wisp-coder-110m / assets /ARTWORK.md
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Bring the Wisp garden identity to the model card
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Wisp model card artwork

This card reuses the original transparent wildflower illustration created for the Wisp Coder demo. The artwork is AI-generated, inspired by the user-provided Michael De Feo / The Flower Guy reference. It is not the artist's work or an endorsement.

The image is displayed in full using natural proportions; no flowers are cropped. The model card uses text and HTML layout rather than embedding technical content in an image.

Source

https://huggingface.co/spaces/philipjohnbasile/wisp-coder-demo

wisp-wildflowers.png is the final 1536×1024 RGBA hero and footer illustration, generated with the same built-in tool. Its alpha channel was verified; roughly 44% of its pixels are fully transparent.

Generation prompt

Create a new original editorial artwork for an expressive code playground website. Inspired by Michael De Feo / The Flower Guy's layered, gestural floral interventions. Landscape 1536x1024, REAL TRANSPARENT background (alpha), no canvas rectangle, no text, no letters, no signature, no frame, no people. Airy asymmetrical cloud of large and small painted flowers and winding stems, concentrated on the right two thirds, drifting down into lower left, with generous transparent spaces between stems. Loose flat five- and six-petal forms, interrupted looping outlines and quickly daubed irregular petals; raw acrylic, gouache and oil-stick marks with thin paint drips. More abstract and graphic than realistic botanical illustration. Hot coral and pink, ultramarine, rich emerald, acid yellow touches, powder blue and deep wine. Some outlined flowers with transparent interiors, some thickly painted solid petals, lively mismatched scales. Rough playful hand-painted energy, complex layered marks but a legible open silhouette at website size. It should feel like paint blooming across the website's underlying paper and typography, not a bouquet in a vase, not a greeting card, not a stock watercolor illustration. Transparent background throughout the negative space. Make the outer edges organic, with sparse little painted marks extending beyond the main flowers.