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musp_1
Q254
1
The performer plays bars 1-2 with different articulation: sometimes legato, sometimes staccato. Which eighth notes are played staccato?
S&P
S&P
Short
Short
Identify
Performance Realization
Articulation
Pitch
Pitch with octave number
List ordered by appearance
[ "A2, C#3, Eb4" ]
[ "A4, E4, A4" ]
Bach
Fugue BWV 875
inputs/abc/piece-01.abc
inputs/abc_plus_midi/piece-01.abc
inputs/midi_performance_event_text/piece-01.txt
inputs/midi2_performance_event_text/piece-01.txt
inputs/pdf/without_context/piece-01.pdf
[ "inputs/images/piece-01/page-1.png", "inputs/images/piece-01/page-2.png" ]
inputs/audio/piece-01.wav
bundled
musp_2
Q253
1
From bar 23 onwards, on which beat of which bar does the performance launch into its final élan that goes on until the end?
S&P
S&P
Mid
Mid
Locate
Temporal Organization
Performance timing
Bar / beat
Bar and beat
Single
[ "bar 18 beat 3" ]
[ "bar 25 beat 1" ]
Bach
Fugue BWV 875
inputs/abc/piece-01.abc
inputs/abc_plus_midi/piece-01.abc
inputs/midi_performance_event_text/piece-01.txt
inputs/midi2_performance_event_text/piece-01.txt
inputs/pdf/without_context/piece-01.pdf
[ "inputs/images/piece-01/page-1.png", "inputs/images/piece-01/page-2.png" ]
inputs/audio/piece-01.wav
bundled
musp_3
Q256
2
In measures 77-78, the performer audibly elongates a note in the right hand beyond the written duration. Which note is elongated in which bar?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Composite answer
Pitch, "in bar", bar number
Single
[ "A#3 in bar 77" ]
[ "B5 in bar 77" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_4
Q258
2
Which right-hand note in the first bar is played the softest, and what is its position in the sequence of right-hand notes?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Composite answer
Pitch with octave number, position in bar
Single
[ "A3, 2" ]
[ "C#5, 4" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_5
Q260
2
Which note is accentuated the most in bars 97-98?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A#2", "Bb3" ]
[ "D#3" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_6
Q255
2
In bars 35-36, and again in bars 37-38, the performer consistently emphasizes a note in the left hand. If the beat is given by the eighth notes, in which bars and on which beat are these accentuated notes played within those bars?
S&P
S&P
Mid
Mid
Locate
Temporal Organization
Position
Bar / beat
Bar and beat
List ordered by appearance
[ "bar 35 beat 1, bar 35 beat 2" ]
[ "bar 35 beat 3, bar 37 beat 3", "bar 35 beat 3, bar 36 beat 1, bar 37 beat 3, bar 38 beat 1" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_7
Q257
2
Starting in bar 87, the music builds tension in anticipation of the cadence. At what time would a G#4 be expected as the logical completion of the melodic line, continuing the same melodic flow and pulse established and emphasized by the performer from bar 87 onward?
S&P
S&P
Long
Long
Infer
Melody
Melodic line
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "00:37" ]
[ "1:01" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_8
Q259
2
From which measure onwards does the performer most suddenly significantly slow down the tempo compared to the beginning?
S&P
S&P
Long
Long
Locate
Temporal Organization
Tempo
Bar / beat
Bar number (digits)
Single
[ "50" ]
[ "103" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_9
Q261
3
The phrasing in bars 143-144 is built up toward which note? In other words, where is the loudest point within that phrase?
S&P
S&P
Short
Short
Identify
Structure
Phrasing
Pitch
Pitch class without octave number
Single
[ "A", "G#", "Bb" ]
[ "D" ]
Balakirev
Islamey
inputs/abc/piece-03.abc
inputs/abc_plus_midi/piece-03.abc
inputs/midi_performance_event_text/piece-03.txt
inputs/midi2_performance_event_text/piece-03.txt
inputs/pdf/without_context/piece-03.pdf
[ "inputs/images/piece-03/page-01.png", "inputs/images/piece-03/page-02.png", "inputs/images/piece-03/page-03.png", "inputs/images/piece-03/page-04.png", "inputs/images/piece-03/page-05.png", "inputs/images/piece-03/page-06.png", "inputs/images/piece-03/page-07.png", "inputs/images/piece-03/page-08.png"...
inputs/audio/piece-03.wav
bundled
musp_10
Q262
3
The lowest D in measure 92 is sustained. Which melodic note is played when this bass note is lifted?
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "D4" ]
Balakirev
Islamey
inputs/abc/piece-03.abc
inputs/abc_plus_midi/piece-03.abc
inputs/midi_performance_event_text/piece-03.txt
inputs/midi2_performance_event_text/piece-03.txt
inputs/pdf/without_context/piece-03.pdf
[ "inputs/images/piece-03/page-01.png", "inputs/images/piece-03/page-02.png", "inputs/images/piece-03/page-03.png", "inputs/images/piece-03/page-04.png", "inputs/images/piece-03/page-05.png", "inputs/images/piece-03/page-06.png", "inputs/images/piece-03/page-07.png", "inputs/images/piece-03/page-08.png"...
inputs/audio/piece-03.wav
bundled
musp_11
Q264
3
Which three notes of the main melody in bars 100-105 does the performer play staccato?
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Composite answer
Pitch, "in bar", bar number
List ordered by appearance
[ "F#1 in bar 100, A2 in bar 101, A4 in bar 102" ]
[ "C#4 in bar 103, B3 in bar 103, A3 in bar 103" ]
Balakirev
Islamey
inputs/abc/piece-03.abc
inputs/abc_plus_midi/piece-03.abc
inputs/midi_performance_event_text/piece-03.txt
inputs/midi2_performance_event_text/piece-03.txt
inputs/pdf/without_context/piece-03.pdf
[ "inputs/images/piece-03/page-01.png", "inputs/images/piece-03/page-02.png", "inputs/images/piece-03/page-03.png", "inputs/images/piece-03/page-04.png", "inputs/images/piece-03/page-05.png", "inputs/images/piece-03/page-06.png", "inputs/images/piece-03/page-07.png", "inputs/images/piece-03/page-08.png"...
inputs/audio/piece-03.wav
bundled
musp_12
Q263
3
The first part of the piece concludes at 2:04. Up until there, the bars 1-2 of the piece were varied many times. How many times in total were these two bars played or varied? Count any occurrence in which the variation spans the full two bar passage and the melody remains essentially the same.
S&P
S&P
Long
Long
Quantify
Structure
Repetition / variation
Integer
Positive integer
Single
[ "4" ]
[ "10" ]
Balakirev
Islamey
inputs/abc/piece-03.abc
inputs/abc_plus_midi/piece-03.abc
inputs/midi_performance_event_text/piece-03.txt
inputs/midi2_performance_event_text/piece-03.txt
inputs/pdf/without_context/piece-03.pdf
[ "inputs/images/piece-03/page-01.png", "inputs/images/piece-03/page-02.png", "inputs/images/piece-03/page-03.png", "inputs/images/piece-03/page-04.png", "inputs/images/piece-03/page-05.png", "inputs/images/piece-03/page-06.png", "inputs/images/piece-03/page-07.png", "inputs/images/piece-03/page-08.png"...
inputs/audio/piece-03.wav
bundled
musp_13
Q265
4
At what time does the development, around the time when the main theme is played shortly in E minor, start?
S&P
S&P
Long
Long
Locate
Structure
Segmentation
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "02:29", "2:27", "02:33" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_14
Q266
4
In the piece’s coda, the performer plays a cadenza-like passage of arpeggiated chords and grand gestures. Within this passage, in which bar does the performer briefly draw back in intensity and force before returning to the arpeggiated texture with at least equal strength immediately afterward?
S&P
S&P
Long
Long
Locate
Temporal Organization
Performance timing
Bar / beat
Bar number (digits)
Single
[ "4" ]
[ "222", "224" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_15
Q268
4
Consider the secondary theme to consist of two parts. The second part starts like the first part but has a different ending. During the first time the secondary melody is played, when exactly does this sudden change in melodic trajectory take place? When does an unexpected note break the similarity with the first phras...
S&P
S&P
Long
Long
Locate
Structure
Phrasing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "01:39" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_16
Q193
5
In the re-exposition, after the theme recurs in diminution, the piece briefly modulates to A major. The A major passage concludes with a half cadence at what time?
S&P
S&P
Long
Long
Locate
Temporal Organization
Performance timing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "07:34", "07:33" ]
Beethoven
Piano Sonata No. 21, movement 1
inputs/abc/piece-05.abc
inputs/abc_plus_midi/piece-05.abc
inputs/midi_performance_event_text/piece-05.txt
inputs/midi2_performance_event_text/piece-05.txt
inputs/pdf/without_context/piece-05.pdf
[ "inputs/images/piece-05/page-01.png", "inputs/images/piece-05/page-02.png", "inputs/images/piece-05/page-03.png", "inputs/images/piece-05/page-04.png", "inputs/images/piece-05/page-05.png", "inputs/images/piece-05/page-06.png", "inputs/images/piece-05/page-07.png", "inputs/images/piece-05/page-08.png"...
inputs/audio/piece-05.wav
bundled
musp_17
Q269
20
At what time do the two forte-piano signs occur in the recording?
S&P
S&P
Mid
Mid
Locate
Performance Realization
Dynamics
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Pair
[ "00:37, 02:14" ]
[ "00:14, 00:17" ]
Beethoven
Symphony No. 2, movement 3
inputs/abc/piece-20.abc
inputs/abc_plus_midi/piece-20.abc
inputs/midi_performance_event_text/piece-20.txt
inputs/midi2_performance_event_text/piece-20.txt
inputs/pdf/without_context/piece-20.pdf
[ "inputs/images/piece-20/page-1.png", "inputs/images/piece-20/page-2.png", "inputs/images/piece-20/page-3.png" ]
null
https://zenodo.org/records/20344500/files/BSED.zip?download=1
02_Audio/wav_44100/BSED-05_4_Beethoven_Op036-03_Blomstedt1978.wav
external
musp_18
Q270
21
At what time do both horn parts begin playing?
S&P
S&P
Mid
Mid
Locate
Temporal Organization
Position
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "00:37", "02:14", "11:05" ]
[ "00:14" ]
Beethoven
Symphony No. 4, movement 2
inputs/abc/piece-21.abc
inputs/abc_plus_midi/piece-21.abc
inputs/midi_performance_event_text/piece-21.txt
inputs/midi2_performance_event_text/piece-21.txt
inputs/pdf/without_context/piece-21.pdf
[ "inputs/images/piece-21/page-1.png", "inputs/images/piece-21/page-2.png" ]
inputs/audio/piece-21.wav
bundled
musp_19
Q271
21
As the long diatonically descending melodic line passes between different instruments, which note does the orchestra lean into most strongly through rubato?
