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This dataset is released under the Pantheon Commercial Use License, Version 1.0 (see LICENSE.md). It may be used for any lawful purpose, including commercial use and training models, subject to the license. You may not sell or redistribute the data itself for a fee, and you may not attempt to identify anyone in it.
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Pantheon DiverseUMI (100h Sample)

Project page: pantheon.inc/diverse-umi

Pantheon DiverseUMI (100h Sample) contains 99.6 hours of bimanual tabletop manipulation, recorded with two handheld UMI grippers and a fisheye camera above the table (a 360° dual-fisheye camera in some recordings). It has 12,219 episodes from 1,134 recordings. Each episode is one task, such as stacking two blocks or passing a ball between the grippers. Every episode has three synchronized videos (the top camera and both wrist cameras), the pose and actions of both wrists at every frame, and dense labels of what the operator does.

Operators worked freely with everyday objects. Tasks in one recording can overlap in time, so 156 pairs of episodes share some frames. Of the 12,219 tasks, 11,563 succeed, 441 fail and 215 are partially completed. Episodes run from 1s to 1031s, with a median of 10s. The tasks cover 179 skills, led by pick and place (5,826), stack (894), hand over (528) and stand up (487).

Changelog

Every update to the dataset is listed in the CHANGELOG.

Full dataset and collaborations

For access to more of DiverseUMI through a research or data collaboration, reach out to data@pantheon.inc. We work with both commercial and academic labs.

License

This dataset is released under the Pantheon Commercial Use License, Version 1.0. In short:

  • You may use it for any lawful purpose, including commercial products and research.
  • You may train, fine-tune and evaluate models on it. You own the models you train and what they generate, and you can deploy, release or sell them on your own terms.
  • You may not sell, rent or license the data itself, or anything that reproduces it, or offer it as a dataset or data product.
  • You may not use it to build a dataset or data product that competes with this dataset or with Pantheon's data products. Training and selling models is not affected.
  • You may not try to identify anyone in the videos, extract biometric data, or combine the data with other data in a way that could identify someone.

If you share the data or a copy derived from it (not a trained model), include the license and this attribution:

Pantheon DiverseUMI (100h Sample), by Pantheon Industries Inc., licensed under the Pantheon Commercial Use License, Version 1.0. https://huggingface.co/datasets/Pantheon-inc/DiverseUMI-sample100

Technical details

Expand each section for the files, the cameras, every field, and how the actions and labels were made.

Files
freeform/<episode_id>/
  exo.mp4         top camera (called exo in the labels)
  left.mp4        left wrist camera
  right.mp4       right wrist camera
  actions.npz     pose, actions and validity of both wrists at every frame
  labels.json     labels of what happens in the episode
  meta.json       the episode's task, outcome, cameras and place in its recording
manifest.jsonl    the meta.json of every episode, one per line
vocabulary.json   for some label fields, other spellings of a value and the one spelling the labels use

All three videos run at 30 fps and start on the same frame. Frame k of each video is row k of the per-frame arrays in actions.npz (length N), and row k of the per-step arrays (length N-1) is the step from frame k to k+1. Every episode is in freeform/ and is named <recording_id>__t<NN>, where NN is the task's index in its recording (two or more digits).

Cameras

The wrist videos are 640 x 480. The top camera records a fisheye image, and exo.mp4 is a flat (rectilinear) view of the table taken from it. Its size depends on the camera and how it was mounted:

exo.mp4 size Episodes Source
796 x 510 4,112 lowered camera, fisheye source
512 x 328 3,520 fisheye source
1362 x 876 2,250 fisheye source
908 x 584 2,161 dual fisheye source
696 x 448 176 dual fisheye source

From 2026-09-28 on the top camera was mounted lower, at 55cm above the table instead of 100cm. In those 4,112 episodes exo_camera_lowered is true, and the view looks 20° down instead of 30° and keeps a wider part of the table in view.

exo_view in meta.json gives the exact view of every episode, so it can be reproduced from the fisheye recording:

Key Meaning
source_lens, source_fov_deg the top camera's lens (fisheye, or dual fisheye for a 360° camera) and the field of view of one lens
projection, fov_deg rectilinear, with this horizontal and vertical field of view of the full pane in degrees, each set on its own, so a pixel need not span the same angle across and down
pitch_deg the view's pitch in degrees; negative looks down
pane width and height of the full rectilinear view in pixels
crop x, y, width and height of the part of the pane that is kept
size width and height of exo.mp4
meta.json

manifest.jsonl holds the same rows, one per episode.

