Datasets:
text stringlengths 15 213 | primary_id_int int64 0 3 | secondary_category_int int64 -1 -1 | source_record_id stringlengths 21 28 | rating_1 stringclasses 6
values | rating_2 stringclasses 6
values |
|---|---|---|---|---|---|
Is that your bike ? | 0 | -1 | cefr-sp:score:train:0 | A1 | A1 |
She had a beautiful necklace around her neck . | 0 | -1 | cefr-sp:score:train:1 | A1 | A1 |
I forgot to bring my umbrella . | 0 | -1 | cefr-sp:score:train:2 | A1 | A1 |
The baby kept crying . | 0 | -1 | cefr-sp:score:train:3 | A1 | A1 |
Do you know what you 're doing this weekend ? | 0 | -1 | cefr-sp:score:train:4 | A1 | A1 |
No one had money . | 0 | -1 | cefr-sp:score:train:5 | A1 | A1 |
Ben must like his new car a lot . | 0 | -1 | cefr-sp:score:train:6 | A1 | A2 |
Harrison got very excited when his parents gave him a car . | 0 | -1 | cefr-sp:score:train:7 | A2 | A2 |
I like dogs more than cats . | 0 | -1 | cefr-sp:score:train:8 | A1 | A2 |
Now I am being called by Softbank , too ! | 0 | -1 | cefr-sp:score:train:9 | A2 | A2 |
Larry has a shark 's tooth . | 0 | -1 | cefr-sp:score:train:10 | A2 | A2 |
He 's already gone to bed . | 0 | -1 | cefr-sp:score:train:11 | A1 | A2 |
He 's very good at taking care of children . | 0 | -1 | cefr-sp:score:train:12 | A2 | A2 |
Sushi is raw fish . | 0 | -1 | cefr-sp:score:train:13 | A2 | A2 |
Children love to play outdoors . | 0 | -1 | cefr-sp:score:train:14 | A2 | A2 |
I want to eat something sweet . | 0 | -1 | cefr-sp:score:train:15 | A1 | A2 |
I will do it as soon as I return . | 0 | -1 | cefr-sp:score:train:16 | A2 | A2 |
Can you draw the British flag ? | 0 | -1 | cefr-sp:score:train:17 | A1 | A2 |
She 's so quiet that we forget she 's here . | 0 | -1 | cefr-sp:score:train:18 | A2 | A2 |
Where are my khaki shorts ? | 0 | -1 | cefr-sp:score:train:19 | A1 | A2 |
These are the friends whose names you know . | 0 | -1 | cefr-sp:score:train:20 | A2 | A2 |
David sent his friend a wedding gift . | 0 | -1 | cefr-sp:score:train:21 | A1 | A2 |
I wish I had some cool water to drink . | 0 | -1 | cefr-sp:score:train:22 | A1 | A2 |
Do n't wear khakis to the business meeting . | 0 | -1 | cefr-sp:score:train:23 | A2 | A2 |
Mother was too shy to wear a bikini . | 0 | -1 | cefr-sp:score:train:24 | A2 | A2 |
Shall I teach you to dance ? | 0 | -1 | cefr-sp:score:train:25 | A1 | A2 |
This huge store only has three cashiers ! | 0 | -1 | cefr-sp:score:train:26 | A2 | A2 |
These were the men who ran the red light . | 0 | -1 | cefr-sp:score:train:27 | A2 | A2 |
His wife is Vietnamese . | 0 | -1 | cefr-sp:score:train:28 | A1 | A2 |
They were cycling in the mountains . | 0 | -1 | cefr-sp:score:train:29 | A2 | A2 |
They 've just asked her to stay another year . | 0 | -1 | cefr-sp:score:train:30 | A1 | A2 |
I have lunch after third period . | 0 | -1 | cefr-sp:score:train:31 | A2 | A2 |
This iPad is as fast as a desktop computer . | 0 | -1 | cefr-sp:score:train:32 | A2 | A2 |
It was past twelve when we arrived home . | 0 | -1 | cefr-sp:score:train:33 | A1 | A2 |
I find it easy to sleep . | 0 | -1 | cefr-sp:score:train:34 | A1 | A2 |
He planned to kill the president . | 0 | -1 | cefr-sp:score:train:35 | A2 | A2 |
I wish I could have stayed there forever on that beach . | 0 | -1 | cefr-sp:score:train:36 | A2 | A2 |
I could n't do it even if I tried . | 0 | -1 | cefr-sp:score:train:37 | A2 | A2 |
Keep your knees up when you jump . | 0 | -1 | cefr-sp:score:train:38 | A2 | A2 |
