Datasets:
audio audio | song string | caption string | stage string | what_it_shows string | tokenizer string | spectral_error_log_units float64 |
|---|---|---|---|---|---|---|
sdd-1014963 | This song starts with a electric guitar riff and then gets rich with brass instruments and a female vocal singing in English. | 1 original recording | the held-out song itself, resampled to 24 kHz | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0 | |
sdd-1014963 | This song starts with a electric guitar riff and then gets rich with brass instruments and a female vocal singing in English. | 2 exact spectrogram through Griffin-Lim | loss from phase estimation only | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.23 | |
sdd-1014963 | This song starts with a electric guitar riff and then gets rich with brass instruments and a female vocal singing in English. | 3 tokens, coarsest level only | what the first level of codes keeps | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.821 | |
sdd-1014963 | This song starts with a electric guitar riff and then gets rich with brass instruments and a female vocal singing in English. | 4 tokens, all levels, through Griffin-Lim | the best any model trained on these tokens could sound | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.48 | |
sdd-103089 | Heavy metal song with folk influences, drum and distorted guitars are sustained by a French speaking male voice and a synth lead, in some point the music stops and there is a rain sample. | 1 original recording | the held-out song itself, resampled to 24 kHz | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0 | |
sdd-103089 | Heavy metal song with folk influences, drum and distorted guitars are sustained by a French speaking male voice and a synth lead, in some point the music stops and there is a rain sample. | 2 exact spectrogram through Griffin-Lim | loss from phase estimation only | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.152 | |
sdd-103089 | Heavy metal song with folk influences, drum and distorted guitars are sustained by a French speaking male voice and a synth lead, in some point the music stops and there is a rain sample. | 3 tokens, coarsest level only | what the first level of codes keeps | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.685 | |
sdd-103089 | Heavy metal song with folk influences, drum and distorted guitars are sustained by a French speaking male voice and a synth lead, in some point the music stops and there is a rain sample. | 4 tokens, all levels, through Griffin-Lim | the best any model trained on these tokens could sound | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.378 | |
sdd-1116696 | Electronic track with a strong drum beat and a simple repeated vocal sample, the track is noisy and harsh with little to no melodic components. | 1 original recording | the held-out song itself, resampled to 24 kHz | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0 | |
sdd-1116696 | Electronic track with a strong drum beat and a simple repeated vocal sample, the track is noisy and harsh with little to no melodic components. | 2 exact spectrogram through Griffin-Lim | loss from phase estimation only | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.17 | |
sdd-1116696 | Electronic track with a strong drum beat and a simple repeated vocal sample, the track is noisy and harsh with little to no melodic components. | 3 tokens, coarsest level only | what the first level of codes keeps | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.544 | |
sdd-1116696 | Electronic track with a strong drum beat and a simple repeated vocal sample, the track is noisy and harsh with little to no melodic components. | 4 tokens, all levels, through Griffin-Lim | the best any model trained on these tokens could sound | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.338 | |
sdd-1245191 | A catchy bassline with a drum rhythm sequence introduces the song, followed by a simple chord cadence played on a piano, with some vocals with no lyrics. | 1 original recording | the held-out song itself, resampled to 24 kHz | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0 | |
sdd-1245191 | A catchy bassline with a drum rhythm sequence introduces the song, followed by a simple chord cadence played on a piano, with some vocals with no lyrics. | 2 exact spectrogram through Griffin-Lim | loss from phase estimation only | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.222 | |
sdd-1245191 | A catchy bassline with a drum rhythm sequence introduces the song, followed by a simple chord cadence played on a piano, with some vocals with no lyrics. | 3 tokens, coarsest level only | what the first level of codes keeps | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.732 | |
sdd-1245191 | A catchy bassline with a drum rhythm sequence introduces the song, followed by a simple chord cadence played on a piano, with some vocals with no lyrics. | 4 tokens, all levels, through Griffin-Lim | the best any model trained on these tokens could sound | final: 4 band groups x 4 levels, 16 codes per 10.7 ms | 0.46 |
StaleyNET derived training data
Derived artifacts for training and evaluating StaleyNET, a text-prompted music generator written in Rust. This repository contains the caches the training loop reads, the fitted RVQ tokenizer, generated samples, and the metadata needed to rebuild the caches from the original datasets. It does not contain the raw third-party audio.
