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To be united with a person of the opposite sex as a man or woman in a consensual contractual marriage that is recognized by law. | BLARK_translated | At vera sameindur við ein persón av tí øvuta kyninum sum maður ella kona í samtykkjandi sáttmálasambandi, sum er góðkent við lóg. |
Socially recognized contract between man and woman, sanctioned by church or civil marriage. | BLARK_translated | Socialt anerkendt kontrakt mellem mand og kvinde, sanktioneret ved kirkelig eller borgerlig vielse. |
Yes, the word is defined as the legal relationship between a man and a woman, but that is a completely useless argument. The word says how the situation is today; that does not mean we cannot change a law just because a word means something. If the law changes, the word changes. Many words we use today meant something ... | BLARK_translated | Ja, orðið er definerað sum løgfrøðiliga sambandið millum mann og konu, men hatta er eitt fullstendiga nyttuleyst argument. Orðið sigur hvussu stðan er í dag, tað merkir ikki at vit ikki kunnu broyta eina lóg bara tí at eitt orð merkir nakað. Broytist lógin, broytist orðið. Nógv orð ið vit nýta í dag hava merkt nakað he... |
The story begins with a man and a woman being out at night, somewhere among people, and when the clock is four, the woman decides to go home. She then lies down in bed, already knowing that the day to come is already ruined by fatigue, and so she falls asleep. She wakes to hear someone standing out in the stairwell — i... | BLARK_translated | Søgan byrjar við, at ein maður og ein kona eru úti um náttina, onkunstaðni millum fólk, og tá klokkan er fýra, ger konan av at fara heim. Hon leggur seg so í songina, og veit longu at dagurin, sum fer at koma, er longu oyðilagdur av møði, so sovnar hon. Hon vaknar við, at hon hoyrir onkran standa úti í trappugongini, t... |
In the story one only hears about a woman and a man. Both characters have an important role, but I would consider that the woman is the main character, because we hear mostly from her point of view. The story uses an internal perspective, i.e. the story is seen through the woman's eyes in the first person, i.e. we know... | BLARK_translated | Í søguni hoyrir man bert um eina konu og ein mann. Báðir persónarnir hava ein viktigan leiklut, men eg vildi mett, at konan er høvuðspersónur, av tí at vit hoyra mest frá hennara sjónarhorni. Í søguni verður innara sjónarhorn nýtt, t.v.s at søgan verður sædd gjøgnum eyguni hjá konuni í 1. Persóni, t.v.s vit vita hvat h... |
No time is mentioned in the story, but on lines 84–85 it is written: “Then I take off the ring and read the inscription. Henrik, it says. Henrik, 24.8.1986” so that means they were around at that time, so I would estimate that that is roughly where they are, probably a few years later. A jukebox is also mentioned, and ... | BLARK_translated | Eingin tíð verður nevnd í søguni, men á linju 84 - 85 stendur skriva; "Síðani taki eg ringin av og lesi áskriftina. Henrik, stendur skrivað. Henrik, 24.8.1986" so tað vil siga, at tey hava verið í hasi tíðini, so eg vildi mett at tað er áleið har tey eru, helst nøkur ár aftaná. Ein jukeboks verður eisini nevnd, og tær ... |
As mentioned, the story begins with these two people being out somewhere at night — you don’t find out where, but I would guess it’s at a dance, a Christmas party, or a bar, because jukeboxes were often seen in public places. We hear in the story that they are somewhere where people are drinking and that there are peop... | BLARK_translated | Sum nevnt, so byrjar søgan við, at hesi bæði fólkini eru úti onkrastaðni um náttina, man fær ikki at vita hvar, men eg vildi mett, at tað er í einum balli, einum jólafrokosti ella á eini bar, tí jukeboksur vóru ofta at síggja á almennum støðum. Vit hoyra í søguni, at tey eru onkrastaðni, har tað verður drukkið og at ta... |
As mentioned, the man is described indirectly throughout the story, but only once is he described directly, and that is on lines 2–3, where it says: "the eyes are like fish eyes, stick out a bit, are pink and watery" — this is a direct description of the man. | BLARK_translated | Sum nevnt, so er maðurin lýstur óbeinleiðis gjøgnum søguna, men einastaðni er hann lýstur beinleiðis, tað er á linju 2 -3, har tað stendur: "eyguni eru sum fiskaeygu standa eitt sindur útúr, eru bleik og vatnkend" hetta er ein beinleiðis lýsin av manninum. |
In the story we see imagery. On line 2 it says: "the eyes are like fish eyes" — this is not meant to say that the eyes are literally like fish eyes, but that they are large and far apart. This is often used when describing a person’s appearance negatively. On lines 52–53 it says: "His breath is sour, like rotten seawee... | BLARK_translated | Í søguni síggja vit myndamál. Á linju 2 stendur: "eyguni eru sum fiskaeygu" hetta meinast ikki við, at eyguni eru bókstaviliga sum fiskaeygu, men at tey eru stór og eru langt frá hvørjum øðrum. Hetta brúkar man ofta, um man skal lýsa útsjóndina hjá einum persóni negativt. Á linju 52 - 53 stendur: "Andin frá honum er sú... |
One of the main themes can be marriage, or being married, because we hear about a couple who are married, and we hear about the difficulties in their marriage throughout the whole story. | BLARK_translated | Eitt av høvuðs temaðinum kann vera hjúnarband, ella tað at vera giftur, tí vit hoyra um eitt par sum er gift, og vit hoyra um teirra trupuleikar í teirra hjúnarbandi gjøgnum alla søguna. |
One of the main themes in the story can also be violence. That can be seen early on throughout the story. We always hear about how the woman is unfaithful to the man. She both speaks harshly to him and often hits him. She also throws water on him while he is sleeping; this can well be a form of violence. | BLARK_translated | Eitt av høvuðs temaðinum í søguni kann eisini vera harðskapur. Tað sær man tíðiliga gjøgnum alla søguni. Vit hoyra allatíð um, hvussu órein konan er við mannin. Hon bæði tosar ljótt við hann og slær eftir honum ofta. Hon stoytir eisini vatn á hann meðan hann svevur, hetta kann væl vera eitt slag av harðskapi. |
