benchmark stringclasses 139
values | item_id stringlengths 1 63 | video_key stringlengths 25 348 ⌀ | video_id stringlengths 18 64 ⌀ | video_path stringlengths 132 132 ⌀ | question stringlengths 0 2.36k ⌀ | question_raw stringlengths 32 3.43k ⌀ | options listlengths 0 23 ⌀ | options_source stringclasses 3
values | option_prefix_stripped bool 2
classes | n_options int32 0 23 ⌀ | options_raw stringlengths 2 27.4k ⌀ | answer stringlengths 1 2k ⌀ | answer_idx int32 -1 15 ⌀ | duration float64 0.25 36k ⌀ | declared_task stringlengths 1 73 ⌀ | declared_scene stringclasses 1
value | license stringclasses 10
values | format stringclasses 2
values | format_reason stringclasses 5
values | bench_question_format stringclasses 6
values | in_sample bool 2
classes |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
ALLVB | ALLVB_3100 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Danny's emotional arc resolve in the scene where he is sitting at the kitchen table after the weasel incident? | null | [
"He remains fearful and anxious.",
"He becomes angry and confrontational.",
"He feels relieved and calm.",
"He is indifferent and detached.",
"He is joyful and celebratory."
] | field | true | 5 | ["A. He remains fearful and anxious.", "B. He becomes angry and confrontational.", "C. He feels relieved and calm.", "D. He is indifferent and detached.", "E. He is joyful and celebratory."] | C | 2 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3101 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | In the scene where Danny and Verne are sitting at the dining room table, what is the predominant emotion conveyed by Danny? | null | [
"Relief",
"Anger",
"Desperation",
"Joy",
"Indifference"
] | field | true | 5 | ["A. Relief", "B. Anger", "C. Desperation", "D. Joy", "E. Indifference"] | C | 2 | 6,210.621083 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3102 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | In the scene where Tanner is doing a chemical test on the meth, what is the main topic of their conversation? | null | [
"The quality of the meth",
"Danny's relationship with Garcetti",
"Bubba's criminal background",
"Tanner's field kit",
"Domingo's death"
] | field | true | 5 | ["A. The quality of the meth", "B. Danny's relationship with Garcetti", "C. Bubba's criminal background", "D. Tanner's field kit", "E. Domingo's death"] | C | 2 | 6,210.621083 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3103 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How many crucifixes are visible in the scene at Nancy and Verne's house? | null | [
"One",
"Two",
"Three",
"Four",
"Five"
] | field | true | 5 | ["A. One", "B. Two", "C. Three", "D. Four", "E. Five"] | B | 1 | 6,210.621083 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3104 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | Where are the photos of Liz located in Nancy and Verne's house? | null | [
"On the dining room table",
"On the walls",
"On top of a baby grand piano",
"On the bookshelf",
"On the coffee table"
] | field | true | 5 | ["A. On the dining room table", "B. On the walls", "C. On top of a baby grand piano", "D. On the bookshelf", "E. On the coffee table"] | C | 2 | 6,210.621083 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3105 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What different forms of action does Danny take when he learns about Domingo's death? | null | [
"He laughs and then cries",
"He sits down and then stands up",
"He heaves a sigh and then plops down on a bench",
"He runs away and then comes back",
"He punches a wall and then apologizes"
] | field | true | 5 | ["A. He laughs and then cries", "B. He sits down and then stands up", "C. He heaves a sigh and then plops down on a bench", "D. He runs away and then comes back", "E. He punches a wall and then apologizes"] | C | 2 | 6,210.621083 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3106 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the purpose behind Danny's visit to Nancy and Verne's house? | null | [
"To ask for money",
"To seek forgiveness",
"To confront them about Liz's death",
"To find closure",
"To hide from the police"
] | field | true | 5 | ["A. To ask for money", "B. To seek forgiveness", "C. To confront them about Liz's death", "D. To find closure", "E. To hide from the police"] | D | 3 | 6,210.621083 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3107 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What triggers Danny's decision to visit Nancy and Verne? | null | [
"A phone call from Nancy",
"A tip from Billy Sutcliffe",
"A letter from Verne",
"A news report about Liz's killers",
"A dream about Liz"
] | field | true | 5 | ["A. A phone call from Nancy", "B. A tip from Billy Sutcliffe", "C. A letter from Verne", "D. A news report about Liz's killers", "E. A dream about Liz"] | B | 1 | 6,210.621083 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3108 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Nancy immediately react when Danny tries to leave their house? | null | [
"She yells at him",
"She calls the police",
"She grabs his wrist",
"She starts crying",
"She locks the door"
] | field | true | 5 | ["A. She yells at him", "B. She calls the police", "C. She grabs his wrist", "D. She starts crying", "E. She locks the door"] | C | 2 | 6,210.621083 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3109 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the central conflict during the conversation between Danny and Verne at the dining room table? | null | [
"Danny's drug addiction",
"Verne's financial troubles",
"Nancy's health issues",
"Danny's criminal past",
"Verne's distrust of Danny"
] | field | true | 5 | ["A. Danny's drug addiction", "B. Verne's financial troubles", "C. Nancy's health issues", "D. Danny's criminal past", "E. Verne's distrust of Danny"] | A | 0 | 6,210.621083 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3110 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What causes Danny to feel conflicted about forgiving Liz's killers, and what is the effect of this conflict? | null | [
"His guilt over an argument with Liz; he becomes more determined to seek revenge",
"His financial troubles; he decides to leave town",
"His relationship with Verne; he tries to make amends",
"His drug addiction; he seeks help from Nancy",
"His criminal past; he turns himself in to the police"
] | field | true | 5 | ["A. His guilt over an argument with Liz; he becomes more determined to seek revenge", "B. His financial troubles; he decides to leave town", "C. His relationship with Verne; he tries to make amends", "D. His drug addiction; he seeks help from Nancy", "E. His criminal past; he turns himself in to the police"] | A | 0 | 6,210.621083 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3111 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Colette's emotional expression change when she realizes there is someone else in Danny's life? | null | [
"She becomes angry and confrontational",
"She becomes sad and leaves quietly",
"She becomes indifferent and dismissive",
"She becomes happy and supportive",
"She becomes confused and asks questions"
] | field | true | 5 | ["A. She becomes angry and confrontational", "B. She becomes sad and leaves quietly", "C. She becomes indifferent and dismissive", "D. She becomes happy and supportive", "E. She becomes confused and asks questions"] | B | 1 | 6,210.621083 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3112 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the color and significance of the car parked in the driveway of the modest Spanish-style house? | null | [
"Blue; it belongs to a neighbor",
"Red; it has \"IFORGIV\" plates and signifies forgiveness",
