KunSet / README.md
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---
pretty_name: KunSet
license: other
license_name: kunset-research-only
language:
- zh
tags:
- kunqu
- opera
- singing-voice
- lyrics-alignment
- forced-alignment
- rhyme
size_categories:
- 10K<n<100K
configs:
- config_name: recordings
default: true
data_files:
- split: train
path: splits/recordings/train.jsonl
- split: dev
path: splits/recordings/dev.jsonl
- split: test
path: splits/recordings/test.jsonl
extra_gated_prompt: >-
KunSet contains audio (full mixes and separated vocals) from recordings of the
Kunqu Opera Art Canon and their annotations. It is provided for non-commercial
academic research only. Do not redistribute the audio or use it for commercial
purposes.
extra_gated_fields:
Name: text
Affiliation: text
Intended use: text
I will use KunSet for non-commercial academic research only and will not redistribute the audio: checkbox
---
# KunSet
Corpus and trained aligner for **KunSet: A Corpus and Benchmark for Lyrics
Alignment and Rhyme Retrieval in Kunqu Opera**. Code, the Yunxue Lizhu rhyme
database and the result records are at
[github.com/Kunyuan-Project/KunSet](https://github.com/Kunyuan-Project/KunSet).
281 recordings: 155.2 h of media, 106.3 h annotated, 482,164 syllable-level
timestamps.
## Contents
| Path | Contents |
|---|---|
| `splits/recordings/{train,dev,test}.jsonl` | The table of the dataset viewer: one row per recording with its split, duration, sentence and syllable counts and the paths of its vocal, mix and annotations. The split is by recording; the experiments read it from `corpus/corpus.json` |
| `corpus/` | Frozen evaluation corpus: `corpus.json` (recordings, 251/20/10 Train/Dev/Test split) and `sentences.jsonl` (sentence and syllable timestamps) |
| `audio/vocal/<recording_id>.wav` | Separated vocals, 281 files; the input to every experiment |
| `audio/mix/<recording_id>.wav` | Full mixes (44.1 kHz stereo 16-bit), 281 files; `audio/mix/manifest.json` lists their SHA-256 |
| `kunset/annotations/<recording_id>.json` | KunSet annotations: sentences (`subtitleLines[]`) and syllables (`syllableAnnotations[]`) with timestamps, delivery mode, roles and Yunxue Lizhu links (`phonology`: rhyme group, tone, yin–yang, voicing, wuyin, fanqie) |
| `kunset/lexicon/` | Yunxue Lizhu entries referenced by the links |
| `kunset/manifest.json`, `kunset/coverage.json` | Provenance and per-attribute coverage |
| `annotations/annotations/<corpus_id>.json` | The same annotations without dictionary links, including sentences of unknown delivery mode; inputs of the experiments |
| `annotations/blind_pool/` | Blind A/B annotations of the 10 Test recordings |
| `annotations/release.json` | Original to released SHA-256 of each annotation file |
| `annotations/manifest.json` | Corpus-statistics manifest (Table 1) |
| `annotations/blind-check-latest10.json` | Blind-agreement selection record (Table 2) |
| `checkpoints/kunset-aligner.ckpt` | Trained SOFA aligner, 251 training recordings (seed 2027, step 8000, lowest Dev MAE); weights and hyperparameters only, without optimizer and trainer state |
Paths inside `corpus/` are relative to `data_root` in `corpus.json`. Every vocal
and annotation file is listed there with its SHA-256.
The vocals were separated from the mixes with Kim's Mel-Band RoFormer vocal model
(`vocals_mel_band_roformer.ckpt`) in `audio-separator` 0.44.2;
`SOFA/scripts/separate_vocals.sh` in the GitHub repository reproduces the step.
Re-separated vocals are close to, but not byte-identical with, the released ones.
## Usage
```bash
hf download Kunyuan-Project/KunSet --repo-type dataset --local-dir data
```
The recording table loads without the audio (after accepting the terms and logging in):
```python
from datasets import load_dataset
recordings = load_dataset("Kunyuan-Project/KunSet") # train / dev / test
```
The experiments read `corpus/` and `annotations/` directly. Run them from a
checkout of the GitHub repository, with this dataset as its `data/` directory. With the `anchor2_v3` decoder, the aligner reaches a Test MAE of
194.03 ms; Table 3 of the paper reports the mean over three training seeds.
## Terms
For non-commercial academic research only. The recordings remain the property of
their rights holders.