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Cast_Away | EXT. KELLY'S HOUSE - DAY - MINUTES LATER
Kelly opens the door. Chuck is there with the puppy.
KELLY
That's your dog.
CHUCK
It's our dog. It belongs to us.
KELLY
There isn't any us.
CHUCK
Yes there is.
Kelly can't stay mad.
KELLY
I'm sorry about the presents. I got... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "none"}} | KELLY
Go on. We'll be fine. I'll feed Jango
to the frogs.
She kisses the puppy. |
Godfather_Part_II | INT. HALLWAY - NIGHT
Vito climbs down from the attic, and finds Fanucci's rear
door open. He slips in, and makes his way past the open
windows, out of which pour the music and chanting of the
Mass. Slowly and quietly he pulls them down, shut.
He moves quietly to a glass door, and peeks out.
WHAT HE SEES:
Three yo... | {"prop": {"gun": "loaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "gun_location"}} | VIEW ON FANUCCI
He holds onto the door frame, trying to stand erect, trying
to reach for his gun. The force of his struggle has torn
the buttons off his jacket and made it swing loose. His gun
is exposed but so is a spidery vein on the white shirtfront
of his stomach. Carefully, as if plunging a needle into
this ve... |
Avengers_Endgame | INT. AVENGERS COMPOUND, WORKSHOP - DAY
RHODEY, TONY, STEVE, NATASHA, AND CAROL watch...
A HOLO-DISPLAY ROTATING THROUGH FACES OF PEOPLE WE'VE LOST:
WANDA. VISION. BUCKY. T'CHALLA. MARIA HILL.
RHODEY
It's been twenty-three days since
Thanos came to Earth.
TONY, weak, sits in a hi-tech wheelchair, ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | TONY
I've got nothing for ya, Cap. No
coordinates, no clues, no
strategies, no options. Zero, zip,
nada. No trust.
(rips out RT)
Here. You take this. You find
him, you put this on, and hide.
(drops to his knees)
I'm fine!
... |
Avengers_Endgame | INT. STARK TOWER, LOBBY - DAY (AVENGERS 1)
A1 TONY, A1 THOR, and LOKI approach the door. ALEXANDER
PIERCE intercepts them with a team of SHIELD AGENTS.
ALEXANDER PIERCE
Mind if I ask where you're going?
A1 THOR
We were thinking lunch, then
Asgard. And you are?
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | ALEXANDER PIERCE
Just give me the case.
Across the lobby, TONY OBSERVES FROM BEHIND HIS SWAT HELMET.
73
TONY (INTO COM)
Move it, Stuart Little. Things are
getting dicey out here.
... |
Rocky | INT. PAULIE'S APARTMENT - NIGHT
Paulie unlocks the apartment door and enters... Rocky
stiffly follows. Paulie's sister steps out of the kitchen.
A large serving spoon is in her hand... The TV is on.
She stops short and eyes Rocky... She is visibly unsettled
by Rocky's unexpected presence.
ADRIAN
(weakly)
Paulie... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "kitchen", "knowledge": {"Sita": "none"}} | ROCKY
To you, to me it's Thursday. |
Gladiator | EXT. WAGON - OUTPOST - DAY
Three Roman SOLDIERS guard an outpost, a watchtower, on
the roadside.
COMMODUS
Why have we stopped?
PRAETORIAN GUARD MEMBER
We're here, sir.
COMMODUS
(to Soldier #1)
Where is my father?
SOLDIER #1
He's at the front, sir.
COMMODUS
Is the battle won?
SOLDIER #1
Don'... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | LUCILLA
(dry)
Civilization at last. Gods preserve
us. |
Gladiator | EXT. COLOSSEUM - ARENA - DAY
Maximus is fighting a thick GIANT of a man. A few quick
blows and the Giant falls -- like a mighty tree he crashes
to the sand.
The arena cheers their hero.
Maximus stands over the beaten Giant. The crowd waits for
the famous act.
Maximus salutes the Giant and tosses down his sword,
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | MAXIMUS
No, Caesar... I will show you.
With that, Maximus does the unimaginable. He simply turns
his back on the Emperor and walks away.
And the crowd goes mad. They cheer the defiant gladiator,
their champion.
And, equally, they deride the Emperor. They mock him by
holding out food and trash like Commodus is h... |
Avengers_Endgame | INT. SANCTUARY-2, PRISON CELL - DAY
WHACK! NEBULA GOES TUMBLING ACROSS THE FLOOR. She gets to
her knees, looking up at...BAD NEBULA, GLARING DOWN AT HER.
BAD NEBULA
You're weak.
NEBULA
I'm you-
BAD NEBULA
Shut up!
BAD NEBULA PUNCHES GOOD NEBULA DOWN. GOOD NEBULA GROANS AS
BAD NEBULA RIPS... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | BAD NEBULA
ENOUGH!
BAD NEBULA SMACKS HER THE HARDEST YET, THEN LEANS IN WITH A
JAGGED INSTRUMENT OF TORTURE.
BAD NEBULA (CONT'D)
You disgust me...but that doesn't
mean you're useless.
SHE PRIES OFF THE ORANGE PANEL FROM GOOD NEBULA'S HEAD.
Gamora takes in this new d... |
Avengers_Endgame | INT. BENATAR, FLIGHT DECK - DAY (GUARDIANS)
Clint laughs, watching Natasha expertly pilot a spaceship.
NATASHA
What?
CLINT BARTON
Nothing. Just...we're a long way
from Budapest. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | NATASHA
(pushing the throttle)
Further every second. |
Godfather_Part_II | EXT. THE CHURCH PLAZA - NIGHT
The men continue on their night-walk, up to the plaza of the
church.
STROLLO
(Sicilian)
...who harbors the boy Vitone
Andolini.
The figure of a single man on a mule passes them. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | MOSCA
(Sicilian)
Let no one give help to the boy
Vito Andolini...
The man on the mule makes his way out of the village and
disappears into the distance.
We begin to hear, very quietly, the Waltz repeated once again. |
Shining_The | INT. BOULDER APARTMENT/BATHROOM - DAY - M.S.
Shooting through open door - DANNY standing on stool at basin. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | DANNY
Tony, do you think Daddy will get
the job?
TONY (OFF)
Yeah, he did. He's gonna phone
Wendy up in a few minutes to tell
her.
CUT TO: |
American_Beauty | INT. COLONEL'S FORD EXPLORER - LATER
The Colonel drives, staring darkly at the road ahead. In the
passenger seat, Ricky is using a CALCULATOR and jotting
numbers down in a NOTEBOOK.