S&P
S&P
Long
Long
Identify
Temporal Organization
Tempo
Composite answer
Pitch, "in bar", bar number
Single
[ "A4 in bar 4" ]
[ "G5 in bar 99", "F4 in bar 100" ]
Beethoven
Symphony No. 4, movement 2
inputs/abc/piece-21.abc
inputs/abc_plus_midi/piece-21.abc
inputs/midi_performance_event_text/piece-21.txt
inputs/midi2_performance_event_text/piece-21.txt
inputs/pdf/without_context/piece-21.pdf
[ "inputs/images/piece-21/page-1.png", "inputs/images/piece-21/page-2.png" ]
inputs/audio/piece-21.wav
bundled
musp_20
Q272
21
The performance does not follow the indicated tempo. What BPM best matches the performance? Round your answer to the nearest 10 BPM.
S&P
S&P
Long
Long
Quantify
Temporal Organization
Tempo
Integer
Positive integer
Single
[ "100" ]
[ "30" ]
Beethoven
Symphony No. 4, movement 2
inputs/abc/piece-21.abc
inputs/abc_plus_midi/piece-21.abc
inputs/midi_performance_event_text/piece-21.txt
inputs/midi2_performance_event_text/piece-21.txt
inputs/pdf/without_context/piece-21.pdf
[ "inputs/images/piece-21/page-1.png", "inputs/images/piece-21/page-2.png" ]
inputs/audio/piece-21.wav
bundled
musp_21
Q273
24
Which instruments carry or take part in carrying the main melody from 00:01 until the melody plays the leading tone to the passage's tonality? Mention the instruments in the same wording as in the score.
S&P
S&P
Long
Long
Identify
Orchestration
Instrumentation / hands
Short text
Instrument name
List ordered alphabetically
[ "Piano, saxophone" ]
[ "Bassoon, cello, clarinet, flute, viola, violin", "Bassoon, clarinet, flute, violin" ]
Beethoven
Symphony No. 9, movement 1
inputs/abc/piece-24.abc
inputs/abc_plus_midi/piece-24.abc
inputs/midi_performance_event_text/piece-24.txt
inputs/midi2_performance_event_text/piece-24.txt
inputs/pdf/without_context/piece-24.pdf
[ "inputs/images/piece-24/page-1.png", "inputs/images/piece-24/page-2.png" ]
inputs/audio/piece-24.wav
bundled
musp_22
Q274
6
Which note of the main melody is played with the most rubato in bars 73-74?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "Ab5" ]
Chopin
Ballade No. 1
inputs/abc/piece-06.abc
inputs/abc_plus_midi/piece-06.abc
inputs/midi_performance_event_text/piece-06.txt
inputs/midi2_performance_event_text/piece-06.txt
inputs/pdf/without_context/piece-06.pdf
[ "inputs/images/piece-06/page-01.png", "inputs/images/piece-06/page-02.png", "inputs/images/piece-06/page-03.png", "inputs/images/piece-06/page-04.png", "inputs/images/piece-06/page-05.png", "inputs/images/piece-06/page-06.png", "inputs/images/piece-06/page-07.png", "inputs/images/piece-06/page-08.png"...
inputs/audio/piece-06.wav
bundled
musp_23
Q275
6
The performer plays the first thought (the music fragment before the first global silence) with a lot of rubato. Describe the contour of the acceleration/deceleration: if the performer first slows down and then accelerates, write 'slower, faster'.
S&P
S&P
Mid
Mid
Identify
Temporal Organization
Performance timing
Category label
Given label written in full
List ordered by appearance
[ "slower, faster" ]
[ "faster, slower, faster, slower" ]
Chopin
Ballade No. 1
inputs/abc/piece-06.abc
inputs/abc_plus_midi/piece-06.abc
inputs/midi_performance_event_text/piece-06.txt
inputs/midi2_performance_event_text/piece-06.txt
inputs/pdf/without_context/piece-06.pdf
[ "inputs/images/piece-06/page-01.png", "inputs/images/piece-06/page-02.png", "inputs/images/piece-06/page-03.png", "inputs/images/piece-06/page-04.png", "inputs/images/piece-06/page-05.png", "inputs/images/piece-06/page-06.png", "inputs/images/piece-06/page-07.png", "inputs/images/piece-06/page-08.png"...
inputs/audio/piece-06.wav
bundled
musp_24
Q276
6
Consider the theme starting at 2:51. In which bar does the performer reach the subverted, silent climax of this theme, characterized by a significant slow-down in tempo and loudness?
S&P
S&P
Long
Long
Locate
Interpretation
Expressive intent
Bar / beat
Bar number (digits)
Single
[ "4" ]
[ "80" ]
Chopin
Ballade No. 1
inputs/abc/piece-06.abc
inputs/abc_plus_midi/piece-06.abc
inputs/midi_performance_event_text/piece-06.txt
inputs/midi2_performance_event_text/piece-06.txt
inputs/pdf/without_context/piece-06.pdf
[ "inputs/images/piece-06/page-01.png", "inputs/images/piece-06/page-02.png", "inputs/images/piece-06/page-03.png", "inputs/images/piece-06/page-04.png", "inputs/images/piece-06/page-05.png", "inputs/images/piece-06/page-06.png", "inputs/images/piece-06/page-07.png", "inputs/images/piece-06/page-08.png"...
inputs/audio/piece-06.wav
bundled
musp_25
Q277
6
When the piano plays the melody 'F, G, G, Eb, Eb, D, C, D, D, Bb' a little after 03:00, the piece continues to modulate. To which key is the music modulating next, as evidenced by the return of one of the primary themes in the new key?
S&P
S&P
Long
Long
Identify
Harmony
Modulation
Key / tonality
Key (pitch class and mode)
Single
[ "C# minor", "D Dorian", "Bb Mixolydian" ]
[ "A minor" ]
Chopin
Ballade No. 1
inputs/abc/piece-06.abc
inputs/abc_plus_midi/piece-06.abc
inputs/midi_performance_event_text/piece-06.txt
inputs/midi2_performance_event_text/piece-06.txt
inputs/pdf/without_context/piece-06.pdf
[ "inputs/images/piece-06/page-01.png", "inputs/images/piece-06/page-02.png", "inputs/images/piece-06/page-03.png", "inputs/images/piece-06/page-04.png", "inputs/images/piece-06/page-05.png", "inputs/images/piece-06/page-06.png", "inputs/images/piece-06/page-07.png", "inputs/images/piece-06/page-08.png"...
inputs/audio/piece-06.wav
bundled
musp_26
Q278
7
In measures 71-72 and again in measures 73-74, the performer emphasizes a specific note/chord in the left hand. Which one stands out most? Provide the pitch value of that note, or if it's a chord, the notes within that chord.
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch with octave number
List
[ "A4, G#3, Bb2" ]
[ "A#2, A#3", "A#3, A#2" ]
Chopin
Etude Op. 10 No. 4
inputs/abc/piece-07.abc
inputs/abc_plus_midi/piece-07.abc
inputs/midi_performance_event_text/piece-07.txt
inputs/midi2_performance_event_text/piece-07.txt
inputs/pdf/without_context/piece-07.pdf
[ "inputs/images/piece-07/page-1.png", "inputs/images/piece-07/page-2.png", "inputs/images/piece-07/page-3.png", "inputs/images/piece-07/page-4.png", "inputs/images/piece-07/page-5.png", "inputs/images/piece-07/page-6.png", "inputs/images/piece-07/page-7.png", "inputs/images/piece-07/page-8.png" ]
inputs/audio/piece-07.wav
bundled
musp_27
Q279
7
In bar 62, on which left-hand chord pitches is the pedal that contains the first D natural lifted?
S&P
S&P
Mid
Mid
Identify
Performance Realization
Performance-technique markings
Pitch
Pitch with octave number
List ordered alphabetically
[ "A4, G#3, Bb2" ]
[ "F#2, F#3" ]
Chopin
Etude Op. 10 No. 4
inputs/abc/piece-07.abc
inputs/abc_plus_midi/piece-07.abc
inputs/midi_performance_event_text/piece-07.txt
inputs/midi2_performance_event_text/piece-07.txt
inputs/pdf/without_context/piece-07.pdf
[ "inputs/images/piece-07/page-1.png", "inputs/images/piece-07/page-2.png", "inputs/images/piece-07/page-3.png", "inputs/images/piece-07/page-4.png", "inputs/images/piece-07/page-5.png", "inputs/images/piece-07/page-6.png", "inputs/images/piece-07/page-7.png", "inputs/images/piece-07/page-8.png" ]
inputs/audio/piece-07.wav
bundled
musp_28
Q280
7
Which right-hand sixteenth note in measures 75-79 is the most accentuated by the performer?
S&P
S&P
Mid
Mid
Identify
Performance Realization
Dynamics
Pitch
Pitch with octave number
Single
[ "Bb2", "C#3", "A4" ]
[ "G#5" ]
Chopin
Etude Op. 10 No. 4
inputs/abc/piece-07.abc
inputs/abc_plus_midi/piece-07.abc
inputs/midi_performance_event_text/piece-07.txt
inputs/midi2_performance_event_text/piece-07.txt
inputs/pdf/without_context/piece-07.pdf
[ "inputs/images/piece-07/page-1.png", "inputs/images/piece-07/page-2.png", "inputs/images/piece-07/page-3.png", "inputs/images/piece-07/page-4.png", "inputs/images/piece-07/page-5.png", "inputs/images/piece-07/page-6.png", "inputs/images/piece-07/page-7.png", "inputs/images/piece-07/page-8.png" ]
inputs/audio/piece-07.wav
bundled
musp_29
Q281
7
The performer takes freedom with respect to the tempo at the end of the piece. Which note or chord is delayed the longest? Answer with the pitch of the note, or the highest sounding voice if it's a chord.
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "C#4" ]
Chopin
Etude Op. 10 No. 4
inputs/abc/piece-07.abc
inputs/abc_plus_midi/piece-07.abc
inputs/midi_performance_event_text/piece-07.txt
inputs/midi2_performance_event_text/piece-07.txt
inputs/pdf/without_context/piece-07.pdf
[ "inputs/images/piece-07/page-1.png", "inputs/images/piece-07/page-2.png", "inputs/images/piece-07/page-3.png", "inputs/images/piece-07/page-4.png", "inputs/images/piece-07/page-5.png", "inputs/images/piece-07/page-6.png", "inputs/images/piece-07/page-7.png", "inputs/images/piece-07/page-8.png" ]
inputs/audio/piece-07.wav
bundled
musp_30
Q282
7
The performer uses the sostenuto pedal sparingly. Starting in bar 1, up until the first beat of bar 4 (inclusive), on which 3 beats in which bars does the performer most use the pedal to broaden the sound? Consider the bars to contain 4 beats each.
S&P
S&P
Mid
Mid
Locate
Performance Realization
Performance-technique markings
Bar / beat
Bar and beat
List ordered by appearance
[ "bar 1 beat 2, bar 3 beat 2, bar 3 beat 3" ]
[ "bar 1 beat 1, bar 3 beat 4, bar 4 beat 1" ]
Chopin
Etude Op. 10 No. 4
inputs/abc/piece-07.abc
inputs/abc_plus_midi/piece-07.abc
inputs/midi_performance_event_text/piece-07.txt
inputs/midi2_performance_event_text/piece-07.txt
inputs/pdf/without_context/piece-07.pdf
[ "inputs/images/piece-07/page-1.png", "inputs/images/piece-07/page-2.png", "inputs/images/piece-07/page-3.png", "inputs/images/piece-07/page-4.png", "inputs/images/piece-07/page-5.png", "inputs/images/piece-07/page-6.png", "inputs/images/piece-07/page-7.png", "inputs/images/piece-07/page-8.png" ]
inputs/audio/piece-07.wav
bundled
musp_31
Q283
7
In bars 41-44, the performer emphasizes a few notes, creating a melodic line stand out amidst the rapid flow of sixteenth notes. Which are these notes?
S&P
S&P
Mid
Mid
Transcribe
Melody
Melodic line
Pitch
Pitch class without octave number
List ordered by appearance
[ "A, G#, Bb, Abb, F" ]
[ "Fx, Gx, B, B#, C#", "F##, G##, B, B#, C#", "Fx, Gx, G#, B#, C#", "F##, G##, G#, B#, C#" ]
Chopin
Etude Op. 10 No. 4
inputs/abc/piece-07.abc
