rottentomatoes_id string | imdb_id string | video_id string | audio_description_us string | audio_description_uk string | subtitles string | sdh string | screenplay string | movie_duration string | video_start string | video_duration string |
|---|---|---|---|---|---|---|---|---|---|---|
paycheck | tt0338337 | OZGe_NtzzV7a | 1
00:00:02,890 --> 00:00:04,090
She rushes past Jemmy
2
00:00:04,090 --> 00:00:05,490
and wraps her arms around Jennings.
3
00:00:14,530 --> 00:00:17,570
Wolfe stands on the platform of the machine, calling up his own image.
4
00:00:21,450 --> 00:00:23,610
On screen, he sees himself on the platform.
5
00:00:25,930 ... | 1
00:00:15,690 --> 00:00:18,620
Wolfe puts his hand on the machine's glass dome,
2
00:00:18,620 --> 00:00:20,460
then brings up his own file.
3
00:00:24,680 --> 00:00:27,190
It shows him standing there on the platform.
4
00:00:27,650 --> 00:00:29,320
He presses more buttons.
5
00:00:44,370 --> 00:00:48,510
Rachel s... | 1
00:00:02,180 --> 00:00:04,240
Don't blame me.
2
00:00:05,150 --> 00:00:08,680
You and Michael would've lived
happily ever after, no memory wipe.
3
00:00:08,860 --> 00:00:11,220
He saw something he didn't like.
4
00:00:11,390 --> 00:00:14,830
He's the one who decided
he wanted to stop the program.
5
00:00:31,250 -... | 1
00:00:01,760 --> 00:00:03,440
Don't blame me.
2
00:00:04,560 --> 00:00:06,380
You and Michael...
It's okay.
3
00:00:06,400 --> 00:00:08,860
...would've lived happily
ever after, no memory wipe.
4
00:00:08,880 --> 00:00:11,400
He the one who saw
something he didn't like.
5
00:00:11,420 --> 00:00:14,200
He's the on... | null | 7179.68 | 6370.94 | 164.21 |
ray | tt0350258 | USLS560TLJJM | 1
00:00:03,360 --> 00:00:05,680
As the diminutive MC heads toward the bar,
2
00:00:05,720 --> 00:00:07,560
a dancer pours salt onto the stage
3
00:00:07,560 --> 00:00:08,960
and shuffles a few steps
4
00:00:09,160 --> 00:00:09,760
at the bar.
5
00:00:09,800 --> 00:00:11,040
A woman eyes Ray.
6
00:00:18,760 --> 00:... | 1
00:00:04,220 --> 00:00:05,180
The tiny compere.
2
00:00:05,220 --> 00:00:08,520
Oberon introduces a man in tails who sprinkles salt on the floor.
3
00:00:10,810 --> 00:00:12,650
Marlene, the club owners with Ray.
4
00:00:27,070 --> 00:00:28,910
Ray tucks into some food at the bar.
5
00:00:29,080 --> 00:00:32,710
... | 1
00:00:00,240 --> 00:00:03,270
Let's hear it
for Dancin' Al!
2
00:00:12,890 --> 00:00:16,220
Gossie's been cattin' around
with one of my waitresses
since he got here.
3
00:00:16,290 --> 00:00:19,420
He never told me
that his partner
was a blind 'Bama boy.
4
00:00:19,630 --> 00:00:21,930
Marlene,
Demurs just called.... | 1
00:00:00,240 --> 00:00:03,270
Let's hear it
for Dancin' Al!
2
00:00:04,540 --> 00:00:05,870
♪♪[Drums playing]
3
00:00:12,890 --> 00:00:16,220
Gossie's been cattin' around
with one of my waitresses
since he got here.
4
00:00:16,290 --> 00:00:19,420
He never told me
that his partner
was a blind 'Bama boy.
5
00:00:1... | null | 9140.90 | 467.04 | 140.16 |
ray | tt0350258 | 49_eHLrBnh4v | 1
00:00:15,850 --> 00:00:16,450
That's it.
2
00:00:16,490 --> 00:00:18,570
Marlene and Gossie, enter Ray.
3
00:01:00,460 --> 00:01:01,580
Marlene looks up.
4
00:01:03,980 --> 00:01:05,180
He holds up some cash.
5
00:01:25,870 --> 00:01:27,830
Marlene shakes her head angrily.
6
00:01:37,590 --> 00:01:39,270
Gossie ... | 1
00:00:15,990 --> 00:00:17,240
Marlene comes home.
2
00:00:33,730 --> 00:00:35,570
Ray swings the pan past Marlene.
3
00:01:03,340 --> 00:01:04,340
A wad of money.
4
00:01:25,630 --> 00:01:26,970
Marlene shakes her head.
5
00:01:37,360 --> 00:01:39,570
Gossie takes off his hat and squirms.
| 1
00:00:04,650 --> 00:00:06,620
Come on, Q.
It's not that complicated.
2
00:00:06,690 --> 00:00:08,020
Now let's just play it again.
3
00:00:08,090 --> 00:00:09,920
That's a B flat,
C 7, scale it up,
4
00:00:09,990 --> 00:00:11,930
and triple it off
the back end.
5
00:00:14,230 --> 00:00:16,390
Yeah, nigger!
Yeah, ... | 1
00:00:04,650 --> 00:00:06,620
(Ray)
Come on, Q.
It's not that complicated.
2
00:00:06,690 --> 00:00:08,020
Now let's just play it again.
3
00:00:08,090 --> 00:00:09,920
That's a B flat,
C 7, scale it up,
4
00:00:09,990 --> 00:00:11,920
and triple it off
the back end.
5
00:00:14,230 --> 00:00:16,390
Yeah, nigger!
... | null | 9140.90 | 969.54 | 138.07 |
ray | tt0350258 | vIe9JXLNvAWy | 1
00:00:04,610 --> 00:00:05,810
His pace slows,
2
00:00:05,810 --> 00:00:07,490
the leaves far ahead of him blur.
3
00:00:07,770 --> 00:00:10,690
The boy looks from the sharp focus of the leaves just in front of him,
4
00:00:10,690 --> 00:00:12,650
to the blurred field of green ahead.
5
00:00:13,250 --> 00:00:15,30... | 1
00:00:02,350 --> 00:00:03,850
The crops are higher than he is.
2
00:00:04,400 --> 00:00:06,690
He sways his head from side to side,
3
00:00:07,030 --> 00:00:08,320
then stops walking.
4
00:00:08,900 --> 00:00:11,160
He realises his vision is becoming blurred
5
00:00:11,450 --> 00:00:12,580
and sets off again.
6
... | 1
00:00:27,180 --> 00:00:30,200
Ray, come on, let me put
this salve on I got
from Dr. McLeod.
2
00:00:30,280 --> 00:00:31,810
No, I don't like it.
It stings.
3
00:00:31,880 --> 00:00:33,350
Boy, get up here.
4
00:00:33,920 --> 00:00:36,820
I paid a whole dollar for it.
It better work.
5
00:00:36,920 --> 00:00:39,39... | 1
00:00:13,560 --> 00:00:15,190
[clinking]
2
00:00:20,070 --> 00:00:21,660
[Rooster crowing]
3
00:00:27,170 --> 00:00:30,200
Ray, come on, let me put
this salve on I got
from Dr. McLeod.
4
00:00:30,280 --> 00:00:31,800
No, I don't like it.
It stings.
5
00:00:31,880 --> 00:00:33,350
Boy, get up here.
6
00:00:33,910... | null | 9140.90 | 2082.88 | 117.01 |
ray | tt0350258 | zxlaccPE_xUX | 1
00:00:12,850 --> 00:00:14,770
Sharing Ray's table in a neat cafe.
2
00:00:14,810 --> 00:00:16,490
Della looks to a sunny window.
3
00:00:16,530 --> 00:00:19,330
A hummingbird hovers at blossoms just outside.
4
00:00:22,530 --> 00:00:24,690
Ray sips a spoonful from his cup.
5
00:00:24,730 --> 00:00:26,810
Della re... | 1
00:00:14,240 --> 00:00:16,790
Della and Ray are sitting in the restaurant of his hotel.
2
00:00:16,870 --> 00:00:18,250
She turns to look out of the window
3
00:00:18,250 --> 00:00:19,670
and spots the hummingbird.
4
00:00:23,260 --> 00:00:25,140
Ray sips a spoonful from a cup.
5
00:00:25,180 --> 00:00:25,930
Del... | 1
00:00:00,010 --> 00:00:02,780
You sung tenor in
Jesus Is My Shepherd, right?
2
00:00:02,850 --> 00:00:04,080
Yes.
3
00:00:04,880 --> 00:00:06,650
How did you pick me out?
4
00:00:06,720 --> 00:00:09,710
Actually,
I... I hear like you see.
5
00:00:10,450 --> 00:00:13,510
Like that hummingbird
outside the window,
f... | 1
00:00:00,010 --> 00:00:02,770
You sung tenor in
Jesus Is My Shepherd, right?
2
00:00:02,840 --> 00:00:04,070
Yes.
3
00:00:04,880 --> 00:00:06,640
How did you pick me out?
4
00:00:06,710 --> 00:00:09,700
Actually,
l... I hear like you see.
5
00:00:10,450 --> 00:00:13,510
Like that hummingbird
outside the window,
f... | null | 9140.90 | 2810.85 | 117.42 |
ray | tt0350258 | p9U2P6IjNYdY | 1
00:00:16,790 --> 00:00:18,990
The coy one gapes at her hopping partners,
2
00:00:18,990 --> 00:00:20,030
then faces Ray.
3
00:00:58,640 --> 00:00:59,600
They shake hands.
4
00:01:01,400 --> 00:01:02,080
He feels her.
5
00:01:13,320 --> 00:01:15,120
Daytime words appear.
6
00:01:15,160 --> 00:01:16,760
Dallas, 19... | 1
00:00:54,940 --> 00:00:55,900
He offers his hand
2
00:00:55,900 --> 00:00:57,110
and feels her wrist.
3
00:01:05,850 --> 00:01:07,230
She withdraws her hand.
4
00:01:17,910 --> 00:01:20,040
The girls join hands and jump up and down.
| 1
00:00:00,420 --> 00:00:02,910
You know, I never
got a record
in one take before!
2
00:00:02,990 --> 00:00:04,820
You Cookies sound sweet.
Mmm-hmm.
3
00:00:04,890 --> 00:00:07,320
When it's happening, baby,
I mean, it just feels right.
4
00:00:07,390 --> 00:00:10,260
I know what you mean.
I got the shivers
in this ... | 1
00:00:00,410 --> 00:00:02,900
You know, I never
got a record
in one take before!
2
00:00:02,980 --> 00:00:04,810
You Cookies sound sweet.
Mmm-hmm.
3
00:00:04,880 --> 00:00:07,320
When it's happening, baby,
I mean, it just feels right.
4
00:00:07,390 --> 00:00:10,250
I know what you mean.
I got the shivers
in this ... | null | 9140.90 | 4604.00 | 80.39 |
ray | tt0350258 | Ib7WWLYd8BSM | 1
00:00:22,970 --> 00:00:25,010
Ahmet is Jerry who chews gum?
2
00:00:41,300 --> 00:00:42,940
Ahmet nods Jerry toward the door,
3
00:00:43,020 --> 00:00:44,220
then stays with Ray.
4
00:00:50,420 --> 00:00:51,140
Tom and Jerry.
| 1
00:00:00,290 --> 00:00:01,040
Cigarette?
2
00:00:22,960 --> 00:00:24,550
Jerry and Ahmet ponder.
3
00:00:40,500 --> 00:00:44,500
Ahmet size motion for Jerry to leave with Tom Tom.
| 1
00:00:00,890 --> 00:00:02,680
You know what, Ray,
you're probably right.
2
00:00:02,750 --> 00:00:03,950
I mean,
I'm sure you're right.
3
00:00:04,020 --> 00:00:05,820
I've never heard
a sound like this before.
4
00:00:05,890 --> 00:00:07,690
But how the hell are
we gonna market this?
5
00:00:07,760 --> 00:00:10,... | 1
00:00:00,880 --> 00:00:02,680
You know what, Ray,
you're probably right.
2
00:00:02,750 --> 00:00:03,940
I mean,
I'm sure you're right.
3
00:00:04,020 --> 00:00:05,810
I've never heard
a sound like this before.
4
00:00:05,890 --> 00:00:07,680
But how the hell are
we gonna market this?
5
00:00:07,750 --> 00:00:10,... | null | 9140.90 | 5378.27 | 101.61 |
ray | tt0350258 | 8_D_HAYPv6CK | 1
00:00:00,920 --> 00:00:04,880
Standing in a microphone, Margie rolls her eyes as she sips from a paper cup.
2
00:00:18,640 --> 00:00:20,080
Tom replays the track.
3
00:00:33,920 --> 00:00:35,040
Margie mocks him.
4
00:00:40,840 --> 00:00:42,640
The manager exits the control booth.
5
00:00:54,690 --> 00:00:55,530
... | 1
00:00:05,660 --> 00:00:07,910
Margie sulks as they record the song.
2
00:00:18,810 --> 00:00:20,190
Tom flicks a switch.
3
00:00:33,960 --> 00:00:35,130
Margie mimics him.
4
00:00:37,970 --> 00:00:39,350
She has a drink in hand.
5
00:00:40,890 --> 00:00:42,690
Jeff hurries out of the control room.
6
00:00:55,060... | 1
00:00:03,120 --> 00:00:05,350
♪ You're tryin' to make
a fool of me ♪
2
00:00:05,920 --> 00:00:09,860
♪ I believe, yes I believe ♪♪
3
00:00:09,920 --> 00:00:11,410
Hold on, wait, wait.
4
00:00:11,490 --> 00:00:13,790
Cut, cut, cut.
You know, y'all know
that sounds off.
5
00:00:13,860 --> 00:00:16,260
Ahem, you kno... | 1
00:00:03,110 --> 00:00:05,340
♪ You're tryin' to make
a fool of me ♪
2
00:00:05,920 --> 00:00:09,850
♪ I believe, yes I believe ♪♪
3
00:00:09,920 --> 00:00:11,410
Hold on, wait, wait.
4
00:00:11,490 --> 00:00:13,790
Cut, cut, cut.
You know, y'all know
that sounds off.
5
00:00:13,860 --> 00:00:16,260
Ahem, you kno... | null | 9140.90 | 5711.78 | 132.84 |
ray | tt0350258 | bxebLNFtdci1 | 1
00:00:20,080 --> 00:00:23,000
Sitting next to Ahmet Ray hangs his head behind him.
2
00:00:23,000 --> 00:00:24,040
Jerry paces.
3
00:01:18,170 --> 00:01:18,930
Ray grins
4
00:01:18,970 --> 00:01:20,490
and Ahmet takes his hands.
5
00:01:25,090 --> 00:01:26,530
Jerry throws down a paper
6
00:01:26,530 --> 00:01:2... | 1
00:00:20,220 --> 00:00:21,840
Bald headed Ahmet sits quietly.
2
00:00:21,840 --> 00:00:25,730
Ray, smoking a cigarette, lowers his head and looks awkward.
3
00:01:01,040 --> 00:01:02,170
He turns to Ahmet.
4
00:01:17,790 --> 00:01:19,710
Ray beams and they clasp hands.
5
00:01:25,720 --> 00:01:26,810
Jerry slams ... | 1
00:00:00,160 --> 00:00:02,490
Ahmet believes
we're family here at Atlantic.
2
00:00:02,560 --> 00:00:04,620
I believe we're family
here at Atlantic.
3
00:00:04,690 --> 00:00:06,520
Obviously, you don't!
4
00:00:07,000 --> 00:00:08,550
Ahmet wouldn't believe it.
5
00:00:08,630 --> 00:00:10,190
You know what he sai... | 1
00:00:00,150 --> 00:00:02,480
(Jerry)
Ahmet believes
we're family here at Atlantic.
2
00:00:02,550 --> 00:00:04,610
I believe we're family
here at Atlantic.
3
00:00:04,690 --> 00:00:06,520
Obviously, you don't!
4
00:00:06,990 --> 00:00:08,550
Ahmet wouldn't believe it.
5
00:00:08,630 --> 00:00:10,180
(Jerry)
You ... | null | 9140.90 | 5986.18 | 92.74 |
ray | tt0350258 | UuNjG6cfGt9Y | 1
00:00:04,230 --> 00:00:07,310
A police motorcycle escorts a tour bus toward the crowd.
2
00:00:07,350 --> 00:00:10,390
It reads Ray Charles and his orchestra chords appear.
3
00:00:10,430 --> 00:00:11,550
Augusta, Georgia
4
00:00:11,830 --> 00:00:14,630
As photographers run up, the bus comes to a stop.
5
00:00:14... | 1
00:00:00,140 --> 00:00:01,350
Augusta, Georgia.
2
00:00:01,600 --> 00:00:04,360
A crowd of black protesters stabbed their banners in the air.
3
00:00:06,190 --> 00:00:10,450
A tour bus sign written with Ray Charles and his orchestra pulls up at the demo.
4
00:00:10,870 --> 00:00:12,620
A barrage of photographers g... | 1
00:00:01,780 --> 00:00:04,870
No more segregation!
No more segregation!
2
00:00:08,820 --> 00:00:11,620
No more segregation!
No more segregation!
3
00:00:11,690 --> 00:00:14,710
No more segregation!
No more segregation!
4
00:00:14,790 --> 00:00:17,820
No more segregation!
No more segregation!
5
00:00:17,890 --> 0... | 1
00:00:01,770 --> 00:00:04,870
No more segregation!
No more segregation!
2
00:00:05,140 --> 00:00:08,010
[Police siren wailing]
3
00:00:08,810 --> 00:00:11,610
(protesters)
No more segregation!
No more segregation!
4
00:00:11,680 --> 00:00:14,710
No more segregation!
No more segregation!
5
00:00:14,790 --> 00:00:1... | null | 9140.90 | 6668.70 | 106.79 |
ray | tt0350258 | VdZDpKUSuJsk | 1
00:00:25,470 --> 00:00:26,270
Jeff faces.
2
00:00:26,270 --> 00:00:26,750
Joe.
3
00:00:33,190 --> 00:00:35,030
Jeff glares at the businessman.
4
00:00:36,790 --> 00:00:38,190
Joe strides past the bar
5
00:00:38,190 --> 00:00:39,990
and enters his adjoining office.
6
00:00:55,670 --> 00:00:57,150
Ray throws down ... | 1
00:00:33,090 --> 00:00:34,800
Jeff looks daggers at Joe.
2
00:00:37,140 --> 00:00:39,560
Joe meets Jeff's hostile stare levelly
3
00:00:39,810 --> 00:00:41,230
and heads out of the room.
4
00:01:23,740 --> 00:01:25,820
Blinking back tears, Jeff turns away
5
00:01:25,820 --> 00:01:27,160
and strides towards the do... | 1
00:00:00,520 --> 00:00:02,750
Ray, you're the leader, man.
Be one! Come on, now.
2
00:00:02,820 --> 00:00:04,810
You now what Jeff, I mean
things have changed.
3
00:00:04,890 --> 00:00:07,950
It ain't like the days
when it was seven of us
on the Chitlin' Circuit.
4
00:00:08,030 --> 00:00:11,490
I mean, if you were... | 1
00:00:00,520 --> 00:00:02,750
Ray, you're the leader, man.
Be one! Come on, now.
2
00:00:02,820 --> 00:00:04,810
You now what Jeff, I mean
things have changed.
3
00:00:04,890 --> 00:00:07,950
It ain't like the days
when it was seven of us
on the Chitlin' Circuit.
4
00:00:08,020 --> 00:00:11,480
I mean, if you were... | null | 9140.90 | 7853.38 | 100.15 |
ray | tt0350258 | 87hZ5HVoMq4V | 1
00:00:00,970 --> 00:00:02,250
Now at Ray's house.
2
00:00:04,210 --> 00:00:06,890
Inside, Ray lounges on a chair by a telephone.
3
00:00:06,930 --> 00:00:08,730
He restlessly bats at his ear.
4
00:00:12,650 --> 00:00:13,490
As he shifts.
5
00:00:13,530 --> 00:00:15,370
Bee enters the room and answers.
6
00:00:17... | 1
00:00:02,470 --> 00:00:05,550
In the Baldwin Hills house, Ray's sitting by the ringing telephone,
2
00:00:05,550 --> 00:00:06,720
he shakes his hand at it,
3
00:00:06,720 --> 00:00:08,640
but makes no effort to answer it.
4
00:00:11,770 --> 00:00:12,530
Bee walks in
5
00:00:12,530 --> 00:00:14,150
and crosses str... | 1
00:00:16,870 --> 00:00:18,170
Hello.
2
00:00:20,310 --> 00:00:22,170
You can't hide out
in here forever, Ray.
3
00:00:22,240 --> 00:00:24,080
Look, it's my house.
I'm not in prison yet.
4
00:00:24,150 --> 00:00:25,200
No, it's my house.
5
00:00:25,280 --> 00:00:28,150
You ain't been here
more than six days
since ... | 1
00:00:00,020 --> 00:00:02,080
[phone ringing]
2
00:00:02,490 --> 00:00:03,650
[Dog barking]
3
00:00:12,260 --> 00:00:14,320
[Phone continues ringing]
4
00:00:16,870 --> 00:00:18,160
Hello.
5
00:00:20,300 --> 00:00:22,170
You can't hide out
in here forever, Ray.
6
00:00:22,240 --> 00:00:24,070
Look, it's my house... | null | 9140.90 | 8119.84 | 141.85 |
ray | tt0350258 | SrV8xZmcBbIs | 1
00:00:00,490 --> 00:00:01,010
Ray.