"Black; it is used by the police",
"White; it belongs to Danny",
"Green; it is a rental car"
] | field | true | 5 | ["A. Blue; it belongs to a neighbor", "B. Red; it has \"IFORGIV\" plates and signifies forgiveness", "C. Black; it is used by the police", "D. White; it belongs to Danny", "E. Green; it is a rental car"] | B | 1 | 6,210.621083 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3113 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Danny's emotion transition from the beginning to the end of the scene with Colette in the hotel room? | null | [
"From anger to relief",
"From happiness to sadness",
"From indifference to vulnerability",
"From confusion to clarity",
"From excitement to disappointment"
] | field | true | 5 | ["A. From anger to relief", "B. From happiness to sadness", "C. From indifference to vulnerability", "D. From confusion to clarity", "E. From excitement to disappointment"] | C | 2 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3114 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How do Danny and Verne's emotions contrast during their conversation about Liz's death? | null | [
"Danny is calm, while Verne is agitated",
"Danny is hopeful, while Verne is pessimistic",
"Danny is desperate, while Verne is unforgiving",
"Danny is indifferent, while Verne is emotional",
"Danny is joyful, while Verne is sorrowful"
] | field | true | 5 | ["A. Danny is calm, while Verne is agitated", "B. Danny is hopeful, while Verne is pessimistic", "C. Danny is desperate, while Verne is unforgiving", "D. Danny is indifferent, while Verne is emotional", "E. Danny is joyful, while Verne is sorrowful"] | C | 2 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3115 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | In the scene where Danny and Jimmy meet Bobby in the cheap motel room, what is the main source of tension? | null | [
"Bobby's distrust of Danny and Jimmy",
"Bobby's hallucinations about spiders",
"Bobby's financial troubles",
"Bobby's argument with the girl under the mattress",
"Bobby's addiction to drugs"
] | field | true | 5 | ["A. Bobby's distrust of Danny and Jimmy", "B. Bobby's hallucinations about spiders", "C. Bobby's financial troubles", "D. Bobby's argument with the girl under the mattress", "E. Bobby's addiction to drugs"] | B | 1 | 6,210.621083 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3116 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the correct sequence of events from when Danny and Jimmy enter the party house to when they leave the cheap motel room? | null | [
"Danny and Jimmy enter the party house, meet Bobby, ask for drugs, and then leave.",
"Danny and Jimmy enter the party house, meet Bobby, witness Bobby's hallucinations, ask for drugs, and then leave.",
"Danny and Jimmy enter the party house, meet Bobby, ask for drugs, and then witness Bobby's hallucinations.",
... | field | true | 5 | ["A. Danny and Jimmy enter the party house, meet Bobby, ask for drugs, and then leave.", "B. Danny and Jimmy enter the party house, meet Bobby, witness Bobby's hallucinations, ask for drugs, and then leave.", "C. Danny and Jimmy enter the party house, meet Bobby, ask for drugs, and then witness Bobby's hallucinations."... | E | 4 | 6,210.621083 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3117 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How many times does the bug spray can appear in the scenes involving Bobby? | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | A | 0 | 6,210.621083 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3118 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | Where is the speargun located when Bobby first grabs it in the cheap motel room scene? | null | [
"On the bed",
"Under the mattress",
"On the floor",
"Behind the door",
"On a table"
] | field | true | 5 | ["A. On the bed", "B. Under the mattress", "C. On the floor", "D. Behind the door", "E. On a table"] | A | 0 | 6,210.621083 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | true | ||
ALLVB | ALLVB_3119 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How many times does Bobby spray his arm with bug spray in the motel room scene? | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | A | 0 | 6,210.621083 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3120 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | Where do Danny and Jimmy put on their sunglasses in the party house scene? | null | [
"Inside the party house",
"Outside the party house",
"In the hallway",
"In the car",
"At the front door"
] | field | true | 5 | ["A. Inside the party house", "B. Outside the party house", "C. In the hallway", "D. In the car", "E. At the front door"] | B | 1 | 6,210.621083 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3121 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | When does Bobby's hallucination about spiders begin and end in the motel room scene? | null | [
"Begins when he looks at his arm and ends when he stops spraying",
"Begins when he grabs the bug spray and ends when he stops spraying",
"Begins when Danny and Jimmy enter and ends when they leave",
"Begins when he starts spraying and ends when he stops spraying",
"Begins when he starts talking and ends whe... | field | true | 5 | ["A. Begins when he looks at his arm and ends when he stops spraying", "B. Begins when he grabs the bug spray and ends when he stops spraying", "C. Begins when Danny and Jimmy enter and ends when they leave", "D. Begins when he starts spraying and ends when he stops spraying", "E. Begins when he starts talking and ends... | A | 0 | 6,210.621083 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3122 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What triggers Bobby to start spraying his arm with bug spray in the motel room scene? | null | [
"Danny and Jimmy's arrival",
"His belief that spiders are on his arm",
"The girl's muffled moans",
"His drug addiction",
"The speargun"
] | field | true | 5 | ["A. Danny and Jimmy's arrival", "B. His belief that spiders are on his arm", "C. The girl's muffled moans", "D. His drug addiction", "E. The speargun"] | B | 1 | 6,210.621083 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3123 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How many distinct events occur from the time Danny and Jimmy enter the party house until they leave the motel room? | null | [
"Two",
"Three",
"Four",
"Five",
"Six"
] | field | true | 5 | ["A. Two", "B. Three", "C. Four", "D. Five", "E. Six"] | C | 2 | 6,210.621083 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3124 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the central conflict during the event where Bobby is spraying his arm in the motel room? | null | [
"Bobby's distrust of Danny and Jimmy",
"Bobby's argument with the girl under the mattress",
"Bobby's hallucinations and erratic behavior",
"Bobby's financial troubles",
"Bobby's addiction to drugs"
] | field | true | 5 | ["A. Bobby's distrust of Danny and Jimmy", "B. Bobby's argument with the girl under the mattress", "C. Bobby's hallucinations and erratic behavior", "D. Bobby's financial troubles", "E. Bobby's addiction to drugs"] | C | 2 | 6,210.621083 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3125 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the primary dialogue exchange between Danny and Jimmy when they first meet Bobby in the motel room? | null | [
"Discussing Bobby's drug use",
"Asking for drugs",
"Talking about the girl under the mattress",
"Discussing Bobby's hallucinations",
"Talking about their next move"
