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senufo-staffs-bernard-de-grunne-tefaf-2014

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senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_0	BERNARD DE GRUNNE ![img-0.jpeg](img_ref_1) ![img-1.jpeg](img_ref_2) “哈，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子...	BERNARD DE GRUNNE “哈，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小伙子，你是个小...		[ "img_ref_1", "img_ref_2", "img_ref_3" ]	3	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	0	692
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_1	# ON SENUFO CHAMPION CULTIVATOR STAFFS Bernard de Grunne The Senufo people number around 1.500.000 people including the northern Senufo group in Mali (about 630.000) and Burkina Faso (about 100,000) and the central and southern branch in Northern Ivory Coast (over 700.000). They once lived as far north as the town of...	ON SENUFO CHAMPION CULTIVATOR STAFFS Bernard de Grunne The Senufo people number around 1.500.000 people including the northern Senufo group in Mali (about 630.000) and Burkina Faso (about 100,000) and the central and southern branch in Northern Ivory Coast (over 700.000). They once lived as far north as the town of S...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	692	722
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_2	Maesen wrote the results of his fieldwork in his unpublished doctoral thesis in 1946 which remained unpublished. Its scientific contribution was analyzed much later by Anja Veirman.² Maesen was deeply interested in the stylistic aspect of African art and defined five stylistic areas based on the formal characteristics ...	Maesen wrote the results of his fieldwork in his unpublished doctoral thesis in 1946 which remained unpublished. Its scientific contribution was analyzed much later by Anja Veirman.² Maesen was deeply interested in the stylistic aspect of African art and defined five stylistic areas based on the formal characteristics ...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	1,414	901
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_3	Bohumil Holas, an anthropologist and the former curator of the Musée d'Abidjan in Côte d'Ivoire was also fascinated by Senufo culture and their various art styles.⁴ He published a stunning photo of a group of Senufo staffs (Fig. 1). Finally, Dr. Anita Glaze carried her extensive field research of more than six years b...	Bohumil Holas, an anthropologist and the former curator of the Musée d'Abidjan in Côte d'Ivoire was also fascinated by Senufo culture and their various art styles.⁴ He published a stunning photo of a group of Senufo staffs (Fig. 1). Finally, Dr. Anita Glaze carried her extensive field research of more than six years b...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	2,315	666
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_4	Glaze underlines the following in her stylistic analysis: “In order to grasp the intricacies of style variation in Senufo art history, it is essential to consider the intersecting networks of sculptors belonging to one of two endogamous artisans groups - a large population of Fónobele blacksmiths, some of whom are scul...	Glaze underlines the following in her stylistic analysis: “In order to grasp the intricacies of style variation in Senufo art history, it is essential to consider the intersecting networks of sculptors belonging to one of two endogamous artisans groups - a large population of Fónobele blacksmiths, some of whom are scul...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	2,981	365
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_5	1- Anita Glaze, «The Senufo», in Jean-Paul Barbier, ed., Art of Côte d'Ivoire, Geneva, The Barbier-Mueller Museum, 1993, vol. I, p. 30 2- Albert Maesen, De Plastiek in de kultuur van de Senufo van de Ivoorkust (Fransch West Africa) University of Ghent, 1946. Anja Veirman, «Here a boy always becomes a sculptor, like his...	1- Anita Glaze, «The Senufo», in Jean-Paul Barbier, ed., Art of Côte d'Ivoire, Geneva, The Barbier-Mueller Museum, 1993, vol. I, p. 30 2- Albert Maesen, De Plastiek in de kultuur van de Senufo van de Ivoorkust (Fransch West Africa) University of Ghent, 1946. Anja Veirman, «Here a boy always becomes a sculptor, like his...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	3,346	767
