Add cleaned G-batch Fountain screenplays and WebP artwork

fountain_scripts/The Good Girl.fountain

@@ -0,0 +1,2020 @@
+Title: THE GOOD GIRL
+Credit: Written by
+Author: Mike White
+
+                        @JUSTINE
+                (v.o.)
+        As a girl, you see the world like a giant candy store, filled with sweet candy and such. But one day you look around and see a prison and you're on death row. You wanna run, or scream or cry. But something's locking you up. Are the other folks cows, chewing cud till the hour come and their heads roll? Or are they just keeping quiet, like you... Planning their escape?
+
+!(Camera zooms on Holden/Tom)
+
+                        @GWEN
+        On your left, honey.
+
+                        @JUSTINE
+        What's that cashier's name?
+
+                        @GWEN
+        Can't say.
+
+                        @JUSTINE
+        When did he start working here?
+
+                        @GWEN
+        Don't know. Yesterday?
+
+                        @JUSTINE
+        Who is he?
+
+                        @GWEN
+        Don't know. Can't say.
+
+                        @JUSTINE
+        What are you doing?
+
+                        @GWEN
+        It's called work, princess. Kind of fun. You might want to give it a go someday.
+
+[[<hr />]]
+
+                        @CHERYL
+        Attention, shoppers. There's a Retail Rodeo special on aisle three. Liquid drain cleaner. Two 12-ounce cans for $5. Liquid drain cleaner has churning power and will churn right through your pipes. Ladies, shove something clean and new up your filthy pipes. Liquid drain cleaner on aisle three. Have a good day and thank you for shopping at Retail Rodeo.
+
+                        @CORNY
+        Hey, Justine. Can I talk to you for a second?
+
+                        @JUSTINE
+        Yeah.
+
+                        @CORNY
+        I was just curious. Have you ever been to a Bible study?
+
+                        @JUSTINE
+        Yeah.
+
+                        @CORNY
+        We got a good one going on every Wednesday at the First Church of Nazarine. Rodney comes, Benita comes. You got any interest in reading the Bible?
+
+                        @JUSTINE
+        I have my own, you know, beliefs.
+
+                        @CORNY
+        We don't preach fire and brimstone. Just the Ten Commandments. We're not interested in scaring people. We're about loving Jesus.
+
+                        @JUSTINE
+        I kinda like my nights to myself.
+
+                        @CORNY
+        Well, maybe you'll have nights of eternal hellfire to yourself. Just kidding you. Drive safe.
+
+                        @JUSTINE
+        Bye-bye.
+
+[[<hr />]]
+
+                        @BUBBA
+        Hey, Justine.
+
+                        @PHIL
+        Hey, Teeny. How was your day?
+
+                        @JUSTINE
+        The same. How was yours?
+
+                        @BUBBA
+        The wind was flipping paint in our eyes.
+
+                        @PHIL
+        Paint stings. Feel like I've been attacked by hornets in my eyeballs.
+
+                        @JUSTINE
+        Bubba, stand up.
+
+                        @BUBBA
+        Why?
+
+                        @JUSTINE
+        For Christ's sakes. Look at that couch, Phil. Y'all got paint all over it. This ain't gonna come off. Damn it, Phil.
+
+[[<hr />]]
+
+                        @TV REPORTER
+        ...including this gorgeous eggplant...
+
+                        @PHIL
+        I think we got most of it out.
+
+                        @JUSTINE
+        You two were stoned. You, keep frying your brain like that, you'll slip off a ladder and crack open your head bone. You do really stupid things when you're high, Phil.
+
+                        @PHIL
+        Like what?
+
+                        @JUSTINE
+        Like sitting on my couch with your big blue ass. Everything just turns to shit. You finally get nice things, then everything just gets messed up. Why is this TV buzzing?
+
+                        @PHIL
+        It's the wind doing that. They the wind's coming in different lately.
+
+                        @JUSTINE
+        Different from what?
+
+[[<hr />]]
+
+                        @JUSTINE
+        What you reading?
+
+                        @HOLDEN
+        Catcher in the Ryeí I'm named after it.
+
+                        @JUSTINE
+        What's your name? Catcher?
+
+                        @HOLDEN
+        Holden. After Holden Caulfield. He's the main character.
+
+                        @JUSTINE
+        What's he do?
+
+                        @HOLDEN
+        He's put upon by society. Hypocrisy of the world.
+
+                        @JUSTINE
+        I notice that you're, uh, not very social.
+
+                        @HOLDEN
+        I'm a writer.
+
+                        @JUSTINE
+        What do you write?
+
+                        @HOLDEN
+        Novels, plays, screenplays, stories, poetry.
+
+                        @GWEN
+                (to customer)
+        That's good. Justine will be right with you. Where is she?
+
+                        @JUSTINE
+        I better go. What happens at the end of your book?
+
+                        @HOLDEN
+        Oh, he has a nervous breakdown. Goes to a mental hospital.
+
+[[<hr />]]
+
+                        @GWEN
+        You don't get paid to pick your crack. You get paid to work.
+
+                        @JUSTINE
+        I'm not sure I can do makeovers.
+
+                        @GWEN
+        Oh, come on! A little pancake, eyeliner, mascara, rouge on the cheeks and powder it up. Then you take a moist tissue, roll it in a ball and toss it in their face! Jeez, Louise... I'm talking to a tree stump! Girl, where are you?!
+
+                        @JUSTINE
+        Sorry, I'm just a little tired.
+
+                        @GWEN
+        It's the food you eat, Justine. Look at me. I am 10 years older than you and have 10 times your energy. Cause I don't eat meat and I don't eat dairy. It's probably why you can't get pregnant, honey. And why you have that hung-jaw look on your face. It's the cheese in your pizza and the chicken in your salad.
+
+                        @JUSTINE
+        I went to the doctor. He says I'm fertile. He says I could repopulate the entire planet.
+
+                        @GWEN
+        Then what's the deal here? Did he say you get enough vitamins?
+
+                        @JUSTINE
+        He didn't say.
+
+[[<hr />]]
+
+                        @PHIL
+        You could make paint where, at different angles, the house is different colours. You stand at the front door and the house is red. You stand at the street and the house is green. Or you could make, like, an invisible paint. Make the whole house disappear.
+
+                        @BUBBA
+        What would be really neat is a paint that could change the molecular structure of a house, like a chemical acid deal.
+
+                        @PHIL
+        What do you think, Teeny?
+
+                        @JUSTINE
+        I think you two are a pair of potheads.
+
+[[<hr />]]
+
+                        @CHERYL
+        You getting a whole one of these or a half?
+
+                        @CUSTOMER
+        That one right there.
+
+                        @CHERYL
+        You didn't bring this into the store?
+
+                        @CUSTOMER
+        No.
+
+                        @CHERYL
+        Well then, I'll charge you for it. This is a hand lotion. So don't put it anywhere else, even if you need lubrication. We try to keep frivolous lawsuits to a minimum, unless, of course, the customer is at fault. Here's your change and Fuck you very much.
+
+                        @CUSTOMER
+        Excuse me?
+
+                        @CHERYL
+        Thank you very much.
+
+[[<hr />]]
+
+                        @GWEN
+        Good as new, I'll tell ya, good as new.
+
+                        @JUSTINE
+        Now, you might be interested in purchasing some of the products I used today...
+
+                        @CUSTOMER
+        Oh, I'm not buying anything today.
+
+                        @GWEN
+        Well, that'd be a mistake. These are bargain prices.
+
+                        @CUSTOMER
+        I didn't bring my purse.
+
+[[<hr />]]
+
+                        @JUSTINE
+        I hate my job.
+
+                        @HOLDEN
+        That makes two of us.
+
+                        @JUSTINE
+        I hate everyone here. I hate Gwen. I don't know what the hell she's so happy about. I'm sorry I don't understand why maniacs get shotguns and shoot everybody to pieces.
+
+                        @HOLDEN
+        Maybe you're a maniac.
+
+                        @JUSTINE
+        Maybe so. You know you're lips are real pouty, like a woman. And how your eyes droop off to the side. How old are you?
+
+                        @HOLDEN
+        Twenty two.
+
+                        @JUSTINE
+        I'm an old lady next to you.
+
+                        @HOLDEN
+        How old are you?
+
+                        @JUSTINE
+        How old do you think?
+
+                        @HOLDEN
+        I don't know.
+
+                        @JUSTINE
+        I am thirty years old.
+
+                        @HOLDEN
+        How long you been workin' here for?
+
+                        @JUSTINE
+        Forever and a day!
+
+[[<hr />]]
+
+                        @JUSTINE
+        You don't have a car?
+
+                        @HOLDEN
+        Oh, I live right down the street.
+
+                        @JUSTINE
+        Well, you can ride in here, there's room.
+
+[[<hr />]]
+
+                        @HOLDEN
+        You wanna come in?
+
+                        @JUSTINE
+        I don't know. I'm in a funk.
+
+                        @HOLDEN
+        Well, I'm not gonna beg ya.
+
+[[<hr />]]
+
+                        @HOLDEN
+        I'll be in my room.
+
+                        @MOTHER
+        Okay, Tom.
+
+[[<hr />]]
+
+                        @JUSTINE
+        They call you Tom?
+
+                        @HOLDEN
+        It's my slave name. Holden's what I call myself. This is my room.
+
+                        @JUSTINE
+        Not a lot to look at. What are your folks like?
+
+                        @HOLDEN
+        They're okay. They don't get me. I mean, they're alright.
+
+                        @JUSTINE
+        My husband doesn't get me.
+
+                        @HOLDEN
+        Since when do you have a husband?
+
+                        @JUSTINE
+        Since seven years. He's a painter.
+
+                        @HOLDEN
+        What's he paint?
+
+                        @JUSTINE
+        Houses. He's a pig. He talks but he doesn't think. You go to college?
+
+                        @HOLDEN
+        Um, I had to drop out. I had a problem with drinkin' and stuff. I'll go back. I just gotta prove to my parents that I can fly straight. You go to college?
+
+                        @JUSTINE
+        No, I was afraid I'd lose Phil if I went. Now that'd be reason enough to go. I saw you in the store and I liked how you kept to yourself. I can see in your eyes that you hate the world. I hate it too. You know what I'm talkin' about?
+
+[[<hr />]]
+
+                        @JUSTINE
+        After livin in the dark for so long a glimpse of the light can make you giddy. Strange thought come into your head and you'd better think 'em. Has a special fate been callin' you and you not listenin? Is there a secret message right in front you, and you're not reading it? Is this your last, best chance? Are you gonna take it? Or are you goin' to the grave with unlived lives in your veins?
+
+!(TV conversation)
+
+                        @PHIL
+        Teeny, you're pretty. Bubba, isn't Teeny pretty?
+
+                        @BUBBA
+        I've seen better, I've seen worse. Nah. That's why I ain't never married. You got yourself the best fish in the sea.
+
+                        @PHIL
+        I wonder what it'd be like to be a woman. All that smooth skin and long hair.
+
+                        @BUBBA
+        If I was a woman, I'd be a slut. A lesbian slut.
+
+                        @JUSTINE
+        Gwen says smokin' marijuana lowers your sperm.
+
+                        @PHIL
+        Lowers it to where?
+
+                        @JUSTINE
+        Maybe you're the infertile one 'round here. Maybe every time you smoke a little dooby, you're killin' our unborn children.
+
+[[<hr />]]
+
+                        @GWEN
+        Alright, close.
+
+                        @JUSTINE
+        Why you limping.
+
+                        @HOLDEN
+        I twisted up my ankle on the stairs. I was wonderin', maybe you could give me a ride home?
+
+                        @JUSTINE
+        Yeah, sure okay.
+
+                        @HOLDEN
+        Alright I'll talk to you about it later.
+
+                        @GWEN
+        All I know is, everyone should have one beau, before anyone has two beaus.
+
+                        @JUSTINE
+        He's not my beau, he's my friend.
+
+                        @CHERYL
+        Happy Halloween Retail Rodeo shoppers! There's a Retail Rodeo special on all bulk candy on aisle four. Ghouls and goblins, witches and warlocks, wandering these aisles, day after day. I'll put a Halloween curse on you.
+
+[[<hr />]]
+
+                        @GWEN
+        Night Corny. Happy Halloween.
+
+                        @CORNY
+        Well I'm not a pagan but thanks all the same.
+
+                        @GWEN
+        Which ankle did you twist, Holden?
+
+                        @HOLDEN
+        My, uh, left.
+
+                        @GWEN
+        Maybe you should put some cold water on it so it doesn't swell up and inflame.
+
+                        @HOLDEN
+        Okay.
+
+[[<hr />]]
+
+                        @JUSTINE
+        You're a writer so you have yourself a goal. I used to lie in bed and imagine other cities, other jobs I could have. Other husbands. Now I don't even know what to imagine anymore. Holden, I have a husband.
+
+                        @HOLDEN
+        You said he was a pig.
+
+                        @JUSTINE
+        Well, Holden. I don't want to hurt anybody.
+
+[[<hr />]]
+
+!(TV sounds)
+
+                        @PHIL
+        I was thinking about what you were sayin' about my sperm bein' low. I mean, I know I got good sperm. It's baby-makin sperm. I suppose it couldn't hurt to have it confirmed by an expert.
+
+                        @JUSTINE
+        Oh who gives a shit, who needs a F&$%' baby around here anyways? If you wanna make yourself useful, why don't you get that goddamn TV fixed?!
+
+                        @PHIL
+        What the hell?
+
+                        @JUSTINE
+        It sounds like a helicopter is landin' in here.
+
+[[<hr />]]
+
+                        @GWEN
+        You want a blackberry, honey? A man was sellin' 'em on the road.
+
+                        @JUSTINE
+        No thank you.
+
+                        @CORNY
+        This is for you Justine. It's from Holden.
+
+                        @JUSTINE
+        Well where is he?
+
+                        @CORNY
+        He's got the day off. He came by this morning with it.
+
+                        @JUSTINE
+        Thanks.
+
+                        @CORNY
+        Don't mention it. Hey, Gwen.
+
+                        @GWEN
+        Hey sugar.
+
+                        @HOLDEN
+        Dear Justine. Because of you I'll be quitting the Retail Rodeo. The last two days have been the most god-awful days of my life. I've not been able to get rid of you in my head. I never wanted anything so bad, and I have wanted many things. I'd given up long ago on being gotten by someone else, and then you came along. The idea of being gotten, because of circumstance, will never get got is the worst feeling I've ever felt, and I have felt many bad feelings. I'm sorry I can never see you again, Justine, forgive me for being so weak, but that is who I am. Goodbye, Holden Wurther. If for some reason, you could change your mind and want to be with me, body and soul, meet me after work. I will be waiting for you at five PM outside Chuck E.Cheese. If you are not there at five, you will never see me in your lifetime.
+
+                        @JUSTINE
+        Gwen? What's wrong?