Hatred is also a theme, because she says both at the beginning and the end that she hates him and we always see how the woman cannot handle the man. We also see this through what she does. Another theme can be alcohol, because we hear at the beginning of the story that they are out somewhere where they are drinking and... | BLARK_translated | Hatur er eisini eitt eitt tema, tí hon sigur bæði í byrjanini og endanum, at hon hatar hann og vit síggja allatíð, hvussu konan ikki klárar mannin. Hetta síggja vit eisini gjøgnum tað, hon ger. Eitt minnið tema kann vera rúsdrekka, tí vit hoyra í byrjani av søguni, at tey eru úti onkunstaðni, har tey drekka og fólkini ... |
When you read the story, I think you side with the husband, because the wife does not treat the husband well, and what the wife does is wrong. When I first started reading the story, I initially sided with the wife, because I thought an unknown man had entered her home, but when I read on and found out they were marrie... | BLARK_translated | Tá man lesur søguna, so haldi eg at man heldur við manninum, tí konan fer ikki væl við manninum, og tað, ið konan ger er skeivt. Tá eg byrjaði at lesa søguna, so helt eg fyrst við konuni, tí eg helt, at ein ókendur maður kom inn í heimi hjá henni, men tá eg so læs víðari og man fekk at vita, at tey vóru gift, so hugsað... |
In this essay I will analyze and interpret the short story 'That Is Not My Man', where I will particularly focus on perspective, imagery, and character description. 'That Is Not My Man' is from the magazine Vencil no. 14, 2013, although the short story originally appeared in the collection Tilgang, 1995. Naja Marie Aid... | BLARK_translated | Í hesum stíli fari eg at greina og tulka stuttsøguna 'Hatta er ikki maður mín', har eg serliga leggi dent á sjónarhorn, myndamál og persónslýsing. 'Hatta er ikki maður mín' er úr tíðarritinum Vencil nr. 14, 2013, tó er stuttsøgan upprunaliga úr savninum Tilgang, 1995. Naja Marie Aidt (f. 1963) hevur skrivað stuttsøguna... |
The short story is about a woman who does not want to acknowledge her marriage. In the short story one hears about an incident where the woman has come home after having been out drinking at a bar, and when a man later comes home, the woman does not want to recognize him; it turns out that this is her husband. | BLARK_translated | Stuttsøgan er um eina kvinnu, ið ikki vil góðkenna sítt hjúnaband. Í stuttsøguni hoyrir man eina hending, har kvinnan er komin heim eftir at hava verið úti og drukkið á einari barr, og tá ein maður seinni kemur heim, vil kvinnan ikki kennast við hann, tað vísur seg, at hetta er maður hennara. |
The title of the short story 'That Is Not My Man' describes the content of the short story very well. The title is also used in the last sentence: "That one in there, that is not my man." (lines 85–86) | BLARK_translated | Heitið á suttsøguni 'Hatta er ikki maður mín',lýsir sera væl innihaldið í stuttsøguni. Heitið verður eisini nýtt í síðsta setningi: "Hasin har inni, hatta er ikki maður mín." (regla 85-86) |
There are different things in the short story that indicate when the story takes place. In the 'bar' the woman is in, there is a jukebox (rule 7). Jukeboxes became very popular about 50 years ago, but in the story it is described that the couple get married in 1986, so the time period must be after that. I would estima... | BLARK_translated | Tað eru ymisk ting í stuttsøguni, sum vísir á, nær søgan fer fram. Í 'barrini', sum kvinnan er á, er ein jukeboks (regla 7). Jukeboks bleiv væl umtókt fyri uml. 50 árum síðani, men í søguni verður lýst, at parið verður gift í 1986, tí má tíðarskeiðið vera eftir tí. Eg vildi mett, at søgan gongur fyri seg uml. Í 1990'un... |
When she puts the cigarettes in her bag, she is indoors; this may indicate that it is allowed to smoke inside (rule 9). In 2007 it was banned to smoke in public places. | BLARK_translated | Tá hon koyrir sigarettirnar í taskuna, er hon innandura, møguliga vísir hetta á, at tað er loyvt at roykja inni (regla 9). Í 2007 varð tað bannað at roykja á almennum støðum. |
The man in the story will laugh when the woman tells him that she does not know him, but it does not sound like a genuine laugh (rule 62). | BLARK_translated | Maðurin í søguni fer at flenna, tá ið kvinnan fortelur honum, at hon ikki kennir hann, men tað ljóðar ikki sum eitt ektað flenn (regla 62). |
The mood in the story is very gloomy. Because it is about winter, one also imagines that it is cold (rule 14). | BLARK_translated | Huglagið í søguni er sera dapurt. Av tí at tað er um veturin, ímyndar man sær eisini, at tað er kalt (regla 14). |
The short story is written in the middle tense. The story is told at the same time as the events take place. | BLARK_translated | Stuttsøgan er skrivað í medlit. Søgan verður fortald samstundis, sum hendingarnar fara fram. |
The story probably takes place in a big city: "I'll get myself a hired carriage." (Rule 14) | BLARK_translated | Søgan fyrigongur nokk í einum stórbýi: "Eg fái mær ein hýruvogn." (Regla 14) |
The short story is written with an internal point of view. The woman is written in the first person as an I-character. This is visible throughout the text, where the woman tells about her opinions of the man, for example by saying: "I hate him" (line 84) and "I throw myself into the hallway, I shout." The reader knows ... | BLARK_translated | Stuttsøgan er skrivað við einum innara sjónarhorni. Kvinnan er skrivað í 1. Pers sum eg-persónur. Tað sæst ígjøgnum allan tekstin, har kvinnan fortelur um sínar meiningar um mannin t.d. við at siga: "Eg hati hann" (regla 84) og "Eg førki meg út í gongina, eg rópi."Lesarin kennir allar hugsjónir hjá frásøgufólkinum. |
One hears about two people in the short story. The main character is the woman, and then there is her husband, Henrik. | BLARK_translated | Man hoyrir um tveir persónar í stuttsøguni. Høvuðspersónurin er kvinnan, og so er maður hennara, Henrik. |
The woman is married to Henrik, but does not love him (line 85). She has major problems with their marriage. Already early in the short story she says that she no longer likes a man, and later the reader learns that this is the man she is married to. The problems are visible throughout the text, but especially in line ... | BLARK_translated | Kvinnan er gift við Henrik, men elskar hann ikki (regla 85). Hon hevur stórar trupulleikar við teirra parlagi. Longu fyrst í stuttsøguni sigur hon, at henni ikki dámar ein mann longur, seinni fær lesarin at vita, at hetta er maðurin, hon er gift við. Trupulleikarnir síggjast ígjøgnum allan tekstin, men serliga í reglu ... |