You may drive my car . | 0 | -1 | cefr-sp:score:train:39 | A1 | A2 |
Driving is something I enjoy doing . | 0 | -1 | cefr-sp:score:train:40 | A1 | A2 |
Do your work , or you wo n't get paid . | 0 | -1 | cefr-sp:score:train:41 | A2 | A2 |
I wish it could be different . | 0 | -1 | cefr-sp:score:train:42 | A1 | A2 |
It 's hard to tell if these are my socks or his . | 0 | -1 | cefr-sp:score:train:43 | A2 | A2 |
I always wanted to be an athlete . | 0 | -1 | cefr-sp:score:train:44 | A2 | A2 |
She 's changed her major from math to chemistry . | 0 | -1 | cefr-sp:score:train:45 | A1 | A2 |
Were there any dresses you wanted to buy ? | 0 | -1 | cefr-sp:score:train:46 | A2 | A2 |
Carley went shopping for a dress today . | 0 | -1 | cefr-sp:score:train:47 | A2 | A2 |
He has a talking dog . | 0 | -1 | cefr-sp:score:train:48 | A1 | A2 |
What 's the date today ? | 0 | -1 | cefr-sp:score:train:49 | A1 | A2 |
I thought I had to talk to him . | 0 | -1 | cefr-sp:score:train:50 | A2 | A2 |
I thought I saw him . | 0 | -1 | cefr-sp:score:train:51 | A1 | A2 |
There is very little traffic on Sundays here . | 0 | -1 | cefr-sp:score:train:52 | A2 | A2 |
He ran to the bus stop . | 0 | -1 | cefr-sp:score:train:53 | A1 | A2 |
Sugar was bad for Henry . | 0 | -1 | cefr-sp:score:train:54 | A1 | A2 |
We always see red fruit in the autumn . | 0 | -1 | cefr-sp:score:train:55 | A2 | A2 |
You can find the contractor in his office . | 0 | -1 | cefr-sp:score:train:56 | A2 | A2 |
I 'm looking for a carpenter . | 0 | -1 | cefr-sp:score:train:57 | A2 | A2 |
Let 's go for a bike ride . | 0 | -1 | cefr-sp:score:train:58 | A1 | A2 |
The divers were protected by a metal cage . | 0 | -1 | cefr-sp:score:train:59 | A2 | A2 |
He has done more than anyone else . | 0 | -1 | cefr-sp:score:train:60 | A2 | A2 |
I was called twice about it . | 0 | -1 | cefr-sp:score:train:61 | A1 | A2 |
Those musicians ' guitars were stolen . | 0 | -1 | cefr-sp:score:train:62 | A2 | A2 |
We should ask Amanda how to start a volunteer project . | 0 | -1 | cefr-sp:score:train:63 | A2 | A2 |
We went to look for food . | 0 | -1 | cefr-sp:score:train:64 | A1 | A2 |
Do you know what to say if you are stopped by the police ? | 0 | -1 | cefr-sp:score:train:65 | A2 | A2 |
Megan started playing soccer during the summer break . | 0 | -1 | cefr-sp:score:train:66 | A1 | A2 |
I do n't often wear ball gowns . | 0 | -1 | cefr-sp:score:train:67 | A2 | A2 |
John did n't know why Amanda was so angry at him . | 0 | -1 | cefr-sp:score:train:68 | A2 | A2 |
John knew they were bad people . | 0 | -1 | cefr-sp:score:train:69 | A1 | A2 |
The driver did n't know where to turn . | 0 | -1 | cefr-sp:score:train:70 | A2 | A2 |
I ca n't read all of these books . | 0 | -1 | cefr-sp:score:train:71 | A1 | A2 |
It is easy to understand people who speak clearly . | 0 | -1 | cefr-sp:score:train:72 | A2 | A2 |
You are as beautiful as ever to me . | 0 | -1 | cefr-sp:score:train:73 | A2 | A2 |
She was as helpless as a baby . | 0 | -1 | cefr-sp:score:train:74 | A2 | A2 |
It is difficult to talk to her peacefully . | 0 | -1 | cefr-sp:score:train:75 | A2 | A2 |
We watch the Olympics on TV . | 0 | -1 | cefr-sp:score:train:76 | A1 | A2 |
That clock is five minutes fast . | 0 | -1 | cefr-sp:score:train:77 | A1 | A2 |
I slept while he was gone . | 0 | -1 | cefr-sp:score:train:78 | A1 | A2 |
He was as old as my father . | 0 | -1 | cefr-sp:score:train:79 | A1 | A2 |
Many Russians died in WWII . | 0 | -1 | cefr-sp:score:train:80 | A1 | A2 |
