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Ingi Heinesen Højsted, head of the Children and Youth Research Unit at the University of the Faroe Islands, and Kalpana Vijayavarathan, dean of the Faculty of Education, have spent the past week on a working trip to Greenland with the aim of developing cooperation on research into children and youth issues in the Faroe...
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Ingi Heinesen Højsted, leiðari á Barna- og ungdómsgranskingardepilinum á Fróðskaparsetri Føroya, og Kalpana Vijayavarathan, dekanur á Námsvísindadeildini, hava seinasta vikuna verið á arbeiðsferð í Grønlandi við tí endamáli at menna samstarv um gransking í barna- og ungdómsviðurskiftum í Føroyum, Íslandi, Grønlandi og ...
The host of the collaborative workshop was Iluliaq, which is the Children and Youth Research Unit at the University of Greenland, Ilisimatusarfik.
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Vertur fyri samstarvsverkstovuna var Iluliaq, sum er Barna- og ungdómsgranskingardepilin á Universitetinum í Grønlandi, Ilisimatusarfik.
Participants from the four countries included among others Lars Demant-Poort (Ilisimatusarfik, Greenland), Rikke Ørngreen (Ilisimatusarfik, Greenland), Ingi Heinesen Højsted and Kalpana Vijayavarathan-R (University of the Faroe Islands), Greta Gudmundsdottir and Kristin Beate Vasbø (University of Oslo), Kolbrún Þorbjör...
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Luttakararnir úr teimum fýra londunum vóru m.a. Lars Demant-Poort (Ilisimatusarfik, Grønland), Rikke Ørngreen (Ilisimatusarfik, Grønland), Ingi Heinesen Højsted og Kalpana Vijayavarathan-R (Fróðskaparsetur Føroya), Greta Gudmundsdottir og Kristin Beate Vasbø (Universitetið í Oslo), Kolbrún Þorbjörg Pálsdóttir og Hróbja...
At the workshop the participants presented their research work, and foundations were laid for projects on welfare problems among children and young people in the North Atlantic region, as well as on education and learning from the initial stages to higher education.
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Á verkstovuni løgdu luttakararnir fram sítt granskingararbeiði, og lunnar vórðu lagdir undir verkætlanir um trivnaðartrupulleikar millum børn og ung í norðuratlantiska økinum, umframt útbúgving og læring frá byrjanarstigi til hægri útbúgving.
On the agenda were also robust curricula, life in coastal communities, and the social changes brought about by urbanization, climate change and digitization.
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Á skránni vóru eisini haldførar læringsætlanir, tilveran í strandabygdum og tær samfelagsligu broytingarnar, sum býarmenning, veðurlagsbroytingar og talgilding hava við sær.
The discussions revealed both common challenges and great opportunities to develop new cooperation, and emphasis was placed on how similar social and geographical conditions in the region can provide a good breeding ground for comparative research and joint projects.
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Orðaskiftið vísti bæði felags avbjóðingar og stórar møguleikar fyri at menna nýtt samstarv, og dentur varð lagdur á, hvussu lík samfelagslig og landafrøðilig viðurskifti í økinum kunnu taða góðan gróðrarbotn fyri samanberandi gransking og felags verkætlanum.
For the Children and Youth Research Unit at the University, the working trip was an important step in building a collaboration network for children and youth research.
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Fyri Barna- og ungdómsgranskingardepilin á Setrinum var arbeiðsferðin ein týdningarmikil liður í at byggja samstarvsnetverk fyri barna- og ungdómsgransking.
The workshop paved the way for continued communication, new projects and improved knowledge sharing among the participating universities.
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Verkstovan ruddaði slóð fyri framhaldandi samskifti, nýggjum verkætlanum og betri vitanardeiling millum luttakandi universitetini.
The acquisition unites two of the most focused European players around a common goal, which is to set a new standard for automated invoicing, payments and collections across Europe.
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Keypið sameinir tveir av teimum mest málrættaðu evropeisku aktørunum um eitt felags mál, sum er at seta einnýggjan standard fyri sjálvvirkandi fakturering, gjalding og innkrevjing fyri alt Evropa.
With the transaction, POM and FarPay will combine FarPay’s advanced platform for automated payments and accounting with POM’s strong position in collections and user experience.
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Við handlinum fara POM og FarPay undir at sameina framkomna pallin hjá FarPay til sjálvvirkandi gjaldingar og bókhald við sterku støðuna hjá POM, tá tað snýr seg um innkrevjing og brúkarauppliving.