COLONEL
How come these faggots always have to rub
it in your face? How can they be so
shameless?
RICKY
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COLONEL
Me too, son. Me too.
Case closed, Ricky goes back to his calculations.
CLOSE on the pencil in his hands: He's totaling two columns
of NUMBERS. Under the column "Income" he writes in swift,
bold strokes: $24,950.00. |
American_Beauty | INT. FITTS HOUSE - RICKY'S BEDROOM - MOMENTS LATER
On VIDEO: We're in an empty parking lot on a cold, gray day.
Something is floating across from us... it's an empty,
wrinkled, white PLASTIC BAG. We follow it as the wind carries
it in a circle around us, sometimes whipping it about
violently, or, without warning, send... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | JANE
(suddenly)
Oh my God. What time is it? |
Godfather_Part_II | EXT. LAKE TAHOE - MED. VIEW - SUNSET
Fredo and Neri are fishing, each with lines out. The VIEW
MOVES CLOSER, and we can hear Fredo as he holds the pole.
FREDO
... the Lord is with thee. Blessed
art thou amongst women, and blessed
is the fruit of thy womb, Jesus.
LONG SHOT
The boat on the shimmery lake. | {"prop": {"gun": "loaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "gun_location"}} | FREDO
... Holy Mary, Mother of God, pray
for us...
We hear a quiet, echoing GUNSHOT; and then silence.
DISSOLVE TO: |
Cast_Away | INT. CAVE - DAY
Chuck wakes up, trembling, shaking, wet with sweat. He
staggers up. His shadow sways on the wall of the cave. He
struggles to get another log on the fire. He squints at his
only companion, the soccer ball. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CHUCK
Help me, Wilson...
He collapses again. |
Avengers_Endgame | EXT. SANCTUM SANCTORUM, ROOF - DAY (AVENGERS 1)
THE BATTLE OF NEW YORK RAGES. CHITAURI CHARIOTS ZOOM OVER
THE VILLAGE. SUDDENLY...BOOM, THE CHARIOTS EXPLODE.
ON ONE SIDE OF THE SANCTUM ROOF, A TINY, HOODED FIGURE hurls
jagged mandalas into the sky.
ON THE OTHER SIDE OF THE ROOF...SMART HULK LANDS. He heads
for a ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | ANCIENT ONE
Now. Let's start over, shall we? |
Eternal_Sunshine_of_the_Spotless_Mind | INT. JOEL'S BEDROOM - NIGHT
Joel and Naomi are in bed having sex. There are certain
sexual routines, habits, they have fallen back into almost
immediately. She sticks her tongue in his ear in a way
that's trying to be sexual but just feels embarrassing to
him. They finish and lie there.
JOEL
So you think the disse... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | NAOMI
I don;t know. I'm not sure there's a big
public demand for books on Calvinism and
Misogyny. |
Eternal_Sunshine_of_the_Spotless_Mind | INT. LAB ROOM - DAY
The memory is becoming vague, characters' affects flat. Stan
pulls out a pile of loose-leaf pages. Mierzwiak smiles.
MIERZWIAK
Ah, your journal. This will be
invaluable. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | STAN
(reading)
December 15th, 2004. I met someone
tonight. Oh, Christ: I don't know what
to do. Her name is Clementine and she's
amazing. So alive and spontaneous and
passionate and sensitive. Things with
Naomi and I have been stagnant for so
long.
The scene is just a shell of itself as Stan rattles on.... |
Godfather_Part_II | EXT. THE TAHOE ESTATE - MED. VIEW - DAY
Tom Hagen is talking in the distance to his wife, and one of
his older sons; he kisses, and moves toward the boathouse.
After crossing the lawn, he stops.
VIEW ON SANDRA CORLEONE
waiting there; obviously wanting to talk to him. He
continues, and she walks with him.
MOVING VIEW... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | SANDRA
Tom, think of yourself for once.
Don't let this opportunity slip
through your fingers; don't do it.
We're all trapped here, don't you
see?
He continues past her, without answering her. Continues up
to the boathouse. He stops before he enters.
HAGEN'S VIEW
Fredo is sitting by the edge of the harbor... |
Shining_The | INT. HOTEL - CORRIDOR - M.S.
DANNY pedals away along corridor. CAMERA TRACKS after him.
He turns corner and stops as he sees the two GRADY Girls at
the end.
CUT TO:
M.C.S. DANNY.
CUT TO:
M.L.S. DANNY back to camera in f.g. Th... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | TONY
Remember what Mr. Halloran said.
It's just like pictures in a book,
Danny. It isn't real.
CUT TO:
BLACK FRAMES.
Superimposition over:
MONDAY.
CUT TO: |
Rocky | INT. ICE SKATING RINK - NIGHT
Adrian has on skates. Rocky follows her onto the ice. He
wears street shoes.
44.
ADRIAN
... Aren't you skating?
ROCKY
Ain't skated since I was
fifteen -- That's when I
started fightin' -- gotta
watch the ankles. Yeah,
fightin' use to be tops with
me, but no mo... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "none"}} | ROCKY
(continuing)
Had ya goin', didn't I, huh?
He grins and leaves.
47. |
Rocky | INT. GOLDMILL'S GYM - STILL LATER
Rocky has just completed exercising with the medicine ball...
Dino hands him a towel... Paulie crosses the gym as Rocky
heads to the steam room... A thin man crosses the gym and
Mickey nods.
MICKEY
What cha say, Benny -- Meet
'The Rock.' This is our
cutman, Benny Stein.
ROCKY
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | PAULIE
Yo, Rock, I think I found an
angle to make some bread usin'
ya name, ya mind?
Exhausted, Rocky studies Paulie's face a moment and nods
'yes.'... Rocky sways into the shower room and Paulie
strides off. |
Godfather_Part_II | EXT. THE TROPICANA IN VEGAS - MED. VIEW - DAY
A limousine pulls up at a private area near the side of the
hotel. Michael exits the limousine followed by Hagen and
Neri.
MICHAEL
Do you think they have somebody to
back up Cicci?
HAGEN
No. But if they do have somebody,
you'll do three years for perjury
if you... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | HAGEN
Michael, take the Fifth all the
way, that way you can't get into
trouble. |
Inception | INT. ANTEROOM, MAURICE FISCHER'S OFFICE - DAY
Eames sits in the crowded room. Boxes and files are piled
high. Browning stands by a pair of double doors.