] | field | true | 5 | ["A. Discussing Bobby's drug use", "B. Asking for drugs", "C. Talking about the girl under the mattress", "D. Discussing Bobby's hallucinations", "E. Talking about their next move"] | B | 1 | 6,210.621083 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3126 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Bobby's emotional state change during the motel room scene? | null | [
"From calm to angry",
"From confused to joyful",
"From joyful to angry",
"From calm to paranoid",
"From paranoid to calm"
] | field | true | 5 | ["A. From calm to angry", "B. From confused to joyful", "C. From joyful to angry", "D. From calm to paranoid", "E. From paranoid to calm"] | E | 4 | 6,210.621083 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3127 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Danny's emotion transition from the beginning to the end of the motel room scene? | null | [
"From relaxed to scared",
"From curious to relieved",
"From angry to calm",
"From scared to angry",
"From calm to paranoid"
] | field | true | 5 | ["A. From relaxed to scared", "B. From curious to relieved", "C. From angry to calm", "D. From scared to angry", "E. From calm to paranoid"] | B | 1 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3128 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What non-verbal cues does Bobby use to express his paranoia in the motel room scene? | null | [
"Wide eyes and rapid spraying",
"Smiling and nodding",
"Frowning and shaking his head",
"Laughing and clapping",
"Sighing and crossing his arms"
] | field | true | 5 | ["A. Wide eyes and rapid spraying", "B. Smiling and nodding", "C. Frowning and shaking his head", "D. Laughing and clapping", "E. Sighing and crossing his arms"] | A | 0 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3129 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | In the scene where Danny, Liz, and Bo are looking at a map, where does this scene take place, and what are some key details about the environment? | null | [
"A well-lit kitchen in a suburban home",
"A dimly lit kitchen in a creepy house by the Salton Sea",
"A bustling diner in the city",
"A quiet library filled with books",
"A crowded bar with loud music"
] | field | true | 5 | ["A. A well-lit kitchen in a suburban home", "B. A dimly lit kitchen in a creepy house by the Salton Sea", "C. A bustling diner in the city", "D. A quiet library filled with books", "E. A crowded bar with loud music"] | B | 1 | 6,210.621083 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3130 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Danny's character evolve from the flashback at the creepy house to his conversation with Colette in the residential hotel room? | null | [
"He becomes more aggressive and violent.",
"He becomes more reflective and regretful.",
"He becomes more detached and indifferent.",
"He becomes more cheerful and optimistic.",
"He becomes more secretive and deceptive."
] | field | true | 5 | ["A. He becomes more aggressive and violent.", "B. He becomes more reflective and regretful.", "C. He becomes more detached and indifferent.", "D. He becomes more cheerful and optimistic.", "E. He becomes more secretive and deceptive."] | B | 1 | 6,210.621083 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3131 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How many different vehicles are mentioned or shown in the scenes start with Danny, Liz, and Bo discussing directions in a creepy house, which quickly escalates into a violent shootout where Danny is injured and Liz hides in fear. The passage ends with Danny revealing to Jimmy that he has never used drugs, despite prete... | null | [
"One",
"Two",
"Three",
"Four",
"Five"
] | field | true | 5 | ["A. One", "B. Two", "C. Three", "D. Four", "E. Five"] | B | 1 | 6,210.621083 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3132 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | In the scene where Danny is peeking through the bathroom window, what objects are occluded, and for how long? | null | [
"The figures outside the car, partially occluded by the car for a few seconds",
"The chubby guy on the couch, occluded by the TV for several minutes",
"The map on the table, occluded by Bo's hand for a few moments",
"The bathroom door, occluded by Danny's body for several minutes",
"The curtain rings, occlu... | field | true | 5 | ["A. The figures outside the car, partially occluded by the car for a few seconds", "B. The chubby guy on the couch, occluded by the TV for several minutes", "C. The map on the table, occluded by Bo's hand for a few moments", "D. The bathroom door, occluded by Danny's body for several minutes", "E. The curtain rings, o... | A | 0 | 6,210.621083 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3133 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What variations of the action "hiding" are depicted in the scenes? | null | [
"Hiding behind a door and hiding under a table",
"Hiding in a closet and hiding behind a curtain",
"Hiding between the sofa and the wall and hiding in a bathroom",
"Hiding in a car and hiding in a basement",
"Hiding in a bedroom and hiding in a garage"
] | field | true | 5 | ["A. Hiding behind a door and hiding under a table", "B. Hiding in a closet and hiding behind a curtain", "C. Hiding between the sofa and the wall and hiding in a bathroom", "D. Hiding in a car and hiding in a basement", "E. Hiding in a bedroom and hiding in a garage"] | C | 2 | 6,210.621083 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3134 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | In what context does Danny use the plumber's wrench in the bathroom? | null | [
"To fix a leaking pipe",
"To defend himself during a home invasion",
"To break open a locked door",
"To repair a broken window",
"To unclog a drain"
] | field | true | 5 | ["A. To fix a leaking pipe", "B. To defend himself during a home invasion", "C. To break open a locked door", "D. To repair a broken window", "E. To unclog a drain"] | B | 1 | 6,210.621083 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3135 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What marks the start and end of the action where Danny is peeking through the hole in the bathroom wall? | null | [
"The start is marked by Danny hearing voices outside, and the end is marked by a shot being fired.",
"The start is marked by Danny entering the bathroom, and the end is marked by him leaving the bathroom.",
"The start is marked by Danny picking up the wrench, and the end is marked by him dropping the wrench.",
... | field | true | 5 | ["A. The start is marked by Danny hearing voices outside, and the end is marked by a shot being fired.", "B. The start is marked by Danny entering the bathroom, and the end is marked by him leaving the bathroom.", "C. The start is marked by Danny picking up the wrench, and the end is marked by him dropping the wrench."... | A | 0 | 6,210.621083 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3136 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What event signifies the conclusion of the action where Danny tries to get to his feet in the bathroom? | null | [
"The door being kicked open",
"The shot being fired",
"The curtain ring breaking",
"The footsteps stopping",
"The car engine starting"
] | field | true | 5 | ["A. The door being kicked open", "B. The shot being fired", "C. The curtain ring breaking", "D. The footsteps stopping", "E. The car engine starting"] | B | 1 | 6,210.621083 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3137 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does the video transition from the scene in the creepy house to the residential hotel room? | null | [
"With a fade to black and a time-lapse of the Salton Sea",
"With a cut to a different location and a change in lighting",
