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| license: other | |
| license_name: research-only | |
| license_link: LICENSE | |
| task_categories: | |
| - video-to-video | |
| - audio-to-audio | |
| - text-to-video | |
| language: | |
| - en | |
| - zh | |
| tags: | |
| - audio-visual | |
| - video-editing | |
| - instruction-following | |
| - multimodal-reasoning | |
| - benchmark | |
| pretty_name: ReasonAVEdit-Bench | |
| size_categories: | |
| - 1K<n<10K | |
| configs: | |
| - config_name: default | |
| data_files: | |
| - split: test | |
| path: metadata.csv | |
| # ReasonAVEdit-Bench | |
| A 1,200-sample benchmark for **instruction-guided joint audio-video editing**, built to measure | |
| not only the final edit but the **multimodal reasoning** behind it: *which region* to change, | |
| *which sound source* to change, and *when* the change happens. | |
| Every sample ships the source audio-video, a natural-language instruction, and two decodable | |
| reasoning ground truths: | |
| * **single-frame visual reasoning** - the edit-start frame with the target region flattened to | |
| gray 127, plus a binary mask of that region; | |
| * **full-timeline acoustic reasoning** - a waveform the same length as the clip that is silent | |
| outside the edit window and, inside it, contains only the source to be replaced. | |
| No edited target video is provided. This is a benchmark: the input is a real clip plus an | |
| instruction, and the edited result is what a method under test is expected to produce. | |
| ## Contents | |
| | Path | Count | Description | | |
| |---|---|---| | |
| | `videos/` | 1200 | Source clip, 25 fps, `frames % 8 == 1`, sides multiple of 32, H.264 + 16 kHz AAC | | |
| | `audios/` | 1200 | Source audio, 16 kHz mono WAV | | |
| | `masks/` | 1200 | Full-timeline binary mask of the target region | | |
| | `reason_visual/` | 1200 | Single-frame visual reasoning GT (target region = gray 127) | | |
| | `reason_visual_mask/` | 1200 | Binary region at the anchor frame, for Visual IoU | | |
| | `reason_audio/` | 1200 | Full-timeline acoustic reasoning GT, 16 kHz mono WAV | | |
| | `ref_images/` | 150 | Reference image (reference-guided and instance-addition tracks) | | |
| | `annotations/` | 1200 | Per-sample JSON: instruction, windows, geometry, measured evidence | | |
| | `metadata.csv` | 1 | One row per sample | | |
| | `review.html` | 1 | 80-window visual inspection page (serve over HTTP) | | |
| | `train_exclude.list`, `train_exclude_videoids.txt` | 2 | Leakage-control lists for the source corpora | | |
| Total 3.3 GB. All media are real files; nothing is a symlink. | |
| ### Media is shipped as tar archives | |
| On the Hub the seven media folders live under `archives/` as one tar each, because 7,150 loose | |
| LFS objects trip the Hub's request rate limit. Unpack them next to `metadata.csv` and the paths | |
| in the CSV resolve as written: | |
| ```bash | |
| huggingface-cli download bigfacing/ReasonAVEdit-Bench --repo-type dataset --local-dir ReasonAVEdit-Bench | |
| cd ReasonAVEdit-Bench && for f in archives/*.tar; do tar -xf "$f"; done | |
| ``` | |
| `annotations/`, `metadata.csv` and `README.md` are stored loose so they stay browsable on the | |
| Hub. `review.html` is an 80-window inspection page that expects the extracted layout, so open it | |
| after unpacking and serve the folder over HTTP (`python3 -m http.server`). | |
| ## Tracks | |
| Five mutually exclusive categories; a source video appears in exactly one sample. | |
| | Category | Sub-track | N | What is hard | | |
| |---|---|---|---| | |
| | **Where-only** 250 | `W1_same_class_pair` | 100 | Two instances of the same class, comparable size - only position disambiguates | | |
| | | `W2_spatial_reference` | 80 | Instruction refers by left/right/larger/smaller | | |
| | | `W3_small_or_occluded` | 70 | Target covers < 2% of the frame | | |
| | **Which-only** 300 | `H1_overlapping_voices` | 120 | A second voice overlaps the target speaker | | |
| | | `H2_speech_vs_ambient` | 100 | Speech competes with ambient sound at a comparable level | | |
| | | `H3_offscreen_source` | 80 | The source to edit is never visible; visual GT is a null anchor | | |
| | **When-only** 300 | `T1_word_phrase_swap` | 200 | Replace 1-4 words inside a sentence | | |
