benchmark stringclasses 139
values | item_id stringlengths 1 63 | video_key stringlengths 25 348 ⌀ | video_id stringlengths 18 64 ⌀ | video_path stringlengths 132 132 ⌀ | question stringlengths 0 2.36k ⌀ | question_raw stringlengths 32 3.43k ⌀ | options listlengths 0 23 ⌀ | options_source stringclasses 3
values | option_prefix_stripped bool 2
classes | n_options int32 0 23 ⌀ | options_raw stringlengths 2 27.4k ⌀ | answer stringlengths 1 2k ⌀ | answer_idx int32 -1 15 ⌀ | duration float64 0.25 36k ⌀ | declared_task stringlengths 1 73 ⌀ | declared_scene stringclasses 1
value | license stringclasses 10
values | format stringclasses 2
values | format_reason stringclasses 5
values | bench_question_format stringclasses 6
values | in_sample bool 2
classes |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
ALLVB | ALLVB_3200 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Describe the setting of the scene where Charlie and his friends are discussing Maranzano in Luciano's apartment. | null | [
"A dimly lit living room with evening wear-clad characters.",
"A brightly lit kitchen with casual attire.",
"A dark alleyway with characters in trench coats.",
"A luxurious office with formal business attire.",
"A bustling restaurant with characters in suits."
] | field | true | 5 | ["A. A dimly lit living room with evening wear-clad characters.", "B. A brightly lit kitchen with casual attire.", "C. A dark alleyway with characters in trench coats.", "D. A luxurious office with formal business attire.", "E. A bustling restaurant with characters in suits."] | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3201 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Summarize the main dialogue during the scene where Charlie and his friends discuss Maranzano in Luciano's apartment. | null | [
"They discuss their financial troubles and possible solutions.",
"They talk about their next heist and its potential risks.",
"They strategize on how to deal with Maranzano and his threat.",
"They reminisce about past victories and losses.",
"They plan a celebration for their recent success."
] | field | true | 5 | ["A. They discuss their financial troubles and possible solutions.", "B. They talk about their next heist and its potential risks.", "C. They strategize on how to deal with Maranzano and his threat.", "D. They reminisce about past victories and losses.", "E. They plan a celebration for their recent success."] | C | 2 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3202 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the essence of the conversation between Charlie and Gay Orlova in the bedroom scene? | null | [
"They discuss their future plans and fears.",
"They argue about Charlie's dangerous lifestyle.",
"They talk about their financial situation.",
"They plan a vacation to escape the chaos.",
"They reminisce about their past together."
] | field | true | 5 | ["A. They discuss their future plans and fears.", "B. They argue about Charlie's dangerous lifestyle.", "C. They talk about their financial situation.", "D. They plan a vacation to escape the chaos.", "E. They reminisce about their past together."] | A | 0 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3203 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Describe the lighting used in the scene where Mad Dog Coll attacks the bodyguards outside Luciano's apartment. | null | [
"Bright and harsh lighting to emphasize the violence.",
"Soft and dim lighting to create a sense of foreboding.",
"Natural daylight to contrast the brutality.",
"Flickering lights to create a chaotic atmosphere.",
"Colored lighting to add a surreal effect."
] | field | true | 5 | ["A. Bright and harsh lighting to emphasize the violence.", "B. Soft and dim lighting to create a sense of foreboding.", "C. Natural daylight to contrast the brutality.", "D. Flickering lights to create a chaotic atmosphere.", "E. Colored lighting to add a surreal effect."] | B | 1 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3204 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Charlie Luciano's emotion change from the beginning to the end of the scene where he interacts with Gay Orlova in the bedroom? | null | [
"From anger to regret.",
"From joy to sadness.",
"From fear to relief.",
"From confusion to clarity.",
"From indifference to affection."
] | field | true | 5 | ["A. From anger to regret.", "B. From joy to sadness.", "C. From fear to relief.", "D. From confusion to clarity.", "E. From indifference to affection."] | A | 0 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3205 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What subtle emotional cues indicate Charlie Luciano's true feelings when he interacts with Gay Orlova in the bedroom? | null | [
"His tone of voice and body language.",
"His choice of words and facial expressions.",
"His eye contact and hand gestures.",
"His silence and physical distance.",
"His laughter and casual demeanor."
] | field | true | 5 | ["A. His tone of voice and body language.", "B. His choice of words and facial expressions.", "C. His eye contact and hand gestures.", "D. His silence and physical distance.", "E. His laughter and casual demeanor."] | A | 0 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3206 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In what order do the following events occur?
1. Coll paces with the phone in his hand.
2. Luciano confronts Coll in the department store changing booth.
3. Maranzano is stabbed by Lansky.
4. Charlie is elected head of the National Commission.
5. Coll is shot by Charlie. | null | [
"1, 2, 3, 4, 5",
"1, 3, 2, 5, 4",
"1, 2, 5, 3, 4",
"1, 2, 5, 4, 3",
"1, 3, 2, 4, 5"
] | field | true | 5 | ["A. 1, 2, 3, 4, 5", "B. 1, 3, 2, 5, 4", "C. 1, 2, 5, 3, 4", "D. 1, 2, 5, 4, 3", "E. 1, 3, 2, 4, 5"] | D | 3 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3207 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Charlie Luciano's character develop from the beginning to the end of the selected scenes? | null | [
"He becomes more ruthless and power-hungry.",
"He transitions from a vengeful individual to a leader who values democracy among his peers.",
"He becomes increasingly paranoid and distrustful of his allies.",
"He starts as a fearful character and ends up as a confident mob boss.",
"He remains consistent in h... | field | true | 5 | ["A. He becomes more ruthless and power-hungry.", "B. He transitions from a vengeful individual to a leader who values democracy among his peers.", "C. He becomes increasingly paranoid and distrustful of his allies.", "D. He starts as a fearful character and ends up as a confident mob boss.", "E. He remains consistent ... | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3208 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the scene where Lansky and his "accountants" enter Maranzano's office, how are the objects (briefcases and weapons) distributed? | null | [
"Briefcases are placed on the floor, and weapons are hidden in their jackets.",
"Briefcases are opened on the desk, and weapons are drawn from them.",
"Briefcases are left outside, and weapons are carried in hand.",
"Briefcases are placed on the chairs, and weapons are hidden in the briefcases.",
"Briefcase... | field | true | 5 | ["A. Briefcases are placed on the floor, and weapons are hidden in their jackets.", "B. Briefcases are opened on the desk, and weapons are drawn from them.", "C. Briefcases are left outside, and weapons are carried in hand.", "D. Briefcases are placed on the chairs, and weapons are hidden in the briefcases.", "E. Brief... | B | 1 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3209 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In what order do the following objects appear in the scene where Luciano confronts Coll in the department store?