In the short story Henrik is married to the woman. It doesn't seem that the marital problems affect him much. He pretends not to see the problems and overlooks the woman's psychological state. This is evident when he comes home from the 'bar' and she attacks him; he becomes angry but lies down on the couch to sleep wit... | BLARK_translated | Í stuttsøguni er Henrik giftur við kvinnuni. Tað virkar ikki, sum at hjúnabandstrupulleikarnir ávirka hann nógv. Hann lætst ikki síggja trupulleikarnir, og sær útyvir sálarliga støðuna hjá konuni. Tað sæst, tá hann kemur heim frá 'barrini' og hon leypur á hann, tá verður hann illur, men leggur seg á sofuna at sova utta... |
When people become angry, they often become hot. The fire in the woman can be a symbol of the anger she has within her. | BLARK_translated | Tá ið fólk verða ill, verða tey ofta heit. Brandurin í kvinnuni kann verða ein mynd á øðina, hon hevur í sær. |
Today it is common for couples to divorce. Even though it is common, it is a taboo topic that often is not talked about. After reading the short story the first time you sit a bit like a question mark, but after having read the text a few times you get a sad mood. The text is good, easy to read, yet it is not so easy t... | BLARK_translated | Í dag er tað vanligt, at pør skiljast. Tó at tað er vanligt, er tað eitt tabu-evni, sum ofta ikki verður snakkað um. Eftir at lesa stuttsøguna fyrstu ferð situr man eitt sindur sum eitt spurnartekin, men aftaná at hava lisið tekstin nakrar ferðir fær man eitt syrgiligt huglag. Teksturin er góður, lættur at lesa, tó er ... |
In modern society each adult must work to get by and be successful in everyday life. Many people work especially hard, and often the result is that work and money gain control over a person. In addition, the striving to be successful in society often has unfortunate consequences, such as stress. Worry about tomorrow is... | BLARK_translated | Í nútíðarsamfelagnum má hvør einstakur vaksin arbeiða fyri at klára seg og roynast væl í gerandisdegnum. Tað eru mong, ið arbeiða serliga nógv, og ofta er endin tann, at arbeiði og pengar fáa valdið á einum. Harafturat er tráanin eftir at verða væleydnaður í samfelagnum, og hetta hevur ofta óhepnar avleiðingar við sær,... |
A lot is talked and written about exactly this topic, for example to highlight that work should not take over people’s everyday lives. The short story “This Is Not My Man” describes this subject, namely addiction and the impact it has. Greenlandic Naja Marie Aidt wrote the short story in 1995, and one can assume that s... | BLARK_translated | Nógv verður tosað og skrivað um júst hetta evnið, eitt nú fyri at varpa ljós á, at arbeiðið eigur ikki at fáa ræði á gerandisdegin hjá fólki. Stuttsøgan "Hatta er ikki maður mín," lýsir hetta evnið, nevniliga strongd og ta ávirkan, hetta hevur við sær. Grønlendska Naja Marie Aidt skrivaði stuttsøguna í 1995, og hugsast... |
Passage 1: p. 1, l. 1–20: here the environment is described through the woman's reflections and observations, because we hear about what the woman sees and does. We hear her thoughts, and it is easy to put oneself into her thinking and thereby get a sense of what the environment actually is like. At the beginning of th... | BLARK_translated | Brot 1: s. 1, r. 1 - 20: her verður umhvørvið lýst gjøgnum hugleðingar og eygleiðingar hjá kvinnuni, tí vit hoyra um tað, sum kvinnan sær og ger. Vit hoyra tankar hennara, og lætt er at seta seg inn í tankarnar hjá henni og sostatt fáa eina fatan av, hvussu umhvørvið í veruleikanum er. Í byrjanini á hesum brotinum fáa ... |
Passage 2: p. 1, l. 21 - p. 2, l. 43: The woman now wakes up as the man finally comes home. She is completely beside herself and keeps saying that she does not recognize the man who has come through the door. Moreover, it is here that the mood for the rest of the story is set, and the tension increases at the same time... | BLARK_translated | Brot 2: s. 1, r. 21 - s. 2, r. 43: Konan vaknar nú við, at maðurin kemur endiliga kemur heim. Hon er púra frá sær sjálvari og nevnir áhaldandi, at hon kennist ikki við mannin, sum er komin inn dyrnar. Tað er harafturat her, huglagið fyri restina av søguni verður sett, og spenningurin økist samstundis, serliga í endanum... |
Excerpt 3: p. 2, l. 45 - 79: Now the morning has come, and both the man and the woman are sober. The woman lies down again, genuinely because of her husband, but now the man truly begins to speak for himself. He tries to remind her that they are actually married, and she cannot change that situation. | BLARK_translated | Brot 3: s. 2, r. 45 - 79: Nú er morgunin komin, og bæði maðurin og konan eru ódrukkin. Konan legst aftur av álvara eftir manni sínum, men nú byrjar maðurin sanniliga at tala fyri seg sjálvan. Hann roynir at minna hana á, at tey veruliga eru gift, og hon kann ikki broyta ta støðuna. |
Excerpt 4: p. 2, l. 80 - 86: Here the passage ends, where it is again made clear about the woman's thoughts. 'other thoughts about what their everyday life looks like' not with him. | BLARK_translated | Brot 4: s. 2, r. 80 - 86: Her endar støðan, har aftur verður greitt frá tonkunum hjá konuni. 'akrar tankar um, hvussu gerandisdagur teirra sær "ikki við hann. |
Only two people are mentioned in the story, and there are no direct descriptions of them. The woman is married to Henrik, and it is clear that this is not a happy or healthy marriage; p. 2, l. 49: "You can just take it off right away." This indicates that she doesn’t care whether he is at home with her, and he should j... | BLARK_translated | Tað eru bert tveir persónar nevndir í søguni, og ongar beinleiðis lýsingar eru av teimum. Kvinnan er gift við Henrikki, og tað er týðiligt, at hetta ikki er eitt lukkuligt og sunt parlag; s. 2, r. 49: "Tú kanst bara pilla av beinanvegin." Her verður víst á, at hon leggur ikki í, um hann er heima hjá henni, og hann bara... |
