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64 values
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50 values
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stringclasses
2 values
paired_query_id
stringlengths
14
19
sentence
stringlengths
27
237
timestamps
listlengths
2
2
movie_duration
float64
5.15k
10.8k
shared_attributes
listlengths
3
3
contrast_attributes
listlengths
1
1
28 Days Later (2002)
C002_E3_P001_T
P001
target
C009_E2_P001_C
Jim running to flee the attack from the infected priest inside the church interior.
[ 793.109, 947.677 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C009_E2_P001_C
P001
confusable
C002_E3_P001_T
Jim and Selena running fast to flee the infected chasing them in the dark stairwell.
[ 2014.434, 2050.434 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C003_E3_P002_T
P002
target
C011_E1_P002_C
The group resting while conversing with each other in the convenience store.
[ 1077.677, 1150.29 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C011_E1_P002_C
P002
confusable
C003_E3_P002_T
Jim and Frank standing and talking while conversing through a door with each other in the dimly lit bathroom.
[ 2217.909, 2285.226 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C004_E1_P003_T
P003
target
C027_E1_P003_C
Mark, Selena, and Jim sitting and talking with each other while explaining the viral outbreak in the dark convenience store.
[ 1156.112, 1253.397 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C027_E1_P003_C
P003
confusable
C004_E1_P003_T
Jim and Selena sitting and talking with each other to converse emotionally in the dimly lit room.
[ 4113.793, 4175.809 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C008_C008-2_P004_T
P004
target
C020_E1_P004_C
Selena and Jim walking while walking and explaining in the empty city.
[ 1815.093, 1892.434 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C020_E1_P004_C
P004
confusable
C008_C008-2_P004_T
Jim and Selena walking slowly and standing still while walking and conversing in the countryside ruins.
[ 3279.836, 3362.297 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C007_E1_P005_T
P005
target
C022_U1_P005_C
The group remaining still as they sleep in the dark living room.
[ 1582.873, 1632.783 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C022_U1_P005_C
P005
confusable
C007_E1_P005_T
Frank and Jim remaining still while resting in the shelter and campsite.
[ 3466.144, 3496.762 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C007_E4_P006_T
P006
target
C042_E2_P006_C
An infected individual engaging in a fast, chaotic attack in the kitchen.
[ 1713.783, 1737.783 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C042_E2_P006_C
P006
confusable
C007_E4_P006_T
An infected man and a soldier engaging in a violent struggle to attack and overpower on the dark room floor.
[ 5718.196, 5740.518 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C009_E2_P007_T
P007
target
C036_E1_P007_C
Jim and Selena running fast to flee in the dark stairwell.
[ 2014.434, 2050.434 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C036_E1_P007_C
P007
confusable
C009_E2_P007_T
Jim, Selena, and Hannah sprinting frantically to run through the mansion in the dimly lit mansion interior.
[ 4903.819, 4919.317 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C012_E1_P008_T
P008
target
C035_E1_P008_C
Jim and Selena remaining stationary and talking while discussing with each other.
[ 2299.89, 2389.213 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "subject" ]
28 Days Later (2002)
C035_E1_P008_C
P008
confusable
C012_E1_P008_T
Major West and Jim remaining stationary and talking while conversing with each other.
[ 4786.099, 4895.817 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "subject" ]
28 Days Later (2002)
C015_E1_P010_T
