Datasets:
image imagewidth (px) 384 384 | id stringlengths 26 26 | style stringclasses 10
values | routine stringclasses 2
values | dancer stringclasses 30
values | music stringclasses 60
values | choreography stringclasses 21
values | seconds float64 7.1 48 | strict_quality_screen bool 2
classes | motion_file stringlengths 100 100 |
|---|---|---|---|---|---|---|---|---|---|
gHO_sBM_cAll_d20_mHO0_ch02 | House | basic | d20 | mHO0 | ch02 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d20_mHO0_ch02.npz | |
gBR_sBM_cAll_d05_mBR0_ch03 | Break | basic | d05 | mBR0 | ch03 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sBM_cAll_d05_mBR0_ch03.npz | |
gWA_sBM_cAll_d26_mWA5_ch07 | Waack | basic | d26 | mWA5 | ch07 | 7.38 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d26_mWA5_ch07.npz | |
gKR_sBM_cAll_d28_mKR0_ch04 | Krump | basic | d28 | mKR0 | ch04 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d28_mKR0_ch04.npz | |
gPO_sBM_cAll_d10_mPO2_ch04 | Pop | basic | d10 | mPO2 | ch04 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d10_mPO2_ch04.npz | |
gLO_sBM_cAll_d15_mLO4_ch02 | Lock | basic | d15 | mLO4 | ch02 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d15_mLO4_ch02.npz | |
gLH_sBM_cAll_d16_mLH1_ch05 | LA-style Hip-hop | basic | d16 | mLH1 | ch05 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d16_mLH1_ch05.npz | |
gMH_sBM_cAll_d24_mMH3_ch02 | Middle Hip-hop | basic | d24 | mMH3 | ch02 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d24_mMH3_ch02.npz | |
gJS_sBM_cAll_d01_mJS3_ch01 | Street Jazz | basic | d01 | mJS3 | ch01 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d01_mJS3_ch01.npz | |
gJB_sBM_cAll_d09_mJB2_ch08 | Ballet Jazz | basic | d09 | mJB2 | ch08 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d09_mJB2_ch08.npz | |
gHO_sBM_cAll_d21_mHO2_ch08 | House | basic | d21 | mHO2 | ch08 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d21_mHO2_ch08.npz | |
gBR_sBM_cAll_d04_mBR0_ch03 | Break | basic | d04 | mBR0 | ch03 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sBM_cAll_d04_mBR0_ch03.npz | |
gWA_sBM_cAll_d26_mWA4_ch01 | Waack | basic | d26 | mWA4 | ch01 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d26_mWA4_ch01.npz | |
gKR_sBM_cAll_d29_mKR0_ch02 | Krump | basic | d29 | mKR0 | ch02 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d29_mKR0_ch02.npz | |
gPO_sBM_cAll_d10_mPO1_ch04 | Pop | basic | d10 | mPO1 | ch04 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d10_mPO1_ch04.npz | |
gLO_sBM_cAll_d15_mLO2_ch02 | Lock | basic | d15 | mLO2 | ch02 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d15_mLO2_ch02.npz | |
gLH_sBM_cAll_d18_mLH2_ch05 | LA-style Hip-hop | basic | d18 | mLH2 | ch05 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d18_mLH2_ch05.npz | |
gMH_sBM_cAll_d24_mMH2_ch02 | Middle Hip-hop | basic | d24 | mMH2 | ch02 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d24_mMH2_ch02.npz | |
gJS_sBM_cAll_d02_mJS0_ch02 | Street Jazz | basic | d02 | mJS0 | ch02 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d02_mJS0_ch02.npz | |
gJB_sBM_cAll_d09_mJB3_ch08 | Ballet Jazz | basic | d09 | mJB3 | ch08 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d09_mJB3_ch08.npz | |
gHO_sBM_cAll_d20_mHO0_ch05 | House | basic | d20 | mHO0 | ch05 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d20_mHO0_ch05.npz | |
gBR_sBM_cAll_d05_mBR5_ch01 | Break | basic | d05 | mBR5 | ch01 | 7.38 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sBM_cAll_d05_mBR5_ch01.npz | |