2
00:00:11,530 --> 00:00:11,770
This.
3
00:00:11,770 --> 00:00:13,450
The doctor lowers his gaze.
4
00:00:30,610 --> 00:00:31,210
He gets up
5
00:00:31,210 --> 00:00:32,170
and walks away.
6
00:00:32,210 --> 00:00:34,090
Ray sways, scratching his arm.
7
00:00:43,370 --> 00:00:... | 1
00:00:12,630 --> 00:00:15,340
Ray, wearing his shades again, rubs his arms
2
00:00:15,340 --> 00:00:16,550
and hugs himself.
3
00:00:31,390 --> 00:00:32,850
Hacker gets up from the table
4
00:00:32,850 --> 00:00:33,810
and walks away.
5
00:00:39,530 --> 00:00:40,910
Hacker has left the common room.
6
00:00:41,45... | 1
00:00:00,360 --> 00:00:01,420
Ray,
2
00:00:02,030 --> 00:00:04,830
you've come through
the worst of
the physical reactions.
3
00:00:05,430 --> 00:00:08,260
We should begin
psychotherapy sessions.
4
00:00:08,330 --> 00:00:10,930
Uh, look, forget
the head shrinking, Doc.
5
00:00:11,000 --> 00:00:12,630
I can handle... | 1
00:00:00,350 --> 00:00:01,410
Ray,
2
00:00:02,020 --> 00:00:04,820
you've come through
the worst of
the physical reactions.
3
00:00:05,420 --> 00:00:08,260
We should begin
psychotherapy sessions.
4
00:00:08,330 --> 00:00:10,920
Uh, look, forget
the head shrinking, Doc.
5
00:00:11,000 --> 00:00:12,620
I can handle... | null | 9140.90 | 8451.14 | 156.41 |
resident_evil_welcome_to_raccoon_city | tt6920084 | X0AJP_1LuQMw | 1
00:00:00,900 --> 00:00:01,860
then come back on.
2
00:00:09,380 --> 00:00:10,780
Claire exits her brother's house.
3
00:00:17,620 --> 00:00:18,820
Chris comes outside.
4
00:00:41,420 --> 00:00:43,420
Chris hurries to the SUV in the driveway.
5
00:00:45,660 --> 00:00:47,180
Claire goes back into the house.
6
00:0... | 1
00:00:00,870 --> 00:00:01,990
All the lights go out,
2
00:00:01,990 --> 00:00:03,190
then flick back on.
3
00:00:17,670 --> 00:00:19,350
Claire looks around from the back door.
4
00:00:43,190 --> 00:00:44,110
Chris gets in the jeep
5
00:00:44,110 --> 00:00:45,950
and Claire goes back into the house.
6
00:00:56,8... | 1
00:00:02,750 --> 00:00:05,080
This is
the Umbrella Corporation.
2
00:00:05,220 --> 00:00:07,550
For your safety,
please stay in your homes
3
00:00:07,690 --> 00:00:09,590
and await further instructions.
4
00:00:11,690 --> 00:00:13,190
This is
the Umbrella Corporation.
5
00:00:13,330 --> 00:00:15,530
For your safe... | 1
00:00:02,720 --> 00:00:05,060
MAN [OVER P.A.]: This is
the Umbrella Corporation.
2
00:00:05,190 --> 00:00:07,530
For your safety,
please stay in your homes
3
00:00:07,660 --> 00:00:09,560
and await further instructions.
4
00:00:11,670 --> 00:00:13,170
This is
the Umbrella Corporation.
5
00:00:13,300 --> 00:00:15,... | null | 6449.47 | 1655.17 | 187.55 |
resident_evil_welcome_to_raccoon_city | tt6920084 | SbhhyBveOACM | 1
00:00:02,990 --> 00:00:06,630
At the wheel, the pale trucker struggles to keep his dark, bloodshot eyes open.
2
00:00:07,710 --> 00:00:10,550
Behind him, liquid leaks out of the dog's foggy eyes.
3
00:00:13,870 --> 00:00:18,430
Outside the police station, big illuminated letters over the open front gates read RPD.
... | 1
00:00:02,600 --> 00:00:04,840
The tanker hurtles by just missing Claire.
2
00:00:05,080 --> 00:00:07,560
The truckers face is pasty, his eyes bloodshot.
3
00:00:07,600 --> 00:00:09,640
He frowns, staring straight ahead.
4
00:00:09,640 --> 00:00:12,240
The dog's eyes are glazed over and milky.
5
00:00:15,760 --> 0... | 1
00:02:18,510 --> 00:02:19,980
What the fuck?
2
00:02:21,480 --> 00:02:23,820
You might want to get
a fire extinguisher.
3
00:02:23,950 --> 00:02:26,290
And lock the gates.
There may be others.
4
00:02:27,790 --> 00:02:30,190
Huh? Oth... Other what?
| 1
00:00:00,080 --> 00:00:01,450
[TRUCK'S HORN DRONING]
2
00:00:11,700 --> 00:00:13,630
[WHINING]
3
00:00:13,760 --> 00:00:15,630
[♪♪♪♪♪♪]
4
00:00:22,110 --> 00:00:24,980
["CRUSH" BY JENNIFER PAIGE
PLAYING OVER HEADPHONES]
5
00:00:25,110 --> 00:00:27,610
♪♪ If you see something
in my eye ♪♪
6
00:00:27,750 --> 00:00... | null | 6449.47 | 2183.97 | 151.91 |
resident_evil_welcome_to_raccoon_city | tt6920084 | 2DUPoUjEDrlJ | 1
00:00:09,160 --> 00:00:10,800
He parks across multiple spots,
2
00:00:10,800 --> 00:00:11,640
then gets out.
3
00:00:13,130 --> 00:00:14,770
Smoke rises from the vehicle.
4
00:00:25,210 --> 00:00:26,050
He stops walking
5
00:00:26,050 --> 00:00:27,930
and looks through the dark parking structure.
6
00:00:28,650 ... | 1
00:00:02,210 --> 00:00:03,490
The chief's battered, shot up.
2
00:00:03,490 --> 00:00:04,530
Car drives in.
3
00:00:10,370 --> 00:00:11,330
The chief stops the car
4
00:00:11,330 --> 00:00:12,180
and gets out.
5
00:00:12,220 --> 00:00:13,980
Smoke rises from under the bonnet.
6
00:00:26,540 --> 00:00:28,580
The ... | 1
00:01:05,470 --> 00:01:06,840
Come on, come on.
2
00:01:10,410 --> 00:01:12,210
Goddamn bullets.
3
00:02:40,200 --> 00:02:42,330
Hey, hey! Drop your gun!
Show me your hands!
4
00:02:50,140 --> 00:02:52,010
Haven't got a gun.
5
00:02:54,780 --> 00:02:56,550
Who the fuck are you?
6
00:02:59,720 --> 00:03:00,980
Co... | 1
00:00:15,290 --> 00:00:17,360
[COUGHING]
2
00:00:22,030 --> 00:00:23,840
[GASPING]
3
00:00:23,970 --> 00:00:25,740
[HIGH-PITCHED MOAN NEARBY]
4
00:00:32,610 --> 00:00:34,150
[SNARLING]
5
00:00:36,280 --> 00:00:39,490
- [SQUISHING, THUMPING]
- [GRUNTING, MOANING]
6
00:00:41,920 --> 00:00:43,620
[HIGH-PITCHED SQUE... | null | 6449.47 | 2893.22 | 187.90 |
resident_evil_welcome_to_raccoon_city | tt6920084 | O6tyvfJykLEe | 1
00:00:04,890 --> 00:00:09,010
Inside, flashlights shine over a birdcage on display in the middle of a hallway.
2
00:00:09,850 --> 00:00:11,610
Chris and Richard make their way down the hall,
3
00:00:11,650 --> 00:00:13,570
aiming their weapons and mounted flashlights.
4
00:00:16,930 --> 00:00:18,770
Stained glass ... | 1
00:00:02,550 --> 00:00:03,910
The view approaches the front door.
2
00:00:03,910 --> 00:00:04,990
Through the trees.
3
00:00:04,990 --> 00:00:05,510
Inside.
4
00:00:05,550 --> 00:00:10,270
Torch beams sweep around a wide hallway with a tiled floor and panelled walls.
5
00:00:14,870 --> 00:00:16,190
There's a tabl... | 1
00:00:34,700 --> 00:00:36,230
What is that?
2
00:00:37,740 --> 00:00:39,600
Uh, I'll explain in a minute.
3
00:01:15,740 --> 00:01:17,840
Hey. RPD.
4
00:01:19,480 --> 00:01:21,910
Help me.
5
00:01:22,050 --> 00:01:24,380
Hands. Show me your hands.
6
00:01:36,830 --> 00:01:39,200
What the fuck?
7
00:01:41,100 --... | 1
00:00:12,690 --> 00:00:14,550
[♪♪♪♪♪♪]
2
00:00:34,680 --> 00:00:36,210
JILL:
What is that?
3
00:00:37,710 --> 00:00:39,580
Uh, I'll explain in a minute.
4
00:00:49,590 --> 00:00:51,460
[♪♪♪♪♪♪]
5
00:00:59,730 --> 00:01:01,600
[QUIET, RASPY BREATHING]
6
00:01:12,880 --> 00:01:15,580
[SQUISHING, MUNCHING]
7
00:01... | null | 6449.47 | 3158.72 | 130.43 |
resident_evil_welcome_to_raccoon_city | tt6920084 | ZMT31OwDkfi2 | 1
00:00:03,600 --> 00:00:08,080
He crouches to inspect a bloody handgun on the floor, lying beside a few bullet casings.
2
00:00:12,600 --> 00:00:13,480
He picks it up.
3
00:00:14,120 --> 00:00:17,560
Behind him, an infected man in a lab coat stalks into the room.
4
00:00:19,920 --> 00:00:21,360
Richard readies his ... | 1
00:00:07,060 --> 00:00:08,260
Aiken crouches down.
2
00:00:08,260 --> 00:00:10,580
There's a gun on the floor, fired until it's empty.
3
00:00:14,100 --> 00:00:18,260
As Aiken reaches to pick up the gun, another ghoulish white coated figure appears behind him.
4
00:00:18,420 --> 00:00:19,740
It turns towards him
... | 1
00:00:11,040 --> 00:00:12,900
Dooley.
2
00:00:25,850 --> 00:00:27,720
Richard!
3
00:00:40,160 --> 00:00:41,530
Redfield!
4
00:00:47,870 --> 00:00:49,470
Aiken!
5
00:00:49,610 --> 00:00:51,180
Let's get the fuck out of here!
| 1
00:00:11,010 --> 00:00:12,880
Dooley.
2
00:00:22,090 --> 00:00:23,960
[GUN COCKS]
3
00:00:24,090 --> 00:00:25,690
[SHRIEKS, SNARLS]
4
00:00:25,830 --> 00:00:27,700
- [LOUD BANG]
- Richard!
5
00:00:28,900 --> 00:00:30,760
[SNARLING, SHRIEKING]
6
00:00:40,140 --> 00:00:41,510
Redfield!
7
00:00:42,910 --> 00:00:45... | null | 6449.47 | 3348.42 | 78.79 |
resident_evil_welcome_to_raccoon_city | tt6920084 | K4jYd8k_gE_a | 1
00:00:01,370 --> 00:00:03,850
Vickers plays the game snake on his bulky cell phone.
2
00:00:06,970 --> 00:00:12,210
In the game, he guides the head of a snaking line into a moving dot, which increases the length of the line.
3
00:00:18,170 --> 00:00:19,250
Unnoticed by Vickers.
4
00:00:19,530 --> 00:00:22,010
A bl... | 1
00:00:00,430 --> 00:00:01,790
as Vickers waits on board
2
00:00:01,790 --> 00:00:04,430
and plays a game on his LCD phone screen.
3
00:00:29,110 --> 00:00:31,550
The bloody palm slides down the plexiglass.
4
00:00:34,710 --> 00:00:36,430
A pasty faced ghoul crashes through the glass
5
00:00:36,430 --> 00:00:37,35... | 1
00:01:12,120 --> 00:01:14,290
- The fuck you doing, Wesker?
- Hold on.
2
00:01:20,260 --> 00:01:22,430
Listen. Do you hear that?
3
00:01:36,680 --> 00:01:38,820
What the hell is Vickers doing?
4
00:01:40,650 --> 00:01:42,520
Run!
| 1
00:00:02,000 --> 00:00:05,900
♪♪ Tryin' to get up
that great big hill of hope ♪♪
2
00:00:07,500 --> 00:00:10,240
♪♪ For a destination ♪♪
3
00:00:12,340 --> 00:00:15,240
♪♪ I realized quickly
when I knew I should ♪♪
4
00:00:15,380 --> 00:00:20,250
♪♪ That the world was made up
of this brotherhood of man ♪♪
5
00:00... | null | 6449.47 | 3429.50 | 118.33 |
resident_evil_welcome_to_raccoon_city | tt6920084 | ZdbEhZPQf6kz | 1
00:00:07,010 --> 00:00:08,050
Ben grabs Leon.
2
00:00:18,410 --> 00:00:19,570
Ben takes Leon's gun.
3
00:01:02,500 --> 00:01:03,980
Leon searches the desk.
4
00:01:07,620 --> 00:01:08,980
The Sickly man looks over.
5
00:01:27,460 --> 00:01:28,780
Leon grabs the key ring.
6
00:01:33,860 --> 00:01:35,100
He walks ... | 1
00:01:01,000 --> 00:01:02,760
Leon heads over to the desk.
2
00:01:33,320 --> 00:01:35,520
Ben gun raised backs away from the bars
3
00:01:35,520 --> 00:01:37,160
as Leon returns with the keys.
4
00:01:50,010 --> 00:01:51,290
Leon gets the cell open.
5
00:01:51,290 --> 00:01:52,250
Ben cellmate attacks
6
00:01:5... | 1
00:00:01,210 --> 00:00:03,650
Why-why are you locked up?
2
00:00:03,780 --> 00:00:05,350
Why?
3
00:00:05,480 --> 00:00:07,150
Because I found out the truth.
4
00:00:08,820 --> 00:00:10,850
The truth? What-what truth?
Hey.
5
00:00:10,990 --> 00:00:13,520
Listen to me,
you fucking boy band wannabe.
6
00:00:13,660 ... | 1
00:00:01,190 --> 00:00:03,620
Why-why are you locked up?
2
00:00:03,760 --> 00:00:05,320
Why?
3
00:00:05,460 --> 00:00:07,130
Because I found out the truth.
4
00:00:08,790 --> 00:00:10,830
The truth? What-what truth?
[GRUNTS] Hey.
5
00:00:10,960 --> 00:00:13,500
Listen to me,
you fucking boy band wannabe.
6
00:0... | null | 6449.47 | 3676.96 | 206.54 |
resident_evil_welcome_to_raccoon_city | tt6920084 | qkQUKQy2wYyU | 1
00:00:04,440 --> 00:00:06,440
As the lights closer to him start to sway.
2
00:00:06,480 --> 00:00:08,920
He cranes his neck and peers up into the darkness.
3
00:00:16,280 --> 00:00:20,880
Looking to his side, he spots Lisa Trevor wearing the mask of stitched together human skin.
4
00:00:23,280 --> 00:00:24,360
Leo... | 1
00:00:09,780 --> 00:00:13,620
Leon stares along the corridor with broken paper chains dangling on the wall.
2
00:00:13,740 --> 00:00:19,140
He looks up at flickering fluorescent lights swinging as if someone were walking along the floor above.
3
00:00:23,660 --> 00:00:24,460
Leon watches,
4
00:00:24,460 --> 00:00:... | 1
00:00:00,920 --> 00:00:03,220
They bought you off,
didn't they?
2
00:00:03,350 --> 00:00:05,290
They paid you to keep quiet
about all the shit
3
00:00:05,420 --> 00:00:07,060
they were doing in here.
4
00:00:07,190 --> 00:00:09,830
And now they've left you
to rot here just like us.
5
00:00:22,370 --> 00:00:23,810... | 1
00:00:00,890 --> 00:00:03,200
They bought you off,
didn't they?
2
00:00:03,330 --> 00:00:05,260
They paid you to keep quiet
about all the shit
3
00:00:05,400 --> 00:00:07,030
- they were doing in here.
- [CREAKING]
4
00:00:07,170 --> 00:00:09,800
And now they've left you
to rot here just like us.
5
00:00:11,170 -... | null | 6449.47 | 4309.95 | 186.23 |
resident_evil_welcome_to_raccoon_city | tt6920084 | qLBmQwOu091a | 1
00:00:03,900 --> 00:00:05,100
Chris shoots him in the head.
2
00:00:07,580 --> 00:00:09,660
Lowering his gun, he gazes at the corpse.
3
00:00:10,580 --> 00:00:13,340
Sweat glistens on Chris's face as he glances around.
4
00:00:16,140 --> 00:00:17,900
He proceeds through the dark room,
5
00:00:17,940 --> 00:00:19,... | 1
00:00:07,080 --> 00:00:09,320
Blood spurts from a hole in its forehead.
2
00:00:09,320 --> 00:00:10,320
Chris lowers his gun
3
00:00:10,320 --> 00:00:11,240
and looks around.
4
00:00:17,520 --> 00:00:21,080
Chris moves slowly, guided by the beam of his tactical weapon light.
5
00:00:38,690 --> 00:00:40,010
A ghou... | 1
00:01:26,580 --> 00:01:28,620
Fuck.
2
00:01:55,040 --> 00:01:57,710
Dooley?
3
00:02:02,720 --> 00:02:04,220
Fuck.
| 1
00:00:00,770 --> 00:00:02,640
[MOANING]
2
00:00:05,140 --> 00:00:06,650
[GUNSHOT]
3
00:00:08,210 --> 00:00:10,080
[PANTING]
4
00:00:21,760 --> 00:00:24,300
[DISTANT SHRIEKING]
5
00:00:34,870 --> 00:00:37,240
- [SNARLS, SHRIEKS]
- [GUNSHOTS]
6
00:00:37,380 --> 00:00:39,240
[BODY THUDS]
7
00:00:39,380 --> 00:00:4... | null | 6449.47 | 4617.28 | 158.36 |
resident_evil_welcome_to_raccoon_city | tt6920084 | _TPiMG_KWFnT | 1
00:00:02,980 --> 00:00:04,460
the cloud overtakes the train,
2
00:00:04,460 --> 00:00:05,820
jostling it on the rails.
3
00:00:12,820 --> 00:00:14,780
Claire, Chris and Sherry get thrown about.
4
00:00:17,020 --> 00:00:18,540
The train screeches to a stop.
5
00:00:21,700 --> 00:00:22,780
Jill looks to Leon.
6
00... | 1
00:00:05,240 --> 00:00:08,760
A huge cloud of dust rushes along the tunnel, catching up with the train.
2
00:00:08,760 --> 00:00:09,960
The train derails.
3
00:00:09,960 --> 00:00:11,640
Chris, Claire and Sherry stand,
4
00:00:11,680 --> 00:00:12,800
then are thrown off their feet
5
00:00:12,800 --> 00:00:14,480
... | 1
00:00:23,820 --> 00:00:25,820
Go get the others.
I'll find a way out.
2
00:00:25,950 --> 00:00:27,820
- You okay?
- Uh-huh.
3
00:00:44,240 --> 00:00:45,610
Oh, my God.
4
00:00:45,740 --> 00:00:47,940
Sherry, get behind me.
5
00:00:51,380 --> 00:00:52,710
Sherry, run!
6
00:00:54,780 --> 00:00:56,150
Claire!
7
00... | 1
00:00:13,280 --> 00:00:15,890
[WHIMPERING]
2
00:00:17,120 --> 00:00:18,990
[METALLIC SCREECHING]
3
00:00:23,790 --> 00:00:25,800
Go get the others.
I'll find a way out.
4
00:00:25,930 --> 00:00:27,800
- You okay?
- CLAIRE: Uh-huh.
5
00:00:27,930 --> 00:00:30,200
[STEADY THUMPING, CREAKING]
6
00:00:35,770 --> 00:... | null | 6449.47 | 5691.46 | 138.02 |
ring_two | tt0377109 | T5t9eZc1fPQ3 | 1
00:00:01,300 --> 00:00:02,260
The man looks up.
2
00:00:03,060 --> 00:00:05,100
A phone sits nearby as he straightens.
3
00:00:05,380 --> 00:00:07,740
In the video, the fly soars toward the tree.
4
00:00:07,740 --> 00:00:08,860
Then the tree burns.
5
00:00:08,860 --> 00:00:12,460
The dark haired woman, now out of... | 1
00:00:05,610 --> 00:00:08,230
The boy looks over at the phone on the tape.
2
00:00:08,280 --> 00:00:08,900
A lake?
3
00:00:08,940 --> 00:00:11,910
A burning tree and the woman brushing her hair
4
00:00:11,960 --> 00:00:13,250
who turns around.
5
00:00:13,540 --> 00:00:15,000
The boy walks towards the phone
6
00:... | 1
00:00:23,510 --> 00:00:25,930
- Hello?
- Hey, man, you made it.
2
00:00:26,100 --> 00:00:28,680
I knew you'd come through.
You got somebody to watch it, huh?
3
00:00:31,860 --> 00:00:33,270
Yeah, man.
4
00:00:33,440 --> 00:00:36,350
Some stupid chick
from my school.
5
00:00:36,530 --> 00:00:39,320
Good. I was afr... | 1
00:00:06,610 --> 00:00:08,150
(high-pitched
electronic whine)
2
00:00:09,580 --> 00:00:11,220
(ringing continues)
3
00:00:23,660 --> 00:00:26,100
- Hello?