"With a dissolve to a different scene and a voiceover",
"With a pan across the room and a change in music",
"With a zoom out and a change in dialogue"
] | field | true | 5 | ["A. With a fade to black and a time-lapse of the Salton Sea", "B. With a cut to a different location and a change in lighting", "C. With a dissolve to a different scene and a voiceover", "D. With a pan across the room and a change in music", "E. With a zoom out and a change in dialogue"] | A | 0 | 6,210.621083 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3138 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the sequence of events from Danny hearing the car pull up to him being shot in the bathroom? | null | [
"Danny hears the car, peeks out the window, grabs the wrench, and is shot.",
"Danny hears the car, hides in the tub, grabs the wrench, and is shot.",
"Danny hears the car, peeks out the window, hides in the tub, and is shot.",
"Danny hears the car, grabs the wrench, peeks out the window, and is shot.",
"Dan... | field | true | 5 | ["A. Danny hears the car, peeks out the window, grabs the wrench, and is shot.", "B. Danny hears the car, hides in the tub, grabs the wrench, and is shot.", "C. Danny hears the car, peeks out the window, hides in the tub, and is shot.", "D. Danny hears the car, grabs the wrench, peeks out the window, and is shot.", "E.... | A | 0 | 6,210.621083 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3139 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | Summarize the primary dialogue exchange between Danny and Colette in the residential hotel room. | null | [
"Danny and Colette discuss their future plans and aspirations.",
"Danny and Colette argue about their past mistakes and regrets.",
"Danny and Colette talk about helping each other with their problems.",
"Danny and Colette reminisce about their childhood memories.",
"Danny and Colette plan a vacation to esca... | field | true | 5 | ["A. Danny and Colette discuss their future plans and aspirations.", "B. Danny and Colette argue about their past mistakes and regrets.", "C. Danny and Colette talk about helping each other with their problems.", "D. Danny and Colette reminisce about their childhood memories.", "E. Danny and Colette plan a vacation to ... | C | 2 | 6,210.621083 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3140 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What vehicles are mentioned or shown in the scenes, and what details are provided about them? | null | [
"A red sports car and a blue truck, both parked outside",
"A black sedan and a white van, both driving away",
"Danny's car and another car that pulls up outside, with headlights on",
"A green motorcycle and a yellow taxi, both speeding away",
"A silver SUV and a brown station wagon, both parked in a garage"... | field | true | 5 | ["A. A red sports car and a blue truck, both parked outside", "B. A black sedan and a white van, both driving away", "C. Danny's car and another car that pulls up outside, with headlights on", "D. A green motorcycle and a yellow taxi, both speeding away", "E. A silver SUV and a brown station wagon, both parked in a gar... | C | 2 | 6,210.621083 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3141 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How is Danny's emotional state reflected in his dialogue with Colette in the residential hotel room? | null | [
"His anger is reflected in his harsh tone and aggressive words.",
"His sadness is reflected in his slow pacing and regretful words.",
"His excitement is reflected in his fast pacing and enthusiastic words.",
"His fear is reflected in his trembling voice and hesitant words.",
"His joy is reflected in his che... | field | true | 5 | ["A. His anger is reflected in his harsh tone and aggressive words.", "B. His sadness is reflected in his slow pacing and regretful words.", "C. His excitement is reflected in his fast pacing and enthusiastic words.", "D. His fear is reflected in his trembling voice and hesitant words.", "E. His joy is reflected in his... | B | 1 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3142 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | Compare and contrast the emotions of Danny and Jimmy in the scene at the cinder block bar. | null | [
"Danny is excited, while Jimmy is nervous.",
"Danny is regretful, while Jimmy is cheerful.",
"Danny is angry, while Jimmy is calm.",
"Danny is indifferent, while Jimmy is concerned.",
"Danny is joyful, while Jimmy is sad."
] | field | true | 5 | ["A. Danny is excited, while Jimmy is nervous.", "B. Danny is regretful, while Jimmy is cheerful.", "C. Danny is angry, while Jimmy is calm.", "D. Danny is indifferent, while Jimmy is concerned.", "E. Danny is joyful, while Jimmy is sad."] | B | 1 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3143 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the predominant emotion conveyed in the scene where Jimmy and Danny are talking outside the bar? | null | [
"Anger",
"Confusion",
"Sadness",
"Resentment",
"Hope"
] | field | true | 5 | ["A. Anger", "B. Confusion", "C. Sadness", "D. Resentment", "E. Hope"] | D | 3 | 6,210.621083 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3144 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | Who are the main characters present in the scene where Danny is in the back seat of the car dialing a cell phone? | null | [
"Jimmy and Danny",
"Tanner and Garcetti",
"Danny and Bubba",
"Danny, Tanner, and Garcetti",
"Danny and Trahn"
] | field | true | 5 | ["A. Jimmy and Danny", "B. Tanner and Garcetti", "C. Danny and Bubba", "D. Danny, Tanner, and Garcetti", "E. Danny and Trahn"] | D | 3 | 6,210.621083 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3145 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How many vehicles are mentioned or shown in the scenes involving Danny and the FBI agents? | null | [
"One",
"Two",
"Three",
"Four",
"Five"
] | field | true | 5 | ["A. One", "B. Two", "C. Three", "D. Four", "E. Five"] | C | 2 | 6,210.621083 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3146 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What interaction occurs between Danny and the plumber's truck? | null | [
"Danny drives the plumber's truck.",
"Danny hides inside the plumber's truck.",
"Danny installs a device in the plumber's truck.",
"Danny piles into the plumber's truck.",
"Danny repairs the plumber's truck."
] | field | true | 5 | ["A. Danny drives the plumber's truck.", "B. Danny hides inside the plumber's truck.", "C. Danny installs a device in the plumber's truck.", "D. Danny piles into the plumber's truck.", "E. Danny repairs the plumber's truck."] | D | 3 | 6,210.621083 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3147 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the outcome of Danny handing over the tiny microphone and wire to Bubba? | null | [
"Bubba discards the microphone.",
"Bubba uses the microphone to listen to a conversation.",
"Bubba hands the microphone to another agent.",
"Bubba takes Danny to meet the team.",
"Bubba hides the microphone."
] | field | true | 5 | ["A. Bubba discards the microphone.", "B. Bubba uses the microphone to listen to a conversation.", "C. Bubba hands the microphone to another agent.", "D. Bubba takes Danny to meet the team.", "E. Bubba hides the microphone."] | D | 3 | 6,210.621083 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3148 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Danny's action of rear-ending Tanner and Garcetti's car impact the environment? | null | [
"It causes a traffic jam.",
"It attracts the attention of bystanders.",
"It leads to a police search.",
"It results in a minor collision.",
"It damages the car severely."
