EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
C | 5.2 | 3.2 | 4.4 | 1,225 | Female | Train | 00:00:11] i beg to differ with you. i've been [crosstalk 00:00:14] seeing some pieces that i go, i really don't get it whether it's [crosstalk 00:00:18] in film or, and [ | [
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N | 3.6 | 4 | 4 | 1,225 | Female | Train | 00:00:20] how long are the trips specifically for afghanistan? [ | [
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N | 4.4 | 3.8 | 3.8 | 1,225 | Female | Train | 00:00:25] so is the issue here that too much of a good thing? [ | [
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X | 4.2 | 3 | 4.8 | 1,225 | Female | Train | 00:00:32] but three weeks later, when she come and said, can you tell me? [ | [
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X | 6.222222 | 3.666667 | 5.888889 | 1,225 | Female | Train | 00:00:38] you know, that is a testimony to me. i don't know how i would feel if the lord called my husband. [ | [
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A | 5 | 3.166667 | 5 | 1,225 | Female | Train | 00:00:46] how do i move on? how do i go forward in jesus' name? [ | [
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A | 5.727273 | 2.727273 | 5.454545 | 1,225 | Female | Train | 00:00:51] now, this is not situational hope, because it said tribulation. so, it can't mean that you're not going to have tribulation. [ | [
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X | 5.2 | 3.8 | 5 | 1,225 | Female | Train | 00:01:02] you see you're ministering to women in various stages of their life, what if you ministering to a woman who is 45, and she's not had any children yet? [ | [
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N | 4.2 | 4.8 | 3.8 | 743 | Female | Development | i started out with the guy ritchie movies, and then i watched the tv show, and then i've been reading the books. so, i've kind of been doing this whole thing backwards. | [
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H | 5 | 5.545455 | 5.272727 | 743 | Female | Development | 00:01:10] that's okay. [crosstalk 00:01:15] just consider it time travel. [ | [
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N | 3.8 | 4 | 4.4 | 743 | Female | Development | have a definition of privilege, but i've always found it easier almost to think of privilege as something you don't have to think about in your daily life so- | [
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N | 3.2 | 3.8 | 4.8 | 743 | Female | Development | we give some more examples about certain kinds of privilege that exist. because we've mentioned white privilege, male privilege- | [
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X | 3.6 | 3.4 | 4 | 745 | Female | Train | 00:01:19] upper-class don't have generally to worry about, whether your kids will eat or whatever, or what they'll do with their life. | [
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X | 3.6 | 3 | 4 | 743 | Female | Development | and gender identity, sexual orientation ability- | [
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C | 4.8 | 4.2 | 5 | 743 | Female | Development | and it's also worth noting that when we talk about privilege, we're talking about it mostly in the western con- | [
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N | 5 | 4 | 4.6 | 743 | Female | Development | now in many ways, i think britain and america are very comparable. there's some differences-yeah- | [
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N | 4.4 | 4 | 3.8 | 743 | Female | Development | but we're open to being told where our blind spots are- | [
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X | 4.8 | 4.2 | 5.2 | 745 | Female | Train | i think privilege like that [inaudible 00:01:27] is just like ranking. who's more oppressed than who? [ | [
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X | 5.2 | 2.7 | 5.4 | 744 | Female | Train | 00:01:32] yeah, like if you've got a white woman talking to a black man and they're arguing, 'well, i'm black!', 'well, i'm a woman!'. so, they disagree. who's more disadvantaged? that's oppression olympics. [ | [
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X | 4.4 | 2.8 | 4.2 | 745 | Female | Train | 00:01:42] lgbt up and t like trans people tend to have this whole host of other issues that are completely different, not completely different, but often ignored. [ | [
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H | 4.8 | 4 | 5 | 743 | Female | Development | yeah. [crosstalk 00:00:55] they have they even less a visibility- | [
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X | 4.2 | 4 | 3.8 | 743 | Female | Development | [crosstalk 00:00:58] if we're not sure if the show is doing that on purpose or not. | [
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N | 3.6 | 4 | 3.2 | 743 | Female | Development | yeah. well, they should pretend that they are and then make- | [
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H | 4.4 | 5.4 | 3.8 | 745 | Female | Train | 00:01:53] it's really fun to talk about, i talked about this on tumblr, it's one of my favorite canons, like fandoms in recent years, just because it's so rewarding to analyze. [ | [
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H | 4.8 | 4.4 | 4.2 | 743 | Female | Development | 00:02:03] she's in a way sort of, i feel as almost a homage to sherlock is. [ | [
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U | 4.6 | 4.2 | 5 | 743 | Female | Development | vintage. you can't even buy the scarfs. i don't even know how much it's worth. it's probably cashmere. | [
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X | 3.8 | 5.2 | 5.8 | 744 | Female | Train | 00:02:08] and his other habits, if we're talking about a canon. [ | [
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X | 5.4 | 5.3 | 5.4 | 743 | Female | Development | 00:02:12] that's true. we have that as a concrete example that he had. [ | [
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N | 4.8 | 4 | 4.6 | 743 | Female | Development | 00:02:16] through the show. well i [ | [
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N | 3.4 | 3 | 4 | 744 | Female | Train | 00:02:20] so that's not a physical disability, but it is a disability. [crosstalk 00:02:25] [ | [