P010
target
C024_T1_P010_C
The group in the cab driving and getting a flat tire in the black London taxi in the dark road tunnel.
[ 2592.006, 2710.647 ]
6,787.616
[ "subject", "visual_anchor", "core_action" ]
[ "context_setting" ]
28 Days Later (2002)
C024_T1_P010_C
P010
confusable
C015_E1_P010_T
The group driving through barricades in the black cab at the blockade entrance.
[ 3731.954, 3784.119 ]
6,787.616
[ "subject", "visual_anchor", "core_action" ]
[ "context_setting" ]
28 Days Later (2002)
C015_U1_P011_T
P011
target
C023_T2_P011_C
The black cab moving forward and exiting into the city exterior.
[ 2580.573, 2592.006 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C023_T2_P011_C
P011
confusable
C015_U1_P011_T
The black taxi moving fast as it drives on the deserted motorway.
[ 3594.602, 3677.119 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C017_E1_P012_T
P012
target
C024_T2_P012_C
The group walking and reaching to gather food items in the supermarket interior.
[ 2859.296, 2886.29 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C024_T2_P012_C
P012
confusable
C017_E1_P012_T
Frank and the group walking and standing while exploring and arguing in the abandoned military camp.
[ 3784.119, 3859.907 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C021_T1_P013_T
P013
target
C034_T1_P013_C
Jim and Selena making a sudden movement as he wakes and reacts to each other in the dark ruins.
[ 3377.381, 3410.297 ]
6,787.616
[ "interaction_cause", "context_setting", "motion_state" ]
[ "core_action" ]
28 Days Later (2002)
C034_T1_P013_C
P013
confusable
C021_T1_P013_T
Corporal Mitchell making aggressive physical contact as he harasses woman and strikes man, targeting Selena and Jim in the dimly lit room.
[ 4710.159, 4742.556 ]
6,787.616
[ "interaction_cause", "context_setting", "motion_state" ]
[ "core_action" ]
28 Days Later (2002)
C001_T3_P014_T
P014
target
C044_E1_P014_C
An infected individual thrashing and lunging to infects others, targeting the other activists in the primate research lab.
[ 282, 303.109 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C044_E1_P014_C
P014
confusable
C001_T3_P014_T
Mailer dropping and struggling as he attacks soldier in the bathroom.
[ 5938.619, 5983.343 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C002_E1_P015_T
P015
target
C044_E2_P015_C
Jim walking slowly as he explores hospital in the abandoned hospital.
[ 339.989, 506.109 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C044_E2_P015_C
P015
confusable
C002_E1_P015_T
Jim running and walking as he searches mansion in the mansion hallways.
[ 5984.343, 6015.343 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C006_E1_P016_T
P016
target
C043_E4_P016_C
Jim interacting with his deceased parents as he discovers bodies in the bedroom.
[ 1389.562, 1448.164 ]
6,787.616
[ "subject", "core_action", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C043_E4_P016_C
P016
confusable
C006_E1_P016_T
Jim interacting with the dead soldier as he arms himself in the mansion entrance.
[ 5884.518, 5915.343 ]
6,787.616
[ "subject", "core_action", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C006_E3_P017_T
P017
target
C012_E1_P017_C
Jim sitting and talking to recount a memory in the dark room.
[ 1485.164, 1582.783 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C012_E1_P017_C
P017
confusable
C006_E3_P017_T
Jim and Selena sitting and talking while discussing in the candlelit room.
[ 2299.89, 2389.213 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C007_E2_P018_T
P018
target
C018_T2_P018_C
Jim walking slowly to explore the dark kitchen.
[ 1632.783, 1712.783 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C018_T2_P018_C
P018
confusable
C007_E2_P018_T
Jim walking cautiously and swinging to explores and fights in the dark diner interior.