Together the companies create financial technology that crosses borders.
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Við tí skapa fyritøkurnar fíggjartøkni, sum fer um landamørk.
“A new era now begins in which we together will embark on the next stage of developing how we can automatically handle outstanding debt throughout Europe,” says Rasmus Overbeck Christensen, CEO of FarPay.
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– Nú byrjar eitt nýtt tíðarskeið, har vit saman fara undir næsta stig í menningini av, hvussu vit sjálvvirkandi kunnu avgreiða útistandandi skuld í øllum Evropa, sigur Rasmus Overbeck Christensen, stjóri í FarPay.
“We have built a company that makes financial processes for thousands of customers simpler and automated.
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– Vit hava bygt eina fyritøku, sum ger fíggjarligu mannagongdirnar hjá kundum í túsundatali einfaldari og sjálvvirkandi.
By joining forces with POM we now gain the conditions to reach further and faster – and we gain the conditions to expand our shared vision across all of Europe.”
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Við at leggja saman við POM fáa vit nú umstøðurnar til at røkka longur og skjótari – og vit fáa umstøðurnar til at breiða okkara felags visión til alt Evropa.
Since 2014 FarPay, with its all-in-one solution for automated invoicing, collections and accounting, has made a complex process simple for companies in the Nordic countries.
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Síðan 2014 hevur FarPay, við síni alt-í-einum loysn til sjálvvirkandi fakturering, uppkrevjing og bókhald, gjørt tað fløkjasliga einfalt fyri fyritøkur í Norðurlondum.
At the same time POM has made its mark in Europe with user-friendly payment and collection solutions built on a clear promise: “Peace of Mind in Payments.”
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Samstundis hevur POM gjørt vart við seg í Evropa við brúkaravinarligum gjalds- og innkrevjingarloysnum, sum byggja á eitt greitt lyfti: “Peace of Mind in Payments.”
Now the companies are merged.
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Nú vera fyritøkurnar sameindar.
The result is a technically strong and scalable platform that delivers a more efficient finance department and gives end users an even smoother payment experience – and a first-class collection solution.
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Úrslitið er ein tøkniliga sterkur og skalerbarur platformur; sum gevur eina effektivari fíggjardeild og sum gevur endabrúkarunum eitt enn smidligari gjaldsupplivilsi – og eina fyrstafloks innkrevjingarloysn.
“We are very pleased to welcome FarPay into the POM Group.
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– Vit eru sera fegin um at bjóða FarPay vælkomnum í POM Group.
By combining the focus of POM and FarPay we create a European platform that raises the standard for both companies and their customers, says Martijn Brand, CEO of POM Group.”
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Við at sameina fokus hjá POM og FarPay skapa vit ein evropeiskan pall, sum hækkar støðið hjá bæði fyritøkunum og teirra viðskiftafólkum, sigur Martijn Brand, forstjóri í POM Group.
With the acquisition the two companies are opening a new chapter.
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Við keypinum seta fyritøkurnar báðar hol á eitt nýtt kapittul.
For POM it strengthens the group’s position in Northern Europe.
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Fyri POM styrkir tað støðuna hjá samtakinum í Norðurevropa.
For FarPay it opens up new functions, new offerings, new networks and new markets that will technically move the company to the next level.
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Fyri FarPay letur tað upp fyri nýggjum funktiónum, nýggjum tilboðum, nýggjum netverki og nýggjum marknaðum, sum tekniskt fara flyta fyritøkuna upp á næsta stig.
All FarPay employees will continue and the company will continue as an independent brand within the POM Group with its own teams and management – only strengthened through closer collaboration with POM.
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Øll starvsfólk í FarPay halda fram og fyritøkan heldur fram sum sjálvstøðugt vørumerki í POM Group við egnum toymi og leiðslu – bara styrkt gjøgnum eitt tættari samstarv við POM.
As part of the group’s European growth plan this will accelerate innovation and the ability to bring new features to market faster.
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Sum partur av evropeisku vækstrarætlanini hjá samtakinum fer tað at skunda undir nýskapan og møguleikan fyri at fáa nýggjar funktiónir skjótari á marknaðin.
Yesterday the police were out and checked traffic in Vágum, and in that connection two drivers were caught driving with lights that did not work.
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Í gjár varð løgreglan úti og kannaði ferðsluna í Vágum, og í hesum sambandi vórðu tveir bilførarar tiknir fyri at koyra við ljósum, sum ikki lýstu.
