EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
H | 5.3 | 5.6 | 5.3 | 744 | Female | Train | well i was going to say that jude law is so pretty as it is that- [inaudible 00:00:34] | [
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X | 4.8 | 3.8 | 4.6 | 744 | Female | Train | she doing that because she really is or because she's lying to john. | [
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N | 4.2 | 4.2 | 4.8 | 744 | Female | Train | [inaudible 00:00:39] she identifies herself as gay. so- right. -the question is not, [inaudible 00:00:44] | [
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A | 5.125 | 3.625 | 5 | 744 | Female | Train | we're not questioning her identification, we're wondering was she being honest [inaudible 00:00:49] | [
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X | 5 | 4.3 | 4.5 | 744 | Female | Train | or was she purposely just lying to john? so- right. [inaudible 00:00:53] | [
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S | 4.2 | 3.6 | 4.2 | 743 | Female | Development | here's this constructive power and it is artificial, it's role-play. on one hand i was like, well- [inaudible 00:01:00]. | [
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H | 5.583333 | 5.666667 | 5.083333 | 743 | Female | Development | and if we had a scene of her in her off hours sitting on the couch and watching eastenders. [inaudible 00:01:07]. | [
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H | 4.7 | 5.5 | 4.5 | 743 | Female | Development | i will get to that, i think, with the next question. [inaudible 00:01:12]. | [
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D | 4 | 3.8 | 4.2 | 743 | Female | Development | i do have one more comment about bbc irene and queerness | [
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X | 4.2 | 5.2 | 4.6 | 743 | Female | Development | [inaudible 00:01:17] and what's cool is she potentially brings out, or highlights, the queerness in others. | [
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H | 6 | 5.75 | 5.125 | 743 | Female | Development | [inaudible 00:01:24] and i think you have to call death to the author on this one. | [
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H | 4.8 | 5 | 4 | 743 | Female | Development | [inaudible 00:01:28] you do, and i admit that and i [inaudible 00:01:31] here, [inaudible 00:01:33] | [
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S | 4.2 | 3.6 | 4.4 | 743 | Female | Development | but the battersea power station scene with her and john does call into question [inaudible 00:01:40] | [
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H | 4.4 | 4.4 | 4.4 | 743 | Female | Development | the nature of john's relationship with sherlock, regardless of what the answer is and regardless of what the show tries to define it. it might just be [inaudible 00:01:49] | [
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H | 5.4 | 4.8 | 4.8 | 743 | Female | Development | irene, despite moffat's word of god, that sherlock has [inaudible 00:01:53] it or some crap and word of mouth. but i really mean she does [crosstalk 00:01:59] | [
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C | 5 | 3.6 | 4 | 743 | Female | Development | irene, despite moffat's word of god, that sherlock has [inaudible 00:02:04] it or some crap and word of- [inaudible 00:02:07] | [
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D | 5.2 | 3.8 | 4 | 744 | Female | Train | is there a story on that so many [inaudible 00:02:10] i don't even- [inaudible 00:02:12] | [
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H | 5.7 | 5.9 | 5.2 | 744 | Female | Train | yes. yes. what was i thinking? | [
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H | 5.4 | 5.6 | 5.6 | 744 | Female | Train | [inaudible 00:02:17] i was about to say what. i didn't- | [
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H | 3.8 | 3.8 | 3.6 | 743 | Female | Development | [inaudible 00:02:21] i just want a movie about this character and they're like | [
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C | 4.8 | 4.2 | 4.6 | 743 | Female | Development | [inaudible 00:02:26] moffat and co. i love you but that was a little racist. | [
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X | 5.8 | 4 | 5.6 | 1,225 | Female | Train | [inaudible 00:02:29] right? why didn't he just show up? [inaudible 00:02:34] | [
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N | 4.2 | 3.8 | 4.6 | 744 | Female | Train | like other stories involving threats of blackmail of scandal in bohemia deals with the power of information. | [
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D | 5.4 | 4.4 | 4.8 | 744 | Female | Train | [inaudible 00:02:40] many characters possess critical information in the story: | [
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N | 5.6 | 3.8 | 5.2 | 744 | Female | Train | [inaudible 00:02:44] adler, holmes, the king of bohemia, but who ultimately controls the information? | [
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H | 5.3 | 5.5 | 5.3 | 744 | Female | Train | [inaudible 00:02:49] i think that's a refreshing way to look at it. i don't know, i just feel like a lot of times the stories- | [
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H | 5 | 5.8 | 5.6 | 743 | Female | Development | [inaudible 00:02:58] well, and that's one, the things that i like, that's one of the things that i think they actually- | [