Code, paper, and book: https://github.com/arpanpathak/staleynet. Checkpoints: https://huggingface.co/arpanpathak/staleynet-checkpoints.
Release v0.1.2
- GitHub release: https://github.com/arpanpathak/staleynet/releases/tag/v0.1.2
staleynet-audio0.1.2 on crates.io: https://crates.io/crates/staleynet-audio. Its page explains each audio step with intuition and runnable examples.- Since v0.1.1: the GPU kernels are organised into one module per topic, the AGX Thor builds against cuda-oxide's main branch, and the paper has been revised with hardware, benchmark and tokenizer appendices.
- New in these repositories: the
lyrics-thor,lyrics-thor-longandpq-largeruns, and the band-group token caches they train on. - CI: rustfmt, clippy with warnings denied, cargo-deny, the audio coverage gate, and documentation tests for every example on the crate page.
At a glance
| Item | Value |
|---|---|
| Files | 3,189 |
| Size | 3.12 GB |
| Audio features | 128 mel bands at 24 kHz, FFT 1024, hop 256 |
| Audio tokens | 4 residual codebooks, 1024 entries each |
| Tokenizer | residual k-means, about 12 MB |
| Samples | 79 generated, reconstruction, tokenizer, and studio files |
| License | CC BY-SA 4.0, subject to the upstream dataset terms |
Listening in the dataset viewer
The viewer above plays the project's audio outputs, not its training data. The training data itself is the spectrogram and token caches described below, binary files that the viewer cannot play. Choose a view from the menu:
| View | What it contains |
|---|---|
reconstruction (default) |
Four held-out songs, each in four versions: the original recording, its exact spectrogram through Griffin-Lim, its tokens using only the coarsest level, and its tokens using all 16 codes. This is the clearest way to hear where detail is lost; the spectral_error_log_units column gives the measured loss of each version. |
reconstruction-first-tokenizer |
The same comparison with the first tokenizer, which loses about twice as much detail. |
generated |
Samples generated by the early models on the first tokenizer. They sound blurred and noisy: the reconstruction views show that most of that blur comes from the first tokenizer, which the current one halves. |
overfit-test |
A model trained on a single excerpt reproduces it; compare its outputs with the excerpt's own tokens. |
recordings |
The author's own takes, with their descriptions and lyrics. All rights reserved. |
Layout
| Directory | Files | Size | Contents |
|---|---|---|---|
cache/ |
1,415 | 2.0 GB | SDD log-mel (.f16) and RVQ codes (.u16), tokenizer, manifest |
cache-jamendolyrics/ |
161 | 408 MB | JamendoLyrics log-mel, codes, tokenizer, manifest |
cache-g4l4f1/ |
708 | 246 MB | band-group tokenizer (4 groups × 4 levels): SDD codes, tokenizer, manifest |
cache-pq-jamendolyrics/ |
82 | 56 MB | JamendoLyrics codes under the band-group tokenizer |
cache-pq-recordings/ |
5 | 6.1 MB | codes for the author's own takes under the band-group tokenizer |
cache-l16f1/ |
709 | 264 MB | tokenizer-study control: 16 residual levels without band groups |
cache-overfit/ |
5 | 12 MB | single-take overfit cache |
cache-recordings/ |
3 | 2.2 MB | log-mel for the author's own takes |
recordings/ |
8 | 8.0 MB | 2 own takes: WAV, caption, lyrics, JSON |
overfit/ |
2 | 572 KB | the single overfit take and caption |
samples/ |
79 | 34 MB | generated, reconstruction, tokenizer, and studio samples |
raw/ |
7 | 480 KB | SDD and JamendoLyrics metadata and license tables, plus the provenance README |
The caches built on another tokenizer reuse the log-mel features of their source cache, so their mel/ directories are omitted here to avoid duplicating several gigabytes. Recreate them with:
ln -s ../cache/mel data/cache-g4l4f1/mel
ln -s ../cache/mel data/cache-l16f1/mel
ln -s ../cache-jamendolyrics/mel data/cache-pq-jamendolyrics/mel
ln -s ../cache-recordings/mel data/cache-pq-recordings/mel
The band-group caches feed the pq-large run in the checkpoint repository. cache-l16f1/ is the control of the tokenizer study: its held-out error of 0.427 against 0.401 for cache-g4l4f1/ shows that most of the improvement over the original tokenizer comes from using more codes per step.