+
+                        @Gwen
+        I'm okay. I feel a little sick.
+
+[[<hr />]]
+
+                        @JUSTINE
+        Gwen? Gwen you sick?
+
+                        @JACK
+        Justine? Justine what's goin' on in here? Gwen, you sick? We gotta get her to a hospital. Justine you drive her.
+
+                        @JUSTINE
+        Well what time is it?
+
+                        @JACK
+        It's a quarter to five. Why, you gotta be somewhere?
+
+[[<hr />]]
+
+                        @JUSTINE
+        Gwen?
+
+                        @GWEN
+        Oh, I had a dream. I had dream that I sprouted a beard made of bean sprouts.
+
+                        @JUSTINE
+        I'm gonna let you off here, okay?
+
+                        @GWEN
+        Okay,You'll meet me inside?
+
+                        @JUSTINE
+        Yeah, you know what I'm gonna do? I'm gonna park the car, then I'm gonna meet you inside.
+
+                        @GWEN
+        Okay. Your a doll.
+
+[[<hr />]]
+
+                        @HOLDEN
+        Hey. Oh god, I'm really glad you came.
+
+                        @JUSTINE
+        I just ditched Gwen at the hospital.
+
+                        @HOLDEN
+        Oh god, thank god.
+
+                        @JUSTINE
+        Where are we goin'?
+
+                        @HOLDEN
+        Let's go to my house.
+
+                        @JUSTINE
+        No, with your folks there?
+
+                        @HOLDEN
+        Let's just park somewhere.
+
+                        @JUSTINE
+        This isn't well planned.
+
+                        @HOLDEN
+        Look. I don't know. I don't care I just wanna hold you.
+
+[[<hr />]]
+
+                        @HOTEL GUY
+        That's forty five dollars even. And I need you to fill this out for me.
+
+[[<hr />]]
+
+!(Justine and Holden are in the hotel room and make love.)
+
+[[<hr />]]
+
+!(after they made love)
+
+                        @JUSTINE
+        I can't do it.
+
+                        @HOLDEN
+        We'll be back here before you know it.
+
+                        @JUSTINE
+        I don't wanna... I don't wanna go.
+
+                        @HOLDEN
+        Justine. I'm yours. I'm all yours.
+
+!(they kiss)
+
+[[<hr />]]
+
+                        @PHIL
+        Hey.
+
+                        @JUSTINE
+        Hey.
+
+                        @PHIL
+        Were you been?
+
+                        @JUSTINE
+        Gwen got real sick today. She was throwin' up all over the store. I had to take her to the hospital, and sat with her.
+
+                        @PHIL
+        Did she sick up on you?
+
+                        @JUSTINE
+        No.
+
+                        @PHIL
+        Did she sick up on anybody?
+                (chuckles)
+
+                        @JUSTINE
+        It's not funny, Phil, this is serious. I'm gonna go up there tomorrow too. And the next day.
+
+[[<hr />]]
+
+                        @JACK
+        Justine? What happened to you?
+
+                        @JUSTINE
+        What?
+
+                        @JACK
+        I went down to St. Catherine's to check up on Gwen. I looked all over for you, she was askin' for you.
+
+                        @JUSTINE
+        Well, how is she?
+
+                        @JACK
+        She was heavin' up until there was nothin' left to heave. Doctor said she must've eaten somethin' with some kind of parasite in it or somethin'.
+
+                        @JUSTINE
+        I bet it was those blackberries.
+
+                        @JACK
+        They're gonna keep her in there until she gets better so you're gonna have to supervise cosmetics.
+
+[[<hr />]]
+
+!(there they go again)
+
+                        @JUSTINE
+        Stop it, somebody's gonna see!
+
+                        @HOLDEN
+        Who cares, I don't care. I crave you. I wanna know everything about you. Who are you?
+
+                        @JUSTINE
+        I'm just this woman. I moved to Texas when I was eleven. My daddy was in the Air Force.
+
+                        @HOLDEN
+        I wanna knock open your head and see what's inside. I've had so much pain in my life. I know you have too, I can see it.
+
+[[<hr />]]
+
+!(at the hotel, in bed, probably after they made love)
+
+                        @JUSTINE
+        Holden gave me two of his stories to read. It's like what a story would be. I was about a boy who was put upon, his mother was cold and selfish, and his father wanted him to play football. Other people didn't get him, especially girls. Then the boy comes to believe no one can ever really know him. So he starts actin' out, drinkin', and doin' all kinds of drugs. At the end the boy kills himself but jumpin' over a bridge. The second story was pretty much the same as the first. Except at the end, the boy kills himself by drinkin' a bottle of bug poison.
+
+                        @JUSTINE
+        Your stories are intense.
+
+                        @HOLDEN
+        I just wanna leave some kind of legacy. Somethin' great. After that I don't care what happens to me.
+
+                        @JUSTINE
+        Don't say that. I wish there was a story about me. I don't know who would read it though.
+
+                        @HOLDEN
+        I would.
+
+                        @JUSTINE
+        I like this. I like havin' a secret. You gave me a secret Holden.
+
+                        @HOLDEN
+        See, now that you met me you're mysterious. And dark and twisted.
+
+                        @JUSTINE
+        I'm going to hell, aren't I?
+
+                        @HOLDEN
+        Yes, you are.
+
+!(she rolls on top of him and they kiss)
+
+[[<hr />]]
+
+!(they exit the hotel and Justine sees a car)
+
+                        @JUSTINE
+        That's Bubba's truck. Get in the car. Phil takes that truck to work everyday. Bubba picks him up, and drops him off. Why, why would that truck be parked there?
+
+                        @HOLDEN
+        I don't know.
+
+                        @JUSTINE
+        If he finds out about us....
+
+                        @HOLDEN
+        I won't let him hurt you.
+
+                        @JUSTINE
+        He's big, Holden. He'll kill you. He'll beat me, but he'll kill you.
+
+                        @HOLDEN
+        You can't worry about somethin' that hasn't even happened yet.
+
+                        @JUSTINE
+        I gotta go to the hospital.
+
+                        @HOLDEN
+        Okay.
+
+!(leans in to kiss her; she pulls away)
+
+                        @JUSTINE
+        Don't! I mean he could be followin' us.
+
+[[<hr />]]
+
+                        @CORNY
+        Justine! Poor lady. She just passed.
+
+                        @JUSTINE
+        Who?
+
+                        @CORNY
+        Gwen! She just passed away.
+
+                        @JUSTINE
+        What do you mean? I thought she had a stomach ache?
+
+                        @CORNY
+        It got worse. She was on life support all day.
+
+                        @JUSTINE
+        I don't understand.
+
+                        @CORNY
+        It's God's will, Justine. No one can understand it. It was just Gwen's time to fly away home.
+
+!(Justine looks guilty and shocked)
+
+[[<hr />]]
+
+                        @JUSTINE
+        Gwen died today.
+
+                        @PHIL
+        What? Are you kiddin? What for?
+
+                        @JUSTINE
+        Parasite. Somethin' she ate.
+
+                        @PHIL
+        You okay?
+
+                        @JUSTINE
+        Where were you this afternoon?
+
+                        @PHIL
+        Paintin' on Bovery. Why?
+
+                        @JUSTINE
+        What time did Bubba bring you home?
+
+                        @PHIL
+        We knocked off early 'bout four. Bubba had a date with a stewardess, why?
+
+                        @JUSTINE
+        Oh. I can't believe she's dead. I wasn't a very good friend to her.
+
+                        @PHIL
+        Don't say that, Teeny. 'Course you were. 'Course you were.
+
+[[<hr />]]
+
+                        @JACK
+        Retail Rodeo employees this is Jack Fields, your store manager. Before we open today, I just want to share some terrible and shocking news. One of our best employees, Gwen Jackson, died yesterday. Gwen was a real class act. She had a good attitude, she had ideas. We're all gonna miss her. Now, if any of y'all need to collect you thoughts and remember Gwen. GWEN, then today's the day. You'll be excused from work and we'll just have to do without you. Gwen, this one's for you.
+
+!(music comes over PA)
+
+[[<hr />]]
+
+                        @JUSTINE
+        Holden had the notion to go to Gabler's Creek, skinny dippin' and makin' love. He said we'd be like Adam and Eve, rollin' around around in the sticks and the dirt and bein' one with nature. He was so fixed on the idea that even when the clouds started rollin' in, and the sky was gettin; dark, he kept on swimmin'. All my thoughts turned to death. I thought of Gwen's body, rottin' away. I thought of how nice a person she was, so full of life and good will. If there was a heaven, Gwen would be there. Givin' makeovers and offerin' up helpful advice. I thought if I died today, what would happen to me? A hateful girl. A selfish girl. An adulteress. A liar.
+
+[[<hr />]]
+
+!(Justine and Holden are running towards the car and get in)
+
+[[<hr />]]
+
+!(Next scene they're in the car; back seats, kissing)
+
+                        @JUSTINE
+        What are we doin'?
+
+                        @HOLDEN
+        Makin' one out of two.
+
+                        @JUSTINE
+                (sighs)
+        I haven't thought this through.
+
+                        @HOLDEN
+        Justine, will you leave him?
+
+                        @JUSTINE
+        And go where?
+
+                        @HOLDEN
+        Away. With you on my arm, my folks'll think I've changed. They'll stop thinkin' I'm suck a loner, I got a girlfriend, a pretty one, who knows me and likes me. And they'll be so happy, they'll give me money to write my novel.
+
+                        @JUSTINE
+        But where will we GO?
+
+                        @HOLDEN
+        We'll be like... Catcher in the Rye. Only by me. I'll be immortal and then like JD Salinger I'll just vanish.
+
+[[<hr />]]
+
+                        @PHIL
+        Hey, Teeny. We've been up to no good. We got the day off on account of the rain.
+
+                        @JUSTINE
+        I thought you might.
+
+!(TV sounds)
+
+                        @BUBBA
+        So I heard about your friend bein' dead, and all. I'm sorry.
+
+                        @JUSTINE
+        Yeah. She was real healthy too.
+
+                        @BUBBA
+        Well, at least you were with her when she went.
+                (intense voice and look)
+        Ain't that right? You were... with her, when she went?
+
+                        @JUSTINE
+        Yeah.
+
+                        @PHIL
+        Oh, I wish it would rain every day from here on out. Never have to paint again.
+
+[[<hr />]]
+
+                        @JACK
+        Hey Justine. How you holding up?
+
+                        @JUSTINE
+        Fine.
+
+                        @JACK
+        Real shocker. I decided to move Cheryl over to cosmetics. She got a little too creative on the P.A. Maybe she'll watch her P's and Q's over here. If not she's out on her but. Now you listen to Justine, sister.
+
+[[<hr />]]
+
+                        @HOLDEN
+        You want me to help you get stuff out of storage?
+
+                        @JUSTINE
+        Not right now, maybe later.
+
+                        @HOLDEN
+        Well, are you gonna give me a ride home? My ankle's actin' up.
+
+                        @JUSTINE
+        I gotta get home. Maybe Cheryl can.
+
+                        @CHERYL
+        What, you need a ride?
+
+                        @HOLDEN
+        Forget it.
+
+[[<hr />]]
+
+                        @JUSTINE
+        I think we gotta take a breather. I'm nervous.
+
+                        @HOLDEN
+        Well, can't we go to the motel?
+
+                        @JUSTINE
+        Not today.
+
+                        @HOLDEN
+        Well, let's go in the store room.
+
+                        @JUSTINE
+        Just be patient, Holden!
+
+!(Holden looks freaky; sort of like he's losing his mind not being able to be close to her)
+
+[[<hr />]]
+
+                        @JUSTINE
+        I was wonderin', when was that, uh, bible study?
+
+                        @CORNY
+        Tomorrow night at eight. We'd love to have ya.
+
+                        @JUSTINE
+        Can I bring my husband?
+
+                        @CORNY
+        'Course! A couple that prays together stays together.
+
+[[<hr />]]
+
+                        @PHIL
+        What's this?
+
+                        @JUSTINE
+        The Holy Bible. There's one for you, and one for me.
+
+                        @PHIL
+        Not very light is it?
+
+                        @JUSTINE
+        We're goin' to Bible study. A couple that prays together, stays together.
+
+                        @PHIL
+        I heard it was the couple that lays together stays together.
+
+                        @JUSTINE
+        Well you heard wrong.
+
+[[<hr />]]
+
+                        @JUSTINE
+        Cheryl? You think you can take this one?
+
+                        @CHERYL
+        Sure... Sit right down here ma'am, we're gonna make you pretty. Now how do you like your hair?
+
+                        @CUSTOMER
+        Wait, you gonna do my hair?
+
+                        @CHERYL
+        No, I just need to know if that's your usual way of wearing it all big and high. If it is then I'll just put more makeup on your chin to off-set. Now, you're gonna want to take a whole bottle of this home with you. It's got quite a lot of ingredients in it so you're getting a good deal. It's got Ginco extract in it, do you know what that is?
+
+                        @CUSTOMER
+        No.
+
+                        @CHERYL
+        It's extract of the Ginco and it makes your skin real slick so that any liquid will roll right off, be it water or lemon juice or urine. I'll put that in a bag for you.
+
+[[<hr />]]
+
+                        @JUSTINE
+        Phil, what the hell are you doin'? We're gonna be late for Bible study. You're stoned, you got paint in your hair, would you just get in the shower?
+
+                        @PHIL
+        I completely didn't remember...
+
+                        @JUSTINE
+        Get in the shower.
+
+                        @BUBBA
+        Workin' on your spiritual life?
+
+                        @JUSTINE
+        Yeah, I guess.
+
+                        @BUBBA
+        Ain't that a hoot and a holler.
+
+                        @JUSTINE
+        What do you mean?
+
+                        @BUBBA
+        I saw you, Justine.
+
+                        @JUSTINE
+        Saw me what?
+
+                        @BUBBA
+        I saw you. We got some things to talk about, you and me. You come by my place after work. If you know what's good for ya.
+
+[[<hr />]]
+
+                        @PHIL
+        Hey. Where's Bubba?
+
+                        @JUSTINE
+        He left.
+
+                        @PHIL
+        Well, I'm ready. Let's go.
+
+[[<hr />]]
+
+                        @PHIL
+        I don't know what to say about Jesus. I'm stoned.
+
+                        @JUSTINE
+        Just let the other people do the talking.
+
+                        @PHIL
+        Jeez. We forgot the Bibles, Justine.
+
+                        @JUSTINE
+        Well, that's alright, they'll forgive us.
+
+                        @CORNY
+        Hi. Welcome. Hey there people! Glad you could make it!
+
+                        @JUSTINE
+        Hi Corny. This is my husband, Phil.
+
+                        @CORNY
+        Y'all are in for a treat. We got a good discussion going tonight. If man is made in God's image, what does that say about God?
+
+                        @PHIL
+        Yeah, that sounds like a good one.