1. Pistol
2. Jacket
3. Salesman
4. Changing booth
5. Newspaper | null | [
"5, 4, 3, 2, 1",
"4, 3, 2, 1, 5",
"3, 4, 2, 1, 5",
"4, 2, 3, 1, 5",
"5, 3, 4, 2, 1"
] | field | true | 5 | ["A. 5, 4, 3, 2, 1", "B. 4, 3, 2, 1, 5", "C. 3, 4, 2, 1, 5", "D. 4, 2, 3, 1, 5", "E. 5, 3, 4, 2, 1"] | A | 0 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3210 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How many times does Mad Dog Coll fire his gun in the department store scene? | null | [
"1",
"2",
"3",
"4",
"5"
] | field | true | 5 | ["A. 1", "B. 2", "C. 3", "D. 4", "E. 5"] | D | 3 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3211 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In what context does Charlie tackle Coll in the department store? | null | [
"In the men's department while Coll is trying on a jacket.",
"In the ladies' department while Coll is running away.",
"In the jewelry section while Coll is examining a display.",
"In the shoe section while Coll is trying on shoes.",
"In the electronics section while Coll is making a phone call."
] | field | true | 5 | ["A. In the men's department while Coll is trying on a jacket.", "B. In the ladies' department while Coll is running away.", "C. In the jewelry section while Coll is examining a display.", "D. In the shoe section while Coll is trying on shoes.", "E. In the electronics section while Coll is making a phone call."] | B | 1 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3212 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What immediate consequence follows Charlie losing his gun in the department store? | null | [
"Coll escapes the store.",
"Coll grabs a hostage.",
"Coll picks up the gun and shoots the store manager.",
"Security guards apprehend Coll.",
"Coll surrenders to Charlie."
] | field | true | 5 | ["A. Coll escapes the store.", "B. Coll grabs a hostage.", "C. Coll picks up the gun and shoots the store manager.", "D. Security guards apprehend Coll.", "E. Coll surrenders to Charlie."] | C | 2 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3213 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How do the security guards react immediately after Coll shoots the store manager? | null | [
"They tackle Coll to the ground.",
"They dive for cover.",
"They draw their weapons and shoot at Coll.",
"They call for backup.",
"They try to evacuate the store."
] | field | true | 5 | ["A. They tackle Coll to the ground.", "B. They dive for cover.", "C. They draw their weapons and shoot at Coll.", "D. They call for backup.", "E. They try to evacuate the store."] | B | 1 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3214 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Where does the event of Coll shoving an older man away from the door of a cab take place? | null | [
"Indoors, in the department store.",
"Outdoors, on the street.",
"Indoors, in the hotel lobby.",
"Outdoors, in a park.",
"Indoors, in a parking garage."
] | field | true | 5 | ["A. Indoors, in the department store.", "B. Outdoors, on the street.", "C. Indoors, in the hotel lobby.", "D. Outdoors, in a park.", "E. Indoors, in a parking garage."] | B | 1 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3215 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the main topic of the dialogue between Mad Dog Coll and Maranzano over the phone? | null | [
"Coll's demand for money.",
"Coll's plan to escape.",
"Maranzano's distrust of Luciano.",
"Coll's recent crimes.",
"Maranzano's business dealings."
] | field | true | 5 | ["A. Coll's demand for money.", "B. Coll's plan to escape.", "C. Maranzano's distrust of Luciano.", "D. Coll's recent crimes.", "E. Maranzano's business dealings."] | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3216 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the essence of the conversation between Charlie and Capone in the conference room? | null | [
"Charlie's refusal to be the sole boss.",
"Capone's plan to expand their territory.",
"Charlie's distrust of the other mobsters.",
"Capone's desire to retire.",
"Charlie's plan to eliminate rivals."
] | field | true | 5 | ["A. Charlie's refusal to be the sole boss.", "B. Capone's plan to expand their territory.", "C. Charlie's distrust of the other mobsters.", "D. Capone's desire to retire.", "E. Charlie's plan to eliminate rivals."] | A | 0 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3217 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How is the lighting used in the scene where Charlie is in the marble bath? | null | [
"Bright and harsh, highlighting the tension.",
"Soft and dim, creating a reflective atmosphere.",
"Flickering and unstable, indicating danger.",
"Natural and warm, suggesting comfort.",
"Colorful and vibrant, indicating celebration."
] | field | true | 5 | ["A. Bright and harsh, highlighting the tension.", "B. Soft and dim, creating a reflective atmosphere.", "C. Flickering and unstable, indicating danger.", "D. Natural and warm, suggesting comfort.", "E. Colorful and vibrant, indicating celebration."] | B | 1 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3218 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What subtle emotional cue indicates Charlie's true feelings when he is elected head of the National Commission? | null | [
"His enthusiastic acceptance of the position.",
"His hesitant smile and reluctance to sit at the head of the table.",
"His loud and confident speech.",
"His aggressive demeanor towards the other mobsters.",
"His immediate acceptance of the title."
] | field | true | 5 | ["A. His enthusiastic acceptance of the position.", "B. His hesitant smile and reluctance to sit at the head of the table.", "C. His loud and confident speech.", "D. His aggressive demeanor towards the other mobsters.", "E. His immediate acceptance of the title."] | B | 1 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3219 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Charlie's emotional arc resolve in the final scene of the selected segments? | null | [
"He becomes more vengeful and angry.",
"He finds peace and contentment.",
"He remains conflicted and uncertain.",
"He becomes more paranoid and distrustful.",
"He feels triumphant and powerful."
