00:05,010
The blonde young man wears a fearful expression.
3
00:00:24,930 --> 00:00:29,210
A glimpse shows the surgeon's digital lenses as she implants Stem into Grey's neck.
4
00:00:33,290 --> 00:00:34,530
Aaron wears an earpiece.
5
00:00... | 1
00:00:01,280 --> 00:00:02,330
Having been tasered.
2
00:00:02,740 --> 00:00:04,040
Aaron points his gun at him,
3
00:00:04,040 --> 00:00:05,410
wearing a pained expression.
4
00:00:05,410 --> 00:00:06,670
He's on the verge of tears.
5
00:00:23,430 --> 00:00:26,690
A flashback to Stem being surgically implanted in... | 1
00:00:08,400 --> 00:00:10,310
I don't run
this company anymore.
2
00:00:10,330 --> 00:00:13,510
I haven't for years.
3
00:00:13,530 --> 00:00:15,850
Now I answer to someone,
4
00:00:15,870 --> 00:00:18,570
someone much smarter
than I ever could be.
5
00:00:21,310 --> 00:00:22,640
He's in your neck.
6
00:00:29,18... | 1
00:00:08,390 --> 00:00:10,300
I don't run
this company anymore.
2
00:00:10,320 --> 00:00:13,500
I haven't for years.
3
00:00:13,530 --> 00:00:15,840
Now I answer to someone,
4
00:00:15,860 --> 00:00:18,560
someone much smarter
than I ever could be.
5
00:00:21,300 --> 00:00:22,640
He's in your neck.
6
00:00:29,17... | {"screenplay_scene_147": "<scene>\n <stage_direction>INT. WHITE ROOM - CONTINUOUS</stage_direction>\n <scene_description>Eron and Grey step into the large white room they explored earlier, when Eron showed off the microchip. As before, the room is void of any furniture. The only fixture in the room is the small w... | 5994.46 | 5353.44 | 153.65 |
upgrade_2018 | tt6499752 | LPM1B2luBVO_ | 1
00:00:02,270 --> 00:00:04,150
With a confused look, he lifts his hand
2
00:00:04,150 --> 00:00:05,470
and flexes his fingers.
3
00:00:05,910 --> 00:00:07,310
He wears his wedding band.
4
00:00:08,630 --> 00:00:10,950
Grey sits up, his eyes filling with tears.
5
00:00:26,930 --> 00:00:29,370
Sitting beside Grey, A... | 1
00:00:03,140 --> 00:00:03,930
He lifts his hand
2
00:00:03,930 --> 00:00:05,470
and looks at it with bemusement.
3
00:00:10,350 --> 00:00:11,400
He shuffles backwards,
4
00:00:11,400 --> 00:00:12,690
half sitting up in the bed.
5
00:00:30,170 --> 00:00:33,130
He reaches out and touches his Asha as she sits on his... | 1
00:00:16,560 --> 00:00:17,720
Stem...
2
00:00:21,460 --> 00:00:22,840
are you there?
3
00:00:22,860 --> 00:00:23,860
I'm here.
4
00:00:24,990 --> 00:00:26,500
Hey.
5
00:00:33,400 --> 00:00:35,600
- But...
- We had an accident.
6
00:00:37,970 --> 00:00:40,610
You've been out
for a couple of days.
7
00:00:47,480 ... | 1
00:00:16,550 --> 00:00:17,710
Stem...
2
00:00:21,450 --> 00:00:22,830
are you there?
3
00:00:22,850 --> 00:00:23,850
ASHA: I'm here.
4
00:00:24,990 --> 00:00:26,490
Hey.
5
00:00:33,390 --> 00:00:35,600
- But...
- We had an accident.
6
00:00:37,970 --> 00:00:40,600
You've been out
for a couple of days.
7
00:00:4... | null | 5994.46 | 5515.30 | 118.91 |
22_jump_street | tt2294449 | 2ftKnNJcINGn | 1
00:00:00,210 --> 00:00:01,450
Schmidt buttons his collar.
2
00:00:21,130 --> 00:00:22,290
Schmidt shuts his eyes.
3
00:00:29,490 --> 00:00:31,330
Jenko averts his frustrated gaze.
4
00:00:33,730 --> 00:00:34,890
Stepping out of the car.
5
00:00:34,930 --> 00:00:38,010
Schmidt wears dark sunglasses, a bandana over... | 1
00:00:20,970 --> 00:00:22,270
Schmidt shuts his eyes.
2
00:00:30,190 --> 00:00:31,150
Schmidt meditates.
3
00:00:31,190 --> 00:00:32,530
Jenko rolls his eyes.
4
00:00:32,730 --> 00:00:33,690
They leave the car.
5
00:00:33,820 --> 00:00:35,820
Schmidt wears a bandana and his checked shirt.
6
00:00:35,820 --> 00:0... | 1
00:00:01,760 --> 00:00:03,500
What are you doing?
Huh?