gWA_sBM_cAll_d26_mWA4_ch02 | Waack | basic | d26 | mWA4 | ch02 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d26_mWA4_ch02.npz | |
gKR_sBM_cAll_d29_mKR4_ch09 | Krump | basic | d29 | mKR4 | ch09 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d29_mKR4_ch09.npz | |
gPO_sBM_cAll_d11_mPO0_ch04 | Pop | basic | d11 | mPO0 | ch04 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d11_mPO0_ch04.npz | |
gLO_sBM_cAll_d15_mLO3_ch02 | Lock | basic | d15 | mLO3 | ch02 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d15_mLO3_ch02.npz | |
gLH_sBM_cAll_d17_mLH0_ch05 | LA-style Hip-hop | basic | d17 | mLH0 | ch05 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d17_mLH0_ch05.npz | |
gMH_sBM_cAll_d23_mMH4_ch07 | Middle Hip-hop | basic | d23 | mMH4 | ch07 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d23_mMH4_ch07.npz | |
gJS_sBM_cAll_d02_mJS1_ch02 | Street Jazz | basic | d02 | mJS1 | ch02 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d02_mJS1_ch02.npz | |
gJB_sBM_cAll_d08_mJB1_ch02 | Ballet Jazz | basic | d08 | mJB1 | ch02 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d08_mJB1_ch02.npz | |
gHO_sBM_cAll_d21_mHO2_ch05 | House | basic | d21 | mHO2 | ch05 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d21_mHO2_ch05.npz | |
gBR_sBM_cAll_d04_mBR0_ch02 | Break | basic | d04 | mBR0 | ch02 | 12 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sBM_cAll_d04_mBR0_ch02.npz | |
gWA_sBM_cAll_d26_mWA0_ch05 | Waack | basic | d26 | mWA0 | ch05 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d26_mWA0_ch05.npz | |
gKR_sBM_cAll_d30_mKR2_ch09 | Krump | basic | d30 | mKR2 | ch09 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d30_mKR2_ch09.npz | |
gPO_sBM_cAll_d10_mPO0_ch04 | Pop | basic | d10 | mPO0 | ch04 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d10_mPO0_ch04.npz | |
gLO_sBM_cAll_d13_mLO0_ch03 | Lock | basic | d13 | mLO0 | ch03 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d13_mLO0_ch03.npz | |
gLH_sBM_cAll_d18_mLH2_ch08 | LA-style Hip-hop | basic | d18 | mLH2 | ch08 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d18_mLH2_ch08.npz | |
gMH_sBM_cAll_d23_mMH0_ch07 | Middle Hip-hop | basic | d23 | mMH0 | ch07 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d23_mMH0_ch07.npz | |
gJS_sBM_cAll_d01_mJS0_ch10 | Street Jazz | basic | d01 | mJS0 | ch10 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d01_mJS0_ch10.npz | |
gJB_sBM_cAll_d09_mJB2_ch04 | Ballet Jazz | basic | d09 | mJB2 | ch04 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d09_mJB2_ch04.npz | |
gHO_sBM_cAll_d19_mHO0_ch02 | House | basic | d19 | mHO0 | ch02 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d19_mHO0_ch02.npz | |
gBR_sFM_cAll_d04_mBR0_ch01 | Break | advanced | d04 | mBR0 | ch01 | 47.97 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sFM_cAll_d04_mBR0_ch01.npz | |
gWA_sBM_cAll_d25_mWA1_ch05 | Waack | basic | d25 | mWA1 | ch05 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d25_mWA1_ch05.npz | |
gKR_sBM_cAll_d28_mKR0_ch03 | Krump | basic | d28 | mKR0 | ch03 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d28_mKR0_ch03.npz | |
gPO_sBM_cAll_d11_mPO4_ch04 | Pop | basic | d11 | mPO4 | ch04 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d11_mPO4_ch04.npz | |
gLO_sBM_cAll_d15_mLO5_ch02 | Lock | basic | d15 | mLO5 | ch02 | 7.38 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d15_mLO5_ch02.npz | |