In both cases it was a matter of two blown bulbs, and they each receive a fine of 1,000 kroner for that.
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Í báðum førum var talan um tvær brostnar perur, og tað fáa teir 1.000 krónur í bót fyri.
The watch leader at the police station in Tórshavn says that this is a recurring problem now that it has become dark, and people are urged to get this fixed.
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Vaktleiðarin á løgreglustøðini í Havn sigur, at hetta er ein afturvendandi trupulleiki, nú tað er blivið myrkt, og verður heitt á fólk um at fáa hetta í rættlag.
In addition to the aforementioned drivers, one person was also caught driving without a seatbelt.
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Umframt teir áðurnevndu bilførararnir varð ein eisini tikin fyri at koyra uttan trygdarbelti.
The Faroe Islands Bank Collection has just purchased four paintings by the artist Jens Dam Ziska, the collection announced in a press release.
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Føroya Banka-savnið hevur júst keypt fýra málningar eftir listamannin Jens Dam Ziska, boðar savnið frá í tíðindaskrivi.
Jens Dam Ziska (b. 1982) was born and raised in Tórshavn and exhibited for the first time at the spring exhibition in 2002.
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Jens Dam Ziska (f. 1982) er føddur og uppvaksin í Tórshavn og sýndi fyrstu ferð fram á várframsýningini í 2002.
Since then he has shown his work in several group and solo exhibitions both in the Faroe Islands and abroad.
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Síðani tá hevur hann sýnt fram á fleiri bólka- og einstaklingaframsýningum bæði í Føroyum og uttanlands.
Jens Dam Ziska holds an MFA in painting from UCLA in Los Angeles and has also written a doctoral dissertation in philosophy at the University of Oxford.
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Jens Dam Ziska hevur MFA útbúgving í málningalist frá UCLA í Los Angeles og hevur harumframt skrivað doktararitgerð í heimspeki á University of Oxford.
From 2017 to 2019 he worked as a postdoctoral researcher at the Kunstakademie Düsseldorf, where he taught aesthetics and researched painting.
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Árini 2017-2019 starvaðist hann sum postdoc-granskari á Kunstakademie Düsseldorf, har hann undirvísti í fagurfrøði og granskaði málningalist.
Since 2019 Jens Dam Ziska has taught at the University of the Faroe Islands.
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Síðani 2019 hevur Jens Dam Ziska undirvíst á Fróðskaparsetri Føroya.
These days Jens Dam Ziska has a solo exhibition titled 'Eftirmyndir' at the National Gallery of the Faroe Islands.
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Jens Dam Ziska hevur í hesum døgum hevur soloframsýning við heitinum Eftirmyndir á Listasavni Føroya.
This is the artist's first museum collection exhibition.
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Talan er um fyrstu savnsframsýning hjá listamanninum.
The paintings in this exhibition do not depict an event in themselves, but rather the aftermath of an event, hidden realities, forgotten stories, and how the metaphysical realm can affect the experience of a place.
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Málningarnir á hesi framsýningini lýsa ikki eina hending í sjálvum sær, men heldur eftirlívið frá eini hending, goymdar veruleikar, gloymdar søgur, og hvussu tann metafysiski heimurin kann ávirka upplivingina av einum staði.
While some of the paintings are almost non-figurative, others are abstractions of motifs and objects that recur in the image and that the viewer recognizes from everyday life.
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Meðan summir av málningunum eru nærum non-figurativir, eru aðrir hinvegin abstraktiónir av motivum og lutum, ið hómast aftur í myndini, og sum áskoðarin kennur aftur úr gerandislívinum.
The works are echoes of the unseen and reproduce what was — the afterimages that have imprinted behind the eyelids, a boundary between what is observed and what is imagined.
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Verkini eru afturljóð av tí ósædda og endurgeva tað, sum var - eftirmyndirnar, ið hava fest seg handan eygnalokini, eitt markamót millum tað, ið er eygleitt, og tað, ið er ímyndað.
The privately owned institution Føroya Banka-savnið has for five years received strong support from Føroya Banki for the purchase of Faroese contemporary art.
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Sjálvsognarstovnurin Føroya Banka-savnið hevur í fimm ár fingið dyggan stuðul frá Føroya Banka til keyp av føroyskari samtíðarlist.
During these five years the support has been 750,000 kroner, and the collection has purchased 47 artworks from nine artists that were not previously in the collection.
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Hesi fimm árini hevur stuðulin verið 750.000 krónur, og hevur savnið keypt 47 listaverk frá níggju listafólkum, sum ikki vóru í savninum áður.