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_6	5- Anita Glaze, «Women Power and Art in a Senufo village», in African Arts., VIII: 3, 1975, pp. 24-29, 64-68; “Themes in the Language of Senufo Ornament and Decorative Arts” in African Arts, XII:1, 1978, pp. 63-71, 107-08; “Dialectics of Gender in Senufo Masquerades, in African Arts, XIX:3, 1986, pp. 30-39; Art and Dea...	5- Anita Glaze, «Women Power and Art in a Senufo village», in African Arts., VIII: 3, 1975, pp. 24-29, 64-68; “Themes in the Language of Senufo Ornament and Decorative Arts” in African Arts, XII:1, 1978, pp. 63-71, 107-08; “Dialectics of Gender in Senufo Masquerades, in African Arts, XIX:3, 1986, pp. 30-39; Art and Dea...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	4,113	678
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_7	ethnic group of woodcarvers specialists. Both Kulebele and Fönöbele have apprenticeship connections in other dialect areas. Stylistic influences flow in both directions: blacksmiths have been known to work as apprentices in a Kule workshop and the Kulebele are outstanding copyists of any sculpture including blacksmith ...	ethnic group of woodcarvers specialists. Both Kulebele and Fönöbele have apprenticeship connections in other dialect areas. Stylistic influences flow in both directions: blacksmiths have been known to work as apprentices in a Kule workshop and the Kulebele are outstanding copyists of any sculpture including blacksmith ...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	4,791	883
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_8	Glaze also underlines another important factor in the art history of Senufo styles: the professional sculptors Kulebele are highly mobile with master carvers and restless ambitious young carvers carrying the family workshops and personal styles across an astonishing range of kilometers and ethnic change in clientele. T...	Glaze also underlines another important factor in the art history of Senufo styles: the professional sculptors Kulebele are highly mobile with master carvers and restless ambitious young carvers carrying the family workshops and personal styles across an astonishing range of kilometers and ethnic change in clientele. T...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	5,674	955
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_9	The group of sixteen wooden and three brass and iron Senufo sculpture presented in this catalogue share a variety of styles within an identical iconography of a female figure seated on a four legged stool with arms bent and hands resting on the hips. They belong to two categories of works: small size stand-alone figure...	The group of sixteen wooden and three brass and iron Senufo sculpture presented in this catalogue share a variety of styles within an identical iconography of a female figure seated on a four legged stool with arms bent and hands resting on the hips. They belong to two categories of works: small size stand-alone figure...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	6,629	761
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_10	Two of the statuettes carry spherical bowls on the head, most certainly as containers for karité (shea butter) used by members of the poro initiate classes. According to Anita Glaze, the seated figure from plate 2 belongs to a very ancient Northern Senufo Fono style from the Tengerela area at the border between Mali an...	Two of the statuettes carry spherical bowls on the head, most certainly as containers for karité (shea butter) used by members of the poro initiate classes. According to Anita Glaze, the seated figure from plate 2 belongs to a very ancient Northern Senufo Fono style from the Tengerela area at the border between Mali an...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	7,390	590
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_11	The third figure (n°03) belongs to a classic style of small -size sculpture which can be considered the epitome of Senufo style : exceptional plasticity of form marked by a dynamic counterpoint of angular and spherical forms along an almost "Gothic" vertical axis. This style seems to be a subtle balance of both the mor...	The third figure (n°03) belongs to a classic style of small -size sculpture which can be considered the epitome of Senufo style : exceptional plasticity of form marked by a dynamic counterpoint of angular and spherical forms along an almost "Gothic" vertical axis. This style seems to be a subtle balance of both the mor...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	7,980	702