- (man) Hey, man, you made it.
4
00:00:26,160 --> 00:00:28,470
I knew you'd come through.
You got somebody to watch it,
huh?
5
00:00:28,500 --> 00:00:32,440
(s... | null | 6556.66 | 290.53 | 129.80 |
ring_two | tt0377109 | eprn32VGT_Wx | 1
00:00:04,830 --> 00:00:06,390
She approaches the ambulance.
2
00:00:10,670 --> 00:00:11,510
Opens a door
3
00:00:11,510 --> 00:00:12,670
and peers at the gurney.
4
00:00:15,150 --> 00:00:16,150
She steps in.
5
00:00:21,830 --> 00:00:24,310
She pulls off the sheet, revealing a body bag.
6
00:00:36,070 --> 00:00:3... | 1
00:00:12,030 --> 00:00:13,610
She opens the side door
2
00:00:13,610 --> 00:00:14,650
and peers in.
3
00:00:14,900 --> 00:00:17,540
She climbs in next to the sheet covered body.
4
00:00:24,590 --> 00:00:26,050
She pulls back the sheet.
5
00:00:26,300 --> 00:00:28,220
Underneath is a black body bag.
6
00:00:28,59... | 1
00:00:07,200 --> 00:00:10,410
It's just horrible. 80 young.
2
00:01:05,260 --> 00:01:08,380
Please, not here.
3
00:01:26,660 --> 00:01:28,240
I found you.
4
00:01:46,760 --> 00:01:50,340
We only made one copy.
5
00:01:51,890 --> 00:01:54,220
Oh, God.
| 1
00:00:07,360 --> 00:00:09,030
(woman) It's just horrible.
So young.
2
00:00:23,810 --> 00:00:25,040
(gasping)
3
00:00:31,720 --> 00:00:33,220
(breathing nervously)
4
00:01:01,220 --> 00:01:02,360
(crying) No.
5
00:01:04,790 --> 00:01:06,260
No, please, not here.
6
00:01:08,760 --> 00:01:10,170
(men chattering)
... | null | 6556.66 | 832.45 | 117.10 |
ring_two | tt0377109 | 0vwZtCisfEjU | 1
00:00:00,120 --> 00:00:01,960
As he looks forward, his eyes widen.
2
00:00:02,560 --> 00:00:04,280
The buck walks out in front of the car
3
00:00:05,240 --> 00:00:06,720
and Rachel steps on the brakes.
4
00:00:07,880 --> 00:00:10,640
The car skids and stops beside the buck.
5
00:00:11,440 --> 00:00:13,960
It star... | 1
00:00:00,350 --> 00:00:01,520
She stares at him.
2
00:00:04,320 --> 00:00:06,440
A stag steps into the road in front of them.
3
00:00:06,440 --> 00:00:07,990
Rachel brakes and swerves,
4
00:00:07,990 --> 00:00:09,610
coming to a halt next to it.
5
00:00:10,070 --> 00:00:11,530
She tries to drive off.
6
00:00:11,... | 1
00:00:17,430 --> 00:00:18,770
Don't stop.
2
00:00:19,600 --> 00:00:21,940
Don't stop.
3
00:00:22,310 --> 00:00:25,150
- Go! Drive! Drive!
- What's the matter, honey?
4
00:00:25,320 --> 00:00:26,810
Just don't stop the car!
5
00:00:46,920 --> 00:00:48,040
Get down!
6
00:01:14,070 --> 00:01:16,490
"Don't stop."
7... | 1
00:00:01,720 --> 00:00:02,720
Rachel!
2
00:00:04,020 --> 00:00:05,020
(screeching)
3
00:00:10,230 --> 00:00:11,230
(grunting)
4
00:00:16,470 --> 00:00:17,700
(gasps)
5
00:00:17,770 --> 00:00:19,640
(Aidan panting) Don't stop.
6
00:00:19,700 --> 00:00:20,960
Don't stop.
7
00:00:22,540 --> 00:00:25,410
- Go! Driv... | null | 6556.66 | 1914.43 | 133.03 |
ring_two | tt0377109 | P97kQMoWYr7g | 1
00:00:02,310 --> 00:00:04,510
Rachel stands and tries to open the door.
2
00:00:06,550 --> 00:00:07,910
The doorknob turns on its own
3
00:00:07,910 --> 00:00:08,910
and the door opens.
4
00:00:09,950 --> 00:00:12,150
She gapes as Aiden sits in the empty tub.
5
00:00:12,510 --> 00:00:14,470
The water parts around... | 1
00:00:08,440 --> 00:00:10,630
Then the handle turns on its own.
2
00:00:10,670 --> 00:00:12,010
The door flies open.
3
00:00:12,050 --> 00:00:13,840
Aidan is cowering in the bath,
4
00:00:13,840 --> 00:00:17,640
water streaming upwards from the bath and pooling on the ceiling.
5
00:00:17,760 --> 00:00:19,930
Rach... | 1
00:00:06,780 --> 00:00:09,310
Please, honey, open the...
2
00:00:14,830 --> 00:00:17,240
Oh, my God.
3
00:00:35,180 --> 00:00:38,420
Look at me. Aidan, look at me.
Look at me.
4
00:01:05,460 --> 00:01:07,790
Mommy!
5
00:01:19,730 --> 00:01:21,970
Rachel, no!
6
00:01:26,060 --> 00:01:28,230
Honey.
7
00:01:30,150... | 1
00:00:04,410 --> 00:00:05,410
Aidan!
2
00:00:05,480 --> 00:00:06,750
Aidan.
3
00:00:06,810 --> 00:00:08,710
Please, honey, open the...
4
00:00:14,950 --> 00:00:16,320
Oh, my God.
5
00:00:24,260 --> 00:00:25,260
Oh!
6
00:00:31,570 --> 00:00:32,800
Aidan.
7
00:00:32,870 --> 00:00:34,900
Aidan. Aidan.
8
00:00:34,... | null | 6556.66 | 2784.45 | 133.03 |
ring_two | tt0377109 | 8lCrGkKL9enS | 1
00:00:21,500 --> 00:00:22,820
He slightly glares at her.
2
00:00:31,660 --> 00:00:32,940
He blinks repeatedly.
3
00:00:43,020 --> 00:00:44,340
She smiles gently.
4
00:01:03,140 --> 00:01:04,740
He looks down and focuses.
5
00:01:15,140 --> 00:01:17,020
Emma's expression fades slightly.
6
00:01:22,380 --> 00:01:2... | 1
00:00:41,280 --> 00:00:42,740
Aidan stares at her.
2
00:00:42,990 --> 00:00:44,030
She smiles.
3
00:00:44,200 --> 00:00:45,370
His head is bowed.
4
00:00:53,790 --> 00:00:54,960
He looks up at her.
5
00:01:03,170 --> 00:01:04,260
He looks away.
6
00:01:04,590 --> 00:01:05,800
She watches him.
7
00:01:06,200 -->... | 1
00:00:01,010 --> 00:00:03,840
Can you tell me about
Mommy a little bit?
2
00:00:05,430 --> 00:00:08,220
She loves me.
3
00:00:08,390 --> 00:00:10,300
I know that she does.
4
00:00:10,480 --> 00:00:14,440
She went looking for me.
She tried to find me.
5
00:00:15,110 --> 00:00:17,720
It means she loves me.
6
00:00... | 1
00:00:01,020 --> 00:00:03,120
Can you tell me
about Mommy a little bit?
2
00:00:05,220 --> 00:00:06,550
She loves me.
3
00:00:07,890 --> 00:00:09,620
I know that she does.
4
00:00:10,700 --> 00:00:13,070
She went looking for me.
She tried to find me.
5
00:00:15,100 --> 00:00:16,710
It means she loves me.
6
00:00... | null | 6556.66 | 3941.82 | 130.68 |
ring_two | tt0377109 | iIxlpAMOtlwC | 1
00:00:01,800 --> 00:00:03,560
and starts submerging him gently
2
00:00:04,080 --> 00:00:05,840
as he opens his eyes and looks at her.
3
00:00:24,160 --> 00:00:25,520
She crosses his face.
4
00:00:29,960 --> 00:00:32,570
Frowning, she gently pushes him as he gapes.
5
00:00:34,490 --> 00:00:35,370
He struggles.
6
... | 1
00:00:37,060 --> 00:00:37,980
She hesitates,
2
00:00:37,980 --> 00:00:39,520
then holds him underwater.
3
00:00:49,590 --> 00:00:51,430
The room sways behind her.
4
00:00:53,680 --> 00:00:54,970
Aidan opens his mouth
5
00:00:54,970 --> 00:00:57,480
and black ink flows from it into the water.
6
00:00:57,480 --> 0... | 1
00:00:07,370 --> 00:00:10,530
What are you doing? Rachel!
2
00:00:11,080 --> 00:00:12,570
What are you doing?
3
00:00:12,750 --> 00:00:14,490
It's me.
4
00:00:14,660 --> 00:00:16,950
- It's not her, Rachel.
- I know, baby.
5
00:00:17,130 --> 00:00:19,370
It's me.
6
00:00:19,540 --> 00:00:22,830
I love you. Mommy... | 1
00:00:07,390 --> 00:00:09,490
What are you doing?
Rachel!
2
00:00:11,030 --> 00:00:12,030
What are you doing?
3
00:00:12,860 --> 00:00:14,590
It's me.
4
00:00:14,670 --> 00:00:16,940
- It's not her, Rachel.
- I know, baby.
5
00:00:17,000 --> 00:00:18,000
It's me.
6
00:00:19,440 --> 00:00:21,680
I love you.
Mommy... | null | 6556.66 | 5421.54 | 133.05 |
ring_two | tt0377109 | SVj5gUJ8G7yQ | 1
00:00:05,980 --> 00:00:07,700
Rachel kneels in front of the TV.
2
00:00:14,700 --> 00:00:16,020
She clenches her eyes shut.
3
00:00:17,660 --> 00:00:18,820
She opens her eyes.
4
00:00:24,260 --> 00:00:25,820
Samara holds out her arms.
5
00:00:31,340 --> 00:00:32,860
A tear falls down Rachel's face
6
00:00:32,860... | 1
00:00:17,610 --> 00:00:19,400
She kneels in front of the TV.
2
00:00:31,470 --> 00:00:32,140
Close up.
3
00:00:32,140 --> 00:00:33,640
The girl on the TV screen.
4
00:00:33,640 --> 00:00:37,360
Samara stretches out her arms through the screen towards Rachel.
5
00:00:40,860 --> 00:00:42,570
Rachel grabs her hands
... | 1
00:00:00,420 --> 00:00:04,500
All she wants is a mother.
That's all she wants.
2
00:00:08,180 --> 00:00:11,540
And she'll keep coming
till she finds one.
3
00:00:11,640 --> 00:00:13,630
Come on! Come back!
4
00:00:13,810 --> 00:00:15,840
Get away from her! Rachel!
5
00:00:15,930 --> 00:00:17,590
Get away from her... | 1
00:00:00,630 --> 00:00:03,700
All she wants is a mother.
That's all she wants.
2
00:00:08,070 --> 00:00:10,640
And she'll keep coming
till she finds one.
3
00:00:11,540 --> 00:00:13,580
(Aidan) Come on!
Come back!
4
00:00:13,640 --> 00:00:15,210
Get away from her!
Rachel!
5
00:00:16,040 --> 00:00:17,580
Get away ... | null | 6556.66 | 5626.43 | 122.05 |
ring_two | tt0377109 | XKPgIApzpHFH | 1
00:00:02,200 --> 00:00:04,360
Suddenly, the water ripples vigorously.
2
00:00:05,640 --> 00:00:07,280
Rachel looks down and glares.
3
00:00:15,480 --> 00:00:17,720
Slowly a hand emerges from the water.
4
00:00:23,920 --> 00:00:25,120
Followed by Samara.
5
00:00:30,520 --> 00:00:33,000
Rachel looks frantic as she ... | 1
00:00:05,960 --> 00:00:08,000
Rachel looks down anxiously.
2
00:00:08,170 --> 00:00:09,800
She watches the bubbles.
3
00:00:14,430 --> 00:00:16,010
The water becomes still.
4
00:00:20,680 --> 00:00:24,480
A grey weed covered hand reaches up out of the water.
5
00:00:24,810 --> 00:00:26,860
Rachel watches in horro... | 1
00:01:54,780 --> 00:01:57,940
- Mommy!
- I'm not your fucking mommy.
| 1
00:00:05,150 --> 00:00:06,650
(high-pitched squeal)
2
00:00:12,990 --> 00:00:14,430
(breathing heavily)
3
00:00:30,770 --> 00:00:32,600
(panting, straining)
4
00:01:54,920 --> 00:01:57,050
- Mommy!
- I'm not your fucking mommy.
5
00:01:59,190 --> 00:02:00,690
(gasping)
| null | 6556.66 | 5797.86 | 131.26 |
saturday_night_fever | tt0076666 | m74j9ISMu2RK | 1
00:00:12,990 --> 00:00:14,150
Frank slaps Tony.
2
00:00:14,150 --> 00:00:15,350
Tony's mother slaps Frank,
3
00:00:15,390 --> 00:00:16,270
who smacks her back.
4
00:00:16,310 --> 00:00:17,230
She slaps her daughter
5
00:00:17,230 --> 00:00:18,670
and the Grandmother hits the table.
6
00:00:57,070 --> 00:00:58,79... | 1
00:00:13,170 --> 00:00:13,710
Dad coughs.
2
00:00:13,710 --> 00:00:14,000
Tony
3
00:00:14,050 --> 00:00:14,960
mom smacks dad.
4
00:00:15,010 --> 00:00:16,090
Dad slaps mom.
5
00:00:58,930 --> 00:01:00,980
Dad grabs a pork chop from Tony's plate
6
00:01:00,980 --> 00:01:02,100
and slams it down.
7
00:01:08,190 ... | 1
00:00:00,380 --> 00:00:02,690
Every time you mention Frank, Jr.,
you gotta cross yourself?
2
00:00:02,720 --> 00:00:06,640
He's a priest, ain't he?
Father Frank, Jr., your brother.
3
00:00:06,720 --> 00:00:09,970
Your mother doesn't have much
to cross herself about these days.
4
00:00:10,060 --> 00:00:11,640
You'r... | 1
00:00:00,330 --> 00:00:02,650
Every time you mention Frank, Jr.,
you gotta cross yourself?
2
00:00:02,670 --> 00:00:06,630
He's a priest, ain't he?
Father Frank, Jr., your brother.
3
00:00:06,720 --> 00:00:09,970
Your mother doesn't have much
to cross herself about these days.
4
00:00:10,050 --> 00:00:11,640
You'r... | null | 7167.78 | 517.86 | 115.91 |
saturday_night_fever | tt0076666 | cwfwez4RRGW_ | 1
00:00:37,560 --> 00:00:39,880
At night, Tony's sister clears the dinner table
2
00:00:39,880 --> 00:00:42,600
and Tony starts to help Frank ize him.
3
00:00:54,000 --> 00:00:55,000
Tony sits.
4
00:01:33,300 --> 00:01:34,580
Tony storms out.
| 1
00:00:38,060 --> 00:00:40,230
A Tony's house dinner has just finished.
2
00:00:40,440 --> 00:00:41,780
Tony helps clear up.
| 1
00:00:00,070 --> 00:00:02,230
- You gave me what?
- A raise.
2
00:00:02,320 --> 00:00:06,160
- You kidding me?
- No. Come on, look. See how much it is.
3
00:00:06,240 --> 00:00:08,570
You gave me a raise? Thank you.
I can't believe this.
4
00:00:08,660 --> 00:00:10,140
Wait, hold on, you better look first.
5
00:0... | 1
00:00:00,060 --> 00:00:02,270
- You gave me what?
- A raise.
2
00:00:02,360 --> 00:00:06,150
- You kidding me?
- No. Come on, look. See how much it is.
3
00:00:06,240 --> 00:00:08,610
You gave me a raise? Thank you.
I can't believe this.
4
00:00:08,700 --> 00:00:10,130
Wait, hold on, you better look first.
5
00:0... | null | 7167.78 | 1717.95 | 98.20 |
saturday_night_fever | tt0076666 | Fny4a97Ewj1H | 1
00:00:01,040 --> 00:00:03,840
Later, Tony opens the sliding door of another studio.
2
00:00:04,240 --> 00:00:05,840
He leans on the edge of the mirror wall
3
00:00:05,840 --> 00:00:07,280
and gazes toward the brunette.
4
00:00:07,600 --> 00:00:08,680
She ignores him.
5
00:00:09,360 --> 00:00:11,840
He smokes and ... | 1
00:00:03,130 --> 00:00:05,300
Now Tony opens the door of another studio
2
00:00:05,300 --> 00:00:06,970
and leans on the frame, watching.
3
00:00:07,260 --> 00:00:09,220
Inside is the dancer from the club
4
00:00:10,470 --> 00:00:11,850
with a puff of cigarette smoke.
5
00:00:11,850 --> 00:00:12,760
He closes the... | 1
00:00:24,790 --> 00:00:27,120
Hi. How you doing?
2
00:00:30,790 --> 00:00:34,250
Hey, you know, you're
a very good dancer, you know that?
3
00:00:36,260 --> 00:00:38,300
I would like to meet you.
4
00:00:40,050 --> 00:00:42,970
Look, would you...
Would you mind just going away, okay?
5
00:00:43,060 --> 00:00:45,0... | 1
00:00:00,260 --> 00:00:03,430
(CLASSICAL PIANO MUSIC PLAYING)
2
00:00:23,240 --> 00:00:24,700
(CLASSICAL PIANO MUSIC STOPS)
3
00:00:24,780 --> 00:00:27,120
Hi. How you doing?
4
00:00:30,790 --> 00:00:34,250
Hey, you know, you're
a very good dancer, you know that?
5
00:00:36,250 --> 00:00:38,300
I would like to me... | null | 7167.78 | 1987.78 | 73.89 |
saturday_night_fever | tt0076666 | 39V6AmP1d_NO | 1
00:00:32,520 --> 00:00:33,960
Tony hangs up his jacket.
2
00:00:36,640 --> 00:00:37,760
He brushes his hair.
3
00:00:45,840 --> 00:00:48,080
He notices Frank Junior's grim expression.
4
00:00:49,800 --> 00:00:50,880
Tony faces him.
5
00:00:54,240 --> 00:00:56,640
Frank Junior pulls off his clerical collar.
6
00:... | 1
00:00:45,630 --> 00:00:47,590
He looks intently at Frank in the mirror.
2
00:00:55,100 --> 00:00:56,220
Tony looks stunned.
3
00:01:09,150 --> 00:01:10,200
Frank smiles.
4
00:01:10,610 --> 00:01:11,990
Tony lost for words.
5
00:01:12,660 --> 00:01:15,740
He sits looking as if his world has been turned upside down... | 1
00:00:00,740 --> 00:00:02,700
- It's good to see you.
- You, too.
2
00:00:02,780 --> 00:00:05,120
Yeah. You look good.
3
00:00:05,200 --> 00:00:08,120
No, I don't. You do. You look wonderful.
4
00:00:08,250 --> 00:00:10,870
- You checking out my trophy?
- Oh, yeah. That's you, huh?
5
00:00:10,960 --> 00:00:12,790... | 1
00:00:00,740 --> 00:00:02,700
- It's good to see you.
- You, too.
2
00:00:02,780 --> 00:00:05,110
Yeah. You look good.
3
00:00:05,200 --> 00:00:08,120
No, I don't. You do. You look wonderful.
4
00:00:08,240 --> 00:00:10,870
- You checking out my trophy?
- Oh, yeah. That's you, huh?
5
00:00:10,950 --> 00:00:12,790... | null | 7167.78 | 2085.86 | 131.31 |
saturday_night_fever | tt0076666 | Ifn3kgip96m9 | 1
00:00:23,590 --> 00:00:24,510
She smirks.
2
00:00:47,270 --> 00:00:48,550
She holds Tony's gaze
3
00:00:48,550 --> 00:00:49,910
and his smile fades.
4
00:01:14,950 --> 00:01:16,350
They share a tense look.
5
00:01:16,630 --> 00:01:17,110
At night.
6
00:01:17,110 --> 00:01:18,450
They leave the restaurant.
7
00:... | 1
00:00:47,880 --> 00:00:49,130
His smile fades.
2
00:01:14,990 --> 00:01:16,200
They stare at each other.
3
00:01:16,950 --> 00:01:18,580
It's dark as they leave the diner.
4
00:02:10,470 --> 00:02:11,390
She walks off.
| 1
00:00:01,060 --> 00:00:03,850
Okay, listen. I like you.
We could dance together.
2
00:00:03,940 --> 00:00:06,440
That's it. We could just dance together
and nothing more.
3
00:00:06,570 --> 00:00:08,690
Nothing personal.
I don't want you coming on to me.
4
00:00:08,780 --> 00:00:09,860
Why not?
5
00:00:09,940 -->... | 1
00:00:01,060 --> 00:00:03,850
Okay, listen. I like you.
We could dance together.
2
00:00:03,930 --> 00:00:06,440
That's it. We could just dance together
and nothing more.
3
00:00:06,560 --> 00:00:08,690
Nothing personal.
I don't want you coming on to me.
4
00:00:08,770 --> 00:00:09,860
Why not?
5
00:00:09,940 -->... | null | 7167.78 | 2719.71 | 132.24 |
saturday_night_fever | tt0076666 | lZmAw74q5LUv | 1
00:00:15,920 --> 00:00:16,920
They get in the car.
2
00:00:22,160 --> 00:00:23,160
Tony glares.
3
00:01:15,500 --> 00:01:16,660
She begins to cry.