SAITO (V.O.)
...as part of a consulting
litigation team working for
Browning.
BROWNING
I'm not smelling s... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | BROWNING
Shall we relay your concerns
directly to Maurice?
Browning opens the doors to Maurice Fischer's inner office.
Eames leans in to watch as Browning beckons the Lawyer into- |
Gladiator | EXT. HILL - TWILIGHT
The mighty catapults dwarf the humans. Soldiers from the
elite Felix Regiment -- a legion of the Roman Army -- haul
the monstrous machines up a hill.
The commanding General of the Felix Regiment, MAXIMUS,
walks between two of the catapults. He is a striking and
intense man in his 30's. Like a... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | MAXIMUS
Why don't they know they're already
dead? |
Eternal_Sunshine_of_the_Spotless_Mind | INT. JOEL'S APARTMENT - CONTINUOUS
Joel hangs up. He dials the phone.
JOEL
It's true.
CLEMENTINE'S VOICE
I know. I spoke to my friend Magda.
Joel is immersed in the several page document. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | JOEL
Look, I have to go. I have to think.
CLEMENTINE'S VOICE
Joel, we've fucked. We've made love.
Like a million times. And we were so
sweet and shy and inept with each other
last night. Isn't that lovely?
Joel doesn't know what to say as this registers. He just
stands there dumbly.
CLEMENTINE'S VOICE ... |
Inception | INT. HOTEL LOBBY BAR - EVENING
The building gradually EASES BACK INTO ALIGNMENT-
FISCHER
So you... you're not real?
The bar patrons start to ignore Cobb again. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
No. I'm a projection of your
subconscious. I was put in place to
protect you in the event that
extractors pulled you into a dream.
I believe that's what has happened.
Fischer takes this in. Then looks at the Security Men
approaching across the crooked floor, he no... |
Inception | EXT. COAST (LIMBO)- DAY
Cobb and Ariadne climb out of the waves, full speed. They
move into the shadow of the tall, crumbling buildings. The
streets are eerily DESERTED. As they move further in, the
buildings become NEWER, different. Ariadne marvels at the
extraordinary collection of buildings- every architectural
sty... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
No. Come on-
Cobb leads Ariadne to the entrance of a glass skyscraper.
130. |
American_Beauty | INT. MERCEDES-BENZ ML320 - CONTINUOUS
Carolyn sits behind the wheel, listening to a MOTIVATIONAL
TAPE on the STEREO. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | TAPE VOICE
--disinvesting problems of their power,
and removing their ability to make us
afraid. This is the secret to "me-
centered" living.
(MORE)
(CONTINUED)
... |
Avengers_Endgame | INT. SANCTUARY 2 - DAY
BAD NEBULA HANGS SUSPENDED. CABLES travel from her "brain"
to a GLOWING WALL OF DATABANKS, which silhouettes...
THANOS. He regards her for a moment. Then...
THANOS
Run diagnostics. Show me her
memory file.
At the console, EBONY MAW SCANS NEBULA'S INFORMATION.
NEBULA'S... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | THANOS
No. The same Nebula. From two
different times.
(to Ebony Maw)
Set course for Morag. And scan the
duplicate's memories.
(beat)
I want to see everything...
81 |
Cast_Away | INT. TRUCK - MOMENTS LATER
Chuck rides next to LEV, the driver, a serious sort. The
Translator squats on some boxes between them, trying to keep
his balance.
CHUCK
You sorted your packages before you left.
None of the other drivers did.
The Translator and Lev exchange a few words.
TRANSLATOR
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CHUCK
Lev -- it's Lev, right? Listen, this is
FedEx. We don't have to accept the way
it is. |
Avengers_Endgame | INT. AVENGERS COMPOUND, HANGAR - DAY
SCOTT WAITS IN HIS ANT-MAN 2 QUANTUM SUIT IN FRONT OF THE
OPEN VAN DOORS.
SCOTT LANG
You're sure these modifications are
safe?
He looks over to...SMART HULK, WEARING READING GLASSES,
MAKING ADJUSTMENTS TO A NEW CONTROL PANEL.
SMART HULK
I reran my cal... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | SCOTT LANG
Somebody peed my pants. I don't
know if it was baby-me or old-me.
Or just me-me. |
Godfather_Part_II | INT. A BARN - NIGHT
Four little girls watch with wide eyes as their mother and
father bind Vito tightly in swaddled cloth, and then lift
him up to the side of a mule; counter-balancing a heavy load
of firewood. The father looks at the boy's almost stoically
calm little face.
FATHER
(Sicilian)
Vito...We pray for ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | STROLLO
(Sicilian O.S.)
Our Friend promises misery to any
family... |
Her | INT. UNKNOWN SPACE
Close on THEODORE'S face (30s). We hold on him for a long
time. He's looking at something off camera, deep in thought.
He starts quietly dictating a love letter into a small
microphone. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | THEODORE
To my Chris, I have been thinking
about how I could possibly tell you
how much you mean to me. I remember
when I first started to fall in
love with you like it was last
night. Lying naked beside you in
that tiny apartment, it suddenly
... |
Gladiator | EXT. PROVINCIAL ARENA - DUGOUT - DAY
In the cramped holding area of the arena, a dugout beneath
the stands, Maximus and the other gladiators are waiting.
Proximo walks before them, giving a final "pep talk." He
gazes at them evenly, his eyes going from face to face.
PROXIMO
Some of you say you can't fight, you
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | JUBA
(to Maximus)
Are we going to fight each other? |
Taxi_Driver | EXT.
TRAVIS' taxi pulls up to 34 East 56th Street.
TRAVIS
Here we are.
BETSY digs in her purse.
111.
TRAVIS
(protesting)
No, no, please. This fare's on me.
Please.
BETSY
Thank you, Travis.
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | TRAVIS
(thin smile)
Sure.
BETSY steps away from the curb and TRAVIS drives off. She
watches his taxi.
CAMERA FOLLOWS TRAVIS' taxi as it slowly disappears down
56th Street.
SUPERIMPOSE TITLES: THE END |
Eternal_Sunshine_of_the_Spotless_Mind | EXT. PARKING STRUCTURE - EARLY MORNING
Stan pulls the van into space marked "Lacuna." He gets out,
crosses to his car. Mary is sitting on the hood.
STAN
Hey.
MARY
(beat)
Do you swear you didn't know?
STAN
I swear.