+
+!(Justine recognizes one of the people. It's the guy who works at the motel where she and Holden have been going to.)
+
+                        @JUSTINE
+        Phil, come with me to the car.
+
+                        @PHIL
+        What?
+
+                        @JUSTINE
+        Come with me to the car, I gotta get somethin'.
+
+                        @PHIL
+        What's goin' on?
+
+                        @JUSTINE
+        Just get in the car. Get in the car, Phil.
+
+                        @PHIL
+        What the hell?
+
+                        @JUSTINE
+        I don't want to go to Bible study.
+
+                        @PHIL
+        Why not?
+
+                        @JUSTINE
+        Because I don't want to. Now, can we please just get out of here?
+
+                        @PHIL
+        Justine, this is embarassing. We're runnin' away from Bible study like a couple of Devil worshippers.
+
+                        @JUSTINE
+        I don't care. I'm not in the mood.
+
+                        @PHIL
+        You are freakin' me out, man. Why?
+
+                        @JUSTINE
+        Why? Because we forgot our Bibles is why.
+
+                        @PHIL
+        You just said a few minutes ago they'll forgive us.
+
+                        @JUSTINE
+        Yeah, well, they may not, alright. So can we please just get the shit outta here?
+
+                        @PHIL
+        I'm never goin' back to Bible study again.
+
+                        @JUSTINE
+        I don't care, fine by me.
+
+[[<hr />]]
+
+                        @CUSTOMER
+        I think I look too white, don't you think?
+
+                        @CHERYL
+        I'm just tryin' to match your face with your hair, I was thinkin' you're not white enough.
+
+                        @CUSTOMER
+        I think I look kinda weird.
+
+                        @CHERYL
+        Well, the first rule of fashion is that you have to look weird. What I'm doing here has come straight from France.
+
+                        @CUSTOMER
+        Oh.
+
+                        @CHERYL
+        It's called circ du face, meaning circus of the face and it's all the rage with the Frenchies.
+
+                        @CUSTOMER
+        Well, you're the professional.
+
+                        @CHERYL
+        That's right.
+
+                        @CORNY
+        Justine, what happened to you? I looked up and I saw you two drivin' off like vampires in the night.
+
+                        @JUSTINE
+        Oh geez, we forgot our Bibles.
+
+                        @CORNY
+        You coulda looked off your neighbor. It's a church, you know. You can't make water without bumpin' your nut on a bible.
+
+                        @JUSTINE
+        Oh. Well, we felt bad.
+
+                        @CORNY
+                (looks at the customer)
+        What in blazes?!
+
+                        @CUSTOMER
+        Do you like it?
+
+[[<hr />]]
+
+                        @JUSTINE
+        I can't go.
+
+                        @HOLDEN
+        What?
+
+                        @JUSTINE
+        I can't go today. There's something important I need to tend to.
+
+                        @HOLDEN
+        I thought you said we'd go today.
+
+                        @JUSTINE
+        Well, something came up.
+
+                        @HOLDEN
+        What came up?
+
+                        @JUSTINE
+        Um, okay. I think, maybe, somebody's found out about us.
+
+                        @HOLDEN
+        I'm starting to wonder if you even want to go. I'm startin' to think you don't get me.
+
+                        @JUSTINE
+        Well, maybe I don't get you.
+
+                        @HOLDEN
+        You do, you do get me you just don't want to me 'cause I'm too intensified for you! Justine, who cares, who cares if someone finds out. We don't have to live like this, Justine. I know what it's like to go home every night and feel like you're hidin' out. We can leave all this behind...
+
+                        @JUSTINE
+        That's easy for you to say, Holden, you are not married.
+
+                        @HOLDEN
+        You just, you just gonna give up?! You gonna go crawlin' back?!
+
+                        @JUSTINE
+        Holden, you are gonna get us caught!
+
+                        @HOLDEN
+        You're so fucking afraid it makes me sick. Don't give up on us.
+
+                        @JUSTINE
+        I won't.
+
+[[<hr />]]
+
+!(Justine goes out of the backdoor of Retail Rodeo, takes a few deep breaths, trying not to freak out)
+
+[[<hr />]]
+
+                        @JUSTINE
+        I'll see you tomorrow, okay? Okay?
+
+                        @HOLDEN
+        Okay. Good luck on your important thing.
+
+                        @JUSTINE
+        Thanks.
+
+[[<hr />]]
+
+!(Justine arrives at Bubba's. He opens the door and his dog, Bitz, is barking.)
+
+                        @BUBBA
+        Easy Bitz, easy Bitz. Back in your corner! Back in your corner! Back in your corner, Bitz! Come on in. I wanna show you somethin'. Sit.
+                (Yells at dog again)
+        I'm in shock.
+
+                        @JUSTINE
+        Why?
+
+                        @BUBBA
+        You know why.
+
+                        @JUSTINE
+        Bubba sat like that for what seemed like ten years before he began to speak. Finally, when he opened his mouth, he talked a blue streak about the ruin that was his life. He talked about how he loved Phil, and how he loved me. And how he always wanted a girlfriend just like me, and to be a guy like Phil, to this imaginary girl like me, that he never found. Then he wen on about givin' up your dreams and how it's all a part of gettin' older. Bubba had given up on his dream to be like Phil, and accepted his fate as Bubba, always and forever. Then, last week, a door that remained shut swung wide open. Bubba thought this no chance coincidence, a cosmic force was at work. The sounds of me makin' love to a man that wasn't Phil was like a shout in Bubba's ear from the creator himself. What it meant, or what to do, or why Bubba didn't know. All he knew was that he hated me for poisoning the well of idealism that he had drunk from for so long. I was no longer Bubba's image of perfection. To him I was just a liar, and a whore, and that sickened him. But on the other hand he loved me for opening his eyes and releasing him from the bitter chains of envy that bound him to Phil. Phil was no superman, just a cuckold, and a fool, and that was beautiful. Bubba felt that there was just one thing left for us to do. Something that would solve both our problems and end this whole tragic cycle.
+
+                        @JUSTINE
+        Bubba, I am not gonna sleep with you.
+
+                        @BUBBA
+        But don't you see? This is my chance, for liberation.
+
+                        @JUSTINE
+        But, one person's liberation is another person's, well, badness. There's just no way.
+
+                        @BUBBA
+        I'm gonna have to tell Phil then.
+
+                        @JUSTINE
+        Why?
+
+                        @BUBBA
+        He's my best friend. I can't keep him in the dark about somethin' this big. He's a cuckold.
+
+                        @JUSTINE
+        You wanna cuckold him yourself!
+
+                        @BUBBA
+        Well that's different. That isn't about him. That's about my salvation. Look, you've got your choice to make. Either destroy your marriage, and break your husband's heart. Or have sex with me right now.
+
+[[<hr />]]
+
+!(Bubba is yelling at the dog again, and saying Justine's name)
+
+                        @JUSTINE
+        Oh god! There was someone in the window! Did you not see?
+
+                        @BUBBA
+        You're paranoid.
+
+                        @JUSTINE
+        I gotta go.
+
+                        @BUBBA
+        Phil is never gonna find out about any of this. Don't fret.
+
+!(the dog is still barking)
+
+                        @JUSTINE
+        Get this damn dog away from me!
+
+[[<hr />]]
+
+                        @BUBBA
+        You're lookin' at a free man, Justine. A free man.
+
+                        @JUSTINE
+        Great. Good for you.
+
+                        @BUBBA
+        Thank you.
+                (Yelling at dog again.)
+
+[[<hr />]]
+
+!(TV sounds as Phil comes out of the bathroom, still brushing his teeth)
+
+                        @PHIL
+        I'm nervous.
+
+                        @JUSTINE
+        You're nervous? Why?
+
+                        @PHIL
+        'Cause I gotta go to that doctor tomorrow and jism into a cup, that's why. What if I can't do it?
+
+                        @JUSTINE
+        You can do it.
+
+                        @PHIL
+        You know, If you said you'd help me I'd feel a lot less nervous. It's gonna be on your lunch hour anyway.
+
+                        @JUSTINE
+        Okay.
+
+                        @PHIL
+        You didn't even say nothing about the TV bein' fixed.
+
+                        @JUSTINE
+        Oh. Is it? Thanks.
+
+                        @PHIL
+        You're welcome.
+
+[[<hr />]]
+
+                        @JACK
+        Well aren't you a fright? Justine, you talked to Holden lately? He didn't show up for work today, I wanna know what gives. I know you two are friends.
+
+                        @JUSTINE
+        We're not friends.
+
+                        @JACK
+        You eat lunch together every day.
+
+                        @JUSTINE
+        No, we don't.
+
+                        @JACK
+        Well, if you see him, tell him Jack Fields is lookin' for him.
+
+[[<hr />]]
+
+!(Justine gets in the car and is shocked when she sees Holden in the car, more depressed than ever.)
+
+                        @JUSTINE
+        Oh my god. What are you doin'?
+
+                        @HOLDEN
+        You're a hooker, you hooker.
+
+                        @JUSTINE
+        I saw you. You followed me.
+
+                        @HOLDEN
+        So, how many guys you gettin' with? You gettin' with every guy in the state?
+
+                        @JUSTINE
+        No, Holden, this is all because of you. He had me over a barrel. If I didn't sleep with him he was gonna tell Phil about us!
+
+                        @HOLDEN
+        I'm so alone!
+
+                        @JUSTINE
+        You've gotta get a hold of yourself! Are you drunk?
+
+                        @HOLDEN
+        Yes, I'm drunk! And I'll be drunk every day until the day I die! What do you care?! You jump on any pecker that's put in front of you!
+
+                        @JUSTINE
+        It's not what you think.
+
+                        @HOLDEN
+        I saw everything. Oh god. Oh god.
+
+                        @JUSTINE
+        Look, go home. Sober up. And meet me after work.
+
+                        @HOLDEN
+        Where you goin'?
+
+                        @JUSTINE
+        I gotta help Phil with his sperm.
+
+                        @HOLDEN
+        What?
+
+                        @JUSTINE
+        Just go. Go!
+
+                        @HOLDEN
+        I can't share you, Justine! Maybe with one man but not with a whole bunch of 'em!
+
+[[<hr />]]
+
+                        @JUSTINE
+        Great.
+
+[[<hr />]]
+
+                        @NURSE
+        Mr. Last? Would you come with me?
+
+                        @PHIL
+        Wish me luck.
+
+                        @JUSTINE
+        Good luck, honey.
+
+                        @BUBBA
+        Knock 'em dead, partner.
+                (Justine and Bubba watch Phil walk into one of the rooms)
+        You look nice.
+
+                        @JUSTINE
+        No, I don't.
+
+                        @BUBBA
+        I know you're angry and I can figure why. But, from where I stand, what happened yesterday was a wonderful thing.
+
+                        @JUSTINE
+        Nothin' happened yesterday, so drop it.
+
+                        @BUBBA
+        Well, I'm awful grateful to ya, Justine.
+
+                        @JUSTINE
+        Bubba, I mean it.
+
+                        @BUBBA
+        Let me just ask you one thing. How do I stack up against Phil? You know, how do I stack up where it counts?
+
+                        @NURSE
+        Ma'am? Your husband asked me to request for your presence.
+
+[[<hr />]]
+
+!(Justine knocks on the door.)
+
+                        @PHIL
+        Who's there?
+
+                        @JUSTINE
+        It's Justine.
+                (gets into the room)
+
+                        @PHIL
+        C'mon. I can't do this on my own. I need help.
+
+                        @JUSTINE
+        You've never done it on your own?
+
+                        @PHIL
+        Not in a place like this! Not where I have to hand over the results! Just, let me hold your boob.
+
+!(holds her boob; Justine's face is full of pain)
+
+                        @JUSTINE
+        Ah, they're sore.
+
+!(Justine looks fed up with everything)
+
+[[<hr />]]
+
+                        @CHERYL
+        What's wrong with you? You look like death.
+
+                        @JUSTINE
+        My stomach's crampin'. I feel sore.
+
+                        @CHERYL
+        Is it your period?
+
+                        @JUSTINE
+        Nah, it's stress.
+
+                        @CHERYL
+        This job is stressful. I'm breaking out.
+
+                        @JUSTINE
+        You're breakin' out 'cause you put so much makeup on your face.
+
+                        @CHERYL
+        Maybe you're pregnant.
+
+                        @JUSTINE
+        What?... No...
+                (thinks about it)
+
+[[<hr />]]
+
+                        @HOLDEN
+        You know, sometimes, I think to myself, at least it can't get any worse. But it can. I can worse. As long as you can say you've hit rock bottom you can.
+
+                        @JUSTINE
+        Oh my god, Blackberries.
+
+                        @HOLDEN
+        A blind man can go deaf. A widow can lose her children. Babies starve and they never get food. They never get any food. They just come into the world and they die.
+
+                        @JUSTINE
+        Calm down, Holden!
+
+                        @HOLDEN
+        I can't calm down! I'd be easy if I was a hooker like you. I could calm down all over town.
+
+                        @JUSTINE
+        Hey, hey! I am not a hooker.
+
+                        @HOLDEN
+        I know you're not. I'm in agony.
+
+                        @JUSTINE
+        Why?
+
+                        @HOLDEN
+        What do you mean 'why'? I thought you hated your life.
+
+                        @JUSTINE
+        I do. I mean I'm depressed but... You are really depressed.
+
+                        @HOLDEN
+        I'll kill him. I'll murder him in his sleep. I'll kill my parents, I'll steal the money whatever it takes. You just, just whatever you want as long as it's you and me. Please don't forsake me Justine.
+
+                        @JUSTINE
+        Oh... I, I promise.
+
+!(car is parked somewhere; Justine and Holden are sitting on the car, Holden's smoking)
+
+                        @JUSTINE
+        I realized then that Holden was at best a child, and at worst a demon. If I was ever gonna go straight I'd have to ditch him. Sometimes, to get back on the road to redemption, you have to make a few pit stops.
+
+[[<hr />]]
+
+!(Justine goes up to the "Blackberry Man")
+
+                        @JUSTINE
+        How much are the blackberries?
+
+                        @BLACKBERRY MAN
+        A tin for two dollars, miss.
+                (gives her the blackberries)
+        There you go.
+
+                        @JUSTINE
+        Thank you.
+
+[[<hr />]]
+
+!(Holden and Justine are in the car again, Justine's driving)
+
+                        @JUSTINE
+        Have a blackberry.
+
+                        @HOLDEN
+        We need a plan. We can't keep livin' day to day. We gotta chart a course and we just gotta stick....
+
+                        @JUSTINE
+        Have a blackberry, Holden!
+
+                        @HOLDEN
+        But, they're dirty.
+                (hesitating, he eats a blackberry and then smiles)
+        They're sweet. If I could only get my hands on some money, someone could just tell me the answer. I gotta do. But If I ever do, I end up thinking about it instead. I gotta do. But do what?