inputs/abc_plus_midi/piece-07.abc
inputs/midi_performance_event_text/piece-07.txt
inputs/midi2_performance_event_text/piece-07.txt
inputs/pdf/without_context/piece-07.pdf
[ "inputs/images/piece-07/page-1.png", "inputs/images/piece-07/page-2.png", "inputs/images/piece-07/page-3.png", "inputs/images/piece-07/page-4.png", "inputs/images/piece-07/page-5.png", "inputs/images/piece-07/page-6.png", "inputs/images/piece-07/page-7.png", "inputs/images/piece-07/page-8.png" ]
inputs/audio/piece-07.wav
bundled
musp_32
Q284
8
In bars 82 and 83, the composer writes three unison chords, each consisting of a single pitch class (Ab, F, Eb), in a descending line. In what order are the low, middle, and high notes within these chords played in the performance? If the notes are played from low to high, write 'low, middle, high'.
S&P
S&P
Short
Short
Order
Melody
Contour
Category label
Given label written in full
List ordered by appearance
[ "low, middle, high" ]
[ "middle, high, low" ]
Debussy
Reflets dans l'eau
inputs/abc/piece-08.abc
inputs/abc_plus_midi/piece-08.abc
inputs/midi_performance_event_text/piece-08.txt
inputs/midi2_performance_event_text/piece-08.txt
inputs/pdf/without_context/piece-08.pdf
[ "inputs/images/piece-08/page-1.png", "inputs/images/piece-08/page-2.png", "inputs/images/piece-08/page-3.png", "inputs/images/piece-08/page-4.png", "inputs/images/piece-08/page-5.png", "inputs/images/piece-08/page-6.png", "inputs/images/piece-08/page-7.png", "inputs/images/piece-08/page-8.png", "inp...
inputs/audio/piece-08.wav
bundled
musp_33
Q285
8
The piece has different characters. At some point, the music takes on a heroic quality, perhaps creating the impression of surging waves. Which two consecutive measures are played with the most grand, epic intensity?
S&P
S&P
Long
Long
Locate
Interpretation
Character
Bar / beat
Bar number (digits)
Pair
[ "18, 42" ]
[ "58, 59" ]
Debussy
Reflets dans l'eau
inputs/abc/piece-08.abc
inputs/abc_plus_midi/piece-08.abc
inputs/midi_performance_event_text/piece-08.txt
inputs/midi2_performance_event_text/piece-08.txt
inputs/pdf/without_context/piece-08.pdf
[ "inputs/images/piece-08/page-1.png", "inputs/images/piece-08/page-2.png", "inputs/images/piece-08/page-3.png", "inputs/images/piece-08/page-4.png", "inputs/images/piece-08/page-5.png", "inputs/images/piece-08/page-6.png", "inputs/images/piece-08/page-7.png", "inputs/images/piece-08/page-8.png", "inp...
inputs/audio/piece-08.wav
bundled
musp_34
Q288
9
In bar 50, the left hand makes four rapid upward jumps between an octave and a triad higher-up. The upper voices within each chord form a tiny two-note melody. However, sometimes, the second note does not come out as clearly. Which of those second notes is played the softest? Answer with the name of that softest-played...
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A1", "C#3", "Bb7" ]
[ "Bb3" ]
Glinka
The Lark
inputs/abc/piece-09.abc
inputs/abc_plus_midi/piece-09.abc
inputs/midi_performance_event_text/piece-09.txt
inputs/midi2_performance_event_text/piece-09.txt
inputs/pdf/without_context/piece-09.pdf
[ "inputs/images/piece-09/page-1.png", "inputs/images/piece-09/page-2.png", "inputs/images/piece-09/page-3.png", "inputs/images/piece-09/page-4.png", "inputs/images/piece-09/page-5.png", "inputs/images/piece-09/page-6.png", "inputs/images/piece-09/page-7.png" ]
inputs/audio/piece-09.wav
bundled
musp_35
Q287
9
The phrase in bars 57-60 builds toward which note?
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "F6" ]
Glinka
The Lark
inputs/abc/piece-09.abc
inputs/abc_plus_midi/piece-09.abc
inputs/midi_performance_event_text/piece-09.txt
inputs/midi2_performance_event_text/piece-09.txt
inputs/pdf/without_context/piece-09.pdf
[ "inputs/images/piece-09/page-1.png", "inputs/images/piece-09/page-2.png", "inputs/images/piece-09/page-3.png", "inputs/images/piece-09/page-4.png", "inputs/images/piece-09/page-5.png", "inputs/images/piece-09/page-6.png", "inputs/images/piece-09/page-7.png" ]
inputs/audio/piece-09.wav
bundled
musp_36
Q286
9
Between 2:47 and 3:40, the five opening notes of the main melody recur several times. At what timestamp does the performer give the melodic Ab the greatest expressive weight, creating a moment of quiet pain through a sudden retreat and the strongest rubato contrast with the preceding melodic notes?
S&P
S&P
Long
Long
Locate
Temporal Organization
Performance timing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "00:32" ]
[ "3:30", "3:29" ]
Glinka
The Lark
inputs/abc/piece-09.abc
inputs/abc_plus_midi/piece-09.abc
inputs/midi_performance_event_text/piece-09.txt
inputs/midi2_performance_event_text/piece-09.txt
inputs/pdf/without_context/piece-09.pdf
[ "inputs/images/piece-09/page-1.png", "inputs/images/piece-09/page-2.png", "inputs/images/piece-09/page-3.png", "inputs/images/piece-09/page-4.png", "inputs/images/piece-09/page-5.png", "inputs/images/piece-09/page-6.png", "inputs/images/piece-09/page-7.png" ]
inputs/audio/piece-09.wav
bundled
musp_37
Q289
9
The composer concludes the piece with right-hand motives first presented in the introduction. At what time was this material first played?
S&P
S&P
Long
Long
Locate
Temporal Organization
Performance timing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "22:21" ]
[ "00:12", "00:13" ]
Glinka
The Lark
inputs/abc/piece-09.abc
inputs/abc_plus_midi/piece-09.abc
inputs/midi_performance_event_text/piece-09.txt
inputs/midi2_performance_event_text/piece-09.txt
inputs/pdf/without_context/piece-09.pdf
[ "inputs/images/piece-09/page-1.png", "inputs/images/piece-09/page-2.png", "inputs/images/piece-09/page-3.png", "inputs/images/piece-09/page-4.png", "inputs/images/piece-09/page-5.png", "inputs/images/piece-09/page-6.png", "inputs/images/piece-09/page-7.png" ]
inputs/audio/piece-09.wav
bundled
musp_38
Q290
10
Approximately how long, in seconds, does the final passage marked piano last? Round down.
S&P
S&P
Short
Short
Quantify
Temporal Organization
Duration
Duration / ratio
Integer
Single
[ "10" ]
[ "5", "6" ]
Haydn
Keyboard Sonata 48, movement 2
inputs/abc/piece-10.abc
inputs/abc_plus_midi/piece-10.abc
inputs/midi_performance_event_text/piece-10.txt
inputs/midi2_performance_event_text/piece-10.txt
inputs/pdf/without_context/piece-10.pdf
[ "inputs/images/piece-10/page-1.png", "inputs/images/piece-10/page-2.png", "inputs/images/piece-10/page-3.png", "inputs/images/piece-10/page-4.png", "inputs/images/piece-10/page-5.png", "inputs/images/piece-10/page-6.png", "inputs/images/piece-10/page-7.png", "inputs/images/piece-10/page-8.png" ]
inputs/audio/piece-10.wav
bundled
musp_39
Q291
10
Purely rhythmically speaking, the motif in the right hand in bar 38 is played equivalently to which sequence of note values?
S&P
S&P
Short
Short
Transcribe
Temporal Organization
Rhythm
Duration / ratio
Count followed by note value
List ordered by appearance
[ "4 quarter notes, 6 eighth notes" ]
[ "8 sixteenth notes" ]
Haydn
Keyboard Sonata 48, movement 2
inputs/abc/piece-10.abc
inputs/abc_plus_midi/piece-10.abc
inputs/midi_performance_event_text/piece-10.txt
inputs/midi2_performance_event_text/piece-10.txt
inputs/pdf/without_context/piece-10.pdf
[ "inputs/images/piece-10/page-1.png", "inputs/images/piece-10/page-2.png", "inputs/images/piece-10/page-3.png", "inputs/images/piece-10/page-4.png", "inputs/images/piece-10/page-5.png", "inputs/images/piece-10/page-6.png", "inputs/images/piece-10/page-7.png", "inputs/images/piece-10/page-8.png" ]
inputs/audio/piece-10.wav
bundled
musp_40
Q292
10
The repeat sign in measure 33, to what measure does it go back to, and does the performer actually go back?
S&P
S&P
Mid
Mid
Locate
Temporal Organization
Position
Composite answer
Bar number, yes-or-no
Single
[ "1, yes" ]
[ "14, yes" ]
Haydn
Keyboard Sonata 48, movement 2
inputs/abc/piece-10.abc
inputs/abc_plus_midi/piece-10.abc
inputs/midi_performance_event_text/piece-10.txt
inputs/midi2_performance_event_text/piece-10.txt
inputs/pdf/without_context/piece-10.pdf
[ "inputs/images/piece-10/page-1.png", "inputs/images/piece-10/page-2.png", "inputs/images/piece-10/page-3.png", "inputs/images/piece-10/page-4.png", "inputs/images/piece-10/page-5.png", "inputs/images/piece-10/page-6.png", "inputs/images/piece-10/page-7.png", "inputs/images/piece-10/page-8.png" ]
inputs/audio/piece-10.wav
bundled
musp_41
Q293
10
In measures 225-228, the performer plays six upper-voice notes very staccato: which ones?
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch with octave number
List ordered by appearance
[ "F1, A4, G#3, Bb2" ]
[ "D5, G4, E5, C5, E5, E5" ]
Haydn
Keyboard Sonata 48, movement 2
inputs/abc/piece-10.abc
inputs/abc_plus_midi/piece-10.abc
inputs/midi_performance_event_text/piece-10.txt
inputs/midi2_performance_event_text/piece-10.txt
inputs/pdf/without_context/piece-10.pdf
[ "inputs/images/piece-10/page-1.png", "inputs/images/piece-10/page-2.png", "inputs/images/piece-10/page-3.png", "inputs/images/piece-10/page-4.png", "inputs/images/piece-10/page-5.png", "inputs/images/piece-10/page-6.png", "inputs/images/piece-10/page-7.png", "inputs/images/piece-10/page-8.png" ]
inputs/audio/piece-10.wav
bundled
musp_42
Q294
10
Before the final reprise of the main theme, the composer creates suspense with an ascending line of thirds. At what time is the last third creating this tension played?
S&P
S&P
Long
Long
Locate
Temporal Organization
Performance timing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "3:19" ]
Haydn
Keyboard Sonata 48, movement 2
inputs/abc/piece-10.abc
inputs/abc_plus_midi/piece-10.abc
inputs/midi_performance_event_text/piece-10.txt
inputs/midi2_performance_event_text/piece-10.txt
inputs/pdf/without_context/piece-10.pdf
[ "inputs/images/piece-10/page-1.png", "inputs/images/piece-10/page-2.png", "inputs/images/piece-10/page-3.png", "inputs/images/piece-10/page-4.png", "inputs/images/piece-10/page-5.png", "inputs/images/piece-10/page-6.png", "inputs/images/piece-10/page-7.png", "inputs/images/piece-10/page-8.png" ]
inputs/audio/piece-10.wav
bundled
musp_43
Q295
11
The performer plays the notes in overall descending line starting in bar 230 until the fermata relatively equally, except for a few notes. Which note of that line is played the softest? Identify it by its bar and beat number.
S&P
S&P
Mid
Mid
Locate
Temporal Organization
Position
Bar / beat
Bar and beat
List ordered by appearance
[ "bar 99 beat 1.25, bar 100 beat 4" ]
[ "Bar 233 beat 1" ]