MARY
And you never even suspected? Never saw
us behaving in any unusual way together?
STAN
Onc... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "none"}} | MARY
(heading toward the levator)
Thanks, Stan.
She stops but doesn't turn to face him.
MARY (CONT'D)
You're nice.
(beat)
But I love him. I knew I loved him. Now
I know.
He nods. She waves, heads to the elevator. |
Cast_Away | INT. FEDEX OFFICES - ST. PETERSBURG - MINUTES LATER
Led by Chuck, who works like a man possessed, they sort the
packages.
CHUCK
That's Bermuda. Bermuda is in the
Memphis thru container. No, Azores is
Europe.
He gestures at a closed container. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CHUCK
The Paris container. Africa too. Japan
goes to Memphis.
Chuck is everywhere, setting the example. The whole office
is energized, working together. |
Inception | INT. OFFICE, WAREHOUSE - DAY
Cobb looks across at Ariadne.
ARIADNE
Psychiatrists judged her sane?
COBB
She was sane. She was just lost in
the labyrinth.
ARIADNE
Then why should you blame yourself?
COBB
Because we were a family. And we
had a life I would do an... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
We can't stay here. Arthur?! |
Gladiator | INT. HOSPITAL TENT - NIGHT
Maximus enters a large tent and is met by a spectacle of
the dead and dying. Roman surgeons are working feverishly
to save lives. Limbs are amputated, the bloody stumps
quickly cauterized with hot irons. Leeches and bronze
cups are employed for blood-letting to balance "humours."
Anesth... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | VALERIUS
It must be.
He smiles. And he is dead.
Maximus sits for a moment. He gently closes Valerius'
eyes. And Maximus finds that he is weeping.
He is not ashamed of the tears. |
Avengers_Endgame | EXT. AVENGERS COMPOUND, RIVER - DAWN
SMART HULK, eyes red, stands beside a bench on the dock.
Behind him, STEVE, TONY, THOR, AND CLINT STARE OUT, GRIEVING.
TONY
Do we know if she had family?
STEVE
Yeah. Us.
Thor turns, thrown.
THOR
Why are you doing that?
TONY
I'm just askin... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | STEVE
We will.
PULL BACK, LEAVING OUR MOURNERS IN TABLEAU... |
Godfather_Part_II | EXT. AMERICAN MILITARY MISSION - VIEW ON MICHAEL - DAY
standing by his car, looking through the cyclone fencing
that borders this military training camp operated by the
American Army near the city.
RADIO
... War is not a simple question of
rifles, bullets, guns and planes... | {"prop": {"gun": "loaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "gun_location"}} | CLOSER VIEW INTO THE CAMP |
Gladiator | INT. COLOSSEUM - HOLDING CELLS - DAY
Maximus is resting in his cell after the battle, head
down, deep in thought.
LUCIUS' VOICE
Is it true you're a General...?
Maximus looks up, Lucius is standing at his cell. Maximus
has no idea who the boy is -- just another young fan --
but Maximus is immediately struck ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | MAXIMUS
Where is my army?
A drum beat is heard. It increases throughout the
following scenes, building momentum like a Roman gallery
accelerating to ramming speed.
The conspiracy scenes are enclosed in a montage of scenes
in and around the arena showing Maximus' growing
popularity with the People of Rome... |
Gladiator | INT. PALACE - THRONE ROOM - NIGHT
Commodus stands with Lucius on a balcony overlooking the
city.
The roaring flames of the fire at Proximo's compound can
easily be seen.
LUCIUS
What is that fire?
COMMODUS
Why that's a bonfire, Lucius. I
arranged it just for you.
He puts his hand on the boy's shoulder.
Behin... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COMMODUS
Oh... that's for my sister.
They bring the bucket to Lucilla and set it before her.
Commodus ignores her and goes back to Lucius on the
balcony.
Lucilla glances inside the bucket...
Captain Marcellus' head is floating in brine. Lucilla
moans. All is lost. |
Avengers_Endgame | EXT. STARK ECO-COMPOUND, WOODS - DAY
TONY approaches A WOODED GLADE near the house.
25
TONY
Morgan H. Stark. Chow time. Want
some lunch?
Silence. Then MORGAN STARK (4) steps out of her play tent,
wearing A PURPLE-BLUE IRON MAN HE... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | TONY
You like going in the garage? So
does Daddy. It's all right. Mommy
never wears what I buy her.
TIME CUT:
Tony and Morgan exit the woods. Suddenly, Tony stops.
In the driveway, STEVE ROGERS stares at him. NATASHA AND
SCOTT ... |
Godfather_Part_II | INT. THE BOATHOUSE - MED. VIEW - DAY
Michael sits quietly in the darkened room in one of the big
sofas, dressed immaculately in suit and tie. His two
children, also dressed for the wake sit opposite him in the
other oversized sofa, their shoes not touching the floor.
We regard this tableau for a long moment.
CON... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CONNIE
You need me, Michael. I want to be
with you now. |
Eternal_Sunshine_of_the_Spotless_Mind | INT. JOEL'S BEDROOM - NIGHT
The lights are off. Joel sits on a chair near the window,
writing in his journal. The streetlight illuminates the
paper. Naomi sleeps in the bed.
VOICE-OVER
I met someone tonight at a party on the
beach. Her name is Clementine. There is
something alive about her.
Naomi turns ove... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | JOEL
In a minute.
Naomi turns over. Joel goes back to his writing.
VOICE-OVER
(more and more emotionless)
I don't know what to do about this. I've
been feeling so alienated and numb
lately. Forever. The thought of not
acknowledging my feelings again seems
self-destructive.
How can I continue on this pa... |
Inception | EXT. SNOW-COVERED MOUNTAINS - DAY
CLOSE ON Cobb's face, staring. Fixed.
ARIADNE (O.S.)
Cobb? Cobb?
Ariadne is beside him. They stand on a cliff, dressed in
white snowsuits, carrying white-painted weapons like WWII
commandos. Cobb checks his SNIPER RIFLE, examines their
objective: a mass... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
Keep this live at all times. I'll
be listening in, covering you.
(holds up the sniper
rifle)
The windows on the upper floors are
big enough that I can cover you
from that south tower.
... |
Shining_The | INT. MIAMI APARTMENT - NIGHT - M.S.
HALLORAN telephone up to ear. He dials number, then picks
up phone and walks R-L to window. He turns and walks back
L-R. He puts phone down. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | OPERATOR
(over phone)
We are sorry your call cannot be
completed as dialed. If you need
assistance, please call the operator.