[ 3076.533, 3121.533 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C010_E2_P020_T
P020
target
C019_E1_P020_C
Frank, Hannah, Jim, and Selena sitting and drinking to pour and toast in the dim flat.
[ 2145.839, 2203.075 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C019_E1_P020_C
P020
confusable
C010_E2_P020_T
The group sitting to standing while having a picnic in the countryside ruins.
[ 3209.337, 3265.142 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C005_E1_P021_T
P021
target
C014_E1_P021_C
Jim, Mark, and Selena sitting and standing while discussing and agreeing in the dimly lit store.
[ 1263.7, 1310.397 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C014_E1_P021_C
P021
confusable
C005_E1_P021_T
The group of survivors standing and talking to listen and discuss on the balcony overlooking a city.
[ 2465.103, 2580.573 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C016_E1_P022_T
P022
target
C023_T1_P022_C
The survivor group frantically changing a tire and escaping around the black cab and tire iron in the dark, smoky tunnel.
[ 2725.261, 2836.29 ]
6,787.616
[ "subject", "visual_anchor", "core_action" ]
[ "context_setting" ]
28 Days Later (2002)
C023_T1_P022_C
P022
confusable
C016_E1_P022_T
The group packing belongings into the black taxi in the grassy area.
[ 3565.48, 3594.602 ]
6,787.616
[ "subject", "visual_anchor", "core_action" ]
[ "context_setting" ]
28 Days Later (2002)
C018_U1_P023_T
P023
target
C026_E1_P023_C
A vehicle driving as it arrives during a transition at the truck stop.
[ 2962.533, 2978.457 ]
6,787.616
[ "core_action", "motion_state", "temporal_composition" ]
[ "context_setting" ]
28 Days Later (2002)
C026_E1_P023_C
P023
confusable
C018_U1_P023_T
Vehicles driving to standing for transporting and greeting during a travel sequence followed by arrival at the mansion courtyard.
[ 4012.157, 4093.838 ]
6,787.616
[ "core_action", "motion_state", "temporal_composition" ]
[ "context_setting" ]
28 Days Later (2002)
C021_T2_P024_T
P024
target
C040_E1_P024_C
The group of survivors handling pills to distributes medication in the dark ruins.
[ 3410.297, 3466.144 ]
6,787.616
[ "subject", "visual_anchor", "core_action" ]
[ "context_setting" ]
28 Days Later (2002)
C040_E1_P024_C
P024
confusable
C021_T2_P024_T
Selena handling pills and a cup to forces pills in the bathroom.
[ 5380.034, 5391.937 ]
6,787.616
[ "subject", "visual_anchor", "core_action" ]
[ "context_setting" ]
28 Days Later (2002)
C022_E1_P025_T
P025
target
C037_E1_P025_C
Jim and Frank interacting with Frank for running, waking, comforting in the dream to dark shelter.
[ 3496.762, 3534.602 ]
6,787.616
[ "subject", "core_action", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C037_E1_P025_C
P025
confusable
C022_E1_P025_T
Jim and Farrell interacting with each other to sit and talk in the dark room.
[ 4981.229, 5067.342 ]
6,787.616
[ "subject", "core_action", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C023_U1_P026_T
P026
target
C047_U1_P026_C
Jim moving from lying to sitting as he wakes up in the outdoor ruins.
[ 3534.602, 3565.48 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C047_U1_P026_C
P026
confusable
C023_U1_P026_T
Jim, Selena, and Hannah lying down and sitting to wake up and prepare in the cottage interior and lakeside.
[ 6324.37, 6346.676 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C033_E1_P029_T
P029
target
C040_E3_P029_C
Soldiers running and shooting to defend the mansion exterior at night.
[ 4616.054, 4699.556 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C040_E3_P029_C
P029
confusable
C033_E1_P029_T
Soldiers running to mobilize inside the mansion.
[ 5406.937, 5417.043 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C028_U1_P030_T
P030
target
C045_E1_P030_C
Jim and Selena embracing and kissing indoors.