Field Meaning
episode_id <recording_id>__t<NN>
recording_id the recording the episode was cut from
task_index the task's position among the tasks found in the recording, counting from 0
task_count how many tasks were found in the recording. Not every task has an episode, so some task indexes are missing
task what the operator does in this episode
skill the task's main skill
outcome success, failure or partial
start_in_recording_s, end_in_recording_s where the episode starts and ends in its recording, in seconds
seconds the episode's length
min_wrist_translation_valid_share of the two wrists, the lower share of steps with a valid translation. It is at least 0.5 in every episode
gripper_version v3, or v2 for the 2 recordings (27 episodes) made with the older gripper, which has black slotted jaws and no white finger pads
exo_camera_lowered true for the 4,112 episodes recorded after the top camera was mounted lower on 2026-09-28, false for the rest
exo_camera_height_cm height of the top camera's lens above the table in cm, 55 for the 4,112 episodes with the lower camera and 100 for the rest
exo_view the top camera's view, described under Cameras
exo_camera_world exo.mp4's camera in the recording's world frame (see actions.npz): R, a 3 x 3 matrix given as a list of rows, whose columns are the camera's x (right), y (down) and z (forward) axes in world coordinates; t, its position in m, which is (0, 0, 0) where the top camera stood for most of the recording and otherwise where it stood during that episode; and K, the fx, fy, cx, cy of exo.mp4 as a pinhole, with pixel centres at integer coordinates. A world point X is at camera coordinates Rᵀ(X − t). null for a recording that has no world frame, and for an episode during which the top camera was moved
actions.npz

Actions are recovered from the wrist cameras. Each wrist camera is rigidly mounted to its gripper, so the camera's pose gives the gripper's pose, and each action is the pose change between consecutive frames. Poses come from visual SLAM, are scaled to metric units with the gripper's IMU, and are checked against the IMU on every frame. Every pose, action and opening value has a validity flag, and a value whose flag is false is NaN, so it cannot be used by accident.

N is the number of frames in the episode.

Key Shape Meaning
t (N,) time in seconds from the start of the episode, at 30 fps
state (N, 14) left wrist then right wrist, 7 values each: gripper tip position xyz (m), rotation vector (rad), gripper opening (0 closed, 1 fully open)
state_valid (N, 14) whether each value of state is valid
left_action_local, right_action_local (N-1, 7) the step from frame k to k+1: translation (m) and rotation vector (rad) in the wrist's own frame at k, then the change in opening
left_action_valid, right_action_valid (N-1, 7) whether each value of the action is valid
left_chunk, right_chunk (N,) the tracking chunk whose world frame the wrist's position is in (-1 in the rare frames no chunk covers)
left_pose_source, right_pose_source (N,) how the position was obtained (table below)
left_rot_action_source, right_rot_action_source (N-1,) 0 rotation from visual SLAM, 1 from the gyroscope, 2 from a rotation interpolated across a gap where no tracked rotation exists, -1 invalid
left_filled, right_filled (N,) frames whose position was interpolated across a gap of up to 2 s (pose source 5)
left_gravity_cam, right_gravity_cam (N, 3) the unit vector of gravity (pointing down) in the wrist camera's frame (x right, y down, z forward)
left_pose_world, right_pose_world (N, 6) the gripper tip's pose in the recording's world frame: position xyz (m), then rotation vector (rad), NaN where it is not known

Where the states at k and k+1 are both valid and in the same chunk, the action is exactly the change in state. For rotation matrices R and positions p:

  • translation: R_kᵀ (p_{k+1} − p_k)
  • rotation: the rotation vector of R_kᵀ R_{k+1}
  • gripper: g_{k+1} − g_k

Each chunk has its own world frame, so positions from different chunks cannot be compared directly. The local actions are in the wrist's own frame, so they stay valid across a change of chunk. Each step takes its action from a chunk that tracked both of its ends, so an action can be valid where one of the two states is not.