gLH_sBM_cAll_d17_mLH0_ch10 | LA-style Hip-hop | basic | d17 | mLH0 | ch10 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d17_mLH0_ch10.npz | |
gMH_sBM_cAll_d22_mMH1_ch07 | Middle Hip-hop | basic | d22 | mMH1 | ch07 | 10.67 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d22_mMH1_ch07.npz | |
gJS_sBM_cAll_d02_mJS4_ch02 | Street Jazz | basic | d02 | mJS4 | ch02 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d02_mJS4_ch02.npz | |
gJB_sBM_cAll_d09_mJB4_ch04 | Ballet Jazz | basic | d09 | mJB4 | ch04 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d09_mJB4_ch04.npz | |
gHO_sBM_cAll_d19_mHO0_ch05 | House | basic | d19 | mHO0 | ch05 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d19_mHO0_ch05.npz | |
gBR_sFM_cAll_d05_mBR5_ch12 | Break | advanced | d05 | mBR5 | ch12 | 29.52 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sFM_cAll_d05_mBR5_ch12.npz | |
gWA_sBM_cAll_d27_mWA2_ch05 | Waack | basic | d27 | mWA2 | ch05 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d27_mWA2_ch05.npz | |
gKR_sBM_cAll_d28_mKR2_ch03 | Krump | basic | d28 | mKR2 | ch03 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d28_mKR2_ch03.npz | |
gPO_sBM_cAll_d10_mPO1_ch05 | Pop | basic | d10 | mPO1 | ch05 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d10_mPO1_ch05.npz | |
gLO_sBM_cAll_d13_mLO0_ch01 | Lock | basic | d13 | mLO0 | ch01 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d13_mLO0_ch01.npz | |
gLH_sBM_cAll_d18_mLH3_ch09 | LA-style Hip-hop | basic | d18 | mLH3 | ch09 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d18_mLH3_ch09.npz | |
gMH_sBM_cAll_d22_mMH2_ch07 | Middle Hip-hop | basic | d22 | mMH2 | ch07 | 9.6 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d22_mMH2_ch07.npz | |
gJS_sBM_cAll_d03_mJS2_ch02 | Street Jazz | basic | d03 | mJS2 | ch02 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d03_mJS2_ch02.npz | |
gJB_sBM_cAll_d09_mJB3_ch04 | Ballet Jazz | basic | d09 | mJB3 | ch04 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d09_mJB3_ch04.npz | |
gHO_sBM_cAll_d21_mHO2_ch07 | House | basic | d21 | mHO2 | ch07 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d21_mHO2_ch07.npz | |
gBR_sBM_cAll_d04_mBR1_ch03 | Break | basic | d04 | mBR1 | ch03 | 10.67 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sBM_cAll_d04_mBR1_ch03.npz | |
gWA_sBM_cAll_d26_mWA1_ch07 | Waack | basic | d26 | mWA1 | ch07 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d26_mWA1_ch07.npz | |
gKR_sBM_cAll_d28_mKR1_ch04 | Krump | basic | d28 | mKR1 | ch04 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d28_mKR1_ch04.npz | |
gPO_sBM_cAll_d10_mPO2_ch05 | Pop | basic | d10 | mPO2 | ch05 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d10_mPO2_ch05.npz | |
gLO_sBM_cAll_d13_mLO0_ch04 | Lock | basic | d13 | mLO0 | ch04 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d13_mLO0_ch04.npz | |
gLH_sBM_cAll_d18_mLH4_ch05 | LA-style Hip-hop | basic | d18 | mLH4 | ch05 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d18_mLH4_ch05.npz | |
gMH_sBM_cAll_d24_mMH2_ch03 | Middle Hip-hop | basic | d24 | mMH2 | ch03 | 9.6 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d24_mMH2_ch03.npz | |
gJS_sBM_cAll_d02_mJS5_ch02 | Street Jazz | basic | d02 | mJS5 | ch02 | 7.38 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d02_mJS5_ch02.npz | |
gJB_sBM_cAll_d09_mJB5_ch04 | Ballet Jazz | basic | d09 | mJB5 | ch04 | 7.38 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d09_mJB5_ch04.npz | |