2
00:00:03,530 --> 00:00:05,140
I got a new identity
that's gonna be killer.
3
00:00:05,160 --> 00:00:06,880
I'll be throwing it to you
to make it legit.
4
00:00:07,830 --> 00:00:09,440
Okay.
5
00:00:09,470 --> 00:00:11,210
I'm gonna need you
to improvise. Ok... | 1
00:00:01,760 --> 00:00:03,500
What are you doing?
Huh?
2
00:00:03,530 --> 00:00:05,140
I got a new identity
that's gonna be killer.
3
00:00:05,160 --> 00:00:06,770
I'll be throwing it to you
to make it legit.
4
00:00:06,800 --> 00:00:07,810
(SIGHS)
5
00:00:07,830 --> 00:00:09,440
Okay.
6
00:00:09,470 --> 00:00:1... | null | 6715.11 | 181.63 | 190.57 |
22_jump_street | tt2294449 | 8LE2tmf4HPZS | 1
00:00:03,510 --> 00:00:05,550
The partners take cover deeper within the truck,
2
00:00:05,550 --> 00:00:07,430
and the criminals hide behind boxes.
3
00:00:07,670 --> 00:00:09,790
The Ghost climbs inside the truck's cab.
4
00:00:18,070 --> 00:00:19,030
The birds fly at them
5
00:00:19,030 --> 00:00:20,270
and igu... | 1
00:00:04,200 --> 00:00:04,610
Ghosts.
2
00:00:04,610 --> 00:00:05,400
Men opened fire.
3
00:00:05,450 --> 00:00:08,320
Jenko and Schmidt return fire from inside the truck.
4
00:00:08,370 --> 00:00:10,200
Ghost jumps into the truck's cab.
5
00:00:25,260 --> 00:00:27,510
The speeding truck ploughs through their car... | 1
00:00:00,330 --> 00:00:02,130
Take them out, guys.
They're cops.
2
00:00:11,640 --> 00:00:13,560
What was that?
I don't know!
I think we're moving.
3
00:00:14,610 --> 00:00:15,990
We're definitely moving!
4
00:00:16,020 --> 00:00:17,560
There's fucking
birds and shit in here!
5
00:00:17,580 --> 00:00:18,750
There... | 1
00:00:00,330 --> 00:00:02,130
Take them out, guys.
They're cops.
2
00:00:03,500 --> 00:00:05,140
(GUNS FIRING)
3
00:00:11,640 --> 00:00:13,560
What was that?
I don't know!
I think we're moving.
4
00:00:14,610 --> 00:00:15,990
We're definitely moving!
5
00:00:16,020 --> 00:00:17,560
JENKO: There's fucking
birds an... | {"screenplay_scene_8": "<scene>\n <stage_direction>EXT. CORNER OF WILLOW AND POPLAR - DAY</stage_direction>\n <scene_description>They walk over. The Ghost and Scarface clock their approach. \\*</scene_description>\n <character>SCHMIDT</character>\n <dialogue>(to The Ghost) \\*</dialogue>\n <scene_descrip... | 6715.11 | 377.18 | 84.27 |
22_jump_street | tt2294449 | OOz_u_MaV4Jw | 1
00:00:00,770 --> 00:00:02,570
Now, outside the Korean church.
2
00:00:19,370 --> 00:00:21,770
Inside headquarters, they find a new bullpen.
3
00:00:29,980 --> 00:00:31,020
The captain greets them.
4
00:01:12,540 --> 00:01:15,580
Jenko and the interns pretend to choke each other using the force.
5
00:01:17,340 -->... | 1
00:00:00,990 --> 00:00:02,900
Outside the church on Jump Street.
2
00:00:20,090 --> 00:00:22,090
They enter the church at number 22.
3
00:01:13,710 --> 00:01:15,260
They trade pretend Death Grips.
4
00:01:18,390 --> 00:01:19,760
Schmidt shakes his head.
5
00:02:13,060 --> 00:02:14,600
Jenko studies a photo.
| 1
00:00:02,990 --> 00:00:05,370
I can't believe
the Koreans bought
their church back.
2
00:00:05,390 --> 00:00:07,140
Yeah. Good thing
there was an even bigger
3
00:00:07,160 --> 00:00:08,870
abandoned church
directly across
the street.
4
00:00:08,900 --> 00:00:12,540
Yeah. That's convenient.
Yes, it is convenient.
... | 1
00:00:02,990 --> 00:00:05,370
I can't believe
the Koreans bought
their church back.
2
00:00:05,390 --> 00:00:07,140
Yeah. Good thing
there was an even bigger
3
00:00:07,160 --> 00:00:08,870
abandoned church
directly across the street.
4
00:00:08,900 --> 00:00:12,540
Yeah. That's convenient.
Yes, it is convenient.