Could you get my waiter , please ? | 0 | -1 | cefr-sp:score:train:81 | A2 | A2 |
Fortunately , salad was Gina 's favorite food . | 0 | -1 | cefr-sp:score:train:82 | A2 | A2 |
There is a photographer 's studio over there . | 0 | -1 | cefr-sp:score:train:83 | A2 | A2 |
I buy my bread from a local baker . | 0 | -1 | cefr-sp:score:train:84 | A2 | A2 |
They must be exhausted after their three month journey in Africa . | 0 | -1 | cefr-sp:score:train:85 | A2 | A2 |
She is jealous of your dog . | 0 | -1 | cefr-sp:score:train:86 | A1 | A2 |
I think that one is his . | 0 | -1 | cefr-sp:score:train:87 | A1 | A2 |
Do n't go swimming over there . | 0 | -1 | cefr-sp:score:train:88 | A2 | A2 |
If you wanted to talk to someone , who would you call ? | 0 | -1 | cefr-sp:score:train:89 | A2 | A2 |
You must feel very sick . | 0 | -1 | cefr-sp:score:train:90 | A1 | A2 |
My mother calls every weekend . | 0 | -1 | cefr-sp:score:train:91 | A1 | A2 |
Is there any of the vegetable spaghetti left from last night 's dinner ? | 0 | -1 | cefr-sp:score:train:92 | A2 | A2 |
Spotlight is a movie about some Boston reporters . | 0 | -1 | cefr-sp:score:train:93 | A2 | A2 |
I made dinner while you were napping . | 0 | -1 | cefr-sp:score:train:94 | A2 | A2 |
I will come with you to make sure you are okay . | 0 | -1 | cefr-sp:score:train:95 | A2 | A2 |
The temperature dropped as low as minus 20 . | 0 | -1 | cefr-sp:score:train:96 | A2 | A2 |
I did n't tell her to go . | 0 | -1 | cefr-sp:score:train:97 | A1 | A2 |
We have to change planes in New York . | 0 | -1 | cefr-sp:score:train:98 | A2 | A2 |
They were all required to wear suits . | 0 | -1 | cefr-sp:score:train:99 | A1 | A2 |
MUSE Style and Complexity Datasets
CEFR-SP
cefr_sp contains the publicly redistributable SCoRE and Wiki-Auto portions of
the CEFR-based Sentence Profile corpus. The gated Newsela-Auto portion is not
included. The source's train and test splits are retained, and dev is exposed
as validation.
The source sentences were rated independently by two English-education
professionals. Both ratings are retained as rating_1 and rating_2. For MUSE,
the six CEFR levels are mapped to four ordered bands:
primary_id_int |
CEFR band |
|---|---|
| 0 | A1-A2 |
| 1 | B1 |
| 2 | B2 |
| 3 | C1-C2 |
The primary label is the lower of the two mapped ratings. Thus A2/B1 maps to A1-A2, B1/B2 maps to B1, and B2/C1 maps to B2. This consistently treats an annotator disagreement as evidence for the lower complexity band.
Columns
text: source sentence, unchanged except for removal of the file line endingprimary_id_int: four-band complexity labelsecondary_category_int: always-1(shared-content group unknown)source_record_id: source corpus, original split, and zero-based source rowrating_1: first annotator's CEFR ratingrating_2: second annotator's CEFR rating
One repeated Wiki-Auto training sentence with the same two ratings was removed, keeping its first source occurrence. No balancing or synthetic adjudication was applied.
| Split | Rows | A1-A2 | B1 | B2 | C1-C2 |
|---|---|---|---|---|---|
| train | 7,177 | 2,058 | 2,712 | 1,980 | 427 |
| validation | 1,366 | 516 | 457 | 274 | 119 |
| test | 1,460 | 525 | 534 | 280 | 121 |
| Total | 10,003 | 3,099 | 3,703 | 2,534 | 667 |
Source and licensing
CEFR-SP is distributed by Yuki Arase, Satoru Uchida, and Tomoyuki Kajiwara in
the CEFR-SP repository. This release is
pinned to commit 2ba4a5005fbff68ab0f863891cf977c50fdcda29.