It is clearly reflected in the story that both the woman and Henrik have problems with alcohol, and this indicates that this is a situation that is by no means unusual in their everyday life. "He makes coffee in the kitchen, as if nothing had happened, and eats two aspirin," p. 2, lines 59–60. | BLARK_translated | Tað sæst týðiliga aftur í søguni, at bæði kvinnan og Henrik hava trupulleikar við rúsdrekka, og tað bendir á, at hetta er ein støða, sum als ikki er óvanlig í gerandisdegi teirra. "Hann ger kaffi í køkinum, sum um einki var farið fram, og etur tvær albyl," s. 2, r. 59 - 60. |
It can be thought that they are not middle class but come from the lower class. Work is possibly not considered to be so important, and their language use is not particularly refined, among other things the way they speak to each other, and that Henrik in lines 35–37 says “Why did you leave me, you suddenly were gone, ... | BLARK_translated | Hugsast kann at tey ikki eru miðalklassanum, men eru frá undirklassanum. Arbeiði er møguliga ikki mett at verða so týdningarmikið, og málburður teirra er ikki serliga fínur, millum annað mátin tey tosa við hvønn annan, og tað at Henrik í r. 35-37 sigur "Hví fórt tú frá mær, knappliga vart tú farin, og har situr man, gl... |
She is disgusted by her husband; this is seen among other places on p.2, l. 64—"I get a deep nausea and have to run out to vomit. Then I go back to crying, I slump down on the kitchen table and bawl my eyes out." She behaves in an irrational way, and it can be thought that she is in a psychological crisis. Crises can o... | BLARK_translated | Hon vamlats av manni sínum, hetta síggja við millum annað á s.2, r. 64- "Eg fái inniligt vaml og má renna út at spýggja. Síðani fari eg aftur at gráta, eg smokki saman niður á køksborðið og tútbrøli." Hon ber seg at á skilaleysan máta, og tað kann hugsast at hon er í einari sálarligari kreppu. Kreppur kunnu framkoma í ... |
"He is not my man": Even though the woman is married to this man, she no longer recognizes him, nor herself. Times and circumstances have changed their togetherness, and they have become strangers to each other. | BLARK_translated | Hann er ikki maður mín": Sjálvt um kvinnan er gift við hesum manninum, so kennist hon ikki við hann, og við seg sjálva longur. Tíðinar og umstøðurnar hava broytt samveruna teirra millum, og tey eru vorin fremmand fyri hvørjum øðrum. |
This has been what you might call a long winter: The winter is a sign of darker times, which can be related to the woman’s depression. | BLARK_translated | Hetta hevur verið ein sovorðin langur vetur: Veturin er tekin uppá myrkari tíðir, ið kann setast í samband við tunglyndi hjá kvinnuni. |
But although the winter often seems long, there is light ahead. And the sunbeam can be a sign that there is hope ahead. | BLARK_translated | Men hóast veturin ofta tykist langur, so er tað ljós fyri framman. Og sólstrálan kann vera ein mynd uppá at tað er vón fyri framman. |
The ring is a symbol of love and emotions. A ring is round, and that means endlessness, without beginning or end. The ring is a promise of eternal love. | BLARK_translated | Ringurin er ein mynd uppá kærleika og kenslur. Ein ringur er rundur, og tað merkir endaloysi, uttan byrjan og enda. Ringurin er eitt lyfti um ævigan kærleika. |
The story can be set in a narrative about society. This could well have been a worldly story that took place here in the Faroe Islands, especially during the crisis in the ’90s. But it can also be set in a narrative about contemporary society, because many people become psychologically affected by stress, based on the ... | BLARK_translated | Søgan kann setast í frásøgn við samfelagið. Hetta kundi væl verið ein verðulig søga, ið hevði gingið fyri seg her í Føroyum, serliga um krepputíðina í 90'inum. Men kann eisini setast í frásøgn við nútíðarfamfelagið, tí tað eru nógv, ið gerast sálarliga ávirkað av strong, grunda á tað, at arbeiði og pengar hava tikið ræ... |
The short story reminds us that it is very important to shed light on such problems. And that it is essential to be able to live life in the right way. So that fundamental values like love, closeness and care are not forgotten. For it is not right to almost forget oneself and those one is kind to, with worrying about w... | BLARK_translated | Stuttsøgan minnir okkum á, at tað er sera týdningarmikið, at tað verður varpað ljós á slíkar trupulleikar. Og at tað er umráðandi at vera førur fyri at liva lívið á rættan hátt. Soleiðis at næru virðini sum kærleiki, nærleiki og umsorgan ikki verða gloymd. Tí tað er ikki rætt, at nær um gloyma seg sjálvan og tey, ið ei... |
A Danish saying goes, "Life becomes one long deadline if we don't give ourselves time." And this is quite relevant to think about in our everyday life. | BLARK_translated | Eitt danskt orðatak sigur "Livet bliver en lang deadline, hvis vi ikke giver os tid". Og er hetta rættiliga viðkomandi, at hugsa um í gerandisdegi okkara. |
Marriage is a social bond or a legal agreement between two people. For some it means a lot and for others less. Mental illness and other similar illnesses can greatly affect a marriage. That is what the short story is about. | BLARK_translated | Hjúnaband er ein samfelagslig sambinding ella løgfrøðilig avtala millum tveir persónar. Fyri nøkur merkir tað nógv og onnur minni. Sálarsjúkur og aðrar tílíkar sjúkur kunnu ávirka hjúnabandið nógv. Tað er tað, ið stuttsøgan snýr seg um. |
In this essay I will analyze and interpret the short story This Is Not My Man. | BLARK_translated | Í hesum stíli fari eg at greina og tulka stuttsøguna Hetta er ikki maður mín. |
Naja Marie Aidt wrote the short story This Is Not My Man, which appeared in the short story collection Tilgang, published in 1995. Oddfríður Marni Rasmussen later translated the short story, which was published in the journal Vencil no. 14, issued in 2013. | BLARK_translated | Naja Marie Aidt hevur skrivað stuttsøguna Hetta er ikki maður mín, ið stóð í stuttsøgu savninum Tilgang, ið kom út í 1995. Oddfríður Marni Rasmussen hevur síðani týtt stuttsøguna, ið kom í tíðarritið Vencil nr 14, ið varð givið út í 2013. |
The next section is from lines 14–20; there we learn what the first-person narrator is like as a person and what she is like psychologically. | BLARK_translated | Tann næsti parturin er frá reglu 14-20, tá fáa vit at vita, hvussu eg-persónurin er sum persónur, og hvussu hon er fyri sálarliga. |