He puts telephone down.
CUT TO: |
Eternal_Sunshine_of_the_Spotless_Mind | INT. JOEL'S CAR - NIGHT
Joel drives fast, recklessly. The intensity is back. He's
weeping as he drives.
JOEL
Gotta get home. How could she do this to
me?
How could she not care about what we
meant to each other. What a fuck! What
a fucking monster she is!
VOICE-OVER
Oh, God. I miss her. I can't believe... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | JOEL
Them. |
Taxi_Driver | INT. ST. REGIS SUITE NOON
Palantine, Tom and Palantine's Assistant are seated in
garishly decorated suite.
ASSISTANT
Well, at least it wasn't chicken.
PALANTINE
It wasn't? I thought it was. It
tasted like chicken.
TOM
C'mon, Senator. That was a class
dinne... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | PALANTINE
(weary)
Jesus Christ.
He looks at the crowded traffic on Fifth Avenue eighteen
floors below. It is a mass of yellow.
CUT TO: |
Cast_Away | INT. TYSON'S CHICKEN - OFFICE - ARKANSAS - DAY
We are in the office now. Chuck's Mom's eyes are moist.
CHUCK
When'd you start working here?
MOM
Roger got me on. I wasn't doing
anything, and -- but you're back, you're
really back. I would have come to
Memphis, but -... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CHUCK
I wanted to come here. |
Eternal_Sunshine_of_the_Spotless_Mind | EXT. CHARLES RIVER - NIGHT
Clementine and Patrick lie on their backs on the frozen river
and look up at the night sky.
PATRICK
I could die right now, Clem. I'm just
happy. I've never felt that before. I'm
just exactly where I want to be.
Clementine looks over at him. Their eyes meet. She sobs. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CLEMENTINE
I want to go home.
She hurries toward the shore, slips on the ice, gets up, and
continues, now running. |
Godfather_Part_II | INT. DON CORLEONE'S OLD STUDY - NIGHT
The Don closes the door behind his son, and then moves
across the room. He stops at the little bar there, and
pours himself a brandy.
DON CORLEONE
Would you like some?
MICHAEL
No, Dad.
DON CORLEONE
Now what is this talk about joining
the army? Eh?
MICHAEL
It's not talk... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | MICHAEL
I won't be a man like you.
DISSOLVE TO: |
American_Beauty | EXT. HIGH SCHOOL CAMPUS - A SHORT TIME LATER
Jane and Angela are standing with two other TEENAGE GIRLS.
ANGELA
I'm serious, he just pulled down his
pants and yanked it out. You know, like,
say hello to Mr. Happy.
TEENAGE GIRL #1
Gross.
ANGELA
It wasn't gross. It was kind of co... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | ANGELA
I don't believe him. I mean, he didn't
even like, look at me once. |
Avengers_Endgame | INT. AVENGERS COMPOUND, HANGAR - DAY
THE PENCIL FINALLY CLATTERS TO A STOP AS... WHOOSH, CLINT
GROWS INTO THE PRESENT ALONGSIDE THE OTHERS:
SMART HULK HOLDS THE EYE OF AGAMOTTO, SCOTT HAS THE SCEPTER,
RHODEY THE ORB, ROCKET & THOR THE EXTRACTION DEVICE, AND TONY
& STEVE THE TESSERACT. NEBULA RETRACTS HER TIME SUIT.
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | SMART HULK
Where's Nat?
(everyone stares)
WHERE'S NAT?!
Clint looks up at them, eyes glassy. |
American_Beauty | INT. INDOOR FIRING RANGE - ONE MONTH LATER
Carolyn, wearing PROTECTIVE HEADGEAR, is holding a GLOCK 19
AUTOMATIC REVOLVER with both hands, FIRING it directly at us.
She empties a round and stands there, exhilarated. An
ATTENDANT approaches with a new round of ammunition.
... | {"prop": {"gun": "loaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "gun_location"}} | CAROLYN
Well, all I know is... I love shooting
this gun!
And she starts FIRING again. |
Shining_The | EXT. MAZE - DAY - L.S.
High Angle shooting down on Maze. WENDY & DANNY move
through it. CAMERA TRACKS DOWN on Maze.
50.
WENDY
Oh what a Maze. Isn't it beautiful.
DANNY
Yeah.
CUT TO:
M.S.... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | DANNY
No.
CUT TO:
BLACK FRAMES.
Superimposition over:
TUESDAY.
CUT TO: |
Eternal_Sunshine_of_the_Spotless_Mind | INT. RESTAURANT - NIGHT
Clementine wears a generic black dress now.
JOEL
Right. Something black though.
CLEMENTINE
I'll buy that. Black's always good.
JOEL
We did talk about Naomi.
CLEMENTINE
I said: Are you sure? You seem unsure.
JOEL
I'm sure, I said.
CLEMENTINE
But you weren't. I could tell.
JOEL
I was s... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | JOEL
And I didn't have an argument. |
Avengers_Endgame | INT. AVENGERS COMPOUND, WORKSHOP - DAY
ALL SIX INFINITY STONES rest behind safety glass. SOON,
ROBOTIC ARMS ENTER FRAME, PLUCKING UP THE POWER STONE.
TONY operates the arms as ROCKET and SMART HULK watch.
The robot arms swing the stone over to...A NEW IRON MAN
GAUNTLET. NANO-TECH SHIFTS AND SLIDES, HOLDING IT IN PLA... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | SMART HULK
We don't. But the radiation's
mostly gamma.
(beat)
It's like I was made for this... |
Godfather_Part_II | INT. HIGH SECURITY HOUSE IN ARMY POST - NIGHT
The FBI man knocks on the bathroom door in the house where
they have kept Pentangeli.
FBI MAN #1
Frankie, open up. You okay?
No answer; he hammers on the door. Using his elbow, and
then a kick he breaks into the bathroom. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | HIS VIEW
Pentangeli lying in a tub of water. His stomach shows above
it. His wrists are cut and covered with blood. The bath
water has a purplish tone.
DISSOLVE TO: |
Cast_Away | EXT. OCEAN - DAY - LATER
The sky clears. The waves are still big. The fish are back.
And then come the sharks, cutting through the water. Chuck
can't get up to get his spear, he just has to watch as blood
darkens the water.
And then the sharks are gone.
Chuck comes to his knees slowly, then a big wave hits.
Wils... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "none"}} | CHUCK
Wilson!
Nothing but waves.