4
00:01:18,900 --> 00:01:20,700
She leans her head on the back of her seat
5
00:01:20,700 --> 00:01:22,180
and Tony looks uncomfortable.
6
00:01:36,900 --> 00:01:37,4... | 1
00:00:22,110 --> 00:00:23,660
Tony looks deadly serious.
2
00:01:17,430 --> 00:01:18,890
She sobs painfully.
3
00:01:20,010 --> 00:01:22,850
He looks impotent, faced with her show of emotion.
| 1
00:00:00,840 --> 00:00:03,170
Stephanie, who is that guy?
2
00:00:03,260 --> 00:00:07,180
He's an arranger, a record producer.
He wants to do films.
3
00:00:07,300 --> 00:00:10,010
He's gonna move now
to a more expensive apartment.
4
00:00:10,140 --> 00:00:12,100
I met him at the agency.
5
00:00:12,180 --> 00:00:... | 1
00:00:00,880 --> 00:00:03,170
Stephanie, who is that guy?
2
00:00:03,260 --> 00:00:07,220
He's an arranger, a record producer.
He wants to do films.
3
00:00:07,300 --> 00:00:10,050
He's gonna move now
to a more expensive apartment.
4
00:00:10,140 --> 00:00:12,100
I met him at the agency.
5
00:00:12,180 --> 00:00:... | null | 7167.78 | 4898.94 | 105.79 |
saturday_night_fever | tt0076666 | CH0leSZ5INIF | 1
00:00:04,800 --> 00:00:05,920
The car reverses.
2
00:00:08,600 --> 00:00:08,860
Double
3
00:00:08,860 --> 00:00:10,160
J. speeds forward.
4
00:00:13,280 --> 00:00:15,520
The car smashes through the hideout windows.
5
00:00:18,560 --> 00:00:21,840
Bobby stays in the car as his friends jump out and brawl with the g... | 1
00:00:09,220 --> 00:00:11,140
Aiming the car at the Barracuda Club.
2
00:00:17,850 --> 00:00:22,650
In an explosion of gas and dust, the car smashes through the garage door entrance to the club.
3
00:00:22,900 --> 00:00:24,740
Joey, Double J. and Tony leap out
4
00:00:24,740 --> 00:00:26,530
and immediately attack... | 1
00:00:00,280 --> 00:00:02,740
What are you doing?
What are you doing, Double J?
2
00:00:02,820 --> 00:00:05,660
- Trying to back it up!
- What are you, crazy?
3
00:00:06,620 --> 00:00:09,490
- Tony, I'm gonna get married.
- Shut up!
4
00:00:11,290 --> 00:00:13,290
Come on, fuckers!
5
00:00:28,350 --> 00:00:29,850... | 1
00:00:00,280 --> 00:00:02,730
What are you doing?
What are you doing, Double J?
2
00:00:02,820 --> 00:00:05,700
- Trying to back it up!
- What are you, crazy?
3
00:00:06,610 --> 00:00:09,490
- Tony, I'm gonna get married.
- Shut up!
4
00:00:11,290 --> 00:00:13,290
Come on, fuckers!
5
00:00:14,710 --> 00:00:16,370... | null | 7167.78 | 5307.87 | 113.20 |
saturday_night_fever | tt0076666 | iybXr_hlt1dK | 1
00:00:01,090 --> 00:00:02,490
They face opposite directions
2
00:00:02,490 --> 00:00:03,570
and turn in a circle.
3
00:00:04,010 --> 00:00:05,410
They repeat the sequence.
4
00:00:12,650 --> 00:00:13,370
Facing each other.
5
00:00:13,370 --> 00:00:14,490
They sway in unison,
6
00:00:14,490 --> 00:00:15,370
then ... | 1
00:00:01,130 --> 00:00:04,090
Now standing up, they perform a series of intricate steps
2
00:00:04,090 --> 00:00:05,590
coming together, breaking away
3
00:00:05,590 --> 00:00:07,300
and twirling in time to the music.
4
00:00:07,630 --> 00:00:09,760
He is wearing a white suit and black shirt.
5
00:00:09,800 --> 0... | 1
00:00:00,640 --> 00:00:02,850
But now you take my breath away
2
00:00:02,940 --> 00:00:06,980
Suddenly you're in my life
Part of everything I do
3
00:00:07,070 --> 00:00:12,110
You got me working day and night
Just trying to keep a hold on you
4
00:00:12,200 --> 00:00:16,240
Here in your arms
I found my paradise
... | null | 7167.78 | 5677.25 | 132.94 | |
saturday_night_fever | tt0076666 | q0JHuCLjJokY | 1
00:00:15,750 --> 00:00:16,710
He climbs down.
2
00:00:21,350 --> 00:00:23,310
He hops onto a ledge with no railing.
3
00:00:27,270 --> 00:00:27,870
Concerned.
4
00:00:27,910 --> 00:00:29,190
Double J. rushes over.
5
00:00:29,790 --> 00:00:31,090
Joey holds Annette.
6
00:00:31,490 --> 00:00:32,930
Tony climbs tow... | 1
00:00:15,900 --> 00:00:17,570
He recklessly slides down.
2
00:00:28,500 --> 00:00:28,830
Now.
3
00:00:28,830 --> 00:00:30,910
He skips along the narrow metal parapet.
4
00:00:30,910 --> 00:00:32,210
Annette is horrified.
5
00:00:32,210 --> 00:00:33,830
Even the guys look worried.
6
00:00:42,970 --> 00:00:44,390
... | 1
00:00:00,410 --> 00:00:02,410
Hey, Bobby! Hey, you punk!
2
00:00:02,490 --> 00:00:05,160
Tony! Look at me!
3
00:00:05,290 --> 00:00:08,830
- Look at the punk.
- Bobby, get down. It's too dangerous.
4
00:00:08,920 --> 00:00:13,750
Look at me, Tony.
Hey, Tony, look at me!
5
00:00:13,840 --> 00:00:15,970
Look! Hey, ... | 1
00:00:00,410 --> 00:00:02,450
Hey, Bobby! Hey, you punk!
2
00:00:02,540 --> 00:00:05,200
Tony! Look at me!
3
00:00:05,290 --> 00:00:08,830
- Look at the punk.
- Bobby, get down. It's too dangerous.
4
00:00:08,920 --> 00:00:13,760
Look at me, Tony.
Hey, Tony, look at me!
5
00:00:13,840 --> 00:00:15,970
Look! Hey, ... | null | 7167.78 | 6436.99 | 130.20 |
school_of_rock | tt0332379 | o7u5uOQj_Pfp | 1
00:00:29,710 --> 00:00:31,350
She gives him a look.
| 1
00:00:30,130 --> 00:00:31,840
She gives him a bemused look.
| 1
00:00:00,430 --> 00:00:03,760
So how's this gonna work?
Are you gonna pay me up front?
2
00:00:03,930 --> 00:00:05,140
I don't understand.
3
00:00:05,270 --> 00:00:08,060
It'd be really great
if I could get paid in cash.
4
00:00:08,230 --> 00:00:10,190
Oh, well, we don't do that.
5
00:00:10,480 --> 00:00:14,480
W... | 1
00:00:00,480 --> 00:00:01,710
So how's this
going to work?
2
00:00:01,750 --> 00:00:03,480
Are you going
to pay me up front?
3
00:00:03,520 --> 00:00:04,980
I, I don't understand.
4
00:00:05,020 --> 00:00:08,450
It would be really great
if I could get paid now in cash.
5
00:00:08,490 --> 00:00:10,390
Oh. Well.
We... | null | 6550.07 | 566.18 | 67.92 |
school_of_rock | tt0332379 | efno7puw9Piw | 1
00:00:02,960 --> 00:00:04,800
The kids exchange looks.
2
00:00:09,200 --> 00:00:10,720
A girl puts her hand up.
3
00:00:14,920 --> 00:00:17,360
She has a sandwich hidden in her desk.
4
00:01:05,100 --> 00:01:07,540
Tomorrow another girl raises her hand.
5
00:01:49,140 --> 00:01:51,340
Dewey studies the chart on t... | 1
00:00:03,320 --> 00:00:04,400
The children look at each other
2
00:00:04,400 --> 00:00:05,610
and shrug their shoulders.
3
00:00:09,820 --> 00:00:12,160
A portly young black girl raises her hand.
4
00:00:15,660 --> 00:00:17,040
He heads over to her desk.
5
00:00:17,080 --> 00:00:19,460
She opens the lid to reveal... | 1
00:00:01,300 --> 00:00:03,050
Okay, who's got food in here?
2
00:00:06,470 --> 00:00:09,230
You're not gonna get in trouble.
I'm hungry.
3
00:00:12,690 --> 00:00:14,400
You. What do you got?
4
00:00:20,610 --> 00:00:22,490
That's what I'm talking about.
5
00:00:26,540 --> 00:00:30,460
Okay. Teach. Teach. Teach.
... | 1
00:00:01,040 --> 00:00:04,050
Okay, who's got food in here?
2
00:00:06,820 --> 00:00:08,320
You're not going to get
in trouble.
3
00:00:08,350 --> 00:00:10,090
I'm hungry.
4
00:00:11,960 --> 00:00:13,220
You.
5
00:00:13,260 --> 00:00:15,260
What do you got?
6
00:00:19,230 --> 00:00:20,800
Mm-hmm.
7
00:00:20,830... | null | 6550.07 | 705.98 | 126.55 |
school_of_rock | tt0332379 | tqXiU_00Tkae | 1
00:00:00,210 --> 00:00:06,610
The next day in school, Dewey's pupils sit in silence, watching him as he sits with his feet up on his desk.
2
00:01:35,060 --> 00:01:36,980
Miss Mullins comes in behind him.
3
00:01:55,140 --> 00:01:56,020
The children get up
| 1
00:00:01,660 --> 00:00:03,620
who has his feet up on the front desk.
2
00:00:13,620 --> 00:00:15,200
Summer exhales angrily.
3
00:01:35,110 --> 00:01:36,530
Principal Mullins walks in.
4
00:01:36,570 --> 00:01:37,820
Dewey spins round.
| 1
00:00:06,510 --> 00:00:10,260
Are you gonna teach us anything
or are we just gonna sit here?
2
00:00:11,720 --> 00:00:13,680
Just do whatever you want.
3
00:00:15,730 --> 00:00:19,270
- I want to learn from my teacher.
- Besides that.
4
00:00:20,020 --> 00:00:22,400
Freddy, what do you like to do?
5
00:00:22,520 ... | 1
00:00:05,370 --> 00:00:08,470
Are you going to
teach us anything
2
00:00:08,500 --> 00:00:10,400
or are we just
going to sit here?
3
00:00:10,440 --> 00:00:13,840
Just do whatever you want.
4
00:00:13,870 --> 00:00:15,680
(sighs)
5
00:00:15,710 --> 00:00:17,810
I want to learn from my teacher.
6
00:00:17,840 -->... | null | 6550.07 | 1026.69 | 117.42 |
school_of_rock | tt0332379 | jxpAWNN6n_iT | 1
00:00:49,470 --> 00:00:50,790
Summer smiles.
| 1
00:00:49,350 --> 00:00:50,310
Summer nods.
| 1
00:00:04,570 --> 00:00:07,950
but not you guys, 'cause
you're not normal. You're special.
2
00:00:08,120 --> 00:00:10,410
Because you guys
have the right attitude,
3
00:00:10,580 --> 00:00:13,750
I think it's time
we started our new class project.
4
00:00:13,830 --> 00:00:15,380
- A science project?
- No.
5
00:00... | 1
00:00:00,350 --> 00:00:01,910
Now, listen, you guys,
you know what?
2
00:00:01,950 --> 00:00:04,320
Normal kids would have
been stoked to slack off,
3
00:00:04,350 --> 00:00:06,390
but not you guys,
'cause you're not normal.
4
00:00:06,420 --> 00:00:07,990
You're special.
5
00:00:08,020 --> 00:00:10,260
And becau... | null | 6550.07 | 1513.86 | 83.52 |
school_of_rock | tt0332379 | xYRPuzJMh5xR | 1
00:00:31,320 --> 00:00:32,240
He looks at them.
2
00:00:32,920 --> 00:00:34,360
They all gaze back.
| 1
00:00:31,340 --> 00:00:33,640
He surveys the blank faces in front of him.
| 1
00:00:05,200 --> 00:00:09,290
That's how you figure out what kind
of band to be. So who do you like?
2
00:00:10,000 --> 00:00:12,410
- Blondie?
- Christina Aguilera.
3
00:00:12,620 --> 00:00:15,420
Who? No. Come on. What?
4
00:00:15,630 --> 00:00:18,300
- You, Shortstop.
- Puff Daddy.
5
00:00:18,420 --> 00:00:21,... | 1
00:00:00,650 --> 00:00:05,230
when you start a band
is talk about your influences.
2
00:00:05,260 --> 00:00:06,360
That's how you figure out
3
00:00:06,390 --> 00:00:07,790
what kind of band
you want to be.
4
00:00:07,830 --> 00:00:09,900
So, who do you like?
5
00:00:09,920 --> 00:00:10,110
Blondie?
6
00:00:10,1... | null | 6550.07 | 2024.99 | 84.06 |
school_of_rock | tt0332379 | h3JoEVtjNXSE | 1
00:01:08,290 --> 00:01:12,250
Zack stands in the power stance with his legs wide apart.
2
00:01:34,650 --> 00:01:36,130
Dewey hands out CDs.
| 1
00:01:53,550 --> 00:01:53,840
Then.
| 1
00:00:00,410 --> 00:00:02,200
Okay, Freddy, that was awesome.
2
00:00:02,370 --> 00:00:04,910
You're rocking,
but it's a little sloppy-joe.
3
00:00:05,080 --> 00:00:07,460
Tighten up the screws, okay?
4
00:00:07,620 --> 00:00:10,880
Zack, dude,
what's up with the stiffness, man?
5
00:00:11,050 --> 00:00:14,590
Yo... | 1
00:00:01,050 --> 00:00:02,690
Okay, Freddy, that was awesome.
2
00:00:02,720 --> 00:00:05,660
You're rocking, but it's
a little sloppy Joe.
3
00:00:05,690 --> 00:00:07,530
Tighten up the
screws, okay?
4
00:00:07,560 --> 00:00:10,760
Zack, dude, what's up
with the stiffness man?
5
00:00:10,790 --> 00:00:14,700
You... | null | 6550.07 | 2467.14 | 114.24 |
school_of_rock | tt0332379 | eHNj__xMQbTN | 1
00:00:09,140 --> 00:00:10,460
A hand goes up.
2
00:01:14,350 --> 00:01:16,310
He looks around at the class.
| 1
00:00:08,830 --> 00:00:10,460
A heavy boy puts his hand up.
2
00:01:13,940 --> 00:01:15,980
The little effeminate boy has his hand up.
| 1
00:00:00,230 --> 00:00:02,850
If I was gonna give you a grade,
I'd give you an A.
2
00:00:02,980 --> 00:00:06,730
But that's the problem.
Rock ain't about doing things perfect.
3
00:00:06,900 --> 00:00:09,190
Who can tell me what it's really about?
4
00:00:10,530 --> 00:00:12,200
Frankie?
5
00:00:12,990 --> 00:00... | 1
00:00:02,100 --> 00:00:03,130
I would give you an "A,"
2
00:00:03,160 --> 00:00:04,730
but that's the problem.
3
00:00:04,770 --> 00:00:06,110
Rock ain't about
doing things perfect.
4
00:00:06,130 --> 00:00:09,970
Who can tell me
what it's really about?
5
00:00:10,000 --> 00:00:12,040
Frankie?
6
00:00:12,070 -->... | null | 6550.07 | 2736.13 | 85.31 |
school_of_rock | tt0332379 | pQ1ObIuFn2WC | 1
00:00:51,280 --> 00:00:54,080
The kids slouch and lean against Dewey's van.
2
00:01:18,240 --> 00:01:21,040
The children hang around by the van as if they are sick.
3
00:01:23,760 --> 00:01:25,280
One of them lies in the street.
4
00:01:27,840 --> 00:01:29,880
Smiling, Dewey comes out to them
5
00:01:29,880 --> 0... | 1
00:00:00,310 --> 00:00:00,970
at the door.
2
00:00:51,610 --> 00:00:54,780
The children are grouped around the van, looking ill and forlorn.
3
00:00:55,400 --> 00:00:55,900
Jeez.
4
00:01:20,330 --> 00:01:22,170
The organiser looks at the children.
5
00:01:22,170 --> 00:01:23,040
Summer coughing.
6
00:01:23,040 -... | 1
00:00:01,220 --> 00:00:05,520
Hi there. Hi. It's okay. It's cool.
I just wanted to say I'm really sorry.
2
00:00:05,680 --> 00:00:07,890
I shouldn't have barged in here.
3
00:00:08,100 --> 00:00:10,520
It wasn't fair to you or the kids,
4
00:00:10,610 --> 00:00:12,730
especially after
what they've been through.
5... | 1
00:00:01,480 --> 00:00:03,150
Hi, there. Hi.
It's okay. It's cool.
2
00:00:03,180 --> 00:00:05,150
I just wanted to say
I'm really sorry.
3
00:00:05,180 --> 00:00:06,590
I shouldn't have
barged in here
4
00:00:06,620 --> 00:00:08,160
without telling you
what was going down.
5
00:00:08,190 --> 00:00:10,790
It wasn... | null | 6550.07 | 3577.18 | 100.31 |
school_of_rock | tt0332379 | ScT_OYLuqaPK | 1
00:00:12,620 --> 00:00:15,140
She points to Dewey's guitar in the corner.
2
00:01:00,200 --> 00:01:02,880
Miss Mullins patrols to the back of the classroom,
3
00:01:03,160 --> 00:01:05,000
casting her eye over the children.
4
00:01:05,480 --> 00:01:06,600
Dewey looks around,
5
00:01:06,840 --> 00:01:08,840
then p... | 1
00:00:11,320 --> 00:00:15,690
She points over at Dewey's electric guitar, which is leaning up against a chair nearby.
2
00:00:50,390 --> 00:00:51,480
He looks nervous.
3
00:00:59,900 --> 00:01:02,450
Mullins walks haughtily to the back of the class.
4
00:01:02,490 --> 00:01:04,990
Dewey turns and clicks his finger... | 1
00:00:02,330 --> 00:00:06,170
You know what? Miss Lemmons
must be on crack, right, kids?
2
00:00:07,840 --> 00:00:11,630
Well... Well, what's that?
3
00:00:16,260 --> 00:00:18,640
Oh, that. Yeah.
4
00:00:18,810 --> 00:00:21,640
We were singing.
We were singing and learning.
5
00:00:22,980 --> 00:00:25,650
We were... | 1
00:00:02,630 --> 00:00:03,800
Uh-oh, you know what?
2
00:00:03,840 --> 00:00:06,240
Miss Lemmons must be on crack,
right, kids?
3
00:00:06,270 --> 00:00:08,210
KIDS:
Mm-hmm.
4
00:00:08,240 --> 00:00:12,510
Well... well... what's that?
5
00:00:15,910 --> 00:00:18,680
Oh, that. Yeah.
6
00:00:18,720 --> 00:00:20,35... | null | 6550.07 | 3813.60 | 133.61 |
school_of_rock | tt0332379 | 8R3JZvEsFQKc | 1
00:00:21,630 --> 00:00:22,350
He nods.
2
00:01:11,270 --> 00:01:13,190
She mouths a bitch.
| 1
00:00:12,050 --> 00:00:13,720
Dewey looks at her thoughtfully.
2
00:00:22,060 --> 00:00:22,810
He nods.
3
00:01:10,930 --> 00:01:12,560
She mouthed the word bitch.
| 1
00:00:00,550 --> 00:00:03,380
This is the first time
a teacher has asked me
2
00:00:03,470 --> 00:00:05,390
to do anything outside of school.
3
00:00:05,550 --> 00:00:08,430
- No way.
- It's... It's true.
4
00:00:09,600 --> 00:00:12,440
In six years.
5
00:00:14,350 --> 00:00:16,360
Well, you know,
6
00:00:16,480... | 1
00:00:01,310 --> 00:00:04,180
any teacher has ever
asked me to do anything
2
00:00:04,210 --> 00:00:05,510
outside of school.
3
00:00:05,550 --> 00:00:07,110
No way.
4
00:00:07,150 --> 00:00:08,520
It's, it's true.
5
00:00:08,550 --> 00:00:12,250
In... six years.
6
00:00:14,190 --> 00:00:15,490
Well, you know,
... | null | 6550.07 | 4248.19 | 78.35 |
sisu_2022 | tt14846026 | biXesy17J6ai | 1
00:00:05,340 --> 00:00:06,540
The minor complies.
2
00:00:15,300 --> 00:00:17,420
He trains his machine gun on the minor.
3
00:00:21,380 --> 00:00:23,660
He steps around to the horse's hind end.
4
00:00:29,180 --> 00:00:30,860
Checking inside a saddle bag.
5
00:00:30,940 --> 00:00:32,380
He turns to his comrades.... | 1
00:00:07,460 --> 00:00:08,700
Artemis dismounts.
2
00:00:22,540 --> 00:00:24,540
Artemis holds the horse's bridle
3
00:00:24,780 --> 00:00:27,020
as the soldier approaches and touches Artemis's.
4
00:00:27,060 --> 00:00:27,620
Pax.
5
00:00:27,900 --> 00:00:29,020
The soldier grins.
6
00:00:37,540 --> 00:00:41,10... | 1
00:00:02,390 --> 00:00:03,560
Get off the horse!
2
00:00:09,390 --> 00:00:11,660
Where do you think
you're going, old man?
3
00:00:11,700 --> 00:00:14,700
There's nothing down there.