] | field | true | 5 | ["A. It causes a traffic jam.", "B. It attracts the attention of bystanders.", "C. It leads to a police search.", "D. It results in a minor collision.", "E. It damages the car severely."] | D | 3 | 6,210.621083 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3149 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What marks the start and end of the scene where Danny is at the Salton Sea Sheriff's Station? | null | [
"Danny entering and leaving the station",
"Danny talking to Bookman and another detective entering",
"Danny sitting at a table and Bookman showing evidence",
"Danny being questioned and the scene cutting to a flashback",
"Danny arguing with Bookman and the scene ending abruptly"
] | field | true | 5 | ["A. Danny entering and leaving the station", "B. Danny talking to Bookman and another detective entering", "C. Danny sitting at a table and Bookman showing evidence", "D. Danny being questioned and the scene cutting to a flashback", "E. Danny arguing with Bookman and the scene ending abruptly"] | B | 1 | 6,210.621083 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3150 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What events lead up to Danny's decision to go undercover? | null | [
"Danny's wife being murdered and the lack of apprehension of the perpetrators",
"Danny losing his job and needing money",
"Danny being recruited by the FBI",
"Danny witnessing a crime and wanting revenge",
"Danny's friend convincing him to take action"
] | field | true | 5 | ["A. Danny's wife being murdered and the lack of apprehension of the perpetrators", "B. Danny losing his job and needing money", "C. Danny being recruited by the FBI", "D. Danny witnessing a crime and wanting revenge", "E. Danny's friend convincing him to take action"] | A | 0 | 6,210.621083 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | true | ||
ALLVB | ALLVB_3151 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | Where does the event of Danny and Jimmy talking about the tattoo take place? | null | [
"Indoors at a bar",
"Outdoors in a park",
"Indoors at Jimmy's house",
"Outdoors behind a bar",
"Indoors at a police station"
] | field | true | 5 | ["A. Indoors at a bar", "B. Outdoors in a park", "C. Indoors at Jimmy's house", "D. Outdoors behind a bar", "E. Indoors at a police station"] | D | 3 | 6,210.621083 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3152 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the correct sequence of events involving Danny and the FBI agents? | null | [
"Danny meets with Trahn, then goes undercover, and finally meets the team.",
"Danny goes undercover, meets with Trahn, and then hands over evidence.",
"Danny hands over evidence, meets with Trahn, and then goes undercover.",
"Danny meets the team, goes undercover, and then hands over evidence.",
"Danny goes... | field | true | 5 | ["A. Danny meets with Trahn, then goes undercover, and finally meets the team.", "B. Danny goes undercover, meets with Trahn, and then hands over evidence.", "C. Danny hands over evidence, meets with Trahn, and then goes undercover.", "D. Danny meets the team, goes undercover, and then hands over evidence.", "E. Danny ... | E | 4 | 6,210.621083 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3153 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | What is the primary dialogue exchange between Danny and Bubba when Danny hands over the tiny microphone? | null | [
"Discussing the next steps of their plan",
"Arguing about the risks involved",
"Planning a new undercover operation",
"Debating whether to trust the FBI agents",
"Reflecting on past mistakes"
] | field | true | 5 | ["A. Discussing the next steps of their plan", "B. Arguing about the risks involved", "C. Planning a new undercover operation", "D. Debating whether to trust the FBI agents", "E. Reflecting on past mistakes"] | A | 0 | 6,210.621083 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3154 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How is the lighting used in the scene where Danny is at the Salton Sea Sheriff's Station? | null | [
"Bright and natural",
"Dim and artificial",
"Bright and artificial",
"Dim and natural",
"Flickering and artificial"
] | field | true | 5 | ["A. Bright and natural", "B. Dim and artificial", "C. Bright and artificial", "D. Dim and natural", "E. Flickering and artificial"] | B | 1 | 6,210.621083 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3155 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Danny's emotion change from the beginning to the end of the scene where he is talking to Bookman at the Salton Sea Sheriff's Station? | null | [
"From calm to angry",
"From hopeful to frustrated",
"From nervous to relieved",
"From confused to determined",
"From sad to happy"
] | field | true | 5 | ["A. From calm to angry", "B. From hopeful to frustrated", "C. From nervous to relieved", "D. From confused to determined", "E. From sad to happy"] | B | 1 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3156 | ALLVB/ALLVB::::test_set_movie/The Salton Sea (2002)/The Salton Sea (2002).mp4 | c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/c68e0613d81abb736d8d0cefed9e865b76a379ac2beaeeb554fd1453d3457776/video.mp4 | How does Danny's emotional arc resolve in the scene where he is talking to Trahn at the FBI offices? | null | [
"He feels relieved after sharing his plan.",
"He feels disappointed that he didn't finish the mission himself.",
"He feels angry about the risks involved.",
"He feels happy about the progress made.",
"He feels indifferent about the outcome."
] | field | true | 5 | ["A. He feels relieved after sharing his plan.", "B. He feels disappointed that he didn't finish the mission himself.", "C. He feels angry about the risks involved.", "D. He feels happy about the progress made.", "E. He feels indifferent about the outcome."] | B | 1 | 6,210.621083 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3157 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the casino scene, a man in a white shirt and black tie is seen observing the game while a woman with a headband stands nearby. The scene transitions to a close-up of a roulette wheel spinning. What number does the ball land on in the roulette wheel? | null | [
"17",
"22",
"3",
"8",
"29"
] | field | true | 5 | ["A. 17", "B. 22", "C. 3", "D. 8", "E. 29"] | C | 2 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3158 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the office, a woman in a black dress with a white collar is seen talking on the phone while two men in coats and hats enter the room. The office is dimly lit, with bookshelves and framed pictures on the walls. What is the color of the telephone on the desk where the woman is seated? | null | [
"White",
"Blue",
"Yellow",
"Black",
"Green"
] | field | true | 5 | ["A. White", "B. Blue", "C. Yellow", "D. Black", "E. Green"] | D | 3 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | true | ||
ALLVB | ALLVB_3159 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the lavishly decorated room, a man in a formal black suit with a white bow tie stands in front of a large wooden door. The room is adorned with ornate wall sconces, each holding two lamps with shades. What is the pattern on the man's bow tie? | null | [
"Striped",
"Polka dots",
"Plain",
"Checkered",
"Floral"
] | field | true | 5 | ["A. Striped", "B. Polka dots", "C. Plain", "D. Checkered", "E. Floral"] | C | 2 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3160 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the dimly lit room, three men are engaged in a conversation. One man is standing with his arms crossed, another is gesturing with gloves in his hands, and the third is leaning against a desk. The room has wooden blinds and a lamp in the background. What is the pattern on the tie of the man who is standing and gestur... | null | [
"Stripes",
"Polka dots",
"Solid color",
"Paisley",
"Checkered"
