track_id large_stringlengths 22 22 | artists large_stringlengths 1 1.03k | album_name large_stringlengths 1 255 ⌀ | track_name large_stringlengths 1 568 | duration_ms float64 15k 6.06M | explicit float64 0 1 ⌀ | danceability float64 0.01 1 | energy float64 0 1 | key float64 0 11 | loudness float64 -49.93 6.17 | mode float64 0 1 | speechiness float64 0.02 0.66 | acousticness float64 0 1 | instrumentalness float64 0 1 | liveness float64 0 1 | valence float64 0 1 | tempo float64 30 250 | time_signature float64 1 5 | dataset_name large_stringclasses 6
values |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
4KVMPQ5ei2LKBaeMmcOBBA | Big Brother & The Holding Company;Janis Joplin | The Essential Janis Joplin | Piece of My Heart | 253,333 | 0 | 0.571 | 0.72 | 4 | -8.128 | 1 | 0.076 | 0.223 | 0.0003 | 0.149 | 0.566 | 80.277 | 4 | train.csv |
2gLJXznQp4kGsVz8BptfHS | King Crimson | Red (Expanded & Remastered Original Album Mix) | Starless | 744,568 | 0 | 0.27 | 0.481 | 7 | -9.982 | 0 | 0.0371 | 0.107 | 0.459 | 0.142 | 0.125 | 114.915 | 4 | train.csv |
131265AL84BoaRTkw0pLdl | Autopsy | Skull Grinder | Waiting for the Screams | 327,893 | 0 | 0.187 | 0.937 | 7 | -4.743 | 1 | 0.0827 | 0 | 0.114 | 0.346 | 0.321 | 123.129 | 3 | dataset.csv |
71kV9SwGP0jPtX65MJKQGC | Autopsy | Shitfun | Brain Damage | 78,666 | 1 | 0.325 | 0.976 | 4 | -6.707 | 1 | 0.108 | 0.0172 | 0.479 | 0.258 | 0.29 | 92.175 | 4 | dataset.csv |
0wvIGFIgbyz4JNwQhZgTv2 | Alice In Chains | Dirt (2022 Remaster) | Rooster (2022 Remaster) | 374,333 | 0 | 0.271 | 0.551 | 3 | -8.46 | 1 | 0.0272 | 0.0307 | 0.0006 | 0.118 | 0.2 | 143.899 | 3 | dataset.csv |
5lHgBqh9VwAAzQma55gHRY | Pearl Jam | Vs. | Elderly Woman Behind the Counter in a Small Town - Remastered | 196,186 | 0 | 0.281 | 0.493 | 7 | -9.461 | 1 | 0.0284 | 0.0519 | 0 | 0.101 | 0.167 | 60.772 | 4 | dataset.csv |
2TAQ9YGehOKWDqDak5DuXc | Stone Temple Pilots | Thank You | Plush | 310,400 | 0 | 0.417 | 0.913 | 7 | -6.049 | 0 | 0.0441 | 0.0025 | 0 | 0.166 | 0.439 | 144.591 | 4 | dataset.csv |
5K09WxKdlkroDyEVyOSySy | Aretha Franklin | Lady Soul (With Bonus Selections) | (You Make Me Feel Like) A Natural Woman | 165,333 | 0 | 0.603 | 0.271 | 5 | -10.083 | 1 | 0.0284 | 0.679 | 0 | 0.141 | 0.405 | 110.89 | 3 | dataset.csv |
1WFVfVjCtbmdIv7j3Fa9iy | Brandi Carlile | Mellow Adult Pop | When You're Wrong | 266,960 | 0 | 0.568 | 0.301 | 10 | -10.163 | 0 | 0.0373 | 0.796 | 0 | 0.118 | 0.142 | 88.029 | 4 | dataset.csv |
6sp6Vx3sv2l5qxPfbQkcyt | Eddie Vedder | Mega Hits Autumn/Fall 2022 | The Haves | 306,794 | 0 | 0.474 | 0.519 | 7 | -5.291 | 1 | 0.0253 | 0.281 | 0 | 0.107 | 0.326 | 151.832 | 4 | dataset.csv |
0adVktNVJXPZfhQe6B1NO5 | KT Tunstall | sadsadchristmas | Lonely This Christmas | 257,493 | 0 | 0.409 | 0.153 | 6 | -10.74 | 0 | 0.0306 | 0.939 | 0 | 0.108 | 0.18 | 85.262 | 4 | dataset.csv |
1ae8XfBQ3fDEvmBjFaemGV | Brandi Carlile | Coffee Moment | This Time Tomorrow | 206,267 | 0 | 0.606 | 0.326 | 10 | -10.031 | 1 | 0.0294 | 0.841 | 0 | 0.139 | 0.414 | 91.626 | 4 | dataset.csv |
3lvo0I8c2qBJDLZWqExDgC | Brandi Carlile | rainy day indie | Throwing Good After Bad | 247,791 | 0 | 0.501 | 0.0952 | 2 | -12.931 | 1 | 0.054 | 0.963 | 0 | 0.0915 | 0.316 | 138.016 | 4 | dataset.csv |
6h061f44HZPj1OXO2nA45d | Brandi Carlile;Sam Smith | Mellow Bars R'n'B | Party of One | 259,558 | 0 | 0.296 | 0.206 | 0 | -11.799 | 1 | 0.0412 | 0.782 | 0.0002 | 0.0959 | 0.202 | 165.4 | 4 | dataset.csv |