This is too much. Chuck starts to cry. |
Inception | INT. BEDROOM SUITE, JAPANESE CASTLE - MOMENTS LATER
Mal sips champagne as she studies a painting by Francis
Bacon.
MAL
Looks like Arthur's taste.
Cobb is looking down through the window at the GUARDS
patrolling the castle at ground level.
COBB
Actually, Mr. Saito is partial to
postwar Br... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
Stay seated. Please.
And with that, he JUMPS. Mal considers the open window. |
Shining_The | INT. OVERLOOK HOTEL - KITCHEN - M.S.
WENDY, holding JACK's ankles, drags him backwards to food
store door. She undoes bolt, then tries to open door. JACK
GROANS.
CUT TO:
M.S. Low Angle WENDY tugging at handle. JACK GROANS OFF.
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "kitchen", "knowledge": {"Sita": "none"}} | JACK
What are you doing?
CUT TO:
M.S. Low Angle WENDY's feet and legs move forward from
JACK - She exits cam.R.f.g. JACK rolls over onto his elbow.
Door closes in f.g.
CUT TO:
M.S. JACK on floor in f.g. WENDY in b.... |
Avengers_Endgame | INT. TOOL SHOP, RUINS - DAY
CLOSE ON SCOTT LANG lying on a SILVER, METAL FLOOR.
115
RHODEY (OVER COM)
...anyone...Mayday...Mayday-
Scott groans, coming to. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | SCOTT LANG
Wait, what...?
REVEAL, TINY SCOTT LYING IN THE RUINS OF THE ARMORY...ON THE
IRON PATRIOT HELMET.
ROCKET (OVER COM)
Tell `em to...hurry...asses up-
RHODEY (OVER COM)
...trapped...drowning...no time...
Scott jumps to his feet.
... |
Gladiator | INT. MARCUS' TENT - NIGHT
Commodus' eyes are red with weeping. He sits, head down,
at the foot of Marcus' bed and speaks to his father.
COMMODUS
(quietly)
I search the faces of the Gods for
ways to please you... to make you
proud... and I can never do it. One
kind word -- one full hug where you
pressed... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COMMODUS
Why does Maximus deserve what I
could never have? -- Why do you love
his eyes over mine? -- I would
butcher the whole world -- if you
would only love me...
Commodus weeps. |
Godfather_Part_II | EXT. TAHOE LAWN AND TABLES - MED. SHOT - DAY
Rushing through the tables, waving an arm jangling with gold
jewelry, and carrying several gift-wrapped packages, is a
hardened and aging CONNIE CORLEONE. She is followed by a
blond, and wrinkled-handsome escort named MERLE.
CONNIE
Mama...Mama! Here I am!
She throws he... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | MAMA
You go see your children first, and
then you wait to see your brother
like everybody else. |
American_Beauty | INT. BURNHAM HOUSE - KITCHEN - CONTINUOUS
Angela is back against the counter, drinking the root beer.
Lester stands by the refrigerator, gazing at her, still lost
in fantasy.
ANGELA
I love root beer, don't you?
(CONTINUED)
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "kitchen", "knowledge": {"Sita": "none"}} | LESTER
Sure!
He takes a sip of his root beer, but it goes down the wrong
way and he starts COUGHING violently. |
Godfather_Part_II | INT. GUARDED HOUSE - DAY
There is a KNOCK at the door. The two guards show Hagen in
and Hagen presents the court order to one of the FBI men.
HAGEN
I think I prefer to see my client
privately.
PENTANGELI
The room has a bug in it.
HAGEN
(to the FBI men)
I'd like to go outside with him, in
the open air.
... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | HAGEN
You have guards outside and the
electric fence. There's no security
reason for not letting us talk in
the yard.
FBI MAN #1
Okay.
They pass out of the room. |
Inception | INT. DEPARTURE GATE, SYDNEY - DAY
Saito stands looking out the window at a 747. Cobb arrives
beside him. They watch a COFFIN being loaded.
COBB
If I get on this plane and you
haven't taken care of things...
when we land I go to jail for the
rest of my life. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | SAITO
Complete the job en route, I make
one phone call from the plane...
you will have no trouble clearing
immigration. |
Rocky | INT. MAYOR'S OFFICE - DAY
Rocky is led into Mayor Rizzo's office by an aide... Rocky
is very nervous as he approaches the mayor, who is seated
behind his wide desk.
MAYOR
Sit down, Rocky.
Flips open a thick file that lays in front of him.
93.
MAYOR
(continuing)
I've been going over your
record --... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | ROCKY
(smiles)
... Run for mayor.
The mayor is shocked at first but then breaks into a big,
friendly laugh, and Rocky exits. |
Rocky | INT. ANDY'S RESTROOM - NIGHT
Rocky enters the restroom... It is a vile stench hole with
years of the remnants of many sick drunks caked on the wall.
PAULIE is presently trying to comb his hair in the only
remaining piece of mirror in the room... Paulie is in his
early thirties. He is medium height. Brown hair. Squ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | ROCKY
Let's get outta this stink. |
Cast_Away | EXT. BEACH - MORNING
Face red from the sun, Chuck hacks at a palm frond with his
stone knife. He saws the palm frond off near the base,
leaving it about a foot long. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CHUCK
Got to have shade. Got to have a hat.
He ties the loose fibers into a sort of circle, then sets it
upon his head. It looks amazingly like some sort of
primitive cap.
He grabs a couple of FedEx boxes and heads for the beach. |
Avengers_Endgame | INT. THANOS' LODGE - DAY
A POT BOILS OVER A FIRE. Then...THANOS LIMPS TOWARD IT, LEFT
SIDE PARALYZED, arm blackened. A shell of his former self.
14
He stirs the pot. Suddenly, AN ARMORED HAND BURSTS FROM THE
FIRE, GRABBING THANOS' GAUNTLET...
PREVENTING TH... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | THOR
I went for the head.
As Thor walks away, Steve looks at Thanos' head on the
ground. IT'S OVER. THEY LOST.
FADE TO BLACK.
OVER BLACK: "FIVE YEARS LATER." |
Shining_The | INT. HOTEL - OFFICE - DAY - M.S.
WENDY holding mike - seated on cabinet with one foot up on
desk.
59.
RANGER
(over radio)
I think it might be a good idea if
you leave your radio on all the
time now. Over... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | WENDY
(into mike)
Okay. We'll do that. It was real
nice talking to you. Bye. Over
and Out.
WENDY puts down mike.