] | field | true | 5 | ["A. Stripes", "B. Polka dots", "C. Solid color", "D. Paisley", "E. Checkered"] | A | 0 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3161 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the dimly lit room, a group of men in suits are engaged in a serious conversation. The room is furnished with a variety of items, including a lamp, a decanter, and a metal ice bucket. What is the color of the tie worn by the man sitting on the left side of the couch? | null | [
"Red",
"Blue",
"Black",
"Green",
"Brown"
] | field | true | 5 | ["A. Red", "B. Blue", "C. Black", "D. Green", "E. Brown"] | C | 2 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3162 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the dimly lit room, two men are engaged in a serious conversation. One man, wearing a black suit and a grey tie, is leaning forward, while the other man, in a black suit with a white shirt and a patterned tie, listens intently. A lamp with a beige lampshade is visible in the background. What is the pattern on the ti... | null | [
"Stripes",
"Polka dots",
"Paisley",
"Solid color",
"Checkered"
] | field | true | 5 | ["A. Stripes", "B. Polka dots", "C. Paisley", "D. Solid color", "E. Checkered"] | A | 0 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3163 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the scene where multiple men are engaged in a physical altercation in a dimly lit room filled with barrels and crates, one man in a gray suit and hat is seen grappling with another man. What is the color of the tie worn by the man in the gray suit? | null | [
"Red",
"Blue",
"Green",
"Black",
"Yellow"
] | field | true | 5 | ["A. Red", "B. Blue", "C. Green", "D. Black", "E. Yellow"] | D | 3 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3164 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the scene where a man in a suit is talking to another man lying in bed with facial injuries, there is a vase of flowers in the background. What type of flowers are in the vase? | null | [
"Daisies",
"Roses",
"Tulips",
"Lilies",
"Sunflowers"
] | field | true | 5 | ["A. Daisies", "B. Roses", "C. Tulips", "D. Lilies", "E. Sunflowers"] | B | 1 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3165 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the intense struggle inside the car, a man in a suit is being attacked by another man wearing a hat. The man in the suit is seen with a ring on his finger and blood on his face. What is the color of the tie worn by the man in the suit? | null | [
"Blue",
"Red",
"Black",
"Green",
"White"
] | field | true | 5 | ["A. Blue", "B. Red", "C. Black", "D. Green", "E. White"] | C | 2 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3166 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the dimly lit room, a man in a suit with red gloves is seen walking towards a bedroom where a person is lying under a white blanket. The room is filled with various objects, including a lamp, a bookshelf, and a chair. What is the object placed on the table next to the lamp in the room where the man is standing? | null | [
"A book",
"A vase",
"A clock",
"A cup",
"A picture frame"
] | field | true | 5 | ["A. A book", "B. A vase", "C. A clock", "D. A cup", "E. A picture frame"] | C | 2 | 7,235.853625 | Needle-in-a-Haystack | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3167 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Based on the script, what is the genre of the video? | null | [
"Comedy",
"Drama",
"Thriller",
"Documentary",
"Crime"
] | field | true | 5 | ["A. Comedy", "B. Drama", "C. Thriller", "D. Documentary", "E. Crime"] | E | 4 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3168 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the main theme of the video? | null | [
"Friendship",
"Betrayal",
"Adventure",
"Love",
"Redemption"
] | field | true | 5 | ["A. Friendship", "B. Betrayal", "C. Adventure", "D. Love", "E. Redemption"] | B | 1 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3169 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Where does the majority of the video take place? | null | [
"Rural Italy",
"Urban New York",
"Suburban Chicago",
"Coastal California",
"Rural Texas"
] | field | true | 5 | ["A. Rural Italy", "B. Urban New York", "C. Suburban Chicago", "D. Coastal California", "E. Rural Texas"] | B | 1 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3170 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Who is the main character in the video? | null | [
"Salvatore Maranzano",
"Frank Costello",
"Charlie Luciano",
"Bugsy Siegel",
"Meyer Lansky"
] | field | true | 5 | ["A. Salvatore Maranzano", "B. Frank Costello", "C. Charlie Luciano", "D. Bugsy Siegel", "E. Meyer Lansky"] | C | 2 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3171 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the main plot of the video? | null | [
"A family's journey to America and their struggles.",
"A young man's rise in the criminal underworld and the establishment of a crime syndicate.",
"The life of a school teacher in New York.",
"A detective's pursuit of a notorious criminal.",
"The story of a boxer rising to fame."
] | field | true | 5 | ["A. A family's journey to America and their struggles.", "B. A young man's rise in the criminal underworld and the establishment of a crime syndicate.", "C. The life of a school teacher in New York.", "D. A detective's pursuit of a notorious criminal.", "E. The story of a boxer rising to fame."] | B | 1 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3172 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is a significant plot twist in the video? | null | [
"Charlie Luciano becomes a school teacher.",
"Salvatore Maranzano becomes Charlie's ally.",
"Charlie Luciano is betrayed by his closest friends.",
"Charlie Luciano survives an assassination attempt.",
"Charlie Luciano leaves the crime world."
] | field | true | 5 | ["A. Charlie Luciano becomes a school teacher.", "B. Salvatore Maranzano becomes Charlie's ally.", "C. Charlie Luciano is betrayed by his closest friends.", "D. Charlie Luciano survives an assassination attempt.", "E. Charlie Luciano leaves the crime world."] | D | 3 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3173 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the climax of the video? | null | [
"Charlie Luciano's arrival in New York.",
"The Atlantic City Conference.",
"The assassination of Salvatore Maranzano.",
"Charlie Luciano's estrangement from his family.",
"The establishment of the National Crime Syndicate."
] | field | true | 5 | ["A. Charlie Luciano's arrival in New York.", "B. The Atlantic City Conference.", "C. The assassination of Salvatore Maranzano.", "D. Charlie Luciano's estrangement from his family.", "E. The establishment of the National Crime Syndicate."] | C | 2 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3174 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the overall emotional tone of the video? | null | [
"Happiness",
"Sadness",
"Tension",
"Excitement",
"Joy"
] | field | true | 5 | ["A. Happiness", "B. Sadness", "C. Tension", "D. Excitement", "E. Joy"] | C | 2 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3175 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What visual style is used in the video? | null | [
"Bright and colorful",
"Dark and gritty",
"Pastel and soft",
"Monochrome",
"Animated"
] | field | true | 5 | ["A. Bright and colorful", "B. Dark and gritty", "C. Pastel and soft", "D. Monochrome", "E. Animated"] | B | 1 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3176 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Charlie Luciano's character develop throughout the video? | null | [
"He becomes a school teacher.",
"He rises from a young immigrant to a powerful crime boss.",
"He leaves the crime world to become a politician.",
"He becomes estranged from his family and lives in isolation.",
"He becomes a detective."