[ 4175.809, 4200.309 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C045_E1_P030_C
P030
confusable
C028_U1_P030_T
Jim, Selena, and Hannah embracing and running while reuniting and fleeing in the mansion interior.
[ 6147.144, 6205.469 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C007_E3_P031_T
P031
target
C043_E1_P031_C
Jim standing still to watch in the dark kitchen.
[ 1712.783, 1713.783 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C043_E1_P031_C
P031
confusable
C007_E3_P031_T
Jim and Mailer observing as Jim watches an attack in the mansion exterior and interior.
[ 5771.518, 5813.518 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C032_E1_P032_T
P032
target
C037_E1_P032_C
Sergeant Farrell sitting and talking as he delivers a monologue in the candlelit dining room.
[ 4562.99, 4591.41 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C037_E1_P032_C
P032
confusable
C032_E1_P032_T
Jim and Farrell sitting still to sit and talk in the dark room.
[ 4981.229, 5067.342 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C032_E2_P033_T
P033
target
C042_E1_P033_C
Hannah sitting and looking downcast as she refuses food and mourns in the candlelit dining room.
[ 4592.91, 4613.223 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C042_E1_P033_C
P033
confusable
C032_E2_P033_T
Selena, Hannah, and a soldier seated and pacing to converse and argue in the dimly lit ornate room.
[ 5667.849, 5718.196 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C009_E3_P034_T
P034
target
C046_U1_P034_C
Jim, Selena, Frank, and Hannah running to entering as they enter the apartment in the tiled corridor.
[ 2050.434, 2105.839 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C046_U1_P034_C
P034
confusable
C009_E3_P034_T
Jim, Selena, and Hannah running and entering the vehicle to run to the cab in the rainy courtyard at night.
[ 6205.469, 6212.469 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C012_E1_P036_T
P036
target
C042_E1_P036_C
Characters talking and discussing with each other in the candlelit room.
[ 2299.89, 2389.213 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C042_E1_P036_C
P036
confusable
C012_E1_P036_T
Characters seated and pacing to converse and argue with each other in the dimly lit ornate room.
[ 5667.849, 5718.196 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C001_U1_P037_T
P037
target
C007_E3_P037_C
A subject remaining restrained to watches screens showing violent footage in the laboratory.
[ 26, 112.109 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C007_E3_P037_C
P037
confusable
C001_U1_P037_T
A subject standing still to watch a video projection in the dark kitchen.
[ 1712.783, 1713.783 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C002_E2_P038_T
P038
target
C018_T1_P038_C
Jim walking as he wanders streets in deserted London.
[ 506.109, 793.109 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C018_T1_P038_C
P038
confusable
C002_E2_P038_T
Jim walking as he wanders away in the truck stop parking lot.
[ 2978.457, 3076.533 ]
6,787.616
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
28 Days Later (2002)
C011_E1_P041_T
P041
target
C027_E1_P041_C
Characters standing and talking while conversing through a door with each other in the dimly lit bathroom.
[ 2217.909, 2285.226 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C027_E1_P041_C
P041
confusable
C011_E1_P041_T
Characters sitting and talking to converse emotionally with each other in the dimly lit room.
[ 4113.793, 4175.809 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C010_E1_P042_T
P042
target
C035_E1_P042_C
Characters standing to introduce each other in the dim flat.
[ 2107.49, 2145.839 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C035_E1_P042_C
P042
confusable
C010_E1_P042_T