| | | `T2_sentence_rewrite` | 100 | Rewrite part of a sentence | | |
| | **Combined** 250 | `C1_overlap_local_speech` | 100 | Pick the right voice *and* the right time span | | |
| | | `C2_ambient_local_speech` | 50 | Same, against ambient interference | | |
| | | `C3_animal_local` | 40 | Intermittent non-speech source | | |
| | | `C4_spatial_add` | 50 | Add an instance at a required position | | |
| | | `C5_complex_remove` | 10 | Remove an instance from a busy scene | | |
| | **Reference** 100 | `R1_person_identity` | 50 | Swap identity to a reference person | | |
| | | `R2_animal_object_look` | 30 | Swap an animal/object to a reference appearance | | |
| | | `R3_ref_guided_add` | 20 | Add the reference subject to an empty scene | | |
| Balanced across languages (zh 605 / en 595) and orientation (landscape 952 / portrait 248). | |
| ## Suggested metrics | |
| Final edit quality applies to all samples (FVD, TV-A, TC, SSIM, FAD, TA-A, LPAPS, AV-A, PEAVS, | |
| Sync-C/D, PQ, BG, DeSync). The reasoning GT enables per-category diagnostics: | |
| * Where-only: Visual IoU, BG | |
| * Which-only: Which-Acc, Acoustic Time-Frequency IoU, LPAPS | |
| * When-only: Acoustic Temporal IoU, Video Temporal IoU, DeSync, A/V support offset | |
| * Combined: all three groups | |
| The 1,100 pure-instruction samples are intended for the main ranking; the 100 reference-guided | |
| samples are reported separately, since they take an extra conditioning input. | |
| ## How the annotations were derived | |
| Selection is grounded in measurements, not caption guesswork: | |
| * **Instance count and geometry** come from connected components of the SAM2 binary mask, so | |
| "the dog on the left" is a checkable claim and the visual GT keeps only the named instance. | |
| * **Competing sources** come from the source/target/residual decomposition shipped with the | |
| underlying corpora: level ratio and temporal overlap are measured directly. | |
| * **Voice vs non-voice** is decided by Whisper's `<|nospeech|>` posterior. DSP heuristics | |
| (voiced-band energy times syllabic modulation) confuse animal calls with speech at a 30-43% | |
| false-positive rate, which is exactly the distinction the Which-only track rests on. | |
| Off-screen sources are annotated on the residual track rather than the mask: an object grounded | |
| by SAM2 is by construction visible, so a genuinely unseen source lives in "source audio minus | |
| visible target". For those samples the acoustic edit target is the residual and the visual | |
| reasoning GT is a null anchor. | |
| ## Loading | |
| ```python | |
| import csv, os | |
| root = "." # or the snapshot path from huggingface_hub.snapshot_download | |
| rows = list(csv.DictReader(open(os.path.join(root, "metadata.csv")))) | |
| r = rows[0] | |
| print(r["sub_track"], r["instruction"]) | |
| video = os.path.join(root, r["video"]) # model input | |
| audio = os.path.join(root, r["audio"]) # model input | |
| rv_gt = os.path.join(root, r["reason_visual"]) # single-frame visual reasoning GT | |
| rv_mask = os.path.join(root, r["reason_visual_mask"]) # binary region for IoU | |
| ra_gt = os.path.join(root, r["reason_audio"]) # full-timeline acoustic reasoning GT | |
| ``` | |
| `annotations/{id}.json` additionally carries the edit window in seconds and frames, the anchor | |
| frame index, per-instance geometry, the selected instance index, and the measurements that | |
| placed the sample in its sub-track. | |
| ## Notes and limitations | |
| * Instructions for the SAM-derived tracks are templated from measured evidence (grounded object | |
| phrase, component geometry, a donor drawn from a different category, a donor line taken from | |
| real in-domain ASR). They are grammatical and specific but not human-written. | |
| * `C4`/`R3` are instance-addition cases: nothing in the source needs replacing, so the acoustic | |
| reasoning GT is a silent null anchor and the visual GT is the placement box. | |
| * Clip length follows the ladder 121/105/97/89/81/73/65 frames at 25 fps, picked as the longest | |
| rung a source supports; 990 of 1200 samples are the full 121 frames. | |
| * Source material is drawn from internal talking-head, film/drama and sounding-object corpora. | |
| Redistribution beyond research use may be restricted by the terms of those sources. | |