The third part is from line 21–79, which is the event between the two of them, where we get her perspective on the situation. | BLARK_translated | Tann triði parturin er frá reglu 21-79, ið er hendingin millum tey bæði, har vit fáa hennara sjónarhorn uppá støðuna. |
The fourth part is from rules 80-86, which is the end of the story. There we learn again how she is doing. | BLARK_translated | Tann fjórði parturin er frá reglu 80-86, ið er endin á søguni. Har vit aftur fáa at vita, hvussu hon er fyri. |
The structure is called a chronological structure, which is when the action proceeds in chronological order. That is, the action takes place here and now. The action also begins in the middle of an event, and that is called in medias res. | BLARK_translated | Bygnaðurin verður kallaður tíðarraðarbygnaður, ið er, tá gongdin fer fram í tíðarøð. Altso, at gongdin fer fram her og nú. Eisin byrjar gongdin mitt í eini hending, og tað verður kallað in medias res. |
Only two people are mentioned, and they are the first-person narrator and Henrik. | BLARK_translated | Tað eru bert tveir persónar nevndir, og teir eru eg-persónurin og Henrik. |
There is a lot of imagery in the short story. In line 2 it says: "the eyes are like fish eyes, | BLARK_translated | Tað er nógv myndamál í stuttsøguni. Á reglu 2 stendur: "eyguni eru sum fiskaeygu, |
stand out a little, are pink and watery." This is a comparative metaphor, because the eyes are being compared to fish eyes. Fish are known for being empty, and often it is in the eyes that one sees that someone is empty. It could mean that she no longer sees anything in Henrik, but only an empty man. | BLARK_translated | standa eitt sindur útúr, eru bleik og vatnkend". Hettar er samanberingar myndamál, tí eyguni verða samanborin við fiskaeygu. Fiskar eru kendir fyri at vera tómir, og oftast er tað í eygnabránum, at ein sær, at viðkomandi er tómur. Tað kundi merkt, at hon einki sær í Henrik longur, men bert ein tóman mann. |
In line 14 it says: "This has been a so-called long winter." This is a metaphor. The winter is a very dark and gloomy time for many who, for example, have winter depression. And then the winter can seem prolonged and long, as it does for the first-person narrator. | BLARK_translated | Á reglu 14 stendur: "Hetta hevur verið ein sovorðin langur vetur." Hetta er ein myndaflógvin. Veturin er ein sera myrk og dapur tíð fyri nógv, ið hava eitt nú vetrardepritión. Og tá kann veturin tykjast drúgvur og langur, sum tað ger hjá eg-persóninum. |
In lines 15–16 it says: "many have gone down in that hope that the world would begin to seem brighter." The light is an image of something that is good. And it says that she had hopes that the world would begin to seem brighter, that is, that the world would become better. | BLARK_translated | Á reglu 15-16 stendur: ".nógvir eru farnir niðurum í teirri vón, at heimurin fór at sýnast ljósari." Tað ljósa er ein mynd uppá nakað, ið er gott. Og har stendur, at hon hevði vónir um, at heimurin fór at sýnast ljósari, altso, at heimurin fór at gerast betri. |
On line 43 it says: "I am burning inside." It is often used when someone is extremely angry. Like in hell, where it burns for all eternity. Everything there is terrible, just as the I-person feels. | BLARK_translated | Á reglu 43 stendur: "Eg brenni innan." Tað verður ofta nýtt, um ein er øðiliga illur. Eins og í helviti, har tað brennir í allar ævit. Har er alt ræðuligt, eins og eg-persónurin hevur tað. |
On line 52 it says: "His spirit is sour, like rotten seaweed." It is a simile, where the spirit is compared to rotten seaweed. It could be that she does not want to listen to what he says. She thinks that everything he says is rotten. | BLARK_translated | Á reglu 52 stendur: "Andin frá honum er súrur, sum rotin tari." Tað er samanberingar myndamál, har andin verður samanborin við rotnan tara. Tað kundi verið, at hon ikki vil lurta eftir tí, ið hann sigur. Hon heldur, at alt tað hann sigur er rotið. |
On lines 80-81 it says: "A sunbeam falls through the window and hits me in the face." It could have been, as an image, that the light tried to wake her. She looks down at the ring, trying to remember him. She takes the ring off and looks at what was written on it, although she does not want to admit knowing him. | BLARK_translated | Á reglu 80-81 stendur: "Sólargeisli dettur gjøgnum rúmið og rakar meg í andlitið". Tað kundi verið, ein mynd uppá, at ljósið royndi at vekja hana. Hon hyggur niður á ringin, fyri at royna at minnast hann. Hon tekur ringin av og hyggur at tí, ið stóð skrivað, hóast tað vil hon ikki kennast við hann. |
The short story is told through the first person in the present tense, that is, through the I-person. We learn everything about what she thinks, says, and does — this is called the internal point of view. | BLARK_translated | Stuttsøgan er fortald gjøgnum 1. persón í nútíð, altso gjøgnum eg-persónin. Vit fáa alt at vita, ið hon hugsar, sigur og ger - tað verður nevnt innara sjónarhorn. |
One can relate the story to society. Not all people today have it as good as others. Fortunately, those who need it receive help. However, we were not told in the short story that she received any help. I believe that would have changed their situation significantly. Mental illness hits families and marriages hard. In ... | BLARK_translated | Man kann seta søguna í samband við samfelagið. Tað eru ikki øll fólk í dag, ið hava tað líka gott sum onnur. Tíbetur fáa tey hjálp, ið hava tørv á tí. Tó fingu vit ikki nakað at vita í stuttsøguni um, at hon fekk nakra hjálp. Eg trúgvi, at tað hevði broytt munandi um støða hjá teimum. Sálarsjúka rakar familjur og hjúna... |
When I read the short story I sympathize with both of them. Henrik is the one who does the right thing, but I feel sorry for the first-person narrator. She is so miserable that I feel compassion for her. I think that is what the author is trying to convey in the short story. | BLARK_translated | Tá eg lesi stuttsøguna haldi eg við teimum báðum. Henrik er tann, ið ger tað rætta, men eg taki synd í eg-persóninum. Hon er so ússalig, at eg fái samkenslu við henni. Eg haldi, at tað er tað, ið rithøvundurin roynir at fortelja í stuttsøguni. |