... | {"screenplay_scene_10": "<scene>\n <stage_direction>EXT. JUMP STREET HEADQUARTERS - DAY \\*</stage_direction>\n <scene_description>Schmidt and Jenko stand looking at 21 Jump Street. \\*</scene_description>\n <character>SCHMIDT \\*</character>\n <dialogue>The new office is swank and all, \\* but I kind of mi... | 6715.11 | 616.74 | 167.83 |
22_jump_street | tt2294449 | 3nOssgJ2sWQm | 1
00:00:00,250 --> 00:00:02,770
Outside, the partners assemble a grappling hook gun,
2
00:00:02,770 --> 00:00:04,930
and Schmidt shoots the grappling hook over the roof.
3
00:00:08,010 --> 00:00:09,650
Schmidt straps on climbing gear.
4
00:00:09,850 --> 00:00:11,010
He wears a bike helmet.
5
00:00:17,580 --> 00:00:... | 1
00:00:00,870 --> 00:00:03,630
There's a chance of meeting choosing new members outside.
2
00:00:03,630 --> 00:00:05,750
Schmidt shoots a grappling hook at the roof.
3
00:00:08,590 --> 00:00:09,050
Eclipse
4
00:00:09,050 --> 00:00:10,510
on a motorised harness.
5
00:00:17,180 --> 00:00:19,140
He rises very, very s... | 1
00:00:06,520 --> 00:00:07,520
Bull's-eye.
Bingo.
2
00:00:11,590 --> 00:00:13,300
That helmet looks kind of lame.
3
00:00:13,330 --> 00:00:15,170
You know what's not lame?
4
00:00:15,190 --> 00:00:16,190
Safety.
5
00:00:39,480 --> 00:00:40,480
What are you doing?
6
00:00:40,990 --> 00:00:42,400
I'm cutting glass.... | 1
00:00:06,520 --> 00:00:07,520
Bull's-eye.
Bingo.
2
00:00:11,590 --> 00:00:13,300
That helmet looks kind of lame.
3
00:00:13,320 --> 00:00:15,170
You know what's not lame?
4
00:00:15,190 --> 00:00:16,190
Safety.
5
00:00:16,960 --> 00:00:17,990
(WHIRRING)
6
00:00:39,480 --> 00:00:40,480
What are you doing?
7
00:0... | {"screenplay_scene_41": "<scene>\n <stage_direction>EXT. FRATERNITY ROW - NIGHT</stage_direction>\n <character>SCHMIDT</character>\n <dialogue>If you see anyone leave the basement, lay on the horn.</dialogue>\n <scene_description>Jenko and Schmidt hustle to the back of the Zeta house. In a flash, Jenko grab... | 6715.11 | 2551.71 | 58.05 |
22_jump_street | tt2294449 | 9RTVImIxeodT | 1
00:00:05,520 --> 00:00:07,720
Schmidt finds himself amid a bleak landscape.
2
00:00:14,560 --> 00:00:16,360
Jenko stands on a colourful beach.
3
00:00:23,000 --> 00:00:25,960
Trying to leave his side, Schmidt walks into an invisible wall.
4
00:00:28,760 --> 00:00:30,000
A giant football tickles.
5
00:00:30,000 --... | 1
00:00:00,640 --> 00:00:02,220
Schmidt takes the bag off his head.
2
00:00:06,060 --> 00:00:07,900
He's surrounded by green clouds.
3
00:00:24,020 --> 00:00:24,930
Schmidt tries to enter.
4
00:00:24,930 --> 00:00:25,350
Jenko.
5
00:00:25,390 --> 00:00:26,350
Colourful trip.
6
00:00:42,910 --> 00:00:45,040
It star... | 1
00:00:02,370 --> 00:00:03,910
Jenko!
2
00:00:03,940 --> 00:00:05,470
Where are you going?
3
00:00:10,280 --> 00:00:13,160
Oh, fuck!
I'm having a bad trip!
We're having a bad trip!
4
00:00:13,180 --> 00:00:15,090
I think we are tripping, but...
5
00:00:15,110 --> 00:00:16,560
God, isn't this great?
6
00:00:16,580... | 1
00:00:02,370 --> 00:00:03,910
Jenko!
2
00:00:03,930 --> 00:00:05,470
Where are you going?
3
00:00:10,270 --> 00:00:13,150
Oh, fuck!
I'm having a bad trip!
We're having a bad trip!
4
00:00:13,180 --> 00:00:15,090
I think we are tripping, but...
5
00:00:15,110 --> 00:00:16,560
God, isn't this great?
6
00:00:16,580... | null | 6715.11 | 2769.38 | 59.82 |
22_jump_street | tt2294449 | pmclcU9HcJKD | 1
00:00:03,360 --> 00:00:06,080
Zook and Rooster point guns and shine flashlights at them.
2
00:00:20,180 --> 00:00:21,420
They shoot water guns.
3
00:00:26,660 --> 00:00:28,780
Rooster squirts vodka into his own mouth
4
00:00:29,180 --> 00:00:30,100
in a warehouse.
5
00:00:48,780 --> 00:00:50,020
Rooster lights a ... | 1
00:00:17,580 --> 00:00:19,290
Zook Goon Rooster fire their guns.