Characters remaining stationary while conversing with each other in the dimly lit room.
[ 4786.099, 4895.817 ]
6,787.616
[ "core_action", "motion_state", "interaction_cause" ]
[ "context_setting" ]
28 Days Later (2002)
C017_U1_P044_T
P044
target
C026_E1_P044_C
Characters driving then walking to arrive and enter during an arrival sequence at the supermarket exterior and entrance.
[ 2836.29, 2859.296 ]
6,787.616
[ "core_action", "motion_state", "temporal_composition" ]
[ "context_setting" ]
28 Days Later (2002)
C026_E1_P044_C
P044
confusable
C017_U1_P044_T
Characters driving to standing for transporting and greeting during a travel sequence followed by arrival at the mansion courtyard.
[ 4012.157, 4093.838 ]
6,787.616
[ "core_action", "motion_state", "temporal_composition" ]
[ "context_setting" ]
28 Days Later (2002)
C029_E1_P048_T
P048
target
C038_U1_P048_C
Characters walking in a continuous action to walk down corridor in the underground hallway.
[ 4281.095, 4291.095 ]
6,787.616
[ "core_action", "motion_state", "temporal_composition" ]
[ "context_setting" ]
28 Days Later (2002)
C038_U1_P048_C
P048
confusable
C029_E1_P048_T
Characters walking in a continuous movement while marching on the woodland path.
[ 5067.342, 5099.18 ]
6,787.616
[ "core_action", "motion_state", "temporal_composition" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C024_U1_P001_T
P001
target
C035_U2_P001_C
Marina standing and singing an operatic piece in the living room.
[ 3586.99, 3627.99 ]
6,240.235
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C035_U2_P001_C
P001
confusable
C024_U1_P001_T
Marina standing and singing a vocal performance in the concert hall.
[ 5776.516, 5896.516 ]
6,240.235
[ "subject", "core_action", "motion_state" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C005_T1_P002_T
P002
target
C034_U1_P002_C
Marina embracing and entering and kissing each other in the dark apartment interior.
[ 636.928, 716.706 ]
6,240.235
[ "core_action", "motion_state", "context_setting" ]
[ "interaction_cause" ]
A Fantastic Woman (2017)
C034_U1_P002_C
P002
confusable
C005_T1_P002_T
Marina embracing and kissing a man due to a vision of Orlando in the dark room.
[ 5392.717, 5456.717 ]
6,240.235
[ "core_action", "motion_state", "context_setting" ]
[ "interaction_cause" ]
A Fantastic Woman (2017)
C007_U1_P003_T
P003
target
C012_U1_P003_C
Marina sitting and driving the car while seen in the car interior.
[ 869.9, 881.964 ]
6,240.235
[ "subject", "core_action", "motion_state" ]
[ "visual_anchor" ]
A Fantastic Woman (2017)
C012_U1_P003_C
P003
confusable
C007_U1_P003_T
Marina seated and steering and driving while wearing sunglasses and holding the steering wheel.
[ 1501.65, 1526.65 ]
6,240.235
[ "subject", "core_action", "motion_state" ]
[ "visual_anchor" ]
A Fantastic Woman (2017)
C010_U1_P004_T
P004
target
C025_T3_P004_C
Marina walking and walking away through the nighttime streets.
[ 1256.082, 1349.181 ]
6,240.235
[ "subject", "core_action", "motion_state" ]
[ "visual_anchor" ]
A Fantastic Woman (2017)
C025_T3_P004_C
P004
confusable
C010_U1_P004_T
Marina walking and walking away while wearing a blue dress.
[ 3876.759, 3886.167 ]
6,240.235
[ "subject", "core_action", "motion_state" ]
[ "visual_anchor" ]
A Fantastic Woman (2017)
C009_E3_P005_T
P005
target
C024_T2_P005_C
Marina talking on the phone with a phone call recipient outside the hospital at night.
[ 1178.541, 1256.082 ]
6,240.235
[ "subject", "core_action", "interaction_cause" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C024_T2_P005_C
P005
confusable
C009_E3_P005_T
Marina making a phone call to a phone recipient in the apartment hallway.
[ 3754.99, 3765.759 ]
6,240.235
[ "subject", "core_action", "interaction_cause" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C013_E1_P006_T
P006
target
C024_T2_P006_C