+                (Justine pushes the blackberry he's about to eat away from his mouth)
+        What...? What was that for?
+
+                        @JUSTINE
+        They looked dirty. I, I think I saw a bug in them or something.
+
+[[<hr />]]
+
+!(Jack talking to Holden about something)
+
+[[<hr />]]
+
+!(Justine's talking to Holden's parents.)
+
+                        @JUSTINE
+        I'm worried about Holden. Tom. I'm worried about Tom. I just befriended Tom, recently, and now, well, I think he's mentally ill. He has this idea in his head that we've had some sort of affair. Which is crazy because I'm, I'm married. He's been sayin' all sorts of strange things, and makin' threats. And drinkin'. And, and I just think he would be better off in a place where people, professionals, could take care of him. Otherwise, he's just gonna get himself in trouble.
+
+[[<hr />]]
+
+                        @PHIL
+        What are you doin' in here? What's that?
+
+                        @JUSTINE
+        It's a home pregnancy test.
+
+                        @PHIL
+        Why you takin' it?
+
+                        @JUSTINE
+        'Cause I still haven't gotten my period.
+
+                        @PHIL
+        What's it say?
+
+                        @JUSTINE
+        Well, I haven't taken it yet. Could you give me a minute please?
+
+                        @PHIL
+        I wanna be here when you find out.
+
+                        @JUSTINE
+        Okay.
+
+[[<hr />]]
+
+                        @PHIL
+        The little plastic doohickey's turnin' blue. What's that mean?
+
+                        @JUSTINE
+        Blue?
+
+                        @PHIL
+        Bright blue.
+
+                        @JUSTINE
+        It means I'm pregnant.
+
+                        @PHIL
+        ALRIGHT!
+
+[[<hr />]]
+
+                        @PHIL
+        I knew it. Waste of time going to that sperm doctor. We did it. We're gonna have ourselves a baby.
+
+                        @JUSTINE
+        Maybe.
+
+                        @PHIL
+        And tomorrow, we're gonna celebrate at Senor Tuna. Yes we are. I'm gonna bring Bubba. You can bring some of your friends from work. Or Bible study guy. Whoever. Too bad Gwen's dead.
+
+                        @JUSTINE
+        The test could be wrong, Phil. It's a little early to be havin' a party.
+
+                        @PHIL
+        Let's do it mellow then. You sure don't seem too excited.
+
+                        @JUSTINE
+        No, I'm excited. It's just, a lot of worries come with havin' a baby...
+
+                        @PHIL
+        Don't think negative. Think positive. We could have ourselves a tiny Phil. Or a tiny Teeny. Teeny's gonna have a tiny weeny Teeny.
+
+                        @JUSTINE
+        Do you think anything's gonna change havin' a baby?
+
+                        @PHIL
+        What do you mean? Everything's gonna change.
+
+                        @JUSTINE
+        Yeah, but I mean, do you think anything's really gonna change?
+
+                        @PHIL
+        What do ya mean?
+
+[[<hr />]]
+
+!(Holden and his parents sit on the couch and watch TV when the phone rings. Holden gets it.)
+
+                        @HOLDEN
+                (picks up the phone)
+        Hello?
+
+                        @WOMAN
+        Hi, this is Dr. Williams returning the call of Jean Worther. I'm calling from the Holland County psychiatric hospital.
+
+!(Holden hangs up)
+
+                        @MOTHER
+        Who was it, Tom?
+
+                        @HOLDEN
+        It was a wrong number.
+
+[[<hr />]]
+
+!(Holden goes into his room with a crazy smile on his face. He starts to laugh. When he hears the phone ring again, he stops smiling and starts to look like he's thinking of something.)
+
+[[<hr />]]
+
+                        @JACK
+        Either of you seen Holden? Boy is out on his ass!
+
+                        @CHERYL
+        Justine, somethin's goin' on. Something is definitely happening.
+
+                        @JUSTINE
+        Go find out.
+
+                        @CHERYL
+        It's big. It's very big.
+
+                        @JUSTINE
+        C'mon Cheryl, I'm gonna kill you.
+
+                        @CHERYL
+        Someone stole fifteen thousand dollars from the safe. They blew the thing open with a gun.
+
+                        @JUSTINE
+        Oh my god.
+
+                        @CHERYL
+        Not only that but the cops know who did it.
+
+                        @JUSTINE
+        Who?
+
+                        @CHERYL
+        Somebody who works here.
+
+                        @JUSTINE
+        Cheryl!
+
+                        @CHERYL
+        Holden, Holden did it. Fool left his cashier key in the door.
+
+                        @JUSTINE
+        Oh my god.
+
+                        @CHERYL
+        They can't find him though. They say he robbed his folks too. You in on it?
+
+                        @JUSTINE
+        What?! No!
+
+                        @CHERYL
+        I know you two played hookie in the store room. I never rat on ya, I've done some things myself. But, still. You in on it?
+
+                        @JUSTINE
+        I don't know what you're talkin' about.
+
+                        @CHERYL
+        Suit yourself.
+
+                        @CORNY
+        Justine. Can we talk to you for a second?
+
+[[<hr />]]
+
+                        @JACK
+        Hi, Justine. Go ahead and have a seat.
+
+                        @CORNY
+        Justine, you like workin' at the Retail Rodeo don't you? Like the company, like the people? You wouldn't want to jeopardize that by makin' some silly error in judgement would ya?
+
+                        @JACK
+        Holden stole fifteen thousand dollars from the safe last night. Did you have anything to do with it?
+
+                        @JUSTINE
+        No. I don't know anything.
+
+                        @CORNY
+        'Cause we know you're pretty tight with Holden.
+
+                        @JUSTINE
+        I hardly know him.
+
+                        @CORNY
+        I've seen you in the store room with him Justine. On many the occasion. I think you know him pretty well.
+
+                        @JUSTINE
+        I don't know anything.
+
+[[<hr />]]
+
+                        @HOLDEN
+        Justine! Justine!
+
+[[<hr />]]
+
+                        @HOLDEN
+        I did it! I finally did somethin'!
+
+                        @JUSTINE
+        Holden, the police are lookin' for you!
+
+                        @HOLDEN
+        Oh, who cares? I'm proud of myself. Fuck them, Fuck all of them!
+
+                        @JUSTINE
+        Hey! They think that I'm in on it, too! Corny's got a camera in that storage room. That Bible thumpin' pervert's been watchin' us the whole time.
+
+                        @HOLDEN
+        Well, we're outta here! Justine, I got over twenty thousand dollars! I got a gun, what else?!
+
+                        @JUSTINE
+        I'm gettin' all goosey. I think I'm gonna crash.
+                (takes a right turn and stops the car)
+        I'm pregnant, Holden.
+
+                        @HOLDEN
+        It's my baby.
+
+                        @JUSTINE
+        Not necessarily.
+
+                        @HOLDEN
+        Yes, it is. You know it is.
+
+                        @JUSTINE
+        Even if it is, you cannot raise a baby on the run.
+
+                        @HOLDEN
+        Yes, you can. I mean, you can't raise a baby here. You know that. Justine. You hate your husband. You hate your job. You love me, so let's go.
+
+                        @JUSTINE
+        I can't go tonight. I gotta pack my things and I'd have to get more money.
+
+                        @HOLDEN
+        Well, then tomorrow. I'll go to the motel and wait for you. Just be there by noon.
+
+                        @JUSTINE
+        This is all going too fast.
+
+                        @HOLDEN
+        Justine, what have you got to lose?
+
+                        @JUSTINE
+        Nothin'.
+
+                        @HOLDEN
+        So be there by noon.
+
+                        @JUSTINE
+        Okay.
+
+                        @HOLDEN
+        I love you, Justine. This is all gonna work out. I know it. I almost forgot. This is a story of your life. You inspired me.
+
+!(they kiss and Holden gets out of the car)
+
+[[<hr />]]
+
+                        @PHIL
+        Hey Teeny!
+
+                        @JUSTINE
+        Hey.
+
+                        @PHIL
+        We were gettin' worried about ya!
+
+                        @JUSTINE
+        Sorry.
+
+                        @BUBBA
+        Justine, this is Liberta. Liberta, this is Justine.
+
+                        @JUSTINE
+        Hi.
+
+                        @LIBERTA
+        Hi.
+
+                        @BUBBA
+        Congratulations, on your expectation.
+
+                        @JUSTINE
+        Thanks.
+
+                        @LIBERTA
+        Do you think it's a girl or a boy?
+
+                        @PHIL
+        Doesn't matter. As long as it plays quarterback for the Cowboys.
+
+                        @BUBBA
+        Well, I hear Senor Tuna callin'.
+
+!(phone rings)
+
+                        @PHIL
+                (picks up the phone)
+        Hello. Yeah. Well, that's not right. What's that supposed to mean? Hey look. No. You don't know shit okay. Justine's pregnant. You got that? Well, look you better check your records again, pal, then call me!
+                (hangs up)
+        Some doctor says my sperm's no good. Does that mean Justine's not pregnant?
+
+                        @BUBBA
+        No. That just means they got it wrong, is all. They don't know everything.
+
+                        @JUSTINE
+        They just got it wrong, so...
+
+[[<hr />]]
+
+!(Justine and Phil are in bed together.)
+
+                        @PHIL
+        Looks like that wind's pickin' up again.
+
+[[<hr />]]
+
+!(Justine is packing her things, she seems to be in a hurry. She drives down the street with her car and stops because of the red lights.)
+
+                        @JUSTINE
+        How it all came down to this, only the devil knows. Retail Rodeo was at the corner on my left, the motel was down the road to my right. I closed my eyes and tried to peer into the future. On my left I saw days upon days of lipstick and ticking clocks. Dirty looks and quiet whisperings. and burning secrets that won't ever die away. And on my right, what could I picture? The blue sky, the desert earth stretching out into the eerie infinity. A beautiful, never ending nothing.
+
+                        @CHERYL
+        Hey Justine.
+
+                        @JUSTINE
+        I know where you can find him.
+
+                        @JACK
+        Holden?
+
+                        @JUSTINE
+        He's at the Hotel Glen Capri, and he'll be there till noon.
+
+                        @JACK
+        You done good. You're a good girl.
+
+[[<hr />]]
+
+                        @PHIL
+        Hey.
+
+                        @JUSTINE
+        Hey.
+
+                        @PHIL
+        What's going on in the bedroom? Looks like a twister hit it.
+
+                        @JUSTINE
+        Oh yeah. I was doin' laundry.
+
+                        @PHIL
+        I thought we were robbed. Why aren't you at work?
+
+                        @JUSTINE
+        They gave me the day off.
+
+!(TV reporter talking about Holden killing himself at the hotel)
+
+                        @PHIL
+        Retail Rodeo? You know that guy?
+
+                        @JUSTINE
+        No.
+
+[[<hr />]]
+
+                        @JACK
+        Attention Retail Rodeo employees this is Jack Fields, your store manager. As most of you all know by now, We lost another employee yesterday. Holden was a thief and a disturbed young man, and what happened was a sad thing. Perhaps we can learn a lesson from this tragedy, like don't steal and don't be disturbed. The important is to move on. Like dozens of those who quit. This one's for you Holden.
+
+                        @CHERYL
+        I thought we were gonna get a day off and go to the movies....
+
+[[<hr />]]
+
+                        @JUSTINE
+        What?
+
+                        @BUBBA
+        I was just at your house and the mail came. Phil was opening letters, and he opened this bill from the credit card company. And F&$%. Please don't tell him about us, Justine. Please. Please. I love Phil. I love him more than myself. Please have mercy on me.
+
+[[<hr />]]
+
+                        @JUSTINE
+        Hey Phil.
+
+                        @PHIL
+        Have you been sleepin' around behind my back?
+
+                        @JUSTINE
+        What?
+
+                        @PHIL
+        I said, have you been sleepin' around behind my back?
+
+                        @JUSTINE
+        Yes.
+
+!(he slaps her)
+
+                        @PHIL
+        Why? Why?
+
+                        @JUSTINE
+        I don't know why.
+
+                        @PHIL
+        Don't you love me? Don't you love me at all?
+
+                        @JUSTINE
+        You're the only man alive that I love.
+
+                        @PHIL
+        Oh god. Please don't tell me it's not my baby.
+
+                        @JUSTINE
+        It's your baby.
+
+                        @PHIL
+        Are you sure?
+
+                        @JUSTINE
+        It is. I swear. I swear to God.
+
+                        @PHIL
+        Who is he?
+
+                        @JUSTINE
+        It doesn't matter.
+
+                        @PHIL
+        Yes, it does. Was it some guy from work?
+
+                        @JUSTINE
+        Yes.
+
+                        @PHIL
+        Yeah, I know who it was. It was that Bible guy, wasn't it? The Nazarine. That's why you were actin' so spooked.
+
+                        @JUSTINE
+        Yeah, yeah.
+
+                        @PHIL
+        I'm gonna beat his ass.
+
+                        @JUSTINE
+        Don't.
+
+                        @PHIL
+        You're gettin' all swollen. I'm sorry I hit you, baby.
+
+                        @JUSTINE
+        I'm sorry, Phil.
+
+                        @PHIL
+        I need to get stoned.
+
+                        @JUSTINE
+        Okay. Get stoned.
+
+                        @PHIL
+        I just gotta escape, you know. You ever feel like that? Like you gotta escape?
+
+[[<hr />]]
+
+                        @JUSTINE
+        What are those?
+
+                        @CHERYL
+        Fake eyelashes. Extra long.
+
+                        @JUSTINE
+        Just do it normal for once?
+
+                        @CHERYL
+        You want me to make the other cheek purple to even it out?
+
+                        @JUSTINE
+        No.
+
+                        @CHERYL
+        D'you hear about Corny? He was goin' home after Bible study last night and two beefy guys with painted faces pulled up in a truck and jumped him.
+
+                        @JUSTINE
+        That's terrible.
+
+!(shot of Justine in the bathroom of Retail Rodeo. She's sitting on one of the toilets, she's wearing fake eyelashes and just looks trashy.)
+
+                        @JUSTINE
+        That day I read the story Holden wrote for me. It was kinda different from the other one, but kinda the same. It was about a woman who was put upon. Whose job was a prison, and whose life had lost all meaning. Other people don't get her, especially her husband. One day she meets a boy who is also put upon, and they fall in love. After spending their whole lives not getting got, with one look they get each other completely. In the end, the boy and the girl run away together in the wilderness, never to be heard from again.

fountain_scripts/The Real Ghostbusters - Poultrygeist!.fountain

@@ -0,0 +1,1731 @@
+Title: THE REAL GHOSTBUSTERS
+    "Poultrygeist!"