We made sure of that.
4
00:00:18,190 --> 00:00:19,450
What do you got there?
5
00:00:34,070 --> 00:00:36,160
This old fucker is a g... | 1
00:00:02,380 --> 00:00:03,560
Get off the horse!
2
00:00:09,390 --> 00:00:11,650
Where do you think
you're going, old man?
3
00:00:11,700 --> 00:00:14,700
There's nothing down there.
We made sure of that.
4
00:00:18,180 --> 00:00:19,450
What do you got there?
5
00:00:24,620 --> 00:00:25,620
[Horse snorts]
6
00:0... | null | 5482.53 | 874.85 | 122.16 |
sisu_2022 | tt14846026 | AR7qdtAb7sw4 | 1
00:00:06,810 --> 00:00:08,810
The two men stare each other down.
2
00:00:11,210 --> 00:00:13,890
Wispy smoke wafts by the officer's face
3
00:00:13,890 --> 00:00:15,170
before he turns away.
4
00:00:16,970 --> 00:00:20,970
Now the second in command lifts his scoped rifle finger on the trigger.
5
00:00:21,330 --> ... | 1
00:00:01,700 --> 00:00:03,660
and the two men stare at each other.
2
00:00:08,860 --> 00:00:12,100
The old man, grim faced and blood spattered the Nazi.
3
00:00:12,140 --> 00:00:15,420
Steely eyed, the officer looks towards the sniper.
4
00:00:19,620 --> 00:00:21,460
The bolt action rifle is raised.
5
00:00:21,46... | 1
00:00:16,960 --> 00:00:18,430
Now.
2
00:00:30,580 --> 00:00:31,970
Fire!
3
00:00:46,070 --> 00:00:47,250
Cease fire!
4
00:02:18,340 --> 00:02:19,340
Huh?
| 1
00:00:16,950 --> 00:00:18,430
- Now.
- [Gun cocks]
2
00:00:25,220 --> 00:00:26,660
[All gasping]
3
00:00:26,700 --> 00:00:29,270
[Continues exploding]
4
00:00:30,580 --> 00:00:31,970
Fire!
5
00:00:35,410 --> 00:00:37,020
[Bullets ricocheting]
6
00:00:42,500 --> 00:00:43,940
[Gunfire continues]
7
00:00:46,070 --... | null | 5482.53 | 1454.66 | 145.36 |
sisu_2022 | tt14846026 | 8wWaLBnztl1W | 1
00:00:23,630 --> 00:00:25,230
The officer cracks a smile.
2
00:00:35,350 --> 00:00:37,230
The officer holds the gold nugget.
3
00:01:18,010 --> 00:01:20,490
The officer scoffs and rolls his eyes.
| 1
00:00:23,270 --> 00:00:24,830
Bruno chuckles to himself.
2
00:00:46,590 --> 00:00:48,550
Aatami moves on in pale sunlight.
3
00:01:17,190 --> 00:01:18,350
Bruno scoffs.
| 1
00:00:01,260 --> 00:00:04,830
The general,
he has given us orders.
2
00:00:04,880 --> 00:00:10,190
Turn back and head to Norway
from Finland immediately.
3
00:00:10,230 --> 00:00:12,710
Did you tell him he just
killed seven of our men?
4
00:00:12,750 --> 00:00:13,750
I did.
5
00:00:14,670 --> 00:00:15,670
And?
6... | 1
00:00:01,260 --> 00:00:04,830
The general,
he has given us orders.
2
00:00:04,870 --> 00:00:10,180
Turn back and head to Norway
from Finland immediately.
3
00:00:10,230 --> 00:00:12,710
Did you tell him he just
killed seven of our men?
4
00:00:12,750 --> 00:00:13,750
I did.
5
00:00:14,670 --> 00:00:15,670
And?
6... | null | 5482.53 | 1770.56 | 106.33 |
sisu_2022 | tt14846026 | rdhu8cNaqoth | 1
00:00:05,250 --> 00:00:09,090
As the officer and others wait on the jetty, comrades ride in a rowboat.
2
00:00:10,530 --> 00:00:13,330
One dives into the water, leaving two men in the boat.
3
00:00:16,450 --> 00:00:22,770
The helmeted soldier hovers, moving his arms and legs as he touches bottom.
4
00:00:22,810 --... | 1
00:00:05,720 --> 00:00:07,240
A rowing boat is launched.
2
00:00:09,560 --> 00:00:11,280
A soldier jumps off the boat.
3
00:00:13,680 --> 00:00:15,080
In full kit and uniform.
4
00:00:15,080 --> 00:00:18,480
The German soldier looks around the dark waters unseen.
5
00:00:18,480 --> 00:00:20,080
Aatami swims towar... | 1
00:00:02,640 --> 00:00:04,510
Now, get me the gold.
| 1
00:00:02,640 --> 00:00:04,510
Now, get me the gold.
2
00:00:05,120 --> 00:00:07,120
[Dogs barking]
3
00:00:30,840 --> 00:00:32,540
[Soldier grunting]
| null | 5482.53 | 2335.01 | 35.57 |
sisu_2022 | tt14846026 | vIaqgz4dsfMH | 1
00:00:04,850 --> 00:00:07,770
As the post shudders, a bolted brace comes loose.
2
00:00:09,370 --> 00:00:11,290
Artemis's leg slips from the screw
3
00:00:11,290 --> 00:00:12,490
and the sign tilts down
4
00:00:12,490 --> 00:00:14,210
with the rope tightening around his neck.
5
00:00:18,170 --> 00:00:20,210
Seen ... | 1
00:00:06,350 --> 00:00:08,070
It passes low, just overhead.
2
00:00:08,070 --> 00:00:10,870
Shaking the signpost, bolts shake loose
3
00:00:10,870 --> 00:00:12,870
and Artemis's leg slips off the rod.
4
00:00:13,110 --> 00:00:15,830
He drops hanging with his full weight once again.
5
00:00:20,670 --> 00:00:23,310... | 1
00:01:31,880 --> 00:01:33,930
This son of a bitch
is still alive.
2
00:01:37,800 --> 00:01:38,930
Shoot the man
3
00:01:39,760 --> 00:01:41,020
and shoot the dog, too.
| 1
00:00:03,180 --> 00:00:05,580
[Airplane whirring loudly]
2
00:00:05,620 --> 00:00:08,230
[Signpost rattling
and creaking]
3
00:00:11,540 --> 00:00:13,840
[Grunts, choking]
4
00:00:13,890 --> 00:00:16,020
[Airplane whirring]
5
00:00:29,640 --> 00:00:31,380
[Grunts, chokes]
6
00:00:33,780 --> 00:00:35,170
[Aatami ... | null | 5482.53 | 3111.20 | 110.85 |
spider_man_far_from_home | tt6320628 | ySftbUqGd5cr | 1
00:00:13,790 --> 00:00:16,350
The towering water creature smashes a building with its arm.
2
00:00:16,550 --> 00:00:18,590
The monster damages the side of another building,
3
00:00:18,590 --> 00:00:19,710
then punches the canal.
4
00:00:20,230 --> 00:00:21,390
Peter helps civilians.
5
00:00:24,790 --> 00:00:25,79... | 1
00:00:00,140 --> 00:00:03,850
A humanoid figure takes form in the rising column of water.
2
00:00:14,040 --> 00:00:19,170
The colossal water creature slams its liquid arm into a building, damaging it badly.
3
00:00:19,460 --> 00:00:22,090
Then it pounds at the surface of the canal.
4
00:00:24,760 --> 00:00:26,350
... | 1
00:00:05,400 --> 00:00:06,710
- What is that?
- I don't know.
2
00:00:06,740 --> 00:00:08,650
- What'll you do?
- My suit's in the hotel.
3
00:00:08,670 --> 00:00:10,180
- Why?
- I'm on vacation, Ned!
4
00:00:10,210 --> 00:00:12,190
Everyone will see my face.
Get them out.
5
00:00:12,210 --> 00:00:13,210
Go! Just... | 1
00:00:05,430 --> 00:00:06,640
- What is that?
- I don't know.
2
00:00:06,720 --> 00:00:08,560
- What'll you do?
- Left my suit in the hotel.
3
00:00:08,640 --> 00:00:10,510
- Why?
- I'm on vacation, Ned!
4
00:00:10,600 --> 00:00:12,160
Everyone will see my face.
Get them out of here.
5
00:00:12,190 --> 00:00:13,1... | null | 7741.62 | 1226.66 | 266.75 |
spider_man_far_from_home | tt6320628 | DqBK2ZIa29Rx | 1
00:00:01,760 --> 00:00:03,560
He spots Brad staring at his phone.
2
00:00:05,440 --> 00:00:06,680
Peter puts on the glasses.
3
00:00:23,070 --> 00:00:26,510
The glasses show Brad's phone, which currently displays the photo of Peter and the blonde
4
00:00:26,510 --> 00:00:27,750
Peter glances at MJ.
5
00:00:38,390... | 1
00:00:00,930 --> 00:00:04,850
With the bus on the road again, Peter puts on the stark glasses.
2
00:00:23,930 --> 00:00:27,310
He glances down the aisle and sees Brad about to send the photo.
3
00:00:40,710 --> 00:00:41,580
In orbit.
4
00:00:41,620 --> 00:00:46,880
A Stark Industries satellite releases a small obj... | 1
00:00:04,590 --> 00:00:07,060
What's up, Flash Mob?
It's your boy, Big F...
2
00:00:07,090 --> 00:00:08,830
- EDITH?
- Hello, Peter.
3
00:00:08,860 --> 00:00:10,830
- How can I help you?
- Hey. There's this guy
4
00:00:10,860 --> 00:00:12,840
in my class who's gonna
ruin everything...
5
00:00:12,860 --> 00:00:15,... | 1
00:00:01,310 --> 00:00:03,350
[CHATTERING]
2
00:00:04,560 --> 00:00:06,980
FLASH: What's up, Flash Mob?
It's your boy, Big F...
3
00:00:07,060 --> 00:00:09,680
- EDITH?
- Hello, Peter. How can I help you?
4
00:00:09,780 --> 00:00:12,730
Hey. There's this guy in my class
who's gonna ruin everything with MJ...
5
00... | null | 7741.62 | 2366.91 | 149.44 |
spider_man_far_from_home | tt6320628 | X8_yt68ac0Rc | 1
00:00:00,440 --> 00:00:02,120
The elemental smashes a police car
2
00:00:02,120 --> 00:00:03,440
and fires, shoots upward.
3
00:00:03,800 --> 00:00:05,640
Frightened people flee from the monster.
4
00:00:09,480 --> 00:00:13,400
The fiery monster destroys carnival structures that lands in front of it
5
00:00:13,40... | 1
00:00:01,330 --> 00:00:03,250
The fire creature smashes a police car
2
00:00:03,250 --> 00:00:05,340
and people run away from the Ferris wheel.
3
00:00:10,350 --> 00:00:12,310
Ned and Betty are trapped at the top.
4
00:00:12,680 --> 00:00:15,400
Mysterio lands near the fire elemental.
5
00:00:19,260 --> 00:00:22,... | 1
00:00:06,340 --> 00:00:07,380
No, come back!
2
00:00:07,410 --> 00:00:08,970
Come back and help us!
3
00:00:15,710 --> 00:00:16,920
You're up, kid.
4
00:00:29,730 --> 00:00:31,200
Wait, wait. Is that...?
5
00:00:31,230 --> 00:00:32,740
Do you think
that's Spider-Man?
6
00:00:32,760 --> 00:00:34,010
Uh-uh.
No, no... | 1
00:00:06,310 --> 00:00:07,310
BETTY:
No, come back!
2
00:00:07,390 --> 00:00:09,010
Come back and help us!
3
00:00:15,690 --> 00:00:16,930
You're up, kid.
4
00:00:29,700 --> 00:00:31,290
- Wait, wait. Is that...?
- Oh.
5
00:00:31,370 --> 00:00:33,710
- Do you think that's Spider-Man?
- Uh...
6
00:00:33,790 --> 0... | null | 7741.62 | 3069.66 | 236.54 |
spider_man_far_from_home | tt6320628 | ZLWe9TXnJH_6 | 1
00:00:39,270 --> 00:00:40,430
A woman picks up the glasses
2
00:00:40,430 --> 00:00:41,350
and hands them to Peter.
3
00:00:50,150 --> 00:00:51,710
Peter puts on the large glasses,
4
00:00:51,710 --> 00:00:52,710
then turns to Beck.
5
00:01:09,310 --> 00:01:10,150
Beck smiles.
6
00:01:11,070 --> 00:01:12,910
He ... | 1
00:01:13,420 --> 00:01:15,170
Mysterio puts them on.
2
00:01:20,140 --> 00:01:21,810
Peter thinks to himself.
3
00:02:48,240 --> 00:02:50,910
Peter passes the glasses back to Mysterio,
4
00:02:51,410 --> 00:02:52,580
and he puts them on.
5
00:03:21,370 --> 00:03:27,080
Almost as soon as Peters left the bar, much ... | 1
00:00:01,030 --> 00:00:03,770
Mr. Stark gave me
the chance to be more.
2
00:00:03,800 --> 00:00:05,610
He wanted me to be
better than him.
3
00:00:05,630 --> 00:00:07,680
And Fury just wants me
to live up to that.
4
00:00:07,700 --> 00:00:09,250
What do you want, Peter?
5
00:00:09,270 --> 00:00:11,980
- What do y... | 1
00:00:01,020 --> 00:00:03,680
Mr. Stark gave me
the chance to be more.
2
00:00:03,770 --> 00:00:05,610
He wanted me to be better than him.
3
00:00:05,690 --> 00:00:08,690
- And Fury wants me to live up to that.
- What do you want?
4
00:00:09,240 --> 00:00:11,350
- What do you mean?
- What do you want?
5
00:00:13,... | null | 7741.62 | 3456.29 | 235.24 |
spider_man_far_from_home | tt6320628 | TcZB8iAWIkOw | 1
00:00:16,060 --> 00:00:17,340
Their hands lightly touch.
2
00:00:18,100 --> 00:00:19,140
They both pull away.
3
00:00:25,260 --> 00:00:26,340
MJ faces him.
4
00:00:37,140 --> 00:00:38,540
He takes out the necklace tin.
5
00:01:34,450 --> 00:01:36,370
MJ takes out the web covered object.
6
00:01:44,930 --> 00:01:... | 1
00:02:07,140 --> 00:02:09,730
The web covered device, MJ's holding activates
2
00:02:09,730 --> 00:02:11,360
and a smoke monster appears.
3
00:02:17,290 --> 00:02:19,500
The monster quickly disappeared again,
4
00:02:19,750 --> 00:02:23,920
and Peter cautiously picks up the device from where MJ dropped it.
5
00:0... | 1
00:00:01,900 --> 00:00:04,280
- Yeah, me too.
- To see the city a bit.
2
00:00:04,300 --> 00:00:07,820
They used to execute people
on this bridge.
3
00:00:07,840 --> 00:00:09,980
- Oh.
- They would put them in a basket,
4
00:00:10,010 --> 00:00:12,110
and they would drown
in the water.
5
00:00:13,850 --> 00:00:15... | 1
00:00:02,580 --> 00:00:04,190
To see the city a bit.
2
00:00:05,000 --> 00:00:07,740
They used to execute people
on this bridge.
3
00:00:07,830 --> 00:00:11,750
They would put them in a basket,
and they would drown in the water.
4
00:00:13,840 --> 00:00:15,800
- Sorry.
- It's okay.
5
00:00:19,220 --> 00:00:22,710... | null | 7741.62 | 4019.71 | 210.51 |
spider_man_far_from_home | tt6320628 | S69K2_qpJGtA | 1
00:00:02,350 --> 00:00:04,030
Peter crashes through large webs.
2
00:00:09,590 --> 00:00:10,590
The illusion fades
3
00:00:10,590 --> 00:00:13,190
and Peter crashes on top of a car outside the building.
4
00:00:13,710 --> 00:00:14,950
He rolls onto the ground,
5
00:00:14,950 --> 00:00:16,270
then scrambles to his... | 1
00:00:02,030 --> 00:00:05,660
He sent flying, falling down through a spider web.
2
00:00:10,590 --> 00:00:14,510
Spider-Man crashes into the bonnet of a car in a sunlit city.
3
00:00:16,180 --> 00:00:17,390
He rolls off it,
4
00:00:17,390 --> 00:00:19,270
then looks around in confusion
5
00:00:19,270 --> 00:00:22... | 1
00:00:07,770 --> 00:00:09,010
You need to wake up!
2
00:00:32,360 --> 00:00:34,870
I mean, look at yourself.
3
00:00:44,410 --> 00:00:47,090
You are just
a scared little kid
4
00:00:47,110 --> 00:00:48,880
in a sweat suit.
5
00:00:50,110 --> 00:00:51,690
I created Mysterio
6
00:00:51,720 --> 00:00:54,860
to give... | 1
00:00:04,850 --> 00:00:06,140
[YELLS]
2
00:00:07,730 --> 00:00:09,020
You need to wake up!
3
00:00:10,820 --> 00:00:12,400
[GRUNTING]
4
00:00:18,030 --> 00:00:20,030
[PANTING]
5
00:00:22,410 --> 00:00:24,400
[GLASS SHATTERING]
6
00:00:32,340 --> 00:00:34,460
I mean, look at yourself.
7
00:00:44,390 --> 00:00:48... | null | 7741.62 | 4734.53 | 106.39 |
spider_man_far_from_home | tt6320628 | RhmhmkWTwl4p | 1
00:00:00,370 --> 00:00:01,530
The illusion disappears
2
00:00:01,530 --> 00:00:03,090
and Beck falls to his knees.
3
00:00:04,170 --> 00:00:06,210
Fury stands behind him, holding a gun.
4
00:00:06,770 --> 00:00:07,810
SUVs arrive
5
00:00:07,810 --> 00:00:09,770
and agents in tactical gear get out.
6
00:00:10,370... | 1
00:00:01,990 --> 00:00:03,240
In the real world.
2
00:00:03,240 --> 00:00:04,740
Beck falls to his knees,
3
00:00:04,780 --> 00:00:05,780
then collapses.
4
00:00:06,410 --> 00:00:14,300
He's been tranquillised by Fury, who's arrived with some backup Fury next.
5
00:00:45,680 --> 00:00:47,810
Fury was Beck all alo... | 1
00:00:11,910 --> 00:00:13,450
Fury. Unh.
2
00:00:13,480 --> 00:00:16,920
Beck's people
are trying to find everyone
3
00:00:16,950 --> 00:00:19,030
who could expose him.
4
00:00:19,050 --> 00:00:20,290
Who'd you tell?
5
00:00:20,320 --> 00:00:22,000
- Um...
- I know you told someone...
6
00:00:22,020 --> 00:00:23... | 1
00:00:00,940 --> 00:00:02,810
[GRUNTING]
2
00:00:04,990 --> 00:00:07,400
[♪♪♪]
3
00:00:11,870 --> 00:00:13,360
Fury.
4
00:00:13,450 --> 00:00:18,070
Beck's people are trying to find
everyone who could expose him.
5
00:00:19,290 --> 00:00:20,200
Who'd you tell?
6
00:00:20,290 --> 00:00:23,130
- Um...
- I know you... | null | 7741.62 | 4857.18 | 109.60 |
spider_man_far_from_home | tt6320628 | grrWgXCZl09p | 1
00:00:03,070 --> 00:00:04,230
He enters the giant illusion
2
00:00:04,230 --> 00:00:05,550
and crashes into a drone.
3
00:00:05,950 --> 00:00:07,350
Peter hangs on to the craft.
4
00:00:10,870 --> 00:00:14,630
Countless drones project Blue lights outward, creating the gigantic illusion
5
00:00:14,910 --> 00:00:16... | 1
00:00:02,680 --> 00:00:03,560
He pierces it
2
00:00:03,560 --> 00:00:07,560
and lands on one of the hundreds of drones that are projecting the illusion.
3
00:00:11,780 --> 00:00:13,320
Maria climbs the ladder,
4
00:00:13,490 --> 00:00:16,450
pushing a large case onto the roof of the shard.
5
00:00:19,630 --> 00:0... | 1
00:00:00,500 --> 00:00:02,940
It's not real,
it's not real, it's not real!
2
00:00:07,470 --> 00:00:09,690
Whoa.
3
00:00:09,710 --> 00:00:11,510
That's awesome.
4
00:00:36,740 --> 00:00:38,880
William, I've got drones
breaking formation.
5
00:00:38,910 --> 00:00:41,220
Maybe they hit a flock of birds.
You're fine... | 1
00:00:00,550 --> 00:00:02,970
Ah. It's not real, it's not real, it's not real!
2
00:00:03,970 --> 00:00:05,970
[GRUNTING]
3
00:00:07,390 --> 00:00:09,100
Whoa.
4
00:00:09,690 --> 00:00:10,850
That's awesome.
5
00:00:36,710 --> 00:00:38,710
William, I've got drones
breaking formation.
6
00:00:38,800 --> 00:00:41,... | null | 7741.62 | 5850.27 | 85.13 |
spider_man_far_from_home | tt6320628 | Yn2XaJNdjcjU | 1
00:00:06,850 --> 00:00:07,410
Edith
2
00:00:07,810 --> 00:00:09,010
a drone blasts Peter
3
00:00:09,010 --> 00:00:10,970
and he goes flying to the other end of the walkway.
4
00:00:12,610 --> 00:00:14,130
Peter gets up and faces Beck.
5
00:00:19,970 --> 00:00:21,010
Beck holds them up.
6
00:00:23,450 --> 00:00:2... | 1
00:00:08,710 --> 00:00:13,430
One of Beck's personal guard drones, blasts Spider-Man, sending him sprawling.
