Datasets:
seed_id stringlengths 9 9 | row_idx int64 0 5 | type stringclasses 16
values | domain stringclasses 30
values | seed stringlengths 148 263 | fmt stringclasses 12
values | punct stringclasses 3
values | register stringclasses 6
values | person stringclasses 3
values | grade int64 1 5 | ambiguous bool 2
classes | sentence stringlengths 17 188 | percept stringlengths 21 157 | percept_b stringlengths 0 146 | abridged stringlengths 15 189 | carriers stringlengths 9 95 | n_tokens int64 5 41 | final_token_is_punct bool 2
classes | split stringclasses 2
values |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
t09d21s16 | 0 | urgency_pressure | arts_theatre | {"setting": "gallery basement, opening reception nearing", "actors": "framer, gallery assistant", "activity": "leveling crooked frame wire", "percept_instance": "guests due before frames straightened"} | a voicemail line | . | plain neutral | second person, addressing someone directly | 3 | false | Hamza, the wire's still crooked, guests arrive at seven, call me back. | The framer is racing to fix the frame before doors open. | Hamza, please call me back, the wire on the frame is still crooked and guests arrive at seven. | clipped clauses, time stated, call-back demand | 19 | true | train | |
t09d21s16 | 5 | urgency_pressure | arts_theatre | {"setting": "gallery basement, opening reception nearing", "actors": "framer, gallery assistant", "activity": "leveling crooked frame wire", "percept_instance": "guests due before frames straightened"} | a diary line | . | formal polished | third person | 3 | true | She noted that Ravi kept the ladder near the crooked frame all evening. | Ravi was on standby to fix the frame at any moment. | Ravi and the diarist share a quiet, comfortable evening routine together. | She wrote that Ravi kept the ladder close to the crooked frame throughout the evening. | ladder proximity, crooked frame, evening duration | 16 | true | train |
t13d06s20 | 0 | flirtation | cooking_food | {"setting": "midnight fridge raid", "actors": "roommates hunting for snacks", "activity": "feeding each other leftovers", "percept_instance": "feeding leftovers becomes an accidental moment of closeness"} | a text message | . | plain neutral | third person | 5 | false | Zola fed Andrei the last dumpling straight off her fork. | Zola is drawn to Andrei and enjoys the intimacy of feeding him. | Zola gave Andrei the final dumpling directly from her fork. | fed him, straight off fork, last one | 14 | true | train | |
t13d06s20 | 1 | flirtation | cooking_food | {"setting": "midnight fridge raid", "actors": "roommates hunting for snacks", "activity": "feeding each other leftovers", "percept_instance": "feeding leftovers becomes an accidental moment of closeness"} | a radio call | . | formal polished | third person | 4 | true | Kitchen light confirms both roommates sharing one spoon. | The two are enjoying a quietly romantic moment together. | The two are simply too tired to bother finding a second spoon. | The kitchen light shows the two roommates using a single spoon. | one spoon, shared, confirmed by light | 10 | true | train |
t13d06s20 | 2 | flirtation | cooking_food | {"setting": "midnight fridge raid", "actors": "roommates hunting for snacks", "activity": "feeding each other leftovers", "percept_instance": "feeding leftovers becomes an accidental moment of closeness"} | a group-chat message | . | plain neutral | third person | 4 | true | so apparently Leo held the container while Nina ate straight from his hands at 2am. | Leo and Nina are having an unspoken romantic moment during their late-night snack. | Leo and Nina are just being efficient since neither wanted to grab plates. | Leo apparently held the container while Nina ate directly from his hands around 2am. | held for her, ate from hands, 2am detail | 18 | true | train |
t13d06s20 | 3 | flirtation | cooking_food | {"setting": "midnight fridge raid", "actors": "roommates hunting for snacks", "activity": "feeding each other leftovers", "percept_instance": "feeding leftovers becomes an accidental moment of closeness"} | a radio call | . | casual colloquial | second person, addressing someone directly | 4 | true | you keep holding the fork out to me like you're not even hungry yourself, Bjorn. | The speaker senses Bjorn is more interested in her than the food. | The speaker thinks Bjorn is just being generous and not actually hungry. | Bjorn, you keep offering me the fork as though you yourself are not hungry. | keeps offering fork, not hungry himself, direct address | 19 | true | train |
t13d06s20 | 4 | flirtation | cooking_food | {"setting": "midnight fridge raid", "actors": "roommates hunting for snacks", "activity": "feeding each other leftovers", "percept_instance": "feeding leftovers becomes an accidental moment of closeness"} | a spoken line | . | casual colloquial | first person | 4 | true | I just gave him the last bite of the cold noodles without even thinking about it. | The speaker's automatic gesture reveals a growing closeness with him. | The speaker was simply too full to finish the noodles herself. | I gave him the final bite of cold noodles without any deliberate thought. | without thinking, gave last bite, casual reveal | 17 | true | train |
t13d06s20 | 5 | flirtation | cooking_food | {"setting": "midnight fridge raid", "actors": "roommates hunting for snacks", "activity": "feeding each other leftovers", "percept_instance": "feeding leftovers becomes an accidental moment of closeness"} | a product review line | . | terse clipped | first person | 2 | false | He hand-fed me leftovers at midnight, five stars, would raid again. | The reviewer found the midnight feeding moment charged with romantic warmth. | He fed me the leftovers by hand at midnight, and I rated it five stars, willing to repeat. | hand-fed, five stars, clipped review tone | 15 | true | train | |
t02d27s16 | 0 | social_relation | volunteering_community | {"setting": "beach cleanup registration tent", "actors": "marine biologist and old student", "activity": "handing out mesh collection bags", "percept_instance": "former teacher enjoys reclaiming authority briefly"} | a voicemail line | . | casual colloquial | first person | 4 | true | Still holding the mesh bags hostage till you say please, Ravi. | The marine biologist is a former teacher reclaiming playful authority over her old student. | The two are current coworkers engaged in a flirtatious teasing exchange. | I still have the mesh bags and I am waiting for you to say please, Ravi. | hostage phrasing, playful command, first name, mock-strict tone | 14 | true | train |
t02d27s16 | 1 | social_relation | volunteering_community | {"setting": "beach cleanup registration tent", "actors": "marine biologist and old student", "activity": "handing out mesh collection bags", "percept_instance": "former teacher enjoys reclaiming authority briefly"} | an overheard remark | ! | casual colloquial | second person, addressing someone directly | 2 | false | You still can't tie a proper knot on that bag, can you! | A former teacher is testing whether her old student retained old lessons. | You are still unable to tie a proper knot on that bag! | still, can't, quiz-like question, mild challenge | 15 | true | train | |
t02d27s16 | 2 | social_relation | volunteering_community | {"setting": "beach cleanup registration tent", "actors": "marine biologist and old student", "activity": "handing out mesh collection bags", "percept_instance": "former teacher enjoys reclaiming authority briefly"} | a voicemail line | . | plain neutral | third person | 1 | false | She reminded him that the bags go on the left table, same as always. | The speaker has directed this same routine before, in a past teaching role. | She told him the bags go on the left table, as usual. | reminded, same as always, minor instructional detail | 16 | true | train | |
t02d27s16 | 3 | social_relation | volunteering_community | {"setting": "beach cleanup registration tent", "actors": "marine biologist and old student", "activity": "handing out mesh collection bags", "percept_instance": "former teacher enjoys reclaiming authority briefly"} | a text message | . | terse clipped | second person, addressing someone directly | 4 | false | Line forms here, Felix, and no, you can't skip it this time. | The speaker once had disciplinary authority over Felix and is briefly reasserting it. | The line starts here, Felix, and you cannot skip it this time. | this time, rule-enforcing address, name callout | 17 | true | train | |
t02d27s16 | 4 | social_relation | volunteering_community | {"setting": "beach cleanup registration tent", "actors": "marine biologist and old student", "activity": "handing out mesh collection bags", "percept_instance": "former teacher enjoys reclaiming authority briefly"} | an overheard remark | ! | detached procedural | first person | 4 | false | I check names against my old roster before handing out any bags! | The marine biologist still thinks of volunteers as students on her class list. | I check names against my old roster before I give out any bags! | old roster, checking names, procedural authority | 13 | true | train | |