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_12	⁷ Anita Glaze, «Pillars of the Community: Memorial Figures for Ancestral and Recently deceased »Children of Poro», in Marie-Therese Brincard, ed., Constellations. Studies in African Art, Purchase, Neuberger Museum of Art, 2008, Vol I., p. 5 ⁸ Anita Glaze, Art and Death in a Senufo Village, Bloomington, Indiana Universi...	⁷ Anita Glaze, «Pillars of the Community: Memorial Figures for Ancestral and Recently deceased »Children of Poro», in Marie-Therese Brincard, ed., Constellations. Studies in African Art, Purchase, Neuberger Museum of Art, 2008, Vol I., p. 5 ⁸ Anita Glaze, Art and Death in a Senufo Village, Bloomington, Indiana Universi...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_4" ]	1	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	8,682	1,023
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_13	![img-4.jpeg](img_ref_5) Fig. 5: Tefalipitya Staff and eagle staff on display by the deadone's house at a funeral for an elder Champion cultivator, Kufulo Group, published in Anita Glaze, Art and Death in a Serufo Village, Indiana University Press, Bloomington, 1981, plate 77 ![img-5.jpeg](img_ref_6) Fig. 3: Yam culti...	Fig. 5: Tefalipitya Staff and eagle staff on display by the deadone's house at a funeral for an elder Champion cultivator, Kufulo Group, published in Anita Glaze, Art and Death in a Serufo Village, Indiana University Press, Bloomington, 1981, plate 77 Fig. 3: Yam cultivating contest with the tefalipitya staff in villa...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_5", "img_ref_6", "img_ref_7" ]	3	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	9,705	797
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_14	shoulder outline of expanding curve that narrowly contracts at the elbow creating an effect of a pulsating hour-glass shape. Anita Glaze situated the center of the style to the west of the Bagoé River valley at the settlement of Kouto.¹² Lorenz Homberger has named this artist and his circle the Master of the Cockscomb ...	shoulder outline of expanding curve that narrowly contracts at the elbow creating an effect of a pulsating hour-glass shape. Anita Glaze situated the center of the style to the west of the Bagoé River valley at the settlement of Kouto.¹² Lorenz Homberger has named this artist and his circle the Master of the Cockscomb ...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	10,502	678
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_15	¹² Anita Glaze, "catalogue entry" in Jean-Paul Barbier, Arts de la Côte d'Ivoire from the collections of the Barbier-Mueller Museum, Geneva, 1993, Volume II, p. 25 and personal comm. February 19, 2014 ¹³ Lorenz Homberger, «Künstler in Werkstätten der Serufo», in Eberhard Fischer and Lorenz Homberger, Afrikanische Meist...	¹² Anita Glaze, "catalogue entry" in Jean-Paul Barbier, Arts de la Côte d'Ivoire from the collections of the Barbier-Mueller Museum, Geneva, 1993, Volume II, p. 25 and personal comm. February 19, 2014 ¹³ Lorenz Homberger, «Künstler in Werkstätten der Serufo», in Eberhard Fischer and Lorenz Homberger, Afrikanische Meist...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_8" ]	1	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	11,180	958
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_16	The thirteen champion-cultivator staffs presented here are known as daleu or in the central Senufo area as tefalipitya ("Hoe-work-girl). They are composed of a long slender staff topped by a small figure, all carved in one piece of wood—a feat of workmanship. The figure at the top of the staff, usually seated and femal...	The thirteen champion-cultivator staffs presented here are known as daleu or in the central Senufo area as tefalipitya ("Hoe-work-girl). They are composed of a long slender staff topped by a small figure, all carved in one piece of wood—a feat of workmanship. The figure at the top of the staff, usually seated and femal...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	12,138	898
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_17	"The staff honors the champion cultivator, and by extension, the residential and kinship unit whose pride and prestige he upholds. From dawn to dusk throughout the cultivating season, teams of young men swing their iron hoes to the rhythms of drums and xylophones, as proud staff bearers follow behind the competing cham...	"The staff honors the champion cultivator, and by extension, the residential and kinship unit whose pride and prestige he upholds. From dawn to dusk throughout the cultivating season, teams of young men swing their iron hoes to the rhythms of drums and xylophones, as proud staff bearers follow behind the competing cham...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	13,036	559