1m5LC29RE52Bxy7hxvpOlL | Chord Overstreet | Christmas Country Songs 2022 | All I Want For Christmas Is A Real Good Tan | 234,186 | 0 | 0.593 | 0.455 | 6 | -8.192 | 1 | 0.0388 | 0.366 | 0 | 0.0914 | 0.564 | 202.019 | 4 | dataset.csv |
3ax0rfGb7exLtl02LL08U9 | Jason Mraz | Christmas Music - Holiday Hits | Winter Wonderland | 131,760 | 0 | 0.62 | 0.309 | 5 | -9.209 | 1 | 0.0495 | 0.788 | 0 | 0.146 | 0.664 | 145.363 | 4 | dataset.csv |
0dzKBptH2P5j5a0MifBMwM | Jason Mraz | Feeling Good - Adult Pop Favorites | If It Kills Me | 273,653 | 0 | 0.633 | 0.429 | 4 | -6.784 | 0 | 0.0381 | 0.0444 | 0 | 0.132 | 0.52 | 143.793 | 4 | dataset.csv |
7x4b0UccXSKBWxWmjcrG2T | Kurt Cobain | Montage Of Heck: The Home Recordings | And I Love Her | 124,933 | 0 | 0.616 | 0.282 | 1 | -15.317 | 1 | 0.0331 | 0.983 | 0.833 | 0.13 | 0.435 | 96.638 | 4 | dataset.csv |
6nXIYClvJAfi6ujLiKqEq8 | Andrew Belle | The Daylight EP | Sky's Still Blue | 244,320 | 0 | 0.43 | 0.791 | 6 | -5.419 | 0 | 0.0302 | 0.0726 | 0.0193 | 0.11 | 0.217 | 171.864 | 4 | dataset.csv |
08MFgEQeVLF37EyZ7jcwLc | Zack Tabudlo | Pano | Pano | 254,400 | 0 | 0.375 | 0.457 | 3 | -7.018 | 1 | 0.0315 | 0.868 | 0.0145 | 0.191 | 0.415 | 174.839 | 3 | dataset.csv |
2gRKq9rIC5i1zuxp06zJWH | Chord Overstreet | What's Left of You | What's Left of You | 178,600 | 1 | 0.731 | 0.507 | 0 | -6.477 | 1 | 0.046 | 0.572 | 0 | 0.0912 | 0.265 | 117.969 | 4 | dataset.csv |
25UzeaV47eDT44Fovve6xQ | Chord Overstreet | Sleepwalking in the Rain | Sleepwalking in the Rain | 216,000 | 0 | 0.501 | 0.381 | 0 | -9.448 | 1 | 0.036 | 0.687 | 0.0013 | 0.119 | 0.502 | 80.075 | 4 | dataset.csv |
2DHDuADAHoUW6n0z80RLQF | Andrew Belle | Black Bear | Pieces | 241,119 | 0 | 0.494 | 0.652 | 6 | -5.863 | 0 | 0.0314 | 0.0754 | 0.0026 | 0.125 | 0.298 | 137.018 | 4 | dataset.csv |
3ILmwMefYZoQh5Cf5jeuUQ | Motohiro Hata | Documentary | 透明だった世界 | 232,360 | 0 | 0.373 | 0.914 | 0 | -4.185 | 1 | 0.0565 | 0.076 | 0 | 0.669 | 0.56 | 168.21 | 4 | dataset.csv |
72xTsTouZ5nBmASX8k1XCW | Highland Peak | Trampoline (Acoustic) | Trampoline - Acoustic | 213,098 | 0 | 0.596 | 0.2 | 0 | -10.424 | 0 | 0.0305 | 0.91 | 0.0002 | 0.0884 | 0.308 | 107.893 | 4 | dataset.csv |
1QBNBGeIRRGBnLhdlHbfI8 | Brandi Carlile;Lucius | Chillin' It - Mellow Day Country | You and Me on the Rock | 230,098 | 0 | 0.568 | 0.686 | 1 | -6.635 | 1 | 0.033 | 0.15 | 0 | 0.0881 | 0.725 | 172.075 | 4 | dataset.csv |
6JGjevTaqr9J1xp7YvYUKF | Brandi Carlile | Finest Country | Speak Your Mind (From the Netflix Series "We The People") | 193,943 | 0 | 0.476 | 0.666 | 6 | -3.438 | 1 | 0.0446 | 0.314 | 0 | 0.342 | 0.498 | 148.155 | 4 | dataset.csv |
0wf17wsLRwnnfh241GkeH5 | Gabrielle Aplin | u don't deserve me | Please Don't Say You Love Me | 181,400 | 0 | 0.479 | 0.541 | 0 | -9.862 | 1 | 0.0543 | 0.74 | 0 | 0.108 | 0.3 | 85.994 | 4 | dataset.csv |
5IjTZ1g8KrIuV97N3OQZ0V | Gabrielle Aplin | Break Up Songs | The House We Never Built | 195,213 | 0 | 0.546 | 0.391 | 2 | -10.786 | 0 | 0.063 | 0.784 | 0 | 0.0552 | 0.202 | 139.669 | 4 | dataset.csv |
2kMrCPZ0o5gErBPLCRgoli | Gabrielle Aplin | Mellow Adult Pop | Heavy Heart | 235,173 | 0 | 0.451 | 0.7 | 10 | -6.597 | 0 | 0.0431 | 0.455 | 0.0023 | 0.405 | 0.37 | 150.055 | 4 | dataset.csv |
11TK5KLtLZUdKr1C549bAw | Drew Holcomb & The Neighbors | Good Light | What Would I Do Without You | 172,213 | 0 | 0.602 | 0.336 | 8 | -11.106 | 1 | 0.0369 | 0.883 | 0.0017 | 0.143 | 0.335 | 90.894 | 4 | dataset.csv |
4qCbMMMuEB56kHd4zPE6GD | Eddie Vedder;Nusrat Fateh Ali Khan | Eat, Pray, Love | The Long Road | 330,933 | 0 | 0.537 | 0.342 | 2 | -13.553 | 1 | 0.0273 | 0.645 | 0.266 | 0.0687 | 0.253 | 109.236 | 4 | dataset.csv |