] | field | true | 5 | ["A. He becomes more vengeful and angry.", "B. He finds peace and contentment.", "C. He remains conflicted and uncertain.", "D. He becomes more paranoid and distrustful.", "E. He feels triumphant and powerful."] | C | 2 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3220 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the scene where the boys are in the warehouse basement, who are the main characters present and what are they doing? | null | [
"Siegel, Lansky, and Moliari discussing a heist",
"Charlie, Frank, and Bugsy draped over sacks of flour",
"Lansky, Maranzano, and Bugsy planning a robbery",
"Charlie, Siegel, and Moliari counting money",
"Frank, Lansky, and Maranzano arguing about money"
] | field | true | 5 | ["A. Siegel, Lansky, and Moliari discussing a heist", "B. Charlie, Frank, and Bugsy draped over sacks of flour", "C. Lansky, Maranzano, and Bugsy planning a robbery", "D. Charlie, Siegel, and Moliari counting money", "E. Frank, Lansky, and Maranzano arguing about money"] | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3221 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the sequence of events from the moment the boys enter Moliari's apartment to when they leave? | null | [
"They find money, eat prosciutto, and leave quietly.",
"They search the apartment, find money, and escape after a knock at the door.",
"They argue, find jewelry, and leave through the window.",
"They find a hidden safe, take the money, and leave through the back door.",
"They search for a safe, find nothing... | field | true | 5 | ["A. They find money, eat prosciutto, and leave quietly.", "B. They search the apartment, find money, and escape after a knock at the door.", "C. They argue, find jewelry, and leave through the window.", "D. They find a hidden safe, take the money, and leave through the back door.", "E. They search for a safe, find not... | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3222 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the shape of the jewelry box that Meyer finds in Moliari's apartment? | null | [
"Circular",
"Triangular",
"Rectangular",
"Oval",
"Hexagonal"
] | field | true | 5 | ["A. Circular", "B. Triangular", "C. Rectangular", "D. Oval", "E. Hexagonal"] | C | 2 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3223 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How are the sacks of flour distributed in the warehouse basement scene? | null | [
"Neatly stacked in one corner",
"Scattered randomly across the floor",
"Arranged in a circle around the room",
"Piled up against the brick walls",
"Lined up in rows along the center"
] | field | true | 5 | ["A. Neatly stacked in one corner", "B. Scattered randomly across the floor", "C. Arranged in a circle around the room", "D. Piled up against the brick walls", "E. Lined up in rows along the center"] | D | 3 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3224 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How many times does Charlie push Lansky off the pier in the river scene? | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | B | 1 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3225 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What variations of fighting occur between Frank and Bugsy in the warehouse basement scene? | null | [
"Slapping and hair-pulling",
"Punching and kicking",
"Wrestling and biting",
"Shoving and tripping",
"Headbutting and elbowing"
] | field | true | 5 | ["A. Slapping and hair-pulling", "B. Punching and kicking", "C. Wrestling and biting", "D. Shoving and tripping", "E. Headbutting and elbowing"] | B | 1 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3226 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What marks the start and end of the boys' search in Moliari's apartment? | null | [
"Start: Entering the apartment; End: Finding the jewelry box",
"Start: Entering the apartment; End: Don Maranzano knocking at the door",
"Start: Moliari leaving; End: Finding the money",
"Start: Picking the lock; End: Charlie pissing on the bed",
"Start: Moliari leaving; End: Don Maranzano arriving"
] | field | true | 5 | ["A. Start: Entering the apartment; End: Finding the jewelry box", "B. Start: Entering the apartment; End: Don Maranzano knocking at the door", "C. Start: Moliari leaving; End: Finding the money", "D. Start: Picking the lock; End: Charlie pissing on the bed", "E. Start: Moliari leaving; End: Don Maranzano arriving"] | B | 1 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3227 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What triggers the boys to start their escape from Moliari's apartment? | null | [
"The sound of police sirens",
"The telephone ringing",
"Don Maranzano knocking at the door",
"A neighbor's dog barking",
"Moliari returning home"
] | field | true | 5 | ["A. The sound of police sirens", "B. The telephone ringing", "C. Don Maranzano knocking at the door", "D. A neighbor's dog barking", "E. Moliari returning home"] | C | 2 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3228 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Who are the main characters involved in the heist at Moliari's apartment and what are their roles? | null | [
"Charlie, Frank, Bugsy, and Meyer; Charlie leads, Frank and Bugsy search, Meyer picks the lock",
"Charlie, Frank, Bugsy, and Lansky; Charlie leads, Frank and Bugsy search, Lansky picks the lock",
"Charlie, Frank, Bugsy, and Moliari; Charlie leads, Frank and Bugsy search, Moliari picks the lock",
"Charlie, Fra... | field | true | 5 | ["A. Charlie, Frank, Bugsy, and Meyer; Charlie leads, Frank and Bugsy search, Meyer picks the lock", "B. Charlie, Frank, Bugsy, and Lansky; Charlie leads, Frank and Bugsy search, Lansky picks the lock", "C. Charlie, Frank, Bugsy, and Moliari; Charlie leads, Frank and Bugsy search, Moliari picks the lock", "D. Charlie, ... | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3229 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What are the landmark scenes that mark the beginning and end of the boys' escape from Moliari's apartment? | null | [
"Start: Don Maranzano knocking; End: Boys reaching the street",
"Start: Telephone ringing; End: Boys reaching the street",
"Start: Moliari returning; End: Boys reaching the street",
"Start: Don Maranzano knocking; End: Boys reaching the warehouse",
"Start: Telephone ringing; End: Boys reaching the warehouse... | field | true | 5 | ["A. Start: Don Maranzano knocking; End: Boys reaching the street", "B. Start: Telephone ringing; End: Boys reaching the street", "C. Start: Moliari returning; End: Boys reaching the street", "D. Start: Don Maranzano knocking; End: Boys reaching the warehouse", "E. Start: Telephone ringing; End: Boys reaching the wareh... | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3230 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the main content of the scene where Charlie, Frank, and Bugsy are in the warehouse basement? | null | [
"Planning a heist",
"Discussing their boredom and fighting",
"Counting stolen money",
"Hiding from the police",
"Eating and drinking"
] | field | true | 5 | ["A. Planning a heist", "B. Discussing their boredom and fighting", "C. Counting stolen money", "D. Hiding from the police", "E. Eating and drinking"] | B | 1 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3231 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Lansky express his emotions when he surfaces in the river? | null | [
"Laughing and joking",
"Crying and pleading",
"Cursing and sputtering",
"Smiling and waving",
"Shouting and threatening"
] | field | true | 5 | ["A. Laughing and joking", "B. Crying and pleading", "C. Cursing and sputtering", "D. Smiling and waving", "E. Shouting and threatening"] | C | 2 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | true | ||
ALLVB | ALLVB_3232 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the primary emotion displayed by Charlie when he finds the envelope of money in Moliari's apartment? | null | [
"Joy",
"Anger",
"Satisfaction",
"Fear",
"Sadness"
] | field | true | 5 | ["A. Joy", "B. Anger", "C. Satisfaction", "D. Fear", "E. Sadness"] | C | 2 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3233 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does the environment of the warehouse basement influence the emotions of Charlie, Frank, and Bugsy? | null | [
"The heat and confinement make them irritable and bored",
"The darkness makes them scared and anxious",
"The noise makes them excited and energetic",
"The cleanliness makes them relaxed and happy",
"The spaciousness makes them calm and content"