Liszt
Ballade No. 2
inputs/abc/piece-11.abc
inputs/abc_plus_midi/piece-11.abc
inputs/midi_performance_event_text/piece-11.txt
inputs/midi2_performance_event_text/piece-11.txt
inputs/pdf/without_context/piece-11.pdf
[ "inputs/images/piece-11/page-01.png", "inputs/images/piece-11/page-02.png", "inputs/images/piece-11/page-03.png", "inputs/images/piece-11/page-04.png", "inputs/images/piece-11/page-05.png", "inputs/images/piece-11/page-06.png", "inputs/images/piece-11/page-07.png", "inputs/images/piece-11/page-08.png"...
inputs/audio/piece-11.wav
bundled
musp_44
Q296
11
What is the main difference in how the two phrases (2:22-2:29 and 2:29-2:36) are performed, aside from their pitches and the F major chord on which they arrive? Answer with the musical term that best describes this change.
S&P
S&P
Mid
Mid
Compare
Performance Realization
Performance-technique markings
Short text
Literal text
Single
[ "con fuoco" ]
[ "una corda" ]
Liszt
Ballade No. 2
inputs/abc/piece-11.abc
inputs/abc_plus_midi/piece-11.abc
inputs/midi_performance_event_text/piece-11.txt
inputs/midi2_performance_event_text/piece-11.txt
inputs/pdf/without_context/piece-11.pdf
[ "inputs/images/piece-11/page-01.png", "inputs/images/piece-11/page-02.png", "inputs/images/piece-11/page-03.png", "inputs/images/piece-11/page-04.png", "inputs/images/piece-11/page-05.png", "inputs/images/piece-11/page-06.png", "inputs/images/piece-11/page-07.png", "inputs/images/piece-11/page-08.png"...
inputs/audio/piece-11.wav
bundled
musp_45
Q300
12
Which right-hand note is most emphasized in bar 212?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4" ]
[ "G5" ]
Mozart
Piano Sonata 12, movement 1
inputs/abc/piece-12.abc
inputs/abc_plus_midi/piece-12.abc
inputs/midi_performance_event_text/piece-12.txt
inputs/midi2_performance_event_text/piece-12.txt
inputs/pdf/without_context/piece-12.pdf
[ "inputs/images/piece-12/page-1.png", "inputs/images/piece-12/page-2.png", "inputs/images/piece-12/page-3.png", "inputs/images/piece-12/page-4.png", "inputs/images/piece-12/page-5.png", "inputs/images/piece-12/page-6.png", "inputs/images/piece-12/page-7.png" ]
inputs/audio/piece-12.wav
bundled
musp_46
Q297
12
Which of the three two-bar phrases, bars 31–32, 33–34, or 35–36, is played with the greatest force? Answer with the left-hand note that coincides with that phrase's highest note.
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch class without octave number
Single
[ "A", "G#", "Bb" ]
[ "Eb" ]
Mozart
Piano Sonata 12, movement 1
inputs/abc/piece-12.abc
inputs/abc_plus_midi/piece-12.abc
inputs/midi_performance_event_text/piece-12.txt
inputs/midi2_performance_event_text/piece-12.txt
inputs/pdf/without_context/piece-12.pdf
[ "inputs/images/piece-12/page-1.png", "inputs/images/piece-12/page-2.png", "inputs/images/piece-12/page-3.png", "inputs/images/piece-12/page-4.png", "inputs/images/piece-12/page-5.png", "inputs/images/piece-12/page-6.png", "inputs/images/piece-12/page-7.png" ]
inputs/audio/piece-12.wav
bundled
musp_47
Q298
12
At what time does the development section start?
S&P
S&P
Long
Long
Locate
Structure
Form
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "01:58", "01:59" ]
Mozart
Piano Sonata 12, movement 1
inputs/abc/piece-12.abc
inputs/abc_plus_midi/piece-12.abc
inputs/midi_performance_event_text/piece-12.txt
inputs/midi2_performance_event_text/piece-12.txt
inputs/pdf/without_context/piece-12.pdf
[ "inputs/images/piece-12/page-1.png", "inputs/images/piece-12/page-2.png", "inputs/images/piece-12/page-3.png", "inputs/images/piece-12/page-4.png", "inputs/images/piece-12/page-5.png", "inputs/images/piece-12/page-6.png", "inputs/images/piece-12/page-7.png" ]
inputs/audio/piece-12.wav
bundled
musp_48
Q299
12
At what time does the recapitulation first diverge from the exposition in terms of pitch or rhythm?
S&P
S&P
Long
Long
Locate
Structure
Form
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "3:30" ]
[ "3:28" ]
Mozart
Piano Sonata 12, movement 1
inputs/abc/piece-12.abc
inputs/abc_plus_midi/piece-12.abc
inputs/midi_performance_event_text/piece-12.txt
inputs/midi2_performance_event_text/piece-12.txt
inputs/pdf/without_context/piece-12.pdf
[ "inputs/images/piece-12/page-1.png", "inputs/images/piece-12/page-2.png", "inputs/images/piece-12/page-3.png", "inputs/images/piece-12/page-4.png", "inputs/images/piece-12/page-5.png", "inputs/images/piece-12/page-6.png", "inputs/images/piece-12/page-7.png" ]
inputs/audio/piece-12.wav
bundled
musp_49
Q301
13
What performance instruction is written below the longer notes in 02:56-02:57?
S&P
S&P
Short
Short
Identify
Performance Realization
Dynamics
Category label
Dynamic marking or term written in full
Single
[ "mezzo-piano" ]
[ "Sforzando" ]
Mozart
Piano Sonata 12, movement 3
inputs/abc/piece-13.abc
inputs/abc_plus_midi/piece-13.abc
inputs/midi_performance_event_text/piece-13.txt
inputs/midi2_performance_event_text/piece-13.txt
inputs/pdf/without_context/piece-13.pdf
[ "inputs/images/piece-13/page-01.png", "inputs/images/piece-13/page-02.png", "inputs/images/piece-13/page-03.png", "inputs/images/piece-13/page-04.png", "inputs/images/piece-13/page-05.png", "inputs/images/piece-13/page-06.png", "inputs/images/piece-13/page-07.png", "inputs/images/piece-13/page-08.png"...
inputs/audio/piece-13.wav
bundled
musp_50
Q302
13
With which pitch does the ornamentation in measure 53 start?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "Eb5" ]
Mozart
Piano Sonata 12, movement 3
inputs/abc/piece-13.abc
inputs/abc_plus_midi/piece-13.abc
inputs/midi_performance_event_text/piece-13.txt
inputs/midi2_performance_event_text/piece-13.txt
inputs/pdf/without_context/piece-13.pdf
[ "inputs/images/piece-13/page-01.png", "inputs/images/piece-13/page-02.png", "inputs/images/piece-13/page-03.png", "inputs/images/piece-13/page-04.png", "inputs/images/piece-13/page-05.png", "inputs/images/piece-13/page-06.png", "inputs/images/piece-13/page-07.png", "inputs/images/piece-13/page-08.png"...
inputs/audio/piece-13.wav
bundled
musp_51
Q303
13
In measure 243, a particular note in the right hand gets a strong emphasis during the performance, perhaps accidentally, slightly breaking the flow of the melody. Which note?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch class without octave number
Single
[ "G#", "Bb", "Fx" ]
[ "A" ]
Mozart
Piano Sonata 12, movement 3
inputs/abc/piece-13.abc
inputs/abc_plus_midi/piece-13.abc
inputs/midi_performance_event_text/piece-13.txt
inputs/midi2_performance_event_text/piece-13.txt
inputs/pdf/without_context/piece-13.pdf
[ "inputs/images/piece-13/page-01.png", "inputs/images/piece-13/page-02.png", "inputs/images/piece-13/page-03.png", "inputs/images/piece-13/page-04.png", "inputs/images/piece-13/page-05.png", "inputs/images/piece-13/page-06.png", "inputs/images/piece-13/page-07.png", "inputs/images/piece-13/page-08.png"...
inputs/audio/piece-13.wav
bundled
musp_52
Q304
13
If the tempo of bar 243 were maintained strictly, by how many eighth-note durations would the final chord be delayed? Round down.
S&P
S&P
Mid
Mid
Quantify
Temporal Organization
Duration
Duration / ratio
Count of eighth-note durations
Single
[ "4", "7.25" ]
[ "3" ]
Mozart
Piano Sonata 12, movement 3
inputs/abc/piece-13.abc
inputs/abc_plus_midi/piece-13.abc
inputs/midi_performance_event_text/piece-13.txt
inputs/midi2_performance_event_text/piece-13.txt
inputs/pdf/without_context/piece-13.pdf
[ "inputs/images/piece-13/page-01.png", "inputs/images/piece-13/page-02.png", "inputs/images/piece-13/page-03.png", "inputs/images/piece-13/page-04.png", "inputs/images/piece-13/page-05.png", "inputs/images/piece-13/page-06.png", "inputs/images/piece-13/page-07.png", "inputs/images/piece-13/page-08.png"...
inputs/audio/piece-13.wav
bundled
musp_53
Q306
13
In which 2 bars does the performer slow down most between bars 170 and 180?
S&P
S&P
Mid
Mid
Locate
Temporal Organization
Performance timing
Bar / beat
Bar number (digits)
Pair
[ "170, 180" ]
[ "176, 177", "175, 176" ]
Mozart
Piano Sonata 12, movement 3
inputs/abc/piece-13.abc
inputs/abc_plus_midi/piece-13.abc
inputs/midi_performance_event_text/piece-13.txt
inputs/midi2_performance_event_text/piece-13.txt
inputs/pdf/without_context/piece-13.pdf
[ "inputs/images/piece-13/page-01.png", "inputs/images/piece-13/page-02.png", "inputs/images/piece-13/page-03.png", "inputs/images/piece-13/page-04.png", "inputs/images/piece-13/page-05.png", "inputs/images/piece-13/page-06.png", "inputs/images/piece-13/page-07.png", "inputs/images/piece-13/page-08.png"...
inputs/audio/piece-13.wav
bundled
musp_54
Q305
13
At what time during the exposition does an authentic cadence to the piece's relative minor tonality first occur? Provide the time of when the leading tone within that cadence is struck.
S&P
S&P
Long
Long
Locate
Harmony
Cadence
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "00:44" ]
Mozart
Piano Sonata 12, movement 3
inputs/abc/piece-13.abc
inputs/abc_plus_midi/piece-13.abc
inputs/midi_performance_event_text/piece-13.txt
inputs/midi2_performance_event_text/piece-13.txt
inputs/pdf/without_context/piece-13.pdf
[ "inputs/images/piece-13/page-01.png", "inputs/images/piece-13/page-02.png", "inputs/images/piece-13/page-03.png", "inputs/images/piece-13/page-04.png", "inputs/images/piece-13/page-05.png", "inputs/images/piece-13/page-06.png", "inputs/images/piece-13/page-07.png", "inputs/images/piece-13/page-08.png"...
inputs/audio/piece-13.wav
bundled
musp_55
Q307
14
Which accentuated right-hand chord in measures 51-52 is played the longest? Answer with the name of the top note.
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch class without octave number
Single
[ "A", "G#", "Bb" ]
[ "A#" ]
Rachmaninoff
Prelude Op. 23 No. 4
inputs/abc/piece-14.abc
inputs/abc_plus_midi/piece-14.abc
inputs/midi_performance_event_text/piece-14.txt
inputs/midi2_performance_event_text/piece-14.txt
inputs/pdf/without_context/piece-14.pdf
[ "inputs/images/piece-14/page-1.png", "inputs/images/piece-14/page-2.png", "inputs/images/piece-14/page-3.png", "inputs/images/piece-14/page-4.png", "inputs/images/piece-14/page-5.png", "inputs/images/piece-14/page-6.png", "inputs/images/piece-14/page-7.png" ]
inputs/audio/piece-14.wav
bundled
musp_56
Q308
14
In the first two bars, the performer uses rubato that creates the impression of two contrasting tempi, one broader and one faster. Which four notes in the first bar belong to the more broadly paced portion?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