+Credit: by
+Authors: Duane Capizzi
+    and
+    Steven Roberts
+Draft date: Last revised May 12, 1988
+
+!ACT ONE
+
+[[-------]]
+
+>FADE IN:
+
+.EXT. -- A FARMHOUSE OUTSIDE NEW YORK CITY -- NIGHT
+
+!On the farmhouse roof a CHICKEN-SHAPED WEATHERVANE stands silhouetted against a FULL, BLOOD-RED MOON. The wind HOWLS and the vane swivels with an EERIE SQUEAK. Then a weird ANIMAL CRY is heard--a cross between a chicken CROWING and a wolf HOWLING.
+
+!WERECHICKEN (VO) (A CROWING HOWL)
+
+>CAMERA PANS DOWN TO:
+
+.CHICKEN PEN
+
+!A fenced-in dirt area with numerous CHICKENS milling around, CLUCKING as they peck at the ground.
+
+!WERECHICKEN (VO) (ANOTHER HOWL, nearer now)
+
+!The chickens' heads jerk up toward the sound.
+
+.WERECHICKEN'S POV -- MOVING
+
+!A RED-tinted, shaky, MOVING CAMERA TRUCK-IN on the chickens. (These shots are in the style of the POV SHOTS in WOLFEN.) Magnified GURGLING and HEAVY BREATHING of Werechicken is heard.
+
+!WERECHICKEN (VO) (GURGLING, HEAVY BREATHING)
+
+!The terrified chickens stare INTO CAMERA as the Werechicken moves closer, his shadow falling over them. They flap into their coop, SQUAWKING wildly.
+
+.INT. -- FARMHOUSE LIVING ROOM -- NIGHT
+
+!MAUDE and ZEKE sit on the sagging couch watching a werewolf movie on TV while munching popcorn from a huge bowl. They're distracted by CHICKENS SQUAWKING.
+
+                        @ZEKE
+        Sump'n's stirrin' up the chickens, Maude.
+
+                        @MAUDE
+        Jes' set easy, Zeke.
+                (she rises; heads for door)
+        I'll take a look-see.
+
+!Zeke continues staring at TV.
+
+.EXT. FARMHOUSE -- NIGHT -- WERECHICKEN'S POV
+
+!Through the Werechicken's red eyes, we see a distant image of Maude with a flashlight, approaching the fenced-in chicken pen and opening the gate. CAMERA STARTS MOVING IN toward Maude as she enters, leaving gate open.
+
+!WERECHICKEN (VO) (GURGLING, HEAVY BREATHING)
+
+.ANGLE WITHIN CHICKEN PEN
+
+!The dirt compound is empty now as Maude crosses toward wooden chicken coop.
+
+                        @MAUDE
+                (as she goes)
+        Here, chick-chick-chick-chick.
+
+.INT. CHICKEN COOP -- OTS MAUDE
+
+!AS Maude ENTERS from OUT OF CAMERA, her flashlight beam illuminates the chickens cowering on their roosts in a corner. They CLUCK nervously.
+
+                        @MAUDE
+        What's got you girls so durned upset? There a coyote sneakin' 'round?
+
+!Suddenly the Werechicken's shadow moves up Maude's back, then the wall.
+
+!WERECHICKEN (VO) (Low, gutteral CLU-UCK)
+
+!Maude looks over her shoulder AT CAMERA, reacts.
+
+!MAUDE (GASP!)
+
+.MAUDE'S POV -- THE WERECHICKEN
+
+!Red-eyed, grotesque, three times the size of an ordinary rooster as it stands framed in the moonlit doorway. It opens its fanged beak in a horrifying SHRIEK as it springs AT CAMERA, wings flapping.
+
+!WERECHICKEN (Frightening SHRIEK)
+
+.INT. FARMHOUSE LIVING ROOM - CLOSE ON TV
+
+!Old black-and-white movie. MELODRAMATIC MUSIC as a man turns into a werewolf, his HOWL a continuation of the previous Werechicken SHRIEK.
+
+!TV WEREWOLF (eerie HOWL)
+
+.WIDER ANGLE - ZEKE
+
+!continues watching TV and eating popcorn. Maude walks stiffly into room behind him, eyes staring blankly.
+
+                        @ZEKE
+                (without looking up)
+        Everythin' okay out there, Maude?
+
+.WAIST SHOT -- MAUDE
+
+!She stares with glassy, red eyes and CLUCKS quietly.
+
+!MAUDE-CHICKEN (CLUCKS)
+
+                        @ZEKE (VO)
+        What say?
+
+!PAN DOWN below Maude's waist to reveal that she's turning into a chicken from the feet up. First her shoes RIP apart as large, yellow chicken feet sprout. Then her dress SWELLS and SPLITS, revealing a large, feathered body underneath. The only piece of clothing left on her is her apron. One foot scratches the floor.
+
+!MAUDE-CHICKEN (VO) (more CLUCKS)
+
+.WIDER ANGLE -- FULLSHOT OF MAUDE-CHICKEN
+
+!Now completely transformed and six feet tall, she leaps up to perch on back of couch, THRUSTING her chicken head repeatedly into the popcorn bowl in Zeke's lap, pecking the bowl clean. Zeke's jaw hangs open, speechless, as he stares at the fanged, drooling, six-foot Werechicken. The Werechicken looks up from the empty bowl, right in Zeke's terrified eyes.
+
+!ZEKE (SCREAMS)
+
+!He scrambles backwards off the couch.
+
+.EXT. FARMHOUSE -- NIGHT - WERECHICKEN'S POV
+
+!SCENE RED-tinted. We hear loud SQUAWKING from within house as chicken feathers fly out the open windows.
+
+                        @ZEKE (VO)
+                (YELLING)
+        Get away!' Scat! Shoo!
+
+!MAUDE-CHICKEN (VO) (loud SQUAWKING)
+
+.CLOSE ANGLE -- WERECHICKEN
+
+!Watching from slight hilltop. Its beak seems to bend into an insidious grin.
+
+                        @ZEKE (VO)
+                (from distance)
+        Help!... He-elp!
+
+>CUT TO:
+
+.EXT. ESTABLISHING -- GHOSTBUSTERS HQ - NIGHT
+
+!As CAMERA MOVES IN, we hear:
+
+                        @PETER (VO)
+        Egon, could you hold off on the weather balloon bit for a minute?
+
+>DISSOLVE THRU TO:
+
+.INT. -- LABORATORY -- ON PETER AND RAY
+
+!They stand holding big plastic bags of trash, obviously annoyed at the O.S. Egon. Ray's armful of trash is piled so high that he can't see over it. SLIMER hovers behind, sticking his nose in one of the bags like a dog. He finally dives right into it.
+
+                        @PETER (CONT)
+        It's Your night to take out the trash.
+
+                        @RAY
+        And Winston's in the kitchen doing your dishes.
+
+.ANGLE ON EGON
+
+!He's busy testing his WEATHER BALLOON--a large, pink bubble half the size of the room. He moves a lever on its remote control unit and the balloon rises.
+
+                        @EGON
+                (preoccupied; through above)
+        Be with you in ...
+                (checks watch)
+        ...one minute, fifty-three seconds.
+
+.ANOTHER ANGLE
+
+!Peter and Ray exchange pained glances. Peter awkwardly attempts to pick up another trash bag while Ray stumbles around, his vision blocked. PAN WITH THEM as they move toward door when Egon's weather balloon suddenly lowers INTO FRAME. They bounce into and off of it, which sends the trash bags flying.
+
+!PETER AND RAY (AD-LIB REACTIONS as they bounce off balloon)
+
+.NEW ANGLE
+
+!Peter stumbles backwards and lands butt-first right on one of the bags. Slimer SQUEALS from within it.
+
+!SLIMER (VO) (big muffled SQUEAL)
+
+!Then he comes shooting out the back of the bag, the lower half of his body flat as a Frisbee.
+
+.SLIMER
+
+!shakes himself off like a dog, spraying slime all over Peter.
+
+                        @PETER
+                (pissed; sarcastic)
+        Thanks, Slimer. I really needed that!
+
+                        @SLIMER
+        Sorreee!
+
+.ANOTHER ANGLE
+
+!Ray helps Peter up as the telephone RINGS and RINGS.
+
+                        @RAY
+                (irritated)
+        Egon! The phone!
+
+.ON EGON
+
+!The RINGING phone is right beside him on the workbench.
+
+                        @EGON
+                (preoccupied with remote controls)
+        In a minute, Ray.
+
+.ANGLE ON WINSTON
+
+!He ENTERS with sleeves rolled up, wiping a plate with a dish towel and wearing an apron.
+
+                        @WINSTON
+                (sarcastic)
+        Nevermind, Egon, wouldn't want you to strain yourself.
+                (picks up phone)
+        Ghostbusters Central.
+
+!VOICE OVER PHONE (excited CHATTER)
+
+                        @WINSTON
+        Calm down... Where are you?...
+                (a BEAT as he listens)
+        We'll be right there.
+
+!He hangs up.
+
+.WIDER ANGLE
+
+!Peter and Ray again have their arms full of trash bags. Even Slimer is dragging one.
+
+                        @WINSTON
+        Ready for this one? Some farmer says his wife was eaten by a giant chicken.
+
+                        @PETER
+        Hey, even a half-baked false alarm sounds better than doing Egon's chores.
+                (he drops trash bags)
+        Let's roll!
+
+!Ray and Slimer also abandon their trash bags and EXIT with Peter and Winston.
+
+.REAR VIEW ON EGON
+
+!still oblivious as he works in the suddenly empty room.
+
+                        @EGON
+        I think I've finally perfected it. Watch this, guys.
+                (a BEAT, he looks around over shoulder)
+        Guys?
+
+>WIPE TO:
+
+.EXT. -- COUNTRY ROAD - ESTABLISHING - NIGHT
+
+!ECTO-1 roars INTO CAMERA, siren and lights going.
+
+.INT. -- ECTO 1 -- MOVING
+
+!The Ghostbusters, minus Egon, are wearing their gear. Slimer hovers in back seat.
+
+                        @RAY
+        It sure feels strange not having Egon with us.
+
+                        @PETER
+                (sarcastic)
+        Why? Lately even when he's with us, he's not with us.
+
+.ON WINSTON
+
+!Driving.
+
+                        @WINSTON
+        But wouldn't it be somethin' if he sells that weather balloon idea of his? He'll be a rich man!
+
+.ON PETER
+
+!Arms folded, grumpily.
+
+                        @PETER
+        Good. Then he can hire a maid to do his share of the chores.
+
+.EXT. -- ECTO 1 -- NIGHT
+
+!As it speeds OUT OF CAMERA toward distant farmhouse, PAN OVER TO the apron-wearing Maude-Chicken silhouetted in the moonlight, nesting in a haystack. MOVE IN TO --
+
+.CLOSER ANGLE ON MAUDE-CHICKEN
+
+!Her body starts to shake, she ruffles her wings.
+
+!MAUDE-CHICKEN (Egg-laying CLUCKS)
+
+!Then she suddenly sits up and leaps off the haystack, revealing an enormous egg beneath her. Maude SQUAWKS and CLUCKS and struts off into a cornfield, pecking away at ears of corn.
+
+!MAUDE-CHICKEN (SQUAWKS and CLUCKS)
+
+>CUT TO:
+
+.INT. -- FARMHOUSE LIVING ROOM -- NIGHT
+
+!Ray, Winston and Slimer listen seriously as Zeke speaks, but Peter's obviously not buying it.
+
+                        @ZEKE
+        Had big blood-red eyes, it did. Biggest dang chicken I ever seen. Mebbe six feet tall.
+
+!Peter rolls his eyes.
+
+                        @WINSTON
+        Shouldn't be hard to find.
+
+.RAY
+
+!is jotting info on notepad.
+
+                        @RAY
+        Did it have any distinguishing marks?
+
+.ANOTHER ANGLE
+
+                        @PETER
+        Ray! It's six feet tall!
+
+!Peter grabs Ray's arm, starts ushering him to front door.
+
+                        @PETER (CONT)
+                (over shoulder as he goes)
+        Thank you, Sir. We'll put out a missing chicken report right away.
+
+.EXT. FARMHOUSE - NIGHT
+
+!As the three Ghostbusters and Slimer cross toward Ecto-1 parked in front.
+
+                        @PETER
+                (as they go)
+        This one's easy, guys. Old Zeke's been watchin' too many horror movies and eating too much greasy popcorn.
+
+.CLOSER ANGLE -- MOVING
+
+                        @RAY
+        No, Peter, I think we're dealing with a bonafide werechicken here.
+
+.CLOSER ANGLE
+
+!Peter and Winston stop, look at Ray in disbelief.
+
+                        @WINSTON
+        A werechicken?
+
+                        @PETER
+        Get serious, Ray.
+
+                        @RAY
+        Then explain those!
+
+!Ray points at ground. Peter, Winston and Slimer look down.
+
+.THEIR POV
+
+!Peter is standing with both feet in two enormous chicken footprints.
+
+>SMASH CUT TO:
+
+.EXT. -- OPEN FIELD -- NIGHT
+
+!The three Ghostbusters follow Maude's "chicken" tracks with powerful flashlights across a field spotted with haystacks. Slimer moves ahead, nose to ground like a bloodhound.
+
+!SLIMER (SNIFFS as he goes)
+
+.ANGLE ON SLIMER
+
+!He floats along above the flashlight-illuminated tracks which lead him right into the haystack. We hear a BONK from within, then:
+
+                        @SLIMER (VO)
+        Ow!
+
+!Slimer backs OUT INTO SHOT rubbing his head. He looks up and his eyes pop wide.
+
+!SLIMER (amazed GASP!)
+
+.LOW ANGLE ON GIANT EGG
+
+!The Ghostbusters ENTER SHOT and play their flashlights across the huge egg sitting atop the haystack.
+
+                        @RAY
+                (excited)
+        What'd I tell you, Peter? A werechicken egg! Gimme a hand, Winston!
+
+.WIDER ANGLE
+
+!As Ray and Winston ease the egg down off the haystack. Peter holds his PKE meter up to it.
+
+                        @PETER
+        Look, if this is a werechicken egg,
+
+.CLOSER ANGLE -- METER
+
+!Nothing registers on the meter.
+
+                        @PETER (CONT)
+        ...how come there's no PKE reading?
+
+.THREESHOT
+
+!Ray and Winston still hold giant egg.
+
+                        @RAY
+                (looking at meter in Peter's hand)
+        I dunno... that is strange.
+
+                        @WINSTON
+        Let's get it back to Headquarters and run some tests. Then maybe we'll have some answers.
+
+.ON RAY
+
+                        @RAY
+        Oh no, I'm not leavin'. The werechicken that laid this has gotta be around here someplace -- and I'm gonna find it.
+
+.ON PETER AND SLIMER
+
+                        @PETER
+                (throws up his hands with heavy SIGH)
+        I'll take it. C'mon, Slimer.
+
+!They take egg from Ray and Winston and start back toward Ecto-l.