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C | 4.2 | 4.6 | 4.2 | 743 | Female | Development | [inaudible 00:03:03] although then there's the downside of what they do about bbc and- [inaudible 00:03:09] | [
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N | 4 | 3.555556 | 3.888889 | 743 | Female | Development | i can talk about bbc for a bit because i don't have too much [inaudible 00:03:14] | [
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H | 4.4 | 3.6 | 4.2 | 743 | Female | Development | because it doesn't actually sit well with me in belgravia is again that last 15 minutes let's get | [
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H | 5.25 | 5.416667 | 5.416667 | 744 | Female | Train | i am sherlocked. so yeah, maybe if he'd been, i [inaudible 00:03:36] you're in love with me. she was like, no, i just like puns. [inaudible 00:03:38] | [
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U | 5.583333 | 5.75 | 5.333333 | 743 | Female | Development | i just want somebody to step in and go, this look shocked. right? | [
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H | 6.272727 | 6.545455 | 5.636364 | 744 | Female | Train | but it's a- [inaudible 00:03:48]. | [
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H | 5.2 | 4.4 | 4.8 | 744 | Female | Train | i'm not as familiar with the holmes [inaudible 00:03:51] as you are. but that does bug me when people are like, oh my god, i ran. and i was like, she [inaudible 00:04:00] story | [
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X | 5.2 | 4.2 | 4.4 | 744 | Female | Train | and [inaudible 00:04:00] and her weird nose, but that's not her fault. | [
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H | 5.9 | 5 | 5.6 | 743 | Female | Development | [inaudible 00:04:03] and then there was simsa, who also should have hung out with [inaudible 00:04:06]. basically i think the entire movie should be about mary morstan-watson, because she's flawless. [inaudible 00:04:12] | [
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H | 5.2 | 4.2 | 5.2 | 743 | Female | Development | sorry, we needed to say that at one point and i think that that was the place [inaudible 00:04:16]. | [
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N | 4.4 | 3.8 | 4.6 | 743 | Female | Development | cons? well, she is still associated with moriarty | [
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D | 4.8 | 3 | 4.4 | 743 | Female | Development | [inaudible 00:04:22] and i think you're right there. i just feel occasionally they need to cut down on that, "oh look, sexy times." [inaudible 00:04:29] | [
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H | 5.583333 | 4.833333 | 5.5 | 744 | Female | Train | that in itself is a potential con. seriously when we were making this list, all this stuff we were coming up with for bbc irene was, well, could be a pro or a con, just depends on how you look at it. [inaudible 00:04:43] | [
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C | 4.4 | 3.6 | 4.4 | 778 | Female | Train | because i had a political dossier, which was handed out to all the jews. | [
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X | 4.2 | 2.8 | 4.4 | 1,225 | Female | Train | beat behind her. the people that they were in those sudden, we went in an apartment building. | [
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A | 5.2 | 3.4 | 4.8 | 1,225 | Female | Train | that we were supposed to move into and then maryland bucket just left there. and then all of a sudden it was. | [
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C | 4 | 3.4 | 4.8 | 779 | Male | Train | .stated georgia was named after that king george or whoever the hell he was. | [
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N | 3.8 | 4.2 | 3.6 | 1,225 | Female | Train | that's changed in 1978. they, we did have a prisoner cnu and we still do, but they had more power because they were talking about reform.hmmm.all right. | [
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X | 5.2 | 4.4 | 5.4 | 778 | Female | Train | she's not getting any more trouble. | [
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X | 3.8 | 2.4 | 3.6 | 778 | Female | Train | you see [crosstalk 00:02:33] then her the real cross of prisons. then she is walking that circle and going, i don't know what i'm going to do with the [inaudible 00:02:43]. | [
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H | 4.5 | 5 | 4.25 | 733 | Male | Development | it's weird having the images behind me anyway. (laughing). | [
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N | 3 | 4.8 | 3.8 | 733 | Male | Development | neighborhood. and then i go out and make projects in other communities with other people. | [
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X | 3.8 | 4 | 4.4 | 733 | Male | Development | but i don't see myself in any way as like radically or intrinsically portuguese. | [
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S | 2.8 | 3.6 | 3 | 733 | Male | Development | intrinsically us resident. | [
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X | 3.2 | 4.4 | 3.8 | 733 | Male | Development | you know, i think more and more, we are coming to terms with the fact that we all live in the same planet. | [
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U | 3.2 | 4.4 | 4.6 | 733 | Male | Development | and you know, with different degrees of, | [