] | field | true | 5 | ["A. He becomes a school teacher.", "B. He rises from a young immigrant to a powerful crime boss.", "C. He leaves the crime world to become a politician.", "D. He becomes estranged from his family and lives in isolation.", "E. He becomes a detective."] | B | 1 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3177 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the central conflict in the video? | null | [
"Charlie Luciano's struggle with his family.",
"The rivalry between Charlie Luciano and Salvatore Maranzano.",
"Charlie Luciano's desire to become a school teacher.",
"The police's pursuit of Charlie Luciano.",
"Charlie Luciano's internal struggle with his conscience."
] | field | true | 5 | ["A. Charlie Luciano's struggle with his family.", "B. The rivalry between Charlie Luciano and Salvatore Maranzano.", "C. Charlie Luciano's desire to become a school teacher.", "D. The police's pursuit of Charlie Luciano.", "E. Charlie Luciano's internal struggle with his conscience."] | B | 1 | 7,235.853625 | Video Classification | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3178 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the scene where Luciano and Maranzano meet at the Bronx Zoo, what is the predominant emotion conveyed? | null | [
"Joy",
"Tension",
"Sadness",
"Fear",
"Indifference"
] | field | true | 5 | ["A. Joy", "B. Tension", "C. Sadness", "D. Fear", "E. Indifference"] | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3179 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Who are the main characters present in the scene at Nuova Villa Tamaro where Masseria and Luciano are having a meal? | null | [
"Masseria, Luciano, and Gerardo",
"Masseria, Luciano, and Lansky",
"Masseria, Luciano, and Siegel",
"Masseria, Luciano, and Costello",
"Masseria, Luciano, and Maranzano"
] | field | true | 5 | ["A. Masseria, Luciano, and Gerardo", "B. Masseria, Luciano, and Lansky", "C. Masseria, Luciano, and Siegel", "D. Masseria, Luciano, and Costello", "E. Masseria, Luciano, and Maranzano"] | A | 0 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3180 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the movement path of the shotgun in the scene where Lansky confronts the two toughs? | null | [
"From Lansky to the Older Tough, then to the Young Tough",
"From the Older Tough to Lansky, then to the Young Tough",
"From the Young Tough to Lansky, then to the Older Tough",
"From Lansky to the Young Tough, then to the Older Tough",
"From the Older Tough to the Young Tough, then to Lansky"
] | field | true | 5 | ["A. From Lansky to the Older Tough, then to the Young Tough", "B. From the Older Tough to Lansky, then to the Young Tough", "C. From the Young Tough to Lansky, then to the Older Tough", "D. From Lansky to the Young Tough, then to the Older Tough", "E. From the Older Tough to the Young Tough, then to Lansky"] | A | 0 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3181 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How do the characters interact with the garbage cans in the scene where the two toughs are being chased by the dog? | null | [
"They hide behind the garbage cans.",
"They throw the garbage cans at the dog.",
"They dart between the garbage cans.",
"They knock over the garbage cans.",
"They climb on top of the garbage cans."
] | field | true | 5 | ["A. They hide behind the garbage cans.", "B. They throw the garbage cans at the dog.", "C. They dart between the garbage cans.", "D. They knock over the garbage cans.", "E. They climb on top of the garbage cans."] | C | 2 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3182 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Where does the confrontation between Luciano and Maranzano take place? | null | [
"In Masseria's office",
"At the Bronx Zoo",
"In a restaurant",
"In a narrow passageway",
"In a car"
] | field | true | 5 | ["A. In Masseria's office", "B. At the Bronx Zoo", "C. In a restaurant", "D. In a narrow passageway", "E. In a car"] | B | 1 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3183 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What different actions does Masseria perform while at the restaurant with Luciano? | null | [
"Eating, laughing, and playing cards",
"Drinking, fighting, and running",
"Talking, hiding, and shooting",
"Cooking, cleaning, and serving",
"Reading, writing, and sleeping"
] | field | true | 5 | ["A. Eating, laughing, and playing cards", "B. Drinking, fighting, and running", "C. Talking, hiding, and shooting", "D. Cooking, cleaning, and serving", "E. Reading, writing, and sleeping"] | A | 0 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3184 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What triggers the shooting of Masseria in the restaurant? | null | [
"Masseria's laughter",
"Luciano's signal from the men's room",
"The arrival of the police",
"A phone call",
"The sound of a car horn"
] | field | true | 5 | ["A. Masseria's laughter", "B. Luciano's signal from the men's room", "C. The arrival of the police", "D. A phone call", "E. The sound of a car horn"] | B | 1 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3185 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the immediate consequence after Luciano calls the police following Masseria's shooting? | null | [
"Luciano is arrested",
"Reporters swarm the scene",
"The restaurant is closed",
"Luciano flees the scene",
"The police ignore the call"
] | field | true | 5 | ["A. Luciano is arrested", "B. Reporters swarm the scene", "C. The restaurant is closed", "D. Luciano flees the scene", "E. The police ignore the call"] | B | 1 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3186 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Does the meeting between Luciano and Maranzano take place indoors or outdoors? | null | [
"Indoors",
"Outdoors",
"Both indoors and outdoors",
"Neither indoors nor outdoors",
"In a vehicle"
] | field | true | 5 | ["A. Indoors", "B. Outdoors", "C. Both indoors and outdoors", "D. Neither indoors nor outdoors", "E. In a vehicle"] | B | 1 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3187 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What causes Masseria to laugh hysterically in the restaurant, and what is the effect of his laughter? | null | [
"A joke by Luciano; Masseria chokes on his food",
"A funny story by Gerardo; Masseria spills his drink",
"The sight of Luciano's friends; Masseria becomes distracted",
"Luciano's suggestion of a peace conference; Masseria becomes more relaxed",
"A card game win; Masseria decides to leave"
] | field | true | 5 | ["A. A joke by Luciano; Masseria chokes on his food", "B. A funny story by Gerardo; Masseria spills his drink", "C. The sight of Luciano's friends; Masseria becomes distracted", "D. Luciano's suggestion of a peace conference; Masseria becomes more relaxed", "E. A card game win; Masseria decides to leave"] | D | 3 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3188 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the main point of the dialogue between Luciano and Masseria in Masseria's office? | null | [
"Discussing a new business venture",
"Planning a vacation",
"Deciding on a hit against rival family heads",
"Arguing about money",
"Talking about family matters"
] | field | true | 5 | ["A. Discussing a new business venture", "B. Planning a vacation", "C. Deciding on a hit against rival family heads", "D. Arguing about money", "E. Talking about family matters"] | C | 2 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3189 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What background elements are notable in Masseria's office, and what do they signify? | null | [
"Bright lights and modern furniture; signify wealth",