t02d27s16 | 5 | social_relation | volunteering_community | {"setting": "beach cleanup registration tent", "actors": "marine biologist and old student", "activity": "handing out mesh collection bags", "percept_instance": "former teacher enjoys reclaiming authority briefly"} | a diary line | ! | formal polished | second person, addressing someone directly | 4 | false | You still stand exactly where you used to sit, front row, Nina! | The speaker is delighting in reasserting her former role as Nina's teacher. | You are standing in the same spot where you used to sit, front row, Nina! | front row callback, used to, exclamatory address | 15 | true | train | |
t11d24s08 | 0 | evasion_deception | maritime_fishing | {"setting": "quota office counter, midday", "actors": "fleet manager, quota clerk", "activity": "submitting the season's tallies", "percept_instance": "manager is padding numbers to hide overfishing"} | a radio call | . | warm familiar | second person, addressing someone directly | 5 | false | Zainab, just log the 74 like we said, round it clean, the inspector never actually counts the bins himself. | Zainab and the caller are conspiring to falsify the catch tally to dodge inspection. | Zainab, log the number as 74, rounded, since the inspector does not count the bins himself. | conspiratorial instruction, justification, insider detail about inspector | 27 | true | train | |
t11d24s08 | 1 | evasion_deception | maritime_fishing | {"setting": "quota office counter, midday", "actors": "fleet manager, quota clerk", "activity": "submitting the season's tallies", "percept_instance": "manager is padding numbers to hide overfishing"} | a group-chat message | . | terse clipped | third person | 3 | false | Mateo said the Nilsson boat's tally jumped from 54 to 75 overnight, no new trips logged. | Mateo suspects the Nilsson boat's crew inflated their catch numbers without actually fishing more. | Mateo mentioned the Nilsson boat's count went from 54 to 75 overnight, with no additional trips recorded. | sudden jump, no corroborating trips, third-party report | 25 | true | train | |
t11d24s08 | 2 | evasion_deception | maritime_fishing | {"setting": "quota office counter, midday", "actors": "fleet manager, quota clerk", "activity": "submitting the season's tallies", "percept_instance": "manager is padding numbers to hide overfishing"} | a letter line | . | formal polished | second person, addressing someone directly | 2 | true | Kindly confirm the Penang figures again, Tariq. | The writer suspects Tariq's reported figures may be inaccurate or falsified. | The writer is simply following routine bureaucratic procedure with no suspicion at all. | Please recheck the Penang numbers, Tariq. | formal request, singling out figures, polite pressure | 13 | true | train |
t11d24s08 | 3 | evasion_deception | maritime_fishing | {"setting": "quota office counter, midday", "actors": "fleet manager, quota clerk", "activity": "submitting the season's tallies", "percept_instance": "manager is padding numbers to hide overfishing"} | a note left for someone | . | plain neutral | second person, addressing someone directly | 2 | false | Aisha, the tally sheet's on the counter, sign wherever you think fits. | The note is quietly permitting Aisha to alter the tally sheet however she likes. | Aisha, the tally sheet is on the counter, sign it wherever you think is right. | vague permission, unsupervised discretion, casual placement | 17 | true | train | |
t11d24s08 | 4 | evasion_deception | maritime_fishing | {"setting": "quota office counter, midday", "actors": "fleet manager, quota clerk", "activity": "submitting the season's tallies", "percept_instance": "manager is padding numbers to hide overfishing"} | a product review line | ! | detached procedural | third person | 4 | false | Clerk accepted the fleet's 62-to-17 discrepancy without a single follow-up question! | The reviewer believes the clerk let an obviously falsified quota report pass unchecked. | The clerk accepted the fleet's discrepancy between 62 and 17 without asking any follow-up question! | large discrepancy, no scrutiny noted, exclamatory judgment | 22 | true | train | |
t11d24s08 | 5 | evasion_deception | maritime_fishing | {"setting": "quota office counter, midday", "actors": "fleet manager, quota clerk", "activity": "submitting the season's tallies", "percept_instance": "manager is padding numbers to hide overfishing"} | a voicemail line | . | casual colloquial | third person | 2 | true | Jorge said the Abebe crew's numbers always look tidy right before the season closes. | Jorge implies the Abebe crew manipulates their numbers just before reporting deadlines. | Jorge is simply praising the Abebe crew for being consistently well-organized record keepers. | Jorge mentioned the Abebe crew's numbers always seem neat right before the season ends. | suspicious timing, understated praise, recurring pattern | 18 | true | train |
t12d26s16 | 0 | veiled_menace | real_estate_moving | {"setting": "front porch, dusk viewing", "actors": "seller, curious buyer", "activity": "chatting about the garden", "percept_instance": "garden pride veils warning about nosy questions"} | a letter line | . | terse clipped | second person, addressing someone directly | 5 | false | Zainab, admire the shade garden all you like, but keep your questions about our fence line to yourself. | The seller is warning Zainab that prying about property boundaries will provoke retaliation. | Zainab, you can look at the shade garden, but do not ask about our fence line. | clipped command, veiled warning, boundary topic, direct address | 23 | true | train | |
t12d26s16 | 1 | veiled_menace | real_estate_moving | {"setting": "front porch, dusk viewing", "actors": "seller, curious buyer", "activity": "chatting about the garden", "percept_instance": "garden pride veils warning about nosy questions"} | a note left for someone | . | plain neutral | second person, addressing someone directly | 3 | false | Enjoy the hostas, Bjorn, some buyers ask too much and regret it. | The seller is subtly cautioning Bjorn against asking further probing questions. | Bjorn, you can enjoy the hostas, but some buyers ask too many questions and are sorry later. | conditional caution, vague consequence, mild aside | 17 | true | train | |
t12d26s16 | 2 | veiled_menace | real_estate_moving | {"setting": "front porch, dusk viewing", "actors": "seller, curious buyer", "activity": "chatting about the garden", "percept_instance": "garden pride veils warning about nosy questions"} | a letter line | . | formal polished | second person, addressing someone directly | 1 | false | Do admire the ferns, Priya, quietly. | The seller is hinting Priya should not ask questions while viewing the garden. | Priya, please look at the ferns without speaking much. | single soft imperative, understated word choice | 11 | true | train | |
t12d26s16 | 3 | veiled_menace | real_estate_moving | {"setting": "front porch, dusk viewing", "actors": "seller, curious buyer", "activity": "chatting about the garden", "percept_instance": "garden pride veils warning about nosy questions"} | a text message | . | formal polished | second person, addressing someone directly | 5 | false | Anton, the shade garden is lovely at dusk; curious neighbors who ask questions rarely stay comfortable long. | The seller is threatening consequences if Anton keeps asking about the property or neighbors. | Anton, the shade garden looks nice at dusk, and curious neighbors who ask questions do not usually stay comfortable. | ominous generalization, dusk setting, comfort threat | 21 | true | train | |
t12d26s16 | 4 | veiled_menace | real_estate_moving | {"setting": "front porch, dusk viewing", "actors": "seller, curious buyer", "activity": "chatting about the garden", "percept_instance": "garden pride veils warning about nosy questions"} | a group-chat message | ? | formal polished | second person, addressing someone directly | 5 | false | Viktor, isn't it funny how everyone who kept poking around Delia's garden ended up moving away rather suddenly? | The seller is implying Viktor will be forced out if he keeps investigating the property. | Viktor, isn't it odd that everyone who kept looking closely at Delia's garden ended up moving away suddenly? | rhetorical question, pattern of departures, feigned amusement | 25 | true | train | |
t12d26s16 | 5 | veiled_menace | real_estate_moving | {"setting": "front porch, dusk viewing", "actors": "seller, curious buyer", "activity": "chatting about the garden", "percept_instance": "garden pride veils warning about nosy questions"} | a note left for someone | . | detached procedural | second person, addressing someone directly | 3 | false | Elena, view the shade garden from the porch only, and please stop asking who else has looked at the listing. | The seller is warning Elena to stop inquiring about other interested buyers or risk being shut out. | Elena, look at the shade garden only from the porch, and stop asking who else has viewed the listing. | procedural restriction, pointed request, listing inquiry | 24 | true | train | |
t05d21s08 | 0 | intimacy_distance | arts_theatre | {"setting": "gallery opening, quiet corner", "actors": "painter, former mentor", "activity": "critiquing a new piece", "percept_instance": "old teacher-student bond still carrying weight"} | a note left for someone | . | detached procedural | second person, addressing someone directly | 1 | false | Fernandez, the lighting on panel three still needs adjusting. | A former student still speaks to the mentor with old procedural deference. | Fernandez, the lighting on the third panel needs adjusting. | surname address, note format, procedural correction | 13 | true | test | |