The short story was written by Naja Marie Aidt. Oddfríður Marni Rasmussen translated it from Danish and the story originally comes from the collection Tilgang (1995). | BLARK_translated | Stuttsøgan hevur Naja Marie Aidt skrivað. Oddfríður Marni Rasmussen hevur týtt hana úr donskum og søgan er upprunaliga úr savninum Tilgang (1995). |
Aidt was born in 1963 and has written poems, short stories, children’s books and novels. She has also written plays. | BLARK_translated | Aidt er fødd í 1963, og hevur skrivað yrkingar, stuttsøgur, barnabøkur og skaldsøgur. Eisini hevur hon skriva sjónleikar. |
The collection Tilgang contains 16 short stories, all of which revolve around everyday events and descriptions of relationships between people. The lies we make each other believe in order to be able to live together. Aidt has also emphasized minimalism. This means that the characters in the stories are isolated and tr... | BLARK_translated | Í savninum Tilgang eru 16 stuttsøgur, har allar snúgva seg um gerandisligar hendingar og lýsingar um viðurskiftini millum menniskju. Lygnirnar vit fáa hvønn annan at trúgva, fyri at kunna liva saman. Aidt hevur eisini lagt dent á minimalismu. Hetta merkir, at persónarnir í søguni eru einsamallir og traumatiseraðir og h... |
The short story is briefly about a woman and a man who talk together. Suddenly the woman realizes that she does not like the man. She wants to leave, but he won’t let her. When she goes out to wait for a taxi, she says she is surprised that she is sober, because she has been somewhere drinking. She then comes home and ... | BLARK_translated | Stuttsøgan snýr seg í stuttum um eina kvinnu og ein mann, sum práta saman. Brádliga sær kvinnan at hon ikki dámar mannin. Hon vil avstað, men hann vil ikki loyva henni. Tá ið hon fer út at bíða eftir einum hýruvogni, sigur hon at hon undrast á, at hon er edrú, tískil hevur hon verið eitt stað og drukkið. Hon kemur síða... |
The woman chooses to wake him by pouring a bucket of water on him. He shouts and then goes into the shower. When he comes out again the woman starts scolding him again and tells him to leave. He says that he will not leave, and that it is his home. He scolds her and says that they are married and that he really lives t... | BLARK_translated | Kvinnan velur at vekja hann, við at stoyta eina spann við vatnið á hann. Hann øsist og fer síðani í brús. Tá hann kemur út aftur byrjar kvinnan aftur at skelda og biðjur hann at fara út. Hann sigur at hann ikki fer út, og at tað er hansara heim. Hann skeldar hana og sigur, at tey eru gift og at hann býr har veruliga. M... |
Afterwards the woman sits and looks at the ring; she did not know how she had gotten it, or when. | BLARK_translated | Eftir situr kvinnan og hyggur at ringinum, hon visti ikki hvussu hon hevði fingið hann, ella nær. |
One learns that people cannot agree about what should be played on the jukebox (rule 7); this tells us that the beginning of the story takes place in a pub. Otherwise the short story takes place at the woman's and the man's home. | BLARK_translated | Ein fær at vita at fólk ikki kunnu semjast um, hvat skal spælast á jukeboksini (regla 7) hettar fortelur okkum, at byrjanin á søguni gongur fyri seg á einum vertshúsið. Annars gongur stuttsøgan fyri seg heima hjá kvinnuni og manninum. |
The fact that a jukebox is there can tell us that the story takes place in the 1980s, since jukeboxes were very modern then. | BLARK_translated | Tað at ein jukeboks er har, kann fortelja okkum at søgan gongur fyri seg í 80'inum av tí at jukeboksir vóru sera modernaðar tá. |
The story can be divided into 6 parts, due to changes in time and place. | BLARK_translated | Søgan kann býtast í 6 partar, vegna skift millum tíð og stað. |
3. Break 20-42: The man comes home drunk and the woman scolds him and wants him out of there. He lies down to sleep on the sofa. | BLARK_translated | 3. Brot 20-42: Maðurin kemur fullur heim og kvinnan skeldar hann og vil hava hann út har frá. Hann leggur seg at sova á sofuni. |
Verses 43-58: The woman awakens the man. He says that the house is his home. | BLARK_translated | 4. Brot 43-58: Kvinnan vekir mannin. Hann sigur at húsið er hansara heim. |
6. Passage 78-84: The woman looks at the ring on her finger and refuses to believe that the man is her husband. | BLARK_translated | 6. Brot 78-84: Kvinnan hyggur at ringinum á fingurinum og noktar at trúgva at hasin maðurin er maður hennara. |
The short story begins in the middle of an event. This means that the story is written in medias res. One is given little to know about the characters' backgrounds. Consequently, the characters also receive an indirect description, where one must describe the characters by their actions and what they think. | BLARK_translated | Stuttsøgan byrjar mitt í eini hending. Hetta merkir at søgan er skriva í in medias res. Ein fær heldur einki at vita um bakgrundina hjá persónunum. Tískil fáa persónarnar eisini eina óbeinleiðis lýsing, har ein má lýsa persónarnir við teirra gerðum og hvat teir hugsa. |
The story is written in everyday language and is therefore not difficult to read. There are not many difficult words and no long, confusing sentences either. There are not many rule breaks, so the story does not change much in time and place. The setting changes only between the inn, outside, and home. | BLARK_translated | Søgan er skriva í gerandisligum málið og er tískil ikki torfør at lesa. Tað eru ikki nógv torfør orð og heldur ikki langir og óskilligir setningar. Tað eru ikki nógv reglubrot og tí skiftir søgan ikki nógv millum tíð og stað. Staðið skiftur bert millum vertshús, úti og heima. |
The man is described as a burglar, but based on the way he behaves inside the house, the reader does not get the impression that the man has broken in, but that he lives there. He is confused at first, but then becomes angry and will not accept that his wife behaves that way toward him. | BLARK_translated | Maðurin verður lýstur sum ein innbrótstjóvur, men útfrá mátanum hann uppførir seg inni í húsinum, so fær lesarin ikki eina fatan av, at maðurin hevur brotið inn, men býr har. Hann er ørkymlaður í byrjanini, men síðani øsist hann og vil ikki finna seg í, at konan hjá honum uppførir seg soleiðis í móti honum. |