gHO_sBM_cAll_d20_mHO4_ch05 | House | basic | d20 | mHO4 | ch05 | 7.38 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d20_mHO4_ch05.npz | |
gBR_sBM_cAll_d06_mBR3_ch04 | Break | basic | d06 | mBR3 | ch04 | 8.73 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sBM_cAll_d06_mBR3_ch04.npz | |
gWA_sBM_cAll_d27_mWA4_ch05 | Waack | basic | d27 | mWA4 | ch05 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d27_mWA4_ch05.npz | |
gKR_sBM_cAll_d29_mKR4_ch04 | Krump | basic | d29 | mKR4 | ch04 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d29_mKR4_ch04.npz | |
gPO_sBM_cAll_d10_mPO3_ch04 | Pop | basic | d10 | mPO3 | ch04 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d10_mPO3_ch04.npz | |
gLO_sBM_cAll_d13_mLO2_ch04 | Lock | basic | d13 | mLO2 | ch04 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d13_mLO2_ch04.npz | |
gLH_sBM_cAll_d18_mLH3_ch05 | LA-style Hip-hop | basic | d18 | mLH3 | ch05 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d18_mLH3_ch05.npz | |
gMH_sBM_cAll_d23_mMH5_ch07 | Middle Hip-hop | basic | d23 | mMH5 | ch07 | 7.38 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d23_mMH5_ch07.npz | |
gJS_sBM_cAll_d01_mJS1_ch10 | Street Jazz | basic | d01 | mJS1 | ch10 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d01_mJS1_ch10.npz | |
gJB_sBM_cAll_d08_mJB4_ch02 | Ballet Jazz | basic | d08 | mJB4 | ch02 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d08_mJB4_ch02.npz | |
gHO_sBM_cAll_d21_mHO3_ch05 | House | basic | d21 | mHO3 | ch05 | 7.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d21_mHO3_ch05.npz | |
gBR_sBM_cAll_d06_mBR4_ch03 | Break | basic | d06 | mBR4 | ch03 | 8 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sBM_cAll_d06_mBR4_ch03.npz | |
gWA_sBM_cAll_d26_mWA4_ch05 | Waack | basic | d26 | mWA4 | ch05 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d26_mWA4_ch05.npz | |
gKR_sBM_cAll_d28_mKR1_ch02 | Krump | basic | d28 | mKR1 | ch02 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d28_mKR1_ch02.npz | |
gPO_sBM_cAll_d12_mPO4_ch04 | Pop | basic | d12 | mPO4 | ch04 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d12_mPO4_ch04.npz | |
gLO_sBM_cAll_d15_mLO2_ch03 | Lock | basic | d15 | mLO2 | ch03 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d15_mLO2_ch03.npz | |
gLH_sBM_cAll_d17_mLH4_ch05 | LA-style Hip-hop | basic | d17 | mLH4 | ch05 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d17_mLH4_ch05.npz | |
gMH_sFM_cAll_d24_mMH5_ch20 | Middle Hip-hop | advanced | d24 | mMH5 | ch20 | 29.52 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sFM_cAll_d24_mMH5_ch20.npz | |
gJS_sBM_cAll_d01_mJS1_ch02 | Street Jazz | basic | d01 | mJS1 | ch02 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d01_mJS1_ch02.npz | |
gJB_sBM_cAll_d08_mJB4_ch01 | Ballet Jazz | basic | d08 | mJB4 | ch01 | 8 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d08_mJB4_ch01.npz | |
gHO_sBM_cAll_d20_mHO1_ch02 | House | basic | d20 | mHO1 | ch02 | 8.33 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gHO_sBM_cAll_d20_mHO1_ch02.npz | |
gBR_sBM_cAll_d04_mBR2_ch03 | Break | basic | d04 | mBR2 | ch03 | 9.6 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gBR_sBM_cAll_d04_mBR2_ch03.npz | |
gWA_sBM_cAll_d25_mWA1_ch03 | Waack | basic | d25 | mWA1 | ch03 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gWA_sBM_cAll_d25_mWA1_ch03.npz | |