+
+                        @PETER (CONT)
+                (shaking his head; as he goes)
+        Werechickens.
+
+.WERECHICKEN'S POV
+
+!Through its RED EYES we see, from a distance, Peter and Slimer carrying the egg, Ray and Winston moving off in other direction.
+
+!WERECHICKEN (VO) (BREATHING & SLOBBERING)
+
+>SMASH CUT TO:
+
+.INT. -- GHOSTBUSTERS HQ - LAB - NIGHT
+
+!Egon still busy with his balloon as Peter and Slimer carry egg in through door.
+
+                        @PETER
+                (through above)
+        Yo, balloon man, we've got some real work for you: How about analyzing this?
+
+.ANOTHER ANGLE
+
+!Egon looks around, reacts to egg.
+
+                        @EGON
+        Interesting. That's the second biggest egg I've ever seen.
+
+!Peter and Slimer set egg on Egon's desk.
+
+                        @PETER
+        I don't wanna hear about it, Egon. We've had a long night in a not-too-fragrant barnyard, so I'm taking a shower and hitting the sheets.
+
+!Peter EXITS as Slimer ZIPS in close beside Egon, elbows on desk, chin in hands, eyeing Egon and egg expectantly. Egon pushes glasses up off tip of nose and blinks at egg, not sure what to do with it. CAMERA MOVES IN on egg and we --
+
+>MATCH-DISSOLVE TO:
+
+.EXT. -- FULL MOON IN COUNTRY SKY -- NIGHT
+
+!CAMERA PANS DOWN from full moon to reveal the tiny figures of Ray and Winston approaching an old barn. They stop, shining their flashlights on closed main door.
+
+                        @WINSTON
+                (tired)
+        Ray, it's gettin' pretty late. Maybe there really isn't any...
+
+                        @RAY
+                (holds up one hand)
+        Shh!
+
+.CLOSER ANGLE
+
+!Ray extends his PKE meter toward barn. It BEEPS incessantly.
+
+                        @RAY
+                (low voice)
+        It's in there.
+
+                        @WINSTON
+                (unclipping his blaster)
+        Then let's get it!
+
+.INT. BARN -- HIGH ANGLE ON MAIN DOOR -- WERECHICKEN'S POV
+
+!Through its RED EYES we see the barn door slowly CREAK open, revealing Ray and Winston peering in.
+
+.CLOSER ANGLE -- RAY AND WINSTON
+
+!They ENTER cautiously, Ray holding his BEEPING meter out before him. The barn is dark except for the moonlight slanting through the loft window and the beams of their flashlights. As the WIND picks up, WOOD CREAKS, HAY RUSTLES, and a piece of JUNKY machinery turns with a SQUEAL.
+
+                        @WINSTON
+                (WHISPER)
+        Man, this place is creepy.
+
+                        @RAY
+                (WHISPER)
+        It's in here -- I can feel it.
+
+.ANOTHER ANGLE
+
+!Suddenly the door SLAMS shut behind them and the FLAP OF BEATING WINGS SCURRIES through the darkness. Winston JUMPS.
+
+                        @WINSTON
+        Look out!
+
+!Ray shines his flashlight toward the lofts. Its beam catches a couple of startled pigeons as they fly out the window, pinion feathers WHISTLING.
+
+.REACTION SHOT -- RAY AND WINSTON
+
+!RAY & WINSTON (relieved SIGHS)
+
+.WERECHICKEN'S POV
+
+!RED-TINTED, moving slowly toward Ray and Winston from behind.
+
+!WERECHICKEN (VO) (HEAVY BREATHING)
+
+.CLOSE ON RAY AND WINSTON
+
+!They stop as PKE meter starts BEEPING. Ray checks the reading.
+
+                        @RAY
+                (whisper)
+        Something's close. Very close.
+
+.WERECHICKEN'S POV
+
+!Closing on Ray and Winston.
+
+!WERECHICKEN (VO) (HEAVY BREATHING)
+
+!The guys wheel around.
+
+.THEIR POV ON WERECHICKEN
+
+!We see only its face. The blood-red eyes stare menacingly, its fanged beak slightly open and drooling.
+
+!WERECHICKEN (HEAVY RASPY BREATHING)
+
+>ZOOM BACK TO --
+
+.WIDER ANGLE ON WERECHICKEN
+
+!It hops forward into a streak of moonlight. It's three feet tall, its wings hang out at the sides, and its evil, blood-red eyes stare at CAMERA.
+
+!WERECHICKEN (CONT) (HEAVY PANTING)
+
+                        @RAY (VO)
+        It is a werechicken!
+
+.ANGLE ON RAY and WINSTON
+
+!Backing away, blasters leveled.
+
+                        @WINSTON
+        Man, he is ugly!
+
+.ANGLE ON WERECHICKEN
+
+!It postures, rooster-like and:
+
+!WERECHICKEN (ROARS angrily)
+
+.ON RAY and WINSTON
+
+!Still backing up.
+
+                        @RAY
+        Bad choice of words, Winston.
+
+!THE WERECHICKEN suddenly leaps AT CAMERA.
+
+!WERECHICKEN (loud SHRIEKING SQUAWK)
+
+.WERECHICKEN'S POV
+
+!ZOOM-IN on Winston and Ray. They open fire.
+
+.FULL SHOT
+
+!The proton streams catch the Werechicken in mid-air as it vaults toward Ray and Winston, halting its leap and suspending it in a corona of proton energy.
+
+!WERECHICKEN (SHRIEKS)
+
+!A HIDEOUS SPIRIT rises from its writhing body -- shapeless, but with monstrous glowing eyes and fangs. The spirit lets out a ROAR more frightening than the Werechicken howl.
+
+!SPIRIT (big ROAR)
+
+.CLOSER ANGLE
+
+!Ray, still firing his gun, snaps a trap loose from his belt, and tosses it onto the barn floor. It POPS open.
+
+                        @RAY
+        Trap out!
+
+.ANOTHER ANGLE
+
+!Ray and Winston, struggling with the writhing Spirit caught in the streams, guide the Spirit into the trap.
+
+                        @WINSTON
+        Hang on! That's it!
+
+                        @RAY
+        We've almost got him!
+
+.CLOSE ON TRAP
+
+!The Spirit is sucked into the trap, which SLAMS shut.
+
+.WIDER ANGLE -- RAY AND WINSTON
+
+!A normal chicken with singed feathers stands where the Werechicken was. It CLUCKS, starts pecking at the dirt.
+
+!CHICKEN (Normal CLUCKING)
+
+                        @RAY
+                (looking at chicken)
+        Well, that takes care of one werechicken.
+
+.CLOSER ON THE GUYS
+
+!Ray picks up the smoking trap.
+
+                        @RAY (CONT)
+        Now to find the six-footer that ate Zeke's wife.
+
+!They head for the door. Winston stops.
+
+                        @WINSTON
+        Ray, I just had a thought...
+
+!Ray pauses to look around at Winston.
+
+                        @WINSTON (CONT)
+        What if that six-foot werechicken is Zeke's wife?
+
+!And off their looks, we --
+
+>CUT TO:
+
+.INT. -- GHOSTBUSTERS HQ -KITCHEN -- NIGHT
+
+!Egon carries the big egg into kitchen, Slimer helping.
+
+                        @EGON
+                (straining)
+        Thanks for the help, Slimer, but I don't have time to examine this egg tonight. I have to prepare for my weather balloon demonstration tomorrow morning.
+
+.ANOTHER ANGLE
+
+!With his elbow, Egon opens refrigerator with and the two of them place the giant egg inside.
+
+                        @EGON (CONT)
+                (through above)
+        But it'll be safe in here.
+
+                        @SLIMER
+        Yeah.
+
+!Egon closes fridge.
+
+                        @SLIMER
+                (big YAWN)
+        G'night, Egon.
+
+!Slimer floats off.
+
+                        @EGON
+        Goodnight, Slimer.
+
+>WIPE TO:
+
+.INT. -- BEDROOM
+
+!Slimer is SNORING, hovering above Peter's empty bed.
+
+!SLIMER (SNORING)
+
+.CLOSE ON SLIMER
+
+!In a BUBBLE above him, we see Slimer's DREAM, various kinds of food dancing and SINGING the first two bars of Los Lobos' "LA BAMBA" a la the California Raisins in "I Heard It Through The Grapevine." Still asleep, Slimer licks his lips hungrily, opens his mouth incredibly wide and pounces on the entire dream balloon with a teeth-jarring CHOMP! that POPS the dream bubble so that it EXPLODES inside his mouth, waking him up. Slimer sits up with a wide-eyed, hungry look, rubbing his tummy.
+
+                        @SLIMER
+        Fooooood.
+
+!He zips o.s.
+
+.INT. -- KITCHEN
+
+!Dark. Lights go on, then Slimer SKIDS to mid-air stop and whips open fridge. His eyes pop as he sees the egg.
+
+                        @SLIMER
+                (licking his lips)
+        Yummy!
+
+!Slimer rolls egg toward edge of shelf, then the full weight of the egg drives Slimer straight to the floor. The egg bounces on his stomach twice before he gets a grip on it. Straining his little green brains out, he floats the egg up into the air and o.s.
+
+!SLIMER (SQUEALS, then GRUNTS)
+
+.ANGLE ON OVEN
+
+!Slimer shoves egg in the open oven, closes door, turns on the heat, then moves O.S. The oven interior glows red and the egg starts to quiver.
+
+.ON SLIMER
+
+!Slimer HUMS as he busily sets table for one: placemat, a plate, utensils, salt, pepper, ketchup, mustard, mayo, relish, ... a flurry of activity that all focuses on his personal eating spot.
+
+!SLIMER (HUMMING through above)
+
+.ANGLE ON OVEN
+
+!Through window we see the egg shake and then begin to crack open.
+
+.RESUME ON SLIMER
+
+!Hovering at table, still preparing for feast. He puts on a bib, unaware of oven shaking behind him.
+
+!SLIMER (still HUMMING)
+
+!With a loud BANG, the oven practically explodes and the door flies off. Out pops a BABY WERECHICKEN, SNARLING and CACKLING.
+
+!BABY WERECHICKEN (SNARLING, CACKLING)
+
+.ON SLIMER
+
+!His eyes bug and his paw drops.
+
+!SLIMER (startled SCREAM)
+
+!Slimer barrels up through sink faucet, leaving his bib stuck in the opening.
+
+.INT. -- SHOWER
+
+!Peter shampooing his hair.
+
+!PETER (AD LIB SINGING)
+
+!Slimer comes shooting out through shower nozzle, hugs Peter tightly around the neck and scaring the hell out of him.
+
+                        @PETER
+                (startled YELL; then:)
+        Slimer! How 'bout some privacy??
+
+                        @SLIMER
+                (pointing, eyes wide)
+        Monster! Inna kitchen!
+
+                        @PETER
+        Monster?
+
+                        @SLIMER
+                (nods)
+        Uh-huh! Uh-huh!
+                (imitates werechicken)
+                (SNARLING & CACKLING)
+
+.INT. -- LAB
+
+!Egon works at his table. A now familiar Werechicken shadow appears over his shoulder and grows up the wall.
+
+.CLOSER ANGLE - REAR VIEW ON EGON
+
+!Werechicken creeps OUT OF CAMERA, bites Egon on the rear and pulls back o.s., chicken claws CLATTERING off into distance.
+
+                        @EGON
+                (looking around)
+        Ow!
+
+!BABY WERECHICKEN (VO) (CACKLING fading into distance)
+
+.ON EGON
+
+!Dazed, he looks down at his feet.
+
+.CLOSE ON EGON'S SHOES
+
+!Chicken toes pop through the leather, one at a time.
+
+                        @EGON (VO)
+                (dazed)
+        What?
+
+.CLOSE SHOTS
+
+!As Egon's transformation continues: His coveralls RIP apart at the legs, then midriff, then his arms turn into wings. Finally, a beak sprouts from his face.
+
+!EGON-CHICKEN (Weird CLUCK)
+
+>SMASH CUT TO:
+
+.INT. HALL OUTSIDE LAB -- NIGHT
+
+!Peter (now dressed and wearing his backpack) runs up to lab door and flings it open, Slimer right behind him.
+
+.INT. LAB
+
+!Peter and Slimer look in, not seeing Egon, who is now a six-foot-tall werechicken, but still wearing his glasses, standing behind door.
+
+                        @PETER
+                (CALLS)
+        Egon?
+                (to Slimer)
+        Well, Slimer, I don't see anything here that looks like a monster.
+
+!The Egon-Chicken jumps out right in front of Peter and Slimer.
+
+!EGON-CHICKEN (CHICKEN HOWL)
+
+.ANOTHER ANGLE
+
+!Slimer freaks and rockets right through the nearest wall.
+
+!SLIMER (SQUEALS as he goes)
+
+                        @PETER
+        Holy cow!!
+
+!Peter raises his proton gun.
+
+.CLOSE ON EGON-CHICKEN
+
+!He flaps his wings wildly, his red eyes bulging, and GROWLS, revealing impressive fangs.
+
+!EGON-CHICKEN (LOUD GROWL)
+
+!END ACT ONE
+
+[[-----------]]
+
+!ACT TWO
+
+[[-------]]
+
+.INT. -- GHOSTBUSTERS LAB -- NIGHT
+
+!Egon the Werechicken moves toward Peter, fangs bared in attack mode.
+
+!EGON-CHICKEN (SNARLING as he goes)
+
+.ON PETER
+
+!He steps back into doorway, blaster leveled at Egon-Chicken, and SNAPS on the power. It HUMS to life.
+
+                        @PETER
+                (horrified)
+        What'd you do to Egon, you bird-brain!
+
+                        @RAY (VO)
+        Peter! Wait!
+
+!A hand grabs Peter by the arm just as the thrower fires, sending the proton stream off at an angle into ceiling, barely missing the chicken.
+
+                        @PETER
+                (surprised as he looks around)
+        Hey!
+
+.INT. CORRIDOR OUTSIDE LAB
+
+!as Ray pulls Peter out into corridor, Winston kicks door shut in the Egon-Chicken's snarling face and quickly locks it. Slimer hovers nearby looking worried.
+
+!EGON-CHICKEN (VO) (SNARLS)
+
+.CLOSE ANGLE
+
+!The door SHAKES and SHUDDERS as the unseen Egon-Chicken tries to break through.
+
+                        @PETER
+                (irritated; through above)
+        What's wrong with you guys? That thing ate Egon!
+
+                        @RAY
+        Peter, that is Egon! The egg hatched, he was bitten and now he's a werechicken!
+
+!The door behind them is starting to splinter and bulge from the battering of the Egon-Chicken.
+
+                        @PETER
+                (looking at door)
+        You're kidding!
+                (a BEAT, then)
+        Come to think of it, there was a certain resemblance.
+
+!Suddenly the battering stops.