2SkJKMfjpYsNv0KWOxiegX | A Great Big World | When the Morning Comes | Kaleidoscope | 229,320 | 0 | 0.709 | 0.913 | 7 | -5.148 | 1 | 0.0748 | 0.0182 | 0 | 0.167 | 0.519 | 108.024 | 4 | dataset.csv |
38jy6kRlPt8z1GUS9WXeNh | Jason Mraz | Love Is a Four Letter Word | 93 Million Miles | 216,386 | 0 | 0.572 | 0.454 | 3 | -10.286 | 1 | 0.0258 | 0.477 | 0 | 0.0974 | 0.515 | 140.182 | 4 | dataset.csv |
0Zf1BPkkFAWGtVHeBwHHz4 | Ingrid Michaelson | It Doesn't Have To Make Sense | Light Me Up | 247,840 | 0 | 0.417 | 0.595 | 6 | -7.84 | 1 | 0.0396 | 0.158 | 0.0003 | 0.101 | 0.117 | 147.928 | 4 | dataset.csv |
2E9viCx0hJKNKNThd2MdGQ | Bailey Jehl | You're Still The One | You're Still The One | 177,500 | 0 | 0.607 | 0.473 | 2 | -8.555 | 1 | 0.034 | 0.712 | 0 | 0.66 | 0.54 | 119.698 | 4 | dataset.csv |
3Et4LKZLnXygPYfNdeB3D3 | Andrew Belle | Dive Deep | When the End Comes | 354,400 | 0 | 0.541 | 0.575 | 9 | -9.463 | 1 | 0.0491 | 0.677 | 0.215 | 0.102 | 0.428 | 91.98 | 4 | dataset.csv |
3TwtrR1yNLY1PMPsrGQpOp | Five For Fighting | America Town | Superman (It's Not Easy) | 221,693 | 0 | 0.382 | 0.416 | 0 | -9.303 | 1 | 0.0302 | 0.0733 | 0 | 0.0719 | 0.125 | 102.089 | 4 | dataset.csv |
16dkWKIlBsfYTISCVuDs0w | Ron Pope | Whatever It Takes | A Drop In the Ocean | 219,480 | 0 | 0.484 | 0.573 | 5 | -6.183 | 1 | 0.0298 | 0.0882 | 0 | 0.15 | 0.346 | 139.966 | 3 | dataset.csv |
6VwAh8Z1d5YKoSWoEaV4db | Aaron Espe | Making All Things New | Making All Things New | 159,600 | 0 | 0.787 | 0.355 | 0 | -11.429 | 1 | 0.0288 | 0.896 | 0.0201 | 0.111 | 0.48 | 99.978 | 4 | dataset.csv |
3e5yu9MkIvQx17mm7LF6KY | Canyon City | Midnight Waves | Alone with You | 186,584 | 0 | 0.549 | 0.274 | 1 | -12.565 | 1 | 0.0379 | 0.798 | 0 | 0.103 | 0.207 | 86.664 | 4 | dataset.csv |
0wbmIfvndFV9VDvuUY1pYN | Tim Halperin | Covers | Always Be My Baby | 181,852 | 0 | 0.582 | 0.255 | 4 | -10.254 | 1 | 0.0306 | 0.772 | 0 | 0.0889 | 0.285 | 139.884 | 4 | dataset.csv |
6owKuyHxUqidcAA6fPKSyy | Boyce Avenue;Bea Miller | Cover Sessions, Vol. 3 | We Can't Stop | 222,146 | 0 | 0.705 | 0.347 | 2 | -8.249 | 1 | 0.0301 | 0.674 | 0 | 0.12 | 0.36 | 80.057 | 4 | dataset.csv |
7cPuE0M35EajWPRO3nRcH8 | KT Tunstall | OO's Music Grandi Successi | Suddenly I See | 199,040 | 0 | 0.603 | 0.78 | 0 | -5.531 | 1 | 0.0438 | 0.139 | 0 | 0.164 | 0.693 | 100.499 | 4 | dataset.csv |
7DYsBLdOqz0z14tYWMt2Tn | KT Tunstall | Del gusto de mamá | Hold On | 177,613 | 0 | 0.661 | 0.937 | 4 | -5.157 | 0 | 0.0979 | 0.322 | 0 | 0.19 | 0.805 | 105.549 | 4 | dataset.csv |
1uDCw6LVMOmbZ6zRliNcNX | The Civil Wars | Christmas Country Songs 2022 | I Heard The Bells On Christmas Day | 154,440 | 0 | 0.492 | 0.145 | 2 | -14.504 | 0 | 0.0422 | 0.872 | 0 | 0.107 | 0.218 | 90.078 | 4 | dataset.csv |
3Vnes7v746dYzBn0FJTZ1W | KT Tunstall | Alternative Christmas 2022 | Fairytale Of New York | 263,866 | 0 | 0.447 | 0.555 | 2 | -6.018 | 1 | 0.0349 | 0.218 | 0 | 0.124 | 0.33 | 117.888 | 3 | dataset.csv |
0qJGlogD7AyMLAJfQ42aI2 | Five For Fighting | Bookmarks | Heaven Knows | 210,612 | 0 | 0.6 | 0.845 | 10 | -7.076 | 1 | 0.0311 | 0.048 | 0 | 0.24 | 0.392 | 97.631 | 4 | dataset.csv |
6Uy6K3KdmUdAfelUp0SeXn | Sara Bareilles | The Blessed Unrest | Brave | 220,573 | 0 | 0.551 | 0.836 | 10 | -3.838 | 0 | 0.0524 | 0.005 | 0 | 0.0425 | 0.758 | 185.063 | 4 | dataset.csv |
4LGF2tDg3878bs0mQPByZ4 | Eddie Vedder | Into The Wild (Music For The Motion Picture) | Guaranteed | 164,500 | 0 | 0.436 | 0.4 | 7 | -11.485 | 1 | 0.0272 | 0.904 | 0.001 | 0.125 | 0.351 | 100.734 | 4 | dataset.csv |