] | field | true | 5 | ["A. The heat and confinement make them irritable and bored", "B. The darkness makes them scared and anxious", "C. The noise makes them excited and energetic", "D. The cleanliness makes them relaxed and happy", "E. The spaciousness makes them calm and content"] | A | 0 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3234 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the scene where the immigrants are below deck on the ship, who are the main characters present and what are their actions? | null | [
"Salvatore Luciano, Rosalie Luciano, Antonio Luciano, Sausage Man",
"Salvatore Luciano, Bartolo Luciano, Antonio Luciano, Excited Man",
"Salvatore Luciano, Rosalie Luciano, Antonio Luciano, Excited Man",
"Salvatore Luciano, Rosalie Luciano, Bartolo Luciano, Sausage Man",
"Salvatore Luciano, Rosalie Luciano,... | field | true | 5 | ["A. Salvatore Luciano, Rosalie Luciano, Antonio Luciano, Sausage Man", "B. Salvatore Luciano, Bartolo Luciano, Antonio Luciano, Excited Man", "C. Salvatore Luciano, Rosalie Luciano, Antonio Luciano, Excited Man", "D. Salvatore Luciano, Rosalie Luciano, Bartolo Luciano, Sausage Man", "E. Salvatore Luciano, Rosalie Luci... | E | 4 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3235 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the correct chronological order of events from the immigrants below deck to Salvatore in the classroom? | null | [
"Salvatore eats sausage, Antonio shouts, Salvatore in classroom",
"Antonio shouts, Salvatore eats sausage, Salvatore in classroom",
"Salvatore in classroom, Antonio shouts, Salvatore eats sausage",
"Antonio shouts, Salvatore in classroom, Salvatore eats sausage",
"Salvatore eats sausage, Salvatore in classr... | field | true | 5 | ["A. Salvatore eats sausage, Antonio shouts, Salvatore in classroom", "B. Antonio shouts, Salvatore eats sausage, Salvatore in classroom", "C. Salvatore in classroom, Antonio shouts, Salvatore eats sausage", "D. Antonio shouts, Salvatore in classroom, Salvatore eats sausage", "E. Salvatore eats sausage, Salvatore in cl... | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3236 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Which objects are identified below deck on the ship and what are their characteristics? | null | [
"Benches, lamp, baggage",
"Benches, sausage, lamp",
"Lamp, bread, benches",
"Baggage, lamp, bread",
"Sausage, lamp, benches"
] | field | true | 5 | ["A. Benches, lamp, baggage", "B. Benches, sausage, lamp", "C. Lamp, bread, benches", "D. Baggage, lamp, bread", "E. Sausage, lamp, benches"] | A | 0 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3237 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How many times does the lamp appear in the scenes start with a group of immigrants, including an eleven-year-old Salvatore Luciano and his family, enduring a cramped and dimly-lit room below deck on an ocean-going ship, and end with Salvatore, now in a classroom at P.S. #34, feeling out of place and humiliated as he is... | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | A | 0 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3238 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the sequence of actions involving Salvatore Luciano from below deck to the classroom? | null | [
"Salvatore leans against his mother, eats sausage, runs for the door, appears in classroom",
"Salvatore eats sausage, leans against his mother, runs for the door, appears in classroom",
"Salvatore runs for the door, eats sausage, leans against his mother, appears in classroom",
"Salvatore leans against his mo... | field | true | 5 | ["A. Salvatore leans against his mother, eats sausage, runs for the door, appears in classroom", "B. Salvatore eats sausage, leans against his mother, runs for the door, appears in classroom", "C. Salvatore runs for the door, eats sausage, leans against his mother, appears in classroom", "D. Salvatore leans against his... | A | 0 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3239 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Which actions occur simultaneously when the excited man announces New York? | null | [
"Antonio's face lights up and passengers roar their approval",
"Salvatore eats sausage and passengers rush for the door",
"Rosalie stirs and Antonio grabs the sausage",
"Salvatore glares at his father and Rosalie squeezes his hand",
"Salvatore runs for the door and the lamp swings"
] | field | true | 5 | ["A. Antonio's face lights up and passengers roar their approval", "B. Salvatore eats sausage and passengers rush for the door", "C. Rosalie stirs and Antonio grabs the sausage", "D. Salvatore glares at his father and Rosalie squeezes his hand", "E. Salvatore runs for the door and the lamp swings"] | A | 0 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3240 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What triggers Salvatore to eat the sausage? | null | [
"The announcement of New York",
"Antonio shouting and taking the sausage",
"Rosalie stirring from her stupor",
"The Sausage Man offering the sausage",
"The lamp swinging from the ceiling"
] | field | true | 5 | ["A. The announcement of New York", "B. Antonio shouting and taking the sausage", "C. Rosalie stirring from her stupor", "D. The Sausage Man offering the sausage", "E. The lamp swinging from the ceiling"] | A | 0 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3241 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the immediate consequence after Salvatore eats the sausage? | null | [
"He runs for the door",
"He gets scolded by his father",
"He shares the sausage with his brother",
"He hides the sausage",
"He falls asleep"
] | field | true | 5 | ["A. He runs for the door", "B. He gets scolded by his father", "C. He shares the sausage with his brother", "D. He hides the sausage", "E. He falls asleep"] | A | 0 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3242 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Where does the event of the immigrants below deck take place? | null | [
"Indoors",
"Outdoors",
"On the deck",
"In a classroom",
"In a market"
] | field | true | 5 | ["A. Indoors", "B. Outdoors", "C. On the deck", "D. In a classroom", "E. In a market"] | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3243 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Who are the main characters involved in the event of Salvatore being placed in the classroom? | null | [
"Salvatore Luciano, Teacher, little girl",
"Salvatore Luciano, Antonio Luciano, Teacher",
"Salvatore Luciano, Bartolo Luciano, Teacher",
"Salvatore Luciano, Rosalie Luciano, Teacher",
"Salvatore Luciano, Sausage Man, Teacher"
] | field | true | 5 | ["A. Salvatore Luciano, Teacher, little girl", "B. Salvatore Luciano, Antonio Luciano, Teacher", "C. Salvatore Luciano, Bartolo Luciano, Teacher", "D. Salvatore Luciano, Rosalie Luciano, Teacher", "E. Salvatore Luciano, Sausage Man, Teacher"] | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3244 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What are the weather conditions depicted in the scene below deck on the ship? | null | [
"Rainy",
"Sunny",
"Foggy",
"Snowy",
"Not specified"
] | field | true | 5 | ["A. Rainy", "B. Sunny", "C. Foggy", "D. Snowy", "E. Not specified"] | E | 4 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3245 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What background elements are significant in the scene below deck on the ship? | null | [
"The lamp swinging from the ceiling",
"The sound of waves",
"The smell of food",
"The noise of the engine",
"The sight of seagulls"
] | field | true | 5 | ["A. The lamp swinging from the ceiling", "B. The sound of waves", "C. The smell of food", "D. The noise of the engine", "E. The sight of seagulls"] | A | 0 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3246 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What subtle emotional cue indicates Salvatore's true feelings when his father takes the sausage from him? | null | [
"Salvatore glares at his father",
"Salvatore smiles at his father",
"Salvatore hugs his mother",
"Salvatore laughs at the situation",
"Salvatore cries quietly"
] | field | true | 5 | ["A. Salvatore glares at his father", "B. Salvatore smiles at his father", "C. Salvatore hugs his mother", "D. Salvatore laughs at the situation", "E. Salvatore cries quietly"] | A | 0 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3247 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does the environment of the classroom influence Salvatore's emotions? | null | [
"The buzzing classroom makes him feel out of place",
"The quiet classroom makes him feel calm",
"The dark classroom makes him feel scared",
"The colorful classroom makes him feel happy",
"The empty classroom makes him feel lonely"