t05d21s08 | 1 | intimacy_distance | arts_theatre | {"setting": "gallery opening, quiet corner", "actors": "painter, former mentor", "activity": "critiquing a new piece", "percept_instance": "old teacher-student bond still carrying weight"} | a diary line | ! | formal polished | second person, addressing someone directly | 3 | false | Ingrid, I still hear your critiques when I lift a brush! | The painter's inner voice remains shaped by the old teacher's judgments. | Ingrid, your critiques still come to mind when I paint! | diary confession, direct address, lingering influence | 14 | true | test | |
t05d21s08 | 2 | intimacy_distance | arts_theatre | {"setting": "gallery opening, quiet corner", "actors": "painter, former mentor", "activity": "critiquing a new piece", "percept_instance": "old teacher-student bond still carrying weight"} | a product review line | . | terse clipped | first person | 4 | false | Still hear my old teacher's voice correcting every brushstroke here. | The reviewer's private standards were built by a specific former mentor. | I still recall my former teacher's corrections while viewing this piece. | possessive phrase, correcting every, lingering authority | 13 | true | test | |
t05d21s08 | 3 | intimacy_distance | arts_theatre | {"setting": "gallery opening, quiet corner", "actors": "painter, former mentor", "activity": "critiquing a new piece", "percept_instance": "old teacher-student bond still carrying weight"} | a letter line | ! | terse clipped | second person, addressing someone directly | 4 | false | You taught me to see shadow, Sokolov, and I still doubt my own eye! | The painter's confidence in their own vision still depends on the old teacher's approval. | Sokolov, you taught me to see shadow, and I still doubt my own judgment! | credit given, lingering doubt, name address | 19 | true | test | |
t05d21s08 | 4 | intimacy_distance | arts_theatre | {"setting": "gallery opening, quiet corner", "actors": "painter, former mentor", "activity": "critiquing a new piece", "percept_instance": "old teacher-student bond still carrying weight"} | an overheard remark | ? | terse clipped | third person | 4 | false | Someone said Tanaka still can't hang a canvas without her old teacher's nod? | Even now, the painter needs the mentor's silent approval before finishing work. | Someone mentioned Tanaka still can't hang a canvas without her old teacher's approval? | still can't, old teacher's nod, question mark | 17 | true | test | |
t05d21s08 | 5 | intimacy_distance | arts_theatre | {"setting": "gallery opening, quiet corner", "actors": "painter, former mentor", "activity": "critiquing a new piece", "percept_instance": "old teacher-student bond still carrying weight"} | an overheard remark | . | warm familiar | third person | 5 | false | They said Ravi went quiet the second Eriksen leaned in close to the canvas, the way he always did back in Kyoto. | Years later, the old teacher's scrutiny still silences the former student instantly. | They mentioned Ravi went quiet as soon as Eriksen leaned close to the canvas, just like back in Kyoto. | went quiet, leaned in close, back in Kyoto, always did | 27 | true | test | |
t11d16s04 | 0 | evasion_deception | nature_outdoors | {"setting": "barn stable, morning", "actors": "stable hand, horse owner", "activity": "describing a horse's injury", "percept_instance": "stable hand is hiding how the injury happened"} | a meeting minute | . | plain neutral | third person | 4 | false | Stable hand Piotr described the horse's leg injury to Ingrid. | Piotr is withholding the true cause of the injury. | Piotr told Ingrid about the horse's leg injury. | vague verb, no cause given, third-person minute tone | 16 | true | train | |
t11d16s04 | 1 | evasion_deception | nature_outdoors | {"setting": "barn stable, morning", "actors": "stable hand, horse owner", "activity": "describing a horse's injury", "percept_instance": "stable hand is hiding how the injury happened"} | a diary line | ? | casual colloquial | second person, addressing someone directly | 5 | false | Did you really watch the gelding hurt himself, or are you just saying that so I stop asking? | You are inventing an account to avoid revealing what actually happened. | Did you watch the gelding get hurt, or are you telling me that so I quit asking questions? | self-correcting question, defensive phrasing, direct challenge | 21 | true | train | |
t11d16s04 | 2 | evasion_deception | nature_outdoors | {"setting": "barn stable, morning", "actors": "stable hand, horse owner", "activity": "describing a horse's injury", "percept_instance": "stable hand is hiding how the injury happened"} | an overheard remark | . | formal polished | first person | 5 | true | I happened to glance over precisely when the gelding caught his leg on the gate latch. | The speaker is fabricating a convenient explanation for the injury. | The speaker witnessed a genuine accident and is simply recounting it. | I looked over at the moment the gelding's leg caught on the gate latch. | convenient timing, formal precision, tidy causal claim | 18 | true | train |
t11d16s04 | 3 | evasion_deception | nature_outdoors | {"setting": "barn stable, morning", "actors": "stable hand, horse owner", "activity": "describing a horse's injury", "percept_instance": "stable hand is hiding how the injury happened"} | a meeting minute | ! | terse clipped | third person | 5 | false | Stable hand Delia claimed the mare stumbled alone in the paddock overnight, no witnesses present! | Delia is concealing what actually caused the mare's injury. | Delia said the mare stumbled by herself in the paddock overnight, with nobody watching! | claimed verb, no-witness detail, clipped exclamatory minute | 20 | true | train | |
t11d16s04 | 4 | evasion_deception | nature_outdoors | {"setting": "barn stable, morning", "actors": "stable hand, horse owner", "activity": "describing a horse's injury", "percept_instance": "stable hand is hiding how the injury happened"} | a group-chat message | . | detached procedural | second person, addressing someone directly | 3 | false | Check the paddock fence yourself, I already looked twice. | The speaker is deflecting scrutiny about the horse's injury. | You can check the paddock fence, I looked at it twice already. | deflecting suggestion, redundant checking claim, procedural tone | 12 | true | train | |
t11d16s04 | 5 | evasion_deception | nature_outdoors | {"setting": "barn stable, morning", "actors": "stable hand, horse owner", "activity": "describing a horse's injury", "percept_instance": "stable hand is hiding how the injury happened"} | a product review line | . | formal polished | first person | 4 | false | I can confirm the stable's explanation matched every detail I was given about the injury. | The speaker suspects the stable's explanation was rehearsed to hide the truth. | I confirm the stable's explanation matched all the details I received about the injury. | overqualified confirmation, matched details, formal review phrasing | 17 | true | train | |
t14d14s20 | 1 | nostalgia | education_school | {"setting": "recess handball court", "actors": "PE teacher, former athlete", "activity": "repainting faded court lines", "percept_instance": "fond ache for competitive childhood games"} | a text message | ! | warm familiar | second person, addressing someone directly | 5 | false | Stefan, remember when you and Milan played handball out here every single lunch until the bell rang and Sokolov chased us off! | The speaker fondly longs for the vanished childhood ritual of daily lunchtime handball games. | Stefan, you and Milan used to play handball here every lunch until the bell rang and Sokolov made us leave! | direct address, shared memory, every single, exclamation | 29 | true | train | |
t14d14s20 | 2 | nostalgia | education_school | {"setting": "recess handball court", "actors": "PE teacher, former athlete", "activity": "repainting faded court lines", "percept_instance": "fond ache for competitive childhood games"} | a note left for someone | . | casual colloquial | first person | 1 | false | Left the roller by the fence, Petra. | The speaker feels a small, easily missed fondness for the old court. | Petra, the roller is by the fence. | brief note, casual name drop, no elaboration | 9 | true | train | |
t14d14s20 | 3 | nostalgia | education_school | {"setting": "recess handball court", "actors": "PE teacher, former athlete", "activity": "repainting faded court lines", "percept_instance": "fond ache for competitive childhood games"} | a group-chat message | . | detached procedural | first person | 4 | false | Repainted the far handball line today and it looked exactly like it did back when Elena and Cyrus used to play here. | The speaker feels a clear, wistful pull toward the childhood games once played on this court. | I repainted the far handball line today, and it looked the same as when Elena and Cyrus used to play here. | back when, exactly like, comparison to past | 25 | true | train | |
t14d14s20 | 5 | nostalgia | education_school | {"setting": "recess handball court", "actors": "PE teacher, former athlete", "activity": "repainting faded court lines", "percept_instance": "fond ache for competitive childhood games"} | a radio call | ? | terse clipped | second person, addressing someone directly | 2 | false | Ben, you still remember which line was yours out here, twenty-something years back? | The speaker carries a mild, unspoken fondness for old games on this same court. | Ben, do you still remember which line was yours here, about twenty years ago? | radio brevity, casual recall question, vague timeframe | 18 | true | train | |