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_18	The staffs are held in trust by champion cultivators in each succeeding generation of poro age sets, and a staff genealogy may name a dozen or more titleholders. Such champions may be said to achieve a degree of immortality, because they are paid homage as ancestral champions of their kinship unit. A more temporal rewa...	The staffs are held in trust by champion cultivators in each succeeding generation of poro age sets, and a staff genealogy may name a dozen or more titleholders. Such champions may be said to achieve a degree of immortality, because they are paid homage as ancestral champions of their kinship unit. A more temporal rewa...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	13,595	480
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_19	The sculptured figure always represents a pitya - a young unmarried woman at the peak of her physical beauty. She wears fine ornaments, and is proud and upright in bearing. Thus, the figure promises a beautiful fiancée, increase for the kinship unit, abundant harvests, and many children. The calm repose of the seated f...	The sculptured figure always represents a pitya - a young unmarried woman at the peak of her physical beauty. She wears fine ornaments, and is proud and upright in bearing. Thus, the figure promises a beautiful fiancée, increase for the kinship unit, abundant harvests, and many children. The calm repose of the seated f...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	14,075	869
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_20	16• Anita Glaze, Entry «Staff for Champion Cultivator», in Susan Vogel, ed., For Spirits and Kings. African Art from the Paul and Ruth Tishman Collection, New York, The Metropolitan Museum of Art, 1981, p. 48 ![img-8.jpeg](img_ref_9) Fig. 7: Kpélé and Koutopitya masked dancers of the poro society holding anthropomorph...	16• Anita Glaze, Entry «Staff for Champion Cultivator», in Susan Vogel, ed., For Spirits and Kings. African Art from the Paul and Ruth Tishman Collection, New York, The Metropolitan Museum of Art, 1981, p. 48 Fig. 7: Kpélé and Koutopitya masked dancers of the poro society holding anthropomorphic staffs, drawings by Gi...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_9", "img_ref_10" ]	2	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	14,944	786
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_21	shown in the drawing by local administrator Gilbert Bochet made in the 1950's. (Fig. 7-8) In other groups, it is considered as a weapon of Katiéléo (earth-mother) used to repulse any harmful influences which might alter the course of religious ceremonies. [17] According to Glaze, these insignia staffs which are identic...	shown in the drawing by local administrator Gilbert Bochet made in the 1950's. (Fig. 7-8) In other groups, it is considered as a weapon of Katiéléo (earth-mother) used to repulse any harmful influences which might alter the course of religious ceremonies. [17] According to Glaze, these insignia staffs which are identic...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	15,730	766
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_22	These staffs are exemplary works of arts which assume the kinetic factor of time and motion. In the Senufo world, sculpture dance, move in procession and participate in many ritual ceremonies. For instance a divination figure may be lifted high in the air during funerary processions for an elder diviner. A closer exam...	These staffs are exemplary works of arts which assume the kinetic factor of time and motion. In the Senufo world, sculpture dance, move in procession and participate in many ritual ceremonies. For instance a divination figure may be lifted high in the air during funerary processions for an elder diviner. A closer exam...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	16,496	698
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_23	A white cowrie shell cluster on staff n° 4 is attached so that it is placed in the exact position where the Senufo mothers carry their infants- an evocative symbolic promise of children to come according to Glaze's informants. [19] Also the wide hole at the back of the coiffure indicates that the bundle of white feathe...	A white cowrie shell cluster on staff n° 4 is attached so that it is placed in the exact position where the Senufo mothers carry their infants- an evocative symbolic promise of children to come according to Glaze's informants. [19] Also the wide hole at the back of the coiffure indicates that the bundle of white feathe...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_11" ]	1	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	17,194	985