CUT TO: |
Eternal_Sunshine_of_the_Spotless_Mind | INT. MIERZWIAK'S OFICE - CONTINUOUS
Mierzwiak dials his phone and waits. He hangs up. Mary
enters with the papers.
MARY
I need this signed, Howard.
He takes it, unable to make eye contact. He signs it, hands
it back.
MARY (CONT'D)
Thanks.
(beat)
So... do we talk about this... or what?
MIERZWIAK
I don't kn... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | MIERZWIAK
I didn't make you. You thought it best.
(off her stare)
But, look, I take full responsibility.
She looks at him for a long while. Then, out of frustration,
she screams. |
Godfather_Part_II | EXT. TENEMENT BLOCK - DAY
SIGNOR ROBERTO, a pompous, rather well-dressed Patrone
angrily walks down the steps of one of his tenement buildings.
He carries a check list, and makes marks with a pencil
concerning the condition of his various buildings; a broken
window here, some missing tile there. He bends over to pic... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | VITO
I'm asking you a favor, only that.
One never knows when one might need
a friend, isn't that true? Here,
take this money as a sign of my
good-will, and make your own
decision. I won't quarrel with it.
(he puts the money in
Roberto's hand)
Do me this little favor, just take
it and think caref... |
Taxi_Driver | INT. CORRIDOR of cab company offices. Lettering on ajar door
reads:
PERSONAL OFFICE
Marvis Cab Company
Blue and White Cab Co.
Acme Taxi
Dependable Taxi Services
JRB Cab Company
Speedo Taxi Se... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "none"}} | MAN IN BUSINESS SUIT
Taxi! Taxi!
Travis writes up his trip card and drives away.
It is LATER THAT NIGHT. The rain has turned to drizzle.
Travis drives trough another section of Manhattan.
TRAVIS (V.O.)
I work the whole city, up, down,
don't make no differe... |
American_Beauty | INT. BURNHAM HOUSE - JANE'S BEDROOM - CONTINUOUS
JANE
Yeah, it was the sound of you being a
huge disgusting pig.
(CONTINUED)
38.
CONTINUED: | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | ANGELA
I'm serious.
We HEAR the sharp TAP of a penny being thrown against glass.
ANGELA (CONT'D)
See?
Angela crosses to the window and looks out.
ANGELA (CONT'D)
(spots something)
Oh my God. Jane. |
American_Beauty | INT. BURNHAM HOUSE - JANE'S BEDROOM - LATER THAT NIGHT
Angela lays on the bed, in bra and panties, reading a
magazine. Jane, in an oversized T shirt, plays a video game
on her computer.
JANE
I'm sorry about my dad.
ANGELA
Don't be. I think it's funny.
JANE
Yeah, to you, he's just another ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | JANE
Shut up.
37. |
Inception | INT. OFFICE, WAREHOUSE - CONTINUOUS
ARIADNE
And when you finally woke up?
COBB
To wake from that. From decades
lived. To be old souls thrown back
into youth. It was hard. At first
Mal seemed okay. But I started to
realize something was wrong.
Finally... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
That our world was not real. No
matter what I did, no matter what I
said, she was convinced that we
were still in a dream. That we
needed to wake up again... |
Cast_Away | INT. FEDEX OFFICES - DAY
The staff has assembled near the loading dock. Yuri the
station manager stands in front, occasionally catching the
eye of the attractive woman. Chuck displays the FedEx box.
CHUCK
It took this test package thirty-two
hours to get from Seattle to St.
Petersburg,... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CHUCK
The failures they remember. It's the
successes they forget. |
Eternal_Sunshine_of_the_Spotless_Mind | INT. JOEL'S APARTMENT - NIGHT
Stan hangs up the phone, looks at Mary.
MARY
He's coming?
STAN
You better go. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | MARY
Hell no.
She starts getting dressed.
MARY (CONT'D)
Shit, I'm so stoned. I don't want him to
see me stoned. Stop being stoned, Mary!
She hurries into the bathroom with her bag.
MARY (CONT'D) (O.S.) (CONT'D)
God, I look like shit! God!
Mary slams the bathroom door. Stan puts his head in his
hands. |
Shining_The | INT. RANGER'S OFFICE - DAY - M.S.
RANGER seated at radio - speaking into mike. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | RANGER
(into mike)
Well, if you folks have any problems
up there just give us a call, and
Mrs. Torrance.
CUT TO: |
Shining_The | INT. BEDROOM - M.C.S.
JACK at Bathroom door. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | JACK
Not by the hair on your chiny,
chin, chin. Then I'll huff, and
I'll puff
CUT TO:
M.S. JACK holding axe back to camera at Bathroom door.
JACK (CONT'D)
and I'll blow your house in.
He swings axe ... |
Shining_The | EXT. ROAD - NIGHT - M.L.S.
HALLORAN's car moving forward along snow covered road.
CAMERA TRACKS BACK with it. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | VOICE OVER RADIO
Well, good morning to you, Hal and
Charlie on Radio 63, KHOW Denver
DISSOLVE TO: |
Shining_The | INT. HOTEL/CARETAKER'S APARTMENT CORRIDOR - DAY - M.S.
ULLMAN leads WENDY & JACK forward along corridor to
Caretaker's Apartment.
ULLMAN
This is the staff wing of the hotel.
None of the other bedrooms are
heated during the winter.
WENDY
Oh!
Two Girls carrying bags enter... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | ULLMAN
And here are your quarters.
CUT TO: |
Cast_Away | EXT. BEACH - MINUTES LATER
Chuck wades in the water, stops by a rock covered with
limpets. He uses a CREDIT CARD to scrape off a limpet.
CHUCK
Don't leave home without it.
With his finger, he prods around in the mucous-like meat,
then tilts up the shell and we see the gooey gray stuff slide
off the shell ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | CHUCK
Yumm.
And he swallow it. |
Godfather_Part_II | INT. TROPICANA BACKSTAGE AREA - MED. VIEW - NIGHT
Fredo is entertaining two showgirls done up in feathers and
what-have-you.
FREDO
C'mon, you got fifteen minutes
before the finale! I want to show
you a trick with feathers.
STAGEHAND
Phone for you.
FREDO
Don't go away; wait a minute.
He takes the phone; we ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | FREDO
Yeah... some other time. |
Shining_The | INT. BATHROOM - M.S.
WENDY standing at side of door. JACK's axe appear through
door. WENDY SCREAMS. JACK's axe repeatedly appears and
splinters door. WENDY screams.