2
00:00:19,290 --> 00:00:20,500
Which squirt liquid?
3
00:00:27,640 --> 00:00:29,970
The Zeta crew appear in a big warehouse.
4
00:00:48,490 --> 00:00:51,400
I 11:32 p.m..
5
00:00:51,440 --> 00:00:53,740
The pledges face multiple bottles of booze.
... | 1
00:00:00,630 --> 00:00:02,510
Wake up!
Get out of the car!
Shit.
2
00:00:02,530 --> 00:00:04,370
Get out of the car!
Get on the ground!
3
00:00:04,400 --> 00:00:05,580
On your fucking knees!
4
00:00:05,600 --> 00:00:07,110
Get on your knees!
5
00:00:07,130 --> 00:00:09,150
You already know,
don't you?
What?
6
00... | 1
00:00:00,630 --> 00:00:02,500
Wake up!
Get out of the car!
Shit.
2
00:00:02,530 --> 00:00:04,370
Get out of the car!
Get on the ground!
3
00:00:04,400 --> 00:00:05,570
On your fucking knees!
4
00:00:05,600 --> 00:00:07,110
Get on your knees!
5
00:00:07,130 --> 00:00:09,140
You already know,
don't you?
What?
6
00... | {"screenplay_scene_49": "<scene>\n <stage_direction>INT. TRUNK</stage_direction>\n <scene_description>The car bounces along, and in the dim illumination Schmidt and Jenko struggle against their restraints.</scene_description>\n <character>SCHMIDT</character>\n <parenthetical>(freaking out)</parenthetical>\n... | 6715.11 | 2853.63 | 250.96 |
22_jump_street | tt2294449 | fT0cFf9RK6Lt | 1
00:00:00,090 --> 00:00:00,970
In the weight room.
2
00:00:01,010 --> 00:00:02,450
Jenko and Zook work out.
3
00:00:03,250 --> 00:00:04,970
While Zook bench presses alone.
4
00:00:05,010 --> 00:00:06,970
Jenko sits across the room, slouching.
5
00:00:12,530 --> 00:00:14,050
With lobsters on the kitchen floor.
6
0... | 1
00:00:02,530 --> 00:00:04,990
Jenko Zook work out on their weight machines.
2
00:00:05,040 --> 00:00:07,120
Jenko sits aside, looking bored.
3
00:00:18,550 --> 00:00:19,510
Wrangling lobsters.
4
00:00:19,510 --> 00:00:20,430
Zukes unimpressed.
5
00:00:20,470 --> 00:00:22,720
Schmidt at the restaurant alone on his... | 1
00:00:00,970 --> 00:00:03,270
Yeah! Yeah!
2
00:00:08,010 --> 00:00:11,090
Hey, you want to do
anything else other than
work out today?
3
00:00:11,110 --> 00:00:12,320
Like what?
4
00:00:12,340 --> 00:00:13,960
Come on, dude.
They're just
lobsters, dude.
5
00:00:13,980 --> 00:00:15,420
Come on.
No, don't be afraid... | 1
00:00:00,960 --> 00:00:03,260
BOTH: Yeah! Yeah!
2
00:00:04,330 --> 00:00:05,330
(BOTH GRUNTING)
3
00:00:08,000 --> 00:00:11,080
Hey, you want to do
anything else other than
work out today?
4
00:00:11,110 --> 00:00:12,320
Like what?
5
00:00:12,340 --> 00:00:13,950
Come on, dude.
They're just
lobsters, dude.
6
00:... | null | 6715.11 | 4690.50 | 97.80 |
22_jump_street | tt2294449 | qSvbCJxUsR0f | 1
00:00:05,820 --> 00:00:10,260
The partner spot a yellow Lamborghini Lambo.
2
00:00:10,540 --> 00:00:12,020
They run over to the sports car.
3
00:00:12,700 --> 00:00:13,900
A driver steps out.
4
00:00:14,340 --> 00:00:14,860
Policia
5
00:00:15,580 --> 00:00:16,660
Jenko slugs him.
6
00:00:41,360 --> 00:00:44,360
... | 1
00:00:00,070 --> 00:00:01,620
A red jeep has passed.
2
00:00:07,210 --> 00:00:08,170
They look round.
3
00:00:09,670 --> 00:00:10,380
Lambo
4
00:00:10,750 --> 00:00:12,670
as the yellow Lamborghini driver gets out.
5
00:00:12,710 --> 00:00:14,050
Jenko flashes his badge.
6
00:00:42,520 --> 00:00:44,320
Jenko run... | 1
00:00:01,610 --> 00:00:04,520
If I die,
I'm gonna kill both
of you motherfuckers!
2
00:00:04,550 --> 00:00:06,630
Fuck. How are we
gonna catch him now?
3
00:00:09,250 --> 00:00:10,620
Lambo.
4
00:00:13,690 --> 00:00:15,190
Policia! Policia!
Fuck off.