Marina talking on the phone during a phone call while holding a phone.
[ 1621.787, 1692.146 ]
6,240.235
[ "subject", "core_action", "interaction_cause" ]
[ "visual_anchor" ]
A Fantastic Woman (2017)
C024_T2_P006_C
P006
confusable
C013_E1_P006_T
Marina making a phone call to a phone recipient while holding a luggage bag.
[ 3754.99, 3765.759 ]
6,240.235
[ "subject", "core_action", "interaction_cause" ]
[ "visual_anchor" ]
A Fantastic Woman (2017)
C014_E2_P007_T
P007
target
C021_E1_P007_C
Marina and Detective Cortés conversing with each other in the arcade hallway.
[ 1715.146, 1918.997 ]
6,240.235
[ "subject", "interaction_cause", "core_action" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C021_E1_P007_C
P007
confusable
C014_E2_P007_T
Marina and Detective Cortés walking and arguing with each other in the police or medical facility.
[ 3086.375, 3291.382 ]
6,240.235
[ "subject", "interaction_cause", "core_action" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C010_U1_P008_T
P008
target
C024_U2_P008_C
Marina walking through the city streets while leaving.
[ 1256.082, 1349.181 ]
6,240.235
[ "subject", "motion_state", "context_setting" ]
[ "interaction_cause" ]
A Fantastic Woman (2017)
C024_U2_P008_C
P008
confusable
C010_U1_P008_T
Marina walking with difficulty through the city street against the strong wind.
[ 3627.99, 3716.99 ]
6,240.235
[ "subject", "motion_state", "context_setting" ]
[ "interaction_cause" ]
A Fantastic Woman (2017)
C010_U1_P009_T
P009
target
C030_U1_P009_C
Marina walking through the city streets while walking away.
[ 1256.082, 1349.181 ]
6,240.235
[ "subject", "motion_state", "context_setting" ]
[ "core_action" ]
A Fantastic Woman (2017)
C030_U1_P009_C
P009
confusable
C010_U1_P009_T
Marina walking through the city street while she walks towards the building.
[ 4824.442, 4866.32 ]
6,240.235
[ "subject", "motion_state", "context_setting" ]
[ "core_action" ]
A Fantastic Woman (2017)
C025_T3_P011_T
P011
target
C030_U1_P011_C
Marina walking down the city sidewalk while she walks away.
[ 3876.759, 3886.167 ]
6,240.235
[ "subject", "motion_state", "context_setting" ]
[ "core_action" ]
A Fantastic Woman (2017)
C030_U1_P011_C
P011
confusable
C025_T3_P011_T
Marina walking down the city street while she walks towards the building.
[ 4824.442, 4866.32 ]
6,240.235
[ "subject", "motion_state", "context_setting" ]
[ "core_action" ]
A Fantastic Woman (2017)
C012_U2_P012_T
P012
target
C031_U1_P012_C
Marina walking and walking through the arcade.
[ 1526.65, 1545.65 ]
6,240.235
[ "subject", "motion_state", "core_action" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C031_U1_P012_C
P012
confusable
C012_U2_P012_T
Marina walking and navigating the sauna in the sauna interior.
[ 4907.774, 5030.4 ]
6,240.235
[ "subject", "motion_state", "core_action" ]
[ "context_setting" ]
A Fantastic Woman (2017)
C007_U1_P014_T
P014
target
C019_U1_P014_C
Marina driving the car in the moving car with Orlando.
[ 869.9, 881.964 ]
6,240.235
[ "subject", "core_action", "context_setting" ]
[ "interaction_cause" ]
A Fantastic Woman (2017)
C019_U1_P014_C
P014
confusable
C007_U1_P014_T
Marina driving in the car interior alone.
[ 2606.226, 2639.47 ]
6,240.235
[ "subject", "core_action", "context_setting" ]
[ "interaction_cause" ]
A Fantastic Woman (2017)
C018_U2_P015_T
P015
target
C032_U1_P015_C
Marina sitting in the car interior while she waits in the car wash.
[ 2519.645, 2570.902 ]
6,240.235
[ "subject", "motion_state", "context_setting" ]
[ "core_action" ]
A Fantastic Woman (2017)
C032_U1_P015_C
P015
confusable
C018_U2_P015_T
Marina sitting and walking in the taxi and dirt road while she rides in the taxi and walks.
[ 5173.499, 5196.483 ]
6,240.235
[ "subject", "motion_state", "context_setting" ]
[ "core_action" ]
End of preview. Expand in Data Studio