] | field | true | 5 | ["A. The buzzing classroom makes him feel out of place", "B. The quiet classroom makes him feel calm", "C. The dark classroom makes him feel scared", "D. The colorful classroom makes him feel happy", "E. The empty classroom makes him feel lonely"] | A | 0 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3248 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In the scene where Charlie and his associates discuss the deal with Tommy Reina, what is the main source of tension? | null | [
"The amount of money required for the deal",
"The involvement of Arnold Rothstein",
"The deadline for the deal",
"The quality of the Scotch whisky",
"The location of the deal"
] | field | true | 5 | ["A. The amount of money required for the deal", "B. The involvement of Arnold Rothstein", "C. The deadline for the deal", "D. The quality of the Scotch whisky", "E. The location of the deal"] | C | 2 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3249 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the correct sequence of events from the moment Meyer Lansky and Bugsy Siegel enter the restaurant to the end of their conversation with Charlie? | null | [
"Meyer and Bugsy enter, discuss the warehouse, introduce Tommy Reina, discuss the Scotch deal.",
"Meyer and Bugsy enter, introduce Tommy Reina, discuss the Scotch deal, discuss the warehouse.",
"Meyer and Bugsy enter, discuss the Scotch deal, introduce Tommy Reina, discuss the warehouse.",
"Meyer and Bugsy en... | field | true | 5 | ["A. Meyer and Bugsy enter, discuss the warehouse, introduce Tommy Reina, discuss the Scotch deal.", "B. Meyer and Bugsy enter, introduce Tommy Reina, discuss the Scotch deal, discuss the warehouse.", "C. Meyer and Bugsy enter, discuss the Scotch deal, introduce Tommy Reina, discuss the warehouse.", "D. Meyer and Bugsy... | A | 0 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3250 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Which object is occluded when Charlie and Capone are in the limousine, and for how long? | null | [
"The steering wheel, for a few seconds",
"The pistol, for the entire scene",
"The cigar, for a brief moment",
"The window, for the entire scene",
"The match, for a few seconds"
] | field | true | 5 | ["A. The steering wheel, for a few seconds", "B. The pistol, for the entire scene", "C. The cigar, for a brief moment", "D. The window, for the entire scene", "E. The match, for a few seconds"] | C | 2 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3251 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How often does the pistol appear in the scenes involving Charlie and Capone? | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | B | 1 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3252 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the outcome of Charlie pushing the dumpster down the alley? | null | [
"The gunman escapes",
"The gunman surrenders",
"The gunman runs out of bullets",
"The gunman is cornered",
"The gunman is shot"
] | field | true | 5 | ["A. The gunman escapes", "B. The gunman surrenders", "C. The gunman runs out of bullets", "D. The gunman is cornered", "E. The gunman is shot"] | D | 3 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | true | ||
ALLVB | ALLVB_3253 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What emotion does Bugsy Siegel express when he jumps to his feet after Al Capone yells across the room? | null | [
"Fear",
"Anger",
"Excitement",
"Confusion",
"Joy"
] | field | true | 5 | ["A. Fear", "B. Anger", "C. Excitement", "D. Confusion", "E. Joy"] | B | 1 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3254 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What triggers the gunfire that causes the limousine window to explode? | null | [
"Capone lighting his cigar",
"The limousine stopping",
"A passing car",
"Charlie pulling out his pistol",
"Capone calling out to the driver"
] | field | true | 5 | ["A. Capone lighting his cigar", "B. The limousine stopping", "C. A passing car", "D. Charlie pulling out his pistol", "E. Capone calling out to the driver"] | C | 2 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3255 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the immediate consequence after Charlie returns fire from the limousine? | null | [
"The gunman is shot",
"The limousine crashes",
"Capone is injured",
"The gunman surrenders",
"The limousine speeds away"
] | field | true | 5 | ["A. The gunman is shot", "B. The limousine crashes", "C. Capone is injured", "D. The gunman surrenders", "E. The limousine speeds away"] | B | 1 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3256 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does the introduction of Tommy Reina contribute to the overall plot? | null | [
"It introduces a new antagonist",
"It provides a new business opportunity",
"It creates a romantic subplot",
"It resolves a previous conflict",
"It adds comic relief"
] | field | true | 5 | ["A. It introduces a new antagonist", "B. It provides a new business opportunity", "C. It creates a romantic subplot", "D. It resolves a previous conflict", "E. It adds comic relief"] | B | 1 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3257 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the correct sequence of events from the moment Capone and Charlie get into the limousine to the end of the alley shootout? | null | [
"Capone and Charlie get in, Capone talks about Chicago, the window explodes, Charlie returns fire, the limousine crashes, Charlie advances down the alley.",
"Capone and Charlie get in, the window explodes, Capone talks about Chicago, Charlie returns fire, the limousine crashes, Charlie advances down the alley.",
... | field | true | 5 | ["A. Capone and Charlie get in, Capone talks about Chicago, the window explodes, Charlie returns fire, the limousine crashes, Charlie advances down the alley.", "B. Capone and Charlie get in, the window explodes, Capone talks about Chicago, Charlie returns fire, the limousine crashes, Charlie advances down the alley.",... | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3258 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the main content of the scenes involving Charlie, Capone, and the limousine shootout? | null | [
"A business negotiation",
"A romantic encounter",
"A violent confrontation",
"A comedic interlude",
"A family reunion"
] | field | true | 5 | ["A. A business negotiation", "B. A romantic encounter", "C. A violent confrontation", "D. A comedic interlude", "E. A family reunion"] | C | 2 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3259 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Are there any animals present in the scenes involving the restaurant and the limousine? | null | [
"Yes, a dog",
"Yes, a cat",
"Yes, a bird",
"No animals are present",
"Yes, a horse"
] | field | true | 5 | ["A. Yes, a dog", "B. Yes, a cat", "C. Yes, a bird", "D. No animals are present", "E. Yes, a horse"] | D | 3 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3260 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Charlie's dialogue reflect his emotional state when he insists on the Wednesday deadline for the Scotch deal? | null | [
"It shows his fear",
"It shows his confidence",
"It shows his confusion",
"It shows his sadness",
"It shows his excitement"
] | field | true | 5 | ["A. It shows his fear", "B. It shows his confidence", "C. It shows his confusion", "D. It shows his sadness", "E. It shows his excitement"] | B | 1 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3261 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Capone's body language express his emotions when he dives to the floor of the limousine? | null | [
"It shows his fear",
"It shows his anger",
"It shows his joy",
"It shows his confusion",
"It shows his indifference"
] | field | true | 5 | ["A. It shows his fear", "B. It shows his anger", "C. It shows his joy", "D. It shows his confusion", "E. It shows his indifference"] | A | 0 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3262 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Who are the main characters present in the scene where Charlie and Tommy enter the hotel suite and meet Nucky Johnson? | null | [
"Charlie, Tommy, and Capone",
"Charlie, Tommy, and Nucky Johnson",
"Charlie, Tommy, and Meyer Lansky",
"Charlie, Tommy, and Arnold Rothstein",
"Charlie, Tommy, and Bobby Clowes"
] | field | true | 5 | ["A. Charlie, Tommy, and Capone", "B. Charlie, Tommy, and Nucky Johnson", "C. Charlie, Tommy, and Meyer Lansky", "D. Charlie, Tommy, and Arnold Rothstein", "E. Charlie, Tommy, and Bobby Clowes"] | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3263 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the main topic of conversation between Charlie and Rothstein in the hotel suite? | null | [