There is no single content license for this combined configuration:
- Wiki-Auto rows retain the source's CC BY-SA 3.0 terms.
- SCoRE rows retain the source's CC BY-NC-SA 4.0 terms.
The source component is encoded in every source_record_id. Users are
responsible for complying with the applicable source-specific license,
including attribution, share-alike, and non-commercial restrictions.
Please cite:
@inproceedings{arase-etal-2022-cefr,
title = {{CEFR}-Based Sentence Difficulty Annotation and Assessment},
author = {Arase, Yuki and Uchida, Satoru and Kajiwara, Tomoyuki},
booktitle = {Proceedings of EMNLP 2022},
year = {2022},
pages = {6206--6219},
doi = {10.18653/v1/2022.emnlp-main.416}
}
CLMET 3.1
The Corpus of Late Modern English Texts 3.1 contains 333 complete works by British and Irish authors, covering 1710-1920. It supplies explicit genre and historical-period metadata. The two configurations use the same works and split assignment but expose different supervised labels.
One source work is one row. The metadata header, paragraph tags, and page
markers are removed. The remaining CLMET plain text is preserved, including
its historical spelling, punctuation, whitespace tokenization, and line
breaks. secondary_category_int is -1 because a work occurs only once within
each configuration.
The source has no official train/test division. These configurations use a
frozen, approximately 90/10 train-validation split. All works with the same
raw author value stay together, and the identical assignment is used in both
configurations. This prevents author leakage while retaining at least two
validation works in every supervised class.
clmet_genre
This configuration uses the five major genres named by the corpus creators.
The 37 unclassified Other works are excluded rather than being treated as a
coherent sixth genre. The source's finer subgenre remains metadata only: it
contains sparse and hybrid values that are not suitable as a standalone MUSE
task.
primary_id_int |
Major genre | Train | Validation |
|---|---|---|---|
| 0 | Narrative fiction | 114 | 13 |
| 1 | Narrative non-fiction | 24 | 3 |
| 2 | Drama | 67 | 7 |
| 3 | Letters (raw value LET) |
11 | 2 |
| 4 | Treatise | 50 | 5 |
| Total | 266 | 30 |
The work counts are uneven, particularly for letters. A class-aware sampler is recommended for contrastive training; the release does not duplicate or downsample works.
clmet_period
This configuration includes all 333 works and uses the official three 70-year periods.
primary_id_int |
Historical period | Train | Validation |
|---|---|---|---|
| 0 | 1710-1780 | 79 | 9 |
| 1 | 1780-1850 | 89 | 10 |
| 2 | 1850-1920 | 132 | 14 |
| Total | 300 | 33 |
The 37 Other-genre works are retained here because their historical-period
labels are fully defined: 34 are in train and 3 in validation.
CLMET columns
text: complete work after removal of CLMET structural markupprimary_id_int: major genre or historical period, depending on configurationsecondary_category_int: always-1source_record_id:clmet3.1:<source id>author,title,year: source bibliographic metadataperiod,quarter_cent,decade: source historical metadatagenre,subgenre: raw source genre metadata
CLMET source and licensing
CLMET 3.1 was created by Hendrik De Smet, Susanne Flach, Hans-Jรผrgen Diller, and Jukka Tyrkkรถ. Data come from the canonical CLMET 3.1 release. The archive is pinned by its published MD5 and SHA-1 checksums and an additional SHA-256 recorded by the builder.
CLMET 3.1 is licensed under CC BY-NC-SA 4.0. Its attribution, non-commercial, and share-alike requirements apply to both CLMET configurations.
Please cite the corpus creators and:
Diller, Hans-Jรผrgen, Hendrik De Smet, and Jukka Tyrkkรถ. 2011. A European database of descriptors of English electronic texts. The European English Messenger 19: 21-35.
SynthSTEL-Luna
Forty feature-specific synthstel_luna__* configurations expose 4,000 fresh
English contrast pairs as 8,000 individual sentence rows. Each config contains
180 training sentences (90 aligned pairs) and 20 validation sentences (10 pairs).
The source's train/test assignments are unchanged; only the uploaded split name
test becomes validation. Original pair exports and sidecars are retained in
supporting/synthstel_luna/exports/ and are not extra training configurations.
primary_id_int=0 means the supplied negative side and 1 the supplied positive
side of that particular contrast. These are feature-side classes, not universal
sentiment or quality labels, and the numbers alone do not define ordinal loss.