List ordered by appearance
[ "F1, A4, G#3, Bb2" ]
[ "D2, F#3, A2, D4" ]
Rachmaninoff
Prelude Op. 23 No. 4
inputs/abc/piece-14.abc
inputs/abc_plus_midi/piece-14.abc
inputs/midi_performance_event_text/piece-14.txt
inputs/midi2_performance_event_text/piece-14.txt
inputs/pdf/without_context/piece-14.pdf
[ "inputs/images/piece-14/page-1.png", "inputs/images/piece-14/page-2.png", "inputs/images/piece-14/page-3.png", "inputs/images/piece-14/page-4.png", "inputs/images/piece-14/page-5.png", "inputs/images/piece-14/page-6.png", "inputs/images/piece-14/page-7.png" ]
inputs/audio/piece-14.wav
bundled
musp_57
Q309
14
From bar 64 to the end of the piece, which melodic note forms the point of greatest tension within the largest and most intense crescendo in that last section?
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "C#6" ]
Rachmaninoff
Prelude Op. 23 No. 4
inputs/abc/piece-14.abc
inputs/abc_plus_midi/piece-14.abc
inputs/midi_performance_event_text/piece-14.txt
inputs/midi2_performance_event_text/piece-14.txt
inputs/pdf/without_context/piece-14.pdf
[ "inputs/images/piece-14/page-1.png", "inputs/images/piece-14/page-2.png", "inputs/images/piece-14/page-3.png", "inputs/images/piece-14/page-4.png", "inputs/images/piece-14/page-5.png", "inputs/images/piece-14/page-6.png", "inputs/images/piece-14/page-7.png" ]
inputs/audio/piece-14.wav
bundled
musp_58
Q310
15
In bar 36, some notes in the melodic line are unclear or omitted in the performance. Which note played is the clearest of them all?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "Ab5" ]
Schubert
Moment musical No. 3
inputs/abc/piece-15.abc
inputs/abc_plus_midi/piece-15.abc
inputs/midi_performance_event_text/piece-15.txt
inputs/midi2_performance_event_text/piece-15.txt
inputs/pdf/without_context/piece-15.pdf
[ "inputs/images/piece-15/page-1.png", "inputs/images/piece-15/page-2.png" ]
inputs/audio/piece-15.wav
bundled
musp_59
Q311
15
At some point in bar 75-78, the performer uses a rubato that significantly and unexpectedly delays the arrival of a particular beat, without a gradual slowdown preceding it. Divide each measure into four beats. In which bar and at which beat does this rubato take place?
S&P
S&P
Mid
Mid
Locate
Temporal Organization
Performance timing
Bar / beat
Bar and beat
Single
[ "bar 18 beat 3", "bar 42 beat 1", "bar 24 beat 2" ]
[ "bar 75 beat 4" ]
Schubert
Moment musical No. 3
inputs/abc/piece-15.abc
inputs/abc_plus_midi/piece-15.abc
inputs/midi_performance_event_text/piece-15.txt
inputs/midi2_performance_event_text/piece-15.txt
inputs/pdf/without_context/piece-15.pdf
[ "inputs/images/piece-15/page-1.png", "inputs/images/piece-15/page-2.png" ]
inputs/audio/piece-15.wav
bundled
musp_60
Q312
16
Bar 95 is played starting at what time?
S&P
S&P
Short
Short
Locate
Temporal Organization
Performance timing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "00:37", "02:14", "11:05" ]
[ "2:25", "02:24" ]
Schumann
Arabeske Op. 18
inputs/abc/piece-16.abc
inputs/abc_plus_midi/piece-16.abc
inputs/midi_performance_event_text/piece-16.txt
inputs/midi2_performance_event_text/piece-16.txt
inputs/pdf/without_context/piece-16.pdf
[ "inputs/images/piece-16/page-01.png", "inputs/images/piece-16/page-02.png", "inputs/images/piece-16/page-03.png", "inputs/images/piece-16/page-04.png", "inputs/images/piece-16/page-05.png", "inputs/images/piece-16/page-06.png", "inputs/images/piece-16/page-07.png", "inputs/images/piece-16/page-08.png"...
inputs/audio/piece-16.wav
bundled
musp_61
Q314
16
In bars 224–226, a melodic note stands out expressively, shifting the tonal color to a much warmer sound compared with the preceding fragment. At what timestamp does this most significant change in color occur?
S&P
S&P
Mid
Mid
Locate
Temporal Organization
Performance timing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "0:37" ]
[ "5:55", "05:55" ]
Schumann
Arabeske Op. 18
inputs/abc/piece-16.abc
inputs/abc_plus_midi/piece-16.abc
inputs/midi_performance_event_text/piece-16.txt
inputs/midi2_performance_event_text/piece-16.txt
inputs/pdf/without_context/piece-16.pdf
[ "inputs/images/piece-16/page-01.png", "inputs/images/piece-16/page-02.png", "inputs/images/piece-16/page-03.png", "inputs/images/piece-16/page-04.png", "inputs/images/piece-16/page-05.png", "inputs/images/piece-16/page-06.png", "inputs/images/piece-16/page-07.png", "inputs/images/piece-16/page-08.png"...
inputs/audio/piece-16.wav
bundled
musp_62
Q313
16
Which passage has the most decisive/serious/forceful character, relative to the overall lyrical character of the piece? Indicate the first and last bar of this passage.
S&P
S&P
Long
Long
Compare
Interpretation
Character
Bar / beat
Bar number (digits)
Pair
[ "18, 42" ]
[ "148, 174" ]
Schumann
Arabeske Op. 18
inputs/abc/piece-16.abc
inputs/abc_plus_midi/piece-16.abc
inputs/midi_performance_event_text/piece-16.txt
inputs/midi2_performance_event_text/piece-16.txt
inputs/pdf/without_context/piece-16.pdf
[ "inputs/images/piece-16/page-01.png", "inputs/images/piece-16/page-02.png", "inputs/images/piece-16/page-03.png", "inputs/images/piece-16/page-04.png", "inputs/images/piece-16/page-05.png", "inputs/images/piece-16/page-06.png", "inputs/images/piece-16/page-07.png", "inputs/images/piece-16/page-08.png"...
inputs/audio/piece-16.wav
bundled
musp_63
Q315
17
Which bar was the performer playing at 4:20?
S&P
S&P
Short
Short
Locate
Temporal Organization
Performance timing
Bar / beat
Bar number (digits)
Single
[ "4" ]
[ "47" ]
Scriabin
Etude Op. 8 No. 11
inputs/abc/piece-17.abc
inputs/abc_plus_midi/piece-17.abc
inputs/midi_performance_event_text/piece-17.txt
inputs/midi2_performance_event_text/piece-17.txt
inputs/pdf/without_context/piece-17.pdf
[ "inputs/images/piece-17/page-1.png", "inputs/images/piece-17/page-2.png", "inputs/images/piece-17/page-3.png" ]
inputs/audio/piece-17.wav
bundled
musp_64
Q316
17
In bar 8, on which beat does the performer initiate a crescendo? For example, if they do it on the second half of the fourth beat, write '4.5'.
S&P
S&P
Short
Short
Locate
Performance Realization
Dynamics
Bar / beat
Beat number (fraction)
Single
[ "3.5" ]
[ "2.5" ]
Scriabin
Etude Op. 8 No. 11
inputs/abc/piece-17.abc
inputs/abc_plus_midi/piece-17.abc
inputs/midi_performance_event_text/piece-17.txt
inputs/midi2_performance_event_text/piece-17.txt
inputs/pdf/without_context/piece-17.pdf
[ "inputs/images/piece-17/page-1.png", "inputs/images/piece-17/page-2.png", "inputs/images/piece-17/page-3.png" ]
inputs/audio/piece-17.wav
bundled
musp_65
Q317
17
Through pronounced rubato across measures 37–38, the performer creates a sense of temporal and harmonic suspension over a single chord. Which chord is responsible for this moment where time briefly seems to stand still?
S&P
S&P
Short
Short
Identify
Harmony
Chord
Chord
Lead-sheet chord symbol in root position
Single
[ "Esus2", "D#maj7", "B7b5" ]
[ "Gb", "Ebm7" ]
Scriabin
Etude Op. 8 No. 11
inputs/abc/piece-17.abc
inputs/abc_plus_midi/piece-17.abc
inputs/midi_performance_event_text/piece-17.txt
inputs/midi2_performance_event_text/piece-17.txt
inputs/pdf/without_context/piece-17.pdf
[ "inputs/images/piece-17/page-1.png", "inputs/images/piece-17/page-2.png", "inputs/images/piece-17/page-3.png" ]
inputs/audio/piece-17.wav
bundled
musp_66
Q318
17
Which sixteenth note does the performer emphasize most through rubato in bar 20?
S&P
S&P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "E4" ]
Scriabin
Etude Op. 8 No. 11
inputs/abc/piece-17.abc
inputs/abc_plus_midi/piece-17.abc
inputs/midi_performance_event_text/piece-17.txt
inputs/midi2_performance_event_text/piece-17.txt
inputs/pdf/without_context/piece-17.pdf
[ "inputs/images/piece-17/page-1.png", "inputs/images/piece-17/page-2.png", "inputs/images/piece-17/page-3.png" ]
inputs/audio/piece-17.wav
bundled
musp_67
Q319
17
From 1:47 onwards, which is the last melodic note before the music fades back into an F major chord?
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "C5" ]
Scriabin
Etude Op. 8 No. 11
inputs/abc/piece-17.abc
inputs/abc_plus_midi/piece-17.abc
inputs/midi_performance_event_text/piece-17.txt
inputs/midi2_performance_event_text/piece-17.txt
inputs/pdf/without_context/piece-17.pdf
[ "inputs/images/piece-17/page-1.png", "inputs/images/piece-17/page-2.png", "inputs/images/piece-17/page-3.png" ]
inputs/audio/piece-17.wav
bundled
musp_68
Q320
18
The work features two complete spellings of the composer's so-called mystic chord in the 'meno vivo' passage starting at 263. At which time is the mystic chord struck for the first time?
S&P
S&P
Short
Short
Locate
Harmony
Chord
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "6:28" ]
Scriabin
Piano Sonata No. 5
inputs/abc/piece-18.abc
inputs/abc_plus_midi/piece-18.abc
inputs/midi_performance_event_text/piece-18.txt
inputs/midi2_performance_event_text/piece-18.txt
inputs/pdf/without_context/piece-18.pdf
[ "inputs/images/piece-18/page-01.png", "inputs/images/piece-18/page-02.png", "inputs/images/piece-18/page-03.png", "inputs/images/piece-18/page-04.png", "inputs/images/piece-18/page-05.png", "inputs/images/piece-18/page-06.png", "inputs/images/piece-18/page-07.png", "inputs/images/piece-18/page-08.png"...
inputs/audio/piece-18.wav
bundled
musp_69
Q322
18
Which of the upper-voice melodic notes from bar 219 until 225 is played with the most force?
S&P
S&P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "Ab5" ]
Scriabin
Piano Sonata No. 5
inputs/abc/piece-18.abc
inputs/abc_plus_midi/piece-18.abc
inputs/midi_performance_event_text/piece-18.txt
inputs/midi2_performance_event_text/piece-18.txt
inputs/pdf/without_context/piece-18.pdf
[ "inputs/images/piece-18/page-01.png", "inputs/images/piece-18/page-02.png", "inputs/images/piece-18/page-03.png", "inputs/images/piece-18/page-04.png", "inputs/images/piece-18/page-05.png", "inputs/images/piece-18/page-06.png", "inputs/images/piece-18/page-07.png", "inputs/images/piece-18/page-08.png"...
inputs/audio/piece-18.wav
bundled
musp_70
Q321
18
The passage played at 11:17-11:28 is a variation of which theme played earlier in the piece? Answer with the tempo/expression marking associated with that theme, the first time it is played.
S&P
S&P
Long
Long
Identify
Structure
Theme
Short text
Expressive term or phrase
Single
[ "dolce" ]
[ "Languido" ]
Scriabin
Piano Sonata No. 5
inputs/abc/piece-18.abc