WENDY
Jack. Please. Don't... Don't...
Head of axe appears through splintered door. WENDY SCREAMS.
WENDY
Don't! Oh! Pleas... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | WENDY
Stop!
CUT TO:
M.C.S. Splintered door panel.
WENDY (OFF)
Jack!
133.
JACK in b.g. swings axe at door and smashes away the
splintered wood.
... |
Avengers_Endgame | INT. AVENGERS COMPOUND, WORKSHOP - DAY
SMART HULK STUDIES THE GAUNTLET. The moment of truth.
TONY
Good to go?
SMART HULK
Let's do it.
TONY
Okay, remember, everyone Thanos
snapped away five years ago, you're
just bringing them back...to today.
Don't change a... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | SMART HULK
I'm...okay...
THEN SMART HULK REACHES OUT HIS HAND...AND SNAPS HIS FINGERS.
CRAAAACK! THE STONES FLARE. A BRIGHT SURGE OF ENERGY RACES
UP SMART HULK'S ARM. HE ROARS AS HIS EYES BLAZE GREEN.
A BLAST WHITES OUT THE SCREEN. |
Inception | INT. ANTECHAMBER, HOSPITAL CORRIDOR - DAY
Eames jumps out of the vent to find Cobb and Ariadne standing
over the bodies of Fischer and Mal.
126.
EAMES
What happened?
ARIADNE
Mal killed Fischer-
COBB
I wouldn't shoot her.
Eames grabs ... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
She wants me to come after him. She
wants me back down there with her.
Cobb rolls up his sleeve. Ariadne rolls up her own sleeve.
Eames NODS. Cobb and Ariadne lie down. Eames hits the button-
WATER. BUBBLES. DROWNING. And we are- |
Eternal_Sunshine_of_the_Spotless_Mind | INT. LABORATORY - DAY
Joel enters. Mierzwiak stands there with Stan in his lab
coat.
MIERZWIAK
Ah, Mr. Barish. This is Stan. He'll be
in charge of your procedure tonight.
Stan nods professionally.
STAN
Mr. Barish.
JOEL
How exactly is this going to work
tonight?
As Mierzwiak talks, the room colors start to fa... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | STAN
Good. We're getting healthy read-outs.
The room, Stan, and Mierzwiak are now vague and wispy.
STAN'S VOICE
Patrick, do me a favor --
Joel is watching Stan. Stan is not speaking, yet his voice
continues.
STAN'S VOICE (CONT'D)
-- and check the voltage levels, I'm not
wiping as clean as I would like her... |
Gladiator | INT. TENT CORRIDOR - DAY
Maximus emerges from Marcus' tent into a long tent
corridor, deep in thought.
LUCILLA'S VOICE
He always favored you...
He turns. Lucilla is waiting. She glides to him.
LUCILLA
Even over his son.
MAXIMUS
(turning away)
That's not true.
LUCILLA
Maximus, stop...
(he stops)... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "none"}} | MAXIMUS
I thank you for your prayers.
He goes. She watches him walk away. |
Godfather_Part_II | EXT. GULFSTREAM RACE TRACK IN MIAMI - HIGH FULL VIEW - DAY
The empty parking lot of the Gulfstream track, on an off-
race day.
CLOSER VIEW
Michael sits behind the wheel of a nondescript late model
car. Bussetta sits in the rear.
Another car swings into the lot. Michael starts his car,
and pulls out of the lot; the... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | NEW VIEW
This car pulls out and begins to follow them. Michael
glances back by adjusting the rear view mirror, and nods to
Bussetta.
Michael's car begins to slow down, allowing the other car to
overtake them.
The overtaking car hesitates a moment, moving side by side
with them.
Michael glances toward the driver.
... |
Gladiator | EXT. TREES - TWILIGHT
Maximus watches the German camp.
MAXIMUS
(to his men)
Hold steady... steady...
He can see the nightmare destruction of the encampment
continuing -- fire pots and Scorpion bolts and flaming
arrows -- panic in the German encampment.
MAXIMUS
Steady...
He sees the Germans begin fleeing acro... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.8}, "location": "other", "knowledge": {"Sita": "none"}} | MAXIMUS
Brothers -- I salute you! For Rome!
He spurs his horse and races out of the trees to the
plain... |
Inception | EXT. PENTHOUSE (LIMBO) - DAY
Cobb holds Mal in his arms. The wind DIES...
MAL
We'd be together forever. You
promised me.
COBB
I know. But we can't. And I'm
sorry.
MAL
You remember when you asked me to
marry you? You said you dreamt that
we'd grow ol... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
I miss you more than I can bear...
but we had our time together. And
now I have to let go...
She nods, weakly. Cobb holds Mal as her eyes close...
DYING... and we- |
Cast_Away | EXT. SUPERHUB - PLATFORM
With a big smile Phil Steele holds out his hand to Chuck.
STEELE
Welcome home.
He steps to the microphone and addresses the SuperHub. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | STEELE
This is an extraordinary moment. And it
should be marked in an extraordinary way.
With something we have never done since
this company was founded.
(pause)
Stop the line! |
Inception | INT. HOTEL LOBBY BAR - CONTINUOUS
The liquid in Fischer's drink RISES UP AGAINST ONE SIDE OF
THE GLASS- Fischer notices, confused. | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | COBB
Very odd-the weather, the
gravity...
Fischer looks around the bar- it's as if THE ENTIRE ROOM IS
SET AT A 45-DEGREE ANGLE- glasses SLIDING off tables...
COBB (CONT'D)
But I can explain all this. You've
actually been trained for this.
(Fisc... |
Cast_Away | EXT. RAFT - NEXT MORNING
Chuck splashes sea water on his face. Adjusts the water
still.
GOODCHUCK
Please don't leak. Please.
Chuck picks up the smallest fish. It's half digested. He
washes it in the ocean, trigger fish come up and nibble at
his fingers.
GOODCHUCK
Don't look at me. It was tha... | {"prop": {"gun": "unloaded"}, "emotion": {"Raj": 0.2}, "location": "other", "knowledge": {"Sita": "none"}} | GOODCHUCK
Stop! You're using energy. Move slowly.
Be patient.
Chuck kneels, wavering, on the raft. The ocean is calm.
Suddenly, BUMP. The raft tilts.
Chuck hangs on.
Then a shark appears, just out of spear range. Its lifeless
black eyes seem to stare right through Chuck.
If the Dorado was ... |
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