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_24	17- Bohumil Holas, Cultures matérielles de la Côte d'Ivoire, Paris, 1960, p. 51 18- Anita Glaze, «Dialectics of Gender in Senufo Masquerades,» in African Arts, Vol. XIX, n° 3, May 1986, p. 36. 19- Anita Glaze, "catalogue entry Champion Cultivator staff," in Jean-Paul Barbier, Arts de la Côte d'Ivoire from the collectio...	17- Bohumil Holas, Cultures matérielles de la Côte d'Ivoire, Paris, 1960, p. 51 18- Anita Glaze, «Dialectics of Gender in Senufo Masquerades,» in African Arts, Vol. XIX, n° 3, May 1986, p. 36. 19- Anita Glaze, "catalogue entry Champion Cultivator staff," in Jean-Paul Barbier, Arts de la Côte d'Ivoire from the collectio...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_12" ]	1	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	18,179	941
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_25	Staff n°06 is the most explicit in the modelling of the arms narrowly contracting above the elbows and expanding again in a pulsating organic rhythm. According to Anita Glaze, it is a very fine example of one of the more ancient Fono styles with its very simple central crested hairstyle, semi-closed hooded eyelids and ...	Staff n°06 is the most explicit in the modelling of the arms narrowly contracting above the elbows and expanding again in a pulsating organic rhythm. According to Anita Glaze, it is a very fine example of one of the more ancient Fono styles with its very simple central crested hairstyle, semi-closed hooded eyelids and ...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	19,120	670
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_26	Staff n° 10 is a "one of a kind" work of art, carved by a powerful artist who carved in a pure fono style. The realistic treatment of the body is contrasted by an oversized head, with a long thin nose, large bulging eyes and a very unusual coiffure which looks like it was pushed back. The entire carving, covered with a...	Staff n° 10 is a "one of a kind" work of art, carved by a powerful artist who carved in a pure fono style. The realistic treatment of the body is contrasted by an oversized head, with a long thin nose, large bulging eyes and a very unusual coiffure which looks like it was pushed back. The entire carving, covered with a...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	19,790	877
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_27	Among the mains features of this Western style, is a more pronounced naturalism in the overall modelling of the body which feels more plump and less dynamic, a clear modelling of the hands and fingers as well as the nose, mouth and lips. The coiffure is also more elaborate with a characteristic projecting frontal braid...	Among the mains features of this Western style, is a more pronounced naturalism in the overall modelling of the body which feels more plump and less dynamic, a clear modelling of the hands and fingers as well as the nose, mouth and lips. The coiffure is also more elaborate with a characteristic projecting frontal braid...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	20,667	772
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_28	Finally the three brass and iron insignia staffs are identical metal versions of the wooden tefalipitya staffs. They appear during an elaborate ceremony called Nuyo's which celebrates the climatic finale of the intermediate grade of the poro society. The central performers of this ceremony are the four Master Singers w...	Finally the three brass and iron insignia staffs are identical metal versions of the wooden tefalipitya staffs. They appear during an elaborate ceremony called Nuyo's which celebrates the climatic finale of the intermediate grade of the poro society. The central performers of this ceremony are the four Master Singers w...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	21,439	689
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_29	22- This staff is in the collection of the Etnografisch Museum in Antwerp inv. N° 55.37.16 and was published in Robert Goldwater, Senufo Sculpture from West Africa, New York, The Museum of Primitive Art, 1964, plate 132. See also a seated divination figure in the same style also collected by Maesen in the village of De...	22- This staff is in the collection of the Etnografisch Museum in Antwerp inv. N° 55.37.16 and was published in Robert Goldwater, Senufo Sculpture from West Africa, New York, The Museum of Primitive Art, 1964, plate 132. See also a seated divination figure in the same style also collected by Maesen in the village of De...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_13" ]	1	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	22,128	938