gKR_sBM_cAll_d28_mKR0_ch09 | Krump | basic | d28 | mKR0 | ch09 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gKR_sBM_cAll_d28_mKR0_ch09.npz | |
gPO_sBM_cAll_d11_mPO5_ch04 | Pop | basic | d11 | mPO5 | ch04 | 7.38 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gPO_sBM_cAll_d11_mPO5_ch04.npz | |
gLO_sBM_cAll_d13_mLO2_ch03 | Lock | basic | d13 | mLO2 | ch03 | 9.6 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLO_sBM_cAll_d13_mLO2_ch03.npz | |
gLH_sBM_cAll_d17_mLH1_ch10 | LA-style Hip-hop | basic | d17 | mLH1 | ch10 | 10.67 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gLH_sBM_cAll_d17_mLH1_ch10.npz | |
gMH_sBM_cAll_d22_mMH0_ch07 | Middle Hip-hop | basic | d22 | mMH0 | ch07 | 12 | false | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gMH_sBM_cAll_d22_mMH0_ch07.npz | |
gJS_sBM_cAll_d03_mJS3_ch02 | Street Jazz | basic | d03 | mJS3 | ch02 | 8.73 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJS_sBM_cAll_d03_mJS3_ch02.npz | |
gJB_sBM_cAll_d08_mJB0_ch04 | Ballet Jazz | basic | d08 | mJB0 | ch04 | 12 | true | https://huggingface.co/datasets/Kyry10/h2-dances/resolve/main/motions/gJB_sBM_cAll_d08_mJB0_ch04.npz |
H2 Dances
Unitree H2 dance dataset: 1363 dances (5.0 hours) from the AIST Dance Video Database, retargeted to the 31-DoF H2.
Website · 3D viewer · Required citation · AIST Dance Video Database
These dances belong to AIST. Every motion here comes from the AIST Dance Video Database, created by AIST (National Institute of Advanced Industrial Science and Technology, Japan), through the AIST++ 3D annotations by Google. We only retargeted the dancers' movements to a robot. If you use this data, you must cite Tsuchida et al., ISMIR 2019. Commercial use is subject to the AIST Dance DB Terms of Use.
At a glance
| Dances | 1363 |
| Styles | 10 |
| Total length | 299.5 minutes at 60 fps |
| Robot | Unitree H2, 31 DoF |
| Dance source | AIST Dance Video Database / AIST++ (arXiv:2101.08779) |
| Retargeting | UMR (arXiv:2609.02134), H2 config |
| Tracking check | none: no public whole-body tracking controller for the H2 was available, so these are kinematic references only |
| Coverage | 1363 of the 1363 usable AIST++ clips |
Styles
![]() House · 140 |
![]() Break · 133 |
![]() Waack · 125 |
![]() Krump · 139 |
![]() Pop · 140 |
![]() Lock · 141 |
![]() LA-style Hip-hop · 141 |
![]() Middle Hip-hop · 141 |
![]() Street Jazz · 136 |
Plus Ballet Jazz · 127. Numbers are dances per style. More videos on the website.
Use it for
- Motion-imitation RL on the Unitree H2: whole-body tracking targets for BeyondMimic-style trackers, mjlab, Isaac Lab or MuJoCo (convert
qposto your trainer's motion format). - Training a general motion tracker for the H2: a large, varied set of fast, expressive reference motions.
- Robot dance and animation: 10 styles from House and Break to Krump and Waack.
- Retargeting research: every clip keeps its AIST ID, so you can compare against the original AIST++ motion, or against the same dance on the Unitree G1 and Booster K1.
Quick start
import numpy as np
with np.load("motions/gBR_sBM_cAll_d04_mBR0_ch01.npz", allow_pickle=False) as m:
qpos = m["qpos"] # T x 38
fps = float(m["fps"]) # 60
root_xyz = qpos[:, :3] # metres, world Z-up
root_wxyz = qpos[:, 3:7] # unit quaternion, WXYZ
joints = qpos[:, 7:] # 31 joints, radians
Joint order is in joint_names.json and in each file's joint_names (Unitree H2 MuJoCo model from unitreerobotics/unitree_mujoco (BSD-3-Clause)). Quick check: python load_motion.py motions/<id>.npz.