and I marvel that I am sober, because so many have descended into that hope that the world began to seem brighter. | BLARK_translated | og eg undrist á, at eg eri edrú, tí at so nógvir eru farnir niðurum í teirri vón, at heimurin fór at sýnast ljósari." (regla 13-14). Hetta kann vera myndamál fyri, at kvinnan ikki heilt vildi trúgva tí, sum hon hevði funnið útav. Hon vildi kanska liva við tí fatan av manninum sum hon hevði havt, men kundi ikki tí at ho... |
The ring may signify that their marriage is an evil cycle. Perhaps the woman has previously tried to put into words how she feels about the man, but always ends up remaining with him. | BLARK_translated | Ringurin kann merkja at hjúnaband teirra er ein ónd ringrás. Kanska kvinnan áður hevur roynt at seta orð á, hvussu hon hevur tað við manninum, men endar altíð við at vera verandi saman við honum. |
The short story is written from an internal point of view. The woman narrates what happens and one reads her thoughts and reflections. This may be because the author wants the reader to side with the woman. In other words, the reader should believe that the woman is right and that the man doesn't really have anything t... | BLARK_translated | Stuttsøgan er skriva við einum innara sjónarhornið. Kvinnan greiðir frá tí sum hendir og man lesur hennara tankar og hugsanir. Hetta kann vera tí, at rithøvundurin vil hava lesaran at halda við kvinnuni. Altso at lesarin skal halda at kvinnan hevur rætt og maðurin ikki heilt hevur nakað at siga, av tí at hann hevur gjø... |
The theme in the short story is perhaps not a societal problem, but an inward, personal problem. One does not hear much about people lying about who or how they are. This is not a public topic that is talked about, but perhaps it is a problem that many have without themselves being aware of it. | BLARK_translated | Temaði í stuttsøguni er kanska ikki ein samfelagsligur trupulleiki, men ein innanhýsis trupulleiki. Ein hoyrir ikki nógv um at fólk hava logið um hvørji ella hvussu tey eru. Hettar er ikki eitt alment evnið sum verður tosað um, men kanska er hetta ein trupulleiki sum nógv hava, uttan at tey sjálvi vita av tí. |
There are only two people in the story, a couple, a man and a woman. They are described indirectly. We learn that his name is Henrik when she looks at her ring, “Henrik, is written. Henrik, 24.8.1986,” (lines 84–85). Here we also learn when they were married. | BLARK_translated | Tað eru bert tveir persónar í søguni, eitt par, ein maður og ein kona. Tey verða lýst óbeinleiðis. Vit fáa at vita, at hann eitur Henrik, tá ið hon hyggur í ringin hjá sær, "Henrik, stendur skrivað. Henrik, 24.8.1986", (reglu 84-85). Her fáa vit eisini at vita, nær tey vórðu gift. |
Apart from thinking that she has become forgetful, I also think that she has bad nerves — "I hold my bowed legs and rock back and forth" (rule 83). Besides being forgetful, having bad nerves, and drinking alcohol regularly, I believe she is mentally ill, which she has not acknowledged. I also think that Henrik is an al... | BLARK_translated | Burturfrá, at eg haldi at hon er vorðin minnisleys, haldi eg eisini, at tað hon hevur ringar nervar - "Eg taki um boygdu bein míni og ruggi aftur og fram", (regla 83). Avtí at hon er minnisleys, hevur ringar nervar og drekkur rúsdrekka regluliga, haldi eg, at hon er sálarliga sjúk, ið hon ikki hevur staðfest. Eg haldi ... |
Even though Henrik does not want to let her go from him, it does not seem as if he is particularly good to her. But he is just as angry that she does not take care of him when he is her man. | BLARK_translated | Sjálvt um Henrik ikki vil lata hana fara frá sær, tykist tað eiheldur, sum um hann er serliga góður við hana. Men at líka væl er hann illur um, at hon ikki tekur sær av honum, tá hann er maður hennara. |
I believe that they have been alcohol abusers for so long that it has destroyed the bond between them. From what they say and do, and the actions against each other, their home seems inhospitable and unpleasant. They may have no one to talk to about their problems, and they do not have each other either, only their alc... | BLARK_translated | Eg trúgvi, at tey hava verið rúsdrekka misnýtarar so leingi, at tað hevur oyðilagt tjúnarbandið millum teirra. Útfrá tí sum tey siga og gera, og handlingarnir í móti hvørjum øðrum, tykist heimið hjá teimum óheimligt og ódámligt. Møguliga hava tey ongan at tosa við, um teirra trupulleikar, og tey hava ei heldur hvørt an... |
The themes in the short story are alcohol and violence that take place in their home. She also hates Henrik inwardly, so hatred is another theme. Mental illness and depression are also two themes in the story. And the title of the story is "Hattar er ikki maður mín" (That is Not My Husband), and that is because she has... | BLARK_translated | Evnini í stuttsøgui er rúsdrekka og harðskapur, ið fyrigongur heima hjá teimum. Hon hatar eisini Henrik innarliga, og tí er eitt evni eisini hatur. Sálarliga sjúka og tunglyndi eru bæði tvey eisini evnir í søguni. Og heitið á søguni er "Hattar er ikki maður mín", og tað er tí, at hon er vorðin sera minnisleys, men tó h... |
The man is probably also struggling with alcohol problems. We see that he is dead drunk when he locks himself in with the woman and has trouble standing. In addition, his appearance is affected by alcoholism. | BLARK_translated | Maðurin hevur helst eisini rúsdrekkatrupulleikar. Vit síggja, at hann er deyðadrukkin, tá hann læsir seg inn hjá kvinnuni og fær illa staðið á beinunum. Harafturat er útsjóndin merkt av alkoholismu. |
Their eyes stick out a little and are pink and watery. The tone between them is harsh and cold with a lot of spite and curses. In addition, they are physically violent toward each other. | BLARK_translated | Eyguni standa eitt sindur útúr og eru bleik og vatnkend. Málið teirra millum er rátt og kalt við nógvum eiðum og forbannilsum. Harafturat eru tey kropsliga harðlig móti hvørjum øðrum. |
The story takes place over the course of a single day. It unfolds inside a tavern and at the woman’s apartment. There are no flashbacks or flashforwards in the story, and it is therefore structured chronologically. | BLARK_translated | Søgan fer fram yvir eitt lítið samdøgur. Hon gongur fyri seg inni í einum vertshúsi og heima í íbúðini hjá kvinnuni. Eingi "flashbacks" ella "flashforwards" eru í søguni og er hon harvið kronologiskt uppbygd. |