5
00:00:16,190 --> 00:00:17,190
Shit, there's ghost!
6
00:00:1... | 1
00:00:01,610 --> 00:00:04,520
DICKSON: If I die,
I'm gonna kill both
of you motherfuckers!
2
00:00:04,540 --> 00:00:06,620
Fuck. How are we
gonna catch him now?
(ENGINE REVVING)
3
00:00:09,250 --> 00:00:10,610
Lambo.
4
00:00:13,690 --> 00:00:15,190
Policia! Policia!
Fuck off.
5
00:00:16,190 --> 00:00:17,190
Shit,... | null | 6715.11 | 5235.26 | 90.14 |
22_jump_street | tt2294449 | ab5sBbSEsvUA | 1
00:00:06,690 --> 00:00:08,850
Jenko reaches up the leg of Schmidt's shorts.
2
00:00:22,850 --> 00:00:23,450
Grab it!
3
00:00:23,490 --> 00:00:25,570
Jenko pulls the grenade's pin with his teeth.
4
00:00:31,710 --> 00:00:32,070
Schmidt.
5
00:00:32,070 --> 00:00:32,630
Let's go.
| 1
00:00:07,400 --> 00:00:09,410
Jenko reaches up into Schmidt's shorts.
2
00:00:36,140 --> 00:00:36,980
Schmidt lets go
| 1
00:00:00,170 --> 00:00:02,180
Hey, listen, there's
a grenade in my shorts.
2
00:00:02,200 --> 00:00:03,410
Can you reach it?
3
00:00:03,440 --> 00:00:05,080
You gotta go in from underneath.
4
00:00:05,110 --> 00:00:06,200
Oh, shit!
5
00:00:09,810 --> 00:00:11,220
Is that it?
That's my dick.
6
00:00:11,250 --> 00... | 1
00:00:00,170 --> 00:00:02,180
Hey, listen, there's
a grenade in my shorts.
2
00:00:02,200 --> 00:00:03,410
Can you reach it?
3
00:00:03,440 --> 00:00:05,080
You gotta go in from underneath.
4
00:00:05,100 --> 00:00:06,200
Oh, shit!
5
00:00:09,810 --> 00:00:11,220
Is that it?
That's my dick.
6
00:00:11,240 --> 00... | null | 6715.11 | 5925.73 | 37.04 |
jaws | tt0073195 | Kke4kUxG0hIU | 1
00:00:06,160 --> 00:00:07,840
The guy trips as he chases her
2
00:00:07,880 --> 00:00:10,640
and Chrissie takes off her jacket, leaving it on the fence.
3
00:00:16,200 --> 00:00:17,240
Without stopping.
4
00:00:17,240 --> 00:00:18,480
Chrissie removes his shoe
5
00:00:18,480 --> 00:00:20,640
and the guy clumsily ... | 1
00:00:29,170 --> 00:00:30,840
The girl has undressed completely
2
00:00:30,840 --> 00:00:32,850
and plunged into the moonlit water.
3
00:00:33,140 --> 00:00:35,820
The boy has stumbled and fallen in the sand.
4
00:00:46,000 --> 00:00:48,840
The girl swims alone out into the middle of the bay.
5
00:00:49,260 --> 0... | 1
00:00:00,760 --> 00:00:01,960
What's your name again?
2
00:00:02,050 --> 00:00:03,260
Chrissie.
3
00:00:04,010 --> 00:00:05,180
Where are we going?
4
00:00:05,260 --> 00:00:06,340
Swimming.
5
00:00:09,180 --> 00:00:12,430
Slow up. Slow down.
6
00:00:12,930 --> 00:00:16,140
I'm not drunk! Slow down!
7
00:00:17,8... | 1
00:00:00,750 --> 00:00:01,960
What's your
name again?
2
00:00:02,040 --> 00:00:03,250
Chrissie.
3
00:00:04,000 --> 00:00:05,170
Where are we going?
4
00:00:05,260 --> 00:00:06,340
Swimming.
5
00:00:09,180 --> 00:00:12,430
Slow up. Slow down.
6
00:00:12,930 --> 00:00:16,140
(PANTING) I'm not drunk!
Slow down!
7
... | {"screenplay_scene_7": "<scene>\n <stage_direction>ANOTHER PART OF THE BEACH</stage_direction>\n <scene_description>The fire , now one hundred yards in the b.g. , silhouettes Chrissie running up a steep dune . Once there , she pauses to look at the ocean that we can only hear . Cassidy plods up the dune behind he... | 7452.71 | 149.22 | 157.25 |
jaws | tt0073195 | HXdL1xOFASeB | 1
00:00:11,150 --> 00:00:11,910
Brody bolts up
2
00:00:11,910 --> 00:00:14,320
as the young woman in the couple is pulled underwater.
3
00:00:14,360 --> 00:00:16,360
She pops up on her boyfriend's shoulders.