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_30	As Glaze remarks, the historical impact of the Malinke and Diula on the Central Senufo culture history goes back to at least the 13th-14th century and the ancient Mande trade routes to the south for kola and gold in exchange for salt and cloth. In the realm of art styles, zoomorphic helmets mask among the Senufo were p...	As Glaze remarks, the historical impact of the Malinke and Diula on the Central Senufo culture history goes back to at least the 13th-14th century and the ancient Mande trade routes to the south for kola and gold in exchange for salt and cloth. In the realm of art styles, zoomorphic helmets mask among the Senufo were p...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	23,066	470
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_31	New research will be necessary to underline these deep historical connections between the Inland Niger Delta region in Mali and the Central Senufo styles in Northern Ivory Coast. I am including a Pre-Dogon iron and bronze staff (Fig.9) surmounted by a seated figure dated between A.D. 1300- 1600 which I could suggest to...	New research will be necessary to underline these deep historical connections between the Inland Niger Delta region in Mali and the Central Senufo styles in Northern Ivory Coast. I am including a Pre-Dogon iron and bronze staff (Fig.9) surmounted by a seated figure dated between A.D. 1300- 1600 which I could suggest to...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	23,536	640
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_32	Senufo art is dance art from the most famous Senufo sculptures the "rhythm pounders" to the small divination figures and the tefalipyitya staffs designed for mobility and portability. The genius of Senufo carvers is exemplary in their predilection for art in motion to expressively weave the plastic qualities of their s...	Senufo art is dance art from the most famous Senufo sculptures the "rhythm pounders" to the small divination figures and the tefalipyitya staffs designed for mobility and portability. The genius of Senufo carvers is exemplary in their predilection for art in motion to expressively weave the plastic qualities of their s...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[]	0	false	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	24,176	385
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_33	23- Anita Glaze, <dialectics 38="" a="" and="" at="" bouncino,="" bouncino,="" bouncino,="" bouncino,="" bouncino,="" bouncino,="" cote="" d'ivoire="" d'ivoire,="" fero,="" garo="" garo,="" garo,="" garo,="" garo,="" garo,="" garo,="" in="" in,="" in,="" in,="" jilmi,="" kofa,="" kofa,="" kofa,="" kofa,="" liobi="" lio...	23- Anita Glaze, <dialectics 38="" a="" and="" at="" bouncino,="" bouncino,="" bouncino,="" bouncino,="" bouncino,="" bouncino,="" cote="" d'ivoire="" d'ivoire,="" fero,="" garo="" garo,="" garo,="" garo,="" garo,="" garo,="" garo,="" in="" in,="" in,="" in,="" jilmi,="" kofa,="" kofa,="" kofa,="" kofa,="" liobi="" lio...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_14", "img_ref_15", "img_ref_16" ]	3	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	24,561	956
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_34	Fig. 11 A / B : Cahier II of the Bottet collection published in Pierre Amrouche and Marie-Laure Terrin-Amrouche, Collection Bernard et Bertrand Bottet, Paris, 2013, p.111 & 124 \| ![img-16.jpeg](img_ref_17) \| \| \| \| --- \| --- \| --- \| 02 Senufo Figurine Northern Senufo fono style, Tengerela area Height: 29,5 ...	Fig. 11 A / B : Cahier II of the Bottet collection published in Pierre Amrouche and Marie-Laure Terrin-Amrouche, Collection Bernard et Bertrand Bottet, Paris, 2013, p.111 & 124 \| \| \| \| \| --- \| --- \| --- \| 02 Senufo Figurine Northern Senufo fono style, Tengerela area Height: 29,5 cm PROVENANCE: Collection...	ON SENUFO CHAMPION CULTIVATOR STAFFS	[ "img_ref_17", "img_ref_18", "img_ref_19" ]	3	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	25,517	731