A chunk's world frame is in general not aligned with gravity. The gravity arrays give the direction of gravity in each wrist camera's own frame at every frame, so a pose can be put in a gravity-aligned frame. In the chunk's world frame, gravity at frame k is R_k g_k, where R_k comes from the rotation in state and g_k is the row of the gravity array. Gravity comes from the wrist camera's accelerometer, averaged over the chunk in the chunk's world frame. A row is NaN where the wrist's rotation is not valid, and in chunks where gravity could not be checked, either because it disagrees with the accelerometer by more than 3 degrees while the wrist moves or because the chunk's tracking could not be reproduced.

Every recording also has one world frame that both wrists and the top camera share. Its origin is the top camera's lens where it stood for most of the recording, z points up (against gravity), x is horizontal and points the way the top camera was tilted there, close to the direction of the top of exo.mp4's image, and y completes a right-handed frame. In some recordings the top camera was knocked or turned; the world frame stays where it was, and each episode's exo_camera_world is the camera where it stood during that episode. left_pose_world and right_pose_world give each gripper tip's pose in it, so the two grippers can be compared directly, across chunks and across all the episodes of one recording. Within a chunk, the world pose is the pose in state moved by one rigid transform, so it changes exactly as state does, and the local actions hold in either. Positions in the world frame are accurate to about 3.5 cm for the position of one gripper relative to the other (median on a calibration recording, measured against markers seen by all three cameras). A gripper's absolute position can be off by a few percent of its distance from the top camera, about 2 to 4 cm. A row of left_pose_world or right_pose_world is NaN where that wrist's position or rotation in state is not valid, and for every frame of a chunk or a wrist that could not be placed in the world frame. Over both wrists, 87.8% of the frames with a valid position and rotation have a world pose. 11,555 of the 12,219 episodes have world poses, and 11,370 have exo_camera_world. exo_camera_world in meta.json places exo.mp4's camera in the same frame. Because exo.mp4 is a flat view rendered from a fisheye lens, its pinhole K places a point a few pixels from where exo.mp4 itself shows it (the camera model alone, apart from the accuracy of the poses above): about 3 px median on the 512 x 328 videos, 4 px median on the 696 x 448 videos, 5 px median on the 796 x 510 videos, 5 px median on the 908 x 584 videos, 8 px median on the 1362 x 876 videos.

Pose source Meaning
0 tracked by visual SLAM
1 joined from a second SLAM track of the same stretch
2 bridged with the IMU across a short gap
4 bridged with the IMU across a longer gap, and confirmed by the top camera
5 interpolated across a gap of up to 2 s
-1 no valid position (the rotation can still be valid)

Code 3 is not used.

Share of valid steps, over both wrists and every episode:

Translation 91.8%
Rotation 99.98%
Gripper opening 98.7%
Both wrists translated in the same step 85.2%

The gripper opening is measured from the wrist camera, from fully closed (0) to fully open (1). Operators rarely open the jaws all the way: the median episode's widest opening is 0.68, and 18% of episodes reach 0.95.

labels.json

The labels were written by a vision-language model that watched all three videos at 2 frames per second, together with the gripper opening measured from the wrist cameras, so their times are accurate to about half a second. Times are in seconds from the start of the episode, except inside _source and in fields whose name ends in _at_recording_s, which are in seconds from the start of the recording. For event kinds, mistake categories, skills and actions, the labels use one spelling of a value the model wrote in several ways, and vocabulary.json maps each of those other spellings to it. Related fields can name the same thing differently, such as a drop key event and a dropped_object mistake. A key the model had nothing to write for is null or left out, so an item can lack a value for any of the keys listed below.