4
00:00:21,480 --> 00:00:23,240
He walks over to the dark haired woman
5
00:00:23,240 --> 00:00:25,400
and E... | 1
00:00:39,020 --> 00:00:42,280
Brody looks on as a bunch of kids pile into the water.
2
00:00:42,830 --> 00:00:45,750
The elderly man in the swimming hat sits down by him.
3
00:00:58,000 --> 00:01:01,870
Brody looks on with concern as his own son runs to the water.
4
00:01:09,560 --> 00:01:11,900
Mrs. Brody massage... | 1
00:00:01,810 --> 00:00:04,560
Martin, I know you got
a lot of problems downtown
2
00:00:04,650 --> 00:00:07,730
but I've got problems at the house
I wish you'd take care of.
3
00:00:07,820 --> 00:00:09,400
One, I've got some cats parking
4
00:00:09,490 --> 00:00:10,930
in front of the house,
I can't get...
5
00:0... | 1
00:00:01,810 --> 00:00:04,560
Martin, I know you got
a lot of problems downtown
2
00:00:04,640 --> 00:00:07,730
but I've got problems at the
house I wish you'd take care of.
3
00:00:07,810 --> 00:00:09,400
One, I've got
some cats parking
4
00:00:09,480 --> 00:00:10,630
in front of the house,
I can't get...
5
00:0... | {"screenplay_scene_54": "<scene>\n <stage_direction>CLOSE - BRODY</stage_direction>\n <scene_description>He stands all the way up this time . Parents begin calling - a frantic inventory for lost children up and down the beach . Brody is on the move , barreling to the shoreline . He kicks up sand passing Alex ' mo... | 7452.71 | 919.26 | 174.01 |
jaws | tt0073195 | N_XhE71W4kMo | 1
00:00:15,780 --> 00:00:21,100
In the back of the room, a hand drags its nails down, a drawing of a shark with a person in its jaws on a chalkboard.
2
00:00:29,660 --> 00:00:31,660
The agitated Amity residents cringe
3
00:00:31,660 --> 00:00:34,140
and turn their attention to the man seated by the chalkboard.
4
00:... | 1
00:00:31,630 --> 00:00:36,270
The appalled amateurs turn as one to where sits the grizzled old sea dog
2
00:00:36,270 --> 00:00:38,740
who has just run his nails down the blackboard.
3
00:02:05,550 --> 00:02:08,370
Quint smiles wryly at the assembled townsfolk
4
00:02:08,370 --> 00:02:09,790
and saunters out of th... | 1
00:00:02,160 --> 00:00:04,670
from the Oceanographic Institute
on the mainland.
2
00:00:05,290 --> 00:00:07,630
Only 24 hours.
3
00:00:07,710 --> 00:00:08,790
I didn't agree to that.
4
00:00:10,920 --> 00:00:12,420
Only 24 hours.
5
00:00:12,970 --> 00:00:15,800
Twenty-four hours
is like three weeks!
6
00:00:39,4... | 1
00:00:02,160 --> 00:00:04,660
from the Oceanographic
Institute on the mainland.
2
00:00:05,290 --> 00:00:07,620
VAUGHN: Only 24 hours.
3
00:00:07,710 --> 00:00:08,790
I didn't agree to that.
4
00:00:10,920 --> 00:00:12,420
Only 24 hours.
5
00:00:12,960 --> 00:00:15,800
WOMAN: Twenty-four hours
is like three weeks... | {"screenplay_scene_56": "<scene>\n <stage_direction>INTERIOR - THE COUNTY COURTHOUSE AND COUNTY OFFICES - DAY</stage_direction>\n <scene_description>A crowd of men and women in an angry tangle outside of Brody 's office . These are the shop owners , real estate brokers , hotel managers and Selectmen of the Island... | 7452.71 | 1215.04 | 134.14 |
jaws | tt0073195 | 0yJt9nreI9tT | 1
00:00:01,780 --> 00:00:03,700
The chief ladles chum behind him
2
00:00:03,940 --> 00:00:04,780
in the cabin.
3
00:00:04,780 --> 00:00:06,860
Quint settles down, holding his fishing rods.
4
00:00:06,860 --> 00:00:10,220
Reel Brody dumps some more chum into the water without looking.
5
00:00:17,340 --> 00:00:20,020... | 1
00:00:16,770 --> 00:00:19,650
The vast shark rears momentarily out of the water.
2
00:00:20,070 --> 00:00:21,530
Brody is instantly on his feet,
3
00:00:21,530 --> 00:00:24,540
standing ramrod straight and staring fixedly down.
4
00:00:29,020 --> 00:00:32,320
Brody backed stiffly into the cabin where Quint is seat... | 1
00:00:00,070 --> 00:00:02,150
You heard him. Slow ahead.
2
00:00:10,910 --> 00:00:12,160
Slow ahead.
3
00:00:12,580 --> 00:00:16,500
I can go slow ahead.
Come on down and chum some of this shit.
4
00:00:33,980 --> 00:00:36,560
You're going to need a bigger boat.