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_35	# 03 Figurine by the Master of the Cockscomb Hairstyle Kule Style, Region of Kouto Height: 24,7 cm ## PROVENANCE: Private collection, Belgium, circa 1970's Joachim Pecci, Bruxelles ## PUBLICATION: Eberhard Fischer & Lorenz Homberger, ed., Afrikanische Meister. Kunst der Elfenbeinküste, Zurich, Rietberg Museum, 2...	03 Figurine by the Master of the Cockscomb Hairstyle Kule Style, Region of Kouto Height: 24,7 cm PROVENANCE: Private collection, Belgium, circa 1970's Joachim Pecci, Bruxelles PUBLICATION: Eberhard Fischer & Lorenz Homberger, ed., Afrikanische Meister. Kunst der Elfenbeinküste, Zurich, Rietberg Museum, 2014, p. ...	03	[ "img_ref_20", "img_ref_21", "img_ref_22" ]	3	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	26,248	545
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_36	# 04 Champion Cultivator Staff telafipitya Korhogo Boundiali area Height staff: 122 cm Height figurine: 22,2 cm PROVENANCE: Erwin Fieger, circa 1960's Adrian Schlag, Brussels ![img-22.jpeg](img_ref_23) Fig. 2. Champion Cultivator Staff, Cercle of Kadiolo, Region of Sikasso, Mali, drawing in 1908 by Lito Frobenius or...	04 Champion Cultivator Staff telafipitya Korhogo Boundiali area Height staff: 122 cm Height figurine: 22,2 cm PROVENANCE: Erwin Fieger, circa 1960's Adrian Schlag, Brussels Fig. 2. Champion Cultivator Staff, Cercle of Kadiolo, Region of Sikasso, Mali, drawing in 1908 by Lito Frobenius or one of his assistants, Fritz...	04	[ "img_ref_23", "img_ref_24", "img_ref_25", "img_ref_26", "img_ref_27" ]	5	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	26,793	866
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_37	# 06 Champion Cultivator Staff telafipitya Fono style Height staff: 107 cm Height figurine: 28,3 cm PROVENANCE: Collected in Abidji, R.C.I. in 1948 Collection Brémond, Nice Galerie Entwistle, Paris ![img-27.jpeg](img_ref_28) ![img-28.jpeg](img_ref_29) ![img-29.jpeg](img_ref_30) 1 07 Champion Cultivator Staff tel...	06 Champion Cultivator Staff telafipitya Fono style Height staff: 107 cm Height figurine: 28,3 cm PROVENANCE: Collected in Abidji, R.C.I. in 1948 Collection Brémond, Nice Galerie Entwistle, Paris 1 07 Champion Cultivator Staff telafipitya Height staff: 141,5 cm Height figurine: 35,2 cm PROVENANCE: Galerie Schof...	06	[ "img_ref_28", "img_ref_29", "img_ref_30", "img_ref_31", "img_ref_32", "img_ref_33", "img_ref_34" ]	7	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	27,659	1,001
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_38	Collection Alexander S. Honig, New York (Sotheby's New York, The Alexander S. Honig Collection of African Art, May 18, 1993, lot 55) Private collection ![img-34.jpeg](img_ref_35) \| \| \| \| \| --- \| --- \| --- \| 26 ![img-35.jpeg](img_ref_36) Champion Cultivator Staff telafipitya Height staff: 122 cm Height fig...	Collection Alexander S. Honig, New York (Sotheby's New York, The Alexander S. Honig Collection of African Art, May 18, 1993, lot 55) Private collection \| \| \| \| \| --- \| --- \| --- \| 26 Champion Cultivator Staff telafipitya Height staff: 122 cm Height figurine: 28,6 cm PROVENANCE: Jerry and Susan Vogel, New ...	06	[ "img_ref_35", "img_ref_36", "img_ref_37", "img_ref_38", "img_ref_39", "img_ref_40" ]	6	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	28,660	1,009
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_39	# 11 Champion Cultivator Staff telafipitya North of Kouto Height staff: 103 cm Height figurine: 20 cm PROVENANCE: Collected in Abidji in 1948 Collection Bremond, Nice Bernard Dulon, Paris ![img-40.jpeg](img_ref_41) Fig. 13 Senula staff, Pomporo group, Cercle of Kadiolo, Region of Sikasso, Mali, drawing in 1908...	11 Champion Cultivator Staff telafipitya North of Kouto Height staff: 103 cm Height figurine: 20 cm PROVENANCE: Collected in Abidji in 1948 Collection Bremond, Nice Bernard Dulon, Paris Fig. 13 Senula staff, Pomporo group, Cercle of Kadiolo, Region of Sikasso, Mali, drawing in 1908 by Leo Frobenius or one of h...	11	[ "img_ref_41", "img_ref_42", "img_ref_43", "img_ref_44" ]	4	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	29,669	653
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_40	# 12 Champion Cultivator Staff telafipitya Southwestern Style Height staff: 112,3 cm Height figurine: 29,8 cm PROVENANCE: Collected between 1930 and 1950 by a member of the Donne family Yann Ferrandin, Paris ![img-44.jpeg](img_ref_45) Fig. 14 : Ceremony to determine the Champion Cultivator in the Kufulo region, A. G...	12 Champion Cultivator Staff telafipitya Southwestern Style Height staff: 112,3 cm Height figurine: 29,8 cm PROVENANCE: Collected between 1930 and 1950 by a member of the Donne family Yann Ferrandin, Paris Fig. 14 : Ceremony to determine the Champion Cultivator in the Kufulo region, A. Glaze, 1969. \| \| \| \| \| -...	12	[ "img_ref_45", "img_ref_46", "img_ref_47", "img_ref_48", "img_ref_49", "img_ref_50", "img_ref_51" ]	7	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	30,322	957