+
+                        @WINSTON
+                (looking toward door)
+        What happened? He's so quiet all of a sudden.
+
+.ON RAY
+
+!Looking toward o.s. window, he reacts.
+
+                        @RAY
+        It's the moon!
+
+!He hurries o.s.
+
+.ANOTHER ANGLE
+
+!Ray stops at window, looks out. Beyond we see the full moon. Peter, Winston and Slimer come up behind him.
+
+                        @RAY (CONT)
+        Tonight's the first --
+
+.CLOSE ON MOON
+
+!It's beginning to disappear, right to left.
+
+                        @RAY (VO)(CONT)
+        -- lunar eclipse in ten years!
+
+.ON GHOSTBUSTERS AND SLIMER
+
+!All looking out window as eclipse continues
+
+                        @PETER
+        Ray, what's this have to do with Egon being a chicken?
+
+                        @RAY
+                (turning to others)
+        Werechickens only appear during a full moon, and for the next few minutes, the moon's not full.
+
+.INT. LAB -- ON DOOR
+
+!Door opens and Ray pecks in.
+
+                        @RAY
+                (tentative)
+        Egon?
+
+.ANGLE ON EGON
+
+!Seen from the waist up (he's not wearing clothes), looking around, confused. He sees Ray.
+
+                        @EGON
+        Ray, what is going on?
+
+.WIDER ANGLE
+
+!Egon is holding his tattered coveralls in front of his waist, like a skirt.
+
+                        @EGON (CONT)
+        And why am I naked?
+
+!Suddenly Slimer flies INTO SHOT and gives Egon a big, sloppy kiss.
+
+                        @SLIMER
+                (as he enters)
+        Egon!
+                (KISSING SOUNDS)
+
+.ON PETER AND WINSTON
+
+                        @PETER
+        Sit down, Egon, we have some good news and some bad news.
+
+                        @EGON
+                (as he sits)
+        Bad news first.
+
+                        @WINSTON
+        You've been turned into a werechicken!
+
+.ON EGON
+
+!His glasses slip to the end of his nose as his eyes widen. He pushes them back up.
+
+                        @EGON
+        A werechicken?
+
+.ON RAY
+
+!He hurriedly thumbs through the TOBIN SPIRIT GUIDE.
+
+                        @RAY
+                (flipping through book)
+        Were-aardvarks ... were-bears werechickens!
+                (reads)
+        "The werechicken appears during the full moon. Anyone it bites will turn into another werechicken."
+                (he looks at Egon)
+        That egg Peter brought in, it hatched and...
+
+.ON EGON
+
+!He rubs his rear.
+
+                        @EGON
+                (through above)
+        I remember the bite clearly. How long will I stay like this?
+
+.ON RAY, WINSTON and PETER
+
+!Looking at the Tobin Guide.
+
+                        @RAY
+                (looking in Tobin's Guide)
+        According to this, there is an antidote. But we've gotta move fast -- the eclipse only lasts three minutes!
+
+.INT. FIREHOUSE KITCHEN
+
+!Slimer scrambles through the cupboard, grabbing various bottles of stuff, and hands them to Winston who adds ingredients to mixing bowl and stirs while Ray reads from Tobin's Guide.
+
+                        @RAY
+                (reading through above)
+        "One tablespoon paprika, one clove of garlic, some parsley for color, cup of gelatin..."
+
+.ANGLE ON WINDOW
+
+!Through it we see the eclipsed moon starting to emerge from shadow.
+
+.INT. LAB -- ANGLE ON EGON
+
+!His pupils look constricted and he's perspiring.
+
+                        @EGON
+                (weakly)
+        I don't feel well.
+
+!Peter steps INTO SHOT, puts arm around Egon's shoulders.
+
+                        @PETER
+                (through above)
+        Take it easy, Egon. You're gonna be fine.
+                (SHOUTS O.S.; worried)
+        Hurry it up, guys!
+
+.INT. KITCHEN -- ON WINSTON AND RAY
+
+                        @RAY
+                (reading hurriedly)
+        "And one tablespoon of chickenbane."
+
+.ON SLIMER
+
+!He rummages through shelves, then looks down at Ray.
+
+                        @SLIMER
+                (aghast)
+        No chickenbane!
+
+.ANOTHER ANGLE
+
+!Ray and winston exchange panicky looks.
+
+                        @RAY
+        Then we've gotta go with this! C'mon!
+
+!They run OUT with the mixing bowl of liquid. Slimer follows.
+
+.INT. LAB -- CLOSE ON EGON'S LEGS
+
+!They're once again turning into chicken legs and chicken feet. Toes popping out like popcorn.
+
+                        @PETER (VO)
+                (YELLS)
+        Come on, Ray!!
+
+.WIDER ANGLE
+
+!As Peter and Egon stare down at the chicken legs and chicken feet.
+
+                        @PETER (CONT)
+                (YELLS o.s.)
+        He's changing again!
+
+!Ray, Slimer and Winston rush INTO SHOT.
+
+                        @RAY
+                (breathless)
+        Quick, Egon, drink this!
+
+!Winston hands the bowl of potion to Egon, who gulps it down.
+
+!EGON (swallowing, GULPING sounds)
+
+!As Egon drinks, his arms transform into wings and he drops the bowl, breaking it.
+
+                        @WINSTON
+        We're too late!
+
+.CLOSER -- EGON
+
+!As the transformation and feathers rise up his shoulders. Suddenly, the transformation stops at the neck. DRAMATIC MUSIC STOPS, too.
+
+.ON PETER, RAY, WINSTON AND SLIMER
+
+!They stare, wide-eyed. After A BEAT --
+
+                        @PETER
+        What happened?
+
+.WIDER ANGLE
+
+!To include Egon, who is once again a six-foot-tall chicken, but with Egon's own neck and head.
+
+                        @RAY
+        The potion only partly worked, because of the missing chickenbane.
+
+                        @PETER
+        Well, we hafta do something!
+
+                        @EGON
+        Don't get your feathers ruffled, Peter. There's a logical solution to every problem.
+
+!BABY WERECHICKEN (VO) (HOWL)
+
+.CLOSER ANGLE
+
+!Strands of slime stand straight up on the nape of Slimer's "neck" at the sound -- like a frightened cat -- and he dives into a test tube in a rack on Egon's workbench.
+
+!SLIMER (SQUEALS as he goes)
+
+.ON RAY AND WINSTON
+
+!looking around.
+
+                        @WINSTON
+        What was that?
+
+                        @RAY
+        The werechicken that bit Egon. It's still out there somewhere.
+
+.ANOTHER ANGLE
+
+                        @PETER
+                (to others)
+        Let's stop that thing before it makes drumsticks out of anyone else!
+                (to Egon)
+        Un, no offense, Egon.
+
+!The three normal Ghostbusters dash toward door.
+
+>SMASH CUT TO:
+
+.EXT. -- AERIAL VIEW -- MANHATTAN -- NIGHT
+
+!ECTO-2 glides over the city, running lights blinking.
+
+.INT. -- ECTO-2 -- MOVING
+
+!Peter at the controls. Slimer sits beside him, looking down at the city through binoculars.
+
+                        @PETER
+                (into radio mike)
+        All quiet on the chicken front. How about down there?
+
+.INT. -- ECTO-1 -- MOVING
+
+!Winston driving. Ray on the radio.
+
+                        @RAY
+        Not a peep.
+
+                        @WINSTON
+                (gives Ray a dirty look)
+        No pun intended.
+
+.EXT. SUPERMARKET - NIGHT
+
+!Several people run out front door SCREAMING as ECTO-1 passes.
+
+!PEOPLE (SCREAMING as they exit)
+
+.INT. -- ECTO-1 - MOVING
+
+!Winston and Ray look back at exiting people.
+
+                        @WINSTON
+        That's it!
+
+!Winston cranks the wheel.
+
+.EXT. ECTO-1
+
+!As it makes a SCREECHING U-turn.
+
+.EXT. -- SUPERMARKET
+
+!Ecto-1 SKIDS up, doors open, and Ray and Winston leap out, blasters at the ready, running toward store entrance.
+
+.INT. -- SUPERMARKET
+
+!Ray and winston run in and stop inside door beside a panicked BOX BOY who points o.s.
+
+                        @BOX BOY
+                (breathless)
+        It's in there! A big chicken! It's gotta be ten feet tall!
+
+.CLOSER ANGLE
+
+!Ray and Winston exchange glances.
+
+                        @WINSTON
+        Ten feet tall?
+
+                        @BOX BOY
+                (nods)
+        Maybe fifteen, I dunno. Big!
+                (he runs o.s.)
+        I'm outta here!
+
+                        @RAY
+                (to Winston)
+        Let's split up.
+
+!They run off in opposite directions, flanking the long aisles.
+
+.ON RAY
+
+!PAN WITH him as he cautiously moves along, aisle by aisle. At far end of aisles, Winston can be seen doing the same. The market is thrashed, spilled groceries everywhere.
+
+.ANOTHER ANGLE
+
+!As they reach the last aisle. No chicken. Ray joins Winston.
+
+                        @WINSTON
+        How could we lose a fifteen foot-tall chicken?
+
+!BUTCHER (VO) (frightened SCREAM)
+
+                        @RAY
+        We didn't! Come on!
+
+!They hurry o.s.
+
+.INT. MEAT DEPT. -- ON BUTCHER
+
+!He's hiding under his butcher block, trembling. Ray and Winston run INTO SHOT. The Butcher looks up, eyes wide.
+
+                        @BUTCHER
+        A giant chicken just came through here -- it was thirty feet tall!
+
+.CLOSER ANGLE
+
+                        @WINSTON
+        Thirty feet tall?
+
+.ANOTHER ANGLE
+
+!The Butcher is pointing out open door. Beyond is a parking lot with a trail of crushed cars right down the middle.
+
+                        @BUTCHER (CONT)
+        Yeah! Look what it did to those cars!
+
+!Ray and Winston race out the door.
+
+.EXT. INDUSTRIAL DISTRICT - WIDE ON ECTO-2 FLYING -- NIGHT
+
+!The little chopper, lights blinking, skims low past three-and four-story buildings.
+
+                        @PETER (VO)
+                (into radio)
+        It's how big? Okay, Ray, I admit you were right about these Werechickens,...
+
+.INT. ECTO-2 -- MOVING
+
+!Peter and Slimer, as before.
+
+                        @PETER (CONT)
+        ...but I definitely don't buy them growing to the size of buildings.
+
+!SLIMER (covers mouth, LAUGHTER FIZZING through his closed, flapping lips. "How absurd.")
+
+!Suddenly, the head of the Werechicken rears up INTO SHOT right in front of Ray and Slimer.
+
+!SLIMER (SCREAMS)
+
+!WERECHICKEN (deafening HOWL)
+
+!ECTO-2 is buffeted about by the howl as Peter jams the stick forward.
+
+.WIDER ON ECTO-2
+
+!It makes a steep, banking dive and gets the hell out of there, barely escaping the big Werechicken's beak that SNAPS shut on thin air just behind Ecto-2's retreating tail.
+
+.INT. -- ECTO-2 -- MOVING
+
+!Peter is shaken, but in control. Slimer is trembling like green Jell-O.
+
+                        @PETER
+                (into mike)
+        Ray, you were right! The chicken's here, and he's a walking high-rise!
+
+.INT. -- ECTO-1 -- NIGHT -- MOVING
+
+                        @RAY
+                (into radio)
+        On our way, Peter.
+
+!Winston floors it and he and Ray accelerate forward INTO CAMERA.
+
+.INT. BUNKROOM -- GHOSTBUSTERS HQ - MORNING
+
+!Egon is "perched" on the window sill, looking pensively out at the city, still a chicken from the neck down. A BEAT, then:
+
+!JANINE (VO) (big SCREAM)
+
+!EGON (startled CLUCK)
+
+!Startled, Egon flutters up off the sill, gravity takes over, and he lands on his feathered butt.
+
+.WIDER ANGLE
+
+!Revealing Janine standing frozen in the doorway, eyes wide with disbelief, hands to her cheeks.
+
+                        @JANINE
+        Egon! What happened?
+
+                        @EGON
+        It's a long story, Janine. Can you get my coat, please? I'm due at the weather board in forty-five...
+                (CLUCK)
+        ...minutes.
+
+.ON JANINE
+
+!She stares at Egon, totally bewildered.
+
+                        @JANINE
+        But what ...?
+                (thinks better of asking)
+        Nevermind.
+
+.ANOTHER ANGLE
+
+!Janine takes a long yellow raincoat off a door hook and helps him into it. He's completely covered except for his head and feet.
+
+                        @JANINE
+        Are you sure you wanna go to a meeting like -- this?
+
+                        @EGON
+        Trust me. I'm of sound mind at least.
+
+.ANGLE ON EGON
+
+!As he struts toward the door, we see his tail protruding through a slit in the back of coat. He EXITS, CLUCKING.
+
+!EGON (CLUCKING as he goes)
+
+.CLOSE JANINE
+
+!Staring after him in disbelief.
+
+.EXT. MID-TOWN MANHATTAN -- ANGLE ON WERECHICKEN
+
+!It walks along stepping on cars, kicking over telephone poles, etc., a la Godzilla. The streets SHAKE. Panicky pedestrians flee the Werechicken's giant feet.
+
+!CROWD (panicky WALLA)
+
+.INT. -- ECTO-2 -- MOVING
+
+!Peter and Slimer are following giant chicken.
+
+                        @PETER
+                (into radio)
+        It's heading down 34th toward the Empire State Building.
+
+.EXT. -- THE STREETS -- DAWN
+
+!Ecto-1 SPEEDS around a corner, SIREN blaring.
+
+                        @RAY (VO)
+        Check! We're almost there.
+
+.EXT. EMPIRE STATE BLDG. -- DAWN
+
+!Sun rises behind the werechicken as it approaches in distance. With each HOWL, the streets SHAKE.
+
+!WERECHICKEN (VO) (HOWLS)
+
+.LOW ANGLE ON ECTO-1
+
+!Approaching CAMERA fast, it SCREECHES to a halt. Doors fly open. Ray and Winston LEAP out, open fire, their proton streams angling upward.
+
+.LOW ANGLE POV - WERECHICKEN
+
+!Moving toward them down the concrete canyon, flattening street lamps and power poles. Ecto-2 can be seen flying above and behind it. The proton streams are up toward it.
+
+.INT. ECTO-2
+
+                        @PETER
+        Take over, Slimer!
+
+                        @SLIMER
+        Roger!
+
+!Slimer grabs the control stick in both hands as Peter leans out to one side with his blaster and fires downward.
+
+.ANGLE ON WERECHICKEN
+
+!Caught in the three crossing streams. It FLAILS about, knocking over street lights and bashing in the sides of buildings, and lets out a deafening HOWL. A MONSTROUS SPIRIT emerges from its body and fills the screen like a transparent film.