The readable primary_label records the original condition. The two members of
each pair share secondary_category_int, numbered 0โ99 by sorted original pair
ID within that config. IDs are scoped to the configuration across both splits.
No pair or content family crosses splits. All 40 raw contrasts are retained.
The inventory's cleaned labels merge some perspective contrasts; the final
pair exports instead retain raw names for four perspective contrasts. The
published feature_clean preserves each actual exported value, and mappings
retain inventory_feature_clean separately. Neither replaces the raw feature
as the identity of a training config.
For contrastive training, sample within a feature config: same-side sentences
from different pairs provide same-feature examples across topics; the opposite
side of an aligned pair provides a content-controlled contrast. Do not pool
primary IDs across configs. Preserve the more/less member roles when constructing
STEB-style order-alignment trials; these rows are a training representation, not
new official STEB evaluation data. style_group identifies the eight register
contrasts and 32 linguistic-feature contrasts used in STEB's grouping.
Rows retain pair/content-family IDs, member role, raw and cleaned feature names,
original split, and complete generation/review provenance. The source package
records generation by five reused gpt-5.6-luna workers at Medium reasoning and
rotated agent review. Fast/priority was unexposed. No human validation is claimed.
Actual provenance includes fresh in-run topics; C4 topic extraction is not
independently established by those records. This is a methodological adaptation
of StyleDistance, not an exact replication or a claim of human-rated correctness.
The retained validation report describes character 4โ6-gram cosine screening at 0.97 against pinned original SynthSTEL exports; this heuristic is not exhaustive semantic duplicate detection. This publication independently rechecks casefolded, whitespace-collapsed exact matches against those originals. It does not establish comprehensive clearance against every STEB dataset. Full reports, reference pins, generation settings and review limitations accompany the supporting artifacts.
The new text is generated data; this release does not assert a blanket license for all configurations. Existing source-dependent licenses remain applicable. Original SynthSTEL is an evaluation/reference source and is not redistributed here. Cite Patel et al., StyleDistance: Stronger Content-Independent Style Embeddings with Synthetic Parallel Examples, NAACL 2025: https://aclanthology.org/2025.naacl-long.436/
| Config | Feature | ID 0 | ID 1 | Group |
|---|---|---|---|---|
synthstel_luna__complex_sentence_structure |
Complex Sentence Structure | Simple | Complex | register |
synthstel_luna__fluency_in_sentence_construction |
Fluency in Sentence Construction | Disfluent sentence | Fluent sentence | feature |
synthstel_luna__frequent_usage_of_common_verbs |
Frequent Usage of Common Verbs | Less frequent common verbs | With common verbs | feature |
synthstel_luna__frequent_usage_of_determiners |
Frequent Usage of Determiners | Less frequent determiners | With determiners | feature |
synthstel_luna__frequent_usage_of_function_words |
Frequent Usage of Function Words | Less frequent function words | With function words | feature |
synthstel_luna__frequent_usage_of_punctuation |
Frequent Usage of Punctuation | Less frequent punctuation | With frequent punctuation | feature |
synthstel_luna__incorporation_of_humor |
Incorporation of Humor | Without humor | With humor | register |
synthstel_luna__positive_sentiment_expression |
Positive Sentiment Expression | Negative | Positive | register |
synthstel_luna__presence_of_misspelled_words |
Presence of Misspelled Words | Normal sentence | Sentence with a few misspelled words | feature |
synthstel_luna__usage_of_active_voice |
Usage of Active Voice | Passive | Active | feature |
synthstel_luna__usage_of_articles |
Usage of Articles | Less frequent articles | With articles | feature |
synthstel_luna__usage_of_certain_tone |
Usage of Certain Tone | Uncertain | Certain | register |
synthstel_luna__usage_of_conjunctions |
Usage of Conjunctions | Less frequent conjunctions | With conjunctions | feature |
synthstel_luna__usage_of_contractions |
Usage of Contractions | Without contractions | With contractions | feature |
synthstel_luna__usage_of_emojis |
Usage of Emojis | No emojis | With emojis | feature |
synthstel_luna__usage_of_formal_tone |
Usage of Formal Tone | Informal | Formal | register |