Field Meaning
task what the operator does in this episode
skill, actions the task's main skill, and the other actions in it
completion outcome (success, failure or partial), success_predicate (what counts as done), completed_at_s (when it was met, null unless the task succeeded) and reason (the model's explanation of the outcome, often null, and sometimes present for a success when the model had a doubt)
timeline the steps of the task, each with start_s, end_s, arm (left, right or both), action, object, destination, spatial_relation, contribution (advancing, wasteful or idle), progress and sometimes notes
key_events moments, each with t_s, kind, label, outcome (success, failure or unclear) and sometimes a note
state_changes an object changing state, with t_s, object, from, to, seen_in (which cameras show it, in words; the top camera is called exo) and sometimes a note
scene_graph the spatial relations between objects at time t_s, as short phrases
recovery a failure (failure, failure_t_s), and whether and how the operator recovered from it (recovered, recovered_at_s, correction, how_to_fix, and sometimes a note). When the fix comes only after the episode ends, recovered is false and the fix is in recovered_after_the_episode_at_recording_s and, when the model described it, correction_after_the_episode
operator_mistakes a mistake from t_s to end_s, with issue, evidence, category, severity (low, medium or high), deliberate (yes, no or unclear: whether the operator meant to do it) and recovered (whether the operator recovered within the episode)
idle_stretches a stretch from t_s to end_s where the operator does not work on the task, with category (idle_stretch), issue, evidence and severity
_source labels about the whole recording, and events that touch this episode but belong elsewhere (below)

progress is the model's estimate of how much of the task is done at the end of a step, from 0 to 1. It can fall after a failure or on an idle step after the task is done, and it does not always agree with the outcome: 31 failed tasks reach 1.0, and 46 successful tasks never do.

_source holds what is not about this episode alone: labels about the whole recording, the objects of this episode's task, and events and text from the recording that touch this episode but belong elsewhere. Every time in it is in seconds from the start of the recording. start_in_recording_s in meta.json converts between the two clocks.

Field Meaning
recording_summary summaries of the whole recording, sometimes several that overlap
recording_review assessments of the operator's work over the whole recording, sometimes several joined together
recording_instruction_variants instructions that describe the recording, which often name other tasks
task_objects the objects of this task
scene_at_recording_start the setting, and the objects the model listed for the recording, with name, attributes and location. An object can appear under more than one name
data_issues issues about the recording, such as repeated idle pauses, with issue, category, severity and, when the model gave them, evidence; one with t_s and end_s covers that stretch of the recording, and one without them concerns the recording as a whole
key_events, state_changes, recovery, operator_mistakes events from the recording that touch this episode but belong elsewhere: they started before the episode, they start at its end, or they belong to another task that overlaps it, which belongs_to_task names (that task may have no episode of its own, and may be the task that ends where this
episode starts). An event in frames that two episodes share can stay in both
text_beyond_the_episode label text about moments outside the episode, with the list and field of the label it was written in (that label may no longer be in this episode), and entry_time_in_recording_s when its entry had a time
People in the videos

The wrist and top cameras show the operators, and sometimes people passing by. Faces are not blurred. The license forbids trying to identify anyone, extracting biometric data, and publishing images in which a person could be identified (Article 7).

Loading an episode
import json, numpy as np

ep = "freeform/<episode_id>"
A = np.load(f"{ep}/actions.npz")
labels = json.load(open(f"{ep}/labels.json"))
meta = json.load(open(f"{ep}/meta.json"))

ok = A["left_action_valid"][:, :3].all(1)
left_translation = A["left_action_local"][ok, :3]     # m per frame, in the left wrist's frame
print(meta["task"], meta["skill"], labels["completion"]["outcome"])
for step in labels["timeline"]:
    print(step["start_s"], step["end_s"], step["arm"], step["action"], step["progress"])
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