Formats
mel/*.f16: little-endianf16log-mel, 128 bands, 24 kHz, FFT 1024, hop 256, 0 to 12 kHz, normalized with the per-band statistics inmanifest.json.codes/*.u16: little-endianu16RVQ indices, 4 codebooks of 1024 entries, 1 token per codebook per audio step.tokenizer.json: the fitted residual k-means codebooks, about 12 MB.manifest.json: track list, mel parameters, normalization statistics, and per-track token counts.samples/*.json: the prompt, checkpoint, timing, and real-time factor next to each generated WAV.
Download and use
hf download arpanpathak/staleynet-data \
--repo-type dataset --local-dir data
# The caches now sit where the CLI expects them.
staleynet sing --cache data/cache --run ... --prompt "..." --out song.wav
staleynet train --cache data/cache --run runs/base --config configs/base.json
For the lyrics model, add data/cache-jamendolyrics through extra_sources in the run configuration, as configs/lyrics-orin.json does.
Provenance
- Song Describer Dataset (SDD), https://zenodo.org/records/10072001. The dataset has 706 Jamendo recordings with human captions. Captions are CC BY-SA 4.0. Each recording carries the Creative Commons license listed in
raw/song-describer/audio_licenses.txt, including CC BY-NC-ND and CC BY-NC-SA. Raw audio is not redistributed here. - JamendoLyrics MultiLang, https://github.com/f90/jamendolyrics. Code and metadata are MIT. Songs and lyrics carry the per-song CC license in
raw/jamendolyrics/JamendoLyrics.csv. The upstream repository notes that the dataset has moved to https://huggingface.co/datasets/jamendolyrics/jamendolyrics. Raw audio is not redistributed here.
To rebuild the caches, follow the commands in the code README:
staleynet prepare --song-describer data/raw/song-describer --cache data/cache
staleynet tokenize --cache data/cache
staleynet prepare --jamendo-lyrics data/raw/jamendolyrics --cache data/cache-jamendolyrics
staleynet tokenize --cache data/cache-jamendolyrics --reuse data/cache/tokenizer.json
Licensing
The derived caches, tokenizer, and generated samples are offered under CC BY-SA 4.0 (LICENSE-CC-BY-SA-4.0.txt) only to the extent the upstream dataset licenses permit it. The source recordings include NonCommercial and NoDerivatives tracks, so do not use these artifacts commercially where the upstream license forbids it.
Carve-out: recordings/, overfit/take.wav, and cache-recordings/ are the author's own vocal recordings. They are included for reproducibility and are not licensed for reuse. All rights are reserved. Do not redistribute them or train a voice model on them without permission.
raw/ contains only metadata tables copied from the upstream datasets. Their own licenses apply.
Integrity
SHA256SUMS lists every file in this repository. Verify with:
sha256sum -c SHA256SUMS
Citation
@misc{pathak2026staleynet,
author = {Arpan Pathak},
title = {StaleyNET: Text-Conditioned Music Generation Trained from Scratch
on Edge GPUs in Rust},
year = {2026},
url = {https://github.com/arpanpathak/staleynet}
}
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