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H | 5.692308 | 5.538462 | 5.384615 | 744 | Female | Train | 00:02:25] yes, he does seem quite concerned with [ | [
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H | 4.6 | 4 | 4 | 744 | Female | Train | 00:02:30] disinterest in making money from their professions. yeah. [ | [
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D | 5.4 | 4.2 | 5 | 743 | Female | Development | 00:02:35] sherlock is my craft. just write checks and john's like, we're behind on the rent. so anything else? [ | [
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A | 4.4 | 2.2 | 2.8 | 744 | Female | Train | always operating at that level of assholism. | [
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X | 5 | 3.2 | 4.4 | 744 | Female | Train | so it makes me wonder how often does he know he's saying something that's making him sound like a jerkwad versus he's just saying something honestly and disagree like [ | [
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S | 4.714286 | 3.571429 | 4.428571 | 744 | Female | Train | 00:03:01] those kinds of questions in front of the yarders because he's putting on his asshole mask. right? [ | [
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H | 5.818182 | 5.818182 | 5.090909 | 744 | Female | Train | 00:03:06] i [crosstalk 00:03:10] always see you as to believe otherwise. | [
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X | 4.6 | 3.6 | 4 | 744 | Female | Train | making him very uncomfortable in a social way. at the christmas party, he makes that comment like [ | [
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N | 5.4 | 4.6 | 5 | 744 | Female | Train | 00:03:16] neuro-typical, neuro-atypical issues, mental illness. they tend to run in families. [ | [
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S | 4.4 | 4.4 | 3.6 | 744 | Female | Train | 00:03:23] so, and he does not object when people call him and john | [
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C | 5 | 3.2 | 4 | 744 | Female | Train | [inaudible 00:03:28]. it also raises a lot of question like when a girl tries to hit on him and he does not respond at all, she's like 'gay'. [ | [
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D | 4.8 | 2 | 5.4 | 743 | Female | Development | 0000:03:35] and just sort of and feel like, oh yeah! it probably hasn't been easy for you. oh, wow! i'm kind of an asshole. [ | [
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C | 4.8 | 3.4 | 4.6 | 744 | Female | Train | 00:03:44] good luck with that. maybe you could write a letter to steven moffitt. | [
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H | 5.4 | 5 | 6 | 743 | Female | Development | oh my god. i will punch you in the face like sebastian wolfff. this is just like... i missed [ | [
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N | 4.8 | 4.8 | 4.8 | 744 | Female | Train | 00:03:57] the way as often happens in real life, the way that neuro, being autistic or having other... [ | [
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C | 4.8 | 3.8 | 4.4 | 744 | Female | Train | 00:04:05] real life, this has led to a lot of people getting incarcerated for doing nothing, just being autistic, basically. so. [ | [
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D | 5.6 | 4.2 | 5.2 | 743 | Female | Development | 00:04:14] right. or bipolar. and you're in a manic state or [ | [
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H | 4.8 | 5.4 | 4.4 | 743 | Female | Development | 00:04:19] in conclusion, maybe that's how they'll work. mary moore stand into the show. [ | [
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U | 4.4 | 3.4 | 4.2 | 744 | Female | Train | 00:04:32], he didn't display a socially appropriate reaction. so what she's supposed to think, [ | [
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X | 5 | 4.6 | 5 | 744 | Female | Train | 00:04:37], i take sally side and that, i think she made a reasonable assumption [ | [
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A | 5.8 | 3 | 5.2 | 744 | Female | Train | 00:04:41] to some extent, but i also don't take her side because you know what sally get with the [ | [
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H | 5 | 4.6 | 4.2 | 743 | Female | Development | 00:04:47] religious that i just don't see that happening. so i find that a little discouraging, | [
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X | 5.4 | 4.2 | 5 | 743 | Female | Development | but that's actually, it's intense. that's a contentious [ | [
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A | 4.4 | 3 | 4.4 | 1,225 | Female | Train | like, specify anything, if you do the shit what he already does, there's probably something going on in your brain. does it hinder? | [
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N | 4.2 | 4.4 | 4.8 | 745 | Female | Train | on the commentary on great game, they talk about how they're one of the few adaptations to actually have an irish moriarty. | [
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H | 5 | 4.8 | 4.6 | 744 | Female | Train | i am the primary villain in that episode is | [
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H | 6 | 5.6 | 5.4 | 745 | Female | Train | the word colleague. | [
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S | 5 | 4.6 | 5 | 743 | Female | Development | because i phrase everything like a classroom assignment. like i'm a teacher giving feedback. okay. so what does the show do? | [
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S | 3.5 | 4.166667 | 3.666667 | 745 | Female | Train | that was a thing in the second season, i thought- | [
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N | 4.2 | 4.4 | 4.2 | 745 | Female | Train | this show has this whole weirdness with homosexuality. | [
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N | 4.6 | 4.2 | 4.4 | 745 | Female | Train | i think he knows that people, especially men are getting kind of freaked out about it. | [
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H | 5.111111 | 5.111111 | 5.111111 | 743 | Female | Development | but really we have our other friend, steve, who was sort of our little stride slash stanford. | [