synthstel_luna__usage_of_long_words |
Usage of Long Words | Short average word length | Long average word length | feature |
synthstel_luna__usage_of_metaphors |
Usage of Metaphors | Without metaphor | With metaphor | feature |
synthstel_luna__usage_of_nominalizations |
Usage of Nominalizations | Without nominalizations | With nominalizations | feature |
synthstel_luna__usage_of_numerical_digits |
Usage of Numerical Digits | Less frequent digits | With digits | feature |
synthstel_luna__usage_of_numerical_substitution |
Usage of Numerical Substitution | Without number substitution | With number substitution | feature |
synthstel_luna__usage_of_offensive_language |
Usage of Offensive Language | Non-offensive | Offensive | register |
synthstel_luna__usage_of_only_lowercase_letters |
Usage of Only Lowercase Letters | Proper capitalization | All lower case | feature |
synthstel_luna__usage_of_only_uppercase_letters |
Usage of Only Uppercase Letters | Proper capitalization | All upper case | feature |
synthstel_luna__usage_of_personal_pronouns |
Usage of Personal Pronouns | Less frequent pronouns | With personal pronouns | feature |
synthstel_luna__usage_of_polite_tone |
Usage of Polite Tone | Impolite | Polite | register |
synthstel_luna__usage_of_prepositions |
Usage of Prepositions | Less frequent prepositions | With prepositions | feature |
synthstel_luna__usage_of_present_focused_vs_future_focused |
Usage of Present-focused vs. Future-focused | Future-focused | Present-focused | feature |
synthstel_luna__usage_of_present_focused_vs_past_focused |
Usage of Present-focused vs. Past-focused | Past-focused | Present-focused | feature |
synthstel_luna__usage_of_pronouns |
Usage of Pronouns | Less frequent pronouns | With pronouns | feature |
synthstel_luna__usage_of_sarcasm |
Usage of Sarcasm | Without sarcasm | With sarcasm | register |
synthstel_luna__usage_of_self_focused_language_vs_audience_focused |
Usage of Self-Focused Language vs. Audience-focused | Audience-focused | Self-focused | feature |
synthstel_luna__usage_of_self_focused_language_vs_inclusive_focused |
Usage of Self-Focused Language vs. Inclusive-focused | Inclusive-focused | Self-focused | feature |
synthstel_luna__usage_of_self_focused_language_vs_you_focused |
Usage of Self-Focused Language vs. You-Focused | You-focused | Self-focused | feature |
synthstel_luna__usage_of_self_focused_perspective_vs_third_person_singular |
Usage of Self-Focused Perspective vs. Third-person Singular | Third-person singular | Self-focused | feature |
synthstel_luna__usage_of_text_emojis |
Usage of Text Emojis | No emojis | Text emojis | feature |
synthstel_luna__usage_of_uppercase_letters |
Usage of Uppercase Letters | Without uppercase letters | With uppercase letters | feature |
synthstel_luna__usage_of_words_indicating_affective_vs_cognitive_processes |
Usage of Words Indicating Affective vs. Cognitive Processes | Cognitive processes | Affective processes | feature |
synthstel_luna__usage_of_words_indicating_affective_vs_perceptual_processes |
Usage of Words Indicating Affective vs. Perceptual Processes | Perceptual processes | Affective processes | feature |
synthstel_luna__usage_of_words_indicating_cognitive_vs_perceptual_processes |
Usage of Words Indicating Cognitive vs. Perceptual Processes | Perceptual processes | Cognitive processes | feature |
Loading and reproduction
Every config has text, primary_id_int, secondary_category_int, and
source_record_id; extra fields preserve source-specific metadata. Unknown
shared content uses -1, which must never count as one shared group. CEFR-SP
remains the default config. CLMET's genre/period views overlap in their source
works, so summing their rows does not count unique works. Sample spans from
CLMET's complete long works rather than repeatedly truncating their openings.
from datasets import load_dataset
repo = "peterkirby/mymirmdatasets2"
genre = load_dataset(repo, "clmet_genre")
period = load_dataset(repo, "clmet_period")
contrast = load_dataset(repo, "synthstel_luna__usage_of_formal_tone")
The release has 43 configs and 18,632 configuration rows: 10,003 CEFR-SP,
629 across the two overlapping CLMET views, and 8,000 SynthSTEL-Luna sentences.
Use reproduction/README.md for publisher commands and source-package layout.
release.json and validation.json record source pins, checksums and local
acceptance. The publication receipt returned by the publisher records the exact
Hub revision and remote verification. No model training is performed.
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