2
00:00:23,610 --> 00:00:26,080
Multiple drones hover in front of Beck,
3
00:00:26,120 --> 00:00:28,660
and he disappears behind a holographic illusion
4
00:00:28,660 --> 00:00:31,880
which soon envelops Pe... | 1
00:00:00,670 --> 00:00:03,380
Your lies are over, Beck.
2
00:00:03,410 --> 00:00:06,980
This certainly isn't ideal,
but I have contingencies.
3
00:00:07,010 --> 00:00:08,380
EDITH?
4
00:00:16,180 --> 00:00:18,730
Just give me the glasses.
5
00:00:18,750 --> 00:00:20,490
You want these?
6
00:00:21,920 --> 00:00:2... | 1
00:00:00,630 --> 00:00:02,160
Your lies are over, Beck.
2
00:00:03,380 --> 00:00:06,870
This certainly isn't ideal,
but I have contingencies.
3
00:00:06,970 --> 00:00:08,380
EDITH?
4
00:00:11,010 --> 00:00:12,680
[COUGHING]
5
00:00:16,140 --> 00:00:18,640
Just give me the glasses.
6
00:00:18,730 --> 00:00:19,850... | null | 7741.62 | 6323.71 | 142.43 |
spider_man_far_from_home | tt6320628 | V_MCdmrcPAXD | 1
00:00:01,440 --> 00:00:03,000
Peter swings around New York City.
2
00:00:03,400 --> 00:00:05,560
He types on his phone as he falls toward the street.
3
00:00:06,000 --> 00:00:07,960
He gives the peace sign as he takes a selfie.
4
00:00:09,960 --> 00:00:12,600
A skyscraper reflects the hero as he flips in the air
... | 1
00:00:02,070 --> 00:00:05,910
Spider-Man swings from building to building in New York City.
2
00:00:08,160 --> 00:00:10,290
He takes selfies on his phone camera
3
00:00:10,290 --> 00:00:11,170
as he does so.
4
00:00:14,250 --> 00:00:16,630
He runs along the side of an office building.
5
00:00:21,350 --> 00:00:25,... | 1
00:00:13,050 --> 00:00:14,450
Whoo!
2
00:00:18,660 --> 00:00:20,230
Sorry!
3
00:00:24,700 --> 00:00:25,730
Whoa!
4
00:00:27,100 --> 00:00:28,570
Whoa.
5
00:00:31,240 --> 00:00:32,540
Whoo!
6
00:00:39,680 --> 00:00:42,550
Whoo-hoo!
7
00:00:56,600 --> 00:00:58,210
- Hey.
- Hey. Sorry I'm late.
8
00:00:58,230 -->... | 1
00:00:18,630 --> 00:00:19,740
Sorry!
2
00:00:24,670 --> 00:00:25,750
Whoa!
3
00:00:31,300 --> 00:00:32,300
Whoo!
4
00:00:39,690 --> 00:00:41,600
Woo-hoo!
5
00:00:56,580 --> 00:00:58,120
- Hey. Sorry I'm late.
- Hey.
6
00:00:58,580 --> 00:01:00,540
- It's fine.
- You ready?
7
00:01:00,630 --> 00:01:02,290
- Yeah... | null | 7741.62 | 6854.30 | 79.06 |
spider_man_homecoming | tt2250912 | EhnlW0f0SH9b | 1
00:00:02,130 --> 00:00:03,170
Peter takes off his shoes
2
00:00:03,170 --> 00:00:04,330
and throws them aside.
3
00:00:07,730 --> 00:00:10,770
From his backpack, he pulls out his blue and red Spider-Man suit.
4
00:00:11,050 --> 00:00:12,330
He knocks over a garbage can
5
00:00:12,330 --> 00:00:14,130
as he awkwar... | 1
00:00:00,710 --> 00:00:01,960
He hops out of his shoes
2
00:00:01,960 --> 00:00:06,310
and throws them ahead of himself as he hurries through the rubbish strewn alleyway.
3
00:00:09,990 --> 00:00:12,620
He pulls the spider suit out of his backpack
4
00:00:12,620 --> 00:00:15,840
and unceremoniously wriggles out of... | 1
00:00:58,560 --> 00:00:59,600
Finally.
2
00:01:04,440 --> 00:01:07,110
- What's the matter with you?
- Could you hold this?
3
00:01:07,280 --> 00:01:08,610
Thanks.
4
00:01:09,860 --> 00:01:12,950
Hey, is this anybody's bike? No?
5
00:01:13,120 --> 00:01:15,530
- Hey, buddy, is this your bike?
- I have no change.
... | 1
00:00:03,960 --> 00:00:05,960
[GRUNTS]
2
00:00:13,050 --> 00:00:15,050
[♪♪♪]
3
00:00:15,680 --> 00:00:17,680
[RATS SQUEALING]
4
00:00:18,180 --> 00:00:19,180
Unh!
5
00:00:25,020 --> 00:00:27,030
[♪♪♪]
6
00:00:37,990 --> 00:00:39,000
[RAT SQUEALS]
7
00:00:42,830 --> 00:00:45,050
[♪♪♪]
8
00:00:52,340 --> 00:00:5... | null | 8008.00 | 939.10 | 183.35 |
spider_man_homecoming | tt2250912 | 5DlaVOSViilJ | 1
00:00:00,850 --> 00:00:03,090
Peter lies motionless on the floor of the trailer.
2
00:00:03,370 --> 00:00:04,690
It shakes to a stop.
3
00:00:35,150 --> 00:00:36,950
Peter smashes through the trailer doors
4
00:00:36,990 --> 00:00:39,390
and finds himself in a warehouse full of containers.
5
00:00:50,590 --> 00:0... | 1
00:00:01,770 --> 00:00:04,660
Later, he comes to as the container shudders.
2
00:00:34,180 --> 00:00:37,450
He bursts out of the back into a container facility.
| 1
00:00:07,590 --> 00:00:08,630
My head.
2
00:00:08,800 --> 00:00:11,590
You appear to have a mild concussion.
3
00:00:13,810 --> 00:00:16,970
Hey, so where am I right now?
4
00:00:17,140 --> 00:00:18,260
I'm not sure.
5
00:00:18,810 --> 00:00:20,970
The container walls are hindering my sensors.
6
00:00:22,650 -->... | 1
00:00:00,040 --> 00:00:02,040
[WHIRRING AND RUMBLING]
2
00:00:07,300 --> 00:00:08,640
My head.
3
00:00:08,800 --> 00:00:11,680
SPIDER SUIT:
You appear to have a mild concussion.
4
00:00:13,800 --> 00:00:16,980
Hey, so where am I right now?
5
00:00:17,140 --> 00:00:18,260
I'm not sure.
6
00:00:18,810 --> 00:00:20... | null | 8008.00 | 3280.32 | 138.18 |
spider_man_homecoming | tt2250912 | JI4Y0Fwh28eb | 1
00:00:02,270 --> 00:00:05,650
Cautiously, Peter peers over the edge, to the ground far below.
2
00:00:23,290 --> 00:00:25,130
Peter moves on top of the windowsill.
3
00:00:28,250 --> 00:00:29,250
He kicks the window.
4
00:00:34,210 --> 00:00:35,850
Peter shoots a web against the monument
5
00:00:35,850 --> 00:00:... | 1
00:00:00,710 --> 00:00:06,180
and clings to the stone wall with his back against it, just below a huge crack in the surface structure.
2
00:00:06,230 --> 00:00:10,410
He tentatively leans over the edge to see people the size of ants.
3
00:00:26,380 --> 00:00:27,670
He kicks the window.
4
00:00:35,280 --> 00:00:38,... | 1
00:00:07,130 --> 00:00:09,120
Okay. Oh, my God.
2
00:00:09,300 --> 00:00:10,960
Okay.
3
00:00:12,640 --> 00:00:14,670
What's wrong? You've reached
the southwest window.
4
00:00:14,850 --> 00:00:16,590
- Why are you hesitating?
- It's fine.
5
00:00:16,760 --> 00:00:18,470
I've just never been this high before.
6
... | 1
00:00:01,580 --> 00:00:03,300
[GROANS]
2
00:00:04,120 --> 00:00:05,920
[WIND WHISTLING]
3
00:00:07,120 --> 00:00:09,130
Okay. Oh, my God.
4
00:00:09,290 --> 00:00:10,970
Okay.
5
00:00:12,630 --> 00:00:14,820
KAREN: What's wrong? You've reached
the southwest window.
6
00:00:14,840 --> 00:00:16,590
- Why are you h... | null | 8008.00 | 3708.96 | 200.99 |
spider_man_homecoming | tt2250912 | edJI4XgTk8rA | 1
00:00:02,520 --> 00:00:04,440
Aaron carries groceries to his car.
2
00:00:04,920 --> 00:00:06,680
The spider drone follows him
3
00:00:07,080 --> 00:00:08,480
as Aaron opens the trunk.
4
00:00:08,520 --> 00:00:10,400
Peter arrives in his Spider-Man suit.
5
00:00:10,600 --> 00:00:12,960
He sticks Aaron's hand to t... | 1
00:00:02,090 --> 00:00:06,110
The Spider-Man drone follows Aaron Davis to his car in a car park.
2
00:00:06,230 --> 00:00:09,240
As he lifts the trunk lid, Spider-Man drops to the floor
3
00:00:09,240 --> 00:00:12,040
and webs Aaron's hand to the boot as he approaches.
4
00:00:39,300 --> 00:00:40,970
Aaron slams t... | 1
00:00:14,610 --> 00:00:16,350
- Remember me?
- Hey...
2
00:00:16,530 --> 00:00:18,360
I need information. You'll give it to me now.
3
00:00:18,530 --> 00:00:20,240
- All right, chill.
- Come on!
4
00:00:20,990 --> 00:00:23,610
- What happened to your voice?
- What do you mean?
5
00:00:23,790 --> 00:00:26,020
I he... | 1
00:00:14,610 --> 00:00:16,360
- [IN DEEP VOICE] Remember me?
- Hey...
2
00:00:16,530 --> 00:00:18,370
I need information.
You'll give it to me now.
3
00:00:18,530 --> 00:00:20,250
- All right, chill.
- Come on!
4
00:00:20,990 --> 00:00:23,620
- What happened to your voice?
- What do you mean?
5
00:00:23,780 --> 0... | null | 8008.00 | 4194.72 | 128.41 |
spider_man_homecoming | tt2250912 | eUIwBQnx_mWE | 1
00:00:01,720 --> 00:00:02,840
He snags keys.
2
00:00:03,960 --> 00:00:05,200
Peter leaps to the deck.
3
00:00:09,000 --> 00:00:10,160
Disarms two thugs,
4
00:00:10,160 --> 00:00:11,840
then kicks Gargan and slams him.
5
00:00:12,160 --> 00:00:15,480
Peter ducks the bald man's shocker gauntlet, which gets caught i... | 1
00:00:03,010 --> 00:00:04,930
He webs some keys and lands.
2
00:00:11,240 --> 00:00:13,210
A split shot webs two guys
3
00:00:13,210 --> 00:00:15,300
and Spider-Man bursts into Gargan,
4
00:00:15,300 --> 00:00:16,850
dodging Schultz punch.
5
00:00:21,030 --> 00:00:24,160
Spider-Man slings a motorbike at Gargan's ... | 1
00:00:00,540 --> 00:00:01,660
I'll take those!
2
00:00:05,290 --> 00:00:08,630
Hey, guys. The illegal weapons-deal ferry
was at 10:30. You missed it.
3
00:00:17,640 --> 00:00:19,260
Spider guy's here.
4
00:00:22,440 --> 00:00:24,430
Not so fast.
5
00:00:25,270 --> 00:00:28,560
Are you guys okay?
My bad. That was ... | 1
00:00:00,530 --> 00:00:01,660
I'll take those!
2
00:00:02,540 --> 00:00:03,710
Yoink.
3
00:00:05,290 --> 00:00:08,630
Hey, guys. The illegal-weapons-deal ferry
was at 10:30. You missed it.
4
00:00:08,830 --> 00:00:10,840
[ALL GRUNTING]
5
00:00:17,630 --> 00:00:19,260
MAN:
Spider guy's here.
6
00:00:21,930 --> 00... | null | 8008.00 | 4451.74 | 268.19 |
spider_man_homecoming | tt2250912 | cRVhmN6BC9_Y | 1
00:00:31,270 --> 00:00:34,070
Toomes glances at Peter suspiciously in the rear view.
2
00:00:34,550 --> 00:00:36,110
He stops at an intersection.
3
00:00:43,950 --> 00:00:44,830
Peter nods.
4
00:01:02,410 --> 00:01:03,410
Toomes grins.
5
00:01:07,010 --> 00:01:09,010
Liz glances between her dad and Peter.
6
00:0... | 1
00:00:33,670 --> 00:00:37,140
Vulture frowns as he passes the information together
2
00:00:37,180 --> 00:00:38,180
at some lights.
3
00:01:08,110 --> 00:01:10,120
His face lights up green.
4
00:01:15,390 --> 00:01:16,640
Toomes pulls away
5
00:01:16,940 --> 00:01:17,770
at the school.
6
00:01:17,900 --> 00:01:19... | 1
00:00:02,050 --> 00:00:04,250
I've seen you around, right? I mean...
2
00:00:05,010 --> 00:00:08,130
...somewhere. We've... Have we ever...
Because even the voice...
3
00:00:08,930 --> 00:00:10,640
He does Academic Decathlon with me.
4
00:00:11,640 --> 00:00:13,220
And he was at my party.
5
00:00:13,390 --> 00:00... | 1
00:00:02,040 --> 00:00:04,260
I've seen you around, right? I mean...
2
00:00:05,000 --> 00:00:06,130
...somewhere. We've, uh...
3
00:00:06,300 --> 00:00:08,140
Have we ever...?
Because even the voice...
4
00:00:08,510 --> 00:00:10,630
Um, he does Academic Decathlon
with me.
5
00:00:10,840 --> 00:00:13,220
- Oh.
-... | null | 8008.00 | 5450.53 | 187.64 |
spider_man_homecoming | tt2250912 | lvPheIat1m7K | 1
00:00:01,290 --> 00:00:03,490
Sprinting down the hall, Peter removes his tie
2
00:00:03,490 --> 00:00:04,410
and discards it.
3
00:00:04,450 --> 00:00:06,650
He goes to his secret hiding spot behind the lockers
4
00:00:06,650 --> 00:00:08,050
and grabs a bundle of clothing.
5
00:00:08,410 --> 00:00:11,290
Wearing... | 1
00:00:00,630 --> 00:00:03,640
Now he's hurtling through some balloons in a dark corridor,
2
00:00:03,640 --> 00:00:04,940
tearing off his tie.
3
00:00:04,980 --> 00:00:06,230
He lifts the locker unit
4
00:00:06,230 --> 00:00:07,400
and grabs his backpack
5
00:00:07,400 --> 00:00:09,700
before running on in the sc... | 1
00:00:17,790 --> 00:00:19,120
He gave you a choice.
2
00:00:19,290 --> 00:00:21,370
- You chose wrong.
- What the hell?
3
00:00:21,540 --> 00:00:23,200
What's with the crappy costume?
4
00:00:25,630 --> 00:00:26,830
My web-shooters.
5
00:00:35,760 --> 00:00:40,350
I wasn't sure about this thing at first,
but damn... | 1
00:00:00,970 --> 00:00:02,970
[PANTING]
2
00:00:14,820 --> 00:00:16,540
[PETER GRUNTS]
3
00:00:17,780 --> 00:00:19,120
He gave you a choice.
4
00:00:19,280 --> 00:00:21,380
- You chose wrong.
- What the hell?
5
00:00:21,540 --> 00:00:23,210
What's with the crappy costume?
6
00:00:25,620 --> 00:00:26,840
My web-s... | null | 8008.00 | 5711.65 | 103.52 |
spider_man_homecoming | tt2250912 | 0AA5FJ7aXhF4 | 1
00:00:00,990 --> 00:00:02,310
A ceiling panel opens.
2
00:00:05,510 --> 00:00:08,150
Peter lowers in, suspended by a strand of web.
3
00:00:11,310 --> 00:00:13,910
Reaching the ground, the teen walks to a workstation.
4
00:00:14,190 --> 00:00:17,920
Monitors show aircraft plans and surveillance video of Avengers T... | 1
00:00:00,830 --> 00:00:01,830
At the warehouse.
2
00:00:02,000 --> 00:00:05,600
Spider-Man descends on a thread of web through a skylight.
3
00:00:05,640 --> 00:00:07,730
He looks around the darkened interior
4
00:00:07,770 --> 00:00:10,660
hanging by his web shooter with his legs dangling.
5
00:00:13,250 --> 00:... | 1
00:00:38,020 --> 00:00:39,060
Hey!
2
00:00:40,610 --> 00:00:41,970
Surprised?
3
00:00:42,150 --> 00:00:44,010
Oh, hey, Pete.
4
00:00:44,730 --> 00:00:46,020
I didn't hear you come in.
5
00:00:46,190 --> 00:00:48,280
It's over. I've got you.
6
00:00:48,450 --> 00:00:50,440
You know, I gotta tell you, Pete...
7
0... | 1
00:00:24,920 --> 00:00:26,920
[♪♪♪]
2
00:00:38,010 --> 00:00:39,060
Hey!
3
00:00:40,600 --> 00:00:41,980
Surprised?
4
00:00:42,140 --> 00:00:44,020
Oh, hey, Pete.
5
00:00:44,730 --> 00:00:46,030
I didn't hear you come in.
6
00:00:46,190 --> 00:00:48,280
It's over. I've got you.
7
00:00:48,440 --> 00:00:50,440
Y... | null | 8008.00 | 5959.81 | 164.12 |
spider_man_homecoming | tt2250912 | eP0NOFMZn0hm | 1
00:00:01,460 --> 00:00:05,200
Peter lies buried underneath concrete and rubble with his head and arms free.
2
00:00:05,720 --> 00:00:06,400
He looks up
3
00:00:06,400 --> 00:00:09,280
and debris and water fall on him as he tries to move.
4
00:00:15,600 --> 00:00:17,360
Peter removes his homemade mask.
5
00:00:27,... | 1
00:00:01,740 --> 00:00:03,250
At the collapsed warehouse.
2
00:00:03,380 --> 00:00:05,090
A few small fires glow
3
00:00:05,090 --> 00:00:06,470
and rubble falls.
4
00:00:06,640 --> 00:00:09,310
Spider-Man is trapped under a section of concrete.
5
00:00:09,350 --> 00:00:12,280
His arms are free, for the rest of h... | 1
00:00:26,510 --> 00:00:28,290
Okay, ready?
2
00:00:37,230 --> 00:00:39,180
Hello?
3
00:00:41,560 --> 00:00:43,020
Hello!
4
00:00:43,190 --> 00:00:44,770
Please, hey.
5
00:00:45,190 --> 00:00:47,480
Hey, please. I'm down here.
6
00:00:47,650 --> 00:00:49,610
I'm down here. I'm stuck.
7
00:00:49,780 --> 00:00:52,... | 1
00:00:11,530 --> 00:00:13,120
[GASPING]
2
00:00:26,500 --> 00:00:28,300
Okay, ready?
3
00:00:30,260 --> 00:00:32,050
[GRUNTING]
4
00:00:37,220 --> 00:00:39,190
Hello?
5
00:00:39,390 --> 00:00:40,940
[PANTING]
6
00:00:41,560 --> 00:00:43,030
Hello!
7
00:00:43,190 --> 00:00:44,780
Please, hey.
8
00:00:45,190 -->... | null | 8008.00 | 6145.54 | 135.56 |
spider_man_homecoming | tt2250912 | QGZqwNgGWaBZ | 1
00:00:03,390 --> 00:00:05,190
Sitting up, he tugs at his mask
2
00:00:05,190 --> 00:00:06,150
and pulls it off.
3
00:00:14,350 --> 00:00:15,470
He leans on his elbow
4
00:00:15,470 --> 00:00:17,110
and pushes himself to his feet.
5
00:00:17,710 --> 00:00:20,030
Fire burns among the debris covered sand
6
00:00:20... | 1
00:00:04,980 --> 00:00:06,400
He manages to sit up
2
00:00:06,400 --> 00:00:07,900
and pull the mask off.
3
00:00:14,590 --> 00:00:18,230
As he gets to his feet, he looks around the burning wreckage in shock,
4
00:00:18,230 --> 00:00:19,320
glancing up the beach.
5
00:00:19,360 --> 00:00:20,360
A shape moves,
6
... | 1
00:00:38,490 --> 00:00:40,200
Hey, Pedro.
2
00:01:27,620 --> 00:01:28,660
Bingo.
3
00:01:44,850 --> 00:01:46,640
Your wingsuit.
4
00:01:46,810 --> 00:01:48,890
Your wingsuit's going to explode!
5
00:01:56,280 --> 00:01:57,730
Time to go home, Pete.
6
00:01:57,900 --> 00:01:59,360
I'm trying to save you!
7
00:02... | 1
00:00:07,040 --> 00:00:09,040
[GRUNTING]
2
00:00:38,490 --> 00:00:40,200
Hey, Pedro.
3
00:00:48,370 --> 00:00:49,420
[YELLS]
4
00:01:07,430 --> 00:01:09,430
[PETER GRUNTING]
5
00:01:27,620 --> 00:01:28,670
Bingo.
6
00:01:44,840 --> 00:01:46,640
Your wingsuit.
7
00:01:46,800 --> 00:01:48,900
Your wingsuit's goin... | null | 8008.00 | 6635.14 | 194.56 |
spiderwick_chronicles | tt0416236 | GgpwR_SMoT6h | 1
00:00:12,790 --> 00:00:15,630
In a flashback, Arthur Spiderwick writes the book.