The style is mundane and marked by simple, harsh colloquial language. There is not much imagery in the story. However, it compares the man’s eyes to fish eyes, and his breath to rotten seaweed. In line 70 it says “nú er ballið buið,” which means that now there is enough. Moreover, the mood is gloomy and cold, but at th... | BLARK_translated | Stíllegan er gerandislig og merkt av einfaldum, ógvusligum talumáli. Ikki nógv myndamál er í søguni. Tó samanber hon eyguni á manninum við fiskaeygu, og andan á honum sum rotnan tara. Á reglu 70 stendur "nú er ballið buið," ið merkir, at nú er nóg mikið. Harafturat er huglagið dapurt og kalt, men samstundis ógvusligt o... |
The story is told in the first person through the woman's point of view. We learn everything about her feelings, difficulties, and thoughts. The man's image is also described through her eyes with disgust. | BLARK_translated | Søgan verður fortald í 1. persóni gjøgnum sjónarhornið hjá kvinnuni. Vit fáa alt at vita um hennara kenslur, trupulleikar og hugsanir. Myndin av manninum er eisini lýst ígjøgnum hennara eygu við andstygd. |
There can be several themes in the story, but the recurring topic is alcohol problems and the consequences they bring, including violence and difficulties in relationships and in the labor market. | BLARK_translated | Tað kunnu vera fleiri temu í søguni, men evnið sum gongur aftur er rúsdrekkatrupulleikar og fylgirnar, ið teir hava við sær, m.a. harðskapur og trupulleikar í parlagnum og á arbeiðsmarknaðinum. |
Lack of self-esteem is also closely related to the aforementioned problems. In the story they are physically brutal to each other, kicking, fighting and splashing cold water in each other’s faces. In short, one can say that when someone hits, they are weak. There is nothing left to say then, no justifications or argume... | BLARK_translated | Manglandi sjálvsvirði er eisini tætt tengt at áður nevndu trupulleikum. Í søguni eru tey kropsliga harðlig hvør móti øðrum, sparka, berjast og blaka kalt vatn í høvdið á hvørjum øðrum. Stutt sagt kann ein siga, at tá ein slær, er ein veikur. Tá er einki eftir at siga, ongar grundgevingar ella kjak, ið kann "nuancera" s... |
Whether all of this is enough is doubtful, but it is probably a common approach. Still, we should all focus on the good in one another and try to remind each other of what originally makes us excited or happy. That said, we should also accept others, high and low, both alcohol abusers and people who, in general, are no... | BLARK_translated | Um alt hetta er nóg mikið, er ivasamt, men er helst ein gongd leið. Tó eiga vit øll at fokusera á tað góða í hvørjum øðrum, og royna at minna hvønn annan á, hvat tað er, ið upprunaliga ger okkum spent ella glað. Tá tað so er sagt, eiga vit eisini at góðtaka onnur, høg sum lág, bæði rúsdrekkamisnýtarar og fólk, ið í hei... |
Some thoughts on LGBT-ism, glass-ceiling glide paths, unredeemed freedom of speech and the rights of same-sex couples, as Heini í Skorini deals with in the opinion piece "Hooray for the glide paths" in Sosialurin, January 15, 2014. | BLARK_translated | Nakrar tankar um LGBTismu, glerlokaðar glíðibreytir, ófrælst talufrælsi og rættindi hjá samkyndum, sum Heini í Skorini viðger í tíðargreinini "Hurrá fyri glíðibreytini" í Sosialinum, 15. januar 2014. |
The opinion piece includes, among other things, a recommendation by politician Rúni Rasmussen that he sent to members of the parliament regarding this proposal. The sharp journalist finds this, and replies to Rasmussen with such a conclusion: "Many assertions — but few justifications. Many conclusions — but no basis." ... | BLARK_translated | Tíðargreinin fevnir millum annað um eitt tilmæli hjá politikkaranum Rúna Rasmussen, ið hann sendi løgtingslimum viðvíkjandi hesum uppskotinum. Hetta finnist hvassi journalisturin at, sum svarar Rasmussen aftur við einari slíkari niðurstøðu:"Nógvar staðfestingar - men fáar grundgevingar. Nógvar niðurstøður - men einki g... |
The bill on same-sex marriage failed at the parliamentary session on 13 March 2014, but was re-examined already on 24 November 2015, and is expected to go to its next reading in February. It was perhaps a quirk of fate that once again the first reading took place on a historic day, namely 24 November, the same day that... | BLARK_translated | Uppskotið um samkynt hjúnaband fall á tingfundi 13. mars 2014, men var aftur viðgjørt longu 24. novembir 2015, og skal síðani undir næstu viðgerð væntandi í februar. Tað var kanska lagnunnar speisemi, at enn einaferð var fyrsta viðgerð á einum søguligum degi, nevniliga 24. novembir, sama dag sum bókin "On the Origin of... |
One has heard of homosexuality from the oldest writings that have been found, so it is by no means something new that they live among us. Now they simply no longer accept not having the same rights as other people who wish to live together as spouses. And there's nothing wrong with that. But what is it that defines mar... | BLARK_translated | Man hevur hoyrt um samkynd líka frá teimum elstu skrivunum, sum eru funnin, so tað er als ikki nakað nýtt, at tey liva millum okkara. Nú finna tey seg bara ikki longur í, ikki at hava somu rættindi eins og onnur fólk, ið ynskja at liva saman sum hjún. Og alt gott við tí. Men hvat er tað, sum definerar hjúnalag? Sæmbart... |
Although the concept of the glide path is most often described negatively, and Heini í Skorini himself clearly does not like the idea of it, he also highlights the good glide path. He gives it an honorable assessment in a historical context; without it, the Age of Enlightenment in the 17th and 18th centuries would not ... | BLARK_translated | Hóast hugtakið um glíðibreytina oftast verður lýst neiliga, og Heini í Skorini sjálvur týðiliga ikki dámar hugsanina um hana, varpar hann eisini ljós á ta góðu glíðibreytina. Hann gevur henni heiðurmikið umdømi í søguligum høpi; uttan hana, hevði Upplýsingartíðin í 17.- og 18. øld ikki eydnast, og londini á okkara leið... |
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