CoM2-Bench: Grounding Confusable Movie Moments

Paper (arXiv 2610.23910) · Project page

Characters, locations, and actions recur throughout a movie, so many of its moments differ only in fine-grained details. CoM2-Bench evaluates temporal grounding in full-length movies with confusable query pairs: the two queries in each pair share three semantic attributes but differ in one, and they point to two temporally distant moments in the same movie. A model must ground each query in the full movie, so success requires resolving the single detail that tells the two moments apart.

This repository contains annotations only. Videos and subtitles are not redistributed (see Obtaining the videos).

Splits

Split Movies Hours Pairs Queries Verification
test 46 90.4 1,507 3,014 Human-verified
train 64 123.5 2,865 5,730 Automatically generated, not human-reviewed
  • The two splits use disjoint sets of movies.
  • Use test for evaluation. train was used only to fine-tune a retriever in the paper and is released for reproducibility; it may contain noisy queries or intervals.
  • Test statistics: average movie length 117.8 min; average query length 14.9 words; average moment length 60.2 s (median 42.5 s); paired moments are 35.3 min apart on average (median 29.7 min).

Data fields

Each line of data/{split}.jsonl is one query.

Field Type Description
movie string Movie title as it appears in ALLVB, e.g. "12 Years A Slave (2013)"
query_id string Query identifier, unique within a movie
pair_id string Pair identifier, unique within a movie
pair_role string "target" or "confusable"
paired_query_id string query_id of the other query in the pair
sentence string The natural-language query
timestamps [float, float] Ground-truth moment [start, end] in seconds of the full movie
movie_duration float Movie duration in seconds
shared_attributes list[string] The three attribute slots shared with the paired query
contrast_attributes list[string] The one attribute slot that differs from the paired query

Attribute slots: subject, core_action, motion_state, interaction_cause, context_setting, visual_anchor, temporal_composition.

query_id and pair_id are unique only within a movie, so use (movie, query_id) as the key.

Example:

{"movie": "12 Years A Slave (2013)", "query_id": "C003_U1_P001_T", "pair_id": "P001",
 "pair_role": "target", "paired_query_id": "C061_U1_P001_C",
 "sentence": "A man writes a letter using paper and ink in a dark room.",
 "timestamps": [184.225, 224.225], "movie_duration": 8050.167,
 "shared_attributes": ["subject", "core_action", "interaction_cause"],
 "contrast_attributes": ["context_setting"]}

Usage

from datasets import load_dataset

ds = load_dataset("queez0405/CoM2-Bench", split="test")

Obtaining the videos

The movies and subtitles come from ALLVB. Download them from ALLVB under its own terms of use, then match each annotation to its video by the movie title. The video and subtitle files are governed by ALLVB's terms, not by the license of this repository.

Evaluation

Each query is grounded independently in its full movie; the paired query, the pair role, and the attribute labels must not be given to the model as input. Missing or invalid predictions count as IoU 0.

  • mIoU: mean temporal IoU over all queries.
  • R@1@θ: percentage of queries whose top-1 prediction has IoU ≥ θ, for θ ∈ {0.3, 0.5, 0.7}.
  • PairSuccess@θ: percentage of pairs for which both queries reach IoU ≥ θ.

Dataset creation

Queries were generated with Gemini 3.1 Pro in three stages: (1) subtitle-anchored clip segmentation, which groups consecutive subtitle cues into clips and describes each clip; (2) event-level attribute generation from context-expanded clip videos and descriptions, which proposes event intervals with structured attributes; and (3) confusable query pair generation, which builds parallel queries that share three attributes and contrast in one.

For the test split, every pair was reviewed by human annotators in a web interface that plays the movie with subtitles. Each query received a verdict in an initial pass and again in a second pass by a different annotator, and pairs with disagreeing verdicts were adjudicated. A pair was kept only if both queries were valid and unambiguous, the described content appeared within the ground-truth interval, and the interval tightly covered the event. See the appendix of the paper for details. The train split did not go through human verification.

License

The annotations in this repository are released under CC BY 4.0. This license does not cover the movies or subtitles, which must be obtained from ALLVB under its terms.

Citation

@article{kim2026grounding,
  title   = {Grounding Confusable Movie Moments},
  author  = {Kim, Dong-Hee and Choi, Seonwoo and Kim, Changbeen and Ko, Juyeon and
             Choi, Youngju and Mun, Il Hyeon and Kim, Hyunwoo J. and Kim, Donghyun},
  journal = {arXiv preprint arXiv:2610.23910},
  year    = {2026}
}

Please also cite ALLVB if you use its videos.

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Paper for queez0405/CoM2-Bench