inputs/abc_plus_midi/piece-18.abc
inputs/midi_performance_event_text/piece-18.txt
inputs/midi2_performance_event_text/piece-18.txt
inputs/pdf/without_context/piece-18.pdf
[ "inputs/images/piece-18/page-01.png", "inputs/images/piece-18/page-02.png", "inputs/images/piece-18/page-03.png", "inputs/images/piece-18/page-04.png", "inputs/images/piece-18/page-05.png", "inputs/images/piece-18/page-06.png", "inputs/images/piece-18/page-07.png", "inputs/images/piece-18/page-08.png"...
inputs/audio/piece-18.wav
bundled
musp_71
Q323
18
Before what bar does the performer lift the pedal (without sustaining any other notes) for the longest time in the passage between 07:57 and 8:41? I.e., when does the longest global silence take place within that period?
S&P
S&P
Long
Long
Locate
Temporal Organization
Silence
Bar / beat
Bar number (digits)
Single
[ "4" ]
[ "325" ]
Scriabin
Piano Sonata No. 5
inputs/abc/piece-18.abc
inputs/abc_plus_midi/piece-18.abc
inputs/midi_performance_event_text/piece-18.txt
inputs/midi2_performance_event_text/piece-18.txt
inputs/pdf/without_context/piece-18.pdf
[ "inputs/images/piece-18/page-01.png", "inputs/images/piece-18/page-02.png", "inputs/images/piece-18/page-03.png", "inputs/images/piece-18/page-04.png", "inputs/images/piece-18/page-05.png", "inputs/images/piece-18/page-06.png", "inputs/images/piece-18/page-07.png", "inputs/images/piece-18/page-08.png"...
inputs/audio/piece-18.wav
bundled
musp_72
Q324
18
At what time does the exposition start, considering there is a long introduction and the first theme consists of 6-bar phrases.
S&P
S&P
Long
Long
Locate
Structure
Segmentation
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "1:23" ]
Scriabin
Piano Sonata No. 5
inputs/abc/piece-18.abc
inputs/abc_plus_midi/piece-18.abc
inputs/midi_performance_event_text/piece-18.txt
inputs/midi2_performance_event_text/piece-18.txt
inputs/pdf/without_context/piece-18.pdf
[ "inputs/images/piece-18/page-01.png", "inputs/images/piece-18/page-02.png", "inputs/images/piece-18/page-03.png", "inputs/images/piece-18/page-04.png", "inputs/images/piece-18/page-05.png", "inputs/images/piece-18/page-06.png", "inputs/images/piece-18/page-07.png", "inputs/images/piece-18/page-08.png"...
inputs/audio/piece-18.wav
bundled
musp_73
Q181
1
From 00:31 to 00:35, the performer emphasizes a regularly pulsed motif whose repetition across two different voices creates a melodic line. What are the notes of this melody, beginning with the first D and ending with the last E within this fragment? List 16 notes.
P
P
Short
Short
Transcribe
Melody
Melodic line
Pitch
Pitch class without octave number
List ordered by appearance
[ "D, C#, Ab" ]
[ "D, Eb, D, C, Eb, D, C, B, G, A, G, F, A, G, F, E" ]
Bach
Fugue BWV 875
inputs/abc/piece-01.abc
inputs/abc_plus_midi/piece-01.abc
inputs/midi_performance_event_text/piece-01.txt
inputs/midi2_performance_event_text/piece-01.txt
inputs/pdf/without_context/piece-01.pdf
[ "inputs/images/piece-01/page-1.png", "inputs/images/piece-01/page-2.png" ]
inputs/audio/piece-01.wav
bundled
musp_74
Q182
1
Between 0:50 and 0:58, the melodic line 'A, Bb, A, G, Bb, A, G, F' is played three times. Rank those by increasing loudness. If the first time the melody is played, it is played the softest and the third one the loudest, answer: 1, 2, 3.
P
P
Mid
Mid
Order
Performance Realization
Dynamics
Integer
Positive integer
List ordered by increasing loudness
[ "1, 2, 3" ]
[ "3, 2, 1" ]
Bach
Fugue BWV 875
inputs/abc/piece-01.abc
inputs/abc_plus_midi/piece-01.abc
inputs/midi_performance_event_text/piece-01.txt
inputs/midi2_performance_event_text/piece-01.txt
inputs/pdf/without_context/piece-01.pdf
[ "inputs/images/piece-01/page-1.png", "inputs/images/piece-01/page-2.png" ]
inputs/audio/piece-01.wav
bundled
musp_75
Q183
1
Between 1:26 and 1:39, the performer uses an unusual rubato. Which note carries the greatest expressive tension, receiving the strongest dramatic and interpretive emphasis through the rubato?
P
P
Mid
Mid
Identify
Pitch
Pitch
Pitch
Pitch class without octave number
Single
[ "A", "G#", "Fx" ]
[ "Bb", "A" ]
Bach
Fugue BWV 875
inputs/abc/piece-01.abc
inputs/abc_plus_midi/piece-01.abc
inputs/midi_performance_event_text/piece-01.txt
inputs/midi2_performance_event_text/piece-01.txt
inputs/pdf/without_context/piece-01.pdf
[ "inputs/images/piece-01/page-1.png", "inputs/images/piece-01/page-2.png" ]
inputs/audio/piece-01.wav
bundled
musp_76
Q510
1
What is the largest interval between two consecutive notes within the theme played by the soprano voice, starting at 00:09?
P
P
Mid
Mid
Identify
Pitch
Interval
Interval
Interval quality and size
Single
[ "perfect fifth", "minor seventh", "perfect octave" ]
[ "perfect fourth" ]
Bach
Fugue BWV 875
inputs/abc/piece-01.abc
inputs/abc_plus_midi/piece-01.abc
inputs/midi_performance_event_text/piece-01.txt
inputs/midi2_performance_event_text/piece-01.txt
inputs/pdf/without_context/piece-01.pdf
[ "inputs/images/piece-01/page-1.png", "inputs/images/piece-01/page-2.png" ]
inputs/audio/piece-01.wav
bundled
musp_77
Q512
1
At what times does the first theme (up until the syncopated note G) appear with the exact same pitch classes but potentially in a different register? Disregard minor deviations.
P
P
Long
Long
Locate
Structure
Theme
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
List ordered by appearance
[ "0:37, 02:14, 11:05" ]
[ "0:00, 0:22, 1:45" ]
Bach
Fugue BWV 875
inputs/abc/piece-01.abc
inputs/abc_plus_midi/piece-01.abc
inputs/midi_performance_event_text/piece-01.txt
inputs/midi2_performance_event_text/piece-01.txt
inputs/pdf/without_context/piece-01.pdf
[ "inputs/images/piece-01/page-1.png", "inputs/images/piece-01/page-2.png" ]
inputs/audio/piece-01.wav
bundled
musp_78
Q184
2
Between 00:16 and 00:19, the performer brings out two melodic lines in two different registers. What is the highest note within the lowest of the two emphasized melodies?
P
P
Short
Short
Identify
Pitch
Pitch
Pitch
Pitch with octave number
Single
[ "A4", "G#3", "Bb2" ]
[ "F#4" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_79
Q185
2
A 5-note rhythmical motif, characterized by a syncopated feel, is introduced at 0:21 in the right hand and later repeated/transposed. Until when is the motif repeated/transposed? Identify the earliest time after which the motif no longer occurs.
P
P
Long
Long
Locate
Temporal Organization
Position
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "00:30" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_80
Q186
2
Listen to the performance and feel the pulse given by the slower-moving voice in the opening. Which BPM range best matches the tempo: 50-60, 60-70, 70-80, 80-90, 90-100, 100-110, 110-120, 120-130, 130-140, 140-150, 150-160, 160-170, 170-180, 180-190?
P
P
Long
Long
Identify
Temporal Organization
Tempo
Choice
One choice copied exactly from the question
Single
[ "50-60" ]
[ "90-100" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_81
Q509
2
In what time does the prolonged dominant tension or pedal begin and then continue uninterrupted until the final cadence, without passing through another harmony or releasing its dominant function, before finally resolving?
P
P
Long
Long
Locate
Harmony
Harmonic function
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "0:37", "02:14", "11:05" ]
[ "0:55" ]
Bach
Prelude BWV 848
inputs/abc/piece-02.abc
inputs/abc_plus_midi/piece-02.abc
inputs/midi_performance_event_text/piece-02.txt
inputs/midi2_performance_event_text/piece-02.txt
inputs/pdf/without_context/piece-02.pdf
[ "inputs/images/piece-02/page-1.png", "inputs/images/piece-02/page-2.png", "inputs/images/piece-02/page-3.png", "inputs/images/piece-02/page-4.png" ]
inputs/audio/piece-02.wav
bundled
musp_82
Q187
3
Starting at 3:37, the performer plays a lyrical passage in which two voices engage in dialogue. At what time does a new passage first take over by breaking with previous texture, character, and articulation?
P
P
Mid
Mid
Locate
Temporal Organization
Performance timing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "3:53", "3:52" ]
Balakirev
Islamey
inputs/abc/piece-03.abc
inputs/abc_plus_midi/piece-03.abc
inputs/midi_performance_event_text/piece-03.txt
inputs/midi2_performance_event_text/piece-03.txt
inputs/pdf/without_context/piece-03.pdf
[ "inputs/images/piece-03/page-01.png", "inputs/images/piece-03/page-02.png", "inputs/images/piece-03/page-03.png", "inputs/images/piece-03/page-04.png", "inputs/images/piece-03/page-05.png", "inputs/images/piece-03/page-06.png", "inputs/images/piece-03/page-07.png", "inputs/images/piece-03/page-08.png"...
inputs/audio/piece-03.wav
bundled
musp_83
Q188
3
The passage beginning at 0:21 forms a distinct, coherent section, contrasting with the preceding material through its repeated melodic pattern and characteristic texture. Until what time does the music remain recognizably within this same pattern and texture before transitioning into a different section?
P
P
Mid
Mid
Locate
Structure
Segmentation
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "00:31", "00:32" ]
Balakirev
Islamey
inputs/abc/piece-03.abc
inputs/abc_plus_midi/piece-03.abc
inputs/midi_performance_event_text/piece-03.txt
inputs/midi2_performance_event_text/piece-03.txt
inputs/pdf/without_context/piece-03.pdf
[ "inputs/images/piece-03/page-01.png", "inputs/images/piece-03/page-02.png", "inputs/images/piece-03/page-03.png", "inputs/images/piece-03/page-04.png", "inputs/images/piece-03/page-05.png", "inputs/images/piece-03/page-06.png", "inputs/images/piece-03/page-07.png", "inputs/images/piece-03/page-08.png"...
inputs/audio/piece-03.wav
bundled
musp_84
Q508
3
At what time in the second half of the piece does the performer play a glissando? Identify the start time of the glissando.
P
P
Long
Long
Locate
Performance Realization
Performance-technique markings
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "0:37", "02:14", "11:05" ]
[ "6:56" ]
Balakirev
Islamey
inputs/abc/piece-03.abc
inputs/abc_plus_midi/piece-03.abc
inputs/midi_performance_event_text/piece-03.txt
inputs/midi2_performance_event_text/piece-03.txt
inputs/pdf/without_context/piece-03.pdf
[ "inputs/images/piece-03/page-01.png", "inputs/images/piece-03/page-02.png", "inputs/images/piece-03/page-03.png", "inputs/images/piece-03/page-04.png", "inputs/images/piece-03/page-05.png", "inputs/images/piece-03/page-06.png", "inputs/images/piece-03/page-07.png", "inputs/images/piece-03/page-08.png"...