"Blood red velvet drapes and a huge oak desk; signify power and danger",
"Family photos and trophies; signify success",
"Bookshelves and paintings; signify intelligence",
"Plants and flowers; signify peace"
] | field | true | 5 | ["A. Bright lights and modern furniture; signify wealth", "B. Blood red velvet drapes and a huge oak desk; signify power and danger", "C. Family photos and trophies; signify success", "D. Bookshelves and paintings; signify intelligence", "E. Plants and flowers; signify peace"] | B | 1 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3190 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Luciano's emotion change during the scene at the restaurant with Masseria? | null | [
"From happy to sad",
"From calm to angry",
"From nervous to confident",
"From indifferent to caring",
"From excited to bored"
] | field | true | 5 | ["A. From happy to sad", "B. From calm to angry", "C. From nervous to confident", "D. From indifferent to caring", "E. From excited to bored"] | C | 2 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3191 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the predominant emotion among Luciano, Lansky, Siegel, and Costello during the shooting of Masseria, and how does it influence their actions? | null | [
"Fear; they hesitate to shoot",
"Joy; they celebrate after shooting",
"Anger; they shoot recklessly",
"Determination; they execute the plan efficiently",
"Sadness; they regret their actions"
] | field | true | 5 | ["A. Fear; they hesitate to shoot", "B. Joy; they celebrate after shooting", "C. Anger; they shoot recklessly", "D. Determination; they execute the plan efficiently", "E. Sadness; they regret their actions"] | D | 3 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3192 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does the video transition from the scene in Luciano's bedroom to the Grand Concourse Hall? | null | [
"The camera zooms out from Luciano's face to a wide shot of the hall.",
"The scene fades from Luciano's bedroom to a riot of religious images in the hall.",
"The video cuts directly from Luciano's bedroom to a close-up of Maranzano.",
"The scene transitions with a voiceover explaining the next setting.",
"T... | field | true | 5 | ["A. The camera zooms out from Luciano's face to a wide shot of the hall.", "B. The scene fades from Luciano's bedroom to a riot of religious images in the hall.", "C. The video cuts directly from Luciano's bedroom to a close-up of Maranzano.", "D. The scene transitions with a voiceover explaining the next setting.", "... | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3193 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Charlie Luciano's character develop from the Grand Concourse Hall scene to the scene in his apartment with Gay Orlova? | null | [
"He becomes more ruthless and detached.",
"He shows increasing signs of paranoia and desperation.",
"He becomes more affectionate and hopeful.",
"He becomes more submissive and fearful.",
"He shows signs of regret and guilt."
] | field | true | 5 | ["A. He becomes more ruthless and detached.", "B. He shows increasing signs of paranoia and desperation.", "C. He becomes more affectionate and hopeful.", "D. He becomes more submissive and fearful.", "E. He shows signs of regret and guilt."] | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3194 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Which objects are present in the Grand Concourse Hall scene, and how are they classified? | null | [
"Crosses, statues, and pictures of saints.",
"Mobsters' weapons, cash envelopes, and chairs.",
"Religious artifacts, mobsters' attire, and thrones.",
"Gold crosses, thrones, and religious texts.",
"Cash envelopes, religious texts, and mobsters' weapons."
] | field | true | 5 | ["A. Crosses, statues, and pictures of saints.", "B. Mobsters' weapons, cash envelopes, and chairs.", "C. Religious artifacts, mobsters' attire, and thrones.", "D. Gold crosses, thrones, and religious texts.", "E. Cash envelopes, religious texts, and mobsters' weapons."] | A | 0 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3195 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Describe the movement path of the cash envelopes in the Grand Concourse Hall scene. | null | [
"From the mobsters to Maranzano's hands.",
"From the mobsters to the factotum and then to Maranzano.",
"From the mobsters to Charlie and then to Maranzano.",
"From the mobsters to a collection box and then to Maranzano.",
"From the mobsters to the factotum and then to a safe."
] | field | true | 5 | ["A. From the mobsters to Maranzano's hands.", "B. From the mobsters to the factotum and then to Maranzano.", "C. From the mobsters to Charlie and then to Maranzano.", "D. From the mobsters to a collection box and then to Maranzano.", "E. From the mobsters to the factotum and then to a safe."] | B | 1 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3196 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What are the different forms of respect shown to Maranzano by the mobsters in the Grand Concourse Hall scene? | null | [
"Bowing, shaking hands, and giving gifts.",
"Kneeling, kissing the ring, and handing over cash envelopes.",
"Saluting, hugging, and offering drinks.",
"Clapping, bowing, and presenting medals.",
"Standing, applauding, and giving speeches."
] | field | true | 5 | ["A. Bowing, shaking hands, and giving gifts.", "B. Kneeling, kissing the ring, and handing over cash envelopes.", "C. Saluting, hugging, and offering drinks.", "D. Clapping, bowing, and presenting medals.", "E. Standing, applauding, and giving speeches."] | B | 1 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3197 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How do Charlie Luciano and Frank Costello interact through their actions in the Grand Concourse Hall scene? | null | [
"They argue and then shake hands.",
"They exchange envelopes and discuss a threat.",
"They hug and then plan a strategy.",
"They bow to Maranzano and then whisper to each other.",
"They clap for Maranzano and then leave together."
] | field | true | 5 | ["A. They argue and then shake hands.", "B. They exchange envelopes and discuss a threat.", "C. They hug and then plan a strategy.", "D. They bow to Maranzano and then whisper to each other.", "E. They clap for Maranzano and then leave together."] | B | 1 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3198 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What event signifies the end of the mobsters' act of respect towards Maranzano in the Grand Concourse Hall scene? | null | [
"Maranzano sits back down on his throne.",
"The mobsters finish handing over their envelopes.",
"Maranzano announces the end of the ceremony.",
"The last mobster rises from kneeling.",
"Charlie Luciano stands up and applauds."
] | field | true | 5 | ["A. Maranzano sits back down on his throne.", "B. The mobsters finish handing over their envelopes.", "C. Maranzano announces the end of the ceremony.", "D. The last mobster rises from kneeling.", "E. Charlie Luciano stands up and applauds."] | D | 3 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3199 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What motivates Charlie Luciano to kneel and kiss Maranzano's ring during the ceremony? | null | [
"Fear of retribution from Maranzano.",
"Desire to show genuine respect.",
"Obligation to follow mob protocol.",
"Intention to deceive Maranzano.",
"Pressure from other mobsters."
] | field | true | 5 | ["A. Fear of retribution from Maranzano.", "B. Desire to show genuine respect.", "C. Obligation to follow mob protocol.", "D. Intention to deceive Maranzano.", "E. Pressure from other mobsters."] | C | 2 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false |
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