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H | 4 | 3.8 | 4.2 | 743 | Female | Development | do we know? so that's about it. and i guess we'll move into our discussion. | [
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X | 4.6 | 4.2 | 5 | 744 | Female | Train | start with this. we never really meet adler face-to-face in the original doyle novel. | [
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N | 4.8 | 4.4 | 4.8 | 744 | Female | Train | and then watson's narration adds another layer of removal from the story. is watson an audience surrogate attempting to decode the mystery of adler along with us, or is he distorting her story further? | [
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X | 4.4 | 3.8 | 4.2 | 743 | Female | Development | an unprecedented move for watson to remove himself from the case a bit. and at the beginning of certain cases... i'll have this disclaimer. | [
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U | 5.2 | 3.5 | 5.2 | 743 | Female | Development | being a male audience, is this a man versus woman thing? i don't think it is. but i do think it's interesting to note that while | [
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H | 5.2 | 5.8 | 5.2 | 743 | Female | Development | are. it's also working very hard to distance adler from holmes in particular as a romantic interest. look at the first paragraph of the story. watson spends so much, | [
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H | 4.4 | 4 | 3.6 | 743 | Female | Development | it's really affects your view of sherlock and of gender in the series. i guess in the larger context of all the holmes short stories, i'm | [
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F | 5.2 | 4.8 | 5 | 743 | Female | Development | the reason i say this is because a scandal | [
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N | 3.6 | 4.8 | 3.8 | 743 | Female | Development | in bohemia is not the only holmes story. there're billions of holmes, | [
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N | 4.4 | 4 | 4.8 | 743 | Female | Development | they're married women, unmarried women, young women and old women. | [
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H | 4.4 | 4.6 | 4.8 | 743 | Female | Development | those who are self-supporting, some of them are lawless. some of them are law abiding. you get a big variety. and this is one of the things i really like about doyle as a writer. he's actually pretty good. | [
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X | 4.2 | 3.4 | 3.8 | 743 | Female | Development | noteworthy in some way. i don't actually think holmes is as misogynistic, as some people claim, | [
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X | 3.6 | 3.6 | 4.6 | 743 | Female | Development | but he doesn't make as many sexist and generalizing remarks as i would have expected him to. reading the stories, | [
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N | 5.181818 | 4.727273 | 5.545455 | 743 | Female | Development | but he does still make generalizing remarks. and i think that's just, he's a victorian man. | [
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C | 5 | 3.2 | 4.6 | 743 | Female | Development | of course he's going to do that. and no matter how much he rejects the conventional in his life, he's still going to embody some of these society's patriarchy. | [
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N | 4.6 | 4.2 | 3.6 | 743 | Female | Development | but i think, in early episodes, sherlock | [
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X | 4.8 | 5 | 5.4 | 743 | Female | Development | passed? and i think people have told him probably in his childhood. | [
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N | 3.6 | 3.8 | 4 | 743 | Female | Development | so he probably second guesses these caring feelings. and i think his victory at the end of reichenbach was... | [
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C | 5.4 | 4.6 | 4.4 | 743 | Female | Development | so i shouldn't view literary | [
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N | 5.1 | 4.8 | 4.9 | 743 | Female | Development | fairness as a giant non-normative umbrella. | [
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X | 3.6 | 4.4 | 4.4 | 743 | Female | Development | i think some people are very picky about it. are they lesbian? are they gay? are they bisexual? | [
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X | 5 | 3.4 | 5.2 | 743 | Female | Development | anything not normative is a bit queer. | [
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H | 4.4 | 4.8 | 5 | 743 | Female | Development | i was reading the beginning, they'll have it. and there's a bit of a queer reading | [
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X | 4.8 | 5 | 5.2 | 743 | Female | Development | you can do here. anyway, since gender roles are so rigid in victorian society | [
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X | 3.8 | 4 | 4 | 743 | Female | Development | and it's temporary, so she can go off and find the man that she's supposed to marry. and then she stops when she gets married. like if you look at 12th night. | [
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N | 4.8 | 4.6 | 5 | 744 | Female | Train | and it's almost to- to get a better idea of how shocking it was, in those days, if you think about men cross-dressing as women these days, which usually is read as queer by most people. | [
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H | 3.6 | 5.8 | 5.8 | 744 | Female | Train | [inaudible 00:00:11] i think should leave him in. yes [inaudible 00:00:15] | [
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H | 4.285714 | 5.571429 | 4.428571 | 743 | Female | Development | ritchie versus irene in more of a variety of disguises in the movies. because they give her very pretty outfits. | [
{
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H | 4.818182 | 5.181818 | 4.636364 | 743 | Female | Development | [inaudible 00:00:23] not really, no. jude law looks way better in drag. | [
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... |
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