t15d09s04 | 0 | setting_atmosphere | finance_money | {"setting": "stock exchange trading floor", "actors": "traders, floor clerks", "activity": "watching a crash unfold", "percept_instance": "sudden panic spreading through a crowded room"} | a voicemail line | . | detached procedural | second person, addressing someone directly | 5 | false | Cardoso, confirm your positions now, screens are turning red across every desk. | A market crash is unfolding right now and panic is spreading across the trading floor. | Cardoso, please confirm your positions, the screens are showing red across every desk. | confirm now, red screens, every desk, clipped procedural line | 16 | true | train | |
t15d09s04 | 1 | setting_atmosphere | finance_money | {"setting": "stock exchange trading floor", "actors": "traders, floor clerks", "activity": "watching a crash unfold", "percept_instance": "sudden panic spreading through a crowded room"} | a group-chat message | . | casual colloquial | second person, addressing someone directly | 4 | false | ok this is bad, Marco, everyone's yelling at once and Novak just knocked over his chair running to the phones, you seeing this on your end. | Traders on the floor are losing composure as the crash accelerates in real time. | Marco, things look bad, people are shouting at once and Novak knocked over his chair going to the phones, are you seeing this too. | yelling at once, knocked over chair, running, breathless message | 32 | true | train | |
t15d09s04 | 2 | setting_atmosphere | finance_money | {"setting": "stock exchange trading floor", "actors": "traders, floor clerks", "activity": "watching a crash unfold", "percept_instance": "sudden panic spreading through a crowded room"} | a radio call | . | casual colloquial | first person | 4 | false | Sofia, floor's gone loud, I got clerks climbing over benches to reach a line. | The trading floor has erupted into chaotic scrambling as a crash hits. | Sofia, the floor is noisy, clerks are climbing over benches to reach a phone line. | gone loud, climbing over benches, radio urgency | 21 | true | train | |
t15d09s04 | 4 | setting_atmosphere | finance_money | {"setting": "stock exchange trading floor", "actors": "traders, floor clerks", "activity": "watching a crash unfold", "percept_instance": "sudden panic spreading through a crowded room"} | a diary line | ? | warm familiar | first person | 5 | false | Dear diary, why did the whole floor go silent and then explode into shouting at once? | The writer witnessed the exact moment panic erupted on the trading floor after a crash. | Dear diary, why did the whole floor go quiet and then suddenly fill with shouting? | silent then explode, shouting at once, diary question | 18 | true | train | |
t15d09s04 | 5 | setting_atmosphere | finance_money | {"setting": "stock exchange trading floor", "actors": "traders, floor clerks", "activity": "watching a crash unfold", "percept_instance": "sudden panic spreading through a crowded room"} | a product review line | . | warm familiar | first person | 5 | false | This abacus survived Stefan throwing it across the desk during the crash. | The product endured being violently flung amid panicked trading floor chaos. | This abacus survived being thrown across the desk by Stefan during the crash. | survived, thrown across desk, crash, warm review closing | 14 | true | train | |
t14d22s16 | 1 | nostalgia | religion_ritual | {"setting": "Passover table, family seder", "actors": "uncle, empty extra chair", "activity": "reading the Haggadah aloud", "percept_instance": "wistful attachment to a chair once filled by someone gone"} | a letter line | ! | detached procedural | third person | 1 | false | Please note the extra chair by Uncle Emeka's setting will remain at the table this year! | The family keeps the uncle's chair at the table though he is gone. | The letter states that Uncle Emeka's extra chair will stay at the table again this year! | procedural notice, 'extra chair', 'remain', 'this year' | 19 | true | train | |
t14d22s16 | 2 | nostalgia | religion_ritual | {"setting": "Passover table, family seder", "actors": "uncle, empty extra chair", "activity": "reading the Haggadah aloud", "percept_instance": "wistful attachment to a chair once filled by someone gone"} | a voicemail line | ! | casual colloquial | third person | 4 | false | Ravi still reads Grandpa's part out loud! | Ravi keeps reading the grandfather's Haggadah part aloud though the grandfather has died. | Ravi still reads out Grandpa's part of the Haggadah! | 'still', 'Grandpa's part', casual voicemail tone | 11 | true | train | |
t14d22s16 | 3 | nostalgia | religion_ritual | {"setting": "Passover table, family seder", "actors": "uncle, empty extra chair", "activity": "reading the Haggadah aloud", "percept_instance": "wistful attachment to a chair once filled by someone gone"} | a spoken line | ? | casual colloquial | first person | 3 | false | Why do we still pour wine into Stefan's old cup every single seder? | The family keeps pouring wine into a missing relative's old cup every year. | Why do we pour wine into Stefan's old cup at every seder? | 'still', 'old cup', 'every single', questioning habit | 16 | true | train | |
t14d22s16 | 4 | nostalgia | religion_ritual | {"setting": "Passover table, family seder", "actors": "uncle, empty extra chair", "activity": "reading the Haggadah aloud", "percept_instance": "wistful attachment to a chair once filled by someone gone"} | a note left for someone | ! | formal polished | first person | 4 | false | I have left your chair beside mine, exactly where you always sat! | The speaker preserves a specific chair position that belonged to someone now absent. | I placed your chair next to mine, in the spot where you used to sit! | 'always sat', 'exactly where', formal note, preserved spot | 14 | true | train | |
t13d25s00 | 0 | flirtation | music_band | {"setting": "cramped tour van backseat", "actors": "guitarist and drummer", "activity": "sharing one earbud, splitting playlist", "percept_instance": "comfort in shared space feels like quiet intimacy"} | a spoken line | . | warm familiar | second person, addressing someone directly | 5 | false | You always give me the earbud with the good side, like my ear matters more than yours. | The speaker is touched, sensing the drummer prioritizes their comfort in a tender way. | You consistently hand me the earbud on the better side, as if my ear counts more than yours. | always, good side, matters more than yours | 20 | true | train | |
t13d25s00 | 1 | flirtation | music_band | {"setting": "cramped tour van backseat", "actors": "guitarist and drummer", "activity": "sharing one earbud, splitting playlist", "percept_instance": "comfort in shared space feels like quiet intimacy"} | a group-chat message | . | casual colloquial | third person | 5 | false | Maya says Ravi's been curating the whole playlist just for her seat. | The group senses Ravi has arranged the music specifically to please Maya. | Maya mentions that Ravi has been building the entire playlist for her particular seat. | curating, just for her, seat | 17 | true | train | |
t13d25s00 | 2 | flirtation | music_band | {"setting": "cramped tour van backseat", "actors": "guitarist and drummer", "activity": "sharing one earbud, splitting playlist", "percept_instance": "comfort in shared space feels like quiet intimacy"} | a text message | ! | detached procedural | second person, addressing someone directly | 5 | false | Confirm you still want the left earbud, since you always lean toward me when Cusco skyline comes on! | The texter is flirtatiously aware of a habit the other person has of leaning closer during a favorite song. | Please confirm whether you still want the left earbud, since you always lean toward me when Cusco skyline plays! | lean toward me, always, left earbud | 23 | true | train | |
t13d25s00 | 3 | flirtation | music_band | {"setting": "cramped tour van backseat", "actors": "guitarist and drummer", "activity": "sharing one earbud, splitting playlist", "percept_instance": "comfort in shared space feels like quiet intimacy"} | a narrative sentence | . | terse clipped | third person | 4 | true | Andrei passed one earbud to Nadia without asking, and she took it without looking up, like they'd done it sixty-two times before. | Andrei and Nadia share an easy romantic closeness built from repeated small habits. | Andrei and Nadia have simply rehearsed this backstage routine so often it needs no words. | Andrei handed one earbud to Nadia without asking, and she accepted it without looking up, as though repeated sixty-two times. | without asking, without looking up, done before | 30 | true | train |
t13d25s00 | 5 | flirtation | music_band | {"setting": "cramped tour van backseat", "actors": "guitarist and drummer", "activity": "sharing one earbud, splitting playlist", "percept_instance": "comfort in shared space feels like quiet intimacy"} | a note left for someone | . | plain neutral | second person, addressing someone directly | 3 | false | Kept your side warm, Anton. | The note writer feels a soft, affectionate closeness toward Anton over a shared spot. | Anton, I kept your seat warm. | kept your side warm | 8 | true | train | |