"The quality of Scotch whiskey",
"The price and terms of their deal",
"The distribution network for alcohol",
"The rivalry with Maranzano and Masseria",
"The design of Charlie's suit"
] | field | true | 5 | ["A. The quality of Scotch whiskey", "B. The price and terms of their deal", "C. The distribution network for alcohol", "D. The rivalry with Maranzano and Masseria", "E. The design of Charlie's suit"] | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3264 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What path does the gunman take before being shot by Charlie? | null | [
"He runs to the right of the dumpster",
"He runs to the left of the dumpster",
"He hides behind the dumpster",
"He climbs over the dumpster",
"He circles around the dumpster"
] | field | true | 5 | ["A. He runs to the right of the dumpster", "B. He runs to the left of the dumpster", "C. He hides behind the dumpster", "D. He climbs over the dumpster", "E. He circles around the dumpster"] | B | 1 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3265 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the shape of the lamp in Charlie's bedroom? | null | [
"A sphere",
"A scallop-shell",
"A cube",
"A pyramid",
"A cylinder"
] | field | true | 5 | ["A. A sphere", "B. A scallop-shell", "C. A cube", "D. A pyramid", "E. A cylinder"] | B | 1 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3266 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How many times does Charlie offer to advance money to Rothstein? | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | A | 0 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3267 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the outcome of Charlie's negotiation with Rothstein in the hotel suite? | null | [
"Rothstein agrees to sell to Maranzano",
"Rothstein decides to cancel the deal",
"Rothstein asks to step outside to discuss further",
"Rothstein lowers the price to thirty thousand",
"Rothstein agrees to Charlie's terms immediately"
] | field | true | 5 | ["A. Rothstein agrees to sell to Maranzano", "B. Rothstein decides to cancel the deal", "C. Rothstein asks to step outside to discuss further", "D. Rothstein lowers the price to thirty thousand", "E. Rothstein agrees to Charlie's terms immediately"] | C | 2 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3268 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What indicates the end of the negotiation between Charlie and Rothstein in the hotel suite? | null | [
"Rothstein shaking Charlie's hand",
"Rothstein leaving the room",
"Rothstein asking to step outside",
"Nucky Johnson interrupting",
"Tommy Reina speaking up"
] | field | true | 5 | ["A. Rothstein shaking Charlie's hand", "B. Rothstein leaving the room", "C. Rothstein asking to step outside", "D. Nucky Johnson interrupting", "E. Tommy Reina speaking up"] | C | 2 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3269 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What motivates Charlie to offer an advance to Rothstein during their negotiation? | null | [
"Charlie wants to secure the deal despite the revisions",
"Charlie wants to impress Rothstein with his wealth",
"Charlie wants to undermine Maranzano and Masseria",
"Charlie wants to delay the payment further",
"Charlie wants to change the terms of the deal"
] | field | true | 5 | ["A. Charlie wants to secure the deal despite the revisions", "B. Charlie wants to impress Rothstein with his wealth", "C. Charlie wants to undermine Maranzano and Masseria", "D. Charlie wants to delay the payment further", "E. Charlie wants to change the terms of the deal"] | A | 0 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3270 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does the scene transition from the hotel suite negotiation to Charlie getting fitted for a suit? | null | [
"The camera cuts directly to the department store",
"The camera follows Charlie and Rothstein out of the hotel",
"The scene fades to black and then opens in the department store",
"The camera shows Charlie entering a car and then arriving at the store",
"The scene dissolves to the department store fitting r... | field | true | 5 | ["A. The camera cuts directly to the department store", "B. The camera follows Charlie and Rothstein out of the hotel", "C. The scene fades to black and then opens in the department store", "D. The camera shows Charlie entering a car and then arriving at the store", "E. The scene dissolves to the department store fitti... | E | 4 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3271 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What are the landmark scenes that mark the beginning and end of the negotiation between Charlie and Rothstein? | null | [
"The hotel suite entrance and the elevator",
"The dining car and the hotel corridor",
"The limousine and the department store",
"The hotel suite and the department store fitting room",
"The hotel corridor and the gambling club"
] | field | true | 5 | ["A. The hotel suite entrance and the elevator", "B. The dining car and the hotel corridor", "C. The limousine and the department store", "D. The hotel suite and the department store fitting room", "E. The hotel corridor and the gambling club"] | D | 3 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3272 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Are there any animals present in the scenes start with Charlie shooting a gunman near a dumpster and asserting control over a debt, and end with Charlie meeting Bobby Clowes in a gambling club, bonding over their shared disdain for their fathers' professions? | null | [
"Yes, a dog in the hotel corridor",
"Yes, a cat in the dining car",
"Yes, a bird in the department store",
"No, there are no animals present",
"Yes, a horse outside the hotel"
] | field | true | 5 | ["A. Yes, a dog in the hotel corridor", "B. Yes, a cat in the dining car", "C. Yes, a bird in the department store", "D. No, there are no animals present", "E. Yes, a horse outside the hotel"] | D | 3 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3273 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What notable background element is present in the dining car scene? | null | [
"A chandelier",
"A painting of a landscape",
"A bowl of oatmeal",
"A vase of flowers",
"A clock on the wall"
] | field | true | 5 | ["A. A chandelier", "B. A painting of a landscape", "C. A bowl of oatmeal", "D. A vase of flowers", "E. A clock on the wall"] | C | 2 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3274 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does Charlie's emotion change from the beginning to the end of the hotel suite negotiation? | null | [
"From angry to calm",
"From nervous to confident",
"From indifferent to interested",
"From frustrated to content",
"From anxious to relaxed"
] | field | true | 5 | ["A. From angry to calm", "B. From nervous to confident", "C. From indifferent to interested", "D. From frustrated to content", "E. From anxious to relaxed"] | B | 1 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3275 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What subtle emotional cue indicates Rothstein's true feelings about the negotiation with Charlie? | null | [
"His tone of voice becomes softer",
"He avoids eye contact with Charlie",
"He gestures for Nucky to calm down",
"He smiles slightly when Charlie offers an advance",
"He fidgets with his hands"
] | field | true | 5 | ["A. His tone of voice becomes softer", "B. He avoids eye contact with Charlie", "C. He gestures for Nucky to calm down", "D. He smiles slightly when Charlie offers an advance", "E. He fidgets with his hands"] | C | 2 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3276 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How many distinct scenes are present in the scenes start with a tense encounter at a club where Don Maranzano introduces himself to Luciano, hinting at a menacing undertone. They end with a heated discussion in Charlie's living room, where Luciano, Lansky, Siegel, and Costello debate their precarious position between M... | null | [
"[5, 10)",
"[10, 15)",
"[15, 20)",
"[20, 25)",
"[25, 30)"
] | field | true | 5 | ["A. [5, 10)", "B. [10, 15)", "C. [15, 20)", "D. [20, 25)", "E. [25, 30)"] | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3277 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does the video transition from the club scene to the Manhasset Estate scene? | null | [
"A fade-out followed by a fade-in",
"A cut to a different location",
"A dissolve effect",
"A zoom-out followed by a zoom-in",