+
+!WERECHICKEN (enraged HOWLS)
+
+.ON RAY AND WINSTON
+
+!Ray tosses out the trap.
+
+                        @RAY
+        Let's reel him in!
+
+.WIDER ANGLE
+
+!As Ray, Winston and Peter's beams draw the Spirit toward the trap.
+
+!SPIRIT (angry HOWLS)
+
+.CLOSER ON TRAP
+
+!Ray's boot stomps on trigger and trap springs open. As the Spirit comes into contact with the trap a small STORM ERUPTS around it. SPARKS and LIGHTNING BOLTS fly. A HURRICANE-like WIND BLOWS.
+
+.ON RAY AND WINSTON
+
+!Being buffeted by wind, struggling to hang onto their throwers as they continue firing. They have to SHOUT over the NOISE.
+
+                        @WINSTON
+                (loud)
+        Trap's full! Somebody forgot to empty it!
+
+.ON ECTO-2
+
+!The wind is really bouncing it around. Slimer has his hands full, while Peter continues shooting.
+
+                        @RAY
+                (YELLS)
+        Whose job was it?
+
+.RAY AND WINSTON
+
+!turn to each other.
+
+                        @RAY AND WINSTON
+        EGON'S!
+
+.CLOSE ON TRAP
+
+!Light FLASHES rapidly. Trap begins to shake and glow.
+
+                        @RAY (VO)
+        It's gonna blow!
+
+.LOW ANGLE -- ECTO-2
+
+                        @WINSTON (VO)
+                (over walkie-talkie)
+        Peter, get outa here!
+
+!It banks, gets the hell away.
+
+.RAY AND WINSTON
+
+!turn off their proton guns and are KNOCKED down by the released force as the freed Monstrous Spirit whooshes skyward. The STORM abruptly disappears, as if SUCKED up. The trap stops shaking and SNAPS shut.
+
+.ANGLE ON WERECHICKEN
+
+!As the Spirit POPS back into its body, JARRING it. Its chicken face contorts with new ANGER.
+
+!WERECHICKEN (HOWLS)
+
+.WIDER ANGLE
+
+!It turns and starts up the side of the Empire State Building.
+
+.EXT. EMPIRE STATE BUILDING - MORNING
+
+!The werechicken is halfway to the top. PULL BACK to reveal Peter, Slimer, Winston and Ray standing in street looking up at him. Ecto-1 and 2 are behind them.
+
+                        @PETER
+        So how're we gonna, put that big bird on ice, guys'
+
+                        @RAY
+                (SNAPS finger)
+        Peter, that's not a bad idea! Chicken freezes at very low temperatures!
+
+.CLOSER ANGLE
+
+                        @WINSTON
+        Yeah, but how do you freeze a 50-foot chicken in August?
+
+!A BEAT, then the three guys look at each other.
+
+                        @RAY, WINSTON & PETER
+        Egon's weather balloon!
+
+.EXT. -- BUILDING ROOFTOP -- MORNING
+
+!Not far from the Empire State Building. Egon stands before a group of seated MEN and WOMEN --THE WEATHER BOARD -- in his rain coat. To one side, the weather balloon hovers above them.
+
+                        @EGON
+        Distinguished members of the Weather Board, my weather balloon has the clu-cluck-clu- capability --
+
+.ANGLE ON EGON
+
+!The top of the Empire State Building is visible behind him as he holds the small weather device control box in one winged hand.
+
+                        @EGON (CONT)
+        ... of entering the upper atmosphere where clu-cluck-clu cloud formations occur.
+
+.ANGLE ON BOARD MEMBERS
+
+!They look at each other, puzzled.
+
+!BOARD (puzzled MUTTERING WALLA)
+
+.RESUME ON EGON
+
+                        @EGON (VO)(CONT)
+        There, it can electronically alter weather cut-cut-cut-con-ditions to produce sun, rain, or...
+                (BAWK!)
+        ...snow.
+
+!Ecto-2 ascends into view behind him and hovers, the chopper's rotors blowing Egon's raincoat up over his head, exposing the chicken body underneath.
+
+.ANGLE ON AUDIENCE
+
+!Their mouths drop open as they stare at Egon's chicken body.
+
+!BOARD MEMBERS (excited WALLA)
+
+.ANGLE ON EGON
+
+!He pulls raincoat down off his face, holding it in place with one hand as he looks at audience with forced smile.
+
+                        @EGON
+                (to Board members)
+        I, er, can explain this, but --
+
+!Slimer flies INTO SHOT beside Egon and WHISPERS in his ear.
+
+!SLIMER (WHISPERING MUTTERS)
+
+                        @EGON
+        What?
+
+!He looks around to where Slimer is pointing.
+
+.EGON'S POV
+
+!As the Werechicken climbs into view, scaling the upper stories of the Empire State Building.
+
+!WERECHICKEN (distant SQUAWKS)
+
+.NEW ANGLE
+
+!The Weather Board members see the Werechicken and start to SCREAM.
+
+!WEATHER BOARD MEMBERS (SCREAMING)
+
+.ON EGON
+
+!He JUMPS onto a rope ladder hanging from Ecto-2 and climbs inside. Slimer flies in right behind him and Ecto-2 rises up OUT OF SHOT.
+
+.INT. -- ECTO-2 -- MOVING
+
+!Egon settles into passenger seat. Slimer hovers behind them.
+
+                        @PETER
+                (loud over engine)
+        Egon, can we freeze that big chicken with your weather balloons
+
+                        @EGON
+                (holds up wings)
+        Yes, but you'll have to work the controls.
+
+                        @PETER
+                (nods)
+        Piece of cake.
+
+.EXT. -- ECTO-2 -- MORNING
+
+!It banks off toward the Empire State Building as the Werechicken reaches the top of the spire.
+
+.ON WERECHICKEN
+
+!As it gets "comfortable" on the spire, fluffing its feathers. It begins to quiver (like Maude did earlier when she laid an egg).
+
+!WERECHICKEN (hideous CROW)
+
+.ON RAY AND WINSTON
+
+!On street below, looking skyward through binoculars.
+
+                        @WINSTON
+        What's it doing?
+
+                        @RAY
+        It looks like it's about to lay an --
+
+!Winston puts a hand over Ray's mouth.
+
+                        @WINSTON
+                (with dread)
+        I don't want to hear it.
+
+.ANGLE ON WEATHER BALLOON
+
+!It rises from weather bureau rooftop, then drifts along horizontally, away from the Empire State Building. It stops, then begins to rise again. The sky darkens as the balloon rises into the clouds.
+
+.INT. ECTO-2 - MOVING
+
+!Peter, Egon, Slimer, as before. Peter operates the weather balloon control box while Slimer flies the chopper.
+
+                        @EGON
+        Okay, Peter, the balloon's in position. Turn the lever to the extreme left.
+
+.CLOSE UP ON WEATHER CONTROL BOX
+
+!Peter turns a lever.
+
+.ANGLE ON BALLOON
+
+!The balloon and surrounding clouds start to freeze, turning white and forming ice on them. Suddenly, snow starts to fall.
+
+.ON SLIMER
+
+!He sticks his tongue out and catches some snowflakes.
+
+.ANGLE ON WERECHICKEN
+
+!Blizzard-like snow pelts it. The chicken begins to stiffen and turn white with frost.
+
+!WERECHICKEN (angry SQUAWKS)
+
+.ANGLE ON STREETS
+
+!Snow falls on Ray and Winston as they gaze skyward.
+
+                        @RAY AND WINSTON
+        They did it! All-right!!
+
+!They high-five each other.
+
+>WIPE TO:
+
+.EXT. FIREHOUSE -- NIGHT
+
+!A heavy snow continues to fall as CAMERA MOVES IN
+
+                        @MAUDE (VO)
+                (calls)
+        Anyone for dessert?
+
+.INT, FIREHOUSE - DINING AREA
+
+!Maude (back to normal) emerges from kitchen carrying a large, steaming bowl. Seated around the table are Egon (back to normal) Peter, Winston, Ray and Zeke. No Slimer. There are half-empty soup bowls in front of everyone and the diners all look full to the point of weariness -- except Slimer.
+
+                        @EGON
+                (raising hand)
+        You bet, Maude.
+
+.ON PETER
+
+!As he looks at bowl of soup Maude sets down.
+
+                        @PETER
+        Lemme guess -- more chickenbane soup!
+
+.ON EGON
+
+!spooning soup eagerly into his bowl.
+
+                        @EGON
+        I'm actually starting to like it.
+
+.ON MAUDE
+
+                        @MAUDE
+        No more werechicken problems for us, eh, Egon?
+                (CHUCKLES)
+
+!WERECHICKEN (VO) (HOWL)
+
+.WIDER ANGLE
+
+!Everyone freezes and looks o.s.
+
+                        @WINSTON
+        Uh-oh.
+
+                        @RAY
+        It came from the lab!
+
+!The Ghostbusters burst from their chairs and run o.s.
+
+.INT. HALLWAY OUTSIDE LAB
+
+!As the Ghostbusters cautiously advance, blasters ready.
+
+.INT. LAB -- ON DOOR
+
+!It opens and the Ghostbusters peer in. Suddenly ...
+
+!WERECHICKEN (VO) (another HOWL)
+
+!SWISH PAN to ...A HUGE SHADOW on the lab wall, its head making a "pecking" motion like a werechicken. After a beat, PAN DOWN to reveal Slimer with a Walkman on his head, "pecking" his head to the rhythm of his music. Slimer HOWLS again ...
+
+!SLIMER (HOWLS)
+
+.ON GHOSTBUSTERS
+
+                        @WINSTON
+                (big SIGH)
+        It's just Slimer groovin' to his new James Brown tape.
+
+.ON SLIMER
+
+!As he continues to groove to the music.
+
+                        @SLIMER
+                (a la James Brown)
+        ~I feel good!
+        ~I knew that I would
+        ~So good, so good, so good!
+                (big James Brown HOWL as we --)
+                (HOWLS)
+
+.ON GHOSTBUSTERS
+
+!Peter turns to the others in disgust.
+
+                        @PETER
+                (long-suffering)
+        Tell me, how do I get out of this chicken outfit?
+
+>FADE OUT
+
+!THE END

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+        "sourceLicenseUrl": "https://en.wikipedia.org/wiki/File:Gremlins1.jpg",
+        "sourceCredit": "May be found at the following website: IMP Awards",
+        "reuseStatus": "not-cleared"
+      }
+    },
+    {
+      "screenplay": "Groundhog Day.fountain",
+      "image": "Groundhog Day.webp",
+      "filmTitle": "Groundhog Day (film)",
+      "releaseYear": 1993,
+      "sourcePage": "https://en.wikipedia.org/wiki/Groundhog_Day_(film)",
+      "sourceImage": "https://upload.wikimedia.org/wikipedia/en/b/b1/Groundhog_Day_%28movie_poster%29.jpg",
+      "sourceFilePage": "https://en.wikipedia.org/wiki/File:Groundhog_Day_(movie_poster).jpg",
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+        "sourceLabel": "Fair use",
+        "sourceLicenseUrl": "https://en.wikipedia.org/wiki/File:Groundhog_Day_(movie_poster).jpg",
+        "sourceCredit": "May be found at the following website: IMP Awards",
+        "reuseStatus": "not-cleared"
+      }
+    },
     {
       "screenplay": "The Abyss.fountain",
       "image": "The Abyss.webp",
@@ -2367,6 +2597,111 @@
         "sourceLabel": "Fair use",
         "reuseStatus": "not-cleared"
       }
+    },
+    {
+      "screenplay": "The Godfather Part II.fountain",
+      "image": "The Godfather Part II.webp",
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+      "sourcePage": "https://en.wikipedia.org/wiki/The_Godfather_Part_II",
+      "sourceImage": "https://upload.wikimedia.org/wikipedia/en/0/03/Godfather_part_ii.jpg",
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+      "rights": {
+        "sourceLabel": "Fair use",
+        "sourceCredit": "http://www.movieposterdb.com/poster/f2874b3b",
+        "reuseStatus": "not-cleared"
+      }
+    },
+    {
+      "screenplay": "The Godfather Part III.fountain",
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+      "filmTitle": "The Godfather Part III",
+      "releaseYear": 1990,
+      "sourcePage": "https://en.wikipedia.org/wiki/The_Godfather_Part_III",
+      "sourceImage": "https://upload.wikimedia.org/wikipedia/en/5/55/GodfatherIII2.jpg",
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+      "matchNote": "Supplied first draft dated March 22, 1979; the poster identifies the later 1990 film, not this earlier unproduced draft. Supplied title-page credits are preserved in the Fountain file.",
+      "rights": {
+        "sourceLabel": "Fair use",
+        "sourceCredit": "Paramount Pictures",
+        "reuseStatus": "not-cleared"
+      }
+    },
+    {
+      "screenplay": "The Good Girl.fountain",
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+      "filmTitle": "The Good Girl",
+      "releaseYear": 2002,
+      "sourcePage": "https://en.wikipedia.org/wiki/The_Good_Girl",
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+      "sourceHeight": 382,
+      "rights": {
+        "sourceLabel": "Fair use",
+        "sourceLicenseUrl": "https://en.wikipedia.org/wiki/File:Good_girl_poster.jpg",
+        "sourceCredit": "impawards",
+        "reuseStatus": "not-cleared"
+      }
+    },
+    {
+      "screenplay": "The Grudge.fountain",
+      "image": "The Grudge.webp",
+      "filmTitle": "The Grudge",
+      "releaseYear": 2004,
+      "sourcePage": "https://en.wikipedia.org/wiki/The_Grudge",
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+      "sourceHeight": 384,
+      "rights": {
+        "sourceLabel": "Fair use",
+        "sourceLicenseUrl": "https://en.wikipedia.org/wiki/File:The_Grudge_movie.jpg",
+        "sourceCredit": "From ImageShack .",
+        "reuseStatus": "not-cleared"
+      }
+    },
+    {
+      "screenplay": "The Real Ghostbusters - Poultrygeist!.fountain",
+      "image": "The Real Ghostbusters - Poultrygeist!.webp",
+      "filmTitle": "The Real Ghostbusters",
+      "releaseYear": 1988,
+      "sourcePage": "https://en.wikipedia.org/wiki/The_Real_Ghostbusters",
+      "sourceImage": "https://upload.wikimedia.org/wikipedia/en/5/5d/Realghostbusters_title.jpg",
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+      "matchNote": "Supplied television episode 'Poultrygeist!', not the 1984 Ghostbusters film. Artwork identifies the television series rather than this episode.",
+      "rights": {
+        "sourceLabel": "Fair use",
+        "sourceLicenseUrl": "https://en.wikipedia.org/wiki/File:Realghostbusters_title.jpg",
+        "sourceCredit": "Video screen capture from https://www.ghostbusters.com/",
+        "reuseStatus": "not-cleared"
+      }
     }
   ]
 }