inputs/audio/piece-03.wav
bundled
musp_85
Q267
4
Between 09:07 and 09:11, the music plays the same melody across three different octaves. If you were to summarize a single occurrence of that melody in three notes such that the contour and essence remain the same, what would it be?
P
P
Short
Short
Summarize
Melody
Contour
Pitch
Pitch class without octave number
List ordered by appearance
[ "A, G#, Bb" ]
[ "C, Db, C" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_86
Q191
4
Within the first minute, at what time does the first katabasis (a catastrophic descent) take place?
P
P
Mid
Mid
Locate
Melody
Contour
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "00:36" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_87
Q189
4
What is the final point toward which the music builds before it begins to die away?
P
P
Long
Long
Locate
Interpretation
Energy
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "9:11", "09:11" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_88
Q190
4
When does the re-exposition start? Identify the timestamp of the first upper-melodic note.
P
P
Long
Long
Locate
Structure
Segmentation
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "02:54" ]
[ "4:58", "04:58" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_89
Q192
4
The opening (up until 00:44) contains what may seem like a question-answer dialogue between two people. At what point does the questioner seem so dissatisfied with/scared about the repeated answer that they seemingly enter a state of fright/panic?
P
P
Long
Long
Locate
Interpretation
Emotion
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "00:32" ]
[ "00:35", "00:36" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_90
Q506
4
Starting at what time is the complete and exact short-short-short-long rhythmic figure, associated with the composer’s Fifth Symphony, repeated, with transposition allowed, making it the main motif for at least 6 seconds for the first time?
P
P
Long
Long
Locate
Structure
Repetition / variation
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "0:37", "02:14", "11:05" ]
[ "4:47" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_91
Q507
4
At two points in the piece, a soft, wandering solo line descends before giving way to a sudden expressive outburst. At what times do these outbursts following the line immediately occur?
P
P
Long
Long
Locate
Performance Realization
Dynamics
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Pair
[ "0:37, 02:14" ]
[ "1:58, 6:55" ]
Beethoven
Piano Sonata 23, movement 1
inputs/abc/piece-04.abc
inputs/abc_plus_midi/piece-04.abc
inputs/midi_performance_event_text/piece-04.txt
inputs/midi2_performance_event_text/piece-04.txt
inputs/pdf/without_context/piece-04.pdf
[ "inputs/images/piece-04/page-01.png", "inputs/images/piece-04/page-02.png", "inputs/images/piece-04/page-03.png", "inputs/images/piece-04/page-04.png", "inputs/images/piece-04/page-05.png", "inputs/images/piece-04/page-06.png", "inputs/images/piece-04/page-07.png", "inputs/images/piece-04/page-08.png"...
inputs/audio/piece-04.wav
bundled
musp_92
Q505
5
What type of cadence is played in 8:53-8:56?
P
P
Short
Short
Identify
Harmony
Cadence
Category label
Cadence name written in full
Single
[ "half cadence" ]
[ "deceptive cadence", "interrupted cadence", "false cadence", "half cadence", "open cadence" ]
Beethoven
Piano Sonata No. 21, movement 1
inputs/abc/piece-05.abc
inputs/abc_plus_midi/piece-05.abc
inputs/midi_performance_event_text/piece-05.txt
inputs/midi2_performance_event_text/piece-05.txt
inputs/pdf/without_context/piece-05.pdf
[ "inputs/images/piece-05/page-01.png", "inputs/images/piece-05/page-02.png", "inputs/images/piece-05/page-03.png", "inputs/images/piece-05/page-04.png", "inputs/images/piece-05/page-05.png", "inputs/images/piece-05/page-06.png", "inputs/images/piece-05/page-07.png", "inputs/images/piece-05/page-08.png"...
inputs/audio/piece-05.wav
bundled
musp_93
Q513
5
From 9:44 until the end of the movement, identify uninterrupted descending C-major scalar runs. Consider a run only when it consists of at least eight consecutive C-major scale tones in one direction, with each successive tone moving by one diatonic scale step. Report the highest note of each scale instance.
P
P
Long
Long
Identify
Melody
Scale / pitch collection
Pitch
Pitch class without octave number
List ordered by appearance
[ "C#, Bb, Fx" ]
[ "F, F, F" ]
Beethoven
Piano Sonata No. 21, movement 1
inputs/abc/piece-05.abc
inputs/abc_plus_midi/piece-05.abc
inputs/midi_performance_event_text/piece-05.txt
inputs/midi2_performance_event_text/piece-05.txt
inputs/pdf/without_context/piece-05.pdf
[ "inputs/images/piece-05/page-01.png", "inputs/images/piece-05/page-02.png", "inputs/images/piece-05/page-03.png", "inputs/images/piece-05/page-04.png", "inputs/images/piece-05/page-05.png", "inputs/images/piece-05/page-06.png", "inputs/images/piece-05/page-07.png", "inputs/images/piece-05/page-08.png"...
inputs/audio/piece-05.wav
bundled
musp_94
Q196
19
What are the notes of the upper-voice melody played by the oboe and bassoon during the first 17 seconds of the piece?
P
P
Mid
Mid
Transcribe
Melody
Melodic line
Pitch
Pitch class without octave number
List ordered by appearance
[ "A, G#, Bb" ]
[ "F#, E, E, E#, F#, F#, F#, A, G, F#, E, D#, E, G, C#, D", "F#, E, E, E#, F#, F#, F#, A, G, F#, E, D#, E, G, C#" ]
Beethoven
Symphony No. 2, movement 1
inputs/abc/piece-19.abc
inputs/abc_plus_midi/piece-19.abc
inputs/midi_performance_event_text/piece-19.txt
inputs/midi2_performance_event_text/piece-19.txt
inputs/pdf/without_context/piece-19.pdf
[ "inputs/images/piece-19/page-1.png", "inputs/images/piece-19/page-2.png", "inputs/images/piece-19/page-3.png" ]
null
https://zenodo.org/records/20344500/files/BSED.zip?download=1
02_Audio/wav_44100/BSED-04_4_Beethoven_Op036-01_Blomstedt1978.wav
external
musp_95
Q194
19
At what time is the dominant chord with respect to the home key first played?
P
P
Long
Long
Locate
Temporal Organization
Position
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "00:37", "02:14", "11:05" ]
[ "00:16" ]
Beethoven
Symphony No. 2, movement 1
inputs/abc/piece-19.abc
inputs/abc_plus_midi/piece-19.abc
inputs/midi_performance_event_text/piece-19.txt
inputs/midi2_performance_event_text/piece-19.txt
inputs/pdf/without_context/piece-19.pdf
[ "inputs/images/piece-19/page-1.png", "inputs/images/piece-19/page-2.png", "inputs/images/piece-19/page-3.png" ]
null
https://zenodo.org/records/20344500/files/BSED.zip?download=1
02_Audio/wav_44100/BSED-04_4_Beethoven_Op036-01_Blomstedt1978.wav
external
musp_96
Q195
19
At some point, the orchestra plays tutti. From what time onward?
P
P
Long
Long
Locate
Temporal Organization
Position
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "00:37" ]
[ "00:17" ]
Beethoven
Symphony No. 2, movement 1
inputs/abc/piece-19.abc
inputs/abc_plus_midi/piece-19.abc
inputs/midi_performance_event_text/piece-19.txt
inputs/midi2_performance_event_text/piece-19.txt
inputs/pdf/without_context/piece-19.pdf
[ "inputs/images/piece-19/page-1.png", "inputs/images/piece-19/page-2.png", "inputs/images/piece-19/page-3.png" ]
null
https://zenodo.org/records/20344500/files/BSED.zip?download=1
02_Audio/wav_44100/BSED-04_4_Beethoven_Op036-01_Blomstedt1978.wav
external
musp_97
Q197
20
The first phrase can be seen as a period with an antecedent and a consequent. When does the consequent begin?
P
P
Mid
Mid
Locate
Structure
Phrasing
Timestamp
Timestamp in M:SS or MM:SS (rounded down)
Single
[ "00:37", "02:14", "11:05" ]
[ "00:05" ]
Beethoven
Symphony No. 2, movement 3
inputs/abc/piece-20.abc
inputs/abc_plus_midi/piece-20.abc
inputs/midi_performance_event_text/piece-20.txt
inputs/midi2_performance_event_text/piece-20.txt
inputs/pdf/without_context/piece-20.pdf
[ "inputs/images/piece-20/page-1.png", "inputs/images/piece-20/page-2.png", "inputs/images/piece-20/page-3.png" ]
null
https://zenodo.org/records/20344500/files/BSED.zip?download=1
02_Audio/wav_44100/BSED-05_4_Beethoven_Op036-03_Blomstedt1978.wav
external
musp_98
Q198
20
Which instrument plays the main melody, 0:11 onwards?
P
P
Mid
Mid
Identify
Orchestration
Instrumentation / hands
Short text
Instrument name
Single
[ "Piano" ]
[ "Violin", "first violin" ]
Beethoven
Symphony No. 2, movement 3
inputs/abc/piece-20.abc
inputs/abc_plus_midi/piece-20.abc
inputs/midi_performance_event_text/piece-20.txt
inputs/midi2_performance_event_text/piece-20.txt
inputs/pdf/without_context/piece-20.pdf
[ "inputs/images/piece-20/page-1.png", "inputs/images/piece-20/page-2.png", "inputs/images/piece-20/page-3.png" ]
null
https://zenodo.org/records/20344500/files/BSED.zip?download=1
02_Audio/wav_44100/BSED-05_4_Beethoven_Op036-03_Blomstedt1978.wav
external
musp_99
Q200
20
During the first 13 seconds of the piece, a melodic line is formed by the notes that are played forte. Which notes constitute this line? Only name the most prominently sounding pitches.
P
P
Mid
Mid
Transcribe
Melody
Melodic line
Pitch
Pitch class without octave number
List ordered by appearance
[ "Bb, F#, C" ]
[ "D, E, D, C#, D, D, E, A, G#, A" ]
Beethoven
Symphony No. 2, movement 3
inputs/abc/piece-20.abc
inputs/abc_plus_midi/piece-20.abc
inputs/midi_performance_event_text/piece-20.txt
inputs/midi2_performance_event_text/piece-20.txt
inputs/pdf/without_context/piece-20.pdf
[ "inputs/images/piece-20/page-1.png", "inputs/images/piece-20/page-2.png", "inputs/images/piece-20/page-3.png" ]
null
https://zenodo.org/records/20344500/files/BSED.zip?download=1
02_Audio/wav_44100/BSED-05_4_Beethoven_Op036-03_Blomstedt1978.wav
external
musp_100
Q199
20
Considering the patterns established by the end of the piece, what is the most likely next melodic pitch immediately after the recording?
P
P
Long
Long
Infer
Pitch
Pitch
Pitch
Pitch class without octave number
Single
[ "A", "G#" ]
[ "A", "" ]
Beethoven
Symphony No. 2, movement 3
inputs/abc/piece-20.abc
inputs/abc_plus_midi/piece-20.abc
inputs/midi_performance_event_text/piece-20.txt
inputs/midi2_performance_event_text/piece-20.txt
inputs/pdf/without_context/piece-20.pdf
[ "inputs/images/piece-20/page-1.png", "inputs/images/piece-20/page-2.png", "inputs/images/piece-20/page-3.png" ]
null
https://zenodo.org/records/20344500/files/BSED.zip?download=1
02_Audio/wav_44100/BSED-05_4_Beethoven_Op036-03_Blomstedt1978.wav
external
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MuSP-Bench