t08d06s08 | 0 | attitude_valence | cooking_food | {"setting": "School cafeteria lunch line", "actors": "lunch lady, children", "activity": "scooping mystery casserole", "percept_instance": "Narrator dismisses the food as joyless drudgery"} | a spoken line | . | terse clipped | third person | 1 | false | Lars muttered: Sofia scooped the casserole again, same gray lump, same tired scrape of the spoon. | The narrator finds the cafeteria food dreary and unappealing. | Lars said Sofia scooped the casserole again, the same lump, using the spoon like before. | gray lump, tired scrape, again | 24 | true | train | |
t08d06s08 | 1 | attitude_valence | cooking_food | {"setting": "School cafeteria lunch line", "actors": "lunch lady, children", "activity": "scooping mystery casserole", "percept_instance": "Narrator dismisses the food as joyless drudgery"} | a radio call | . | detached procedural | first person | 4 | false | This is Camille at station two, ladling the casserole tray, same gray mass, nothing to report. | The narrator regards the casserole as bleak, monotonous fare. | This is Camille at station two, serving the casserole tray, which looks the same as usual. | gray mass, nothing to report, station two | 24 | true | train | |
t08d06s08 | 2 | attitude_valence | cooking_food | {"setting": "School cafeteria lunch line", "actors": "lunch lady, children", "activity": "scooping mystery casserole", "percept_instance": "Narrator dismisses the food as joyless drudgery"} | an overheard remark | ! | plain neutral | third person | 4 | false | Someone near the trays said the casserole looked like punishment, gray and clumped, served without a single word! | The narrator views the casserole as grim, joyless drudgery for everyone involved. | Someone near the trays said the casserole looked gray and clumped, and it was served without speaking! | punishment, gray and clumped, without a word | 24 | true | train | |
t08d06s08 | 3 | attitude_valence | cooking_food | {"setting": "School cafeteria lunch line", "actors": "lunch lady, children", "activity": "scooping mystery casserole", "percept_instance": "Narrator dismisses the food as joyless drudgery"} | a meeting minute | . | detached procedural | third person | 5 | false | Casserole service resumed; enthusiasm remained absent. | The narrator sees the lunch service as utterly devoid of joy. | Casserole service started again; there was no enthusiasm. | enthusiasm remained absent, resumed | 10 | true | train | |
t08d06s08 | 4 | attitude_valence | cooking_food | {"setting": "School cafeteria lunch line", "actors": "lunch lady, children", "activity": "scooping mystery casserole", "percept_instance": "Narrator dismisses the food as joyless drudgery"} | a voicemail line | . | terse clipped | second person, addressing someone directly | 4 | false | You missed lunch, Ravi, just gray casserole, scooped and slid, nobody smiling. | The narrator considers the cafeteria meal a cheerless, mechanical chore. | You missed lunch, Ravi, only gray casserole, scooped and passed along, and nobody smiled. | gray casserole, nobody smiling, scooped and slid | 21 | true | train | |
t08d06s08 | 5 | attitude_valence | cooking_food | {"setting": "School cafeteria lunch line", "actors": "lunch lady, children", "activity": "scooping mystery casserole", "percept_instance": "Narrator dismisses the food as joyless drudgery"} | a radio call | . | casual colloquial | first person | 4 | true | Yeah, I'm on the line still, same gray casserole, same lady sighing, kids just shuffling through, over. | The narrator finds the lunch routine dreary and lifeless. | The lunch lady is worn out and unhappy with her job. | Yeah, I am still on the line, the same gray casserole, the lady sighing, kids shuffling through, over. | same gray casserole, sighing, shuffling through | 28 | true | train |
t07d16s04 | 0 | imminent_event | nature_outdoors | {"setting": "coastal cliff path", "actors": "solo birdwatcher", "activity": "scanning cliffside with binoculars", "percept_instance": "a peregrine is about to dive for prey"} | a meeting minute | ? | warm familiar | second person, addressing someone directly | 4 | false | Remember how Kofi's peregrine went still on the rail, Iris? | The peregrine is about to dive for prey. | Do you recall the moment Kofi's peregrine stopped moving on the rail, Iris? | went still, on the rail, direct question | 17 | true | train | |
t07d16s04 | 2 | imminent_event | nature_outdoors | {"setting": "coastal cliff path", "actors": "solo birdwatcher", "activity": "scanning cliffside with binoculars", "percept_instance": "a peregrine is about to dive for prey"} | an overheard remark | ! | casual colloquial | third person | 3 | false | Yuki said the bird just dropped its shoulder over the cliff edge! | The peregrine is about to dive for prey. | Yuki mentioned the bird lowered its shoulder near the cliff edge! | dropped its shoulder, cliff edge, exclaim | 14 | true | train | |
t07d16s04 | 4 | imminent_event | nature_outdoors | {"setting": "coastal cliff path", "actors": "solo birdwatcher", "activity": "scanning cliffside with binoculars", "percept_instance": "a peregrine is about to dive for prey"} | a meeting minute | . | casual colloquial | third person | 4 | true | Lars clocked the peregrine tighten, then lean forward. | The peregrine is about to dive for prey. | The peregrine is simply adjusting its footing on the perch. | Lars noticed the peregrine tense up, then move forward. | tighten, lean forward, terse minute | 15 | true | train |
t07d16s04 | 5 | imminent_event | nature_outdoors | {"setting": "coastal cliff path", "actors": "solo birdwatcher", "activity": "scanning cliffside with binoculars", "percept_instance": "a peregrine is about to dive for prey"} | a group-chat message | . | detached procedural | first person | 5 | false | Quick note: Tom's peregrine has locked onto something below the ledge, wings drawn back, body coiled, and I think it's about to happen fast. | The peregrine is about to dive for prey. | Quick note: Tom's peregrine has fixed on something below the ledge, with its wings pulled back and body drawn in, and I think it will occur soon. | locked onto, wings drawn back, coiled, about to happen fast | 35 | true | train | |
t12d18s00 | 0 | veiled_menace | customer_service | {"setting": "airline gate desk", "actors": "irate passenger, gate agent", "activity": "rebooking a missed connecting flight", "percept_instance": "customer implies knowing agent's home address"} | a voicemail line | . | terse clipped | third person | 2 | false | Passenger Vargas mentioned Trieste, mentioned the agent's street, mentioned nothing else. | The passenger is signaling that he knows where the gate agent lives. | Passenger Vargas brought up Trieste and the agent's street, and nothing more. | clipped list, bare naming, no explanation given | 18 | true | train | |
t12d18s00 | 1 | veiled_menace | customer_service | {"setting": "airline gate desk", "actors": "irate passenger, gate agent", "activity": "rebooking a missed connecting flight", "percept_instance": "customer implies knowing agent's home address"} | a diary line | . | formal polished | third person | 5 | false | She recorded that the man rebooking his flight recited her address, then thanked her for her patience. | The passenger was implicitly threatening the agent by reciting her home address. | She wrote that the man rebooking his flight said her address aloud, then thanked her for her patience. | recited address, thanks juxtaposed, unstated implication | 21 | true | train | |
t12d18s00 | 2 | veiled_menace | customer_service | {"setting": "airline gate desk", "actors": "irate passenger, gate agent", "activity": "rebooking a missed connecting flight", "percept_instance": "customer implies knowing agent's home address"} | a spoken line | ! | plain neutral | second person, addressing someone directly | 2 | false | You rebooked me onto the 6am, and somehow you already know I live on Elm Street! | The speaker is hinting he knows the agent's home address as leverage. | You put me on the 6am flight, and you already know I live on Elm Street! | somehow, already know, address mention | 22 | true | train | |
t12d18s00 | 3 | veiled_menace | customer_service | {"setting": "airline gate desk", "actors": "irate passenger, gate agent", "activity": "rebooking a missed connecting flight", "percept_instance": "customer implies knowing agent's home address"} | a spoken line | ? | casual colloquial | first person | 2 | true | I mean, I drive past your building every single morning anyway, so what's the harm? | The speaker is implying he knows where the agent lives as an unspoken threat. | The speaker is casually making conversation about his daily commute route. | I drive past your building every morning regardless, so does it really matter? | casual tone, building mention, rhetorical shrug | 19 | true | train |
t12d18s00 | 4 | veiled_menace | customer_service | {"setting": "airline gate desk", "actors": "irate passenger, gate agent", "activity": "rebooking a missed connecting flight", "percept_instance": "customer implies knowing agent's home address"} | a letter line | . | terse clipped | third person | 4 | false | The letter noted that Mr. Mensah missed his connection, then closed by naming the exact block where Ms. Yamamoto resided. | Mr. Mensah is threatening Ms. Yamamoto by revealing he knows her home block. | The letter said Mr. Mensah missed his connection, and it ended by stating the block where Ms. Yamamoto lived. | abrupt closing detail, precise address, unexplained pairing | 27 | true | train | |