5
00:00:51,700 --> 00:00:53,290
Shut off that engin... | 1
00:00:00,060 --> 00:00:02,150
You heard him.
Slow ahead.
2
00:00:10,910 --> 00:00:12,160
Slow ahead.
3
00:00:12,580 --> 00:00:16,500
I can go slow ahead.
Come on down and chum some of this shit.
4
00:00:20,040 --> 00:00:22,460
(SUSPENSEFUL INSTRUMENTAL
MUSIC PLAYING)
5
00:00:33,970 --> 00:00:36,560
You're going t... | {"screenplay_scene_178": "<scene>\n <stage_direction>COMBINED POINT OF VIEW</stage_direction>\n <scene_description>We see the shark . First the jet - black fin . then the head and upper jaws , twenty yards off . It finally submerges , veer - ing off to one side with a neat slap of its tail .</scene_description>\n... | 7452.71 | 4855.10 | 86.10 |
jaws | tt0073195 | rHEoiQU6Gkbp | 1
00:00:06,630 --> 00:00:10,470
As the predator glides around, the Hooper steps onto the outer edge of the boat,
2
00:00:10,470 --> 00:00:11,830
his foot briefly slipping
3
00:00:12,150 --> 00:00:12,990
Brody follows
4
00:00:12,990 --> 00:00:14,750
and they make their way around the cabin.
5
00:00:15,070 --> 00:00:... | 1
00:00:07,290 --> 00:00:12,220
Brody and Hooper have to perilously clamber around the outside edge of the boat to reach the bows.
2
00:00:12,600 --> 00:00:16,070
Quint, meanwhile, completes assembling his harpoon rifle.
3
00:01:02,620 --> 00:01:04,920
Quint arrives with his fearsome gun.
4
00:01:24,690 --> 00:01:26... | 1
00:00:01,740 --> 00:00:03,700
He's circling the boat.
2
00:00:17,090 --> 00:00:20,850
This is Amity Point Light Station to Orca.
3
00:00:20,930 --> 00:00:22,100
Come in, Orca.
4
00:00:22,930 --> 00:00:24,100
Orca. Come in.
5
00:00:24,230 --> 00:00:26,100
I have Mrs. Martin Brody here.
6
00:00:26,190 --> 00:00:27... | 1
00:00:01,740 --> 00:00:03,700
He's circling the boat.
2
00:00:04,080 --> 00:00:06,620
(TENSE INSTRUMENTAL MUSIC
CONTINUES)
3
00:00:17,090 --> 00:00:20,840
OFFICER ON RADIO: This is Amity
Point Light Station to Orca.
4
00:00:20,930 --> 00:00:22,090
Come in, Orca.
5
00:00:22,930 --> 00:00:24,100
Orca. Come in.
6
0... | {"screenplay_scene_180": "<scene>\n <stage_direction>INSERT - COILED ROPE AND BARREL</stage_direction>\n <scene_description>The rope reels out in a blur , and Hooper pins Brody out of the way of the spinning coils - just in time . The barrel with flasher attached literally somersaults out of the boat , missing bo... | 7452.71 | 4956.03 | 180.03 |
jaws | tt0073195 | 5gIqhVSErY3M | 1
00:00:13,400 --> 00:00:14,320
He pumps his fist
2
00:00:14,320 --> 00:00:16,360
before removing a cap from his tooth.
3
00:00:30,400 --> 00:00:31,160
Boston
4
00:00:31,680 --> 00:00:32,960
Quint leans forward
5
00:00:32,960 --> 00:00:34,400
and Hooper feels his head.
6
00:00:40,120 --> 00:00:43,850
Hooper pushes... | 1
00:00:14,090 --> 00:00:16,020
He pulls out a false tooth.
2
00:00:41,290 --> 00:00:43,420
Hooper pulls up his left sleeve.
3
00:01:10,800 --> 00:01:14,110
Hooper warming to the competition, shuffles around the bench seat,
4
00:01:14,110 --> 00:01:15,900
places his right leg onto the table
5
00:01:15,900 --> 00:01... | 1
00:00:06,270 --> 00:00:08,350
Don't you worry about it, Chief.
2
00:00:09,270 --> 00:00:12,610
It won't be permanent.
You want to see something permanent?
3
00:00:19,950 --> 00:00:22,780
You want to feel something permanent?
4
00:00:23,950 --> 00:00:27,950
Just put your hand underneath my cap.
You feel that little... | 1
00:00:06,260 --> 00:00:08,350
Don't you worry
about it, Chief.
2
00:00:09,270 --> 00:00:12,600
It won't be permanent.
You want to see something permanent?
3
00:00:15,400 --> 00:00:16,810
(LAUGHS)
4
00:00:19,940 --> 00:00:22,780
You want to feel
something permanent?