"A wipe transition"
] | field | true | 5 | ["A. A fade-out followed by a fade-in", "B. A cut to a different location", "C. A dissolve effect", "D. A zoom-out followed by a zoom-in", "E. A wipe transition"] | B | 1 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3278 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Which of the following objects is NOT present in the scenes start with a tense encounter at a club where Don Maranzano introduces himself to Luciano, hinting at a menacing undertone. They end with a heated discussion in Charlie's living room, where Luciano, Lansky, Siegel, and Costello debate their precarious position ... | null | [
"A wooden ball",
"A pink parasol",
"A marble staircase",
"A red sports car",
"A signet ring"
] | field | true | 5 | ["A. A wooden ball", "B. A pink parasol", "C. A marble staircase", "D. A red sports car", "E. A signet ring"] | D | 3 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3279 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | In what order do the following objects appear: wooden ball, pink parasol, signet ring, marble staircase? | null | [
"Pink parasol, wooden ball, marble staircase, signet ring",
"Wooden ball, pink parasol, marble staircase, signet ring",
"Marble staircase, wooden ball, pink parasol, signet ring",
"Wooden ball, marble staircase, pink parasol, signet ring",
"Pink parasol, marble staircase, wooden ball, signet ring"
] | field | true | 5 | ["A. Pink parasol, wooden ball, marble staircase, signet ring", "B. Wooden ball, pink parasol, marble staircase, signet ring", "C. Marble staircase, wooden ball, pink parasol, signet ring", "D. Wooden ball, marble staircase, pink parasol, signet ring", "E. Pink parasol, marble staircase, wooden ball, signet ring"] | B | 1 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3280 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What are the different variations of the action "playing polo" depicted in the scenes start with a tense encounter at a club where Don Maranzano introduces himself to Luciano, hinting at a menacing undertone. They end with a heated discussion in Charlie's living room, where Luciano, Lansky, Siegel, and Costello debate ... | null | [
"Hitting the ball, chasing the ball, scoring a goal",
"Passing the ball, defending the goal, riding the horse",
"Hitting the ball, riding the horse, cheering",
"Chasing the ball, scoring a goal, celebrating",
"Passing the ball, hitting the ball, riding the horse"
] | field | true | 5 | ["A. Hitting the ball, chasing the ball, scoring a goal", "B. Passing the ball, defending the goal, riding the horse", "C. Hitting the ball, riding the horse, cheering", "D. Chasing the ball, scoring a goal, celebrating", "E. Passing the ball, hitting the ball, riding the horse"] | A | 0 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3281 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the purpose behind Bugsy's action of chasing the Beauty up the stairs? | null | [
"To scare her",
"To catch her for a prank",
"To flirt with her",
"To retrieve something she took",
"To join her in a game"
] | field | true | 5 | ["A. To scare her", "B. To catch her for a prank", "C. To flirt with her", "D. To retrieve something she took", "E. To join her in a game"] | C | 2 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3282 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What marks the start and end of the action where Charlie meets Don Maranzano in the restaurant? | null | [
"Start: Charlie entering the restaurant; End: Charlie leaving the restaurant",
"Start: Don Maranzano greeting Charlie; End: Charlie kissing the ring",
"Start: Charlie entering the back room; End: Charlie pushing his chair away",
"Start: Maranzano talking about Mussolini; End: Maranzano offering a proposition"... | field | true | 5 | ["A. Start: Charlie entering the restaurant; End: Charlie leaving the restaurant", "B. Start: Don Maranzano greeting Charlie; End: Charlie kissing the ring", "C. Start: Charlie entering the back room; End: Charlie pushing his chair away", "D. Start: Maranzano talking about Mussolini; End: Maranzano offering a propositi... | C | 2 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3283 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What events lead up to the action of Charlie kissing Don Maranzano's ring? | null | [
"Maranzano praising Charlie and showing him the signet ring",
"Maranzano discussing business and offering a proposition",
"Maranzano greeting Charlie and talking about Sicily",
"Maranzano introducing his soldiers and discussing honor",
"Maranzano talking about Mussolini and offering wine"
] | field | true | 5 | ["A. Maranzano praising Charlie and showing him the signet ring", "B. Maranzano discussing business and offering a proposition", "C. Maranzano greeting Charlie and talking about Sicily", "D. Maranzano introducing his soldiers and discussing honor", "E. Maranzano talking about Mussolini and offering wine"] | A | 0 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3284 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the predominant emotion conveyed by the event where Charlie meets Don Maranzano in the restaurant? | null | [
"Joy",
"Fear",
"Annoyance",
"Excitement",
"Sadness"
] | field | true | 5 | ["A. Joy", "B. Fear", "C. Annoyance", "D. Excitement", "E. Sadness"] | C | 2 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3285 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the correct sequence of events from the polo match to the terrace conversation? | null | [
"Polo match, rowboat scene, mansion ballroom, terrace conversation",
"Polo match, mansion ballroom, rowboat scene, terrace conversation",
"Polo match, terrace conversation, rowboat scene, mansion ballroom",
"Polo match, rowboat scene, terrace conversation, mansion ballroom",
"Polo match, mansion ballroom, t... | field | true | 5 | ["A. Polo match, rowboat scene, mansion ballroom, terrace conversation", "B. Polo match, mansion ballroom, rowboat scene, terrace conversation", "C. Polo match, terrace conversation, rowboat scene, mansion ballroom", "D. Polo match, rowboat scene, terrace conversation, mansion ballroom", "E. Polo match, mansion ballroo... | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3286 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What are the weather conditions depicted during the rowboat scene in Central Park? | null | [
"Rainy and overcast",
"Sunny and clear",
"Snowy and cold",
"Foggy and humid",
"Windy and cloudy"
] | field | true | 5 | ["A. Rainy and overcast", "B. Sunny and clear", "C. Snowy and cold", "D. Foggy and humid", "E. Windy and cloudy"] | B | 1 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3287 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | Which of the following vehicles is prominently featured during the polo match scene? | null | [
"A red sports car",
"A Packard convertible",
"A black limousine",
"A yellow taxi",
"A blue motorcycle"
] | field | true | 5 | ["A. A red sports car", "B. A Packard convertible", "C. A black limousine", "D. A yellow taxi", "E. A blue motorcycle"] | B | 1 | 7,235.853625 | Video Captioning | CC-BY-NC-SA-4.0 | mcq | MCQ | true | ||
ALLVB | ALLVB_3288 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the primary emotion displayed by Charlie during his conversation with Gay Orlova on the terrace? | null | [
"Happiness",
"Anger",
"Curiosity",
"Sadness",
"Indifference"
] | field | true | 5 | ["A. Happiness", "B. Anger", "C. Curiosity", "D. Sadness", "E. Indifference"] | C | 2 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3289 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How do the emotions of Charlie and Bugsy contrast during the mansion party? | null | [
"Charlie is relaxed, Bugsy is anxious",
"Charlie is curious, Bugsy is indifferent",
"Charlie is annoyed, Bugsy is playful",
"Charlie is excited, Bugsy is bored",
"Charlie is happy, Bugsy is angry"
] | field | true | 5 | ["A. Charlie is relaxed, Bugsy is anxious", "B. Charlie is curious, Bugsy is indifferent", "C. Charlie is annoyed, Bugsy is playful", "D. Charlie is excited, Bugsy is bored", "E. Charlie is happy, Bugsy is angry"] | C | 2 | 7,235.853625 | Video Emotion Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3290 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How does the scene where Salvatore bets on the roulette wheel contribute to the overall plot? | null | [
"It shows Salvatore's interest in gambling.",
"It introduces the Italian Laborer as a main character.",
"It highlights the cultural diversity of the neighborhood.",
"It demonstrates Salvatore's quick thinking and boldness.",
"It reveals the Operator's kindness towards Salvatore."