7BRCa8MPiyuvr2VU3O9W0F | Joshua Hyslop | Where The Mountain Meets The Valley | Do Not Let Me Go | 158,960 | 0 | 0.409 | 0.234 | 3 | -13.711 | 1 | 0.0323 | 0.338 | 0 | 0.0895 | 0.145 | 139.832 | 4 | dataset.csv |
6ta5yavnnEfCE4faU0jebM | Catherine Feeny | Hurricane Glass | Mr Blue | 154,600 | 0 | 0.456 | 0.386 | 10 | -10.293 | 1 | 0.032 | 0.835 | 0.108 | 0.389 | 0.612 | 165.733 | 4 | dataset.csv |
5O9R57EozcpLKGQBzadPVy | Meg Birch | Life Sucks Playlist | Only Love Can Hurt Like This | 194,194 | 0 | 0.534 | 0.213 | 1 | -8.64 | 1 | 0.0283 | 0.884 | 0 | 0.107 | 0.0998 | 98.385 | 4 | dataset.csv |
3PG6V5yuFfo4APiovOQoRv | Ray LaMontagne;Sierra Ferrell | I Was Born To Love You | I Was Born To Love You | 265,843 | 0 | 0.65 | 0.271 | 9 | -11.081 | 1 | 0.0314 | 0.794 | 0.0001 | 0.196 | 0.21 | 78.036 | 4 | dataset.csv |
05pKAafT85jeeNhZ6kq7HT | Jason Mraz | I Won't Give Up | I Won't Give Up | 240,165 | 0 | 0.585 | 0.303 | 4 | -10.058 | 1 | 0.0398 | 0.694 | 0 | 0.115 | 0.142 | 136.703 | 3 | dataset.csv |
65VhbQdqvozUntjnlFkFbZ | Kina Grannis | You Are My Sunshine | You Are My Sunshine | 123,609 | 0 | 0.664 | 0.0755 | 10 | -19.836 | 1 | 0.0389 | 0.91 | 0 | 0.164 | 0.575 | 80.004 | 1 | dataset.csv |
08OjvLnGR3M0HUhcePeMNO | Andrew Foy;Renee Foy | death bed (coffee for your head) | death bed (coffee for your head) | 112,008 | 0 | 0.565 | 0.0392 | 1 | -28.276 | 1 | 0.045 | 0.835 | 0.183 | 0.117 | 0.601 | 125.399 | 4 | dataset.csv |
6gijbGNDNNJgT60Aj7UCyc | Matthew Perryman Jones | Living in the Shadows | Living in the Shadows | 212,386 | 0 | 0.418 | 0.79 | 4 | -6.599 | 0 | 0.0506 | 0.0284 | 0 | 0.117 | 0.197 | 175.975 | 4 | dataset.csv |
1pG5nd6gmfbMwUfT5shDQe | Ben Woodward | When the Party's over (Acoustic Piano) | When the Party's over (Acoustic Piano) | 195,945 | 0 | 0.619 | 0.226 | 4 | -13.453 | 1 | 0.0641 | 0.959 | 0 | 0.106 | 0.188 | 124.96 | 3 | dataset.csv |
4qTHoIp62ngNDpUJwW3hZ7 | Boyce Avenue | Cover Sessions, Vol. 6 | Can’t Help Falling in Love | 131,000 | 0 | 0.402 | 0.197 | 5 | -10.775 | 1 | 0.0295 | 0.858 | 0 | 0.114 | 0.148 | 100.044 | 3 | dataset.csv |
7ACW42whcdOiUxiNVu7ltx | Tyler Ward | Songs From Nashville | How To Lose a Girl | 210,375 | 0 | 0.7 | 0.454 | 7 | -10.39 | 0 | 0.0388 | 0.55 | 0.0022 | 0.121 | 0.34 | 80.011 | 3 | dataset.csv |
0VhZ5JYfqPojSYeGWnk4dL | John Adams | You’re Beautiful (Acoustic) | You’re Beautiful - Acoustic | 204,973 | 0 | 0.479 | 0.154 | 2 | -11.282 | 1 | 0.0352 | 0.915 | 0 | 0.0974 | 0.36 | 147.207 | 4 | dataset.csv |
59pUIlXjQupbiYwt40uUTi | Mone Kamishiraishi | chouchou | なんでもないや - movie ver. | 349,920 | 0 | 0.357 | 0.161 | 8 | -10.667 | 1 | 0.0388 | 0.971 | 0 | 0.358 | 0.325 | 83.449 | 4 | dataset.csv |
2RFt6ZWQbr9mPhsft9u9eX | Gabrielle Aplin;JP Cooper | Dear Happy | Losing Me | 181,760 | 0 | 0.66 | 0.407 | 7 | -8.381 | 1 | 0.0571 | 0.236 | 0 | 0.109 | 0.257 | 133.86 | 4 | dataset.csv |
4kQXMVjoZ9yMibLZq5Aqi5 | Callum J Wright | Somebody Else (Acoustic) | Somebody Else - Acoustic | 138,495 | 0 | 0.794 | 0.38 | 10 | -8.769 | 0 | 0.0477 | 0.762 | 0 | 0.262 | 0.617 | 114.99 | 4 | dataset.csv |
0U32q8CZRRo7xCzyiaZw5f | Motohiro Hata | 言ノ葉 | Rain | 293,040 | 0 | 0.626 | 0.655 | 9 | -6.69 | 1 | 0.0263 | 0.503 | 0 | 0.13 | 0.542 | 92.003 | 4 | dataset.csv |
73CbJykoV6WapWGfTeRzTl | Jason Mraz | Waiting for My Rocket to Come (Expanded Edition) | The Remedy (I Won't Worry) | 256,440 | 0 | 0.589 | 0.867 | 10 | -4.523 | 1 | 0.0385 | 0.041 | 0 | 0.306 | 0.795 | 94.52 | 4 | dataset.csv |