These are motion references (targets for a tracking controller), not low-level robot commands.
What's inside
| File | Contents |
|---|---|
motions/<id>.npz |
Retargeted reference: qpos (T x 38, float32), fps, joint_names, method, info |
previews/ |
Animated 3 s preview of every dance + metadata.csv; this is the table in Data Studio |
manifest.csv |
One row per dance: style, routine, dancer and music IDs, duration, quality metrics, SHA-256 |
joint_names.json |
The 38 qpos columns and joint limits |
summary.json |
Counts and durations |
quality_criteria.json |
Definition of the stricter quality screen |
CITATION.bib, LICENSE.md |
Required citation and use conditions |
assets/ |
Preview video and images for this page |
SHA256SUMS |
Integrity check: shasum -a 256 -c SHA256SUMS |
IDs keep the AIST naming, e.g. gBR_sBM_cAll_d04_mBR0_ch01 = genre Break, basic routine, dancer 04, music mBR0, choreography 01.
How the dances were made
- All 1363 usable AIST++ clips (the official list minus the AIST++ ignore list) were converted from SMPL to SMPL-X and retargeted to the H2 with UMR, at the original timing.
- Every retargeted clip is included (1363). No tracking controller was run, so there is no guarantee that a given clip can be tracked by a physical or simulated H2.
- Each clip was checked kinematically in MuJoCo; the
ref_*columns ofmanifest.csvreport self-collision, floor penetration, foot sliding, the fastest joint and joint-limit excursions.strict_quality_screen = Truemarks 397 clips that pass the same thresholds as G1 Dances and K1 Dances (quality_criteria.json).
Limitations
- Not checked with a controller. Unlike G1 Dances and K1 Dances, no clip here was run through a tracking policy, in simulation or on a robot. Expect some clips to be hard or impossible to track, especially fast floor work.
- Some clips contain self-collision, foot sliding or a fast joint flip (218 clips have a joint faster than 30 rad/s, see
ref_max_joint_speed_radps). The checks are automated, not a frame-by-frame review. - The robot model is Unitree H2 MuJoCo model from unitreerobotics/unitree_mujoco (BSD-3-Clause). Check the joint order and limits against your own model before use.
Required citation and use conditions
The dances are AIST's. This dataset is released under the conditions set by the AIST Dance DB team:
- Everyone who uses or redistributes this data must cite Tsuchida et al., AIST Dance Video Database, ISMIR 2019, and keep this requirement when redistributing.
- Commercial use is subject to the AIST Dance DB Terms of Use.
- No original AIST content (video, music, AIST++ SMPL annotations) is included or licensed here.
@inproceedings{tsuchida2019aist,
title={AIST Dance Video Database: Multi-genre, Multi-dancer, and Multi-camera Database for Dance Information Processing},
author={Tsuchida, Shuhei and Fukayama, Satoru and Hamasaki, Masahiro and Goto, Masataka},
booktitle={Proceedings of the 20th International Society for Music Information Retrieval Conference (ISMIR)},
year={2019}
}
Please also cite AIST++ and UMR (both entries are in CITATION.bib), and this dataset:
@misc{kolesnichenko2026h2dances,
title={H2 Dances: AIST++ Dances Retargeted to the Unitree H2 Humanoid},
author={Kolesnichenko, Kyrylo},
year={2026},
howpublished={\url{https://huggingface.co/datasets/Kyry10/h2-dances}}
}
Credits
Dances: AIST Dance Video Database (AIST) and AIST++ (Google). Retargeting: UMR. Robot model: Unitree H2 MuJoCo model from unitreerobotics/unitree_mujoco (BSD-3-Clause). Made by Kyrylo Kolesnichenko, ATR Lab, Kent State University. Same dances for other robots: G1 Dances (Unitree G1), K1 Dances (Booster K1).
- Downloads last month
- 144