5
00:00:23,950 --> 00:00:27,950
Just put your ha... | {"screenplay_scene_184": "<scene>\n <stage_direction>ANGLE - QUINT AND HOOPER</stage_direction>\n <scene_description>Both sit on the transom . Hooper takes a long pull from a bottle of Quint 's home brew . Quint is railing at him , both a little smacko .</scene_description>\n <character>QUINT</character>\n ... | 7452.71 | 5197.09 | 171.94 |
jaws | tt0073195 | ValmIcB_ZAB4 | 1
00:00:47,290 --> 00:00:49,050
Brody regards him seriously
2
00:00:49,050 --> 00:00:50,930
and Quint sips from his mug.
3
00:02:48,900 --> 00:02:50,900
Brody and Hooper exchanged a glance.
| 1
00:00:01,170 --> 00:00:05,220
Japanese submarine slammed two torpedoes
into her side, Chief.
2
00:00:06,550 --> 00:00:10,430
I was coming back
from the island of Tinian to Leyte
3
00:00:10,510 --> 00:00:13,640
just delivered the bomb,
the Hiroshima bomb.
4
00:00:16,810 --> 00:00:19,560
1,100 men went into the wate... | 1
00:00:01,170 --> 00:00:05,210
Japanese submarine slammed two
torpedoes into her side, Chief.
2
00:00:06,550 --> 00:00:10,430
I was coming back from the
island of Tinian to Leyte
3
00:00:10,510 --> 00:00:13,640
just delivered the bomb,
the Hiroshima bomb.
4
00:00:16,810 --> 00:00:19,560
1,100 men went
into the wate... | {"screenplay_scene_187": "<scene>\n <stage_direction>CLOSE - HOOPER</stage_direction>\n <scene_description>His face falls as he hears this . Quint looks at him ironi - cally .</scene_description>\n <character>QUINT</character>\n <dialogue>Guess you experts know about that.</dialogue>\n <scene_description... | 7452.71 | 5371.52 | 215.90 | |
jaws | tt0073195 | 0J7g9_JMWIrn | 1
00:00:00,230 --> 00:00:01,350
The cage sinks
2
00:00:01,350 --> 00:00:04,470
and streams of bubbles rise through the water from the regulator.
3
00:00:04,710 --> 00:00:07,830
Hooper, gripping the repeater, adjusts his mask.
4
00:00:11,230 --> 00:00:16,710
He glances up and he freezes upon, spotting the vague shape... | 1
00:00:04,080 --> 00:00:07,850
Hooper, alone in the cage, sinks through the blue water.
2
00:00:08,510 --> 00:00:10,560
He adjusts the mask on his face,
3
00:00:11,150 --> 00:00:12,320
having got a clear view.
4
00:00:12,360 --> 00:00:15,830
His eyes widen as he spots the shark heading towards him.
5
00:00:25,910 ... | 1
00:00:18,050 --> 00:00:20,390
(MENACING INSTRUMENTAL MUSIC
PLAYING)
2
00:01:16,070 --> 00:01:18,160
(TENSE INSTRUMENTAL MUSIC
PLAYING)
3
00:01:24,620 --> 00:01:26,830
(MENACING INSTRUMENTAL MUSIC
PLAYING)
4
00:01:42,720 --> 00:01:44,930
(TENSE INSTRUMENTAL MUSIC
PLAYING)
5
00:02:12,630 --> 00:02:14,500
(TENSE INS... | {"screenplay_scene_230": "<scene>\n <stage_direction>HOOPER'S POINT OF VIEW</stage_direction>\n <scene_description>The water is clear and shafts of sunlight streak downward in the blue . From the deep gloom - diving slowly , smoothly - comes the shark . It move with no apparent effort , sinuous beyond comparison ... | 7452.71 | 6782.02 | 162.68 | |
jaws | tt0073195 | SLbZ26Tji8Ej | 1
00:00:07,070 --> 00:00:12,590
The great white surfaces, throwing the front of its hulking body onto the transom, which breaks under its weight.
2
00:00:14,190 --> 00:00:15,630
Brody makes it into the cabin,
3
00:00:15,630 --> 00:00:17,670
but Quint slips and falls onto his back.
4
00:00:17,870 --> 00:00:19,870
The... | 1
00:00:00,990 --> 00:00:02,830
Quint turns his head sharply
2
00:00:02,830 --> 00:00:04,920
and gazes shrewdly out to sea.
3
00:00:09,520 --> 00:00:12,820
The shark suddenly rears up onto the submerged transom,
4
00:00:12,820 --> 00:00:15,790
rocking the vessel and sending the two men sprawling.
5
00:00:18,970 -->... | 1
00:00:26,040 --> 00:00:28,000
(QUINT SCREAMING)
2
00:00:42,810 --> 00:00:44,190
(SCREAMING)
| {"screenplay_scene_239": "<scene>\n <stage_direction>MASTER ANGLE</stage_direction>\n <scene_description>The shark breaks water right beside the Orca , rising with a great whooshing noise . It rises vertically , towering over - head , blocking out the sun . The pectoral fins seem to reach forward . The shark , in... | 7452.71 | 7008.93 | 67.76 |
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