7d0bJhpp0mCYyMXaMgWyMS | JJ Heller | I Dream of You: CALM | Make You Feel My Love | 171,293 | 0 | 0.678 | 0.199 | 9 | -9.785 | 1 | 0.0307 | 0.957 | 0 | 0.0968 | 0.262 | 72.006 | 4 | dataset.csv |
2pelUnMKr07JjJpilj9Yew | Jason Mraz | Waiting for My Rocket to Come (Expanded Edition) | I'll Do Anything | 191,889 | 0 | 0.57 | 0.711 | 9 | -4.155 | 1 | 0.0703 | 0.119 | 0 | 0.352 | 0.648 | 163.117 | 4 | dataset.csv |
6twvFrIoIINH8UW8EB8OnU | Jason Mraz | Waiting for My Rocket to Come (Expanded Edition) | No Stopping Us | 198,855 | 0 | 0.646 | 0.836 | 1 | -6.203 | 1 | 0.0327 | 0.301 | 0 | 0.29 | 0.727 | 105.991 | 4 | dataset.csv |
5p9XWUdvbUzmPCukOmwoU3 | KT Tunstall | Eye To The Telescope | Suddenly I See | 201,706 | 0 | 0.587 | 0.767 | 0 | -5.713 | 1 | 0.0449 | 0.225 | 0 | 0.112 | 0.664 | 100.38 | 4 | dataset.csv |
2PIlBukQ6limukVR8Ubb5o | Gabrielle Aplin | English Rain | Please Don't Say You Love Me | 181,400 | 0 | 0.479 | 0.541 | 0 | -9.862 | 1 | 0.0545 | 0.737 | 0 | 0.108 | 0.321 | 85.994 | 4 | dataset.csv |
4lxGVzcUaSF5HW5jtWnShV | Eddie Vedder | Into The Wild (Music For The Motion Picture) | Long Nights | 151,773 | 0 | 0.478 | 0.305 | 5 | -13.062 | 1 | 0.0306 | 0.675 | 0.0014 | 0.169 | 0.0974 | 108.66 | 4 | dataset.csv |
71M4QMn8nrok1KFVXwEEyU | Jason Mraz | Waiting for My Rocket to Come (Expanded Edition) | You and I Both | 218,240 | 0 | 0.615 | 0.812 | 7 | -6.573 | 1 | 0.0458 | 0.184 | 0 | 0.328 | 0.74 | 98.954 | 4 | dataset.csv |
1Qo3taHLFSQpzLm5Sty7M4 | Jason Mraz | Waiting for My Rocket to Come (Expanded Edition) | Sleep All Day | 296,843 | 0 | 0.616 | 0.81 | 2 | -6.51 | 1 | 0.0668 | 0.369 | 0 | 0.107 | 0.79 | 97.994 | 4 | dataset.csv |
6R6ux6KaKrhAg2EIB2krdU | Parachute | Wide Awake | Without You | 228,933 | 0 | 0.564 | 0.864 | 4 | -5.121 | 1 | 0.0341 | 0.0761 | 0 | 0.182 | 0.534 | 95.984 | 4 | dataset.csv |
72R0X0h8YaxYNpegeoOl0M | Parachute | The Way It Was | Kiss Me Slowly | 235,813 | 0 | 0.47 | 0.801 | 9 | -6.426 | 1 | 0.0352 | 0.0758 | 0 | 0.218 | 0.431 | 173.92 | 4 | dataset.csv |
38YgZVHPWOWsKrsCXz6JyP | Matt Nathanson | Some Mad Hope | Come On Get Higher | 215,173 | 0 | 0.672 | 0.623 | 9 | -5.699 | 1 | 0.0297 | 0.241 | 0 | 0.0848 | 0.617 | 92.018 | 4 | dataset.csv |
2lxBZVbkiCXC1soks2RXwV | Ben Rector | Magic | Love Like This | 214,240 | 0 | 0.637 | 0.14 | 2 | -11.472 | 1 | 0.0407 | 0.903 | 0 | 0.107 | 0.392 | 139.78 | 4 | dataset.csv |
7bhHLZxkRekrNPPkEdDTbn | Ben Woodward | Believer (Remix) | Believer (Remix) | 204,480 | 0 | 0.585 | 0.724 | 1 | -6.513 | 0 | 0.0745 | 0.315 | 0.0681 | 0.0448 | 0.333 | 187.484 | 3 | dataset.csv |
4zcMBfbQZvBSHQBGDd6gsN | JJ Heller | You Already Know | You Already Know | 214,360 | 0 | 0.496 | 0.117 | 0 | -12.884 | 1 | 0.0301 | 0.933 | 0 | 0.126 | 0.318 | 78.068 | 4 | dataset.csv |
5ZhaKUsY68U0lgREFWfoxg | Ross Copperman | Holding On And Letting Go - Single | Holding On And Letting Go | 319,000 | 0 | 0.502 | 0.53 | 2 | -9.573 | 1 | 0.0266 | 0.805 | 0.0007 | 0.0728 | 0.102 | 78.046 | 4 | dataset.csv |
68Yc9ylRZZPtsuVgtrxcDj | Zack Tabudlo;Yonnyboii | Take Me Back | Take Me Back ft. Yonnyboii | 149,000 | 0 | 0.595 | 0.646 | 0 | -5.495 | 1 | 0.0327 | 0.11 | 0 | 0.258 | 0.563 | 120.049 | 4 | dataset.csv |
1esE8j1nVyzEQ5rVhYXoJT | Parachute | Parachute | Had It All | 216,853 | 0 | 0.606 | 0.54 | 7 | -6.271 | 0 | 0.0339 | 0.182 | 0.0001 | 0.144 | 0.249 | 79.952 | 4 | dataset.csv |
78TKtlSLWK8pZAKKW3MyQL | A Great Big World;Christina Aguilera | Say Something | Say Something | 229,400 | 0 | 0.453 | 0.146 | 2 | -8.976 | 1 | 0.0343 | 0.867 | 0 | 0.0945 | 0.0915 | 137.905 | 3 | dataset.csv |