] | field | true | 5 | ["A. It shows Salvatore's interest in gambling.", "B. It introduces the Italian Laborer as a main character.", "C. It highlights the cultural diversity of the neighborhood.", "D. It demonstrates Salvatore's quick thinking and boldness.", "E. It reveals the Operator's kindness towards Salvatore."] | D | 3 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3291 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the correct chronological order of the following events?
1. Salvatore bets on the roulette wheel.
2. Salvatore is dragged out of the bedroom by Antonio.
3. Salvatore is sent to the truant school.
4. Salvatore runs down Mulberry Street. | null | [
"4, 1, 2, 3",
"1, 4, 2, 3",
"4, 2, 1, 3",
"2, 4, 1, 3",
"1, 2, 4, 3"
] | field | true | 5 | ["A. 4, 1, 2, 3", "B. 1, 4, 2, 3", "C. 4, 2, 1, 3", "D. 2, 4, 1, 3", "E. 1, 2, 4, 3"] | A | 0 | 7,235.853625 | Scene Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3292 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | How many times does Salvatore get hit by Antonio in the apartment scene? | null | [
"Once",
"Twice",
"Three times",
"Four times",
"Five times"
] | field | true | 5 | ["A. Once", "B. Twice", "C. Three times", "D. Four times", "E. Five times"] | B | 1 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3293 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What color is the marker that Salvatore places his nickel on during the roulette game? | null | [
"Black",
"Green",
"Red",
"Blue",
"Yellow"
] | field | true | 5 | ["A. Black", "B. Green", "C. Red", "D. Blue", "E. Yellow"] | C | 2 | 7,235.853625 | Object Detection and Tracking | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3294 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What interaction occurs between Salvatore and Frankie Costello in the dormitory scene? | null | [
"They argue about their past schools.",
"They shake hands.",
"They exchange books.",
"They fight over cleaning duties.",
"They share a meal."
] | field | true | 5 | ["A. They argue about their past schools.", "B. They shake hands.", "C. They exchange books.", "D. They fight over cleaning duties.", "E. They share a meal."] | B | 1 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3295 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the outcome of Salvatore slapping the Teacher across the face? | null | [
"The Teacher chases Salvatore.",
"Salvatore is expelled from school.",
"Salvatore runs out of the classroom.",
"The Teacher calls the police.",
"Salvatore is praised by his classmates."
] | field | true | 5 | ["A. The Teacher chases Salvatore.", "B. Salvatore is expelled from school.", "C. Salvatore runs out of the classroom.", "D. The Teacher calls the police.", "E. Salvatore is praised by his classmates."] | C | 2 | 7,235.853625 | Action Recognition | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3296 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What events lead up to Salvatore slapping the Teacher? | null | [
"The Teacher praises Salvatore.",
"The Teacher shoves Salvatore down the aisle.",
"Salvatore is caught cheating on a test.",
"The Teacher gives Salvatore a gift.",
"Salvatore is late to class."
] | field | true | 5 | ["A. The Teacher praises Salvatore.", "B. The Teacher shoves Salvatore down the aisle.", "C. Salvatore is caught cheating on a test.", "D. The Teacher gives Salvatore a gift.", "E. Salvatore is late to class."] | B | 1 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3297 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What are the immediate consequences after Salvatore is taken by the Truant Officer? | null | [
"Salvatore is sent to a juvenile detention center.",
"Salvatore is taken to the truant school classroom.",
"Salvatore is returned home.",
"Salvatore is given a warning and released.",
"Salvatore is taken to the police station."
] | field | true | 5 | ["A. Salvatore is sent to a juvenile detention center.", "B. Salvatore is taken to the truant school classroom.", "C. Salvatore is returned home.", "D. Salvatore is given a warning and released.", "E. Salvatore is taken to the police station."] | B | 1 | 7,235.853625 | Temporal Action Localization | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3298 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the predominant emotion conveyed when Antonio hits Salvatore in the apartment? | null | [
"Joy",
"Anger",
"Fear",
"Sadness",
"Surprise"
] | field | true | 5 | ["A. Joy", "B. Anger", "C. Fear", "D. Sadness", "E. Surprise"] | B | 1 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false | ||
ALLVB | ALLVB_3299 | ALLVB/ALLVB::::test_set_movie/Mobsters (1991)/Mobsters (1991).mp4 | 2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779 | /vast/projects/jgu32/lab/enxin/bench_exp/store/normalized/2d4a6f0b5bfed2a81d4b680145a47041a66f6e805f859752b76416d26de2c779/video.mp4 | What is the sequence of events from Salvatore hiding the postcards to being taken by the Truant Officer? | null | [
"Salvatore hides the postcards, Antonio hits Salvatore, Rosalie intervenes, Truant Officer takes Salvatore.",
"Salvatore hides the postcards, Rosalie intervenes, Antonio hits Salvatore, Truant Officer takes Salvatore.",
"Salvatore hides the postcards, Antonio hits Salvatore, Truant Officer takes Salvatore, Rosa... | field | true | 5 | ["A. Salvatore hides the postcards, Antonio hits Salvatore, Rosalie intervenes, Truant Officer takes Salvatore.", "B. Salvatore hides the postcards, Rosalie intervenes, Antonio hits Salvatore, Truant Officer takes Salvatore.", "C. Salvatore hides the postcards, Antonio hits Salvatore, Truant Officer takes Salvatore, Ro... | A | 0 | 7,235.853625 | Event Detection | CC-BY-NC-SA-4.0 | mcq | MCQ | false |
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