The health policy for the Faroe Islands is now publicly announced and presented to Susanna Bertholdsen, the minister of health.
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Heilsupolitikkurin fyri Føroyar er nú almannakunngjørdur og handaður Súsannu Bertholdsen, landsstýriskvinnu í heilsumálum.
This is the first time that such a comprehensive and long-term course has been set for the health sector in the Faroe Islands, and the health policy is expected to have great importance for the development of the health service and public health over the next ten years, writes the Ministry of Health.
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Hetta er fyrstu ferð, at ein so víðfevnd og langskygd kós verður løgd fyri heilsuøkið í Føroyum, og heilsupolitikkurin verður mettur at fáa stóran týdning fyri menningina av heilsuverkinum og fólkaheilsuni komandi tíggju árini, skrivar Heilsumálaráðið.
The health policy's vision is "that all citizens maintain mental, physical and social wellbeing for as long as possible, and that correct and high-quality treatment is provided when it is needed."
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Heilsupolitikkurin hevur sum visjón "at allir borgarar sum longst varðveita sálarliga, kropsliga og sosiala vælveru, og at røtt og dygdargóð viðgerð verður veitt, tá hon krevst".
The health policy contains recommendations for measures aimed at improving the capacity of the health service, thereby working to ensure that the health service can meet the growing demand for health services going forward.
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Í heilsupolitikkinum eru tilmæli um átøk, sum hava til endamáls at betra virkisføri í heilsuverkinum, og harvið virka fyri at heilsuverkið fer at megna vaksandi tørvin á heilsutænastum frameftir.
The course that the health policy proposes is to:
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Kósin, sum heilsupolitikkurin leggur upp til, er at:
Several initiatives have been launched that stem from the work on the health policy.
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Farið er undir nøkur átøk, sum eru sprottin úr arbeiðinum við heilsupolitikkinum.
Just before the summer holiday, a cooperation agreement was made between the Ministry of Health, the Faroese Sports Federation (ÍSF) and the Health Authority, which will work to strengthen physical activity, mental health and public health across the country.
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Beint fyri summarfrítíðina varð samstarvsavtala gjørd millum Heilsumálaráðið, ÍSF og Heilsustýrið, sum skal virka fyri at styrkja rørslu, sálarheilsu og fólkaheilsu um alt landið.
Furthermore, prices for nicotine and tobacco products have been increased, and work is underway to prepare offers to screen for colorectal cancer in the Faroe Islands.
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Harumframt eru prísir á nikotin- og tubbaksvørum hækkaðir, og arbeitt verður við at fyrireika tilboð um at screena (skima) fyri tarmkrabba í Føroyum.
The Rhythm.
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Rýtman.
It conveys the feeling of time and events that come and go in a cycle and are felt in one's own body, but can be difficult to put into words.
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Hon týðiligger kensluna av tíð og fyribrigdum sum koma og fara í einum rensli og merkjast á egnum kroppi, men kunnu verða torfør at seta orð á.
It touches our collective memory and connects us with other rhythms in existence: the heartbeat, the day-night cycle, the seasons, the passing year, the course of life.
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Hon rørir við okkara kollektiva minni og setir okkum í samband við aðrar rýtmur í tilveruni: hjartaslátturin, døgnið, árstíðirnar, árið, ið fór, lívsins gongd.
Two years ago RIVA — with Búa Rouch, Rannvá G. Niclasen and Vár B. Árting — set out to stage at least one Faroese dance performance each year.
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Fyri tveimum árum síðani settu RIVA - við Búa Rouch, Rannvá G. Niclasen og Vár B. Árting sær fyri at pallseta minst eina føroyska dansisýning um árið.
The aim was to make dance art a larger and more established part of the Faroese cultural landscape and to ensure representation of Faroese contemporary dance on Faroese stages each year.
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Endamálið var at gera dansilistina til ein størri og meira rótfestan part av føroyska listalandslagnum, og at tryggja umboðan av føroyskari samtíðardansilist á føroyskum pallum hvørt ár.
With Rýtmugrafi the artists wish to broaden the perception of dance within a contemporary art context.
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Við Rýtmugrafi ynskja listafólkini at víðka um fatanina av dansi í einum samtíðarlistahøpi.
While storytelling has been central to the works in the past two years, this time they pursue an abstract approach, examining how movement and rhythm can function as equal artistic media on stage.