03yc0G2OoH1Eeyu7Piy8fK | Jason Mraz | I'm Yours | I'm Yours | 243,494 | 0 | 0.693 | 0.43 | 11 | -9.395 | 1 | 0.0442 | 0.565 | 0 | 0.0928 | 0.731 | 151.001 | 4 | dataset.csv |
6Cvti10W0AzmzG9D1tpuKp | The Mayries | As It Was | As It Was | 176,542 | 0 | 0.505 | 0.21 | 11 | -11.349 | 1 | 0.0295 | 0.907 | 0 | 0.11 | 0.323 | 80.721 | 4 | dataset.csv |
7njTGO45SkaBTNu35t2Yq0 | Rachael Yamagata | One Spring Night (Original Television Soundtrack), Pt. 1 | No Direction | 234,330 | 0 | 0.654 | 0.821 | 7 | -5.472 | 1 | 0.0264 | 0.0067 | 0.003 | 0.228 | 0.613 | 111.958 | 4 | dataset.csv |
2lFlveK1y13WWp3vnQtrr3 | Five For Fighting | The Battle for Everything | 100 Years | 244,600 | 0 | 0.643 | 0.569 | 7 | -7.459 | 1 | 0.0276 | 0.544 | 0 | 0.178 | 0.275 | 120.507 | 4 | dataset.csv |
0gVbkmFqq5fIkXtJJ3UTfM | Boyce Avenue;Rachel Grae | Let It Go | Let It Go | 255,688 | 0 | 0.599 | 0.349 | 1 | -9.269 | 1 | 0.0301 | 0.819 | 0 | 0.112 | 0.444 | 147.913 | 4 | dataset.csv |
23Mcmg5O8rBKAOzxvrTjnD | Kitri | Hikare Inochi | Sympathy | 210,760 | 0 | 0.69 | 0.423 | 2 | -9.194 | 0 | 0.0294 | 0.883 | 0.0123 | 0.111 | 0.59 | 130.121 | 4 | dataset.csv |
5aDpULK8MbJmHl42kR5KNI | Howie Day | Stop All The World Now | Collide | 249,120 | 0 | 0.636 | 0.625 | 11 | -7.895 | 1 | 0.0277 | 0.222 | 0.0001 | 0.119 | 0.342 | 93.931 | 4 | dataset.csv |
34dnNAUoIPcwnK0RtVMBWZ | Tyler Ward;Lindsey Stirling;Kina Grannis | Tyler Ward Covers, Vol. 5 | The Scientist | 276,575 | 0 | 0.453 | 0.295 | 7 | -12.881 | 1 | 0.0291 | 0.518 | 0.0001 | 0.293 | 0.14 | 146.022 | 4 | dataset.csv |
6IF2P93LkyW4GqDQu1yS7H | Susie Suh;Robot Koch | Here with Me | Here with Me | 238,971 | 0 | 0.582 | 0.375 | 1 | -13.277 | 0 | 0.0329 | 0.702 | 0.0631 | 0.136 | 0.106 | 129.909 | 4 | dataset.csv |
0fzCtVM9D5UEwiLqcY8Ouq | Eddie Vedder | Into The Wild (Music For The Motion Picture) | Hard Sun | 322,080 | 0 | 0.438 | 0.827 | 8 | -6.531 | 1 | 0.0328 | 0.0512 | 0.0004 | 0.319 | 0.645 | 143.377 | 4 | dataset.csv |
1BECZPXBXzobsfmlzj0g3I | Jason Mraz | Waiting for My Rocket to Come (Expanded Edition) | Tonight, Not Again - Live | 264,280 | 0 | 0.56 | 0.278 | 3 | -12.501 | 1 | 0.0921 | 0.733 | 0 | 0.112 | 0.594 | 102.187 | 4 | dataset.csv |
4MihgVRpD82EZoT61GW63w | Jason Mraz | Waiting for My Rocket to Come (Expanded Edition) | Curbside Prophet | 214,552 | 0 | 0.619 | 0.793 | 5 | -5.964 | 1 | 0.0661 | 0.263 | 0 | 0.0828 | 0.892 | 177.991 | 4 | dataset.csv |
3ixLIO5BsTmic0Pp27FaPY | Jason Mraz | Waiting for My Rocket to Come (Expanded Edition) | Too Much Food | 221,425 | 0 | 0.626 | 0.926 | 2 | -4.441 | 1 | 0.0477 | 0.0265 | 0 | 0.159 | 0.548 | 99.997 | 4 | dataset.csv |
0HQnJee8ShSDu2AYwibxst | Angelina Cruz | Hanggang Kailan (Umuwi Ka Na Baby) | Hanggang Kailan (Umuwi Ka Na Baby) | 211,933 | 0 | 0.59 | 0.407 | 4 | -9.079 | 1 | 0.0361 | 0.861 | 0 | 0.094 | 0.276 | 145.852 | 4 | dataset.csv |
5wQci5VCUjdbKnRD61XYwu | Joshua Hyslop | In Deepest Blue (Bonus Track Version) | The Flood | 261,640 | 0 | 0.577 | 0.446 | 6 | -11.343 | 1 | 0.0313 | 0.554 | 0.0782 | 0.116 | 0.262 | 81.005 | 4 | dataset.csv |
Dataset Card for Acoustic_Features_From_Spotify
This dataset is created by merging multiple Kaggle datasets of Spotify audio features and track metadata into a unified, clean, and deduplicated collection of 2,577,667 unique tracks. Each record is indexed by Spotify track_id (with planned support for ISRC identifiers in future iterations).