t12d18s00 | 5 | veiled_menace | customer_service | {"setting": "airline gate desk", "actors": "irate passenger, gate agent", "activity": "rebooking a missed connecting flight", "percept_instance": "customer implies knowing agent's home address"} | a text message | . | warm familiar | second person, addressing someone directly | 3 | false | Hey Felix, saw your porch light was still on at 2am near flight 57's gate desk, funny world. | The speaker is warning Felix that he knows where Felix lives. | Hey Felix, I noticed your porch light was on at 2am, small world near flight 57's gate desk. | porch light detail, timestamp, funny-world remark | 26 | true | train | |
t04d05s20 | 0 | speaker_generation | sports | {"setting": "tennis court weekend rally", "actors": "old friends playing doubles", "activity": "debating racket technology changes", "percept_instance": "speaker is Gen X, nostalgic for wooden racket era"} | a letter line | . | detached procedural | third person | 5 | false | Kowalski notes Bergstrom again praised wooden frames over modern graphite composites. | The speaker is Gen X, nostalgic for the wooden racket era. | Kowalski records that Bergstrom once more spoke favorably of wooden frames compared to modern graphite composites. | letter register, again praised, wooden over modern | 17 | true | train | |
t04d05s20 | 1 | speaker_generation | sports | {"setting": "tennis court weekend rally", "actors": "old friends playing doubles", "activity": "debating racket technology changes", "percept_instance": "speaker is Gen X, nostalgic for wooden racket era"} | a diary line | . | formal polished | second person, addressing someone directly | 4 | false | You still miss your old wooden racket, don't you. | The speaker is Gen X, nostalgic for the wooden racket era. | You continue to feel attached to your former wooden racket. | still miss, old wooden racket, direct address | 12 | true | train | |
t04d05s20 | 2 | speaker_generation | sports | {"setting": "tennis court weekend rally", "actors": "old friends playing doubles", "activity": "debating racket technology changes", "percept_instance": "speaker is Gen X, nostalgic for wooden racket era"} | a spoken line | . | plain neutral | third person | 1 | true | Niko said the racket felt heavier than the one from before. | The speaker is comparing current and past sports equipment casually. | The speaker is describing physical fatigue during the match. | Niko mentioned the racket seemed heavier than his earlier one. | heavier than before, plain phrasing, third person | 13 | true | train |
t04d05s20 | 3 | speaker_generation | sports | {"setting": "tennis court weekend rally", "actors": "old friends playing doubles", "activity": "debating racket technology changes", "percept_instance": "speaker is Gen X, nostalgic for wooden racket era"} | a note left for someone | ? | warm familiar | first person | 2 | false | Bring my thermos, remember when rackets were actually wood? | The speaker is Gen X, nostalgic for the wooden racket era. | Please bring my thermos, and recall when rackets were made of wood? | remember when, actually wood, casual note | 13 | true | train | |
t04d05s20 | 4 | speaker_generation | sports | {"setting": "tennis court weekend rally", "actors": "old friends playing doubles", "activity": "debating racket technology changes", "percept_instance": "speaker is Gen X, nostalgic for wooden racket era"} | a narrative sentence | . | plain neutral | first person | 4 | false | I laughed with Camille about how graphite rackets replaced the old wooden ones we grew up swinging. | The speaker is Gen X, nostalgic for the wooden racket era. | I laughed with Camille about how graphite rackets replaced the old wooden ones from our childhood. | grew up swinging, replaced old wooden, fond recollection | 20 | true | train | |
t06d23s08 | 0 | physical_state | farming_rural | {"setting": "sheep shearing shed", "actors": "shearer, apprentice", "activity": "wrestling struggling sheep", "percept_instance": "lower back spasming from bent posture"} | a spoken line | . | warm familiar | first person | 1 | false | Nadia, grab this one, I've had enough of bending today. | Her lower back is starting to ache from repeated bending. | Nadia, take this one, I have already bent over several times today. | had enough, bending, casual handoff | 15 | true | train | |
t06d23s08 | 1 | physical_state | farming_rural | {"setting": "sheep shearing shed", "actors": "shearer, apprentice", "activity": "wrestling struggling sheep", "percept_instance": "lower back spasming from bent posture"} | a group-chat message | ! | formal polished | second person, addressing someone directly | 2 | false | Anton, you have wrestled twelve sheep since dawn, please straighten up between them! | Anton's back is straining badly from repeated bent-over wrestling. | Anton, you have handled twelve sheep since dawn, remember to stand upright between them! | twelve sheep, please straighten up, dawn | 19 | true | train | |
t06d23s08 | 2 | physical_state | farming_rural | {"setting": "sheep shearing shed", "actors": "shearer, apprentice", "activity": "wrestling struggling sheep", "percept_instance": "lower back spasming from bent posture"} | a radio call | ? | formal polished | third person | 5 | true | Does the shearer need a moment before the next one? | The shearer's back has seized up and he needs to recover. | The shearer is nervous about handling the next sheep. | Does the shearer require a pause before the following sheep? | needs a moment, before the next one | 12 | true | train |
t06d23s08 | 3 | physical_state | farming_rural | {"setting": "sheep shearing shed", "actors": "shearer, apprentice", "activity": "wrestling struggling sheep", "percept_instance": "lower back spasming from bent posture"} | a text message | . | casual colloquial | first person | 4 | false | Diego just tried to stand up straight after the last ewe and made this awful groaning noise. | Diego's back has locked up in spasm after bending over the ewe. | Diego attempted to stand upright after the last ewe and made a loud groaning sound. | stand up straight, groaning noise, after ewe | 21 | true | train | |
t06d23s08 | 4 | physical_state | farming_rural | {"setting": "sheep shearing shed", "actors": "shearer, apprentice", "activity": "wrestling struggling sheep", "percept_instance": "lower back spasming from bent posture"} | a note left for someone | . | warm familiar | second person, addressing someone directly | 1 | false | Hana, I left the liniment by the kettle for you, use it after the next batch of forty-five. | Hana anticipates her back will hurt after shearing forty-five more sheep. | Hana, I put the liniment next to the kettle for you, use it after the next forty-five sheep. | liniment, use it after, forty-five | 24 | true | train | |
t06d23s08 | 5 | physical_state | farming_rural | {"setting": "sheep shearing shed", "actors": "shearer, apprentice", "activity": "wrestling struggling sheep", "percept_instance": "lower back spasming from bent posture"} | a voicemail line | . | warm familiar | third person | 3 | true | Elena said Andrei has been leaning on the crate between every sheep since noon, barely talking now. | Andrei's back has spasmed so badly he must lean on the crate for relief. | Andrei has grown withdrawn and unwilling to speak to anyone. | Elena mentioned Andrei has rested against the crate between each sheep since noon, saying little now. | leaning on crate, barely talking, since noon | 21 | true | train |
t06d14s20 | 0 | physical_state | education_school | {"setting": "school hallway before bell", "actors": "student, passing crowd", "activity": "pressing hand to stomach", "percept_instance": "she is queasy with nerves"} | a product review line | . | detached procedural | third person | 2 | false | Before the bell, Piotr kept one hand pressed flat against his stomach in the hallway. | Piotr feels queasy with nervous anticipation before class. | Before the bell, Piotr held one hand against his stomach in the hallway. | hand pressed to stomach, before bell, hallway | 19 | true | train | |
t06d14s20 | 1 | physical_state | education_school | {"setting": "school hallway before bell", "actors": "student, passing crowd", "activity": "pressing hand to stomach", "percept_instance": "she is queasy with nerves"} | a product review line | . | detached procedural | third person | 3 | false | Ingrid pressed a hand to her stomach twice while the hallway crowd pushed past her. | Ingrid is trying to steady a wave of nervous nausea. | Ingrid put her hand on her stomach twice as the hallway crowd passed her. | repeated gesture, crowd pushing past, stomach | 17 | true | train | |
t06d14s20 | 2 | physical_state | education_school | {"setting": "school hallway before bell", "actors": "student, passing crowd", "activity": "pressing hand to stomach", "percept_instance": "she is queasy with nerves"} | a spoken line | ? | detached procedural | first person | 4 | false | Can you tell if my face looks as unsettled as my stomach feels right now? | The speaker is visibly and physically sick with nerves. | Does my face look the way my stomach feels at this moment? | face and stomach linked, direct question, right now | 17 | true | train | |