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Meðan søguforteljing hevur verið miðdepilin í verkunum seinastu tvey árini, verður hesa ferð farið undir ein abstraktan leist, har granskað verður, hvussu rørsla og rýtma kunnu virka sum javnsettir listaligir miðlar á palli.
This is being done in a playful and exploratory manner in close collaboration with musicians from the Faroese Percussion Ensemble: Rúna Mouritsen, Ára Berghamar Danielsen, Helena S. Lamhauge and Jan Rúna Poulsen.
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Hetta verður gjørt á ein spælandi og leitandi hátt í tøttum samstarvi við tónleikarar úr Føroya Slagverks Ensemble: Rúna Mouritsen, Ára Berghamar Danielsen, Helenu S. Lamhauge og Jan Rúna Poulsen.
In addition, Baldur Meitil, Maibritt Marjunardóttir, Villiam Soo Joensen and Bjørn Ulvedal Simonsen are participating with responsibility for respectively sound engineering, costume, lighting and set design.
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Umpart hetta eru Baldur Meitil, Maibritt Marjunardóttir, Villiam Soo Joensen og Bjørn Ulvedal Simonsen viðvirkandi við ábyrgd fyri ávíkavíst ljóðtøkni, búna-, ljós- og pallsniðgeving.
The work gives both parties the opportunity to expand their collaborations and artistic practices and to explore how this affects the choreographic and musical compositions.
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Verkið gevur báðum pørtum høvi at víðka síni samstørv og listaligu arbeiðsløg, og at kanna, hvussu hetta ávirkar koreografisku og tónleikaligu kompositiónirnar.
The search for a shared distinct identity is the driving force in the artistic approach.
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Tað er leitanin eftir einum felags sereyðkenni, ið er drívmegin í listaligu tilgongdini.
At the same time the project gives RIVA the chance to further develop and detail its movement language inspired by musical modes.
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Samstundis gevur verkætlanin RIVA høvi at víðarimenna og nágreiniliggera sítt rørslumál við íblástri úr tónleikaháttaløgum.
The desire has been to create a shared pulse between musicians, dancers and audience.
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Ynskið hevur verið at at skapa ein felags puls millum tónleikarar, dansarar og áskoðarar.
This pulse becomes a mental and emotional landscape that the audience travels through.
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Hesin pulsurin gerst eitt sinnis- og kenslulendi, ið áskoðarin ferðast í.
As the premiere approaches and the work is almost finished, a special presence and depth are felt — a sensation that can only be created by live performances.
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Nú frumframførslan nærkast, og verkið er næstan liðugt snikkað saman, merkist ein serlig nærvera og dýpd - ein kensla, ið bert kann skapast við livandi framførslum.
Those in RIVA describe:
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Tey í RIVA greiða frá:
– This pulse — or rhythm — does something to the body when we hear it.
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– Hesin pulsurin - ella rýtman - ger okkurt við kroppin tá ið vit hoyra hana.
It moves both our mind and emotional life and creates a need for movement.
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Hon rørir bæði okkara sinn og kenslulív og skapar eina trongd til rørslu.
Rhythm is both poetic and moving; it can evoke strong emotions and create an elevated mental space where we for a brief moment forget ourselves.
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Rýtma er bæði poetisk og rørandi; hon kann vekja sterkar kenslur og skapa eitt upphevjað sinnisrúm, har vit eina stokkuta løtu gloyma okkum sjálvi.
The team behind Rýtmugrafi hopes that the work will reach a wide audience — both those interested in classical and experimental music, and those who enjoy dance and stage art.
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Toymið handan Rýtmugrafi vónar, at verkið fer at røkka einum breiðum áskoðaraskara - bæði teimum, ið hava áhuga fyri klassiskum og eksperimenterandi tónleiki, og teimum, ið dáma dansi- og pallist.
Performances are on November 29 and 30 at 19:30 in the Norðurlandahúsið.
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Sýningar eru 29. og 30. november kl. 19.30 í Norðurlandahúsinum.
On Monday at 18:30 the first episode of Snæfall 2 is on television and on the VIT app.
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Mánadagin klokkan 18.30 er 1.partur av Snæfalli 2 í sjónvarpinum og á VIT-appini
The Christmas calendar, Snæfall 2, is a continuation of the story about Snæfall, which was first broadcast on television in 2017.
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Jólakalendarin, Snæfall 2, er framhald av søguni um Snæfall, sum var send fyrstu ferð í sjónvarpinum í 2017.
This time the story is about having hope.
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Søgan hesa ferð er um at hava vón.