Dataset Details
Dataset Description
Acoustic_Features_From_Spotify consolidates acoustic properties and descriptive track metadata extracted via the Spotify Web API across five distinct public Kaggle datasets.
The dataset underwent an extensive offline multi-stage ETL and cleaning pipeline:
- Column schema homogenization across disparate data formats.
- Two-tier deduplication resolving identical entries and conflicting duplicates using tolerance-based heuristics.
- Stringified list cleanup for collaborative artist names.
- Statistically backed imputation for missing time signatures.
- Removal of entries missing all audio features.
This dataset represents the clean, unscaled tabular feature set stored in high-performance Apache Parquet format, optimized for Music Information Retrieval (MIR), recommendation algorithms, and clustering tasks.
- Curated by: Arpan Paul (P-Arpan)
- Language(s): Multilingual (Track metadata covers global music releases)
- License: Open Database License (ODbL) v1.0 / Spotify Developer Terms of Service
Dataset Sources
- Repository: Moody GitHub Repository
- Hugging Face Hub: P-Arpan/Mood_Based_Music_Search
- Source Kaggle Repositories:
Uses
Direct Use
- Music Recommendation Systems: Collaborative and content-based filtering using vector embeddings or nearest-neighbor searches (e.g., k-NN, ANN).
- Audio Classification & Clustering: Unsupervised grouping of tracks based on acoustic similarities (e.g., energy, valence, danceability, tempo).
- Mood & Emotion Recognition: Modeling relationships between valence/energy quadrants and perceived emotional valence.
- Data Analytics & MIR Research: Long-term historical trend analysis in music production attributes (loudness wars, track duration compression, tempo shifts).
Out-of-Scope Use
- Audio Synthesis / Generative Audio: This dataset does not contain raw audio files (.wav, .mp3) or spectrogram representations.
- Commercial Audio Reselling: Violating Spotify API Terms of Service or rights owner copyrights.
- Absolute Ground Truth for Emotion: Acoustic features (e.g.,
valence,danceability) are Spotify algorithmic approximations and should not be treated as objective psychological ground truths.
Dataset Structure
The dataset consists of 2,577,667 rows and 19 columns stored in a single .parquet file.
| Field Name | Type | Missing Count | Description |
|---|---|---|---|
track_id |
string |
0 | Unique 22-character alphanumeric Spotify track identifier (Base-62). |
artists |
string |
0 | Name(s) of contributing artist(s). Multiple artists are joined with semicolons (;). |
album_name |
string |
1,099,519 | Name of the containing album (unrecorded in select source subsets). |
track_name |
string |
0 | Title of the track. |
duration_ms |
float64 |
0 | Track length measured in milliseconds. |
explicit |
float64 |
1,099,531 | Binary flag: 1.0 if track contains explicit lyrics, 0.0 otherwise. |
danceability |
float64 |
0 | Describes how suitable a track is for dancing (0.0 to 1.0). |
energy |
float64 |
0 | Perceptual measure of intensity and activity (0.0 to 1.0). |
key |
float64 |
0 | Estimated overall musical key using standard Pitch Class notation (0 = C, 1 = C♯/D♭, ..., 11 = B). |
loudness |
float64 |
0 | Overall loudness of the track in decibels (dB), averaged across duration (typically -60 to 0 dB). |
mode |
float64 |
0 | Modality of the track: 1.0 = Major, 0.0 = Minor. |
speechiness |
float64 |
0 | Detects the presence of spoken words (0.0 to 1.0; >0.66 indicates spoken word/podcasts). |
acousticness |
float64 |
0 | Confidence score that the track is acoustic (0.0 to 1.0). |
instrumentalness |
float64 |
0 | Predicts whether a track contains no vocals (0.0 to 1.0; >0.5 represents instrumental). |
liveness |
float64 |
0 | Detects audience presence in the recording (0.0 to 1.0; >0.8 indicates strong likelihood of live performance). |
valence |
float64 |
0 | Musical positiveness conveyed by a track (0.0 = sad/depressed to 1.0 = cheerful/euphoric). |
tempo |
float64 |
0 | Overall estimated tempo in beats per minute (BPM). |
time_signature |
float64 |
0 | Estimated overall time signature (meter, typically 3 to 5). Missing values imputed to 4.0. |
dataset_name |
string |
0 | Provenance tag indicating the source CSV file origin during multi-dataset merging. |
Dataset Creation
Curation Rationale
Public Spotify datasets on Kaggle are fragmented, frequently repeat tracks with subtle floating-point variations, contain disparate column headers (id vs track_id, artist_name vs artists), and often represent collaborative artists as escaped python strings ("['Artist A', 'Artist B']"). This dataset consolidates, reconciles, and cleans those disparate sources into a single, standardized, deduplicated parquet dataset of over 2.57 million tracks.
Source Data
Data Collection and Processing
The data processing pipeline is implemented across modular Python scripts and Jupyter notebooks:
- Acquisition (
data_download.py): Automated download of five primary Spotify feature datasets usingkagglehub. - Schema Normalization & Initial Merge (
merging.py):- Standardized column headers into snake_case.
- Unified aliases:
id→track_id,artist_name/track_artist→artists,album→album_name,name→track_name. - Filtered out non-acoustic columns while tracking source provenance via
dataset_name.