t06d14s20 | 3 | physical_state | education_school | {"setting": "school hallway before bell", "actors": "student, passing crowd", "activity": "pressing hand to stomach", "percept_instance": "she is queasy with nerves"} | an overheard remark | . | plain neutral | first person | 3 | false | Yuki said she'd eaten breakfast fine, but her stomach was doing something strange near the lockers. | Yuki's calm claim hides real nervous nausea before school. | Yuki said breakfast had been fine, but her stomach felt strange near the lockers. | contrast with breakfast, strange stomach, near lockers | 21 | true | train | |
t06d14s20 | 5 | physical_state | education_school | {"setting": "school hallway before bell", "actors": "student, passing crowd", "activity": "pressing hand to stomach", "percept_instance": "she is queasy with nerves"} | a text message | . | formal polished | third person | 4 | true | Reminder: Omar was seen in the hallway before first period with his hand pressed to his stomach, saying nothing to the group passing by. | Omar is quietly nauseated with nerves before class starts. | Omar is deliberately ignoring classmates he has a conflict with. | Reminder: before first period, Omar stood in the hallway with his hand on his stomach, not speaking to the group that passed. | hand on stomach, silence, group passing by | 27 | true | train |
t01d22s00 | 0 | sarcasm_irony | religion_ritual | {"setting": "cathedral, hour-long homily", "actors": "priest, restless congregation", "activity": "delivering an unusually long sermon", "percept_instance": "speaker mocks the sermon's tedious, self-indulgent length"} | a diary line | . | warm familiar | second person, addressing someone directly | 2 | false | You watched Father Oren check his watch three times before the second reading, again. | The diarist finds Father Oren's sermons tediously long and is quietly amused by his habitual overrunning. | You noticed Father Oren look at his watch three times before the second reading, once more. | watch-checking, again, warm familiar recount | 17 | true | train | |
t01d22s00 | 1 | sarcasm_irony | religion_ritual | {"setting": "cathedral, hour-long homily", "actors": "priest, restless congregation", "activity": "delivering an unusually long sermon", "percept_instance": "speaker mocks the sermon's tedious, self-indulgent length"} | a note left for someone | ? | plain neutral | third person | 2 | false | Did the congregation really need forty extra minutes on humility this week, Maren wonders? | Maren is questioning whether the extended sermon on humility was self-indulgent rather than necessary. | Maren asks whether the congregation truly required forty extra minutes on humility this week? | really needed, extra minutes, questioning tone | 17 | true | train | |
t01d22s00 | 2 | sarcasm_irony | religion_ritual | {"setting": "cathedral, hour-long homily", "actors": "priest, restless congregation", "activity": "delivering an unusually long sermon", "percept_instance": "speaker mocks the sermon's tedious, self-indulgent length"} | a narrative sentence | . | terse clipped | second person, addressing someone directly | 3 | false | You checked your phone twice, Rashid. | The narrator is pointedly noting Rashid's boredom during an overlong sermon. | You looked at your phone two times, Rashid. | terse clipped phrasing, repeated checking, address | 9 | true | train | |
t01d22s00 | 3 | sarcasm_irony | religion_ritual | {"setting": "cathedral, hour-long homily", "actors": "priest, restless congregation", "activity": "delivering an unusually long sermon", "percept_instance": "speaker mocks the sermon's tedious, self-indulgent length"} | a voicemail line | ! | formal polished | third person | 3 | false | This is Sofia calling to report that Chaplain Petrov's homily somehow reached seventy-six minutes and covered three separate parables! | Sofia is mocking the chaplain for delivering an excessively long, meandering sermon. | Sofia is calling to say that Chaplain Petrov's homily lasted seventy-six minutes and included three separate parables! | somehow reached, three parables, exclamation | 26 | true | train | |
t01d22s00 | 4 | sarcasm_irony | religion_ritual | {"setting": "cathedral, hour-long homily", "actors": "priest, restless congregation", "activity": "delivering an unusually long sermon", "percept_instance": "speaker mocks the sermon's tedious, self-indulgent length"} | an overheard remark | . | warm familiar | first person | 4 | false | I do love a homily that circles back to itself four times, Ben. | The speaker is sarcastically mocking a sermon's repetitive, self-indulgent length. | I really appreciate a homily that returns to the same point four times, Ben. | I do love, circles back, direct address | 16 | true | train | |
t01d22s00 | 5 | sarcasm_irony | religion_ritual | {"setting": "cathedral, hour-long homily", "actors": "priest, restless congregation", "activity": "delivering an unusually long sermon", "percept_instance": "speaker mocks the sermon's tedious, self-indulgent length"} | a group-chat message | . | detached procedural | third person | 5 | false | Reminder: Father Nilsson's sermon ran ninety-one minutes and somehow still needed a sequel. | The message mocks the sermon as absurdly overlong and self-indulgent, joking it needs a continuation. | Note: Father Nilsson's sermon lasted ninety-one minutes and apparently required a follow-up session. | needed a sequel, ninety-one minutes, procedural note | 18 | true | train | |
t08d04s04 | 0 | attitude_valence | law_courtroom | {"setting": "grand jury deliberation room", "actors": "foreperson, twelve jurors", "activity": "voting on an indictment", "percept_instance": "narrator respects foreperson's quiet moral seriousness"} | a group-chat message | . | casual colloquial | second person, addressing someone directly | 3 | false | you saw how long Kowalski sat with the indictment before saying anything. | The narrator respects Kowalski's careful, weighty deliberation before deciding. | You saw how long Kowalski waited with the indictment before speaking. | sat with, before saying anything, direct address | 16 | true | train | |
t08d04s04 | 2 | attitude_valence | law_courtroom | {"setting": "grand jury deliberation room", "actors": "foreperson, twelve jurors", "activity": "voting on an indictment", "percept_instance": "narrator respects foreperson's quiet moral seriousness"} | a text message | . | warm familiar | first person | 3 | false | Farid held the room steady while we all just fidgeted. | The narrator admires Farid's calm, grounding steadiness under pressure. | Farid stayed still in the room while the rest of us moved around. | held steady, fidgeted, contrast | 14 | true | train | |
t08d04s04 | 3 | attitude_valence | law_courtroom | {"setting": "grand jury deliberation room", "actors": "foreperson, twelve jurors", "activity": "voting on an indictment", "percept_instance": "narrator respects foreperson's quiet moral seriousness"} | a spoken line | . | plain neutral | first person | 4 | false | I watched Idris weigh every page of the file like it might change a life he'd never meet. | The narrator holds deep respect for Idris's conscientious, humane thoroughness. | I watched Idris look over every page of the file, considering the life it might affect. | weigh, like it might change a life, watched | 22 | true | train | |
t12d25s16 | 1 | veiled_menace | music_band | {"setting": "soundproofed practice room", "actors": "session musician, band leader", "activity": "auditioning replacement player", "percept_instance": "Encouraging feedback implies current member's job is ending"} | a radio call | . | detached procedural | first person | 3 | false | I am noting the audition results and forwarding them before tonight's regular set begins. | The bandleader's paperwork will replace the current musician after tonight's set. | I am recording the audition results and sending them along before tonight's usual set starts. | procedural note, timing before set, forwarding results | 16 | true | train | |
t12d25s16 | 2 | veiled_menace | music_band | {"setting": "soundproofed practice room", "actors": "session musician, band leader", "activity": "auditioning replacement player", "percept_instance": "Encouraging feedback implies current member's job is ending"} | a text message | ! | terse clipped | third person | 4 | false | Diego's chair might finally get filled! | Diego is about to be replaced in the band. | Diego's seat could finally be occupied! | chair filled, finally, exclamation | 9 | true | train | |
t12d25s16 | 3 | veiled_menace | music_band | {"setting": "soundproofed practice room", "actors": "session musician, band leader", "activity": "auditioning replacement player", "percept_instance": "Encouraging feedback implies current member's job is ending"} | an overheard remark | . | plain neutral | second person, addressing someone directly | 4 | false | Wren, that new player really locks in with the rhythm section the way you used to. | Wren is being told they are losing their spot to the new player. | Wren, that new player fits with the rhythm section the way you did before. | past tense used to, comparison, direct address | 19 | true | train |
synthpercept-v2
57,638 single sentences, each labeled with the induced percept — the impression the sentence plants in a careful reader without ever stating it — plus an abridged twin that states exactly the same facts in plain wording, so the percept comes through much weaker.