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_41	# 14 Guardian Staff Southwestern Style Height staff: 135 cm Hauteur figure: 33 cm PROVENANCE: Loed Van Bussel, Amsterdam, vers 1980 Galerie Simonis, Dusseldorf Private Collection Hamburg ![img-51.jpeg](img_ref_52) Fig. 16: Staff from the Western Senufo collected by Maesen in 1939 in the village Dyentene villag...	14 Guardian Staff Southwestern Style Height staff: 135 cm Hauteur figure: 33 cm PROVENANCE: Loed Van Bussel, Amsterdam, vers 1980 Galerie Simonis, Dusseldorf Private Collection Hamburg Fig. 16: Staff from the Western Senufo collected by Maesen in 1939 in the village Dyentene village Canton de Tynyonkaha; Antwe...	14	[ "img_ref_52", "img_ref_53", "img_ref_54", "img_ref_55", "img_ref_56" ]	5	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	31,279	898
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_42	# 16 Champion Cultivator Staff telafipitya Fono Style Height staff: 153 cm Hauteur Figure: 33 cm PROVENANCE: Collection Christophe Rolley, Paris Renaud Riley, Bruxelles ![img-56.jpeg](img_ref_57) ![img-57.jpeg](img_ref_58) \| \| \| \| \| --- \| --- \| --- \| 42	16 Champion Cultivator Staff telafipitya Fono Style Height staff: 153 cm Hauteur Figure: 33 cm PROVENANCE: Collection Christophe Rolley, Paris Renaud Riley, Bruxelles \| \| \| \| \| --- \| --- \| --- \| 42	16	[ "img_ref_57", "img_ref_58" ]	2	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	32,177	271
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_43	# 17 Tumogani Brass and Iron Staff Total Height: 117,3 cm Height of bronze Figure: 14,5 cm PROVENANCE: Collection Charles Ratton Paris, before 1960 ![img-58.jpeg](img_ref_59) Fig. 18: Charles Ratton in 1983, archives Guy Ladrière in Raoul Lebsard, «Charles Ratton et l'aventure de l'art nègre», in Arts d'Afri...	17 Tumogani Brass and Iron Staff Total Height: 117,3 cm Height of bronze Figure: 14,5 cm PROVENANCE: Collection Charles Ratton Paris, before 1960 Fig. 18: Charles Ratton in 1983, archives Guy Ladrière in Raoul Lebsard, «Charles Ratton et l'aventure de l'art nègre», in Arts d'Afrique Noire, n° 60, Winter 1986, cover ...	17	[ "img_ref_59", "img_ref_60", "img_ref_61", "img_ref_62", "img_ref_63", "img_ref_64" ]	6	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	32,448	838
senufo-staffs-bernard-de-grunne-tefaf-2014.pdf_chunk_44	# 19 Tumogani Brass and Iron Staff Total Height: 120 cm Height of bronze Figure: 15 cm PROVENANCE: Collection Charles Ratton Paris, before 1960 ![img-64.jpeg](img_ref_65) ![img-65.jpeg](img_ref_66) \| ![img-66.jpeg](img_ref_67) \| \| \| \| --- \| --- \| --- \| This catalog has been published for my SENUFO e...	19 Tumogani Brass and Iron Staff Total Height: 120 cm Height of bronze Figure: 15 cm PROVENANCE: Collection Charles Ratton Paris, before 1960 \| \| \| \| \| --- \| --- \| --- \| This catalog has been published for my SENUFO exhibition during The European Fine Art Fair Maastricht March 14 to March 23 2014 BERNARD D...	19	[ "img_ref_65", "img_ref_66", "img_ref_67" ]	3	true	senufo-staffs-bernard-de-grunne-tefaf-2014.pdf	33,286	728

senufo-staffs-bernard-de-grunne-tefaf-2014

Dataset created with PDF2Dataset -- OCR + structure-aware chunking pipeline.

Dataset Summary

Metric	Value
Total chunks	45
Avg chars/chunk	756
Avg images/chunk	1.49
Source files	1
Duplicates removed	0
Quality filtered	0

Schema

Column	Type	Description
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`section`	`string`	H2 header active at chunk position
`subsection`	`string`	H3+ header active at chunk position
`images`	`list[Image]`	Rendered images extracted from chunk (viewable in Dataset Viewer)
`image_refs`	`list[string]`	Image reference IDs in chunk text
`num_images`	`int`	Number of images in chunk
`has_images`	`bool`	Whether chunk contains images
`source_filename`	`string`	Original source file name
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`char_count`	`int`	Character count of chunk text

Source Files

File	Chunks
`senufo-staffs-bernard-de-grunne-tefaf-2014.pdf`	45

Document Structure

Chapters found in the source documents:

03
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17
19
ON SENUFO CHAMPION CULTIVATOR STAFFS

Pipeline

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Chunking -- Structure-aware recursive splitting preserves document hierarchy
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