2
00:00:15,790 --> 00:00:18,630
Images of fantastical creatures unfold.
3
00:01:38,170 --> 00:01:40,490
Arthur fends off a raven's attack.
4
00:01:45,090 --> 00:01:47,050
The raven dives at Arthur again.
5
00:01:48,610 --> 00:01:50,5... | 1
00:00:00,800 --> 00:00:02,310
Dear reader,
2
00:00:02,390 --> 00:00:04,100
what you now
hold in your hands
3
00:00:04,180 --> 00:00:05,890
is the culmination
of a life's work.
4
00:00:05,980 --> 00:00:07,980
And you will
soon see, as I have,
5
00:00:08,060 --> 00:00:10,770
that there are fantastical
creatures liv... | 1
00:00:00,800 --> 00:00:02,300
ARTHUR: Dear reader,
2
00:00:02,390 --> 00:00:04,100
what you now
hold in your hands
3
00:00:04,180 --> 00:00:05,890
is the culmination
of a life's work.
4
00:00:05,980 --> 00:00:07,980
And you will
soon see, as I have,
5
00:00:08,060 --> 00:00:10,770
that there are fantastical
creat... | null | 5824.54 | 1048.83 | 133.45 | |
spiderwick_chronicles | tt0416236 | heKWmIVGvepX | 1
00:00:00,290 --> 00:00:02,050
and gets yanked into the cage.
2
00:00:02,050 --> 00:00:03,490
Something eats the bird.
3
00:00:03,650 --> 00:00:07,250
Jared tears through the magic stone to find a hog in the cage.
4
00:00:16,650 --> 00:00:17,690
He picks his nose,
5
00:00:17,690 --> 00:00:18,850
then offers his pa... | 1
00:01:13,940 --> 00:01:15,730
Hogsqueal spits into Jared's face.
2
00:01:25,950 --> 00:01:28,160
Simon is scared and shaking within his prison.
| 1
00:00:07,220 --> 00:00:08,680
Wait, wait,
don't go out there.
2
00:00:08,760 --> 00:00:10,180
They'll see you. Unless...
3
00:00:10,270 --> 00:00:11,980
Wait, are you with them
or with me?
4
00:00:12,060 --> 00:00:14,020
Whose side are you on?
State your side!
5
00:00:14,100 --> 00:00:15,810
Yours. Your side.
6
... | 1
00:00:01,720 --> 00:00:02,920
(BIRD TWEETING)
2
00:00:04,760 --> 00:00:07,140
(HOGSQUEAL EXCLAIMING HAPPILY)
3
00:00:07,220 --> 00:00:08,680
Wait, wait,
don't go out there.
4
00:00:08,760 --> 00:00:10,180
They'll see you. Unless...
5
00:00:10,270 --> 00:00:11,980
Wait, are you with them
or with me?
6
00:00:12,06... | null | 5824.54 | 1722.37 | 129.94 |
spiderwick_chronicles | tt0416236 | Bz1ILMma1FB9 | 1
00:00:00,080 --> 00:00:02,040
Jared puts the book in his backpack.
2
00:00:09,480 --> 00:00:11,360
The kids stop at a fork in the tunnel,
3
00:00:11,360 --> 00:00:12,960
then go right in the woods.
4
00:00:12,960 --> 00:00:14,960
Redcap sniffs along the ground.
5
00:00:15,000 --> 00:00:15,440
He stops
6
00:00:15... | 1
00:00:09,590 --> 00:00:11,760
The goblins sniff out Mallory and Jared.
2
00:00:31,450 --> 00:00:33,640
A massive troll crashes down into the tunnel.
3
00:00:42,020 --> 00:00:43,940
The scaly troll rushes after them
4
00:00:43,980 --> 00:00:44,770
up on the ground.
5
00:00:44,770 --> 00:00:46,270
The goblins follo... | 1
00:00:01,700 --> 00:00:03,490
You brought
the book?
2
00:00:03,580 --> 00:00:04,910
We need to show it
to Lucinda.
3
00:00:06,750 --> 00:00:08,040
Which way goes
into town?
4
00:00:08,130 --> 00:00:09,130
Right.
5
00:00:17,800 --> 00:00:18,930
Get the troll.
6
00:00:22,350 --> 00:00:23,680
Now left. Go left!
7
... | 1
00:00:01,700 --> 00:00:03,490
You brought
the book?
2
00:00:03,580 --> 00:00:04,910
We need to show it
to Lucinda.
3
00:00:06,750 --> 00:00:08,040
Which way goes
into town?
4
00:00:08,130 --> 00:00:09,130
Right.
5
00:00:11,000 --> 00:00:12,420
(SNIFFING)
6
00:00:17,800 --> 00:00:18,930
Get the troll.
7
00:00:22... | null | 5824.54 | 2643.90 | 112.34 |
spiderwick_chronicles | tt0416236 | yFXfUNyMH007 | 1
00:00:01,790 --> 00:00:04,860
Kids ride on the Griffins Back flapping its wings.
2
00:00:04,860 --> 00:00:06,340
It flies up into the sky
3
00:00:06,340 --> 00:00:10,380
and glides over the treetops, its long, thin tail stretched out.
4
00:00:14,540 --> 00:00:18,220
It breaks through a blanket of thick clouds risi... | 1
00:00:06,040 --> 00:00:07,880
The children climb aboard the Griffins back
2
00:00:07,880 --> 00:00:09,130
and it leaps into the air.
3
00:00:09,460 --> 00:00:11,720
The children look in wonder at the scenery below.
4
00:00:17,470 --> 00:00:19,970
They fly over the town and into the countryside.
5
00:00:20,350 -->... | 1
00:01:46,650 --> 00:01:48,320
My God, it's him.
2
00:01:49,570 --> 00:01:50,780
Arthur Spiderwick.
3
00:01:52,490 --> 00:01:53,950
He's alive.
4
00:01:54,040 --> 00:01:55,200
Whoa.
| 1
00:00:00,220 --> 00:00:02,090
(SQUAWKING)
2
00:00:04,180 --> 00:00:05,720
(SQUAWKING)
3
00:00:33,540 --> 00:00:35,460
(SQUAWKING)
4
00:01:00,360 --> 00:01:01,770
(ALL SCREAMING)
5
00:01:20,290 --> 00:01:23,290
(SQUAWKING)
6
00:01:26,340 --> 00:01:27,920
(MAKING HIGH-PITCHED NOISE)
7
00:01:46,650 --> 00:01:48,32... | null | 5824.54 | 3723.65 | 125.39 |
spiderwick_chronicles | tt0416236 | o3gZFumFzj6j | 1
00:00:10,390 --> 00:00:11,270
Swarm around the.
2
00:00:12,190 --> 00:00:13,510
They lift the book up.
3
00:00:13,550 --> 00:00:15,310
Jared runs into the clearing.
4
00:00:22,910 --> 00:00:23,630
The griffin.
5
00:00:23,630 --> 00:00:24,630
Flies overhead.
6
00:00:32,130 --> 00:00:34,410
The silks find the cook... | 1
00:00:37,460 --> 00:00:38,010
The sprites.
2
00:00:38,050 --> 00:00:41,090
Realising that the book is a fake, start attacking Arthur.
3
00:00:41,390 --> 00:00:42,850
The griffin lands in front of them
4
00:00:42,850 --> 00:00:44,560
and the children climb onto his back.
5
00:00:55,860 --> 00:00:57,990
The griffin... | 1
00:00:00,590 --> 00:00:04,380
Here! Here!
I have the field guide!
2
00:00:04,470 --> 00:00:06,720
Do you want it?
Yes, here!
3
00:00:06,800 --> 00:00:08,890
Come take it! You can
keep it safe right here!
4
00:00:11,270 --> 00:00:12,270
Now!
5
00:00:27,120 --> 00:00:29,910
Yes, Byron! Yes!
6
00:00:29,990 --> 00:0... | 1
00:00:00,590 --> 00:00:04,380
Here! Here!
I have the field guide!
2
00:00:04,470 --> 00:00:06,720
Do you want it?
Yes, here!
3
00:00:06,800 --> 00:00:08,890
Come take it! You can
keep it safe right here!
4
00:00:11,270 --> 00:00:12,270
Now!
5
00:00:20,650 --> 00:00:22,530
(SPEAKING IN ELF LANGUAGE)
6
00:00:24,20... | null | 5824.54 | 4104.35 | 132.61 |
spiderwick_chronicles | tt0416236 | H6DKqg_ZuFOy | 1
00:00:00,240 --> 00:00:02,680
Redcap steps across the toadstool.
2
00:00:12,680 --> 00:00:15,440
Until the goblins breach the circle.
3
00:00:15,440 --> 00:00:18,360
Rushing to the house and battering the doors and windows,
4
00:00:18,360 --> 00:00:20,720
the four family members stand back to back.
5
00:00:20,760... | 1
00:00:12,410 --> 00:00:14,200
The great family rally around together.
2
00:00:14,250 --> 00:00:17,040
Armed with steel swords, knives and tomato sauce.
3
00:00:21,920 --> 00:00:25,090
The goblins and Redcap try to get through the doors and the windows.
4
00:00:50,870 --> 00:00:51,160
Work?
5
00:00:51,160 --> 00:0... | 1
00:00:07,290 --> 00:00:08,830
The circle is broken.
2
00:00:08,920 --> 00:00:10,540
The circle is broken.
3
00:00:10,630 --> 00:00:14,130
The circle is broken! Attack!
4
00:00:30,770 --> 00:00:32,170
The windows and
doors are protected.
5
00:00:32,190 --> 00:00:34,190
Get down there.
Go low! Go low!
6
00:00:34,2... | 1
00:00:07,290 --> 00:00:08,830
REDCAP: The circle is broken.
2
00:00:08,920 --> 00:00:10,540
The circle is broken.
3
00:00:10,630 --> 00:00:14,130
The circle is broken! Attack!
4
00:00:14,220 --> 00:00:15,260
(GOBLINS GROWLING)
5
00:00:21,010 --> 00:00:22,100
(POUNDING ON DOOR)
6
00:00:22,180 --> 00:00:23,680
(MA... | null | 5824.54 | 4327.04 | 125.48 |
spiderwick_chronicles | tt0416236 | n9_h0j5Kt5Ee | 1
00:00:14,010 --> 00:00:14,930
In the dumbwaiter.
2
00:00:14,930 --> 00:00:16,290
Simon lights a match.
3
00:00:16,290 --> 00:00:19,410
The flame ignites a trail of oil leading to the oven.
4
00:00:37,290 --> 00:00:41,030
The oven explodes, spraying tomato sauce all over the goblins,
5
00:00:41,030 --> 00:00:43,19... | 1
00:00:03,330 --> 00:00:04,710
The goblins enter the kitchen.
2
00:00:04,710 --> 00:00:05,960
The Graysons are hiding.
3
00:00:33,650 --> 00:00:35,740
Simon lights a match from inside the dumbwaiter,
4
00:00:35,740 --> 00:00:38,610
and it ignites a fuel source that runs towards the oven.
5
00:00:38,740 --> 00:00:4... | 1
00:00:08,890 --> 00:00:11,350
Go on! Get in there!
Where did they go?
2
00:00:11,440 --> 00:00:12,730
Where are they?
Where are they?
3
00:00:12,810 --> 00:00:14,060
Come on, let's find them.
4
00:00:14,150 --> 00:00:15,360
You, over there,
to the left.
5
00:00:15,440 --> 00:00:16,730
You, to the right.
6
00:00:... | 1
00:00:08,890 --> 00:00:11,350
Go on! Get in there!
Where did they go?
2
00:00:11,440 --> 00:00:12,730
Where are they?
Where are they?
3
00:00:12,810 --> 00:00:14,060
Come on, let's find them.
4
00:00:14,150 --> 00:00:15,360
You, over there,
to the left.
5
00:00:15,440 --> 00:00:16,730
You, to the right.
6
00:00:... | null | 5824.54 | 4502.11 | 72.54 |
spiderwick_chronicles | tt0416236 | VuRUrSldWKzZ | 1
00:00:15,340 --> 00:00:16,900
Jared holds out the book.
2
00:00:20,100 --> 00:00:21,580
Jared yanks it away.
3
00:00:41,060 --> 00:00:43,500
Jared's dad wears a confused look.
4
00:00:43,540 --> 00:00:44,940
His mom looks away.
5
00:01:01,980 --> 00:01:03,300
He reaches for the book.
6
00:01:07,960 --> 00:01:09,... | 1
00:00:59,550 --> 00:01:01,260
His dad tries to get the book off Jared.
2
00:01:01,260 --> 00:01:02,310
Who doesn't let go?
3
00:01:16,240 --> 00:01:20,120
After being stabbed by Jared, Mulgarath morphs on his dad into his true self.
4
00:01:27,580 --> 00:01:29,070
Mallory attacks him with her sword,
5
00:01:29,07... | 1
00:00:03,090 --> 00:00:04,590
What happened?
2
00:00:04,680 --> 00:00:06,220
Richard?
3
00:00:06,310 --> 00:00:07,600
What are you
doing here?
4
00:00:07,680 --> 00:00:08,680
What's going on?
5
00:00:10,270 --> 00:00:11,600
Where do we start?
6
00:00:13,650 --> 00:00:14,810
With this, I guess.
7
00:00:16,690 --... | 1
00:00:03,090 --> 00:00:04,590
What happened?
2
00:00:04,680 --> 00:00:06,220
Richard?
3
00:00:06,310 --> 00:00:07,600
HELEN: What are you
doing here?
4
00:00:07,680 --> 00:00:08,680
What's going on?
5
00:00:10,270 --> 00:00:11,600
Where do we start?
6
00:00:13,650 --> 00:00:14,810
With this, I guess.
7
00:00:16... | null | 5824.54 | 4593.95 | 133.35 |
spiderwick_chronicles | tt0416236 | 4EPZaFAaNZDM | 1
00:00:03,240 --> 00:00:05,360
and pursues Jared, who climbs higher.
2
00:00:05,840 --> 00:00:09,680
The ogre's claws punched holes in the roof and crushed the eaves.
3
00:00:15,200 --> 00:00:20,640
With the book hanging from his belt, Jared makes his way up a tangle of vines to the top of the tower.
4
00:00:20,720... | 1
00:00:15,890 --> 00:00:18,560
Jared, with book in hand, climbs up the roof tower.
2
00:00:18,600 --> 00:00:21,060
Mulgarath struggles to follow the delicate route.
3
00:00:32,280 --> 00:00:33,110
Give me
4
00:00:33,450 --> 00:00:35,530
Jared stops the weathervane into McGrath's hand,
5
00:00:35,530 --> 00:00:36,8... | 1
00:00:32,020 --> 00:00:34,150
Give me the book!
2
00:00:44,120 --> 00:00:45,120
Jared!
3
00:00:48,290 --> 00:00:50,710
Give me the book!
4
00:00:56,220 --> 00:00:57,470
Oh, yeah.
5
00:00:57,550 --> 00:00:59,220
Give me the book now!
6
00:01:00,550 --> 00:01:02,220
- You want the book?
- Yeah.
7
00:01:02,310 -->... | 1
00:00:02,040 --> 00:00:03,250
(EXCLAIMS)
2
00:00:03,330 --> 00:00:04,460
(SNARLING)
3
00:00:32,020 --> 00:00:34,150
Give me the book!
4
00:00:34,240 --> 00:00:35,320
(GRUNTS)
5
00:00:35,400 --> 00:00:37,110
(SCREAMING)
6
00:00:37,200 --> 00:00:38,660
(ROARING)
7
00:00:44,120 --> 00:00:45,120
HELEN: Jared!
8
00... | null | 5824.54 | 4742.94 | 124.23 |
star_trek_insurrection | tt0120844 | ryN6Y8mDD5lP | 1
00:00:01,120 --> 00:00:03,840
Someone hands a data pad to one of the aliens.
2
00:00:10,320 --> 00:00:11,960
Two people in protective suits.
3
00:00:11,960 --> 00:00:13,100
Hurry out of view.
4
00:00:13,460 --> 00:00:14,220
On a hill.
5
00:00:14,380 --> 00:00:17,540
The blonde boy and his friends run from phaser ... | 1
00:00:11,010 --> 00:00:13,770
Up on a grassy hillside, children are running.
2
00:00:15,480 --> 00:00:17,650
A phaser blast hits a rock behind them.
3
00:00:31,640 --> 00:00:36,360
A rectangle enlarges, showing one figure in a red costume firing on another.
4
00:00:36,780 --> 00:00:38,570
The children run terrifie... | 1
00:00:04,600 --> 00:00:07,760
Admiral Dougherty is waiting for this.
Transmit it to the ship.
2
00:00:07,850 --> 00:00:09,560
Alert! Area 12!
3
00:00:18,440 --> 00:00:21,900
- The android, he's out of control.
- Report.
4
00:00:22,200 --> 00:00:26,070
He's headed toward the village.
We're trying to stop him.
5
00... | 1
00:00:04,530 --> 00:00:07,010
Admiral Dougherty is waiting for this.
Transmit it to the ship.
2
00:00:07,030 --> 00:00:08,030
(ALARM BEEPING)
3
00:00:08,120 --> 00:00:09,820
MAN 6: Alert! Area 12!
4
00:00:09,910 --> 00:00:10,950
(WEAPONS FIRING)
5
00:00:18,380 --> 00:00:21,880
- The android, he's out of control.
... | null | 6194.72 | 222.27 | 127.64 |
star_trek_insurrection | tt0120844 | pZE8vXy4dgaF | 1
00:00:14,890 --> 00:00:18,370
The shuttle shakes as phaser blasts impact with its shields.
2
00:00:18,610 --> 00:00:20,210
Worf takes a seat at the helm.
3
00:00:29,690 --> 00:00:33,170
A profile view of data shows a tear in the skin on his neck.
4
00:00:33,410 --> 00:00:35,050
His ship fires at the shuttle.
5
00... | 1
00:00:01,550 --> 00:00:03,180
Picard looks out of the window.
2
00:00:16,920 --> 00:00:20,470
Worf takes a seat beside Picard as the shuttle comes under attack.
3
00:00:31,830 --> 00:00:33,290
Data ignores the message
4
00:00:33,290 --> 00:00:35,290
and continues his phaser barrage.
5
00:00:45,480 --> 00:00:47,36... | 1
00:00:03,330 --> 00:00:07,330
Come out, come out, wherever you are
2
00:00:07,670 --> 00:00:08,830
Sir?
3
00:00:09,670 --> 00:00:12,210
That's something that my mother...
4
00:00:13,840 --> 00:00:15,130
Hold on.
5
00:00:21,550 --> 00:00:23,850
Open all hailing frequencies.
6
00:00:25,020 --> 00:00:26,980
Data, t... | 1
00:00:03,240 --> 00:00:07,290
(SINGING) Come out, come out,
wherever you are
2
00:00:07,620 --> 00:00:08,750
Sir?
3
00:00:09,620 --> 00:00:11,080
That's something that my mother...
4
00:00:11,170 --> 00:00:12,210
(EXPLOSION)
5
00:00:13,750 --> 00:00:15,040
Hold on.
6
00:00:21,510 --> 00:00:23,800
Open all hailin... | null | 6194.72 | 1042.34 | 122.63 |
star_trek_insurrection | tt0120844 | Ig7o0U0oGLeA | 1
00:00:02,900 --> 00:00:03,820
The doors open
2
00:00:03,820 --> 00:00:05,260
and Riker smiles at her.
3
00:00:07,780 --> 00:00:08,580
She grins.
4
00:00:10,020 --> 00:00:11,100
He steps inside.
5
00:00:15,700 --> 00:00:17,140
He lays his head in her lap.
6
00:00:29,400 --> 00:00:30,280
He complies.
7
00:00:32,0... | 1
00:00:03,220 --> 00:00:04,130
It's Riker.
2
00:00:59,010 --> 00:01:01,090
She pushes him away when he kisses her.
3
00:01:10,110 --> 00:01:11,780
Deanna locks him out of her room,
| 1
00:00:01,420 --> 00:00:02,720
Come in.
2
00:00:05,720 --> 00:00:07,600
- Hi.
- You got a minute?
3
00:00:08,930 --> 00:00:10,100
Sure.
4
00:00:12,140 --> 00:00:13,600
I need a little counseling.
5
00:00:14,150 --> 00:00:16,400
Well, there's a first time for everything.
6
00:00:17,230 --> 00:00:18,860
So, do I li... | 1
00:00:00,220 --> 00:00:01,270
(DOORBELL BEEPING)
2
00:00:01,390 --> 00:00:02,640
Come in.
3
00:00:05,650 --> 00:00:07,560
- Hi.
- You got a minute?
4
00:00:08,900 --> 00:00:10,070
Sure.
5
00:00:12,110 --> 00:00:13,570
I need a little counseling.
6
00:00:14,110 --> 00:00:16,320
Well, there's a first time for ever... | null | 6194.72 | 1552.19 | 72.80 |
star_trek_insurrection | tt0120844 | bqCIp6nTCThx | 1
00:00:01,400 --> 00:00:03,000
Data taps the tricorder
2
00:00:03,000 --> 00:00:04,760
and doors on the ship open.
3
00:00:07,520 --> 00:00:12,200
A village identical to the Ba'ku village stands within Picard.
4
00:00:12,200 --> 00:00:14,080
Data and Anij stand.
5
00:00:14,360 --> 00:00:16,640
They step through th... | 1
00:00:05,270 --> 00:00:06,690
Panels in the vessel part.