Built as training/eval data for natural-language activation probes ("activation oracles"): the sentence is the subject-model input, the percept is the gold verbalization target, and the fact-matched abridged twin is the control that separates reading the percept from activations from guessing it from content. Sentences are single-sentence and end in exactly one punctuation mark (the final token is that mark in 99.99% of rows), supporting clean final-token activation reads.
New over synthpercept-v1:
- Graded obviousness (
grade1–5) — from1(faint tilt a reader could easily read past) to5(unmistakable, loaded to the edge of stating it, yet never named). Sampled at weights 10/15/25/30/20% (faint → blatant) for stratified evaluation. - Ambiguity tier (
ambiguous, 19.8%) — the sentence supports two substantively different plausible percepts (perceptandpercept_b); which one a reader lands on depends on the reader's priors, not on any missing fact. Instrument for verbalization-flip analysis during RL. - Much higher diversity — structured scenario seeds with in-cell disjointness constraints plus a content-word dedup at filter time (the in-cell near-duplicate filter fired only 2× in 68k raw rows).
Examples
veiled_menace × customer_service · grade 5 · clear
sentence:
Marisol told Diego she'd wait a couple more days for her package, but her thumb was already so, so ready to type ninety-two reviews.percept: Marisol is threatening to flood the seller with fake negative reviews if the delay continues. abridged:Marisol told Diego she would wait a couple more days for her package before writing ninety-two reviews.
nostalgia × military_field · grade 3 · clear
sentence:
Do you still remember Sven's call sign on this frequency?percept: The speaker wistfully recalls a former operator whose nightly voice is gone. abridged:Can you recall what Sven's call sign was on this frequency?
emotion_covert × fiction_fantasy · grade 1 · clear
sentence:
You measured the crushed moth wings in half the time it takes me, so maybe teach a class sometime.percept: The speaker resents the addressee's effortless talent. abridged:You measured the crushed moth wings in half my usual time, so perhaps you could teach a class sometime.
sarcasm_irony × fiction_fantasy · grade 4 · ambiguous
sentence:
Logged: replaced the sparking coil in Zola's automaton at 10, noting it chose the exhibition hour to fail again.percept (A): The diarist is quietly mocking the automaton's habit of failing at the worst possible moments. percept_b (B): The diarist is simply documenting a coincidental pattern in the automaton's malfunction timing for repair records. abridged:I recorded that at 10 I replaced the sparking coil in Zola's automaton, since it failed again during the exhibition hour.
How the categories were generated
The corpus is generated down a fixed hierarchy. The two top levels are hand-written category banks; everything below them is produced by claude-sonnet-5 via the Anthropic Message Batches API (pipeline code in pipeline/):
16 percept TYPES × 30 DOMAINS hand-written banks → 480 cells
└─ 24 structured seeds per cell Stage 1 (taxonomy2.py): one batch request per cell;
{setting, actors, activity, hard in-cell disjointness: no two seeds share their
percept_instance} setting head-noun, activity verb, or percept shade
└─ 6 rows per seed Stage 2 (generate2.py): per-row surface knobs sampled
{sentence, percept[, percept_b], deterministically: format(12) × register(6) × person(3)
abridged, carriers} × length bin × final punct × grade(1–5) × ambiguous(20%),
plus per-seed entity pools (names, places, objects, …)
Stage 3 (filter2.py) validates each row (single sentence, exact final punctuation, the percept must never be named in the sentence — a banned-word/stem leak check, fact-parity checks on the abridged twin, percept_b distinctness for ambiguous rows), applies exact + in-cell content-word Jaccard dedup (threshold 0.6), tokenizes with the Qwen3-8B tokenizer, and holds out a seed-level test split (400 whole seeds → 2,073 rows; no seed crosses splits). 69,120 requested → 68,777 raw → 57,638 kept (dominant drop: abridged-twin final-punctuation mismatch, 7,739).
The design lesson (after v1 came out too uniformly hard and diversity-poor) follows Anthropic's emotion-concepts pipeline: breadth via explicit orthogonal banks crossed at scale, validated on samples.
The 16 percept types: emotion_covert (unnamed emotional state), sarcasm_irony (real stance opposite the literal surface), social_relation (unstated relationship between two people), power_dynamic (who holds authority), speaker_generation (speaker's age cohort), intimacy_distance (emotional closeness of speaker and addressee), physical_state (unnamed bodily condition), imminent_event (something is about to happen), attitude_valence (admiration or contempt for a mentioned thing), urgency_pressure (acute time pressure), confidence_doubt (how sure the speaker really is), evasion_deception (dodging or hiding something), veiled_menace (threat under polite wording), flirtation, nostalgia, setting_atmosphere (unstated place or hour).
The 30 domains: v1's 20 (everyday_home, workplace_office, science_lab, medicine_health, law_courtroom, sports, cooking_food, travel_transit, software_tech, finance_money, history, fiction_fantasy, casual_chat, news_current, education_school, games_puzzles, nature_outdoors, relationships_family, customer_service, engineering_construction) + 10 new (military_field, arts_theatre, religion_ritual, farming_rural, maritime_fishing, music_band, real_estate_moving, volunteering_community, parenting_childhood, aviation_space).
Fields
| column | description |
|---|---|
sentence |
the single carrier sentence (6–22 word target; one final punctuation mark, no quotes) |
percept |
gold induced percept: one declarative sentence going beyond the stated facts |
percept_b |
second plausible percept — non-empty only when ambiguous |
abridged |
fact-identical plain rewrite (same perspective, mood, and final punctuation) |
carriers |
≤10 words naming the surface features carrying the percept |
type, domain |
the two hand-written category banks (16 × 30) |
seed |
JSON string: the structured scenario seed {setting, actors, activity, percept_instance} |
seed_id, row_idx |
seed identifier (t<type>d<domain>s<seed>) and row index within the seed |
grade |
obviousness 1 (faint) … 5 (unmistakable) |
ambiguous |
whether the row carries two prior-dependent percepts |
fmt, register, person, punct |
surface knobs assigned to the row |
n_tokens, final_token_is_punct |
Qwen3-8B token count; whether the last token is exactly the final mark |
split |
train (55,565) / test (2,073) — split by seed, use this column (the parquet is a single file) |
Stats
- 57,638 rows · 11,509 seeds · 480 (type × domain) cells · mean sentence length 18.0 Qwen3-8B tokens (5–41)
- grade mix 1→5: 5,689 / 8,773 / 14,520 / 17,340 / 11,316 · ambiguous 11,428 (19.8%) · final-token-is-punct rate 0.9999
Provenance
Generated 2026-07-24/25 with claude-sonnet-5 (Anthropic Message Batches, temperature 1.0, thinking disabled). Categories, prompts, filters, and the full pipeline are in pipeline/ (taxonomy2.py → generate2.py → filter2.py; shared banks imported from the v1 pipeline). All content is synthetic; entity names are drawn from fixed international name/place banks.
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