490 human-authored questions across musical scores and performances

Paper · Website

MuSP-Bench assesses analytical and interpretive reasoning across 18 classical piano pieces or movements and six orchestral excerpts. It provides ABC notation, score images, MIDI-as-text, audio, and combined inputs, with questions spanning short passages and longer musical contexts.

The benchmark

Questions are annotated by modality, evidence horizon, content, and operation. S/P results separate tonality/style recognition and composer/title identification from all remaining questions (General).

Subset Evidence Questions
S Score 180
P Performance 106
S&P Score and performance jointly 72
S/P — General Either 36
S/P — Tonality/style Either 48
S/P — Composer/title Either 48

Evidence horizons are Short (1–2 bars or roughly under 5 seconds; 94 questions), Mid (3–16 bars or roughly 5–30 seconds; 123), Long (larger or noncontiguous spans; 177), and Any (96 contextual questions).

Content hierarchy: pitch; temporal organization, orchestration, performance realization; melody and harmony; form; interpretation; context

The 24 selections contain 227 score pages and approximately 110 minutes of audio. Recording lengths range from 17 seconds to 12 minutes 29 seconds.

Score length in pages and recording length in minutes

Each plot counts selections, using one-page and one-minute bins. Per-piece inventory.

Load the data

from pathlib import Path
from datasets import load_dataset
from huggingface_hub import snapshot_download

repo = "bryel-labs/MuSP-Bench"
questions = load_dataset(repo, "default", split="test")
root = Path(snapshot_download(repo_id=repo, repo_type="dataset"))

There is one test split. Each row includes question_id, question, modality, horizon, category, operation, accepted answers, and input paths. Paths are relative to the downloaded repository; image contains an ordered list of page paths.

Twenty-one recordings are bundled. For the three external recordings, audio is null: download the BSED archive and use the file named in audio_archive_member. The dataset also provides audio_source_url.

Inputs and preprocessing

Input Dataset field Description
ABC abc Written score
Score images image Ordered score pages
PDF pdf Score document
Audio audio Selected recording
MIDI-as-text v1 midi1 Performance events with scientific pitch names
MIDI-as-text v2 midi2 Alternative serialization with numeric pitches
ABC+MIDI abc_midi ABC with aligned timing, velocity, and pedal information

For image+audio and ABC+audio, pair the corresponding inputs. S uses ABC or images; P uses MIDI-as-text or audio; S&P uses combined inputs; S/P uses any of the four individual formats.

Piano scores come from ASAP/(n)ASAP and were cleaned using consensus evidence from PianoCoRe. Selected piano recordings and performance MIDI originate from MAESTRO through ASAP. Orchestral scores, recordings, and note alignments come from BSED.

Composer/title information is withheld from music-input prompts. Supply only the question, required answer-format instructions, and selected input; accepted answers and reference examples are not prompt inputs. The metadata control supplies composer and title instead of musical evidence.

Orchestral MIDI-as-text uses recording-specific timing and score-derived velocities. ABC+MIDI retains its separately prepared alignment. MIDI v1 and v2 differ in more than pitch notation: headers, ordering, and controller details can also differ. These are benchmark serialization names, not MIDI-standard versions.

PianoCoRe score cleaning

PianoCoRe provides multiple MIDI performances of the same work, allowing recurring disagreements with the source score to be checked across recordings. This helps distinguish likely score errors from a single performer's missed or altered note.

The cleaning workflow aligns the performances to the score and gathers evidence for each candidate note correction. Notes repeatedly left unmatched are flagged for examination; nearby performed pitches are then compared across recordings to identify supported replacements. The search follows each performance's local timing, accommodating tempo differences rather than comparing fixed timestamps across recordings.

Consensus evidence guides note-level corrections while preserving the score's written context. Tied continuations are treated separately because they do not require a new performed attack, and pitch corrections retain appropriate enharmonic spelling.

Format examples

These excerpts use the same selection (piece 01). Text examples show only the opening notes or first bar of the first voice; links provide the full inputs.

ABC (full score):

(3DEF (3GFE (3FGA (3BAG A2d2^c2=c2 |

MIDI-as-text v1 (full input):

D4 v33 00:00.50-00:00.65
E4 v43 00:00.68-00:00.82
F4 v42 00:00.85-00:01.01

MIDI-as-text v2 (full input):

62 v33 00:00.50-00:00.65
64 v43 00:00.68-00:00.82
65 v42 00:00.85-00:01.01

Both list pitch, velocity (v), onset, and end time. For example, D4 in v1 is MIDI pitch 62 in v2.

ABC+MIDI (full input):

(3DEF (3GFE (3FGA (3BAG A2d2^c2=c2 |
%%on   00:00.50 00:00.68 00:00.85 00:01.03 00:01.20 00:01.37 00:01.55 00:01.71 00:01.89 00:02.06 00:02.23 00:02.39 00:02.58 00:03.19 00:03.79 00:04.37 |
%%off  00:00.65 00:00.82 00:01.01 00:01.21 00:01.35 00:01.51 00:01.69 00:01.91 00:02.09 00:02.28 00:02.42 00:02.58 00:02.91 00:03.85 00:04.44 00:04.97 |
%%vel  33 43 42 44 45 56 47 62 67 69 74 65 70 62 65 61 |
%%ped  ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? |

The aligned rows give onset (on), end (off), velocity (vel), and pedal (ped) information; ? denotes unavailable pedal information.

Score image / PDF — first page below; open the PDF.

First score page for piece 01

Audio — listen to the recording.

Image+audio pairs the score pages above with this recording; ABC+audio pairs the linked ABC score with the same recording.

Results

Accuracy uses task-specific deterministic answer normalization, without partial credit or automatic timestamp tolerance.

Model Weighted max accuracy
GPT-5.6 Sol 56.53%
Qwen3.5-Omni-Plus 23.06%
Muse Spark 1.2 44.08%

Weighted max takes the best evaluated format within each subset and weights by question count, excluding metadata and v2. It summarizes the best observed formats rather than one fixed configuration. AF-Next-Instruct has partial subset coverage, so its results appear in the full results without a full-benchmark aggregate.

MIDI serialization ablation

The comparison covers 238 P and S/P questions per model.

Model v1 accuracy v2 accuracy Drop (percentage points)
GPT-5.6 Sol 56.30% 31.93% 24.4
Qwen3.5-Omni-Plus 17.65% 10.08% 7.6
Muse Spark 1.2 38.24% 37.82% 0.4

Drops use unrounded counts and reflect the complete serialization change. Detailed ablation results.

Two saved responses use earlier question wording and are marked in the predictions. Current-prompt results exclude them and report adjusted coverage.

To rescore saved predictions with Node.js 20 or newer:

node evaluation/evaluate.mjs --predictions results/predictions.jsonl

Use and attribution

MuSP-Bench is a test benchmark focused on Western classical music. Interpretive answers can admit alternatives beyond the references, and questions from the same piece are related. Public source music may overlap with model training data.

The release is CC BY-NC-SA 4.0, subject to source-specific terms. Credit MuSP-Bench and its source datasets. The three external Blomstedt recordings are not redistributed. See LICENSE.md.

Citation

@misc{liessensdujardin2026muspbench,
  title = {MuSP-Bench: Advanced Multimodal Benchmarking of Music Understanding Across Score and Performance},
  author = {Liessens Dujardin, Milan and Yu, Song-Ze and Miao, Kevin},
  year = {2026},
  url = {https://arxiv.org/abs/2608.28212},
  note = {Benchmark and dataset release}
}
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