2
00:00:06,740 --> 00:00:13,330
Suddenly, like an opening elevator, the craft's almost invisible doors appear to open upon a wholly new landscape.
3
00:00:13,330 --> 00:00:14,540
Contained inside.
4
00:00:14,840 --> 00:00:16,340
It resembles the village.
5
... | 1
00:00:21,650 --> 00:00:23,650
It is a holographic projection.
2
00:00:29,530 --> 00:00:31,580
Incomplete, I might add.
3
00:00:32,330 --> 00:00:34,500
What you're seeing
is a computer-driven image
4
00:00:34,580 --> 00:00:36,500
created by photons and force fields.
5
00:00:36,580 --> 00:00:38,710
I know what a ho... | 1
00:00:21,630 --> 00:00:23,590
It is a holographic projection.
2
00:00:29,510 --> 00:00:31,560
Incomplete, I might add.
3
00:00:32,270 --> 00:00:34,480
What you're seeing
is a computer-driven image
4
00:00:34,560 --> 00:00:36,480
created by photons and force fields.
5
00:00:36,560 --> 00:00:38,690
I know what a ho... | null | 6194.72 | 2007.14 | 131.47 |
star_trek_insurrection | tt0120844 | UiuWoplTheSN | 1
00:00:09,910 --> 00:00:11,430
A couple walks nearby.
2
00:00:22,910 --> 00:00:25,030
Picard and Anij face each other.
3
00:00:39,390 --> 00:00:41,070
He glances off in thought.
4
00:00:55,150 --> 00:00:56,310
She takes his arm
5
00:00:56,310 --> 00:00:57,730
and they continue walking.
6
00:01:21,050 --> 00:01:21... | 1
00:00:01,340 --> 00:00:04,260
Did your people's mental discipline
develop here?
2
00:00:05,850 --> 00:00:09,520
More questions. Always the explorer.
3
00:00:13,020 --> 00:00:16,360
- If you stay long enough, that'll change.
- Will it?
4
00:00:17,690 --> 00:00:20,190
You stop reviewing
what happened yesterday,
5
0... | 1
00:00:01,340 --> 00:00:04,210
Did your people's mental discipline
develop here?
2
00:00:05,840 --> 00:00:09,510
More questions. Always the explorer.
3
00:00:13,010 --> 00:00:16,350
- If you stay long enough, that'll change.
- Will it?
4
00:00:17,690 --> 00:00:20,190
You stop reviewing
what happened yesterday,
5
0... | null | 6194.72 | 2514.75 | 87.35 | |
star_trek_insurrection | tt0120844 | EQyy7YYYIYAB | 1
00:00:08,950 --> 00:00:10,110
Data Data.
2
00:00:10,110 --> 00:00:12,350
Hans rations to Beverly and Deanna.
3
00:00:12,350 --> 00:00:15,350
He casts furtive glances at them as he walks away.
4
00:00:15,910 --> 00:00:17,270
Data approaches Worf.
5
00:00:32,250 --> 00:00:33,690
They spot ships approaching.
6
00:0... | 1
00:00:13,030 --> 00:00:14,160
Sitting with Diana.
2
00:00:14,200 --> 00:00:16,540
Beverly watches Data go with a smile.
3
00:00:35,250 --> 00:00:37,550
Two sonar ships are approaching low
4
00:00:37,670 --> 00:00:39,970
and the resting people spring into action.
5
00:00:40,270 --> 00:00:43,360
Now small objects a... | 1
00:00:00,570 --> 00:00:04,030
And have you noticed
how your boobs have started to firm up?
2
00:00:04,110 --> 00:00:07,740
Not that we care about such things
in this day and age.
3
00:00:08,530 --> 00:00:10,200
Thank you, Data.
4
00:00:19,500 --> 00:00:22,960
I've an odd craving
for the blood of a live Kolar beast... | 1
00:00:00,600 --> 00:00:04,010
And have you noticed
how your boobs have started to firm up?
2
00:00:04,140 --> 00:00:06,480
Not that we care about such things
in this day and age.
3
00:00:07,100 --> 00:00:08,140
Uh-huh.
4
00:00:08,520 --> 00:00:10,190
Thank you, Data.
5
00:00:19,530 --> 00:00:22,990
I've an odd cr... | null | 6194.72 | 3839.23 | 115.85 |
star_trek_insurrection | tt0120844 | UY7GEmt1nF8X | 1
00:00:01,870 --> 00:00:04,030
The enterprise soars through the nebula.
2
00:00:20,510 --> 00:00:21,750
A crewmate smirks.
3
00:00:31,190 --> 00:00:33,750
The ship's collector assembly sucks in the gas.
4
00:00:37,270 --> 00:00:38,510
A joystick rises.
5
00:00:52,570 --> 00:00:54,530
Riker presses a button on the ... | 1
00:00:31,820 --> 00:00:33,780
The ram scoop sucks up the gas.
2
00:00:37,910 --> 00:00:38,830
A joystick.
3
00:00:54,120 --> 00:00:57,410
Riker clenches the joystick grimly with his right hand.
4
00:00:58,000 --> 00:01:02,090
The ship soars away, billowing the captured gas in front of the pursuing ships.
5
00:01:... | 1
00:00:04,390 --> 00:00:07,010
Geordi, are those pockets
of metreon gas?
2
00:00:07,600 --> 00:00:10,890
Yes, Commander. Highly volatile.
I'd recommend we keep our distance.
3
00:00:10,980 --> 00:00:14,480
Negative. I want to use the ramscoop
to collect as much of it as we can.
4
00:00:14,600 --> 00:00:15,650
The p... | 1
00:00:04,420 --> 00:00:07,010
RIKER: Geordi, are those pockets
of metreon gas?
2
00:00:07,640 --> 00:00:10,930
Yes, Commander. Highly volatile.
I'd recommend we keep our distance.
3
00:00:11,010 --> 00:00:14,520
Negative. I want to use the ramscoop
to collect as much of it as we can.
4
00:00:14,640 --> 00:00:15,68... | null | 6194.72 | 4217.95 | 68.38 |
star_trek_insurrection | tt0120844 | gUHLyMSDLPOu | 1
00:00:05,650 --> 00:00:06,970
He pushes himself up.
2
00:00:07,370 --> 00:00:09,090
A cut on his head bleeds.
3
00:00:11,010 --> 00:00:12,070
He looks around.
4
00:00:14,590 --> 00:00:16,230
He rolls onto his backside.
5
00:00:18,910 --> 00:00:20,470
He looks up toward the ceiling.
6
00:00:27,630 --> 00:00:29,19... | 1
00:00:02,320 --> 00:00:07,540
Meanwhile, Picard pushes himself up from the ground, his backs covered in a layer of dust.
2
00:00:10,710 --> 00:00:12,880
He sits up slowly and looks around.
3
00:00:33,010 --> 00:00:36,680
She's lying with her eyes closed and a pained expression on her face.
4
00:00:37,180 --> 00:00... | 1
00:00:13,430 --> 00:00:14,600
Anij?
2
00:00:17,680 --> 00:00:18,850
Anij?
3
00:00:21,520 --> 00:00:25,520
- Worf to Picard.
- Yes? Yes, I can hear you.
4
00:00:25,860 --> 00:00:28,320
We are trying to get to you, sir.
5
00:00:30,530 --> 00:00:31,690
Anij.
6
00:00:39,330 --> 00:00:41,120
Help is on the way.
7
00... | 1
00:00:03,130 --> 00:00:04,170
(PICARD COUGHING)
2
00:00:13,470 --> 00:00:14,640
Anij?
3
00:00:14,850 --> 00:00:17,020
(PICARD PANTING)
4
00:00:17,730 --> 00:00:18,890
Anij?
5
00:00:21,560 --> 00:00:25,570
- (OVER COMM) Worf to Picard.
- Yes? Yes, I can hear you.
6
00:00:25,900 --> 00:00:28,360
We are trying to g... | null | 6194.72 | 4429.79 | 119.63 |
star_trek_insurrection | tt0120844 | TKRwd8yRQEbu | 1
00:00:02,320 --> 00:00:04,280
Ru'afo stands at a console.
2
00:00:04,440 --> 00:00:05,640
Dougherty enters.
3
00:00:13,780 --> 00:00:15,220
Ru'afo backhands him,
4
00:00:15,220 --> 00:00:17,020
then throws him onto a lower level.
5
00:00:22,540 --> 00:00:24,380
Leaping down to the lower level.
6
00:00:24,420 -->... | 1
00:00:13,820 --> 00:00:16,160
Ru'afo strikes the admiral across the face,
2
00:00:16,160 --> 00:00:17,790
then hurls him into equivalent.
3
00:00:23,630 --> 00:00:26,680
Ru'afo smashes Doughty's head through a glass cabinet.
4
00:00:27,060 --> 00:00:29,440
He then throws him down onto his treatment chair
5
00:00:... | 1
00:00:05,520 --> 00:00:09,650
We're taking this ship out of here.
This mission is over.
2
00:00:10,070 --> 00:00:13,150
- It is not over.
- It is over!
3
00:00:19,580 --> 00:00:21,830
I do not take orders from you!
4
00:00:34,840 --> 00:00:38,930
If you launch the injector
while the planet's still populated,
5
00... | 1
00:00:05,570 --> 00:00:09,700
DOUGHERTY: We're taking this ship
out of here. This mission is over.
2
00:00:10,120 --> 00:00:13,210
- It is not over.
- It is over!
3
00:00:19,630 --> 00:00:21,880
I do not take orders from you!
4
00:00:28,390 --> 00:00:29,430
(DOUGHERTY SCREAMS)
5
00:00:34,900 --> 00:00:38,980
If y... | null | 6194.72 | 4781.41 | 80.64 |
star_trek_insurrection | tt0120844 | 7UYbaMbRb7Fo | 1
00:00:01,370 --> 00:00:02,610
Picard darts away.
2
00:00:02,890 --> 00:00:05,970
Ru'afo climbs the levels of the scaffolding after him.
3
00:00:06,210 --> 00:00:08,530
He fires at Picard again and misses.
4
00:00:10,330 --> 00:00:14,250
Ru'afo ducks out of the way just as Picard fires his pulse emitter
5
00:00:14... | 1
00:00:01,870 --> 00:00:03,250
He runs between the girders
2
00:00:03,250 --> 00:00:04,460
and begins to climb.
3
00:00:04,500 --> 00:00:06,130
As Ru'afo fires again.
4
00:00:09,260 --> 00:00:10,220
Picard fires
5
00:00:10,220 --> 00:00:12,690
back aboard Ru'afo ship.
6
00:00:12,690 --> 00:00:14,690
Gallatin and ... | 1
00:00:29,850 --> 00:00:30,930
Captain!
2
00:00:32,600 --> 00:00:33,770
Worf?
3
00:00:40,940 --> 00:00:44,450
I'm picking up Captain Picard's
bio-signature onboard the collector.
4
00:00:45,450 --> 00:00:47,370
- Enterprise to Picard!
- Number One.
5
00:00:47,450 --> 00:00:49,650
We're approaching your position.
D... | 1
00:00:12,070 --> 00:00:13,110
(WEAPONS FIRE)
2
00:00:14,320 --> 00:00:15,320
(GRUNTING)
3
00:00:29,920 --> 00:00:31,000
Captain!
4
00:00:32,670 --> 00:00:33,840
Worf?
5
00:00:41,010 --> 00:00:44,520
I'm picking up Captain Picard's
bio-signature on board the collector.
6
00:00:45,520 --> 00:00:47,440
- Enterprise... | null | 6194.72 | 5455.55 | 132.73 |
stepford_wives | tt0327162 | MpmdLT74zBQh | 1
00:00:21,280 --> 00:00:25,720
The huge flat screen shows a silhouette of a man and woman walking hand in hand on a beach
2
00:00:26,520 --> 00:00:28,960
as they part ways, each heading in opposite directions.
3
00:00:28,960 --> 00:00:30,120
A tidal fits between them.
4
00:00:30,120 --> 00:00:31,080
Written in bamb... | 1
00:00:22,290 --> 00:00:23,580
On the giant screen.
2
00:00:23,580 --> 00:00:26,210
A couple in silhouette walk hand in hand.
3
00:00:26,250 --> 00:00:30,840
A volcano in the background with the title I can do Better.
4
00:01:31,840 --> 00:01:36,010
A huge man with long black hair walks over to Barbara the wife.
5... | 1
00:00:00,290 --> 00:00:02,060
...on Thursdays...
2
00:00:02,260 --> 00:00:04,860
No, this is not just a TV show.
3
00:00:05,060 --> 00:00:08,190
No, this is a breakthrough,
a breakout, a break-all-the-rules
4
00:00:08,400 --> 00:00:10,670
and bring-on-the-Emmys
mega-smashl
5
00:00:11,540 --> 00:00:13,300
Yesl
6
... | 1
00:00:00,270 --> 00:00:02,240
(applause quiets)
...on Thursdays...
2
00:00:02,270 --> 00:00:05,080
No, this is not just a TV show.
3
00:00:05,100 --> 00:00:07,080
No, this is a breakthrough,
4
00:00:07,100 --> 00:00:07,950
a breakout,
a break-all-the-rules
5
00:00:07,980 --> 00:00:11,540
and bring-on-the-Emmys
me... | null | 5573.02 | 311.20 | 133.47 |
stepford_wives | tt0327162 | hOHTrG73Vxj8 | 1
00:00:09,250 --> 00:00:10,810
Joanna is a stone manor.
2
00:00:16,680 --> 00:00:18,360
The SUV follows a bend in the road,
3
00:00:18,360 --> 00:00:20,840
then later pulls under the spa's pristine porte cochere
4
00:00:20,880 --> 00:00:23,000
near a fountain with a white marble statue
5
00:00:23,920 --> 00:00:25,... | 1
00:00:17,150 --> 00:00:19,810
Claire and Joanna drive along a tree lined road.
2
00:00:19,810 --> 00:00:23,110
They pull into a drive with beautiful flower beds and a fountain.
3
00:00:23,320 --> 00:00:27,450
Claire is wearing an Alice band, crisp white blouse and gingham trousers.
4
00:00:51,260 --> 00:00:55,140
... | 1
00:00:00,100 --> 00:00:02,700
What is that? Up on the hill?
2
00:00:03,440 --> 00:00:05,740
Well, that's
our Stepford Men's Association.
3
00:00:05,940 --> 00:00:09,470
Where all our wonderful guys can get
together and stay out of our hair.
4
00:00:10,880 --> 00:00:12,740
Am I right?
5
00:00:12,950 --> 00:00:16,7... | 1
00:00:02,890 --> 00:00:05,900
Well, that's
our Stepford Men's Association.
2
00:00:05,930 --> 00:00:07,070
Where all our wonderful guys
can get together
3
00:00:07,100 --> 00:00:09,800
and stay out of our hair.
4
00:00:10,850 --> 00:00:13,030
Am I right?
5
00:00:13,050 --> 00:00:14,320
Where do the women go?
6
0... | null | 5573.02 | 1088.00 | 125.85 |
stepford_wives | tt0327162 | jt1iK8CarfEV | 1
00:00:00,130 --> 00:00:01,570
They stand at French doors.
2
00:00:02,370 --> 00:00:02,970
Sarah
3
00:00:03,370 --> 00:00:04,730
Roger tries the handle.
4
00:00:14,050 --> 00:00:17,050
Roger leads the way into the house, followed by Joanna and Bobbie.
5
00:00:17,050 --> 00:00:18,890
They enter through a quaint din... | 1
00:00:14,740 --> 00:00:16,700
They creep into the immaculate house.
2
00:00:43,160 --> 00:00:45,530
They stand at the bottom of the stairs looking up.
3
00:01:25,740 --> 00:01:27,120
The girls drag him back.
4
00:01:27,120 --> 00:01:28,530
They hide in the sitting room.
5
00:01:36,510 --> 00:01:39,430
Sarah walks... | 1
00:00:02,270 --> 00:00:04,070
Sarah?
2
00:00:05,200 --> 00:00:08,830
- Yoo-hoo.
- Yoo-hoo? Is she in there?
3
00:00:09,040 --> 00:00:10,410
- What are you doing?
- It's open.
4
00:00:10,610 --> 00:00:12,810
- That's amazing.
- So sweet.
5
00:00:13,010 --> 00:00:14,670
And so trusting.
6
00:00:18,620 --> 00:00:19... | 1
00:00:00,220 --> 00:00:02,320
(knocking)
2
00:00:02,340 --> 00:00:05,150
JOANNA:
Sarah?
3
00:00:05,170 --> 00:00:08,820
Yoo-hoo.
Yoo-hoo? Is she in there?
4
00:00:08,840 --> 00:00:10,690
What are you doing?
It's open.
5
00:00:10,720 --> 00:00:13,110
That's amazing.
So sweet.
6
00:00:13,130 --> 00:00:15,050
And s... | null | 5573.02 | 1983.30 | 127.18 |
stepford_wives | tt0327162 | jAOjsMPqzHYi | 1
00:00:20,310 --> 00:00:24,710
Joanna XYZ frown above her obliging smile as she sees Roger clapping energetically.
2
00:00:26,030 --> 00:00:27,350
Bobbie gives him a sober look
3
00:00:27,350 --> 00:00:28,590
and he stops clapping.
4
00:01:19,420 --> 00:01:21,460
Many of the ladies were blank expressions.
5
00:01:... | 1
00:00:25,450 --> 00:00:26,780
Bobbie frowns as Roger.
2
00:00:26,780 --> 00:00:27,330
Cheers.
3
00:01:20,600 --> 00:01:22,060
The women stopped smiling.
4
00:01:49,920 --> 00:01:51,500
Claire looks disgusted.
5
00:01:54,590 --> 00:01:58,680
Claire conducts Roger Joanna and the women, they all wear Santa hats.
6
... | 1
00:00:02,030 --> 00:00:06,790
Well, it is probably the most important
book any of us will ever read.
2
00:00:07,000 --> 00:00:10,800
Yes, it is provocative,
but it is also inspiring.
3
00:00:12,370 --> 00:00:16,070
The Heritage Hills Special Edition
Golden Deluxe Treasury
4
00:00:16,310 --> 00:00:19,740
of Christm... | 1
00:00:02,110 --> 00:00:03,590
Well, it is probably
2
00:00:03,610 --> 00:00:06,960
the most important book
any of us will ever read.
3
00:00:06,990 --> 00:00:12,300
Yes, it is provocative,
but it is also inspiring.
4
00:00:12,320 --> 00:00:16,050
The Heritage Hills Special
Edition Golden Deluxe Treasury
5
00:00:1... | null | 5573.02 | 2369.02 | 130.36 |
stepford_wives | tt0327162 | 354fbGeWEyHH | 1
00:00:24,930 --> 00:00:26,050
Three guys playing cards.
2
00:00:26,050 --> 00:00:27,930
Look over at the skinny, bespectacled Ted
3
00:00:27,930 --> 00:00:29,050
who faces Walter.
4
00:00:33,850 --> 00:00:35,890
The sultry blonde enters the clubroom.
5
00:00:39,970 --> 00:00:41,810
Walter courteously stands up.
... | 1
00:00:35,240 --> 00:00:37,240
A tall, blonde woman walks into the bar
2
00:00:37,240 --> 00:00:38,660
and stands by Ted
3
00:00:38,700 --> 00:00:40,080
Walter stands up.
4
00:00:56,800 --> 00:00:58,760
Ted gives the woman a check card.
5
00:00:59,010 --> 00:01:01,010
She slides it into her mouth.
6
00:01:01,470 ... | 1
00:00:04,120 --> 00:00:07,110
Yes, I do. Absolutely.
2
00:00:08,330 --> 00:00:10,490
And how long
have you been married?
3
00:00:20,100 --> 00:00:21,900
- Tedl
- Yes.
4
00:00:22,110 --> 00:00:24,200
Don't you owe Walter $20?
5
00:00:29,950 --> 00:00:32,070
That's absolutely right, I do.
6
00:00:32,920 --> 00:00:... | 1
00:00:03,710 --> 00:00:08,270
Yes, I do. Absolutely.
2
00:00:08,290 --> 00:00:10,770
And how long
have you been married?
3
00:00:10,790 --> 00:00:13,080
(laughter)
4
00:00:19,170 --> 00:00:20,850
(laughter fades)
Ted!
5
00:00:20,880 --> 00:00:22,230
Yes.
6
00:00:22,250 --> 00:00:24,500
Don't you owe Walter $20?
... | null | 5573.02 | 2532.93 | 127.69 |
stepford_wives | tt0327162 | _CMieebQMdLu | 1
00:01:48,400 --> 00:01:49,990
Joanna backs away from her.
2
00:01:57,470 --> 00:01:59,750
Bobbie rests a hand on the stove's lid burner.
3
00:02:08,750 --> 00:02:09,510
Joanna flees,
| 1
00:00:00,130 --> 00:00:02,120
Good morning, my precious ones.
2
00:00:02,330 --> 00:00:05,920
And thank you for leaving
your requests on my e-mail.
3
00:00:06,130 --> 00:00:09,300
Adam, you wanted
peanut butter and jelly, no crusts,
4
00:00:09,500 --> 00:00:11,660
a Snickers bar and a Rolex.
5
00:00:11,870 --> 00... | 1
00:00:00,280 --> 00:00:02,260
Good morning,
my precious ones.
2
00:00:02,280 --> 00:00:06,090
And thank you for leaving
your requests on my e-mail.
3
00:00:06,110 --> 00:00:09,550
Adam, you wanted peanut butter
and jelly, no crusts,
4
00:00:09,570 --> 00:00:11,880
a Snickers bar and a Rolex.
5
00:00:11,910 --> 00... | null | 5573.02 | 3547.23 | 130.10 |
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