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H | 2.4 | 3.8 | 2.8 | 733 | Male | Development | the club nine at the time was, a lot of fun. | [
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N | 4.4 | 4 | 4.4 | 733 | Male | Development | i was too young to be inside the club. | [
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N | 3.25 | 3.375 | 4.25 | 733 | Male | Development | you have to be 21 years old to consume alcohol. | [
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N | 2.8 | 4 | 3.2 | 733 | Male | Development | or a voter, i guess for two and a married man or woman for, i don't know, how many or a mother and a father, but, | [
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H | 3.4 | 4.6 | 4.8 | 733 | Male | Development | drinking a beer, in no way. | [
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N | 2.8 | 4.4 | 3.4 | 733 | Male | Development | adjacent to club nine. and i remember seeing a mural there and there was a depiction of the grand nika. | [
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N | 4.6 | 3.8 | 4.2 | 733 | Male | Development | and it said, you know, stop us intervention in central america or something like that and had a huge impact on me, you know? | [
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S | 4.6 | 4.2 | 5 | 733 | Male | Development | yeah. then truth cap to the project is an organization that no longer exists in san francisco. | [
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N | 4.2 | 4 | 4 | 733 | Male | Development | to run sort of a program of public art in the city called art in the urban landscape. | [
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X | 4.6 | 4.2 | 4.4 | 733 | Male | Development | and i painted three-year-olds as part of that program under the direction of a corneal. | [
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H | 3.6 | 3.4 | 4.4 | 733 | Male | Development | figure of a human sort of raising a rent. and then it says auto care. | [
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... |
X | 4 | 3.6 | 4.6 | 733 | Male | Development | and it's a whole thing. the whole building seemed like. | [
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N | 3.2 | 4.2 | 3.8 | 733 | Male | Development | yeah, at temple to carve worship or something. | [
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S | 4.2 | 4.2 | 3.6 | 733 | Male | Development | this was at a time that... | [
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N | 3.6 | 4.6 | 3.6 | 733 | Male | Development | so, i painted this mural basically saying the sky is up and the ground is down. | [
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N | 4.4 | 4 | 3.6 | 733 | Male | Development | or sky there and ground here, and then waited for things to change. | [
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N | 3.6 | 4.4 | 4 | 733 | Male | Development | so, at one point the ground really meant soil. | [
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X | 3.6 | 3.6 | 4.4 | 733 | Male | Development | so, i find mind-boggling in many ways, for one they were 22 or 23 year olds... | [
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N | 3 | 4.2 | 3.4 | 733 | Male | Development | a pair of shoes, so they're very eloquently represented as single entity, that was larger than anyone one of them. | [
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X | 3.2 | 4.2 | 3.8 | 733 | Male | Development | to then, in 35 years later as student remember that and was very surprised that there was no... | [
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N | 4.6 | 3.6 | 5 | 733 | Male | Development | it's a matter of fact, they had never gotten any love back from the university... | [
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D | 4.6 | 4 | 4.6 | 733 | Male | Development | of san jose. started distinct to pay... | [
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H | 3.5 | 4.375 | 3.625 | 733 | Male | Development | tribute to three entities, tommy smith... | [
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N | 3.6 | 4.4 | 4.8 | 733 | Male | Development | don carlos and student activism. so, i decided to leave the place of... | [
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... |
N | 3.4 | 3.8 | 3.4 | 733 | Male | Development | of youth speaks that they have a poetry slams and all... | [
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... |
N | 3.8 | 3.6 | 3.4 | 733 | Male | Development | that. last year or the year before, there they had... | [
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S | 3.142857 | 4.428571 | 3.285714 | 733 | Male | Development | their final competition in san jose and took that photo, which is quite sweet for me. | [
{
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N | 4 | 3.4 | 3.8 | 733 | Male | Development | and they made sweat... | [
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S | 4.4 | 4 | 3.8 | 733 | Male | Development | to a project in this alley, in the tender line that they've been liberally full of... | [
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N | 4.142857 | 4.142857 | 3.714286 | 733 | Male | Development | love i guess, changing throughout the years. | [
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... |
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