- a. Conflict Resolution & Deduplication (
duplicate_cleaning.ipynb):- Identified duplicate
track_identries with varying values. - Categorized differences into rounding errors vs. true conflicts based on defined thresholds:
- Δ
duration_ms> 5000 ms - Δ
tempo> 3.0 BPM - Δ
key≥ 1 or Δmode≥ 1 - Δ (
danceability,energy,valence,acousticness) > 0.05
- Δ
- Minor discrepancies were resolved by rounding audio features to 4 decimal places.
- For real conflicts, entries with the highest metadata completeness (least NaN count) were prioritized and kept.
- Identified duplicate
- b. Recording-level deduplication:
- The same recording often has many
track_ids (one per album or playlist). - Rows with the same lowercased
track_name+artistswere treated as one recording if:duration_msdiffered by ≤ 1000 ms,danceability/energy/valence/acousticnessby ≤ 0.01,loudnessby ≤ 0.5 dB,tempoby ≤ 1 BPM,- and
keyandmodematched exactly.
- One row per recording was kept (the one with the fewest missing values). Remasters, live versions, and re-recordings outside these tolerances are kept as separate tracks.
- The same recording often has many
- Metadata & Feature Cleaning (
cleaning.ipynb):- Artist String Cleanup: Extracted stringified Python lists (
"['Artist 1', 'Artist 2']") viaast.literal_evaland serialized them into semicolon-delimited strings ("Artist 1;Artist 2"), preserving literal bracketed artist names (e.g.,"[Alexandros]"). - Explicit Flag Normalization: Converted boolean flags to binary float representation (
1.0/0.0). - Missing Audio Features: Dropped entries where all acoustic features were NaN.
- Time Signature Imputation: Evaluated 15,704 missing
time_signatureentries against the broader population. Because the median/mean acoustic vector of the missing subset closely matched tracks withtime_signature == 4.0(standard 4/4 common time), missing values were imputed to4.0.
- Artist String Cleanup: Extracted stringified Python lists (
Who are the source data producers?
The acoustic features were algorithmically generated by the Spotify Audio Analysis API (formerly Echo Nest algorithms). The tabular datasets were initially collected and posted on Kaggle by community members: The Devastator, Joe Beach Capital, Amitansh Joshi, Maharshi Pandya, and Rodolfo Figueroa.
Annotations
Annotation process
No manual subjective human annotation was performed. All acoustic descriptors are machine-derived measurements from Spotify's audio analysis pipeline.
Who are the annotators?
Not applicable (algorithmic feature extraction).
Personal and Sensitive Information
The dataset contains only publicly available commercial metadata (track names, artist names, album titles, and acoustic features). It contains no personally identifiable information (PII) or user listening histories.
Bias, Risks, and Limitations
- Algorithmic Black-Box: Features like
danceability,energy, andvalenceare generated by proprietary Spotify models. Their internal weights and exact acoustic definitions are closed-source. - Missing Album & Explicit Data: Approximately 1.10M rows lack
album_nameorexplicitratings because certain contributing Kaggle datasets omitted these columns during their original scraping. - Imputed Time Signatures: A total of 15,704 tracks had missing
time_signaturevalues imputed as4.0based on statistical feature similarity. - Geographic & Genre Representation: The underlying scraping leans toward catalog availability on Spotify at the time of each Kaggle release, which historically skews toward Western commercial music.
Recommendations
Users should be aware that Spotify's acoustic features are algorithmic estimations. When training models sensitive to scale (such as SVMs, neural networks, or distance-based k-NN), consider standardizing unbounded features (duration_ms, loudness, tempo) or consult the standardized companion parquet file (standardasised_acoustic_features.parquet).
Licensing and Terms of Use
- Dataset license: This compiled database is released under the Open Database License (ODbL) v1.0, because it is derived from source databases that carry ODbL, DbCL, and CC0 terms (see Dataset Sources). If you share a database built from this one, ODbL requires you to keep the same license and credit the sources.
- Origin of the audio features: The audio features (danceability, energy, valence, etc.) were generated by Spotify's audio analysis and collected by third-party Kaggle contributors. This dataset does not claim ownership of that underlying data.
- Spotify terms: Use of Spotify-derived data is subject to the Spotify Developer Terms of Service. Users are responsible for checking that their use complies with those terms.
- Source licensing gap: One of the five source datasets does not declare a license on Kaggle.
- Purpose: This dataset is shared for research and educational purposes. It is not legal advice, and no warranty is given.
Citation
BibTeX:
@misc{paul2026spotifyfeatures,
author = {Arpan Paul},
title = {Acoustic_Features_From_Spotify (2.57M Deduplicated Tracks)},
year = {2026},
publisher = {Hugging Face},
howpublished = {\url{https://huggingface.co/datasets/P-Arpan/Mood_Based_Music_Search}}
}
APA:
Paul, A. (2026). Acoustic_Features_From_Spotify (2.57M Deduplicated Tracks) [Data set]. Hugging Face. https://huggingface.co/datasets/P-Arpan/Mood_Based_Music_Search
Glossary
- BPM (Beats Per Minute): Tempo measure reflecting the speed of the track's rhythmic pulse.
- ISRC: International Standard Recording Code, the international standard code for uniquely identifying sound recordings.
- Pitch Class: An integer mapping (0–11) representing musical semitones (0 = C, 1 = C♯/D♭, ..., 11 = B).
- Valence: A metric from 0.0 to 1.0 describing the musical positiveness conveyed by a track. High valence sounds positive (e.g., happy, cheerful, euphoric), while low valence sounds negative (e.g., sad, depressed, angry).
More Information
This dataset forms the core offline tabular features database for the Moody music search and mood recommendation engine.
Dataset Card Authors
Arpan Paul (P-Arpan)
Dataset Card Contact
For questions or updates regarding the preprocessing pipeline, please submit an issue on the Moody Repository or Hugging Face dataset discussion board.
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