Believing that everything will get better and that everything will be peaceful and good again.
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At trúgva uppá, at alt fer laga seg, og at alt verður fjálgt og gott aftur.
Even when the light of hope almost goes out and everything seems heavy and overwhelming.
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Eisini hóast vónarljósið næstan slóknar, og alt tykist tungt og møtimikið.
It is important not to lose hope.
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Tað ræður um ikki at missa vónina.
"Snæfall 2" is a Christmas calendar about 10-year-old Nói, who has a very important Christmas wish.
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”Snæfall 2” er ein jólakalendari um 10 ára gamla Nóa, sum hevur eitt sera týdningarmikið jólaynski.
Selma, who is now grown up, helps him send a letter to Santa Claus in Snæfall.
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Selma, sum nú er vaksin, hjálpir honum at senda eitt bræv til jólamannin í Snæfalli.
Nói's mother, who is ill, also sends a wish letter to Santa, and her wish is that Nói will receive strength and hope.
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Mamma Nóa, sum er sjúk, sendir eisini jólamanninum eitt ynskibræv, og ynskið hjá henni er, at Nóa skal fáa styrki og vón.
Nói's mother is struck by a serious illness, and he wishes that she will get well.
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Mamma Nóa er rakt av álvarsamari sjúku, og hann ynskir sær, at hon skal gerast frísk.
But when his mother has to go back to the hospital, Nói must live with Hákun and Ketil.
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Men tá ið mamman aftur má á sjúkrahúsið, skal Nóa búgva hjá Hákuni og Ketli.
They go to Rutt's bookshop, and Selma tells him about the mailbox and the wish letters, which become letter-birds and fly off to Santa Claus in Snæfall with the Christmas wishes of everyone who writes letters.
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Teir fara í bókahandilin hjá Rutt, og Selma fortelur honum um postkassan og ynskibrøvini, sum gerast til brævfuglar og flúgva avstað til jólamannin í Snæfalli við jólaynskjunum hjá øllum, sum skriva brøv.
Nói's letter flies away together with the other letter-birds to Snæfall.
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Brævið hjá Nóa flýgur avstað saman við hinum brævfuglunum til Snæfals.
To a captivating, magical, and alluring world.
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Til eina hugtakandi, gandakenda og dragandi verð.
But imagine if the letter-birds and the Christmas wishes do not arrive.
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Men hugsa tær til, um brævfuglarnir og jólaynskið ikki koma fram.
Nói manages to find the way to Snæfall, where he tries to fight against the evil shadows that threaten to overcome all hope.
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Nóa hepnast at finna leiðina til Snæfals, har hann roynir at berjast móti óndu skuggunum, sum hótta við at vinna á allari vón.
In Snæfall not everything goes as it should.
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Í Snæfalli gongur ikki alt, sum tað skal.
And while Nói is in Snæfall, dark shadows threaten, making everything unsafe and spreading fear.
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Og meðan Nóa er í Snæfalli, hótta døkkir skuggar, sum gera alt ótrygt og breiða ótta.
Santa Claus Jólius, the librarian Vetur, and the apprentice Pílur have a lot to struggle with.
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Jólamaðurin Jólius, bókavørðurin Vetur og lærlingurin Pílur hava nógv at stríðast við.
Something is wrong with the letter-birds.
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Okkurt er galið við brævfuglunum.
And the consequences can be disastrous.
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Og avleiðingarnar kunnu vera vanlukkuligar.
In Snæfall Nói makes new friends.
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Í Snæfalli fær Nóa nýggjar vinir.
The girl Amina and Nói become good friends, and together with her and everyone else they fight to keep hope alive.
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Gentan Amina og Nóa gerast góð vinfólk, og saman við henni og øllum hinum stríðist tey fyri at halda vónini á lívi.
Páll Danielsen is the director, and Finnur Hansen has been responsible for the recordings and has done the sound design.
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Páll Danielsen er leikstjóri, og Finnur Hansen hevur staðið fyri upptøkunum og verið ljóðtøkningur.
Carsten M. Arnskov edited (assembled) it.
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Carsten M. Arnskov setti saman.
Fifteen children are involved.
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Fimtan børn eru við.
Five who were children last time are participating again this time.
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Fimm, sum vóru børn seinast, eru við aftur hesa ferð.
In addition, twenty adult actors.
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Umframt tjúgu vaksnir leikarar.
Erla Zachariasen and Marið E. Persson translated into Faroese.
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Erla Zachariasen og Marið E. Persson týddi til føroyskt.